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class="label">Mentions</p><p class="data">1</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="303893129" href="https://www.academia.edu/Documents/in/Martin_Heidegger"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://independent.academia.edu/%C3%81gnesDukkon","location":"/%C3%81gnesDukkon","scheme":"https","host":"independent.academia.edu","port":null,"pathname":"/%C3%81gnesDukkon","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Martin Heidegger"]}" data-trace="false" data-dom-id="Pill-react-component-6cb9686c-f1d0-45a3-b649-479f11981458"></div> <div id="Pill-react-component-6cb9686c-f1d0-45a3-b649-479f11981458"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="303893129" href="https://www.academia.edu/Documents/in/Ego-Dokumente"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Ego-Dokumente"]}" data-trace="false" data-dom-id="Pill-react-component-e04d9ae1-6bd9-45be-ab50-9883599c11b4"></div> <div id="Pill-react-component-e04d9ae1-6bd9-45be-ab50-9883599c11b4"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="303893129" href="https://www.academia.edu/Documents/in/Early_Modern_History"><div class="js-react-on-rails-component" style="display:none" 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hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/124039335/Chronica"><img alt="Research paper thumbnail of Chronica" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124039335/Chronica">Chronica</a></div><div class="wp-workCard_item"><span>Studia Slavica Academiae Scientiarum Hungaricae (Print)</span><span>, Oct 1, 2003</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" 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Ein Klassiker der Weltliteratur oder Ideologe des neuen Rußland? Zwei Abhandlungen. Heidelberg: Mattes Verlag 2008" class="work-thumbnail" src="https://attachments.academia-assets.com/113987125/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335926/Horst_J%C3%BCrgen_Gerigk_Rudolf_Neuh%C3%A4user_Dostojewskij_im_Kreuzverh%C3%B6r_Ein_Klassiker_der_Weltliteratur_oder_Ideologe_des_neuen_Ru%C3%9Fland_Zwei_Abhandlungen_Heidelberg_Mattes_Verlag_2008">Horst-Jürgen Gerigk, Rudolf Neuhäuser: Dostojewskij im Kreuzverhör. Ein Klassiker der Weltliteratur oder Ideologe des neuen Rußland? Zwei Abhandlungen. Heidelberg: Mattes Verlag 2008</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="de63902d0f671defec2fa612cec061ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987125,"asset_id":118335926,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987125/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335926"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335926"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335926; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335926]").text(description); $(".js-view-count[data-work-id=118335926]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335926; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335926']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335926, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "de63902d0f671defec2fa612cec061ea" } } $('.js-work-strip[data-work-id=118335926]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335926,"title":"Horst-Jürgen Gerigk, Rudolf Neuhäuser: Dostojewskij im Kreuzverhör. 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A sz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A tanulmány Dosztojevszkij gyermek- és nőábrázolásának legfontosabb sajátosságait vizsgálja. A szerző igyekszik rámutatni az adott korszak ambivalens jelenségeire, melyek befolyást gyakoroltak a nevelésre, továbbá az író világában látensen mindig jelen levő evangéliumi ideál érvényesülésére. A Dosztojevszkij-szakirodalomban viszonylag kevés figyelmet kapott az a kérdés, hogy milyen szerepet játszik az író műveiben a nevelés, a civilizációnak ez az egyedi eszköze, mely lehetővé teszi számunkra a „belső ember” fejlesztését, az erkölcsi kiteljesedés alapfeltételét. A tanulmány négy témakörben elemzi a témát: 1. A nevelés témája pozitív értelemben, avagy a fejlődésregény műfajának dosztojevszkiji változatai. 2. A nevelés társadalmi formái Dosztojevszkij műveiben: az iskola mint gyermektársadalom. 3. A gyermekek és a nők mint a regényhősök pártfogoltjai. 4. A nevelés kérdése fonák oldalról: a megrontás, a gyermek vagy a fiatal lány tönkretétele Dosztojevszkij regényeiben – avagy az „anti...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e9abb3557dd4dc05a6e315c49e32bc98" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987123,"asset_id":118335925,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987123/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335925"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335925; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335925]").text(description); $(".js-view-count[data-work-id=118335925]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335925; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335925']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335925, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e9abb3557dd4dc05a6e315c49e32bc98" } } $('.js-work-strip[data-work-id=118335925]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335925,"title":"A nő- és gyermekábrázolások pedagógiai háttere Dosztojevszkij regényeiben és Az Író Naplójában","translated_title":"","metadata":{"abstract":"A tanulmány Dosztojevszkij gyermek- és nőábrázolásának legfontosabb sajátosságait vizsgálja. 