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University of the Basque Country, Euskal Herriko Unibertsitatea | Departamento de Historia del Arte y Música / Artearen eta Musikaren Historia Saila - Academia.edu
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Las Palmas, Gobierno de Canarias, Anroart, vol. 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Actos conmemorativos y elementos para el recuerdo", Bidebarrieta: Revista de Humanidades y Ciencias Sociales de Bilbao, núm. 25, 2014, pp. 93-108.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16326073" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f4d952ad0ffc0f1da79ca3b73ddfc30a" rel="nofollow" data-download="{"attachment_id":38944255,"asset_id":16326073,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38944255/download_file?st=MTczMjUyNzQ3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17583800" href="https://ehu.academia.edu/EvaDiezPaton">Eva DÍEZ PATON</a><script data-card-contents-for-user="17583800" type="text/json">{"id":17583800,"first_name":"Eva","last_name":"DÍEZ PATON","domain_name":"ehu","page_name":"EvaDiezPaton","display_name":"Eva DÍEZ PATON","profile_url":"https://ehu.academia.edu/EvaDiezPaton","photo":"https://0.academia-photos.com/17583800/4898463/5634322/s65_eva.diez_paton.jpg"}</script></span></span></li><li class="js-paper-rank-work_16326073 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16326073"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16326073, container: ".js-paper-rank-work_16326073", }); 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Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte"},{"id":111329,"name":"Bilbao","url":"https://www.academia.edu/Documents/in/Bilbao"},{"id":488616,"name":"Bizkaia","url":"https://www.academia.edu/Documents/in/Bizkaia"}],"publication_year":null,"publication_year_with_fallback":2014,"paper_rank":1.8,"all_time_views":166,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31546609" data-work_id="31546609" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31546609/_Utilizaci%C3%B3n_y_revalorizaci%C3%B3n_del_pasado_La_restauracion_de_la_arquitectura_religiosa_en_el_Gran_Bilbao_1876_1936_Art_i_mem%C3%B2ria_XVII_Congreso_Nacional_de_Historia_del_Arte_Barcelona_Atrio_2017_pp_467_479">"Utilización y revalorización del pasado. La restauracion de la arquitectura religiosa en el Gran Bilbao (1876-1936)", Art i memòria. XVII Congreso Nacional de Historia del Arte. Barcelona, Atrio, 2017, pp. 467-479.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Resumen Entre finales del siglo XIX y principios del XX se restauraron los principales monumentos de la comarca del Gran Bilbao. A través de las intervenciones en la Basílica-Catedral de Santiago, la Basílica de Begoña, ambas en Bilbao,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31546609" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Resumen Entre finales del siglo XIX y principios del XX se restauraron los principales monumentos de la comarca del Gran Bilbao. A través de las intervenciones en la Basílica-Catedral de Santiago, la Basílica de Begoña, ambas en Bilbao, la iglesia de Santa María de Erandio y la de Santa María de Portugalete pretendemos comprender por qué una sociedad en pleno progreso vuelve su mirada hacia los monumentos del pasado. La restauración monumental es algo más que una intervención arquitectónica, es una puesta en valor que habla más de la ideología del que interviene en el patrimonio que del propio monumento. Por medio de nuestro estudio pretendemos acercarnos a una nueva actitud de la sociedad decimonónica: la búsqueda de una serie de valores que necesita traer del pasado al presente. Abstract Between the late nineteenth and early twentieth century restored the main monuments of Gran Bilbao. Through interventions in the Basilica-Cathedral of Santiago, the Basilica of Begoña, both in Bilbao, the church of Santa María de Erandio and Santa María de Portugalete we try to understand why a society in the progress returns its glance towards monuments of the past. The monumental restoration is something more than are architectural intervention. By means of our study we try to approach us a new attitude of the society: the search of a series of values that needs to bring of the past to the present.