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class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Grazia Carbonella" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/17960881/5776962/34261279/s200_grazia.carbonella.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Grazia Carbonella</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://conservatoriofoggia.academia.edu/">Conservatorio di Musica 'Umberto Giordano' - Foggia</a>, <a class="u-tcGrayDarker" href="https://conservatoriofoggia.academia.edu/Departments/Library/Documents">Library</a>, <span class="u-tcGrayDarker">Music Library Assistant</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden 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social-profile-avatar-container"><a href="https://unimi.academia.edu/MicheleBertolini"><img class="profile-avatar u-positionAbsolute" alt="Michele Bertolini" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/5872101/2511982/159943094/s200_michele.bertolini.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unimi.academia.edu/MicheleBertolini">Michele Bertolini</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Università degli Studi di Milano - State University of Milan (Italy)</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://accademianazionaledanza.academia.edu/nataliagozzano"><img class="profile-avatar u-positionAbsolute" alt="natalia gozzano" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/16554511/5595728/111736612/s200_natalia.gozzano.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://accademianazionaledanza.academia.edu/nataliagozzano">natalia gozzano</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Accademia Nazionale di Danza</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://accademiadipalermo.academia.edu/LuigiAgus"><img class="profile-avatar u-positionAbsolute" alt="Luigi Agus" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = 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/></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/PierLuigiCapucci">Pier Luigi Capucci</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/ValerioBasciano"><img class="profile-avatar u-positionAbsolute" alt="Valerio Basciano" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/157711613/51201552/59094881/s200_valerio.basciano.jpeg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/ValerioBasciano">Valerio Basciano</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uab.academia.edu/T%C3%A9renceLeDeschaultdeMonredon"><img class="profile-avatar u-positionAbsolute" alt="Térence Le Deschault de Monredon" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/9261473/5916246/17995510/s200_t_rence.le_deschault_de_monredon.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://uab.academia.edu/T%C3%A9renceLeDeschaultdeMonredon">Térence Le Deschault de Monredon</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universitat Autònoma de Barcelona</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/CarliniA"><img class="profile-avatar u-positionAbsolute" alt="Antonio Carlini" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/34695756/12451766/13857789/s200_antonio.carlini.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/CarliniA">Antonio Carlini</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://conservatoriopaganini.academia.edu/MaurizioTarrini"><img class="profile-avatar u-positionAbsolute" alt="Maurizio Tarrini" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/23968014/17889401/17907560/s200_maurizio.tarrini.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://conservatoriopaganini.academia.edu/MaurizioTarrini">Maurizio Tarrini</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Conservatorio Di Musica N.Paganini</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://fhnw.academia.edu/AgnesePavanello"><img class="profile-avatar u-positionAbsolute" alt="Agnese Pavanello" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/2730560/881670/19690808/s200_agnese.pavanello.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://fhnw.academia.edu/AgnesePavanello">Agnese Pavanello</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">FHNW</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://utexas.academia.edu/GuidoOlivieri"><img class="profile-avatar u-positionAbsolute" alt="Guido Olivieri" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/4096314/1579340/34812934/s200_guido.olivieri.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://utexas.academia.edu/GuidoOlivieri">Guido Olivieri</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">The University of Texas at Austin</p></div></div></ul></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="17960881">View All (9)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="17960881" href="https://www.academia.edu/Documents/in/Music_Bibliography"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://conservatoriofoggia.academia.edu/GraziaCarbonella","location":"/GraziaCarbonella","scheme":"https","host":"conservatoriofoggia.academia.edu","port":null,"pathname":"/GraziaCarbonella","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div 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role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>12</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>1</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Conference" data-toggle="tab" href="#conference" role="tab" title="Conference"><span>6</span> <span class="ds2-5-body-sm-bold">Conference</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Grazia Carbonella</h3></div><div class="js-work-strip profile--work_container" data-work-id="78764731"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/78764731/Biblioteche_d_autore_il_Fondo_Carlo_Petrucci_nella_biblioteca_La_Magna_Capitana_di_Foggia"><img alt="Research paper thumbnail of Biblioteche d’autore: il Fondo “Carlo Petrucci” nella biblioteca “La Magna Capitana” di Foggia" class="work-thumbnail" src="https://attachments.academia-assets.com/85695251/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595701"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595701/La_banda_musicale_di_Foggia_dalle_origini_allUnit%C3%A0_dItalia_"><img alt="Research paper thumbnail of La banda musicale di Foggia dalle origini all'Unità d'Italia," class="work-thumbnail" src="https://attachments.academia-assets.com/60593869/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595701/La_banda_musicale_di_Foggia_dalle_origini_allUnit%C3%A0_dItalia_">La banda musicale di Foggia dalle origini all'Unità d'Italia,</a></div><div class="wp-workCard_item"><span>"Quaderni del Conservatorio Umberto Giordano di Foggia"</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A lungo trascurato dalle indagini storico-musicologiche, il fenomeno bandistico è stato negli ult...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A lungo trascurato dalle indagini storico-musicologiche, il fenomeno bandistico è stato negli ultimi decenni oggetto di un rinnovato interesse di studio da parte dei ricercatori; 1 tuttavia, nel novero delle ricerche che hanno riguardato le bande del Mezzogiorno, la Capitanata risulta essere stata finora piuttosto trascurata. 