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Collections can range in size from a single letter or diary to thousands of boxes of institutional records. They can contain drafts of literary works, financial records, meeting minutes, reports, memorabilia, as well as sound recordings, videos, film, databases, and software.</span> <br><br> <span>On this site, you can search The New York Public Library's vast holdings, initiate a research visit, submit a query to an archivist, and access digitized material.</span> <br> <a href="/about">Learn more.</a> <br> <br> <span class="site-sponsor">Made possible with generous support from The Robert W. Wilson Charitable Trust, The Polonsky Foundation, and The Hermione Foundation.</span> </div> </div> </div> <div class="span6"> <div class="col-layout-unit"> <div class="no-chevron no-chevron-extra-padding"> Living at NYPL Archives & Manuscripts </div> <div class="row-fluid living-at"> <div class="span4"> <div class="col-layout-unit"> <a href="the/21550"> <img class="living-at-img" alt="living-at-img" src="https://nyplorg-data-archives.s3.amazonaws.com/uploads/documents/living_at_crop/collection_4554_4554.png"> </a> </div> </div> <div class="span8"> <div class="col-layout-unit"> <div class="living-at-title"> New York Shakespeare Festival Productions </div> <div class="living-at-body-hidden" style="display:none"> <p>Joseph Papp founded the New York Shakespeare Festival in 1954 in New York City. It was initially chartered as the Shakespeare Workshop, an actors' workshop presenting Shakespeare and his Elizabethan contemporaries free of charge in the basement of the Emmanuel Presbyterian Church and in the Heckscher Theater. The original aim was to cultivate and encourage interest in Shakespeare and classic drama, to present an annual Shakespeare festival, and to build an Elizabethan-style stage to present Shakespeare's works. During the fifties, Papp fought to obtain financial support from the City of New York in order to establish a subsidized, free Shakespearean theater. Eventually, Papp won a court battle with New York City Parks Commissioner Robert Moses to keep his Shakespeare productions free to the public. In 1957, the New York Shakespeare Festival flatbed truck, which toured the city parks and playgrounds with performances of Shakespeare, broke down near Belvedere Lake in Central Park. On that site they constructed the Delacorte Theater, which opened in 1962. Papp relentlessly promoted the concept of free Shakespeare. He solicited support from foundations, corporations, political officials, and individual philanthropists.</p> <p>During the sixties, Papp extended the reach of the New York Shakespeare Festival by bringing Shakespeare to the outer boroughs of New York City and the tri-state area. He created the Mobile Theater, which toured the public schools, religious institutions, and civic organizations. In 1965, the New York Shakespeare Festival purchased the landmark Astor Library building on Lafayette Street, and the city funded its conversion into the new Public Theater. Papp then added to the New York Shakespeare Festival's mission a new mandate: to produce new American plays. The Public Theater was inaugurated in 1967 with the production of the musical <span class="title">Hair</span>. The Public Theater became the administrative home of the New York Shakespeare Festival and the laboratory for many original plays and musicals by David Rabe, Elizabeth Swados, Thomas Babe, Miguel Pi帽ero, and many others. It was also home to many actors who found recognition through their association with the Festival, such as Colleen Dewhurst, James Earl Jones, Raul Julia, Kevin Kline, and Meryl Streep.</p> <p>During the seventies, the New York Shakespeare Festival's production schedule became increasingly prolific, moving many productions to Broadway, most notably <span class="title">Two Gentlemen of Verona, A Chorus Line, That Championship Season</span>, and <span class="title">For Colored Girls Who Have Considered Suicide (When the Rainbow Is Enuf).</span> The New York Shakespeare Festival earned an international reputation for theatrical innovation and received numerous awards. Papp expanded the Festival into the areas of dance, music and poetry, producing new plays by young playwrights that reflected contemporary issues.