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(PDF) MARBLES AND COLOURED STONES FROM THE THEATRE OF CAESARAUGUSTA (HISPANIA): PRELIMINARY STUDY

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A combination of techniques using petrography, cathodoluminescence and" /> <title>(PDF) MARBLES AND COLOURED STONES FROM THE THEATRE OF CAESARAUGUSTA (HISPANIA): PRELIMINARY STUDY</title> <link rel="canonical" href="https://www.academia.edu/45586666/MARBLES_AND_COLOURED_STONES_FROM_THE_THEATRE_OF_CAESARAUGUSTA_HISPANIA_PRELIMINARY_STUDY" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = 'e4aaa77f54406eebb1468586fc8789d2b4836e07'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1736131405000); window.Aedu.timeDifference = new Date().getTime() - 1736131405000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"This paper reports the preliminary results of a study designed to investigate the provenance of marble and coloured stones used in the theatre of Caesaraugusta (Hispania). A combination of techniques using petrography, cathodoluminescence and isotopic analyses has provided basic information for understanding their sources. The building stones were obtained from local sedimentary sources. White marbles, “Buixcarró”, Rosso Antico, and Porfido Nero were used for architectural ornaments. Sculpture, epigraphy and architecture were carved in marble from the Saint Béat district, in the French Pyrenees. In addition, Paros-Stefani, and Thassos dolomitic marbles have also been identified and other sources are also discussed.","author":[{"@context":"https://schema.org","@type":"Person","name":"María Pilar Lapuente Mercadal"}],"contributor":[],"dateCreated":"2021-03-20","datePublished":"2009-01-01","headline":"MARBLES AND COLOURED STONES FROM THE THEATRE OF CAESARAUGUSTA (HISPANIA): PRELIMINARY STUDY","image":"https://attachments.academia-assets.com/66065583/thumbnails/1.jpg","inLanguage":"en","keywords":["Archaeology of Roman Hispania","Ancient Greek and Roman Theatre","Roman Marble trade and distribution","Marble Provenance"],"publication":"ASMOSIA VII Actes du VII e colloque international de 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A combination of techniques using petrography, cathodoluminescence and isotopic analyses has provided basic information for understanding their\nsources. The building stones were obtained from local sedimentary sources. White marbles, “Buixcarró”, Rosso\nAntico, and Porfido Nero were used for architectural ornaments. Sculpture, epigraphy and architecture were\ncarved in marble from the Saint Béat district, in the French Pyrenees. In addition, Paros-Stefani, and Thassos dolomitic marbles have also been identified and other sources are also discussed.","publication_date":"2009,,","publication_name":"ASMOSIA VII Actes du VII e colloque international de l'ASMOSIA"},"document_type":"other","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"MARBLES AND COLOURED STONES FROM THE THEATRE OF CAESARAUGUSTA (HISPANIA): PRELIMINARY STUDY","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [13503042]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card ds-work-card--prominent-pdf"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;swp-splash-paper-cover&quot;,&quot;attachmentId&quot;:66065583,&quot;attachmentType&quot;:&quot;pdf&quot;}"><img alt="First page of “MARBLES AND COLOURED STONES FROM THE THEATRE OF CAESARAUGUSTA (HISPANIA): PRELIMINARY STUDY”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/66065583/mini_magick20210320-562-txo70s.png?1616256676" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">MARBLES AND COLOURED STONES FROM THE THEATRE OF CAESARAUGUSTA (HISPANIA): PRELIMINARY STUDY</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="13503042" href="https://unizar.academia.edu/Mar%C3%ADaPilarLapuenteMercadal"><img alt="Profile image of María Pilar Lapuente Mercadal" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/13503042/3905481/4566950/s65_mar_a_pilar.lapuente_mercadal.jpg" />María Pilar Lapuente Mercadal</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2009, ASMOSIA VII Actes du VII e colloque international de l&#39;ASMOSIA</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">31 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 45586666; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">This paper reports the preliminary results of a study designed to investigate the provenance of marble and coloured stones used in the theatre of Caesaraugusta (Hispania). A combination of techniques using petrography, cathodoluminescence and isotopic analyses has provided basic information for understanding their sources. The building stones were obtained from local sedimentary sources. White marbles, “Buixcarró”, Rosso Antico, and Porfido Nero were used for architectural ornaments. Sculpture, epigraphy and architecture were carved in marble from the Saint Béat district, in the French Pyrenees. In addition, Paros-Stefani, and Thassos dolomitic marbles have also been identified and other sources are also discussed.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--work-card&quot;,&quot;attachmentId&quot;:66065583,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/45586666/MARBLES_AND_COLOURED_STONES_FROM_THE_THEATRE_OF_CAESARAUGUSTA_HISPANIA_PRELIMINARY_STUDY&quot;}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--work-card&quot;,&quot;attachmentId&quot;:66065583,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/45586666/MARBLES_AND_COLOURED_STONES_FROM_THE_THEATRE_OF_CAESARAUGUSTA_HISPANIA_PRELIMINARY_STUDY&quot;}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger"></div></div><div class="ds-signup-banner"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research.</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;signup-banner&quot;}">Sign up for free</button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Arana – J. A. Antolinos – J. M. Noguera – B. Soler – S. Arana, Quarrying, use and scope of Cabezo Gordo and Rambla de Trujillo marbles (Murcia, Spain) in the Roman era, en: Interdisciplinary Studies on Ancient Stone. Proceedings of the IX ASMOSIA Conference, Tarragona, 2012, 657-664</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10800291" href="https://murcia.academia.edu/Jos%C3%A9MiguelNogueraCeldr%C3%A1n">José Miguel Noguera Celdrán</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;R. Arana – J. A. Antolinos – J. M. Noguera – B. Soler – S. Arana, Quarrying, use and scope of Cabezo Gordo and Rambla de Trujillo marbles (Murcia, Spain) in the Roman era, en: Interdisciplinary Studies on Ancient Stone. 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href="https://unil.academia.edu/JorgeSpangenberg">Jorge Spangenberg</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="13266233" href="https://independent.academia.edu/FrancescaOriglia">Francesca Origlia</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Origlia F, Gliozzo E., Meccheri M., Spangenberg J.E., Memmi I., Papi E. , 2011</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Mineralogical, petrographic and geochemical characterisation of white and coloured Iberian marbles in the context of the provenancing of some artefacts from Thamusida (Morocco). 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marbles in the context of the provenancing of some artefacts from Thamusida (Kenitra, Morocco)</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="259928440" href="https://independent.academia.edu/PAPIEMANUELE">EMANUELE PAPI</a></div><p class="ds-related-work--metadata ds2-5-body-xs">European Journal of Mineralogy, 2011</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Mineralogical, petrographic and geochemical characterisation of white and coloured Iberian marbles in the context of the provenancing of some artefacts from Thamusida (Kenitra, 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II, 545-553</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="32288006" href="https://flul.academia.edu/RuteMassanoRodrigues">Rute Massano Rodrigues</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="62216882" href="https://ulisboa.academia.edu/ClaraMouraSoares">Clara Moura Soares</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Soares, C.M., Rodrigues, R.M., Filipe,C., Moreira,N., “Alentejo Marbles in the construction of the Basilica of Our Lady of the Rosary of Fátima, Portugal”, in History of Construction Culture, Leiden, CRC Press/Balkema (Taylor \u0026 Francis Group), 2021, vol. 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