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Chief of Chair, University of Buenos Aires (1992/2022); University of Cinema.\nManagement, production and curator: publications and events on Experimental Film, Installations, New Media., TV, Video.\nManagement and production of video, television programs, Educational Interactives\nCurator of Media Programs and Art Exhibitions in Europe, USA and Latin America.\nCoordination and organization of workshops on Media Issues and Cultural Forms: Video, Television, Film, and New Media\nAcademical, artistic and scientificcounselor in the field of Media Studies (Latin American Universities)\nProfessional Experience:\n40 Years in the field of Media Arts: Education, Production, Management and Publications. \n- Writer and editor. 1000 articles and papers published in Argentina, Austria, Brasil, Chile, Colombia, France, Germany, Italy, Israel, Mexico, Portugal, Spain, Switzerland and the USA.\n- 35 books, edited and published on Arts and Media in Argentina, Brasil, Colombia and Mexico, 1991/2021.\n- Author:\n.\"Video en la Puna: Los viajes de Valdez\", Editorial Nueva Librería, Buenos Aires, 1994 ISBN 950-9088-75-7\n.\"Cine (y) digital. Aproximaciones a posibles convergencias entre el cinematógrafo y la computadora\", Ed. Manantial, Buenos Aires, 2009 \nISBN: 9875001333\n.\"neoTrópico. Caja Negra y otros relatos\", Gerardo Suter y Jorge La Ferla (autores), Laboratorio Arte Alameda, Secretaría de Cultura, Instituto Nacional de Bellas Artes, Ciudad de México, 2018. ISBN 978-607-605-528-1\n.\"Circuito Alameda\", Gilbertto Prado/Grupo Poéticas Tecnológicas/Jorge La Ferla (autores), Laboratorio Arte Alameda, Secretaría de Cultura, Instituto Nacional de Bellas Artes, Ciudad de México, 2019. ISBN 978-607-605-583-0\n- Coordination and programming seminars, master classes on audiovisual and media arts by Roy Ascott, Robert Atkins, Carlota Alvarez Basso, Lucas Bambozzi, Raymond Bellour, Xavier Berenguer, Tania Blanich, Christa Blümlinger, Maurice Benayoun, Pierre Bongiovanni, Robert Cahen, Michel Chion, Jean-Louis Comolli, Myriam Luisa Díaz, Andrea Di Castro, Wendy Chung, Philippe Dubois, Anne-Marie Duguet, Jean-Paul Fargier, Solange Farkas, Monica Fleischmann, Claudia Giannetti, Oliver Grau, Iliana Hernández García, Sandra Kogut, Marta Ladly, Sandra Lischi, Arlindo Machado, Lev Manovich, José Carlos Mariátegui, Lucrecia Martel, Christine Melo, Antonio Muntadas, Nestor Olhagaray, Lourdes Portillo, Gilbertto Prado, Lucia Santaella, Eder Santos, Joachim Sauter, Margarita Schultz, Paula Sibilia, Gerardo Suter, Wolfgang Strauss, Janice Tanaka, Valentina Valentini, Edin Velez, Peter Weibel, Antonio Weinrichter, Andrea Zapp, Siegfried Zielinski among others, 1991/2023.","image":"https://0.academia-photos.com/11054348/4167079/4853492/s200_jorge.la_ferla.jpg","thumbnailUrl":"https://0.academia-photos.com/11054348/4167079/4853492/s65_jorge.la_ferla.jpg","primaryImageOfPage":{"@type":"ImageObject","url":"https://0.academia-photos.com/11054348/4167079/4853492/s200_jorge.la_ferla.jpg","width":200},"sameAs":["http://facebook.com/Jorge La Ferla"],"relatedLink":"https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016"}</script><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-95367dc03b794f6737f30123738a886cf53b7a65cdef98a922a98591d60063e3.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-8c9ae4b5c8a2531640c354d92a1f3579c8ff103277ef74913e34c8a76d4e6c00.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/body-170d1319f0e354621e81ca17054bb147da2856ec0702fe440a99af314a6338c5.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/text_button-d1941ab08e91e29ee143084c4749da4aaffa350a2ac6eec2306b1d7a352d911a.css" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-2b6f90dbd75f5941bc38f4ad716615f3ac449e7398313bb3bc225fba451cd9fa.css" /> <meta name="author" content="jorge la ferla" /> <meta name="description" content="Curriculum Vitae - Resumé Professional Profile: Researcher and Professor. 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if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = [{"id":4899914,"link":"http://facebook.com/Jorge La Ferla","name":"Facebook","link_domain":null,"icon":"//www.google.com/s2/u/0/favicons?domain="}]</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://ucine.academia.edu/JorgeLaFerla","location":"/JorgeLaFerla","scheme":"https","host":"ucine.academia.edu","port":null,"pathname":"/JorgeLaFerla","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-6ee3f68f-d3ed-4101-990b-433346d1c5bb"></div> <div id="ProfileCheckPaperUpdate-react-component-6ee3f68f-d3ed-4101-990b-433346d1c5bb"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Jorge La Ferla" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/11054348/4167079/4853492/s200_jorge.la_ferla.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Jorge La Ferla</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://ucine.academia.edu/">Universidad del Cine (FUC)</a>, <a class="u-tcGrayDarker" href="https://ucine.academia.edu/Departments/Tecnicas_Audiovisuales/Documents">Tecnicas Audiovisuales</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://uba.academia.edu/">Universidad de Buenos Aires</a>, <a class="u-tcGrayDarker" href="https://uba.academia.edu/Departments/Facultad_de_Arquitectura_Dise%C3%B1o_y_Urbanismo/Documents"> Facultad de Arquitectura, Diseño y Urbanismo</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Jorge" data-follow-user-id="11054348" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="11054348"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">1,835</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">83</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">10</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/JorgeLaFerla/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Curriculum Vitae - Resumé<br />Professional Profile: Researcher and Professor. Chief of Chair, University of Buenos Aires (1992/2022); University of Cinema.<br />Management, production and curator: publications and events on Experimental Film,  Installations, New Media., TV, Video.<br />Management and production of video, television programs, Educational Interactives<br />Curator of Media Programs and Art Exhibitions in Europe, USA and Latin America.<br />Coordination and organization of workshops on Media Issues and Cultural Forms: Video, Television, Film, and New Media<br />Academical, artistic and scientificcounselor in the field of Media Studies (Latin American Universities)<br />Professional Experience:<br />40 Years in the field of Media Arts: Education, Production, Management and Publications. <br />- Writer and editor. 1000 articles and papers published in Argentina, Austria, Brasil, Chile, Colombia, France, Germany, Italy, Israel, Mexico, Portugal, Spain, Switzerland and the USA.<br />- 35 books, edited and published on Arts and Media in Argentina, Brasil, Colombia and Mexico, 1991/2021.<br />- Author:<br />."Video en la Puna: Los viajes de Valdez", Editorial Nueva Librería, Buenos Aires, 1994 ISBN 950-9088-75-7<br />."Cine (y) digital. Aproximaciones a posibles convergencias entre el cinematógrafo y la computadora", Ed. Manantial, Buenos Aires, 2009 <br />ISBN: 9875001333<br />."neoTrópico. Caja Negra y otros relatos", Gerardo Suter y Jorge La Ferla (autores), Laboratorio Arte Alameda, Secretaría de Cultura, Instituto Nacional de Bellas Artes, Ciudad de México, 2018. ISBN 978-607-605-528-1<br />."Circuito Alameda", Gilbertto Prado/Grupo Poéticas Tecnológicas/Jorge La Ferla (autores), Laboratorio Arte Alameda, Secretaría de Cultura, Instituto Nacional de Bellas Artes, Ciudad de México, 2019. ISBN 978-607-605-583-0<br />- Coordination and programming seminars, master classes on audiovisual and media arts by Roy Ascott, Robert Atkins, Carlota Alvarez Basso, Lucas Bambozzi, Raymond Bellour, Xavier Berenguer, Tania Blanich, Christa Blümlinger, Maurice Benayoun, Pierre Bongiovanni, Robert Cahen, Michel Chion, Jean-Louis Comolli, Myriam Luisa Díaz, Andrea Di Castro, Wendy Chung, Philippe Dubois, Anne-Marie Duguet, Jean-Paul Fargier, Solange Farkas, Monica Fleischmann, Claudia Giannetti, Oliver Grau, Iliana Hernández García, Sandra Kogut, Marta Ladly, Sandra Lischi, Arlindo Machado, Lev Manovich, José Carlos Mariátegui, Lucrecia Martel, Christine Melo, Antonio Muntadas, Nestor Olhagaray, Lourdes Portillo, Gilbertto Prado, Lucia Santaella, Eder Santos, Joachim Sauter, Margarita Schultz, Paula Sibilia, Gerardo Suter, Wolfgang Strauss, Janice Tanaka, Valentina Valentini, Edin Velez, Peter Weibel, Antonio Weinrichter, Andrea Zapp, Siegfried Zielinski among others, 1991/2023.<br /><span class="u-fw700">Supervisors: </span>Graciela Fernández Toledo (FUC) and Daniel Wolkowicz (UBA)<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://saic.academia.edu/JElkins"><img class="profile-avatar u-positionAbsolute" alt="James Elkins" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/15483/5205/5067/s200_james.elkins.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://saic.academia.edu/JElkins">James Elkins</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">School of the Art Institute of Chicago</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://curtin.academia.edu/TamaLeaver"><img class="profile-avatar u-positionAbsolute" alt="Tama Leaver" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/30301/9850/11846212/s200_tama.leaver.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://curtin.academia.edu/TamaLeaver">Tama Leaver</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Curtin University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://upf.academia.edu/JavierD%C3%ADazNoci"><img class="profile-avatar u-positionAbsolute" alt="Javier Díaz Noci" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/35664/11769/160437038/s200_javier.d_az_noci.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://upf.academia.edu/JavierD%C3%ADazNoci">Javier Díaz Noci</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Pompeu Fabra University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://rca.academia.edu/ProfessorJohnnyGolding"><img class="profile-avatar u-positionAbsolute" alt="Johnny Golding" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/44805/14253/38791084/s200_johnny.golding.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://rca.academia.edu/ProfessorJohnnyGolding">Johnny Golding</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Royal College of Art</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://ubc.academia.edu/EKim"><img class="profile-avatar u-positionAbsolute" alt="Eric S . 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backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Jorge La Ferla</h3></div><div class="js-work-strip profile--work_container" data-work-id="116669280"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016"><img alt="Research paper thumbnail of Entrevistas- 62ª Feira do Livro de Porto Alegre, em 28/10/2016" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016">Entrevistas- 62ª Feira do Livro de Porto Alegre, em 28/10/2016</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Entrevistas realizadas no 1o dia da 62a Feira do Livro de Porto Alegre, entre os entrevistados, f...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Entrevistas realizadas no 1o dia da 62a Feira do Livro de Porto Alegre, entre os entrevistados, falaram com a Radio Andre Iribure Rodrigues e Andre Prytoluk (2min20), Jane Tutikian (21min20s), Cintia Moscovich (40min20), Giovani Rostirolla (52min38s) e Airton Ortiz (1h09min). Ainda, o programa conta com uma dica de leitura de Olivio Dutra.