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Mariachiara Franceschini | Albert-Ludwigs-Universität Freiburg - Academia.edu
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class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Mariachiara Franceschini" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1617222/1229752/161475449/s200_mariachiara.franceschini.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Mariachiara Franceschini</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://uni-freiburg.academia.edu/">Albert-Ludwigs-Universität Freiburg</a>, <a class="u-tcGrayDarker" href="https://uni-freiburg.academia.edu/Departments/Institut_f%C3%BCr_Arch%C3%A4ologische_Wissenschaften_Abteilung_Klassische_Arch%C3%A4ologie/Documents">Institut für Archäologische Wissenschaften, Abteilung Klassische Archäologie</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Mariachiara" data-follow-user-id="1617222" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="1617222"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">418</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">654</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">15</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Co-Director of the field project Vulci Cityscape (https://vulcityscape.hypotheses.org/)<br />- since 4.2020 Akademische Rätin, Universität Freiburg, Institut für Archäologische Wissenschaften, Abteilung Klassische Archäologie<br />- 2.2017-4.2020 Assistentin / PostDoc, University of Zurich, Archaeological Institute, Classical Archaeology<br />- 2015-2016 Reisestipendium (travel grant) of the German Archaeological Institute <br />- 5.2015-1.2017 Research grant at the German Archaeological Institute in Rome (paused during the Reisestipendium)<br />- 2014-2015 Research Assistant, Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung, (http://ww2.smb.museum/berlpap/)<br />- 2010-2014 PhD at Freie Universität Berlin (2010-2013 Scholarship of „Elsa-Neumann-Stipendium“)<br />Dissertation: „Relevanz und Neubewertung eines standardisierten Motivs. Die Mantelfiguren in der rotfigurigen Vasenmalerei des 6. – 5. Jhs. v. Chr.“ (Advisors: Prof. Dr. F. Fless; Prof. Dr. L. Winkler-Horaček)<br />- 2003-2009 University joint-degree at IUSS (Institute for Advanced Studies), Pavia<br />- 2006-2008 MA at University of Pavia and at Freie Universität Berlin (Advisors: Prof. Dr. M. Harari, Dr. C. Isler-Kerény) <br />- 2003-2006 BA at University of Pavia (Advisor: Prof. Dr. M. Harari)<br /><b>Address: </b>Universität Freiburg<br />Institut für Archäologische Wissenschaften<br />Abteilung Klassische Archäologie<br />Friedrichstraße 39 (Fahnenbergplatz)<br />D-79098 Freiburg<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uni-m.academia.edu/FrancescaMazzilli"><img class="profile-avatar u-positionAbsolute" alt="Francesca Mazzilli" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/917578/341673/407461/s200_francesca.mazzilli.jpg" 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Ancient Serial Production and its Premises" class="work-thumbnail" src="https://attachments.academia-assets.com/114507729/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46834419/Strictly_Economic_Ancient_Serial_Production_and_its_Premises">Strictly Economic? Ancient Serial Production and its Premises</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unizh.academia.edu/ArneReinhardt">Arne Reinhardt</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span>Archaeology and Economy in the Ancient World – Proceedings of the 19th International Congress of Classical Archaeology, Cologne/Bonn 2018</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bentz, Martin und Heinzelmann, Michael: Strictly Economic? Ancient Serial Production and its Prem...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bentz, Martin und Heinzelmann, Michael: Strictly Economic? Ancient Serial Production and its Premises: Panel 3.18, herausgegeben von Arne Reinhardt, Heidelberg: Propylaeum, 2021 (Archaeology and Economy in the Ancient World – Proceedings of the 19th International Congress of Classical Archaeology, Cologne/Bonn 2018, Band 20)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="67f411e8334c10e89d52308ce50383f3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114507729,"asset_id":46834419,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114507729/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46834419"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46834419"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46834419; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46834419]").text(description); $(".js-view-count[data-work-id=46834419]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46834419; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46834419']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46834419, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "67f411e8334c10e89d52308ce50383f3" } } $('.js-work-strip[data-work-id=46834419]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46834419,"title":"Strictly Economic? 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Franceschini, Attische Mantelfiguren. Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei, ZAF 5 (Rahden/Westf. 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/64226049/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37032031/M_Franceschini_Attische_Mantelfiguren_Relevanz_eines_standardisierten_Motivs_der_rotfigurigen_Vasenmalerei_ZAF_5_Rahden_Westf_2018_">M. Franceschini, Attische Mantelfiguren. Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei, ZAF 5 (Rahden/Westf. 2018)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; http:...