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E műfajok létének, fejlődésének alapvető feltétele ugyanis az asztronómiai és asztrológiai tudás, kiegészítve a medicina, a história, a teológia ismeretanyagával is-mikor milyen tudományos képzettséggel rendelkező szerző munkájával találkozunk. A szabad akarat témája legalább kétszáz éven át újra és újra visszatér a kalendáriumi prognosztikonokhoz írt magyarázkodásokban, a 16. század első felétől a 18. század elejéig, s a szerzők mindig Szent Ágoston írásait idézik, de más egyházi tekintélyekre is hivatkoznak. A boldog élet témája ennél köznapibb szinten jelenik meg, közvetetten vagy közvetlen tanításokkal: proverbiumok, istenfélelemre, bölcsességre intő szavak, példabeszédek verses és prózai formában hirdetik, hogy nem a csillagokban kell bíznia az embernek, sem tőlük félnie, hanem a Gondviselésre hagyatkoznia és erkölcsösen élnie, mert egyedül ez a boldog élet igazi útja. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335914"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335914/Ostrosith_M%C3%A1ty%C3%A1s_korona%C5%91r_napl%C3%B3ja_1673_1675"><img alt="Research paper thumbnail of Ostrosith Mátyás koronaőr naplója, 1673–1675" class="work-thumbnail" src="https://attachments.academia-assets.com/113987110/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335914/Ostrosith_M%C3%A1ty%C3%A1s_korona%C5%91r_napl%C3%B3ja_1673_1675">Ostrosith Mátyás koronaőr naplója, 1673–1675</a></div><div class="wp-workCard_item"><span>Magyar Könyvszemle</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Jelen tanulmány célja a címben említett Ostrosith Mátyás-féle napló rövid bemutatása, valamint a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Jelen tanulmány célja a címben említett Ostrosith Mátyás-féle napló rövid bemutatása, valamint a naplóban rögzített különféle tudósítások egybevetése néhány korabeli misszilis levéllel, amelyek ugyanennek a családnak az anyagában maradtak fenn. Ezúttal elsősorban stilisztikai, formai, mikrofilológiai mozzanatokra irányul az összehasonlítás, mert az egész anyag részletes ismertetése még további kutatásokat tesz szükségessé, s a napló kiadásával együtt képviselne nagyobb tudományos értéket. Ennek a munkának mintegy a bevezetőjeként teszem közzé a napló és a misszilis levelek egybevetéséből levont tanulságokat: e két műfaj kapcsolatának a művelődéstörténeti jelentőségét s a családtörténeti kutatásokhoz hasznosítható dokumentumok értékelését az Ostrosith-hagyatékban.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78ab4f11c29cf9f01c3934e21bf30aee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987110,"asset_id":118335914,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987110/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335914"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335914"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335914; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335914]").text(description); $(".js-view-count[data-work-id=118335914]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335914; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335914']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335914, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78ab4f11c29cf9f01c3934e21bf30aee" } } $('.js-work-strip[data-work-id=118335914]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335914,"title":"Ostrosith Mátyás koronaőr naplója, 1673–1675","translated_title":"","metadata":{"abstract":"Jelen tanulmány célja a címben említett Ostrosith Mátyás-féle napló rövid bemutatása, valamint a naplóban rögzített különféle tudósítások egybevetése néhány korabeli misszilis levéllel, amelyek ugyanennek a családnak az anyagában maradtak fenn. 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Гусев, Издание подготовили Ю. Гусев, Г. Тюшкеш, О. Хаванова, Москва, Наука, 2017. 611 p</a></div><div class="wp-workCard_item"><span>Magyar Könyvszemle</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="48d22b5753fc25a9851946fc3c7bc9ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987109,"asset_id":118335913,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987109/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335913"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335913"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335913; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335913]").text(description); $(".js-view-count[data-work-id=118335913]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335913; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335913']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335913, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "48d22b5753fc25a9851946fc3c7bc9ba" } } $('.js-work-strip[data-work-id=118335913]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335913,"title":"Келемен Микеш, Турeцкие письма, Перевод Юрий П. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335912"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335912/Klaus_Dieter_Herbst_Biobibliographisches_Handbuch_der_Kalendermacher_Jena_Verlag_Historische_Kalender_Drucke_2020_Acta_Calendariographica_Forschungsberichte_Bd_9_"><img alt="Research paper thumbnail of Klaus-Dieter Herbst, Biobibliographisches Handbuch der Kalendermacher, Jena, Verlag Historische Kalender Drucke, 2020 (Acta Calendariographica–Forschungsberichte, Bd. 9)" class="work-thumbnail" src="https://attachments.academia-assets.com/113987106/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335912/Klaus_Dieter_Herbst_Biobibliographisches_Handbuch_der_Kalendermacher_Jena_Verlag_Historische_Kalender_Drucke_2020_Acta_Calendariographica_Forschungsberichte_Bd_9_">Klaus-Dieter Herbst, Biobibliographisches Handbuch der Kalendermacher, Jena, Verlag Historische Kalender Drucke, 2020 (Acta Calendariographica–Forschungsberichte, Bd. 9)</a></div><div class="wp-workCard_item"><span>Magyar Könyvszemle</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Jelentős német kiadvánnyal gazdagodott a 2020-as évben a nemzetközi könyvtörténeti és művelődéstö...