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Artist In Residence
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class="air-section_news-section"><div class="air_intro"><div class="a-c_p">Art and Culture Program</div><div class="air_text">Our Art and Culture Program brings together cultural and creative practitioners and Loss and Damage actors to explore the role that art and culture can play in addressing and raising awareness of the needs to address loss and damage from climate change.<br/><br/>For enquiries directly related to the Art and Culture Program please contact the Project Lead on teo [@] lossanddamagecollaboration.org. Please also find the project's concept note <a href="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/627a5745dbe6b41225926eed_L%26DC_ART%26CULTURE_PROGRAM_PROPOSAL.pdf">here.</a><br/><br/></div><div class="pa_">The Programs Aim</div><div class="pa_2">Although cultural and creative practitioners are playing a <a href="https://oro.open.ac.uk/54399/1/Culture%20and%20climate%20change%20scenarios%20Tyszczuk%20%26%20Smith%202018.pdf">vital role </a>in <a href="https://www.nytimes.com/2018/08/22/t-magazine/climate-change-art.html">raising awareness</a> and driving <a href="https://www.sternberg-press.com/product/decolonizing-nature-contemporary-art-and-the-politics-of-ecology/">critical</a> engagement in the climate crisis as an intersectional problem, they have largely been unable to meaningfully engage in the UNFCCC process on the issue of Loss and Damage, and therefore very few have knowingly engaged with the critical issues of non-economic loss and damage (NELD) and Loss and Damage finance.<br/><br/>In order to encourage greater engagement with these important issues, we believe that cultural and creative practitioners need to be given the opportunity to participate in interdisciplinary dialogues, which introduce, translate, explore and examine the concepts and technical language that make up the Loss and Damage discourse under, and outside of the UNFCCC.<br/><br/>They need to be supplied with entry points and a mandate to engage with the issue of Loss and Damage by critical theory relating to their disciplines authored by renowned practitioners from their field. And they need to be given financial, critical and technical support to create innovative new projects that address, and explore the need to address Loss and Damage. <br/><br/>In doing so, we believe that cultural and creative practitioners and the Loss and Damage actors that they engage with, will quickly be able to find transdisciplinary links between the ethical and political issues surrounding Loss and Damage finance and the key issues currently being widely explored within the arts and humanities in relation to the combined climate, human rights and environmental crisis and the drive towards decolonization. <br/><br/></div><div class="pa_3">Who It Will Engage</div><div class="pa">The program aims to engage the following groups from both the global North and South:<br/><br/><strong>Cultural and creative practitioners</strong>: Including but not limited to cultural theorists, art historians and curators, artists, fiction film makers, artist film makers, and documentary film makers, digital directors and practitioners working with emergent technologies such as VR, AR and 360 film, photographers, authors, performers and dancers, composers and musicians, playwrights, archivists and museologists.<br/><br/><strong>Loss and Damage actors</strong>: Including but not limited to policymakers, academics, researchers, negotiators, legal advisors, and activists within the Loss and Damage Collaboration (L&DC) and beyond.