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class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Origins"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Origins</span> </div> </a> <ul id="toc-Origins-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Marshall_JTM45" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Marshall_JTM45"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>Marshall JTM45</span> </div> </a> <ul id="toc-Marshall_JTM45-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Distribution_deal" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Distribution_deal"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>Distribution deal</span> </div> </a> <ul id="toc-Distribution_deal-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Park_amplification" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Park_amplification"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Park amplification</span> </div> </a> <ul id="toc-Park_amplification-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Other_Marshall_brand_names" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Other_Marshall_brand_names"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>Other Marshall brand names</span> </div> </a> <ul id="toc-Other_Marshall_brand_names-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Blackstar" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Blackstar"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.6</span> <span>Blackstar</span> </div> </a> <ul id="toc-Blackstar-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Early_amplifier_models" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Early_amplifier_models"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Early amplifier models</span> </div> </a> <button aria-controls="toc-Early_amplifier_models-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Early amplifier models subsection</span> </button> <ul id="toc-Early_amplifier_models-sublist" class="vector-toc-list"> <li id="toc-The_Bluesbreaker" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_Bluesbreaker"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.1</span> <span>The Bluesbreaker</span> </div> </a> <ul id="toc-The_Bluesbreaker-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Plexi_and_the_Marshall_stack" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_Plexi_and_the_Marshall_stack"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.2</span> <span>The <i>Plexi</i> and the Marshall <i>stack</i></span> </div> </a> <ul id="toc-The_Plexi_and_the_Marshall_stack-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Another_valve_change" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Another_valve_change"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.3</span> <span>Another valve change</span> </div> </a> <ul id="toc-Another_valve_change-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Mid-1970s_and_1980s_models" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Mid-1970s_and_1980s_models"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Mid-1970s and 1980s models</span> </div> </a> <button aria-controls="toc-Mid-1970s_and_1980s_models-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Mid-1970s and 1980s models subsection</span> </button> <ul id="toc-Mid-1970s_and_1980s_models-sublist" class="vector-toc-list"> <li id="toc-The_JMPs" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_JMPs"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>The JMPs</span> </div> </a> <ul id="toc-The_JMPs-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-JCM800" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#JCM800"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>JCM800</span> </div> </a> <ul id="toc-JCM800-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Jubilee" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_Jubilee"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>The Jubilee</span> </div> </a> <ul id="toc-The_Jubilee-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Mid-1980s_and_1990s_models" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Mid-1980s_and_1990s_models"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Mid-1980s and 1990s models</span> </div> </a> <button aria-controls="toc-Mid-1980s_and_1990s_models-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Mid-1980s and 1990s models subsection</span> </button> <ul id="toc-Mid-1980s_and_1990s_models-sublist" class="vector-toc-list"> <li id="toc-Competition_from_American_amplifier_companies" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Competition_from_American_amplifier_companies"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Competition from American amplifier companies</span> </div> </a> <ul id="toc-Competition_from_American_amplifier_companies-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_1990s" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_1990s"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>The 1990s</span> </div> </a> <ul id="toc-The_1990s-sublist" class="vector-toc-list"> <li id="toc-JCM900" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#JCM900"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2.1</span> <span>JCM900</span> </div> </a> <ul id="toc-JCM900-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-30th_Anniversary_6100_series" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#30th_Anniversary_6100_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2.2</span> <span>30th Anniversary 6100 series</span> </div> </a> <ul id="toc-30th_Anniversary_6100_series-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Current_models" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Current_models"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Current models</span> </div> </a> <button aria-controls="toc-Current_models-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Current models subsection</span> </button> <ul id="toc-Current_models-sublist" class="vector-toc-list"> <li id="toc-Modern_series" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Modern_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.1</span> <span>Modern series</span> </div> </a> <ul id="toc-Modern_series-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Vintage_series" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Vintage_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.2</span> <span>Vintage series</span> </div> </a> <ul id="toc-Vintage_series-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Solid-state_amplifiers" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Solid-state_amplifiers"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.3</span> <span>Solid-state amplifiers</span> </div> </a> <ul id="toc-Solid-state_amplifiers-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bass_series" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Bass_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.4</span> <span>Bass series</span> </div> </a> <ul id="toc-Bass_series-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-CODE_series" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#CODE_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.5</span> <span>CODE series</span> </div> </a> <ul id="toc-CODE_series-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Origin_series" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Origin_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.6</span> <span>Origin series</span> </div> </a> <ul id="toc-Origin_series-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-MS_series" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#MS_series"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.7</span> <span>MS series</span> </div> </a> <ul id="toc-MS_series-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Model_number_confusion" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Model_number_confusion"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.8</span> <span>Model number confusion</span> </div> </a> <ul id="toc-Model_number_confusion-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Headphones_and_bluetooth_speakers" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Headphones_and_bluetooth_speakers"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.9</span> <span>Headphones and bluetooth speakers</span> </div> </a> <ul id="toc-Headphones_and_bluetooth_speakers-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-The_Marshall_legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#The_Marshall_legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>The Marshall legacy</span> </div> </a> <ul id="toc-The_Marshall_legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sport_sponsorships" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Sport_sponsorships"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Sport sponsorships</span> </div> </a> <ul id="toc-Sport_sponsorships-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Marshall_Records" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Marshall_Records"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Marshall Records</span> </div> </a> <ul id="toc-Marshall_Records-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Marshall_Arena" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Marshall_Arena"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Marshall Arena</span> </div> </a> <ul id="toc-Marshall_Arena-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Marshall_Studio" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#The_Marshall_Studio"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>The Marshall Studio</span> </div> </a> <ul id="toc-The_Marshall_Studio-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Marshall Amplification</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 24 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-24" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">24 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D9%85%D8%A7%D8%B1%D8%B4%D8%A7%D9%84_%D8%A7%D9%85%D9%BE%D9%84%DB%8C%D9%81%DB%8C%DA%A9%DB%8C%D8%B4%D9%86" title="مارشال امپلیفیکیشن – South Azerbaijani" lang="azb" hreflang="azb" data-title="مارشال امپلیفیکیشن" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target"><span>تۆرکجه</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Marshall_(empresa)" title="Marshall (empresa) – Catalan" lang="ca" hreflang="ca" data-title="Marshall (empresa)" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Czech" lang="cs" hreflang="cs" data-title="Marshall Amplification" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Danish" lang="da" hreflang="da" data-title="Marshall Amplification" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – German" lang="de" hreflang="de" data-title="Marshall Amplification" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Spanish" lang="es" hreflang="es" data-title="Marshall Amplification" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%85%D8%A7%D8%B1%D8%B4%D8%A7%D9%84_%D8%A7%D9%85%D9%BE%D9%84%DB%8C%D9%81%DB%8C%DA%A9%DB%8C%D8%B4%D9%86" title="مارشال امپلیفیکیشن – Persian" lang="fa" hreflang="fa" data-title="مارشال امپلیفیکیشن" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – French" lang="fr" hreflang="fr" data-title="Marshall Amplification" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%A7%88%EC%85%9C_%EC%95%B0%ED%94%8C%EB%A6%AC%ED%94%BC%EC%BC%80%EC%9D%B4%EC%85%98" title="마셜 앰플리피케이션 – Korean" lang="ko" hreflang="ko" data-title="마셜 앰플리피케이션" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Indonesian" lang="id" hreflang="id" data-title="Marshall Amplification" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Italian" lang="it" hreflang="it" data-title="Marshall Amplification" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Dutch" lang="nl" hreflang="nl" data-title="Marshall Amplification" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%9E%E3%83%BC%E3%82%B7%E3%83%A3%E3%83%AB_(%E3%82%A2%E3%83%B3%E3%83%97)" title="マーシャル (アンプ) – Japanese" lang="ja" hreflang="ja" data-title="マーシャル (アンプ)" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Polish" lang="pl" hreflang="pl" data-title="Marshall Amplification" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Portuguese" lang="pt" hreflang="pt" data-title="Marshall Amplification" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Russian" lang="ru" hreflang="ru" data-title="Marshall Amplification" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification – Finnish" lang="fi" hreflang="fi" data-title="Marshall Amplification" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Marshall_Amplification" title="Marshall Amplification 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.ib-company-country{display:inline}</style><table class="infobox ib-company vcard"><caption class="infobox-title fn org">Marshall Amplification</caption><tbody><tr><td colspan="2" class="infobox-image ib-company-logo logo"><span typeof="mw:File"><a href="/wiki/File:Marshall_logo.