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116669280"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116669280"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116669280; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116669280]").text(description); $(".js-view-count[data-work-id=116669280]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116669280; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116669280']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=116669280]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116669280,"title":"Entrevistas- 62ª Feira do Livro de Porto Alegre, em 28/10/2016","internal_url":"https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016","owner_id":11054348,"coauthors_can_edit":true,"owner":{"id":11054348,"first_name":"Jorge","middle_initials":null,"last_name":"La Ferla","page_name":"JorgeLaFerla","domain_name":"ucine","created_at":"2014-04-12T00:35:39.427-07:00","display_name":"Jorge La Ferla","url":"https://ucine.academia.edu/JorgeLaFerla"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110619783"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110619783/Por_una_pr%C3%A1xis_de_archivo_para_las_artes_tecnol%C3%B3gicas_experimentales_em_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of Por una práxis de archivo para las artes tecnológicas experimentales em América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/108381292/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110619783/Por_una_pr%C3%A1xis_de_archivo_para_las_artes_tecnol%C3%B3gicas_experimentales_em_Am%C3%A9rica_Latina">Por una práxis de archivo para las artes tecnológicas experimentales em América Latina</a></div><div class="wp-workCard_item"><span>Significação</span><span>, Jun 23, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O autor encara o arquivo como um conceito de referência indispensável para analisar as artes tecn...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O autor encara o arquivo como um conceito de referência indispensável para analisar as artes tecnológicas. Desenvolve algumas idéias sobre diferentes práticas arquivísticas e finaliza seu artigo fazendo algumas considerações sobre a necessidade de construir um arquivo que nos permita comparar o atual estado das artes tecnológicas na América Latina. The author focuses the archive as a conceptual reference to analyses technological arts. In the article he develops some ideas on archival practices and he finalizes considering it is necessary to construct an archive which permits us to compare the real state of technological arts in Latin America. Informática, arquivos, conceitos de referências, práticas de arquivo, artes tecnológicas em América Latina. Archive, conceptual reference, archival practices, technological Arts in Latin America.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="74177fe22f9e4a28c4677ad68fbfedf5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381292,"asset_id":110619783,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381292/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619783"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619783"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619783; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110619783]").text(description); $(".js-view-count[data-work-id=110619783]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110619783; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110619783']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "74177fe22f9e4a28c4677ad68fbfedf5" } } $('.js-work-strip[data-work-id=110619783]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110619783,"title":"Por una práxis de archivo para las artes tecnológicas experimentales em América Latina","internal_url":"https://www.academia.edu/110619783/Por_una_pr%C3%A1xis_de_archivo_para_las_artes_tecnol%C3%B3gicas_experimentales_em_Am%C3%A9rica_Latina","owner_id":11054348,"coauthors_can_edit":true,"owner":{"id":11054348,"first_name":"Jorge","middle_initials":null,"last_name":"La Ferla","page_name":"JorgeLaFerla","domain_name":"ucine","created_at":"2014-04-12T00:35:39.427-07:00","display_name":"Jorge La Ferla","url":"https://ucine.academia.edu/JorgeLaFerla"},"attachments":[{"id":108381292,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/108381292/thumbnails/1.jpg","file_name":"268349422.pdf","download_url":"https://www.academia.edu/attachments/108381292/download_file","bulk_download_file_name":"Por_una_praxis_de_archivo_para_las_artes.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/108381292/268349422-libre.pdf?1701795031=\u0026response-content-disposition=attachment%3B+filename%3DPor_una_praxis_de_archivo_para_las_artes.pdf\u0026Expires=1741073536\u0026Signature=g34e4Lgu77mAlGVe5xeaGhZg2l6bXaexYYyzt5fGM3GIBHxGYbIyGtYHpKwN1G6HQWre-IDi507fDYYtdi2celTS~FhjkklBJnqw4gVzFBPXdwFjrMwPtwznIEJfcjcspIn-EHINWjYx6iWkDnyI3zhhT7~Jj6tyhKHhGDTecXyjigXK5MrcnIU9qthWk-4Z38rsALnq~HcPIXbjZxNr9bwHT1wnxsWkqlxtvlJWNIgiFfONQkwZKrvR0m~A1qqnIgsSdP72Lk-on4Kz8ZEKu4G2ZWe6PdUjT2a3rN0i69PVZXTpJHXikZ2PfmOAPx42Hnv47tXxLjVCnHF~au~Tyw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110619782"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110619782/Memorias_audiovisuales_posanal%C3%B3gicas_y_predigitales_Por_una_praxis_de_archivos_en_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of Memorias audiovisuales posanalógicas y predigitales. Por una praxis de archivos en América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/108381198/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110619782/Memorias_audiovisuales_posanal%C3%B3gicas_y_predigitales_Por_una_praxis_de_archivos_en_Am%C3%A9rica_Latina">Memorias audiovisuales posanalógicas y predigitales. Por una praxis de archivos en América Latina</a></div><div class="wp-workCard_item"><span>Secuencias: Revista de historia del cine</span><span>, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El problema del archivo de las artes tecnológicas en América Latina es un tema pendiente a resolv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El problema del archivo de las artes tecnológicas en América Latina es un tema pendiente a resolver por artistas, académicos, investigadores y funcionarios, que analizan la función de la institución museística como contenedora física de estos acervos de cine, vídeo y nuevas tecnologías, en su mayor parte dispersos y en deterioro. Desde el cine clásico, pasando por el cine experimental y de vanguardia, el videoarte, las instalaciones y obras en diversos soportes digitales entre otras prácticas, no existen aún investigaciones y estudios comparados a nivel continental. La innumerable cantidad de centros, cinematecas, espacios de arte, fundaciones, festivales, museos, escuelas y universidades dedicadas al cine, al arte contemporáneo y a los estudios visuales no logran resolver este desafío del archivo audiovisual. Es este tema crucial, así como sus posibilidades alternativas, considerando la especificidad de los dispositivos audiovisuales en momentos de su pasteurización digital y frente a prácticas artísticas contemporáneas que incluyen las instalaciones y las nuevas tecnologías.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="56fa5ca56302d694c66ca4a0252c34bc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381198,"asset_id":110619782,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381198/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619782"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619782"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619782; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110619782]").text(description); $(".js-view-count[data-work-id=110619782]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110619782; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110619782']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "56fa5ca56302d694c66ca4a0252c34bc" } } $('.js-work-strip[data-work-id=110619782]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110619782,"title":"Memorias audiovisuales posanalógicas y predigitales. 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Sinfonia do sentimento é uma análise comparativa entre du...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Limite. sinFonia do sentimento* Limite. Sinfonia do sentimento é uma análise comparativa entre duas obras que marcam a história do cinema na América Latina. O filme "Limite" de Mário Peixoto (1931) e "Perón Sinfonia del Sentimiento" de Leonardo Favio (1998) são interpretados a partir de nossa atualidade, primeira década do terceiro milênio, momento crítico, frente ao desaparecimento dos suportes analógicos fundamentais do cinema e do vídeo. A partir de um presente onde predomina a uniformidade expressiva e a máquina digital, retomam-se os valores de mise en scéne de ambos os projetos experimentais realizados por dois dos mais importantes diretores da história do cinema do continente. O contraste entre os usos do fílmico, do vídeo, e da pós-produção digital permitem uma leitura do uso criativo de diversos suportes audiovisuais a partir da tensão que estabelecem esses grandes criadores, entre máquina e imaginário. Atualmente produzir cinema na América Latina continua sendo uma tarefa complexa, dolorosa e titânica. Peixoto e Favio são referências permanentes no processo de uma escritura poética em audiovisual confrontada com os modelos do espetáculo predominante nos meios de massa. palavras-chave: cinema; video; digital; experimentação; máquinas audiovisuais Limite. Sinfonía del sentimiento es un análisis comparativo entre dos obras que marcan la historia del cine en América Latina. El film "Límite" de Mário Peixoto (1931) y "Perón Sinfonía del Sentimiento" de Leonardo Favio (1998) son interpretadas desde esta primera década del tercer milenio, un momento crítico, frente a la desaparición de los soportes analógicos fundacionales del cine y el video. A partir de un presente donde predomina la uniformidad expresiva y la máquina digital, se recorren los valores de puesta en escena de ambos proyectos experimentales realizados por dos de los directores más importantes de la historia del cine del continente. El contraste entre los usos del fílmico, del video, y de la postproducción digital permiten una lectura del uso creativo de los diversos soportes audiovisuales a partir de la tensión que establecen estos grandes creadores, entre máquina e imaginario. Actualmente producir cine en América Latina sigue siendo una tarea compleja, dolorosa y titánica. Peixoto y Favio son referencias permanentes en el proceso de una escritura poética con el audiovisual enfrentada a los modelos del espectáculo predominante en los medios masivos. palabras clave: cine; video; digital; experimentación; máquinas audiovisuals A mensagem de cinema, da América do Sul, daqui a vinte anos, tenho certeza, será tão nova, tão cheia de poesia e de cinema estrutural, como a que assisti hoje. Eu jamais segui um fio tão próximo ao genial como o dessa narração de câmera sul-americana […] 1. Sergei Eisenstein "Limite" é a substituição de uma verdade objetiva por uma vivência interior; uma vivência formalizada, socialmente mentirosa; e sua moral, assim como o tema, é um limite. Certamente, caso prosseguisse, o Mário Peixoto seria um Bergman do estilo que Torre Nilsson é na Argentina. [...] Inclusive quanto a sua condição de artista, esta é uma visão não-autêntica do mundo: no caso do Mário Peixoto, visão assimilada de novelistas e poetas ingleses e alemães, pela sensibilidade da adolescência; em Torre Nilsson, visão assimilada de Kafka e Samuel Beckett, através do Jorge Luis Borges 2. Glauber Rocha</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1524cfa54aa0a1ef100c918d925be43e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381290,"asset_id":110619777,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381290/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619777"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619777"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619777; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110619774"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110619774/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma"><img alt="Research paper thumbnail of Las artes mediáticas interactivas corroen el alma" class="work-thumbnail" src="https://attachments.academia-assets.com/108381287/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110619774/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma">Las artes mediáticas interactivas corroen el alma</a></div><div class="wp-workCard_item"><span>Cuadernos del Centro de Estudios en Diseño y Comunicación</span><span>, Oct 18, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Arte-arte digital-arte experimental-audiovisual-cultura-curaduría de arte-gestión cultural mass m...