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Ricerche E Progetti Per Il Territorio, La Città E l’architettura, 12 (16), 2021, p. 50–65. https://doi.org/10.6092/issn.2036-1602/13929 Special issue edited by Mario Bevilacqua and Marco Folin: Dominion of the Sacred: Image, Cartography, Knowledge of the City after the Council of Trent " /> <meta name="citation_author" content="Denis Ribouillault" /> <meta name="twitter:card" content="summary" /> <meta name="twitter:url" content="https://www.academia.edu/65737655/Girolamo_Righettinos_City_Views_Allegories_of_the_Christian_Prince_1583_85" /> <meta name="twitter:title" content="Girolamo Righettino's City Views: Allegories of the Christian Prince, 1583-85" /> <meta name="twitter:description" content="In the second half of the 16th century, Girolamo Righettino, a brilliant draughtsman and theologian (a member of the Order of the Canons Lateran), produced city views with ornamental frames characterised by their rich allegorical programme. 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The" /> <meta property="article:author" content="https://umontreal.academia.edu/DenisRibouillault" /> <meta name="description" content="In the second half of the 16th century, Girolamo Righettino, a brilliant draughtsman and theologian (a member of the Order of the Canons Lateran), produced city views with ornamental frames characterised by their rich allegorical programme. The" /> <title>(PDF) Girolamo Righettino: Allegorical City Views</title> <link rel="canonical" href="https://www.academia.edu/65737655/Girolamo_Righettinos_City_Views_Allegories_of_the_Christian_Prince_1583_85" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = 'dc2ad41da5d7ea682babd20f90650302fb0a3a36'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1739790034000); window.Aedu.timeDifference = new Date().getTime() - 1739790034000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"In the second half of the 16th century, Girolamo Righettino, a brilliant draughtsman and theologian (a member of the Order of the Canons Lateran), produced city views with ornamental frames characterised by their rich allegorical programme. The drawings earned him widespread fame and were handsomely rewarded. A recently discovered autograph manuscript by Righettino sheds precious light on his only surviving view-an elaborate plan of Turin (1583). This article offers an introductory portrait of a personality forgotten to history and presents new research that allows us to situate his unique output-at the intersection of art and science, theology and politics, topography and allegory-in the wider context of Counter-Reformation Italy, when the ambitions of absolutist rulers were stoked by the fear of Turkish advances in the Mediterranean.","author":[{"@context":"https://schema.org","@type":"Person","name":"Denis Ribouillault","url":"https://umontreal.academia.edu/DenisRibouillault"}],"contributor":[],"dateCreated":"2021-12-23","dateModified":"2025-01-31","headline":"Girolamo Righettino's City Views: Allegories of the Christian Prince, 1583-85","identifier":{"@type":"PropertyValue","propertyID":"DOI","value":"10.6092/issn.2036-1602/13929"},"image":"https://attachments.academia-assets.com/77203528/thumbnails/1.jpg","inLanguage":"en","keywords":["Cultural History","Cartography","Visual Studies","Art History","Theology","Urban History","History of Cartography","Drawing","Allegory","Renaissance Rome","Religious History","Chorography","Topography","Exegesis","16th century Venice","Papacy (Early Modern and Modern Church History)","Counter-Reformation","Diplomacy and international relations","City Views"],"publication":"IN_BO. Ricerche E Progetti Per Il Territorio, La Città E l’architettura, 12 (16), 2021, p. 50–65. https://doi.org/10.6092/issn.2036-1602/13929 Special issue edited by Mario Bevilacqua and Marco Folin: Dominion of the Sacred: Image, Cartography, Knowledge of the City after the Council of Trent","publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"sameAs":"https://doi.org/10.6092/issn.2036-1602/13929","sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":"umontreal"}],"thumbnailUrl":"https://attachments.academia-assets.com/77203528/thumbnails/1.jpg","url":"https://www.academia.edu/65737655/Girolamo_Righettinos_City_Views_Allegories_of_the_Christian_Prince_1583_85"}</script><style type="text/css">@media(max-width: 567px){:root{--token-mode: Rebrand;--dropshadow: 0 2px 4px 0 #22223340;--primary-brand: #0645b1;--error-dark: #b60000;--success-dark: #05b01c;--inactive-fill: #ebebee;--hover: #0c3b8d;--pressed: 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"https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F65737655%2FGirolamo_Righettinos_City_Views_Allegories_of_the_Christian_Prince_1583_85%3Fshow_translation%3Dtrue"; window.loswp.previewableAttachments = [{"id":77203528,"identifier":"Attachment_77203528","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":65737655,"created_at":"2021-12-23T12:56:14.027-08:00","from_world_paper_id":null,"updated_at":"2025-01-31T18:11:47.316-08:00","_data":{"doi":"10.6092/issn.2036-1602/13929","abstract":"In the second half of the 16th century, Girolamo Righettino, a brilliant draughtsman and theologian (a member of the Order of the Canons Lateran), produced city views with ornamental frames characterised by their rich allegorical programme. The drawings earned him widespread fame and were handsomely rewarded. A recently discovered autograph manuscript by Righettino sheds precious light on his only surviving view-an elaborate plan of Turin (1583). This article offers an introductory portrait of a personality forgotten to history and presents new research that allows us to situate his unique output-at the intersection of art and science, theology and politics, topography and allegory-in the wider context of Counter-Reformation Italy, when the ambitions of absolutist rulers were stoked by the fear of Turkish advances in the Mediterranean.","ai_title_tag":"Girolamo Righettino: Allegorical City Views","publication_name":"IN_BO. Ricerche E Progetti Per Il Territorio, La Città E l’architettura, 12 (16), 2021, p. 50–65. https://doi.org/10.6092/issn.2036-1602/13929 Special issue edited by Mario Bevilacqua and Marco Folin: Dominion of the Sacred: Image, Cartography, Knowledge of the City after the Council of Trent "},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"low","language":"en","title":"Girolamo Righettino's City Views: Allegories of the Christian Prince, 1583-85","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [1716559]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":77203528,"attachmentType":"pdf"}"><img alt="First page of “Girolamo Righettino's City Views: Allegories of the Christian Prince, 1583-85”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/77203528/mini_magick20211223-28592-1ujylb1.png?1640295706" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Girolamo Righettino's City Views: Allegories of the Christian Prince, 1583-85</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="1716559" href="https://umontreal.academia.edu/DenisRibouillault"><img alt="Profile image of Denis Ribouillault" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/1716559/1254171/1564238/s65_denis.ribouillault.jpg" />Denis Ribouillault</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">IN_BO. Ricerche E Progetti Per Il Territorio, La Città E l’architettura, 12 (16), 2021, p. 50–65. https://doi.org/10.6092/issn.2036-1602/13929 Special issue edited by Mario Bevilacqua and Marco Folin: Dominion of the Sacred: Image, Cartography, Knowledge of the City after the Council of Trent </p><a class="js-loswp-work-card-doi-link ds2-5-body-sm ds2-5-body-link" href="https://doi.org/10.6092/issn.2036-1602/13929" rel="nofollow">https://doi.org/10.6092/issn.2036-1602/13929</a><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">17 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 65737655; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=65737655"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">In the second half of the 16th century, Girolamo Righettino, a brilliant draughtsman and theologian (a member of the Order of the Canons Lateran), produced city views with ornamental frames characterised by their rich allegorical programme. The drawings earned him widespread fame and were handsomely rewarded. A recently discovered autograph manuscript by Righettino sheds precious light on his only surviving view-an elaborate plan of Turin (1583). This article offers an introductory portrait of a personality forgotten to history and presents new research that allows us to situate his unique output-at the intersection of art and science, theology and politics, topography and allegory-in the wider context of Counter-Reformation Italy, when the ambitions of absolutist rulers were stoked by the fear of Turkish advances in the Mediterranean.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":77203528,"attachmentType":"pdf","workUrl":"https://www.academia.edu/65737655/Girolamo_Righettinos_City_Views_Allegories_of_the_Christian_Prince_1583_85"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":77203528,"attachmentType":"pdf","workUrl":"https://www.academia.edu/65737655/Girolamo_Righettinos_City_Views_Allegories_of_the_Christian_Prince_1583_85"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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The Edith O'Donnell Institute of Art History and Franklin University Switzerland Museo e Real Bosco di Capodimonte / La Capraia. June 8, 2022.