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src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/126888638/Les_ateliers_de_fabrication_des_grandes_bronzes">Les ateliers de fabrication des grandes bronzes</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La fabrication de statues en bronze grandeur nature marque une apogee au sein de l&#39;evolution ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La fabrication de statues en bronze grandeur nature marque une apogee au sein de l&#39;evolution de la sculpture grecque. Comme en temoigne clairement le livre 34 de Pline, les ecrivains antiques en avaient deja conscience. Pour les modernes en revanche, cette realite fut plus difficile a saisir et ce n&#39;est qu&#39;avec les nombreuses decouvertes arrachees aux fonds marins apres la seconde guerre mondiale que notre perception des grands bronzes antiques a change. 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Im Zentrum thront König Otto, umgeben von den Personifikationen der Wissenschaften. Allen voran schreitet von links her die Philosophia, doch gleich danach folgen Historia und Archaiologia. Ohne die Bildexegese zu weit treiben zu wollen, zeigt sich doch ein enges geschwisterliches Verhältnis, wobei ein gewisses werbendes Verhalten seitens der Archaiologia nicht zu verkennen ist. Beide widmen sich der Antike, die Geschichte ist der Schrift verpflichtet, die Archaiologia weist auf die Bedeutung der Funde, in diesem Falle eine rotfigurige Vase, die damals als Erzeugnis der etruskischen Kunst galt. 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Comme en temoigne clairement le livre 34 de Pline, les ecrivains antiques en avaient deja conscience. Pour les modernes en revanche, cette realite fut plus difficile a saisir et ce n&#39;est qu&#39;avec les nombreuses decouvertes arrachees aux fonds marins apres la seconde guerre mondiale que notre perception des grands bronzes antiques a change. 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Möglichkeiten der Farbgestaltung bei Großbronzen" class="work-thumbnail" src="https://attachments.academia-assets.com/113917593/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118245361/Die_Farbe_des_Metalls_M%C3%B6glichkeiten_der_Farbgestaltung_bei_Gro%C3%9Fbronzen">Die Farbe des Metalls. Möglichkeiten der Farbgestaltung bei Großbronzen</a></div><div class="wp-workCard_item"><span>INHA eBooks</span><span>, Mar 28, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bronzes grecs et romains, recherches récentes. Hommage à Claude Rolley Publications de l'Institut...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bronzes grecs et romains, recherches récentes. 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Im Zentrum thront König Otto, umgeben von den Personifikationen der Wissenschaften. Allen voran schreitet von links her die Philosophia, doch gleich danach folgen Historia und Archaiologia. Ohne die Bildexegese zu weit treiben zu wollen, zeigt sich doch ein enges geschwisterliches Verhältnis, wobei ein gewisses werbendes Verhalten seitens der Archaiologia nicht zu verkennen ist. Beide widmen sich der Antike, die Geschichte ist der Schrift verpflichtet, die Archaiologia weist auf die Bedeutung der Funde, in diesem Falle eine rotfigurige Vase, die damals als Erzeugnis der etruskischen Kunst galt. 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