2 Questo studio intende fare un po' di chiarezza sulle vicende storiche che hanno caratterizzato la presenza della banda nella città di Foggia, qualificandosi come un 'saggio di scavo' nell'ambito di un arco cronologico che dai primi anni dell'Ottocento giunge all'unità d'Italia. L'indagine si è avvalsa prevalentemente dei documenti rinvenuti presso l'Archivio di Stato di Foggia, 3 inerenti per lo più alle vicende amministrative, gestionali e di controllo attinenti alla banda e, quindi, afferenti prevalentemente alla sfera della comunicazione formale tra le autorità. A compensare la frammentarietà delle fonti documentarie e l'assenza di periodici sopravvissuti agli eventi bellici relativi al periodo indagato, è risultato prezioso il racconto del Giornale patrio Villani, 4 tra le 1 Per una conoscenza del fenomeno bandistico, e delle filarmoniche, sono imprescindibili le pubblicazioni curate dalla Società Filarmonica di Trento, in particolar modo la serie dei Quaderni dell'Archivio, Accademie e società filarmoniche in Italia. Studi e ricerche. Sulle bande del Mezzogiorno, cfr. TERESA CHIRICO Filarmonici in marcia. Bande, scuole di musica e associazionismo musicale in Calabria nell'Ottocento, Roma, IBIMUS, 2008; EADEM, Musica e associazioni in Calabria in Accademie e Società Filarmoniche. Organizzazione, cultura e attività dei filarmonici nell'Italia dell'Ottocento, Atti del Convegno di Studi, (Trento, 1-3 dicembre 1995), a cura di Antonio Carlini, Trento, Provincia Autonoma di Trento-Assessorato alla Cultura -Società Filarmonica di Trento, 1998, pp. 369-388, (Quaderni dell'Archivio delle Società Filarmoniche Italiane, 1); EADEM, Le bande musicali nell'Italia Meridionale. Il contributo di nuovi documenti d'archivio, in Al...lumière marciando, Atti della giornata di Studi sulle Bande musicali (Allumiere, 14 giugno 2013), a cura di Johann Herczog, Roma, Allumiere, 2015, pp. 21-27; LUCIA COSI, "Per esser vieppiù utili alla società". Patti e condizioni per lo stabilimento delle bande popolari nel Salento preunitario (1825-1848), in Sud e nazione. Folklore e tradizione musicale nel Mezzogiorno d' Italia, Atti del Convegno (Corigliano d'Otranto 14-15 ottobre 2011), a cura di Eugenio Imbriani, Lecce, Università del Salento, 2013, pp. 313-360; ELSA MARTINELLI, «Soave in armonia, bella in arnese»: la Banda civica di Alezio all'alba dell'Unità d'Italia, Ivi, pp. 361-378; DINKO FABRIS, Le origini delle bande musicali in terra di Bari, in La musica a Bari. Dalle cantorie medievali al Conservatorio Piccinni, a cura di Dinko Fabris e Marco Renzi, Bari, Levante, 1993, pp. 169-186; più in generale, cfr. ANTONIO CARLINI, Le bande musicali nell'Italia dell'Ottocento: il modello militare, i rapporti con il teatro e la cultura dell'orchestra negli organici strumentali, «Rivista italiana di musicologia», xxx/1, 1995, pp. 85-133; IDEM, La banda come strumento di divulgazione musicale per l'Italia dell'Ottocento, in Accademie e Società filarmoniche in Italia. Studi e ricerche, a cura di Antonio Carlini, Trento, Società Filarmonica Trento, 2008, pp. 9-18 (Quaderni dell'Archivio delle Società filarmoniche italiane, 8). 2 Unica traccia di una pregressa indagine sull'argomento, FRANCESCO CATALANO, Musica e società: la banda musicale di Foggia 1838-1878,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e289d55c5cf8d496636384be12a61e6b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60593869,"asset_id":35595701,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60593869/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595701"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595701"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595701; 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La famiglia Bellucci, cura di Antonio Caroccia, Atti del Convegno di studi (Foggia, 10-11 dicembre 2014), Claudio Grenzi,</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="72f2ec221d8df98227c0f21cb05b5a3f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60918618,"asset_id":35595666,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60918618/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595666"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595666"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595666; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595372"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/35595372/Musica_e_spettacolo_nel_Giornale_patrio_della_famiglia_Villani_di_Foggia_1800_1860_"><img alt="Research paper thumbnail of Musica e spettacolo nel Giornale patrio della famiglia Villani di Foggia (1800-1860)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/35595372/Musica_e_spettacolo_nel_Giornale_patrio_della_famiglia_Villani_di_Foggia_1800_1860_">Musica e spettacolo nel Giornale patrio della famiglia Villani di Foggia (1800-1860).</a></div><div class="wp-workCard_item"><span>Fonti Musicali Italiane</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il Giornale patrio è una cronaca dei principali eventi accaduti nella città di Foggia: compilata ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il Giornale patrio è una cronaca dei principali eventi accaduti nella città di Foggia: compilata per “privata memoria” dal primo estensore, Carlo Maria Villani, e proseguita dal fratello Andrea Maria e dai suoi figli, Francesco Paolo e Giovanni, redatta in forma di diario, copre l’intero Ottocento. La narrazione degli eventi cittadini appare in linea di massima stringata e impersonale, tuttavia le diverse annate non risultano uguali per ricchezza di dettagli, probabilmente perché redatte da differenti autori.<br /><br />L’interesse per il Giornale patrio è motivato dall’esiguo numero di fonti locali utili per la ricostruzione storico-musicale della Capitanata, anche a causa degli eventi bellici del secolo scorso. La lettura di questa lunga cronaca risulta interessante per ricostruire non solo la storia dei teatri e dei loro allestimenti, di cui è relativamente semplice trovare traccia nei documenti d’archivio, quanto per delineare un altro panorama, meno battuto dalle ricerche e meno attestato dai documenti ufficiali. Si tratta di tutta una serie di iniziative minori, rispetto agli eventi teatrali, quali accademie musicali – organizzate anche in abitazioni private e che testimoniano una vivace attività dilettantistica – oltre alle manifestazioni civili e religiose, in cui la musica era sempre protagonista col sostegno di allestimenti effimeri, puntualmente riferiti nelGiornale, di cui altrimenti non avremmo traccia. È possibile così acquisire dettagli e nomi inediti, utili sia per connotare ulteriormente le biografie dei musicisti in transito per Foggia, sia per delineare il panorama musicale cittadino. La cronaca, infatti, riferisce nomi e attività dei dilettanti locali, dei maestri di cappella e delle principali istituzioni cittadine, consentendo, così allo studioso di tracciare una quadro più articolato da cui è possibile desumere quale fosse il contesto culturale e musicale del primo Ottocento a Foggia</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595372"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595372]").text(description); $(".js-view-count[data-work-id=35595372]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595372']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35595372]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35595372,"title":"Musica e spettacolo nel Giornale patrio della famiglia Villani di Foggia (1800-1860).","internal_url":"https://www.academia.edu/35595372/Musica_e_spettacolo_nel_Giornale_patrio_della_famiglia_Villani_di_Foggia_1800_1860_","owner_id":17960881,"coauthors_can_edit":true,"owner":{"id":17960881,"first_name":"Grazia","middle_initials":null,"last_name":"Carbonella","page_name":"GraziaCarbonella","domain_name":"conservatoriofoggia","created_at":"2014-10-04T18:37:27.900-07:00","display_name":"Grazia Carbonella","url":"https://conservatoriofoggia.academia.edu/GraziaCarbonella"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595143"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595143/La_musica_e_il_teatro_nelle_pagine_de_il_Foglietto_conclusione_del_progetto_di_spoglio_1897_1927_"><img alt="Research paper thumbnail of La musica e il teatro nelle pagine de ‘il Foglietto’: conclusione del progetto di spoglio (1897-1927)" class="work-thumbnail" src="https://attachments.academia-assets.com/55461441/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595143/La_musica_e_il_teatro_nelle_pagine_de_il_Foglietto_conclusione_del_progetto_di_spoglio_1897_1927_">La musica e il teatro nelle pagine de ‘il Foglietto’: conclusione