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; <a href="http://www.bmcreview.org/2019/10/20191037.html" rel="nofollow">http://www.bmcreview.org/2019/10/20191037.html</a>); Gymnasium 127, 2020, 198–201 (E. Günther) <br /> ------- <br />Die Mantelfiguren, eines der zentralen Motive der attischen Bilderwelt, sind Gegenstand der Untersuchung des vorliegenden Buchs, in dem ein innovativer Zugang zum Bildsystem der attischen Vasenmalerei vorgestellt wird. Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert, wobei sie sich nur schwer in semantische Kategorien einordnen lassen. Die typologische und semantische Untersuchung dieses Bildmotivs für die attisch-rotfigurige Vasenmalerei des 6.–5. Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. Die Auswertung einer umfangreichen und repräsentativen Materialbasis kommt zu dem Ergebnis, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert. <br /> ------- <br />Mantle figures, a central motif of the Attic red-figure vase production, form the subject matter of the present volume, which introduces an innovative approach towards the representational system of Attic vase painting. So far, the communis opinio on anonymous male figures wearing the himation is dominated by a perception rooted in later depictions, where these seemingly isolated figures are shown only on one side of the vase and are difficult to integrate into existing semantic categories. However, a typological and semantic study of this motif on Attic red-figure vases of the 6th-5th centuries B. C. demonstrates that mantle figures in their diachronic, pictorial and semantic development show both a varied iconographic spectrum and are significant in terms of communication and meaning content. The analysis of an extensive and representative corpus reveals that this motif, one of the most common on Attic red-figure vases, is not only a more complex and relevant element of Ancient imagery than has been realised so far, but indeed can stand as an almost paradigmatic interpretative key for the relationship between producers, viewers, objects and imagery.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="abaac935747fc7b190f9f0cea53ed319" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64226049,"asset_id":37032031,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64226049/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37032031"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37032031"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37032031; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37032031]").text(description); $(".js-view-count[data-work-id=37032031]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37032031; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37032031']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37032031, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "abaac935747fc7b190f9f0cea53ed319" } } $('.js-work-strip[data-work-id=37032031]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37032031,"title":"M. Franceschini, Attische Mantelfiguren. Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei, ZAF 5 (Rahden/Westf. 2018)","translated_title":"","metadata":{"abstract":"Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; http://www.bmcreview.org/2019/10/20191037.html); Gymnasium 127, 2020, 198–201 (E. Günther)\r\n ------- \r\nDie Mantelfiguren, eines der zentralen Motive der attischen Bilderwelt, sind Gegenstand der Untersuchung des vorliegenden Buchs, in dem ein innovativer Zugang zum Bildsystem der attischen Vasenmalerei vorgestellt wird. Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert, wobei sie sich nur schwer in semantische Kategorien einordnen lassen. Die typologische und semantische Untersuchung dieses Bildmotivs für die attisch-rotfigurige Vasenmalerei des 6.–5. Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. Die Auswertung einer umfangreichen und repräsentativen Materialbasis kommt zu dem Ergebnis, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.\r\n ------- \r\nMantle figures, a central motif of the Attic red-figure vase production, form the subject matter of the present volume, which introduces an innovative approach towards the representational system of Attic vase painting. So far, the communis opinio on anonymous male figures wearing the himation is dominated by a perception rooted in later depictions, where these seemingly isolated figures are shown only on one side of the vase and are difficult to integrate into existing semantic categories. However, a typological and semantic study of this motif on Attic red-figure vases of the 6th-5th centuries B. C. demonstrates that mantle figures in their diachronic, pictorial and semantic development show both a varied iconographic spectrum and are significant in terms of communication and meaning content. The analysis of an extensive and representative corpus reveals that this motif, one of the most common on Attic red-figure vases, is not only a more complex and relevant element of Ancient imagery than has been realised so far, but indeed can stand as an almost paradigmatic interpretative key for the relationship between producers, viewers, objects and imagery.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}}},"translated_abstract":"Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; http://www.bmcreview.org/2019/10/20191037.html); Gymnasium 127, 2020, 198–201 (E. Günther)\r\n ------- \r\nDie Mantelfiguren, eines der zentralen Motive der attischen Bilderwelt, sind Gegenstand der Untersuchung des vorliegenden Buchs, in dem ein innovativer Zugang zum Bildsystem der attischen Vasenmalerei vorgestellt wird. Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert, wobei sie sich nur schwer in semantische Kategorien einordnen lassen. Die typologische und semantische Untersuchung dieses Bildmotivs für die attisch-rotfigurige Vasenmalerei des 6.