Calenda - Modernit茅s sculpturales : le r么le des techniques et des mat茅riaux (19e-21e si猫cles)

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href="search.html?primary=fdate&fyear=2025">2025</a></div> </div> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1245011">Modernit茅s sculpturales : le r么le des techniques et des mat茅riaux (19e-21e si猫cles)</a></h1> <p class="origd">XIIe journ茅e de la jeune recherche en sculpture</p> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le jeudi 20 mars 2025 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-1245011-fr" class="tabContent" lang="fr" xml:lang="fr"> <p class="MsoNormal" style="text-align: justify;">Dans la perspective diachronique de l’évolution de la sculpture à l’époque contemporaine (19<sup>e</sup>-21<sup>e</sup> siècle), la journée de recherche tentera de faire le point sur les dialogues signifiants entre l’usage singulier des matériaux et techniques et la constitution de la modernité sculptée.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-1245011-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1>Présentation</h1> <p class="MsoNormal" style="text-align: left;">Dans les <em>Curiosités esthétiques </em>du Salon de 1846, Charles Baudelaire écrivait : « <em>L’harmonie est la base de la théorie de la couleur. La mélodie est l’unité dans la couleur, ou la couleur générale. La mélodie veut une conclusion ; c’est un ensemble où tous les effets concourent à un effet général […] La bonne manière de savoir si un tableau est mélodieux est de le regarder d’assez loin pour n’en rien comprendre, ni le sujet, ni les lignes</em> ». Sur la base de la comparaison musicale, la pensée esthétique du poète opère ou justifie un bouleversement profond dans l’ordre du visuel classique, ouvrant la porte aux modernités artistiques. En somme, à rebours de l’<em>historia</em> antique et de la <em>storia</em> classique, l’art n’est désormais plus pensé comme un support à la narration, mais bien comme un pur jeu d’expression, ou d’effet.</p> <p class="MsoNormal" style="text-align: left;">Qu’en est-il en sculpture ? L’histoire de l’art, dont le narratif est souvent adossé à l’histoire de la peinture, a longtemps peiné à y percevoir ce phénomène, avant de pointer les dispositifs, souvent techniques – nouvel usage de la fonte à la cire perdue, rejet de la hiérarchie des matériaux, retour à la taille directe, valorisation des esquisses, etc. – perçus comme marqueurs de la modernité sculpturale. Ce mouvement semble prendre d’autant plus de force que, dans les arts sculptés, l’industrialisation, croissante au 19<sup>e</sup> siècle, augmente les possibilités de reproduction des &oelig;uvres, au détriment de ce que certains perçoivent comme l’<em>aura</em>, désignant le caractère unique de l’&oelig;uvre d’art, faite d’une expression singulière ou d’une force expressive que recherchent les artistes modernes puis, d’avant-garde.</p> <p class="MsoNormal" style="text-align: left;">Dans la perspective diachronique de l’évolution de la sculpture à l’époque contemporaine (19<sup>e</sup>-21<sup>e</sup> siècles), la journée de recherche tentera de faire le point sur les dialogues signifiants entre l’usage singulier des matériaux et techniques et la constitution de la modernité sculptée.</p> <h1><strong>Programme </strong></h1> <p class="MsoNormal" style="text-align: left;">09h30. Mot d’accueil. <strong>Amélie Simier</strong>, conservatrice générale du patrimoine, directrice du musée Rodin</p> <p class="MsoNormal" style="text-align: left;">09h45. Introduction. <strong>Sébastien Clerbois</strong> (Université libre de Bruxelles) et Chloé Ariot (musée Rodin)</p> <h3><strong>Tradition, industrialisation, modernité : le 19e siècle</strong></h3> <p class="MsoNormal" style="text-align: left;"> Modération : <strong>Sébastien Clerbois</strong></p> <ul> <li class="MsoNormal">10h10. <em>La galvanoplastie, « un rival redoutable » de la fonte en bronze ? </em><strong>Éric Sergent</strong>, maître de conférences en histoire de l’art et du patrimoine, Faculté des Sciences Économiques, Sociales et Juridiques Université de Haute-Alsace</li> <li class="MsoNormal"><span lang="EN-US">10h30. <em>Educating Metal Chasers in an Era of Mechanized Labor</em>. <strong>Shana Cooperstein</strong>, Ph.D., Assistant Professor, IE University, Madrid</span></li> <li class="MsoNormal">10h50. Discussion et pause</li> <li class="MsoNormal">11h15. <em>Métamorphoses de la matière : le « pictorialisme » dans la sculpture italienne du XIX<sup>e</sup> siècle, de Vincenzo Vela à Medardo Rosso</em>. <strong>Federica Vermot</strong>, doctorante et assistante en histoire de l’art contemporain, Université de Lausanne</li> <li class="MsoNormal">11h45. <em>Tailler les images, mouler la couleur, et peindre avec le verre : l’intérmédialité de la technique sculpturale à la fin du XIX<sup>e</sup> siècle</em>. <strong>Emily