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Projects | Singapore Architect

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/_next/image?url=https%3A%2F%2Fimages.prismic.io%2Fsingaporearchitect%2Fc04c5cfd-87b2-42fc-aae8-26c63ba79ed9_04_PLY_RainbowCentre-13a-min.jpg%3Fauto%3Dcompress%2Cformat%26rect%3D330%2C0%2C5931%2C3954%26w%3D3000%26h%3D2000&amp;w=3840&amp;q=75 3840w" src="/_next/image?url=https%3A%2F%2Fimages.prismic.io%2Fsingaporearchitect%2Fc04c5cfd-87b2-42fc-aae8-26c63ba79ed9_04_PLY_RainbowCentre-13a-min.jpg%3Fauto%3Dcompress%2Cformat%26rect%3D330%2C0%2C5931%2C3954%26w%3D3000%26h%3D2000&amp;w=3840&amp;q=75"/></div><div class="item-meta absolute bottom-0 left-0 right-0"><div class="container-component w-full px-7 xl:px-14 undefined"><div class="py-4 sm:py-7 grid grid-cols-12 gap-4"><div class="col-span-6 sm:col-span-9 grid grid-cols-12 gap-4"><div class="col-span-12 lg:col-span-4"><h3 class="item-title font-serif leading-tight text-lg xl:text-2xl line-clamp-2">An Inclusive Building: The Rainbow Centre Extension</h3></div><div class="hidden lg:block col-span-8"><p class="item-description font-sans line-clamp-3"><span>Over the years, my experience of any architecture with design ambition inevitably converges on one of two possibilities - the first, where savvy photography embodies the design vision better than the actual building, or the second, where the architecture as &quot;experienced-in-the-flesh&quot; exceeds any image depiction. My first gut instinct on visiting the new annex to the Rainbow Centre - and experiencing the range and resolution of its form and presence - is that this building belongs to the latter category.  Here is a modest 4-storey annex building whose formal, spatial and programmatic complexities defy simplistic reduction, including by photography. This is a nuanced, highly-customised architecture that befits its deserving users.     The Rainbow Centre is a not-for-profit organization that seeks to empower persons with disabilities such that they can thrive in inclusive communities. It traces its roots to the original Margaret Drive Special School set up in 1987 for children with special needs. Today, the Rainbow Centre&#x27;s mission extends far beyond its original narrow mandate of Special Education to include training, therapy, and other holistic interventions for children, youth and young adults with disabilities, helping them to integrate and thrive in society-at-large. To realise these noble goals, the centre&#x27;s physical premises have to be a safe space that offers a microcosm of society - at once enabling and supportive.     </span></p></div></div><div class="col-span-6 sm:col-span-3 grid items-start justify-end"><a href="/projects/an-inclusive-building-the-rainbow-centre-extension"><div class="flex gap-4 items-center"><span class="font-sans uppercase text-xs font-semibold leading-3 tracking-wide">Read more</span><svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 14 14" class="-translate-x-2 h-5 w-5 transition transform"><g><line x1="0.5" y1="7" x2="13.5" y2="7" fill="none" stroke="currentColor" stroke-linecap="round" stroke-linejoin="round"></line><polyline points="10 10.5 13.5 7 10 3.5" fill="none" stroke="currentColor" stroke-linecap="round" stroke-linejoin="round"></polyline></g></svg></div></a></div></div></div></div></div><div id="project-filter-search" class="xl:h-[112px] flex items-center justify-start leading-none font-serif uppercase 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src="/_next/image?url=https%3A%2F%2Fimages.prismic.io%2Fsingaporearchitect%2FZpDdKB5LeNNTxFq9_01_Rifle_Range_Nature_Park_Finbarr_Fallon_01.jpg%3Fauto%3Dformat%252Ccompress%26rect%3D728%252C0%252C5258%252C5258%26w%3D3000%26h%3D3000&amp;w=3840&amp;q=75"/></div><div class="item-meta p-4 font-serif absolute bottom-0 left-0 right-0 transition transform lg:opacity-0 lg:translate-y-full"><h3 class="item-title leading-tight text-lg">Pathways For All: Rifle Range Nature Park by Henning Larsen</h3></div></div></a></div><div class="grid-item" style="order:2"><a href="/projects/timber-rhythms-exploring-the-new-gaiantu"><div class="item-view relative transition overflow-hidden "><div class="relative"><div class="animate-pulse rounded-md placeholder absolute top-0 left-0 w-full h-full bg-[#F2F2F2]"></div><img alt="" loading="lazy" width="3000" height="3000" decoding="async" data-nimg="1" class="opacity-0 transition item-thumbnail w-full aspect-square object-cover relative" style="color:transparent" 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Kenneth Koh Qibao MSIA\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDdax5LeNNTxFrF_02_Rifle_Range_Nature_Park_Finbarr_Fallon_03.jpg?auto=format%2Ccompress\u0026rect=0%2C111%2C7600%2C5067\u0026w=3000\u0026h=2000\",\"id\":\"ZpDdax5LeNNTxFrF\",\"edit\":{\"x\":0,\"y\":111,\"zoom\":1,\"background\":\"transparent\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDdKB5LeNNTxFq9_01_Rifle_Range_Nature_Park_Finbarr_Fallon_01.jpg?auto=format%2Ccompress\u0026rect=728%2C0%2C5258%2C5258\u0026w=3000\u0026h=3000\",\"id\":\"ZpDdKB5LeNNTxFq9\",\"edit\":{\"x\":728,\"y\":0,\"zoom\":1,\"background\":\"transparent\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"TSA’s Ar. Kenneth Koh brings us through the sensitive natural and urban ecologies of Henning Larsen’s Rifle Range Nature Park, examining how its various paths for movement, water, and fauna overlap and intersect. \",\"spans\":[{\"start\":0,\"end\":213,\"type\":\"em\"}],\"direction\":\"ltr\"}],\"date\":\"2024-07-12\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"On the southern fringes of Bukit Timah Nature Reserve, the Rifle Range Nature Park planned by Henning Larsen has anchored its roots and walkways since its opening at the end of 2022. Crafted as a buffer park, it was primarily introduced to alleviate human traffic from the established reserve up north, while cultivating a new environment where people and animals alike can find their own pathways. \",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"Paths for Movement\",\"spans\":[{\"start\":0,\"end\":18,\"type\":\"strong\"}],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"Sensitively set back from the busy road, the park is designed as a network of multiple trails of varying difficulty and points of interest for different profiles of parkgoers. Challenging hiking trails up rocky boulders taken from the old quarry, gentle boardwalks meandering through the quietly maturing forest, a playful obstacle course that invites children to clamber over hewn rocks and logs. \",\"spans\":[],\"direction\":\"ltr\"}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"The park is also designed for the passage of forest critters, with intersecting bridges of poles, rope and pipe introduced both overhead and underground, connecting the park ecologically to Bukit Timah while creating new and complementary habitats for these animals. In its unique way, the park welcomes all.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"Going back a couple of years, the site of the Rifle Range Nature Park starkly contrasted with its open inclusivity today. Once a quarry overgrown by a secondary forest with a single dominant species of trees, this site was seemingly lush and green. It was, however, problematic as it was not conducive for biodiversity due to its monoculture. \",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"This resulted in Henning Larsen’s proposal to transform the very nature of the forest through succession planting – the planting of pioneering plant species that grow rapidly and create shade for new species, and eventually sacrifice themselves for the new generation of richly diverse flora.\",\"spans\":[],\"direction\":\"ltr\"}]}],\"primary\":{},\"id\":\"text_grid$fd4193ff-4ac6-47f1-801d-5d6842291cc5\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Paths for Water\",\"spans\":[{\"start\":0,\"end\":15,\"type\":\"strong\"}],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"Another objective of the design team was to restore the riparian habitat existing on this very site. Early surveys of the forest and quarry area by the design team revealed a stream that was not on official survey maps. This led the team to propose redirecting existing streams and newly carved swales towards the heart of the former Sin Seng quarry, transmuting the dense forest into a vastly different setting - a freshwater wetland environment with three distinct types of habitats, hosting a vast variety of new species.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"The new ecosystem’s delicate balance had to be carefully calibrated, especially with human interaction coming into play when the park was opened. For example, it was observed that parkgoers would release fish into the wetland environment as a cultural event on Vesak Day, disrupting the ecosystem. As a result, underwater fences had to be installed to separate the new fish from the wetland ecosystem.\",\"spans\":[],\"direction\":\"ltr\"}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDdfh5LeNNTxFrH_03_Rifle_Range_Nature_Park_Finbarr_Fallon_33.jpg?auto=format%2Ccompress\u0026rect=436%2C0%2C2094%2C2094\u0026w=3000\u0026h=3000\",\"id\":\"ZpDdfh5LeNNTxFrH\",\"edit\":{\"x\":436,\"y\":0,\"zoom\":1,\"background\":\"transparent\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDdix5LeNNTxFrK_04_Rifle_Range_Nature_Park_Finbarr_Fallon_10.jpg?auto=format%2Ccompress\u0026rect=0%2C1377%2C4729%2C3153\u0026w=3000\u0026h=2000\",\"id\":\"ZpDdix5LeNNTxFrK\",\"edit\":{\"x\":0,\"y\":1377,\"zoom\":1,\"background\":\"transparent\"}}},\"id\":\"text_image_collage$26f4c923-2b63-40b9-8474-bc7f87df67d8\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Paths for the Small\",\"spans\":[{\"start\":0,\"end\":19,\"type\":\"strong\"}],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"The park was also designed for its small forest inhabitants, including surprising creatures like the Sunda Pangolin and Leopard Cat which are critically endangered species. Special care was taken in studying the movement of animals to establish the design and spacing of fauna crossings. For instance, the glide slope ratio of a colugo, a gliding mammal native to Singapore’s forests, would determine the spacing of poles and new trees reachable to these unique creatures.\",\"spans\":[{\"start\":329,\"end\":335,\"type\":\"em\"}],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"The form of the colugo was also referenced in the park’s design, where its unique bat-like shape in mid-flight was mimicked in the signage design for the Colugo Trail, as well as the cantilevered Colugo Deck at the peak of the quarry that offers a panoramic view of the vast surroundings.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"\",\"spans\":[],\"direction\":\"ltr\"}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Biomimicry is also used in the design of the Waterhen Hide, where nest-like structures allow visitors to get closer to the wetlands to observe kingfishers and bitterns. There is a genuine sense of childlike discovery as one notices these design features and draws parallels with nature’s own designs.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"The sensitivity towards nature not only encompasses the nurturing flora and fauna, but also an overarching concept of sustainability – a goal that motivates many of the design team’s projects. It is also Singapore’s first net positive energy nature park, with arrays of solar panels producing more energy than required for the site’s operation.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"Other sustainable features that one would encounter include shelters made from mass engineered timber and beautifully curated rain garden that channels stormwater from hardscapes. \",\"spans\":[],\"direction\":\"ltr\"}]}],\"primary\":{},\"id\":\"text_grid$e7157896-ebab-40fb-808d-d51fc0eaf37f\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDdmh5LeNNTxFrN_05_Rifle_Range_Nature_Park_Finbarr_Fallon_77B.jpg?auto=format%2Ccompress\u0026rect=0%2C1%2C4511%2C3007\u0026w=3000\u0026h=2000\",\"id\":\"ZpDdmh5LeNNTxFrN\",\"edit\":{\"x\":0,\"y\":1,\"zoom\":1,\"background\":\"transparent\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDdrx5LeNNTxFrO_06_Rifle_Range_Nature_Park_Finbarr_Fallon_06.jpg?auto=format%2Ccompress\u0026rect=0%2C1%2C6529%2C4353\u0026w=3000\u0026h=2000\",\"id\":\"ZpDdrx5LeNNTxFrO\",\"edit\":{\"x\":0,\"y\":1,\"zoom\":1,\"background\":\"transparent\"}}}],\"primary\":{},\"id\":\"image_grid$0d12a0d6-99b2-4638-b658-b2e28d743588\",\"slice_type\":\"image_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"“The design never really ends,” as Chum Jia Xin, associate director and team leader from Henning Larsen, would say. Many critical decisions had to be made even up to the final construction phase of the park. Chum shared that this was a dynamic process that started with extensive surveys conducted on site, which involved manual measurement and drone photography.\\n\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"Natural elements had to be worked around and worked with. To carve out the more challenging trails, the design team had to carefully take stock of the boulders found on site, then sketch and test out various arrangement possibilities. This was a meticulous, hands-on process that required close collaboration with the contractor. Information from the contractor subsequently informed tweaks in the design. Surveys on site about the exact position of structural banyan tree roots would result in the shifting of the decks forming the Banyan Trail.\",\"spans\":[{\"start\":52,\"end\":56,\"type\":\"em\"}],\"direction\":\"ltr\"}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Input from the client and consultants also resulted in an evolution of some major parts of the design. An initial idea proposed during the design concept phase was to have a walkway hugging the quarry’s cliff face, but this had to change due to a geologically and structurally unstable cliff surface. This transformed into equally engaging pathways and lookout point crowning the Colugo Trail that we see today.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"It is this responsive approach to design that underpins the design team’s strategy in shaping the landscape, and the paths taken during the planning process have resulted in its beautiful physical pathways, crafted with utmost sensitivity.