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Arte-arte digital-arte experimental-audiovisual-cultura-curaduría de arte-gestión cultural mass media-política cultural-tecnología Summary / Interactive media arts wear away the soul Interactive media arts wear away the soul Interactive media arts wear away the soul Interactive media arts wear away the soul Interactive media arts wear away the soul This essay reveals the different alternatives and problems of art nowadays, especially as regards those trends with a strong technological presence, from the video art to digital manifestations. From the perspective of the analysis of circulation and legitimating of works and artists in well known festivals, biennial exhibitions and international contests, reflections is made on the grounds of cultural policies as areas in crisis on behalf of the big changes going on in the so called public space. The text proposes a critic view of the dominant economic and political factors and their relationship with technological issues. Within this context, it establishes a link between production and insertion of the most recent art manifestations into the cultural framework and discusses on the fields of art and the role in the social context of the cultural administration and curatorial work.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="68649996ccc1a4528f9ca596e08933f7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381287,"asset_id":110619774,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381287/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619774"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619774"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619774; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="99584743"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/99584743/escuelas_documentales_en_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of escuelas documentales en América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/100634227/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/99584743/escuelas_documentales_en_Am%C3%A9rica_Latina">escuelas documentales en América Latina</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JBenitezAllassia">Juan Benitez Allassia</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a></span></div><div class="wp-workCard_item"><span>La Cifra Impar. Revista de estudios de audiovisuales</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universid...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universidad del Valle en Cali, Colombia; La Escuela Documental de Santa Fe, Argentina; El Departamento de Cine de la Universidad de Los Andes en Mérida, Venezuela y la Universidad del Cine en Buenos Aires, para armar un breve recorrido de escuelas de cine documentales en Latinoamérica. A partir de estas cuatro instituciones se podrá observar qué implicancia ha tenido la “escuela” en la historia documental latinoamericana. Confeccionando un desarrollo histórico y estudiando las obras significantes, se buscará revisar rasgos comparativos entre estas instituciones y analizar cómo las tecnologías audiovisuales expanden el documental hacia otros territorios.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="994cd266f99ff061b75a593d11db3920" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100634227,"asset_id":99584743,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100634227/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99584743"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99584743"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99584743; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="96491855"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96491855/escuelas_documentales_en_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of escuelas documentales en América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/98376276/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96491855/escuelas_documentales_en_Am%C3%A9rica_Latina">escuelas documentales en América Latina</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JBenitezAllassia">Juan Benitez Allassia</a></span></div><div class="wp-workCard_item"><span>La Cifra Impar. Revista de estudios de audiovisuales</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universid...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universidad del Valle en Cali, Colombia; La Escuela Documental de Santa Fe, Argentina; El Departamento de Cine de la Universidad de Los Andes en Mérida, Venezuela y la Universidad del Cine en Buenos Aires, para armar un breve recorrido de escuelas de cine documentales en Latinoamérica. A partir de estas cuatro instituciones se podrá observar qué implicancia ha tenido la “escuela” en la historia documental latinoamericana. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81293522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81293522/Arte_dise%C3%B1o_medios_Memoriales_de_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of Arte, diseño, medios: Memoriales de América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/87388615/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81293522/Arte_dise%C3%B1o_medios_Memoriales_de_Am%C3%A9rica_Latina">Arte, diseño, medios: Memoriales de América Latina</a></div><div class="wp-workCard_item"><span>DAT Journal</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">En ocasión del Tercer Simposio DAT propongo un recorrido analítico por una serie de muestras que ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">En ocasión del Tercer Simposio DAT propongo un recorrido analítico por una serie de muestras que tuvieron lugar en América Latina que remiten a una memoria sobre las maneras de diseñar, representar y poner en obra problemáticas que hacen a lecturas críticas de nuestro continente. Son los diversos procesos artísticos que desde lo expositivo piensan significativamente y proponen relatos sobre nuestra región y sobre las mismas artes visuales tecnológicas. Un panorama analítico que comprende el cine experimental, la televisión, el video arte, el multimedia, el bioarte como parte de un conjunto que interpela y relaciona críticamente el arte contemporáneo con el diseño y arte mediático. Estos movimientos híbridos implican contaminaciones que trascienden las fronteras de los medios y que podemos considerar bajo el concepto de “extremidades discursivas” como lo define Christine Melo. Un recorrido por las obras de Albertina Carri y Andrés Denegri (Argentina), Gilbertto Prado (Brasil), José A...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b7c35287442a68e6b7634ba284d3404f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87388615,"asset_id":81293522,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87388615/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81293522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81293522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81293522; 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En diálogo con InMediaciones de la Comunicación, Jorge La Ferla, Master in Arts por la Universidad de Pittsburgh y profesor en la Universidad de Buenos Aires y en la Universidad delCine de Argentina, nos propone una cartografía para comprender algunos de los procesos que estamos atravesando y, apelando a la producción rectora de autores ineludibles como Jean-Luc Godard y Chris Marker, se interroga por los sentidos cambiantes de la categoría cine y su capacidad de adaptación a las mutaciones tecnoculturales actuales.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3c35e06463d7d6067fa1ef59bd462ef5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83932714,"asset_id":76172411,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83932714/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76172411"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76172411"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76172411; 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Revista de Cultura Audiovisual. Edição 57</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artículo revisa la circulación y trascendencia de la obra y figura del pensador Arlindo Mach...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artículo revisa la circulación y trascendencia de la obra y figura del pensador Arlindo Machado en América Latina, y particularmente en Argentina, debido a su influencia en la praxis audiovisual. Su pensamiento sobre los medios, considerando los usos creativos y experimentales, fue determinante en la academia y en el campo de las artes mediáticas. A su vez, los periplos a Buenos Aires lo convirtieron en una presencia imprescindible en Argentina, ya que su participación en diversos claustros ponía de manifiesto variadas estrategias discursivas y enunciativas, tanto orales como escritas, en un castellano preciso y elocuente que viene impactando, desde hace varias décadas, en estudiantes de las carreras de cine y centros de formación audiovisual, así como en artistas, profesores y realizadores latinoamericanos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="be12d7d38098b253a3366778a810f431" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80930970,"asset_id":71692722,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80930970/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71692722"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71692722"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71692722; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="52640839"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/52640839/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma"><img alt="Research paper thumbnail of Las artes mediáticas interactivas corroen el alma" class="work-thumbnail" src="https://attachments.academia-assets.com/69809131/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/52640839/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma">Las artes mediáticas interactivas corroen el alma</a></div><div class="wp-workCard_item"><span>Cuadernos del Centro de Estudios de Diseño y Comunicación</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El ensayo revela las diversas alternativas y problemáticas del arte en la actualidad, especialmen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El ensayo revela las diversas alternativas y problemáticas del arte en la actualidad, especialmente de lastendencias de fuerte impronta tecnológica, desde el video arte hasta las manifestaciones digitales. Desde laperspectiva del análisis de la circulación y legitimación de obras y artistas en reconocidos festivales, bienalesy concursos internacionales, se reflexiona acerca del campo de las políticas culturales como espacios en crisisfrente a los grandes cambios del denominado espacio público. El texto plantea una mirada crítica de losfactores económicos y políticos dominantes y su relación con lo tecnológico. Dentro de este contextovincula la producción e inserción en el entramado cultural de las recientes manifestaciones del arte ydelibera acerca del campo del arte y el rol en el contexto social de la gestión cultural y la curaduría.