Madrigal</strong>, doctorante, Université de Virginie à Charlottesville</li> </ul> <p class="MsoNormal" style="text-align: left;">12h15. Discussion et pause déjeuner</p> <h3><strong>L’ouverture des possibles : art contemporain et actuel</strong></h3> <p class="MsoNormal" style="text-align: left;"> Modération : <strong>Chloé Ariot</strong></p> <ul> <li class="MsoNormal">14h30. <em>Poétique des matériaux dans l’&oelig;uvre sculptée de Daniel Pommereulle (entre 1965 et 1995)</em>. <strong>Armance Léger</strong>, docteure en histoire de l'art, PSL/ENS, chercheure associée au laboratoire SACRe (EA7410)</li> <li class="MsoNormal"><span lang="EN-US">14h50. <em>Truly Diverse: On the Choice of Materials and Techniques in Nicole Eisenman’s </em>Procession. </span><strong>Cécile Huber</strong>, doctorante, Goethe University Frankfurt</li> <li class="MsoNormal">15h10. Discussion et pause</li> <li class="MsoNormal">15h30. <em>La matière aquatique et la technique de l’immersion dans la sculpture contemporaine</em>. <strong>Davia Lagos</strong>, doctorante contractuelle, laboratoire HAR, Université Paris Nanterre</li> <li class="MsoNormal">15h50. <em>Plâtre, discours et voix dans le groupe sculpté </em>Velato <em>de Raphaël Tiberghien</em>. <strong>Maël Forlini</strong>, ATER et doctorant en sciences de l’art à l’Université Jean Monnet de Saint-Étienne</li> </ul> <p class="MsoNormal" style="text-align: left;">16h10. Discussion</p> <p class="MsoNormal" style="text-align: left;">16h40. Conclusion. <strong>Sébastien Clerbois</strong> (Université libre de Bruxelles) et Chloé Ariot (musée Rodin)</p> <h1><strong>Informations pratiques </strong></h1> <ul> <li class="MsoNormal">Musée Rodin, Auditorium Léonce Bénédite, 21, boulevard des Invalides – 75007 Paris, De 09h30 à 17h00</li> <li class="MsoNormal">Entrée libre dans la limite des places disponibles</li> <li class="MsoNormal">Ouverture des portes 15 min avant le début de la journée d’étude</li> <li class="MsoNormal">Accessible aux personnes à mobilité réduite</li> </ul> <h1><strong>Retransmission en ligne </strong></h1> <p class="MsoNormal" style="text-align: left;">Inscription (obligatoire) : <a href="https://zoom.us/webinar/register/WN_rexXzoTiRLG2DwQufgHMYQ#/registration">https://zoom.us/webinar/register/WN_rexXzoTiRLG2DwQufgHMYQ#/registration</a></p> <h1><strong>Comité scientifique et organisation</strong></h1> <p class="MsoNormal" style="text-align: left;">Sous la direction de Sébastien Clerbois, professeur en histoire de l’art contemporain à l’Université libre de Bruxelles, et de Chloé Ariot, conservatrice du patrimoine, chargée de la collection des sculptures au musée Rodin</p> <ul> <li class="MsoBodyText">Amélie Simier, conservatrice générale du patrimoine, directrice du musée Rodin</li> <li class="MsoBodyText">Sébastien Clerbois, professeur en histoire de l’art contemporain, Université libre de Bruxelles</li> <li class="MsoBodyText">Chloé Ariot, conservatrice du patrimoine, chargée de la collection des sculptures, musée Rodin</li> <li class="MsoBodyText">Véronique Mattiussi, cheffe du service de la Recherche, musée Rodin</li> <li class="MsoBodyText">Franck Joubin, documentaliste, chargé des colloques, musée Rodin</li> </ul> <p class="MsoNormal" style="text-align: left;">En partenariat avec l'Université Libre de Bruxelles</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Paris, mus茅e Rodin, auditorium L茅once B茅n茅dite - 21, boulevard des Invalides <br/> Paris, France (75007) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement hybride sur site et en ligne</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>vendredi 04 avril 2025</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="1245026?file=1" target="_blank">Affiche-modernites-sculpturales.jpg</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>sculpture, mat茅riaux, techniques, modernit茅s</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li> Organisation<br/><em>courriel :</em> cepam [dot] zoomathia [at] univ-cotedazur [dot] fr<br/></li> <li>Franck Joubin<br/><em>courriel :</em> joubin [at] musee-rodin [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://www.musee-rodin.fr/musee/agenda/modernites-sculpturales-role-techniques-et-materiaux">Mus茅e Rodin</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Franck Joubin<br/><em>courriel :</em> joubin [at] musee-rodin [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Modernit茅s sculpturales : le r么le des techniques et des mat茅riaux (19e-21e si猫cles) 禄, <span class="category">Journ茅e d'茅tude</span>, <em>Calenda</em>, Publi茅 le jeudi 20 mars 2025, <a class="url" href="https://doi.org/10.58079/13ivo">https://doi.org/10.58079/13ivo</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1245011?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1245011?formatage=print">Imprimer</a> <a id="signaler" 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