\",\"spans\":[],\"direction\":\"ltr\"}]}],\"primary\":{},\"id\":\"text_grid$82744e27-fbea-4aca-aa29-5fb0db1e2d91\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[],\"primary\":{},\"id\":\"text_grid$a0e05369-3140-4e70-8928-0c622c0d3387\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[],\"primary\":{},\"id\":\"image_grid$5539ead9-7a1a-45ff-8c27-c1ac401476bc\",\"slice_type\":\"image_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"1\",{\"className\":\"grid-item\",\"style\":{\"order\":\"2\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/timber-rhythms-exploring-the-new-gaiantu\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"Zo-HCBEAACEA_B4S\",\"uid\":\"timber-rhythms-exploring-the-new-gaiantu\",\"url\":\"/projects/timber-rhythms-exploring-the-new-gaiantu\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22Zo-HCBEAACEA_B4S%22%29+%5D%5D\",\"tags\":[\"Public Spaces\"],\"first_publication_date\":\"2024-07-12T07:42:26+0000\",\"last_publication_date\":\"2024-07-12T07:44:12+0000\",\"slugs\":[\"timber-rhythms-exploring-the-new-gaiantu\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Timber Rhythms: Exploring the new Gaia@NTU \",\"spans\":[],\"direction\":\"ltr\"}],\"author\":\"Ar. 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Felicia Toh examines up-close the design for Gaia@NTU – Asia’s largest Mass Engineered Timber (MET) building designed by Toyo Ito and RSP Architects – exploring its many technical challenges and innovations. \",\"spans\":[{\"start\":0,\"end\":228,\"type\":\"em\"}],\"direction\":\"ltr\"}],\"date\":\"2024-07-12\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"A gentle arc spanning two hundred and twenty metres, Gaia@NTU is a campus that feels warm and personable, with the amber hues of timber beams and columns setting up a rhythmic passage. Designed by Toyo Ito and RSP Architects, the team won a design competition held by Nanyang Technological University (NTU), for a brief that called for the use of Mass Engineered Timber (MET) and a design scheme that cohered with NTU’s vision of collaborative learning. On the ground, a row of seminar rooms lines each side of the perimeter, flanking a central atrium peppered with tables and a custom-designed lattice screen. Lush green courtyards anchor each end of the building, while the north-south orientation of the arc allows prevailing winds to flow through the space, creating an inviting environment. Not surprisingly, the atrium is bustling, occupied by students having discussions or studying between classes.\",\"spans\":[],\"direction\":\"ltr\"}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"In terms of context, Gaia occupies a plot of land adjacent to the Chinese Heritage Centre, the oldest building on the NTU campus. A clear axis leads one from Yunnan Garden, a verdant park just off Nanyang Drive, to the Chinese Heritage Centre, and Gaia reads almost as a left wing completing this axis. However, the building embraces this axis without being overly rigid. Toyo Ito comments on the considerable length of the building, “If we adopted a straight grid, you would feel that’s its very long and far away if you were inside the building. But just by curving the grid a little bit, you don’t feel the corridor tunnel effect as much.” The length of the building becomes more digestible for pedestrians, many of whom make their daily commute through the building from the bus stop to the rest of the campus.\",\"spans\":[],\"direction\":\"ltr\"}]}],\"primary\":{},\"id\":\"text_grid$fd4193ff-4ac6-47f1-801d-5d6842291cc5\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"The six-storey building accommodates a spectrum of learning spaces, catering for evolving educational and collaborative modes. It houses a classical horseshoe stepped lecture theatre, an auditorium, as well as flat seminar rooms where tables are configurable in groups of six to ten. Breakout rooms are accommodated along the corridors, facilitating smaller group discussions. The central atrium reads as an extension of the learning space beyond the walls of the classrooms, by employing a sinuous surface that flexes to carve out pockets of privacy and seating. 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In Japan, timber structural components are typically connected using the drift pin method, which is technically more difficult to construct. However, for Gaia, each structural member comes pre-fabricated with positive and negative connectors that allows them to be easily slotted together on site. As a result, the column and beam connections are elegant, with no exposed screws or bolts. The modular timber frame system proposed by the architects also enabled a shorter construction time and cost efficiency.\",\"spans\":[],\"direction\":\"ltr\"},{\"type\":\"paragraph\",\"text\":\"\",\"spans\":[],\"direction\":\"ltr\"}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Since the use of MET was relatively new in Singapore, RSP Architects had to take special care in specifying a suitable and code-compliant type of timber, that satisfied the requirements of fire, moisture, and termite protection. Singapore’s regulations on MET are based on the European code, and timber used for the building was imported from Austria for timely compliance. Ito expresses his hope that there would be an opportunity in future projects to explore ways of using timber sources available in the Asian region.\",\"spans\":[],\"direction\":\"ltr\"}]}],\"primary\":{},\"id\":\"text_grid$e7157896-ebab-40fb-808d-d51fc0eaf37f\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDYix5LeNNTxFox_4_CorridorbyRSP.jpg?auto=format%2Ccompress\u0026rect=0%2C1733%2C4160%2C2773\u0026w=3000\u0026h=2000\",\"id\":\"ZpDYix5LeNNTxFox\",\"edit\":{\"x\":0,\"y\":1733,\"zoom\":1,\"background\":\"transparent\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDYnB5LeNNTxFo2_5_StaircasebyRSP.jpg?auto=format%2Ccompress\u0026rect=0%2C1647%2C4160%2C2773\u0026w=3000\u0026h=2000\",\"id\":\"ZpDYnB5LeNNTxFo2\",\"edit\":{\"x\":0,\"y\":1647,\"zoom\":1,\"background\":\"transparent\"}}}],\"primary\":{},\"id\":\"image_grid$0d12a0d6-99b2-4638-b658-b2e28d743588\",\"slice_type\":\"image_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Apart from the building’s innovative use of MET, another achievement gleaned was obtaining the BCA Green Mark Platinum (Zero Energy) certification. This award recognizes buildings that produces as much energy as it consumes, through renewable sources both on-site and off-site. To meet its sustainability goals, the team implemented a myriad of energy-saving measures. Passive displacement ventilation systems, which are less energy intensive, were employed for most of the air-conditioned spaces. Further, occupancy sensors were installed to switch air-conditioners off when not in use. Photo-voltaic solar panels were also installed on all available roof spaces. \",\"spans\":[],\"direction\":\"ltr\"}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Perhaps more fundamentally, the passive architectural design was thoughtfully designed to minimize heat gain. Rhythmic fins along the façade diffuse westerly sunlight and shades the interiors. High level louvres also shield the interior corridors from harsh sunlight and wind-driven rain. Four months after Gaia’s official opening in May 2023, the team has received encouraging feedback from students and faculty alike, who appreciate the feeling of being immersed in a forest-like environment that brings them closer to nature. While some school campuses with similar programmatic complexity fall into the trap of being maze-like and cloistered, the simplicity of this arc unfurling itself to the gardens around, along a light-filled central spine, is certainly refreshing.\",\"spans\":[],\"direction\":\"ltr\"}]}],\"primary\":{},\"id\":\"text_grid$82744e27-fbea-4aca-aa29-5fb0db1e2d91\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[],\"primary\":{},\"id\":\"text_grid$a0e05369-3140-4e70-8928-0c622c0d3387\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDZHx5LeNNTxFpK_7_AtriumbyRSP.jpg?auto=format%2Ccompress\u0026rect=0%2C0%2C6240%2C4160\u0026w=3000\u0026h=2000\",\"id\":\"ZpDZHx5LeNNTxFpK\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":1,\"background\":\"transparent\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ZpDZNh5LeNNTxFpM_8_1STSTOREYPLAN.jpg?auto=format%2Ccompress\u0026rect=195%2C0%2C4494%2C2996\u0026w=3000\u0026h=2000\",\"id\":\"ZpDZNh5LeNNTxFpM\",\"edit\":{\"x\":195,\"y\":0,\"zoom\":1,\"background\":\"transparent\"}}}],\"primary\":{},\"id\":\"image_grid$5539ead9-7a1a-45ff-8c27-c1ac401476bc\",\"slice_type\":\"image_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"2\",{\"className\":\"grid-item\",\"style\":{\"order\":\"3\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/from-homegrown-initiative-to-global-phenomenonfrom-homegrown-initiative-to-global-phenomenon\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"ZPrJmhIAACUAdC_O\",\"uid\":\"from-homegrown-initiative-to-global-phenomenonfrom-homegrown-initiative-to-global-phenomenon\",\"url\":\"/projects/from-homegrown-initiative-to-global-phenomenonfrom-homegrown-initiative-to-global-phenomenon\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22ZPrJmhIAACUAdC_O%22%29+%5D%5D\",\"tags\":[],\"first_publication_date\":\"2023-09-11T01:31:14+0000\",\"last_publication_date\":\"2024-06-23T18:37:05+0000\",\"slugs\":[\"from-homegrown-initiative-to-global-phenomenon\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"From homegrown initiative to global phenomenon\",\"spans\":[]}],\"author\":\"Ar. Razvan I Ghilic-Micu, Chief Editor, The Singapore Architect\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/49f4fb6d-7e38-4b2b-841c-504a30e233b4_00_LC-MAp.jpg?auto=compress,format\u0026rect=0,247,2560,1707\u0026w=3000\u0026h=2000\",\"id\":\"ZPmCuRIAACIAbnkE\",\"edit\":{\"x\":0,\"y\":-289,\"zoom\":1.171875,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/47b982f6-bebe-433a-98a0-15a7b381c9b0_05_LC_Guimaraes+UMinho-min.jpg?auto=compress,format\u0026rect=950,0,4000,4000\u0026w=3000\u0026h=3000\",\"id\":\"ZPrJhxIAACMAdC9v\",\"edit\":{\"x\":-712,\"y\":0,\"zoom\":0.75,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"Over the last eighteen months, we've had the pleasure of observing the evolution of \\\"Le Corbusier: An Exhibition Over Space and Time\\\" What began with a display of 45 models in Singapore has now transformed into a worldwide cultural phenomenon, encompassing nearly 200 models and connecting cities across different continents.\",\"spans\":[{\"start\":84,\"end\":134,\"type\":\"em\"},{\"start\":84,\"end\":134,\"type\":\"strong\"}]}],\"date\":\"2023-09-11\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"A brief history of the show\",\"spans\":[{\"start\":0,\"end\":27,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Presently en route to North America as I compose this piece, the exhibition's journey has been a labour of time and circumstance, interwoven with fortuitous connections and shared interests. Back in early 2021, our interview with René Tan, TK Quek, Jonathan Quek, Sock Mui Koh, Kaili Koh, Fiona Tan, and the RT+Q family provided the foundation for a feature in Issue 20 of Singapore Architect Magazine. Among the imagery captured by photographer Jason Lee of Absolute X, one photograph particularly resonated with us: a wall adorned with shelves housing an array of Corbusier scale models—a sight far from the norm in most architectural offices. As we came to learn, Rene Tan's studio has been introducing a unique tradition. Every incoming intern is tasked with crafting a Corbusier scale model as an integral part of their initiation and cultural assimilation.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"As we took the reins of Archifest 2021 – Design Evidence later that year, the path ahead became clear: the world needed to see those captivating models. All that stood between this vision and reality were the right collaborators to bring it to life. Through a sequence of introductions, we crossed paths with Alliance Française, and the cosmic forces aligned effortlessly, giving rise to a remarkable partnership that swiftly became one of the highlights of Archifest 2021.\",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Though the festival itself has long concluded, our enthusiasm remains undiminished as we witness this remarkable collection continue to flourish and evolve. What began as 45 models in October 2021 has burgeoned into a nearly 200-strong collection, acquiring an unforeseen global cultural significance that exceeded our initial expectations.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"As we prepare to pay tribute to the legacy of Le Corbusier and reflect on architectural magnificence in the past tense, it's essential to recognize and commend architectural brilliance in the present moment. We extend our heartfelt congratulations to Ar. Rene Tan for generously sharing his fervour and intellectual curiosity, showcasing a level of generosity and curatorial aspiration that few practicing architects can match.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Embracing a value system deeply rooted in a humanistic quest for an intellectually discerning cultural endeavor – undoubtedly nurtured during his Princeton education under the tutelage of Ralph Lerner and Michael Graves – Rene Tan has indelibly imprinted the urban fabric of Singapore. Moreover, he has now sparked a global cultural movement, a tribute befitting the stature of his hero: Le Corbusier.\",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$59062b2f-cd92-4c39-96d2-8949232cc857\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Le Corbusier\",\"spans\":[{\"start\":0,\"end\":12,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"A plethora of literature has been dedicated to the man himself, detailing his accomplishments, navigating through the occasional controversies, and dissecting the essence of his enduring legacy. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"While I may not bear the mantle of a historian, I was fortunate enough to attend the Princeton School of Architecture as a graduate student during a period when leading academics like Beatriz Colomina and the late Jean Louis Cohen held history seminars. What struck me as profoundly invigorating was the divergence from the conventional approach of treating these courses as mere chronicles of vintage modernism captured in monochromatic photographs.