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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Renaissance lute music</h1><div class="u-tcGrayDark">465 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Renaissance lute music</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Renaissance_lute_music/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Renaissance_lute_music/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Renaissance_lute_music/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Renaissance_lute_music">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35696265" data-work_id="35696265" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35696265/Baude_Cordier_Circle_Canon_Tout_par_compas_suy_composes_three_realizations_with_text_translations_Source_late_14th_century_Manuscript_Chantilly_Mus%C3%A9e_Cond%C3%A9_564_fol_12_">Baude Cordier: Circle Canon, "Tout par compas suy composes" (three realizations with text translations) (Source: late 14th century, Manuscript Chantilly, Musée Condé 564, fol 12)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a threefold transcription of Baude Cordier's "circle canon," two versions in rondeau form and one in perpetual canon. Included with the music transcriptions are full translations from Medieval French to English of all the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35696265" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a threefold transcription of Baude Cordier's "circle canon," two versions in rondeau form and one in perpetual canon. Included with the music transcriptions are full translations from Medieval French to English of all the accompanying texts as well as an English text underlay for the music. <br /> <br />Also included is a full explanation of the various mensurations and colorations that appear in the piece. <br /> <br />The design of the scores attempts to illustrate the rondeau form overlaying the canonic conceit. <br /> <br />For a score animation with the transcription and original manuscript, see this link: <br /><a href="https://www.youtube.com/watch?v=iaeOWdXM4Pg" rel="nofollow">https://www.youtube.com/watch?v=iaeOWdXM4Pg</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35696265" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b0790daf85decdc5301060254ff741ec" rel="nofollow" data-download="{"attachment_id":55567762,"asset_id":35696265,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55567762/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=199988","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35696265 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35696265"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35696265, container: ".js-paper-rank-work_35696265", }); 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CLXIv - CLXIr)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">A transcription of Alexander Agricola's (1457/58 - 1506) "Tandernaken." For a recording with a score video see the link below: <br /><a href="https://www.youtube.com/watch?v=nac6QU2rhGQ" rel="nofollow">https://www.youtube.com/watch?v=nac6QU2rhGQ</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35468277" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d0f61091e8afb04f959c3f1c5841b035" rel="nofollow" data-download="{"attachment_id":55330854,"asset_id":35468277,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55330854/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=199988","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35468277 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35468277"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35468277, container: ".js-paper-rank-work_35468277", }); 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$(".js-view-count[data-work-id=35468277]").text(description); $(".js-view-count-work_35468277").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35468277").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35468277"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">89</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35468277]'), work: {"id":35468277,"title":"Alexander Agricola: Instrumental chanson, \"Tandernaken, op den rijn\" (Source: Segovia Catedral, Archivo musical, codex without shelf number, fol. CLXIv - CLXIr)","created_at":"2017-12-19T07:24:31.501-08:00","url":"https://www.academia.edu/35468277/Alexander_Agricola_Instrumental_chanson_Tandernaken_op_den_rijn_Source_Segovia_Catedral_Archivo_musical_codex_without_shelf_number_fol_CLXIv_CLXIr_?f_ri=199988","dom_id":"work_35468277","summary":"A transcription of Alexander Agricola's (1457/58 - 1506) \"Tandernaken.\" For a recording with a score video see the link below: \nhttps://www.youtube.com/watch?v=nac6QU2rhGQ","downloadable_attachments":[{"id":55330854,"asset_id":35468277,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=199988","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=199988","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=199988"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=199988"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=199988"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=199988"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=199988"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=199988"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=199988"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988"},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=199988"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=199988"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=199988"},{"id":24818,"name":"Belgian History","url":"https://www.academia.edu/Documents/in/Belgian_History?f_ri=199988"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=199988"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=199988"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=199988"},{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=199988"},{"id":35304,"name":"15th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/15th_Century_Netherlandish_Art?f_ri=199988"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=199988"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=199988"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=199988"},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=199988"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=199988"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=199988"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=199988"},{"id":115524,"name":"Segovia","url":"https://www.academia.edu/Documents/in/Segovia?f_ri=199988"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=199988"},{"id":135098,"name":"15th-c. 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Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=199988"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=199988"},{"id":2815165,"name":"Dutch Music History","url":"https://www.academia.edu/Documents/in/Dutch_Music_History?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_13872749" data-work_id="13872749" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/13872749/Il_liuto_dalla_corda_spezzata_pensiero_arte_e_politica_alle_origini_di_un_simbolo">Il liuto dalla corda spezzata: pensiero, arte e politica alle origini di un simbolo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Starting with the world famous Ambassadors by Hans Holbein, where a lute with a broken string features mysteriously and prominently, this article aims to explore the origins of the symbolism of the lute with a broken string from the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_13872749" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Starting with the world famous Ambassadors by Hans Holbein, where a lute with a broken string features mysteriously and prominently, this article aims to explore the origins of the symbolism of the lute with a broken string from the Ancient World to the Renaissance, and to highlight how a symbol can be progressively constructed along its transitions through various cultures. In doing so, philosophical, literary and iconographic sources have been taken into account in order to unveil the hidden but solid connection that links the enigmatic musical instrument staged in Holbein’s masterpiece with its most distant ‘sources’ - rooted in Greek and Roman classical antiquity  -  and with those chronologically closer to it. Special attention is placed on the re-elaboration and re-interpretation of those same sources in Fifteenth-century Italian Culture and, in particular, on the Florentine Humanists’ political use and re-shaping of a classical metaphor: that of a composite harmony (or of the lack of it) associated with the idea of good (or bad) government.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/13872749" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d0088aa54119c6f45d9f9b830965c95" rel="nofollow" data-download="{"attachment_id":38148470,"asset_id":13872749,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38148470/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15556700" href="https://isiflorence.academia.edu/RitaComanducci">Rita Comanducci</a><script data-card-contents-for-user="15556700" type="text/json">{"id":15556700,"first_name":"Rita","last_name":"Comanducci","domain_name":"isiflorence","page_name":"RitaComanducci","display_name":"Rita Comanducci","profile_url":"https://isiflorence.academia.edu/RitaComanducci?f_ri=199988","photo":"https://0.academia-photos.com/15556700/6050074/6863233/s65_rita.comanducci.jpg"}</script></span></span></li><li class="js-paper-rank-work_13872749 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="13872749"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 13872749, container: ".js-paper-rank-work_13872749", }); 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In doing so, philosophical, literary and iconographic sources have been taken into account in order to unveil the hidden but solid connection that links the enigmatic musical instrument staged in Holbein’s masterpiece with its most distant ‘sources’ - rooted in Greek and Roman classical antiquity - and with those chronologically closer to it. Special attention is placed on the re-elaboration and re-interpretation of those same sources in Fifteenth-century Italian Culture and, in particular, on the Florentine Humanists’ political use and re-shaping of a classical metaphor: that of a composite harmony (or of the lack of it) associated with the idea of good (or bad) government.","downloadable_attachments":[{"id":38148470,"asset_id":13872749,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15556700,"first_name":"Rita","last_name":"Comanducci","domain_name":"isiflorence","page_name":"RitaComanducci","display_name":"Rita Comanducci","profile_url":"https://isiflorence.academia.edu/RitaComanducci?f_ri=199988","photo":"https://0.academia-photos.com/15556700/6050074/6863233/s65_rita.comanducci.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=199988","nofollow":false},{"id":130,"name":"Ancient 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early lute repertory also includes a composite picture of how the famous 15th-c. lutenist sounded when he played, as well as a consideration of possible lute arrangements from the Segovia Codex.","downloadable_attachments":[{"id":62924560,"asset_id":42710984,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17920462,"first_name":"Crawford","last_name":"Young","domain_name":"scb","page_name":"crawfordyoung","display_name":"Crawford Young","profile_url":"https://scb.academia.edu/crawfordyoung?f_ri=199988","photo":"https://0.academia-photos.com/17920462/42784286/34526244/s65_crawford.young.jpg"}],"research_interests":[{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 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}); });</script></span><script>$(function() { $(".js-view-count-work_11044665").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="11044665"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58850" href="https://www.academia.edu/Documents/in/Historical_Musicology">Historical Musicology</a><script data-card-contents-for-ri="58850" type="text/json">{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11044665]'), work: {"id":11044665,"title":"Marco dall'Aquila a Venezia e ritorno","created_at":"2015-02-24T05:30:19.457-08:00","url":"https://www.academia.edu/11044665/Marco_dallAquila_a_Venezia_e_ritorno?f_ri=199988","dom_id":"work_11044665","summary":null,"downloadable_attachments":[{"id":44471491,"asset_id":11044665,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":600410,"first_name":"Francesco","last_name":"Zimei","domain_name":"unitn","page_name":"FrancescoZimei","display_name":"Francesco Zimei","profile_url":"https://unitn.academia.edu/FrancescoZimei?f_ri=199988","photo":"https://0.academia-photos.com/600410/210339/28860407/s65_francesco.zimei.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=199988","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":405026,"name":"L'Aquila","url":"https://www.academia.edu/Documents/in/LAquila?f_ri=199988"},{"id":611835,"name":"Music printing in the 16th and 17th centuries","url":"https://www.academia.edu/Documents/in/Music_printing_in_the_16th_and_17th_centuries?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30216961" data-work_id="30216961" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30216961/JOHN_DOWLAND_A_JEHO_KOMPOZ%C3%8DCIE_V_ZBIERKE_JEANA_BAPTISTU_BESARDA_Thesaurus_harmonicus_K%C3%B6ln_1603_Pr%C3%ADspevok_k_Levo%C4%8Dskej_zbierke_hudobn%C3%ADn_p_41">JOHN DOWLAND A JEHO KOMPOZÍCIE V ZBIERKE JEANA BAPTISTU BESARDA. Thesaurus harmonicus (Köln, 1603) Príspevok k Levočskej zbierke hudobnín, p. 41</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">John Dowland, one of the greatest composers of music for the lute in the 16th century, his works were part of the repertoire, interpreted in the 17th century in the territory of Slovakia. The paper deals with Dowland´s compositions which... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30216961" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">John Dowland, one of the greatest composers of music for the lute in the 16th century, his works were part of the repertoire, interpreted in the 17th century in the territory of Slovakia. The paper deals with Dowland´s compositions which are part of a Lute printed anthology by Jean Baptiste Besard: Thesaurus harmonicus (Köln 1603) as one of units within Levoča´s music collections.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30216961" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0169203944936de2d27c6c84d16e6896" rel="nofollow" data-download="{"attachment_id":50675708,"asset_id":30216961,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50675708/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2351885" href="https://comeniusuniversity.academia.edu/MichalHottmar">Michal Hottmar</a><script data-card-contents-for-user="2351885" type="text/json">{"id":2351885,"first_name":"Michal","last_name":"Hottmar","domain_name":"comeniusuniversity","page_name":"MichalHottmar","display_name":"Michal Hottmar","profile_url":"https://comeniusuniversity.academia.edu/MichalHottmar?f_ri=199988","photo":"https://0.academia-photos.com/2351885/741874/920992/s65_michal.hottmar.jpg"}</script></span></span></li><li class="js-paper-rank-work_30216961 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30216961"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30216961, container: ".js-paper-rank-work_30216961", }); 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$(".js-view-count[data-work-id=30216961]").text(description); $(".js-view-count-work_30216961").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30216961").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30216961"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="25326" href="https://www.academia.edu/Documents/in/John_Dowland">John Dowland</a>, <script data-card-contents-for-ri="25326" type="text/json">{"id":25326,"name":"John Dowland","url":"https://www.academia.edu/Documents/in/John_Dowland?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30216961]'), work: {"id":30216961,"title":"JOHN DOWLAND A JEHO KOMPOZÍCIE V ZBIERKE JEANA BAPTISTU BESARDA. Thesaurus harmonicus (Köln, 1603) Príspevok k Levočskej zbierke hudobnín, p. 41","created_at":"2016-12-02T04:34:12.190-08:00","url":"https://www.academia.edu/30216961/JOHN_DOWLAND_A_JEHO_KOMPOZ%C3%8DCIE_V_ZBIERKE_JEANA_BAPTISTU_BESARDA_Thesaurus_harmonicus_K%C3%B6ln_1603_Pr%C3%ADspevok_k_Levo%C4%8Dskej_zbierke_hudobn%C3%ADn_p_41?f_ri=199988","dom_id":"work_30216961","summary":"John Dowland, one of the greatest composers of music for the lute in the 16th century, his works were part of the repertoire, interpreted in the 17th century in the territory of Slovakia. The paper deals with Dowland´s compositions which are part of a Lute printed anthology by Jean Baptiste Besard: Thesaurus harmonicus (Köln 1603) as one of units within Levoča´s music collections.","downloadable_attachments":[{"id":50675708,"asset_id":30216961,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2351885,"first_name":"Michal","last_name":"Hottmar","domain_name":"comeniusuniversity","page_name":"MichalHottmar","display_name":"Michal Hottmar","profile_url":"https://comeniusuniversity.academia.edu/MichalHottmar?f_ri=199988","photo":"https://0.academia-photos.com/2351885/741874/920992/s65_michal.hottmar.jpg"}],"research_interests":[{"id":25326,"name":"John Dowland","url":"https://www.academia.edu/Documents/in/John_Dowland?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_904338" data-work_id="904338" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/904338/Lutes_viols_and_temperaments">Lutes, viols and temperaments</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This book surveys various approaches to tuning a lute or viol quite exactly (partly by seeing to the exact spacing of the frets) as described from the 1520s to the1740s. Attention is given to some distinguished composers (Milán, Dowland,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_904338" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This book surveys various approaches to tuning a lute or viol quite exactly (partly by seeing to the exact spacing of the frets) as described from the 1520s to the1740s. Attention is given to some distinguished composers (Milán, Dowland, Monteverdi, Marais), some seminal figures in the early history of modern science (Vincenzo Galilei, Mersenne, Brouncker), and a number of encyclopedic or didactic writers on music (Gerle, Bermudo, Ganassi, Zarlino, Praetorius). The book includes practical instruction, conclusions about Renaissance and Baroque performance practices, and an appendix by Gerhard Söhne on the historical use of proportions and geometric curves in lute design.