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Marshall_logo.svg/200px-Marshall_logo.svg.png" decoding="async" width="200" height="51" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Marshall_logo.svg/300px-Marshall_logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/69/Marshall_logo.svg/400px-Marshall_logo.svg.png 2x" data-file-width="425" data-file-height="109" /></a></span></td></tr><tr><th scope="row" class="infobox-label">Company type</th><td class="infobox-data category"><a href="/wiki/Public_limited_company" title="Public limited company">Public limited company</a></td></tr><tr><th scope="row" class="infobox-label">Industry</th><td class="infobox-data category"><a href="/wiki/Amplifier" title="Amplifier">Amplification</a><br /><span class="nowrap">Musical instrument manufacturing</span></td></tr><tr><th scope="row" class="infobox-label">Founded</th><td class="infobox-data"><a href="/wiki/London" title="London">London</a>, <a href="/wiki/England" title="England">England</a> (1962<span class="noprint">; 62 years ago</span><span style="display:none"> (<span class="bday dtstart published updated">1962</span>)</span>)<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Founder</th><td class="infobox-data agent"><a href="/wiki/Jim_Marshall_(businessman)" title="Jim Marshall (businessman)">Jim Marshall</a></td></tr><tr><th scope="row" class="infobox-label">Headquarters</th><td class="infobox-data adr"><div class="ib-company-locality locality"><a href="/wiki/Milton_Keynes" title="Milton Keynes">Milton Keynes</a>, <a href="/wiki/Stockholm" title="Stockholm">Stockholm</a></div>, <div class="ib-company-country country-name">England, Sweden</div></td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Area served</div></th><td class="infobox-data">United Kingdom, Canada, Australia, Europe, Asia, United States</td></tr><tr><th scope="row" class="infobox-label">Owner</th><td class="infobox-data">Marshall Amplification PLC (1962-2023)<br />The Marshall Group (2023-present)<sup id="cite_ref-Parker_2-0" class="reference"><a href="#cite_note-Parker-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="http://www.marshall.com">Marshall.com</a></td></tr></tbody></table> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:MarshallStack_Slayer.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/eb/MarshallStack_Slayer.jpg/280px-MarshallStack_Slayer.jpg" decoding="async" width="280" height="183" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/eb/MarshallStack_Slayer.jpg/420px-MarshallStack_Slayer.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/eb/MarshallStack_Slayer.jpg/560px-MarshallStack_Slayer.jpg 2x" data-file-width="2448" data-file-height="1602" /></a><figcaption>A 3 × 6 stack of Marshall ModeFour guitar cabinets on the main stage of <a href="/wiki/Tuska_Open_Air_Metal_Festival" title="Tuska Open Air Metal Festival">Tuska Open Air Metal Festival</a> in 2008. This setup belonged to <a href="/wiki/Jeff_Hanneman" title="Jeff Hanneman">Jeff Hanneman</a> of <a href="/wiki/Slayer" title="Slayer">Slayer</a>.</figcaption></figure> <p><b>Marshall Amplification</b> is a British company that designs and manufactures music <a href="/wiki/Amplifier" title="Amplifier">amplifiers</a> and <a href="/wiki/Guitar_speaker_cabinet" class="mw-redirect" title="Guitar speaker cabinet">speaker cabinets</a>. Founded in London by shop owner and drummer <a href="/wiki/Jim_Marshall_(businessman)" title="Jim Marshall (businessman)">Jim Marshall</a>, the company is based in <a href="/wiki/Bletchley" title="Bletchley">Bletchley</a>, <a href="/wiki/Milton_Keynes" title="Milton Keynes">Milton Keynes</a>, England.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Since March 2023, Marshall Amplification has been one of several divisions of the Swedish conglomerate, the Marshall Group.<sup id="cite_ref-Parker_2-1" class="reference"><a href="#cite_note-Parker-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>The company first began making amplifiers to provide an alternative to expensive, American-made <a href="/wiki/Fender_(company)" title="Fender (company)">Fender</a> amps, releasing their first model, the <a href="/wiki/Fender_Bassman" title="Fender Bassman">Bassman</a>-inspired <a href="/wiki/Marshall_JTM45" title="Marshall JTM45">JTM45</a>, in 1963. Following complaints over limitations in amp volume and tone from visitors to Jim Marshall's drum shop, notably <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a>, guitarist for <a href="/wiki/The_Who" title="The Who">The Who</a>,<sup id="cite_ref-Guardian_4-0" class="reference"><a href="#cite_note-Guardian-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Marshall began developing louder, 100-watt amplifiers. These early amps were characterized in part by their <a href="/wiki/Plexiglass" class="mw-redirect" title="Plexiglass">Plexiglass</a> control plates, leading to models such as the <a href="/wiki/Marshall_1959" title="Marshall 1959">1959 Super Lead</a> (released in 1965) being popularly known as "Plexis." Their adoption by guitarists like Townshend, <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>, <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a>, and <a href="/wiki/Jimmy_Page" title="Jimmy Page">Jimmy Page</a> helped establish the brand's legacy. Further development led to the <a href="/wiki/Marshall_JCM800" title="Marshall JCM800">JCM800</a> series in 1981, which was widely adopted by the hard rock and metal community, while the brand celebrated its 25 years of making amps by releasing the Silver Jubiliee in 1987. Marshall updated the JCM lineup in the 1990s (JCM900) and 2000s (JCM2000) and developed new amp lines, like the DSL and JVM models. </p><p>Many of the current and reissue Marshall amps continue to use <a href="/wiki/Vacuum_tube" title="Vacuum tube">valves</a> (tubes) rather than <a href="/wiki/Transistor" title="Transistor">transistors</a>, as is common in this market sector.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Marshall Amplification also manufactures <a href="/wiki/Solid-state_amplifier" class="mw-redirect" title="Solid-state amplifier">solid-state</a>, hybrid (<a href="/wiki/Valve_amplifier" title="Valve amplifier">vacuum tube</a> and solid state) and <a href="/wiki/Amplifier_modeling" title="Amplifier modeling">modelling amplifiers</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Origins">Origins</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=2" title="Edit section: Origins"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:J%26T.Marshall_firstshop.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/J%26T.Marshall_firstshop.jpeg/220px-J%26T.Marshall_firstshop.jpeg" decoding="async" width="220" height="206" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/J%26T.Marshall_firstshop.jpeg/330px-J%26T.Marshall_firstshop.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/16/J%26T.Marshall_firstshop.jpeg/440px-J%26T.Marshall_firstshop.jpeg 2x" data-file-width="2672" data-file-height="2496" /></a><figcaption>Site of Jim Marshall's first shop, now a men's barber</figcaption></figure> <p>After a successful career as a drummer and teacher of drum technique, <a href="/wiki/Jim_Marshall_(businessman)" title="Jim Marshall (businessman)">Jim Marshall</a> first went into business in 1962 with a small shop in <a href="/wiki/Hanwell" title="Hanwell">Hanwell</a>, London, selling drums, <a href="/wiki/Cymbal" title="Cymbal">cymbals</a> and drum-related accessories; Marshall himself also gave drum lessons. According to Jim, <a href="/wiki/Ritchie_Blackmore" title="Ritchie Blackmore">Ritchie Blackmore</a>, <a href="/wiki/Big_Jim_Sullivan" title="Big Jim Sullivan">Big Jim Sullivan</a> and <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a> were the three main guitarists who often came into the shop. They pushed Marshall to make guitar amplifiers and told him the sound and design they wanted.<sup id="cite_ref-Premier_6-0" class="reference"><a href="#cite_note-Premier-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Marshall Limited then expanded, hired designers and started making guitar amplifiers to compete with existing amplifiers, the most notable of which at the time were the <a href="/wiki/Fender_Musical_Instruments_Corporation" class="mw-redirect" title="Fender Musical Instruments Corporation">Fender</a> amplifiers imported from the United States. </p> <div class="mw-heading mw-heading3"><h3 id="Marshall_JTM45">Marshall JTM45</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=3" title="Edit section: Marshall JTM45"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Marshall_JTM45" title="Marshall JTM45">Marshall JTM45</a></div> <p>Jim Marshall wanted someone to produce a cheaper alternative to American-made guitar amplifiers, but as he had limited electrical-engineering experience he enlisted the help of his shop repairman, Ken Bran, a <a href="/wiki/Pan_American_Airways" class="mw-redirect" title="Pan American Airways">Pan American Airways</a> technician and Dudley Craven, an EMI apprentice. They most liked the sound of the 4×10-inch <a href="/wiki/Fender_Bassman" title="Fender Bassman">Fender Bassman</a> and made several prototypes using the Fender Bassman amplifier as a model. The sixth prototype produced, in Marshall's words, the "Marshall Sound", although at this time the only involvement Marshall had was to sell the amplifiers on a commission basis in his shop. As business increased, Marshall asked the three to work for him in his shop, as he had more space and capital to expand.<sup id="cite_ref-Premier_6-1" class="reference"><a href="#cite_note-Premier-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>The original idea was talked about late one Friday night in early 1963 in a <a href="/wiki/Wimpy_(restaurant)" title="Wimpy (restaurant)">Wimpy</a> bar in Ealing in West London by three <a href="/wiki/Amateur_radio" title="Amateur radio">amateur radio</a> enthusiasts after they had been to their weekly Greenford radio club meeting, Dudley Craven's <a href="/wiki/Call_sign" title="Call sign">call sign</a> was G3PUN, Ken Bran's was G3UDC, and Ken Underwood's was G3SDW. As of Dudley's death in 1998 and Bran's death in 2018, the only original individual is Ken Underwood. The first six production units were assembled in the garden sheds of Bran, Craven, and Underwood in the same year, in <a href="/wiki/Heston" title="Heston">Heston</a>, <a href="/wiki/Hanwell" title="Hanwell">Hanwell</a> and <a href="/wiki/Hayes,_Hillingdon" title="Hayes, Hillingdon">Hayes</a>, all in West London. They were almost copies of the Bassman circuit, with American military-surplus 5881 power valves, a relative of the <a href="/wiki/6L6" title="6L6">6L6</a>. Few speakers then were able to handle more than 15 watts,<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (April 2012)">citation needed</span></a></i>]</sup> which meant that an amplifier approaching 50 watts had to use multiple speakers to handle the power. For their Bassman, Fender used four ten-inch <a href="/wiki/Jensen_Electronics" title="Jensen Electronics">Jensen speakers</a> in the same cabinet as the amplifier, but Marshall chose to separate the amplifier from the speakers, and placed four 12-inch <a href="/wiki/Celestion" title="Celestion">Celestion</a> speakers in a separate closed-back cabinet instead of Fender's four 10-inch Jensens in an open-back combo. Other crucial differences included the use of higher-gain <a href="/wiki/ECC83" class="mw-redirect" title="ECC83">ECC83</a> valves throughout the <a href="/wiki/Preamplifier" title="Preamplifier">preamplifier</a>, and the introduction of a capacitor/resistor filter after the volume control. These circuit changes gave the amp more gain so that it broke into <a href="/wiki/Distortion_(music)" title="Distortion (music)">overdrive</a> sooner on the volume control than the Bassman, and boosted the treble frequencies. This new amplifier, tentatively called the "Mark II", was eventually named the "<a href="/wiki/Marshall_JTM_45" class="mw-redirect" title="Marshall JTM 45">JTM 45</a>", after Jim and his son Terry Marshall and the maximum wattage of the amplifier. <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>, <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a>, and other blues rock-based bands from the late 1960s such as <a href="/wiki/Free_(band)" title="Free (band)">Free</a> used Marshall stacks both in the studio and live on stage making them among the most sought after and most popular amplifiers in the industry. </p> <div class="mw-heading mw-heading3"><h3 id="Distribution_deal">Distribution deal</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=4" title="Edit section: Distribution deal"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marshall entered into a 15-year distribution deal with British company Rose-Morris during 1965, which gave him the capital to expand his manufacturing operations, though it would prove to be costly. In retrospect, Marshall admitted the Rose-Morris deal was "the biggest mistake I ever made. Rose-Morris hadn't a clue, really. For export, they added 55% onto my price, which pretty much priced us out of the world market for a long time."