\",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/e6bc062a-4ce8-4b03-ba26-fef593f153d8_01_LeCorbusier+RT%2BQ+Models_Photo+by+Jason+Lee+Absolute+X.jpg?auto=compress,format\u0026rect=0,417,2083,2083\u0026w=3000\u0026h=3000\",\"id\":\"ZPrIMxIAACMAdCiw\",\"edit\":{\"x\":0,\"y\":-601,\"zoom\":1.4402304368698993,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/cf94b0a2-e21f-45b6-a23d-76d0ccd2441b_02_LC_Archifest2021_Photo-OngChanHao.jpg?auto=compress,format\u0026rect=0,0,3840,2560\u0026w=3000\u0026h=2000\",\"id\":\"ZPrIIhIAACUAdCh0\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.78125,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$56c37ae4-2d69-4e5a-b7a0-654f8b6eb6e7\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Both courses felt contemporary, punchy, and fresh, as they were trying to extrapolate and situate historical architecture in its context, poised to draw lessons applicable to contemporary discourse and practice.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"This perspective is precisely what I urge us all to embrace as we delve into this exhibition and, in a broader sense, engage with history itself. While history may be etched in the archives of time, it is our mission to breathe vitality into its narratives, not through the lens of nostalgia, but with a fervent curiosity that brings it back to life and makes it relevant to our age.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"As we contemplate Corbusier's architectural legacy and the contextual milieu that enveloped it is imperative to anchor our observations in the wider zeitgeist of the era.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The original global disruptor\",\"spans\":[{\"start\":0,\"end\":29,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"When Corbusier unveiled his Maison Domino sketch in 1919, depicting an unadorned concrete structure supported by straightforward columns, beams, and slabs as the architecture of the future, much of Europe remained entranced by Neo-Classicism. Meanwhile, across the Atlantic in the United States, art deco and neo-gothic architects were reigning supreme. I'm confident that if the Villa Stein of 1926 or the Villa Savoye of 1929 were constructed in today's world, they would swiftly ignite a viral storm on social media and seduce our collective imagination. These structures are just as pertinent today as they were unconventional in their own time.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"A simple Google search for the 1922 Chicago Tribune Tower competition will unveil a remarkable assortment of formal oddities. The world was struggling with the challenge of moving from the past to the future seamlessly and authentically. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Meanwhile, across the ocean in Europe, Charles-Édouard Jeanneret-Gris (who later became known as Corbusier) was advocating for open layouts, terraced gardens, ribbon windows, and façades liberated from the tyranny of traditional structure. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"While the rest of the world struggled to shed 19th-century sensibilities, Corbusier was already envisioning the 21st century.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Beyond his architectural achievements, I am particularly intrigued by his remarkable astuteness as one of the earliest global architectural influencers. He not only held the conviction that his ideas could revolutionize the world, but he displayed relentless determination and remarkable shrewdness in spreading them – even a century ago!\",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"A mere four years after completing Villa Stein in 1930, Corbusier revisited it with a film crew to feature it in his ''Architecture d'aujourd'hui\\\" documentary. While a harsh eye might perceive the footage as somewhat unpolished cinematography, it's crucial to remember that this endeavor unfolded just three years after the first-ever talking film was showcased in theaters worldwide.Unlike any of his contemporaries, Corbusier embraced cutting-edge technology to chronicle not only his architectural creations but also his car and even his own countenance, presenting them for all to witness, both in his present and for generations to come. What a daring vision, what an unapologetic ego!\",\"spans\":[{\"start\":117,\"end\":146,\"type\":\"em\"},{\"start\":117,\"end\":147,\"type\":\"hyperlink\",\"data\":{\"link_type\":\"Web\",\"url\":\"https:// https://youtu.be/mJgXOZa5CCk\",\"target\":\"_blank\"}}]},{\"type\":\"paragraph\",\"text\":\"His assertion matched the audacity of his deeds: he wasn't merely altering our built environment, but he was ready to transform our entire way of life. His assertions were as bold as his actions, positioning him as a trailblazing disruptor within the realm of architecture, and quite possibly one of the few to have wielded such global influence so early, on such profound levels.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The original global influencer\",\"spans\":[{\"start\":0,\"end\":30,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"To conclude, as we delve deeper into the realm of Corbusier and his contributions, I encourage you to explore not just his physical architectural legacy, but also the mindset that drove his actions. What if Corbusier were here today? It's quite likely that his approach wouldn't simply involve creating another series of concrete structures – after all, he achieved that feat a century ago.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Would he still be preoccupied with constructing buildings, or might he operate within the virtual realm? Could he harness the potential of Artificial Intelligence, or even forge an entirely novel business model for architectural practice? What modern technologies would he leverage to conceive and broadcast his creative work? How might he revolutionize the architectural profession in the 21st century?\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"My hope is that we all, in engaging with this remarkable collection of work as it journeys across the globe, seek the traces of a distinctive mindset rather than solely focusing on tangible outcomes. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"May this exhibition serve as a catalyst, sparking vibrant dialogues and fresh contemporary discourse that transcends the boundaries of time.\",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$92460da5-0e79-471a-8c72-638718fb23ac\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ba8d0b31-d21c-422c-b56c-da2ff99f87e5_06_LC_Patras.jpg?auto=compress,format\u0026rect=0,0,5472,3648\u0026w=3000\u0026h=2000\",\"id\":\"ZPrH8RIAACQAdCgp\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.5482456140350878,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/375ea35c-6010-47da-aeb6-c21dd6e69f20_04_LC_Shanghai.jpg?auto=compress,format\u0026rect=0,168,4032,2688\u0026w=3000\u0026h=2000\",\"id\":\"ZPrI7xIAACIAdCxD\",\"edit\":{\"x\":0,\"y\":-125,\"zoom\":0.7440476190476191,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$9c0de925-1a8b-46ff-b974-83adaaf024af\",\"slice_type\":\"image_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"3\",{\"className\":\"grid-item\",\"style\":{\"order\":\"4\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/less-becomes-more---rejuvenating-the-delta-sports-centre\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"ZOXJVBIAACcA3Fl2\",\"uid\":\"less-becomes-more---rejuvenating-the-delta-sports-centre\",\"url\":\"/projects/less-becomes-more---rejuvenating-the-delta-sports-centre\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22ZOXJVBIAACcA3Fl2%22%29+%5D%5D\",\"tags\":[\"Public Spaces\",\"Recreational\"],\"first_publication_date\":\"2023-08-23T09:12:45+0000\",\"last_publication_date\":\"2023-08-25T05:20:01+0000\",\"slugs\":[\"less-becomes-morerejuvenating-the-delta-sports-centre\",\"less-becomes-morerejuvenating-the-delta-sports-complex\",\"practical-poetics-a-brick-and-mortar-shop\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Less Becomes More:  Rejuvenating the Delta Sports Centre\",\"spans\":[]}],\"author\":\"Ar. Ronald C. T. Lim MSIA RIBA\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/b58398b1-c7cf-47f6-85f0-f08fea5b661a_04A-Image.jpg?auto=compress,format\u0026rect=0,0,3000,2000\u0026w=3000\u0026h=2000\",\"id\":\"ZOWoVBIAACYA28BE\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":1,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/06778927-b882-476c-bb86-8fdb835954e9_0-Hero.jpg?auto=compress,format\u0026rect=0,0,1440,1440\u0026w=3000\u0026h=3000\",\"id\":\"ZOWobBIAACYA28Cy\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":2.0833333333333335,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"TSA’s Co-Chief Editor Ar. Ronald Lim reviews Red Bean Architects’ dynamic adaptive re-use of the Delta Sports Centre, a sports facility originally completed in the 1970s, examining how the architects’ tactical design interventions add up to create a high-impact architecture. \",\"spans\":[{\"start\":0,\"end\":276,\"type\":\"em\"}]}],\"date\":\"2023-08-23\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"A Social Architecture \",\"spans\":[{\"start\":0,\"end\":22,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"The Modern Movement in architecture left a deep imprint on the arc of architectural history over the last century. From the 1920s through the late 1980s, the aesthetic maxim of “form follows function” created an impact – first as a revolutionary architecture that reflected the machine age and, subsequently, as an embodiment of the post-war social contract. In post-independent Singapore, this global movement played out in the many housing estates built across the island, of which Queenstown – the site of the Delta Sports Centre – was one of the first. In these new towns, modern amenities like sports complexes reflected this heady agenda of social progress and emancipation. This historical backdrop connects us to the social origins of the Delta Sports Centre. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Completed in 1979, the original facility combined a three-pool swimming complex, a hockey stadium and an indoor sports hall. Back then, the Delta Sports Centre was a state-of-the-art facility used for major tournaments like the SEA Games as well as other events for neighbourhood schools. Developments over the next decades further clouded its relevance. New facilities elsewhere replaced its role as a competition venue while most schools stopped using its facilities.  In the 1980s, the construction of an MRT line also severed the complex from surrounding residential communities.  These factors coalesced into an acute need to update the original Delta Sports Centre to restore its relevance for the community. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Renewal for Relevance \",\"spans\":[{\"start\":0,\"end\":22,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"When Red Bean Architects (RBA) was hired for the project, their client ActiveSG envisioned certain additions and changes to transform the centre. This would include a new gym, a sheltered pool and expanded capacity for popular community sports like badminton. On their own initiative, the architects wanted to restore connections and interfaces – externally with the site and internally between the centre’s different component parts – to create a more seamless user-experience. A clear brief eventually ensued from the dynamic conversation between the architects, the clients and its various stakeholders. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"In this project, RBA worked with a very slim budget of $11 million for remodelling a public building whose size is not small – spread over 2.5 hectares. Even a simple design choice like a chosen inexpensive floor finish, when multiplied across the entire centre’s floor area, can have a major cost impact. Facing this constraint, the architects approached each of their design choices with a laser-like focus, making sure that each design move was an essential one that justified its cost. They explored every modest design opportunity – through surgical alterations, subtractions, and ad-hoc stitching – to create an impactful architecture.  \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$fd4193ff-4ac6-47f1-801d-5d6842291cc5\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Augmenting Existing Connections\",\"spans\":[{\"start\":0,\"end\":31,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"The architects’ various design interventions shared one common thread – they all sought to create maximum impact with tactical design moves that took advantage of elements that the site or existing building already offered. Across the sports centre, small but smart adaptations help to amplify certain “found conditions.” Take for example the adjacent overhead pedestrian bridge across the MRT tracks. The architects extended this bridge into the centre, stitching it with an existing passageway to create a legible circulation spine that links to the hockey stadium and sports hall. The result is an active vector of user movement that breathes new life within the building’s second floor. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Other existing elements are surgically intervened upon or subtly altered with a designer’s sensitivity and intention. These moves add up incrementally to create an architecture of maximum impact. A former children’s pool is transformed into an attractive ground scape feature complementing the lap pool. Part of the hockey stadium’s sitting gallery is surgically demolished to fit in more futsal courts. The drab walls to the sports hall’s street façade – originally a dumb box – are demolished to reveal sculptural staircase that articulates the building’s corner. The path of an interior running track is subtly layered to circulate through and adjacent to the building. These design interventions are akin to acts of acupuncture – precise moves that inject new life into the body.  \",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/274e70ce-bec8-4dd2-b957-9314785a5971_02-BA-Indoor-Hall-F.jpg?auto=compress,format\u0026rect=0,0,1440,1440\u0026w=3000\u0026h=3000\",\"id\":\"ZOXMqhIAACYA3GkG\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":2.0833333333333335,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/e38f2d21-8cc8-45cd-a00d-a560360f6baa_04B-Image1.jpg?auto=compress,format\u0026rect=0,0,4000,2667\u0026w=3000\u0026h=2000\",\"id\":\"ZOXNCRIAACYA3Gq4\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.75,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$26f4c923-2b63-40b9-8474-bc7f87df67d8\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Basic Moves, Powerful Outcomes\",\"spans\":[{\"start\":0,\"end\":30,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Creating a successful project on the substrate of an outdated building – with all the constraints that it presents – is very hard work. This is even harder than designing from a blank slate. The unexpected discovery of a structural element that cannot be demolished or some similar constraint is enough to muddy an architect’s earnest intent. This explains why RBA’s design feat with Delta Sports Centre is so admirable. Working with limited resources, the architects did not just resort to razing the elements that “ain’t broke” to design from a blank slate. Instead, they worked doubly hard against the building’s constraints and opportunities – stitching, grafting, subtracting, and reconfiguring elements through small adaptive moves until they add up to a compelling architecture. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"What impresses me is how basic each of these design moves are. There is a deeper design ethic at play here which has implications for our climate crisis. The premature demolition of old buildings and re-construction of new ones in their stead consumes unnecessary resources. The remodelled Delta Sports Centre proves that many of the so-called “old and outdated” buildings in our city do not need to be demolished. Even with limited means, these structures can be innovatively transformed through smart adaptations that create positive outcomes for their communities. We must start to embrace an architecture where “less becomes more.”  With an architect’s ingenuity and an enabling client, so much more is possible.   \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$e7157896-ebab-40fb-808d-d51fc0eaf37f\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/c487ceaa-6a08-475e-bee7-638c38d8afed_13-Image.jpg?auto=compress,format\u0026rect=0,0,3500,2333\u0026w=3000\u0026h=2000\",\"id\":\"ZOXMzBIAACcA3Gmj\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.8572653236176596,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/604c30df-8d06-4204-9726-06d6f8a341b3_05-Image.jpg?auto=compress,format\u0026rect=0,0,4000,2667\u0026w=3000\u0026h=2000\",\"id\":\"ZOXM7hIAACYA3GpB\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.75,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$0d12a0d6-99b2-4638-b658-b2e28d743588\",\"slice_type\":\"image_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"4\",{\"className\":\"grid-item\",\"style\":{\"order\":\"5\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/practical-poetics-a-brick-and-mortar-shop\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"ZOXDJBIAACgA3DyJ\",\"uid\":\"practical-poetics-a-brick-and-mortar-shop\",\"url\":\"/projects/practical-poetics-a-brick-and-mortar-shop\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22ZOXDJBIAACgA3DyJ%22%29+%5D%5D\",\"tags\":[],\"first_publication_date\":\"2023-08-23T09:13:08+0000\",\"last_publication_date\":\"2023-08-23T10:03:31+0000\",\"slugs\":[\"practical-poetics-a-brick-and-mortar-shop\",\"home-team-ns-khatib-clubhouse-duties-of-representation\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Practical Poetics: A Brick and Mortar Shop\",\"spans\":[]}],\"author\":\"Lua Jin Wei\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/5146fe79-021a-4fba-adf7-b8b2054c4459_73-20220503-135539-gal-14.jpg?auto=compress,format\u0026rect=0,1,3118,2079\u0026w=3000\u0026h=2000\",\"id\":\"ZOXFnhIAACcA3Ef2\",\"edit\":{\"x\":0,\"y\":-1,\"zoom\":0.9621552277100706,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/15b5c063-099c-43ed-a884-7130b01919b4_73-20220503-135539-hero.jpg?auto=compress,format\u0026rect=692,0,2773,2773\u0026w=3000\u0026h=3000\",\"id\":\"ZOXEwRIAACUA3EPo\",\"edit\":{\"x\":-749,\"y\":0,\"zoom\":1.0818608005769925,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"In this review of L Architects’ award-winning “A Brick and Mortar Shop” which won the 2022 SIA Design of the Year award, TSA’s Lua Jin Wei explores how the project combines material textures, hapticity and intuitive design sensitivity to create a special showroom experience.  \",\"spans\":[{\"start\":0,\"end\":277,\"type\":\"em\"}]}],\"date\":\"2023-08-23\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"A Different Kind of Showroom  \",\"spans\":[{\"start\":0,\"end\":30,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"We are zipping down Kian Teck Crescent, eyes sharp for our destination when the Grab driver finally caved to his curiosity: “Actually, what are you doing here?”\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"His innocent question encapsulated one of the key challenges Ar. Lim Shing Hui, founder and principal of L Architects, had to contend with their debut commercial project. The client, Casa Holdings Limited, had approached Lim to renovate their existing multi-label kitchen showroom for their new aspiration: to shift away from their existing business-to-business model and towards direct customer service. Yet this simple desire was made complicated two-folds. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Besides its remote location, its programme is one of constant flux. With each new product release, showrooms are always evolving – sometimes necessitating minor refurbishments where built-in appliances are involved. It became apparent that strong brand identity and experience alone would not suffice; the design needed to endure these perpetual changes as well.\",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"The response to this is a showroom with an astute sensitivity to materiality and details, reflecting an understanding of prevailing systems within the constraints of economy. Blending practicalities and poetics, it is an artful resolution of an ethereal retail experience within. And captivating from afar too, as echoed by the Grab driver’s awe when we arrived.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Materials as Solution\",\"spans\":[{\"start\":0,\"end\":21,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Aptly named ‘A Brick and Mortar Shop’, its conceptual beginnings was inspired by the very same words. Hollow-core blocks, one of the cheapest bricks in the market, were reimagined as a textural foundation of the showroom. Stacked together into walls and furniture, they organise products into categorical clarity while guiding movement and conduct. In some sections, these blocks are sliced in half, revealing their fluted cores that appear like undulated grottoes – gritty in both tactility and allegory. It is a tale of perseverance: halving the blocks had been a difficult task with countless failed experiments. The breakthrough was only possible thanks to the perceptive client who intuitively pointed the right direction and the tenacity of the masonry team.\",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$fd4193ff-4ac6-47f1-801d-5d6842291cc5\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Years of experience with residential projects sharpened Lim’s familiarity with standard appliance dimensions, informing the carpentry’s sensitive design. It is a clever system generated through thoughtful detailing and material selection that does a lot of operational heavy-lifting. With tiny L-brackets, hoods can now be slotted and removed with minimal damage to the carcass, solving one of the biggest pain points for the client. Bare plywood was carefully chosen as a canvas for appliances to be laid onto. Using such a commonplace material meant that the showroom’s identity and spirit could be assured in the long run when the inevitable wear-and-tear sets in.\",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/6df0e7b6-1205-4481-943a-bf12c6787b60_73-20220503-135539-gal-0.jpg?auto=compress,format\u0026rect=0,922,2877,2877\u0026w=3000\u0026h=3000\",\"id\":\"ZOXGARIAACcA3Em9\",\"edit\":{\"x\":0,\"y\":-961,\"zoom\":1.0427528675703859,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/b2541618-a702-47c5-9720-84144fffb0a9_73-20220503-135539-gal-6.jpg?auto=compress,format\u0026rect=337,0,3638,2425\u0026w=3000\u0026h=2000\",\"id\":\"ZOXFuhIAACYA3Ehq\",\"edit\":{\"x\":-278,\"y\":0,\"zoom\":0.8247422680412371,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$26f4c923-2b63-40b9-8474-bc7f87df67d8\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Resonant Personal Expressions\",\"spans\":[{\"start\":0,\"end\":29,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Meandering between passageways, Juhani Pallasmaa’s ‘Hapticity and Time’ comes alive. Here, the space speaks to your body, inviting your hands to touch. The textures seem to whisper stories of time and care: from their natural origins to the transformative human effort that shaped them into what they are today. Despite the sober ruggedness of greys, the atmosphere feels surprisingly warm.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Perhaps part of this sensation is contributed by Lim herself. There is a lot of affection when she shares the lineage of her ideas. Much of her inspirations, like her appreciation for nature, are attributed to her childhood. Facets of her identity – and by extension her family, who has been influential in her architectural pursuits – are very much imbued into her growing oeuvre of works. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"In this humble showroom, it is about cherishing the most of the ordinary. Every object has a place to be. Showerheads shine proud against soft woody grains. A nest of refrigerators housed together, gleaming under a cosy frame. Sheen against matte is how the space gives way to the items on display. Even as a visitor, it feels like home. Interludes of respite, from generous seatings to quaint benches, invites pause amidst the shopping. There is always a view to the outside to rest the mind, even in the deepest end of the lane. Care can be felt for both people and products. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"I know I am not alone in this feeling. In 2022, one of the Architours participants had their heart stolen: the terrazzo floor had reminded them of their grandmother’s home, and they wanted to peel their shoes off just to feel this art under their soles.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"It is not grand gestures but personal expressions and values that resonates most with people. Put a bit of yourself and the right people will connect with it – even in the most modest and unromantic of places like a commercial showroom. Spontaneous intuition may be seen as fragile, especially when pitted against rationality and logic. 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If we had to fetch this from a public tap to our homes with a 20-litre jerry can, we would need to make 8 trips every single day. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\" I remember the water-rationing exercises in the 90s with both fondness and dread. On the first morning that our water supply was artificially cut off, I waited eagerly for the arrival of the water truck with my neighbours. Filling up buckets of water from the truck seemed fun at first, until I realised that we also needed to carry them back up to our flat by stairs.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\" Since the 1960s, the Singapore government has tried numerous formats of public messages to cultivate a water-saving culture. The deliberately laborious water-rationing exercise was meant to drill the importance of water conservation into our collective consciousness, reminding us that the core of our livelihoods is inevitably tied to our independence from imported water. 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The service road into the plant is tucked away from the park-side access, while the site itself slopes gently upwards from the park. The building is hugged by a continuous promenade inviting park users up into the cradle of its roof-top garden.\",\"spans\":[{\"start\":9,\"end\":12,\"type\":\"em\"}]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Future Resilience\",\"spans\":[{\"start\":0,\"end\":17,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"The successful implementation of the Blue, Green, Yellow, Red design philosophy has earned the KMEDP a myriad of awards, including the Global Water Awards 2021 - 'Desalination Plant of the Year' and ABC Waters Gold Certification. 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The strategic location of this chamber allows the plant to harness both seawater from the Singapore Straits and freshwater from the Marina Reservoir, making it more resilient towards the increasing weather uncertainty brought about by climate change. Before the KMEDP’s construction, Marina Barrage had to discharge excess water during periods of heavy rainfall. 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By designing a key public infrastructure as an urban space, the building allows Singaporeans from all walks of life to build a sense of belonging to the architecture and collective memories of its spaces. On my visit, the serene atmosphere made it the perfect location for a couple who wanted a quiet moment together, and a group of friends wanting to capture memories of a wedding preparation. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Singapore’s water story has come a long way since the days of the first “Water is Precious” campaign. 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Our journey began at the Burkill Hall, an Anglo-Malayan plantation-style residence that served as the residence of the Gardens’ superintendents and Directors for more than a hundred years.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Surrounding the house is a charming VIP Orchid Garden showcasing hybrid orchids named after famous politicians and personalities, including the famed Vanda Miss Joaquim. Here, the brick pathway has been sculpted to flow and diverge around pockets of elegantly composed shrubs and flowers, eventually converging into a single walkway that leads into the constructed wilds of the Tropical Montane Orchidetum. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The contrast between the British-style garden surrounding the colonial residence and the naturalistic greenery of the subsequent pathway reminded of the times of Raffles and Kew-trained British botanists documenting wild jungle flora, our botanical history intertwined with our colonial past.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"As we entered the Tropical Montane Orchidetum, the first zone simulates the lowland habitats of Singapore and Malaysia that we are familiar with – moist, humid forests. The single pathway we walked on wove through the complex topography of the site, avoiding existing mature trees, difficult slopes, and invisible services underground.