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searchaux" style="display:none">British musicologist and educator (1944–2024)</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Philip Tagg</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Philip_Tagg_in_June_2014.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Philip_Tagg_in_June_2014.JPG/220px-Philip_Tagg_in_June_2014.JPG" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Philip_Tagg_in_June_2014.JPG/330px-Philip_Tagg_in_June_2014.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Philip_Tagg_in_June_2014.JPG/440px-Philip_Tagg_in_June_2014.JPG 2x" data-file-width="1944" data-file-height="2592" /></a></span><div class="infobox-caption">Tagg in 2014</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data">22 February 1944</td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">9 May 2024<span style="display:none">(2024-05-09)</span> (aged 80)</td></tr><tr><th scope="row" class="infobox-label">Occupation(s)</th><td class="infobox-data role">Writer, educator</td></tr><tr><th scope="row" class="infobox-label">Known for</th><td class="infobox-data">Analysis of popular music</td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th colspan="2" class="infobox-header">Academic background</th></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Alma_mater" title="Alma mater">Alma mater</a></th><td class="infobox-data"><a href="/wiki/University_of_Manchester" title="University of Manchester">University of Manchester</a></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Thesis" title="Thesis">Thesis</a></th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://tagg.org/articles/xpdfs/mcr1966.pdf"><i>Pop Music as a Possible Medium in Secondary School Education</i></a> (1966)</td><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></tr><tr><th colspan="2" class="infobox-header">Academic work</th></tr><tr><th scope="row" class="infobox-label">Discipline</th><td class="infobox-data"><a href="/wiki/Musicologist" class="mw-redirect" title="Musicologist">Musicologist</a></td></tr><tr><th scope="row" class="infobox-label">Institutions</th><td class="infobox-data"><a href="/wiki/International_Association_for_the_Study_of_Popular_Music" title="International Association for the Study of Popular Music">International Association for the Study of Popular Music</a> (IASPM)</td></tr><tr><th scope="row" class="infobox-label">Notable works</th><td class="infobox-data"><i>Everyday Tonality</i></td></tr><tr style="display:none"><td colspan="2"> </td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="https://tagg.org/index.html">tagg<wbr />.org<wbr />/index<wbr />.html</a></span></td></tr></tbody></table> <p><b>Philip Tagg</b> (22 February 1944 – 9 May 2024) was a British <a href="/wiki/Musicologist" class="mw-redirect" title="Musicologist">musicologist</a>, writer and educator. He was co-founder of the <a href="/wiki/International_Association_for_the_Study_of_Popular_Music" title="International Association for the Study of Popular Music">International Association for the Study of Popular Music</a> (IASPM)<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> and author of several influential books on <a href="/wiki/Popular_music" title="Popular music">popular music</a> and <a href="/wiki/Music_semiotics" class="mw-redirect" title="Music semiotics">music semiotics</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Tagg attended <a href="/wiki/The_Leys_School" title="The Leys School">The Leys School</a> in <a href="/wiki/Cambridge" title="Cambridge">Cambridge</a> in 1957–1962. He has mentioned his organ teacher, Ken Naylor, as particularly influential on his development as a musician and thinker.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> He then studied Music at the <a href="/wiki/University_of_Cambridge" title="University of Cambridge">University of Cambridge</a> (1962–65), and thereafter Education at the <a href="/wiki/University_of_Manchester" title="University of Manchester">University of Manchester</a> (1965–66). Tagg had some success as a choral composer during these early years. For example, on Trinity Sunday 1963, Tagg’s anthem <i>Duo Seraphim</i><sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> was performed at Matins by the <a href="/wiki/Choir_of_King%27s_College,_Cambridge" title="Choir of King's College, Cambridge">Choir of King's College, Cambridge</a> under <a href="/wiki/David_Willcocks" title="David Willcocks">David Willcocks</a>. His <i>Preces and Responses</i> were also broadcast by the <a href="/wiki/BBC" title="BBC">BBC</a> from the <a href="/w/index.php?title=Edington_Festival&action=edit&redlink=1" class="new" title="Edington Festival (page does not exist)">Edington Festival</a> in 1964. Tagg also worked as volunteer at the <a href="/wiki/Aldeburgh_Festival" title="Aldeburgh Festival">Aldeburgh Festival</a> in 1963. During this period he also played piano in a Scottish country dance ensemble, as well as in two pop-rock/soul/R&B bands.