<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Park_amplification">Park amplification</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=5" title="Edit section: Park amplification"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The new contract had disenfranchised several of Marshall's former distributors, among them his old friend Johnny Jones. Marshall's contract did not prevent him from building amplifiers outside the company, and so Marshall launched the <b>Park</b> brand name, inspired by the maiden name of Jones's wife.<sup id="cite_ref-pittman_8-0" class="reference"><a href="#cite_note-pittman-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> To comply with his contract stipulations, these amplifiers had minor circuit changes compared to the regular Marshalls, and minor changes to the appearance. For instance, often the Parks had silver or black front panels instead of the Marshall's gold ones, some of the enclosures were taller or shaped differently, and controls were laid out and labelled differently.<sup id="cite_ref-parkhunter_9-0" class="reference"><a href="#cite_note-parkhunter-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>Starting in early 1965, Park produced a number of amplifiers including a 45-watt head. Most of these had Marshall layout and components, though some unusual amplifiers were made, such as a 75 watt keyboard amplifier with <a href="/wiki/KT88" title="KT88">KT88</a> tubes. A 2×12-inch combo had the option of sending the first channel into the second, probably inspired by Marshall users doing the same trick with a jumper cable.<sup id="cite_ref-pittman_8-1" class="reference"><a href="#cite_note-pittman-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> The 1972 Park 75 put out about 100 watts by way of two KT88s, whereas the comparable 50-watt <a href="/wiki/Marshall_JTM_45" class="mw-redirect" title="Marshall JTM 45">Model 1987</a> of that time used 2 <a href="/wiki/EL34" title="EL34">EL34</a> tubes.<sup id="cite_ref-parkhunter_9-1" class="reference"><a href="#cite_note-parkhunter-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>In 1982, Park came to an end, though Marshall later revived the brand for some transistor amplifiers made in Asia.<sup id="cite_ref-pittman_8-2" class="reference"><a href="#cite_note-pittman-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> The Parks made from the mid-1960s to around 1974 (the "golden years"), with point-to-point wiring – rumoured to be "a little hotter" than regular Marshalls – fetch higher prices than comparable "real" Marshalls from the same period.<sup id="cite_ref-parkhunter_9-2" class="reference"><a href="#cite_note-parkhunter-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Other_Marshall_brand_names">Other Marshall brand names</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=6" title="Edit section: Other Marshall brand names"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Wall_of_Marshall_Fridge_!!!!_-_Musikmesse_Frankfurt_2013_(2013-04-11_13.37.43_by_Dave_Kobrehel).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Wall_of_Marshall_Fridge_%21%21%21%21_-_Musikmesse_Frankfurt_2013_%282013-04-11_13.37.43_by_Dave_Kobrehel%29.jpg/220px-Wall_of_Marshall_Fridge_%21%21%21%21_-_Musikmesse_Frankfurt_2013_%282013-04-11_13.37.43_by_Dave_Kobrehel%29.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Wall_of_Marshall_Fridge_%21%21%21%21_-_Musikmesse_Frankfurt_2013_%282013-04-11_13.37.43_by_Dave_Kobrehel%29.jpg/330px-Wall_of_Marshall_Fridge_%21%21%21%21_-_Musikmesse_Frankfurt_2013_%282013-04-11_13.37.43_by_Dave_Kobrehel%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Wall_of_Marshall_Fridge_%21%21%21%21_-_Musikmesse_Frankfurt_2013_%282013-04-11_13.37.43_by_Dave_Kobrehel%29.jpg/440px-Wall_of_Marshall_Fridge_%21%21%21%21_-_Musikmesse_Frankfurt_2013_%282013-04-11_13.37.43_by_Dave_Kobrehel%29.jpg 2x" data-file-width="3264" data-file-height="2448" /></a><figcaption>Wall of Marshall Fridge: refrigerator products using Marshall brand.<sup id="cite_ref-marshalfridge_10-0" class="reference"><a href="#cite_note-marshalfridge-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>Other brand names Marshall Amplification had used for various business reasons included <b>Big M</b> (for the then-West German market), <b>Kitchen/Marshall</b> (for the Kitchen Music retail chain in North London), <b>Narb</b> (Ken Bran's surname spelled backwards) and <b>CMI</b> (Cleartone Musical Instruments). Amplifiers sold under these brand names are quite rare, and sell to collectors at high prices.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Blackstar">Blackstar</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=7" title="Edit section: Blackstar"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2007, a group of Marshall employees broke away to start <a href="/wiki/Blackstar_Amplification" title="Blackstar Amplification">Blackstar Amplification</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Early_amplifier_models">Early amplifier models</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=8" title="Edit section: Early amplifier models"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="The_Bluesbreaker">The Bluesbreaker</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=9" title="Edit section: The Bluesbreaker"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Marshall_Bluesbreaker" title="Marshall Bluesbreaker">Marshall Bluesbreaker</a></div> <p>To reduce costs Marshall started sourcing parts from the UK. This led to the use of Dagnall and Drake-made transformers, and a switch to the <a href="/wiki/KT66" title="KT66">KT66</a> valve instead of the <a href="/wiki/6L6" title="6L6">6L6</a> tube commonly used in the United States. The changes gave Marshall amplifiers a more aggressive voice, which quickly found favour with players such as <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a>, who would sit in Jim's shop practising. Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "<a href="/wiki/Marshall_Bluesbreaker" title="Marshall Bluesbreaker">Bluesbreaker</a>" amp.<sup id="cite_ref-Premier_6-2" class="reference"><a href="#cite_note-Premier-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> This is the amplifier, in tandem with his 1960 <a href="/wiki/Gibson_Les_Paul" title="Gibson Les Paul">Gibson Les Paul</a> Standard (the "Beano"), that gave Clapton that famous tone on the <a href="/wiki/John_Mayall_%26_the_Bluesbreakers" title="John Mayall & the Bluesbreakers">John Mayall & the Bluesbreakers</a>' 1966 album, <i><a href="/wiki/Bluesbreakers_with_Eric_Clapton" class="mw-redirect" title="Bluesbreakers with Eric Clapton">Bluesbreakers with Eric Clapton</a></i>. </p> <div class="mw-heading mw-heading3"><h3 id="The_Plexi_and_the_Marshall_stack">The <i>Plexi</i> and the Marshall <i>stack</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=10" title="Edit section: The Plexi and the Marshall stack"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Marshall_1959" title="Marshall 1959">Marshall 1959</a></div><p><span class="anchor" id="Marshall_stack"></span> </p><p>The amplifiers from this era are easily identifiable by their acrylic glass (a.k.a. <a href="/wiki/Plexiglas" class="mw-redirect" title="Plexiglas">Plexiglas</a>) front panel, which earned them the nickname "Plexi". In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the <i>1987</i> Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. </p><p>Other early customers included <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a> and <a href="/wiki/John_Entwistle" title="John Entwistle">John Entwistle</a> of <a href="/wiki/The_Who" title="The Who">The Who</a>, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier.<sup id="cite_ref-pittman2_12-0" class="reference"><a href="#cite_note-pittman2-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Ken Bran and Dudley Craven, Marshall's developers, doubled the number of output <a href="/wiki/Vacuum_tube" title="Vacuum tube">valves</a>, added a larger power <a href="/wiki/Transformer" title="Transformer">transformer</a> and an extra output transformer. Four of these amplifiers were built and delivered to Townshend, and the <a href="/wiki/Marshall_1959" title="Marshall 1959">Marshall Super Lead Model 1959</a>, the original <i>Plexi</i>, was born in 1965. At the request of Townshend, Marshall produced an 8×12-inch cabinet (soon replaced by a pair of 4×12-inch cabinets) on top of which the 1959 amplifier head was placed, giving rise to the <b>Marshall stack</b>, an iconic image for rock and roll.<sup id="cite_ref-millard_13-0" class="reference"><a href="#cite_note-millard-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The size of the wall of Marshall <i>stacks</i> "soon became an indicator of the band's status", even when rendered obsolete by improved PA systems; indeed, many of the "ridiculously huge arrays of heads and cabs" included dummies. Still, most modern 100-watt heads have roots in Marshall's design, even though they often contain many more features (or different valves, such as the more American-sounding <a href="/wiki/6L6" title="6L6">6L6</a> valves).<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Another_valve_change">Another valve change</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=11" title="Edit section: Another valve change"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Marshall_Major_In_Eberbach.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Marshall_Major_In_Eberbach.JPG/220px-Marshall_Major_In_Eberbach.JPG" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Marshall_Major_In_Eberbach.JPG/330px-Marshall_Major_In_Eberbach.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/29/Marshall_Major_In_Eberbach.JPG/440px-Marshall_Major_In_Eberbach.JPG 2x" data-file-width="2048" data-file-height="1536" /></a><figcaption>Rare 1971 200-watt Marshall Major</figcaption></figure> <p>At this time, the KT66 valve was becoming more expensive, as the <a href="/wiki/Marconi-Osram_Valve" title="Marconi-Osram Valve">M-OV Company</a> faced greater competition from <a href="/wiki/Mullard" title="Mullard">Mullard</a>. Hence, another valve change was made, with Marshall starting to use European-made Mullard <a href="/wiki/EL34" title="EL34">EL34</a> power stage valves.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> These have a different overdrive character than the KT66s, which gave Marshalls a more aggressive voice still. In 1966 <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a> was in Jim's shop, trying the amplifiers and guitars. Jim Marshall expected Hendrix to be "another American wanting something for nothing" but to his surprise, Hendrix offered to buy the amplifiers at retail price if Jim would provide him with support for them around the world.<sup id="cite_ref-Premier_6-3" class="reference"><a href="#cite_note-Premier-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Jim Marshall agreed, and several of Hendrix's road crew were trained in the repair and maintenance of the Marshall amplifiers through the years. </p> <div class="mw-heading mw-heading2"><h2 id="Mid-1970s_and_1980s_models">Mid-1970s and 1980s models</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=12" title="Edit section: Mid-1970s and 1980s models"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="The_JMPs">The JMPs</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=13" title="Edit section: The JMPs"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>After 1973, to streamline production, labour-intensive handwiring was discontinued and Marshall valve amplifiers were switched to <a href="/wiki/Printed_circuit_board" title="Printed circuit board">printed-circuit-board</a> (PCBs). Much of the debate about the difference in tone between the plexi- and aluminium-panel Marshall amplifiers originates from 1974 when a number of circuit changes were made to the 1959 and 1987 amplifiers; with the addition of 'mkII' added to the 'Super Lead' name on the back panel and 'JMP' ("Jim Marshall Products") added to the left of the power switch on the front panel. Marshall's US distributor Unicord also had them change all the amplifiers sold in the US and Japan to the much more rugged <a href="/wiki/General_Electric" title="General Electric">General Electric</a> <a href="/wiki/6550" class="mw-redirect" title="6550">6550</a> instead of the EL34 output tube. The combined effect of different valves and a modified circuit gave these mid-1970s Marshalls a very bright and aggressive sound that was punchier than the EL34 sound, but not as rich, compressed, and had less poweramp distortion. </p><p>In late 1975, Marshall introduced the "Master Volume" ("MV") series with the 100W 2203, followed in 1976 by the 50W 2204. This was an attempt to control the volume level of the amplifiers whilst maintaining the overdriven distortion tones that had become synonymous with the Marshall brand. To do this, Marshall designers connected the two input stages in series rather than parallel on the 2203, but not initially on the 2204, and modified the gain stage circuitry to preserve the tonal characteristics of the 'cranked Plexi' sound and converted the now obsolete second channel volume control to a Master Volume by wiring it between the preamplifier and EQ circuit. The 2204 followed suit in early 1977 and changed its preamplifier circuit to match the (then) more popular 2203. </p><p>According to Rick Reinckens, who was a short-term Unicord employee electronic technician who tested the first units when they arrived from England, Tony Frank, Unicord's chief design engineer, came up with this idea for a dual-volume-control (a preamplifier gain and a master volume). The circuitry modifications were optimised to replicate the sound of the earlier non-MV Marshalls with the Master Volume control set 'low'; however, players quickly realised that 'cranking' the MV of these new Marshall amplifiers would yield even more overdrive distortion, the tone of which was more cutting and edgy, and later found favour with players such as <a href="/wiki/Randy_Rhoads" title="Randy Rhoads">Randy Rhoads</a>, <a href="/wiki/Zakk_Wylde" title="Zakk Wylde">Zakk Wylde</a> and <a href="/wiki/Slash_(musician)" title="Slash (musician)">Slash</a>. The 1959 and 1987 non-master volume models also continued under the JMP line until 1982. </p> <div class="mw-heading mw-heading3"><h3 id="JCM800">JCM800</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=14" title="Edit section: JCM800"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Marshall_JCM800" title="Marshall JCM800">Marshall JCM800</a></div> <p>Soon after the Rose-Morris deal had ended in late 1980, Marshall repackaged two MV models, the <a href="/wiki/Marshall_JCM800" title="Marshall JCM800">2203</a> and the <a href="/wiki/Marshall_JCM800" title="Marshall JCM800">2204</a> (at 100 and 50 watts, respectively), along with the <a href="/wiki/Marshall_1959" title="Marshall 1959">1959</a> and <a href="/wiki/Marshall_JTM_45" class="mw-redirect" title="Marshall JTM 45">1987</a> non-master volume Super Lead in a new box with a new panel, and called it the "<a href="/wiki/Marshall_JCM800" title="Marshall JCM800">JCM800</a>" series (named after his initials and the registration plate of his car).