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/904338" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="af907b86247cab06c473dbe1407d7500" rel="nofollow" data-download="{"attachment_id":5473329,"asset_id":904338,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/5473329/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="423180" href="https://independent.academia.edu/MLindley">Mark Lindley</a><script data-card-contents-for-user="423180" type="text/json">{"id":423180,"first_name":"Mark","last_name":"Lindley","domain_name":"independent","page_name":"MLindley","display_name":"Mark Lindley","profile_url":"https://independent.academia.edu/MLindley?f_ri=199988","photo":"https://0.academia-photos.com/423180/246846/291797/s65_mark.lindley.jpg"}</script></span></span></li><li class="js-paper-rank-work_904338 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="904338"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 904338, container: ".js-paper-rank-work_904338", }); 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Attention is given to some distinguished composers (Milán, Dowland, Monteverdi, Marais), some seminal figures in the early history of modern science (Vincenzo Galilei, Mersenne, Brouncker), and a number of encyclopedic or didactic writers on music (Gerle, Bermudo, Ganassi, Zarlino, Praetorius). The book includes practical instruction, conclusions about Renaissance and Baroque performance practices, and an appendix by Gerhard Söhne on the historical use of proportions and geometric curves in lute design.","downloadable_attachments":[{"id":5473329,"asset_id":904338,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":423180,"first_name":"Mark","last_name":"Lindley","domain_name":"independent","page_name":"MLindley","display_name":"Mark Lindley","profile_url":"https://independent.academia.edu/MLindley?f_ri=199988","photo":"https://0.academia-photos.com/423180/246846/291797/s65_mark.lindley.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":685,"name":"Music 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for the appearance of the earliest lute tablatures from the last third of the 15th century.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42711250" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="545e652f85828743f3d1b8d9a306cc30" rel="nofollow" data-download="{"attachment_id":62924971,"asset_id":42711250,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="983" href="https://www.academia.edu/Documents/in/Jewish_Studies">Jewish Studies</a>, <script data-card-contents-for-ri="983" type="text/json">{"id":983,"name":"Jewish Studies","url":"https://www.academia.edu/Documents/in/Jewish_Studies?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1053" href="https://www.academia.edu/Documents/in/History_of_Ideas">History of Ideas</a>, <script data-card-contents-for-ri="1053" type="text/json">{"id":1053,"name":"History of Ideas","url":"https://www.academia.edu/Documents/in/History_of_Ideas?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2020" href="https://www.academia.edu/Documents/in/Neoplatonism_and_late_antique_philosophy">Neoplatonism and late antique philosophy</a><script data-card-contents-for-ri="2020" type="text/json">{"id":2020,"name":"Neoplatonism and late antique philosophy","url":"https://www.academia.edu/Documents/in/Neoplatonism_and_late_antique_philosophy?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31059723]'), work: {"id":31059723,"title":"Il liuto di re Salomone","created_at":"2017-01-24T05:24:22.296-08:00","url":"https://www.academia.edu/31059723/Il_liuto_di_re_Salomone?f_ri=199988","dom_id":"work_31059723","summary":null,"downloadable_attachments":[{"id":51493921,"asset_id":31059723,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15556700,"first_name":"Rita","last_name":"Comanducci","domain_name":"isiflorence","page_name":"RitaComanducci","display_name":"Rita 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class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36997549" data-work_id="36997549" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36997549/Intabulations_of_Protestant_Sacred_Songs_and_Psalms_in_Wurstisen_lute_book_Adaptation_and_arrangement_of_the_chorale_models_2018_">Intabulations of Protestant Sacred Songs and Psalms in Wurstisen lute book. Adaptation and arrangement of the chorale models [2018]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Wurstisen's lute anthology contains arrangements of Sacred Songs and Psalms in its last part. This is a repertory of fifteen German Protestant chorales and two psalms after the Genevan Psalter. Тhe research on Wurstisen's arrangement are... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36997549" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Wurstisen's lute anthology contains arrangements of Sacred Songs and Psalms in its last part. This is a repertory of fifteen German Protestant chorales and two psalms after the Genevan Psalter. Тhe research on Wurstisen's arrangement are preceded by a brief introduction of Luther's and Calvin's branches of Protestantism and their thoughts on the role of music for the new forms of worship. Historiographical data is involved in order to clarify the origin of Wurstisen's chorales. The greatest amount of them belongs to Luther's own liturgical legacy or to theologians and hymn-writers of his close circle. The idea was expressed that Wurstisen collected his chorales from the most preferable and popular titles among the lutenists of the time. The second part of the article is a study on the process of intabulation. It is focused on melody treatment, harmonization of the chorale tunes and embellishments. Several approaches to the musical texture are determined. In addition, certain comparison between Wurstisen's intabulations and those in the rest of Basel's lute mansucripts and Hainhoffer lute book managed. As a result, it can now be summarized that most of Wurstisen's chorale versions don't correspond to other arrangements. There is only one known exception, which leads to the idea that some of his intabulations might have been copied from another source, while others are possibly his own arrangements.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36997549" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d796c1fbcec999bde361a21d38104088" rel="nofollow" data-download="{"attachment_id":56946610,"asset_id":36997549,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56946610/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6146503" href="https://bas.academia.edu/YavorGenov">Yavor Genov</a><script data-card-contents-for-user="6146503" type="text/json">{"id":6146503,"first_name":"Yavor","last_name":"Genov","domain_name":"bas","page_name":"YavorGenov","display_name":"Yavor Genov","profile_url":"https://bas.academia.edu/YavorGenov?f_ri=199988","photo":"https://0.academia-photos.com/6146503/2764862/11846147/s65_yavor.genov.jpg"}</script></span></span></li><li class="js-paper-rank-work_36997549 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36997549"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36997549, container: ".js-paper-rank-work_36997549", }); 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$(".js-view-count[data-work-id=36997549]").text(description); $(".js-view-count-work_36997549").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36997549").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36997549"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22845" href="https://www.academia.edu/Documents/in/Renaissance_Music_Theory">Renaissance Music Theory</a>, <script data-card-contents-for-ri="22845" type="text/json">{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a><script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36997549]'), work: {"id":36997549,"title":"Intabulations of Protestant Sacred Songs and Psalms in Wurstisen lute book. Adaptation and arrangement of the chorale models [2018]","created_at":"2018-07-07T01:00:36.062-07:00","url":"https://www.academia.edu/36997549/Intabulations_of_Protestant_Sacred_Songs_and_Psalms_in_Wurstisen_lute_book_Adaptation_and_arrangement_of_the_chorale_models_2018_?f_ri=199988","dom_id":"work_36997549","summary":"Wurstisen's lute anthology contains arrangements of Sacred Songs and Psalms in its last part. This is a repertory of fifteen German Protestant chorales and two psalms after the Genevan Psalter. Тhe research on Wurstisen's arrangement are preceded by a brief introduction of Luther's and Calvin's branches of Protestantism and their thoughts on the role of music for the new forms of worship. Historiographical data is involved in order to clarify the origin of Wurstisen's chorales. The greatest amount of them belongs to Luther's own liturgical legacy or to theologians and hymn-writers of his close circle. The idea was expressed that Wurstisen collected his chorales from the most preferable and popular titles among the lutenists of the time. The second part of the article is a study on the process of intabulation. It is focused on melody treatment, harmonization of the chorale tunes and embellishments. Several approaches to the musical texture are determined. In addition, certain comparison between Wurstisen's intabulations and those in the rest of Basel's lute mansucripts and Hainhoffer lute book managed. As a result, it can now be summarized that most of Wurstisen's chorale versions don't correspond to other arrangements. There is only one known exception, which leads to the idea that some of his intabulations might have been copied from another source, while others are possibly his own arrangements.","downloadable_attachments":[{"id":56946610,"asset_id":36997549,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6146503,"first_name":"Yavor","last_name":"Genov","domain_name":"bas","page_name":"YavorGenov","display_name":"Yavor Genov","profile_url":"https://bas.academia.edu/YavorGenov?f_ri=199988","photo":"https://0.academia-photos.com/6146503/2764862/11846147/s65_yavor.genov.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":292460,"name":"Lutheran philosophy and theology of music","url":"https://www.academia.edu/Documents/in/Lutheran_philosophy_and_theology_of_music?f_ri=199988"},{"id":410625,"name":"Tablatures","url":"https://www.academia.edu/Documents/in/Tablatures?f_ri=199988"},{"id":1886897,"name":"Intabulations","url":"https://www.academia.edu/Documents/in/Intabulations?f_ri=199988"},{"id":2544627,"name":"History of Basel","url":"https://www.academia.edu/Documents/in/History_of_Basel?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_73139948 coauthored" data-work_id="73139948" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/73139948/_I_raggi_della_chiarissima_casa_gambaresca_The_Gambaras_Music_Patronage_and_the_Performance_Practice_in_15th_17th_century_Brescia">«I raggi della chiarissima casa gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-century Brescia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Mazzetti, Marcello, and Livio Ticli. ‘«I Raggi Della Chiarissima Casa Gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-Century Brescia’. In Music Patronage in Italy, edited by Galliano Ciliberti,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_73139948" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Mazzetti, Marcello, and Livio Ticli. ‘«I Raggi Della Chiarissima Casa Gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-Century Brescia’. In Music Patronage in Italy, edited by Galliano Ciliberti, 267–314. Studies on Italian Music History 15. Turnhout: Brepols, 2021. <br /> <br />ABSTRACT. Although for the last three decades music historiography has been reconsidering the role of Brescia within a broader musical landscape, there is still a lack of scholarship on noble patronage within Terraferma’s territories devoid of courts. In a city like Brescia, where a strong aristocracy built up a complex web between religious and civic institutions, the role of music as an instrument of assertion of power should not be underestimated. <br />The chapter will focus on some members of the patrizio-veneto branch of the Gambara family who surrounded themselves with musical goods à la mode – increasing their instrument and book collections – and with a great number of musicians, who were appointed as family tutors and/or composers of sacred and secular works dedicated to the family. In this complex web, important names for the history of keyboard music come to light such as Fiorenzo Maschera, Costanzo Antegnati and Claudio Merulo. A central role was played by noblewomen of the Maggi and Gambara families choosing and buying instruments, hiring music teachers, organising private challenges and games based on poetry-music-dance synergies. <br />New archival findings show an extended network between Brescia and other important cities across northern Italy. We will discuss the career of the count Francesco Gambara, who developed his musical and artistic preferences in Brescia by hosting at his palace the Accademia dei Rapiti (1590-1598), and in Bologna by attending the Accademia dei Gelati. These connections shed light on the genesis of important musical works by Banchieri and Bottrigari which Francesco Gambara directly patronised. <br />The Gambara family is also an excellent case study for investigating how the patronage influenced ecclesiastic institutions such as Santa Maria delle Grazie in Brescia and its music chapel. Thanks to the cardinal Uberto Gambara, the San Girolamo congregation from Fiesole settled in Santa Maria delle Grazie at the beginning of the sixteenth century. The importance of this religious order in Brescia becomes clear if we consider that Pietro Lappi worked there as a kapellmeister and, benefitting from Gambara sponsorship for over thirty years, he could hire some of the most famous musicians of his time such as Cesario Gussago, Giovani Francesco Capello and Giovani Battista Fontana. <br />Lastly, we will explore the reflection of Gambara patronage on music genres and forms strictly related to Brescia (canzona da sonare and canzonetta) by considering some works of Brescian Canons Regulars Floriano Canale and Giovanni Paolo Caprioli. <br /> <br />BOOK ABSTRACT. During the Renaissance and throughout the Baroque and Classical periods, musical production is linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects – hence the birth of the court chapels. <br />The second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, possesses a discriminating artistic sensibility — hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system, as described, lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage. This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century. <br />The papers collected here deal with musical patronage and its relations with contemporary society from different points of view, offering new reserch perspectives.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/73139948" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d2f7243ad1c110736f8e96907072afdd" rel="nofollow" data-download="{"attachment_id":81776405,"asset_id":73139948,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/81776405/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35164023" href="https://hud.academia.edu/LivioTicli">Livio Ticli</a><script data-card-contents-for-user="35164023" type="text/json">{"id":35164023,"first_name":"Livio","last_name":"Ticli","domain_name":"hud","page_name":"LivioTicli","display_name":"Livio Ticli","profile_url":"https://hud.academia.edu/LivioTicli?f_ri=199988","photo":"https://0.academia-photos.com/35164023/75041670/63547032/s65_livio.ticli.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-73139948">+1</span><div class="hidden js-additional-users-73139948"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://hud.academia.edu/MarcelloMazzetti">Marcello Mazzetti</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-73139948'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-73139948').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_73139948 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="73139948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73139948; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73139948]").text(description); $(".js-view-count-work_73139948").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_73139948").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="73139948"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="937" href="https://www.academia.edu/Documents/in/Improvisation">Improvisation</a>, <script data-card-contents-for-ri="937" type="text/json">{"id":937,"name":"Improvisation","url":"https://www.academia.edu/Documents/in/Improvisation?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14954" href="https://www.academia.edu/Documents/in/Baroque_Music">Baroque Music</a>, <script data-card-contents-for-ri="14954" type="text/json">{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20720" href="https://www.academia.edu/Documents/in/Performance_Practice">Performance Practice</a><script data-card-contents-for-ri="20720" type="text/json">{"id":20720,"name":"Performance Practice","url":"https://www.academia.edu/Documents/in/Performance_Practice?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=73139948]'), work: {"id":73139948,"title":"«I raggi della chiarissima casa gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-century Brescia","created_at":"2022-03-05T13:53:19.998-08:00","url":"https://www.academia.edu/73139948/_I_raggi_della_chiarissima_casa_gambaresca_The_Gambaras_Music_Patronage_and_the_Performance_Practice_in_15th_17th_century_Brescia?f_ri=199988","dom_id":"work_73139948","summary":"Mazzetti, Marcello, and Livio Ticli. ‘«I Raggi Della Chiarissima Casa Gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-Century Brescia’. In Music Patronage in Italy, edited by Galliano Ciliberti, 267–314. Studies on Italian Music History 15. Turnhout: Brepols, 2021.