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data-section-name="Books-(scholarly-and-bilingual-editions)" data-toggle="tab" href="#booksscholarlyandbilingualeditions" role="tab" style="border: none;"><span>1</span> Books (scholarly and bilingual editions)</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Editor" id="Editor"><h3 class="profile--tab_heading_container">Editor by Harm Den Boer</h3></div><div class="js-work-strip profile--work_container" data-work-id="5986983"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/5986983/Heterodoxia_Iberica_Series_Brill_"><img alt="Research paper 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/5986860/Jorge_Ledo_and_Harm_den_Boer_Desiderius_Erasmus_2014_La_moria_de_Erasmo_In_Praise_of_Folly_A_critical_edition_of_the_Spanish_translation_of_Erasmus_Morias_Enkomion_Leiden_Boston_Brill"><img alt="Research paper thumbnail of Jorge Ledo and Harm den Boer. Desiderius Erasmus (2014). La moria de Erasmo. In Praise of Folly. A critical edition of the Spanish translation of Erasmus Morias' Enkomion, Leiden, Boston: Brill" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/5986860/Jorge_Ledo_and_Harm_den_Boer_Desiderius_Erasmus_2014_La_moria_de_Erasmo_In_Praise_of_Folly_A_critical_edition_of_the_Spanish_translation_of_Erasmus_Morias_Enkomion_Leiden_Boston_Brill">Jorge Ledo and Harm den Boer. Desiderius Erasmus (2014). La moria de Erasmo. In Praise of Folly. A critical edition of the Spanish translation of Erasmus Morias' Enkomion, Leiden, Boston: Brill</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="5986860"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="5986860"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5986860; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5986860]").text(description); $(".js-view-count[data-work-id=5986860]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5986860; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='5986860']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=5986860]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":5986860,"title":"Jorge Ledo and Harm den Boer. 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Descriptive Bibliography" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/5986895/Spanish_and_Portuguese_Printing_in_the_Northern_Netherlands_1584_1825_Descriptive_Bibliography">Spanish and Portuguese Printing in the Northern Netherlands 1584-1825. Descriptive Bibliography</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="5986895"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="5986895"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5986895; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5986895]").text(description); $(".js-view-count[data-work-id=5986895]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5986895; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='5986895']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=5986895]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":5986895,"title":"Spanish and Portuguese Printing in the Northern Netherlands 1584-1825. 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El Instituto tiene, como finalidad principal, poner de relieve el singular trazado histórico que, de formas y maneras todavía no bien definidas, han ido cristalizándose en España. Un trazado complejo, producto de la pluralidad de las tres culturas clásicas. Por ello nuestro Instituto anuncia la creación de una línea editorial que sepa interrogarse desde la curiosidad de la investigación más desarrollada y satisfaciendo los intereses de una demanda social en continuo crecimiento sobre los grandes problemas que se debaten hoy en el campo amplio del sefardismo. Igualmente es compromiso nuestro dar cabida aquí a las diversas manifestaciones de la cultura que, en España, creó el mundo árabe-islámico. No se trata, por lo tanto, de reivindicar los esteriotipos históricos de la llamada «España de las tres culturas», sino de considerar el problema al revés, es decir, cómo esas tres culturas emiten un concepto específico de España y cómo y de qué manera tal concepto es compartido o repudiado. Pero además, el Instituto no mira sólo hacia el pasado, sino que, catapultado por las exigencias del ayer, pretende también comprender la complejidad de los problemas del presente como parte inexcusable de su compromiso por el saber.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="217425a76f57c3f9a6efeb679452a056" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32941262,"asset_id":3376430,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32941262/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3376430"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3376430"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3376430; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Harm Den Boer</h3></div><div class="js-work-strip profile--work_container" data-work-id="127490780"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/127490780/Marrano_Topographie"><img alt="Research paper thumbnail of