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class="ds-work-card--work-title">‚Original‘ und ‚Kopie‘ des ‚Rappoltsteiner Parzifal‘</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="37259860" href="https://unibe-ch.academia.edu/MichaelStolz"><img alt="Profile image of Michael Stolz" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/37259860/44941514/35210362/s65_michael.stolz.jpg" />Michael Stolz</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2021, Schaffen und Nachahmen</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" 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id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="44275091" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44275091/Original_und_Kopie_des_Rappoltsteiner_Parzifal_Handschriftliche_%C3%9Cberlieferung_und_Textgenese_im_14_Jahrhundert">Original und Kopie des ‹Rappoltsteiner Parzifal›. Handschriftliche Überlieferung und Textgenese im 14. Jahrhundert</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="15370448" href="https://uzh.academia.edu/RichardFFasching">Richard Fasching</a></div><p class="ds-related-work--metadata ds2-5-body-xs">In: Michael Stolz, Parzival im Manuskript. Profile der Parzival-Überlieferung am Beispiel von fünf Handschriften des 13. bis 15. Jahrhunderts. Mit einem Beitrag von Richard F. Fasching, Basel/Berlin 2020, S. 145-271., 2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Original und Kopie des ‹Rappoltsteiner Parzifal›. Handschriftliche Überlieferung und Textgenese im 14. 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Kürzungsverfahren in der Abschrift Roma, Biblioteca Casanatense, Ms. 1409</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="15370448" href="https://uzh.academia.edu/RichardFFasching">Richard Fasching</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="37259860" href="https://unibe-ch.academia.edu/MichaelStolz">Michael Stolz</a></div><p class="ds-related-work--metadata ds2-5-body-xs">In: abbreviatio - Historische Perspektiven auf ein rhetorisch-poetisches Prinzip, hrsg. von Julia Frick und Oliver Grütter, Basel 2021, S. 345–375., 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Der vorliegende Beitrag behandelt textliche Kürzungsverfahren anhand eines konkreten Fallbeispiels, das einen Bezug zwischen einer handschriftlichen Vorlage und der daraus erstellten (unmittelbaren) Abschrift aufweist. Es geht im Folgenden um das Verhältnis zwischen der als Rappoltsteiner Parzifal bekannten Handschrift Karlsruhe, Badische Landesbibliothek, Donaueschingen 97, und ihrer mutmaßlichen Abschrift in Ms. 1409 der Biblioteca Casanatense in Rom (ehemals Cod. Pal. germ. 317 aus dem Bestand der Bibliotheca Palatina).</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"[gemeinsam mit Michael Stolz:], Original und Kopie des Rappoltsteiner Parzifal. 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Diachrone Perspektiven vom Spätmittelalter bis zur klassischen Moderne, hg. von Katja Barthel (Untersuchungen zur deutschen Literaturgeschichte 168), Berlin / Boston 2022, 2022</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Schreib(-)szenen im Epilog des \"Rappoltsteiner Parzifal\"","attachmentId":104388231,"attachmentType":"pdf","work_url":"https://www.academia.edu/104739981/Schreib_szenen_im_Epilog_des_Rappoltsteiner_Parzifal_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/104739981/Schreib_szenen_im_Epilog_des_Rappoltsteiner_Parzifal_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="44627371" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44627371/Der_Anonymus_Destailleur_und_sein_Kopist_Kopie_oder_Kooperation_DRAFT_">Der «Anonymus Destailleur» und sein «Kopist». Kopie oder Kooperation? [DRAFT]</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4785361" href="https://independent.academia.edu/BerndKulawik">Bernd U Kulawik</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Zusammenfassung In der Wiener Albertina befinden sich über 100 Blätter mit ca. 400 einzelnen Architekturzeichnungen, von denen ein Teil bereits 1903 durch Hermann Egger als «Kopien» nach dem sog. «Codex Destailleur D» (= Inv.