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9370138" href="https://italicapress.academia.edu/RonaldGMusto">Ronald G. Musto</a></div><p class="ds-related-work--abstract ds2-5-body-sm">British Library Additional MS 12228, a royal version of the Arthurian Meliadus romance, was begun in Naples after May 1352 by Cristoforo Orimina’s workshop. The Neapolitan Angevins inserted themselves visually into the manuscript to bolster their clams to chivalrous valor and kingly legitimacy. Here Meliadus is a stand-in for Louis of Taranto, husband of Queen Giovanna I. Orimina carried the text throughout the manuscript but illustrations only to folio 259v. Then there is a change in illustration hand and style by a quattrocento artist. I propose that folios 259v–275v depict Naples as the stand-in for Arthurian Leonnois and that these preparatory drawings contain one of the city’s earliest, complete, and detailed perspectives from the Campus Neapolitanus, more accurate than the Metropolitan Museum of Art’s Charles III cassone of c.1382. To the right (recto) spreads King Arthur’s camp. To the left, on the facing versos, appears the characteristic combination of Ponte della Maddalena (Guizzardo) crossing over the Sebeto to Porta Maddalena (Carmine), marked throughout by the same high-arched, crenellated, and shallow rectangular form depicted in the Metropolitan’s cassone. Behind them rises the church of Sant’Agostino alla Zecca with its three-tiered tower, turret with its orb and cross, and bifore. In the center Castel Capuano. To the right S. Giovanni a Carbonara, here with a campanile contemporary with the original building. 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June 8, 2022.","attachmentId":88082123,"attachmentType":"pdf","work_url":"https://www.academia.edu/82340582/_A_New_View_of_Naples_from_the_Campus_Neapolitanus_and_its_Authorship_Gateways_to_Medieval_Naples_The_Edith_ODonnell_Institute_of_Art_History_and_Franklin_University_Switzerland_Museo_e_Real_Bosco_di_Capodimonte_La_Capraia_June_8_2022","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/82340582/_A_New_View_of_Naples_from_the_Campus_Neapolitanus_and_its_Authorship_Gateways_to_Medieval_Naples_The_Edith_ODonnell_Institute_of_Art_History_and_Franklin_University_Switzerland_Museo_e_Real_Bosco_di_Capodimonte_La_Capraia_June_8_2022"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="45169795" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/45169795/Vita_spirituale_pratica_liturgica_e_architettura_verso_un_nuovo_modello_architettonico_di_monastero_benedettino_cassinese_XV_XVI_secolo_in_The_network_of_Cassinese_arts_in_Renaissance_Italy_edited_by_Alessandro_Nova_Giancarla_Periti_Officina_libraria_2021_pp_81_94">Vita spirituale, pratica liturgica e architettura : verso un nuovo modello architettonico di monastero benedettino cassinese (XV-XVI secolo), in "The network of Cassinese arts in Renaissance Italy", edited by Alessandro Nova, Giancarla Periti, Officina libraria, 2021, pp. 81-94</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8534410" href="https://unipd.academia.edu/GianmarioGuidarelli">Gianmario Guidarelli</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Vita spirituale, pratica liturgica e architettura : verso un nuovo modello architettonico di monastero benedettino cassinese (XV-XVI secolo), in \"The network of Cassinese arts in Renaissance Italy\", edited by Alessandro Nova, Giancarla Periti, Officina libraria, 2021, pp. 81-94","attachmentId":66114705,"attachmentType":"pdf","work_url":"https://www.academia.edu/45169795/Vita_spirituale_pratica_liturgica_e_architettura_verso_un_nuovo_modello_architettonico_di_monastero_benedettino_cassinese_XV_XVI_secolo_in_The_network_of_Cassinese_arts_in_Renaissance_Italy_edited_by_Alessandro_Nova_Giancarla_Periti_Officina_libraria_2021_pp_81_94","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/45169795/Vita_spirituale_pratica_liturgica_e_architettura_verso_un_nuovo_modello_architettonico_di_monastero_benedettino_cassinese_XV_XVI_secolo_in_The_network_of_Cassinese_arts_in_Renaissance_Italy_edited_by_Alessandro_Nova_Giancarla_Periti_Officina_libraria_2021_pp_81_94"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="16775708" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/16775708/Review_book_N_Aric%C3%B2_Architettura_del_tardo_Rinascimento_in_Sicilia_Giovannangelo_Montorsoli_a_Messina_1547_57_Florence_Leo_S_Olschki_Editore_MMXIII_2013_in_Renaissance_Quarterly_Volume_68_n_2_Summer_2015_pp_650_652">Review (book): N. Aricò, Architettura del tardo Rinascimento in Sicilia. Giovannangelo Montorsoli a Messina (1547-57) Florence: Leo S. Olschki Editore, MMXIII (2013), in "Renaissance Quarterly", Volume 