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31546609" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b1d84dab446ca4b991ead24ae6b706c9" rel="nofollow" data-download="{"attachment_id":51887306,"asset_id":31546609,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51887306/download_file?st=MTczMjUyNzQ3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17583800" href="https://ehu.academia.edu/EvaDiezPaton">Eva DÍEZ PATON</a><script data-card-contents-for-user="17583800" type="text/json">{"id":17583800,"first_name":"Eva","last_name":"DÍEZ PATON","domain_name":"ehu","page_name":"EvaDiezPaton","display_name":"Eva DÍEZ PATON","profile_url":"https://ehu.academia.edu/EvaDiezPaton","photo":"https://0.academia-photos.com/17583800/4898463/5634322/s65_eva.diez_paton.jpg"}</script></span></span></li><li class="js-paper-rank-work_31546609 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31546609"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31546609, container: ".js-paper-rank-work_31546609", }); 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La relación de la Comisión de Monumentos de Vizcaya con los lugares de la memoria de Bilbao", Bidebarrieta: Revista de Humanidades y Ciencias Sociales de Bilbao, núm. 27, 2017, pp. 55-77.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El monumento es, en esencia, memoria conservada. Artefactos evocadores que contribuyen a configurar la identidad y la memoria colectiva. Una parte de la vacilante existencia de la Comisión de Monumentos de Vizcaya estuvo íntimamente... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36551176" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El monumento es, en esencia, memoria conservada. Artefactos evocadores que contribuyen a configurar la identidad y la memoria colectiva. Una parte de la vacilante existencia de la Comisión de Monumentos de Vizcaya estuvo íntimamente unida a los lugares de la memoria de Bilbao: fomentando nuevos monumentos conmemorativos, intentando conservar edificios históricos, siendo incapaz de impedir el derribo de fábricas emblemáticas e impulsando la formación de museos. Todo ello nos invita a reflexionar sobre los lugares de la memoria de Bilbao ligados a la Comisión de Monumentos de Vizcaya y sobre su recuerdo y valor en la actualidad.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36551176" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="653786fa4124126da58d66d8b4a0befa" rel="nofollow" data-download="{"attachment_id":56476089,"asset_id":36551176,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56476089/download_file?st=MTczMjUyNzQ3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17583800" href="https://ehu.academia.edu/EvaDiezPaton">Eva DÍEZ PATON</a><script data-card-contents-for-user="17583800" type="text/json">{"id":17583800,"first_name":"Eva","last_name":"DÍEZ PATON","domain_name":"ehu","page_name":"EvaDiezPaton","display_name":"Eva DÍEZ PATON","profile_url":"https://ehu.academia.edu/EvaDiezPaton","photo":"https://0.academia-photos.com/17583800/4898463/5634322/s65_eva.diez_paton.jpg"}</script></span></span></li><li class="js-paper-rank-work_36551176 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36551176"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36551176, container: ".js-paper-rank-work_36551176", }); 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Miradas sobre el caserío en el descubrimiento de lo propio (1919-1936)", La formación artística: Creadores-historiadores-espectadores. 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Ideologías, conservación, restauración. Política del patrimonio arquitectónico en Vizcaya (1844-1936).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Dirgida por Nieves Basurto Ferro. <br />Leída en la Faculta de Bellas Artes, Universidad del País Vasco, noviembre de 2017.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36926880" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7c5bca1aa2664245cae511bb26cf4d4e" rel="nofollow" data-download="{"attachment_id":56878852,"asset_id":36926880,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56878852/download_file?st=MTczMjUyNzQ3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17583800" href="https://ehu.academia.edu/EvaDiezPaton">Eva DÍEZ PATON</a><script data-card-contents-for-user="17583800" type="text/json">{"id":17583800,"first_name":"Eva","last_name":"DÍEZ PATON","domain_name":"ehu","page_name":"EvaDiezPaton","display_name":"Eva DÍEZ PATON","profile_url":"https://ehu.academia.edu/EvaDiezPaton","photo":"https://0.academia-photos.com/17583800/4898463/5634322/s65_eva.diez_paton.jpg"}</script></span></span></li><li class="js-paper-rank-work_36926880 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36926880"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36926880, container: ".js-paper-rank-work_36926880", }); 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Paisaje y caserio entre lo siglos XIX y XX", en Vestir la Arquitectura. XXII Congreso Nacional de Historia del Arte. Burgos, Universidad de Burgos, vol. 2, 2019, pp. 1234-1240.