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Dismayed at the prospect of becoming a music teacher in 1966,<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Tagg moved to <a href="/wiki/Sweden" title="Sweden">Sweden</a> where he taught English in <a href="/wiki/Filipstad" title="Filipstad">Filipstad</a> while running a youth club<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> and playing keyboards in two local bands (1966–68).<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Deciding to retrain as a language teacher, Tagg then attended the <a href="/wiki/University_of_G%C3%B6teborg" class="mw-redirect" title="University of Göteborg">University of Göteborg</a> (1968–71), while also both singing in and arranging for <a href="/w/index.php?title=G%C3%B6teborgs_Kammark%C3%B6r&action=edit&redlink=1" class="new" title="Göteborgs Kammarkör (page does not exist)">Göteborgs Kammarkör</a>. In 1969 he met Swedish musicologist <a href="/w/index.php?title=Jan_Ling&action=edit&redlink=1" class="new" title="Jan Ling (page does not exist)">Jan Ling</a><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> who, realising that Tagg had experience in both the classical and popular spheres, asked him to help with the new music teacher training programme (SÄMUS) that the Swedish government had asked Ling to set up in Göteborg.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>At SÄMUS (1971–77), and later at the Department of Musicology of the University of Göteborg (1977–91), Tagg taught (aural) Keyboard Accompaniment, Music Theory, and Music & Society. Problems encountered in this work provoked him to develop analysis methods addressing the specificities of structure and meaning in various types popular music, e.g. the “Kojak thesis” (1979)<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> and the reception tests at the basis of his book <i>Ten Little Title Tunes</i> (2003).<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Tagg was at this time also songwriter and keyboard player in the left-wing “rock cabaret” band Röda Kapellet (1972–76).<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> In June 1981 he co-organised, together with <a href="/w/index.php?title=Gerard_Kempers&action=edit&redlink=1" class="new" title="Gerard Kempers (page does not exist)">Gerard Kempers</a> and David Horn,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> the first international conference on popular music studies in <a href="/wiki/Amsterdam" title="Amsterdam">Amsterdam</a>, as a result of which IASPM (International Association for the Study of Popular Music) was formed.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>In April 1991, Tagg returned to the UK where he established the basis of what became EPMOW (<i>Encyclopedia of Popular Music of the World</i>). In 1993 he was appointed Senior Lecturer at the Institute of Popular Music (IPM) of the <a href="/wiki/University_of_Liverpool" title="University of Liverpool">University of Liverpool</a>, where, until 2002, he taught such subjects as Popular Music Analysis, Music and the Moving Image and History of Popular Music. </p><p>In 2000 <a href="/w/index.php?title=Bob_Clarida&action=edit&redlink=1" class="new" title="Bob Clarida (page does not exist)">Bob Clarida</a> and Philip Tagg set up the Mass Media Music Scholars' Press (MMMSP) as a not-for-profit corporation registered in the state of New York. Its purpose is, using <a href="/wiki/Fair_Use" class="mw-redirect" title="Fair Use">Fair Use</a> legislation, to disseminate scholarly musicological writings on music in the mass media.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p>Dismayed by the increasing rigidity of the UK's managerialist university system,<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Tagg moved once again in 2002, this time to take up a professorship at the <a href="/wiki/Universit%C3%A9_de_Montr%C3%A9al" title="Université de Montréal">Université de Montréal</a> where his main brief was to establish popular music studies in the university's Faculté de musique (2002–2009).<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> In January 2010 he returned as a pensioner to the UK, since when he has been writing books and producing his “edutainment videos”.