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src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">The Golden Way The Hebrew Sonnet during The Renaissance and Baroque Periods</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="7807047" href="https://bgu.academia.edu/dbregman"><img alt="Profile image of dvora bregman" class="ds-work-card--author-avatar" src="//a.academia-assets.com/images/s65_no_pic.png" />dvora bregman</a></div><div 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data-landing_url="https://www.academia.edu/19054917" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="42739691" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42739691/Susan_Einbinder_Review_of_The_Golden_Way_The_Hebrew_Sonnet_During_the_Renaissance_and_the_Baroque_by_Dvora_Bregman_Journal_of_Jewish_Studies_vol_59_no_2_Autumn_2008_343_345">Susan Einbinder, “Review of ‘The Golden Way: The Hebrew Sonnet During the Renaissance and the Baroque’, by Dvora Bregman,” Journal of Jewish Studies, vol. 59, no. 2 (Autumn 2008): 343-345</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9799022" href="https://uconn.academia.edu/SusanEinbinder">Susan Einbinder</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Susan Einbinder, “Review of ‘The Golden Way: The Hebrew Sonnet During the Renaissance and the Baroque’, by Dvora Bregman,” Journal of Jewish Studies, vol. 59, no. 2 (Autumn 2008): 343-345","attachmentId":62957881,"attachmentType":"pdf","work_url":"https://www.academia.edu/42739691/Susan_Einbinder_Review_of_The_Golden_Way_The_Hebrew_Sonnet_During_the_Renaissance_and_the_Baroque_by_Dvora_Bregman_Journal_of_Jewish_Studies_vol_59_no_2_Autumn_2008_343_345","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42739691/Susan_Einbinder_Review_of_The_Golden_Way_The_Hebrew_Sonnet_During_the_Renaissance_and_the_Baroque_by_Dvora_Bregman_Journal_of_Jewish_Studies_vol_59_no_2_Autumn_2008_343_345"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="14609295" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/14609295/The_Book_of_Psalms_and_the_Early_Modern_Sonnet_Renaissance_Studies_29_2015_632_49">'The Book of Psalms and the Early Modern Sonnet', Renaissance Studies, 29 (2015), 632-49.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="12870224" href="https://cambridge.academia.edu/DeirdreSerjeantson">Deirdre Serjeantson</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Psalms and sonnets were the most popular lyric genres in early modern English writing. Little scholarly attention, however, has been paid to the common ground between the two forms, largely because they have been perceived as incompatible, with one epitomizing the sacred, and the other, the secular, literature of their day. Nonetheless, sixteenth-century writers often moved from one genre to the other; the first sonnet sequence in English (Anne Lock's A Meditation of a Penitent Sinner, 1560), takes the form of a translation of Psalm 51; and paraphrases of other psalms appear in sonnet sequences by Barnabe Barnes and Henry Lok. The figure of David as psalmist and poet is invoked in sonnets as well as psalms, and the diction of the biblical texts was harnessed and remade for the secular tradition. This essay argues for a close relationship between psalms and sonnets, and through an examination of the influences exerted on both genres, including contemporary poetics and Petrarchism, it suggests that both the biblical Book of Psalms, and the broader tradition of psalm translation, provided an important model for the early modern English sonnet sequence.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"'The Book of Psalms and the Early Modern Sonnet', Renaissance Studies, 29 (2015), 632-49.","attachmentId":47061274,"attachmentType":"pdf","work_url":"https://www.academia.edu/14609295/The_Book_of_Psalms_and_the_Early_Modern_Sonnet_Renaissance_Studies_29_2015_632_49","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/14609295/The_Book_of_Psalms_and_the_Early_Modern_Sonnet_Renaissance_Studies_29_2015_632_49"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="120702863" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/120702863/The_Early_Italian_Sonnet">The Early Italian Sonnet</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30921917" href="https://stanford.academia.edu/BarbaraPrescott">Dr. Barbara L Prescott</a></div><p class="ds-related-work--metadata ds2-5-body-xs">SONNET: A Journal of Poetry, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">The Early Italian Sonnet, SONNET: A Journal of Poetry, Volume 1, August Academic Press, Inc., 2018.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Early Italian Sonnet","attachmentId":115768800,"attachmentType":"pdf","work_url":"https://www.academia.edu/120702863/The_Early_Italian_Sonnet","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/120702863/The_Early_Italian_Sonnet"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="19053653" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19053653/CHRISTIANS_JEWS_AND_HEBREW_SONNETS">CHRISTIANS, JEWS AND HEBREW SONNETS</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7807047" href="https://bgu.academia.edu/dbregman">dvora bregman</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CHRISTIANS, JEWS AND HEBREW SONNETS","attachmentId":40404643,"attachmentType":"pdf","work_url":"https://www.academia.edu/19053653/CHRISTIANS_JEWS_AND_HEBREW_SONNETS","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19053653/CHRISTIANS_JEWS_AND_HEBREW_SONNETS"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="10047380" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10047380/Obscure_Configurations_of_Desire_Notes_on_the_Baroque_Mythological_Sonnet">Obscure Configurations of Desire. Notes on the Baroque Mythological Sonnet</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="13044965" href="https://southerndenmark.academia.edu/sofiekluge">Sofie