<br/><br/><br/></div></div><div class="air_wwo"><div class="aor_section">Ways of Repair : Loss and Damage</div><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO.jpg" loading="lazy" sizes="(max-width: 479px) 100vw, 500px" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-500.jpg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-800.jpg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-1080.jpg 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-1600.jpg 1600w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-2000.jpg 2000w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-2600.jpg 2600w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO-p-3200.jpg 3200w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/65aaeff3dfc75f1936b6b913_WOR_LOGO.jpg 3543w" alt="" class="image-41"/><div class="text-block-72"><em>Image credit: Ways of Repair : Loss and Damage</em></div><div class="air_text">As part of ourArt and Culture Program, we launched <a href="https://www.waysofrepair.com/"><strong><em>Ways of Repair : Loss and Damage</em></strong></a>, an online artistic research residency, a series of public events and a set of commissioned texts, aimed at facilitating a transdisciplinary exchange around the issue of loss and damage caused by the climate crisis.<br/><br/>By building connections across different knowledge-making practices, <strong><em>Ways of Repair : Loss and Damage</em></strong> sets out to create a symbiotic network of trans-local collaborators, recognising that climate research, activism and advocacy, is an entangled and inter-relational practice involving many actors.<br/><br/>The <strong><em>Ways of Repair : Loss and Damage</em></strong> program is supported by the <a href="https://www.opensocietyfoundations.org/">Open Society Foundations</a>. <br/><br/><span class="text-span-92"><strong>Open Call</strong></span><br/><br/>Following the <strong><em>Ways of Repair : Loss and Damage</em> </strong>open call, which received over 740 applications, three project proposals have now been selected for development through the program's artistic research residency.<br/><br/>The three selected proposals are from:<br/><br/>1. <strong>Gabriela de Matos (Brazil)</strong> (Candomblé terreiros: Sacred Shields Against Salvador’s Climate Crisis);<br/><br/>2. <strong>Nombuso Mathibela & Sibonelo Gumede (South Africa) </strong>(Phoshoza sunduz’ama bhun’ahambe: Interpreting the (in) tangible planetary futures of bow instrument ecospheres in Kwa-Zulu Natal); and;<br/><br/>3. <strong>Zahra Malkani (Pakistan) </strong>(A Ubiquitous Wetness).<br/><br/><span class="text-span-93"><strong>Public Program</strong></span><br/><br/>Taking place online between January 2024 and January 2025, the <strong><em>Ways of Repair : Loss and Damage</em></strong> public online program will feature four key moments — three workshops and an online symposium — with the aim of diversifying audiences and adding nuance and depth to public and policy-oriented discussions on Loss and Damage.<br/><br/>Throughout the four events, participants will gain insights into the contentious history of Loss and Damage negotiations, the ethical and political questions surrounding the issue and where Loss and Damage fits into the struggle for climate justice.<br/><br/>The first themed<em> </em><strong><em>Ways of Repair : Loss and Damage</em></strong> workshop was held in <strong>February 2024</strong>, the second in <strong>May 2024</strong>, and the third will take place in<strong> October 2024</strong>. The <strong><em>Ways of Repair : Loss and Damage</em></strong> symposium will be held in <strong>January 2025</strong>. Please sign up to our <a href="https://forms.gle/W8QkvGpAy4UEjiQV8">mailing list</a> for updates on how to attend, the events and what themes will be explored and what speakers will be present.<br/><br/><span class="text-span-93"><strong>Texts of Repair<br/><br/></strong></span><strong></strong>In addition to the artists research program, <strong><em> Ways of Repair : Loss and Damage</em></strong> will commission critical thinkers from the arts and humanities to explore different perspectives, aesthetic explorations, knowledges and lived experiences of the climate crisis in relation to Loss and Damage. The commissioned texts are intended to provide conceptual frameworks and critical links between the Loss and Damage discourse and themes already being widely explored within the arts and humanities in response to the combined climate, human rights, and environmental crisis, and the drive towards decolonization.