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href="https://smb.academia.edu/">Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz</a>, <a class="u-tcGrayDarker" href="https://smb.academia.edu/Departments/Antikensammlung/Documents">Antikensammlung</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Uwe" data-follow-user-id="9428348" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="9428348"><span 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class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></a></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Conservator for archeological metal objectsResearch on metal technologiesResearch on the history of conservation and restoration<br /><span class="u-fw700">Phone: </span>0049 30 266 425124<br /><b>Address: </b>Antikensammlung<br />Geschwister Scholl Str. 6<br />10117 Berlin<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/NorbertFranken"><img 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id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Uwe Peltz</h3></div><div class="js-work-strip profile--work_container" data-work-id="127560899"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127560899/U_Peltz_Der_Xantener_Knabe_die_Statuenfragmente_vom_Limes_und_das_strahlendwei%C3%9Fe_L%C3%A4cheln_der_antiken_Gro%C3%9Fbronzen_In_Xantener_Berichte_49_S_177_209"><img alt="Research paper thumbnail of U. Peltz, Der Xantener Knabe, die Statuenfragmente vom Limes und das strahlendweiße Lächeln der antiken Großbronzen. In: Xantener Berichte 49, S. 177-209." class="work-thumbnail" src="https://attachments.academia-assets.com/121276388/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127560899/U_Peltz_Der_Xantener_Knabe_die_Statuenfragmente_vom_Limes_und_das_strahlendwei%C3%9Fe_L%C3%A4cheln_der_antiken_Gro%C3%9Fbronzen_In_Xantener_Berichte_49_S_177_209">U. Peltz, Der Xantener Knabe, die Statuenfragmente vom Limes und das strahlendweiße Lächeln der antiken Großbronzen. In: Xantener Berichte 49, S. 177-209.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der vorliegende Sammelband der Xantener Berichte beinhaltet ein vielseitiges Themenspektrum rund ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der vorliegende Sammelband der Xantener Berichte beinhaltet ein vielseitiges Themenspektrum rund um die Colonia Ulpia Traiana (CUT) und darüber hinaus. Dafür stehen die von Werner Eck neu bewerteten Inschriften ebenso wie der spannende Neufund einer Inschrift der 22. Legion, die von Stefan F. Pfahl erstmals vorgelegt wird. Uwe Peltz hat sich erneut dem Xantener Knaben gewidmet und kann wichtige neue Erkenntnisse zu Technik und Erscheinungsbild der Statue vorstellen. Dass sich der frische Blick auf altbekannte Funde lohnt, beweist auch der Beitrag zu einem im LVR-RömerMuseum ausgestellten Gladiatorenhelm, der nach den umfassenden Untersuchungen ganz neu bewertet werden muss. Der Themenbereich der Gladiatorenausrüstung wird in diesem Band zusätzlich durch einen weiteren Beitrag von Uwe Peltz bereichert, der neue Erkenntnisse zur Herstellungstechnik entsprechender Ausrüstungsgegenständen in der Berliner Antikensammlung veröffentlicht. Aus der Beschäftigung mit den geophysikalischen Untersuchungen in der CUT (vgl. Xantener Berichte 47) ist die archäologische Bestandsaufnahme der Tricensimae hervorgegangen. Bernhard Rudnick schafft hier eine fundierte Grundlage für weitere Forschungen im Bereich der Tricensimae beziehungsweise der Spätantike in Xanten im Allgemeinen. Ebenfalls der Spätantike widmet sich der Beitrag über die marmorierte Ware aus Xanten, der neue Erkenntnisse zu Herkunft und Produktions-Organisation dieser Keramik bringt. Seit dem Jahre 2021 sind die Bodendenkmäler der antiken Stadt Colonia Ulpia Traiana und ihres Hafens Bestandteile des UNESCO-Welterbes Niedergermanischer Limes. Vor diesem Hintergrund ist der umfassende Überblick von Jasper de Bruin über die neuen Forschungen entlang des Limes in den Niederlanden von herausragender Bedeutung. Der Beitrag über die vernetzte digitale Vermittlung des Welterbes Niedergermanischer Limes von Miguel Ximénez-Carillo knüpft hieran folgerichtig an. Für die redaktionelle Begleitung des Sammelbandes danken wir Julia Martin, Ingo Martell und Nadine Marcinczik von der Fa. Scriptorium. Ebenso danken wir Katrin Pfeil für die Erstellung der Druckvorstufe. Abschließend geht ein ganz besonderer Dank für ihre Forschungsbeiträge an die Autorinnen und Autoren dieses Sammelbandes.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="054c014fc5f03c71339f725e02a3eb46" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121276388,"asset_id":127560899,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121276388/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127560899"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127560899"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127560899; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127560899]").text(description); $(".js-view-count[data-work-id=127560899]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127560899; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127560899']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "054c014fc5f03c71339f725e02a3eb46" } } $('.js-work-strip[data-work-id=127560899]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127560899,"title":"U. 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Peltz, Schutz und Zier – Eine Gladiatorenausrüstung an der Berliner Antikensammlung. In: Xantener Berichte 49, S. 155-175." class="work-thumbnail" src="https://attachments.academia-assets.com/121267854/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127550643/U_Peltz_Schutz_und_Zier_Eine_Gladiatorenausr%C3%BCstung_an_der_Berliner_Antikensammlung_In_Xantener_Berichte_49_S_155_175">U. Peltz, Schutz und Zier – Eine Gladiatorenausrüstung an der Berliner Antikensammlung. In: Xantener Berichte 49, S. 155-175.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27c1bc0c58ef5a963325238e13ce0713" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121267854,"asset_id":127550643,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121267854/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127550643"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127550643"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127550643; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127550643]").text(description); $(".js-view-count[data-work-id=127550643]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127550643; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127550643']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27c1bc0c58ef5a963325238e13ce0713" } } $('.js-work-strip[data-work-id=127550643]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127550643,"title":"U. Peltz, Schutz und Zier – Eine Gladiatorenausrüstung an der Berliner Antikensammlung. 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Peltz, Tooth for tooth: The shining white smile of the large bronzes. In: D. Bartus, Z. Mráv u. M. Szabó (Hrsg.), Proceedings of the 21st Int. Congress on Ancient Bronzes. Dissertations Archaeologicae, Supplementum 4 (Budapest 2024) S. 53-73. https://ojs.elte.hu/dissarch/article/view/8754/7540" class="work-thumbnail" src="https://attachments.academia-assets.com/120134141/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126224519/U_Peltz_Tooth_for_tooth_The_shining_white_smile_of_the_large_bronzes_In_D_Bartus_Z_Mr%C3%A1v_u_M_Szab%C3%B3_Hrsg_Proceedings_of_the_21st_Int_Congress_on_Ancient_Bronzes_Dissertations_Archaeologicae_Supplementum_4_Budapest_2024_S_53_73_https_ojs_elte_hu_dissarch_article_view_8754_7540">U. Peltz, Tooth for tooth: The shining white smile of the large bronzes. In: D. Bartus, Z. Mráv u. M. Szabó (Hrsg.), Proceedings of the 21st Int. Congress on Ancient Bronzes. Dissertations Archaeologicae, Supplementum 4 (Budapest 2024) S. 53-73. https://ojs.elte.hu/dissarch/article/view/8754/7540</a></div><div class="wp-workCard_item"><span>Dissertations Archaeologicae ex Instituto Archaeologico Universitatis de Rolando Eötvös nominatae, Supplementum 4</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Until the Hadrianic period, large bronzes had a naturalistic appearance due to poly-chrome elemen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Until the Hadrianic period, large bronzes had a naturalistic appearance due to poly-chrome elements. One element on the statues of gods, heroes and portraits that has been stud-ied rarely are the inserted white teeth. They were invented in the late archaic or early classical period  and  disappeared  on  the  large  statues  with  the  decline  of  the  Hellenistic  foundry  art.  Usually the upper incisors where visible behind the opened lips.The upper front teeth—and sometimes the lower once—were made of white metal (silver plat-ing, tinning), light stone (marble), or more appropriately, bone (bone, ivory, tusks). It was still able  to  reconstruct  four  variants  with  several  variations  used  for  the  installation  of  teeth  in  the open mouths. They could be fixed with glue. Other options consisted of hanging rows of teeth on hooks and brackets. In addition, the teeth rows were mounted in front of and on tooth backplates. Often, the installation of teeth was carried out in combination with the fitting of red lips.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c1bb4f7001f4c32160735e9892b0b2f8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120134141,"asset_id":126224519,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120134141/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126224519"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126224519"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126224519; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126224519]").text(description); $(".js-view-count[data-work-id=126224519]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126224519; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126224519']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c1bb4f7001f4c32160735e9892b0b2f8" } } $('.js-work-strip[data-work-id=126224519]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126224519,"title":"U. Peltz, Tooth for tooth: The shining white smile of the large bronzes. In: D. Bartus, Z. Mráv u. M. Szabó (Hrsg.), Proceedings of the 21st Int. Congress on Ancient Bronzes. Dissertations Archaeologicae, Supplementum 4 (Budapest 2024) S. 53-73. https://ojs.elte.hu/dissarch/article/view/8754/7540","internal_url":"https://www.academia.edu/126224519/U_Peltz_Tooth_for_tooth_The_shining_white_smile_of_the_large_bronzes_In_D_Bartus_Z_Mr%C3%A1v_u_M_Szab%C3%B3_Hrsg_Proceedings_of_the_21st_Int_Congress_on_Ancient_Bronzes_Dissertations_Archaeologicae_Supplementum_4_Budapest_2024_S_53_73_https_ojs_elte_hu_dissarch_article_view_8754_7540","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":120134141,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/120134141/thumbnails/1.jpg","file_name":"Peltz_2024a_05_PeltzU_DissArch_Suppl_4_SEP.pdf","download_url":"https://www.academia.edu/attachments/120134141/download_file","bulk_download_file_name":"U_Peltz_Tooth_for_tooth_The_shining_whit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/120134141/Peltz_2024a_05_PeltzU_DissArch_Suppl_4_SEP-libre.pdf?1733866816=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Tooth_for_tooth_The_shining_whit.pdf\u0026Expires=1740479220\u0026Signature=FMzp0h7nHsyV~rPylHyzjHVab23NthOoCb7j0eDFWctV2ZQw0yeZJNmDK7yPrGlYXHzKn2bddI6s99h-Q7fqjNqXabusr-FayrhMviCoUiPTtnoaKygiClSpDGloI4w4ZOKMo3CZl0e~TSp1oky1ZBNcoXnQjSAVqhKldFQYWgeZa4LXX9cPA2NYEFS2fbucAQlCK0GwC30EWAPWSwEJpq8z2HccRTJqcYOFNSahGeJN5mfNarLU6t~hVwMDUEkcFKa9za65pdSwAnPPz4lHlFP5ACgbXXUVMEb9KOoEzrE5Rl1mPSXbm16doh3-tiS2H2Jnfm654Zs57UlFOdhMvQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="126224413"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/126224413/U_Peltz_Glanzst%C3%BCck_archaischer_Gie%C3%9Ferkunst_der_Stabdreifu%C3%9F_aus_der_N%C3%A4he_von_Metapont_In_Jahrbuch_der_Berliner_Museen_64_2023_S_7_26"><img alt="Research paper thumbnail of U. Peltz, Glanzstück archaischer Gießerkunst – der Stabdreifuß aus der Nähe von Metapont. In: Jahrbuch der Berliner Museen 64, 2023, S. 7-26." class="work-thumbnail" src="https://attachments.academia-assets.com/120134050/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126224413/U_Peltz_Glanzst%C3%BCck_archaischer_Gie%C3%9Ferkunst_der_Stabdreifu%C3%9F_aus_der_N%C3%A4he_von_Metapont_In_Jahrbuch_der_Berliner_Museen_64_2023_S_7_26">U. Peltz, Glanzstück archaischer Gießerkunst – der Stabdreifuß aus der Nähe von Metapont. In: Jahrbuch der Berliner Museen 64, 2023, S. 7-26.</a></div><div class="wp-workCard_item"><span>Jahrbuch der Berliner Museen</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zu den wichtigen Vertretern der archaisch griechischen Bronzekunst zählen die sogenannten Stabdre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zu den wichtigen Vertretern der archaisch griechischen Bronzekunst zählen die sogenannten Stabdreifüße. Hiervon wissen wir durch zahlreiche Fragmente aus Heiligtümern und Nekropolen. Die Antikensammlung zeigt im Alten Museum einen der wenigen beinahe vollständig erhaltenen Stabdreifüße. Er wurde im Jahr 1825 in einem reich ausgestatteten Kammergrab im Hinterland der griechischen Kolonie Metapont nahe der Südküste Italiens entdeckt. Als ›Stabdreifuß von Metapont‹ intensiv archäologisch erforscht, blieb der Prozess seiner Herstellung bisher weitgehend im Ungewissen. Diese Lücke konnte jüngst mittels kunsttechnologischer, radiologischer und archäometrischer Untersuchungen geschlossen werden. Sie unterstützen nun auch hinlänglich die immer wieder geäußerte, aber nie belegte These vom Guss im Ganzen. Das Erz für das Blei in der Gussbronze wie auch das für die Füllung der hohl gearbeiteten Füße wurde in Laurion in Attika abgebaut, den im archaischen Griechenland wichtigsten Blei-und Silberminen. Bronzene Gefäßuntersätze Die Bronzekunst des geometrischen und archaischen Griechenlands ist für ihre Dreifußkessel und dreibeinigen Gefäßuntersätze bekannt. Gerade in Olympia waren bis in das 7. Jh. v. Chr. die Kessel mit ihren fest montierten drei Beinen in reicher Zahl aufgestellt. Die Insel Samos wurde ab etwa 700 v. Chr. für die Kessel mit Greifenprotomen sowie Stabdreifüßen als zugehörige Ständer berühmt. Die Tradition solcher Untersätze reicht bis in die frühe Bronzezeit zurück. Als Fertigungszentrum tat sich zunächst Zypern hervor, von wo aus sich die in einem Stück gegossenen Gefäßständer mit überschaubarer Größe im mediterranen Raum verbreiteten. Andere Höhen erreichte man, indem der Ganzgusstyp als technisch vorerst nicht weiterentwickelbares Modell aufgegeben wurde und nun die Gießer ein Set aus Stäben, Ringen, Verbindungs-und Schmuckelementen sowie drei Füßen zu den filigraneren Stabdreifüßen vereinigten. Die Erfindung dieses Baukastentyps oder auch der »Kompositklasse«, wie Gebhard Bieg mit eindeutig technisch ausgerichteter Bezeichnung diese Gruppe ordnete, gelang in der Levante oder im urartäischen Raum. Die ältesten bekannten Exemplare datieren in das 8. Jh. v. Chr. Zypern war weiterhin ebenso ein wichtiges Produktionszentrum. Aus diesen Regionen übernahmen griechische Handwerker am Beginn des 7. Jhs. v. Chr. die Kompetenz, Stabdreifüße im Baukastensystem herzustellen. Annähernd 140-150 Jahre später kehrten sie dann zu »dem in einem Stück gegossenen Stabdreifuß« zurück, wie Ulrich Gehrig den Ganzgusstyp ansprach, bis dann zum Ende des 6. Jhs. v. Chr. die Herstellung auslief.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="621b6a98c8f2162cc8f70c10c3f11f4a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120134050,"asset_id":126224413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120134050/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126224413"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126224413"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126224413; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126224413]").text(description); $(".js-view-count[data-work-id=126224413]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126224413; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126224413']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "621b6a98c8f2162cc8f70c10c3f11f4a" } } $('.js-work-strip[data-work-id=126224413]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126224413,"title":"U. Peltz, Glanzstück archaischer Gießerkunst – der Stabdreifuß aus der Nähe von Metapont. 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Peltz, Luft und Licht – frühe Impulse zur Präventiven Konservierung aus den Berliner Museen. In: S. Eyb-Green, M. Schindler u. C. Bouvier (Hrsg.), Erzählungen = Narratives. Beiträge zur 27. Tagung des ÖRV, 29.