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The Charity of Saint Martin | Yale University Art Gallery
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Art" data-artwork-classification="Paintings" data-artwork-culture="Italian, Siena" data-artwork-department="European Art" data-artwork-geography="Made in Siena, Italy" ></div> <div class="bgc-gray pt-60 pt-70-s pb-70"> <div class="core grid g-af-row"> <div class="gc-full gc-sidebar-right-m mb-10 m-0-m" data-collection-object-header> <h1 class="h4 ui-reset"> The Charity of Saint Martin </h1> <p class="d-b mt-00 mt-30-m text-s"> <a href="/collection?f%5B0%5D=creator%3AArtist%3A%20Ambrogio%20Lorenzetti%20%28Siena%2C%20documented%201319%E2%80%9348%29">Artist: Ambrogio Lorenzetti (Siena, documented 1319–48)</a><br /> </p> </div> <noscript> <img src="https://media.collections.yale.edu/thumbnail/yuag/f617b95a-319f-48fa-a9bf-c3a366df90ab" alt="Ambrogio Lorenzetti, The Charity of Saint Martin, ca. 1342–44" /> </noscript> <div id="image-viewer" class="image-viewer gc-full gc-content-left-m mb-50 m-0-m ui-green ui-inverse text-s"> </div> <div class="gc-full gc-sidebar-right-m mt-50-m ui-green-aa"> <div class="object-primary-details mb-50 text-s"> <p class="m-0">ca. 1342–44</p> <p class="m-0"><a href="/collection?f%5B0%5D=department%3AEuropean%20Art">European Art</a></p> <div class="label-tag bgc-white ui-reset mt-50 mb-50"><a href="/collection?f%5B0%5D=on_view%3AOn%20view%2C%202nd%20floor%2C%20European%20Art">On view, 2nd floor, European Art</a></div> <div> <p><span class="lux_data">This small masterpiece of early Renaissance realism was originally the wing of a triptych that depicted the Virgin and Child (now in the Pinacoteca Nazionale, Siena) at the center and the charity of Saint Nicolas of Bari (now in the Musée du Louvre, Paris) on its other wing. It relates the legend of Saint Martin who, as an eighteen-year-old Roman legionary, encountered a beggar at the city gate of Amiens and cut the cloak he was wearing into two halves to share with him. The following night he had a vision of Christ wearing half his cloak. In designing his scene, the great Sienese master Ambrogio Lorenzetti converted the Roman soldier to a medieval knight and imagined Amiens as a fortified medieval town.</span></p> </div> </div> <dl class="structured-list text-s"> <div class="medium multiple structured-list__item"> <dt class="h5 field__label">Medium</dt> <dd> <div class="structured-list__item-content"> <p>Tempera and gold on panel</p> </div> </dd> </div> <div class="dimensions multiple structured-list__item"> <dt class="h5 field__label">Dimensions</dt> <dd> <div class="structured-list__item-content"> <p>11 3/4 × 8 1/4 in. (29.9 × 20.9 cm)<br/>picture surface: 11 9/16 × 7 9/16 in. (29.4 × 19.2 cm)</p> </div> </dd> </div> <div class="credit multiple structured-list__item"> <dt class="h5 field__label">Credit Line</dt> <dd> <div class="structured-list__item-content"> <p>University Purchase from James Jackson Jarves</p> </div> </dd> </div> <div class="accession-number multiple structured-list__item"> <dt class="h5 field__label">Accession Number</dt> <dd> <div class="structured-list__item-content"> <p>1871.11</p> </div> </dd> </div> <div class="geography multiple structured-list__item"> <dt class="h5 field__label">Geography</dt> <dd> <div class="structured-list__item-content"> <p><a href="/collection?f%5B0%5D=geography%3AMade%20in%20Siena%2C%20Italy">Made in Siena, Italy</a></p> </div> </dd> </div> <div class="culture multiple structured-list__item"> <dt class="h5 field__label">Culture</dt> <dd> <div class="structured-list__item-content"> <p><a href="/collection?f%5B0%5D=culture%3AItalian%2C%20Siena">Italian, Siena</a></p> </div> </dd> </div> <div class="period multiple structured-list__item"> <dt class="h5 field__label">Period</dt> <dd> <div class="structured-list__item-content"> <p>14th century</p> </div> </dd> </div> <div class="classification multiple structured-list__item"> <dt class="h5 field__label">Classification</dt> <dd> <div class="structured-list__item-content"> <p><a href="/collection?f%5B0%5D=classification%3APaintings">Paintings</a></p> </div> </dd> </div> <div class="structures-list__item"> <dt class="h5 field__label">Disclaimer</dt> <dd> <div class="structured-list__item-content"> <p>Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.