\r\n\r\nABSTRACT. Although for the last three decades music historiography has been reconsidering the role of Brescia within a broader musical landscape, there is still a lack of scholarship on noble patronage within Terraferma’s territories devoid of courts. In a city like Brescia, where a strong aristocracy built up a complex web between religious and civic institutions, the role of music as an instrument of assertion of power should not be underestimated.\r\nThe chapter will focus on some members of the patrizio-veneto branch of the Gambara family who surrounded themselves with musical goods à la mode – increasing their instrument and book collections – and with a great number of musicians, who were appointed as family tutors and/or composers of sacred and secular works dedicated to the family. In this complex web, important names for the history of keyboard music come to light such as Fiorenzo Maschera, Costanzo Antegnati and Claudio Merulo. A central role was played by noblewomen of the Maggi and Gambara families choosing and buying instruments, hiring music teachers, organising private challenges and games based on poetry-music-dance synergies.\r\nNew archival findings show an extended network between Brescia and other important cities across northern Italy. We will discuss the career of the count Francesco Gambara, who developed his musical and artistic preferences in Brescia by hosting at his palace the Accademia dei Rapiti (1590-1598), and in Bologna by attending the Accademia dei Gelati. These connections shed light on the genesis of important musical works by Banchieri and Bottrigari which Francesco Gambara directly patronised.\r\nThe Gambara family is also an excellent case study for investigating how the patronage influenced ecclesiastic institutions such as Santa Maria delle Grazie in Brescia and its music chapel. Thanks to the cardinal Uberto Gambara, the San Girolamo congregation from Fiesole settled in Santa Maria delle Grazie at the beginning of the sixteenth century. The importance of this religious order in Brescia becomes clear if we consider that Pietro Lappi worked there as a kapellmeister and, benefitting from Gambara sponsorship for over thirty years, he could hire some of the most famous musicians of his time such as Cesario Gussago, Giovani Francesco Capello and Giovani Battista Fontana.\r\nLastly, we will explore the reflection of Gambara patronage on music genres and forms strictly related to Brescia (canzona da sonare and canzonetta) by considering some works of Brescian Canons Regulars Floriano Canale and Giovanni Paolo Caprioli.\r\n\r\nBOOK ABSTRACT. During the Renaissance and throughout the Baroque and Classical periods, musical production is linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects – hence the birth of the court chapels.\r\nThe second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, possesses a discriminating artistic sensibility — hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system, as described, lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage. This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century.\r\nThe papers collected here deal with musical patronage and its relations with contemporary society from different points of view, offering new reserch perspectives.","downloadable_attachments":[{"id":81776405,"asset_id":73139948,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":35164023,"first_name":"Livio","last_name":"Ticli","domain_name":"hud","page_name":"LivioTicli","display_name":"Livio Ticli","profile_url":"https://hud.academia.edu/LivioTicli?f_ri=199988","photo":"https://0.academia-photos.com/35164023/75041670/63547032/s65_livio.ticli.jpg"},{"id":3540632,"first_name":"Marcello","last_name":"Mazzetti","domain_name":"hud","page_name":"MarcelloMazzetti","display_name":"Marcello Mazzetti","profile_url":"https://hud.academia.edu/MarcelloMazzetti?f_ri=199988","photo":"https://0.academia-photos.com/3540632/1218866/32753971/s65_marcello.mazzetti.jpg"}],"research_interests":[{"id":937,"name":"Improvisation","url":"https://www.academia.edu/Documents/in/Improvisation?f_ri=199988","nofollow":false},{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=199988","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":20720,"name":"Performance Practice","url":"https://www.academia.edu/Documents/in/Performance_Practice?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":66598,"name":"Patronage and collecting","url":"https://www.academia.edu/Documents/in/Patronage_and_collecting?f_ri=199988"},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":213737,"name":"Brescia","url":"https://www.academia.edu/Documents/in/Brescia?f_ri=199988"},{"id":577070,"name":"Villanelle","url":"https://www.academia.edu/Documents/in/Villanelle?f_ri=199988"},{"id":1060482,"name":"Domestic Music-Making","url":"https://www.academia.edu/Documents/in/Domestic_Music-Making?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41819045" data-work_id="41819045" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41819045/Isaac_in_Lautenintavolierungen_aus_handschriftlichen_und_gedruckten_Quellen_ca_1500_1562_ein_Beitrag_zur_Intavolierungstechnik">Isaac in Lautenintavolierungen aus handschriftlichen und gedruckten Quellen (ca. 1500-1562): ein Beitrag zur Intavolierungstechnik</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The paper is dedicated to the intabulation technique using the example of Heinrich Isaac’s Benedictus (Mass Quant j'ay au cueur) from seven handwritten and printed lute tablatures from the first half of the 16th century:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41819045" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The paper is dedicated to the intabulation technique using the example of Heinrich Isaac’s Benedictus (Mass Quant j'ay au cueur) from seven handwritten and printed lute tablatures from the first half of the 16th century: Thibault-Tabulatur F-Pn Res. Vmd Ms. 27, Pl-Kj Ms. 40154, Lautenbuch des Stephan Craus A-Wn 18688, D-Mbs 272, Francesco Spinacinos Intabulatura de Lauto 15071, Hans Newsidler Ein Newgeordent Künstlich Lautenbuch 15366 and Wolff Heckel Lautten Buch 15623. The technique of intabulation is analysed relating to the coherences between origin and intabulation also in context of ex tempore praxis and medium change (manuscript – print). The focus is on the comparison of two types of intabulation ("literal" and "elaborated") and the positioning of the intabolator relative to the original. Methodologically important is the analysis of all, i.a. also formal-compositional musical parameters. One found out that the ex tempore and on the script orientated intabulations were used both in handwritten and in printed sources up to the middle of the 16th century; Isaac was differently received in lute music until the middle of the century: On the one hand, as an impulse for an "own" ex tempore practice and for the "re-composing", which related to the earlier music-making (supporting moments were soggetti or also the texture technique or type in the framework and memory function). In this case, freer patterns such as postludes or preludes and newly composed parts were added. On the other hand, the musicians understood the Isaac’s Benedictus as a binding template for a "literal" transcription, in which the compositional structure, cadence structure, mode, texture-type and soggetti were constant.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41819045" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d3e03ac64d686b490cd81434f713ec3" rel="nofollow" data-download="{"attachment_id":61961182,"asset_id":41819045,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61961182/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="133519364" href="https://univie.academia.edu/KaterynaSch%C3%B6ning">Kateryna Schöning</a><script data-card-contents-for-user="133519364" type="text/json">{"id":133519364,"first_name":"Kateryna","last_name":"Schöning","domain_name":"univie","page_name":"KaterynaSchöning","display_name":"Kateryna Schöning","profile_url":"https://univie.academia.edu/KaterynaSch%C3%B6ning?f_ri=199988","photo":"https://0.academia-photos.com/133519364/36207845/31098717/s65_kateryna.sch_ning.jpg"}</script></span></span></li><li class="js-paper-rank-work_41819045 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41819045"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41819045, container: ".js-paper-rank-work_41819045", }); });</script></li><li class="js-percentile-work_41819045 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41819045; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_41819045"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_41819045 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="41819045"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41819045; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41819045]").text(description); $(".js-view-count-work_41819045").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41819045").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41819045"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a>, <script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a>, <script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1886897" href="https://www.academia.edu/Documents/in/Intabulations">Intabulations</a><script data-card-contents-for-ri="1886897" type="text/json">{"id":1886897,"name":"Intabulations","url":"https://www.academia.edu/Documents/in/Intabulations?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41819045]'), work: {"id":41819045,"title":"Isaac in Lautenintavolierungen aus handschriftlichen und gedruckten Quellen (ca. 1500-1562): ein Beitrag zur Intavolierungstechnik","created_at":"2020-02-01T10:14:23.083-08:00","url":"https://www.academia.edu/41819045/Isaac_in_Lautenintavolierungen_aus_handschriftlichen_und_gedruckten_Quellen_ca_1500_1562_ein_Beitrag_zur_Intavolierungstechnik?f_ri=199988","dom_id":"work_41819045","summary":"The paper is dedicated to the intabulation technique using the example of Heinrich Isaac’s Benedictus (Mass Quant j'ay au cueur) from seven handwritten and printed lute tablatures from the first half of the 16th century: Thibault-Tabulatur F-Pn Res. Vmd Ms. 27, Pl-Kj Ms. 40154, Lautenbuch des Stephan Craus A-Wn 18688, D-Mbs 272, Francesco Spinacinos Intabulatura de Lauto 15071, Hans Newsidler Ein Newgeordent Künstlich Lautenbuch 15366 and Wolff Heckel Lautten Buch 15623. The technique of intabulation is analysed relating to the coherences between origin and intabulation also in context of ex tempore praxis and medium change (manuscript – print). The focus is on the comparison of two types of intabulation (\"literal\" and \"elaborated\") and the positioning of the intabolator relative to the original. Methodologically important is the analysis of all, i.a. also formal-compositional musical parameters. One found out that the ex tempore and on the script orientated intabulations were used both in handwritten and in printed sources up to the middle of the 16th century; Isaac was differently received in lute music until the middle of the century: On the one hand, as an impulse for an \"own\" ex tempore practice and for the \"re-composing\", which related to the earlier music-making (supporting moments were soggetti or also the texture technique or type in the framework and memory function). In this case, freer patterns such as postludes or preludes and newly composed parts were added. On the other hand, the musicians understood the Isaac’s Benedictus as a binding template for a \"literal\" transcription, in which the compositional structure, cadence structure, mode, texture-type and soggetti were constant.","downloadable_attachments":[{"id":61961182,"asset_id":41819045,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":133519364,"first_name":"Kateryna","last_name":"Schöning","domain_name":"univie","page_name":"KaterynaSchöning","display_name":"Kateryna Schöning","profile_url":"https://univie.academia.edu/KaterynaSch%C3%B6ning?f_ri=199988","photo":"https://0.academia-photos.com/133519364/36207845/31098717/s65_kateryna.sch_ning.jpg"}],"research_interests":[{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":1886897,"name":"Intabulations","url":"https://www.academia.edu/Documents/in/Intabulations?f_ri=199988","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33392124" data-work_id="33392124" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33392124/GIAN_LUCA_LASTRAIOLI_La_Battaglia_per_Liuto_I_pp_17_22">GIAN LUCA LASTRAIOLI, La Battaglia per Liuto (I), pp. 17-22.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33392124" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b3b67f7dd7bccdda66bc1ebca9ac2712" rel="nofollow" data-download="{"attachment_id":53447721,"asset_id":33392124,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53447721/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}</script></span></span></li><li class="js-paper-rank-work_33392124 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33392124"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33392124, container: ".js-paper-rank-work_33392124", }); });</script></li><li class="js-percentile-work_33392124 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33392124; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33392124"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33392124 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33392124"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33392124; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33392124]").text(description); $(".js-view-count-work_33392124").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33392124").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33392124"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a>, <script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="174929" href="https://www.academia.edu/Documents/in/Lute_Baroque_Music">Lute, Baroque Music</a><script data-card-contents-for-ri="174929" type="text/json">{"id":174929,"name":"Lute, Baroque Music","url":"https://www.academia.edu/Documents/in/Lute_Baroque_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33392124]'), work: {"id":33392124,"title":"GIAN LUCA LASTRAIOLI, La Battaglia per Liuto (I), pp. 17-22.","created_at":"2017-06-09T07:18:08.695-07:00","url":"https://www.academia.edu/33392124/GIAN_LUCA_LASTRAIOLI_La_Battaglia_per_Liuto_I_pp_17_22?f_ri=199988","dom_id":"work_33392124","summary":null,"downloadable_attachments":[{"id":53447721,"asset_id":33392124,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":174929,"name":"Lute, Baroque Music","url":"https://www.academia.edu/Documents/in/Lute_Baroque_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":858188,"name":"Liuto","url":"https://www.academia.edu/Documents/in/Liuto?f_ri=199988"},{"id":1992204,"name":"Lute Tablatures","url":"https://www.academia.edu/Documents/in/Lute_Tablatures?f_ri=199988"},{"id":2451486,"name":"Battaglia Per Liuto","url":"https://www.academia.edu/Documents/in/Battaglia_Per_Liuto?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5804792" data-work_id="5804792" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5804792/Mateo_Flecha_1481_1533_Villancicos">Mateo Flecha (1481-1533?): Villancicos </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">New modern edition of the surviving villancicos of Mateo Flecha, with introduction, text editions, transcriptions of the various surviving versions from polyphonic sources and instrumental tablatures.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5804792" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="67c55cbe728762db6ebea518dbac092c" rel="nofollow" data-download="{"attachment_id":32819969,"asset_id":5804792,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32819969/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="870239" href="https://unimelb.academia.edu/JohnGriffiths">John Griffiths</a><script data-card-contents-for-user="870239" type="text/json">{"id":870239,"first_name":"John","last_name":"Griffiths","domain_name":"unimelb","page_name":"JohnGriffiths","display_name":"John Griffiths","profile_url":"https://unimelb.academia.edu/JohnGriffiths?f_ri=199988","photo":"https://0.academia-photos.com/870239/313330/161840353/s65_john.griffiths.jpeg"}</script></span></span></li><li class="js-paper-rank-work_5804792 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5804792"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5804792, container: ".js-paper-rank-work_5804792", }); 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$(".js-view-count[data-work-id=5804792]").text(description); $(".js-view-count-work_5804792").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5804792").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5804792"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21945" href="https://www.academia.edu/Documents/in/Spanish_Music">Spanish Music</a>, <script data-card-contents-for-ri="21945" type="text/json">{"id":21945,"name":"Spanish Music","url":"https://www.academia.edu/Documents/in/Spanish_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a>, <script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5804792]'), work: {"id":5804792,"title":"Mateo Flecha (1481-1533?): Villancicos ","created_at":"2014-01-22T08:54:03.722-08:00","url":"https://www.academia.edu/5804792/Mateo_Flecha_1481_1533_Villancicos?f_ri=199988","dom_id":"work_5804792","summary":"New modern edition of the surviving villancicos of Mateo Flecha, with introduction, text editions, transcriptions of the various surviving versions from polyphonic sources and instrumental tablatures.","downloadable_attachments":[{"id":32819969,"asset_id":5804792,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":870239,"first_name":"John","last_name":"Griffiths","domain_name":"unimelb","page_name":"JohnGriffiths","display_name":"John Griffiths","profile_url":"https://unimelb.academia.edu/JohnGriffiths?f_ri=199988","photo":"https://0.academia-photos.com/870239/313330/161840353/s65_john.griffiths.jpeg"}],"research_interests":[{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":21945,"name":"Spanish Music","url":"https://www.academia.edu/Documents/in/Spanish_Music?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":449183,"name":"Vihuela","url":"https://www.academia.edu/Documents/in/Vihuela?