–30. September 2022 Wien (Wien 2022) S. 224-242." class="work-thumbnail" src="https://attachments.academia-assets.com/92102195/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88042908/U_Peltz_Luft_und_Licht_fr%C3%BChe_Impulse_zur_Pr%C3%A4ventiven_Konservierung_aus_den_Berliner_Museen_In_S_Eyb_Green_M_Schindler_u_C_Bouvier_Hrsg_Erz%C3%A4hlungen_Narratives_Beitr%C3%A4ge_zur_27_Tagung_des_%C3%96RV_29_30_September_2022_Wien_Wien_2022_S_224_242">U. Peltz, Luft und Licht – frühe Impulse zur Präventiven Konservierung aus den Berliner Museen. In: S. Eyb-Green, M. Schindler u. C. Bouvier (Hrsg.), Erzählungen = Narratives. Beiträge zur 27. Tagung des ÖRV, 29.–30. September 2022 Wien (Wien 2022) S. 224-242.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nach der Eröffnung des weltweit ersten Museumsbaus-dem Alten Museum in Berlinzeigten sich ungewol...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nach der Eröffnung des weltweit ersten Museumsbaus-dem Alten Museum in Berlinzeigten sich ungewollte Veränderungen an den ausgestellten Gemälden sowie antiken Vasen und Bronzen. Schnell versuchte man mit Notmaßnahmen die Situation zu verbessern. Erst 50 Jahre nach der Eröffnung verfügte das Museum über eine erste Anlage zur Befeuchtung der Raumluft in Ausstellungssälen für Gemälde. Bald darauf wurde die Befeuchtung der Luft zu einem zentralen Anliegen für die Gemälde, Tafelbilder und Holzskulpturen, die dann ab dem frühen 20. Jahrhundert demgemäß im heutigen Bode-und Pergamonmuseum ausgestellt waren. Insgesamt zeigt die Entwicklung der klimatischen Bedingungen in den Häusern der Berliner Museen zwischen 1830 und den 1930er Jahren einen stetigen Lernprozess und eine wiederholte Nachbesserung der technischen Anlagen auf. Allerdings erwies sich die in den Ausstellungen angestrebte durchschnittliche relative Luftfeuchtigkeit von 65 % zusehends für einige archäologische Fundgruppen als ungünstig, die von den vielen neuen Berliner Grabungen im östlichen Mittelmeerraum auf die Museumsinsel gelangten. Dem entgegnete man mit der Erfindung der Klimavitrine für besonders wertvolle Kunstwerke. Einen besonderen Stellenwert erlangten solche Überlegungen vor dem Ausbruch des Zweiten Weltkrieges. Neben der Diebstahl-, Brand-und natürlich Bombensicherheit galten klimatische Bedingungen mit Temperaturen von 15-18 °C und einer relativen Luftfeuchtigkeit von 55-65 % als grundlegende Voraussetzungen an den Standorten, an welchen die Schätze der Berliner Museen den Krieg überdauern sollten. Die Ausleuchtung der Kunstwerke war entscheidend vom Tageslicht abhängig. Daher wurden Skulpturen mobil und drehbar aufgestellt. Die Schönsten unter ihnen stellte man in die Nähe der Fenster. Gleiches gilt für die Vitrinen mit den Pretiosen. Außerdem wurden auch die Berliner Museen mit Glasdecken und Lichthöfen ausgestattet. An eine befriedigende Illumination mit künstlichem Licht war erst mit der Einführung von Wechselstrom in den 1920er Jahren zu denken. In Berlin dauerte es noch bis nach dem Zweiten Weltkrieg und der Sanierung der Museen, die nun eine Installation von Lichtanlagen vorsah. Auf der anderen Seite wirkt sich Tageslicht ungünstig auf Werke aus diversen Materialien aus. Bereits das Alte Museum verfügte daher von Anfang an über Lichtschutzblenden. Diese Notwendigkeit wurde auch bei der Planung der übrigen Museumsbauten berücksichtigt.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a4a4cfcd4c547a216c796dd329edf6d2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92102195,"asset_id":88042908,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92102195/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88042908"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88042908"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88042908; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88042908]").text(description); $(".js-view-count[data-work-id=88042908]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88042908; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88042908']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a4a4cfcd4c547a216c796dd329edf6d2" } } $('.js-work-strip[data-work-id=88042908]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88042908,"title":"U. Peltz, Luft und Licht – frühe Impulse zur Präventiven Konservierung aus den Berliner Museen. In: S. Eyb-Green, M. Schindler u. C. Bouvier (Hrsg.), Erzählungen = Narratives. Beiträge zur 27. Tagung des ÖRV, 29.–30. 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Peltz, Wiedergewonnene Pracht – Kernaufgaben in 500 Jahren Restaurierung antiker Bronzestatuen. In: Beiträge zur Erhaltung von Kunst und Kulturgut 1, 2022, S. 14-29." class="work-thumbnail" src="https://attachments.academia-assets.com/92102340/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88043225/U_Peltz_Wiedergewonnene_Pracht_Kernaufgaben_in_500_Jahren_Restaurierung_antiker_Bronzestatuen_In_Beitr%C3%A4ge_zur_Erhaltung_von_Kunst_und_Kulturgut_1_2022_S_14_29">U. Peltz, Wiedergewonnene Pracht – Kernaufgaben in 500 Jahren Restaurierung antiker Bronzestatuen. In: Beiträge zur Erhaltung von Kunst und Kulturgut 1, 2022, S. 14-29.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="494b361843102591b559b9ef652a7b1d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92102340,"asset_id":88043225,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92102340/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88043225"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88043225"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88043225; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88043225]").text(description); $(".js-view-count[data-work-id=88043225]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88043225; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88043225']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "494b361843102591b559b9ef652a7b1d" } } $('.js-work-strip[data-work-id=88043225]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88043225,"title":"U. 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Peltz, „ein Glanzstück unserer Sammlung“. Herstellung und Restaurierungen des Kesselwagens aus Kition. In: Jahrbuch der Berliner Museen 61, 2020, S. 63-81." class="work-thumbnail" src="https://attachments.academia-assets.com/70065049/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/53136252/U_Peltz_ein_Glanzst%C3%BCck_unserer_Sammlung_Herstellung_und_Restaurierungen_des_Kesselwagens_aus_Kition_In_Jahrbuch_der_Berliner_Museen_61_2020_S_63_81">U. Peltz, „ein Glanzstück unserer Sammlung“. Herstellung und Restaurierungen des Kesselwagens aus Kition. In: Jahrbuch der Berliner Museen 61, 2020, S. 63-81.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">sionsbild beruhte auf Erfahrungen Furtwänglers mit den Funden aus Zypern, die er im Jahr 1894 auf...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">sionsbild beruhte auf Erfahrungen Furtwänglers mit den Funden aus Zypern, die er im Jahr 1894 auf der von Max Ohnefalsch-Richter im Auftrag der Königlichen Museen auf der Insel geleiteten Grabung sammeln konnte. Sie verweist auch auf Furtwänglers Interesse an Restaurierungs-und Technikfragen. Er suchte im Umgang mit der archäologischen Patina die Zusammenarbeit mit dem Konservierungswissenschaftler an den Museen, Friedrich Rathgen, und veranlaßte Ent-Restaurierungen von Pasticci, die er bisweilen auch selbst vornahm. 7 Seine Beobachtungsgabe ließ ihn international zu einer Autorität in Fälschungsfragen werden. Dank seinen Kenntnissen und der erreichten Urteilsfähigkeit wären Furtwängler selbst täuschend echt kaschierte Restaurierungen am Wagen sowie Hinweise an den Rädern und Achsen nicht entgangen, die eine Zugehörigkeit in Frage gestellt hätten. Wir können also davon ausgehen, daß alle Bauglieder ungebrochen waren und als ein Objekt, also nicht als Pasticcio anzusehen sind. Diesen Eindruck unterstützen historische Glasnegative 8 aus den Jahren 1923 und »ein Glanzstück unserer Sammlung« 1 Herstellung und Restaurierungen des Kesselwagens aus Kition Unter den zyprischen Bronzen an der Antikensammlung nimmt der Kesselwagen aus Kition aus verschiedenen Gründen eine Sonderstellung ein. Er ist das größte bekannte Exemplar einer Gattung, deren geschätzte Erzeugnisse ostmediterraner Gießer in der späten Bronze-bis frühen Eisenzeit wichtige kultische Geräte zum Symbol für Wohlstand und sozialen Status wurden. Bei den kunsttechnologischen Untersuchungen während seiner Restaurierung 2014 und 2015 offenbarte der Wagen Details, die das bisherige Wissen über die zyprische Gefäßständertechnologie von der Entstehung des Wachsmodells bis zum Fertigprodukt entscheidend erweitern. An der Berliner Antikensammlung erlebte er eine wechselvolle Geschichte, vom intakten Einzelstück zum kriegsgeschädigten Scherbenhaufen und durch wiederholte Restaurierungen zurück zu einem Hauptwerk unter den im Neuen Museum ausgestellten Zypernfunden.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8f833a1240d9c7aadbf39fffe0969c12" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":70065049,"asset_id":53136252,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/70065049/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="53136252"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="53136252"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53136252; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53136252]").text(description); $(".js-view-count[data-work-id=53136252]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53136252; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='53136252']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8f833a1240d9c7aadbf39fffe0969c12" } } $('.js-work-strip[data-work-id=53136252]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":53136252,"title":"U. 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Peltz, „der Krieg pflegt mit Kunstwerken nicht eben glücklich umzugehen" – eine Berliner Sicht auf den Kulturschutz zwischen 1939 und 1945. In: A. Schäning (Hrsg.), „Gestern – heute – morgen in der Konservierung und Restaurierung". 26. Tagung des ÖRV 6.–7.3.2020 Salzburg (Wien 2020) S. 156–173." class="work-thumbnail" src="https://attachments.academia-assets.com/65490794/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44958644/U_Peltz_der_Krieg_pflegt_mit_Kunstwerken_nicht_eben_gl%C3%BCcklich_umzugehen_eine_Berliner_Sicht_auf_den_Kulturschutz_zwischen_1939_und_1945_In_A_Sch%C3%A4ning_Hrsg_Gestern_heute_morgen_in_der_Konservierung_und_Restaurierung_26_Tagung_des_%C3%96RV_6_7_3_2020_Salzburg_Wien_2020_S_156_173">U. Peltz, „der Krieg pflegt mit Kunstwerken nicht eben glücklich umzugehen" – eine Berliner Sicht auf den Kulturschutz zwischen 1939 und 1945. In: A. Schäning (Hrsg.), „Gestern – heute – morgen in der Konservierung und Restaurierung". 26. 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Peltz, Das Chemische Laboratorium bis zur Gründung als "Zwillingsinstitute" im geteilten Berlin. In: Berliner Beiträge zur Archäometrie, Kunsttechnologie und Konservierungswissenschaft 25, 2017, S. 55-94." class="work-thumbnail" src="https://attachments.academia-assets.com/56403925/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36485275/U_Peltz_Das_Chemische_Laboratorium_bis_zur_Gr%C3%BCndung_als_Zwillingsinstitute_im_geteilten_Berlin_In_Berliner_Beitr%C3%A4ge_zur_Arch%C3%A4ometrie_Kunsttechnologie_und_Konservierungswissenschaft_25_2017_S_55_94">U. Peltz, Das Chemische Laboratorium bis zur Gründung als "Zwillingsinstitute" im geteilten Berlin. In: Berliner Beiträge zur Archäometrie, Kunsttechnologie und Konservierungswissenschaft 25, 2017, S. 55-94.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c0d9a3518b03f6d9a8b805a5c7970355" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56403925,"asset_id":36485275,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56403925/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36485275"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36485275"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36485275; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36485275]").text(description); $(".js-view-count[data-work-id=36485275]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36485275; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36485275']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c0d9a3518b03f6d9a8b805a5c7970355" } } $('.js-work-strip[data-work-id=36485275]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36485275,"title":"U. 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Peltz, „Spezialisten [...] von Staatswegen“. ,Highlights‘ der Berliner Bronzerestaurierung von den 1880er bis in die 1960er Jahre. In: Brandenburg. Landesamt für Denkmalpflege (Hrsg.), Historische Techniken und Rezepte, Teil 2 (Petersberg 2015) S. 10-25." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19571361/U_Peltz_Spezialisten_von_Staatswegen_Highlights_der_Berliner_Bronzerestaurierung_von_den_1880er_bis_in_die_1960er_Jahre_In_Brandenburg_Landesamt_f%C3%BCr_Denkmalpflege_Hrsg_Historische_Techniken_und_Rezepte_Teil_2_Petersberg_2015_S_10_25">U. Peltz, „Spezialisten [...] von Staatswegen“. ,Highlights‘ der Berliner Bronzerestaurierung von den 1880er bis in die 1960er Jahre. In: Brandenburg. Landesamt für Denkmalpflege (Hrsg.), Historische Techniken und Rezepte, Teil 2 (Petersberg 2015) S. 10-25.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ab der Mitte des 19. Jh. entwickelte sich Berlin zu einem weltweit anerkannten Zentrum der damali...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ab der Mitte des 19. Jh. entwickelte sich Berlin zu einem weltweit anerkannten Zentrum der damaligen noch jungen Restaurierungswissenschaft.  Ihre Ergebnisse generierte die Forschung zur Konservierung und Restaurierung von Bronzen aus den in Berlin aufgestellten Freiplastiken und den in Museen aufbewahrten archäologischen Artefakten gleichermaßen. Der Beitrag ruft wichtige Berliner Restaurierungen bis in die Mitte der 1960er Jahre in Erinnerung.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ec38a205bb553cf0b6b5dca19ab162be" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40705018,"asset_id":19571361,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40705018/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19571361"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19571361"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19571361; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19571361]").text(description); $(".js-view-count[data-work-id=19571361]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19571361; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19571361']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ec38a205bb553cf0b6b5dca19ab162be" } } $('.js-work-strip[data-work-id=19571361]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19571361,"title":"U. 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Landesamt für Denkmalpflege (Hrsg.), Historische Techniken und Rezepte, Teil 2 (Petersberg 2015) S. 10-25.","internal_url":"https://www.academia.edu/19571361/U_Peltz_Spezialisten_von_Staatswegen_Highlights_der_Berliner_Bronzerestaurierung_von_den_1880er_bis_in_die_1960er_Jahre_In_Brandenburg_Landesamt_f%C3%BCr_Denkmalpflege_Hrsg_Historische_Techniken_und_Rezepte_Teil_2_Petersberg_2015_S_10_25","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":40705018,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"Peltz_2015c.pdf","download_url":"https://www.academia.edu/attachments/40705018/download_file","bulk_download_file_name":"U_Peltz_Spezialisten_von_Staatswegen_Hig.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40705018/Peltz_2015c-libre.pdf?1449649736=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Spezialisten_von_Staatswegen_Hig.pdf\u0026Expires=1740520285\u0026Signature=WEDxu5-cDvKghOdmU8ND40SdhBy1sb9lBNl-Ry4Iw8NgYuSPcZUXatlQxFmh4XxIKUbZ88kTPBwdlxvuzn-FeMhfggNHtdq8XD9JMOIL1BrjX9TjxYi7Y3bBq6WClGyuU89OTw-WyX-UIo-ee~LuGzLAhHuV4r6HF~w4fBIvx2urYsco53pzn5JrpBwH8vCCR2C-4RxkJ7FAWodtKys6RwuhodmMnWzL0jzmuONpF4N8GuuUAotlqfnB1qwsNFLg6S8hXqFmKzLfu4aPihZ-IxpkikwXbwr115osJn9yF15KLUcoVnZo8l2JMGEn-YexRIDTde7cIWwVJWVaHU~CnA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="19571859"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/19571859/U_Peltz_Von_der_Faszination_zum_Forschungsgegenstand_In_E_Deschler_Erb_u_Ph_D_Casa_Hrsg_New_Research_on_Ancient_Bronzes_Acta_of_the_XVIIIth_International_Congress_on_Ancient_Bronzes_Z%C3%BCrich_2015_S_257_266"><img alt="Research paper thumbnail of U. Peltz, Von der Faszination zum Forschungsgegenstand. In: E. Deschler-Erb u. Ph. D. Casa (Hrsg.), New Research on Ancient Bronzes. Acta of the XVIIIth International Congress on Ancient Bronzes (Zürich 2015) S. 257-266." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19571859/U_Peltz_Von_der_Faszination_zum_Forschungsgegenstand_In_E_Deschler_Erb_u_Ph_D_Casa_Hrsg_New_Research_on_Ancient_Bronzes_Acta_of_the_XVIIIth_International_Congress_on_Ancient_Bronzes_Z%C3%BCrich_2015_S_257_266">U. Peltz, Von der Faszination zum Forschungsgegenstand. In: E. Deschler-Erb u. Ph. D. Casa (Hrsg.), New Research on Ancient Bronzes. Acta of the XVIIIth International Congress on Ancient Bronzes (Zürich 2015) S. 257-266.