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Jelentős német kiadvánnyal gazdagodott a 2020-as évben a nemzetközi könyvtörténeti és művelődéstörténeti szakterület. Klaus-Dieter Herbst az Acta Calendariographica sorozat kilencedikkötetét – mely önmagában is négy részből áll – adta ki Jénában a HKD Verlag (Historische KalenderDrucke) gondozásában. Több mint két évtizedes kutatási munka és tanulmánykötetek, bibliográfiák,regiszterek, fakszimilék előzték meg a jelen kiadványt: nyolc kötet az ún. Forschungsberichtesorozatban, tíz pedig a párhuzamos Kalenderreihen sorozatban, amelyek negyedrét alakú ún.Schreibkalenderek fakszimile kiadásai. A közreadó és számos esetben a bevezető tanulmányok,jegyzetek, magyarázatok szerzője Klaus-Dieter Herbst asztronómiatörténész, az 1990-es évek másodikfelében kezdett foglalkozni kalendárium-kutatással, kezdetben elsősorban csillagászati éstudománytörténeti szempontokból.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4abf9dc05372972c8de0ba1a0a570051" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987106,"asset_id":118335912,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987106/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335912"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335912"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335912; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335912]").text(description); $(".js-view-count[data-work-id=118335912]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335912; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335912']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335912, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4abf9dc05372972c8de0ba1a0a570051" } } $('.js-work-strip[data-work-id=118335912]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335912,"title":"Klaus-Dieter Herbst, Biobibliographisches Handbuch der Kalendermacher, Jena, Verlag Historische Kalender Drucke, 2020 (Acta Calendariographica–Forschungsberichte, Bd. 9)","translated_title":"","metadata":{"abstract":"Jelentős német kiadvánnyal gazdagodott a 2020-as évben a nemzetközi könyvtörténeti és művelődéstörténeti szakterület. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335911"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335911/The_Poetics_of_Nocturnal_Landscapes_in_Gogol_s_Early_Works"><img alt="Research paper thumbnail of The Poetics of Nocturnal Landscapes in Gogol’s Early Works" class="work-thumbnail" src="https://attachments.academia-assets.com/113987199/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335911/The_Poetics_of_Nocturnal_Landscapes_in_Gogol_s_Early_Works">The Poetics of Nocturnal Landscapes in Gogol’s Early Works</a></div><div class="wp-workCard_item"><span>Проблемы исторической поэтики</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the present article the nocturnal landscapes of some of the short stories from the Evenings on...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the present article the nocturnal landscapes of some of the short stories from the Evenings on a Farm near Dikanka and Viy from the Mirgorod cycle, are reconsidered, thus analysis is focused on the depiction of the Evil and the author’s attitude to the metaphysical background of this problem. The scrutiny is prompted by a few groups of questions: 1. what sort of poetic principles regulate the depictions of Ukrainian landscapes and the relationship between man and the ’scenery including him’ in N. V. Gogol’s early works? 2. how do a great variety of elements taken from different traditions cross each other at one point, such as the Bucolic (pastoral) poetry, clichés of Romanticism, folkloric archetypes and the author’s own, independent artistic means? 3. what is hidden behind the apparent Dualism of the Good and the Evil in Gogol’s early works? how do elements of Romanticist Weltanschauung and the traits of Evangelic (paskhal’naya) Aesthetics co-exist? With these questions traced ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d862f530ff422fd3ca9bf821f127c63b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987199,"asset_id":118335911,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987199/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335911"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335911"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335911; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335911]").text(description); $(".js-view-count[data-work-id=118335911]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335911; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335911']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335911, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d862f530ff422fd3ca9bf821f127c63b" } } $('.js-work-strip[data-work-id=118335911]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335911,"title":"The Poetics of Nocturnal Landscapes in Gogol’s Early Works","translated_title":"","metadata":{"abstract":"In the present article the nocturnal landscapes of some of the short stories from the Evenings on a Farm near Dikanka and Viy from the Mirgorod cycle, are reconsidered, thus analysis is focused on the depiction of the Evil and the author’s attitude to the metaphysical background of this problem. The scrutiny is prompted by a few groups of questions: 1. what sort of poetic principles regulate the depictions of Ukrainian landscapes and the relationship between man and the ’scenery including him’ in N. V. Gogol’s early works? 2. how do a great variety of elements taken from different traditions cross each other at one point, such as the Bucolic (pastoral) poetry, clichés of Romanticism, folkloric archetypes and the author’s own, independent artistic means? 3. what is hidden behind the apparent Dualism of the Good and the Evil in Gogol’s early works? how do elements of Romanticist Weltanschauung and the traits of Evangelic (paskhal’naya) Aesthetics co-exist? With these questions traced ...","publisher":"Petrozavodsk State University","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Проблемы исторической поэтики"},"translated_abstract":"In the present article the nocturnal landscapes of some of the short stories from the Evenings on a Farm near Dikanka and Viy from the Mirgorod cycle, are reconsidered, thus analysis is focused on the depiction of the Evil and the author’s attitude to the metaphysical background of this problem. The scrutiny is prompted by a few groups of questions: 1. what sort of poetic principles regulate the depictions of Ukrainian landscapes and the relationship between man and the ’scenery including him’ in N. V. Gogol’s early works? 