</p> <p>In 1974, the Festival was invited to become a constituent of Lincoln Center for the Performing Arts. During the next four years, the New York Shakespeare Festival produced <span class="title">In the Boom Boom Room, Short Eyes</span>, and <span class="title">The Threepenny Opera</span>, among others, and achieved both notoriety and acclaim for its innovative staging of classics and production of new, often controversial plays. In 1976, the Festival Latino en Nueva York was launched through Papp's efforts and encouragement, and became an annual event. Papp was ever seeking new audiences for the theater, which he believed to be a powerful social force.</p> <p>In the seventies, The New York Shakespeare Festival expanded into television production with David Rabe's <span class="title">Sticks and Bones</span> and several Shakespeare plays, then into motion pictures with adaptations of <span class="title">The Pirates of Penzance</span> (1983) and <span class="title">Plenty</span> (1985). The New York Shakespeare Festival participated in a theater exchange program with the United Kingdom and the Soviet Union. In addition, the Belasco Project was created to expose high school students to Shakespeare on Broadway, while the PITS Program taught them how to write plays. Papp became ill in the late eighties, and played a less active role in Festival administration and productions. His last major theatrical work was his direction of Bill Gunn's <span class="title">Forbidden City</span>, while his involvement in the controversy over NEA funding marked his final act of public advocacy. Joseph Papp died on October 31, 1991.</p> <ul class="chronlist"> <div class="head">Chronology</div> <li class="chronitem"> <span class="date">1953-1954</span> <div class="eventgrp"> <span class="event">Joseph Papp forms Shakespeare Workshop, chartered by Board of Regents of State of New York "to encourage and cultivate interest in poetic drama with emphasis on the works of William Shakespeare and his Elizabethan contemporaries and to establish an annual Shakespeare Festival. Shakespeare Workshop presents <span class="title">An Evening With Shakespeare and Marlowe</span> at the Emmanuel Presbyterian Church Sunday School.</span></div></li> <li class="chronitem"> <span class="date">1956-1957</span> <div class="eventgrp"> <span class="event">First season of Free Shakespeare in the Park presented in cooperation with Dept. of Parks at the East River Amphitheater. Papp moves operations to Heckscher Theater. Shakespeare Workshop opens season at Belvedere Lake with a new, grant-funded truck stage, and tours the five boroughs of New York City with <span class="title">Romeo and Juliet</span>.</span></div></li> <li class="chronitem"> <span class="date">1958-1959</span> <div class="eventgrp"> <span class="event">Second season of Free Shakespeare at Belvedere Lake. Papp called before HUAC. Papp battles with NYC Parks Commissioner Robert Moses over Free Shakespeare in the Park. Papp goes to court to protest charging admission to public. State Appellate court rules in favor of Free Shakespeare. Moses requests Board of Estimate to appropriate funds to build a Shakespeare-style amphitheater in Central Park.</span></div></li> <li class="chronitem"> <span class="date">1960-1961</span> <div class="eventgrp"> <span class="event">New York Shakespeare Festival officially chartered. Board of Education funds Shakespeare in the Schools tour of <span class="title">Romeo and Juliet</span> in city schools. Construction of Delacorte Theater begins; Festival temporarily relocates to Wollman Rink. Mayor's Committee for Free Shakespeare formed.</span></div></li> <li class="chronitem"> <span class="date">1962</span> <div class="eventgrp"> <span class="event">The new Delacorte Theater opens with <span class="title">Merchant of Venice</span>, starring George C. Scott; CBS-TV telecasts opening night performance.</span></div></li> <li class="chronitem"> <span class="date">1964</span> <div class="eventgrp"> <span class="event">Mobile Theater program begins; five-trailer caravan tours the five boroughs.</span></div></li> <li class="chronitem"> <span class="date">1966-1967</span> <div class="eventgrp"> <span class="event">NYSF purchases the old Astor Library building for $575,000. The musical <span class="title">Hair</span> inaugurates the newly created Public Theater, dedicated to presenting contemporary works.</span></div></li> <li class="chronitem"> <span class="date">1968</span> <div class="eventgrp"> <span class="event">Vaclav Havel's <span class="title">The Memorandum</span> opens at the Public Theater.</span></div></li> <li class="chronitem"> <span class="date">1970</span> <div class="eventgrp"> <span class="event"><span class="title">No Place to be Somebody</span> wins the Pulitzer Prize.