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der Beitrag liefert einen Abriss zur Entwicklung der Technologieforschung an antiken Großbronzen ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Beitrag liefert einen Abriss zur Entwicklung der Technologieforschung an antiken Großbronzen mit Gedanken über Forschungspartnerschaften, Handwerkerspuren, ihre publizistischen Aufarbeitungen und dem Verständnis von archäologischen Experimenten. Den Abschluss bildet die Rekonstruktion der antiken Schweißtechnik in der Großbronzeproduktion zur Verbindung der Einzelgüsse und zur Reparatur von Gussfehlern.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9925d54e6d00af16b6ae8e9ba23a877d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40705167,"asset_id":19571859,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40705167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19571859"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19571859"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19571859; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19571859]").text(description); $(".js-view-count[data-work-id=19571859]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19571859; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19571859']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9925d54e6d00af16b6ae8e9ba23a877d" } } $('.js-work-strip[data-work-id=19571859]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19571859,"title":"U. Peltz, Von der Faszination zum Forschungsgegenstand. In: E. Deschler-Erb u. Ph. D. Casa (Hrsg.), New Research on Ancient Bronzes. 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Peltz, Duplikat - Nachguss - Falsifikat. Technologieforschung an - antiken?! - Großbronzen. In: S. Lehmann (Hrsg.), Authentizität und Originalität antiker Bronzebildnisse. Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld. (Dresden 2015) S. 117-133." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19570737/U_Peltz_Duplikat_Nachguss_Falsifikat_Technologieforschung_an_antiken_Gro%C3%9Fbronzen_In_S_Lehmann_Hrsg_Authentizit%C3%A4t_und_Originalit%C3%A4t_antiker_Bronzebildnisse_Ein_gef%C3%A4lschtes_Augustusbildnis_seine_Voraussetzungen_und_sein_Umfeld_Dresden_2015_S_117_133">U. Peltz, Duplikat - Nachguss - Falsifikat. Technologieforschung an - antiken?! - Großbronzen. In: S. Lehmann (Hrsg.), Authentizität und Originalität antiker Bronzebildnisse. Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld. (Dresden 2015) S. 117-133.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der Beitrag geht den Fragen nach Möglichkeiten und Grenzen, dem Für und Wider der Technologiefors...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Beitrag geht den Fragen nach Möglichkeiten und Grenzen, dem Für und Wider der Technologieforschung zu antiken und nichtantiken Großbronzen nach. Die Auflösung der bisweilen fließenden Grenzen zwischen Duplikat, Replikat und Falsifikat ist ohne die Obduktion technologischer Charakteristika kaum noch vorstellbar. Und doch fehlt oft noch diese Stimme bei der Klärung der schwerwiegenden Frage: Ist das Objekt antik oder nicht? Am Beispiel einiger Bronzen zeigt der Beitrag die Bedeutung der Interpretation technologischer Hinweise im skizzierten Kontext auf.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dab04e8da1f0a69ab0afbecfe3a347da" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40704664,"asset_id":19570737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40704664/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19570737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19570737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19570737; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19570737]").text(description); $(".js-view-count[data-work-id=19570737]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19570737; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19570737']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dab04e8da1f0a69ab0afbecfe3a347da" } } $('.js-work-strip[data-work-id=19570737]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19570737,"title":"U. Peltz, Duplikat - Nachguss - Falsifikat. Technologieforschung an - antiken?! - Großbronzen. In: S. Lehmann (Hrsg.), Authentizität und Originalität antiker Bronzebildnisse. Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld. (Dresden 2015) S. 117-133.","internal_url":"https://www.academia.edu/19570737/U_Peltz_Duplikat_Nachguss_Falsifikat_Technologieforschung_an_antiken_Gro%C3%9Fbronzen_In_S_Lehmann_Hrsg_Authentizit%C3%A4t_und_Originalit%C3%A4t_antiker_Bronzebildnisse_Ein_gef%C3%A4lschtes_Augustusbildnis_seine_Voraussetzungen_und_sein_Umfeld_Dresden_2015_S_117_133","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":40704664,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"Peltz_2015b.pdf","download_url":"https://www.academia.edu/attachments/40704664/download_file","bulk_download_file_name":"U_Peltz_Duplikat_Nachguss_Falsifikat_Tec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40704664/Peltz_2015b-libre.pdf?1449646516=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Duplikat_Nachguss_Falsifikat_Tec.pdf\u0026Expires=1740520285\u0026Signature=dIaP9avCWz2LKhBcrFkoc5nmWZkP3D-0uc7HbsGqoyuIWHWtrPwb7nuOrqQT3lzymPX9VmoABvLdvBzJDoIEx9M9QrtVQ3CDLAz8Z2ZLC6k1zALJbfin1-a-pj92JkBYXQZYaBYPyMWugAPD96IaqahUlUcbKfagYaorGitne3nZAAMDRHHmPR-3juo~Gtmlgf3b~rWM8caZG9zn0JHAq06fyOAFbpD4p~~zmj5qwI1SxoDtcMqZ5-MmVMAJ-dZjrDYQmMwfGLhMVHFCrVRdDnC3RyQYwUjMzLFdRMpIFve5GRTTfNWi5y2DCDCugT4hUzQQBg1iKCzi2BQXR7lLSw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35908686"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35908686/U_Peltz_entf%C3%A4rbte_Bronzen_zeugen_von_der_gro%C3%9Fen_Hitze_Berlins_antike_Bronzen_aus_dem_Friedrichshainer_Leitturm_und_die_Bedingungen_in_den_Bunkern_und_der_Reichsm%C3%BCnze_von_1939_bis_1945_In_Jahrbuch_der_Berliner_Museen_56_2014_S_151_172"><img alt="Research paper thumbnail of U. Peltz, "entfärbte Bronzen [...] zeugen von der großen Hitze". Berlins antike Bronzen aus dem Friedrichshainer Leitturm und die Bedingungen in den Bunkern und der Reichsmünze von 1939 bis 1945. In: Jahrbuch der Berliner Museen 56, 2014, S. 151-172." class="work-thumbnail" src="https://attachments.academia-assets.com/55788771/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35908686/U_Peltz_entf%C3%A4rbte_Bronzen_zeugen_von_der_gro%C3%9Fen_Hitze_Berlins_antike_Bronzen_aus_dem_Friedrichshainer_Leitturm_und_die_Bedingungen_in_den_Bunkern_und_der_Reichsm%C3%BCnze_von_1939_bis_1945_In_Jahrbuch_der_Berliner_Museen_56_2014_S_151_172">U. Peltz, "entfärbte Bronzen [...] zeugen von der großen Hitze". Berlins antike Bronzen aus dem Friedrichshainer Leitturm und die Bedingungen in den Bunkern und der Reichsmünze von 1939 bis 1945. In: Jahrbuch der Berliner Museen 56, 2014, S. 151-172.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d661454aa27c1cfd1e95db1111ba9853" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55788771,"asset_id":35908686,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55788771/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35908686"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35908686"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35908686; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35908686]").text(description); $(".js-view-count[data-work-id=35908686]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35908686; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35908686']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d661454aa27c1cfd1e95db1111ba9853" } } $('.js-work-strip[data-work-id=35908686]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35908686,"title":"U. Peltz, \"entfärbte Bronzen [...] zeugen von der großen Hitze\". Berlins antike Bronzen aus dem Friedrichshainer Leitturm und die Bedingungen in den Bunkern und der Reichsmünze von 1939 bis 1945. In: Jahrbuch der Berliner Museen 56, 2014, S. 151-172.","internal_url":"https://www.academia.edu/35908686/U_Peltz_entf%C3%A4rbte_Bronzen_zeugen_von_der_gro%C3%9Fen_Hitze_Berlins_antike_Bronzen_aus_dem_Friedrichshainer_Leitturm_und_die_Bedingungen_in_den_Bunkern_und_der_Reichsm%C3%BCnze_von_1939_bis_1945_In_Jahrbuch_der_Berliner_Museen_56_2014_S_151_172","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":55788771,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55788771/thumbnails/1.jpg","file_name":"Peltz_2014_entfarbte_Bronzen.pdf","download_url":"https://www.academia.edu/attachments/55788771/download_file","bulk_download_file_name":"U_Peltz_entfarbte_Bronzen_zeugen_von_der.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55788771/Peltz_2014_entfarbte_Bronzen-libre.pdf?1518499153=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_entfarbte_Bronzen_zeugen_von_der.pdf\u0026Expires=1740479220\u0026Signature=VZCO6kh24XI5b8iy-CRJDpM9vi6sqnUYdKO7Was~ijoszj2Cs-EtprEPENECoe69nw8A0haR972dmHvrYSHT8-528~mcfzgZ7PMC3EFMoyd9IjryTGxUrvg8iB1e59HYVQbZaDVexz6VeCTB-JUaJgkE181tF81vXDdkhMYfcMRcIgq9Pd40zWciF2idfM5jUo~0U6RiWNxQGIv~yDTrhQLL0CQSzjYXyJnWve1AkbJSPaqwHHRG554CGipL9okSS68UFdnhai-yvWdRlbGjM0n-xQ6yrdZ5wFSGskSH5T7eIaCIlWKVbfoo5j2uUPp5ZGDeHa8DAe-BxtycT0PGjg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22372158"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22372158/U_Peltz_Das_Kriegergrab_von_Tarquinia_in_der_Berliner_Antikensammlung_In_Antike_Welt_2_2014_S_37_39"><img alt="Research paper thumbnail of U. Peltz, Das „Kriegergrab von Tarquinia“ in der Berliner Antikensammlung. In: Antike Welt 2, 2014, S. 37-39." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22372158/U_Peltz_Das_Kriegergrab_von_Tarquinia_in_der_Berliner_Antikensammlung_In_Antike_Welt_2_2014_S_37_39">U. Peltz, Das „Kriegergrab von Tarquinia“ in der Berliner Antikensammlung. In: Antike Welt 2, 2014, S. 37-39.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der Beitrag gibt einen kleinen Einblick in die umfassende Publikation von Andrea Babbi und Uwe Pe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Beitrag gibt einen kleinen Einblick in die umfassende Publikation von Andrea Babbi und Uwe Peltz (siehe: Andrea Babbi und Uwe Peltz, La Tomba del Guerriero di Tarquinia. Identità elitaria, concentrazione del potere e networks dinamici nel tardo VIII sec. a.C. – Das Kriegergrab von Tarquinia. Eliteidentität, Machtkonzentration und dynamische Netzwerke im späten 8. Jh. v. Chr. (Mainz 2013).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9082425ff36c858ed10dfa3d2f613def" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43001355,"asset_id":22372158,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43001355/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22372158"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22372158"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22372158; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22372158]").text(description); $(".js-view-count[data-work-id=22372158]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22372158; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22372158']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9082425ff36c858ed10dfa3d2f613def" } } $('.js-work-strip[data-work-id=22372158]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22372158,"title":"U. Peltz, Das „Kriegergrab von Tarquinia“ in der Berliner Antikensammlung. 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U. Peltz, The Dresden bronze of the Bath of Apollo: a model, not a copy. In: D. Bourgarit ed.al. (Eds.), French Bronze Sculpture: materials and techniques 16th - 18th century. Acta of the symposium in Paris, 9th - 12th June 2012 (London 2014) S. 126-139." class="work-thumbnail" src="https://attachments.academia-assets.com/43020537/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22394307/F_de_La_Moureyre_a_U_Peltz_The_Dresden_bronze_of_the_Bath_of_Apollo_a_model_not_a_copy_In_D_Bourgarit_ed_al_Eds_French_Bronze_Sculpture_materials_and_techniques_16th_18th_century_Acta_of_the_symposium_in_Paris_9th_12th_June_2012_London_2014_S_126_139">F. de La Moureyre a. U. Peltz, The Dresden bronze of the Bath of Apollo: a model, not a copy. In: D. Bourgarit ed.al. (Eds.), French Bronze Sculpture: materials and techniques 16th - 18th century. Acta of the symposium in Paris, 9th - 12th June 2012 (London 2014) S. 126-139.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Das Dresdner "Bad des Apoll" galt als verkleinerte Kopie nach dem in Versailles in veränderter Or...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Das Dresdner "Bad des Apoll" galt als verkleinerte Kopie nach dem in Versailles in veränderter Ordnung aufgestellten überlebensgroßen marmornen Original. Die technologischen und kunsthistorischen Betrachtung der Bronzegruppe verdeutlicht ihren Ursprung als Modell zur Anordnung der von Girardon und Regnaudin Nymphen um den Gott. Das 'Präsentations-Modell' unterstützte die Entscheidungsfindung für die finale Gruppierung durch den Auftraggeber.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cff232b979492cfbe0a647d3b80fd41" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43020537,"asset_id":22394307,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43020537/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22394307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22394307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22394307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22394307]").text(description); $(".js-view-count[data-work-id=22394307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22394307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22394307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6cff232b979492cfbe0a647d3b80fd41" } } $('.js-work-strip[data-work-id=22394307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22394307,"title":"F. de La Moureyre a. U. Peltz, The Dresden bronze of the Bath of Apollo: a model, not a copy. In: D. Bourgarit ed.al. (Eds.), French Bronze Sculpture: materials and techniques 16th - 18th century. Acta of the symposium in Paris, 9th - 12th June 2012 (London 2014) S. 126-139.","internal_url":"https://www.academia.edu/22394307/F_de_La_Moureyre_a_U_Peltz_The_Dresden_bronze_of_the_Bath_of_Apollo_a_model_not_a_copy_In_D_Bourgarit_ed_al_Eds_French_Bronze_Sculpture_materials_and_techniques_16th_18th_century_Acta_of_the_symposium_in_Paris_9th_12th_June_2012_London_2014_S_126_139","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":43020537,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43020537/thumbnails/1.jpg","file_name":"de_la_Moureyre_Peltz_2014.pdf","download_url":"https://www.academia.edu/attachments/43020537/download_file","bulk_download_file_name":"F_de_La_Moureyre_a_U_Peltz_The_Dresden_b.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43020537/de_la_Moureyre_Peltz_2014-libre.pdf?1456343713=\u0026response-content-disposition=attachment%3B+filename%3DF_de_La_Moureyre_a_U_Peltz_The_Dresden_b.pdf\u0026Expires=1740520285\u0026Signature=HtWB6brtvTSfqH3Fy2N8HCnq7JN54hzqkhxg9dUWayKc-kIcrNGTnMzUtuuaYdIOG8Me3d0us7Fi8IZzzESM1r1OFbfvVSazw2gPIyWQebsnnjaeD8zLkY2Oga0ls0xsiiBYEX1mxatA6FlKFjxqIw3pcn-w4uVu81Wvm2oFkcOkoDfX2WiSenSKD4jJD4dgBl35XAdPVThWsPnGjfByFGP4uoRNr2ryzYsl0uQxLHifu3YVYy8SPMthZSp1qRfW-lB17tZ2YKX3cWJNzZR35wKPwO96QFynMLc9zK~mdAHAu5HWmlSVXnuMFXUJFor~DTychP1EcDDHrbtMqhpHJQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22057770"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22057770/U_Peltz_Mounting_and_Patina_Nineteenth_Century_Solutions_in_the_Restoration_of_Large_Bronzes_in_Berlin_s_Antikensammlung_In_E_Risser_a_D_Saunders_Eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Malibu_2013_S_95_112"><img alt="Research paper thumbnail of U. Peltz, Mounting and Patina. Nineteenth-Century Solutions in the Restoration of Large Bronzes in Berlin’s Antikensammlung. In: E. Risser a. D. Saunders (Eds.), The Restoration of Ancient Bronzes. Naples and Beyond (Malibu 2013) S. 95-112." class="work-thumbnail" src="https://attachments.academia-assets.com/42735666/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22057770/U_Peltz_Mounting_and_Patina_Nineteenth_Century_Solutions_in_the_Restoration_of_Large_Bronzes_in_Berlin_s_Antikensammlung_In_E_Risser_a_D_Saunders_Eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Malibu_2013_S_95_112">U. Peltz, Mounting and Patina. Nineteenth-Century Solutions in the Restoration of Large Bronzes in Berlin’s Antikensammlung. In: E. Risser a. D. Saunders (Eds.), The Restoration of Ancient Bronzes. Naples and Beyond (Malibu 2013) S. 95-112.