2. how do a great variety of elements taken from different traditions cross each other at one point, such as the Bucolic (pastoral) poetry, clichés of Romanticism, folkloric archetypes and the author’s own, independent artistic means? 3. what is hidden behind the apparent Dualism of the Good and the Evil in Gogol’s early works? how do elements of Romanticist Weltanschauung and the traits of Evangelic (paskhal’naya) Aesthetics co-exist? 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335908"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335908/Sign_symbol_decoration_the_relationship_of_image_and_text_in_16th_17th_century_Hungarian_calendars"><img alt="Research paper thumbnail of Sign – symbol – decoration: the relationship of image and text in 16th –17th century Hungarian calendars" class="work-thumbnail" src="https://attachments.academia-assets.com/113987207/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335908/Sign_symbol_decoration_the_relationship_of_image_and_text_in_16th_17th_century_Hungarian_calendars">Sign – symbol – decoration: the relationship of image and text in 16th –17th century Hungarian calendars</a></div><div class="wp-workCard_item"><span>Hungarian Studies</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0922d3ca2f2d1dade0895ecd81fcb49d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987207,"asset_id":118335908,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987207/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335908"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335908"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335908; 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The author investigates the associations and infl uences from different fi elds of culture, considers ancient topoi and archetypes which underwent a great many transformations over space and time. In the fi rst part of this paper are examined some non-traditional fi gures in the calendar for 1578 (Kolozsvár-Cluj, Heltai's offi ce) like mermaids/sirens in the role of Aquarius and Virgo, and the appearence of these fi gures on the painted furniture and ceiling panels of 18 th-century Calvinist churches in Hungary. The second part of this article deals with some typical title pages of calendars, edited in different printing houses of Upper Hungary (by Lorentz Brewer in Lőcse/ Levoča, the serie Calendarium Tyrnaviense, Nagyszombat/ Trnava) from the second half of the 17 th century, and with the calendars of David Frölich, published in Breslau (Wrocław, PL) between 1623 and 1646.","publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"Hungarian Studies","grobid_abstract_attachment_id":113987207},"translated_abstract":null,"internal_url":"https://www.academia.edu/118335908/Sign_symbol_decoration_the_relationship_of_image_and_text_in_16th_17th_century_Hungarian_calendars","translated_internal_url":"","created_at":"2024-04-30T08:45:11.473-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":303893129,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":113987207,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/113987207/thumbnails/1.jpg","file_name":"4390263b5efca691795c442248ad36faaf0a.pdf","download_url":"https://www.academia.edu/attachments/113987207/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sign_symbol_decoration_the_relationship.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/113987207/4390263b5efca691795c442248ad36faaf0a-libre.pdf?1714493737=\u0026response-content-disposition=attachment%3B+filename%3DSign_symbol_decoration_the_relationship.pdf\u0026Expires=1732732479\u0026Signature=bydsWpsjwFUqf4ks4aeMfAV4IPNOrufbYi8o7343MFsrqcEFMZTFXI-IZSiGgf1z3yihV38OGA4SpK1zcJkhKDEZ-teAbveMnFP37ZAyGTrHaljX7SV~I8LUHZFOIMS5os~4f3wzy9xfbM59rLYJMI-xEnrVBGOXS0ZOYyYdorSvLJBJ2dSD07IdtERDUwYR50rmcugg6uvUAPJZoaG4H7gD~lxSxXjbGWwYIMAoQ-b5grt5q3l8UUQwMekvCoJMsyfOcWzbzWqkym5d-Bt5pNQudcTzq6BtJewaMXq~cHDmUo5muaDZMPYys5zKSyqcm0NVQRqULmOyEq7YqwKh3w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Sign_symbol_decoration_the_relationship_of_image_and_text_in_16th_17th_century_Hungarian_calendars","translated_slug":"","page_count":18,"language":"en","content_type":"Work","owner":{"id":303893129,"first_name":"Ágnes","middle_initials":null,"last_name":"Dukkon","page_name":"ÁgnesDukkon","domain_name":"independent","created_at":"2024-02-22T14:45:37.489-08:00","display_name":"Ágnes Dukkon","url":"https://independent.academia.edu/%C3%81gnesDukkon"},"attachments":[{"id":113987207,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/113987207/thumbnails/1.jpg","file_name":"4390263b5efca691795c442248ad36faaf0a.pdf","download_url":"https://www.academia.edu/attachments/113987207/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sign_symbol_decoration_the_relationship.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/113987207/4390263b5efca691795c442248ad36faaf0a-libre.pdf?1714493737=\u0026response-content-disposition=attachment%3B+filename%3DSign_symbol_decoration_the_relationship.pdf\u0026Expires=1732732479\u0026Signature=bydsWpsjwFUqf4ks4aeMfAV4IPNOrufbYi8o7343MFsrqcEFMZTFXI-IZSiGgf1z3yihV38OGA4SpK1zcJkhKDEZ-teAbveMnFP37ZAyGTrHaljX7SV~I8LUHZFOIMS5os~4f3wzy9xfbM59rLYJMI-xEnrVBGOXS0ZOYyYdorSvLJBJ2dSD07IdtERDUwYR50rmcugg6uvUAPJZoaG4H7gD~lxSxXjbGWwYIMAoQ-b5grt5q3l8UUQwMekvCoJMsyfOcWzbzWqkym5d-Bt5pNQudcTzq6BtJewaMXq~cHDmUo5muaDZMPYys5zKSyqcm0NVQRqULmOyEq7YqwKh3w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":13395,"name":"Hungarian Studies","url":"https://www.academia.edu/Documents/in/Hungarian_Studies"},{"id":40751,"name":"Topos theory","url":"https://www.academia.edu/Documents/in/Topos_theory"},{"id":132826,"name":"Baroque","url":"https://www.academia.edu/Documents/in/Baroque"},{"id":663091,"name":"The