\",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/76e97522-0538-44ea-b33d-c0b33d237449_Secret+Ravine++_+Cool+House+1+ty-edit-min.jpeg?auto=compress,format\u0026rect=0,1024,6144,6144\u0026w=3000\u0026h=3000\",\"id\":\"Y-mrRREAACEAH4-4\",\"edit\":{\"x\":0,\"y\":-500,\"zoom\":0.48828125,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/aee28e39-bdd4-4d71-a5cb-fca851fe0a56_Cool+House+4-min.jpg?auto=compress,format\u0026rect=0,186,5065,3377\u0026w=3000\u0026h=2000\",\"id\":\"Y-mqhREAACIAH4xc\",\"edit\":{\"x\":0,\"y\":-110,\"zoom\":0.5923000987166831,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$6776c6e4-82a8-4c90-b0b2-4c80d9cf9c8b\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"The winding trajectory of this pathway also establishes a gentle, accessible slope for all to walk easily on, taking visitors as close as possible through the foliage. Railings were omitted where possible to allow clear views of the plants at all levels and the bends of the tightly coiled pathway are carefully positioned to be divided by slopes or dense vegetation, giving a visual and noise buffer between visitors at different parts of the experience. In a way, this slows down the pace of things and your attention is drawn to the smaller details. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Details like large riverine trees casting mottled shadows over leaf-imprinted patterns on the concrete path, or the sound of birdcalls in the distance.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Further down, there was a marked change in the vegetation. Spiky bromeliads erupt from lava rocks with flashes of amber and scarlet from pineapple plants, while wisps of Spanish Moss frame the view above. We have entered the Yuan Peng McNeice Bromeliad Collection, which transports us into the mountain forests of Central and South America. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Glancing upwards, dappled sunlight filtered through white mesh panels held in place with a grid of steel structural beams and columns. The landscape architects shared that in the process of designing these structures, many alterations and realignments had to be done to tailor the architecture to its occupants on site. Columns had to be shifted from their original positions on plan, and panels had to omitted for branches to stretch out beyond this white veil. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"I stopped for a moment to admire the small stream that threaded under the pathway, transfixed by the quiet composition of river stones, the soft carpet of small oval leaves, and the draping fringes of ferns, momentarily forgetting that I was even in tropical Singapore. Noticing my gaze on the stream, Cathy reminded me that the placement of every single stone was thought through to orchestrate this merry dance of water. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The Tan Hoong Siang Mist House was our next destination, a collection of prized orchid hybrids housed within a foggy forest. In response to discovering soaring mature trees on site, the RSD team proposed to create an offshoot path bringing visitors up close, while using tiered timber steps to carefully tread around their large roots. \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$b603ba85-a531-4d7d-9c91-7bebcf88cd7a\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/d1d770ec-baff-4b6a-aa34-59b760767dd0_Cool+House+3-min.JPEG?auto=compress,format\u0026rect=0,85,2048,1365\u0026w=3000\u0026h=2000\",\"id\":\"Y-mtYxEAACEAH5kR\",\"edit\":{\"x\":0,\"y\":-125,\"zoom\":1.46484375,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/d6f277c0-5d92-4f99-8436-132e1de9a60a_Cool+House+2-min.JPEG?auto=compress,format\u0026rect=0,85,2048,1365\u0026w=3000\u0026h=2000\",\"id\":\"Y-mtchEAAB8AH5lX\",\"edit\":{\"x\":0,\"y\":-125,\"zoom\":1.46484375,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$9c14888b-6076-4ca8-9e56-7a50a495002c\",\"slice_type\":\"image_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"The Clandestine Valley\",\"spans\":[{\"start\":0,\"end\":22,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Upon exiting the Mist House, the vista opens to reveal the Secret Ravine, a zone that emulates the narrow valleys of tropical mountains. The sharp bends of the pathway are bookended by naturalistic retaining walls that negotiate the drop in terrain, also serving as a backdrop for the colourful corduroy and jewel orchids showcased in this area. Jia Xin drew my attention to the way these walls were constructed. Some were comprised geo-bags and were integrated with natural wood and stones to obscure the structural walls underneath, while others made from GFRC (glass fibre reinforced concrete) mixed with planting media so that the orchids could grow directly on them. The retaining wall method used depends on the height of the drop and type of existing soil found on site.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Travelling down the Secret Ravine, we were led to an unusual feature at its end: a clearing with a swampy pool of water, which the pathway led to and skirted around. In its middle stood a single hillock with a few wetland trees, a moment of calm simplicity after the fantastical show of flora. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The Glass Gallery \",\"spans\":[{\"start\":0,\"end\":18,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"The final zone of the Tropical Montane Orchidetum would be the Sembcorp Cool House, which houses rare high-elevation orchids in five different geographical zones. The original glass structure of the 2004 cool house was conserved and expanded to be four times its original size. In a dedicated effort to sustainability, its vast volume is cooled by an ultra-efficient M\u0026E system powered by an array of photovoltaic panels covering its roof.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Here, old and new world plants are arranged at various heights along an undulating walkway, creating an astonishingly elaborate sequence of landscaped features within a somewhat compressed space. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The design does down to incredible detail, from the larger gestures of outlining interesting views at every turn and integrating lighting and mist sprays into the sculptured rockwork, to the smallest scale of selecting succulents for a miniature eye-level garden. The design and arrangement of these plants were all carefully prototyped and tested through 3D modelling and mock-ups. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Even the selection of the orchids and their spatial adjacencies contain interesting arborist histories and linkages, and a botanist with a trained eye would be delighted to uncover the genetic lineages between the species that are showcased. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The Immaculate Gardens\",\"spans\":[{\"start\":0,\"end\":22,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Towards the end of my visit to the Sembcorp Cool House, I recalled that we had passed by countless gardeners constantly working to prune these gardens into their immaculate state. The Singapore Botanic Gardens are, in a way, a Disneyland of sorts that must be maintained to perfection, with not a single leaf out of place.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"I mentioned my observation to the 2 ladies that have kindly shown me around. They remarked that landscape design of this nature is a labour-intensive process requiring special expertise. This requires a close involvement and the deft hand of the landscape architect from start to end of the project, and a well-trained team to maintain it. While working with living material like exotic plants and orchids, you must paint with the palette given, and are often limited by constraints of logistics, availability, and obstacles on site.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"But perhaps this is where the magic happens as well.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"While architectural projects can be largely planned for and executed closely to their original blueprints, a landscape project needs to grow organically.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"And much like the rare orchids that are housed within it, the Tropical Montane Orchidetum is a hybrid of sorts too – an agglomeration of the old and the new, wrought into shape by human hands and technology, but an undeniably fascinating mirror of nature itself.\",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$3367d65f-5301-43ed-9e76-b6d03b8140ed\",\"slice_type\":\"text_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"7\",{\"className\":\"grid-item\",\"style\":{\"order\":\"8\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/contemplating-the-meditation-centre\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"Y-mfKhEAAB8AH1nW\",\"uid\":\"contemplating-the-meditation-centre\",\"url\":\"/projects/contemplating-the-meditation-centre\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22Y-mfKhEAAB8AH1nW%22%29+%5D%5D\",\"tags\":[\"Religious\",\"Public Spaces\"],\"first_publication_date\":\"2023-02-13T03:34:56+0000\",\"last_publication_date\":\"2023-04-05T08:27:20+0000\",\"slugs\":[\"contemplating-the-meditation-centre\",\"citi-wealth-hub-working-in-the-garden\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Contemplating the Meditation Centre\",\"spans\":[]}],\"author\":\"Christian Chin\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/8dde081d-d674-415c-898a-9576a4c2a341_08+The+Meditation+Centre+against+the+backdrop+of+existing+buildings+within+the+monastery+compound.jpg?auto=compress,format\u0026rect=0,101,5400,3600\u0026w=3000\u0026h=2000\",\"id\":\"Y-mf_hEAACAAH12G\",\"edit\":{\"x\":0,\"y\":-56,\"zoom\":0.5555555555555556,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/b5619534-77bf-40e2-ac95-65ff6c046b9f_01+The+Meditation+Centre+view+on+approach.jpg?auto=compress,format\u0026rect=0,514,3000,3000\u0026w=3000\u0026h=3000\",\"id\":\"Y-mf8hEAACIAH11Q\",\"edit\":{\"x\":0,\"y\":-514,\"zoom\":1,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"When we think of meditation spaces, the imagery is often of secluded pavilions nestled deep in the forest, or a solitary teahouse atop the hills. On this account, the Kong Meng San (KMS) Meditation Centre does not fit the archetype — it is a five-storey building situated within an urban context. Contending with its scale and site, the design seeks to provide an environment conducive to meditation, and to evoke a non-sectarian ambience to appeal to a wider demographic, despite its religious setting amidst the KMS Phor Kark See Monastery. So, what are some universal qualities of space that allow the KMS Meditation Centre to transcend beyond its urban site and evoke a meditative state-of-mind? 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A strong symmetrical axis cuts through the orthogonal plan as an ordering principle, in the spirit of a typical traditional Chinese temple plan.  The main programmes are a library, a main meditation hall, a series of smaller configurable meditation halls and the Sangha Meditation Hall. Sustained by the simplicity in function, the clearness of the plan extends to the section where each primary programme occupies a single floor by itself. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"On each floor, the spaces are layered inwards from public to private — from the circulation verandas at the periphery, to the servant auxiliary spaces such as the lift cores, washrooms and staircases, and finally to the innermost heart of the building: the meditation halls. The large volume of the halls anchors the centre of the building as the surrounding servant spaces frame the cardinal spaces and act as a physical buffer to the elements, giving the plan a clear servant-served hierarchy. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"As one journeys through the building to the main meditation hall, there is a series of curated spatial compressions and expansions. From the grand arrival at the main entrance foyer, to taking the lift upwards in a confined space, to transitioning past the high-volume lobby area, one finally enters a phenomenal domed ceiling hall, where the realm of meditation resides. The transition from external to internal is not only physical and metaphorical but manifested in the architectural details as the building begins to shed the punctuations and hard edges of its exterior façade, revealing white surfaces, curved ceilings, and contiguous strip lights to minimise distractions within the interior. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Apart from several beautifully restored intricate finials conserved from the demolished Dharma Hall, the interior is articulated by geometric forms and a restrained palette of whitewashed walls, timber finishes and bronze highlights. These subtle visual gestures achieve simplicity and cleanness of lines, eliminating sources of distraction for a clear mind.\",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$b603ba85-a531-4d7d-9c91-7bebcf88cd7a\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/cae241bc-40b9-4215-8818-00262fc97252_05+The+meditation+halls+are+large+flexible+areas+lined+with+cupboards+and+framed+by+a+domed+ceiling.jpg?auto=compress,format\u0026rect=0,17,2800,1867\u0026w=3000\u0026h=2000\",\"id\":\"Y-mj6BEAACIAH28E\",\"edit\":{\"x\":0,\"y\":-18,\"zoom\":1.0714285714285714,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/b9ccec4d-79f7-4b7e-9455-0dc57d8ee7c6_04+Relics+from+the+previous+building+are+reused+and+framed+at+the+entrance+of+the+meditation+hall..jpg?auto=compress,format\u0026rect=0,17,2800,1867\u0026w=3000\u0026h=2000\",\"id\":\"Y-mj9BEAACEAH281\",\"edit\":{\"x\":0,\"y\":-18,\"zoom\":1.0714285714285714,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$9c14888b-6076-4ca8-9e56-7a50a495002c\",\"slice_type\":\"image_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Within and Without\",\"spans\":[{\"start\":0,\"end\":18,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Traversing along the naturally ventilated verandas, the articulation of the façade screens come into focus, revealing its their performative role beyond aesthetic. Internally, a row of glass louvres line and shield the building from the weather while allowing natural light and air to permeate through. Externally, a porous epidermis comprising of dense vertical rods of differentiated hues and sections wraps around and unifies the entire building. The three-dimensional screen mimics a thick bamboo grove, drawing inspiration from nature. Notwithstanding that being one with nature is a tenet of many meditation practices, the landscape is subdued both internally and externally. Perhaps, a metaphorical link suffices as the building stays true to its urban context.