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41339977" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8cd73c15dfb26a21d36fa8477342fef2" rel="nofollow" data-download="{"attachment_id":61543039,"asset_id":41339977,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61543039/download_file?st=MTczMjUyNzQ3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17583800" href="https://ehu.academia.edu/EvaDiezPaton">Eva DÍEZ PATON</a><script data-card-contents-for-user="17583800" type="text/json">{"id":17583800,"first_name":"Eva","last_name":"DÍEZ PATON","domain_name":"ehu","page_name":"EvaDiezPaton","display_name":"Eva DÍEZ PATON","profile_url":"https://ehu.academia.edu/EvaDiezPaton","photo":"https://0.academia-photos.com/17583800/4898463/5634322/s65_eva.diez_paton.jpg"}</script></span></span></li><li class="js-paper-rank-work_41339977 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41339977"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41339977, container: ".js-paper-rank-work_41339977", }); 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La restauración del claustro como fin de un proceso(1922-1936)". En: VV.AA.: El mundo de las Catedrales. Pasado, presente y futuro. Burgos, Fundación VIII Centenario de la Catedral. 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Primeras experiencias en torno a la conservación del patrimonio preindustrial en Bizkaia (1922-1928)", Ars Bilduma, núm. 13, 2023, pp. 93-110.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114690696" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="45872235fd16f5b15cc05f65b2f940c0" rel="nofollow" data-download="{"attachment_id":111320289,"asset_id":114690696,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111320289/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17583800" href="https://ehu.academia.edu/EvaDiezPaton">Eva DÍEZ PATON</a><script data-card-contents-for-user="17583800" type="text/json">{"id":17583800,"first_name":"Eva","last_name":"DÍEZ PATON","domain_name":"ehu","page_name":"EvaDiezPaton","display_name":"Eva DÍEZ PATON","profile_url":"https://ehu.academia.edu/EvaDiezPaton","photo":"https://0.academia-photos.com/17583800/4898463/5634322/s65_eva.diez_paton.jpg"}</script></span></span></li><li class="js-paper-rank-work_114690696 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114690696"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114690696, container: ".js-paper-rank-work_114690696", }); });</script></li><li class="js-percentile-work_114690696 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114690696; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_114690696"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_114690696 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="114690696"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114690696; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114690696]").text(description); $(".js-view-count-work_114690696").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_114690696").removeClass('hidden') })</script></div></li></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31094471" data-work_id="31094471" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31094471/Tres_obras_maestras_de_la_ficci%C3%B3n_televisiva_The_Sopranos_The_Wire_Mad_Men">Tres obras maestras de la ficción televisiva: The Sopranos, The Wire, Mad Men</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The emergence of a new generation of television of film characteristics, which generates large amount of critical literature, is one of the audiovisual phenomena of greater impact of the new century. Among them three U.S. productions such... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31094471" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The emergence of a new generation of television of film characteristics, which generates large amount of critical literature, is one of the audiovisual phenomena of greater impact of the new century. Among them three U.S. productions such as The Sopranos, The Wire and Mad Men, constitute the paradigm of a new type of narrative fiction, at the height of the great literary and fillm productions of western history.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31094471" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="204c070b63e925013afb862c897c2802" rel="nofollow" data-download="{"attachment_id":51529405,"asset_id":31094471,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51529405/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="40675477" href="https://ehu.academia.edu/MikelOnandiaGarate">Mikel Onandia Garate</a><script data-card-contents-for-user="40675477" type="text/json">{"id":40675477,"first_name":"Mikel","last_name":"Onandia Garate","domain_name":"ehu","page_name":"MikelOnandiaGarate","display_name":"Mikel Onandia Garate","profile_url":"https://ehu.academia.edu/MikelOnandiaGarate","photo":"https://0.academia-photos.com/40675477/15502233/16108693/s65_mikel.onandia_garate.jpeg"}</script></span></span></li><li class="js-paper-rank-work_31094471 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31094471"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31094471, container: ".js-paper-rank-work_31094471", }); });</script></li><li class="js-percentile-work_31094471 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31094471; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31094471"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31094471 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31094471"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31094471; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31094471]").text(description); $(".js-view-count-work_31094471").