Marrano-Topographie" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/127490780/Marrano_Topographie">Marrano-Topographie</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490780"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490780"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490780; 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</script> <div class="js-work-strip profile--work_container" data-work-id="127490779"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/127490779/Espa%C3%B1a_y_Holanda"><img alt="Research paper thumbnail of España y Holanda" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/127490779/Espa%C3%B1a_y_Holanda">España y Holanda</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490779"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490779"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490779; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490773"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/127490773/Literary_Discourse_between_the_Eternal_Validity_of_the_Torah_and_Philosophical_Doubt_The_Polemical_Writings_of_Abraham_G%C3%B3mez_Silveira_1656_1740_"><img alt="Research paper thumbnail of Literary Discourse between the Eternal Validity of the Torah and Philosophical Doubt: The Polemical Writings of Abraham Gómez Silveira (1656-1740)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/127490773/Literary_Discourse_between_the_Eternal_Validity_of_the_Torah_and_Philosophical_Doubt_The_Polemical_Writings_of_Abraham_G%C3%B3mez_Silveira_1656_1740_">Literary Discourse between the Eternal Validity of the Torah and Philosophical Doubt: The Polemical Writings of Abraham Gómez Silveira (1656-1740)</a></div><div class="wp-workCard_item"><span>Legenda eBooks</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter discusses the polemical work written by the Amsterdam Sephardic Jew Abraham Gomez Si...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter discusses the polemical work written by the Amsterdam Sephardic Jew Abraham Gomez Silveira (1656-1740 , extant in a series of seven manuscript volumes written in Spanish. Initially conceived as a Jewish refutation of Isaac Jacquelot&#39;s Dissertations sur le Messie, Silveira argues with a large number of Christian theologians, relying both on a canon of contemporary Jewish apologists and on his own arguments. Although his ideas, rooted in fideistic rationalism, seem straightforward and repetitive, he nonetheless merits attention for three reasons: a) his progressive openness towards other religions and his plea for religious tolerance; b) his self-fashioning as a commonsensical Jewish bystander, even as a fool; and c) his uncontainable literary urge to alternate serious discourse with displays of humour and wit</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490773"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490773"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490773; 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} }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490772"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490772/La_recepci%C3%B3n_de_la_literatura_sefard%C3%AD_en_Espa%C3%B1a_y_Portugal"><img alt="Research paper thumbnail of La recepción de la literatura sefardí en España y Portugal" class="work-thumbnail" src="https://attachments.academia-assets.com/121215925/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127490772/La_recepci%C3%B3n_de_la_literatura_sefard%C3%AD_en_Espa%C3%B1a_y_Portugal">La recepción de la literatura sefardí en España y Portugal</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La impresionante actividad editorial desarrollada por los sefardíes de Amsterdam tiene su explica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La impresionante actividad editorial desarrollada por los sefardíes de Amsterdam tiene su explicación principal en el esfuerzo de los mismos por reinsertar a los judeoconversos en el judaismo ortodoxo. Entre las c. 800 ediciones en lengua española y portuguesa impresas en Holanda destacan, por lo tanto, biblias, libros litúrgicos y tratados doctrinales. Sin embargo, no ha de sorprender que una producción tan considerable, reflejo de una cultura ibérica capaz de sostenerse por dos siglos, incluía títulos de la más variada índole, correspondiendo con intenciones y destinatarios igualmente diversos. A este respecto podemos citar ediciones con una deliberada presentación «no-judía», en cuyas portadas el autor aparece mencionado con su nombre cristiano, mientras el lugar de publicación, Amsterdam, se omite o se sustituye por lugares de mayor 'ortodoxia' católica como Frankfurt, Colonia, Amberes o Bruselas. Ejemplos de estas ediciones son las</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d08b874642a4045f36d4913dce250b7a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121215925,"asset_id":127490772,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121215925/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490772"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490772"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490772; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127490772]").text(description); $(".js-view-count[data-work-id=127490772]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127490772; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127490772']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d08b874642a4045f36d4913dce250b7a" } } $('.js-work-strip[data-work-id=127490772]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127490772,"title":"La