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Emanuel Winternitz | Graduate Center of the City University of New York - Academia.edu

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class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Emanuel Winternitz" border="0" onerror="if (this.src != &#39;//a.academia-assets.com/images/s200_no_pic.png&#39;) this.src = &#39;//a.academia-assets.com/images/s200_no_pic.png&#39;;" width="200" height="200" src="https://0.academia-photos.com/44971738/13721718/14866809/s200_emanuel.winternitz.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Emanuel Winternitz</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://gc-cuny.academia.edu/">Graduate Center of the City University of New York</a>, <a class="u-tcGrayDarker" href="https://gc-cuny.academia.edu/Departments/Research_Center_for_Music_Iconography/Documents">Research Center for Music Iconography</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Emanuel" data-follow-user-id="44971738" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="44971738"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">1,134</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">1</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;"><b>Address:&nbsp;</b>350 Central Park West<br />New York, NY<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44971738" href="https://www.academia.edu/Documents/in/Organology"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{&quot;inMailer&quot;:false,&quot;i18nLocale&quot;:&quot;en&quot;,&quot;i18nDefaultLocale&quot;:&quot;en&quot;,&quot;href&quot;:&quot;https://gc-cuny.academia.edu/EmanuelWinternitz&quot;,&quot;location&quot;:&quot;/EmanuelWinternitz&quot;,&quot;scheme&quot;:&quot;https&quot;,&quot;host&quot;:&quot;gc-cuny.academia.edu&quot;,&quot;port&quot;:null,&quot;pathname&quot;:&quot;/EmanuelWinternitz&quot;,&quot;search&quot;:null,&quot;httpAcceptLanguage&quot;:null,&quot;serverSide&quot;:false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Organology&quot;]}" data-trace="false" data-dom-id="Pill-react-component-2759550e-ccc9-4456-ba3c-de581c6d4013"></div> <div id="Pill-react-component-2759550e-ccc9-4456-ba3c-de581c6d4013"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44971738" href="https://www.academia.edu/Documents/in/Musical_Iconography"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Musical Iconography&quot;]}" data-trace="false" data-dom-id="Pill-react-component-d0b45c45-a9b6-4f57-871e-09a1c86918c8"></div> <div id="Pill-react-component-d0b45c45-a9b6-4f57-871e-09a1c86918c8"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44971738" href="https://www.academia.edu/Documents/in/Museology"><div 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data-has-card-for-ri-list="44971738" href="https://www.academia.edu/Documents/in/Graphology"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Graphology&quot;]}" data-trace="false" data-dom-id="Pill-react-component-c817c180-ee8d-46a4-8f82-5cd46a69f246"></div> <div id="Pill-react-component-c817c180-ee8d-46a4-8f82-5cd46a69f246"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Bibliography-of-publications" data-toggle="tab" href="#bibliographyofpublications" role="tab" title="Bibliography of publications"><span>1</span>&nbsp;<span class="ds2-5-body-sm-bold">Bibliography of publications</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>4</span>&nbsp;<span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>60</span>&nbsp;<span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More&nbsp;&nbsp;<i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Miscellaneous-papers" data-toggle="tab" href="#miscellaneouspapers" role="tab" style="border: none;"><span>9</span>&nbsp;Miscellaneous papers</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Reviews" data-toggle="tab" href="#reviews" role="tab" style="border: none;"><span>15</span>&nbsp;Reviews</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Program-notes" data-toggle="tab" href="#programnotes" role="tab" style="border: none;"><span>14</span>&nbsp;Program notes</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Others-about-Emanuel-Winternitz" data-toggle="tab" href="#othersaboutemanuelwinternitz" role="tab" style="border: none;"><span>2</span>&nbsp;Others about Emanuel Winternitz</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Bibliography of publications" id="Bibliography of publications"><h3 class="profile--tab_heading_container">Bibliography of publications by Emanuel Winternitz</h3></div><div class="js-work-strip profile--work_container" data-work-id="27694897"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" 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class="work-thumbnail" src="https://attachments.academia-assets.com/47988417/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/27719276/The_luggage_of_an_immigrant">The luggage of an immigrant</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b54e689055ba7197e5f9931ba267f038" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:47988417,&quot;asset_id&quot;:27719276,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/47988417/download_file?st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa 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early history of the violin = Gaudenzio Ferarri: La sua scuola e la protostoria del violino" class="work-thumbnail" src="https://attachments.academia-assets.com/43840219/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23392654/Gaudenzio_Ferrari_His_school_and_the_early_history_of_the_violin_Gaudenzio_Ferarri_La_sua_scuola_e_la_protostoria_del_violino">Gaudenzio Ferrari: His school and the early history of the violin = Gaudenzio Ferarri: La sua scuola e la protostoria del violino</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The origin of the violin is one of the great lacunae in the history of musical instruments. The v...