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38560749" data-work_id="38560749" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38560749/Songs_without_words_The_motet_as_solo_instrumental_music_after_Trent">Songs without words: The motet as solo instrumental music after Trent</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Motet intabulations for organ and lute printed during the second half of the sixteenth century are a barometer of their longevity. More than simply exemplifying instrumental performance practice, they attest to musical fashion and the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38560749" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Motet intabulations for organ and lute printed during the second half of the sixteenth century are a barometer of their longevity. More than simply exemplifying instrumental performance practice, they attest to musical fashion and the life of liturgical works beyond their strictly ecclesiastical context. The study shows a continued veneration of older motets from the first half of the century as as models of refined polyphonic elegance completely independent of their liturgical function. Whether embellished for virtuosic display or kept unadorned, older motets proliferated alongside works by Lasso and his contemporaries seemingly impervious to the liturgical reforms of the times.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38560749" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3cacb2d633d5e64ddaa107026d4e9199" rel="nofollow" data-download="{"attachment_id":58632786,"asset_id":38560749,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58632786/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="870239" href="https://unimelb.academia.edu/JohnGriffiths">John Griffiths</a><script data-card-contents-for-user="870239" type="text/json">{"id":870239,"first_name":"John","last_name":"Griffiths","domain_name":"unimelb","page_name":"JohnGriffiths","display_name":"John Griffiths","profile_url":"https://unimelb.academia.edu/JohnGriffiths?f_ri=199988","photo":"https://0.academia-photos.com/870239/313330/161840353/s65_john.griffiths.jpeg"}</script></span></span></li><li class="js-paper-rank-work_38560749 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38560749"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38560749, container: ".js-paper-rank-work_38560749", }); });</script></li><li class="js-percentile-work_38560749 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38560749; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38560749"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38560749 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38560749"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38560749; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38560749]").text(description); $(".js-view-count-work_38560749").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38560749").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38560749"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a>, <script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="258492" href="https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures">German Renaissance Organ and Lute Tablatures</a>, <script data-card-contents-for-ri="258492" type="text/json">{"id":258492,"name":"German Renaissance Organ and Lute Tablatures","url":"https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="349243" href="https://www.academia.edu/Documents/in/Early_Keyboard_Music">Early Keyboard Music</a><script data-card-contents-for-ri="349243" type="text/json">{"id":349243,"name":"Early Keyboard Music","url":"https://www.academia.edu/Documents/in/Early_Keyboard_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38560749]'), work: {"id":38560749,"title":"Songs without words: The motet as solo instrumental music after Trent","created_at":"2019-03-15T20:06:19.272-07:00","url":"https://www.academia.edu/38560749/Songs_without_words_The_motet_as_solo_instrumental_music_after_Trent?f_ri=199988","dom_id":"work_38560749","summary":"Motet intabulations for organ and lute printed during the second half of the sixteenth century are a barometer of their longevity. More than simply exemplifying instrumental performance practice, they attest to musical fashion and the life of liturgical works beyond their strictly ecclesiastical context. The study shows a continued veneration of older motets from the first half of the century as as models of refined polyphonic elegance completely independent of their liturgical function. Whether embellished for virtuosic display or kept unadorned, older motets proliferated alongside works by Lasso and his contemporaries seemingly impervious to the liturgical reforms of the times.","downloadable_attachments":[{"id":58632786,"asset_id":38560749,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":870239,"first_name":"John","last_name":"Griffiths","domain_name":"unimelb","page_name":"JohnGriffiths","display_name":"John Griffiths","profile_url":"https://unimelb.academia.edu/JohnGriffiths?f_ri=199988","photo":"https://0.academia-photos.com/870239/313330/161840353/s65_john.griffiths.jpeg"}],"research_interests":[{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":258492,"name":"German Renaissance Organ and Lute Tablatures","url":"https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures?f_ri=199988","nofollow":false},{"id":349243,"name":"Early Keyboard Music","url":"https://www.academia.edu/Documents/in/Early_Keyboard_Music?f_ri=199988","nofollow":false},{"id":410625,"name":"Tablatures","url":"https://www.academia.edu/Documents/in/Tablatures?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25113871" data-work_id="25113871" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25113871/_Carmina_a_Benedicto_Aria_Montano_voce_et_fidibus_modulata_en_Quantus_qualisque_Homenaje_al_profesor_Jes%C3%BAs_Luque_Moreno_Ed_F_Fuentes_Moreno_et_al_Granada_Universidad_2016_447_460">“Carmina a Benedicto Aria Montano voce et fidibus modulata”, en Quantus qualisque: Homenaje al profesor Jesús Luque Moreno. Ed. F. Fuentes Moreno et al. (Granada: Universidad, 2016), 447-460.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">During his whole life, Benito Arias Montano used to sing Latin songs while he played his vihuela. He firmly believed in the supernatural power of music to ease the afflictions of the soul, and to gladden men's hearts. Most of the Latin... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25113871" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">During his whole life, Benito Arias Montano used to sing Latin songs while he played his vihuela. He firmly believed in the supernatural power of music to ease the afflictions of the soul, and to gladden men's hearts. Most of the Latin poems he wrote could also be adapted to the music that he or other musicians had created.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25113871" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be2cd2c4dcce8a2992678d389abd45d9" rel="nofollow" data-download="{"attachment_id":45432123,"asset_id":25113871,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45432123/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33829025" href="https://uca-es.academia.edu/Joaqu%C3%ADnPascualBarea">Joaquín Pascual-Barea</a><script data-card-contents-for-user="33829025" type="text/json">{"id":33829025,"first_name":"Joaquín","last_name":"Pascual-Barea","domain_name":"uca-es","page_name":"JoaquínPascualBarea","display_name":"Joaquín Pascual-Barea","profile_url":"https://uca-es.academia.edu/Joaqu%C3%ADnPascualBarea?f_ri=199988","photo":"https://0.academia-photos.com/33829025/9956489/14164250/s65_joaqu_n.pascual-barea"}</script></span></span></li><li class="js-paper-rank-work_25113871 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25113871"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25113871, container: ".js-paper-rank-work_25113871", }); });</script></li><li class="js-percentile-work_25113871 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25113871; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_25113871"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_25113871 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="25113871"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25113871; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25113871]").text(description); $(".js-view-count-work_25113871").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25113871").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25113871"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="45865" href="https://www.academia.edu/Documents/in/Neo-Latin_Poetry">Neo-Latin Poetry</a>, <script data-card-contents-for-ri="45865" type="text/json">{"id":45865,"name":"Neo-Latin Poetry","url":"https://www.academia.edu/Documents/in/Neo-Latin_Poetry?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="81673" href="https://www.academia.edu/Documents/in/Poetry_and_Music">Poetry and Music</a>, <script data-card-contents-for-ri="81673" type="text/json">{"id":81673,"name":"Poetry and Music","url":"https://www.academia.edu/Documents/in/Poetry_and_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a>, <script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="279704" href="https://www.academia.edu/Documents/in/Vihuela_music">Vihuela music</a><script data-card-contents-for-ri="279704" type="text/json">{"id":279704,"name":"Vihuela music","url":"https://www.academia.edu/Documents/in/Vihuela_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25113871]'), work: {"id":25113871,"title":"“Carmina a Benedicto Aria Montano voce et fidibus modulata”, en Quantus qualisque: Homenaje al profesor Jesús Luque Moreno. Ed. F. Fuentes Moreno et al. (Granada: Universidad, 2016), 447-460.","created_at":"2016-05-07T13:48:15.266-07:00","url":"https://www.academia.edu/25113871/_Carmina_a_Benedicto_Aria_Montano_voce_et_fidibus_modulata_en_Quantus_qualisque_Homenaje_al_profesor_Jes%C3%BAs_Luque_Moreno_Ed_F_Fuentes_Moreno_et_al_Granada_Universidad_2016_447_460?f_ri=199988","dom_id":"work_25113871","summary":"During his whole life, Benito Arias Montano used to sing Latin songs while he played his vihuela. He firmly believed in the supernatural power of music to ease the afflictions of the soul, and to gladden men's hearts. Most of the Latin poems he wrote could also be adapted to the music that he or other musicians had created.","downloadable_attachments":[{"id":45432123,"asset_id":25113871,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33829025,"first_name":"Joaquín","last_name":"Pascual-Barea","domain_name":"uca-es","page_name":"JoaquínPascualBarea","display_name":"Joaquín Pascual-Barea","profile_url":"https://uca-es.academia.edu/Joaqu%C3%ADnPascualBarea?f_ri=199988","photo":"https://0.academia-photos.com/33829025/9956489/14164250/s65_joaqu_n.pascual-barea"}],"research_interests":[{"id":45865,"name":"Neo-Latin Poetry","url":"https://www.academia.edu/Documents/in/Neo-Latin_Poetry?f_ri=199988","nofollow":false},{"id":81673,"name":"Poetry and Music","url":"https://www.academia.edu/Documents/in/Poetry_and_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":279704,"name":"Vihuela music","url":"https://www.academia.edu/Documents/in/Vihuela_music?f_ri=199988","nofollow":false},{"id":1028633,"name":"Benito Arias Montano","url":"https://www.academia.edu/Documents/in/Benito_Arias_Montano?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36747163" data-work_id="36747163" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36747163/Imitative_Fantasias_in_Wurstisen_Lute_Book_CH_BU_MS_F_IX_70_2018_">Imitative Fantasias in Wurstisen Lute Book (CH-BU MS. F.IX.70) [2018]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Wurstisen lute book emerges as a very late source of German lute tablature. Written down n the last decade of the 16 th century, it stands out for its remarkable size and repertory. The latter is organized in eight books. Fantasias are... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36747163" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Wurstisen lute book emerges as a very late source of German lute tablature. Written down n the last decade of the 16 th century, it stands out for its remarkable size and repertory. The latter is organized in eight books. Fantasias are placed in the third book. Their variety is in respect of chronology, origin, technique, required instruments. The paper in presence is concentrated on the imitative fantasias. Observation leads to the notion that monothematic ones are generally a later part of the repertory, while on the contrary, the polythematic ones refer to a layer preceding with decades the time of copying the manuscript.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36747163" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="27b4dc2d2be948245ff25402425f899e" rel="nofollow" data-download="{"attachment_id":56692147,"asset_id":36747163,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56692147/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6146503" href="https://bas.academia.edu/YavorGenov">Yavor Genov</a><script data-card-contents-for-user="6146503" type="text/json">{"id":6146503,"first_name":"Yavor","last_name":"Genov","domain_name":"bas","page_name":"YavorGenov","display_name":"Yavor Genov","profile_url":"https://bas.academia.edu/YavorGenov?f_ri=199988","photo":"https://0.academia-photos.com/6146503/2764862/11846147/s65_yavor.genov.jpg"}</script></span></span></li><li class="js-paper-rank-work_36747163 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36747163"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36747163, container: ".js-paper-rank-work_36747163", }); });</script></li><li class="js-percentile-work_36747163 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36747163; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36747163"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36747163 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36747163"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36747163; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36747163]").text(description); $(".js-view-count-work_36747163").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36747163").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36747163"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a><script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36747163]'), work: {"id":36747163,"title":"Imitative Fantasias in Wurstisen Lute Book (CH-BU MS. F.IX.70) [2018]","created_at":"2018-05-30T06:59:40.054-07:00","url":"https://www.academia.edu/36747163/Imitative_Fantasias_in_Wurstisen_Lute_Book_CH_BU_MS_F_IX_70_2018_?f_ri=199988","dom_id":"work_36747163","summary":"Wurstisen lute book emerges as a very late source of German lute tablature. Written down n the last decade of the 16 th century, it stands out for its remarkable size and repertory. The latter is organized in eight books. Fantasias are placed in the third book. Their variety is in respect of chronology, origin, technique, required instruments. The paper in presence is concentrated on the imitative fantasias. Observation leads to the notion that monothematic ones are generally a later part of the repertory, while on the contrary, the polythematic ones refer to a layer preceding with decades the time of copying the manuscript.","downloadable_attachments":[{"id":56692147,"asset_id":36747163,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6146503,"first_name":"Yavor","last_name":"Genov","domain_name":"bas","page_name":"YavorGenov","display_name":"Yavor Genov","profile_url":"https://bas.academia.edu/YavorGenov?f_ri=199988","photo":"https://0.academia-photos.com/6146503/2764862/11846147/s65_yavor.genov.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=199988","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988"},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":322160,"name":"Basel","url":"https://www.academia.edu/Documents/in/Basel?f_ri=199988"},{"id":410625,"name":"Tablatures","url":"https://www.academia.edu/Documents/in/Tablatures?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_302813" data-work_id="302813" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/302813/Lutes_viols_and_temperaments">Lutes, viols and temperaments</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Surveys various approaches to tuning a lute or viol really well (seeing to the exact spacing of the frets) as described from the 1520s to the 1740s. Attention is given to some distinguished composers (Milán, Dowland, Monteverdi, Marais),... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_302813" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Surveys various approaches to tuning a lute or viol really well (seeing to the exact spacing of the frets) as described from the 1520s to the 1740s. Attention is given to some distinguished composers (Milán, Dowland, Monteverdi, Marais), some seminal figures in the early history of modern science (V. Galilei, Mersenne, Lord Brouncker) and a number of encyclopedic or didactic writers on music (Gerle, Bermudo, Ganassi, Zarlino, Praetorius). Includes practical instruction, conclusions about Renaissance and Baroque performance practices, and an appendix by Gerhard Söhne on the historical use of proportions and geometric curves in lute design.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/302813" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="231142" href="https://uohyd.academia.edu/MarkLindley">Mark Lindley</a><script data-card-contents-for-user="231142" type="text/json">{"id":231142,"first_name":"Mark","last_name":"Lindley","domain_name":"uohyd","page_name":"MarkLindley","display_name":"Mark Lindley","profile_url":"https://uohyd.academia.edu/MarkLindley?f_ri=199988","photo":"https://0.academia-photos.com/231142/51180/47142/s65_mark.lindley.jpg"}</script></span></span></li><li class="js-paper-rank-work_302813 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="302813"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 302813, container: ".js-paper-rank-work_302813", }); });</script></li><li class="js-percentile-work_302813 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 302813; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_302813"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_302813 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="302813"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 302813; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=302813]").text(description); $(".js-view-count-work_302813").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_302813").