68, n. 2, Summer 2015, pp. 650-652</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="112000" href="https://uniud.academia.edu/OriettaLanzarini">Orietta Lanzarini</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review (book): N. Aricò, Architettura del tardo Rinascimento in Sicilia. Giovannangelo Montorsoli a Messina (1547-57) Florence: Leo S. Olschki Editore, MMXIII (2013), in \"Renaissance Quarterly\", Volume 68, n. 2, Summer 2015, pp. 650-652","attachmentId":39176716,"attachmentType":"pdf","work_url":"https://www.academia.edu/16775708/Review_book_N_Aric%C3%B2_Architettura_del_tardo_Rinascimento_in_Sicilia_Giovannangelo_Montorsoli_a_Messina_1547_57_Florence_Leo_S_Olschki_Editore_MMXIII_2013_in_Renaissance_Quarterly_Volume_68_n_2_Summer_2015_pp_650_652","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/16775708/Review_book_N_Aric%C3%B2_Architettura_del_tardo_Rinascimento_in_Sicilia_Giovannangelo_Montorsoli_a_Messina_1547_57_Florence_Leo_S_Olschki_Editore_MMXIII_2013_in_Renaissance_Quarterly_Volume_68_n_2_Summer_2015_pp_650_652"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="31243690" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/31243690/Docere_Delectare_Movere_From_the_Library_of_the_College_of_the_Society_of_Jesus_in_Genoa_to_the_Iconographic_Interpretation_of_the_Great_Fresco_Painted_by_Giovanni_Andrea_Carlone_in_the_Salone_degli_Esercizi_Letterari">Docere, Delectare, Movere: From the Library of the College of the Society of Jesus in Genoa to the Iconographic Interpretation of the Great Fresco Painted by Giovanni Andrea Carlone in the Salone degli Esercizi Letterari</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5768870" href="https://infomus.academia.edu/GiacomoMontanari">Giacomo Montanari</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Docere, Delectare, Movere: From the Library of the College of the Society of Jesus in Genoa to the Iconographic Interpretation of the Great Fresco Painted by Giovanni Andrea Carlone in the Salone degli Esercizi Letterari","attachmentId":51650718,"attachmentType":"pdf","work_url":"https://www.academia.edu/31243690/Docere_Delectare_Movere_From_the_Library_of_the_College_of_the_Society_of_Jesus_in_Genoa_to_the_Iconographic_Interpretation_of_the_Great_Fresco_Painted_by_Giovanni_Andrea_Carlone_in_the_Salone_degli_Esercizi_Letterari","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/31243690/Docere_Delectare_Movere_From_the_Library_of_the_College_of_the_Society_of_Jesus_in_Genoa_to_the_Iconographic_Interpretation_of_the_Great_Fresco_Painted_by_Giovanni_Andrea_Carlone_in_the_Salone_degli_Esercizi_Letterari"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="122616760" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/122616760/R_Balzaretti_J_Barrow_y_P_Skinner_eds_Italy_and_Early_Medieval_Europe_Papers_for_Chris_Wickham">R. Balzaretti, J. Barrow y P. Skinner (eds.), Italy and Early Medieval Europe. Papers for Chris Wickham</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2144249" href="https://barcelona.academia.edu/GiselaRipoll">Gisela Ripoll</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Hortus artium medievalium, 2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"R. Balzaretti, J. Barrow y P. Skinner (eds.), Italy and Early Medieval Europe. Papers for Chris Wickham","attachmentId":117248968,"attachmentType":"pdf","work_url":"https://www.academia.edu/122616760/R_Balzaretti_J_Barrow_y_P_Skinner_eds_Italy_and_Early_Medieval_Europe_Papers_for_Chris_Wickham","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/122616760/R_Balzaretti_J_Barrow_y_P_Skinner_eds_Italy_and_Early_Medieval_Europe_Papers_for_Chris_Wickham"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="24216015" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/24216015/The_Shifting_Boundaries_of_the_Middle_Ages_from_Die_Kultur_der_Renaissance_in_Italien_1860_to_Anachronic_Renaissance_2010_in_L_Pericolo_and_Jessica_N_Richardson_Remembering_the_Middle_Ages_in_Early_Modern_Italy_2015">The Shifting Boundaries of the Middle Ages: from Die Kultur der Renaissance in Italien (1860) to Anachronic Renaissance (2010); in L. Pericolo and Jessica N. Richardson, Remembering the Middle Ages in Early Modern Italy, 2015</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="24491258" href="https://fsu.academia.edu/LorenzoPericolo">Lorenzo Pericolo</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Shifting Boundaries of the Middle Ages: from Die Kultur der Renaissance in Italien (1860) to Anachronic Renaissance (2010); in L. Pericolo and Jessica N. Richardson, Remembering the Middle Ages in Early Modern Italy, 