<br/><br/>Visit the <strong><em>Ways of Repair : Loss and Damage</em></strong> website to find out more about the program : <a href="https://www.waysofrepair.com/">https://www.waysofrepair.com/</a><br/><br/></div></div><div class="ar_c_team"><div class="snld_team_members-copy">Team Members</div><div class="colums_team_members w-row"><div class="w-col w-col-4"><div class="role_snld"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/627a5397302f57130bd19dfd_Lena.png" loading="lazy" alt="" class="snld_people"/><div class="snld_title"> Art and Culture Program <br/>Co-Coordinator</div><div class="snld_name">LenA Dobrowolska</div><div class="snld_dec">Lena is an artist-researcher, filmmaker and educator who has been working on issues relating to political ecology and climate change for over a decade. Her current research focuses on co-creative documentation and inclusive digitalisation of intangible losses due to the climate crisis in the context of planned relocation. She has interests in decolonial and ecofeminist perspectives on climate and anticolonial research methodologies. Lena is a PhD Researcher at the <a href="https://www.uwe.ac.uk/research/centres-and-groups/dcrc">Digital Cultures Research Centre</a>, UWE Bristol, a Research Associate with <a href="http://www.cultureandclimatechange.co.uk/">Culture and Climate Change</a> at the School of Architecture, <a href="https://www.sheffield.ac.uk/">University of Sheffield</a> and lectures in MA Digital Direction at the <a href="https://www.rca.ac.uk/">Royal College of Art</a>.</div><div class="twitter_handel"><a href="https://mobile.twitter.com/lenadobrowolska" class="link-149">@lenadobrowolska</a></div></div></div><div class="w-col w-col-4"><div class="role_snld"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6261c6051a64306a904b49fc_Teo_round.png" loading="lazy" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 28vw, 246.66015625px" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6261c6051a64306a904b49fc_Teo_round-p-500.png 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6261c6051a64306a904b49fc_Teo_round-p-800.png 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6261c6051a64306a904b49fc_Teo_round.png 1000w" alt="" class="snld_people"/><div class="snld_title">Art and Culture Program <br/>Co-Coordinator</div><div class="snld_name">TEO ORMOND <br/>- Skeaping</div><div class="snld_dec">Teo is an award-winning artist, filmmaker and photographer working on projects relating to, amongst other things, <a href="https://teoormondskeaping.com/future-scenarios">non-economic loss and damage</a>, the governmentality of Loss and Damage and <a href="https://teoormondskeaping.com/you-never-know-1">climate-induced migration</a>. Teo also works to coordinate the <a href="https://www.lossanddamagecollaboration.org/">Loss and Damage Collaboration</a>’s Advocacy and Outreach, Communications, Human Mobility and Displacement, and Art and Culture programs.</div><div class="twitter_handel"><a href="https://twitter.com/TeoSkeaping" class="link-149">@TeoSkeaping</a></div></div></div><div class="w-col w-col-4"><div class="role_snld"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/650dd88d0c47dd1065742865_Phoebe_AOR.jpg" loading="lazy" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 28vw, 246.66015625px" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/650dd88d0c47dd1065742865_Phoebe_AOR-p-500.jpg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/650dd88d0c47dd1065742865_Phoebe_AOR-p-800.jpg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/650dd88d0c47dd1065742865_Phoebe_AOR.jpg 918w" alt="" class="snld_people"/><div class="snld_title"><em>Art and Culture Program <br/>Co-Coordinator</em></div><div class="snld_name">Phoebe-Lin <br/>Elnan</div><div class="snld_dec">Phoebe is a writer and performer who sometimes makes work with and/or about food. She holds a master's in Visual Art from the <a href="https://head.hesge.ch/ccc/turbulence/en/">CCC Research Program</a> at the <a href="https://www.hesge.ch/head/en">HEAD</a>, Geneva and has worked as a creative producer at arts and environmental non-profit organisation <a href="https://projetcoal.org/en/">Coalition for a Cultural Ecology (COAL)</a>, Paris. Phoebe is part of the collective <em>as slow as possible</em> that curates exhibitions in <a href="https://www.espace3353.ch/en/home/">Espace 3353</a> in Geneva.