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="302813"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10288" href="https://www.academia.edu/Documents/in/Viola_Da_Gamba">Viola Da Gamba</a>, <script data-card-contents-for-ri="10288" type="text/json">{"id":10288,"name":"Viola Da Gamba","url":"https://www.academia.edu/Documents/in/Viola_Da_Gamba?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=302813]'), work: {"id":302813,"title":"Lutes, viols and temperaments","created_at":"2010-08-20T01:49:43.229-07:00","url":"https://www.academia.edu/302813/Lutes_viols_and_temperaments?f_ri=199988","dom_id":"work_302813","summary":"Surveys various approaches to tuning a lute or viol really well (seeing to the exact spacing of the frets) as described from the 1520s to the 1740s. Attention is given to some distinguished composers (Milán, Dowland, Monteverdi, Marais), some seminal figures in the early history of modern science (V. Galilei, Mersenne, Lord Brouncker) and a number of encyclopedic or didactic writers on music (Gerle, Bermudo, Ganassi, Zarlino, Praetorius). Includes practical instruction, conclusions about Renaissance and Baroque performance practices, and an appendix by Gerhard Söhne on the historical use of proportions and geometric curves in lute design.","downloadable_attachments":[],"ordered_authors":[{"id":231142,"first_name":"Mark","last_name":"Lindley","domain_name":"uohyd","page_name":"MarkLindley","display_name":"Mark Lindley","profile_url":"https://uohyd.academia.edu/MarkLindley?f_ri=199988","photo":"https://0.academia-photos.com/231142/51180/47142/s65_mark.lindley.jpg"}],"research_interests":[{"id":10288,"name":"Viola Da Gamba","url":"https://www.academia.edu/Documents/in/Viola_Da_Gamba?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33211475" data-work_id="33211475" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33211475/Call_for_contributions">Call for contributions</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33211475" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="53e9316731d5141a44871d66c5765f61" rel="nofollow" data-download="{"attachment_id":53289962,"asset_id":33211475,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53289962/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}</script></span></span></li><li class="js-paper-rank-work_33211475 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33211475"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33211475, container: ".js-paper-rank-work_33211475", }); });</script></li><li class="js-percentile-work_33211475 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33211475; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33211475"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33211475 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33211475"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33211475; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33211475]").text(description); $(".js-view-count-work_33211475").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33211475").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33211475"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="30530" href="https://www.academia.edu/Documents/in/History_of_music">History of music</a><script data-card-contents-for-ri="30530" type="text/json">{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33211475]'), work: {"id":33211475,"title":"Call for contributions","created_at":"2017-05-26T11:59:52.755-07:00","url":"https://www.academia.edu/33211475/Call_for_contributions?f_ri=199988","dom_id":"work_33211475","summary":null,"downloadable_attachments":[{"id":53289962,"asset_id":33211475,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=199988","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=199988"},{"id":71735,"name":"Early Musical Instrument Iconography","url":"https://www.academia.edu/Documents/in/Early_Musical_Instrument_Iconography?f_ri=199988"},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":858188,"name":"Liuto","url":"https://www.academia.edu/Documents/in/Liuto?f_ri=199988"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=199988"},{"id":2451486,"name":"Battaglia Per Liuto","url":"https://www.academia.edu/Documents/in/Battaglia_Per_Liuto?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_75859302" data-work_id="75859302" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/75859302/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson">Evidence contrary to the a cappella hypothesis for the 15th-century chanson</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/75859302" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d1fd38ad5e0905b373af725274af94a9" rel="nofollow" data-download="{"attachment_id":83495470,"asset_id":75859302,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/83495470/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8844712" href="https://unh.academia.edu/PeterUrquhart">Peter Urquhart</a><script data-card-contents-for-user="8844712" type="text/json">{"id":8844712,"first_name":"Peter","last_name":"Urquhart","domain_name":"unh","page_name":"PeterUrquhart","display_name":"Peter Urquhart","profile_url":"https://unh.academia.edu/PeterUrquhart?f_ri=199988","photo":"https://0.academia-photos.com/8844712/3716361/4354600/s65_peter.urquhart.jpg"}</script></span></span></li><li class="js-paper-rank-work_75859302 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="75859302"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 75859302, container: ".js-paper-rank-work_75859302", }); 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$(".js-view-count[data-work-id=75859302]").text(description); $(".js-view-count-work_75859302").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_75859302").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="75859302"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="32414" href="https://www.academia.edu/Documents/in/Performance_Practice_Music_">Performance Practice (Music)</a>, <script data-card-contents-for-ri="32414" type="text/json">{"id":32414,"name":"Performance Practice (Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=75859302]'), work: {"id":75859302,"title":"Evidence contrary to the a cappella hypothesis for the 15th-century chanson","created_at":"2022-04-08T17:02:02.966-07:00","url":"https://www.academia.edu/75859302/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson?f_ri=199988","dom_id":"work_75859302","summary":null,"downloadable_attachments":[{"id":83495470,"asset_id":75859302,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8844712,"first_name":"Peter","last_name":"Urquhart","domain_name":"unh","page_name":"PeterUrquhart","display_name":"Peter Urquhart","profile_url":"https://unh.academia.edu/PeterUrquhart?f_ri=199988","photo":"https://0.academia-photos.com/8844712/3716361/4354600/s65_peter.urquhart.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=199988","nofollow":false},{"id":32414,"name":"Performance Practice (Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":452912,"name":"Oxford university","url":"https://www.academia.edu/Documents/in/Oxford_university?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24135173" data-work_id="24135173" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24135173/Quattrocento_Intarsien_als_Quellen_der_lnstrumentengeschichte">Quattrocento-Intarsien als Quellen der lnstrumentengeschichte</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Musical iconography of the short-lived fashion of intarsia decoration in Italy is particularly valuable because instruments are shown at or nearly at life size. Examples include the representations of clavichord and lira da braccio of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_24135173" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Musical iconography of the short-lived fashion of intarsia decoration in Italy is particularly valuable because instruments are shown at or nearly at life size. Examples include the representations of clavichord and lira da braccio of the celebrated studiolo of Federico da Montefeltro's residence in Urbino; of positive organ, vielle, lira da braccio, lute, and zink (cornett) in the studiolo of his residence at Gubbio, and 11-string lute, probably by Damiano da Bergamo, from Bologna, both in the collections of the Metropolitan Museum of Art, New York; of an early harpsichord in the choir stalls of the Genoa cathedral; of a cittern in decorations by Giovanni da Verona for the monastery of Monte Oliveto Maggiore near Siena; and of lutes, viola da gamba, recorders, crumhorns, and spinettino in the doors of the Stanza della Segnatura in the Vatican.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24135173" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="378af2d41e2781fad87cff4f7cbcec37" rel="nofollow" data-download="{"attachment_id":44492663,"asset_id":24135173,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44492663/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="44971738" href="https://gc-cuny.academia.edu/EmanuelWinternitz">Emanuel Winternitz</a><script data-card-contents-for-user="44971738" type="text/json">{"id":44971738,"first_name":"Emanuel","last_name":"Winternitz","domain_name":"gc-cuny","page_name":"EmanuelWinternitz","display_name":"Emanuel Winternitz","profile_url":"https://gc-cuny.academia.edu/EmanuelWinternitz?f_ri=199988","photo":"https://0.academia-photos.com/44971738/13721718/14866809/s65_emanuel.winternitz.jpg"}</script></span></span></li><li class="js-paper-rank-work_24135173 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24135173"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24135173, container: ".js-paper-rank-work_24135173", }); 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$(".js-view-count[data-work-id=24135173]").text(description); $(".js-view-count-work_24135173").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24135173").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24135173"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="4843" href="https://www.academia.edu/Documents/in/Organology">Organology</a>, <script data-card-contents-for-ri="4843" type="text/json">{"id":4843,"name":"Organology","url":"https://www.academia.edu/Documents/in/Organology?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="26875" href="https://www.academia.edu/Documents/in/Iconography_Music_">Iconography (Music)</a>, <script data-card-contents-for-ri="26875" type="text/json">{"id":26875,"name":"Iconography (Music)","url":"https://www.academia.edu/Documents/in/Iconography_Music_?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="90742" href="https://www.academia.edu/Documents/in/Musical_Iconography">Musical Iconography</a><script data-card-contents-for-ri="90742" type="text/json">{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24135173]'), work: {"id":24135173,"title":"Quattrocento-Intarsien als Quellen der lnstrumentengeschichte","created_at":"2016-04-06T17:50:50.711-07:00","url":"https://www.academia.edu/24135173/Quattrocento_Intarsien_als_Quellen_der_lnstrumentengeschichte?f_ri=199988","dom_id":"work_24135173","summary":"Musical iconography of the short-lived fashion of intarsia decoration in Italy is particularly valuable because instruments are shown at or nearly at life size. Examples include the representations of clavichord and lira da braccio of the celebrated studiolo of Federico da Montefeltro's residence in Urbino; of positive organ, vielle, lira da braccio, lute, and zink (cornett) in the studiolo of his residence at Gubbio, and 11-string lute, probably by Damiano da Bergamo, from Bologna, both in the collections of the Metropolitan Museum of Art, New York; of an early harpsichord in the choir stalls of the Genoa cathedral; of a cittern in decorations by Giovanni da Verona for the monastery of Monte Oliveto Maggiore near Siena; and of lutes, viola da gamba, recorders, crumhorns, and spinettino in the doors of the Stanza della Segnatura in the Vatican.","downloadable_attachments":[{"id":44492663,"asset_id":24135173,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44971738,"first_name":"Emanuel","last_name":"Winternitz","domain_name":"gc-cuny","page_name":"EmanuelWinternitz","display_name":"Emanuel Winternitz","profile_url":"https://gc-cuny.academia.edu/EmanuelWinternitz?f_ri=199988","photo":"https://0.academia-photos.com/44971738/13721718/14866809/s65_emanuel.winternitz.jpg"}],"research_interests":[{"id":4843,"name":"Organology","url":"https://www.academia.edu/Documents/in/Organology?f_ri=199988","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=199988","nofollow":false},{"id":26875,"name":"Iconography (Music)","url":"https://www.academia.edu/Documents/in/Iconography_Music_?f_ri=199988","nofollow":false},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988","nofollow":false},{"id":142395,"name":"Urbino","url":"https://www.academia.edu/Documents/in/Urbino?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":306496,"name":"Gubbio","url":"https://www.academia.edu/Documents/in/Gubbio?f_ri=199988"},{"id":450529,"name":"Stanza della Segnatura","url":"https://www.academia.edu/Documents/in/Stanza_della_Segnatura?f_ri=199988"},{"id":1198913,"name":"Intarsia","url":"https://www.academia.edu/Documents/in/Intarsia?f_ri=199988"},{"id":1261850,"name":"Monte Oliveto Maggiore","url":"https://www.academia.edu/Documents/in/Monte_Oliveto_Maggiore?f_ri=199988"},{"id":1380262,"name":"Lira Da Braccio","url":"https://www.academia.edu/Documents/in/Lira_Da_Braccio?f_ri=199988"},{"id":2482018,"name":"Giovanni da Verona","url":"https://www.academia.edu/Documents/in/Giovanni_da_Verona?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7435359" data-work_id="7435359" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7435359/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson">Evidence contrary to the a cappella hypothesis for the 15th-century chanson</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">The authors determined that the contratenor 'voice' was in fact performed instrumentally in the 15th c. three-voice chanson, through arguments based on the linear, harmonic, and notational evidence.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7435359" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8844712" href="https://unh.academia.edu/PeterUrquhart">Peter Urquhart</a><script data-card-contents-for-user="8844712" type="text/json">{"id":8844712,"first_name":"Peter","last_name":"Urquhart","domain_name":"unh","page_name":"PeterUrquhart","display_name":"Peter Urquhart","profile_url":"https://unh.academia.edu/PeterUrquhart?f_ri=199988","photo":"https://0.academia-photos.com/8844712/3716361/4354600/s65_peter.urquhart.jpg"}</script></span></span></li><li class="js-paper-rank-work_7435359 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7435359"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7435359, container: ".js-paper-rank-work_7435359", }); });</script></li><li class="js-percentile-work_7435359 InlineList-item 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data-has-card-for-ri="32414" href="https://www.academia.edu/Documents/in/Performance_Practice_Music_">Performance Practice (Music)</a>, <script data-card-contents-for-ri="32414" type="text/json">{"id":32414,"name":"Performance Practice (Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7435359]'), work: {"id":7435359,"title":"Evidence contrary to the a cappella hypothesis for the 15th-century chanson","created_at":"2014-06-23T08:24:07.846-07:00","url":"https://www.academia.edu/7435359/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson?f_ri=199988","dom_id":"work_7435359","summary":"The authors determined that the contratenor 'voice' was in fact performed instrumentally in the 15th c. three-voice chanson, through arguments based on the linear, harmonic, and notational evidence.","downloadable_attachments":[{"id":34018470,"asset_id":7435359,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8844712,"first_name":"Peter","last_name":"Urquhart","domain_name":"unh","page_name":"PeterUrquhart","display_name":"Peter Urquhart","profile_url":"https://unh.academia.edu/PeterUrquhart?f_ri=199988","photo":"https://0.academia-photos.com/8844712/3716361/4354600/s65_peter.urquhart.jpg"}],"research_interests":[{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=199988","nofollow":false},{"id":32414,"name":"Performance Practice (Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1067830" data-work_id="1067830" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1067830/Bat%C4%B1_Lavta_Tablatur_Notasyonu_Turkish_">Batı Lavta Tablatur Notasyonu (Turkish)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This pamphlet explains the old kinds of Western tablature notation for lute music.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1067830" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="21461e687ad64aa6d26389623237ad41" rel="nofollow" data-download="{"attachment_id":7301623,"asset_id":1067830,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/7301623/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="423180" href="https://independent.academia.edu/MLindley">Mark Lindley</a><script data-card-contents-for-user="423180" type="text/json">{"id":423180,"first_name":"Mark","last_name":"Lindley","domain_name":"independent","page_name":"MLindley","display_name":"Mark Lindley","profile_url":"https://independent.academia.edu/MLindley?f_ri=199988","photo":"https://0.academia-photos.com/423180/246846/291797/s65_mark.lindley.jpg"}</script></span></span></li><li class="js-paper-rank-work_1067830 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1067830"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1067830, container: ".js-paper-rank-work_1067830", }); });</script></li><li class="js-percentile-work_1067830 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1067830; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1067830"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1067830 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1067830"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1067830; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1067830]").text(description); $(".js-view-count-work_1067830").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1067830").