Renaissance","url":"https://www.academia.edu/Documents/in/The_Renaissance"}],"urls":[{"id":41530938,"url":"https://www.akademiai.com/doi/pdf/10.1556/044.2017.31.1.7"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="19543465" id="papers"><div class="js-work-strip profile--work_container" data-work-id="124039335"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/124039335/Chronica"><img alt="Research paper thumbnail of Chronica" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124039335/Chronica">Chronica</a></div><div class="wp-workCard_item"><span>Studia Slavica Academiae Scientiarum Hungaricae (Print)</span><span>, Oct 1, 2003</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="124039335"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="124039335"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 124039335; 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Ein Klassiker der Weltliteratur oder Ideologe des neuen Rußland? Zwei Abhandlungen. Heidelberg: Mattes Verlag 2008" class="work-thumbnail" src="https://attachments.academia-assets.com/113987125/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335926/Horst_J%C3%BCrgen_Gerigk_Rudolf_Neuh%C3%A4user_Dostojewskij_im_Kreuzverh%C3%B6r_Ein_Klassiker_der_Weltliteratur_oder_Ideologe_des_neuen_Ru%C3%9Fland_Zwei_Abhandlungen_Heidelberg_Mattes_Verlag_2008">Horst-Jürgen Gerigk, Rudolf Neuhäuser: Dostojewskij im Kreuzverhör. Ein Klassiker der Weltliteratur oder Ideologe des neuen Rußland? Zwei Abhandlungen. Heidelberg: Mattes Verlag 2008</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="de63902d0f671defec2fa612cec061ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987125,"asset_id":118335926,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987125/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335926"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335926"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335926; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335926]").text(description); $(".js-view-count[data-work-id=118335926]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335926; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335926']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335926, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "de63902d0f671defec2fa612cec061ea" } } $('.js-work-strip[data-work-id=118335926]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335926,"title":"Horst-Jürgen Gerigk, Rudolf Neuhäuser: Dostojewskij im Kreuzverhör. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335925"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335925/A_n%C5%91_%C3%A9s_gyermek%C3%A1br%C3%A1zol%C3%A1sok_pedag%C3%B3giai_h%C3%A1ttere_Dosztojevszkij_reg%C3%A9nyeiben_%C3%A9s_Az_%C3%8Dr%C3%B3_Napl%C3%B3j%C3%A1ban"><img alt="Research paper thumbnail of A nő- és gyermekábrázolások pedagógiai háttere Dosztojevszkij regényeiben és Az Író Naplójában" class="work-thumbnail" src="https://attachments.academia-assets.com/113987123/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335925/A_n%C5%91_%C3%A9s_gyermek%C3%A1br%C3%A1zol%C3%A1sok_pedag%C3%B3giai_h%C3%A1ttere_Dosztojevszkij_reg%C3%A9nyeiben_%C3%A9s_Az_%C3%8Dr%C3%B3_Napl%C3%B3j%C3%A1ban">A nő- és gyermekábrázolások pedagógiai háttere Dosztojevszkij regényeiben és Az Író Naplójában</a></div><div class="wp-workCard_item"><span>A Női dimenzió</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A tanulmány Dosztojevszkij gyermek- és nőábrázolásának legfontosabb sajátosságait vizsgálja. A sz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A tanulmány Dosztojevszkij gyermek- és nőábrázolásának legfontosabb sajátosságait vizsgálja. A szerző igyekszik rámutatni az adott korszak ambivalens jelenségeire, melyek befolyást gyakoroltak a nevelésre, továbbá az író világában látensen mindig jelen levő evangéliumi ideál érvényesülésére. A Dosztojevszkij-szakirodalomban viszonylag kevés figyelmet kapott az a kérdés, hogy milyen szerepet játszik az író műveiben a nevelés, a civilizációnak ez az egyedi eszköze, mely lehetővé teszi számunkra a „belső ember” fejlesztését, az erkölcsi kiteljesedés alapfeltételét. A tanulmány négy témakörben elemzi a témát: 1. A nevelés témája pozitív értelemben, avagy a fejlődésregény műfajának dosztojevszkiji változatai. 2. A nevelés társadalmi formái Dosztojevszkij műveiben: az iskola mint gyermektársadalom. 3. A gyermekek és a nők mint a regényhősök pártfogoltjai. 4. A nevelés kérdése fonák oldalról: a megrontás, a gyermek vagy a fiatal lány tönkretétele Dosztojevszkij regényeiben – avagy az „anti...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e9abb3557dd4dc05a6e315c49e32bc98" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987123,"asset_id":118335925,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987123/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335925"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335925; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335925]").text(description); $(".js-view-count[data-work-id=118335925]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335925; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335925']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335925, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e9abb3557dd4dc05a6e315c49e32bc98" } } $('.js-work-strip[data-work-id=118335925]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335925,"title":"A nő- és gyermekábrázolások pedagógiai háttere Dosztojevszkij regényeiben és Az Író Naplójában","translated_title":"","metadata":{"abstract":"A tanulmány Dosztojevszkij gyermek- és nőábrázolásának legfontosabb sajátosságait vizsgálja. A szerző igyekszik rámutatni az adott korszak ambivalens jelenségeire, melyek befolyást gyakoroltak a nevelésre, továbbá az író világában látensen mindig jelen levő evangéliumi ideál érvényesülésére. A Dosztojevszkij-szakirodalomban viszonylag kevés figyelmet kapott az a kérdés, hogy milyen szerepet játszik az író műveiben a nevelés, a civilizációnak ez az egyedi eszköze, mely lehetővé teszi számunkra a „belső ember” fejlesztését, az erkölcsi kiteljesedés alapfeltételét. A tanulmány négy témakörben elemzi a témát: 1. A nevelés témája pozitív értelemben, avagy a fejlődésregény műfajának dosztojevszkiji változatai. 