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reports of nineteenth- and even twentieth-century restorations century written by the restorers t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reports of nineteenth- and even twentieth-century restorations century written by the restorers themselves are only rarely available. Descriptions of the works’ condition rarely go beyond impressionistic indications of the color of a patina—considered more or less noble—and listings of missing sections or possibly major breaks. Only occasionally is there mention in early descriptions of post-antique bases. All of the above can be said of the restoration history of Berlin’s large bronzes. Along with heads of statues and more or less extensive fragments of large antique bronzes, the formats of the surviving the Youth from Salamis, the Praying Youth, and the Xanten Boy distinguish them as examples of the ancient art of casting large bronzes. The three-quarter-life-size Jumilla Hypnos illustrates two primary tasks faced by early restorers, constructing secure mounts for complete or only fragmentary bronze statues and treating the metal’s corroded surface.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4621e643ea3a63557387f13fc00c4d18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42735666,"asset_id":22057770,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42735666/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22057770"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22057770"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22057770; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22057770]").text(description); $(".js-view-count[data-work-id=22057770]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22057770; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22057770']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4621e643ea3a63557387f13fc00c4d18" } } $('.js-work-strip[data-work-id=22057770]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22057770,"title":"U. Peltz, Mounting and Patina. Nineteenth-Century Solutions in the Restoration of Large Bronzes in Berlin’s Antikensammlung. In: E. Risser a. D. Saunders (Eds.), The Restoration of Ancient Bronzes. Naples and Beyond (Malibu 2013) S. 95-112.","internal_url":"https://www.academia.edu/22057770/U_Peltz_Mounting_and_Patina_Nineteenth_Century_Solutions_in_the_Restoration_of_Large_Bronzes_in_Berlin_s_Antikensammlung_In_E_Risser_a_D_Saunders_Eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Malibu_2013_S_95_112","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":42735666,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/42735666/thumbnails/1.jpg","file_name":"Peltz_2013a.pdf","download_url":"https://www.academia.edu/attachments/42735666/download_file","bulk_download_file_name":"U_Peltz_Mounting_and_Patina_Nineteenth_C.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/42735666/Peltz_2013a-libre.pdf?1455643842=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Mounting_and_Patina_Nineteenth_C.pdf\u0026Expires=1740520285\u0026Signature=hQgHAC~hVUqz1E5l-2xfKehx~rRwA3784Zf2wRNmS9wAlf~jvXke2liFNGYWAtzyjcpZKIaN-t0gzkiUn8IcqKl7TGwTRKzxRhaw5oUlKaOZOF~Tra~72YrxLfErut8rdujnMLSq9wxImokN6oVaHTQVnW-tVhEIznY2FBFb5638CSUomTtlsbSbsyf-X2nLDblfbNiCtZZneqeGlMgHVDK68-Jp20Bc0n3aUUFUktIlNudip5d1IciNoOD2tTmKPxa2tQajTkfdtPOKsA43QLFMS92BrmGye5DMjppZut9gWZlsGyU8GfyvYbsYmn9BPk85C4GlddMGNy1zJ-vYYw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="19641976"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/19641976/A_Maier_u_U_Peltz_ein_dauerndes_Andenken_Axel_Kreftings_Reduktionsmethode_Anwendungsgeschichte_an_der_Berliner_Antikensammlung_und_ihre_analytische_und_experimentelle_Betrachtung_In_Restaurierung_und_Arch%C3%A4ologie_6_2013_S_19_35"><img alt="Research paper thumbnail of A. Maier u. U. Peltz, »ein dauerndes […] Andenken« – Axel Kreftings Reduktionsmethode. Anwendungsgeschichte an der Berliner Antikensammlung und ihre analytische und experimentelle Betrachtung. In: Restaurierung und Archäologie 6, 2013, S. 19-35." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19641976/A_Maier_u_U_Peltz_ein_dauerndes_Andenken_Axel_Kreftings_Reduktionsmethode_Anwendungsgeschichte_an_der_Berliner_Antikensammlung_und_ihre_analytische_und_experimentelle_Betrachtung_In_Restaurierung_und_Arch%C3%A4ologie_6_2013_S_19_35">A. Maier u. U. Peltz, »ein dauerndes […] Andenken« – Axel Kreftings Reduktionsmethode. Anwendungsgeschichte an der Berliner Antikensammlung und ihre analytische und experimentelle Betrachtung. In: Restaurierung und Archäologie 6, 2013, S. 19-35.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zu Beginn der 1890er Jahre wurde die elektrochemische Reduktion nach Axel Krefting für die Abnahm...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zu Beginn der 1890er Jahre wurde die elektrochemische Reduktion nach Axel Krefting für die Abnahme von chloridhaltiger Korrosion an den Berliner Museen eingeführt. Friedrich Rathgen und weitere Leiter chemischer Laboratorien empfahlen die unaufwändige und kostengünstige Methode zur Konservierung archäologischer Eisen- wie auch Bronzefunde und sorgten so für ihre weitreichende sowie lang anhaltende Verbreitung. Die Anwendung an Bronzen der Berliner Antikensammlung endete auf der Museumsinsel zu Beginn der 1970er Jahre und lässt sich bis in das ausgehende 19. Jahrhundert zurückverfolgen. In einem Experiment wurde an natürlich korrodierten Münzen und künstlich mit Chloridkorrosion versehenen Kupfercoupons das Krefting’sche Verfahren nachgestellt, die entstandenen Korrosionsprodukte identifiziert und mit solchen von Bronzen der Antikensammlung verglichen. Die nachgewiesenen Korrosionsprodukte Socoformacit und Spertiniit können als Hinweis auf eine Behandlung nach Krefting dienen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="651573ace7d4f837de89a293543ce25c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40753952,"asset_id":19641976,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40753952/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19641976"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19641976"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19641976; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19641976]").text(description); $(".js-view-count[data-work-id=19641976]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19641976; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19641976']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "651573ace7d4f837de89a293543ce25c" } } $('.js-work-strip[data-work-id=19641976]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19641976,"title":"A. Maier u. U. Peltz, »ein dauerndes […] Andenken« – Axel Kreftings Reduktionsmethode. Anwendungsgeschichte an der Berliner Antikensammlung und ihre analytische und experimentelle Betrachtung. In: Restaurierung und Archäologie 6, 2013, S. 19-35.","internal_url":"https://www.academia.edu/19641976/A_Maier_u_U_Peltz_ein_dauerndes_Andenken_Axel_Kreftings_Reduktionsmethode_Anwendungsgeschichte_an_der_Berliner_Antikensammlung_und_ihre_analytische_und_experimentelle_Betrachtung_In_Restaurierung_und_Arch%C3%A4ologie_6_2013_S_19_35","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":40753952,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"Maier_Peltz_2013.pdf","download_url":"https://www.academia.edu/attachments/40753952/download_file","bulk_download_file_name":"A_Maier_u_U_Peltz_ein_dauerndes_Andenken.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40753952/Maier_Peltz_2013-libre.pdf?1450078240=\u0026response-content-disposition=attachment%3B+filename%3DA_Maier_u_U_Peltz_ein_dauerndes_Andenken.pdf\u0026Expires=1740520285\u0026Signature=gwboewE92lRTE0v0fYxqlIK~sdaWHPAt~mWn32QaJcrkhtVZiUBY0lFL3u26XI5GrgjjbcsjhWuMzczDoiGOT7laCmbH~jsp5AktzuGROZjTKZ4XIckB8Ux5R4XHfX1NYKbGLxK54J~yigu1zY9Psepjf9YyIkTGCvK9KAvvtlApDWFLn7CFgmEwoB3oao0N8yRgmyV-pNTZPiZNe2mzfzckEm5oBiGptiYke-twSXMKE6n2ce6RjpG21xI5iYrKPoj7V8N10nNrKekjcFtr-2Wb0bvzm0dgH-KxEAU-WklqpwapibMWcJtQg6TcGLbSeF9vEodfsd-Px1yudQ5eOA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2849936" id="papers"><div class="js-work-strip profile--work_container" data-work-id="127560899"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127560899/U_Peltz_Der_Xantener_Knabe_die_Statuenfragmente_vom_Limes_und_das_strahlendwei%C3%9Fe_L%C3%A4cheln_der_antiken_Gro%C3%9Fbronzen_In_Xantener_Berichte_49_S_177_209"><img alt="Research paper thumbnail of U. Peltz, Der Xantener Knabe, die Statuenfragmente vom Limes und das strahlendweiße Lächeln der antiken Großbronzen. In: Xantener Berichte 49, S. 177-209." class="work-thumbnail" src="https://attachments.academia-assets.com/121276388/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127560899/U_Peltz_Der_Xantener_Knabe_die_Statuenfragmente_vom_Limes_und_das_strahlendwei%C3%9Fe_L%C3%A4cheln_der_antiken_Gro%C3%9Fbronzen_In_Xantener_Berichte_49_S_177_209">U. Peltz, Der Xantener Knabe, die Statuenfragmente vom Limes und das strahlendweiße Lächeln der antiken Großbronzen. In: Xantener Berichte 49, S. 177-209.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der vorliegende Sammelband der Xantener Berichte beinhaltet ein vielseitiges Themenspektrum rund ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der vorliegende Sammelband der Xantener Berichte beinhaltet ein vielseitiges Themenspektrum rund um die Colonia Ulpia Traiana (CUT) und darüber hinaus. Dafür stehen die von Werner Eck neu bewerteten Inschriften ebenso wie der spannende Neufund einer Inschrift der 22. Legion, die von Stefan F. Pfahl erstmals vorgelegt wird. Uwe Peltz hat sich erneut dem Xantener Knaben gewidmet und kann wichtige neue Erkenntnisse zu Technik und Erscheinungsbild der Statue vorstellen. Dass sich der frische Blick auf altbekannte Funde lohnt, beweist auch der Beitrag zu einem im LVR-RömerMuseum ausgestellten Gladiatorenhelm, der nach den umfassenden Untersuchungen ganz neu bewertet werden muss. Der Themenbereich der Gladiatorenausrüstung wird in diesem Band zusätzlich durch einen weiteren Beitrag von Uwe Peltz bereichert, der neue Erkenntnisse zur Herstellungstechnik entsprechender Ausrüstungsgegenständen in der Berliner Antikensammlung veröffentlicht. Aus der Beschäftigung mit den geophysikalischen Untersuchungen in der CUT (vgl. Xantener Berichte 47) ist die archäologische Bestandsaufnahme der Tricensimae hervorgegangen. Bernhard Rudnick schafft hier eine fundierte Grundlage für weitere Forschungen im Bereich der Tricensimae beziehungsweise der Spätantike in Xanten im Allgemeinen. Ebenfalls der Spätantike widmet sich der Beitrag über die marmorierte Ware aus Xanten, der neue Erkenntnisse zu Herkunft und Produktions-Organisation dieser Keramik bringt. Seit dem Jahre 2021 sind die Bodendenkmäler der antiken Stadt Colonia Ulpia Traiana und ihres Hafens Bestandteile des UNESCO-Welterbes Niedergermanischer Limes. Vor diesem Hintergrund ist der umfassende Überblick von Jasper de Bruin über die neuen Forschungen entlang des Limes in den Niederlanden von herausragender Bedeutung. Der Beitrag über die vernetzte digitale Vermittlung des Welterbes Niedergermanischer Limes von Miguel Ximénez-Carillo knüpft hieran folgerichtig an. Für die redaktionelle Begleitung des Sammelbandes danken wir Julia Martin, Ingo Martell und Nadine Marcinczik von der Fa. Scriptorium. Ebenso danken wir Katrin Pfeil für die Erstellung der Druckvorstufe. Abschließend geht ein ganz besonderer Dank für ihre Forschungsbeiträge an die Autorinnen und Autoren dieses Sammelbandes.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="054c014fc5f03c71339f725e02a3eb46" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121276388,"asset_id":127560899,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121276388/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127560899"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127560899"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127560899; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127560899]").text(description); $(".js-view-count[data-work-id=127560899]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127560899; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127560899']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "054c014fc5f03c71339f725e02a3eb46" } } $('.js-work-strip[data-work-id=127560899]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127560899,"title":"U. Peltz, Der Xantener Knabe, die Statuenfragmente vom Limes und das strahlendweiße Lächeln der antiken Großbronzen. 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Peltz, Schutz und Zier – Eine Gladiatorenausrüstung an der Berliner Antikensammlung. In: Xantener Berichte 49, S. 155-175." class="work-thumbnail" src="https://attachments.academia-assets.com/121267854/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127550643/U_Peltz_Schutz_und_Zier_Eine_Gladiatorenausr%C3%BCstung_an_der_Berliner_Antikensammlung_In_Xantener_Berichte_49_S_155_175">U. Peltz, Schutz und Zier – Eine Gladiatorenausrüstung an der Berliner Antikensammlung. In: Xantener Berichte 49, S. 155-175.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27c1bc0c58ef5a963325238e13ce0713" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121267854,"asset_id":127550643,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121267854/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127550643"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127550643"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127550643; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127550643]").text(description); $(".js-view-count[data-work-id=127550643]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127550643; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127550643']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27c1bc0c58ef5a963325238e13ce0713" } } $('.js-work-strip[data-work-id=127550643]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127550643,"title":"U. Peltz, Schutz und Zier – Eine Gladiatorenausrüstung an der Berliner Antikensammlung. 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Peltz, Tooth for tooth: The shining white smile of the large bronzes. In: D. Bartus, Z. Mráv u. M. Szabó (Hrsg.), Proceedings of the 21st Int. Congress on Ancient Bronzes. Dissertations Archaeologicae, Supplementum 4 (Budapest 2024) S. 53-73. https://ojs.elte.hu/dissarch/article/view/8754/7540" class="work-thumbnail" src="https://attachments.academia-assets.com/120134141/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126224519/U_Peltz_Tooth_for_tooth_The_shining_white_smile_of_the_large_bronzes_In_D_Bartus_Z_Mr%C3%A1v_u_M_Szab%C3%B3_Hrsg_Proceedings_of_the_21st_Int_Congress_on_Ancient_Bronzes_Dissertations_Archaeologicae_Supplementum_4_Budapest_2024_S_53_73_https_ojs_elte_hu_dissarch_article_view_8754_7540">U. Peltz, Tooth for tooth: The shining white smile of the large bronzes. In: D. Bartus, Z. Mráv u. M. Szabó (Hrsg.), Proceedings of the 21st Int. Congress on Ancient Bronzes. Dissertations Archaeologicae, Supplementum 4 (Budapest 2024) S. 53-73. https://ojs.elte.hu/dissarch/article/view/8754/7540</a></div><div class="wp-workCard_item"><span>Dissertations Archaeologicae ex Instituto Archaeologico Universitatis de Rolando Eötvös nominatae, Supplementum 4</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Until the Hadrianic period, large bronzes had a naturalistic appearance due to poly-chrome elemen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Until the Hadrianic period, large bronzes had a naturalistic appearance due to poly-chrome elements. One element on the statues of gods, heroes and portraits that has been stud-ied rarely are the inserted white teeth. They were invented in the late archaic or early classical period  and  disappeared  on  the  large  statues  with  the  decline  of  the  Hellenistic  foundry  art.  Usually the upper incisors where visible behind the opened lips.The upper front teeth—and sometimes the lower once—were made of white metal (silver plat-ing, tinning), light stone (marble), or more appropriately, bone (bone, ivory, tusks). It was still able  to  reconstruct  four  variants  with  several  variations  used  for  the  installation  of  teeth  in  the open mouths. They could be fixed with glue. Other options consisted of hanging rows of teeth on hooks and brackets. In addition, the teeth rows were mounted in front of and on tooth backplates. Often, the installation of teeth was carried out in combination with the fitting of red lips.