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Meditative Spaces\",\"spans\":[{\"start\":0,\"end\":17,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"With meditation as its raison d'etre, creating a quiet and calm space is critical. Ar. Tan ruminates that calmness of mind is achieved by removing both external and internal distraction. Paradoxically, while external distractions can be eliminated by immersing oneself within a peaceful and uncluttered environment, the key to removing internal distraction is by focusing one’s attention on visual, aural or sensational stimuli. This is customarily achieved through the adoration of icons and the chanting of mantras etc. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Keeping in mind its secular nature, the meditation halls are clean and symmetrical; devoid of all features save a circular dome ceiling which creates a central focal point. The dome ceiling acts as an architectural device not only to create a singular focus by drawing the eyes upwards,  to the centre but also has acoustic properties that captures and amplifies sounds within the space. Precisely calibrated diffused lighting enhances the atmosphere of the sanctuary and imbue the space with an ethereal quality. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Distinguished from the other meditation halls, the pièce de résistance is the Sangha Meditation Hall, which is exclusive to the monks. By virtue of its placement on the highest floor, the pavilion-like hall connects to the environment as natural light filters into the refined space. Surrounded by austere stone gardens against a backdrop of white walls, its elevated position and palette reflect the monk’s aspiration for enlightenment and provide ample privacy for meditation.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Conclusion\",\"spans\":[{\"start\":0,\"end\":10,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"At first glance, the premise of a dedicated meditation building in highly urbanised Singapore conceived at the expense of the existing Dharma Hall may appear to be contrived, given that its context is neither nearly remote nor truly tranquil. However, KMS Meditation Centre debunks this hypothesisnotion;; through its nuanced form, clear layout and refined spaces, it re-affirms architecture’s ability to transcend beyond locale and religious faith to deliver a meditative experience. The building is a prime example of modern contemplative architecture that stands testament to the power of architecture in shaping our perceptions to induce a sense of peace and clarity, providing a respite for both mind and body.\",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$3367d65f-5301-43ed-9e76-b6d03b8140ed\",\"slice_type\":\"text_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"8\",{\"className\":\"grid-item\",\"style\":{\"order\":\"9\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/seeking-common-ground-connecting-community-past-and-present\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"Y-XIQxEAAB8ADfM5\",\"uid\":\"seeking-common-ground-connecting-community-past-and-present\",\"url\":\"/projects/seeking-common-ground-connecting-community-past-and-present\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22Y-XIQxEAAB8ADfM5%22%29+%5D%5D\",\"tags\":[\"Public Spaces\",\"Recreational\"],\"first_publication_date\":\"2023-02-13T03:34:57+0000\",\"last_publication_date\":\"2023-04-05T08:25:53+0000\",\"slugs\":[\"seeking-common-ground-connecting-community-past-and-present\",\"state-courts-in-the-balance\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Seeking Common Ground: Connecting community, past and present\",\"spans\":[]}],\"author\":\"Lua Jin Wei\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/66208744-a67f-4cf7-ab7c-6cf6e76127ee_1_The+apertures+frame+views+of+spaces+where+spontaneous+meetings+may+happen_by+Khoo+Guo+Jie-min.jpg?auto=compress,format\u0026rect=0,70,9132,6088\u0026w=3000\u0026h=2000\",\"id\":\"Y-XMfhEAAB8ADgYF\",\"edit\":{\"x\":0,\"y\":-23,\"zoom\":0.328515111695138,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/180b6d27-8d02-4ec1-8e5f-7c49c0d68acd_2_The+new+entrance+works+congruously+with+the+building+_by+Khoo+Guo+Jie-min.jpg?auto=compress,format\u0026rect=1723,0,5744,5744\u0026w=3000\u0026h=3000\",\"id\":\"Y-XMbxEAAB8ADgW_\",\"edit\":{\"x\":-900,\"y\":0,\"zoom\":0.5222841225626741,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"We have seen in recent years the emergence and rise of a new typology of integrated town hub, in both new and mature HDB estates alike. These buildings, like Kampung Admiralty, Our Tampines Hub and the upcoming Buangkok Integrated Development are hyper dense in program and serve as a means to optimise land use by centralisation of public amenities. Consequently, in older mature estates, standalone community buildings become emptied of their former programme.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Such is the story of the former Bedok Public Library building - built in the 1980s and vacated two years ago when the Library moved into the neighbouring integrated community hub, Heartbeat@Bedok. The Library building itself is certainly a reflection of its time - modernist in aesthetic and built from reinforced concrete, but otherwise, fairly in its planning.\",\"spans\":[]}],\"date\":\"2023-01-04\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Enter The Thought Collective, a local social enterprise seeking a space to set up Common Ground – a civic centre meant to house various community partners under one roof, foster collaboration and drive innovation for social and community issues. As part of a testbed to study how ground-up social enterprises like theirs could transform the community, the Ministry of Culture, Community, and Youth (MCCY) provided The Thought Collective/Common Ground, with a grant to partially cover the cost of retrofitting and setting up within the building as its main tenant, with the Ministry of Social and Family Development (MSF) Social Service Office as a sub-tenant.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Red Bean Architects (RBA), having already worked on three prior projects with The Thought Collective, were engaged to design Common Ground. The pairing of the project and the architect is aptly fitting as its principal, Ar. Teo Yee Chin, has long been a vocal advocate for the rejuvenation and reuse of older buildings in lieu of their demolition.  The project demonstrates this conviction, while also addressing the question: How much does one need to do in order to renew a building?\",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/8b7121ad-53e0-479e-b8e7-7ca97ab5fd8d_A+rich+spatial+experience+greets+the+entry_Khoo+Guo+Jie-min.jpg?auto=compress,format\u0026rect=299,0,8232,8232\u0026w=3000\u0026h=3000\",\"id\":\"Y-XORREAACAADg3s\",\"edit\":{\"x\":-109,\"y\":0,\"zoom\":0.36443148688046645,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/c4e3d61e-65e3-49db-9426-efde848707e9_Much+of+the+building+has+been+kept+intact_+including+the+glass+blocks+at+the+top+of+the+stairs_by+Khoo+Guo+Jie-min.jpg?auto=compress,format\u0026rect=278,0,8351,5567\u0026w=3000\u0026h=2000\",\"id\":\"Y-YBBREAACAADvB6\",\"edit\":{\"x\":-100,\"y\":0,\"zoom\":0.35925992455541583,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$6776c6e4-82a8-4c90-b0b2-4c80d9cf9c8b\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"As a starting point, it was apparent that the building needed to be more open – both internally and to the outside community – to align with its new socio-civic program. RBA’s solution to this is one of minimal intervention. Conceptualised as a single diagonal cut across the building, this gesture does much heavy lifting to address competing needs from different occupants, draw missing connections to the site’s past and present context, and express the symbolic and functional aspects of its new programme, while supported by a tight budget.\",\"spans\":[{\"start\":285,\"end\":286,\"type\":\"em\"}]},{\"type\":\"paragraph\",\"text\":\"At an urban scale, this cut forms a thoroughfare stretching from the original entrance that faces a quiet side courtyard off the main town centre promenade, to a new entrance along the promenade itself. This reorientation of the building’s frontage helps to reconnect it to the main spine of human activity while creating two separate and distinct entrances for the two organisations that shares the building. Common Ground was allocated this more public new entrance while the MSF Social Service Office was located closer to the more discreet original entrance.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"On the exterior, the new entrance foyer is spacious and welcoming, recessed within the hefty volumes of the existing building. It is visually subtle with much of the exterior intentionally left untouched, save for a fresh coat of paint to give the facade an abstract and contemporary look. The humble material palette of terracotta floor tiles and vent block walls used to articulate the thoroughfare and entry allows it to blend into the context of the building - one would hardly realise that modifications had taken place at a glance.\",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Stepping into the inner confines of the thoroughfare is quite a visual spectacle made possible through a rich spatial experience spanning along the diagonal cut. Attention is drawn to the interplay of light and shadow between the periphery and the heart of the building, the dynamic perspective of the intersection between cut and atrium, the volume of the atrium and expanse of the floor. In short, it is at this point that you get a sense of the entirety of the building all at once. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The large aperture carved within the vent block wall functions as a framing device that offers multiple readings. When seen from the entry, it invites an appreciation of the existing staircase, revealing its surprisingly sculptural form that is a tense balance of weightiness and lightness. The vistas also create a sense of transparency in the interiors as they guide your eyes to the entrance, breakout spaces, landing areas of the stairs, and corridors. These seemingly mundane views are reflective of Common Ground’s ethos on conversation and collaboration - after all, interstitial spaces are often where chance encounters between people happen.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"With all in that place, the space planning then comes very naturally. On the ground floor, generous break out spaces take up the heart of the building and spill into the main circulation route, encapsulating the spirit of community. Partner offices are lined up along the edge of the building to offer them a public front. The second floor is mainly delegated to MSF’s office – but quiet booths made from old library shelves can be found here for people needing some privacy. Lastly, on the third floor, the language of the diagonal is echoed here, forming a pathway that connects the administrative offices. The former children’s story-telling space containing an existing projection room, has been repurposed as an auditorium. This, together with the old library shelves, creates small call-backs to the history of the space. \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$b603ba85-a531-4d7d-9c91-7bebcf88cd7a\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/899b011c-f7f1-4036-be24-71605813866f_A+glimpse+of+the+entry+from+the+second+floor_by+Khoo+Guo+Jie-min.jpg?auto=compress,format\u0026rect=0,2178,4096,2731\u0026w=3000\u0026h=2000\",\"id\":\"Y-YDABEAACIADvmT\",\"edit\":{\"x\":0,\"y\":-1595,\"zoom\":0.732421875,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/1c068039-0da5-4595-82d3-d9c90fdac5d2_3_Existing+staircase+framed+to+highlight+its+sculptural+qualities_by+Khoo+Guo+Jie-min.jpg?auto=compress,format\u0026rect=0,1381,6336,4224\u0026w=3000\u0026h=2000\",\"id\":\"Y-YDChEAACIADvnE\",\"edit\":{\"x\":0,\"y\":-653,\"zoom\":0.4734848484848485,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$9c14888b-6076-4ca8-9e56-7a50a495002c\",\"slice_type\":\"image_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"9\",{\"className\":\"grid-item\",\"style\":{\"order\":\"10\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/citi-wealth-hub-working-in-the-garden\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"Y-YDZBEAACEADvtZ\",\"uid\":\"citi-wealth-hub-working-in-the-garden\",\"url\":\"/projects/citi-wealth-hub-working-in-the-garden\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22Y-YDZBEAACEADvtZ%22%29+%5D%5D\",\"tags\":[],\"first_publication_date\":\"2023-02-13T03:34:56+0000\",\"last_publication_date\":\"2023-04-05T08:03:07+0000\",\"slugs\":[\"citi-wealth-hub-working-in-the-garden\",\"seeking-common-ground-connecting-community-past-and-present\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Citi Wealth Hub: Working in the Garden\",\"spans\":[]}],\"author\":\"Ar. Razvan I Ghilic-Micu\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/4380f417-2cb7-41bc-b0af-fdd1db17ef8e_03_08_CWH_L7_GardenLounge_1-min.jpg?auto=compress,format\u0026rect=0,0,6336,4224\u0026w=3000\u0026h=2000\",\"id\":\"Y-YE8BEAACIADwKf\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.4734848484848485,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/7c8866ba-cc90-4b26-84c3-241641723974_01_07_CWH_L7_GardenLounge_1-min.jpg?auto=compress,format\u0026rect=0,0,3920,3920\u0026w=3000\u0026h=3000\",\"id\":\"Y-YEGhEAACEADv62\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.7653061224489796,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"Intro\",\"spans\":[{\"start\":0,\"end\":5,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Back in 2014, a new design by Ar. Raymond Woo replaced the previous Yen San building at 268 Orchard Road. Unlike its predecessor and many of its neighbours competing for a slice of vertical real estate along Singapore’s premier retail strip, this time 268 Orchard did something entirely new, if not counterintuitive at the time. The crystalline stack of gently filleted glass cubes stepped away from the main road, in a gesture reminiscent of Hugh Ferriss’ 1916 New York City, shading less its immediate public realm, and giving itself sufficient visual relief and exposure to daylight. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"2021 marks Citibabank’s homecoming back to 268 Orchard, where it used to have a branch between 1988 and 2005. In a year shaken by a pandemic and in a new building entirely different from its predecessor, the context, opportunities and challenges for the new Citi Wealth Hub have been nothing short of unprecedented. How has Ministry of Design delivered on this complex task? My visit revealed an immersive experience that photos don’t do justice to. \",\"spans\":[]}],\"date\":\"2023-01-04\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Transparency: literal and phenomenal\",\"spans\":[{\"start\":0,\"end\":36,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"In a paraphrasing of Colin Rowe and Robert Slutzky’s eponymous essay published in Vol 8 of 1963’s Perspecta, transparency is both a physical material state of permeability to light and air, as well as a deeper legibility beyond optical characteristics. A simultaneous compositional perception of multiple forms in a perfectly choreographed spatial order. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Every step of my journey through the Citi Wealth Hub Level 7 Garden Lounge revealed a well calibrated and intensely scenogaphic approach to the rituals of function and how one experiences the space visually. Unencumbered lines of sight are masterfully balanced with gentle areas of occlusion meant to build anticipation and also offer the much needed visual and aural privacy to the financial operations of the Hub. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The fluid compositional lines, from the arrival at the lift reception area, through the social welcome of the Feature Bar and the naturalistic pockets of landscape ebb and flow in an effortless balance, reinforced by a well edited material palette. Like Alice through the looking glass, I was suddenly transported to a world made possible exclusively by design.\",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/55f0de22-6f39-4c8f-bcac-be195b5f7d9e_10_CWH_L7_GardenLounge_2-min.jpg?auto=compress,format\u0026rect=0,590,4160,4160\u0026w=3000\u0026h=3000\",\"id\":\"Y-mcMREAAB8AH0y0\",\"edit\":{\"x\":0,\"y\":-425,\"zoom\":0.7211538461538461,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/ef7565ac-2f06-430c-b1f5-2437afacb8f1_02_28_CWH_L7_FeatureBar_3-min.jpg?auto=compress,format\u0026rect=0,0,6336,4224\u0026w=3000\u0026h=2000\",\"id\":\"Y-mbKhEAACAAH0rf\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.4734848484848485,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$6776c6e4-82a8-4c90-b0b2-4c80d9cf9c8b\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Taking full advantage of the expansive glass envelope and daylight streaming into the space, Ministry of Design created a “Banking Conservatory” within. Curated in collaboration with ICN Design, the garden and its modern-day follies – Lounge Niches and Garden Pods – are a playful spatial figure-ground both in plan but also from every other angle. By taking most of the workplace physically out of its traditional setting and giving it open light-filled garden spaces, the culture of the banking institution is further manifested as a metaphorical transparency worth noting. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Walking around the space I also noticed how the AC jet nozzle diffusers mounted on the Level 8 fascia were delivering air perfectly at the level of the Level 7 tree canopies, bringing them to life in an uncanny resemblance to an outdoors breeze. Whether by design or purely accidental, this effect further enhanced the notion of the baking conservatory as an authentically biophilic space, with visual, experiential and conceptual transparency between indoors and outdoors entirely aligned and clearly established. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"In detail\",\"spans\":[{\"start\":0,\"end\":9,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"The most striking features are the Garden Pods, whose conceptualisation and execution shows a deep commitment to quality in design resolution.  Nestled amongst the lushly planted gardens on Level 7, the circular pods of about 4m in diameter and 3.2m height provide a great balance of privacy and visual connectivity to their surroundings. Acoustic fabric finishes balanced with timber laminates, glazed panels and metal accents achieve a very comfortable visual and aural environment inside the space whilst making a reasonably small enclosure feel luxurious and spacious. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The lush planting surrounding the pods is intensely layered with the intent of creating a genuine botanical experience through hue, scale and texture. The plant species are resilient in indoor environments and variable levels of light and shade, grown using a hygienic hydroponic base. Wrapped in a hairline brass ribbon gently floating above a lit brushed-metal skirting, the garden gradually opens up to reveal Lounge Niches inhabited by contemporary loose furniture pieces inviting the guests to have a seat and enjoy a relaxed conversation. \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$b603ba85-a531-4d7d-9c91-7bebcf88cd7a\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/217a28c8-6ea2-4d11-ba93-e7a785a52cb0_05_12_CWH_L7_GardenLounge_3-min.jpg?auto=compress,format\u0026rect=191,0,5716,3811\u0026w=3000\u0026h=2000\",\"id\":\"Y-meuxEAACEAH1ft\",\"edit\":{\"x\":-100,\"y\":0,\"zoom\":0.5247966413014957,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/a2f870af-dccd-49e5-be59-43b8b3030d31_04_18_CWH_L7_GardenDiscussionPods_3-min.jpg?auto=compress,format\u0026rect=0,1235,6226,4151\u0026w=3000\u0026h=2000\",\"id\":\"Y-me9BEAACAAH1jo\",\"edit\":{\"x\":0,\"y\":-595,\"zoom\":0.48185030517185995,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$9c14888b-6076-4ca8-9e56-7a50a495002c\",\"slice_type\":\"image_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"As I made my way up through the various zones of the Citi Wealth Hub, from the Level 6 and 9 Staff Offices, to the Level 7 Citigold Centre and Level 8 Citigold Private Client Centre, I realised that although the different spaces are meant for entirely different activities and perhaps command a very different level of detailing and materiality, there are several key recurring hues and details that bind the project together through design as one cohesive brand. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Vertical rhythms – whether through accents on planter edges, elegant fluting on concierge desks and even the tactile ribbing of cabinetry - are in perfect balance with the cool-warm palette of grey stone, warm timber and rich brass. Together with discrete accent lighting and ever-present lush greens, the project exudes a spatial and chromatic warmth throughout all four levels, inviting discovery at all scales. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"A place you want to be\",\"spans\":[{\"start\":0,\"end\":22,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"As many organisations and cities around the planet are still figuring out how – and most importantly where – our work lives are going to unfold, it looks increasingly likely that magnetic workplaces are no longer places where you have to be, but spaces you will want to be in. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The Citi Wealth Hub is one of those places, blending a curated hospitality experience no doubt well informed by MOD’s expertise in the sector with a very clear stance on what makes work places attractive. In that respect, the Citi Wealth Hub is a tale of two halves, where front of house – spaces catering to client interactions and back of house – support employee spaces are very clearly differentiated.\",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"Employee floors are a standard activity-based workplace with a variety of settings for individual and collaborative work. This said, MOD did elevate the experience through consistent and elegant detailing, and by injecting a series of supercharged lush moments – from the Town Hall Areas to the Collaborative Tables – dramatically lit from above by custom lights and generously reflected in the dark mirrors above the hot-desking peripheral areas, in an endless virtual garden space. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Client floors are without doubt the main attractor of the Citi Wealth Hub, and a differentiator in a crowded market competing to attract the best talent and the best clients in a space they will want to return to time and again. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Conclusion\",\"spans\":[{\"start\":0,\"end\":10,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"I left 268 Orchard pleased that my visit revealed that Citi Wealth Hub is so much more than a polished photogenic outcome. One would already expect from a contemporary workplace project for a global top brand, especially designed by a team of talents such as MOD to deliver a good outcome. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The difference between good and great however is the courage to go past the norm and take a gamble on things untried and untested. This is in essence the spirit of resilience, where all bets are off and we have no relevant precedents to lean on other than our inventive spirit and ability to create something entirely new. And this is precisely what Colin Seah and his team did at 268 Orchard. A workplace that is more than just a place to work, a space for financial services that transcends finance and focuses on the client-centric service, and a truly unexpected outcome of what resilience in interior architecture could be. \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$3367d65f-5301-43ed-9e76-b6d03b8140ed\",\"slice_type\":\"text_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"10\",{\"className\":\"grid-item\",\"style\":{\"order\":\"11\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/an-inclusive-building-the-rainbow-centre-extension\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"Y7lxnxEAACEAI8tS\",\"uid\":\"an-inclusive-building-the-rainbow-centre-extension\",\"url\":\"/projects/an-inclusive-building-the-rainbow-centre-extension\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22Y7lxnxEAACEAI8tS%22%29+%5D%5D\",\"tags\":[\"Institutions\",\"Recreational\"],\"first_publication_date\":\"2023-01-07T13:20:43+0000\",\"last_publication_date\":\"2023-04-05T07:51:58+0000\",\"slugs\":[\"an-inclusive-building-the-rainbow-centre-extension\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"An Inclusive Building: The Rainbow Centre Extension\",\"spans\":[]}],\"author\":\"Ronald Lim\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/c04c5cfd-87b2-42fc-aae8-26c63ba79ed9_04_PLY_RainbowCentre-13a-min.jpg?auto=compress,format\u0026rect=330,0,5931,3954\u0026w=3000\u0026h=2000\",\"id\":\"Y-W46xEAAB8ADa5z\",\"edit\":{\"x\":-167,\"y\":0,\"zoom\":0.5058168942842691,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/aefe9461-f9a6-40cf-8cb8-a93ead0be771_rainbow-centre-extension-1.jpg?auto=compress,format\u0026rect=1098,0,1804,1804\u0026w=3000\u0026h=3000\",\"id\":\"Y7lxkhEAACIAI8s-\",\"edit\":{\"x\":-1826,\"y\":0,\"zoom\":1.6629711751662972,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"Over the years, my experience of any architecture with design ambition inevitably converges on one of two possibilities - the first, where savvy photography embodies the design vision better than the actual building, or the second, where the architecture as \\\"experienced-in-the-flesh\\\" exceeds any image depiction. My first gut instinct on visiting the new annex to the Rainbow Centre - and experiencing the range and resolution of its form and presence - is that this building belongs to the latter category.  Here is a modest 4-storey annex building whose formal, spatial and programmatic complexities defy simplistic reduction, including by photography. This is a nuanced, highly-customised architecture that befits its deserving users.    \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The Rainbow Centre is a not-for-profit organization that seeks to empower persons with disabilities such that they can thrive in inclusive communities. It traces its roots to the original Margaret Drive Special School set up in 1987 for children with special needs. Today, the Rainbow Centre's mission extends far beyond its original narrow mandate of Special Education to include training, therapy, and other holistic interventions for children, youth and young adults with disabilities, helping them to integrate and thrive in society-at-large. To realise these noble goals, the centre's physical premises have to be a safe space that offers a microcosm of society - at once enabling and supportive.     \",\"spans\":[]}],\"date\":\"2023-01-05\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"This holistic premise frames the design brief for Plystudio Architects and their project-delivery partner The Architects Circle. Ar. Victor Lee of Plystudio Architects explains the brief's complexity, \\\"From the very beginning, we realized that it is not just a school. The programme has multiple components we have to deal with. How do we create shared spaces such that these components are well-integrated, exist within one building, and have their own function to play within the inclusive community? Also, how do we house them in distinctive parts of the building so that it supports their workflow? The programmes are actually quite intricate.\\\" \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"For Plystudio, the challenge was to provide a legible and coherent framework for the range of education, training, corporate, social, and other ancillary spaces to cling onto and co-exist symbiotically.  The architects indirectly found their answer in the typology of the existing school building. The pre-existing Rainbow Centre - a typical school building with many typological brethren - had a generous central courtyard with classroom-flanked corridors that conveyed a repetitive, institutional feel. For the architects, the light-filled courtyard was an important wayfinding device and an anchor space for social congregation. Nevertheless, the old classroom corridors were insular and cold, if efficient. \",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/f2460682-9e11-4ad3-a593-fe9085f96149_05_PLY_RainbowCentre-31-min.jpg?auto=compress,format\u0026rect=0,865,5115,5115\u0026w=3000\u0026h=3000\",\"id\":\"Y-W7lREAACIADbpu\",\"edit\":{\"x\":0,\"y\":-507,\"zoom\":0.5865102639296188,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/c0941563-9fe7-47a8-8ba1-0665e10b7773_03_PLY_RainbowCentre-7a-min.jpg?auto=compress,format\u0026rect=0,779,5037,3358\u0026w=3000\u0026h=2000\",\"id\":\"Y-W7mREAACEADbqH\",\"edit\":{\"x\":0,\"y\":-463,\"zoom\":0.5955926146515783,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$ca3bba3d-1571-4568-87f9-01a53e25dae4\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"The question was how to innovate on this type to lend greater spatial variety and social richness, while improving its flexibility and retaining its legibility. Within the constraints of a modest 4-storey addition on a narrow site, the architects decided to re-conceptualise the courtyard as two volumetric, light-filled atriums to anchor the new building.  