</span></div></li> <li class="chronitem"> <span class="date">1971</span> <div class="eventgrp"> <span class="event">City of New York purchases Public Theater, leases it back for $1 a year. Galt MacDermot's musical <span class="title">Two Gentlemen of Verona</span> opens at the Delacorte and then moves to Broadway.</span></div></li> <li class="chronitem"> <span class="date">1972</span> <div class="eventgrp"> <span class="event"><span class="title">Sticks and Bones</span> moves to Broadway. <span class="title">That Championship Season</span> opens at the Public Theater. Tony Awards go to <span class="title">Two Gentlemen of Verona</span> and <span class="title">Sticks and Bones</span>.</span></div></li> <li class="chronitem"> <span class="date">1973</span> <div class="eventgrp"> <span class="event">Lincoln Center for the Performing Arts invites NYSF to join its constituency; first season at LC opens with <span class="title">In the Boom Boom Room</span>. NYSF contracts with CBS-TV to produce <span class="title">Much Ado About Nothing</span>. Contract expires before <span class="title">Sticks and Bones</span> airs. Pulitzer Prize and Tony Award for <span class="title">That Championship Season</span>.</span></div></li> <li class="chronitem"> <span class="date">1974</span> <div class="eventgrp"> <span class="event"><span class="title">Short Eyes</span> opens at the Public Theater and moves to Lincoln Center. NYSF contracts with ABC-TV to produce <span class="title">The Wedding Band</span>.</span></div></li> <li class="chronitem"> <span class="date">1975</span> <div class="eventgrp"> <span class="event"><span class="title">A Chorus Line</span> opens at the Public Theater and moves to Broadway.</span></div></li> <li class="chronitem"> <span class="date">1976</span> <div class="eventgrp"> <span class="event"><span class="title">Festival Latino</span> begins.</span></div></li> <li class="chronitem"> <span class="date">1978</span> <div class="eventgrp"> <span class="event">Bernard Gersten leaves NYSF. <span class="title">For Colored Girls...</span> opens. <span class="title">Runaways</span> opens, moves to Broadway. Poets at the Public program begins.</span></div></li> <li class="chronitem"> <span class="date">1979</span> <div class="eventgrp"> <span class="event">Jazz at the Public program begins.</span></div></li> <li class="chronitem"> <span class="date">1980</span> <div class="eventgrp"> <span class="event">Save our Broadway campaign begins.</span></div></li> <li class="chronitem"> <span class="date">1981</span> <div class="eventgrp"> <span class="event"><span class="title">The Pirates of Penzance</span> opens, moves to Broadway, and is adapted into film.</span></div></li> <li class="chronitem"> <span class="date">1982</span> <div class="eventgrp"> <span class="event">Save our Theaters campaign aims but fails to protect the Helen Hayes and Morosco theaters from demolition.</span></div></li> <li class="chronitem"> <span class="date">1983</span> <div class="eventgrp"> <span class="event">NYSF begins theater exchange program with London's Royal Court Theater.</span></div></li> <li class="chronitem"> <span class="date">1984</span> <div class="eventgrp"> <span class="event">Papp tours Europe, visits Vaclav Havel, initiates theater exchange with Russia.</span></div></li> <li class="chronitem"> <span class="date">1985</span> <div class="eventgrp"> <span class="event"><span class="title">The Normal Heart</span> opens.</span></div></li> <li class="chronitem"> <span class="date">1986</span> <div class="eventgrp"> <span class="event">Belasco/Shakespeare on Broadway Project begins. Playwriting in the Schools program also begins.</span></div></li> <li class="chronitem"> <span class="date">1987</span> <div class="eventgrp"> <span class="event">Shakespeare Marathon begins, an attempt to produce all of Shakespeare's plays.</span></div></li> <li class="chronitem"> <span class="date">1988</span> <div class="eventgrp"> <span class="event">NEA controversy and Joseph Papp's involvement in it deepens.</span></div></li> <li class="chronitem"> <span class="date">1989</span> <div class="eventgrp"> <span class="event">Joseph Papp dies in New York City.