2015","attachmentId":44546272,"attachmentType":"pdf","work_url":"https://www.academia.edu/24216015/The_Shifting_Boundaries_of_the_Middle_Ages_from_Die_Kultur_der_Renaissance_in_Italien_1860_to_Anachronic_Renaissance_2010_in_L_Pericolo_and_Jessica_N_Richardson_Remembering_the_Middle_Ages_in_Early_Modern_Italy_2015","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/24216015/The_Shifting_Boundaries_of_the_Middle_Ages_from_Die_Kultur_der_Renaissance_in_Italien_1860_to_Anachronic_Renaissance_2010_in_L_Pericolo_and_Jessica_N_Richardson_Remembering_the_Middle_Ages_in_Early_Modern_Italy_2015"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="110153298" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/110153298/The_Marvel_of_Maps_Art_Cartography_and_Politics_in_Renaissance_Italy">The Marvel of Maps: Art, Cartography, and Politics in Renaissance Italy</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="150663078" href="https://mbc.academia.edu/SJames">Sara James</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Sixteenth century journal, 2006</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Marvel of Maps: Art, Cartography, and Politics in Renaissance Italy","attachmentId":108058851,"attachmentType":"pdf","work_url":"https://www.academia.edu/110153298/The_Marvel_of_Maps_Art_Cartography_and_Politics_in_Renaissance_Italy","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/110153298/The_Marvel_of_Maps_Art_Cartography_and_Politics_in_Renaissance_Italy"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="122070960" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/122070960/Chapels_of_the_Cinquecento_and_Seicento_in_the_Churches_of_Rome_Form_Function_Meaning_Chiara_Franceschini_Steven_F_Ostrow_and_Patrizia_Tosini_eds_Milan_Officina_Libraria_2020_272_pp_40">Chapels of the Cinquecento and Seicento in the Churches of Rome: Form, Function, Meaning. Chiara Franceschini, Steven F. Ostrow, and Patrizia Tosini, eds. Milan: Officina Libraria, 2020. 272 pp. €40</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="53048896" href="https://cortland.academia.edu/BarbaraWisch">Barbara Wisch</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Renaissance Quarterly, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">drawings. The rise of the family to a solid middle-class status and Giulio Cesare's marriage to a noblewoman is given relatively little weight in this career change, while the Procaccini emphasis on Correggio and Parmigianino as models and their incorporation of stylistic elements from Flemish masters are seen as business strategies on a par with the Carracci synthesis extolled by Agucchi and Bellori. Despite a few minor omissions (Greco Grasilli, 2010, on commissioning Garbieri), the author has both brought together much-published information and discovered exciting new information about the overlooked contribution of Carlo Antonio, who developed a unique market in Lombardy for garland paintings and landscapes. Yet the last three chapters, which survey the paintings each Procaccini brother produced for public and private patrons, have so much information packed into dense paragraphs that readers unfamiliar with their immense output are left longing for a more leisurely pace and for richer interpretive explanations to shape the mass of detail. The absence of professional editing is noticeable in missing words, extra prepositions, errors of punctuation, mistyped dates, and excessive repetitions that obscure the gems of Lo Conte's valuable approach, leaving the reader wishing this book were as lucid and as focused as his recent journal articles on Carlo Antonio in Italian Studies (2016) and Zeitschrift für Kunstgeschichte (2020).</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Chapels of the Cinquecento and Seicento in the Churches of Rome: Form, Function, Meaning. Chiara Franceschini, Steven F. Ostrow, and Patrizia Tosini, eds. Milan: Officina Libraria, 2020. 272 pp. €40","attachmentId":116807062,"attachmentType":"pdf","work_url":"https://www.academia.edu/122070960/Chapels_of_the_Cinquecento_and_Seicento_in_the_Churches_of_Rome_Form_Function_Meaning_Chiara_Franceschini_Steven_F_Ostrow_and_Patrizia_Tosini_eds_Milan_Officina_Libraria_2020_272_pp_40","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/122070960/Chapels_of_the_Cinquecento_and_Seicento_in_the_Churches_of_Rome_Form_Function_Meaning_Chiara_Franceschini_Steven_F_Ostrow_and_Patrizia_Tosini_eds_Milan_Officina_Libraria_2020_272_pp_40"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="7534401" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7534401/_Francesco_di_Giorgio_and_the_Reconstruction_of_Antiquity_Epigraphy_archeology_and_newly_discovered_drawings_Pegasus_2014_published_2015_">“Francesco di Giorgio and the Reconstruction of Antiquity: Epigraphy, archeology, and newly discovered drawings,” Pegasus (2014, published 