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="56b9ce6f73d032cfa1ba81478fd077b3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":69809131,"asset_id":52640839,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/69809131/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="52640839"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="52640839"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 52640839; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="1340693" id="papers"><div class="js-work-strip profile--work_container" data-work-id="116669280"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016"><img alt="Research paper thumbnail of Entrevistas- 62ª Feira do Livro de Porto Alegre, em 28/10/2016" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016">Entrevistas- 62ª Feira do Livro de Porto Alegre, em 28/10/2016</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Entrevistas realizadas no 1o dia da 62a Feira do Livro de Porto Alegre, entre os entrevistados, f...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Entrevistas realizadas no 1o dia da 62a Feira do Livro de Porto Alegre, entre os entrevistados, falaram com a Radio Andre Iribure Rodrigues e Andre Prytoluk (2min20), Jane Tutikian (21min20s), Cintia Moscovich (40min20), Giovani Rostirolla (52min38s) e Airton Ortiz (1h09min). Ainda, o programa conta com uma dica de leitura de Olivio Dutra.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116669280"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116669280"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116669280; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116669280]").text(description); $(".js-view-count[data-work-id=116669280]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116669280; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116669280']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=116669280]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116669280,"title":"Entrevistas- 62ª Feira do Livro de Porto Alegre, em 28/10/2016","internal_url":"https://www.academia.edu/116669280/Entrevistas_62a_Feira_do_Livro_de_Porto_Alegre_em_28_10_2016","owner_id":11054348,"coauthors_can_edit":true,"owner":{"id":11054348,"first_name":"Jorge","middle_initials":null,"last_name":"La Ferla","page_name":"JorgeLaFerla","domain_name":"ucine","created_at":"2014-04-12T00:35:39.427-07:00","display_name":"Jorge La Ferla","url":"https://ucine.academia.edu/JorgeLaFerla"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110619783"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110619783/Por_una_pr%C3%A1xis_de_archivo_para_las_artes_tecnol%C3%B3gicas_experimentales_em_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of Por una práxis de archivo para las artes tecnológicas experimentales em América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/108381292/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110619783/Por_una_pr%C3%A1xis_de_archivo_para_las_artes_tecnol%C3%B3gicas_experimentales_em_Am%C3%A9rica_Latina">Por una práxis de archivo para las artes tecnológicas experimentales em América Latina</a></div><div class="wp-workCard_item"><span>Significação</span><span>, Jun 23, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O autor encara o arquivo como um conceito de referência indispensável para analisar as artes tecn...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O autor encara o arquivo como um conceito de referência indispensável para analisar as artes tecnológicas. Desenvolve algumas idéias sobre diferentes práticas arquivísticas e finaliza seu artigo fazendo algumas considerações sobre a necessidade de construir um arquivo que nos permita comparar o atual estado das artes tecnológicas na América Latina. The author focuses the archive as a conceptual reference to analyses technological arts. In the article he develops some ideas on archival practices and he finalizes considering it is necessary to construct an archive which permits us to compare the real state of technological arts in Latin America. Informática, arquivos, conceitos de referências, práticas de arquivo, artes tecnológicas em América Latina. Archive, conceptual reference, archival practices, technological Arts in Latin America.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="74177fe22f9e4a28c4677ad68fbfedf5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381292,"asset_id":110619783,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381292/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619783"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619783"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619783; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110619783]").text(description); $(".js-view-count[data-work-id=110619783]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110619783; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110619783']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "74177fe22f9e4a28c4677ad68fbfedf5" } } $('.js-work-strip[data-work-id=110619783]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110619783,"title":"Por una práxis de archivo para las artes tecnológicas experimentales em América Latina","internal_url":"https://www.academia.edu/110619783/Por_una_pr%C3%A1xis_de_archivo_para_las_artes_tecnol%C3%B3gicas_experimentales_em_Am%C3%A9rica_Latina","owner_id":11054348,"coauthors_can_edit":true,"owner":{"id":11054348,"first_name":"Jorge","middle_initials":null,"last_name":"La Ferla","page_name":"JorgeLaFerla","domain_name":"ucine","created_at":"2014-04-12T00:35:39.427-07:00","display_name":"Jorge La Ferla","url":"https://ucine.academia.edu/JorgeLaFerla"},"attachments":[{"id":108381292,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/108381292/thumbnails/1.jpg","file_name":"268349422.pdf","download_url":"https://www.academia.edu/attachments/108381292/download_file","bulk_download_file_name":"Por_una_praxis_de_archivo_para_las_artes.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/108381292/268349422-libre.pdf?1701795031=\u0026response-content-disposition=attachment%3B+filename%3DPor_una_praxis_de_archivo_para_las_artes.pdf\u0026Expires=1741073536\u0026Signature=g34e4Lgu77mAlGVe5xeaGhZg2l6bXaexYYyzt5fGM3GIBHxGYbIyGtYHpKwN1G6HQWre-IDi507fDYYtdi2celTS~FhjkklBJnqw4gVzFBPXdwFjrMwPtwznIEJfcjcspIn-EHINWjYx6iWkDnyI3zhhT7~Jj6tyhKHhGDTecXyjigXK5MrcnIU9qthWk-4Z38rsALnq~HcPIXbjZxNr9bwHT1wnxsWkqlxtvlJWNIgiFfONQkwZKrvR0m~A1qqnIgsSdP72Lk-on4Kz8ZEKu4G2ZWe6PdUjT2a3rN0i69PVZXTpJHXikZ2PfmOAPx42Hnv47tXxLjVCnHF~au~Tyw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110619782"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110619782/Memorias_audiovisuales_posanal%C3%B3gicas_y_predigitales_Por_una_praxis_de_archivos_en_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of Memorias audiovisuales posanalógicas y predigitales. Por una praxis de archivos en América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/108381198/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110619782/Memorias_audiovisuales_posanal%C3%B3gicas_y_predigitales_Por_una_praxis_de_archivos_en_Am%C3%A9rica_Latina">Memorias audiovisuales posanalógicas y predigitales. Por una praxis de archivos en América Latina</a></div><div class="wp-workCard_item"><span>Secuencias: Revista de historia del cine</span><span>, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El problema del archivo de las artes tecnológicas en América Latina es un tema pendiente a resolv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El problema del archivo de las artes tecnológicas en América Latina es un tema pendiente a resolver por artistas, académicos, investigadores y funcionarios, que analizan la función de la institución museística como contenedora física de estos acervos de cine, vídeo y nuevas tecnologías, en su mayor parte dispersos y en deterioro. Desde el cine clásico, pasando por el cine experimental y de vanguardia, el videoarte, las instalaciones y obras en diversos soportes digitales entre otras prácticas, no existen aún investigaciones y estudios comparados a nivel continental. La innumerable cantidad de centros, cinematecas, espacios de arte, fundaciones, festivales, museos, escuelas y universidades dedicadas al cine, al arte contemporáneo y a los estudios visuales no logran resolver este desafío del archivo audiovisual. Es este tema crucial, así como sus posibilidades alternativas, considerando la especificidad de los dispositivos audiovisuales en momentos de su pasteurización digital y frente a prácticas artísticas contemporáneas que incluyen las instalaciones y las nuevas tecnologías.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="56fa5ca56302d694c66ca4a0252c34bc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381198,"asset_id":110619782,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381198/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619782"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619782"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619782; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110619782]").text(description); $(".js-view-count[data-work-id=110619782]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110619782; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110619782']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "56fa5ca56302d694c66ca4a0252c34bc" } } $('.js-work-strip[data-work-id=110619782]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110619782,"title":"Memorias audiovisuales posanalógicas y predigitales. 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Sinfonia do sentimento é uma análise comparativa entre du...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Limite. sinFonia do sentimento* Limite. Sinfonia do sentimento é uma análise comparativa entre duas obras que marcam a história do cinema na América Latina. O filme "Limite" de Mário Peixoto (1931) e "Perón Sinfonia del Sentimiento" de Leonardo Favio (1998) são interpretados a partir de nossa atualidade, primeira década do terceiro milênio, momento crítico, frente ao desaparecimento dos suportes analógicos fundamentais do cinema e do vídeo. A partir de um presente onde predomina a uniformidade expressiva e a máquina digital, retomam-se os valores de mise en scéne de ambos os projetos experimentais realizados por dois dos mais importantes diretores da história do cinema do continente. O contraste entre os usos do fílmico, do vídeo, e da pós-produção digital permitem uma leitura do uso criativo de diversos suportes audiovisuais a partir da tensão que estabelecem esses grandes criadores, entre máquina e imaginário. Atualmente produzir cinema na América Latina continua sendo uma tarefa complexa, dolorosa e titânica. Peixoto e Favio são referências permanentes no processo de uma escritura poética em audiovisual confrontada com os modelos do espetáculo predominante nos meios de massa. palavras-chave: cinema; video; digital; experimentação; máquinas audiovisuais Limite. Sinfonía del sentimiento es un análisis comparativo entre dos obras que marcan la historia del cine en América Latina. El film "Límite" de Mário Peixoto (1931) y "Perón Sinfonía del Sentimiento" de Leonardo Favio (1998) son interpretadas desde esta primera década del tercer milenio, un momento crítico, frente a la desaparición de los soportes analógicos fundacionales del cine y el video. A partir de un presente donde predomina la uniformidad expresiva y la máquina digital, se recorren los valores de puesta en escena de ambos proyectos experimentales realizados por dos de los directores más importantes de la historia del cine del continente. El contraste entre los usos del fílmico, del video, y de la postproducción digital permiten una lectura del uso creativo de los diversos soportes audiovisuales a partir de la tensión que establecen estos grandes creadores, entre máquina e imaginario. Actualmente producir cine en América Latina sigue siendo una tarea compleja, dolorosa y titánica. Peixoto y Favio son referencias permanentes en el proceso de una escritura poética con el audiovisual enfrentada a los modelos del espectáculo predominante en los medios masivos. palabras clave: cine; video; digital; experimentación; máquinas audiovisuals A mensagem de cinema, da América do Sul, daqui a vinte anos, tenho certeza, será tão nova, tão cheia de poesia e de cinema estrutural, como a que assisti hoje. Eu jamais segui um fio tão próximo ao genial como o dessa narração de câmera sul-americana […] 1. Sergei Eisenstein "Limite" é a substituição de uma verdade objetiva por uma vivência interior; uma vivência formalizada, socialmente mentirosa; e sua moral, assim como o tema, é um limite. Certamente, caso prosseguisse, o Mário Peixoto seria um Bergman do estilo que Torre Nilsson é na Argentina. [...] Inclusive quanto a sua condição de artista, esta é uma visão não-autêntica do mundo: no caso do Mário Peixoto, visão assimilada de novelistas e poetas ingleses e alemães, pela sensibilidade da adolescência; em Torre Nilsson, visão assimilada de Kafka e Samuel Beckett, através do Jorge Luis Borges 2. Glauber Rocha</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1524cfa54aa0a1ef100c918d925be43e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381290,"asset_id":110619777,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381290/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619777"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619777"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619777; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110619774"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110619774/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma"><img alt="Research paper thumbnail of Las artes mediáticas interactivas corroen el alma" class="work-thumbnail" src="https://attachments.academia-assets.com/108381287/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110619774/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma">Las artes mediáticas interactivas corroen el alma</a></div><div class="wp-workCard_item"><span>Cuadernos del Centro de Estudios en Diseño y Comunicación</span><span>, Oct 18, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Arte-arte digital-arte experimental-audiovisual-cultura-curaduría de arte-gestión cultural mass m...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Arte-arte digital-arte experimental-audiovisual-cultura-curaduría de arte-gestión cultural mass media-política cultural-tecnología Summary / Interactive media arts wear away the soul Interactive media arts wear away the soul Interactive media arts wear away the soul Interactive media arts wear away the soul Interactive media arts wear away the soul This essay reveals the different alternatives and problems of art nowadays, especially as regards those trends with a strong technological presence, from the video art to digital manifestations. From the perspective of the analysis of circulation and legitimating of works and artists in well known festivals, biennial exhibitions and international contests, reflections is made on the grounds of cultural policies as areas in crisis on behalf of the big changes going on in the so called public space. The text proposes a critic view of the dominant economic and political factors and their relationship with technological issues. Within this context, it establishes a link between production and insertion of the most recent art manifestations into the cultural framework and discusses on the fields of art and the role in the social context of the cultural administration and curatorial work.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="68649996ccc1a4528f9ca596e08933f7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108381287,"asset_id":110619774,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108381287/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110619774"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110619774"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110619774; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="99584743"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/99584743/escuelas_documentales_en_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of escuelas documentales en América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/100634227/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/99584743/escuelas_documentales_en_Am%C3%A9rica_Latina">escuelas documentales en América Latina</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JBenitezAllassia">Juan Benitez Allassia</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a></span></div><div class="wp-workCard_item"><span>La Cifra Impar. Revista de estudios de audiovisuales</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universid...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universidad del Valle en Cali, Colombia; La Escuela Documental de Santa Fe, Argentina; El Departamento de Cine de la Universidad de Los Andes en Mérida, Venezuela y la Universidad del Cine en Buenos Aires, para armar un breve recorrido de escuelas de cine documentales en Latinoamérica. A partir de estas cuatro instituciones se podrá observar qué implicancia ha tenido la “escuela” en la historia documental latinoamericana. Confeccionando un desarrollo histórico y estudiando las obras significantes, se buscará revisar rasgos comparativos entre estas instituciones y analizar cómo las tecnologías audiovisuales expanden el documental hacia otros territorios.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="994cd266f99ff061b75a593d11db3920" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100634227,"asset_id":99584743,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100634227/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99584743"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99584743"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99584743; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="96491855"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96491855/escuelas_documentales_en_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of escuelas documentales en América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/98376276/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96491855/escuelas_documentales_en_Am%C3%A9rica_Latina">escuelas documentales en América Latina</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JBenitezAllassia">Juan Benitez Allassia</a></span></div><div class="wp-workCard_item"><span>La Cifra Impar. Revista de estudios de audiovisuales</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universid...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente artículo toma como casos de estudio la Escuela de Comunicación Social de la Universidad del Valle en Cali, Colombia; La Escuela Documental de Santa Fe, Argentina; El Departamento de Cine de la Universidad de Los Andes en Mérida, Venezuela y la Universidad del Cine en Buenos Aires, para armar un breve recorrido de escuelas de cine documentales en Latinoamérica. A partir de estas cuatro instituciones se podrá observar qué implicancia ha tenido la “escuela” en la historia documental latinoamericana. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81293522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81293522/Arte_dise%C3%B1o_medios_Memoriales_de_Am%C3%A9rica_Latina"><img alt="Research paper thumbnail of Arte, diseño, medios: Memoriales de América Latina" class="work-thumbnail" src="https://attachments.academia-assets.com/87388615/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81293522/Arte_dise%C3%B1o_medios_Memoriales_de_Am%C3%A9rica_Latina">Arte, diseño, medios: Memoriales de América Latina</a></div><div class="wp-workCard_item"><span>DAT Journal</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">En ocasión del Tercer Simposio DAT propongo un recorrido analítico por una serie de muestras que ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">En ocasión del Tercer Simposio DAT propongo un recorrido analítico por una serie de muestras que tuvieron lugar en América Latina que remiten a una memoria sobre las maneras de diseñar, representar y poner en obra problemáticas que hacen a lecturas críticas de nuestro continente. Son los diversos procesos artísticos que desde lo expositivo piensan significativamente y proponen relatos sobre nuestra región y sobre las mismas artes visuales tecnológicas. Un panorama analítico que comprende el cine experimental, la televisión, el video arte, el multimedia, el bioarte como parte de un conjunto que interpela y relaciona críticamente el arte contemporáneo con el diseño y arte mediático. Estos movimientos híbridos implican contaminaciones que trascienden las fronteras de los medios y que podemos considerar bajo el concepto de “extremidades discursivas” como lo define Christine Melo. Un recorrido por las obras de Albertina Carri y Andrés Denegri (Argentina), Gilbertto Prado (Brasil), José A...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b7c35287442a68e6b7634ba284d3404f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87388615,"asset_id":81293522,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87388615/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81293522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81293522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81293522; 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En diálogo con InMediaciones de la Comunicación, Jorge La Ferla, Master in Arts por la Universidad de Pittsburgh y profesor en la Universidad de Buenos Aires y en la Universidad delCine de Argentina, nos propone una cartografía para comprender algunos de los procesos que estamos atravesando y, apelando a la producción rectora de autores ineludibles como Jean-Luc Godard y Chris Marker, se interroga por los sentidos cambiantes de la categoría cine y su capacidad de adaptación a las mutaciones tecnoculturales actuales.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3c35e06463d7d6067fa1ef59bd462ef5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83932714,"asset_id":76172411,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83932714/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76172411"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76172411"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76172411; 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Revista de Cultura Audiovisual. Edição 57</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artículo revisa la circulación y trascendencia de la obra y figura del pensador Arlindo Mach...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artículo revisa la circulación y trascendencia de la obra y figura del pensador Arlindo Machado en América Latina, y particularmente en Argentina, debido a su influencia en la praxis audiovisual. Su pensamiento sobre los medios, considerando los usos creativos y experimentales, fue determinante en la academia y en el campo de las artes mediáticas. A su vez, los periplos a Buenos Aires lo convirtieron en una presencia imprescindible en Argentina, ya que su participación en diversos claustros ponía de manifiesto variadas estrategias discursivas y enunciativas, tanto orales como escritas, en un castellano preciso y elocuente que viene impactando, desde hace varias décadas, en estudiantes de las carreras de cine y centros de formación audiovisual, así como en artistas, profesores y realizadores latinoamericanos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="be12d7d38098b253a3366778a810f431" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80930970,"asset_id":71692722,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80930970/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71692722"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71692722"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71692722; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="52640839"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/52640839/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma"><img alt="Research paper thumbnail of Las artes mediáticas interactivas corroen el alma" class="work-thumbnail" src="https://attachments.academia-assets.com/69809131/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/52640839/Las_artes_medi%C3%A1ticas_interactivas_corroen_el_alma">Las artes mediáticas interactivas corroen el alma</a></div><div class="wp-workCard_item"><span>Cuadernos del Centro de Estudios de Diseño y Comunicación</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El ensayo revela las diversas alternativas y problemáticas del arte en la actualidad, especialmen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El ensayo revela las diversas alternativas y problemáticas del arte en la actualidad, especialmente de lastendencias de fuerte impronta tecnológica, desde el video arte hasta las manifestaciones digitales. Desde laperspectiva del análisis de la circulación y legitimación de obras y artistas en reconocidos festivales, bienalesy concursos internacionales, se reflexiona acerca del campo de las políticas culturales como espacios en crisisfrente a los grandes cambios del denominado espacio público. El texto plantea una mirada crítica de losfactores económicos y políticos dominantes y su relación con lo tecnológico. Dentro de este contextovincula la producción e inserción en el entramado cultural de las recientes manifestaciones del arte ydelibera acerca del campo del arte y el rol en el contexto social de la gestión cultural y la curaduría.