recepción de la literatura sefardí en España y Portugal","internal_url":"https://www.academia.edu/127490772/La_recepci%C3%B3n_de_la_literatura_sefard%C3%AD_en_Espa%C3%B1a_y_Portugal","owner_id":269357,"coauthors_can_edit":true,"owner":{"id":269357,"first_name":"Harm","middle_initials":null,"last_name":"Den Boer","page_name":"HarmDenBoer","domain_name":"unibas","created_at":"2010-10-20T17:54:47.288-07:00","display_name":"Harm Den Boer","url":"https://unibas.academia.edu/HarmDenBoer"},"attachments":[{"id":121215925,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/121215925/thumbnails/1.jpg","file_name":"20140208151750_52f63c8e1bee7-1.pdf","download_url":"https://www.academia.edu/attachments/121215925/download_file","bulk_download_file_name":"La_recepcion_de_la_literatura_sefardi_en.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/121215925/20140208151750_52f63c8e1bee7-1-libre.pdf?1738829685=\u0026response-content-disposition=attachment%3B+filename%3DLa_recepcion_de_la_literatura_sefardi_en.pdf\u0026Expires=1740063394\u0026Signature=X51MbxxYYiCS5XvDLBXtf4GufxiiFTwDEfHFrETGYYNu-VKR6~JiYF7jrB89Jo3oBiyasGGWUG30TLG2PeiPlI3oNTX5eIU9uWyzTQBSYYWjsUgxfhH~zwrqxc8EXpX7LPtfRIvYD8CCPCZMOuQZMnrOPswHlGxaUIBunJtJFtd1xX5GpkYECZ~1Oq1DAGZjdSejYWDrrdnf6Zx9eDHhWC5B~69rzN2vPqx6FWFsY6g41Vt80t5QE8t4JfaCdhcc9ZPANfria-lHMQ9tBIsDZ3~1PiqJiP9ZH6e07Et6r78kSys5Nw1yjsRKrggYK6QdGpVzv-fS0Lf68w-ZFiFOeA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490771"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490771/_Cat%C3%B3lico_Z%C3%A1rate_jud%C3%ADo_Muley_Nuevo_acercamiento_a_Las_misas_de_San_Vicente_Ferrer"><img alt="Research paper thumbnail of ¿Católico Zárate, judío Muley? 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Se analizan textos en los que aparecen personajes cristianos reales o imaginario, con los que los judíos entran en diálogo o en abierta polémica. Observamos como en esos textos, aparte de su contenido doctrinal, se busca una revancha contra la discriminación social sufrida por los judeoconversos en la sociedad ibérica. Cien años de inmersión en la sociedad cristiana marcan, a grandes rasgos, la diferencia entre los sefardíes 'orientales' y los 'occidentales'. Unos, los expulsos de 1492 y sus descendientes; otros, 'portugueses' en su mayor parte, hijos de la conversión voluntaria o forzada al cristianismo, es decir descendientes de los cristianos 'nuevos', cuya integración fue uno de los</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c78f9abf17fc158241cf15fcc5c9874c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121215899,"asset_id":127490770,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121215899/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490770"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490770"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490770; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490769"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490769/La_representaci%C3%B3n_de_la_Comedia_Espa%C3%B1ola_en_Holanda"><img alt="Research paper thumbnail of La representación de la Comedia Española en Holanda" class="work-thumbnail" src="https://attachments.academia-assets.com/121215902/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127490769/La_representaci%C3%B3n_de_la_Comedia_Espa%C3%B1ola_en_Holanda">La representación de la Comedia Española en Holanda</a></div><div class="wp-workCard_item"><span>Cuadernos de historia moderna</span><span>, 1999</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">HARM DEN BOER Universidad de Amsterdam RESUMEN El origen del teatro en los Países Bajos durante l...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">HARM DEN BOER Universidad de Amsterdam RESUMEN El origen del teatro en los Países Bajos durante la Edad Moderna se localiza a fines del siglo XVI en academias, llamadas Cámaras de Retóricos, donde eruditos y artistas debatían sobre ciencia, poesía y teatro. Con el crecimiento de la República en el siglo XVII, en especial en Amsterdam, aumenta la demanda de entretenimiento social y se descubren también los beneficios de un teatro regular. En 1637 la profesionalización del teatro se consolida con la inauguración de un Teatro Municipal. En los escenarios holandeses durante el siglo XVII se manifiesta una tensión constante entre las preferencias artísticas de los teóricos, ancladas en los valores clasicistas del Renacimiento, y la respuesta del público. Los primeros en reconocer el atractivo de la comedia española según el modelo propuesto por Lope de Vega fueron los actores y directores de teatro, ofreciendo con gran éxito adaptaciones y traducciones de «comedia española», a lo largo de todo el Siglo de Oro holandés.