2015)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="291054" href="https://columbia.academia.edu/MichaelWaters">Michael Waters</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Pegasus - Berliner Beiträge zum Nachleben der Antike, 2014</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Francesco di Giorgio and the Reconstruction of Antiquity: Epigraphy, archeology, and newly discovered drawings,” Pegasus (2014, published 2015)","attachmentId":38477164,"attachmentType":"pdf","work_url":"https://www.academia.edu/7534401/_Francesco_di_Giorgio_and_the_Reconstruction_of_Antiquity_Epigraphy_archeology_and_newly_discovered_drawings_Pegasus_2014_published_2015_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7534401/_Francesco_di_Giorgio_and_the_Reconstruction_of_Antiquity_Epigraphy_archeology_and_newly_discovered_drawings_Pegasus_2014_published_2015_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="26551084" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/26551084/Uniting_Faith_and_Image_The_Collective_Visual_Identity_of_the_Congregation_of_Secular_Canons_and_its_Expression_in_the_Artistic_Commissions_at_San_Giorgio_in_Braida_Verona_1441_1668_">Uniting Faith and Image: The Collective Visual Identity of the Congregation of Secular Canons and its Expression in the Artistic Commissions at San Giorgio in Braida, Verona (1441-1668)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="27590600" href="https://independentscholar.academia.edu/HeatherNolin">Heather Nolin</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2011</p><p class="ds-related-work--abstract ds2-5-body-sm">This dissertation examines the art and architecture commissioned for the religious complex of San Giorgio in Braida in Verona between 1441 and 1668 and demonstrates that it embodied the visual corporate identity formulated by the Congregation of Secular Canons at San Giorgio in Alga, their mother church in Venice. The Congregation was a major player in the pre-Tridentine reform movements of northern Italy and its iconographic program was part of its strategy to reform the clergy and monastic life in general. Using new archival findings and San Giorgio in Braida’s artistic patrimony as primary evidence, I unravel and explain the Secular Canons’ considered identity. I then demonstrate that the Congregation adapted it as it matured and reacted to major religious, political and artistic changes that rippled across the Veneto between the Congregation’s founding in 1402 and its suppression in 1668. This dissertation also examines the modes of patronage used by the Canons at San Giorgio in Braida, and by extension, the system of patronage used by the Congregation as a whole. Eventually every commission at all eleven of its religious houses was underpinned by this iconographic program, which had the effect of binding the Canons and their surroundings both spiritually and visually. Though some of the Canons’ churches have been the focus of specific research, this is the first to investigate the whole Congregation as a single, thoughtful commissioner of art.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Uniting Faith and Image: The Collective Visual Identity of the Congregation of Secular Canons and its Expression in the Artistic Commissions at San Giorgio in Braida, Verona (1441-1668)","attachmentId":87752571,"attachmentType":"pdf","work_url":"https://www.academia.edu/26551084/Uniting_Faith_and_Image_The_Collective_Visual_Identity_of_the_Congregation_of_Secular_Canons_and_its_Expression_in_the_Artistic_Commissions_at_San_Giorgio_in_Braida_Verona_1441_1668_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/26551084/Uniting_Faith_and_Image_The_Collective_Visual_Identity_of_the_Congregation_of_Secular_Canons_and_its_Expression_in_the_Artistic_Commissions_at_San_Giorgio_in_Braida_Verona_1441_1668_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":77203528,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":77203528,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_77203528" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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Pietrabissa, “A challenge to the Baroque: Rome Turin Paris”, The Burlington Magazine 162 (September 2020) p. 802–804.","attachmentId":70740328,"attachmentType":"pdf","work_url":"https://www.academia.edu/44935991/C_Pietrabissa_A_challenge_to_the_Baroque_Rome_Turin_Paris_The_Burlington_Magazine_162_September_2020_p_802_804","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/44935991/C_Pietrabissa_A_challenge_to_the_Baroque_Rome_Turin_Paris_The_Burlington_Magazine_162_September_2020_p_802_804"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="6" data-entity-id="8428134" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/8428134/La_demonologia_in_et%C3%A0_barocca_e_le_sue_radici_medievali_Della_Porta_Vanini_Campanella_in_Society_and_Culture_in_Baroque_period_Convegno_internazionale_Roma_2014">La