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The origin of the violin is one of the great lacunae in the history of musical instruments. The violin is the product of a long process of development, the standard form emerging in Brescia and Cremona in the third quarter of the 16th century Two important documents in the early history of the instrument are a painting of 1529 in Vercelli and the fresco of a large angel concert in the dome of the Santuario at Saronno (1534–35), which shows 56 instruments including four showing most of the basic characteristics of the violin as it was later to be standardized. The painter of these works, Guadenzio Ferrari (ca. 1481-1546), was also a sculptor and musician, and he may well have designed and built the violins he depicted. His methods of representation and purposeful departures from true perspective are discussed, as are paintings by various other artists in Western Lombardy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ffb4678868aead6eefee4253b163fb7f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:43840219,&quot;asset_id&quot;:23392654,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/43840219/download_file?st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23392654"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23392654"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23392654; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23392654]").text(description); $(".js-view-count[data-work-id=23392654]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23392654; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23392654']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 23392654, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ffb4678868aead6eefee4253b163fb7f" } } $('.js-work-strip[data-work-id=23392654]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23392654,"title":"Gaudenzio Ferrari: His school and the early history of the violin = Gaudenzio Ferarri: La sua scuola e la protostoria del violino","translated_title":"","metadata":{"abstract":"The origin of the violin is one of the great lacunae in the history of musical instruments. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Emanuel Winternitz</h3></div><div class="js-work-strip profile--work_container" data-work-id="26203716"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26203716/Engelskonzert"><img alt="Research paper thumbnail of Engelskonzert" class="work-thumbnail" src="https://attachments.academia-assets.com/46524729/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26203716/Engelskonzert">Engelskonzert</a></div><div class="wp-workCard_item"><span>Die Musik in Geschichte und Gegenwart, vol. 16</span><span>, 1979</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="129838e6f680fa6b9434d154e890f480" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:46524729,&quot;asset_id&quot;:26203716,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/46524729/download_file?st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="26203716"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="26203716"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26203716; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="26203649"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26203649/A_Rabbi_with_wings_Remarks_on_Rembrandts_etching_Abraham_entertaining_the_angels_"><img alt="Research paper thumbnail of A Rabbi with wings: Remarks on Rembrandt&#39;s etching &quot;Abraham entertaining the angels&quot;" class="work-thumbnail" src="https://attachments.academia-assets.com/46524668/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26203649/A_Rabbi_with_wings_Remarks_on_Rembrandts_etching_Abraham_entertaining_the_angels_">A Rabbi with wings: Remarks on Rembrandt&#39;s etching &quot;Abraham entertaining the angels&quot;</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5c906e458d45b6f6148c2b7c17e10f1f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:46524668,&quot;asset_id&quot;:26203649,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/46524668/download_file?st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="26203649"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="26203649"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26203649; 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REMBRANDT'S INTERPRETATIONS of the Bible are often so original and profound, and at the same time so faithful to the text of the scriptures, that his indulgence in a little respectful fun appears to be a rare exception. In the literature on Rembrandt, his etching commonly called \"Abraham Entertaining the Angels,\" signed and dated 1656, is usually discussed because of its relation to a Mohammedan Indian miniature, now in the Louvre, showing four Orientals seated under a tree. Rembrandt copied it in a drawing that is now in the British Museum (Figure I). The four bearded dignitaries, all with heavy turbans, sit in a half circle on a carpet. Two hold cups, one fingers beads, and one rests his arms on his knees. In front, there is a tray with more cups, in the left corner a pitcher. A mountain landscape forms the background. I. Arthur M. 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Werner Weisbach, Rembrandt (Berlin and Leipzig, 1926) p. 448, mentions the Indian miniature used as a model, and states that \"it was in any case the unusual character of the exotic, so much beloved by Rembrandt, that stimulated him to make a copy.