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="56b9ce6f73d032cfa1ba81478fd077b3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":69809131,"asset_id":52640839,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/69809131/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="52640839"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="52640839"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 52640839; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2798799" id="teachingdocuments"><div class="js-work-strip profile--work_container" data-work-id="38180372"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38180372/Una_Introducci%C3%B3n_a_la_muestra_Circuito_Alameda_doc"><img alt="Research paper thumbnail of Una Introducción a la muestra Circuito Alameda.doc" class="work-thumbnail" src="https://attachments.academia-assets.com/58216881/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38180372/Una_Introducci%C3%B3n_a_la_muestra_Circuito_Alameda_doc">Una Introducción a la muestra Circuito Alameda.doc</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://usp-br.academia.edu/GilberttoPrado">Gilbertto Prado</a></span></div><div class="wp-workCard_item"><span>Circuito Alameda</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Introducción al proceso integral de la exposición personal de Gilbertto Prado y del Grupo Poética...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Introducción al proceso integral de la exposición personal de Gilbertto Prado y del Grupo Poéticas Digitais realizada en el Laboratorio Arte Alameda, LAA, de la Ciudad de México que tuvo lugar en el año 2018. La muestra “Circuito Alameda” combinó una serie de obras site specific creadas para el LAA, en el antiguo convento de San Diego, Sec. XVI, que fueron puestas en diálogo con trabajos personales del artista y el Grupo. Una muestra desplegada en 5 salas distintas, para una superficie de 600 metros cuadrados, aproximadamente. La idea y el desarrollo del partido conceptual fue establecer circuitos precisos con/entre el espacio y los visitantes en su relación con las obras. Se pusieron en escena los diversos procesos históricos, entre las costumbres locales, la invasión, la colonización y la evangelización, los choques culturales y sus vínculos del entorno urbano, particularmente del vecino Paseo Alameda como continuación del relato de una trayectoria artística de varias décadas. La exposición fue curada por Jorge La Ferla, a partir de un proceso de preparación de dos años entre el Laboratorio, el artista y el Grupo Poéticas Digitales. Este texto antecede es un preview introductorio al libro, Circuito Alameda, publicado por el Laboratorio Arte Alameda, INBA Instituto Nacional de Bellas Artes, Ciudad de México, 2019.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="646cc14de596d562abf18f4295f156d1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58216881,"asset_id":38180372,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58216881/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38180372"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38180372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38180372; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2798800" id="books"><div class="js-work-strip profile--work_container" data-work-id="67549691"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67549691/Intermedia_Ensayos_sobre_una_praxis_acad%C3%A9mica_Indice_y_pr%C3%B3logo_"><img alt="Research paper thumbnail of Intermedia. Ensayos sobre una praxis académica [Indice y prólogo]" class="work-thumbnail" src="https://attachments.academia-assets.com/78324230/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67549691/Intermedia_Ensayos_sobre_una_praxis_acad%C3%A9mica_Indice_y_pr%C3%B3logo_">Intermedia. Ensayos sobre una praxis académica [Indice y prólogo]</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uba.academia.edu/MarielSzlifman">Mariel Szlifman</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a></span></div><div class="wp-workCard_item"><span>Intermedia. Ensayos sobre una praxis académica</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Jorge La Ferla & Mariel Szlifman (comps.) Una compilación de ensayos críticos en torno al arte, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Jorge La Ferla & Mariel Szlifman (comps.)<br /><br />Una compilación de ensayos críticos en torno al arte, los medios, el diseño expandido y sus escenas de instrucción. Realizado por una serie de profesores e investigadores de universidades de Argentina y Brasil, los textos que conforman este libro reflexionan sobre la producción y circulación de los medios audiovisuales en el paisaje mediático. La disciplina del diseño y sus posibles expansiones, la enseñanza como práctica reflexiva y creativa, las transformaciones de la imagen-movimiento, el arte contemporáneo y el media art, así como los procesos expositivos y la práctica curatorial en el área arte-ciencia-tecnología, son algunas de las líneas de fuerza que ponen en escena nuestra praxis académica.<br /><br />Autores:<br />Adosi Antonelia<br />Beiguelman Giselle<br />Blanch Alex<br />Bonzano Celeste<br />Boschi Gabriel<br />Cantú Mariela<br />Díaz Ramiro Iván <br />Devia Nuño Andrea <br />Fatorelli Antonio <br />La Ferla Jorge <br />Leyton Lucía <br />Santos Nara Cristina <br />Szlifman Mariel <br />De la Torre Victoria <br />Vicente Federico<br /><br />ISBN 978-987-1871-78-0<br />ISBN (digital) 978-987-1871-99-5</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5bab6ee55e3a517a92a7d0d573daa3ec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78324230,"asset_id":67549691,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78324230/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67549691"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67549691"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67549691; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=67549691]").text(description); $(".js-view-count[data-work-id=67549691]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 67549691; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='67549691']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5bab6ee55e3a517a92a7d0d573daa3ec" } } $('.js-work-strip[data-work-id=67549691]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":67549691,"title":"Intermedia. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="64982259"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/64982259/_El_neoTr%C3%B3pico_de_Gerardo_Suter_"><img alt="Research paper thumbnail of “El neoTrópico de Gerardo Suter”" class="work-thumbnail" src="https://attachments.academia-assets.com/76765930/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/64982259/_El_neoTr%C3%B3pico_de_Gerardo_Suter_">“El neoTrópico de Gerardo Suter”</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/GerardoSuter">Gerardo Suter</a></span></div><div class="wp-workCard_item"><span>neoTrópico Cajanegra y otros Microrrelatostos</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Texto curatorial de la Exposición de Gerardo Suter "neoTrópico (Cajanegra y otros Microrrelatos)"...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Texto curatorial de la Exposición de Gerardo Suter "neoTrópico (Cajanegra y otros Microrrelatos)", que tuvo lugar en Laboratorio Arte Alameda, Instituto Nacional de Bellas Artes, Ciudad de México, 2017/2018<br />ISBN 978-607-605-528-1</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="42978dea27619bf615298012bed69777" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":76765930,"asset_id":64982259,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/76765930/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64982259"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64982259"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64982259; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39201188"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39201188/Circuito_Alameda"><img alt="Research paper thumbnail of Circuito Alameda" class="work-thumbnail" src="https://attachments.academia-assets.com/59329668/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39201188/Circuito_Alameda">Circuito Alameda</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://usp-br.academia.edu/PradoGilbertto">Gilbertto Prado</a></span></div><div class="wp-workCard_item"><span>CIRCUITO ALAMEDA</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Catálogo de la exposición personal de Gilbertto Prado y del Grupo Poéticas Digitales realizada en...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Catálogo de la exposición personal de Gilbertto Prado y del Grupo Poéticas Digitales realizada en el Laboratorio Arte Alameda, LAA, de la Ciudad de México (2018). La muestra “Circuito Alameda” combinó una serie de obras site specific creadas para el LAA, en el antiguo convento de San Diego, Sec. XVI, que fueron puestas en diálogo con trabajos personales del artista y el Grupo. Una muestra desplegada en 5 salas distintas, para una superficie de 600 metros cuadrados, aproximadamente. Una muestra personal que puso en escena los diversos procesos históricos, entre las costumbres locales, la invasión, la colonización y la evangelización, los choques culturales y sus vínculos del entorno urbano, particularmente del vecino Paseo Alameda como continuación del relato de una trayectoria artística de varias décadas. La exposición, curada por Jorge La Ferla, resultó de un proceso de preparación de dos años entre el Laboratorio, el artista y el Grupo Poéticas Digitales. Este  fue publicado por el Laboratorio Arte Alameda, I.N.B.A. Instituto Nacional de Bellas Artes, Ciudad de México, 2018.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6c0c3b0136c8442787a7f2b2a22a5f40" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59329668,"asset_id":39201188,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59329668/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39201188"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39201188"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39201188; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="29002948"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/29002948/Estado_de_emergencia_de_Charly_Nijensohn"><img alt="Research paper thumbnail of Estado de emergencia de Charly Nijensohn" class="work-thumbnail" src="https://attachments.academia-assets.com/49451381/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29002948/Estado_de_emergencia_de_Charly_Nijensohn">Estado de emergencia de Charly Nijensohn</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unlp.academia.edu/MarielaCantu">Mariela Cantu</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CharlyNijensohn">Charly Nijensohn</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Catálogo de la Exposición de Charly Nijensohn (Espacio Fundación Telefónica de Buenos Aires 2014)...