<sup id="cite_ref-maloof_17-0" class="reference"><a href="#cite_note-maloof-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Marshall made several amplifiers under the JCM800 name. </p> <div class="mw-heading mw-heading3"><h3 id="The_Jubilee">The Jubilee</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=15" title="Edit section: The Jubilee"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>A landmark year for Jim Marshall was 1987. It marked 25 years in the amplifier business and 50 years in music. This was celebrated with the release of the Silver Jubilee series of amplifiers. The Silver Jubilee series consisted of the 2555 (100 watt head), 2550 (50 watt head) along with other 255x model numbers denominating various combos and even a "short head". The Jubilee amplifiers were heavily based on the JCM800s of the time, featuring a very similar output section along with a new preamplifier. Their most publicised feature was the half-power switching, which is activated by a third rocker switch next to the standard "power" and "standby" switches. On the 50-watt model this was reflected in the numbering – 2550 is switchable from 25 to 50 watts – and also reflected Marshall amplifiers' 25th anniversary and Jim Marshall's 50 years in music. The amplifiers were trimmed in silver covering, and had a bright silver-coloured faceplate, along with a commemorative plaque. </p><p>The Jubilee also featured a "semi-split channel" design, in which two different input gain levels could be set, running through the same <a href="/wiki/Tone_stack" title="Tone stack">tone stack</a> and master volume control. This allowed for a "classic Marshall" level of gain to be footswitched up to a modern, medium to high gain sound, slightly darker and higher in gain than the brasher JCM800 sound that typified 1980s rock music. "The sound of these amps is particularly thick and dark, even on the Marshall scale of things. The gain by today's standards is medium."<sup id="cite_ref-Nichols_18-0" class="reference"><a href="#cite_note-Nichols-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 47">: 47 </span></sup> The distortion sound of the Jubilee range is typified by Slash's live work with <a href="/wiki/Guns_N%27_Roses" title="Guns N' Roses">Guns N' Roses</a>. He rarely used anything else live, but oddly the Jubilee did not appear on any Guns N' Roses studio albums – instead these feature a modified 1977 JMP mkII (non-MV) on <i><a href="/wiki/Appetite_for_Destruction" title="Appetite for Destruction">Appetite for Destruction</a></i> (1987) and a modded JCM800 on the subsequent albums. It can be heard on some of the <a href="/wiki/Velvet_Revolver" title="Velvet Revolver">Velvet Revolver</a> material though. The Jubilee amplifiers also featured a "pull out" knob that activated a diode clipping circuit (similar to boosting the amp's input with an overdrive pedal). Other notable Jubilee users include the <a href="/wiki/Black_Crowes" class="mw-redirect" title="Black Crowes">Black Crowes</a>, <a href="/wiki/John_Frusciante" title="John Frusciante">John Frusciante</a> (<a href="/wiki/Red_Hot_Chili_Peppers" title="Red Hot Chili Peppers">Red Hot Chili Peppers</a>) and <a href="/wiki/Alex_Lifeson" title="Alex Lifeson">Alex Lifeson</a> (<a href="/wiki/Rush_(band)" title="Rush (band)">Rush</a>), who used it extensively in the recording of Rush's <i><a href="/wiki/Clockwork_Angels" title="Clockwork Angels">Clockwork Angels</a></i> (2012) album.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> </p><p>After the Jubilee year, production of the 255x series amplifiers continued until around 1990 in extremely limited numbers, likely due to left over components. These amps have identical circuitry to the 1987 models but reverted to a standard Marshall livery of black and gold. These follow the same model number structure as the 1987 amps but do not have the limited edition badge and lose the “silver jubilee” name. </p> <div class="mw-heading mw-heading2"><h2 id="Mid-1980s_and_1990s_models">Mid-1980s and 1990s models</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=16" title="Edit section: Mid-1980s and 1990s models"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Competition_from_American_amplifier_companies">Competition from American amplifier companies</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=17" title="Edit section: Competition from American amplifier companies"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marshall began to see more competition from American amplifier companies such as <a href="/wiki/Mesa_Boogie" class="mw-redirect" title="Mesa Boogie">Mesa Boogie</a> and <a href="/wiki/Soldano_Custom_Amplification" title="Soldano Custom Amplification">Soldano</a>. Marshall then updated the JCM800 range with additional models and new features such as "channel switching", which meant that players could switch between clean and distorted tones with the push of a foot-operated switch. This feature debuted in the 2205 (50 watt) and 2210 (100 watt) series and these amplifiers contained more preamplifier gain than ever thanks to a new innovation; diode <a href="/wiki/Clipping_(audio)" title="Clipping (audio)">clipping</a>. This meant a solid-state diode added additional distortion to the signal path, akin to adding a distortion pedal. As such the split channel JCM800s were the highest gain Marshalls yet built – "When they were first released, many players were shocked (some were even put off) by its bright, intense distortion – far more than any other amp of the day."<sup id="cite_ref-Nichols_18-1" class="reference"><a href="#cite_note-Nichols-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citing_sources" title="Wikipedia:Citing sources"><span title="This citation requires a reference to the specific page or range of pages in which the material appears. (November 2022)">page needed</span></a></i>]</sup> While hotly criticised today among valve purists, these amps were more popular than ever, finding mass acceptance within the hard rock community and still in use today by many. The split-channel JCM800s are still used by Tom Morello (Rage Against the Machine, Audioslave) and were played exclusively by Michael Schenker (UFO) for many years. </p><p>Marshall around this time began further experiments with <a href="/wiki/Solid_state_(electronics)" class="mw-redirect" title="Solid state (electronics)">solid-state</a> amplifiers, which were increasingly improving in quality due to technological innovations but were still considered beginner level equipment. Regardless, solid-state product lines with the Marshall name on them were and still are a wild (if critically discounted) success for the company, allowing entry level guitarists to play the same brand of amplifier as their heroes. One particularly successful entry-level solid-state Marshall was the Lead 12/Reverb 12 combo series, which featured a preamplifier section very similar to a JCM800, and a particularly sweet-sounding output section. These amps were actually used on record by <a href="/wiki/Billy_Gibbons" title="Billy Gibbons">Billy Gibbons</a> of <a href="/wiki/ZZ_Top" title="ZZ Top">ZZ Top</a>, and are now in some demand. </p> <div class="mw-heading mw-heading3"><h3 id="The_1990s">The 1990s</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=18" title="Edit section: The 1990s"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ruthie_Morris_1994_03.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Ruthie_Morris_1994_03.jpg/220px-Ruthie_Morris_1994_03.jpg" decoding="async" width="220" height="332" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Ruthie_Morris_1994_03.jpg/330px-Ruthie_Morris_1994_03.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/6/65/Ruthie_Morris_1994_03.jpg 2x" data-file-width="400" data-file-height="604" /></a><figcaption><a href="/wiki/Magnapop" title="Magnapop">Magnapop</a> guitarist <a href="/wiki/Ruthie_Morris" title="Ruthie Morris">Ruthie Morris</a> playing a Marshall amp in 1994</figcaption></figure> <div class="mw-heading mw-heading4"><h4 id="JCM900">JCM900</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=19" title="Edit section: JCM900"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the 1990s, Marshall updated its product line again with the JCM900 series. Reviewed by <i>Guitarist</i> magazine in the UK and given the line, "Shredders, here is an amp you won't need to have modified", this move by Marshall was again an outgrowth of musicians' desires, featuring more distortion than ever and retaining popular aspects of the late JCM800 models. However, despite such marketing claims they were not as hi-gain as advertised, and used solid-state components for much of the distortion in some models - something which many guitarists did not like. Still, if not with <a href="/wiki/Shred_guitar" title="Shred guitar">shredders</a>, the JCM900 line was well received by younger players associated with pop, rock, punk and grunge which was widespread by the early 1990s. </p><p>There are three different variants of the JCM900. The most common models are the 4100 (100 watt) and 4500 (50 watt) "Dual Reverb" models, which are a descendant of the JCM800 2210/2205 design. These models feature two channels, a largely solid-state preamplifier, and diode distortion. The 2100/2500 Mark IIIs are essentially JCM800 2203/2204s with added diode clipping controllable via a knob on the front panel and an effects loop. These are fairly uncommon and were not in production for long before being replaced by the 2100/2500 SL-X, which replaced the diode clipping from the Mk III with another 12AX7/ECC83 preamplifier valve. These are easily the highest distortion of the three variants. A number of these were shipped with Sovtek <a href="/wiki/6L6" title="6L6">5881</a> valves, a ruggedized variant of the 6L6 family of output valves, due to a lack of suitable quality EL34s. Most of the JCM900s and 6100s built between 1994 and 1998 left the factory with the 5881s. </p><p>Around this time, Marshall released a few "special edition" amplifiers in this range, including a "Slash Signature" model, a first for the company. This was actually a re-release of the earlier Silver Jubilee 2555 amplifier, with identical internals, a standard Marshall look, and a Slash logo. This amplifier retained EL34s and 3,000 units were produced from 1996 to 1997.