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> </p><p>Tagg was Visiting Professor of Music at <a href="/wiki/Leeds_Beckett_University" title="Leeds Beckett University">Leeds Beckett University</a> and the <a href="/wiki/University_of_Salford" title="University of Salford">University of Salford</a>. He was also one of the main figures behind the foundation of the Network for the Inclusion of Music in Music Studies (NIMiMs) in January 2015.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p><p>Tagg died after a brief illness on 9 May 2024, at the age of 80.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Semiotic_music_analysis">Semiotic music analysis</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=2" title="Edit section: Semiotic music analysis"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Tagg was probably best known for his work in the field of <a href="/wiki/Music_analysis" class="mw-redirect" title="Music analysis">music analysis</a>. Using mainly pieces of popular music as analysis objects, he stresses the importance of non-notatable parameters of expression and of vernacular perception in understanding "how music communicates what to whom with what effect" in today's world. He has adapted <a href="/wiki/Charles_Seeger" title="Charles Seeger">Charles Seeger</a>'s notion of the <a href="/wiki/Museme" title="Museme">museme</a> to demonstrate how combinations of such units are used to create both syncritic (intensional) structures inside the extended present, and diatactical (extensional) ones over time.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> These combinatory structures can be understood, he argues, with the help of an overall sign typology consisting of anaphones (sonic, tactile, kinetic, social), style flags (style determinants, genre synecdoches, etc.) and episodic markers.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> The semiotic theory is basically <a href="/wiki/Charles_Sanders_Peirce" title="Charles Sanders Peirce">Peircean</a> but it draws also on <a href="/wiki/Umberto_Eco" title="Umberto Eco">Umberto Eco</a>'s theories of connotation.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> The actual analysis method is based on both metamusical information about the analysis object (reception tests, opinions, ethnographic observation, etc.) to arrive at <i>paramusical fields of connotation</i> (PMFCs),<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> and on <a href="/wiki/Intertextuality" title="Intertextuality">intertextuality</a>. The latter involves identifying sounds observed in the analysis object with sounds in other music – <i>interobjective comparison material</i> (IOCM) – and in connecting that IOCM with its own PMFCs.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Tagg argues that this sort of music semiotics is <i>musogenic</i>, not logogenic, i.e. suited to expression in music rather than in words, and that the combination of intersubjective and interobjective procedures can, inside a given cultural context, provide reliable insights into the mediation of meaning through music. </p> <div class="mw-heading mw-heading2"><h2 id="Music_theory_reform">Music theory reform</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=3" title="Edit section: Music theory reform"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2011 Tagg started working for the reform of music theory terminology on two fronts. His views are: </p><p>[1] that conventional music theory terminology, based mainly on the euroclassical and jazz repertoires, is often both inaccurate and ethnocentric – he cites the widespread use of “tonality” to denote just one type of tonality and its simultaneous conceptual opposition to both “atonality” and “modality” as one example of the problem; </p><p>[2] that the denotation of non-notated musical structures, rarely covered in conventional music theory, needs urgent attention.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Awards">Awards</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=4" title="Edit section: Awards"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In June 2014, Tagg received a Lifetime Recognition Award from the <a href="/wiki/International_Semiotics_Institute" title="International Semiotics Institute">International Semiotics Institute</a> at its conference in <a href="/wiki/Kaunas" title="Kaunas">Kaunas</a>, <a href="/wiki/Lithuania" title="Lithuania">Lithuania</a>.