</span></div></li></ul> </div> <a href="the/21550" class="living-at-body-link">_</a> <div class="living-at-body"> <p>Joseph Papp founded the New York Shakespeare Festival in 1954 in New York City. It was initially chartered as the Shakespeare Workshop, an actors' workshop presenting Shakespeare and his Elizabethan contemporaries free of charge in the basement of the Emmanuel Presbyterian Church and in the Heckscher Theater. The original aim was to cultivate and encourage interest in Shakespeare and classic drama, to present an annual Shakespeare festival, and to build an Elizabethan-style stage to present Shakespeare's works. During the fifties, Papp fought to obtain financial support from the City of New York in order to establish a subsidized, free Shakespearean theater. Eventually, Papp won a court battle with New York City Parks Commissioner Robert Moses to keep his Shakespeare productions free to the public. In 1957, the New York Shakespeare Festival flatbed truck, which toured the city parks and playgrounds with performances of Shakespeare, broke down near Belvedere Lake in Central Park. On that site they constructed the Delacorte Theater, which opened in 1962. Papp relentlessly promoted the concept of free Shakespeare. He solicited support from foundations, corporations, political officials, and individual philanthropists.</p> <p>During the sixties, Papp extended the reach of the New York Shakespeare Festival by bringing Shakespeare to the outer boroughs of New York City and the tri-state area. He created the Mobile Theater, which toured the public schools, religious institutions, and civic organizations. In 1965, the New York Shakespeare Festival purchased the landmark Astor Library building on Lafayette Street, and the city funded its conversion into the new Public Theater. Papp then added to the New York Shakespeare Festival's mission a new mandate: to produce new American plays. The Public Theater was inaugurated in 1967 with the production of the musical <span class="title">Hair</span>. The Public Theater became the administrative home of the New York Shakespeare Festival and the laboratory for many original plays and musicals by David Rabe, Elizabeth Swados, Thomas Babe, Miguel Pi帽ero, and many others. It was also home to many actors who found recognition through their association with the Festival, such as Colleen Dewhurst, James Earl Jones, Raul Julia, Kevin Kline, and Meryl Streep.</p> <p>During the seventies, the New York Shakespeare Festival's production schedule became increasingly prolific, moving many productions to Broadway, most notably <span class="title">Two Gentlemen of Verona, A Chorus Line, That Championship Season</span>, and <span class="title">For Colored Girls Who Have Considered Suicide (When the Rainbow Is Enuf).</span> The New York Shakespeare Festival earned an international reputation for theatrical innovation and received numerous awards. Papp expanded the Festival into the areas of dance, music and poetry, producing new plays by young playwrights that reflected contemporary issues.</p> <p>In 1974, the Festival was invited to become a constituent of Lincoln Center for the Performing Arts. During the next four years, the New York Shakespeare Festival produced <span class="title">In the Boom Boom Room, Short Eyes</span>, and <span class="title">The Threepenny Opera</span>, among others, and achieved both notoriety and acclaim for its innovative staging of classics and production of new, often controversial plays. In 1976, the Festival Latino en Nueva York was launched through Papp's efforts and encouragement, and became an annual event. Papp was ever seeking new audiences for the theater, which he believed to be a powerful social force.</p> <p>In the seventies, The New York Shakespeare Festival expanded into television production with David Rabe's <span class="title">Sticks and Bones</span> and several Shakespeare plays, then into motion pictures with adaptations of <span class="title">The Pirates of Penzance</span> (1983) and <span class="title">Plenty</span> (1985). The New York Shakespeare Festival participated in a theater exchange program with the United Kingdom and the Soviet Union. In addition, the Belasco Project was created to expose high school students to Shakespeare on Broadway, while the PITS Program taught them how to write plays. Papp became ill in the late eighties, and played a less active role in Festival administration and productions. His last major theatrical work was his direction of Bill Gunn's <span class="title">Forbidden City</span>, while his involvement in the controversy over NEA funding marked his final act of public advocacy. Joseph Papp died on October 31, 1991.</p> <ul class="chronlist"> <div class="head">Chronology</div> <li class="chronitem"> <span class="date">1953-1954</span> <div class="eventgrp"> <span class="event">Joseph Papp forms Shakespeare Workshop, chartered by Board of Regents of State of New York "to encourage and cultivate interest in poetic drama with emphasis on the works of William Shakespeare and his Elizabethan contemporaries and to establish an annual Shakespeare Festival. Shakespeare Workshop presents <span class="title">An Evening With Shakespeare and Marlowe</span> at the Emmanuel Presbyterian Church Sunday School.