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c1bb4f7001f4c32160735e9892b0b2f8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120134141,"asset_id":126224519,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120134141/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126224519"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126224519"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126224519; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126224519]").text(description); $(".js-view-count[data-work-id=126224519]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126224519; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126224519']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c1bb4f7001f4c32160735e9892b0b2f8" } } $('.js-work-strip[data-work-id=126224519]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126224519,"title":"U. Peltz, Tooth for tooth: The shining white smile of the large bronzes. In: D. Bartus, Z. Mráv u. M. Szabó (Hrsg.), Proceedings of the 21st Int. Congress on Ancient Bronzes. Dissertations Archaeologicae, Supplementum 4 (Budapest 2024) S. 53-73. https://ojs.elte.hu/dissarch/article/view/8754/7540","internal_url":"https://www.academia.edu/126224519/U_Peltz_Tooth_for_tooth_The_shining_white_smile_of_the_large_bronzes_In_D_Bartus_Z_Mr%C3%A1v_u_M_Szab%C3%B3_Hrsg_Proceedings_of_the_21st_Int_Congress_on_Ancient_Bronzes_Dissertations_Archaeologicae_Supplementum_4_Budapest_2024_S_53_73_https_ojs_elte_hu_dissarch_article_view_8754_7540","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":120134141,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/120134141/thumbnails/1.jpg","file_name":"Peltz_2024a_05_PeltzU_DissArch_Suppl_4_SEP.pdf","download_url":"https://www.academia.edu/attachments/120134141/download_file","bulk_download_file_name":"U_Peltz_Tooth_for_tooth_The_shining_whit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/120134141/Peltz_2024a_05_PeltzU_DissArch_Suppl_4_SEP-libre.pdf?1733866816=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Tooth_for_tooth_The_shining_whit.pdf\u0026Expires=1740479220\u0026Signature=FMzp0h7nHsyV~rPylHyzjHVab23NthOoCb7j0eDFWctV2ZQw0yeZJNmDK7yPrGlYXHzKn2bddI6s99h-Q7fqjNqXabusr-FayrhMviCoUiPTtnoaKygiClSpDGloI4w4ZOKMo3CZl0e~TSp1oky1ZBNcoXnQjSAVqhKldFQYWgeZa4LXX9cPA2NYEFS2fbucAQlCK0GwC30EWAPWSwEJpq8z2HccRTJqcYOFNSahGeJN5mfNarLU6t~hVwMDUEkcFKa9za65pdSwAnPPz4lHlFP5ACgbXXUVMEb9KOoEzrE5Rl1mPSXbm16doh3-tiS2H2Jnfm654Zs57UlFOdhMvQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="126224413"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/126224413/U_Peltz_Glanzst%C3%BCck_archaischer_Gie%C3%9Ferkunst_der_Stabdreifu%C3%9F_aus_der_N%C3%A4he_von_Metapont_In_Jahrbuch_der_Berliner_Museen_64_2023_S_7_26"><img alt="Research paper thumbnail of U. Peltz, Glanzstück archaischer Gießerkunst – der Stabdreifuß aus der Nähe von Metapont. In: Jahrbuch der Berliner Museen 64, 2023, S. 7-26." class="work-thumbnail" src="https://attachments.academia-assets.com/120134050/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126224413/U_Peltz_Glanzst%C3%BCck_archaischer_Gie%C3%9Ferkunst_der_Stabdreifu%C3%9F_aus_der_N%C3%A4he_von_Metapont_In_Jahrbuch_der_Berliner_Museen_64_2023_S_7_26">U. Peltz, Glanzstück archaischer Gießerkunst – der Stabdreifuß aus der Nähe von Metapont. In: Jahrbuch der Berliner Museen 64, 2023, S. 7-26.</a></div><div class="wp-workCard_item"><span>Jahrbuch der Berliner Museen</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zu den wichtigen Vertretern der archaisch griechischen Bronzekunst zählen die sogenannten Stabdre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zu den wichtigen Vertretern der archaisch griechischen Bronzekunst zählen die sogenannten Stabdreifüße. Hiervon wissen wir durch zahlreiche Fragmente aus Heiligtümern und Nekropolen. Die Antikensammlung zeigt im Alten Museum einen der wenigen beinahe vollständig erhaltenen Stabdreifüße. Er wurde im Jahr 1825 in einem reich ausgestatteten Kammergrab im Hinterland der griechischen Kolonie Metapont nahe der Südküste Italiens entdeckt. Als ›Stabdreifuß von Metapont‹ intensiv archäologisch erforscht, blieb der Prozess seiner Herstellung bisher weitgehend im Ungewissen. Diese Lücke konnte jüngst mittels kunsttechnologischer, radiologischer und archäometrischer Untersuchungen geschlossen werden. Sie unterstützen nun auch hinlänglich die immer wieder geäußerte, aber nie belegte These vom Guss im Ganzen. Das Erz für das Blei in der Gussbronze wie auch das für die Füllung der hohl gearbeiteten Füße wurde in Laurion in Attika abgebaut, den im archaischen Griechenland wichtigsten Blei-und Silberminen. Bronzene Gefäßuntersätze Die Bronzekunst des geometrischen und archaischen Griechenlands ist für ihre Dreifußkessel und dreibeinigen Gefäßuntersätze bekannt. Gerade in Olympia waren bis in das 7. Jh. v. Chr. die Kessel mit ihren fest montierten drei Beinen in reicher Zahl aufgestellt. Die Insel Samos wurde ab etwa 700 v. Chr. für die Kessel mit Greifenprotomen sowie Stabdreifüßen als zugehörige Ständer berühmt. Die Tradition solcher Untersätze reicht bis in die frühe Bronzezeit zurück. Als Fertigungszentrum tat sich zunächst Zypern hervor, von wo aus sich die in einem Stück gegossenen Gefäßständer mit überschaubarer Größe im mediterranen Raum verbreiteten. Andere Höhen erreichte man, indem der Ganzgusstyp als technisch vorerst nicht weiterentwickelbares Modell aufgegeben wurde und nun die Gießer ein Set aus Stäben, Ringen, Verbindungs-und Schmuckelementen sowie drei Füßen zu den filigraneren Stabdreifüßen vereinigten. Die Erfindung dieses Baukastentyps oder auch der »Kompositklasse«, wie Gebhard Bieg mit eindeutig technisch ausgerichteter Bezeichnung diese Gruppe ordnete, gelang in der Levante oder im urartäischen Raum. Die ältesten bekannten Exemplare datieren in das 8. Jh. v. Chr. Zypern war weiterhin ebenso ein wichtiges Produktionszentrum. Aus diesen Regionen übernahmen griechische Handwerker am Beginn des 7. Jhs. v. Chr. die Kompetenz, Stabdreifüße im Baukastensystem herzustellen. Annähernd 140-150 Jahre später kehrten sie dann zu »dem in einem Stück gegossenen Stabdreifuß« zurück, wie Ulrich Gehrig den Ganzgusstyp ansprach, bis dann zum Ende des 6. Jhs. v. Chr. die Herstellung auslief.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="621b6a98c8f2162cc8f70c10c3f11f4a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120134050,"asset_id":126224413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120134050/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126224413"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126224413"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126224413; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126224413]").text(description); $(".js-view-count[data-work-id=126224413]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126224413; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126224413']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "621b6a98c8f2162cc8f70c10c3f11f4a" } } $('.js-work-strip[data-work-id=126224413]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126224413,"title":"U. Peltz, Glanzstück archaischer Gießerkunst – der Stabdreifuß aus der Nähe von Metapont. 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Peltz, Luft und Licht – frühe Impulse zur Präventiven Konservierung aus den Berliner Museen. In: S. Eyb-Green, M. Schindler u. C. Bouvier (Hrsg.), Erzählungen = Narratives. Beiträge zur 27. Tagung des ÖRV, 29.–30. September 2022 Wien (Wien 2022) S. 224-242." class="work-thumbnail" src="https://attachments.academia-assets.com/92102195/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88042908/U_Peltz_Luft_und_Licht_fr%C3%BChe_Impulse_zur_Pr%C3%A4ventiven_Konservierung_aus_den_Berliner_Museen_In_S_Eyb_Green_M_Schindler_u_C_Bouvier_Hrsg_Erz%C3%A4hlungen_Narratives_Beitr%C3%A4ge_zur_27_Tagung_des_%C3%96RV_29_30_September_2022_Wien_Wien_2022_S_224_242">U. Peltz, Luft und Licht – frühe Impulse zur Präventiven Konservierung aus den Berliner Museen. In: S. Eyb-Green, M. Schindler u. C. Bouvier (Hrsg.), Erzählungen = Narratives. Beiträge zur 27. Tagung des ÖRV, 29.–30. September 2022 Wien (Wien 2022) S. 224-242.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nach der Eröffnung des weltweit ersten Museumsbaus-dem Alten Museum in Berlinzeigten sich ungewol...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nach der Eröffnung des weltweit ersten Museumsbaus-dem Alten Museum in Berlinzeigten sich ungewollte Veränderungen an den ausgestellten Gemälden sowie antiken Vasen und Bronzen. Schnell versuchte man mit Notmaßnahmen die Situation zu verbessern. Erst 50 Jahre nach der Eröffnung verfügte das Museum über eine erste Anlage zur Befeuchtung der Raumluft in Ausstellungssälen für Gemälde. Bald darauf wurde die Befeuchtung der Luft zu einem zentralen Anliegen für die Gemälde, Tafelbilder und Holzskulpturen, die dann ab dem frühen 20. Jahrhundert demgemäß im heutigen Bode-und Pergamonmuseum ausgestellt waren. Insgesamt zeigt die Entwicklung der klimatischen Bedingungen in den Häusern der Berliner Museen zwischen 1830 und den 1930er Jahren einen stetigen Lernprozess und eine wiederholte Nachbesserung der technischen Anlagen auf. Allerdings erwies sich die in den Ausstellungen angestrebte durchschnittliche relative Luftfeuchtigkeit von 65 % zusehends für einige archäologische Fundgruppen als ungünstig, die von den vielen neuen Berliner Grabungen im östlichen Mittelmeerraum auf die Museumsinsel gelangten. Dem entgegnete man mit der Erfindung der Klimavitrine für besonders wertvolle Kunstwerke. Einen besonderen Stellenwert erlangten solche Überlegungen vor dem Ausbruch des Zweiten Weltkrieges. Neben der Diebstahl-, Brand-und natürlich Bombensicherheit galten klimatische Bedingungen mit Temperaturen von 15-18 °C und einer relativen Luftfeuchtigkeit von 55-65 % als grundlegende Voraussetzungen an den Standorten, an welchen die Schätze der Berliner Museen den Krieg überdauern sollten. Die Ausleuchtung der Kunstwerke war entscheidend vom Tageslicht abhängig. Daher wurden Skulpturen mobil und drehbar aufgestellt. Die Schönsten unter ihnen stellte man in die Nähe der Fenster. Gleiches gilt für die Vitrinen mit den Pretiosen. Außerdem wurden auch die Berliner Museen mit Glasdecken und Lichthöfen ausgestattet. An eine befriedigende Illumination mit künstlichem Licht war erst mit der Einführung von Wechselstrom in den 1920er Jahren zu denken. In Berlin dauerte es noch bis nach dem Zweiten Weltkrieg und der Sanierung der Museen, die nun eine Installation von Lichtanlagen vorsah. Auf der anderen Seite wirkt sich Tageslicht ungünstig auf Werke aus diversen Materialien aus. Bereits das Alte Museum verfügte daher von Anfang an über Lichtschutzblenden. Diese Notwendigkeit wurde auch bei der Planung der übrigen Museumsbauten berücksichtigt.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a4a4cfcd4c547a216c796dd329edf6d2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92102195,"asset_id":88042908,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92102195/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88042908"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88042908"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88042908; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88042908]").text(description); $(".js-view-count[data-work-id=88042908]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88042908; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88042908']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a4a4cfcd4c547a216c796dd329edf6d2" } } $('.js-work-strip[data-work-id=88042908]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88042908,"title":"U. Peltz, Luft und Licht – frühe Impulse zur Präventiven Konservierung aus den Berliner Museen. In: S. Eyb-Green, M. Schindler u. C. Bouvier (Hrsg.), Erzählungen = Narratives. Beiträge zur 27. Tagung des ÖRV, 29.–30. 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Peltz, Wiedergewonnene Pracht – Kernaufgaben in 500 Jahren Restaurierung antiker Bronzestatuen. In: Beiträge zur Erhaltung von Kunst und Kulturgut 1, 2022, S. 14-29." class="work-thumbnail" src="https://attachments.academia-assets.com/92102340/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88043225/U_Peltz_Wiedergewonnene_Pracht_Kernaufgaben_in_500_Jahren_Restaurierung_antiker_Bronzestatuen_In_Beitr%C3%A4ge_zur_Erhaltung_von_Kunst_und_Kulturgut_1_2022_S_14_29">U. Peltz, Wiedergewonnene Pracht – Kernaufgaben in 500 Jahren Restaurierung antiker Bronzestatuen. In: Beiträge zur Erhaltung von Kunst und Kulturgut 1, 2022, S. 14-29.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="494b361843102591b559b9ef652a7b1d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92102340,"asset_id":88043225,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92102340/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88043225"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88043225"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88043225; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88043225]").text(description); $(".js-view-count[data-work-id=88043225]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88043225; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88043225']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "494b361843102591b559b9ef652a7b1d" } } $('.js-work-strip[data-work-id=88043225]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88043225,"title":"U. Peltz, Wiedergewonnene Pracht – Kernaufgaben in 500 Jahren Restaurierung antiker Bronzestatuen. 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Peltz, „ein Glanzstück unserer Sammlung“. Herstellung und Restaurierungen des Kesselwagens aus Kition. In: Jahrbuch der Berliner Museen 61, 2020, S. 63-81." class="work-thumbnail" src="https://attachments.academia-assets.com/70065049/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/53136252/U_Peltz_ein_Glanzst%C3%BCck_unserer_Sammlung_Herstellung_und_Restaurierungen_des_Kesselwagens_aus_Kition_In_Jahrbuch_der_Berliner_Museen_61_2020_S_63_81">U. Peltz, „ein Glanzstück unserer Sammlung“. Herstellung und Restaurierungen des Kesselwagens aus Kition. In: Jahrbuch der Berliner Museen 61, 2020, S. 63-81.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">sionsbild beruhte auf Erfahrungen Furtwänglers mit den Funden aus Zypern, die er im Jahr 1894 auf...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">sionsbild beruhte auf Erfahrungen Furtwänglers mit den Funden aus Zypern, die er im Jahr 1894 auf der von Max Ohnefalsch-Richter im Auftrag der Königlichen Museen auf der Insel geleiteten Grabung sammeln konnte. Sie verweist auch auf Furtwänglers Interesse an Restaurierungs-und Technikfragen. Er suchte im Umgang mit der archäologischen Patina die Zusammenarbeit mit dem Konservierungswissenschaftler an den Museen, Friedrich Rathgen, und veranlaßte Ent-Restaurierungen von Pasticci, die er bisweilen auch selbst vornahm. 7 Seine Beobachtungsgabe ließ ihn international zu einer Autorität in Fälschungsfragen werden. Dank seinen Kenntnissen und der erreichten Urteilsfähigkeit wären Furtwängler selbst täuschend echt kaschierte Restaurierungen am Wagen sowie Hinweise an den Rädern und Achsen nicht entgangen, die eine Zugehörigkeit in Frage gestellt hätten. Wir können also davon ausgehen, daß alle Bauglieder ungebrochen waren und als ein Objekt, also nicht als Pasticcio anzusehen sind. Diesen Eindruck unterstützen historische Glasnegative 8 aus den Jahren 1923 und »ein Glanzstück unserer Sammlung« 1 Herstellung und Restaurierungen des Kesselwagens aus Kition Unter den zyprischen Bronzen an der Antikensammlung nimmt der Kesselwagen aus Kition aus verschiedenen Gründen eine Sonderstellung ein. Er ist das größte bekannte Exemplar einer Gattung, deren geschätzte Erzeugnisse ostmediterraner Gießer in der späten Bronze-bis frühen Eisenzeit wichtige kultische Geräte zum Symbol für Wohlstand und sozialen Status wurden. Bei den kunsttechnologischen Untersuchungen während seiner Restaurierung 2014 und 2015 offenbarte der Wagen Details, die das bisherige Wissen über die zyprische Gefäßständertechnologie von der Entstehung des Wachsmodells bis zum Fertigprodukt entscheidend erweitern. An der Berliner Antikensammlung erlebte er eine wechselvolle Geschichte, vom intakten Einzelstück zum kriegsgeschädigten Scherbenhaufen und durch wiederholte Restaurierungen zurück zu einem Hauptwerk unter den im Neuen Museum ausgestellten Zypernfunden.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8f833a1240d9c7aadbf39fffe0969c12" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":70065049,"asset_id":53136252,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/70065049/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="53136252"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="53136252"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53136252; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53136252]").text(description); $(".js-view-count[data-work-id=53136252]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53136252; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='53136252']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8f833a1240d9c7aadbf39fffe0969c12" } } $('.js-work-strip[data-work-id=53136252]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":53136252,"title":"U. Peltz, „ein Glanzstück unserer Sammlung“. Herstellung und Restaurierungen des Kesselwagens aus Kition. 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Peltz, „der Krieg pflegt mit Kunstwerken nicht eben glücklich umzugehen" – eine Berliner Sicht auf den Kulturschutz zwischen 1939 und 1945. In: A. Schäning (Hrsg.), „Gestern – heute – morgen in der Konservierung und Restaurierung". 26. Tagung des ÖRV 6.