2. A nevelés társadalmi formái Dosztojevszkij műveiben: az iskola mint gyermektársadalom. 3. A gyermekek és a nők mint a regényhősök pártfogoltjai. 4. 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E műfajok létének, fejlődésének alapvető feltétele ugyanis az asztronómiai és asztrológiai tudás, kiegészítve a medicina, a história, a teológia ismeretanyagával is-mikor milyen tudományos képzettséggel rendelkező szerző munkájával találkozunk. A szabad akarat témája legalább kétszáz éven át újra és újra visszatér a kalendáriumi prognosztikonokhoz írt magyarázkodásokban, a 16. század első felétől a 18. század elejéig, s a szerzők mindig Szent Ágoston írásait idézik, de más egyházi tekintélyekre is hivatkoznak. A boldog élet témája ennél köznapibb szinten jelenik meg, közvetetten vagy közvetlen tanításokkal: proverbiumok, istenfélelemre, bölcsességre intő szavak, példabeszédek verses és prózai formában hirdetik, hogy nem a csillagokban kell bíznia az embernek, sem tőlük félnie, hanem a Gondviselésre hagyatkoznia és erkölcsösen élnie, mert egyedül ez a boldog élet igazi útja. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335915"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335915/The_Dialogue_Between_Texts_Vissarion_Belinskys_Voice_in_Fyodor_Dostoyevskys_Notes_from_the_Underground_"><img alt="Research paper thumbnail of The Dialogue Between Texts: Vissarion Belinsky's «Voice» in Fyodor Dostoyevsky's «Notes from the Underground»" class="work-thumbnail" src="https://attachments.academia-assets.com/113987197/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335915/The_Dialogue_Between_Texts_Vissarion_Belinskys_Voice_in_Fyodor_Dostoyevskys_Notes_from_the_Underground_">The Dialogue Between Texts: Vissarion Belinsky's «Voice» in Fyodor Dostoyevsky's «Notes from the Underground»</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Дуккон Агнеш (венг. Dukkon Agnes) – доктор филологических наук (порусской литературе), доктор Вен...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Дуккон Агнеш (венг. Dukkon Agnes) – доктор филологических наук (порусской литературе), доктор Венгерской Академии Наук (по венгерской литературе ренессанса и барокко); член Комитета Культурологии при ВАН; председатель Компаративистского Комитета Общества Современной Филологии. Место работы: Институт Славянской и Балтийской Филологии, Кафедра Русского Языка и Литературы университета им. Лоранда Этвеша (ELTE) (г. Будапешт).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="03477beada6a59ba184fbe42a113b33e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987197,"asset_id":118335915,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987197/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335915"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335915"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335915; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335915]").text(description); $(".js-view-count[data-work-id=118335915]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335915; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335915']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335915, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "03477beada6a59ba184fbe42a113b33e" } } $('.js-work-strip[data-work-id=118335915]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335915,"title":"The Dialogue Between Texts: Vissarion Belinsky's «Voice» in Fyodor Dostoyevsky's «Notes from the Underground»","translated_title":"","metadata":{"abstract":"Дуккон Агнеш (венг. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335914"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335914/Ostrosith_M%C3%A1ty%C3%A1s_korona%C5%91r_napl%C3%B3ja_1673_1675"><img alt="Research paper thumbnail of Ostrosith Mátyás koronaőr naplója, 1673–1675" class="work-thumbnail" src="https://attachments.academia-assets.com/113987110/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335914/Ostrosith_M%C3%A1ty%C3%A1s_korona%C5%91r_napl%C3%B3ja_1673_1675">Ostrosith Mátyás koronaőr naplója, 1673–1675</a></div><div class="wp-workCard_item"><span>Magyar Könyvszemle</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Jelen tanulmány célja a címben említett Ostrosith Mátyás-féle napló rövid bemutatása, valamint a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Jelen tanulmány célja a címben említett Ostrosith Mátyás-féle napló rövid bemutatása, valamint a naplóban rögzített különféle tudósítások egybevetése néhány korabeli misszilis levéllel, amelyek ugyanennek a családnak az anyagában maradtak fenn. Ezúttal elsősorban stilisztikai, formai, mikrofilológiai mozzanatokra irányul az összehasonlítás, mert az egész anyag részletes ismertetése még további kutatásokat tesz szükségessé, s a napló kiadásával együtt képviselne nagyobb tudományos értéket. Ennek a munkának mintegy a bevezetőjeként teszem közzé a napló és a misszilis levelek egybevetéséből levont tanulságokat: e két műfaj kapcsolatának a művelődéstörténeti jelentőségét s a családtörténeti kutatásokhoz hasznosítható dokumentumok értékelését az Ostrosith-hagyatékban.