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9b76142eba7a85755b906ec7081b312a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121215902,"asset_id":127490769,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121215902/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490769"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490769"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490769; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490768"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490768/_En_cierto_sentido_%C3%A9l_es_Espa%C3%B1a_Sobre_Don_Quijote_llevado_al_cine"><img alt="Research paper thumbnail of “En cierto sentido, él es España” : Sobre Don Quijote llevado al cine" class="work-thumbnail" src="https://attachments.academia-assets.com/121215898/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127490768/_En_cierto_sentido_%C3%A9l_es_Espa%C3%B1a_Sobre_Don_Quijote_llevado_al_cine">“En cierto sentido, él es España” : Sobre Don Quijote llevado al cine</a></div><div class="wp-workCard_item"><span>Romanische Literaturen und Kulturen</span><span>, 2009</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La filmografía de El Quijote ha generado en los últimos años varios libros y un flujo constante d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La filmografía de El Quijote ha generado en los últimos años varios libros y un flujo constante de artículos 1 . No es de extrañar que un tema apenas abordado hace una década se haya convertido en uno de los más populares ahora. El interés actual por lo visual, el hecho de que el hispanismo se haya interesado cada vez más por el cine -empezando por la inevitable cuestión de la adaptación literaria-unido a un agotamiento de pensamiento crítico sobre la obra misma, debido tal vez a la "exigencia" de añadir a los actos de conmemoración de 2005, ha producido una cantidad de publicaciones desbordante. Sin hablar de los actos conmemorativos, exposiciones y proyecciones de películas. La presente aportación comenzó como un simple montaje de una serie de versiones fílmicas de El Quijote, junto con unas primeras reflexiones donde primaba lo didáctico. A la hora de fijar lo observado de entonces, me he ido rindiendo cuenta de una información impresionante, aunque repetitiva. Si me animo a comentar todavía algunos rasgos que me parecen relevantes de las interpretaciones más representativas de El Quijote, es aprovechando la riqueza de datos de las que disponemos, tratando de ofrecer una visión sintética. Y si he destacado la abundancia de lo producido es porque me parece importante señalar un panorama de recepción del cine totalmente cambiado, en el que, en mi opinión, no se insiste lo suficiente. Veamos: en el caso del medio impreso estamos muy conscientes de su accesibilidad a través del tiempo y del lugar, hecho que sólo se ha reforzado con la revolución digital. La gran obra de Cervantes se ha podido leer sin dificultad casi desde que se publicara la primera parte, y muy pronto sin</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="372f04e88c91087f09ca8bf783dc9071" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121215898,"asset_id":127490768,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121215898/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490768"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490768"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490768; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="123474906"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/123474906/Espa%C3%B1a_y_Holanda_ponencias_presentadas_durante_el_Quinto_Coloquio_Hispanoholand%C3%A9s_de_Historiadores_celebrado_en_la_Universidad_de_Leiden_del_17_al_20_de_noviembre_de_1993"><img alt="Research paper thumbnail of España y Holanda : ponencias presentadas durante el Quinto Coloquio Hispanoholandés de Historiadores celebrado en la Universidad de Leiden del 17 al 20 de noviembre de 1993" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/123474906/Espa%C3%B1a_y_Holanda_ponencias_presentadas_durante_el_Quinto_Coloquio_Hispanoholand%C3%A9s_de_Historiadores_celebrado_en_la_Universidad_de_Leiden_del_17_al_20_de_noviembre_de_1993">España y Holanda : ponencias presentadas durante el Quinto Coloquio Hispanoholandés de Historiadores celebrado en la Universidad de Leiden del 17 al 20 de noviembre de 1993</a></div><div class="wp-workCard_item"><span>Rodopi eBooks</span><span>, 1995</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Oss. Por ello, y como en 1993 le tocaba a Holanda organizar el encuentro, hemos querido celeb...