</div><div class="twitter_handel"><a href="https://phoebelinelnan.com/" class="link-149">phoebelinelnan.com</a></div></div></div></div></div></div><div id="1" class="air_slider"><div class="div-block-14"><div id="cr" class="current-residents">Current Residents </div></div><div data-delay="4000" data-animation="slide" class="slider-copy_air w-slider" data-autoplay="false" data-easing="ease" data-hide-arrows="false" data-disable-swipe="false" data-autoplay-limit="0" data-nav-spacing="3" data-duration="500" data-infinite="true" id="Slider"><div class="w-slider-mask"><div class="air_slide_1 w-slide"><div id="5" class="air_slider_div"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2.jpg" loading="lazy" sizes="100vw" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2-p-500.jpeg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2-p-800.jpeg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2-p-1080.jpeg 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2-p-1600.jpeg 1600w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2-p-2000.jpeg 2000w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/606c6877ef51079ac0b82cf2_FUTURE-SCENARIOS_LenaDobrowolska-%26-TeoOrmond-Skeaping_NEW_PRINTS13_V2.jpg 2575w" id="2" alt="" class="air_image_1"/><div class="air_captions"><div class="air_cap_div"><div class="caption_air"><em class="italic-text-4">Lone palm, Daulatkhan, Bhola Island, Bangladesh, (2017), from future Scenarios by Lena Dobrowolska & Teo Ormond-Skeaping </em></div></div></div><div id="3" class="text-block-4"><em class="italic-text-2">Publications</em></div></div></div><div class="air_slide_2 w-slide"><div id="5" class="air_slider_div"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a218235b54d3d7d8bbef_5f74edb07fe0de7c799defac_Future%20Scenarios_2.jpeg" loading="lazy" sizes="100vw" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a218235b54d3d7d8bbef_5f74edb07fe0de7c799defac_Future%20Scenarios_2-p-800.jpeg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a218235b54d3d7d8bbef_5f74edb07fe0de7c799defac_Future%20Scenarios_2.jpeg 1079w" id="2" alt="" class="air_image_2"/><div class="air_captions"><div><div class="caption_air"><em class="italic-text-4">Future Scenarios exhibition, Kunst Haus Wien, Museum Hudertwasser, Vienna, Austria, (2019),</em><em> Lena Dobrowolska & Teo Ormond-Skeaping </em></div></div></div><div id="3" class="text-block-4"><em class="italic-text-2">Publications</em></div></div></div><div class="air_slide_3 w-slide"><div id="5" class="air_slider_div"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a201987fd25e6628f965_5f74eea639337f7436b96549_LenaDobrowolskaTeoOrmondSkeapingExhibitionsView5-p-1080.jpeg" loading="lazy" sizes="100vw" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a201987fd25e6628f965_5f74eea639337f7436b96549_LenaDobrowolskaTeoOrmondSkeapingExhibitionsView5-p-1080-p-500.jpeg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a201987fd25e6628f965_5f74eea639337f7436b96549_LenaDobrowolskaTeoOrmondSkeapingExhibitionsView5-p-1080-p-800.jpeg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/6074a201987fd25e6628f965_5f74eea639337f7436b96549_LenaDobrowolskaTeoOrmondSkeapingExhibitionsView5-p-1080.jpeg 1080w" id="2" alt="" class="air_image_3"/><div class="air_captions"><div><div class="caption_air"><em class="italic-text-4">Future Scenarios film installation, Kunst Haus Wien, Museum Hudertwasser, Vienna, Austria, (2019), Lena Dobrowolska & Teo Ormond-Skeaping </em></div></div></div><div class="air_captions"></div><div id="3" class="text-block-4"><em class="italic-text-2">Publications</em></div></div></div></div><div id="AIR_MARKER" class="air_marker">What We Do</div><div class="w-slider-arrow-left"><div id="icon" class="icon-3 w-icon-slider-left"></div></div><div class="w-slider-arrow-right"><div class="icon-4 w-icon-slider-right"></div></div><div class="slide-nav w-slider-nav w-round"></div></div><div class="air_people"></div><div class="div-block-15"><div class="text-block-10"><strong class="bold-text-3">Lena Dobrowolska & Teo Ormond-Skeaping</strong></div><div class="teo_lena_bio">Lena Dobrowolska & Teo Ormond- Skeaping are an artist collaboration from Poland and the United Kingdom working with a combination of photography, artist’s film, virtual reality, installation and research. <br/> <br/>Their collaborative artist practice focuses on climate change, including its political ecology, loss and damage, climate-induced migration, slow violence, as well as visual culture’s relationship to the Anthropocene, something which they prefer to call the Capitalocene.