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31094471").removeClass('hidden') })</script></div></li></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31094614" data-work_id="31094614" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31094614/ERTIBIL_2016_Cat%C3%A1logo">ERTIBIL 2016 - Catálogo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Desde su primera edición en 1983, ERTIBIL tiene como objetivo apoyar y promocionar a los artistas emergentes del territorio que desarrollan su labor creativa en Bizkaia. Las artistas galardonadas en la XXXIV edición de ERTIBIL BIZKAIA... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31094614" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Desde su primera edición en 1983, ERTIBIL tiene como objetivo apoyar y promocionar a los artistas emergentes del territorio que desarrollan su labor creativa en Bizkaia. Las artistas galardonadas en la XXXIV edición de ERTIBIL BIZKAIA son: Amaia Gracia Azqueta, Irantzu Yaldebere y Helena Goñi. En la edición actual han participado 109 artistas, siempre menores de 35 años. Entre las obras presentadas de todas las especialidades se han seleccionado los 20 trabajos que componen la exposición ERTIBIL BIZKAIA 2016. El presente catálogo reúne las piezas elegidas acompañadas de textos del historiador del arte Mikel Onandia Garate junto a su artículo introductorio '¿Cómo se debe apoyar la creación artística contemporánea más joven?'</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31094614" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eee2b34f761e10d0f515abe2d827eca2" rel="nofollow" data-download="{"attachment_id":51529558,"asset_id":31094614,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51529558/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="40675477" href="https://ehu.academia.edu/MikelOnandiaGarate">Mikel Onandia Garate</a><script data-card-contents-for-user="40675477" type="text/json">{"id":40675477,"first_name":"Mikel","last_name":"Onandia Garate","domain_name":"ehu","page_name":"MikelOnandiaGarate","display_name":"Mikel Onandia Garate","profile_url":"https://ehu.academia.edu/MikelOnandiaGarate","photo":"https://0.academia-photos.com/40675477/15502233/16108693/s65_mikel.onandia_garate.jpeg"}</script></span></span></li><li class="js-paper-rank-work_31094614 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31094614"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31094614, container: ".js-paper-rank-work_31094614", }); });</script></li><li class="js-percentile-work_31094614 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31094614; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31094614"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31094614 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31094614"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31094614; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31094614]").text(description); $(".js-view-count-work_31094614").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31094614").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31094614"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">3</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="108450" href="https://www.academia.edu/Documents/in/Arte_contempor%C3%A1neo">Arte contemporáneo</a>, <script data-card-contents-for-ri="108450" type="text/json">{"id":108450,"name":"Arte contemporáneo","url":"https://www.academia.edu/Documents/in/Arte_contempor%C3%A1neo","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1932998" href="https://www.academia.edu/Documents/in/Arte_Joven">Arte Joven</a><script data-card-contents-for-ri="1932998" type="text/json">{"id":1932998,"name":"Arte Joven","url":"https://www.academia.edu/Documents/in/Arte_Joven","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31094614]'), work: {"id":31094614,"title":"ERTIBIL 2016 - Catálogo","created_at":"2017-01-27T06:58:06.649-08:00","owner_id":40675477,"url":"https://www.academia.edu/31094614/ERTIBIL_2016_Cat%C3%A1logo","slug":"ERTIBIL_2016_Catálogo","dom_id":"work_31094614","summary":"Desde