<sup id="cite_ref-jcm2555_20-0" class="reference"><a href="#cite_note-jcm2555-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="30th_Anniversary_6100_series">30th Anniversary 6100 series</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=20" title="Edit section: 30th Anniversary 6100 series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>1993 marked 30 years in the amplifier business. To commemorate this milestone, Marshall released the 30th Anniversary series of amplifiers, the EL34 powered 6100LE with commemorative blue covering and gold faceplate, which was followed by the 6100 (in blue tolex and still EL34 powered) and then in 1994 the 6100LM (in standard Marshall livery but now 5881 powered like the JCM900s of the time). All versions of the 6100 had three channels; clean, crunch and lead. The clean channel featured a mid shift, which gave the option of a more "Fender-like" voicing, and the crunch channel featured three modes recreating all the classic Marshall crunch tones of the past three decades. The lead channel featured a switchable gain boost and a mid-range contour switch, which gave it the tone and gain levels, which Marshall's engineers hoped would keep it competitive in the high-gain world in the early to mid-1990s. In fact some players felt the lead channel was perhaps the weaker link in the amplifier's arsenal, and it came in for revisions in the third year of production (the LM standing for "Lead Mod"). This revision featured even higher gain. </p><p>The Anniversary series found prominence with <a href="/wiki/Joe_Satriani" title="Joe Satriani">Joe Satriani</a> in particular, who favoured the early EL34 powered versions and used only the clean channel live along with his signature <a href="/wiki/Vox_(musical_equipment)" class="mw-redirect" title="Vox (musical equipment)">Vox</a> Satchurator distortion pedal which is based on his old modded <a href="/wiki/Boss_DS-1" title="Boss DS-1">Boss DS-1</a>. Satriani used these older Boss pedals almost exclusively for live work and on a number of studio albums including <i><a href="/wiki/The_Extremist" title="The Extremist">The Extremist</a></i> (1992) until the early 2000s. The Anniversary models were probably the most complicated Marshall ever (other than perhaps the later JVM), with <a href="/wiki/Musical_Instrument_Digital_Interface" class="mw-redirect" title="Musical Instrument Digital Interface">MIDI</a> channel selection, half power switching, pentode/triode switching, adjustable speaker excursion, and a low volume compensation switch. Despite all this complication, the amps had a pure signal path that did not share preamplifier valves between channels (unlike later Marshall designs like the TSL and JVM). Other famous 6100 users included <a href="/wiki/Alex_Lifeson" title="Alex Lifeson">Alex Lifeson</a> on <a href="/wiki/Rush_(band)" title="Rush (band)">Rush</a>'s album <i><a href="/wiki/Test_for_Echo" title="Test for Echo">Test for Echo</a></i> (1996) and <a href="/wiki/Ocean_Colour_Scene" title="Ocean Colour Scene">Ocean Colour Scene</a> (OCS) guitarist <a href="/wiki/Steve_Cradock" title="Steve Cradock">Steve Cradock</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Current_models">Current models</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=21" title="Edit section: Current models"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1251242444"><table class="box-More_citations_needed_section plainlinks metadata ambox ambox-content ambox-Refimprove" role="presentation"><tbody><tr><td class="mbox-image"><div class="mbox-image-div"><span typeof="mw:File"><a href="/wiki/File:Question_book-new.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/50px-Question_book-new.svg.png" decoding="async" width="50" height="39" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/75px-Question_book-new.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/100px-Question_book-new.svg.png 2x" data-file-width="512" data-file-height="399" /></a></span></div></td><td class="mbox-text"><div class="mbox-text-span">This section <b>needs additional citations for <a href="/wiki/Wikipedia:Verifiability" title="Wikipedia:Verifiability">verification</a></b>.<span class="hide-when-compact"> Please help <a href="/wiki/Special:EditPage/Marshall_Amplification" title="Special:EditPage/Marshall Amplification">improve this article</a> by <a href="/wiki/Help:Referencing_for_beginners" title="Help:Referencing for beginners">adding citations to reliable sources</a> in this section. Unsourced material may be challenged and removed.</span> <span class="date-container"><i>(<span class="date">October 2009</span>)</i></span><span class="hide-when-compact"><i> (<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <p>Marshall currently produces a number of amplifiers, which are a mix of modern designs and vintage reissues. Most models attempt to include the "classic" Marshall "roar". </p> <div class="mw-heading mw-heading3"><h3 id="Modern_series">Modern series</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=22" title="Edit section: Modern series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marshall continued with a wide range of amps with the look and sound of the Marshall valve amplifier. The longest running of such models is the JCM2000 range, which is split into the two- and three-channel series, known as the Dual and Triple Super Leads, as released in 1997. These amplifiers are a continuation of the JCM800 and 900 series, although the controversial diode clipping circuit used in the later 800 and 900 amplifiers has been removed in favour of additional valve gain stages. Although lumped together as JCM2000 models the DSL and the TSL have different circuits and are more distantly related than the model range suggests. The DSL is an extension of the JCM800 series with several changes including dual reverb controls and is generally considered to be an excellent workhorse although it lacks the direct foot switching of all four possible channel options – clean/crunch/OD1 and OD2 – instead it only offers 2-channel switching and both channels share the same tone knobs. The DSL line does have a 6 button footswitch that can be purchased that allows switching between channels and modes for each channel. The JCM 2000 was touted as the best Marshall ever, with a question mark in the ads in various publications. They followed the 100W and 50W heads with the DSL401(40W) and 201(20W) combos, also with channel switching. In 2012, Marshall released a revamped DSL line with production and assembly in Vietnam. It consisted of the DSL100 head, DSL40 combo with a 12-inch Celestion speaker, DSL15 head and combo, DSL5 combo with a 10-inch Celestion speaker. The series was revamped in 2018 with a DSL20 head and combo, both with EL34 valves, thus discontinuing the DSL15s and an addition of a DSL1 head and combo to satisfy the bedroom player. </p><p>Marshall looked towards a new flagship to nail all the compromising of the earlier models, the JVM, made in a variety of models and ranges. These amplifiers have up to four channels, each with three-foot-switchable modes, dual master volumes, reverb controls for each channel, and a foot-switchable effects loop. These features can be programmed into the standard foot-switch to be foot-switchable as "patches", so now the user can switch from, say, a clean channel with a chorus in the effects loop and reverb, to a medium-gain rhythm sound with no effects, to a high-gain lead sound with boosted output volume, with one click of the foot-switch per sound. The JVM range consists of the JVM410H, a 100-watt four-channel head; the JVM410C, a 100-watt four-channel 2x12" combo: the JVM210H and JVM210C, 100-watt two-channel head and 2x12" combo respectively; and 50-watt versions of these, JVM205H (head), JVM205C (2x12" combo) and JVM215 (1x12" combo). Joe Satriani uses a signature JVM amp called the JVM410HJS which features noise gates in place of reverb on the front panel. </p><p>Around the same time as the release of the JVM, Marshall also released an amplifier called the Vintage Modern, which is designed to be much simpler, with a single channel and designed to be controlled more by the player's style and guitar than by channel switching or multiple settings, reminiscent of the vintage "Plexi" and JCM800 range, but with modern conveniences such as foot-switchable dynamic ranges (distortion levels), effects loop and reverb. The Vintage Modern series consists of the 2466 100-watt head and 2266 50-watt head with matching combos and a matching cabinet loaded with G12C 25-watt Greenbacks. The Vintage Modern is the first Marshall since the late 1960s to be powered by KT66s, a European version of the 6L6 valve. </p> <div class="mw-heading mw-heading3"><h3 id="Vintage_series">Vintage series</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=23" title="Edit section: Vintage series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Marshall_Anniversary_edition_guitar_amplifiers.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Marshall_Anniversary_edition_guitar_amplifiers.jpg/220px-Marshall_Anniversary_edition_guitar_amplifiers.jpg" decoding="async" width="220" height="146" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Marshall_Anniversary_edition_guitar_amplifiers.jpg/330px-Marshall_Anniversary_edition_guitar_amplifiers.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Marshall_Anniversary_edition_guitar_amplifiers.jpg/440px-Marshall_Anniversary_edition_guitar_amplifiers.jpg 2x" data-file-width="1280" data-file-height="850" /></a><figcaption>Marshall Vintage Reissue Amplifiers</figcaption></figure> <p>In 2001, Marshall reissued many of its earlier amplifiers, such as the <a href="/wiki/Marshall_1959" title="Marshall 1959">Model 1959-SLP</a>, which is designed to be a reissue of the late-1960s era "Plexi" amplifier, but which are in reality reissues of the post-1973 Super Lead models in that they use printed circuit boards internally to reduce manufacturing cost. The original design utilised hand-wired circuits on turret boards, which is now available for a premium in the "hand-wired" series. Other reissues are similarly PCB designed, even where the originals were hand-wired, except where explicitly noted (i.e., the "hand-wired" range currently offered). </p> <div class="mw-heading mw-heading3"><h3 id="Solid-state_amplifiers">Solid-state amplifiers</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=24" title="Edit section: Solid-state amplifiers"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marshall's "Valvestate" amplifiers contained a hybrid of valve and solid-state technology. Currently named the "AVT series" (although these are now out of production, being replaced with the "AVT tribute" for a short time), there are a number of different models, all of which are less expensive than their all-valve counterparts. It is Marshall's current line of "hybrid" amplifier, featuring a 12AX7 preamplifier valve employed in the preamplifier (to "warm up" the signal) as well as solid-state components, with a solid-state power amplifier. These are considered and marketed as intermediate-level equipment to bridge the gap between the higher valve range and lower range MG series. </p><p>In January 2009, Marshall released their latest variant of the MG line of practice amplifiers. Replacing the MG3 line, the MG4 has been designed to offer the guitarist a whole host of features whilst keeping the control of the amplifier simple. </p> <div class="mw-heading mw-heading3"><h3 id="Bass_series">Bass series</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=25" title="Edit section: Bass series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marshall currently manufactures a professional, all-valve bass rig called the VBA400. It houses eight 6550 power valves plus three <a href="/wiki/ECC83" class="mw-redirect" title="ECC83">ECC83</a> and one <a href="/wiki/ECC82" class="mw-redirect" title="ECC82">ECC82</a> preamplifier valves. The input accommodates both active and passive bass <a href="/wiki/Pickup_(music_technology)" title="Pickup (music technology)">pick-ups</a>; there is also an <a href="/wiki/XLR_connector" title="XLR connector">XLR</a> <a href="/wiki/DI_unit" title="DI unit">DI</a> output for recording complete with Earth (<a href="/wiki/Ground_(electricity)" title="Ground (electricity)">grounding</a>) lift and Pre/Post <a href="/wiki/Equalization_(audio)" title="Equalization (audio)">EQ</a> switches. </p><p>In 2008, Marshall honoured <a href="/wiki/Lemmy_Kilmister" class="mw-redirect" title="Lemmy Kilmister">Lemmy Kilmister</a> of <a href="/wiki/Mot%C3%B6rhead" title="Motörhead">Motörhead</a> with their first-ever signature bass amplifier head, based on his 100 watt super bass unit "Murder One".<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p>There are also solid-state models called MB series<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> ranging from 15 watts to 450 watts and extension cabinets. </p> <div class="mw-heading mw-heading3"><h3 id="CODE_series">CODE series</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=26" title="Edit section: CODE series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2016, Marshall introduced the CODE series of modelling amplifiers, ranging from the 25-watt Code 25 (single 10-inch speaker), 50-watt (single 12-inch speaker) to the 100-watt Code 100 (available as either a 2×12-inch combo or as a head unit). Developed in conjunction with Softube, the amplifiers contain 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets, along with 24 effects. The amplifiers can be controlled via Bluetooth from iOS and Android devices and can also be used to stream audio from a PC. </p> <div class="mw-heading mw-heading3"><h3 id="Origin_series">Origin series</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=27" title="Edit section: Origin series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>A series of low-wattage, all valve heads and combos assembled in Vietnam hearkening back to the "Plexi"-era of the company. The Origin series was introduced to address a demand for lower volume amplifiers that many guitarists were calling for. To address this, Marshall announced the Origin5, a 5-watt amplifier that can run on either high (5-watt) or low (0.5-watt) with the help of Marshall's Powerstem technology. </p><p>With the introduction of the Powerstem technology, the Origin amplifiers are able to provide reduced output power while retaining the same tonal characteristics of a full-powered amplifier. This is accomplished through the new attenuation system, Powerstem, by dynamically reducing the rail voltages throughout the amplifier. </p><p>The Origin line consists of the Origin5 combo (5-watt, 1 x 8" Celestion Eight-15 speaker), Origin20 combo (20-watt, 1 x 10" Celestion V Type), Origin20 head, Origin50 combo (50-watt, 1 x 12" Celestion G12N-60 Midnight 60 speaker), and Origin50 head.