<br/><br/>Combining speculative methodologies, like scenario thinking, with documentary investigative practices and participatory storytelling they tell stories that contribute to the act of collective worldbuilding. <br/><br/>To find out more about their work visit their websites or the Future Scenarios interactive documentary.<br/> <br/></div><div class="div-block-16"><a href="http://www.lenadobrowolska.com" target="_blank" class="lena-web w-inline-block"><div class="text-block-11"><em class="italic-text-3">www.lenadobrowolska.com</em></div></a></div><div class="div-block-17"><a href="http://www.teoormondskeaping.com" class="w-inline-block"><div class="text-block-11"><em>www.teoormondskeaping.com</em></div></a></div><div class="div-block-18"><a href="http://www.futurescenarios.co.uk" class="w-inline-block"><div class="text-block-11"><em>www.futurescenarios.co.uk</em></div></a><div class="div-block-36"></div></div></div></div><section class="air_news"><div class="ac_outputs"><div class="ac_outputs_t">Program News</div><div class="date_ac">2024</div><div class="columns-copy w-row"><div id="6" class="w-col w-col-4"><div class="column_container"><a href="https://www.lossanddamagecollaboration.org/pages/repair-and-reparation-in-the-context-of-loss-and-damage-from-climate-change-a-primer-for-artists" class="w-inline-block"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/66e0190e24d4de8cfbf8ea86_WORKSHOP_3_INSTA_.png" loading="lazy" data-w-id="5c19da4e-77d0-cb48-8672-109004158cb7" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" alt="" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/66e0190e24d4de8cfbf8ea86_WORKSHOP_3_INSTA_-p-500.png 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/66e0190e24d4de8cfbf8ea86_WORKSHOP_3_INSTA_-p-800.png 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/66e0190e24d4de8cfbf8ea86_WORKSHOP_3_INSTA_-p-1080.png 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/66e0190e24d4de8cfbf8ea86_WORKSHOP_3_INSTA_.png 2126w" class="image_air"/><img class="hover_block" src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png" alt="" style="opacity:0" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" data-w-id="5c19da4e-77d0-cb48-8672-109004158cb8" loading="lazy" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-500.png 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-800.png 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-1080.png 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png 1181w"/></a><div class="air_catagory"><a href="/art-and-culture" aria-current="page" class="air w--current">Artist in residence</a></div><div class="post_date">10 / 09 / 2024</div><a href="https://www.lossanddamagecollaboration.org/pages/repair-and-reparation-in-the-context-of-loss-and-damage-from-climate-change-a-primer-for-artists" class="air_tl_art"><strong class="bold_pub_txt-g">Repair and Reparation<br/>in the Context of Loss<br/>and Damage from<br/>Climate Change:<br/>a Primer for Artists</strong></a><div class="author_link_div_pub"><a href="#" class="author_link_pub_tx">BY THE LOSS AND DAMAGE COLLABORATION</a></div></div></div><div class="w-col w-col-4"><div class="column_container"><a href="https://www.lossanddamagecollaboration.org/video/understanding-and-addressing-loss-and-damage-to-culture-and-identity-a-primer-for-artists-video" class="w-inline-block"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/665b2e4f1c74010616120909_WOR_WK2_INSTA2_small.jpg" loading="lazy" data-w-id="ddac741b-30e1-25f3-cdcf-c1c9bea27113" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" alt="" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/665b2e4f1c74010616120909_WOR_WK2_INSTA2_small-p-500.jpg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/665b2e4f1c74010616120909_WOR_WK2_INSTA2_small-p-800.jpg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/665b2e4f1c74010616120909_WOR_WK2_INSTA2_small.jpg 1000w" class="image_air"/><img class="hover_block" src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png" alt="" style="opacity:0" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" data-w-id="ddac741b-30e1-25f3-cdcf-c1c9bea27114" loading="lazy" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-500.png 