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Oss. Por ello, y como en 1993 le tocaba a Holanda organizar el encuentro, hemos querido celebrar el quinto coloquio en Leiden. Esta ... aún. Sin embargo, no figuran las del dr. Karen Bostoen («Boscán, Montemayor et les autres. La ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123474906"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123474906"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123474906; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123474906]").text(description); $(".js-view-count[data-work-id=123474906]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123474906; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123474906']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=123474906]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123474906,"title":"España y Holanda : ponencias presentadas durante el Quinto Coloquio Hispanoholandés de Historiadores celebrado en la Universidad de Leiden del 17 al 20 de noviembre de 1993","internal_url":"https://www.academia.edu/123474906/Espa%C3%B1a_y_Holanda_ponencias_presentadas_durante_el_Quinto_Coloquio_Hispanoholand%C3%A9s_de_Historiadores_celebrado_en_la_Universidad_de_Leiden_del_17_al_20_de_noviembre_de_1993","owner_id":269357,"coauthors_can_edit":true,"owner":{"id":269357,"first_name":"Harm","middle_initials":null,"last_name":"Den Boer","page_name":"HarmDenBoer","domain_name":"unibas","created_at":"2010-10-20T17:54:47.288-07:00","display_name":"Harm Den Boer","url":"https://unibas.academia.edu/HarmDenBoer"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="123474905"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/123474905/Een_gulden_kleinood_Liber_amicorum_aangeboden_aan_de_heer_D_Goudsmit_ter_gelegenheid_van_zijn_afscheid_als_bibliothecaris_van_Ets_Haim_Livraria_Montezinos_van_de_Portugees_Isra%C3%ABlietische_Gemeente_te_Amsterdam"><img alt="Research paper thumbnail of Een gulden kleinood. 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Desiderius Erasmus (2014). La moria de Erasmo. In Praise of Folly. A critical edition of the Spanish translation of Erasmus Morias' Enkomion, Leiden, Boston: Brill" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/5986860/Jorge_Ledo_and_Harm_den_Boer_Desiderius_Erasmus_2014_La_moria_de_Erasmo_In_Praise_of_Folly_A_critical_edition_of_the_Spanish_translation_of_Erasmus_Morias_Enkomion_Leiden_Boston_Brill">Jorge Ledo and Harm den Boer. Desiderius Erasmus (2014). La moria de Erasmo. In Praise of Folly. 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El Instituto tiene, como finalidad principal, poner de relieve el singular trazado histórico que, de formas y maneras todavía no bien definidas, han ido cristalizándose en España. Un trazado complejo, producto de la pluralidad de las tres culturas clásicas. Por ello nuestro Instituto anuncia la creación de una línea editorial que sepa interrogarse desde la curiosidad de la investigación más desarrollada y satisfaciendo los intereses de una demanda social en continuo crecimiento sobre los grandes problemas que se debaten hoy en el campo amplio del sefardismo. Igualmente es compromiso nuestro dar cabida aquí a las diversas manifestaciones de la cultura que, en España, creó el mundo árabe-islámico. No se trata, por lo tanto, de reivindicar los esteriotipos históricos de la llamada «España de las tres culturas», sino de considerar el problema al revés, es decir, cómo esas tres culturas emiten un concepto específico de España y cómo y de qué manera tal concepto es compartido o repudiado. Pero además, el Instituto no mira sólo hacia el pasado, sino que, catapultado por las exigencias del ayer, pretende también comprender la complejidad de los problemas del presente como parte inexcusable de su compromiso por el saber.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="217425a76f57c3f9a6efeb679452a056" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32941262,"asset_id":3376430,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32941262/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3376430"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3376430"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3376430; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490773"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/127490773/Literary_Discourse_between_the_Eternal_Validity_of_the_Torah_and_Philosophical_Doubt_The_Polemical_Writings_of_Abraham_G%C3%B3mez_Silveira_1656_1740_"><img alt="Research paper thumbnail of Literary Discourse between the Eternal Validity of the Torah and Philosophical Doubt: The Polemical Writings of Abraham Gómez Silveira (1656-1740)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/127490773/Literary_Discourse_between_the_Eternal_Validity_of_the_Torah_and_Philosophical_Doubt_The_Polemical_Writings_of_Abraham_G%C3%B3mez_Silveira_1656_1740_">Literary Discourse between the Eternal Validity of the Torah and Philosophical Doubt: The Polemical Writings of Abraham Gómez Silveira (1656-1740)</a></div><div class="wp-workCard_item"><span>Legenda eBooks</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter discusses the polemical work written by the Amsterdam Sephardic Jew Abraham Gomez Si...