</p> </div> </dd> </div> </dl> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Provenance <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="provenance gc-full mb-30"> <h2 class="field__label visually-hidden h5 m-0 mb-10">Provenance</h2> James Jackson Jarves Collection, Florence, to 1871; Yale University Art Gallery, New Haven, Conn. </div> </div> </div> </details> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Bibliography <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="gc-full mb-30"> <ul> <li><span class="lux_data"><a href="https://publications.artgallery.yale.edu/italian-paintings/catalogue/volume-1/the-sienese-school/51/" target="_blank">Laurence Kanter and Pia Palladino, <em>Italian Paintings at the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 2023–), https://publications.artgallery.yale.edu/italian-paintings/catalogue/volume-1/the-sienese-school/51/</a></span></li> </ul> <ul> <li><span class="lux_data">Norman E. Muller, "Ambrogio Lorenzetti's 'Small' Maesta reconsidered," <em>Conservare necesse est. Oslo: IIC Nordic Group</em> (1999), 214–224, fig. 3, 5–6</span></li> </ul> <ul> <li><span class="lux_data">Creighton Gilbert, "Ambrogio Lorenzetti's Charitable Appeal," <em>Yale University Art Gallery Bulletin</em> (1997–98), 31–41, fig. 1</span></li> </ul> <ul> <li><span class="lux_data">Elise K. Kenney, ed., <em>Handbook of the Collections: Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 1992), 133</span></li> </ul> <ul> <li><span class="lux_data">A. Brejon de Lavergnée and Dominique Thiébaut, <em>Catalogue sommaire illustré des peintures du Musée du Louvre: Italie, Espagne, Allemagne, Grande-Bretagne et divers</em>, 2 (Paris: Editions de la Réunion des Musées Nationaux, 1981), 195</span></li> </ul> <ul> <li><span class="lux_data">Andrew Carnduff Ritchie and Katherine Neilson, <em>Selected Paintings and Sculpture from the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Press, 1972), no. 2, ill.</span></li> </ul> <ul> <li><span class="lux_data">Burton B. Fredericksen and Federico Zeri, <em>Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections</em> (Cambridge, Mass.: Harvard University Press, 1972), 599</span></li> </ul> <ul> <li><span class="lux_data">Charles Seymour Jr., <em>Early Italian Paintings in the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 1970), 72–75, no. 50, fig. 50</span></li> </ul> <ul> <li><span class="lux_data">Bernard Berenson, <em>Italian Pictures of the Renaissance, A List of the Principal Artists and Their Works with an Index of Places: Central Italian and North Italian Schools</em>, 3 vols. (London: Phaidon, 1968), 1:221</span></li> </ul> <ul> <li><span class="lux_data">G. Moran, Charles Seymour Jr., and Enzo Carli, "The Jarves St. Martin and the Beggar," <em>Yale University Art Gallery Bulletin</em> 31, no. 2 (Spring 1967), 28–39, ill.</span></li> </ul> <ul> <li><span class="lux_data">Francis Steegmuller, <em>The Two Lives of James Jackson Jarves</em> (New Haven, Conn.: Yale University Press, 1951), 299, fig. 8</span></li> </ul> <ul> <li><span class="lux_data">Federico Zeri <em>Paragone</em> 2 (1951), 52–54, 52–54 (as Ambrogio Lorenzetti)</span></li> </ul> <ul> <li><span class="lux_data">"Picture Book Number One: Italian Painting," <em>Bulletin of the Associates in Fine Arts at Yale University</em> 15, nos. 1–3 (October 1946), fig. 18</span></li> </ul> <ul> <li><span class="lux_data">Bernard Berenson, <em>Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere</em> (Milan, Italy: Ulrico Hoepli, 1936), 459</span></li> </ul> <ul> <li><span