del progetto di spoglio (1897-1927)</a></div><div class="wp-workCard_item"><span>«La Capitanata». Rivista quadrimestrale della Biblioteca Provinciale dei Foggia</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nel corso degli ultimi anni la ricerca musicologica ha iniziato ad interessarsi ad aspetti fi n'o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nel corso degli ultimi anni la ricerca musicologica ha iniziato ad interessarsi ad aspetti fi n'ora per lo più trascurati dai tradizionali approcci d'indagine come la storia delle istituzioni e delle associazioni, il 'sistema teatrale', la ricezione e la fortuna di opere e di compositori, l'evoluzione e il gusto del pubblico, la 'storia materiale' connessa alla produzione e all'esecuzione musicale, ecc… In questi ambiti di ricerca l'impiego della letteratura periodica quale fonte documentaria si è rivelata di primissimo ordine, insostituibile soprattutto «nella defi nizione di quell'intreccio di istanze culturali, sociali ed economiche spesso riassunte nel termine un pò vago di vita musicale, locuzione che defi nisce il contesto nel quale nascono e vivono gli oggetti principali della ricerca musicologica: vale a dire i compositori e le loro opere». 1 1 Marco CAPRA, Alla ricerca dei periodici musicali. Considerazioni in margine alla pubblicazione del catalogo dei periodici musicali nelle biblioteche della Campania, in «Rivista italiana di musicologia», XXXII, (1997), 2, pp. 367-382: 369. In seguito al crescente interesse mostrato dalla ricerca musicologica nei confronti della letteratura periodica, verso la metà degli anni Ottanta è nato a Parma il Centro Internazionale di ricerca sui periodici musicali (CIRPeM), unico istituto in Europa che si occupa in maniera specifi ca della ricerca sui periodici musicali e di interesse musicale, coordinando a livello mondiale la redazione di spogli e di indici cronologici e analitici di periodici musicali. Negli anni si è costituita una biblioteca specializzata che raccoglie periodici di interesse musicale, italiani e stranieri, dalla fi ne del Settecento alla prima metà del Novecento. L'importanza di questa iniziativa risulta tanto più evidente considerando che i periodici musicali sono tutt'oggi l'unica fonte per la ricerca musicologica ancora poco conosciuta e spesso in cattivo stato di conservazione, oltre che fi sicamente dispersa in diverse biblioteche e archivi, pubblici e privati, a volte diffi cilmente accessibili. (Marco CAPRA, I periodici musicali del Novecento, in Conservare il Novecento: la stampa periodica, Atti del 2°Convegno nazionale: Ferrara, 29-30 marzo 2001, (a cura di) Maurizio MESSINA e Giuliana ZAGRA, Roma, AIB-Associazione Italiana Biblioteche, 2002, pp. 30-44: 39-41.) È possibile leggere un'ampia panoramica internazionale di studi che si sono avvalsi di pubblicazioni periodiche in Bianca Maria ANTOLINI, La stampa periodica dell'Ottocento come fonte per la ricerca musicologica: il «Repertoire international de la presse musicale», in «Rivista italiana di musicologia», XXVI, (1991), 1, pp. 346-385. Una serie di pubblicazioni apparse negli ultimi anni ha dimostrato, inoltre, come sia assai profi cua la ricerca anche sui periodici non specifi camente musicali. Citiamo a titolo esemplifi cativo: Roberto VERTI, La presenza della musica nei periodici bolognesi dal 1800 al 1830, in «Periodica musica», 1, 1983, pp. 21-26; Maria Giovanna BRINDISINO, Notizie musicali sui periodici politici-letterari salentini dalla seconda metà del XIX sino al 1911, in «Periodica musica», 3, 1985; Marcello CONATI, Fonti verdiane: i giornali dell'Ottocento, in Nuove prospettive della ricerca verdine, Atti del convegno internazionale in occasione della prima del Rigoletto in edizione critica (Vienna, 12-13 marzo 1993), Istituto di studi Vediani/ Ricordi, Parma/Milano, 1987, pp. 130-137;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fbd515b38b153c3e64418fbcec8acd06" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461441,"asset_id":35595143,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461441/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595143"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595143"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595143; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595143]").text(description); $(".js-view-count[data-work-id=35595143]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595143; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595143']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595134"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595134/Matteo_Sassano_il_rosignolo_di_Napoli"><img alt="Research paper thumbnail of Matteo Sassano, il rosignolo di Napoli" class="work-thumbnail" src="https://attachments.academia-assets.com/55461381/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595134/Matteo_Sassano_il_rosignolo_di_Napoli">Matteo Sassano, il rosignolo di Napoli</a></div><div class="wp-workCard_item"><span>«La Capitanata». Rivista quadrimestrale della Biblioteca Provinciale dei Foggia</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A più di cento anni di distanza Fetìs 1 lo ricordava nella sua Biographie Universelle, mentre i s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A più di cento anni di distanza Fetìs 1 lo ricordava nella sua Biographie Universelle, mentre i suoi contemporanei lo annoveravano come il più celebre castrato napoletano del tempo. 2 Nonostante questo, la figura di Matteo Sassano, pur nota alla ristretta cerchia degli specialisti, non ha goduto di larga popolarità tra i posteri; gli stessi studi musicologici gli hanno dedicato un esiguo spazio. 3 Questo saggio vorrebbe colmare un vuoto, gettare nuova luce sulla sua vita e sulla sua carriera, avvalendosi anche delle più recenti indagini musicologiche. Primo tassello di una ricerca che si prefigge un più ampio respiro, quest'articolo ricostruisce il periodo napoletano di Matteo Sassano attingendo largamente alle memorie del Confuorto e alle notizie apparse sulla «Gazzetta di Napoli». 4 danese, grande appassionato di musica, lo citava nel suo diario di viaggio ricordando il Sassano per la sua bella voce e per gli splenditi ornamenti improvvisati. Era il 9 marzo del 1724 quando Alensoon, in visita a Napoli, ebbe occasione di ascoltarlo nell'esecuzione di un mottetto solistico nella Chiesa della Madonna Solitaria (cfr.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cd811fda6a758a5468a5663e439a018a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461381,"asset_id":35595134,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461381/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595134"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595134"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595134; 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Il dramma religioso come antenato dell’opera buffa" class="work-thumbnail" src="https://attachments.academia-assets.com/55461364/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595116/Il_trionfo_della_castit%C3%A0_di_Santo_Alessio_Il_dramma_religioso_come_antenato_dell_opera_buffa">Il trionfo della castità di Santo Alessio. Il dramma religioso come antenato dell’opera buffa</a></div><div class="wp-workCard_item"><span>«La Capitanata». 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Rivista quadrimestrale della Biblioteca Provinciale di Foggia</span><span>, 2004</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alla fine dell'Ottocento il pensiero europeo ha avviato una riflessione generale sui fenomeni mus...