-Nr. Hdz 4151) der Berliner Kunstbibliothek identifiziert wurde. Trotz ihres immensen Infor-mationsgehalts haben beide Zeichnungsgruppen bisher kaum das Interesse der architekturhistorischen oder archäologischen Forschung gefunden. Eine nähere Untersuchung ergab nun, dass es sich bei den Wiener Blättern keineswegs nur um Kopien handeln kann, sondern dass die beiden Hauptzeichner-der von Egger so genannten «Anonymus Destailleur» und der «Kopist des Anonymus Destailleur»-nicht nur beide engstens miteinander kooperierten, sondern auch noch eine Vielzahl anderer Zeichner am Entstehungsprozess der Blätter beteiligt waren. Des weiteren zeigte sich, dass die Berliner und Wiener Zeichnungen nur ein (allerdings der umfangreichste) Teil eines noch weit größeren 'Netzwerks' aus Zeichnungen sind, die gemeinsam vermutlich die Ergebnisse der grössten jemals (vermutlich nicht nur) in Rom durchgeführten Vermessungskampagne darstellen. Und diese war wiederum nur (zentraler) Teil eines noch weit umfangreicheren Projekts zur Dokumentation der gesamten architekturbezogenen Kultur der römischen Antike, dessen Programm von 1542 zwar erhalten ist, das aber bis heute als nicht ausgeführt und eigentlich auch unausführbar gilt. Tatsächlich aber lassen sich neben den Ar-chitekturzeichnungen viele weitere bedeutende Corpora von Antikendokumentation sowie einige der wichtigsten frühen archäologischen Publikationen (nun) diesem Projekt zurechnen, welches sich als das erste internationale und interdisziplinäre, vermutlich grösste und hinsichtlich seiner Auswirkungen sogar als das erfolgreichste Forschungsprojekt der (Frühen) Neuzeit charakterisieren lässt. 1903 veröffentlichte Hermann Egger (1874-1949) den ersten Band seines Katalogs der Zeichnungen in der damaligen K. u. K. Hofbibliothek Wien, der den Zeichnungen antiker Bauten aus dem 15.-18. Jahrhundert gewidmet war. [Egger 1903] Weitere angekündigte Bände des Katalogs sind nicht erschienen, aber der von Egger katalogisierte Bestand befindet sich noch heute in der vermutlich von ihm hergestellten Ordnung nach Bauwerken unter der Bezeichnung «Az Rom (Egger)» und den Nummern 1-331 in der Graphischen Sammlung der Wiener Albertina, wohin die Zeichnungen später überführt worden waren. Leider hatte Egger durch seine Neuordung die eventuell noch erhaltenen Überlieferungszusammenhänge oder Ordnungen von Teilbeständen-bis auf ein einzelnes Skizzenbuch-vollständig aufgelöst, so dass sich den neu geordneten Zeichnungen nur schwer weitere, über das einzelne Blatt hinaus gehende Informationen entnehmen lassen. Bei der Katalogisierung der Zeichnungen war Egger aufgefallen, dass eine grössere Gruppe von 39 Blättern-tatsächlich die grösste, einem einzelnen Zeichner zuzuweisende Gruppe im gesamten Bestand-vielfältige Parallelen zu einem ehemals drei Bände umfassenden, später leider ebenfalls aufgelösten und neu geordneten Teilbestand von 120 Blättern in der damaligen Bibliothek des Berliner Kunstgewerbemuseums, der heutigen Kunstbibliothek, aufweisen. Er schlug in Absprache mit den Koryphäen der Zeichnungsforschung seiner Zeit, dem Architekten und Architekturhistoriker und als solchem auch «Nestor» der St.-Peter-Forschung 1</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Der «Anonymus Destailleur» und sein «Kopist». Kopie oder Kooperation? [DRAFT]","attachmentId":106852801,"attachmentType":"pdf","work_url":"https://www.academia.edu/44627371/Der_Anonymus_Destailleur_und_sein_Kopist_Kopie_oder_Kooperation_DRAFT_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44627371/Der_Anonymus_Destailleur_und_sein_Kopist_Kopie_oder_Kooperation_DRAFT_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="37599162" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37599162/Zu_den_sogenannten_Ptolem%C3%A4erringen_Versuch_einer_Rekontextualisierung">Zu den sogenannten Ptolemäerringen - Versuch einer Rekontextualisierung</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1613625" href="https://uni-m.academia.edu/TorbenSchreiber">Torben Schreiber</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Zugänge zur Kontextualisierung bildlicher Darstellungen in den Altertumswissenschaften, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">Der vorliegende Artikel behandelt zwei der sog. Ptolemäerringe in der Sammlung des Archäologischen Museums der Universität Münster und regt dazu an, antike Siegel - ob nun Gemmen oder Vollmetallringe - in Zukunft verstärkt anhand der überlieferten Siegelabdruckinventare und nicht weiterhin isoliert zu betrachten.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Zu den sogenannten Ptolemäerringen - Versuch einer Rekontextualisierung","attachmentId":57580422,"attachmentType":"pdf","work_url":"https://www.academia.edu/37599162/Zu_den_sogenannten_Ptolem%C3%A4erringen_Versuch_einer_Rekontextualisierung","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37599162/Zu_den_sogenannten_Ptolem%C3%A4erringen_Versuch_einer_Rekontextualisierung"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="34916571" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34916571/Original_oder_F%C3%A4lschung_Perlenschurze_der_Kirdi">Original oder Fälschung: Perlenschurze der Kirdi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4813507" href="https://independent.academia.edu/MichaelOehrl">Michael Oehrl</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Kunst und Kontext, 2017</p><p class="ds-related-work--abstract ds2-5-body-sm">This paper describes the glass bead aprons of the so-called Kirdi peoples of Nigeria, Cameroon, and Chad. It helps to distinguish authentic aprons from those produced for the collector's market.