</span></div></li> <li class="chronitem"> <span class="date">1956-1957</span> <div class="eventgrp"> <span class="event">First season of Free Shakespeare in the Park presented in cooperation with Dept. of Parks at the East River Amphitheater. Papp moves operations to Heckscher Theater. Shakespeare Workshop opens season at Belvedere Lake with a new, grant-funded truck stage, and tours the five boroughs of New York City with <span class="title">Romeo and Juliet</span>.</span></div></li> <li class="chronitem"> <span class="date">1958-1959</span> <div class="eventgrp"> <span class="event">Second season of Free Shakespeare at Belvedere Lake. Papp called before HUAC. Papp battles with NYC Parks Commissioner Robert Moses over Free Shakespeare in the Park. Papp goes to court to protest charging admission to public. State Appellate court rules in favor of Free Shakespeare. Moses requests Board of Estimate to appropriate funds to build a Shakespeare-style amphitheater in Central Park.</span></div></li> <li class="chronitem"> <span class="date">1960-1961</span> <div class="eventgrp"> <span class="event">New York Shakespeare Festival officially chartered. Board of Education funds Shakespeare in the Schools tour of <span class="title">Romeo and Juliet</span> in city schools. Construction of Delacorte Theater begins; Festival temporarily relocates to Wollman Rink. Mayor's Committee for Free Shakespeare formed.</span></div></li> <li class="chronitem"> <span class="date">1962</span> <div class="eventgrp"> <span class="event">The new Delacorte Theater opens with <span class="title">Merchant of Venice</span>, starring George C. Scott; CBS-TV telecasts opening night performance.</span></div></li> <li class="chronitem"> <span class="date">1964</span> <div class="eventgrp"> <span class="event">Mobile Theater program begins; five-trailer caravan tours the five boroughs.</span></div></li> <li class="chronitem"> <span class="date">1966-1967</span> <div class="eventgrp"> <span class="event">NYSF purchases the old Astor Library building for $575,000. The musical <span class="title">Hair</span> inaugurates the newly created Public Theater, dedicated to presenting contemporary works.</span></div></li> <li class="chronitem"> <span class="date">1968</span> <div class="eventgrp"> <span class="event">Vaclav Havel's <span class="title">The Memorandum</span> opens at the Public Theater.</span></div></li> <li class="chronitem"> <span class="date">1970</span> <div class="eventgrp"> <span class="event"><span class="title">No Place to be Somebody</span> wins the Pulitzer Prize.</span></div></li> <li class="chronitem"> <span class="date">1971</span> <div class="eventgrp"> <span class="event">City of New York purchases Public Theater, leases it back for $1 a year. Galt MacDermot's musical <span class="title">Two Gentlemen of Verona</span> opens at the Delacorte and then moves to Broadway.</span></div></li> <li class="chronitem"> <span class="date">1972</span> <div class="eventgrp"> <span class="event"><span class="title">Sticks and Bones</span> moves to Broadway. <span class="title">That Championship Season</span> opens at the Public Theater. Tony Awards go to <span class="title">Two Gentlemen of Verona</span> and <span class="title">Sticks and Bones</span>.</span></div></li> <li class="chronitem"> <span class="date">1973</span> <div class="eventgrp"> <span class="event">Lincoln Center for the Performing Arts invites NYSF to join its constituency; first season at LC opens with <span class="title">In the Boom Boom Room</span>. NYSF contracts with CBS-TV to produce <span class="title">Much Ado About Nothing</span>. Contract expires before <span class="title">Sticks and Bones</span> airs. Pulitzer Prize and Tony Award for <span class="title">That Championship Season</span>.</span></div></li> <li class="chronitem"> <span class="date">1974</span> <div class="eventgrp"> <span class="event"><span class="title">Short Eyes</span> opens at the Public Theater and moves to Lincoln Center. NYSF contracts with ABC-TV to produce <span class="title">The Wedding Band</span>.</span></div></li> <li class="chronitem"> <span class="date">1975</span> <div class="eventgrp"> <span class="event"><span class="title">A Chorus Line</span> opens at the Public Theater and moves to Broadway.</span></div></li> <li class="chronitem"> <span class="date">1976</span> <div class="eventgrp"> <span class="event"><span class="title">Festival Latino</span> begins.