–7.3.2020 Salzburg (Wien 2020) S. 156–173." class="work-thumbnail" src="https://attachments.academia-assets.com/65490794/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44958644/U_Peltz_der_Krieg_pflegt_mit_Kunstwerken_nicht_eben_gl%C3%BCcklich_umzugehen_eine_Berliner_Sicht_auf_den_Kulturschutz_zwischen_1939_und_1945_In_A_Sch%C3%A4ning_Hrsg_Gestern_heute_morgen_in_der_Konservierung_und_Restaurierung_26_Tagung_des_%C3%96RV_6_7_3_2020_Salzburg_Wien_2020_S_156_173">U. Peltz, „der Krieg pflegt mit Kunstwerken nicht eben glücklich umzugehen" – eine Berliner Sicht auf den Kulturschutz zwischen 1939 und 1945. In: A. Schäning (Hrsg.), „Gestern – heute – morgen in der Konservierung und Restaurierung". 26. 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Peltz, Das Chemische Laboratorium bis zur Gründung als "Zwillingsinstitute" im geteilten Berlin. In: Berliner Beiträge zur Archäometrie, Kunsttechnologie und Konservierungswissenschaft 25, 2017, S. 55-94." class="work-thumbnail" src="https://attachments.academia-assets.com/56403925/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36485275/U_Peltz_Das_Chemische_Laboratorium_bis_zur_Gr%C3%BCndung_als_Zwillingsinstitute_im_geteilten_Berlin_In_Berliner_Beitr%C3%A4ge_zur_Arch%C3%A4ometrie_Kunsttechnologie_und_Konservierungswissenschaft_25_2017_S_55_94">U. Peltz, Das Chemische Laboratorium bis zur Gründung als "Zwillingsinstitute" im geteilten Berlin. In: Berliner Beiträge zur Archäometrie, Kunsttechnologie und Konservierungswissenschaft 25, 2017, S. 55-94.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c0d9a3518b03f6d9a8b805a5c7970355" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56403925,"asset_id":36485275,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56403925/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36485275"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36485275"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36485275; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36485275]").text(description); $(".js-view-count[data-work-id=36485275]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36485275; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36485275']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c0d9a3518b03f6d9a8b805a5c7970355" } } $('.js-work-strip[data-work-id=36485275]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36485275,"title":"U. 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Peltz, „Spezialisten [...] von Staatswegen“. ,Highlights‘ der Berliner Bronzerestaurierung von den 1880er bis in die 1960er Jahre. In: Brandenburg. Landesamt für Denkmalpflege (Hrsg.), Historische Techniken und Rezepte, Teil 2 (Petersberg 2015) S. 10-25." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19571361/U_Peltz_Spezialisten_von_Staatswegen_Highlights_der_Berliner_Bronzerestaurierung_von_den_1880er_bis_in_die_1960er_Jahre_In_Brandenburg_Landesamt_f%C3%BCr_Denkmalpflege_Hrsg_Historische_Techniken_und_Rezepte_Teil_2_Petersberg_2015_S_10_25">U. Peltz, „Spezialisten [...] von Staatswegen“. ,Highlights‘ der Berliner Bronzerestaurierung von den 1880er bis in die 1960er Jahre. In: Brandenburg. Landesamt für Denkmalpflege (Hrsg.), Historische Techniken und Rezepte, Teil 2 (Petersberg 2015) S. 10-25.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ab der Mitte des 19. Jh. entwickelte sich Berlin zu einem weltweit anerkannten Zentrum der damali...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ab der Mitte des 19. Jh. entwickelte sich Berlin zu einem weltweit anerkannten Zentrum der damaligen noch jungen Restaurierungswissenschaft.  Ihre Ergebnisse generierte die Forschung zur Konservierung und Restaurierung von Bronzen aus den in Berlin aufgestellten Freiplastiken und den in Museen aufbewahrten archäologischen Artefakten gleichermaßen. Der Beitrag ruft wichtige Berliner Restaurierungen bis in die Mitte der 1960er Jahre in Erinnerung.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ec38a205bb553cf0b6b5dca19ab162be" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40705018,"asset_id":19571361,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40705018/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19571361"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19571361"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19571361; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19571361]").text(description); $(".js-view-count[data-work-id=19571361]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19571361; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19571361']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ec38a205bb553cf0b6b5dca19ab162be" } } $('.js-work-strip[data-work-id=19571361]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19571361,"title":"U. 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Landesamt für Denkmalpflege (Hrsg.), Historische Techniken und Rezepte, Teil 2 (Petersberg 2015) S. 10-25.","internal_url":"https://www.academia.edu/19571361/U_Peltz_Spezialisten_von_Staatswegen_Highlights_der_Berliner_Bronzerestaurierung_von_den_1880er_bis_in_die_1960er_Jahre_In_Brandenburg_Landesamt_f%C3%BCr_Denkmalpflege_Hrsg_Historische_Techniken_und_Rezepte_Teil_2_Petersberg_2015_S_10_25","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":40705018,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"Peltz_2015c.pdf","download_url":"https://www.academia.edu/attachments/40705018/download_file","bulk_download_file_name":"U_Peltz_Spezialisten_von_Staatswegen_Hig.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40705018/Peltz_2015c-libre.pdf?1449649736=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Spezialisten_von_Staatswegen_Hig.pdf\u0026Expires=1740520285\u0026Signature=WEDxu5-cDvKghOdmU8ND40SdhBy1sb9lBNl-Ry4Iw8NgYuSPcZUXatlQxFmh4XxIKUbZ88kTPBwdlxvuzn-FeMhfggNHtdq8XD9JMOIL1BrjX9TjxYi7Y3bBq6WClGyuU89OTw-WyX-UIo-ee~LuGzLAhHuV4r6HF~w4fBIvx2urYsco53pzn5JrpBwH8vCCR2C-4RxkJ7FAWodtKys6RwuhodmMnWzL0jzmuONpF4N8GuuUAotlqfnB1qwsNFLg6S8hXqFmKzLfu4aPihZ-IxpkikwXbwr115osJn9yF15KLUcoVnZo8l2JMGEn-YexRIDTde7cIWwVJWVaHU~CnA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="19571859"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/19571859/U_Peltz_Von_der_Faszination_zum_Forschungsgegenstand_In_E_Deschler_Erb_u_Ph_D_Casa_Hrsg_New_Research_on_Ancient_Bronzes_Acta_of_the_XVIIIth_International_Congress_on_Ancient_Bronzes_Z%C3%BCrich_2015_S_257_266"><img alt="Research paper thumbnail of U. Peltz, Von der Faszination zum Forschungsgegenstand. In: E. Deschler-Erb u. Ph. D. Casa (Hrsg.), New Research on Ancient Bronzes. Acta of the XVIIIth International Congress on Ancient Bronzes (Zürich 2015) S. 257-266." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19571859/U_Peltz_Von_der_Faszination_zum_Forschungsgegenstand_In_E_Deschler_Erb_u_Ph_D_Casa_Hrsg_New_Research_on_Ancient_Bronzes_Acta_of_the_XVIIIth_International_Congress_on_Ancient_Bronzes_Z%C3%BCrich_2015_S_257_266">U. Peltz, Von der Faszination zum Forschungsgegenstand. In: E. Deschler-Erb u. Ph. D. Casa (Hrsg.), New Research on Ancient Bronzes. Acta of the XVIIIth International Congress on Ancient Bronzes (Zürich 2015) S. 257-266.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der Beitrag liefert einen Abriss zur Entwicklung der Technologieforschung an antiken Großbronzen ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Beitrag liefert einen Abriss zur Entwicklung der Technologieforschung an antiken Großbronzen mit Gedanken über Forschungspartnerschaften, Handwerkerspuren, ihre publizistischen Aufarbeitungen und dem Verständnis von archäologischen Experimenten. Den Abschluss bildet die Rekonstruktion der antiken Schweißtechnik in der Großbronzeproduktion zur Verbindung der Einzelgüsse und zur Reparatur von Gussfehlern.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9925d54e6d00af16b6ae8e9ba23a877d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40705167,"asset_id":19571859,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40705167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19571859"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19571859"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19571859; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19571859]").text(description); $(".js-view-count[data-work-id=19571859]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19571859; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19571859']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9925d54e6d00af16b6ae8e9ba23a877d" } } $('.js-work-strip[data-work-id=19571859]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19571859,"title":"U. Peltz, Von der Faszination zum Forschungsgegenstand. In: E. Deschler-Erb u. Ph. D. Casa (Hrsg.), New Research on Ancient Bronzes. 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Peltz, Duplikat - Nachguss - Falsifikat. Technologieforschung an - antiken?! - Großbronzen. In: S. Lehmann (Hrsg.), Authentizität und Originalität antiker Bronzebildnisse. Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld. (Dresden 2015) S. 117-133." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19570737/U_Peltz_Duplikat_Nachguss_Falsifikat_Technologieforschung_an_antiken_Gro%C3%9Fbronzen_In_S_Lehmann_Hrsg_Authentizit%C3%A4t_und_Originalit%C3%A4t_antiker_Bronzebildnisse_Ein_gef%C3%A4lschtes_Augustusbildnis_seine_Voraussetzungen_und_sein_Umfeld_Dresden_2015_S_117_133">U. Peltz, Duplikat - Nachguss - Falsifikat. Technologieforschung an - antiken?! - Großbronzen. In: S. Lehmann (Hrsg.), Authentizität und Originalität antiker Bronzebildnisse. Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld. (Dresden 2015) S. 117-133.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der Beitrag geht den Fragen nach Möglichkeiten und Grenzen, dem Für und Wider der Technologiefors...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Beitrag geht den Fragen nach Möglichkeiten und Grenzen, dem Für und Wider der Technologieforschung zu antiken und nichtantiken Großbronzen nach. Die Auflösung der bisweilen fließenden Grenzen zwischen Duplikat, Replikat und Falsifikat ist ohne die Obduktion technologischer Charakteristika kaum noch vorstellbar. Und doch fehlt oft noch diese Stimme bei der Klärung der schwerwiegenden Frage: Ist das Objekt antik oder nicht? Am Beispiel einiger Bronzen zeigt der Beitrag die Bedeutung der Interpretation technologischer Hinweise im skizzierten Kontext auf.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dab04e8da1f0a69ab0afbecfe3a347da" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40704664,"asset_id":19570737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40704664/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19570737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19570737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19570737; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19570737]").text(description); $(".js-view-count[data-work-id=19570737]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19570737; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19570737']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dab04e8da1f0a69ab0afbecfe3a347da" } } $('.js-work-strip[data-work-id=19570737]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19570737,"title":"U. Peltz, Duplikat - Nachguss - Falsifikat. Technologieforschung an - antiken?! - Großbronzen. In: S. Lehmann (Hrsg.), Authentizität und Originalität antiker Bronzebildnisse. Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld. (Dresden 2015) S. 117-133.","internal_url":"https://www.academia.edu/19570737/U_Peltz_Duplikat_Nachguss_Falsifikat_Technologieforschung_an_antiken_Gro%C3%9Fbronzen_In_S_Lehmann_Hrsg_Authentizit%C3%A4t_und_Originalit%C3%A4t_antiker_Bronzebildnisse_Ein_gef%C3%A4lschtes_Augustusbildnis_seine_Voraussetzungen_und_sein_Umfeld_Dresden_2015_S_117_133","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":40704664,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"Peltz_2015b.pdf","download_url":"https://www.academia.edu/attachments/40704664/download_file","bulk_download_file_name":"U_Peltz_Duplikat_Nachguss_Falsifikat_Tec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40704664/Peltz_2015b-libre.pdf?1449646516=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_Duplikat_Nachguss_Falsifikat_Tec.pdf\u0026Expires=1740520285\u0026Signature=dIaP9avCWz2LKhBcrFkoc5nmWZkP3D-0uc7HbsGqoyuIWHWtrPwb7nuOrqQT3lzymPX9VmoABvLdvBzJDoIEx9M9QrtVQ3CDLAz8Z2ZLC6k1zALJbfin1-a-pj92JkBYXQZYaBYPyMWugAPD96IaqahUlUcbKfagYaorGitne3nZAAMDRHHmPR-3juo~Gtmlgf3b~rWM8caZG9zn0JHAq06fyOAFbpD4p~~zmj5qwI1SxoDtcMqZ5-MmVMAJ-dZjrDYQmMwfGLhMVHFCrVRdDnC3RyQYwUjMzLFdRMpIFve5GRTTfNWi5y2DCDCugT4hUzQQBg1iKCzi2BQXR7lLSw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35908686"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35908686/U_Peltz_entf%C3%A4rbte_Bronzen_zeugen_von_der_gro%C3%9Fen_Hitze_Berlins_antike_Bronzen_aus_dem_Friedrichshainer_Leitturm_und_die_Bedingungen_in_den_Bunkern_und_der_Reichsm%C3%BCnze_von_1939_bis_1945_In_Jahrbuch_der_Berliner_Museen_56_2014_S_151_172"><img alt="Research paper thumbnail of U. Peltz, "entfärbte Bronzen [...] zeugen von der großen Hitze". Berlins antike Bronzen aus dem Friedrichshainer Leitturm und die Bedingungen in den Bunkern und der Reichsmünze von 1939 bis 1945. In: Jahrbuch der Berliner Museen 56, 2014, S. 151-172." class="work-thumbnail" src="https://attachments.academia-assets.com/55788771/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35908686/U_Peltz_entf%C3%A4rbte_Bronzen_zeugen_von_der_gro%C3%9Fen_Hitze_Berlins_antike_Bronzen_aus_dem_Friedrichshainer_Leitturm_und_die_Bedingungen_in_den_Bunkern_und_der_Reichsm%C3%BCnze_von_1939_bis_1945_In_Jahrbuch_der_Berliner_Museen_56_2014_S_151_172">U. Peltz, "entfärbte Bronzen [...] zeugen von der großen Hitze". Berlins antike Bronzen aus dem Friedrichshainer Leitturm und die Bedingungen in den Bunkern und der Reichsmünze von 1939 bis 1945. In: Jahrbuch der Berliner Museen 56, 2014, S. 151-172.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d661454aa27c1cfd1e95db1111ba9853" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55788771,"asset_id":35908686,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55788771/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35908686"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35908686"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35908686; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35908686]").text(description); $(".js-view-count[data-work-id=35908686]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35908686; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35908686']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d661454aa27c1cfd1e95db1111ba9853" } } $('.js-work-strip[data-work-id=35908686]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35908686,"title":"U. Peltz, \"entfärbte Bronzen [...] zeugen von der großen Hitze\". Berlins antike Bronzen aus dem Friedrichshainer Leitturm und die Bedingungen in den Bunkern und der Reichsmünze von 1939 bis 1945. In: Jahrbuch der Berliner Museen 56, 2014, S. 151-172.","internal_url":"https://www.academia.edu/35908686/U_Peltz_entf%C3%A4rbte_Bronzen_zeugen_von_der_gro%C3%9Fen_Hitze_Berlins_antike_Bronzen_aus_dem_Friedrichshainer_Leitturm_und_die_Bedingungen_in_den_Bunkern_und_der_Reichsm%C3%BCnze_von_1939_bis_1945_In_Jahrbuch_der_Berliner_Museen_56_2014_S_151_172","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":55788771,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55788771/thumbnails/1.jpg","file_name":"Peltz_2014_entfarbte_Bronzen.pdf","download_url":"https://www.academia.edu/attachments/55788771/download_file","bulk_download_file_name":"U_Peltz_entfarbte_Bronzen_zeugen_von_der.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55788771/Peltz_2014_entfarbte_Bronzen-libre.pdf?1518499153=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_entfarbte_Bronzen_zeugen_von_der.pdf\u0026Expires=1740479220\u0026Signature=VZCO6kh24XI5b8iy-CRJDpM9vi6sqnUYdKO7Was~ijoszj2Cs-EtprEPENECoe69nw8A0haR972dmHvrYSHT8-528~mcfzgZ7PMC3EFMoyd9IjryTGxUrvg8iB1e59HYVQbZaDVexz6VeCTB-JUaJgkE181tF81vXDdkhMYfcMRcIgq9Pd40zWciF2idfM5jUo~0U6RiWNxQGIv~yDTrhQLL0CQSzjYXyJnWve1AkbJSPaqwHHRG554CGipL9okSS68UFdnhai-yvWdRlbGjM0n-xQ6yrdZ5wFSGskSH5T7eIaCIlWKVbfoo5j2uUPp5ZGDeHa8DAe-BxtycT0PGjg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22372158"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22372158/U_Peltz_Das_Kriegergrab_von_Tarquinia_in_der_Berliner_Antikensammlung_In_Antike_Welt_2_2014_S_37_39"><img alt="Research paper thumbnail of U. Peltz, Das „Kriegergrab von Tarquinia“ in der Berliner Antikensammlung. In: Antike Welt 2, 2014, S. 37-39." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22372158/U_Peltz_Das_Kriegergrab_von_Tarquinia_in_der_Berliner_Antikensammlung_In_Antike_Welt_2_2014_S_37_39">U. Peltz, Das „Kriegergrab von Tarquinia“ in der Berliner Antikensammlung. In: Antike Welt 2, 2014, S. 37-39.