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Original oder Fälschung: Perlenschurze der Kirdi","attachmentId":54777868,"attachmentType":"pdf","work_url":"https://www.academia.edu/34916571/Original_oder_F%C3%A4lschung_Perlenschurze_der_Kirdi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34916571/Original_oder_F%C3%A4lschung_Perlenschurze_der_Kirdi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="34693082" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34693082/Gef%C3%A4hrdetes_Original_Anmerkungen_zur_%C3%9Cberlieferungs_und_Rezeptionsgeschichte_des_Curtius_Rufus">Gefährdetes „Original“? Anmerkungen zur Überlieferungs- und Rezeptionsgeschichte des Curtius Rufus</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="45971157" href="https://univie.academia.edu/HartmutWulfram">Hartmut Wulfram</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Verleugnete Rezeption. Fälschungen antiker Texte. Pontes Band VII, 2017</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Gefährdetes „Original“? 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Stendals Bemühungen um den Pariser Nachlaß Winckelmanns 1940 bis 1943</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2765751" href="https://independent.academia.edu/MaxKunze">Max Kunze</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2001</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Kopien statt Originale. Stendals Bemühungen um den Pariser Nachlaß Winckelmanns 1940 bis 1943","attachmentId":108389009,"attachmentType":"pdf","work_url":"https://www.academia.edu/110630835/Kopien_statt_Originale_Stendals_Bem%C3%BChungen_um_den_Pariser_Nachla%C3%9F_Winckelmanns_1940_bis_1943","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/110630835/Kopien_statt_Originale_Stendals_Bem%C3%BChungen_um_den_Pariser_Nachla%C3%9F_Winckelmanns_1940_bis_1943"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="692837" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/692837/Alte_und_neue_Originale_Zu_den_Marmorerg%C3%A4nzungen_der_Rauch_Werkstatt_in_der_Berliner_Antikensammlung_in_Bartsch_Tatjana_Becker_Marcus_Bredekamp_Horst_Schreiter_Charlotte_Hrsg_Das_Originale_der_Kopie_Kopien_als_Produkte_und_Medien_der_Transformationen_der_Antike_Kolloquium_Humboldt_Universit%C3%A4t_zu_Berlin_SFB_644_Transformationen_der_Antike_2_3_11_2007_Berlin_2010_165_190_reviewed_paper_">Alte und neue „Originale“. Zu den Marmorergänzungen der Rauch-Werkstatt in der Berliner Antikensammlung, in: Bartsch, Tatjana – Becker, Marcus – Bredekamp, Horst – Schreiter, Charlotte (Hrsg.), Das Originale der Kopie. Kopien als Produkte und Medien der Transformationen der Antike, Kolloquium, Humboldt-Universität zu Berlin, SFB 644 „Transformationen der Antike“, 2.–3.11.2007 (Berlin 2010) 165–190 (reviewed paper)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="510087" href="https://landesmuseum-stuttgart.academia.edu/AstridFendt">Astrid Fendt</a></div><p class="ds-related-work--metadata ds2-5-body-xs">reference-global.com</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Alte und neue „Originale“. 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Kopien als Produkte und Medien der Transformationen der Antike, Kolloquium, Humboldt-Universität zu Berlin, SFB 644 „Transformationen der Antike“, 2.–3.11.2007 (Berlin 2010) 165–190 (reviewed paper)","attachmentId":4452198,"attachmentType":"pdf","work_url":"https://www.academia.edu/692837/Alte_und_neue_Originale_Zu_den_Marmorerg%C3%A4nzungen_der_Rauch_Werkstatt_in_der_Berliner_Antikensammlung_in_Bartsch_Tatjana_Becker_Marcus_Bredekamp_Horst_Schreiter_Charlotte_Hrsg_Das_Originale_der_Kopie_Kopien_als_Produkte_und_Medien_der_Transformationen_der_Antike_Kolloquium_Humboldt_Universit%C3%A4t_zu_Berlin_SFB_644_Transformationen_der_Antike_2_3_11_2007_Berlin_2010_165_190_reviewed_paper_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/692837/Alte_und_neue_Originale_Zu_den_Marmorerg%C3%A4nzungen_der_Rauch_Werkstatt_in_der_Berliner_Antikensammlung_in_Bartsch_Tatjana_Becker_Marcus_Bredekamp_Horst_Schreiter_Charlotte_Hrsg_Das_Originale_der_Kopie_Kopien_als_Produkte_und_Medien_der_Transformationen_der_Antike_Kolloquium_Humboldt_Universit%C3%A4t_zu_Berlin_SFB_644_Transformationen_der_Antike_2_3_11_2007_Berlin_2010_165_190_reviewed_paper_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="2074678" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/2074678/Eine_Kopie_der_Norm_Unique_06_2011_">Eine Kopie der Norm? 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