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Alla fine dell'Ottocento il pensiero europeo ha avviato una riflessione generale sui fenomeni musicali e sui loro presupposti che, congiuntamente al rapido sviluppo delle scienze, ha generato nuove discipline, nuove scoperte scientifiche e nuove applicazioni tecnologiche. Con l'avvento del fonografo, nel 1887, nasce infatti una nuova tecnologia capace di captare, fissare e riprodurre i suoni: la registrazione, uno degli eventi capitali nella storia della musica del XX secolo. "La registrazione ha fornito alla musica un supporto materiale per trascendere il tempo e ha abolito i confini spazio-temporali che la limitavano", 1 ha aperto la strada alla fondazione e allo sviluppo dell'etnomusicologia come scienza, 2 ha influenzato l'ascolto, 3 la composizione, 4 l'apprendimento, la ricerca.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2f3a5da7cf4a6e125c02446c481ec2df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461296,"asset_id":35595044,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461296/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595044"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595044"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595044; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595027"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595027/Fonti_sonore_e_musicologia_alcune_riflessioni"><img alt="Research paper thumbnail of Fonti sonore e musicologia: alcune riflessioni" class="work-thumbnail" src="https://attachments.academia-assets.com/55461280/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595027/Fonti_sonore_e_musicologia_alcune_riflessioni">Fonti sonore e musicologia: alcune riflessioni</a></div><div class="wp-workCard_item"><span>«La Capitanata». Rivista quadrimestrale della Biblioteca Provinciale dei Foggia</span><span>, 2006</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il campo di ricerca della musicologia, nell'accezione impiegata dall'American Musicological Socie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il campo di ricerca della musicologia, nell'accezione impiegata dall'American Musicological Society nella sua dichiarazione d'intenti del 1934, nella quale s'impegnava "per il progresso della ricerca nei vari campi della musica intesa quale branca del sapere e dell'erudizione", ha poco più di un secolo ed è un fenomeno prevalentemente del Novecento. 1 In questo arco di tempo si è abbandonata l'idea della musica come sottoinsieme della filosofia e della storia dell'arte per considerarla disciplina autonoma con una propria identità professionale, con standard e requisiti di preparazione specifici. Tant'è che dal bilancio effettuato dalla Società Italiana di Musicologia sulle discipline musicologiche, tracciato in chiusura del secolo appena trascorso, Enrico Fubini precisa che la "musicologia è complessa e multiforme perché tale è il suo oggetto, visto sia orizzontalmente nella sua estensione geografica, sia verticalmente nella sua estensione storica" e che per questo "non si può parlare di musicologia al singolare". 2 Nel corso del Novecento infatti c'è stato un progressivo passaggio dalla netta prevalenza della musicologia storica, come approccio dominante alla ricerca, ad una progressiva affermazione di nuove discipline -quali la sociologia della musica, la semiologia della musica, la psicologia della musica, l'etnomusicologia, per citarne solo alcune -che hanno arricchito l'odierno panorama di studi con l'applicazione di metodologie distinte. 3 Questi mutamenti hanno trovato riscontro nell'allargarsi degli orizzonti musicali, con l'avvento dell'atonalità, della dodecafonia e del serialismo in Occidente, e nel progressivo indebolimento dell'eurocentrismo, con il dilagare di studi sistematici su patrimoni musicali di altri popoli e di altre civiltà. Non da ultimo si deve aggiungere lo sviluppo di nuove tecnologie di produzione e riproduzione del suono che da una 1 Cfr. Margaret BENT, Il mestiere del musicologo, in Enciclopedia della musica, diretta da Jean-Jeacques Nattiez, Il sapere musicale, Torino, Einaudi, 2002, 3 voll.: vol. II, p. 575. 2 Cfr. Enrico FUBINI, Introduzione, in «Rivista Italiana di Musicologica», vol. XXXV, 2000, 1-2, Le discipline musicologiche: prospettive di fine secolo, p. 4.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ed7206239ebb3652a645c6a661fe0c6e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461280,"asset_id":35595027,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461280/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595027"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595027"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595027; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Grazia Carbonella</h3></div><div class="js-work-strip profile--work_container" data-work-id="35595413"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595413/Il_teatro_dopera_nelle_pagine_de_il_Foglietto_Spoglio_e_indici_delle_notizie_musicali_1897_1913"><img alt="Research paper thumbnail of Il teatro d'opera nelle pagine de "il Foglietto". Spoglio e indici delle notizie musicali 1897-1913" class="work-thumbnail" src="https://attachments.academia-assets.com/60918683/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595413/Il_teatro_dopera_nelle_pagine_de_il_Foglietto_Spoglio_e_indici_delle_notizie_musicali_1897_1913">Il teatro d'opera nelle pagine de "il Foglietto". Spoglio e indici delle notizie musicali 1897-1913</a></div><div class="wp-workCard_item"><span>Claudio Grenzi Editore</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il Foglietto rappresenta un’importante fonte per la ricerca storica della Capitanata, ancor più p...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il Foglietto rappresenta un’importante fonte per la ricerca storica della Capitanata, ancor più preziosa per gli studi musicologici per i quali pochi sono gli strumenti di indagine a disposizione dello studioso. Pensato per la ricerca, questo lavoro, con i suoi indici – cronologico, dei luoghi teatrali, dei nomi e delle opere  –, vuole essere uno strumento di consultazione per quanti vogliano studiare gli eventi musicali del primo Novecento in Capitanata. <br />Gli articoli dedicati al teatro d’opera consentono, infatti, di ricostruire le cronologie teatrali della provincia, le attività delle imprese appaltatrici, forniscono notizie sugli allestimenti e sugli artisti scritturati e, riflettendo il punto di vista della fruizione contemporanea, rappresentano un vero termometro dei gusti e degli orientamenti musicali del primo Novecento.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8922db5f8a5577263f78d348c47eea8a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60918683,"asset_id":35595413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60918683/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595413"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595413"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595413; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595413]").text(description); $(".js-view-count[data-work-id=35595413]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595413; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595413']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8922db5f8a5577263f78d348c47eea8a" } } $('.js-work-strip[data-work-id=35595413]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35595413,"title":"Il teatro d'opera nelle pagine de \"il Foglietto\". 