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1067830"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a>, <script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a>, <script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="258492" href="https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures">German Renaissance Organ and Lute Tablatures</a><script data-card-contents-for-ri="258492" type="text/json">{"id":258492,"name":"German Renaissance Organ and Lute Tablatures","url":"https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1067830]'), work: {"id":1067830,"title":"Batı Lavta Tablatur Notasyonu (Turkish)","created_at":"2011-11-05T09:37:24.223-07:00","url":"https://www.academia.edu/1067830/Bat%C4%B1_Lavta_Tablatur_Notasyonu_Turkish_?f_ri=199988","dom_id":"work_1067830","summary":"This pamphlet explains the old kinds of Western tablature notation for lute music.","downloadable_attachments":[{"id":7301623,"asset_id":1067830,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":423180,"first_name":"Mark","last_name":"Lindley","domain_name":"independent","page_name":"MLindley","display_name":"Mark Lindley","profile_url":"https://independent.academia.edu/MLindley?f_ri=199988","photo":"https://0.academia-photos.com/423180/246846/291797/s65_mark.lindley.jpg"}],"research_interests":[{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":258492,"name":"German Renaissance Organ and Lute Tablatures","url":"https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures?f_ri=199988","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41818987" data-work_id="41818987" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41818987/Unbekannte_genuine_Instrumentals%C3%A4tze_aus_der_Lautentabulatur_des_Stephan_Craus_A_Wn_Mus_Hs_18688_schriftlos_skizziert_gedruckt">Unbekannte genuine Instrumentalsätze aus der Lautentabulatur des Stephan Craus (A-Wn, Mus. Hs. 18688): schriftlos – skizziert – gedruckt</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The article concerns a rarely explored lute manuscript from the Viennese region (1526–40) and focuses on the “pure” instrumental settings (mainly entitled “Preambulum”) that have been discovered recently. The article contains a new index... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41818987" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The article concerns a rarely explored lute manuscript from the Viennese region (1526–40) and focuses on the “pure” instrumental settings (mainly entitled “Preambulum”) that have been discovered recently. The article contains a new index of the manuscript, allowing better orientation for modern musicians or researchers. The analysis of the instrumental settings in the context of lute teaching and learning techniques in the first third of the sixteenth century shows that the scribes, on one hand, follow these techniques, but, on the other, still reflect the non-written practices. The “Preambula” are formulated as pieces and are related to Latin spoken verse, formulaic sententiae-exercises, dance interludes, or even improvised dances. The manuscript was a handwritten educational lute book based on printed prototypes. Its sources are international: They can be found both in Northern Italy (Petrucci prints) and in the Southern German-speaking region (Judenkünig, Gerle, Neusidler). This is considered to be one of the characteristics of the musical life of the Viennese region in the early sixteenth century.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41818987" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="640a25dd6c5b3bb938cb328c1956d2d8" rel="nofollow" data-download="{"attachment_id":61961119,"asset_id":41818987,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61961119/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="133519364" href="https://univie.academia.edu/KaterynaSch%C3%B6ning">Kateryna Schöning</a><script data-card-contents-for-user="133519364" type="text/json">{"id":133519364,"first_name":"Kateryna","last_name":"Schöning","domain_name":"univie","page_name":"KaterynaSchöning","display_name":"Kateryna Schöning","profile_url":"https://univie.academia.edu/KaterynaSch%C3%B6ning?f_ri=199988","photo":"https://0.academia-photos.com/133519364/36207845/31098717/s65_kateryna.sch_ning.jpg"}</script></span></span></li><li class="js-paper-rank-work_41818987 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41818987"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41818987, container: ".js-paper-rank-work_41818987", }); 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Hs. 18688): schriftlos – skizziert – gedruckt","created_at":"2020-02-01T10:00:24.055-08:00","url":"https://www.academia.edu/41818987/Unbekannte_genuine_Instrumentals%C3%A4tze_aus_der_Lautentabulatur_des_Stephan_Craus_A_Wn_Mus_Hs_18688_schriftlos_skizziert_gedruckt?f_ri=199988","dom_id":"work_41818987","summary":"The article concerns a rarely explored lute manuscript from the Viennese region (1526–40) and focuses on the “pure” instrumental settings (mainly entitled “Preambulum”) that have been discovered recently. The article contains a new index of the manuscript, allowing better orientation for modern musicians or researchers. The analysis of the instrumental settings in the context of lute teaching and learning techniques in the first third of the sixteenth century shows that the scribes, on one hand, follow these techniques, but, on the other, still reflect the non-written practices. The “Preambula” are formulated as pieces and are related to Latin spoken verse, formulaic sententiae-exercises, dance interludes, or even improvised dances. The manuscript was a handwritten educational lute book based on printed prototypes. Its sources are international: They can be found both in Northern Italy (Petrucci prints) and in the Southern German-speaking region (Judenkünig, Gerle, Neusidler). 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Rivista della Società del Liuto, I, 2010 - prima di copertina e indice</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33210711" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="114984e58fbbc7af35183eccbf52778a" rel="nofollow" data-download="{"attachment_id":53289317,"asset_id":33210711,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53289317/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}</script></span></span></li><li class="js-paper-rank-work_33210711 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33210711"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33210711, container: ".js-paper-rank-work_33210711", }); });</script></li><li class="js-percentile-work_33210711 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33210711; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33210711"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33210711 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33210711"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33210711; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33210711]").text(description); $(".js-view-count-work_33210711").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33210711").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33210711"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="26875" href="https://www.academia.edu/Documents/in/Iconography_Music_">Iconography (Music)</a>, <script data-card-contents-for-ri="26875" type="text/json">{"id":26875,"name":"Iconography (Music)","url":"https://www.academia.edu/Documents/in/Iconography_Music_?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a><script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33210711]'), work: {"id":33210711,"title":"Il Liuto. 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Hs. 18688): schriftlos – skizziert – gedruckt</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Abstract:The article concerns a rarely explored lute manuscript from the Viennese region (1526–40) and focuses on the “pure” instrumental settings (mainly entitled “Preambulum”) that have been discovered recently. The article contains a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_73643457" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Abstract:The article concerns a rarely explored lute manuscript from the Viennese region (1526–40) and focuses on the “pure” instrumental settings (mainly entitled “Preambulum”) that have been discovered recently. The article contains a new index of the manuscript, allowing better orientation for modern musicians or researchers. The analysis of the instrumental settings in the context of lute teaching and learning techniques in the first third of the sixteenth century shows that the scribes, on one hand, follow these techniques, but, on the other, still reflect the non-written practices. The “Preambula” are formulated as pieces and are related to Latin spoken verse, formulaic sententiae-exercises, dance interludes, or even improvised dances. The manuscript was a handwritten educational lute book based on printed prototypes. Its sources are international: They can be found both in Northern Italy (Petrucci prints) and in the Southern German-speaking region (Judenkünig, Gerle, Neusidle...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/73643457" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="133519364" href="https://univie.academia.edu/KaterynaSch%C3%B6ning">Kateryna Schöning</a><script data-card-contents-for-user="133519364" type="text/json">{"id":133519364,"first_name":"Kateryna","last_name":"Schöning","domain_name":"univie","page_name":"KaterynaSchöning","display_name":"Kateryna Schöning","profile_url":"https://univie.academia.edu/KaterynaSch%C3%B6ning?f_ri=199988","photo":"https://0.academia-photos.com/133519364/36207845/31098717/s65_kateryna.sch_ning.jpg"}</script></span></span></li><li class="js-paper-rank-work_73643457 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="73643457"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 73643457, container: ".js-paper-rank-work_73643457", }); 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$(".js-view-count[data-work-id=73643457]").text(description); $(".js-view-count-work_73643457").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_73643457").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="73643457"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1236" href="https://www.academia.edu/Documents/in/Art">Art</a>, <script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6663" href="https://www.academia.edu/Documents/in/Manuscript_Studies">Manuscript Studies</a>, <script data-card-contents-for-ri="6663" type="text/json">{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a><script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=73643457]'), work: {"id":73643457,"title":"Unbekannte genuine Instrumentalsätze aus der Lautentabulatur des Stephan Craus (A-Wn, Mus. Hs. 18688): schriftlos – skizziert – gedruckt","created_at":"2022-03-13T00:20:54.220-08:00","url":"https://www.academia.edu/73643457/Unbekannte_genuine_Instrumentals%C3%A4tze_aus_der_Lautentabulatur_des_Stephan_Craus_A_Wn_Mus_Hs_18688_schriftlos_skizziert_gedruckt?f_ri=199988","dom_id":"work_73643457","summary":"Abstract:The article concerns a rarely explored lute manuscript from the Viennese region (1526–40) and focuses on the “pure” instrumental settings (mainly entitled “Preambulum”) that have been discovered recently. The article contains a new index of the manuscript, allowing better orientation for modern musicians or researchers. The analysis of the instrumental settings in the context of lute teaching and learning techniques in the first third of the sixteenth century shows that the scribes, on one hand, follow these techniques, but, on the other, still reflect the non-written practices. The “Preambula” are formulated as pieces and are related to Latin spoken verse, formulaic sententiae-exercises, dance interludes, or even improvised dances. The manuscript was a handwritten educational lute book based on printed prototypes. Its sources are international: They can be found both in Northern Italy (Petrucci prints) and in the Southern German-speaking region (Judenkünig, Gerle, Neusidle...","downloadable_attachments":[],"ordered_authors":[{"id":133519364,"first_name":"Kateryna","last_name":"Schöning","domain_name":"univie","page_name":"KaterynaSchöning","display_name":"Kateryna Schöning","profile_url":"https://univie.academia.edu/KaterynaSch%C3%B6ning?f_ri=199988","photo":"https://0.academia-photos.com/133519364/36207845/31098717/s65_kateryna.sch_ning.jpg"}],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=199988","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false},{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":410625,"name":"Tablatures","url":"https://www.academia.edu/Documents/in/Tablatures?f_ri=199988"},{"id":1243489,"name":"Vienna Music History","url":"https://www.academia.edu/Documents/in/Vienna_Music_History?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_72890007" data-work_id="72890007" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/72890007/K%C3%A4rlekss%C3%A5nger_en_t%C3%A4ckmantel_f%C3%B6r_f%C3%B6rbjudna_beg%C3%A4r">Kärlekssånger - en täckmantel för förbjudna begär</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Karlek ar det vanligaste amnet for en sang, sa har det kanske alltid varit. Men karlek har ocksa alltid varit en tackmantel for att utova makt, hot, forfoljelse eller forbjudna begar. I det tidiga ...</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/72890007" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="41907824" href="https://gu-se.academia.edu/KKarlsson">Katarina Karlsson</a><script data-card-contents-for-user="41907824" type="text/json">{"id":41907824,"first_name":"Katarina","last_name":"Karlsson","domain_name":"gu-se","page_name":"KKarlsson","display_name":"Katarina Karlsson","profile_url":"https://gu-se.academia.edu/KKarlsson?f_ri=199988","photo":"https://0.academia-photos.com/41907824/14954863/15708137/s65_katarina.karlsson.jpg"}</script></span></span></li><li class="js-paper-rank-work_72890007 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="72890007"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 72890007, container: ".js-paper-rank-work_72890007", }); });</script></li><li class="js-percentile-work_72890007 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72890007; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_72890007"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_72890007 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="72890007"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72890007; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72890007]").text(description); $(".js-view-count-work_72890007").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_72890007").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="72890007"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4801" href="https://www.academia.edu/Documents/in/Sexual_Violence">Sexual Violence</a>, <script data-card-contents-for-ri="4801" type="text/json">{"id":4801,"name":"Sexual Violence","url":"https://www.academia.edu/Documents/in/Sexual_Violence?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4917" href="https://www.academia.edu/Documents/in/Gender_and_Sexuality">Gender and Sexuality</a>, <script data-card-contents-for-ri="4917" type="text/json">{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="34840" href="https://www.academia.edu/Documents/in/Artistic_Research_of_Music">Artistic Research of Music</a><script data-card-contents-for-ri="34840" type="text/json">{"id":34840,"name":"Artistic Research of Music","url":"https://www.academia.edu/Documents/in/Artistic_Research_of_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=72890007]'), work: {"id":72890007,"title":"Kärlekssånger - en täckmantel för förbjudna begär","created_at":"2022-03-03T02:03:18.303-08:00","url":"https://www.academia.edu/72890007/K%C3%A4rlekss%C3%A5nger_en_t%C3%A4ckmantel_f%C3%B6r_f%C3%B6rbjudna_beg%C3%A4r?f_ri=199988","dom_id":"work_72890007","summary":"Karlek ar det vanligaste amnet for en sang, sa har det kanske alltid varit. Men karlek har ocksa alltid varit en tackmantel for att utova makt, hot, forfoljelse eller forbjudna begar. I det tidiga ...","downloadable_attachments":[],"ordered_authors":[{"id":41907824,"first_name":"Katarina","last_name":"Karlsson","domain_name":"gu-se","page_name":"KKarlsson","display_name":"Katarina Karlsson","profile_url":"https://gu-se.academia.edu/KKarlsson?f_ri=199988","photo":"https://0.academia-photos.com/41907824/14954863/15708137/s65_katarina.karlsson.jpg"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false},{"id":4801,"name":"Sexual Violence","url":"https://www.academia.edu/Documents/in/Sexual_Violence?f_ri=199988","nofollow":false},{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=199988","nofollow":false},{"id":34840,"name":"Artistic Research of Music","url":"https://www.academia.edu/Documents/in/Artistic_Research_of_Music?f_ri=199988","nofollow":false},{"id":82943,"name":"Singing","url":"https://www.academia.edu/Documents/in/Singing?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":343900,"name":"Thomas Campion","url":"https://www.academia.edu/Documents/in/Thomas_Campion?f_ri=199988"},{"id":2163508,"name":"Voice technique","url":"https://www.academia.edu/Documents/in/Voice_technique?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44939985" data-work_id="44939985" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44939985/One_Chanson_Three_Intabulations_The_Journey_of_Orlando_di_Lasso_s_Bon_jour_mon_coeur_to_the_Wurstisen_lute_book_in_Basel_2020_">One Chanson – Three Intabulations. The Journey of Orlando di Lasso’s Bon jour mon coeur to the Wurstisen lute book in Basel [2020]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Wurstisen lute book is remarkable lute manuscript, entirely compiled by the Basel’s student in medicine Emanuel Wurstisen between 1591–1594. Important part of it contains lute arrangements of vocal secular music – French Chansons, Italian... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44939985" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Wurstisen lute book is remarkable lute manuscript, entirely compiled by<br />the Basel’s student in medicine Emanuel Wurstisen between 1591–1594. Important part of it contains lute arrangements of vocal secular music – French Chansons, Italian Madrigals and German Lieder. Orlando di Lasso’s chanson Bon jour mon coeur is copied by Wurstisen three successive times in three different lute versions, which most likely speaks about special attitude of the scribe to it. The paper in<br />presence aims to trace out: where Wurstisen copied his versions from; how each version reflects the original texture; whether Wurstisen copied his arrangements literally or certain personal marks are recognizable.