Each atrium has its unique sectional (and terraced) profile that is finely calibrated for human-scaled interaction and intimacy. Other programmed spaces like classrooms, art studios, offices then coalesce around these anchor atriums on a plan layout that roughly resembles an \\\"8-shaped\\\" donut.  \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Traversing these light-filled spaces, I cannot help but be inspired by how the building hums with life at every corner. Parents linger at the ground floor cafeteria watching over their wards, social service professionals exchange quick chats in delightful bump spaces, students' artistic creations cover the walls - a gentle humanism infuses this building.  This flourishing microcosm-of-a-society demonstrates in real life the intricate relationship between physical architecture, its touchpoints and interfaces, and the resultant social life. It follows on the humanistic legacy of Herman Hertzberger, the Dutch architect who designed his architecture fir the social life of its users in projects like his Centraal Beheer complex. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Over and above typological configuration and programme, good architecture inevitably requires another level of visual resolution that relies as much on the architects' aesthetic choices than on mere solution-based competence. The Rainbow Centre Extension over-delivers in this department as well.  A visual and formal choreography pervades this building, arising from subtle repetition and modulation across multiple scales - of structural bays, of floor slabs, of masonry units, of sun-breaker panels, among other building elements. This continuous shifting and stepping in equivalent ratios - but finely calibrated - creates a musical effect akin to a Bach choral cantata where a single theme repeated across different registers and groupings crescendos into a polyphonic chorus. Harmony ensues.  \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"I am in thrall of the visual texture and range enabled by a single repeated move. Take, for example, the building façade's modular rhythm that encompasses the full range from solid to void, and heavy to light. Modular pre-cast masonry blocks transition gradually to planar tectonic louvers and then culminate in light metal screens on the roof in a seamless visual rhythm on alternating modules. Additionally, subtle tonal differences of grey paint further articulate the volumetric reading of surfaces. This yields a façade that becomes a veil with varying degrees of enclosure , creating a goldilocks dance that is neither too enclosed nor too open, neither too heavy nor too light, but suspended in perfect tension.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Every imaginative detail in this building acknowledges the unspoken rules of reality and economy - from the light, floaty metal screens at stair landings that creatively interpret BCA handrail regulations to create a volumetric effect, to the precise setting-out of prosaic T5 light fixtures. Here is proof that even the most everyday, run-of-the-mill ingredients can be corralled to imaginative effect, creating an architecture that exerts a \\\"Net Positive\\\" for our commons and sense of greater good. Hats off to Plystudio Architects for pulling off this stunner - on a tight budget and a 2-person design team, no less.  \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$9cdcc696-40cf-4684-becc-837d9534875f\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/97cae1fd-f368-4e0a-aaa0-171ae24ecda8_06_PLY_RainbowCentre-65-min.jpg?auto=compress,format\u0026rect=0,0,7126,4751\u0026w=3000\u0026h=2000\",\"id\":\"Y-W66xEAACAADbdl\",\"edit\":{\"x\":0,\"y\":0,\"zoom\":0.42099354476564693,\"background\":\"#fff\"}}},{\"image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/f0ba0232-9f9b-4935-828b-fd0fd13360c9_11_PLY_RainbowCentre-78-min.jpg?auto=compress,format\u0026rect=0,1603,6943,4629\u0026w=3000\u0026h=2000\",\"id\":\"Y-W63REAACAADbcs\",\"edit\":{\"x\":0,\"y\":-692,\"zoom\":0.43208987469393634,\"background\":\"#fff\"}}}],\"primary\":{},\"id\":\"image_grid$272f3c79-72a2-4052-acc6-65fb83bcbeb1\",\"slice_type\":\"image_grid\",\"slice_label\":null}]}},\"sizes\":\"(max-width: 640px) 100vw, (max-width: 1024px) 50vw, (max-width: 1280px) 33vw, 33vw\"}]}]}],[\"$\",\"div\",\"11\",{\"className\":\"grid-item\",\"style\":{\"order\":\"12\"},\"children\":[\"$\",\"$L2d\",null,{\"href\":\"/projects/wearnes-automotive-a-simple-headquarters\",\"children\":[\"$\",\"$L36\",null,{\"item\":{\"id\":\"Y7lw0BEAACAAI8ob\",\"uid\":\"wearnes-automotive-a-simple-headquarters\",\"url\":\"/projects/wearnes-automotive-a-simple-headquarters\",\"type\":\"project\",\"href\":\"https://singaporearchitect.cdn.prismic.io/api/v2/documents/search?ref=ZzFobBAAACUA27-m\u0026q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22Y7lw0BEAACAAI8ob%22%29+%5D%5D\",\"tags\":[\"Commercial\",\"Industrial\",\"Office Buildings\",\"Transport\"],\"first_publication_date\":\"2023-01-07T13:17:07+0000\",\"last_publication_date\":\"2023-04-05T07:49:36+0000\",\"slugs\":[\"wearnes-automotive-a-simple-headquarters\"],\"linked_documents\":[],\"lang\":\"en-us\",\"alternate_languages\":[],\"data\":{\"title\":[{\"type\":\"heading1\",\"text\":\"Wearnes Automotive: A Simple Headquarters\",\"spans\":[]}],\"author\":\"Ar. Razvan I Ghilic-Micu\",\"feature_image\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/a45f8041-80e8-44e0-9df9-d6f17c38a006_Copy+of+IMG-10+Editted_EL+crisp+190320AL.jpg?auto=compress,format\u0026rect=0,238,2826,1884\u0026w=3000\u0026h=2000\",\"id\":\"Y9yPtxAAACMAr9VL\",\"edit\":{\"x\":0,\"y\":-253,\"zoom\":1.0615711252653928,\"background\":\"#fff\"}},\"thumbnail_image\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/0df2196c-b4ab-45bb-a0dc-ada15313effb_Wearnes_Finbarr_Fallon+%282%29_EL-min.jpg?auto=compress,format\u0026rect=1001,0,4005,4005\u0026w=3000\u0026h=3000\",\"id\":\"Y-Sg9hAAACMAjMMW\",\"edit\":{\"x\":-750,\"y\":0,\"zoom\":0.7490636704119851,\"background\":\"#fff\"}},\"description\":[{\"type\":\"paragraph\",\"text\":\"Intro\",\"spans\":[{\"start\":0,\"end\":5,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Nestled amongst the light industrial buildings housing automobile showrooms along Leng Kee Road, the nine storey Wearnes Automotive Headquarters co-authored by Team Design Architects and Pencil Office is set-back from the main road allowing the front showrooms to etch their brands visibly onto the identity of the streetscape, yet still commanding the urban composition with subtle confidence. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Seen from the afar, the façade is an arresting filigree of gentle aluminium tapers, bold in its graphic quality and dynamic as a field of repeated motifs. In a profession infatuated with heroic architecture, Wearnes offers a refreshing counterpoint: a high-performing background building well proportioned, scaled and articulated. Are the virtues of this project more than skin-deep? My visit revealed much more than meets the eye from the outside. \",\"spans\":[]}],\"date\":\"2023-01-06\",\"slices\":[{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"Tropical veils\",\"spans\":[{\"start\":0,\"end\":14,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"Consistent with the body of work and disciplinary preoccupations of Pencil Office, the external veil is a quintessentially tropical response to the hot and humid equatorial city. Six of the nine floors are entirely naturally ventilated as the built mass is shielded from extreme solar heat gain by the intricate gradient of angled fins.  \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Each fin is a concave aluminium extrusion, precisely joined on a chamfered edge at is slopes laterally. The fluted nature of the extrusion aggregates to a delightful order of proportion, hierarchy and movement, ever changing as the envelope stretches across the different parts of the building like a fabric. Each move is deliberate and well calibrated to the relationship of the external veil to the corresponding internal spaces, creating meaningful zones of compression and relief on the façade. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Perhaps the most evidently heroic gesture is the 5-storey display frame for precious automobiles, greeting visitors as they approach the building. The external skin gently follows this protruding volume, formally integrating it into the composition while at the same time lending the entire system a delightful visual lightness.\",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/8a3d932a-4010-4718-823f-117ceea2df25_Pencil+Office+Wearnes-42-min.jpg?auto=compress,format\u0026rect=0,1017,6104,6104\u0026w=3000\u0026h=3000\",\"id\":\"Y-Mf5xAAACAAhcKm\",\"edit\":{\"x\":0,\"y\":-500,\"zoom\":0.49148099606815204,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/bef31913-9df7-48f6-8ce6-a426c4ad9f4d_Pencil+Office+Wearnes-27-min.jpg?auto=compress,format\u0026rect=0,2640,6336,4224\u0026w=3000\u0026h=2000\",\"id\":\"Y9y84BAAACQAsJ3R\",\"edit\":{\"x\":0,\"y\":-1250,\"zoom\":0.4734848484848485,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$44b15f70-3a59-4567-8f36-658e59f879d8\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"\\nThe second veil is embedded within the internal architecture of the project, framing a three-story atrium culminating in a mesmerising oculus at the top. The atrium is the main touchpoint for clients, buyers, suppliers, employees and guests of the company. It is a social space punctuated by well-choreographed seating and finished in a refreshing palette of white, timber and subtle terrazzo. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Without doubt, the oculus atop and gestural staircase connecting the workplace floors are a tour de force in composition and control. The minimalist white tubes defining the porous lattice enveloping the atrium also gently taper at the base, bundling in groups of three – a simple yet effective articulation reminiscent of some of Minoru Yamasaki’s elegant structures. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The staircase draws the eye upwards as its flights and landings challenge gravity with the same elegant effortlessness that permeates the ethos of the entire project. \",\"spans\":[]}]},{\"text\":[{\"type\":\"paragraph\",\"text\":\"In the detail\",\"spans\":[{\"start\":0,\"end\":13,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"I found myself pausing for a closer look at details very often throughout my visit. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Starting with the external veil, the semi-circular concave profile of its lattice members dramatically lightens up the composition. The thin vertical edges catch the light while the receding curved surface allows for a gradual penumbra wash. Architectural decisions are not only in the service of beauty, but also shrewd practical solutions to discharging the heavy monsoon rain during the wet season.\",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Internally, interfaces and tectonic articulations are resolved in a playful balance of well edited restraint, and exuberant moments of flair. The soft tactility of the skin wrapping the handrail of the atrium staircase – in an Aalto-esque fashion – is further enhanced by the care given to the manner each steps formally joins the vertical in a gentle fillet. \",\"spans\":[]}]}],\"primary\":{},\"id\":\"text_grid$ab969875-f4a2-4172-b73b-309334e8de7b\",\"slice_type\":\"text_grid\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{}],\"primary\":{\"text\":[{\"type\":\"paragraph\",\"text\":\"The columns and floor are seamlessly blended as well in terrazzo, making the gradual transition of the surface and light washing on it a profoundly rewarding visual experience. Within the workplace, door handles invite the touch with the same trademark filleted-edge aesthetic seen throughout the project. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"One of my favourite details perhaps is the fin crowning the mullions of internal partitions. These elements add depth, rhythm and texture to everyday surfaces, almost like an homage to the tailfins of classic cars from the past. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"Just like a perfectly designed automobile, each aesthetic solution stops comfortably short of being frivolous yet indulges in the delight that good generous design brings to the senses. \",\"spans\":[]}],\"image_top\":{\"dimensions\":{\"width\":3000,\"height\":3000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/71d18990-984c-4399-9f89-0bf51fbfbfbd_Pencil+Office+Wearnes-40+%281%29-min.jpg?auto=compress,format\u0026rect=0,140,8383,8383\u0026w=3000\u0026h=3000\",\"id\":\"Y-MfBhAAACIAhb62\",\"edit\":{\"x\":0,\"y\":-50,\"zoom\":0.35786711201240606,\"background\":\"#fff\"}},\"image_bottom\":{\"dimensions\":{\"width\":3000,\"height\":2000},\"alt\":null,\"copyright\":null,\"url\":\"https://images.prismic.io/singaporearchitect/b2b0a9d7-1a87-4940-81bc-aeab8cdb8249_wearnes-automotive-1.jpg?auto=compress,format\u0026rect=313,0,3375,2250\u0026w=3000\u0026h=2000\",\"id\":\"Y7lwwREAAB8AI8oF\",\"edit\":{\"x\":-278,\"y\":0,\"zoom\":0.8888888888888888,\"background\":\"#fff\"}}},\"id\":\"text_image_collage$2dc52aa6-e267-4fb1-989d-c0e4b501a91b\",\"slice_type\":\"text_image_collage\",\"slice_label\":null},{\"variation\":\"default\",\"version\":\"sktwi1xtmkfgx8626\",\"items\":[{\"text\":[{\"type\":\"paragraph\",\"text\":\"Designing for equity\",\"spans\":[{\"start\":0,\"end\":20,\"type\":\"strong\"}]},{\"type\":\"paragraph\",\"text\":\"As the century-old automotive distributor is rapidly transitioning from a petroleum-based car company to an electric one, its workforce is similarly diverse, ranging from workshop staff to executives and software engineers attending to complex vehicles through digital platforms. \",\"spans\":[]},{\"type\":\"paragraph\",\"text\":\"The corporate workplace and broader amenities are generously sized, ingeniously connected and designed around equity, promoting a culture of inclusion for all employees, regardless of their trade and rank. 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