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I Convegno annuale (Modena, Conservatorio di Musica “Orazio Vecchi – Antonio Tonelli” 29 settembre – 1° ottobre 2023)</span><span>, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="372e785b1c9a4e8651fbb68c53af6da5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115222755,"asset_id":119917114,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115222755/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="119917114"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="119917114"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 119917114; 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Percorsi di ricerca tra cataloghi e collezioni digitali" class="work-thumbnail" src="https://attachments.academia-assets.com/115222427/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/119916572/L_operetta_nella_stampa_periodica_di_Capitanata_del_primo_900_Percorsi_di_ricerca_tra_cataloghi_e_collezioni_digitali">L’operetta nella stampa periodica di Capitanata del primo ’900. Percorsi di ricerca tra cataloghi e collezioni digitali</a></div><div class="wp-workCard_item"><span>Evemero Nardella. Dalla canzone napoletana d'autore all'operetta italiana di primo Novecento. Convegno nazionale di studi (Foggia, Conservatorio "Umberto Giordano" 19-20 maggio 2023)</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Concerto a cura delle classi di Canto lirico del Conservatorio Umberto Giordano con un programma ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Concerto a cura delle classi di Canto lirico del Conservatorio Umberto Giordano con un programma monografico dedicato a Evemero Nardella Sabato | 20 maggio ore 9.00 L'operetta italiana di primo Novecento</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb0f398c7238c2a8c1e0436f61daa226" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115222427,"asset_id":119916572,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115222427/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="119916572"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="119916572"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 119916572; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=119916572]").text(description); $(".js-view-count[data-work-id=119916572]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 119916572; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='119916572']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb0f398c7238c2a8c1e0436f61daa226" } } $('.js-work-strip[data-work-id=119916572]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":119916572,"title":"L’operetta nella stampa periodica di Capitanata del primo ’900. 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La famiglia Bellucci.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://conservatoriofoggia.academia.edu/GraziaCarbonella">Grazia Carbonella</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://conservatoriosantacecilia.academia.edu/AntonioCaroccia">Antonio Caroccia</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Giornata di studi presso l'Auditorium della Biblioteca Provinciale di Foggia, 10-11 dicembre 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c540bc6611f21c39a5f46fbd388ce189" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55462044,"asset_id":35595737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55462044/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595737; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595737]").text(description); $(".js-view-count[data-work-id=35595737]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595737; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595737']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c540bc6611f21c39a5f46fbd388ce189" } } $('.js-work-strip[data-work-id=35595737]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35595737,"title":"Intellettuali di Capitanata. 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La giornata è serena. ... di spettatori, e &amp;amp;amp;amp;#x27;l suo introito ha oltrepassa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595701"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595701/La_banda_musicale_di_Foggia_dalle_origini_allUnit%C3%A0_dItalia_"><img alt="Research paper thumbnail of La banda musicale di Foggia dalle origini all'Unità d'Italia," class="work-thumbnail" src="https://attachments.academia-assets.com/60593869/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595701/La_banda_musicale_di_Foggia_dalle_origini_allUnit%C3%A0_dItalia_">La banda musicale di Foggia dalle origini all'Unità d'Italia,</a></div><div class="wp-workCard_item"><span>"Quaderni del Conservatorio Umberto Giordano di Foggia"</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A lungo trascurato dalle indagini storico-musicologiche, il fenomeno bandistico è stato negli ult...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A lungo trascurato dalle indagini storico-musicologiche, il fenomeno bandistico è stato negli ultimi decenni oggetto di un rinnovato interesse di studio da parte dei ricercatori; 1 tuttavia, nel novero delle ricerche che hanno riguardato le bande del Mezzogiorno, la Capitanata risulta essere stata finora piuttosto trascurata. 2 Questo studio intende fare un po' di chiarezza sulle vicende storiche che hanno caratterizzato la presenza della banda nella città di Foggia, qualificandosi come un 'saggio di scavo' nell'ambito di un arco cronologico che dai primi anni dell'Ottocento giunge all'unità d'Italia. L'indagine si è avvalsa prevalentemente dei documenti rinvenuti presso l'Archivio di Stato di Foggia, 3 inerenti per lo più alle vicende amministrative, gestionali e di controllo attinenti alla banda e, quindi, afferenti prevalentemente alla sfera della comunicazione formale tra le autorità. A compensare la frammentarietà delle fonti documentarie e l'assenza di periodici sopravvissuti agli eventi bellici relativi al periodo indagato, è risultato prezioso il racconto del Giornale patrio Villani, 4 tra le 1 Per una conoscenza del fenomeno bandistico, e delle filarmoniche, sono imprescindibili le pubblicazioni curate dalla Società Filarmonica di Trento, in particolar modo la serie dei Quaderni dell'Archivio, Accademie e società filarmoniche in Italia. Studi e ricerche. Sulle bande del Mezzogiorno, cfr. TERESA CHIRICO Filarmonici in marcia. Bande, scuole di musica e associazionismo musicale in Calabria nell'Ottocento, Roma, IBIMUS, 2008; EADEM, Musica e associazioni in Calabria in Accademie e Società Filarmoniche. Organizzazione, cultura e attività dei filarmonici nell'Italia dell'Ottocento, Atti del Convegno di Studi, (Trento, 1-3 dicembre 1995), a cura di Antonio Carlini, Trento, Provincia Autonoma di Trento-Assessorato alla Cultura -Società Filarmonica di Trento, 1998, pp. 369-388, (Quaderni dell'Archivio delle Società Filarmoniche Italiane, 1); EADEM, Le bande musicali nell'Italia Meridionale. Il contributo di nuovi documenti d'archivio, in Al...lumière marciando, Atti della giornata di Studi sulle Bande musicali (Allumiere, 14 giugno 2013), a cura di Johann Herczog, Roma, Allumiere, 2015, pp. 21-27; LUCIA COSI, "Per esser vieppiù utili alla società". Patti e condizioni per lo stabilimento delle bande popolari nel Salento preunitario (1825-1848), in Sud e nazione. Folklore e tradizione musicale nel Mezzogiorno d' Italia, Atti del Convegno (Corigliano d'Otranto 14-15 ottobre 2011), a cura di Eugenio Imbriani, Lecce, Università del Salento, 2013, pp. 313-360; ELSA MARTINELLI, «Soave in armonia, bella in arnese»: la Banda civica di Alezio all'alba dell'Unità d'Italia, Ivi, pp. 361-378; DINKO FABRIS, Le origini delle bande musicali in terra di Bari, in La musica a Bari. Dalle cantorie medievali al Conservatorio Piccinni, a cura di Dinko Fabris e Marco Renzi, Bari, Levante, 1993, pp. 169-186; più in generale, cfr. ANTONIO CARLINI, Le bande musicali nell'Italia dell'Ottocento: il modello militare, i rapporti con il teatro e la cultura dell'orchestra negli organici strumentali, «Rivista italiana di musicologia», xxx/1, 1995, pp. 85-133; IDEM, La banda come strumento di divulgazione musicale per l'Italia dell'Ottocento, in Accademie e Società filarmoniche in Italia. Studi e ricerche, a cura di Antonio Carlini, Trento, Società Filarmonica Trento, 2008, pp. 9-18 (Quaderni dell'Archivio delle Società filarmoniche italiane, 8). 