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44939985" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ab9685e5566a1ee94dbfe61fa93ab82c" rel="nofollow" data-download="{"attachment_id":65467678,"asset_id":44939985,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65467678/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6146503" href="https://bas.academia.edu/YavorGenov">Yavor Genov</a><script data-card-contents-for-user="6146503" type="text/json">{"id":6146503,"first_name":"Yavor","last_name":"Genov","domain_name":"bas","page_name":"YavorGenov","display_name":"Yavor Genov","profile_url":"https://bas.academia.edu/YavorGenov?f_ri=199988","photo":"https://0.academia-photos.com/6146503/2764862/11846147/s65_yavor.genov.jpg"}</script></span></span></li><li class="js-paper-rank-work_44939985 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44939985"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44939985, container: ".js-paper-rank-work_44939985", }); });</script></li><li class="js-percentile-work_44939985 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44939985; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44939985"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44939985 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44939985"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44939985; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44939985]").text(description); $(".js-view-count-work_44939985").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44939985").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44939985"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25327" href="https://www.academia.edu/Documents/in/Orlando_di_Lasso">Orlando di Lasso</a>, <script data-card-contents-for-ri="25327" type="text/json">{"id":25327,"name":"Orlando di Lasso","url":"https://www.academia.edu/Documents/in/Orlando_di_Lasso?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46907" href="https://www.academia.edu/Documents/in/Chanson_francaise">Chanson francaise</a>, <script data-card-contents-for-ri="46907" type="text/json">{"id":46907,"name":"Chanson francaise","url":"https://www.academia.edu/Documents/in/Chanson_francaise?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44939985]'), work: {"id":44939985,"title":"One Chanson – Three Intabulations. The Journey of Orlando di Lasso’s Bon jour mon coeur to the Wurstisen lute book in Basel [2020]","created_at":"2021-01-20T02:43:59.145-08:00","url":"https://www.academia.edu/44939985/One_Chanson_Three_Intabulations_The_Journey_of_Orlando_di_Lasso_s_Bon_jour_mon_coeur_to_the_Wurstisen_lute_book_in_Basel_2020_?f_ri=199988","dom_id":"work_44939985","summary":"Wurstisen lute book is remarkable lute manuscript, entirely compiled by\nthe Basel’s student in medicine Emanuel Wurstisen between 1591–1594. Important part of it contains lute arrangements of vocal secular music – French Chansons, Italian Madrigals and German Lieder. Orlando di Lasso’s chanson Bon jour mon coeur is copied by Wurstisen three successive times in three different lute versions, which most likely speaks about special attitude of the scribe to it. The paper in\npresence aims to trace out: where Wurstisen copied his versions from; how each version reflects the original texture; whether Wurstisen copied his arrangements literally or certain personal marks are recognizable.","downloadable_attachments":[{"id":65467678,"asset_id":44939985,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6146503,"first_name":"Yavor","last_name":"Genov","domain_name":"bas","page_name":"YavorGenov","display_name":"Yavor Genov","profile_url":"https://bas.academia.edu/YavorGenov?f_ri=199988","photo":"https://0.academia-photos.com/6146503/2764862/11846147/s65_yavor.genov.jpg"}],"research_interests":[{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":25327,"name":"Orlando di Lasso","url":"https://www.academia.edu/Documents/in/Orlando_di_Lasso?f_ri=199988","nofollow":false},{"id":46907,"name":"Chanson francaise","url":"https://www.academia.edu/Documents/in/Chanson_francaise?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":258492,"name":"German Renaissance Organ and Lute Tablatures","url":"https://www.academia.edu/Documents/in/German_Renaissance_Organ_and_Lute_Tablatures?f_ri=199988"},{"id":322160,"name":"Basel","url":"https://www.academia.edu/Documents/in/Basel?f_ri=199988"},{"id":1992204,"name":"Lute Tablatures","url":"https://www.academia.edu/Documents/in/Lute_Tablatures?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33275507" data-work_id="33275507" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33275507/G_FERRARIS_Caravaggio_e_Baschenis_Due_rappresentazioni_della_stessa_musica_copertina_">G. FERRARIS, Caravaggio e Baschenis. Due rappresentazioni della stessa musica (copertina)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33275507" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5a16ba166a9b79c13d90523807f33e49" rel="nofollow" data-download="{"attachment_id":53343777,"asset_id":33275507,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53343777/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. 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Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":71735,"name":"Early Musical Instrument Iconography","url":"https://www.academia.edu/Documents/in/Early_Musical_Instrument_Iconography?f_ri=199988","nofollow":false},{"id":72149,"name":"Caravaggio","url":"https://www.academia.edu/Documents/in/Caravaggio?f_ri=199988","nofollow":false},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33275506" data-work_id="33275506" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33275506/G_L_LASTRAIOLI_F_TRIBIOLI_eds_Il_Manoscritto_Mbs_1511b_della_Bayerische_Staatsbibliothek_di_Monaco_di_Baviera_copertina_">G. L. LASTRAIOLI - F. TRIBIOLI (eds), Il Manoscritto Mbs 1511b della Bayerische Staatsbibliothek di Monaco di Baviera (copertina)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33275506" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="24344f35c3eebc7fe0003c86ef6e2609" rel="nofollow" data-download="{"attachment_id":53343776,"asset_id":33275506,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53343776/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. 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Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":681100,"name":"Baroque Lute","url":"https://www.academia.edu/Documents/in/Baroque_Lute?f_ri=199988"},{"id":1992204,"name":"Lute Tablatures","url":"https://www.academia.edu/Documents/in/Lute_Tablatures?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24782316" data-work_id="24782316" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24782316/Le_Battaglie_per_liuto_di_Francesco_da_Milano_e_di_Hans_Neusidler">Le Battaglie per liuto di Francesco da Milano e di Hans Neusidler</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">musical examples lute tablature & sheet music <br />Francesco da Milano La Guerre<br />Hans Neusidler La Battaglia Taliana</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" 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24782316; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24782316]").text(description); $(".js-view-count-work_24782316").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24782316").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24782316"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58850" href="https://www.academia.edu/Documents/in/Historical_Musicology">Historical Musicology</a>, <script data-card-contents-for-ri="58850" type="text/json">{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a>, <script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="858188" href="https://www.academia.edu/Documents/in/Liuto">Liuto</a><script data-card-contents-for-ri="858188" type="text/json">{"id":858188,"name":"Liuto","url":"https://www.academia.edu/Documents/in/Liuto?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24782316]'), work: {"id":24782316,"title":"Le Battaglie per liuto di Francesco da Milano e di Hans Neusidler","created_at":"2016-04-26T13:29:29.379-07:00","url":"https://www.academia.edu/24782316/Le_Battaglie_per_liuto_di_Francesco_da_Milano_e_di_Hans_Neusidler?f_ri=199988","dom_id":"work_24782316","summary":"musical examples lute tablature \u0026 sheet music \nFrancesco da Milano La Guerre\nHans Neusidler La Battaglia Taliana","downloadable_attachments":[{"id":45111044,"asset_id":24782316,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22323908,"first_name":"Davide","last_name":"Bortolai","domain_name":"unibo","page_name":"DavideBortolai","display_name":"Davide Bortolai","profile_url":"https://unibo.academia.edu/DavideBortolai?f_ri=199988","photo":"https://0.academia-photos.com/22323908/8724403/9743838/s65_davide.bortolai.jpg"}],"research_interests":[{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988","nofollow":false},{"id":858188,"name":"Liuto","url":"https://www.academia.edu/Documents/in/Liuto?f_ri=199988","nofollow":false},{"id":2450987,"name":"La Battaglia Musical Genre","url":"https://www.academia.edu/Documents/in/La_Battaglia_Musical_Genre?f_ri=199988"},{"id":2451486,"name":"Battaglia Per Liuto","url":"https://www.academia.edu/Documents/in/Battaglia_Per_Liuto?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33211476" data-work_id="33211476" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33211476/Invito_a_contribuire">Invito a contribuire</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33211476" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f1be5c7907063087084783b744026c52" rel="nofollow" data-download="{"attachment_id":53289964,"asset_id":33211476,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53289964/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}</script></span></span></li><li class="js-paper-rank-work_33211476 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33211476"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33211476, container: ".js-paper-rank-work_33211476", }); });</script></li><li class="js-percentile-work_33211476 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33211476; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33211476"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33211476 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33211476"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33211476; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33211476]").text(description); $(".js-view-count-work_33211476").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33211476").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33211476"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="30530" href="https://www.academia.edu/Documents/in/History_of_music">History of music</a>, <script data-card-contents-for-ri="30530" type="text/json">{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a><script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33211476]'), work: {"id":33211476,"title":"Invito a contribuire","created_at":"2017-05-26T11:59:52.880-07:00","url":"https://www.academia.edu/33211476/Invito_a_contribuire?f_ri=199988","dom_id":"work_33211476","summary":null,"downloadable_attachments":[{"id":53289964,"asset_id":33211476,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":71735,"name":"Early Musical Instrument Iconography","url":"https://www.academia.edu/Documents/in/Early_Musical_Instrument_Iconography?f_ri=199988"},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49373926" data-work_id="49373926" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49373926/Lutes_viols_and_temperaments">Lutes, viols, and temperaments</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">... other kinds of evidence described here. I think it worthwhile, however, to use our ears as best we can, and hope for a well-informed consensus to confirm our percep-tions, or improve upon them. To that end the publishers (to ...</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49373926" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="100286945" href="https://uppsala.academia.edu/CaryKarp">Cary Karp</a><script data-card-contents-for-user="100286945" type="text/json">{"id":100286945,"first_name":"Cary","last_name":"Karp","domain_name":"uppsala","page_name":"CaryKarp","display_name":"Cary Karp","profile_url":"https://uppsala.academia.edu/CaryKarp?f_ri=199988","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_49373926 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49373926"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49373926, container: ".js-paper-rank-work_49373926", }); });</script></li><li class="js-percentile-work_49373926 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49373926; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_49373926"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_49373926 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="49373926"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49373926; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49373926]").text(description); $(".js-view-count-work_49373926").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49373926").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49373926"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10288" href="https://www.academia.edu/Documents/in/Viola_Da_Gamba">Viola Da Gamba</a>, <script data-card-contents-for-ri="10288" type="text/json">{"id":10288,"name":"Viola Da Gamba","url":"https://www.academia.edu/Documents/in/Viola_Da_Gamba?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a><script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49373926]'), work: {"id":49373926,"title":"Lutes, viols, and temperaments","created_at":"2021-06-25T15:24:10.943-07:00","url":"https://www.academia.edu/49373926/Lutes_viols_and_temperaments?f_ri=199988","dom_id":"work_49373926","summary":"... other kinds of evidence described here. I think it worthwhile, however, to use our ears as best we can, and hope for a well-informed consensus to confirm our percep-tions, or improve upon them. To that end the publishers (to ...","downloadable_attachments":[],"ordered_authors":[{"id":100286945,"first_name":"Cary","last_name":"Karp","domain_name":"uppsala","page_name":"CaryKarp","display_name":"Cary Karp","profile_url":"https://uppsala.academia.edu/CaryKarp?f_ri=199988","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=199988","nofollow":false},{"id":10288,"name":"Viola Da Gamba","url":"https://www.academia.edu/Documents/in/Viola_Da_Gamba?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49276643" data-work_id="49276643" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49276643/Codex_Jacobides_CZ_Pnm_XIII_B_237_CRITICAL_EDITION_COMPLETE_PACKAGE">Codex Jacobides CZ-Pnm XIII B 237 - CRITICAL EDITION—COMPLETE PACKAGE</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The lute tablature fragment with the signature CZ-Pnm XIII B 237, also known as the Codex Jacobides, is one of the most seminal Czech relics of lute music, and instrumental music in general, of the early 17th century. It hails from Prague... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49276643" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The lute tablature fragment with the signature CZ-Pnm XIII B 237, also known as the Codex Jacobides, is one of the most seminal Czech relics of lute music, and instrumental music in general, of the early 17th century. It hails from Prague during and after the reign of Emperor Rudolf II. In all likelihood, it was written and used by someone connected with the Prague University, presumably a student. Unlike all the other lute tablatures from the Czech milieu dating from this era, Codex Jacobides also contains art music for solo lute, including the earliest surviving instrumental piece where we know the name of the Czech author. Codex Jacobides also includes intabulations of Regnart’s German villanelle, of French chansons and Italian madrigals, and period dances from various countries—a testimony to the international culture of Prague during the reign of Rudolf II.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49276643" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4890497" href="https://muni.academia.edu/Jan%C4%8Ci%C5%BEm%C3%A1%C5%99">Jan Čižmář</a><script data-card-contents-for-user="4890497" type="text/json">{"id":4890497,"first_name":"Jan","last_name":"Čižmář","domain_name":"muni","page_name":"JanČižmář","display_name":"Jan Čižmář","profile_url":"https://muni.academia.edu/Jan%C4%8Ci%C5%BEm%C3%A1%C5%99?f_ri=199988","photo":"https://0.academia-photos.com/4890497/2103072/2471827/s65_jan._i_m_.jpg"}</script></span></span></li><li class="js-paper-rank-work_49276643 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49276643"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49276643, container: ".js-paper-rank-work_49276643", }); 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$(".js-view-count[data-work-id=49276643]").text(description); $(".js-view-count-work_49276643").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49276643").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49276643"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3027" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a>, <script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a><script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49276643]'), work: {"id":49276643,"title":"Codex Jacobides CZ-Pnm XIII B 237 - CRITICAL EDITION—COMPLETE PACKAGE","created_at":"2021-06-17T13:56:49.846-07:00","url":"https://www.academia.edu/49276643/Codex_Jacobides_CZ_Pnm_XIII_B_237_CRITICAL_EDITION_COMPLETE_PACKAGE?f_ri=199988","dom_id":"work_49276643","summary":"The lute tablature fragment with the signature CZ-Pnm XIII B 237, also known as the Codex Jacobides, is one of the most seminal Czech relics of lute music, and instrumental music in general, of the early 17th century. It hails from Prague during and after the reign of Emperor Rudolf II. In all likelihood, it was written and used by someone connected with the Prague University, presumably a student. Unlike all the other lute tablatures from the Czech milieu dating from this era, Codex Jacobides also contains art music for solo lute, including the earliest surviving instrumental piece where we know the name of the Czech author. Codex Jacobides also includes intabulations of Regnart’s German villanelle, of French chansons and Italian madrigals, and period dances from various countries—a testimony to the international culture of Prague during the reign of Rudolf II.","downloadable_attachments":[],"ordered_authors":[{"id":4890497,"first_name":"Jan","last_name":"Čižmář","domain_name":"muni","page_name":"JanČižmář","display_name":"Jan Čižmář","profile_url":"https://muni.academia.edu/Jan%C4%8Ci%C5%BEm%C3%A1%C5%99?f_ri=199988","photo":"https://0.academia-photos.com/4890497/2103072/2471827/s65_jan._i_m_.