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Catálogo de la Exposición de Charly Nijensohn (Espacio Fundación Telefónica de Buenos Aires 2014) Artista de origen argentino, residente en Berlín, de importante trayectoria internacional.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="972e250b97db3f382c7879bdf263e54d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49451381,"asset_id":29002948,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49451381/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29002948"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29002948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29002948; 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Considerando los aspectos históricos de nuestras universidades,  y los respectivos trayectos que hemos seguido en Argentina y en Colombia. Coordinación de la publicación: Liliana Villescas Guzmán, Luis Fernando Escobar Velásquez, Felipe César Londoño López, Jorge La Ferla. <br />Autores: Roy Ascott, Hernando Barragán, Xavier Berenguer, Pierre Bongiovanni, Robert Bolz, Rejane Cantoni, Walter Castañeda, Ricardo Cedeño, Michel Chion, Jean-Louis Comolli, Myriam Luisa Díaz, Philippe Dubois, Anne-Marie Duguet, Mauricio Durán Castro, Umberto Eco, Jean-Paul Fargier, Priscila Farías, Claudia Giannetti, Carmen Gil Vrolik, Jean-Luc Godard, Adriana Gómez Alzate, Oliver Grau, Iliana Hernández García, Eduardo Kac, Jorge La Ferla, Pierre Lévy, Felipe César Londoño López, Arlindo Machado, Lev Manovich, Christine Melo, Martha Patricia Niño, Nam June Paik, José Ramón Perez Ornia, Omar Rincón, Nils Röller, Eduardo Russo, Carmelo Saitta, Lucia Santaella, María Teresa Santoro, Paula Sibilia, Bill Viola, Paul Virilio, Peter Weibel, Gerardo Yoel, Gene Youngblood, Siegfried Zielinski. <br />Diseño y diagramación: Diego Bustamante, Corrección de estilo: Maritza Isaza Osorio y Gustavo Zappa, Digitalización de textos: Claudia Aguirre</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba936a8aae58f2244d600c7ab3c06153" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37022955,"asset_id":11510523,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37022955/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11510523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11510523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11510523; 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La Ferla, Jorge (comp.) - Introduc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Televisiones, Espacio Fundación Telefónica, Buenos Aires, 201. La Ferla, Jorge (comp.)<br />- Introducción, Jorge La Ferla<br />I. La ecuación TV<br />-La televisión no es un aparato, es un lenguaje, Luis Alberto Quevedo<br />- Le direct gagne du terrain, Jean-Paul Fargier<br />-TV, educación y ciudadanía, Mario Carlón<br />-La ventana al mundo se hace más grande …, Andrea Di Castro<br />-Pensar la utopía de la televisión en un mundo sin utopías, Ángel Quintana<br />-¿Qué es la televisión? Aproximación a las teorías de la televisión, José Ramón Pérez Ornia<br />II. Transmisión, Interactividad, Ideología<br />-El concepto de televisión en vivo: Ontología como Ideología, Jane Feuer<br />- TV y Satélite, Lisa Parks<br />I. Technostruggles and the Satellite Dish: A Populist Approach to Infrastructure<br />II. Our World, Satellite Televisuality, and the Fantasy of Global Presence<br />- Escenarios para la Televisión digital interactiva, Carlos Ferraz<br />-La televisión brasileña en transición: en busca de formatos de referencia, Yvana Fechine<br />III. La Imagen Electrónica, del monitor al museo.<br />- La televisión en el museo, María José Herrera<br />I. En medio de los medios. La experimentación con los medios masivos de comunicación en el arte de los 60.<br />II. La televisión en el museo, ayer, aquí y ahora.<br />III. Apéndice<br />- TV/ARS/TV, Valentina Valentini<br />- Arte y televisión en la era digital, Iván Marino<br />- Arte y Televisión, Marco Senaldi<br />I. De Mike Bongiorno a John Cage<br />II. Desviar un medio</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a0baa96a593b36058003c72499a79cb9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36204598,"asset_id":10080024,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36204598/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10080024"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10080024"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10080024; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10080024]").text(description); $(".js-view-count[data-work-id=10080024]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10080024; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10080024']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a0baa96a593b36058003c72499a79cb9" } } $('.js-work-strip[data-work-id=10080024]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10080024,"title":"Televisiones (en español)","internal_url":"https://www.academia.edu/10080024/Televisiones_en_espa%C3%B1ol_","owner_id":11054348,"coauthors_can_edit":true,"owner":{"id":11054348,"first_name":"Jorge","middle_initials":null,"last_name":"La Ferla","page_name":"JorgeLaFerla","domain_name":"ucine","created_at":"2014-04-12T00:35:39.427-07:00","display_name":"Jorge La Ferla","url":"https://ucine.academia.edu/JorgeLaFerla"},"attachments":[{"id":36204598,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36204598/thumbnails/1.jpg","file_name":"Televisiones.pdf","download_url":"https://www.academia.edu/attachments/36204598/download_file","bulk_download_file_name":"Televisiones_en_espanol.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36204598/Televisiones-libre.pdf?1420775686=\u0026response-content-disposition=attachment%3B+filename%3DTelevisiones_en_espanol.pdf\u0026Expires=1741073536\u0026Signature=K7Sfws4mrP2XVKkPeRoXtjPLCIEUhGAtDEkava-ZzehOQWHIttWYYmARc~DDnYg6gW2RN3BM32zDeJ4EWAGXsfINkSvPJSxb5RLFzH78NGbyslWV2GCmlOCSSmxkGtTk7Yfv6vILs4QCagI9HvbPpDlU1JPsGDsu5cuz6mdOUmhvUVqqh8I6hRT9ekJUweyKFfCpUVctVqGKuqUlyohH8ClcqXUOE8OFBoiAhiYmjCs3Y73ftIlzJiwtWcvUYXuhgD-KejFFeVj850wwmsMlAllUXWI9EEMLwRMYvBQvPU~lZ6x0XoDYeOY0a7xF95v8MVWqNl1~j3QcrX87OhyxQA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="11576875"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/11576875/NOMADISMOS_TECNOL%C3%93GICOS_DISPOSITIVOS_M%C3%93VILES_USOS_MASIVOS_Y_PR%C3%81CTICAS_ART%C3%8DSTICAS"><img alt="Research paper thumbnail of NOMADISMOS TECNOLÓGICOS DISPOSITIVOS MÓVILES. USOS MASIVOS Y PRÁCTICAS ARTÍSTICAS" class="work-thumbnail" src="https://attachments.academia-assets.com/37064871/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11576875/NOMADISMOS_TECNOL%C3%93GICOS_DISPOSITIVOS_M%C3%93VILES_USOS_MASIVOS_Y_PR%C3%81CTICAS_ART%C3%8DSTICAS">NOMADISMOS TECNOLÓGICOS DISPOSITIVOS MÓVILES. USOS MASIVOS Y PRÁCTICAS ARTÍSTICAS</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Esta publicación es testimonio del simposio Nomadismos Tecnológicos, primer resultado de la colab...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Esta publicación es testimonio del simposio Nomadismos Tecnológicos,<br />primer resultado de la colaboración entre el Espacio<br />Fundación Telefónica y el Instituto Sergio Motta. Un proyecto<br />que responde a las políticas de ambas instituciones para incentivar<br />las artes tecnológicas a partir de una praxis de estudio, promoción<br />de obras, llamado a concursos y premios nacionales, y la<br />realización de estos encuentros que convocan a artistas y teóricos.<br />La invitación para esta conferencia de Buenos Aires ha buscado<br />reunir referentes internacionales que se destacan en el<br />pensamiento sobre los usos masivos y la práctica artística con<br />las tecnologías móviles. Esta compilación de los textos propone<br />un recorrido intelectual y crítico, que brinda un panorama de<br />análisis conceptual sobre este aspecto crucial de las relaciones<br />entre los medios de comunicación y las variables de creación<br />artística con dispositivos tecnológicos.<br /><br />Compilación y edición de textos:<br />Giselle Beiguelman y Jorge La Ferla<br /><br />Autores:<br />Alejandro Artopoulos, Lucas Bambozzi, Marcus Bastos,<br />Giselle Beiguelman, Nelson Brissac Peixoto, Wendy Hui Kyong Chun, Tim Cresswell, Andrea Di Castro, Martha Ladly, André Lemos, David McIntosh, Lucia Santaella, Wolfgang Schäffner, Mariela Yeregui</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9bbbcfd008388a9944b2d8e82bef76c7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37064871,"asset_id":11576875,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37064871/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11576875"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11576875"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11576875; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11576875]").text(description); $(".js-view-count[data-work-id=11576875]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11576875; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11576875']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9bbbcfd008388a9944b2d8e82bef76c7" } } $('.js-work-strip[data-work-id=11576875]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11576875,"title":"NOMADISMOS TECNOLÓGICOS DISPOSITIVOS MÓVILES. 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La Ferla, Jorge (ed.), MALBA, Museo de Arte Latinoamericano de Buenos Aires/EFT, Espacio Fundación Telefónica, Buenos Aires, 2008. ISBN 978-987-1271" class="work-thumbnail" src="https://attachments.academia-assets.com/36855872/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11263610/Historia_Cr%C3%ADtica_del_Video_Argentino_La_Ferla_Jorge_ed_MALBA_Museo_de_Arte_Latinoamericano_de_Buenos_Aires_EFT_Espacio_Fundaci%C3%B3n_Telef%C3%B3nica_Buenos_Aires_2008_ISBN_978_987_1271">Historia Crítica del Video Argentino. La Ferla, Jorge (ed.), MALBA, Museo de Arte Latinoamericano de Buenos Aires/EFT, Espacio Fundación Telefónica, Buenos Aires, 2008. ISBN 978-987-1271</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Un recorrido histórico por los movimientos y vertientes del audiovisual experimental en Argentina...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Un recorrido histórico por los movimientos y vertientes del audiovisual experimental en Argentina. Textos de Rodrigo Alonso, Adrián Cangi, Mariela Cantú, Gustavo Galuppo, Ana Claudia García, Anabel Márquez, Sofía Reynal, Graciela Taquini, Mariela Yeregui.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3fa27dc7a567c6a2b3ba8f9e2ed2b9aa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36855872,"asset_id":11263610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36855872/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11263610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11263610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11263610; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11263610]").text(description); $(".js-view-count[data-work-id=11263610]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11263610; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11263610']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3fa27dc7a567c6a2b3ba8f9e2ed2b9aa" } } $('.js-work-strip[data-work-id=11263610]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11263610,"title":"Historia Crítica del Video Argentino. 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Historias y F...