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="MS_series">MS series</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=28" title="Edit section: MS series"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The MS-2 is a 1W micro amp, containing 2 channels and a 2" speaker, ideal for practice. The MS-4 has a 2x2" speaker configuration, and is designed to look like a full stack.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Model_number_confusion">Model number confusion</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=29" title="Edit section: Model number confusion"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Occasionally confusion has arisen due to Marshall's method of naming each amplifier model, especially during its first few decades, when it was distributed under Rose-Morris. Early amplifier models were simply named after their catalogue number, so for example the 1962 Bluesbreaker was item one thousand, nine hundred and sixty-two in the Rose-Morris catalogue. Later amplifiers were given range designations as well as model numbers, which often indicated information about the amplifier itself, for example the JCM2000 range of amplifiers had models such as the TSL100 (Triple Super Lead 100 W) and combo amplifiers like the TSL122 (Triple Super Lead with 2×12-inch <a href="/wiki/Celestion" title="Celestion">Celestion</a> speakers) other product ranges use similar descriptive model numbers. Often, speaker cabinets designed to suit a particular range will give a prefix before the speaker description such as JVMC212 (JVM cabinet 2×12-inch <a href="/wiki/Celestion" title="Celestion">Celestion</a> speakers) or a suffix C to denote a combo variant of an amplifier such as the Vintage Modern 2266C (Vintage Modern 2 channel 2× KT66 valves Combo). </p> <div class="mw-heading mw-heading3"><h3 id="Headphones_and_bluetooth_speakers">Headphones and bluetooth speakers</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=30" title="Edit section: Headphones and bluetooth speakers"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2010 Marshall started a partnership with Zound Industries to make headphones and bluetooth speakers,<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Zound Industries<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> is most known for its <a href="/wiki/Urbanears" title="Urbanears">Urbanears</a> headphones and have a similar partnership with <a href="/wiki/Adidas" title="Adidas">Adidas</a> to make audio products for them. </p><p>In August 2018, Marshall announced two <a href="/wiki/Smart_speaker" title="Smart speaker">smart speakers</a> which run <a href="/wiki/Amazon_Alexa" title="Amazon Alexa">Amazon Alexa</a>.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_Marshall_legacy">The Marshall legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=31" title="Edit section: The Marshall legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1251242444"><table class="box-More_citations_needed_section plainlinks metadata ambox ambox-content ambox-Refimprove" role="presentation"><tbody><tr><td class="mbox-image"><div class="mbox-image-div"><span typeof="mw:File"><a href="/wiki/File:Question_book-new.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/50px-Question_book-new.svg.png" decoding="async" width="50" height="39" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/75px-Question_book-new.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/100px-Question_book-new.svg.png 2x" data-file-width="512" data-file-height="399" /></a></span></div></td><td class="mbox-text"><div class="mbox-text-span">This section <b>needs additional citations for <a href="/wiki/Wikipedia:Verifiability" title="Wikipedia:Verifiability">verification</a></b>.<span class="hide-when-compact"> Please help <a href="/wiki/Special:EditPage/Marshall_Amplification" title="Special:EditPage/Marshall Amplification">improve this article</a> by <a href="/wiki/Help:Referencing_for_beginners" title="Help:Referencing for beginners">adding citations to reliable sources</a> in this section. Unsourced material may be challenged and removed.</span> <span class="date-container"><i>(<span class="date">September 2020</span>)</i></span><span class="hide-when-compact"><i> (<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <p>The classic <b>Marshall Stack</b> consists of one <i>head</i> containing the actual amplifier, on top of two stacked <i>4×12s</i>, which are loudspeaker cabinets each containing four <span class="nowrap">12-inch</span> loudspeakers arranged in a square layout. The top cabinet has the top two loudspeakers angled slightly upwards, giving the Marshall stack a distinctive appearance. When a single cabinet is used, the complete unit is called a <i>half stack</i>. </p><p>In the early-to-mid-1960s, <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a> and <a href="/wiki/John_Entwistle" title="John Entwistle">John Entwistle</a> of <a href="/wiki/The_Who" title="The Who">The Who</a> were responsible for the creation and widespread use of stacked Marshall cabinets. Townshend later remarked that Entwistle started using Marshall Stacks to hear himself over <a href="/wiki/Keith_Moon" title="Keith Moon">Keith Moon</a>'s drums and Townshend himself also had to use them just to be heard over Entwistle. In fact, the very first 100-watt Marshall amplifiers were created specifically for Entwistle and Townshend when they were looking to replace some equipment that had been stolen from them. They approached Jim Marshall asking, if it would be possible for him to make their new rigs more powerful than those they had lost, to which they were told that the cabinets would have to double in size. They agreed and six rigs of this <a href="/wiki/Prototype" title="Prototype">prototype</a> were manufactured, of which two each were given to Townshend and Entwistle and one each to <a href="/wiki/Ronnie_Lane" title="Ronnie Lane">Ronnie Lane</a> and <a href="/wiki/Steve_Marriott" title="Steve Marriott">Steve Marriott</a> of <a href="/wiki/The_Small_Faces" class="mw-redirect" title="The Small Faces">The Small Faces</a>. These new "double" cabinets (each containing 8 speakers) proved too heavy and awkward to be transported practically, so The Who returned to Marshall asking if they could be cut in half and stacked, and although the double cabinets were left intact, the existing single cabinet models (each containing four speakers) were modified for stacking, which has become the norm for years to follow.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p><p>Entwistle and Townshend both continued expanding and experimenting with their rigs, until (at a time when most bands still used 50–100 W amplifiers with single cabinets) they were both using twin stacks, with each stack powered by new experimental prototype <a href="/wiki/Marshall_Major" title="Marshall Major">200 W amplifiers</a>, each connected to the guitar via a Y-splitter. This, in turn, also had a strong influence on the band's contemporaries at the time, with <a href="/wiki/Cream_(band)" title="Cream (band)">Cream</a>, <a href="/wiki/The_Jimi_Hendrix_Experience" class="mw-redirect" title="The Jimi Hendrix Experience">The Jimi Hendrix Experience</a> and <a href="/wiki/Led_Zeppelin" title="Led Zeppelin">Led Zeppelin</a> following suit. However, due to the cost of transport, The Who could not afford to take their full rigs with them for their earliest overseas tours, thus Cream and Hendrix were the first to be seen to use this setup on a wide scale, particularly in the United States. Ironically, although The Who pioneered and directly contributed to the development of the "classic" Marshall sound and setup with their equipment being built and tweaked to their personal specifications, they would only use Marshalls for a couple of years before moving on to using <a href="/wiki/Hiwatt" title="Hiwatt">Hiwatt</a> equipment. Cream, and particularly Hendrix, would be widely credited with the invention of Marshall Stacks. </p><p>The search for volume was taken on its next logical step with the advent of "daisy chaining" two or more amplifiers together. As most amplifier channels have two inputs, the guitar signal being present on both sockets, the cunning musician hooked the spare input of one channel to an input on another amplifier. By 1969, Hendrix was daisy-chaining four stacks, incorporating both Marshall and Sound City amplifiers, as recommended to him by Townshend.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>This competition for greater volume and greater extremes was taken even further in the early 1970s by the band <a href="/wiki/Blue_%C3%96yster_Cult" title="Blue Öyster Cult">Blue Öyster Cult</a>, which used an <a href="/wiki/Wall_of_Sound#Other_references" title="Wall of Sound">entire wall</a> of full-stack Marshall amplifiers as their backdrop. (BÖC also referred to Marshalls in the songs "<a href="/wiki/Cities_on_Flame_with_Rock_and_Roll" title="Cities on Flame with Rock and Roll">Cities on Flame with Rock and Roll</a>" and "<a href="/wiki/Cult%C3%B6saurus_Erectus" title="Cultösaurus Erectus">The Marshall Plan</a>"). Artists such as <a href="/wiki/Slayer" title="Slayer">Slayer</a> and <a href="/wiki/Yngwie_Malmsteen" title="Yngwie Malmsteen">Yngwie Malmsteen</a> also use walls of Marshalls; both <a href="/wiki/Kerry_King" title="Kerry King">Kerry King</a> and <a href="/wiki/Jeff_Hanneman" title="Jeff Hanneman">Jeff Hanneman</a> of Slayer would often be seen playing in front of a total of 24 cabinets. Malmsteen toured with 30 heads and 28 cabinets, and in 2011 said he would use 60 full stacks on his next tour.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Many of those cabinets used by rock bands, however, are dummies, and many artists who do not even use Marshall amplifiers have the dummy stacks on stage.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (May 2020)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading2"><h2 id="Sport_sponsorships">Sport sponsorships</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=32" title="Edit section: Sport sponsorships"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marshall is an important sponsor of sport in the local area. Marshall were one of the earliest shirt sponsors for <a href="/wiki/Milton_Keynes_Dons_F.C." title="Milton Keynes Dons F.C.">Milton Keynes Dons</a>,<sup id="cite_ref-MiltonKeynes_31-0" class="reference"><a href="#cite_note-MiltonKeynes-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> they also sponsored <a href="/wiki/Sport_in_Milton_Keynes#Athletics" title="Sport in Milton Keynes">Milton Keynes Athletic Club</a> as well as <a href="/wiki/Milton_Keynes_Lions" class="mw-redirect" title="Milton Keynes Lions">Milton Keynes Lions</a> basketball club,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> before the latter relocated to London. </p> <div class="mw-heading mw-heading2"><h2 id="Marshall_Records">Marshall Records</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=33" title="Edit section: Marshall Records"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In early 2017, Marshall Amplification announced it has started a <a href="/wiki/Record_label" title="Record label">record label</a>.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> and opened up an office at Londons Tileyard Studios<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> and signed a distribution deal with <a href="/wiki/Alternative_Distribution_Alliance" title="Alternative Distribution Alliance">Alternative Distribution Alliance</a>, a distribution company owned by <a href="/wiki/Warner_Music_Group" title="Warner Music Group">Warner Music Group</a> that represent independent record labels.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Marshall Records signed a North and South American Distribution deal with <a href="/wiki/Better_Noise_Music" title="Better Noise Music">Better Noise Music</a> (previously known at <a href="/wiki/Eleven_Seven_Label_Group" class="mw-redirect" title="Eleven Seven Label Group">Eleven Seven Label Group</a> in 2018.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> In 2020, Marshall Records announced a sub-publishing deal with <a href="/wiki/Sentric_Music" title="Sentric Music">Sentric Music</a>.