su primera edición en 1983, ERTIBIL tiene como objetivo apoyar y promocionar a los artistas emergentes del territorio que desarrollan su labor creativa en Bizkaia. Las artistas galardonadas en la XXXIV edición de ERTIBIL BIZKAIA son: Amaia Gracia Azqueta, Irantzu Yaldebere y Helena Goñi. En la edición actual han participado 109 artistas, siempre menores de 35 años. Entre las obras presentadas de todas las especialidades se han seleccionado los 20 trabajos que componen la exposición ERTIBIL BIZKAIA 2016. El presente catálogo reúne las piezas elegidas acompañadas de textos del historiador del arte Mikel Onandia Garate junto a su artículo introductorio '¿Cómo se debe apoyar la creación artística contemporánea más joven?'\r\n","publication":"Diputación Foral de Bizkaia - Sala Rekalde","publication_with_fallback":"Diputación Foral de Bizkaia - Sala Rekalde","downloadable_attachments":[{"id":51529558,"asset_id":31094614,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/51529558/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/51529558/Ertibil_2016_-_Catalogo-libre.pdf?1485529313=\u0026response-content-disposition=attachment%3B+filename%3DERTIBIL_2016_Catalogo.pdf\u0026Expires=1732324965\u0026Signature=Polh5oFf4FYvhlZkOvKuKb0WkVGMYjE3aTcQMxTw-Y-1B7yLkxpNygeHaCWxRsfUjHa5lFQiwyMQrsMNZd0qFfZ~nhcEk6WrU9UAkJa-jUkj6AC4SkdOYaovgB2z7zfMaHuZO66JJPp7k1XEUdMJcLIPdWPNDE9UpW0jlPnE6qV9tTDGDomhqHsoFY4Huy-5PqM5TFslfg0BqP3ipspVOx1YQlnJtPO3F2UMu3b0kv0KAahlwOpey-axTEV020iPFtPojDdtfds2yfn6iZi68EKmSUuto5-NPLlYTiauAFHuBA3yJ6efnwpfWyRApeftaflEb0Z198aQFHsddoStPQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/51529558/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/51529558/mini_magick20190125-18879-908f8.png?1548417111"}],"downloadable_attachments_with_full_thumbnails":[{"id":51529558,"asset_id":31094614,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/51529558/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/51529558/Ertibil_2016_-_Catalogo-libre.pdf?1485529313=\u0026response-content-disposition=attachment%3B+filename%3DERTIBIL_2016_Catalogo.pdf\u0026Expires=1732324965\u0026Signature=Polh5oFf4FYvhlZkOvKuKb0WkVGMYjE3aTcQMxTw-Y-1B7yLkxpNygeHaCWxRsfUjHa5lFQiwyMQrsMNZd0qFfZ~nhcEk6WrU9UAkJa-jUkj6AC4SkdOYaovgB2z7zfMaHuZO66JJPp7k1XEUdMJcLIPdWPNDE9UpW0jlPnE6qV9tTDGDomhqHsoFY4Huy-5PqM5TFslfg0BqP3ipspVOx1YQlnJtPO3F2UMu3b0kv0KAahlwOpey-axTEV020iPFtPojDdtfds2yfn6iZi68EKmSUuto5-NPLlYTiauAFHuBA3yJ6efnwpfWyRApeftaflEb0Z198aQFHsddoStPQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/51529558/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/51529558/mini_magick20190125-18879-908f8.png?1548417111"}],"has_pdf":true,"has_fulltext":true,"page_count":64,"ordered_authors":[{"id":40675477,"first_name":"Mikel","last_name":"Onandia Garate","domain_name":"ehu","page_name":"MikelOnandiaGarate","display_name":"Mikel Onandia Garate","profile_url":"https://ehu.academia.edu/MikelOnandiaGarate","photo":"https://0.academia-photos.com/40675477/15502233/16108693/s65_mikel.onandia_garate.jpeg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art","nofollow":false},{"id":108450,"name":"Arte contemporáneo","url":"https://www.academia.edu/Documents/in/Arte_contempor%C3%A1neo","nofollow":false},{"id":1932998,"name":"Arte Joven","url":"https://www.academia.edu/Documents/in/Arte_Joven","nofollow":false}],"publication_year":2016,"publication_year_with_fallback":2016,"paper_rank":null,"all_time_views":179,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31094781" data-work_id="31094781" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31094781/Arte_en_el_Duranguesado_Hoy_Artea_Durangaldean_Gaur">Arte en el Duranguesado Hoy /Artea Durangaldean Gaur</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La presente publicación se divide en dos partes. El primer apartado es una breve historia del ambiente artístico del Duranguesado a lo largo del siglo XX con objeto de poner en situación a sus principales protagonistas y contextualizar la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31094781" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La presente publicación se divide en dos partes. El primer apartado es una breve historia del ambiente artístico del Duranguesado a lo largo del siglo XX con objeto de poner en situación a sus principales protagonistas y contextualizar la producción artística más reciente. En el segundo apartado se presenta a los principales creadores <br />contemporáneos del Duranguesado, con cuya colaboración se ha llevado a cabo la elección de sus piezas más relevantes –algunas de ellas inéditas– ejecutadas a lo largo de los últimos años. El texto que acompaña a cada uno de ellos es una breve presentación de la trayectoria artística y las principales características de su producción.