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Der Beitrag gibt einen kleinen Einblick in die umfassende Publikation von Andrea Babbi und Uwe Pe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Beitrag gibt einen kleinen Einblick in die umfassende Publikation von Andrea Babbi und Uwe Peltz (siehe: Andrea Babbi und Uwe Peltz, La Tomba del Guerriero di Tarquinia. Identità elitaria, concentrazione del potere e networks dinamici nel tardo VIII sec. a.C. – Das Kriegergrab von Tarquinia. Eliteidentität, Machtkonzentration und dynamische Netzwerke im späten 8. Jh. v. Chr. (Mainz 2013).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9082425ff36c858ed10dfa3d2f613def" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43001355,"asset_id":22372158,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43001355/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22372158"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22372158"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22372158; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22372158]").text(description); $(".js-view-count[data-work-id=22372158]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22372158; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22372158']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9082425ff36c858ed10dfa3d2f613def" } } $('.js-work-strip[data-work-id=22372158]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22372158,"title":"U. Peltz, Das „Kriegergrab von Tarquinia“ in der Berliner Antikensammlung. 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U. Peltz, The Dresden bronze of the Bath of Apollo: a model, not a copy. In: D. Bourgarit ed.al. (Eds.), French Bronze Sculpture: materials and techniques 16th - 18th century. Acta of the symposium in Paris, 9th - 12th June 2012 (London 2014) S. 126-139." class="work-thumbnail" src="https://attachments.academia-assets.com/43020537/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22394307/F_de_La_Moureyre_a_U_Peltz_The_Dresden_bronze_of_the_Bath_of_Apollo_a_model_not_a_copy_In_D_Bourgarit_ed_al_Eds_French_Bronze_Sculpture_materials_and_techniques_16th_18th_century_Acta_of_the_symposium_in_Paris_9th_12th_June_2012_London_2014_S_126_139">F. de La Moureyre a. U. Peltz, The Dresden bronze of the Bath of Apollo: a model, not a copy. In: D. Bourgarit ed.al. (Eds.), French Bronze Sculpture: materials and techniques 16th - 18th century. Acta of the symposium in Paris, 9th - 12th June 2012 (London 2014) S. 126-139.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Das Dresdner "Bad des Apoll" galt als verkleinerte Kopie nach dem in Versailles in veränderter Or...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Das Dresdner "Bad des Apoll" galt als verkleinerte Kopie nach dem in Versailles in veränderter Ordnung aufgestellten überlebensgroßen marmornen Original. Die technologischen und kunsthistorischen Betrachtung der Bronzegruppe verdeutlicht ihren Ursprung als Modell zur Anordnung der von Girardon und Regnaudin Nymphen um den Gott. Das 'Präsentations-Modell' unterstützte die Entscheidungsfindung für die finale Gruppierung durch den Auftraggeber.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cff232b979492cfbe0a647d3b80fd41" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43020537,"asset_id":22394307,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43020537/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22394307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22394307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22394307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22394307]").text(description); $(".js-view-count[data-work-id=22394307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22394307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22394307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6cff232b979492cfbe0a647d3b80fd41" } } $('.js-work-strip[data-work-id=22394307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22394307,"title":"F. de La Moureyre a. U. Peltz, The Dresden bronze of the Bath of Apollo: a model, not a copy. In: D. Bourgarit ed.al. (Eds.), French Bronze Sculpture: materials and techniques 16th - 18th century. Acta of the symposium in Paris, 9th - 12th June 2012 (London 2014) S. 126-139.","internal_url":"https://www.academia.edu/22394307/F_de_La_Moureyre_a_U_Peltz_The_Dresden_bronze_of_the_Bath_of_Apollo_a_model_not_a_copy_In_D_Bourgarit_ed_al_Eds_French_Bronze_Sculpture_materials_and_techniques_16th_18th_century_Acta_of_the_symposium_in_Paris_9th_12th_June_2012_London_2014_S_126_139","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":43020537,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43020537/thumbnails/1.jpg","file_name":"de_la_Moureyre_Peltz_2014.pdf","download_url":"https://www.academia.edu/attachments/43020537/download_file","bulk_download_file_name":"F_de_La_Moureyre_a_U_Peltz_The_Dresden_b.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43020537/de_la_Moureyre_Peltz_2014-libre.pdf?1456343713=\u0026response-content-disposition=attachment%3B+filename%3DF_de_La_Moureyre_a_U_Peltz_The_Dresden_b.pdf\u0026Expires=1740520285\u0026Signature=HtWB6brtvTSfqH3Fy2N8HCnq7JN54hzqkhxg9dUWayKc-kIcrNGTnMzUtuuaYdIOG8Me3d0us7Fi8IZzzESM1r1OFbfvVSazw2gPIyWQebsnnjaeD8zLkY2Oga0ls0xsiiBYEX1mxatA6FlKFjxqIw3pcn-w4uVu81Wvm2oFkcOkoDfX2WiSenSKD4jJD4dgBl35XAdPVThWsPnGjfByFGP4uoRNr2ryzYsl0uQxLHifu3YVYy8SPMthZSp1qRfW-lB17tZ2YKX3cWJNzZR35wKPwO96QFynMLc9zK~mdAHAu5HWmlSVXnuMFXUJFor~DTychP1EcDDHrbtMqhpHJQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22057770"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22057770/U_Peltz_Mounting_and_Patina_Nineteenth_Century_Solutions_in_the_Restoration_of_Large_Bronzes_in_Berlin_s_Antikensammlung_In_E_Risser_a_D_Saunders_Eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Malibu_2013_S_95_112"><img alt="Research paper thumbnail of U. Peltz, Mounting and Patina. Nineteenth-Century Solutions in the Restoration of Large Bronzes in Berlin’s Antikensammlung. In: E. Risser a. D. Saunders (Eds.), The Restoration of Ancient Bronzes. Naples and Beyond (Malibu 2013) S. 95-112." class="work-thumbnail" src="https://attachments.academia-assets.com/42735666/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22057770/U_Peltz_Mounting_and_Patina_Nineteenth_Century_Solutions_in_the_Restoration_of_Large_Bronzes_in_Berlin_s_Antikensammlung_In_E_Risser_a_D_Saunders_Eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Malibu_2013_S_95_112">U. Peltz, Mounting and Patina. Nineteenth-Century Solutions in the Restoration of Large Bronzes in Berlin’s Antikensammlung. In: E. Risser a. D. Saunders (Eds.), The Restoration of Ancient Bronzes. Naples and Beyond (Malibu 2013) S. 95-112.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reports of nineteenth- and even twentieth-century restorations century written by the restorers t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reports of nineteenth- and even twentieth-century restorations century written by the restorers themselves are only rarely available. Descriptions of the works’ condition rarely go beyond impressionistic indications of the color of a patina—considered more or less noble—and listings of missing sections or possibly major breaks. Only occasionally is there mention in early descriptions of post-antique bases. All of the above can be said of the restoration history of Berlin’s large bronzes. Along with heads of statues and more or less extensive fragments of large antique bronzes, the formats of the surviving the Youth from Salamis, the Praying Youth, and the Xanten Boy distinguish them as examples of the ancient art of casting large bronzes. The three-quarter-life-size Jumilla Hypnos illustrates two primary tasks faced by early restorers, constructing secure mounts for complete or only fragmentary bronze statues and treating the metal’s corroded surface.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4621e643ea3a63557387f13fc00c4d18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42735666,"asset_id":22057770,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42735666/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22057770"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22057770"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22057770; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22057770]").text(description); $(".js-view-count[data-work-id=22057770]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22057770; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22057770']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4621e643ea3a63557387f13fc00c4d18" } } $('.js-work-strip[data-work-id=22057770]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22057770,"title":"U. Peltz, Mounting and Patina. Nineteenth-Century Solutions in the Restoration of Large Bronzes in Berlin’s Antikensammlung. In: E. Risser a. D. Saunders (Eds.), The Restoration of Ancient Bronzes. 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Maier u. U. Peltz, »ein dauerndes […] Andenken« – Axel Kreftings Reduktionsmethode. Anwendungsgeschichte an der Berliner Antikensammlung und ihre analytische und experimentelle Betrachtung. In: Restaurierung und Archäologie 6, 2013, S. 19-35." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19641976/A_Maier_u_U_Peltz_ein_dauerndes_Andenken_Axel_Kreftings_Reduktionsmethode_Anwendungsgeschichte_an_der_Berliner_Antikensammlung_und_ihre_analytische_und_experimentelle_Betrachtung_In_Restaurierung_und_Arch%C3%A4ologie_6_2013_S_19_35">A. Maier u. U. Peltz, »ein dauerndes […] Andenken« – Axel Kreftings Reduktionsmethode. Anwendungsgeschichte an der Berliner Antikensammlung und ihre analytische und experimentelle Betrachtung. In: Restaurierung und Archäologie 6, 2013, S. 19-35.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zu Beginn der 1890er Jahre wurde die elektrochemische Reduktion nach Axel Krefting für die Abnahm...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zu Beginn der 1890er Jahre wurde die elektrochemische Reduktion nach Axel Krefting für die Abnahme von chloridhaltiger Korrosion an den Berliner Museen eingeführt. Friedrich Rathgen und weitere Leiter chemischer Laboratorien empfahlen die unaufwändige und kostengünstige Methode zur Konservierung archäologischer Eisen- wie auch Bronzefunde und sorgten so für ihre weitreichende sowie lang anhaltende Verbreitung. Die Anwendung an Bronzen der Berliner Antikensammlung endete auf der Museumsinsel zu Beginn der 1970er Jahre und lässt sich bis in das ausgehende 19. Jahrhundert zurückverfolgen. In einem Experiment wurde an natürlich korrodierten Münzen und künstlich mit Chloridkorrosion versehenen Kupfercoupons das Krefting’sche Verfahren nachgestellt, die entstandenen Korrosionsprodukte identifiziert und mit solchen von Bronzen der Antikensammlung verglichen. Die nachgewiesenen Korrosionsprodukte Socoformacit und Spertiniit können als Hinweis auf eine Behandlung nach Krefting dienen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="651573ace7d4f837de89a293543ce25c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40753952,"asset_id":19641976,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40753952/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19641976"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19641976"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19641976; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19641976]").text(description); $(".js-view-count[data-work-id=19641976]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19641976; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19641976']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "651573ace7d4f837de89a293543ce25c" } } $('.js-work-strip[data-work-id=19641976]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19641976,"title":"A. Maier u. U. Peltz, »ein dauerndes […] Andenken« – Axel Kreftings Reduktionsmethode. Anwendungsgeschichte an der Berliner Antikensammlung und ihre analytische und experimentelle Betrachtung. In: Restaurierung und Archäologie 6, 2013, S. 19-35.","internal_url":"https://www.academia.edu/19641976/A_Maier_u_U_Peltz_ein_dauerndes_Andenken_Axel_Kreftings_Reduktionsmethode_Anwendungsgeschichte_an_der_Berliner_Antikensammlung_und_ihre_analytische_und_experimentelle_Betrachtung_In_Restaurierung_und_Arch%C3%A4ologie_6_2013_S_19_35","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":40753952,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"Maier_Peltz_2013.pdf","download_url":"https://www.academia.edu/attachments/40753952/download_file","bulk_download_file_name":"A_Maier_u_U_Peltz_ein_dauerndes_Andenken.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40753952/Maier_Peltz_2013-libre.pdf?1450078240=\u0026response-content-disposition=attachment%3B+filename%3DA_Maier_u_U_Peltz_ein_dauerndes_Andenken.pdf\u0026Expires=1740520285\u0026Signature=gwboewE92lRTE0v0fYxqlIK~sdaWHPAt~mWn32QaJcrkhtVZiUBY0lFL3u26XI5GrgjjbcsjhWuMzczDoiGOT7laCmbH~jsp5AktzuGROZjTKZ4XIckB8Ux5R4XHfX1NYKbGLxK54J~yigu1zY9Psepjf9YyIkTGCvK9KAvvtlApDWFLn7CFgmEwoB3oao0N8yRgmyV-pNTZPiZNe2mzfzckEm5oBiGptiYke-twSXMKE6n2ce6RjpG21xI5iYrKPoj7V8N10nNrKekjcFtr-2Wb0bvzm0dgH-KxEAU-WklqpwapibMWcJtQg6TcGLbSeF9vEodfsd-Px1yudQ5eOA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4622176" id="books"><div class="js-work-strip profile--work_container" data-work-id="108766129"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108766129/U_Peltz_AES_AETERNUM_Die_Restaurierungsgeschichte_der_Bronzen_aus_Berlins_Antikensammlung_Heidelberg_Propylaeum_2023_%C3%BCberarbeitete_Monographien_des_RGZM_Band_156_1_u_2_"><img alt="Research paper thumbnail of U. Peltz, AES AETERNUM. Die Restaurierungsgeschichte der Bronzen aus Berlins Antikensammlung, Heidelberg: Propylaeum, 2023 (überarbeitete Monographien des RGZM, Band 156, 1 u. 2)." class="work-thumbnail" src="https://attachments.academia-assets.com/107067894/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108766129/U_Peltz_AES_AETERNUM_Die_Restaurierungsgeschichte_der_Bronzen_aus_Berlins_Antikensammlung_Heidelberg_Propylaeum_2023_%C3%BCberarbeitete_Monographien_des_RGZM_Band_156_1_u_2_">U. Peltz, AES AETERNUM. Die Restaurierungsgeschichte der Bronzen aus Berlins Antikensammlung, Heidelberg: Propylaeum, 2023 (überarbeitete Monographien des RGZM, Band 156, 1 u. 2).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mit der Wiederentdeckung der antiken Kulturen etablierte sich der Wunsch nach Dauerhaftigkeit ihr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mit der Wiederentdeckung der antiken Kulturen etablierte sich der Wunsch nach Dauerhaftigkeit ihres materiellen Erbes und damit die Restaurierung von archäologischen Kulturgütern. Ihre Geschichte zu verstehen, bietet den Zugang zu den technischen Möglichkeiten, den praktischen Vorgehensweisen und nicht zuletzt den restaurierungsethischen Überlegungen der damaligen Restaurierenden sowie zu den ästhetischen, oftmals auratischen und später zunehmend kunstwissenschaftlichen Vorstellungen der Kunsthändler, Sammler und Museumskustoden zugleich.<br />Ein wichtiges Betätigungsfeld boten die geborgenen antiken Bronzen.<br />Der Bestand an der Berliner Antikensammlung zählt zu den ältesten und bedeutendsten außerhalb des mediterranen Raumes. Ein Teil der hier und nördlich der Alpen erworbenen Bronzen verkörpert noch immer das restauratorische Vorgehen in den Herkunftsregionen, weitere Funde offenbaren die sich um 1900 naturwissenschaftlich ausrichtende Bronzerestaurierung, und andere Antiken spiegeln das Engagement der dauerhaft an der Sammlung angestellten Metallrestauratoren bis in die 1980er Jahre wider.<br />Damit umreißen die Berliner Bronzen in ihrer Gesamtheit eine beinahe 500-jährige Restaurierungsgeschichte, die in ihren wesentlichen Facetten mit Unterstützung von Funden aus anderen Museen anschaulich werden konnte.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2d2ee08569a2e5eed714e15f581bf9cf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107067894,"asset_id":108766129,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107067894/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108766129"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108766129"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108766129; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108766129]").text(description); $(".js-view-count[data-work-id=108766129]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108766129; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108766129']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2d2ee08569a2e5eed714e15f581bf9cf" } } $('.js-work-strip[data-work-id=108766129]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108766129,"title":"U. Peltz, AES AETERNUM. Die Restaurierungsgeschichte der Bronzen aus Berlins Antikensammlung, Heidelberg: Propylaeum, 2023 (überarbeitete Monographien des RGZM, Band 156, 1 u. 2).","internal_url":"https://www.academia.edu/108766129/U_Peltz_AES_AETERNUM_Die_Restaurierungsgeschichte_der_Bronzen_aus_Berlins_Antikensammlung_Heidelberg_Propylaeum_2023_%C3%BCberarbeitete_Monographien_des_RGZM_Band_156_1_u_2_","owner_id":9428348,"coauthors_can_edit":true,"owner":{"id":9428348,"first_name":"Uwe","middle_initials":null,"last_name":"Peltz","page_name":"UwePeltz","domain_name":"smb","created_at":"2014-02-23T15:22:01.403-08:00","display_name":"Uwe Peltz","url":"https://smb.academia.edu/UwePeltz"},"attachments":[{"id":107067894,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107067894/thumbnails/1.jpg","file_name":"Peltz_2021_M156_Titelei.pdf","download_url":"https://www.academia.edu/attachments/107067894/download_file","bulk_download_file_name":"U_Peltz_AES_AETERNUM_Die_Restaurierungsg.