2 Unica traccia di una pregressa indagine sull'argomento, FRANCESCO CATALANO, Musica e società: la banda musicale di Foggia 1838-1878,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e289d55c5cf8d496636384be12a61e6b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60593869,"asset_id":35595701,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60593869/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595701"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595701"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595701; 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La famiglia Bellucci, cura di Antonio Caroccia, Atti del Convegno di studi (Foggia, 10-11 dicembre 2014), Claudio Grenzi,</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="72f2ec221d8df98227c0f21cb05b5a3f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60918618,"asset_id":35595666,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60918618/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595666"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595666"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595666; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595372"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/35595372/Musica_e_spettacolo_nel_Giornale_patrio_della_famiglia_Villani_di_Foggia_1800_1860_"><img alt="Research paper thumbnail of Musica e spettacolo nel Giornale patrio della famiglia Villani di Foggia (1800-1860)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/35595372/Musica_e_spettacolo_nel_Giornale_patrio_della_famiglia_Villani_di_Foggia_1800_1860_">Musica e spettacolo nel Giornale patrio della famiglia Villani di Foggia (1800-1860).</a></div><div class="wp-workCard_item"><span>Fonti Musicali Italiane</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il Giornale patrio è una cronaca dei principali eventi accaduti nella città di Foggia: compilata ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il Giornale patrio è una cronaca dei principali eventi accaduti nella città di Foggia: compilata per “privata memoria” dal primo estensore, Carlo Maria Villani, e proseguita dal fratello Andrea Maria e dai suoi figli, Francesco Paolo e Giovanni, redatta in forma di diario, copre l’intero Ottocento. La narrazione degli eventi cittadini appare in linea di massima stringata e impersonale, tuttavia le diverse annate non risultano uguali per ricchezza di dettagli, probabilmente perché redatte da differenti autori.<br /><br />L’interesse per il Giornale patrio è motivato dall’esiguo numero di fonti locali utili per la ricostruzione storico-musicale della Capitanata, anche a causa degli eventi bellici del secolo scorso. La lettura di questa lunga cronaca risulta interessante per ricostruire non solo la storia dei teatri e dei loro allestimenti, di cui è relativamente semplice trovare traccia nei documenti d’archivio, quanto per delineare un altro panorama, meno battuto dalle ricerche e meno attestato dai documenti ufficiali. Si tratta di tutta una serie di iniziative minori, rispetto agli eventi teatrali, quali accademie musicali – organizzate anche in abitazioni private e che testimoniano una vivace attività dilettantistica – oltre alle manifestazioni civili e religiose, in cui la musica era sempre protagonista col sostegno di allestimenti effimeri, puntualmente riferiti nelGiornale, di cui altrimenti non avremmo traccia. È possibile così acquisire dettagli e nomi inediti, utili sia per connotare ulteriormente le biografie dei musicisti in transito per Foggia, sia per delineare il panorama musicale cittadino. La cronaca, infatti, riferisce nomi e attività dei dilettanti locali, dei maestri di cappella e delle principali istituzioni cittadine, consentendo, così allo studioso di tracciare una quadro più articolato da cui è possibile desumere quale fosse il contesto culturale e musicale del primo Ottocento a Foggia</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595372"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595372]").text(description); $(".js-view-count[data-work-id=35595372]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595372']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35595372]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35595372,"title":"Musica e spettacolo nel Giornale patrio della famiglia Villani di Foggia (1800-1860).","internal_url":"https://www.academia.edu/35595372/Musica_e_spettacolo_nel_Giornale_patrio_della_famiglia_Villani_di_Foggia_1800_1860_","owner_id":17960881,"coauthors_can_edit":true,"owner":{"id":17960881,"first_name":"Grazia","middle_initials":null,"last_name":"Carbonella","page_name":"GraziaCarbonella","domain_name":"conservatoriofoggia","created_at":"2014-10-04T18:37:27.900-07:00","display_name":"Grazia Carbonella","url":"https://conservatoriofoggia.academia.edu/GraziaCarbonella"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595143"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595143/La_musica_e_il_teatro_nelle_pagine_de_il_Foglietto_conclusione_del_progetto_di_spoglio_1897_1927_"><img alt="Research paper thumbnail of La musica e il teatro nelle pagine de ‘il Foglietto’: conclusione del progetto di spoglio (1897-1927)" class="work-thumbnail" src="https://attachments.academia-assets.com/55461441/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595143/La_musica_e_il_teatro_nelle_pagine_de_il_Foglietto_conclusione_del_progetto_di_spoglio_1897_1927_">La musica e il teatro nelle pagine de ‘il Foglietto’: conclusione del progetto di spoglio (1897-1927)</a></div><div class="wp-workCard_item"><span>«La Capitanata». Rivista quadrimestrale della Biblioteca Provinciale dei Foggia</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nel corso degli ultimi anni la ricerca musicologica ha iniziato ad interessarsi ad aspetti fi n'o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nel corso degli ultimi anni la ricerca musicologica ha iniziato ad interessarsi ad aspetti fi n'ora per lo più trascurati dai tradizionali approcci d'indagine come la storia delle istituzioni e delle associazioni, il 'sistema teatrale', la ricezione e la fortuna di opere e di compositori, l'evoluzione e il gusto del pubblico, la 'storia materiale' connessa alla produzione e all'esecuzione musicale, ecc… In questi ambiti di ricerca l'impiego della letteratura periodica quale fonte documentaria si è rivelata di primissimo ordine, insostituibile soprattutto «nella defi nizione di quell'intreccio di istanze culturali, sociali ed economiche spesso riassunte nel termine un pò vago di vita musicale, locuzione che defi nisce il contesto nel quale nascono e vivono gli oggetti principali della ricerca musicologica: vale a dire i compositori e le loro opere». 1 1 Marco CAPRA, Alla ricerca dei periodici musicali. Considerazioni in margine alla pubblicazione del catalogo dei periodici musicali nelle biblioteche della Campania, in «Rivista italiana di musicologia», XXXII, (1997), 2, pp. 367-382: 369. In seguito al crescente interesse mostrato dalla ricerca musicologica nei confronti della letteratura periodica, verso la metà degli anni Ottanta è nato a Parma il Centro Internazionale di ricerca sui periodici musicali (CIRPeM), unico istituto in Europa che si occupa in maniera specifi ca della ricerca sui periodici musicali e di interesse musicale, coordinando a livello mondiale la redazione di spogli e di indici cronologici e analitici di periodici musicali. Negli anni si è costituita una biblioteca specializzata che raccoglie periodici di interesse musicale, italiani e stranieri, dalla fi ne del Settecento alla prima metà del Novecento. L'importanza di questa iniziativa risulta tanto più evidente considerando che i periodici musicali sono tutt'oggi l'unica fonte per la ricerca musicologica ancora poco conosciuta e spesso in cattivo stato di conservazione, oltre che fi sicamente dispersa in diverse biblioteche e archivi, pubblici e privati, a volte diffi cilmente accessibili. (Marco CAPRA, I periodici musicali del Novecento, in Conservare il Novecento: la stampa periodica, Atti del 2°Convegno nazionale: Ferrara, 29-30 marzo 2001, (a cura di) Maurizio MESSINA e Giuliana ZAGRA, Roma, AIB-Associazione Italiana Biblioteche, 2002, pp. 30-44: 39-41.) È possibile leggere