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31094781" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9210920efb14c284cffe2e89c204f0a4" rel="nofollow" data-download="{"attachment_id":51529698,"asset_id":31094781,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51529698/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="40675477" href="https://ehu.academia.edu/MikelOnandiaGarate">Mikel Onandia Garate</a><script data-card-contents-for-user="40675477" type="text/json">{"id":40675477,"first_name":"Mikel","last_name":"Onandia Garate","domain_name":"ehu","page_name":"MikelOnandiaGarate","display_name":"Mikel Onandia Garate","profile_url":"https://ehu.academia.edu/MikelOnandiaGarate","photo":"https://0.academia-photos.com/40675477/15502233/16108693/s65_mikel.onandia_garate.jpeg"}</script></span></span></li><li class="js-paper-rank-work_31094781 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31094781"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31094781, container: ".js-paper-rank-work_31094781", }); });</script></li><li class="js-percentile-work_31094781 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31094781; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31094781"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31094781 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31094781"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31094781; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31094781]").text(description); $(".js-view-count-work_31094781").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31094781").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31094781"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">4</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="60122" href="https://www.academia.edu/Documents/in/Desarrollo_Local_Local_Development">Desarrollo Local / Local Development</a>, <script data-card-contents-for-ri="60122" type="text/json">{"id":60122,"name":"Desarrollo Local / Local Development","url":"https://www.academia.edu/Documents/in/Desarrollo_Local_Local_Development","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="79037" href="https://www.academia.edu/Documents/in/Historia_del_Arte">Historia del Arte</a><script data-card-contents-for-ri="79037" type="text/json">{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31094781]'), work: {"id":31094781,"title":"Arte en el Duranguesado Hoy /Artea Durangaldean Gaur","created_at":"2017-01-27T07:19:41.451-08:00","owner_id":40675477,"url":"https://www.academia.edu/31094781/Arte_en_el_Duranguesado_Hoy_Artea_Durangaldean_Gaur","slug":"Arte_en_el_Duranguesado_Hoy_Artea_Durangaldean_Gaur","dom_id":"work_31094781","summary":"La presente publicación se divide en dos partes. 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Liburu honetan 100 kritika... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31094795" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">'Arte kritika eta amingoak zeru berdean' Mikel Onandia Garatek 2009 eta 2015. urte bitartean BERRIA egunkarian eta DEIA egunkariko “Ortzadar” kultura-gehigarrian argitaratu dituen arte kritiken antologia da. Liburu honetan 100 kritika biltzen dira guztira eta, aukeraketa oro ezinbestean arbitrarioa izanik ere, egileak ahalik eta museo, areto, diziplina eta arte-korronte ezberdin gehien jorratu nahi izan ditu, euskal giro artistiko anitza islatzea helburu. Artikuluok Euskal Herrian barrena antolatutako erakusketen informazio nagusia eskaintzen dute, argazki ugarirekin lagunduta. Horiekin batera, Haizea Barcenilla kritikari eta komisarioaren sarrera mamitsua aurkituko du irakurleak, azken urteotako euskal arte sistemaren eta kritikaren egoera aztertzen duena.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31094795" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="24873580cfe70828c0ea60b7397302a3" rel="nofollow" data-download="{"attachment_id":51529722,"asset_id":31094795,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51529722/download_file?st=MTczMjUyNzQ3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="40675477" href="https://ehu.academia.edu/MikelOnandiaGarate">Mikel Onandia Garate</a><script data-card-contents-for-user="40675477" type="text/json">{"id":40675477,"first_name":"Mikel","last_name":"Onandia Garate","domain_name":"ehu","page_name":"MikelOnandiaGarate","display_name":"Mikel Onandia Garate","profile_url":"https://ehu.academia.edu/MikelOnandiaGarate","photo":"https://0.academia-photos.com/40675477/15502233/16108693/s65_mikel.onandia_garate.jpeg"}</script></span></span></li><li class="js-paper-rank-work_31094795 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31094795"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31094795, container: ".js-paper-rank-work_31094795", }); 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