Kluge</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Seventeenth-century Spain produced an impressive amount of mythological poetry with virtually every lyrical genre and all poetic registers represented. In this poetic treasure house we find mythological canciones, sonnets, and letrillas alongside minor poetic forms, and serious as well as burlesque versions of famous classical myths such as those of Apollo and Daphne, Narcissus, Ganymede, Venus and Adonis, Pyramus and Tisbe, Hero and Leander. On the grounds of this generic and tonal diversity, supposedly, and because individual authors vary considerably from one another in terms of style and emphasis, scholars usually approach this material from a highly specialized, microscopic point of view. Indeed, this modus operandi produces splendid fundamental research; yet it is not the only possible way of approaching the material. A different and complementary kind of results may be obtained from a generalist approach to the material. From the macroscopic perspective applied in the present essay, baroque mythological poetry is not a loosely bound bouquet of autonomous lyrical flowers, but a coherent corpus of texts which, despite their differences, answer to the same aesthetic laws. Comparative studies consist exactly in the pursuit of general characteristics, constants, or common denominators, often with an eye to how these relate to the culture that produced them. And indeed, pursuing the poetic laws of the baroque mythological corpus yields interesting insights into seventeenth-century patterns of thought regarding a series of issues that were at odds with contemporary ideology, but could be related to and explored through classical myth. One such issue was sexual desire, a topic whose representation in literature the theologians at Trent had recently prohibited. The period’s fundamental interrelation of myth and desire is eloquently documented in contemporary art, which explored the amorous adventures of the pagan gods to create a peculiar kind of erudite erotica. Literary authors were not far behind their artistic colleagues. Mythological poetry, epic, and drama generally exploited the stories about the loves of the gods related by ancient poets such as, notably, Ovid. However, one genre in particular cultivated the relation between myth and desire: the sonnet. Considering the lyrical heritage of Petrarch, who made this particular poetic form the principal medium for exploiting amorous sentiment and unfulfilled desire, this was not really surprising. Although they also used the genre to other poetic ends, seventeenth-century Spanish poets generally followed the author of the Rime sparse in relating the sonnet form to the theme of desire. Indeed, it appears that seventeenth-century poets could not imagine a more arousing combination of material, form, and theme than the one provided by the mythological sonnet. However, seventeenth-century mythological poetry was not a simple pretext for exploiting matters that were else liable to censure. The combined facts that Trent had banned books dealing with lascivious and obscene issues and that erotically frank myths had always been attributed allegorical significations so as to comply with Stoic and Christian morality, made things slightly more complicated. In the 17th century, classical myth was by no means an innocent or neutral material. Quite to the contrary, it entailed an array of highly problematic connotations (paganism, immorality, lasciviousness, and so forth). Authors who used myth as the basis of their compositions were aware of this and cannot reasonably be believed to have considered mythology a comfortable shortcut to bypass censure. They must be understood, rather, as consciously playing with, simultaneously affirming and challenging the precarious double bind in which they found themselves.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Obscure Configurations of Desire. Notes on the Baroque Mythological Sonnet","attachmentId":36177273,"attachmentType":"pdf","work_url":"https://www.academia.edu/10047380/Obscure_Configurations_of_Desire_Notes_on_the_Baroque_Mythological_Sonnet","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10047380/Obscure_Configurations_of_Desire_Notes_on_the_Baroque_Mythological_Sonnet"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="7770603" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7770603/Traditional_Comic_Sonnets_in_the_Magliabechiano_VII_1034_Manuscript">Traditional, Comic Sonnets in the Magliabechiano VII 1034 Manuscript</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3384677" href="https://arizona.academia.edu/FabianAlfie">Fabian Alfie</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Rivista di Studi Italiani, 2003</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Traditional, Comic Sonnets in the Magliabechiano VII 1034 Manuscript","attachmentId":34283373,"attachmentType":"pdf","work_url":"https://www.academia.edu/7770603/Traditional_Comic_Sonnets_in_the_Magliabechiano_VII_1034_Manuscript","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7770603/Traditional_Comic_Sonnets_in_the_Magliabechiano_VII_1034_Manuscript"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="63252808" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/63252808/Loves_sweetest_part_variety_Petrarch_and_the_Curious_Frame_of_the_Renaissance_Sonnet_Sequence">Love's sweetest part, variety": Petrarch and the Curious Frame of the Renaissance Sonnet Sequence</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="40637042" href="https://independent.academia.edu/GermaineWarkentin">Germaine Warkentin</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Renaissance and Reformation/Renaissance et …, 2010</p><p class="ds-related-work--abstract ds2-5-body-sm">Shakespeare&#x27;s book of lyrics is as intractable from a structural point ofview as any other of its kind. 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