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p><p>Artist that have had their music release by Marshall Records include:<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Bad Touch, D_Drive, <a href="/wiki/Grand_Slam_(band)" title="Grand Slam (band)">Grand Slam</a>, Inklings (the solo project of ex <a href="/wiki/FVK_(band)" class="mw-redirect" title="FVK (band)">FVK</a> member Kier Kemp), <a href="/wiki/Keywest" title="Keywest">Keywest</a>,<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> King Creature, <a href="/wiki/Press_to_Meco" title="Press to Meco">Press to MECO</a>,<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Rews, Reigning Days, The Bottom Line, <a href="/wiki/Therapy%3F" title="Therapy?">Therapy?</a>, <a href="/wiki/The_Dirty_Youth" title="The Dirty Youth">The Dirty Youth</a>,<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Thousand_Thoughts_(band)" title="Thousand Thoughts (band)">Thousand Thoughts</a>. </p><p>Since 2013, Marshall Records is a separate division of the Marshall Group. </p> <div class="mw-heading mw-heading2"><h2 id="Marshall_Arena">Marshall Arena</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=34" title="Edit section: Marshall Arena"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In September 2018, Marshall Amplification announced a naming agreement with <a href="/wiki/Arena_MK" class="mw-redirect" title="Arena MK">Arena MK</a> (at <a href="/wiki/Stadium_MK" title="Stadium MK">Stadium MK</a> in Milton Keynes) to use the space for music events.<sup id="cite_ref-Citizen_29/09/18_43-0" class="reference"><a href="#cite_note-Citizen_29/09/18-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> The opening act is to be the <a href="/wiki/Black_Eyed_Peas" title="Black Eyed Peas">Black Eyed Peas</a>.<sup id="cite_ref-Citizen_29/09/18_43-1" class="reference"><a href="#cite_note-Citizen_29/09/18-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_Marshall_Studio">The Marshall Studio</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=35" title="Edit section: The Marshall Studio"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2021, Marshall Amplification opened the doors to a state-of-the-art recording facility at its base in Bletchley, Milton Keynes. Featuring a <a href="/wiki/Neve_8048" title="Neve 8048">Neve 8048</a> mixing console previously installed in Pathé Marconi in Paris and used by <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a> on <i><a href="/wiki/Some_Girls" title="Some Girls">Some Girls</a></i>.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=36" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239009302">.mw-parser-output .portalbox{padding:0;margin:0.5em 0;display:table;box-sizing:border-box;max-width:175px;list-style:none}.mw-parser-output .portalborder{border:1px 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src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Noun-technology.svg/29px-Noun-technology.svg.png" decoding="async" width="29" height="28" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Noun-technology.svg/43px-Noun-technology.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Noun-technology.svg/57px-Noun-technology.svg.png 2x" data-file-width="90" data-file-height="88" /></a></span></span><span class="portalbox-link"><a href="/wiki/Portal:Technology" title="Portal:Technology">Technology portal</a></span></li><li class="portalbox-entry"><span class="portalbox-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Industry5.svg/28px-Industry5.svg.png" decoding="async" width="28" height="28" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Industry5.svg/42px-Industry5.svg.png 1.5x, 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data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://marshallamps.com/history/">"The First 30 Years of Amplifiers"</a>. Retrieved 31 March 2012.</span> </li> <li id="cite_note-Parker-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Parker_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Parker_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFParker2023" class="citation web cs1">Parker, Matt (30 March 2023). <a rel="nofollow" class="external text" href="https://www.guitarworld.com/news/marshall-amps-sold-to-swedish-speaker-company">"Marshall Amps sold to Swedish speaker company, bringing an end to family ownership"</a>. <i>guitarworld.com</i>. Guitar World<span class="reference-accessdate">. Retrieved <span class="nowrap">31 March</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=guitarworld.com&rft.atitle=Marshall+Amps+sold+to+Swedish+speaker+company%2C+bringing+an+end+to+family+ownership&rft.date=2023-03-30&rft.aulast=Parker&rft.aufirst=Matt&rft_id=https%3A%2F%2Fwww.guitarworld.com%2Fnews%2Fmarshall-amps-sold-to-swedish-speaker-company&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://marshall.com/about/contact-us">"Contact us"</a>. Marshall Amplification plc<span class="reference-accessdate">. Retrieved <span class="nowrap">15 January</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Contact+us&rft.pub=Marshall+Amplification+plc&rft_id=https%3A%2F%2Fmarshall.com%2Fabout%2Fcontact-us&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-Guardian-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-Guardian_4-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHann2012" class="citation news cs1">Hann, Michael (5 April 2012). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2012/apr/05/jim-marshall-amp-dies-88">"Jim Marshall, creator of the Marshall amp, dies aged 88"</a>. <i>The Guardian</i><span class="reference-accessdate">. Retrieved <span class="nowrap">5 April</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Jim+Marshall%2C+creator+of+the+Marshall+amp%2C+dies+aged+88&rft.date=2012-04-05&rft.aulast=Hann&rft.aufirst=Michael&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2012%2Fapr%2F05%2Fjim-marshall-amp-dies-88&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlenkinsop2022" class="citation web cs1">Blenkinsop, Richard (3 February 2022). <a rel="nofollow" class="external text" href="https://www.guitarplayer.com/gear/tube-amp-vs-solid-state-amp">"Tube Amps Vs Solid State Amps: What's The Difference?"</a>. <i>Guitar Player</i><span class="reference-accessdate">. Retrieved <span class="nowrap">19 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Guitar+Player&rft.atitle=Tube+Amps+Vs+Solid+State+Amps%3A+What%27s+The+Difference%3F&rft.date=2022-02-03&rft.aulast=Blenkinsop&rft.aufirst=Richard&rft_id=https%3A%2F%2Fwww.guitarplayer.com%2Fgear%2Ftube-amp-vs-solid-state-amp&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-Premier-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Premier_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Premier_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Premier_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Premier_6-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20101213053331/http://www.premierguitar.com/archive/interviews/jim_marshall.htm">"Marshall Amplification"</a>. <i>Premier Guitar</i>. Archived from <a rel="nofollow" class="external text" href="http://www.premierguitar.com/archive/interviews/jim_marshall.htm">the original</a> on 13 December 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Premier+Guitar&rft.atitle=Marshall+Amplification&rft_id=http%3A%2F%2Fwww.premierguitar.com%2Farchive%2Finterviews%2Fjim_marshall.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">History of Marshall from Guitar World Magazine, September 2002, page 84</span> </li> <li id="cite_note-pittman-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-pittman_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-pittman_8-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-pittman_8-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPittman2003" class="citation book cs1">Pittman, Aspen (2003). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=JT1I7Ld76YsC&pg=PA77"><i>The Tube Amp Book</i></a>. Hal Leonard. pp. 76–77. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-767-7" title="Special:BookSources/978-0-87930-767-7"><bdi>978-0-87930-767-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Tube+Amp+Book&rft.pages=76-77&rft.pub=Hal+Leonard&rft.date=2003&rft.isbn=978-0-87930-767-7&rft.aulast=Pittman&rft.aufirst=Aspen&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJT1I7Ld76YsC%26pg%3DPA77&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-parkhunter-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-parkhunter_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-parkhunter_9-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-parkhunter_9-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHunter2013" class="citation news cs1">Hunter, Dave (July 2013). "The Park 75". <i><a href="/wiki/Vintage_Guitar_(magazine)" title="Vintage Guitar (magazine)">Vintage Guitar</a></i>. pp. 52–54.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Vintage+Guitar&rft.atitle=The+Park+75&rft.pages=52-54&rft.date=2013-07&rft.aulast=Hunter&rft.aufirst=Dave&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-marshalfridge-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-marshalfridge_10-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://marshallfridge.com/">"Marshall Fridge"</a>. Toronto, Canada: XMC Branded Products Inc.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Marshall+Fridge&rft.place=Toronto%2C+Canada&rft.pub=XMC+Branded+Products+Inc.&rft_id=http%3A%2F%2Fmarshallfridge.com%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">History of Marshall from Guitar World Magazine, September 2002, page 86</span> </li> <li id="cite_note-pittman2-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-pittman2_12-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPittmann2003" class="citation book cs1">Pittmann, Aspen (2003). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=JT1I7Ld76YsC&pg=PA72"><i>The Tube Amp Book</i></a>. Hal Leonard. pp. 72–73. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-767-7" title="Special:BookSources/978-0-87930-767-7"><bdi>978-0-87930-767-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Tube+Amp+Book&rft.pages=72-73&rft.pub=Hal+Leonard&rft.date=2003&rft.isbn=978-0-87930-767-7&rft.aulast=Pittmann&rft.aufirst=Aspen&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJT1I7Ld76YsC%26pg%3DPA72&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-millard-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-millard_13-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMillard2004" class="citation book cs1">Millard, A.J. (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=zUlt7Q71_ssC&pg=PA155"><i>The Electric Guitar: A History of an American Icon</i></a>. JHU Press. p. 155. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8018-7862-6" title="Special:BookSources/978-0-8018-7862-6"><bdi>978-0-8018-7862-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Electric+Guitar%3A+A+History+of+an+American+Icon&rft.pages=155&rft.pub=JHU+Press&rft.date=2004&rft.isbn=978-0-8018-7862-6&rft.aulast=Millard&rft.aufirst=A.J.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DzUlt7Q71_ssC%26pg%3DPA155&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDoyle1993" class="citation book cs1">Doyle, Michael (1993). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=E90tMBs9_FEC&pg=PA37"><i>The history of Marshall: the illustrated story of "the sound of rock"</i></a>. Hal Leonard. p. 37. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780793525096" title="Special:BookSources/9780793525096"><bdi>9780793525096</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+history+of+Marshall%3A+the+illustrated+story+of+%22the+sound+of+rock%22&rft.pages=37&rft.pub=Hal+Leonard&rft.date=1993&rft.isbn=9780793525096&rft.aulast=Doyle&rft.aufirst=Michael&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DE90tMBs9_FEC%26pg%3DPA37&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThompsonDarrin_FoxDave_HunterMatt_Blackett2013" class="citation news cs1">Thompson, Art; Darrin Fox; Dave Hunter; Matt Blackett (January 2013). "Nine 100-Watt Tube Heads". <i><a href="/wiki/Guitar_Player" title="Guitar Player">Guitar Player</a></i>. pp. 102–14.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Guitar+Player&rft.atitle=Nine+100-Watt+Tube+Heads&rft.pages=102-14&rft.date=2013-01&rft.aulast=Thompson&rft.aufirst=Art&rft.au=Darrin+Fox&rft.au=Dave+Hunter&rft.au=Matt+Blackett&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://drtube.com/en/library/schematics/69-marshall-schemas">"Marshall Schematics"</a>. <i>drtube.com</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=drtube.com&rft.atitle=Marshall+Schematics&rft_id=https%3A%2F%2Fdrtube.com%2Fen%2Flibrary%2Fschematics%2F69-marshall-schemas&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-maloof-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-maloof_17-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaloof2004" class="citation book cs1">Maloof, Rich (2004). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/jimmarshallfathe0000malo"><i>Jim Marshall, father of loud: the story of the man behind the world's most famous guitar amplifiers</i></a></span>. Hal Leonard. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/jimmarshallfathe0000malo/page/211">211</a>–14. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-803-2" title="Special:BookSources/978-0-87930-803-2"><bdi>978-0-87930-803-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Jim+Marshall%2C+father+of+loud%3A+the+story+of+the+man+behind+the+world%27s+most+famous+guitar+amplifiers&rft.pages=211-14&rft.pub=Hal+Leonard&rft.date=2004&rft.isbn=978-0-87930-803-2&rft.aulast=Maloof&rft.aufirst=Rich&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fjimmarshallfathe0000malo&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-Nichols-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-Nichols_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Nichols_18-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNichols1993" class="citation book cs1">Nichols, Ritchie Fliegler (1993). Jon Eiche; Leslie (eds.). <i>Amps! : the other half of rock 'n' roll</i>. Milwaukee, WI: H. Leonard Pub. Corp. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7935-2411-3" title="Special:BookSources/0-7935-2411-3"><bdi>0-7935-2411-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Amps%21+%3A+the+other+half+of+rock+%27n%27+roll&rft.place=Milwaukee%2C+WI&rft.pub=H.+Leonard+Pub.+Corp.&rft.date=1993&rft.isbn=0-7935-2411-3&rft.aulast=Nichols&rft.aufirst=Ritchie+Fliegler&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.uaudio.com/blog/know-your-marshall/">"Know your Marshall"</a>. <i>Universal audio</i>. 16 March 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Universal+audio&rft.atitle=Know+your+Marshall&rft.date=2020-03-16&rft_id=https%3A%2F%2Fwww.uaudio.com%2Fblog%2Fknow-your-marshall%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-jcm2555-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-jcm2555_20-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.slashparadise.com/equipment/marshall-jcm2555-slash-signature.php">"Marshall JCM 2555 Slash Signature on SlashParadise"</a>. www.slashparadise.com. 10 November 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Marshall+JCM+2555+Slash+Signature+on+SlashParadise&rft.pub=www.slashparadise.com&rft.date=2012-11-10&rft_id=http%3A%2F%2Fwww.slashparadise.com%2Fequipment%2Fmarshall-jcm2555-slash-signature.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://marshallamps.com/product.asp?productCode=1992LEM&pageNumber=2">"Signature Series > 1992LEM > Overview"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Signature+Series+%3E+1992LEM+%3E+Overview&rft_id=http%3A%2F%2Fmarshallamps.com%2Fproduct.asp%3FproductCode%3D1992LEM%26pageNumber%3D2&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.marshallamps.com/product_range.asp?productRangeId=22">"MB Series"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=MB+Series&rft_id=http%3A%2F%2Fwww.marshallamps.com%2Fproduct_range.asp%3FproductRangeId%3D22&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.creamcitymusic.com/blog/new-release-marshall-origin-series/">"New Release: Marshall Origin Series"</a>, <i>Cream City Music</i>, 2/15/2018</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://marshall.com/amps/products/amps/micro-amp/ms-2">"MS-2"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=MS-2&rft_id=https%3A%2F%2Fmarshall.com%2Famps%2Fproducts%2Famps%2Fmicro-amp%2Fms-2&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://zoundindustries.com/marshall/">"Marshall"</a>. <i>Zound Industries</i><span class="reference-accessdate">. Retrieved <span class="nowrap">28 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Zound+Industries&rft.atitle=Marshall&rft_id=https%3A%2F%2Fzoundindustries.com%2Fmarshall%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://zoundindustries.com/">"Zound Industries | Urbanears | Marshall | adidas"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">28 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Zound+Industries+%7C+Urbanears+%7C+Marshall+%7C+adidas&rft_id=https%3A%2F%2Fzoundindustries.com%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDent2018" class="citation news cs1">Dent, Steve (30 August 2018). <a rel="nofollow" class="external text" href="https://www.engadget.com/2018/08/30/marshall-smart-speakers-alexa/">"Marshall taps Alexa for its first smart speakers"</a>. <i><a href="/wiki/Engadget" title="Engadget">Engadget</a></i>. <a href="/wiki/Oath_Inc." class="mw-redirect" title="Oath Inc.">Oath Inc.</a><span class="reference-accessdate"> Retrieved <span class="nowrap">30 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Engadget&rft.atitle=Marshall+taps+Alexa+for+its+first+smart+speakers&rft.date=2018-08-30&rft.aulast=Dent&rft.aufirst=Steve&rft_id=https%3A%2F%2Fwww.engadget.com%2F2018%2F08%2F30%2Fmarshall-smart-speakers-alexa%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20090716032238/http://twtd.bluemountains.net.au/cream/whostuff/who%26marshall.htm">"The Who and Marshall"</a>. <i>twtd.bluemountains.net.au</i>. Archived from <a rel="nofollow" class="external text" href="http://twtd.bluemountains.net.au/cream/whostuff/who&marshall.htm">the original</a> on 16 July 2009.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=twtd.bluemountains.net.au&rft.atitle=The+Who+and+Marshall&rft_id=http%3A%2F%2Ftwtd.bluemountains.net.au%2Fcream%2Fwhostuff%2Fwho%26marshall.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20041020055608/http://www.thewho.net/whotabs/soundcity-hiwatt.htm">An interview</a> with <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a> from Guitarist magazine, August 1994</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFox" class="citation news cs1">Fox, Darrin. "Yngwie Malmsteen: Total Control". <i><a href="/wiki/Guitar_Player" title="Guitar Player">Guitar Player</a></i>. pp. 64–72, 136.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Guitar+Player&rft.atitle=Yngwie+Malmsteen%3A+Total+Control&rft.pages=64-72%2C+136&rft.aulast=Fox&rft.aufirst=Darrin&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-MiltonKeynes-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-MiltonKeynes_31-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.mk-news.co.uk/News/MK-Dons-to-have-minutes-applause-for-Jim-Marshall-05042012.htm">MK Dons to have minute's applause for Jim Marshall</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121229120120/http://www.mk-news.co.uk/News/MK-Dons-to-have-minutes-applause-for-Jim-Marshall-05042012.htm">Archived</a> 29 December 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> MK Dons. Retrieved 20 April 2012</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070325201723/http://www.miltonkeynestoday.co.uk/ViewArticle2.aspx?SectionID=416&ArticleID=2050730">"Marshall backing Lions all the way – Milton Keynes Today"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.miltonkeynestoday.co.uk/ViewArticle2.aspx?SectionID=416&ArticleID=2050730">the original</a> on 25 March 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">17 February</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Marshall+backing+Lions+all+the+way+%E2%80%93+Milton+Keynes+Today&rft_id=http%3A%2F%2Fwww.miltonkeynestoday.co.uk%2FViewArticle2.aspx%3FSectionID%3D416%26ArticleID%3D2050730&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarshall+Amplification" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.loudersound.com/features/why-have-legendary-amp-makers-marshall-started-a-record-label">Why have legendary amp makers Marshall started a record label?</a>. <i>Louder Sound</i>, 21 February 2017. Retrieved 16 December 2020</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.musicradar.com/news/guitars/marshall-amplification-launches-record-label-marshall-records-640455">Marshall Amplification Launches Record Label</a>. <i>Music Radar</i>. Retrieved 16 December 2020</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://tileyard.co.uk/community/marshall-records/">Tileyard Community</a>. <i>Tileyard Studios</i>. Retrieved 16 December 2020</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.musicweek.com/labels/read/marshall-records-signs-distribution-deal-with-ada/067964">Marshall Records signs distribution deal with ADA</a>. <i>Music Week</i>, 28 March 2017. Retrieved 16 December 2020</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.musicweek.com/labels/read/it-s-a-great-opportunity-to-join-a-winning-team-marshall-records-partners-with-eleven-seven-label-group/072390">Marshall Records partners with Eleven Seven Label Group</a>. <i>Music Week</i>, 7 May 2018. Retrieved 16 December 2020</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.recordoftheday.com/news-and-press/sentric-signs-sub-pub-deal-with-marshall-records">Sentric signs sub pub deal with Marshall Records</a>. <i>Record of the Day</i>, 14 December 2020. Retrieved 16 December 2020</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://marshall.com/marshall-records">Marshall Records Roster</a>. <i>Marshall Records Official Website</i>. Retrieved 16 December 2020</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.imro.ie/news/keywest-sign-with-marshall-records/">Keywest Sign with Marshall Records</a>. <i>Irish Music Rights Organisation</i>, 4 March 2019. Retrieved 16 December 2020</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.musicweek.com/labels/read/their-pursuit-of-musical-excellence-is-inspirational-marshall-records-sign-press-to-meco/071073">Marshall Records sign Press To Meco</a>. <i>Music Week</i>, 12 January 2018. Retrieved 16 December 2020</span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://guitar.com/news/music-news/marshall-records/">Marshall Records Announce First Signing To Label</a>. <i>Guitar.com</i>, 7 February 2017. Retrieved 16 December 2020</span> </li> <li id="cite_note-Citizen_29/09/18-43"><span class="mw-cite-backlink">^ <a href="#cite_ref-Citizen_29/09/18_43-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Citizen_29/09/18_43-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.miltonkeynes.co.uk/news/welcome-to-the-marshall-arena-in-milton-keynes-1-8651333">Welcome to the Marshall Arena in Milton Keynes</a>, <a href="/wiki/Milton_Keynes_Citizen" title="Milton Keynes Citizen">Milton Keynes Citizen</a>, 29 September 2018</span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.musicradar.com/news/marshall-studio-video-tour/">Marshall amp fans, take a video tour of the British amp titan’s new mixing and recording studio</a>. <i>Musicradar.com</i>, 17 December 2021. Retrieved 25 August 2022</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marshall_Amplification&action=edit&section=38" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output 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Amplification</a></span>.</div></div> </div> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.marshallamps.com">Marshall Amplification</a></span></span></li> <li><a rel="nofollow" class="external text" href="https://www.bbc.co.uk/programmes/b04c3l7j"><i>Play it Loud: The Story of the Marshall Amp</i></a> at bbc.co.uk</li> <li><a rel="nofollow" class="external text" href="https://www.namm.org/library/oral-history/jim-marshall">Jim Marshall Interview</a> at <a href="/wiki/NAMM_Oral_History_Program" title="NAMM Oral History Program">NAMM Oral History Collection</a> (2002)</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output 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<li><a href="/wiki/Marshall_JCM800" title="Marshall JCM800">JCM800</a></li> <li><a href="/wiki/Marshall_JTM45" title="Marshall JTM45">JTM45</a></li> <li><a href="/wiki/Marshall_Major" title="Marshall Major">Major</a></li> <li><a href="/wiki/Marshall_1959" title="Marshall 1959">Super Lead</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">By model number</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Marshall_1959" title="Marshall 1959">Model 1959</a></li> <li><a href="/wiki/Marshall_Bluesbreaker" title="Marshall Bluesbreaker">Model 1961</a></li> <li><a href="/wiki/Marshall_Bluesbreaker" title="Marshall Bluesbreaker">Model 1962</a></li> <li><a href="/wiki/Marshall_JTM_45" class="mw-redirect" title="Marshall JTM 45">Model 1963</a></li> <li><a href="/wiki/Marshall_Major" title="Marshall Major">Model 1966</a></li> <li><a href="/wiki/Marshall_Major" title="Marshall Major">Model 1967</a></li> <li><a href="/wiki/Marshall_Major" title="Marshall Major">Model 1978</a></li> <li><a href="/wiki/Marshall_JTM45" title="Marshall JTM45">Model 1985</a></li> <li><a href="/wiki/Marshall_JTM45" title="Marshall JTM45">Model 1986</a></li> <li><a href="/wiki/Marshall_JTM45" title="Marshall JTM45">Model 1987</a></li> <li><a href="/wiki/Marshall_JTM45" title="Marshall JTM45">Model 1989</a></li> <li><a href="/wiki/Marshall_JCM800" title="Marshall JCM800">Model 2203</a></li> <li><a href="/wiki/Marshall_JCM800" title="Marshall JCM800">Model 2204</a></li> <li><a href="/wiki/Marshall_JCM800" title="Marshall JCM800">Model 2210</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" 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navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/4808398-7">Germany</a></span></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Marshall_Amplification&oldid=1253909414">https://en.wikipedia.org/w/index.php?title=Marshall_Amplification&oldid=1253909414</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Marshall_amplifiers" title="Category:Marshall amplifiers">Marshall 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