</span></div></li> <li class="chronitem"> <span class="date">1978</span> <div class="eventgrp"> <span class="event">Bernard Gersten leaves NYSF. <span class="title">For Colored Girls...</span> opens. <span class="title">Runaways</span> opens, moves to Broadway. Poets at the Public program begins.</span></div></li> <li class="chronitem"> <span class="date">1979</span> <div class="eventgrp"> <span class="event">Jazz at the Public program begins.</span></div></li> <li class="chronitem"> <span class="date">1980</span> <div class="eventgrp"> <span class="event">Save our Broadway campaign begins.</span></div></li> <li class="chronitem"> <span class="date">1981</span> <div class="eventgrp"> <span class="event"><span class="title">The Pirates of Penzance</span> opens, moves to Broadway, and is adapted into film.</span></div></li> <li class="chronitem"> <span class="date">1982</span> <div class="eventgrp"> <span class="event">Save our Theaters campaign aims but fails to protect the Helen Hayes and Morosco theaters from demolition.</span></div></li> <li class="chronitem"> <span class="date">1983</span> <div class="eventgrp"> <span class="event">NYSF begins theater exchange program with London's Royal Court Theater.</span></div></li> <li class="chronitem"> <span class="date">1984</span> <div class="eventgrp"> <span class="event">Papp tours Europe, visits Vaclav Havel, initiates theater exchange with Russia.</span></div></li> <li class="chronitem"> <span class="date">1985</span> <div class="eventgrp"> <span class="event"><span class="title">The Normal Heart</span> opens.</span></div></li> <li class="chronitem"> <span class="date">1986</span> <div class="eventgrp"> <span class="event">Belasco/Shakespeare on Broadway Project begins. Playwriting in the Schools program also begins.</span></div></li> <li class="chronitem"> <span class="date">1987</span> <div class="eventgrp"> <span class="event">Shakespeare Marathon begins, an attempt to produce all of Shakespeare's plays.</span></div></li> <li class="chronitem"> <span class="date">1988</span> <div class="eventgrp"> <span class="event">NEA controversy and Joseph Papp's involvement in it deepens.</span></div></li> <li class="chronitem"> <span class="date">1989</span> <div class="eventgrp"> <span class="event">Joseph Papp dies in New York City.</span></div></li></ul> </div> </div> </div> </div> <div class="living-at-more"><a href="/living">View more<span>r</span></a></div> </div> </div> </div> <br><br> <div class="col-layout"> <div class="no-chevron">What you'll find at NYPL Archives & Manuscripts</div> <hr> <div class="layout-holder"> <div class="row-fluid stats-layout" > <div class="span2"> <div class="stat-holder"> <div class="glyph">8</div> <div class="text"><span class="stat-number">11,615 </span> <br>Collections</div> </div> <div class="action"><a href="/random/collection">View a collection</a></div> </div> <div class="span2"> <div class="stat-holder"> <div class="glyph">q</div> <div class="text"><span class="stat-number">1,404,090</span> <br> Described Components<br></div> </div> <div class="action"><a href="/random/component">View a component</a></div> </div> <div class="span2"> <div class="stat-holder"> <div class="glyph">z</div> <div class="text"><span class="stat-number"><span id="stat-feet-number">56,084</span>+</span> <br> Feet of Documents</div> </div> <div id="stats-comparison-link" class="action"><a href="#">That's taller than...</a></div> </div> <div class="span2"> <div class="stat-holder"> <div class="glyph">0</div> <div class="text"><span class="stat-number">176,510</span><br>Names</div> </div> <div class="action"><a href="/terms/">Explore access terms</a></div> </div> <div class="span2"> <div class="stat-holder"> <div class="glyph">D</div> <div class="text"><span class="stat-number">755,541</span><br> Digitized Pages</div> </div> <div class="action"><a href="/random/document">View a document</a></div> </div> <div class="span2"> <div class="stat-holder"> <div class="glyph">@</div> <div class="text"><span class="stat-number">40</span><br>Collections Added this Year</div> </div> <div class="action"><a href="/collection/recent">New collections</a></div> </div> </div> </div> </div> <br><br><br> <div class="row-fluid col-layout" > <div class="span6"> <div class="col-layout-unit"> <div class="no-chevron no-chevron-extra-padding">Featured Collections</div> <ul class="recently-highlighted"> <li class="recently-highlighted-item"> <a href="scm/21046"> <div class="recently-highlighted-title"><div class="recently-highlighted-icon">8</div>Institute of the Black World records</div> <div class="recently-highlighted-text">..., dating from 1960 to 1991, consist of meeting minutes, office memos, correspondence, writings, financial records, subject files, and printed matter documenting...