demonologia in età barocca e le sue radici medievali. Della Porta, Vanini, Campanella, in Society and Culture in Baroque period, Convegno internazionale, Roma 2014</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4835950" href="https://unive.academia.edu/DONATOVERARDI">DONATO VERARDI</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La demonologia in età barocca e le sue radici medievali. Della Porta, Vanini, Campanella, in Society and Culture in Baroque period, Convegno internazionale, Roma 2014","attachmentId":39402708,"attachmentType":"pdf","work_url":"https://www.academia.edu/8428134/La_demonologia_in_et%C3%A0_barocca_e_le_sue_radici_medievali_Della_Porta_Vanini_Campanella_in_Society_and_Culture_in_Baroque_period_Convegno_internazionale_Roma_2014","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/8428134/La_demonologia_in_et%C3%A0_barocca_e_le_sue_radici_medievali_Della_Porta_Vanini_Campanella_in_Society_and_Culture_in_Baroque_period_Convegno_internazionale_Roma_2014"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="7" data-entity-id="28377198" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/28377198/R_Vodret_B_Granata_Not_only_Caravaggio_in_Caravaggio_s_Rome_1600_1630_Essay_catalogo_della_mostra_a_cura_di_R_Vodret_Roma_Museo_Nazionale_di_Palazzo_Venezia_Saloni_Monumentali_16_novembre_2011_5_febbraio_2012_ed_Skira_2012_pp_21_95">R. Vodret, B. Granata, Not only Caravaggio, in Caravaggio’s Rome 1600-1630. Essay, catalogo della mostra a cura di R. Vodret, Roma, Museo Nazionale di Palazzo Venezia – Saloni Monumentali – 16 novembre 2011 – 5 febbraio 2012, ed. Skira, 2012, pp. 21-95</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2670775" href="https://independent.academia.edu/BelindaGranata">Belinda Granata</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"R. Vodret, B. Granata, Not only Caravaggio, in Caravaggio’s Rome 1600-1630. Essay, catalogo della mostra a cura di R. Vodret, Roma, Museo Nazionale di Palazzo Venezia – Saloni Monumentali – 16 novembre 2011 – 5 febbraio 2012, ed. Skira, 2012, pp. 21-95","attachmentId":48711188,"attachmentType":"pdf","work_url":"https://www.academia.edu/28377198/R_Vodret_B_Granata_Not_only_Caravaggio_in_Caravaggio_s_Rome_1600_1630_Essay_catalogo_della_mostra_a_cura_di_R_Vodret_Roma_Museo_Nazionale_di_Palazzo_Venezia_Saloni_Monumentali_16_novembre_2011_5_febbraio_2012_ed_Skira_2012_pp_21_95","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/28377198/R_Vodret_B_Granata_Not_only_Caravaggio_in_Caravaggio_s_Rome_1600_1630_Essay_catalogo_della_mostra_a_cura_di_R_Vodret_Roma_Museo_Nazionale_di_Palazzo_Venezia_Saloni_Monumentali_16_novembre_2011_5_febbraio_2012_ed_Skira_2012_pp_21_95"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="8" data-entity-id="8732801" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/8732801/Review_Il_cortigiano_architetto_Edilizia_politica_umanesimo_nel_Quattrocento_ferrarese_by_Maria_Teresa_Sambin_De_Norcen_Renaissance_Quarterly_Vol_67_No_2_Summer_2014_pp_601_603">Review, Il cortigiano architetto: Edilizia, politica, umanesimo nel Quattrocento ferrarese, by Maria Teresa Sambin De Norcen, Renaissance Quarterly, Vol. 67, No. 2 (Summer 2014), pp. 601-603</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="16503246" href="https://jmu.academia.edu/KathleenArthur">Kathleen G Arthur</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review, Il cortigiano architetto: Edilizia, politica, umanesimo nel Quattrocento ferrarese, by Maria Teresa Sambin De Norcen, Renaissance Quarterly, Vol. 67, No. 2 (Summer 2014), pp. 601-603","attachmentId":35083220,"attachmentType":"pdf","work_url":"https://www.academia.edu/8732801/Review_Il_cortigiano_architetto_Edilizia_politica_umanesimo_nel_Quattrocento_ferrarese_by_Maria_Teresa_Sambin_De_Norcen_Renaissance_Quarterly_Vol_67_No_2_Summer_2014_pp_601_603","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/8732801/Review_Il_cortigiano_architetto_Edilizia_politica_umanesimo_nel_Quattrocento_ferrarese_by_Maria_Teresa_Sambin_De_Norcen_Renaissance_Quarterly_Vol_67_No_2_Summer_2014_pp_601_603"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="9" data-entity-id="1334720" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/1334720/REVIEW_Francis_Ames_Lewis_The_Intellectual_Life_of_the_Early_Renaissance_Artist_New_Haven_and_London_Yale_University_Press_2000_Robert_Williams_Art_Theory_and_Culture_in_Sixteenth_Century_Italy_From_Techne_to_Metatechne_Cambridge_and_New_York_Cambridge_University_Press_1997_in_The_Art_Bulletin_LXXXIII_2001_150_153">REVIEW: Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Artist. New