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78ab4f11c29cf9f01c3934e21bf30aee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987110,"asset_id":118335914,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987110/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335914"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335914"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335914; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335914]").text(description); $(".js-view-count[data-work-id=118335914]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335914; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335914']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335914, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78ab4f11c29cf9f01c3934e21bf30aee" } } $('.js-work-strip[data-work-id=118335914]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335914,"title":"Ostrosith Mátyás koronaőr naplója, 1673–1675","translated_title":"","metadata":{"abstract":"Jelen tanulmány célja a címben említett Ostrosith Mátyás-féle napló rövid bemutatása, valamint a naplóban rögzített különféle tudósítások egybevetése néhány korabeli misszilis levéllel, amelyek ugyanennek a családnak az anyagában maradtak fenn. 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Гусев, Издание подготовили Ю. Гусев, Г. Тюшкеш, О. Хаванова, Москва, Наука, 2017. 611 p</a></div><div class="wp-workCard_item"><span>Magyar Könyvszemle</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="48d22b5753fc25a9851946fc3c7bc9ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987109,"asset_id":118335913,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987109/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335913"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335913"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335913; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335913]").text(description); $(".js-view-count[data-work-id=118335913]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335913; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335913']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335913, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "48d22b5753fc25a9851946fc3c7bc9ba" } } $('.js-work-strip[data-work-id=118335913]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335913,"title":"Келемен Микеш, Турeцкие письма, Перевод Юрий П. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335912"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335912/Klaus_Dieter_Herbst_Biobibliographisches_Handbuch_der_Kalendermacher_Jena_Verlag_Historische_Kalender_Drucke_2020_Acta_Calendariographica_Forschungsberichte_Bd_9_"><img alt="Research paper thumbnail of Klaus-Dieter Herbst, Biobibliographisches Handbuch der Kalendermacher, Jena, Verlag Historische Kalender Drucke, 2020 (Acta Calendariographica–Forschungsberichte, Bd. 9)" class="work-thumbnail" src="https://attachments.academia-assets.com/113987106/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335912/Klaus_Dieter_Herbst_Biobibliographisches_Handbuch_der_Kalendermacher_Jena_Verlag_Historische_Kalender_Drucke_2020_Acta_Calendariographica_Forschungsberichte_Bd_9_">Klaus-Dieter Herbst, Biobibliographisches Handbuch der Kalendermacher, Jena, Verlag Historische Kalender Drucke, 2020 (Acta Calendariographica–Forschungsberichte, Bd. 9)</a></div><div class="wp-workCard_item"><span>Magyar Könyvszemle</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Jelentős német kiadvánnyal gazdagodott a 2020-as évben a nemzetközi könyvtörténeti és művelődéstö...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Jelentős német kiadvánnyal gazdagodott a 2020-as évben a nemzetközi könyvtörténeti és művelődéstörténeti szakterület. Klaus-Dieter Herbst az Acta Calendariographica sorozat kilencedikkötetét – mely önmagában is négy részből áll – adta ki Jénában a HKD Verlag (Historische KalenderDrucke) gondozásában. Több mint két évtizedes kutatási munka és tanulmánykötetek, bibliográfiák,regiszterek, fakszimilék előzték meg a jelen kiadványt: nyolc kötet az ún. Forschungsberichtesorozatban, tíz pedig a párhuzamos Kalenderreihen sorozatban, amelyek negyedrét alakú ún.Schreibkalenderek fakszimile kiadásai. A közreadó és számos esetben a bevezető tanulmányok,jegyzetek, magyarázatok szerzője Klaus-Dieter Herbst asztronómiatörténész, az 1990-es évek másodikfelében kezdett foglalkozni kalendárium-kutatással, kezdetben elsősorban csillagászati éstudománytörténeti szempontokból.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4abf9dc05372972c8de0ba1a0a570051" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987106,"asset_id":118335912,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987106/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335912"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335912"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335912; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335912]").text(description); $(".js-view-count[data-work-id=118335912]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335912; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335912']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335912, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4abf9dc05372972c8de0ba1a0a570051" } } $('.js-work-strip[data-work-id=118335912]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335912,"title":"Klaus-Dieter Herbst, Biobibliographisches Handbuch der Kalendermacher, Jena, Verlag Historische Kalender Drucke, 2020 (Acta Calendariographica–Forschungsberichte, Bd. 9)","translated_title":"","metadata":{"abstract":"Jelentős német kiadvánnyal gazdagodott a 2020-as évben a nemzetközi könyvtörténeti és művelődéstörténeti szakterület. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335911"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335911/The_Poetics_of_Nocturnal_Landscapes_in_Gogol_s_Early_Works"><img alt="Research paper thumbnail of The Poetics of Nocturnal Landscapes in Gogol’s Early Works" class="work-thumbnail" src="https://attachments.academia-assets.com/113987199/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335911/The_Poetics_of_Nocturnal_Landscapes_in_Gogol_s_Early_Works">The Poetics of Nocturnal Landscapes in Gogol’s Early Works</a></div><div class="wp-workCard_item"><span>Проблемы исторической поэтики</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the present article the nocturnal landscapes of some of the short stories from the Evenings on...