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter discusses the polemical work written by the Amsterdam Sephardic Jew Abraham Gomez Silveira (1656-1740 , extant in a series of seven manuscript volumes written in Spanish. Initially conceived as a Jewish refutation of Isaac Jacquelot&#39;s Dissertations sur le Messie, Silveira argues with a large number of Christian theologians, relying both on a canon of contemporary Jewish apologists and on his own arguments. Although his ideas, rooted in fideistic rationalism, seem straightforward and repetitive, he nonetheless merits attention for three reasons: a) his progressive openness towards other religions and his plea for religious tolerance; b) his self-fashioning as a commonsensical Jewish bystander, even as a fool; and c) his uncontainable literary urge to alternate serious discourse with displays of humour and wit</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490773"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490773"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490773; 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} }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490772"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490772/La_recepci%C3%B3n_de_la_literatura_sefard%C3%AD_en_Espa%C3%B1a_y_Portugal"><img alt="Research paper thumbnail of La recepción de la literatura sefardí en España y Portugal" class="work-thumbnail" src="https://attachments.academia-assets.com/121215925/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127490772/La_recepci%C3%B3n_de_la_literatura_sefard%C3%AD_en_Espa%C3%B1a_y_Portugal">La recepción de la literatura sefardí en España y Portugal</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La impresionante actividad editorial desarrollada por los sefardíes de Amsterdam tiene su explica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La impresionante actividad editorial desarrollada por los sefardíes de Amsterdam tiene su explicación principal en el esfuerzo de los mismos por reinsertar a los judeoconversos en el judaismo ortodoxo. Entre las c. 800 ediciones en lengua española y portuguesa impresas en Holanda destacan, por lo tanto, biblias, libros litúrgicos y tratados doctrinales. Sin embargo, no ha de sorprender que una producción tan considerable, reflejo de una cultura ibérica capaz de sostenerse por dos siglos, incluía títulos de la más variada índole, correspondiendo con intenciones y destinatarios igualmente diversos. A este respecto podemos citar ediciones con una deliberada presentación «no-judía», en cuyas portadas el autor aparece mencionado con su nombre cristiano, mientras el lugar de publicación, Amsterdam, se omite o se sustituye por lugares de mayor 'ortodoxia' católica como Frankfurt, Colonia, Amberes o Bruselas. 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Se analizan textos en los que aparecen personajes cristianos reales o imaginario, con los que los judíos entran en diálogo o en abierta polémica. Observamos como en esos textos, aparte de su contenido doctrinal, se busca una revancha contra la discriminación social sufrida por los judeoconversos en la sociedad ibérica. Cien años de inmersión en la sociedad cristiana marcan, a grandes rasgos, la diferencia entre los sefardíes 'orientales' y los 'occidentales'. Unos, los expulsos de 1492 y sus descendientes; otros, 'portugueses' en su mayor parte, hijos de la conversión voluntaria o forzada al cristianismo, es decir descendientes de los cristianos 'nuevos', cuya integración fue uno de los</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c78f9abf17fc158241cf15fcc5c9874c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121215899,"asset_id":127490770,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121215899/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490770"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490770"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490770; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490769"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490769/La_representaci%C3%B3n_de_la_Comedia_Espa%C3%B1ola_en_Holanda"><img alt="Research paper thumbnail of La representación de la Comedia Española en Holanda" class="work-thumbnail" src="https://attachments.academia-assets.com/121215902/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127490769/La_representaci%C3%B3n_de_la_Comedia_Espa%C3%B1ola_en_Holanda">La representación de la Comedia Española en Holanda</a></div><div class="wp-workCard_item"><span>Cuadernos de historia moderna</span><span>, 1999</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">HARM DEN BOER Universidad de Amsterdam RESUMEN El origen del teatro en los Países Bajos durante l...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">HARM DEN BOER Universidad de Amsterdam RESUMEN El origen del teatro en los Países Bajos durante la Edad Moderna se localiza a fines del siglo XVI en academias, llamadas Cámaras de Retóricos, donde eruditos y artistas debatían sobre ciencia, poesía y teatro. Con el crecimiento de la República en el siglo XVII, en especial en Amsterdam, aumenta la demanda de entretenimiento social y se descubren también los beneficios de un teatro regular. En 1637 la profesionalización del teatro se consolida con la inauguración de un Teatro Municipal. En los escenarios holandeses durante el siglo XVII se manifiesta una tensión constante entre las preferencias artísticas de los teóricos, ancladas en los valores clasicistas del Renacimiento, y la respuesta del público. Los primeros en reconocer el atractivo de la comedia española según el modelo propuesto por Lope de Vega fueron los actores y directores de teatro, ofreciendo con gran éxito adaptaciones y traducciones de «comedia española», a lo largo de todo el Siglo de Oro holandés.