class="lux_data">Bernard Berenson, <em>Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works with an Index of Places</em> (Oxford: Clarendon Press, 1932), 534</span></li> </ul> <ul> <li><span class="lux_data">Bernard Berenson, <em>Studies in Medieval Painting</em> (New Haven, Conn.: Yale University Press, 1930), 58</span></li> </ul> <ul> <li><span class="lux_data">Richard Offner, <em>Italian Primitives at Yale University: Comments and Revisions</em> (New Haven, Conn.: Yale University Press, 1927), 4–5, 38, fig. 28</span></li> </ul> <ul> <li><span class="lux_data">Raimond van Marle, <em>Simone Martini et les peintres de son école</em> (Strasbourg, France: J. H. E. Heitz, 1920), 81–82, 81–82 (Simone Martini)</span></li> </ul> <ul> <li><span class="lux_data">Osvald Sirén, <em>A Descriptive Catalogue of the Pictures in the Jarves Collection Belonging to Yale University</em> (New Haven, Conn.: Yale University Press, 1916), 35–36, no. 11, ill.</span></li> </ul> <ul> <li><span class="lux_data">William Rankin, <em>Notes on the Collections of Old Masters at Yale University, the Boston Museum of Fine Arts, the Fogg Museum of Harvard University</em> (Wellesley, Mass.: Department of Art, Wellesley College, 1905), 146</span></li> </ul> <ul> <li><span class="lux_data">F. Mason Perkins, "Pitture senesi negli Stati Uniti," <em>Rassegna d'arte senese</em> 1, no. 2 (1905), 74, 76</span></li> </ul> <ul> <li><span class="lux_data">Bernard Berenson, <em>Central Italian Painters of the Renaissance</em>, 2 (New York: G.P. Putnam's Sons, 1902), 252</span></li> </ul> <ul> <li><span class="lux_data">W. F. Brown, Boston, <em>Catalogue of the Jarves Collection of Early Italian Pictures</em>, sale cat. (1871), no. 46</span></li> </ul> <ul> <li><span class="lux_data">Russell Sturgis, Jr., <em>Manual of the Jarves Collection of Early Italian Pictures</em> (New Haven, Conn.: Yale College, 1868), 51–52</span></li> </ul> <ul> <li><span class="lux_data">James Jackson Jarves, <em>Descriptive Catalogue of "Old Masters," Collected by James J. Jarves to Illustrate the History of Painting from A.D. 1200 to the Best Periods of Italian Art</em> (Cambridge, Mass.: H. O. Houghton, 1860), 49, no. 56</span></li> </ul> </div> </div> </div> </details> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Object copyright <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="copyright-link gc-full mb-30"> <a href="https://creativecommons.org/publicdomain/zero/1.0/">No Copyright - United States</a> </div> </div> </div> </details> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Additional information <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="object-type multiple gc-full mb-30"> <h2 class="field__label h5 m-0 mb-10">Object/Work type</h2> <div> religious art</div> </div> </div> </div> </details> </div> </div> <div class="core grid mt-100 ui-green-aa" id="technical-metadata"> <h2 class="h4 gc-content-left m-0 mb-70">Technical metadata and APIs</h2> <dl class="structured-list grid gc-full text-s"> <div class="gc-full gc-t-m structured-list__item"> <dt class="h5">IIIF</dt> <dd> <div class="structured-list__item-content"> <p> <a href="https://view.collections.yale.edu/m3/?manifest=https://manifests.collections.yale.edu/yuag/obj/252" class="link--icon"> <svg class="link__icon" viewBox="0 0 60 55" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/mirador.svg#icon" /> </svg>Open in Mirador <svg class="link__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/arrow-ne.svg#icon" /> </svg> </a> </p> <p> <a href="https://manifests.collections.yale.edu/yuag/obj/252" class="link--icon"> <svg class="link__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/iiif-logo.svg#icon" /> </svg>View IIIF manifest <svg class="link__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/arrow-ne.svg#icon" /> </svg> </a> </p> <p>The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. 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