\" But for all the interest in the","publication_date":{"day":null,"month":null,"year":1977,"errors":{}},"grobid_abstract_attachment_id":46524668},"translated_abstract":null,"internal_url":"https://www.academia.edu/26203649/A_Rabbi_with_wings_Remarks_on_Rembrandts_etching_Abraham_entertaining_the_angels_","translated_internal_url":"","created_at":"2016-06-15T19:43:50.627-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44971738,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":46524668,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/46524668/thumbnails/1.jpg","file_name":"61a_1978_MM_journal_12.pdf","download_url":"https://www.academia.edu/attachments/46524668/download_file?st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"A_Rabbi_with_wings_Remarks_on_Rembrandts.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/46524668/61a_1978_MM_journal_12-libre.pdf?1466045164=\u0026response-content-disposition=attachment%3B+filename%3DA_Rabbi_with_wings_Remarks_on_Rembrandts.pdf\u0026Expires=1732983282\u0026Signature=S1xiQib6V~t8Lx9gesbkrT5MZ8RNPH35UTAT-c11Dln8rSVuVzhjfq3TUIUZmcDe2chrxTd2qZrAZEXrAx~XC89bS5iTuN7lzIrLrlN7ihi1x8QOJFbA3gZXbzDJoCLCSjhK6sUeHbj58IzrEZxUnNZ1gprVbG~gi4wafgrxuxZysAF6Lw~y5ImJY2uc9zpdyq0LmlY2Y-HWZNFvRMyW7rUrL3Aw6FWMQvdYjNzmiFo8lQu4EzknhQybVVVdlN0QVzKmHHOIR~kVUBVI-qoCdkyPK5ARZifArRoBE4~dIAglaU3C1ZmrAexb1XG5ujOKygFc6QSerRX4BQOtxDOZ9A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"A_Rabbi_with_wings_Remarks_on_Rembrandts_etching_Abraham_entertaining_the_angels_","translated_slug":"","page_count":10,"language":"en","content_type":"Work","owner":{"id":44971738,"first_name":"Emanuel","middle_initials":null,"last_name":"Winternitz","page_name":"EmanuelWinternitz","domain_name":"gc-cuny","created_at":"2016-03-12T10:55:48.890-08:00","display_name":"Emanuel Winternitz","url":"https://gc-cuny.academia.edu/EmanuelWinternitz"},"attachments":[{"id":46524668,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/46524668/thumbnails/1.jpg","file_name":"61a_1978_MM_journal_12.pdf","download_url":"https://www.academia.edu/attachments/46524668/download_file?st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"A_Rabbi_with_wings_Remarks_on_Rembrandts.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/46524668/61a_1978_MM_journal_12-libre.pdf?1466045164=\u0026response-content-disposition=attachment%3B+filename%3DA_Rabbi_with_wings_Remarks_on_Rembrandts.pdf\u0026Expires=1732983282\u0026Signature=S1xiQib6V~t8Lx9gesbkrT5MZ8RNPH35UTAT-c11Dln8rSVuVzhjfq3TUIUZmcDe2chrxTd2qZrAZEXrAx~XC89bS5iTuN7lzIrLrlN7ihi1x8QOJFbA3gZXbzDJoCLCSjhK6sUeHbj58IzrEZxUnNZ1gprVbG~gi4wafgrxuxZysAF6Lw~y5ImJY2uc9zpdyq0LmlY2Y-HWZNFvRMyW7rUrL3Aw6FWMQvdYjNzmiFo8lQu4EzknhQybVVVdlN0QVzKmHHOIR~kVUBVI-qoCdkyPK5ARZifArRoBE4~dIAglaU3C1ZmrAexb1XG5ujOKygFc6QSerRX4BQOtxDOZ9A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":983,"name":"Jewish Studies","url":"https://www.academia.edu/Documents/in/Jewish_Studies"},{"id":26606,"name":"17th Century Dutch Republic","url":"https://www.academia.edu/Documents/in/17th_Century_Dutch_Republic"},{"id":52487,"name":"Rembrandt","url":"https://www.academia.edu/Documents/in/Rembrandt"},{"id":159686,"name":"16th and 17th century Dutch and Flemish Art","url":"https://www.academia.edu/Documents/in/16th_and_17th_century_Dutch_and_Flemish_Art"}],"urls":[]}, dispatcherData: dispatcherData }); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23392654"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23392654/Gaudenzio_Ferrari_His_school_and_the_early_history_of_the_violin_Gaudenzio_Ferarri_La_sua_scuola_e_la_protostoria_del_violino"><img alt="Research paper thumbnail of Gaudenzio Ferrari: His school and the early history of the violin = Gaudenzio Ferarri: La sua scuola e la protostoria del violino" class="work-thumbnail" src="https://attachments.academia-assets.com/43840219/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23392654/Gaudenzio_Ferrari_His_school_and_the_early_history_of_the_violin_Gaudenzio_Ferarri_La_sua_scuola_e_la_protostoria_del_violino">Gaudenzio Ferrari: His school and the early history of the violin = Gaudenzio Ferarri: La sua scuola e la protostoria del violino</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The origin of the violin is one of the great lacunae in the history of musical instruments. The v...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The origin of the violin is one of the great lacunae in the history of musical instruments. The violin is the product of a long process of development, the standard form emerging in Brescia and Cremona in the third quarter of the 16th century Two important documents in the early history of the instrument are a painting of 1529 in Vercelli and the fresco of a large angel concert in the dome of the Santuario at Saronno (1534–35), which shows 56 instruments including four showing most of the basic characteristics of the violin as it was later to be standardized. The painter of these works, Guadenzio Ferrari (ca. 1481-1546), was also a sculptor and musician, and he may well have designed and built the violins he depicted. His methods of representation and purposeful departures from true perspective are discussed, as are paintings by various other artists in Western Lombardy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ffb4678868aead6eefee4253b163fb7f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:43840219,&quot;asset_id&quot;:23392654,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/43840219/download_file?st=MTczMjk3OTY4Myw4LjIyMi4yMDguMTQ2&st=MTczMjk3OTY4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23392654"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23392654"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23392654; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23392654]").text(description); $(".js-view-count[data-work-id=23392654]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23392654; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23392654']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 23392654, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ffb4678868aead6eefee4253b163fb7f" } } $('.js-work-strip[data-work-id=23392654]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23392654,"title":"Gaudenzio Ferrari: His school and the early history of the violin = Gaudenzio Ferarri: La sua scuola e la protostoria del violino","translated_title":"","metadata":{"abstract":"The origin of the violin is one of the great lacunae in the history of musical instruments. 