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9b76142eba7a85755b906ec7081b312a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121215902,"asset_id":127490769,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121215902/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127490769"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127490769"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127490769; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127490768"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127490768/_En_cierto_sentido_%C3%A9l_es_Espa%C3%B1a_Sobre_Don_Quijote_llevado_al_cine"><img alt="Research paper thumbnail of “En cierto sentido, él es España” : Sobre Don Quijote llevado al cine" class="work-thumbnail" src="https://attachments.academia-assets.com/121215898/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127490768/_En_cierto_sentido_%C3%A9l_es_Espa%C3%B1a_Sobre_Don_Quijote_llevado_al_cine">“En cierto sentido, él es España” : Sobre Don Quijote llevado al cine</a></div><div class="wp-workCard_item"><span>Romanische Literaturen und Kulturen</span><span>, 2009</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La filmografía de El Quijote ha generado en los últimos años varios libros y un flujo constante d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La filmografía de El Quijote ha generado en los últimos años varios libros y un flujo constante de artículos 1 . No es de extrañar que un tema apenas abordado hace una década se haya convertido en uno de los más populares ahora. El interés actual por lo visual, el hecho de que el hispanismo se haya interesado cada vez más por el cine -empezando por la inevitable cuestión de la adaptación literaria-unido a un agotamiento de pensamiento crítico sobre la obra misma, debido tal vez a la "exigencia" de añadir a los actos de conmemoración de 2005, ha producido una cantidad de publicaciones desbordante. Sin hablar de los actos conmemorativos, exposiciones y proyecciones de películas. La presente aportación comenzó como un simple montaje de una serie de versiones fílmicas de El Quijote, junto con unas primeras reflexiones donde primaba lo didáctico. A la hora de fijar lo observado de entonces, me he ido rindiendo cuenta de una información impresionante, aunque repetitiva. Si me animo a comentar todavía algunos rasgos que me parecen relevantes de las interpretaciones más representativas de El Quijote, es aprovechando la riqueza de datos de las que disponemos, tratando de ofrecer una visión sintética. Y si he destacado la abundancia de lo producido es porque me parece importante señalar un panorama de recepción del cine totalmente cambiado, en el que, en mi opinión, no se insiste lo suficiente. Veamos: en el caso del medio impreso estamos muy conscientes de su accesibilidad a través del tiempo y del lugar, hecho que sólo se ha reforzado con la revolución digital. 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Oss. Por ello, y como en 1993 le tocaba a Holanda organizar el encuentro, hemos querido celeb...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Oss. Por ello, y como en 1993 le tocaba a Holanda organizar el encuentro, hemos querido celebrar el quinto coloquio en Leiden. Esta ... aún. Sin embargo, no figuran las del dr. Karen Bostoen («Boscán, Montemayor et les autres. 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Liber amicorum aangeboden aan de heer D. Goudsmit ter gelegenheid van zijn afscheid als bibliothecaris van "Ets Haim/Livraria Montezinos" van de Portugees-Israëlietische Gemeente te Amsterdam" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/123474905/Een_gulden_kleinood_Liber_amicorum_aangeboden_aan_de_heer_D_Goudsmit_ter_gelegenheid_van_zijn_afscheid_als_bibliothecaris_van_Ets_Haim_Livraria_Montezinos_van_de_Portugees_Isra%C3%ABlietische_Gemeente_te_Amsterdam">Een gulden kleinood. Liber amicorum aangeboden aan de heer D. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="123474900"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/123474900/Amsterdam_y_la_cultura_judeoespa%C3%B1ola"><img alt="Research paper thumbnail of Amsterdam y la cultura judeoespañola" class="work-thumbnail" src="https://attachments.academia-assets.com/117896912/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123474900/Amsterdam_y_la_cultura_judeoespa%C3%B1ola">Amsterdam y la cultura judeoespañola</a></div><div class="wp-workCard_item"><span>Insula-revista De Letras Y Ciencias Humanas</span><span>, 2000</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Los Países Bajos rebeldes a la corona y, en particular, la ciudad de Amsterdam eran para un españ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Los Países Bajos rebeldes a la corona y, en particular, la ciudad de Amsterdam eran para un español del Siglo de Oro poco menos que la encarnación del Mal. En la visión de Quevedo y de otros contemporáneos se mezclaban una envidiosa admiración y el miedo a unas tierras y una cultura que rompía para siempre con la ilusión de una armonía