un'ampia panoramica internazionale di studi che si sono avvalsi di pubblicazioni periodiche in Bianca Maria ANTOLINI, La stampa periodica dell'Ottocento come fonte per la ricerca musicologica: il «Repertoire international de la presse musicale», in «Rivista italiana di musicologia», XXVI, (1991), 1, pp. 346-385. Una serie di pubblicazioni apparse negli ultimi anni ha dimostrato, inoltre, come sia assai profi cua la ricerca anche sui periodici non specifi camente musicali. Citiamo a titolo esemplifi cativo: Roberto VERTI, La presenza della musica nei periodici bolognesi dal 1800 al 1830, in «Periodica musica», 1, 1983, pp. 21-26; Maria Giovanna BRINDISINO, Notizie musicali sui periodici politici-letterari salentini dalla seconda metà del XIX sino al 1911, in «Periodica musica», 3, 1985; Marcello CONATI, Fonti verdiane: i giornali dell'Ottocento, in Nuove prospettive della ricerca verdine, Atti del convegno internazionale in occasione della prima del Rigoletto in edizione critica (Vienna, 12-13 marzo 1993), Istituto di studi Vediani/ Ricordi, Parma/Milano, 1987, pp. 130-137;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fbd515b38b153c3e64418fbcec8acd06" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461441,"asset_id":35595143,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461441/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595143"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595143"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595143; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595134"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595134/Matteo_Sassano_il_rosignolo_di_Napoli"><img alt="Research paper thumbnail of Matteo Sassano, il rosignolo di Napoli" class="work-thumbnail" src="https://attachments.academia-assets.com/55461381/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595134/Matteo_Sassano_il_rosignolo_di_Napoli">Matteo Sassano, il rosignolo di Napoli</a></div><div class="wp-workCard_item"><span>«La Capitanata». Rivista quadrimestrale della Biblioteca Provinciale dei Foggia</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A più di cento anni di distanza Fetìs 1 lo ricordava nella sua Biographie Universelle, mentre i s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A più di cento anni di distanza Fetìs 1 lo ricordava nella sua Biographie Universelle, mentre i suoi contemporanei lo annoveravano come il più celebre castrato napoletano del tempo. 2 Nonostante questo, la figura di Matteo Sassano, pur nota alla ristretta cerchia degli specialisti, non ha goduto di larga popolarità tra i posteri; gli stessi studi musicologici gli hanno dedicato un esiguo spazio. 3 Questo saggio vorrebbe colmare un vuoto, gettare nuova luce sulla sua vita e sulla sua carriera, avvalendosi anche delle più recenti indagini musicologiche. Primo tassello di una ricerca che si prefigge un più ampio respiro, quest'articolo ricostruisce il periodo napoletano di Matteo Sassano attingendo largamente alle memorie del Confuorto e alle notizie apparse sulla «Gazzetta di Napoli». 4 danese, grande appassionato di musica, lo citava nel suo diario di viaggio ricordando il Sassano per la sua bella voce e per gli splenditi ornamenti improvvisati. Era il 9 marzo del 1724 quando Alensoon, in visita a Napoli, ebbe occasione di ascoltarlo nell'esecuzione di un mottetto solistico nella Chiesa della Madonna Solitaria (cfr.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cd811fda6a758a5468a5663e439a018a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461381,"asset_id":35595134,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461381/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595134"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595134"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595134; 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Il dramma religioso come antenato dell’opera buffa" class="work-thumbnail" src="https://attachments.academia-assets.com/55461364/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595116/Il_trionfo_della_castit%C3%A0_di_Santo_Alessio_Il_dramma_religioso_come_antenato_dell_opera_buffa">Il trionfo della castità di Santo Alessio. Il dramma religioso come antenato dell’opera buffa</a></div><div class="wp-workCard_item"><span>«La Capitanata». 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Rivista quadrimestrale della Biblioteca Provinciale di Foggia</span><span>, 2004</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alla fine dell'Ottocento il pensiero europeo ha avviato una riflessione generale sui fenomeni mus...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Alla fine dell'Ottocento il pensiero europeo ha avviato una riflessione generale sui fenomeni musicali e sui loro presupposti che, congiuntamente al rapido sviluppo delle scienze, ha generato nuove discipline, nuove scoperte scientifiche e nuove applicazioni tecnologiche. Con l'avvento del fonografo, nel 1887, nasce infatti una nuova tecnologia capace di captare, fissare e riprodurre i suoni: la registrazione, uno degli eventi capitali nella storia della musica del XX secolo. "La registrazione ha fornito alla musica un supporto materiale per trascendere il tempo e ha abolito i confini spazio-temporali che la limitavano", 1 ha aperto la strada alla fondazione e allo sviluppo dell'etnomusicologia come scienza, 2 ha influenzato l'ascolto, 3 la composizione, 4 l'apprendimento, la ricerca.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2f3a5da7cf4a6e125c02446c481ec2df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461296,"asset_id":35595044,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461296/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595044"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595044"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595044; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35595027"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35595027/Fonti_sonore_e_musicologia_alcune_riflessioni"><img alt="Research paper thumbnail of Fonti sonore e musicologia: alcune riflessioni" class="work-thumbnail" src="https://attachments.academia-assets.com/55461280/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595027/Fonti_sonore_e_musicologia_alcune_riflessioni">Fonti sonore e musicologia: alcune riflessioni</a></div><div class="wp-workCard_item"><span>«La Capitanata». Rivista quadrimestrale della Biblioteca Provinciale dei Foggia</span><span>, 2006</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il campo di ricerca della musicologia, nell'accezione impiegata dall'American Musicological Socie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il campo di ricerca della musicologia, nell'accezione impiegata dall'American Musicological Society nella sua dichiarazione d'intenti del 1934, nella quale s'impegnava "per il progresso della ricerca nei vari campi della musica intesa quale branca del sapere e dell'erudizione", ha poco più di un secolo ed è un fenomeno prevalentemente del Novecento. 1 In questo arco di tempo si è abbandonata l'idea della musica come sottoinsieme della filosofia e della storia dell'arte per considerarla disciplina autonoma con una propria identità professionale, con standard e requisiti di preparazione specifici. Tant'è che dal bilancio effettuato dalla Società Italiana di Musicologia sulle discipline musicologiche, tracciato in chiusura del secolo appena trascorso, Enrico Fubini precisa che la "musicologia è complessa e multiforme perché tale è il suo oggetto, visto sia orizzontalmente nella sua estensione geografica, sia verticalmente nella sua estensione storica" e che per questo "non si può parlare di musicologia al singolare". 2 Nel corso del Novecento infatti c'è stato un progressivo passaggio dalla netta prevalenza della musicologia storica, come approccio dominante alla ricerca, ad una progressiva affermazione di nuove discipline -quali la sociologia della musica, la semiologia della musica, la psicologia della musica, l'etnomusicologia, per citarne solo alcune -che hanno arricchito l'odierno panorama di studi con l'applicazione di metodologie distinte. 