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-800.png 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-1080.png 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png 1181w"/></a><div class="air_catagory"><a href="/art-and-culture" aria-current="page" class="air w--current">Artist in residence</a></div><div class="post_date">24 / 05 / 2024</div><a href="https://www.lossanddamagecollaboration.org/video/understanding-and-addressing-loss-and-damage-to-culture-and-identity-a-primer-for-artists-video" class="air_tl_art"><strong class="bold_pub_txt-g">UNDERSTANDING AND ADDRESSING LOSS AND DAMAGE TO CULTURE AND IDENTITY: A PRIMER FOR ARTISTS | VIDEO</strong></a><div class="author_link_div_pub"><a href="#" class="author_link_pub_tx">BY THE LOSS AND DAMAGE COLLABORATION</a></div></div></div><div class="w-col w-col-4"><div class="column_container"><a href="https://www.lossanddamagecollaboration.org/pages/understanding-and-addressing-loss-and-damage-to-culture-and-identity-a-primer-for-artists" class="w-inline-block"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/663507507a53cad16ab1beae_WORKSHOP_TWO_INSTA_Final.jpg" loading="lazy" data-w-id="02cf3c90-7d04-cdd2-0f6d-a2d40651482e" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" alt="" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/663507507a53cad16ab1beae_WORKSHOP_TWO_INSTA_Final-p-500.jpg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/663507507a53cad16ab1beae_WORKSHOP_TWO_INSTA_Final-p-800.jpg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/663507507a53cad16ab1beae_WORKSHOP_TWO_INSTA_Final-p-1080.jpg 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/663507507a53cad16ab1beae_WORKSHOP_TWO_INSTA_Final-p-1600.jpg 1600w, 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https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png 1181w"/></a><div class="air_catagory"><a href="/art-and-culture" aria-current="page" class="air w--current">Artist in residence</a></div><div class="post_date">03 / 05 / 2024</div><a href="https://www.lossanddamagecollaboration.org/pages/understanding-and-addressing-loss-and-damage-to-culture-and-identity-a-primer-for-artists" class="air_tl_art"><strong class="bold_pub_txt-g">UNDERSTANDINGAND ADDRESSINGLOSS AND DAMAGETO CULTURE AND IDENTITY:A PRIMER FOR ARTISTS</strong></a><div class="author_link_div_pub"><a href="#" class="author_link_pub_tx">BY THE LOSS AND DAMAGE COLLABORATION</a></div></div></div></div><div class="columns-copy w-row"><div id="6" class="w-col w-col-4"><div class="column_container"><a href="https://www.lossanddamagecollaboration.org/pages/t-j-demos-text-of-repair" class="w-inline-block"><img src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2.jpg" loading="lazy" data-w-id="35c3b99f-8ce8-808a-226e-a57f87a9d1e5" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" alt="" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2-p-500.jpg 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2-p-800.jpg 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2-p-1080.jpg 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2-p-1600.jpg 1600w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2-p-2000.jpg 2000w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/661166381e9d2d02f558d306_Demos-2021-2.jpg 2762w" class="image_air"/><img class="hover_block" src="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png" alt="" style="opacity:0" sizes="(max-width: 479px) 300px, (max-width: 767px) 400px, (max-width: 991px) 32vw, 313.330078125px" data-w-id="35c3b99f-8ce8-808a-226e-a57f87a9d1e6" loading="lazy" srcset="https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-500.png 500w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-800.png 800w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink-p-1080.png 1080w, https://cdn.prod.website-files.com/605869242b20501f9a579e7a/60ca3b0cbdee27432a582133_Pink.png 1181w"/></a><div class="air_catagory"><a href="/art-and-culture" aria-current="page" class="air w--current">Artist in residence</a></div><div class="post_date">05 / 04 / 2024</div><a href="https://www.lossanddamagecollaboration.org/pages/t-j-demos-text-of-repair" 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