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the present article the nocturnal landscapes of some of the short stories from the Evenings on a Farm near Dikanka and Viy from the Mirgorod cycle, are reconsidered, thus analysis is focused on the depiction of the Evil and the author’s attitude to the metaphysical background of this problem. The scrutiny is prompted by a few groups of questions: 1. what sort of poetic principles regulate the depictions of Ukrainian landscapes and the relationship between man and the ’scenery including him’ in N. V. Gogol’s early works? 2. how do a great variety of elements taken from different traditions cross each other at one point, such as the Bucolic (pastoral) poetry, clichés of Romanticism, folkloric archetypes and the author’s own, independent artistic means? 3. what is hidden behind the apparent Dualism of the Good and the Evil in Gogol’s early works? how do elements of Romanticist Weltanschauung and the traits of Evangelic (paskhal’naya) Aesthetics co-exist? With these questions traced ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d862f530ff422fd3ca9bf821f127c63b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987199,"asset_id":118335911,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987199/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335911"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335911"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335911; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118335911]").text(description); $(".js-view-count[data-work-id=118335911]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118335911; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118335911']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118335911, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d862f530ff422fd3ca9bf821f127c63b" } } $('.js-work-strip[data-work-id=118335911]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118335911,"title":"The Poetics of Nocturnal Landscapes in Gogol’s Early Works","translated_title":"","metadata":{"abstract":"In the present article the nocturnal landscapes of some of the short stories from the Evenings on a Farm near Dikanka and Viy from the Mirgorod cycle, are reconsidered, thus analysis is focused on the depiction of the Evil and the author’s attitude to the metaphysical background of this problem. The scrutiny is prompted by a few groups of questions: 1. what sort of poetic principles regulate the depictions of Ukrainian landscapes and the relationship between man and the ’scenery including him’ in N. V. Gogol’s early works? 2. how do a great variety of elements taken from different traditions cross each other at one point, such as the Bucolic (pastoral) poetry, clichés of Romanticism, folkloric archetypes and the author’s own, independent artistic means? 3. what is hidden behind the apparent Dualism of the Good and the Evil in Gogol’s early works? how do elements of Romanticist Weltanschauung and the traits of Evangelic (paskhal’naya) Aesthetics co-exist? With these questions traced ...","publisher":"Petrozavodsk State University","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Проблемы исторической поэтики"},"translated_abstract":"In the present article the nocturnal landscapes of some of the short stories from the Evenings on a Farm near Dikanka and Viy from the Mirgorod cycle, are reconsidered, thus analysis is focused on the depiction of the Evil and the author’s attitude to the metaphysical background of this problem. The scrutiny is prompted by a few groups of questions: 1. what sort of poetic principles regulate the depictions of Ukrainian landscapes and the relationship between man and the ’scenery including him’ in N. V. Gogol’s early works? 2. how do a great variety of elements taken from different traditions cross each other at one point, such as the Bucolic (pastoral) poetry, clichés of Romanticism, folkloric archetypes and the author’s own, independent artistic means? 3. what is hidden behind the apparent Dualism of the Good and the Evil in Gogol’s early works? how do elements of Romanticist Weltanschauung and the traits of Evangelic (paskhal’naya) Aesthetics co-exist? 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118335908"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118335908/Sign_symbol_decoration_the_relationship_of_image_and_text_in_16th_17th_century_Hungarian_calendars"><img alt="Research paper thumbnail of Sign – symbol – decoration: the relationship of image and text in 16th –17th century Hungarian calendars" class="work-thumbnail" src="https://attachments.academia-assets.com/113987207/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118335908/Sign_symbol_decoration_the_relationship_of_image_and_text_in_16th_17th_century_Hungarian_calendars">Sign – symbol – decoration: the relationship of image and text in 16th –17th century Hungarian calendars</a></div><div class="wp-workCard_item"><span>Hungarian Studies</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0922d3ca2f2d1dade0895ecd81fcb49d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113987207,"asset_id":118335908,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113987207/download_file?st=MTczMjczNzU2NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118335908"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118335908"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118335908; 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The author investigates the associations and infl uences from different fi elds of culture, considers ancient topoi and archetypes which underwent a great many transformations over space and time. In the fi rst part of this paper are examined some non-traditional fi gures in the calendar for 1578 (Kolozsvár-Cluj, Heltai's offi ce) like mermaids/sirens in the role of Aquarius and Virgo, and the appearence of these fi gures on the painted furniture and ceiling panels of 18 th-century Calvinist churches in Hungary. 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