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Selected_bibliography">Selected bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=5" title="Edit section: Selected bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>1966. <a rel="nofollow" class="external text" href="http://tagg.org/articles/xpdfs/mcr1966.pdf"><i>Popular music as a possible medium in secondary school education</i></a> Cert. Ed. diss., University of Manchester.</li> <li>1979. <i>Kojak – 50 Seconds of TV Music</i>: see 2000a.</li> <li>1987. <a rel="nofollow" class="external text" href="http://tagg.org/articles/xpdfs/semiota.pdf">"Musicology and the Semiotics of Popular Music"</a>. In <i>Semiotica</i>, 66 (1/3): 279–298.</li> <li>1993. <a rel="nofollow" class="external text" href="http://tagg.org/articles/deathmus.html">"‘Universal’ music and the case of death"</a>. In <i>Critical Quarterly</i>, 1993</li> <li>1998. <a rel="nofollow" class="external text" href="http://tagg.org/articles/xpdfs/gbgcnnct.pdf">"The Göteborg connection: Lessons in the history and politics of popular music education and research"</a>. In <i>Popular Music</i>, 17/2: 219–242.</li> <li>2000a. <a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/kojak.html"><i>Kojak – 50 Seconds of TV Music – Towards the analysis of affect in popular music</i></a> (2nd edition of PhD thesis from 1979). New York & Montréal: MMMSP, 424 pp. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9701684-9-8" title="Special:BookSources/978-0-9701684-9-8">978-0-9701684-9-8</a>.</li> <li>2000b. <a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/fernando.html"><i>Fernando the Flute: analysis of the music in an Abba mega-hit</i></a>. New York & Montréal: MMMSP, 144 PP. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9701684-1-2" title="Special:BookSources/978-0-9701684-1-2">978-0-9701684-1-2</a>.</li> <li>2003 (with Bob Clarida) <a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/10Titles.html"><i>Ten Little Title Tunes: Towards a musicology of the mass media</i></a>. New York & Montréal: MMMSP, xvi+898 pp. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-9701684-2-X" title="Special:BookSources/0-9701684-2-X">0-9701684-2-X</a>.</li> <li>2009. <i>Everyday Tonality</i>. New York & Montréal: MMMSP. iv + 334 pp. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780970168443" title="Special:BookSources/9780970168443">9780970168443</a>. Italian translation: <i>La tonalità di tutti i giorni: armonia, modalità, tonalità nella popular music: un manuale</i>, edited by Franco Fabbri, translated by Jacopo Conti. Milano: Il Saggiatore, 2011. 432 pp. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788842816690" title="Special:BookSources/9788842816690">9788842816690</a>.</li> <li>2013. <a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/NonMusoInfo.htm"><i>Music's Meanings: a modern musicology for non-musos</i></a>. New York & Huddersfield: MMMSP, 710 pp. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9701684-5-0" title="Special:BookSources/978-0-9701684-5-0">978-0-9701684-5-0</a> (e-book); <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9701684-8-1" title="Special:BookSources/978-0-9701684-8-1">978-0-9701684-8-1</a> (hard copy).</li> <li>2013b. <a rel="nofollow" class="external text" href="http://tagg.org/articles/xpdfs/Aharonian2011.pdf"><i>Troubles with Tonal Terminology</i></a>. 32 pp. (under ongoing revision)</li> <li>2014. <a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/EverydayTonalityInfo.htm"><i>Everyday Tonality II: towards a tonal theory of what most people hear</i></a> (2nd edition). New York & Huddersfield: MMMSP, 600 pp. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9908068-0-6" title="Special:BookSources/978-0-9908068-0-6">978-0-9908068-0-6</a> (e-book).</li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=6" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.iaspm.net">"International Association for the Study of Popular Music"</a>. iaspm.net.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=International+Association+for+the+Study+of+Popular+Music&rft.pub=iaspm.net&rft_id=http%3A%2F%2Fwww.iaspm.net&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Philip Tagg, <i>Music’s Meanings</i>, 2013, pp. 7, ff.</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/xpdfs/DuoSeraphim.pdf">"In Festo S.S. Trinit. ap. Colleg. Reg. Cantab. MXIXLXII"</a> <span class="cs1-format">(PDF)</span>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">25 August</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=In+Festo+S.S.+Trinit.+ap.+Colleg.+Reg.+Cantab.+MXIXLXII&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Fxpdfs%2FDuoSeraphim.