</div> </a> </li> <li class="recently-highlighted-item"> <a href="the/186269"> <div class="recently-highlighted-title"><div class="recently-highlighted-icon">8</div>George C. Wolfe papers</div> <div class="recently-highlighted-text">..., dated 1915 to 2022 (bulk dates 1962-2022), cover the whole of Wolfe's artistic career, from his college-era work to 2023. The majority of the content in this collection is ...</div> </a> </li> <li class="recently-highlighted-item"> <a href="mss/2071"> <div class="recently-highlighted-title"><div class="recently-highlighted-icon">8</div>Robert Moses papers  <span class="recently-highlighted-has-digital">D</span></div> <div class="recently-highlighted-text">..., dating from 1907 to 1980, provide a vast, though by no means comprehensive, view of Robert Moses' long career as a public official. The collection is arranged into thirteen se...</div> </a> </li> <li class="recently-highlighted-item"> <a href="mus/24078"> <div class="recently-highlighted-title"><div class="recently-highlighted-icon">8</div>Lou Reed papers  <span class="recently-highlighted-has-digital">D</span></div> <div class="recently-highlighted-text">... date from 1958 to 2015, and follow Reed's music career from the formation of the Velvet Underground, through his five-decade long career as a solo rock and roll musician. The colle...</div> </a> </li> <li class="recently-highlighted-item"> <a href="scm/24238"> <div class="recently-highlighted-title"><div class="recently-highlighted-icon">8</div>Sonny Rollins papers</div> <div class="recently-highlighted-text">..., dating from the 1910s to 2015 (the bulk dates from the 1950s onward) document the musical, personal, and career development of one of the most important musicians and artists...</div> </a> </li> </ul> <div class="text-center"> <a href="/collection/featured">View All Featured Collections</a> </div> </div> </div> <div class="span6"> <div class="col-layout-unit beta-box"> <div class="no-chevron beta-box-title"> Beta Tools & Experiments</div> <div class="row-fluid col-layout"> <div class="span7"></div> <div class="span5 beta-box-text"> <a href="/tools" class="beta-box-text-false-link"> <span class="beta-box-icon">:</span><br> We're working on new ways to explore NYPL's rich archival collections. <br> </a> <a class="beta-box-text-true-link" href="/tools">Take a Look</a> </div> </div> </div> </div> </div> </div> </div> <div id="footer"> <span title="Copyright" class="copyright">© <a href="http://www.nypl.org/">The New York Public Library</a>, 2025</span>   —   <a href="http://labs.nypl.org">Built by NYPL Labs</a> <ul> <li><a href="http://www.nypl.org/help/about-nypl/legal-notices/privacy-policy">Privacy Policy</a></li> <li><a href="http://www.nypl.org/help/about-nypl/legal-notices/rules-and-regulations">Rules and Regulations</a></li> <li><a href="http://www.nypl.org/help/computers-internet-and-wireless-access/a-safety-net-for-the-internet">Using the Internet</a></li> <li><a href="http://www.nypl.org/help/about-nypl/legal-notices/website-terms-and-conditions">Website Terms and Conditions</a></li> <li><a href="http://www.nypl.org/help/about-nypl/legal-notices/policy-gifts-materials">Gifts of Materials to NYPL</a></li> </ul> </div> <script> $(document).ready(function() { $("#cboxPrevious").remove(); $("#cboxNext").remove(); $("#cboxSlideshow").remove(); $("#cboxClose").remove(); }); </script> <script> function calcParallax(tileheight, speedratio, scrollposition) { return ((tileheight) - (Math.floor(scrollposition / speedratio) % (tileheight+1))); } window.onscroll = function() { var posX = (document.documentElement.scrollLeft) ? document.documentElement.scrollLeft : window.pageXOffset; var posY = (document.documentElement.scrollTop) ? document.documentElement.scrollTop : window.pageYOffset; var ground = document.getElementById('search-highlight-banner'); var groundparallax = calcParallax(101, 4, posY); ground.style.backgroundPosition = "-200px " + groundparallax + "px"; } </script>  <script>(function(d,u,ac){var s=d.createElement('script');s.type='text/javascript';s.src='https://a.omappapi.com/app/js/api.min.js';s.async=true;s.dataset.user=u;s.dataset.account=ac;d.getElementsByTagName('head')[0].appendChild(s);})(document,12468,1044);</script>  <script type="text/javascript" src="/_Incapsula_Resource?SWJIYLWA=719d34d31c8e3a6e6fffd425f7e032f3&ns=1&cb=1489386072" async></script></body> </html>