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este libro es testimonio del Coloquio Internacional Educar en Medios Audiovisuales. Historias y Futuros, que tuvo lugar en el Espacio Fundación Telefónica de Buenos Aires a finales de 2012, y cuya propuesta consistió en pensar los estudios cinematográficos –y, en términos más generales, del audiovisual– a lo largo del tiempo, en la coyuntura actual y en sus perspectivas de futuro, en relación con las distintas instancias de formación profesional. Todo un desafío para un campo poco investigado en su desarrollo histórico, sobre todo atendiendo a la especificidad que ha tenido cada una de sus etapas: desde los momentos donde el aprendizaje consistía en la práctica en terreno, hasta la constitución<br />de una escena donde la educación formal se ha hecho cargo del tema y ha creado una compleja oferta de capacitación. En el presente, los desafíos se han vuelto más complejos por la desaparición definitiva de los soportes analógicos y su remplazo por las tecnologías basadas en la digitalización, lo<br />que desdibujó algunos límites, creó nuevas profesiones y exige nuevos saberes.<br />Índice:<br />I. El cine se hace escuela<br />- La enseñanza del cine en las universidades. Una propuesta de historia y los impactos de la tecnología digital, Luciana Rodrigues<br />- Análisis crítico de las escuelas de cine en la Argentina. - Dilemas entre la teoría y la práctica, Rodolfo Hermida.<br />- Una perspectiva histórica sobre los estudios universitarios de cinematografía y el cine experimental en los Estados Unidos en las décadas de 1960 y 1970, Michael Zryd.<br /><br />II. Escenas de instrucción en América Latina<br />- Dos experiencias educativas en torno a los medios audiovisuales. Origen, propuestas y logros. Casos de egresados destacados, Eduardo Feller.<br />- Universidad del Cine, una escuela que produce o una productora que enseña: el dilema de una institución diferente, Mario Santos.<br />- Educación y medios. Una historia, Fabián Hofman.<br />Uruguay: La utopía (audiovisual) hecha realidad... ¿y ahora?<br />- De la utopía a la realidad, Esteban Schroeder.<br />- La formación en cine en el Uruguay, Sergio Miranda.<br />- La enseñanza del cine en el nuevo universo audiovisual, Pablo Rovito.<br />ÁTICO: La formación desde la creación, Germán Rey.<br /><br />III. Artes tecnológicas. De los nuevos medios al posvirtual.<br />Educación audiovisual entre el “fin de los medios masivos” y la emergencia de los “nuevos medios”, Mario Carlón.<br />- La (Especialización) Creación Multimedia: una aventura de la ciencia al arte, Myriam Luisa Díaz Moyano.<br />- Cine del “postubo” en la era del fin de lo virtual, Giselle Beiguelman.<br />Créditos:<br />Compilación y edición de textos<br />Jorge La Ferla<br />Luis ALberto Quevedo<br />Coordinación<br />Silvana Spadaccini<br />Diseño y producción gráfica<br />Fabián Muggeri<br />Corrección<br />Alicia Di Stasio - Mario Valledor<br />Traducción<br />Alicia Di Stasio<br />Fotocromos e impresión<br />Akian Gráfica</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c3824a501f761573ec347b454017da44" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37064815,"asset_id":11576816,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37064815/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11576816"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11576816"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11576816; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="11262884"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/11262884/Arte_ciencia_y_tecnolog%C3%ADa_Un_panorama_cr%C3%ADtico_La_Ferla_Jorge_Ed_E_F_T_Espacio_Fundaci%C3%B3n_Telef%C3%B3nica_Buenos_Aires_2010_ISBN_978_987_244475_8_8"><img alt="Research paper thumbnail of Arte, ciencia y tecnología. Un panorama crítico. La Ferla, Jorge (Ed.), E.F.T., Espacio Fundación Telefónica, Buenos Aires, 2010. ISBN 978-987-244475-8-8" class="work-thumbnail" src="https://attachments.academia-assets.com/36855591/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11262884/Arte_ciencia_y_tecnolog%C3%ADa_Un_panorama_cr%C3%ADtico_La_Ferla_Jorge_Ed_E_F_T_Espacio_Fundaci%C3%B3n_Telef%C3%B3nica_Buenos_Aires_2010_ISBN_978_987_244475_8_8">Arte, ciencia y tecnología. Un panorama crítico. La Ferla, Jorge (Ed.), E.F.T., Espacio Fundación Telefónica, Buenos Aires, 2010. ISBN 978-987-244475-8-8</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Esta publicación es testimonio de una serie actividades académicas que formaron parte de eventos ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Esta publicación es testimonio de una serie actividades académicas que formaron parte de eventos artísticos y culturales que tuvieron lugar en Buenos Aires formando parte del programa de actividades del Espacio Fundación Telefónica, bajo la gestión de la directora Alejandrina D´Elía. Este libro fue parte de un proyecto que combinó conferencias, exposiciones y seminarios ofrecidos por artistas, realizadores y teóricos invitados señalando vertientes de pensamiento para una historia de la praxis entre las artes, la ciencia y la tecnología. Concebido como volumen de estudio y consulta propone como un recorrido crítico, a través de la compilación de 18 textos, los cuales dan testimonio de las actividades que fueron desarrollando sus ilustres autores presentes en Buenos Aires. Textos de: Roy Ascott, Robert Atkins, Raymond Bellour, Luis Camnitzer, Rejane Cantoni,  Jean-Louis Comolli, Wendy Chun,  George Legrady, Arlindo Machado, Lev Manovich, Simon Penny, osé Alejandro Restrepo, Eduardo Russo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="93593be43bd9c6a451e8965b99e4631b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36855591,"asset_id":11262884,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36855591/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11262884"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11262884"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11262884; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11262884]").text(description); $(".js-view-count[data-work-id=11262884]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11262884; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11262884']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "93593be43bd9c6a451e8965b99e4631b" } } $('.js-work-strip[data-work-id=11262884]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11262884,"title":"Arte, ciencia y tecnología. Un panorama crítico. La Ferla, Jorge (Ed.), E.F.T., Espacio Fundación Telefónica, Buenos Aires, 2010. 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La muestra “Circuito Alameda” combinó una serie de obras  site specific<br /> creadas  para el LAA, en el antiguo convento de San Diego,  Sec. XVI, que fueron puestas en diálogo con trabajos  personales del artista y el Grupo. Una muestra desplegada en 5 salas distintas, para una superficie de <br />600 metros cuadrados, aproximadamente. La idea y el desarrollo del partido conceptual fue establecer circuitos precisos con/entre el espacio y los visitantes en su relación con las obras. Se pusieron en  escena los diversos procesos históricos, entre las costumbres locales, la invasión, la colonización y la evangelización, los choques culturales y sus vínculos del entorno urbano, particularmente del vecino Paseo Alameda como continuación del relato de una trayectoria artística de varias décadas. La exposición fue curada por Jorge La Ferla, a partir de un proceso <br />de preparación de dos años entre el Laboratorio, el artista y el Grupo Poéticas Digitales.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41780621abbfb048bc8f2a6e3c56d229" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58211802,"asset_id":38176030,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58211802/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38176030"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38176030"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38176030; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38176030]").text(description); $(".js-view-count[data-work-id=38176030]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38176030; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38176030']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41780621abbfb048bc8f2a6e3c56d229" } } $('.js-work-strip[data-work-id=38176030]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38176030,"title":"Una Introducción a la muestra Circuito Alameda","internal_url":"https://www.academia.edu/38176030/Una_Introducci%C3%B3n_a_la_muestra_Circuito_Alameda","owner_id":64897954,"coauthors_can_edit":true,"owner":{"id":64897954,"first_name":"Gilbertto","middle_initials":null,"last_name":"Prado","page_name":"PradoGilbertto","domain_name":"usp-br","created_at":"2017-05-29T11:04:29.022-07:00","display_name":"Gilbertto Prado","url":"https://usp-br.academia.edu/PradoGilbertto"},"attachments":[{"id":58211802,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58211802/thumbnails/1.jpg","file_name":"17ART_Gilbertto_Prado.pdf","download_url":"https://www.academia.edu/attachments/58211802/download_file","bulk_download_file_name":"Una_Introduccion_a_la_muestra_Circuito_A.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58211802/17ART_Gilbertto_Prado-libre.pdf?1547846057=\u0026response-content-disposition=attachment%3B+filename%3DUna_Introduccion_a_la_muestra_Circuito_A.pdf\u0026Expires=1741073536\u0026Signature=LG-VIXHsFP~RyJmol2ZaY5kIAHmJuQJfnWrh4Op6hqsGJ69vOYPClp20miFo5fZ4yBq6CjVwDVvCW1jDdPLuwf40lZ4GZJjlxsNdL6Duh-aKp05QdSTlMtqxB8bxqmtYZW6VVh7wcXiyyssSTZn37Brf21O1-2nG~WSpuAy7exHUm1dFrf8H8C3Qr1ohyH2oQYOOnwA5IJbWJzhubzr~5SRVy~pxwuw7HhxjuwlcsKMb~P6VvL~5~IwuUi6aXOx4MRQkpSBZJwKOATsqmqE9zJrsLuSG6-TigjUsk3fGT4swhPhxjMM5-y8o~T8Rg-FPiZqfNk6vyTFIeE1xLMuMWQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8915403" id="drafts"><div class="js-work-strip profile--work_container" data-work-id="38327249"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38327249/Paisajes_en_conflicto_Final_Academia_edu_doc"><img alt="Research paper thumbnail of Paisajes en conflicto. Final. Academia.edu.doc" class="work-thumbnail" src="https://attachments.academia-assets.com/58377890/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38327249/Paisajes_en_conflicto_Final_Academia_edu_doc">Paisajes en conflicto. Final. Academia.edu.doc</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucine.academia.edu/JorgeLaFerla">Jorge La Ferla</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unsam.academia.edu/FlorenciaLevy">Florencia Levy</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El video monocanal, Paisaje para una persona (2015) de la artista argentina Florencia Levy, señal...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El video monocanal, Paisaje para una persona (2015) de la artista argentina Florencia Levy, señala un punto de inflexión, en una producción que abarca una amplia serie de procesos que van de la fotografía a la instalación, del libro a la imagen en movimiento. 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En diálogo con InMediaciones de la Comunicación, Jorge La Ferla, Master in Arts por la Universidad de Pitts-burgh y profesor en la Universidad de Buenos Aires y en la Universidad del Cine de Argentina, nos propone una cartografía para comprender algunos de los procesos que estamos atravesando y, apelando a la producción rectora de autores ineludibles como Jean-Luc Godard y Chris Marker, se interroga por los sentidos cambiantes de la categoría cine y su capacidad de adaptación a las mutaciones tecnoculturales actuales.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="39bedc86536f0d7fef17c977a2a3efe6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67678110,"asset_id":49295092,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67678110/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49295092"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49295092"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49295092; 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