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=199988","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=199988","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":712313,"name":"Court of Rudolf II","url":"https://www.academia.edu/Documents/in/Court_of_Rudolf_II?f_ri=199988"},{"id":801973,"name":"Rudolf II","url":"https://www.academia.edu/Documents/in/Rudolf_II?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33392087" data-work_id="33392087" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33392087/Premessa_di_Gian_Luca_Lastraioli_p_4">Premessa di Gian Luca Lastraioli, p. 4</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33392087" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c3729a5c61e15afe734d0c08ebce5ac2" rel="nofollow" data-download="{"attachment_id":53447693,"asset_id":33392087,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53447693/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}</script></span></span></li><li class="js-paper-rank-work_33392087 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33392087"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33392087, container: ".js-paper-rank-work_33392087", }); });</script></li><li class="js-percentile-work_33392087 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33392087; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33392087"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33392087 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33392087"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33392087; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33392087]").text(description); $(".js-view-count-work_33392087").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33392087").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33392087"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4845" href="https://www.academia.edu/Documents/in/String_Instruments">String Instruments</a>, <script data-card-contents-for-ri="4845" type="text/json">{"id":4845,"name":"String Instruments","url":"https://www.academia.edu/Documents/in/String_Instruments?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10313" href="https://www.academia.edu/Documents/in/Performance_Studies_Music_">Performance Studies (Music)</a>, <script data-card-contents-for-ri="10313" type="text/json">{"id":10313,"name":"Performance Studies (Music)","url":"https://www.academia.edu/Documents/in/Performance_Studies_Music_?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14954" href="https://www.academia.edu/Documents/in/Baroque_Music">Baroque Music</a><script data-card-contents-for-ri="14954" type="text/json">{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33392087]'), work: {"id":33392087,"title":"Premessa di Gian Luca Lastraioli, p. 4","created_at":"2017-06-09T07:12:57.129-07:00","url":"https://www.academia.edu/33392087/Premessa_di_Gian_Luca_Lastraioli_p_4?f_ri=199988","dom_id":"work_33392087","summary":null,"downloadable_attachments":[{"id":53447693,"asset_id":33392087,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":4845,"name":"String Instruments","url":"https://www.academia.edu/Documents/in/String_Instruments?f_ri=199988","nofollow":false},{"id":10313,"name":"Performance Studies (Music)","url":"https://www.academia.edu/Documents/in/Performance_Studies_Music_?f_ri=199988","nofollow":false},{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=199988","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988"},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":174929,"name":"Lute, Baroque Music","url":"https://www.academia.edu/Documents/in/Lute_Baroque_Music?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":858188,"name":"Liuto","url":"https://www.academia.edu/Documents/in/Liuto?f_ri=199988"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=199988"},{"id":2451486,"name":"Battaglia Per Liuto","url":"https://www.academia.edu/Documents/in/Battaglia_Per_Liuto?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_73223021" data-work_id="73223021" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/73223021/Poesia_in_musica_fra_Cinque_e_Seicento_esecutore_e_performance_integrata_">Poesia in musica fra Cinque e Seicento: esecutore e “performance integrata”</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Storia e forme del libro di rime tra secondo Cinquecento e primo Seicento. Università degli Studi di Padova, 28-29 novembre 2019 Comitato scientifico: Franco Tomasi, Valeria Di Iasio Most of the material presented was published in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_73223021" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Storia e forme del libro di rime tra secondo Cinquecento e primo Seicento. Università degli Studi di Padova, 28-29 novembre 2019 <br />Comitato scientifico: Franco Tomasi, Valeria Di Iasio <br /> <br />Most of the material presented was published in <br /><a href="https://www.academia.edu/73140777/Cantanti_strumentisti_e_improvvisatori_La_poesia_in_musica_e_l_esecuzione_integrata_fra_Cinque_e_Seicento" rel="nofollow">https://www.academia.edu/73140777/Cantanti_strumentisti_e_improvvisatori_La_poesia_in_musica_e_l_esecuzione_integrata_fra_Cinque_e_Seicento</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/73223021" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35164023" href="https://hud.academia.edu/LivioTicli">Livio Ticli</a><script data-card-contents-for-user="35164023" type="text/json">{"id":35164023,"first_name":"Livio","last_name":"Ticli","domain_name":"hud","page_name":"LivioTicli","display_name":"Livio Ticli","profile_url":"https://hud.academia.edu/LivioTicli?f_ri=199988","photo":"https://0.academia-photos.com/35164023/75041670/63547032/s65_livio.ticli.jpg"}</script></span></span></li><li class="js-paper-rank-work_73223021 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="73223021"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 73223021, container: ".js-paper-rank-work_73223021", }); 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$(".js-view-count[data-work-id=73223021]").text(description); $(".js-view-count-work_73223021").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_73223021").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="73223021"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="14954" href="https://www.academia.edu/Documents/in/Baroque_Music">Baroque Music</a>, <script data-card-contents-for-ri="14954" type="text/json">{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19425" href="https://www.academia.edu/Documents/in/Polyphony">Polyphony</a>, <script data-card-contents-for-ri="19425" type="text/json">{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20720" href="https://www.academia.edu/Documents/in/Performance_Practice">Performance Practice</a><script data-card-contents-for-ri="20720" type="text/json">{"id":20720,"name":"Performance Practice","url":"https://www.academia.edu/Documents/in/Performance_Practice?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=73223021]'), work: {"id":73223021,"title":"Poesia in musica fra Cinque e Seicento: esecutore e “performance integrata”","created_at":"2022-03-07T00:30:55.677-08:00","url":"https://www.academia.edu/73223021/Poesia_in_musica_fra_Cinque_e_Seicento_esecutore_e_performance_integrata_?f_ri=199988","dom_id":"work_73223021","summary":"Storia e forme del libro di rime tra secondo Cinquecento e primo Seicento. Università degli Studi di Padova, 28-29 novembre 2019\r\nComitato scientifico: Franco Tomasi, Valeria Di Iasio\r\n\r\nMost of the material presented was published in \r\nhttps://www.academia.edu/73140777/Cantanti_strumentisti_e_improvvisatori_La_poesia_in_musica_e_l_esecuzione_integrata_fra_Cinque_e_Seicento\r\n","downloadable_attachments":[],"ordered_authors":[{"id":35164023,"first_name":"Livio","last_name":"Ticli","domain_name":"hud","page_name":"LivioTicli","display_name":"Livio Ticli","profile_url":"https://hud.academia.edu/LivioTicli?f_ri=199988","photo":"https://0.academia-photos.com/35164023/75041670/63547032/s65_livio.ticli.jpg"}],"research_interests":[{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=199988","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=199988","nofollow":false},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=199988","nofollow":false},{"id":20720,"name":"Performance Practice","url":"https://www.academia.edu/Documents/in/Performance_Practice?f_ri=199988","nofollow":false},{"id":22346,"name":"Instrumental Music","url":"https://www.academia.edu/Documents/in/Instrumental_Music?f_ri=199988"},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988"},{"id":70733,"name":"Vocal performance","url":"https://www.academia.edu/Documents/in/Vocal_performance?f_ri=199988"},{"id":81673,"name":"Poetry and Music","url":"https://www.academia.edu/Documents/in/Poetry_and_Music?f_ri=199988"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":258734,"name":"Italian madrigal of late 16th century","url":"https://www.academia.edu/Documents/in/Italian_madrigal_of_late_16th_century?f_ri=199988"},{"id":406012,"name":"Poetry Music","url":"https://www.academia.edu/Documents/in/Poetry_Music?f_ri=199988"},{"id":553651,"name":"Madrigals","url":"https://www.academia.edu/Documents/in/Madrigals?f_ri=199988"},{"id":558362,"name":"Basso Continuo","url":"https://www.academia.edu/Documents/in/Basso_Continuo?f_ri=199988"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=199988"},{"id":1681526,"name":"Canzonetta","url":"https://www.academia.edu/Documents/in/Canzonetta?f_ri=199988"},{"id":1886897,"name":"Intabulations","url":"https://www.academia.edu/Documents/in/Intabulations?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33211302" data-work_id="33211302" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33211302/Il_Liuto_Rivista_della_Societ%C3%A0_del_Liuto_VIII_2014">Il Liuto. Rivista della Società del Liuto, VIII, 2014</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33211302" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be1fd36444e5c6d9d17554a63d8c0e1c" rel="nofollow" data-download="{"attachment_id":53289839,"asset_id":33211302,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53289839/download_file?st=MTczMjcxMDIyNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59952715" href="https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto">Il Liuto. Rivista della Società del Liuto</a><script data-card-contents-for-user="59952715" type="text/json">{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}</script></span></span></li><li class="js-paper-rank-work_33211302 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33211302"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33211302, container: ".js-paper-rank-work_33211302", }); });</script></li><li class="js-percentile-work_33211302 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33211302; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33211302"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33211302 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33211302"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33211302; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33211302]").text(description); $(".js-view-count-work_33211302").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33211302").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33211302"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a>, <script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="71735" href="https://www.academia.edu/Documents/in/Early_Musical_Instrument_Iconography">Early Musical Instrument Iconography</a>, <script data-card-contents-for-ri="71735" type="text/json">{"id":71735,"name":"Early Musical Instrument Iconography","url":"https://www.academia.edu/Documents/in/Early_Musical_Instrument_Iconography?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="90742" href="https://www.academia.edu/Documents/in/Musical_Iconography">Musical Iconography</a><script data-card-contents-for-ri="90742" type="text/json">{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33211302]'), work: {"id":33211302,"title":"Il Liuto. Rivista della Società del Liuto, VIII, 2014","created_at":"2017-05-26T11:41:46.334-07:00","url":"https://www.academia.edu/33211302/Il_Liuto_Rivista_della_Societ%C3%A0_del_Liuto_VIII_2014?f_ri=199988","dom_id":"work_33211302","summary":null,"downloadable_attachments":[{"id":53289839,"asset_id":33211302,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59952715,"first_name":"Il Liuto.","last_name":"Rivista della Società del Liuto","domain_name":"independent","page_name":"IlLiutoRivistadellaSocietàdelLiuto","display_name":"Il Liuto. Rivista della Società del Liuto","profile_url":"https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto?f_ri=199988","photo":"https://0.academia-photos.com/59952715/15634246/17132622/s65_il_liuto..rivista_della_societ_del_liuto.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=199988","nofollow":false},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false},{"id":71735,"name":"Early Musical Instrument Iconography","url":"https://www.academia.edu/Documents/in/Early_Musical_Instrument_Iconography?f_ri=199988","nofollow":false},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=199988","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":858188,"name":"Liuto","url":"https://www.academia.edu/Documents/in/Liuto?f_ri=199988"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=199988"},{"id":2451486,"name":"Battaglia Per Liuto","url":"https://www.academia.edu/Documents/in/Battaglia_Per_Liuto?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9518301" data-work_id="9518301" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9518301/Lute_Manuscripts_and_their_Uses_5_30_7_30_pm_">Lute Manuscripts and their Uses (5.30-7.30 pm)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper will examine the corpus of sixteenth- and early seventeenth-century lute manuscripts, looking at the reasons behind their compilation and the scribes responsible as well as, more broadly, at what these manuscripts reveal about... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9518301" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper will examine the corpus of sixteenth- and early seventeenth-century lute manuscripts, looking at the reasons behind their compilation and the scribes responsible as well as, more broadly, at what these manuscripts reveal about the way in which musical instruments were taught in early modern England, who was playing them, and the purpose this skill served in social change and advancement.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9518301" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="85596" href="https://oxford.academia.edu/JuliaCraigMcFeely">Julia Craig-McFeely</a><script data-card-contents-for-user="85596" type="text/json">{"id":85596,"first_name":"Julia","last_name":"Craig-McFeely","domain_name":"oxford","page_name":"JuliaCraigMcFeely","display_name":"Julia Craig-McFeely","profile_url":"https://oxford.academia.edu/JuliaCraigMcFeely?f_ri=199988","photo":"https://0.academia-photos.com/85596/6852329/7733293/s65_julia.craig-mcfeely.jpg"}</script></span></span></li><li class="js-paper-rank-work_9518301 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9518301"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9518301, container: ".js-paper-rank-work_9518301", }); });</script></li><li class="js-percentile-work_9518301 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9518301; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9518301"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9518301 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9518301"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9518301; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9518301]").text(description); $(".js-view-count-work_9518301").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9518301").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9518301"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2366" href="https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books">Manuscripts and Early Printed Books</a>, <script data-card-contents-for-ri="2366" type="text/json">{"id":2366,"name":"Manuscripts and Early Printed Books","url":"https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17550" href="https://www.academia.edu/Documents/in/Lute">Lute</a>, <script data-card-contents-for-ri="17550" type="text/json">{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=199988","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="64536" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a><script data-card-contents-for-ri="64536" type="text/json">{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=199988","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9518301]'), work: {"id":9518301,"title":"Lute Manuscripts and their Uses (5.30-7.30 pm)","created_at":"2014-11-26T19:55:49.080-08:00","url":"https://www.academia.edu/9518301/Lute_Manuscripts_and_their_Uses_5_30_7_30_pm_?f_ri=199988","dom_id":"work_9518301","summary":"This paper will examine the corpus of sixteenth- and early seventeenth-century lute manuscripts, looking at the reasons behind their compilation and the scribes responsible as well as, more broadly, at what these manuscripts reveal about the way in which musical instruments were taught in early modern England, who was playing them, and the purpose this skill served in social change and advancement.","downloadable_attachments":[],"ordered_authors":[{"id":85596,"first_name":"Julia","last_name":"Craig-McFeely","domain_name":"oxford","page_name":"JuliaCraigMcFeely","display_name":"Julia 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music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=199988"},{"id":252743,"name":"Elizabethan England","url":"https://www.academia.edu/Documents/in/Elizabethan_England?f_ri=199988"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Lute_Music">Lute Music</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="64536">Follow</a><a class="u-tcGray 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