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REMBRANDT'S INTERPRETATIONS of the Bible are often so original and profound, and at the same time so faithful to the text of the scriptures, that his indulgence in a little respectful fun appears to be a rare exception. In the literature on Rembrandt, his etching commonly called \"Abraham Entertaining the Angels,\" signed and dated 1656, is usually discussed because of its relation to a Mohammedan Indian miniature, now in the Louvre, showing four Orientals seated under a tree. Rembrandt copied it in a drawing that is now in the British Museum (Figure I). The four bearded dignitaries, all with heavy turbans, sit in a half circle on a carpet. Two hold cups, one fingers beads, and one rests his arms on his knees. In front, there is a tray with more cups, in the left corner a pitcher. A mountain landscape forms the background. I. Arthur M. Hind, Rembrandt (Cambridge, Mass., 1932) p. 59, points to an entry in Rembrandt's inventory \"een dito (boeck) vol curieuse miniatuur teeckeningen,\" that might indicate a book with Indian miniatures. A. Bredius, however, in Oud-Holland 29 (1911) p. 139, disagrees on the ground that Indian miniatures were usually in Dutch documents of Rembrandt's time called \"Suratsche (or Mogolsche) teekeningen.\" The oriental model seems to have stimulated more comments than the print itself; A. Hind, Catalogue of Rembrandt's Etchings (London, I923) p. 115. 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The instrument is...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A description of a pentagonal spinet of 1540 in the Metropolitan Museum of Art. The instrument is lavishly but tastefully decorated with intarsia, inlay tracery, and carving, some of the patterns for which derive from the Lombard-Venetian tradition. The life of Eleanora d&#39;Este (1493–1549), for whom the spinet was made, and the intense musical interests of her family are discussed.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a2c1b8377b1af52bca5186abcfce556c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:45332602,&quot;asset_id&quot;:25007586,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/45332602/download_file?st=MTczMjk3OTY4Myw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="25007586"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="25007586"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25007586; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25007586]").text(description); $(".js-view-count[data-work-id=25007586]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25007586; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='25007586']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 25007586, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a2c1b8377b1af52bca5186abcfce556c" } } $('.js-work-strip[data-work-id=25007586]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":25007586,"title":"A spinettina for the duchess of Urbino","translated_title":"","metadata":{"abstract":"A description of a pentagonal spinet of 1540 in the Metropolitan Museum of Art. 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Novel recorders with elongated slits replacing the usual finger-holes were derived from a supposed analogy to the larynx, and a system of keys for wind instruments derives from an analogy to the muscles and tendons of the hand.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3ee159fa627ac836e133cea18c974bc2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:45332562,&quot;asset_id&quot;:25007520,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/45332562/download_file?st=MTczMjk3OTY4Myw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="25007520"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="25007520"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25007520; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25007520]").text(description); $(".js-view-count[data-work-id=25007520]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25007520; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='25007520']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 25007520, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3ee159fa627ac836e133cea18c974bc2" } } $('.js-work-strip[data-work-id=25007520]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":25007520,"title":"Anatomy the teacher: On the impact of Leonardo's anatomica research on his musical and other machines","translated_title":"","metadata":{"abstract":"An examination of Leonardo da Vinci's forma mentis as revealed in his notebooks, with particular reference to his bent for drawing analogies between disparate things, for example, a derrick and the human leg or the interior of a vaulted church and that of the heart. 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21 February 1946: Budapest String Quartet and Milton Katims--Quintets by Mozart and Brahms</a></div><div class="wp-workCard_item"><span>Metropolitan Museum of Art: Concerts for Members</span><span>, 1946</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="21947bda5cb387ab8065d3326d041e07" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:58484137,&quot;asset_id&quot;:28012971,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/58484137/download_file?st=MTczMjk3OTY4NSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28012971"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28012971"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28012971; 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