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/ptcv.html#MusXpr">"The two bands were The Soulbenders (Cambridge, 1964–66), and the Mike Finesilver-Pete Ker Quintet (Manchester, 1965–66)"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+two+bands+were+The+Soulbenders+%28Cambridge%2C+1964%E2%80%9366%29%2C+and+the+Mike+Finesilver-Pete+Ker+Quintet+%28Manchester%2C+1965%E2%80%9366%29&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Fptcv.html%23MusXpr&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Philip Tagg, <i>Music’s Meanings</i>, 2013, pp. 13–14.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">See, for example, <i>Filipstads Tidningen</i>, 13 July 1967.</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/ptcv.html#MusXpr">"The two bands were The Nazz (Filipstad) and The Disturbance (Säffle)"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+two+bands+were+The+Nazz+%28Filipstad%29+and+The+Disturbance+%28S%C3%A4ffle%29&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Fptcv.html%23MusXpr&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/articles/Ling131004.htm">"Jan Ling 1934-2013"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">25 August</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Jan+Ling+1934-2013&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Farticles%2FLing131004.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://tagg.org/articles/gbgcnnct.html">“The Göteborg Connection: lessons in the history and politics of popular music education and research”</a>, originally published in <i>Popular Music</i>, 17/2, 1998, 219–242.</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/kojak.html">"Kojak - details"</a>. Tagg.org. 1 March 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">25 August</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Kojak+-+details&rft.pub=Tagg.org&rft.date=2013-03-01&rft_id=http%3A%2F%2Ftagg.org%2Fmmmsp%2Fkojak.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/10Titles.html">"Ten Little Title Tunes - details"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">25 August</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Ten+Little+Title+Tunes+-+details&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Fmmmsp%2F10Titles.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/audio/Kapellet.htm">"Röda Kapellet Recordings 1972-76"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">25 August</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=R%C3%B6da+Kapellet+Recordings+1972-76&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Faudio%2FKapellet.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/zmisc/GKobit1.htm">"Gerard Kempers (1948-2005)"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gerard+Kempers+%281948-2005%29&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Fzmisc%2FGKobit1.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">For a basic history of IASPM's early days see <a rel="nofollow" class="external text" href="http://tagg.org/articles/xpdfs/iaspprop81.pdf">"Proposals concerning the Establishment of an International Society for Popular Music"</a> (1980) and the start of <a rel="nofollow" class="external text" href="http://tagg.org/articles/turku2001.html">"Twenty Years After: Speech at Founder's Event, IASPM Conference, Turku, July 2001."</a> (Tagg, 2001).</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKaren_Collins_Philip_Tagg2013" class="citation web cs1">Karen Collins Philip Tagg (3 January 2013). <a rel="nofollow" class="external text" href="http://tagg.org/mmmsp/background.html">"mmmsp- background"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=mmmsp-+background&rft.pub=Tagg.org&rft.date=2013-01-03&rft.au=Karen+Collins+Philip+Tagg&rft_id=http%3A%2F%2Ftagg.org%2Fmmmsp%2Fbackground.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/rants/audititis/audititis.html">"Audititis - inflammation caused by audits"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">25 August</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Audititis+-+inflammation+caused+by+audits&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Frants%2Faudititis%2Faudititis.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/udem/cours.htm">"Enseignement à l'Université de Montréal"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">27 January</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Enseignement+%C3%A0+l%27Universit%C3%A9+de+Montr%C3%A9al&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Fudem%2Fcours.