Haven and London: Yale University Press, 2000; Robert Williams, Art, Theory, and Culture in Sixteenth-Century Italy: From Techne to Metatechne. Cambridge and New York: Cambridge University Press, 1997, in The Art Bulletin LXXXIII (2001), 150-153. </a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1168204" href="https://johnshopkins.academia.edu/StephenJCampbell">Stephen J. Campbell</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"REVIEW: Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Artist. New Haven and London: Yale University Press, 2000; Robert Williams, Art, Theory, and Culture in Sixteenth-Century Italy: From Techne to Metatechne. Cambridge and New York: Cambridge University Press, 1997, in The Art Bulletin LXXXIII (2001), 150-153. ","attachmentId":34907727,"attachmentType":"pdf","work_url":"https://www.academia.edu/1334720/REVIEW_Francis_Ames_Lewis_The_Intellectual_Life_of_the_Early_Renaissance_Artist_New_Haven_and_London_Yale_University_Press_2000_Robert_Williams_Art_Theory_and_Culture_in_Sixteenth_Century_Italy_From_Techne_to_Metatechne_Cambridge_and_New_York_Cambridge_University_Press_1997_in_The_Art_Bulletin_LXXXIII_2001_150_153","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" 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class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="13736401" href="https://independent.academia.edu/DominicCutajar">Dominic Cutajar</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The (Malta) Sunday Times , 1982</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Giulio Cassarino (1588-1637): A minor painter in the shadow of Caravaggio","attachmentId":60798541,"attachmentType":"docx","work_url":"https://www.academia.edu/40524273/Giulio_Cassarino_1588_1637_A_minor_painter_in_the_shadow_of_Caravaggio","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline 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data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/22586860/CHICOTE_M_T_LAlcorano_di_Andrea_Arrivabene_An_Iconographical_Framework_Church_History_and_Religious_Culture_96_I_II_2016_pp_130_154">CHICOTE, M.T., "L'Alcorano di Andrea Arrivabene: An Iconographical Framework", Church History and Religious Culture 96, I-II (2016), pp. 130 –154</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1356548" href="https://ucm.academia.edu/MariaTeresaChicote">Maria Teresa Chicote</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CHICOTE, M.T., \"L'Alcorano di Andrea Arrivabene: An Iconographical Framework\", Church History and Religious Culture 96, I-II (2016), pp. 130 –154","attachmentId":52844962,"attachmentType":"pdf","work_url":"https://www.academia.edu/22586860/CHICOTE_M_T_LAlcorano_di_Andrea_Arrivabene_An_Iconographical_Framework_Church_History_and_Religious_Culture_96_I_II_2016_pp_130_154","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/22586860/CHICOTE_M_T_LAlcorano_di_Andrea_Arrivabene_An_Iconographical_Framework_Church_History_and_Religious_Culture_96_I_II_2016_pp_130_154"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="14" data-entity-id="38170056" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38170056/Book_Review_Gustina_Scaglia_Francesco_di_Giorgio_Checklist_and_History_of_Manuscripts_and_Drawings_in_Autographs_and_Copies_from_ca_1470_to_1687_and_Renewed_Copies_1764_1839_Bethlehem_PA_and_Cranberry_NJ_Lehigh_University_Press_and_Associated_University_Presses_1992_">Book Review: Gustina Scaglia, Francesco di Giorgio: Checklist and History of Manuscripts and Drawings in Autographs and Copies from ca. 1470 to 1687 and Renewed Copies (1764-1839) (Bethlehem, PA and Cranberry, NJ: Lehigh University Press and Associated University Presses, 1992)</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="16336215" href="https://independentscholar.academia.edu/PamelaLong">Pamela O Long</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Technology and Culture, 1993</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Book Review: Gustina Scaglia, Francesco di Giorgio: Checklist and History of Manuscripts and Drawings in Autographs and Copies from ca. 1470 to 1687 and Renewed Copies (1764-1839) (Bethlehem, PA and Cranberry, NJ: Lehigh University Press and Associated University Presses, 1992)","attachmentId":58205087,"attachmentType":"pdf","work_url":"https://www.academia.edu/38170056/Book_Review_Gustina_Scaglia_Francesco_di_Giorgio_Checklist_and_History_of_Manuscripts_and_Drawings_in_Autographs_and_Copies_from_ca_1470_to_1687_and_Renewed_Copies_1764_1839_Bethlehem_PA_and_Cranberry_NJ_Lehigh_University_Press_and_Associated_University_Presses_1992_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span 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