universal, católica,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b798462684d77b6f9cf27b7e160dead5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117896912,"asset_id":123474900,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117896912/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123474900"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123474900"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123474900; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="123474899"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/123474899/Configuracion_de_la_persona_en_la_poesia_religiosa_del_XVII_Lope_de_Vega_y_Miguel_de_Barrios"><img alt="Research paper thumbnail of Configuracion de la persona en la poesia religiosa del XVII: Lope de Vega y Miguel de Barrios" class="work-thumbnail" src="https://attachments.academia-assets.com/117896913/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123474899/Configuracion_de_la_persona_en_la_poesia_religiosa_del_XVII_Lope_de_Vega_y_Miguel_de_Barrios">Configuracion de la persona en la poesia religiosa del XVII: Lope de Vega y Miguel de Barrios</a></div><div class="wp-workCard_item"><span>Diálogos hispánicos</span><span>, 1998</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La poesía y la religión pueden casarse, pero su matrimonio es problemático por diferencias de nac...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La poesía y la religión pueden casarse, pero su matrimonio es problemático por diferencias de nacimiento y de aspiraciones. La lírica, cuando se pone al servicio de lo trascendente, provoca una tensión, ya que toma su origen en la experiencia humana, individual, a la que, en su esencia, la religión quiere restar importancia. Partiendo siempre de la vivencia, el arte o la poesía, por devota que sea, no apela al hombre de modo directo, no le formula imperativos inequívocos, al contrario es ambigua y sus efectos son equívocos. Así, se explica que desde el punto de vista religioso el mero hecho de escribir sea considerado como una transgresión: es lo que expone con toda claridad Petrarca en su Secretum, el famoso diálogo que sostiene el poeta con Agustín. El santo teólogo reprocha a Francesco que las ocupaciones artísticas dejan al hombre en la imanencia de sus ambiguas pasiones (los «dulces vicios») que proceden de la vida-la tierra-y que sólo a ella remiten. Cuando el poeta alega que Laura / la poesía eleva su ánimo, encaminándolo hacia Dios, Agustín se siente obligado a rectificar que Petrarca ama a Dios sólo por ser Criador de su criatura amada, y que todo lo creado inevitablemente está contaminado por el contacto con la podredumbre de lo terrenal. Agustín considera que lo mejor es renunciar al amor y al arte, y concluye amonestándole «restitúyete a ti mismo [...] co-[248] mienza a meditar sobre la muerte». 1 Ese «restituirse» cristiano, lejos de sugerir un equilibrio filosófico, debe interpretarse como un odiarse: Francesco ha de consagrarse a la devoción religiosa, y considerar el arte como obra del diablo. 2 El poeta, sin embargo, no 1 Comentado por Dotti (1978: 58). Añado la cita del Secretum'. «His igitur posthabitis, te tándem tibi restitue atque, ut unde movimos revertamur, incipe tecum de morte cogitare, cui sensim et nescius appropinquas» (Petrarca 1977:186).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="319fc9b54eb74aed7919b6b004a7040f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117896913,"asset_id":123474899,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117896913/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123474899"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123474899"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123474899; 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Dentro de poco se hace circuncidar y luego hace sus tefilines o Bar Mitzvah y así entra en el seno de la comunidad judeoportuguesa de Amsterdam. Le ayuda con su educación mosaica la corporación benéfica Abi Y etomim, 'Padre de los Huérfanos,' y queda ahí como alumno durante seis años (1671-1676/77). Al graduarse a los veinte años, ya tiene una formación intelectual en el estudio de Talmud, Torá y hebreo equivalente al de un rabino. Y muy posiblemente lo fuera. A fines de su vida, en 1737, firma «el Doctor Silveira» en uno de sus mss. polémicos. En 1676 AGS está localizado en la academia literaria amstelodama del Divino Temor, y ese mismo año es él invitado a presentar un</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="33da3084e178e105781c2c6087e75e5c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117896911,"asset_id":123474898,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117896911/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123474898"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123474898"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123474898; 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Enriqueta Zafra, ed. Anne J. Cruz, tr. The Life and Time of Mother Andrea. Vida y costumbres de la Madre Andrea" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/5986674/Review_Enriqueta_Zafra_ed_Anne_J_Cruz_tr_The_Life_and_Time_of_Mother_Andrea_Vida_y_costumbres_de_la_Madre_Andrea">Review. Enriqueta Zafra, ed. Anne J. Cruz, tr. The Life and Time of Mother Andrea. 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