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPhilip_Tagg" class="citation web cs1">Philip Tagg. <a rel="nofollow" class="external text" href="http://tagg.org/ptavmat.htm#Video">"Philip Tagg: Links to Online Audiovisuals"</a>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Philip+Tagg%3A+Links+to+Online+Audiovisuals&rft.pub=Tagg.org&rft.au=Philip+Tagg&rft_id=http%3A%2F%2Ftagg.org%2Fptavmat.htm%23Video&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEniDurb1973" class="citation web cs1">EniDurb (9 November 1973). <a rel="nofollow" class="external text" href="https://www.youtube.com/user/etymophony">"etymophony"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span> – via YouTube.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=etymophony&rft.date=1973-11-09&rft.au=EniDurb&rft_id=https%3A%2F%2Fwww.youtube.com%2Fuser%2Fetymophony&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://nimims.net/">"Network for the Inclusion of Music in Music Studies"</a>. NIMiMS.net<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Network+for+the+Inclusion+of+Music+in+Music+Studies&rft.pub=NIMiMS.net&rft_id=http%3A%2F%2Fnimims.net%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFConti2024" class="citation web cs1 cs1-prop-foreign-lang-source">Conti, Jacopo (15 May 2024). <a rel="nofollow" class="external text" href="https://www.musicheria.net/2024/05/15/un-esempio-di-cui-tener-conto/">"Un esempio di cui tener conto"</a> [An example to consider] (in Italian). Musicheria<span class="reference-accessdate">. Retrieved <span class="nowrap">15 May</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Un+esempio+di+cui+tener+conto&rft.pub=Musicheria&rft.date=2024-05-15&rft.aulast=Conti&rft.aufirst=Jacopo&rft_id=https%3A%2F%2Fwww.musicheria.net%2F2024%2F05%2F15%2Fun-esempio-di-cui-tener-conto%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text">See chapters 11–12 in Philip Tagg, <i>Music’s Meanings</i>, 2013.</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">See chapter 13 in Philip Tagg, <i>Music’s Meanings</i>, 2013.</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text">See chapter 5 in Philip Tagg, <i>Music’s Meanings</i>, 2013, esp. pp. 158–171.</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text">See chapter 6 in Philip Tagg, <i>Music’s Meanings</i>, 2013.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">See chapter 7 in Philip Tagg, <i>Music’s Meanings</i>, 2013.</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://tagg.org/articles/xpdfs/Aharonian2011.pdf">"Troubles with Tonal Terminology"</a> <span class="cs1-format">(PDF)</span>. Tagg.org<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Troubles+with+Tonal+Terminology&rft.pub=Tagg.org&rft_id=http%3A%2F%2Ftagg.org%2Farticles%2Fxpdfs%2FAharonian2011.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://vimeo.com/117916454">"Philip Tagg: Lifetime Award, International Semiotics Institute on Vimeo"</a>. Vimeo.com. 27 January 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">21 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Philip+Tagg%3A+Lifetime+Award%2C+International+Semiotics+Institute+on+Vimeo&rft.pub=Vimeo.com&rft.date=2015-01-27&rft_id=https%3A%2F%2Fvimeo.com%2F117916454&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Tagg" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Philip_Tagg&action=edit&section=7" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.tagg.org">Philip Tagg's home page (includes complete CV and list of publications)</a></li> <li><a rel="nofollow" class="external text" href="https://www.academia.edu/6959425/_PDF_full_text_Book_review_of_Philip_Tagg_Musics_Meanings_New_York_Mass_Media_Music_Scholars_Press_2012">Review in academic journal of his major work 'Music's Meanings' </a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist 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href="https://isni.org/isni/0000000054860672">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/3751929">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJyMj8VqcMxf47TpGMdvpP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/1027842496">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n79070528">United States</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Tagg, Philip"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0267764&CON_LNG=ENG">Czech Republic</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p069873542">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90216364">Norway</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Tagg, Philip, 1944-"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&local_base=lnc10&doc_number=000320039&P_CON_LNG=ENG">Latvia</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogo.bn.gov.ar/F/?func=direct&local_base=BNA10&doc_number=000030990">Argentina</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" 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