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107067894/Peltz_2021_M156_Titelei-libre.pdf?1698771001=\u0026response-content-disposition=attachment%3B+filename%3DU_Peltz_AES_AETERNUM_Die_Restaurierungsg.pdf\u0026Expires=1740520285\u0026Signature=VEQZESZW6HSGrZuJfbkE-6odJ8g1sEslwvr7fgOj2A~Vr2Oh8HhlHTnSkGdWnJFyuWLBvPmJfpvIQRLP0ARctu9d-INs0hWVlQJuLpeBK069sErHZSEVlqp8jfKDC2Q-OIf6NZ4Pq3twzV8qWJ46vpIRmt-Y~PKOKU-p-b0atanV0xrRQ7SwLK89AsSlhqXkMtV1ZoE72Tc07dUnLC0EF1SovI8sKvAAzWa8Mf08qYX-L1Ia7-asckADzEQN7ZMQQ71WtgE1bblOAUP7R1l4Y5ABbiWjLg3Y0Ft9G69Du~iYu1osmcE0AUETwYwkkRENTFG7B4eLIgkyThlgm61N3Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="59451904"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/59451904/U_Peltz_AES_AETERNUM_Die_Restaurierungsgeschichte_der_Bronzen_aus_Berlins_Antikensammlung_Monographien_des_RGZM_156_Mainz_2021_"><img alt="Research paper thumbnail of U. Peltz, AES AETERNUM. Die Restaurierungsgeschichte der Bronzen aus Berlins Antikensammlung. Monographien des RGZM 156 (Mainz 2021)." class="work-thumbnail" src="https://attachments.academia-assets.com/73367138/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/59451904/U_Peltz_AES_AETERNUM_Die_Restaurierungsgeschichte_der_Bronzen_aus_Berlins_Antikensammlung_Monographien_des_RGZM_156_Mainz_2021_">U. Peltz, AES AETERNUM. Die Restaurierungsgeschichte der Bronzen aus Berlins Antikensammlung. Monographien des RGZM 156 (Mainz 2021).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mit der Wiederentdeckung der antiken Kulturen etablierte sich der Wunsch nach Dauerhaftigkeit ihr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mit der Wiederentdeckung der antiken Kulturen etablierte sich der Wunsch nach Dauerhaftigkeit ihres materiellen Erbes und damit die Restaurierung von archäologischen Kulturgütern. Ihre Geschichte zu verstehen, bietet den Zugang zu den technischen Möglichkeiten, den praktischen Vorgehensweisen und nicht zuletzt den restaurierungsethischen Überlegungen der damaligen Restaurierenden sowie zu den ästhetischen, oftmals auratischen und später zunehmend kunstwissenschaftlichen Vorstellungen der Kunsthändler, Sammler und Museumskustoden zugleich.<br />Ein wichtiges Betätigungsfeld boten die geborgenen antiken Bronzen.<br />Der Bestand an der Berliner Antikensammlung zählt zu den ältesten und bedeutendsten außerhalb des mediterranen Raumes. Ein Teil der hier und nördlich der Alpen erworbenen Bronzen verkörpert noch immer das restauratorische Vorgehen in den Herkunftsregionen, weitere Funde offenbaren die sich um 1900 naturwissenschaftlich ausrichtende Bronzerestaurierung, und andere Antiken spiegeln das Engagement der dauerhaft an der Sammlung angestellten Metallrestauratoren bis in die 1980er Jahre wider.<br />Damit umreißen die Berliner Bronzen in ihrer Gesamtheit eine beinahe 500-jährige Restaurierungsgeschichte, die in ihren wesentlichen Facetten mit Unterstützung von Funden aus anderen Museen anschaulich werden konnte.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6d5e7f363481922a596b389f7898363b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":73367138,"asset_id":59451904,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/73367138/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="59451904"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="59451904"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 59451904; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=59451904]").text(description); $(".js-view-count[data-work-id=59451904]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 59451904; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='59451904']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6d5e7f363481922a596b389f7898363b" } } $('.js-work-strip[data-work-id=59451904]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":59451904,"title":"U. Peltz, AES AETERNUM. Die Restaurierungsgeschichte der Bronzen aus Berlins Antikensammlung. 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Identità elitaria, concentrazione del potere e networks dinamici nel tardo VIII sec. a.C. – Das Kriegergrab von Tarquinia. Eliteidentität, Machtkonzentration und dynamische Netzwerke im späten 8. Jh. v. Chr." class="work-thumbnail" src="https://attachments.academia-assets.com/32457821/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/986209/La_Tomba_del_Guerriero_di_Tarquinia_Identit%C3%A0_elitaria_concentrazione_del_potere_e_networks_dinamici_nel_tardo_VIII_sec_a_C_Das_Kriegergrab_von_Tarquinia_Eliteidentit%C3%A4t_Machtkonzentration_und_dynamische_Netzwerke_im_sp%C3%A4ten_8_Jh_v_Chr">La Tomba del Guerriero di Tarquinia. Identità elitaria, concentrazione del potere e networks dinamici nel tardo VIII sec. a.C. – Das Kriegergrab von Tarquinia. Eliteidentität, Machtkonzentration und dynamische Netzwerke im späten 8. Jh. v. Chr.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cnr-it.academia.edu/AndreaBabbi">Andrea Babbi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://smb.academia.edu/UwePeltz">Uwe Peltz</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Redaktion: Marie Röder (RGZM) Satz: Dieter Imhäuser, Hofheim a. T. Umschlaggestaltung: Reinhard K...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Redaktion: Marie Röder (RGZM) Satz: Dieter Imhäuser, Hofheim a. T. Umschlaggestaltung: Reinhard Köster (RGZM) unter Verwendung einer Fotografie der Installation des Kriegergrabes in der Dauerausstellung der »ITALIA ANTIquA« im Berliner Alten Museum. Foto: Johannes Laurentius -Staatliche Museen zu Berlin, Antikensammlung</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="de72dbf438464542e5a73dbdd508dd2a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32457821,"asset_id":986209,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32457821/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="986209"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="986209"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 986209; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=986209]").text(description); $(".js-view-count[data-work-id=986209]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 986209; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='986209']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "de72dbf438464542e5a73dbdd508dd2a" } } $('.js-work-strip[data-work-id=986209]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":986209,"title":"La Tomba del Guerriero di Tarquinia. 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Peltz, Nägel, Stifte, Niete. Befestigungstechnik im samischen Heraion. BAR International Series 2266 (Oxford 2011)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22134380/U_Peltz_N%C3%A4gel_Stifte_Niete_Befestigungstechnik_im_samischen_Heraion_BAR_International_Series_2266_Oxford_2011_">U. Peltz, Nägel, Stifte, Niete. Befestigungstechnik im samischen Heraion. 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Peltz u. O. Zorn (Hrsg), kulturGUTerhalten. Standards in der Restaurierungswissenschaft und Denkmalpflege. Beiträge des Internationalen Kolloquiums vom 23.-25. April 2009 in Berlin (Mainz 2009)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22123851/U_Peltz_u_O_Zorn_Hrsg_kulturGUTerhalten_Standards_in_der_Restaurierungswissenschaft_und_Denkmalpflege_Beitr%C3%A4ge_des_Internationalen_Kolloquiums_vom_23_25_April_2009_in_Berlin_Mainz_2009_">U. Peltz u. O. Zorn (Hrsg), kulturGUTerhalten. Standards in der Restaurierungswissenschaft und Denkmalpflege. Beiträge des Internationalen Kolloquiums vom 23.-25. April 2009 in Berlin (Mainz 2009).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Im Rahmen der Sonderausstellung zur Restaurierung archäologischer Funde an den Staatlichen Museen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Im Rahmen der Sonderausstellung zur Restaurierung archäologischer Funde an den Staatlichen Museen zu Berlin „kulturGUTerhalten“ wird ein dreitägiges internationales Kolloquium vom 23. bis 25. April 2009 stattfinden, das die neuerlich entfachte Diskussion zu Standards in Restaurierung und Denkmalpflege aufgreift. Die interdisziplinäre Tagung im Pergamonmuseum wendet sich an Restauratoren, Altertumsforscher und solchen der Archäometrie und soll die drei Wissenschaften in Diskussion miteinander bringen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c1faee71e2e158bb47e0a5d256511858" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42791559,"asset_id":22123851,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42791559/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22123851"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22123851"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22123851; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22123851]").text(description); $(".js-view-count[data-work-id=22123851]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22123851; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22123851']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c1faee71e2e158bb47e0a5d256511858" } } $('.js-work-strip[data-work-id=22123851]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22123851,"title":"U. 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Peltz u. O. Zorn (Hrsg.), kulturGUTerhalten. Restaurierung archäologischer Schätze an den Staatlichen Museen zu Berlin. Katalog zur Ausstellung vom 27. März - 1. Juni 2009 in Berlin (Mainz 2009)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22123056/U_Peltz_u_O_Zorn_Hrsg_kulturGUTerhalten_Restaurierung_arch%C3%A4ologischer_Sch%C3%A4tze_an_den_Staatlichen_Museen_zu_Berlin_Katalog_zur_Ausstellung_vom_27_M%C3%A4rz_1_Juni_2009_in_Berlin_Mainz_2009_">U. Peltz u. O. Zorn (Hrsg.), kulturGUTerhalten. Restaurierung archäologischer Schätze an den Staatlichen Museen zu Berlin. Katalog zur Ausstellung vom 27. März - 1. Juni 2009 in Berlin (Mainz 2009).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Die facettenreiche Spurensuche nach der Geschichte eines Objektes, bei der Restauratoren, Archäo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Die facettenreiche Spurensuche nach der Geschichte eines Objektes, bei der Restauratoren, Archäologen und Naturwissenschaftler eng zusammenarbeiten, stellt den Grundgedanken der Ausstellung dar. Die von den Staatlichen Museen zu Berlin geplante Sonderausstellung richtet ihren Fokus auf die Konservierung und Restaurierung von archäologischem Kulturgut in ihren Sammlungen und die damit verbundene spezielle Problematik. Die umfassende Vorstellung des Gesamtthemas beinhaltet verschiedene Einzelaspekte, die von unterschiedlichen Fachbereichen abgedeckt werden. Die Gliederung umfasst Grabung, Konservierung, Restaurierung, Material- und Funktionsanalyse, kulturhistorische Forschung und Prävention. <br />Wissenschaftler aus den Staatlichen Museen zu Berlin sowie freie Mitarbeiter stellen im Alten Museum über 70 Einzelprojekte vor, das Rathgen Forschungslabor ergänzt den naturwissenschaftlichen Teil.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="332e1693ca1300f9926b6b1217e6b572" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42791531,"asset_id":22123056,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42791531/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22123056"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22123056"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22123056; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22123056]").text(description); $(".js-view-count[data-work-id=22123056]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22123056; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22123056']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "332e1693ca1300f9926b6b1217e6b572" } } $('.js-work-strip[data-work-id=22123056]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22123056,"title":"U. 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Peltz u. O. Zorn, kulturGUTerhalten (Berlin 2008)." class="work-thumbnail" src="https://attachments.academia-assets.com/42736488/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22058709/U_Peltz_u_O_Zorn_kulturGUTerhalten_Berlin_2008_">U. Peltz u. O. Zorn, kulturGUTerhalten (Berlin 2008).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In Vorbereitung der großen Sonderausstellung zur Restaurierung archäologischer Artefakte verschie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In Vorbereitung der großen Sonderausstellung zur Restaurierung archäologischer Artefakte verschiedener Sammlungen an den Staatlichen Museen zu Berlin gibt die Broschüre Einblicke in die facettenreiche Präsentationsidee der Ägyptologin Olivia Zorn und des Restaurators Uwe Peltz.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="af3d87a1eedd391494df636859b7f03d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42736488,"asset_id":22058709,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42736488/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22058709"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22058709"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22058709; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22058709]").text(description); $(".js-view-count[data-work-id=22058709]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22058709; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22058709']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "af3d87a1eedd391494df636859b7f03d" } } $('.js-work-strip[data-work-id=22058709]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22058709,"title":"U. 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Lubasch, Mehr als ein 3-D-Puzzel. Die Ausstellung „kulturGUTerhalten“ zeigt, wie archäologische Schätze der Staatlichen Museen heute restauriert werden. In: Märkische Oderzeitung, 09.-10.05.2009." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24197739/S_Lubasch_Mehr_als_ein_3_D_Puzzel_Die_Ausstellung_kulturGUTerhalten_zeigt_wie_arch%C3%A4ologische_Sch%C3%A4tze_der_Staatlichen_Museen_heute_restauriert_werden_In_M%C3%A4rkische_Oderzeitung_09_10_05_2009">S. Lubasch, Mehr als ein 3-D-Puzzel. Die Ausstellung „kulturGUTerhalten“ zeigt, wie archäologische Schätze der Staatlichen Museen heute restauriert werden. In: Märkische Oderzeitung, 09.-10.05.2009.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fbe6728a1c92ce4b8e3a71ea0bd3eb8d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44530463,"asset_id":24197739,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44530463/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24197739"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24197739"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24197739; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24197739]").text(description); $(".js-view-count[data-work-id=24197739]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24197739; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24197739']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fbe6728a1c92ce4b8e3a71ea0bd3eb8d" } } $('.js-work-strip[data-work-id=24197739]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24197739,"title":"S. 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Klemm, Tagungsrückblick „Standards in der Restaurierungswissenschaft und Denkmalpflege. In: Museum Aktuell 158, 2009, S. 25-27." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22372002/F_Klemm_Tagungsr%C3%BCckblick_Standards_in_der_Restaurierungswissenschaft_und_Denkmalpflege_In_Museum_Aktuell_158_2009_S_25_27">F. Klemm, Tagungsrückblick „Standards in der Restaurierungswissenschaft und Denkmalpflege. In: Museum Aktuell 158, 2009, S. 25-27.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Anlässlich der Ausstellung „kulturGUTerhalten“ fand vom 23. bis 25. April 2009 im Berliner Pergam...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Anlässlich der Ausstellung „kulturGUTerhalten“ fand vom 23. bis 25. April 2009 im Berliner Pergamonmuseum die von Olivia Zorn und Uwe Peltz organisierte Tagung zu Standards in Restaurierung und Denkmalpflege statt. Die sehr gut besuchte und ausnehmend vorbildlich organisierte Veranstaltung lud zu offener Diskussion und fachübergreifendem Austausch ein, der sich in der Publikation aller Referate in fortsetzt (siehe: U. Peltz u. O. Zorn (Hrsg), kulturGUTerhalten. Standards in der Restaurierungswissenschaft und Denkmalpflege. Beiträge des Internationalen Kolloquiums vom 23.-25. 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