3 Questi mutamenti hanno trovato riscontro nell'allargarsi degli orizzonti musicali, con l'avvento dell'atonalità, della dodecafonia e del serialismo in Occidente, e nel progressivo indebolimento dell'eurocentrismo, con il dilagare di studi sistematici su patrimoni musicali di altri popoli e di altre civiltà. Non da ultimo si deve aggiungere lo sviluppo di nuove tecnologie di produzione e riproduzione del suono che da una 1 Cfr. Margaret BENT, Il mestiere del musicologo, in Enciclopedia della musica, diretta da Jean-Jeacques Nattiez, Il sapere musicale, Torino, Einaudi, 2002, 3 voll.: vol. II, p. 575. 2 Cfr. Enrico FUBINI, Introduzione, in «Rivista Italiana di Musicologica», vol. XXXV, 2000, 1-2, Le discipline musicologiche: prospettive di fine secolo, p. 4.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ed7206239ebb3652a645c6a661fe0c6e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55461280,"asset_id":35595027,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55461280/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595027"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595027"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595027; 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Spoglio e indici delle notizie musicali 1897-1913" class="work-thumbnail" src="https://attachments.academia-assets.com/60918683/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35595413/Il_teatro_dopera_nelle_pagine_de_il_Foglietto_Spoglio_e_indici_delle_notizie_musicali_1897_1913">Il teatro d'opera nelle pagine de "il Foglietto". Spoglio e indici delle notizie musicali 1897-1913</a></div><div class="wp-workCard_item"><span>Claudio Grenzi Editore</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il Foglietto rappresenta un’importante fonte per la ricerca storica della Capitanata, ancor più p...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il Foglietto rappresenta un’importante fonte per la ricerca storica della Capitanata, ancor più preziosa per gli studi musicologici per i quali pochi sono gli strumenti di indagine a disposizione dello studioso. Pensato per la ricerca, questo lavoro, con i suoi indici – cronologico, dei luoghi teatrali, dei nomi e delle opere  –, vuole essere uno strumento di consultazione per quanti vogliano studiare gli eventi musicali del primo Novecento in Capitanata. <br />Gli articoli dedicati al teatro d’opera consentono, infatti, di ricostruire le cronologie teatrali della provincia, le attività delle imprese appaltatrici, forniscono notizie sugli allestimenti e sugli artisti scritturati e, riflettendo il punto di vista della fruizione contemporanea, rappresentano un vero termometro dei gusti e degli orientamenti musicali del primo Novecento.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8922db5f8a5577263f78d348c47eea8a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60918683,"asset_id":35595413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60918683/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595413"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595413"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595413; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595413]").text(description); $(".js-view-count[data-work-id=35595413]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595413; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595413']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8922db5f8a5577263f78d348c47eea8a" } } $('.js-work-strip[data-work-id=35595413]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35595413,"title":"Il teatro d'opera nelle pagine de \"il Foglietto\". 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I Convegno annuale (Modena, Conservatorio di Musica “Orazio Vecchi – Antonio Tonelli” 29 settembre – 1° ottobre 2023)</span><span>, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="372e785b1c9a4e8651fbb68c53af6da5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115222755,"asset_id":119917114,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115222755/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="119917114"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="119917114"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 119917114; 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Percorsi di ricerca tra cataloghi e collezioni digitali" class="work-thumbnail" src="https://attachments.academia-assets.com/115222427/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/119916572/L_operetta_nella_stampa_periodica_di_Capitanata_del_primo_900_Percorsi_di_ricerca_tra_cataloghi_e_collezioni_digitali">L’operetta nella stampa periodica di Capitanata del primo ’900. Percorsi di ricerca tra cataloghi e collezioni digitali</a></div><div class="wp-workCard_item"><span>Evemero Nardella. Dalla canzone napoletana d'autore all'operetta italiana di primo Novecento. Convegno nazionale di studi (Foggia, Conservatorio "Umberto Giordano" 19-20 maggio 2023)</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Concerto a cura delle classi di Canto lirico del Conservatorio Umberto Giordano con un programma ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Concerto a cura delle classi di Canto lirico del Conservatorio Umberto Giordano con un programma monografico dedicato a Evemero Nardella Sabato | 20 maggio ore 9.00 L'operetta italiana di primo Novecento</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb0f398c7238c2a8c1e0436f61daa226" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115222427,"asset_id":119916572,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115222427/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="119916572"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="119916572"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 119916572; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=119916572]").text(description); $(".js-view-count[data-work-id=119916572]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 119916572; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='119916572']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb0f398c7238c2a8c1e0436f61daa226" } } $('.js-work-strip[data-work-id=119916572]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":119916572,"title":"L’operetta nella stampa periodica di Capitanata del primo ’900. 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La famiglia Bellucci.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://conservatoriofoggia.academia.edu/GraziaCarbonella">Grazia Carbonella</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://conservatoriosantacecilia.academia.edu/AntonioCaroccia">Antonio Caroccia</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Giornata di studi presso l'Auditorium della Biblioteca Provinciale di Foggia, 10-11 dicembre 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c540bc6611f21c39a5f46fbd388ce189" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55462044,"asset_id":35595737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55462044/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35595737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35595737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35595737; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35595737]").text(description); $(".js-view-count[data-work-id=35595737]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35595737; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35595737']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c540bc6611f21c39a5f46fbd388ce189" } } $('.js-work-strip[data-work-id=35595737]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35595737,"title":"Intellettuali di Capitanata. 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