–5. Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. Die Auswertung einer umfangreichen und repräsentativen Materialbasis kommt zu dem Ergebnis, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.\r\n ------- \r\nMantle figures, a central motif of the Attic red-figure vase production, form the subject matter of the present volume, which introduces an innovative approach towards the representational system of Attic vase painting. So far, the communis opinio on anonymous male figures wearing the himation is dominated by a perception rooted in later depictions, where these seemingly isolated figures are shown only on one side of the vase and are difficult to integrate into existing semantic categories. However, a typological and semantic study of this motif on Attic red-figure vases of the 6th-5th centuries B. C. demonstrates that mantle figures in their diachronic, pictorial and semantic development show both a varied iconographic spectrum and are significant in terms of communication and meaning content. The analysis of an extensive and representative corpus reveals that this motif, one of the most common on Attic red-figure vases, is not only a more complex and relevant element of Ancient imagery than has been realised so far, but indeed can stand as an almost paradigmatic interpretative key for the relationship between producers, viewers, objects and imagery.","internal_url":"https://www.academia.edu/37032031/M_Franceschini_Attische_Mantelfiguren_Relevanz_eines_standardisierten_Motivs_der_rotfigurigen_Vasenmalerei_ZAF_5_Rahden_Westf_2018_","translated_internal_url":"","created_at":"2018-07-12T04:59:22.058-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":64226049,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64226049/thumbnails/1.jpg","file_name":"M.Franceschini_Attische Mantelfiguren_ZAF 5_Rahden2018_Inhalt_1.pdf","download_url":"https://www.academia.edu/attachments/64226049/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_Attische_Mantelfiguren_Re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64226049/M.Franceschini_Attische_Mantelfiguren_ZAF_5_Rahden2018_Inhalt_1-libre.pdf?1597906653=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_Attische_Mantelfiguren_Re.pdf\u0026Expires=1736134250\u0026Signature=GCXzONZ1Gd16xB0a6TI9SDglTU~3pkDL3s5j7kkHB4HC6R4LSGz7F6JRzaBNpZE03WyUL4OFg3BOaXESegPppJYPvpfDNxPoSdmANTvUzLgq4EQ751TXuU55El6Oww-P2efn72z1bZl3P9OFOjGAllqCexB~gPfYzoTJLhsNaNDl8GbQX14FvvkpPp5JcOt36rWnLJJ8bjXJUEFFtKKExkru0U9UK7NE6bzB4RaF~sbXd8EZjvB-jvBUFqS419~un9hvjuZkFdpzQBcvBQCnVBUIw-kyyPgVSRCnV88nwnOIj5MBSvNhZqBU9yryRi~w8nYrfKwxe1oy7y9Yd1mAig__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"M_Franceschini_Attische_Mantelfiguren_Relevanz_eines_standardisierten_Motivs_der_rotfigurigen_Vasenmalerei_ZAF_5_Rahden_Westf_2018_","translated_slug":"","page_count":18,"language":"de","content_type":"Work","summary":"Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; http://www.bmcreview.org/2019/10/20191037.html); Gymnasium 127, 2020, 198–201 (E. Günther)\r\n ------- \r\nDie Mantelfiguren, eines der zentralen Motive der attischen Bilderwelt, sind Gegenstand der Untersuchung des vorliegenden Buchs, in dem ein innovativer Zugang zum Bildsystem der attischen Vasenmalerei vorgestellt wird. Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert, wobei sie sich nur schwer in semantische Kategorien einordnen lassen. Die typologische und semantische Untersuchung dieses Bildmotivs für die attisch-rotfigurige Vasenmalerei des 6.–5. Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. Die Auswertung einer umfangreichen und repräsentativen Materialbasis kommt zu dem Ergebnis, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.\r\n ------- \r\nMantle figures, a central motif of the Attic red-figure vase production, form the subject matter of the present volume, which introduces an innovative approach towards the representational system of Attic vase painting. So far, the communis opinio on anonymous male figures wearing the himation is dominated by a perception rooted in later depictions, where these seemingly isolated figures are shown only on one side of the vase and are difficult to integrate into existing semantic categories. However, a typological and semantic study of this motif on Attic red-figure vases of the 6th-5th centuries B. C. demonstrates that mantle figures in their diachronic, pictorial and semantic development show both a varied iconographic spectrum and are significant in terms of communication and meaning content. The analysis of an extensive and representative corpus reveals that this motif, one of the most common on Attic red-figure vases, is not only a more complex and relevant element of Ancient imagery than has been realised so far, but indeed can stand as an almost paradigmatic interpretative key for the relationship between producers, viewers, objects and imagery.","owner":{"id":1617222,"first_name":"Mariachiara","middle_initials":null,"last_name":"Franceschini","page_name":"MariachiaraFranceschini","domain_name":"uni-freiburg","created_at":"2012-04-26T18:03:04.613-07:00","display_name":"Mariachiara Franceschini","url":"https://uni-freiburg.academia.edu/MariachiaraFranceschini"},"attachments":[{"id":64226049,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64226049/thumbnails/1.jpg","file_name":"M.Franceschini_Attische Mantelfiguren_ZAF 5_Rahden2018_Inhalt_1.pdf","download_url":"https://www.academia.edu/attachments/64226049/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_Attische_Mantelfiguren_Re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64226049/M.Franceschini_Attische_Mantelfiguren_ZAF_5_Rahden2018_Inhalt_1-libre.pdf?1597906653=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_Attische_Mantelfiguren_Re.pdf\u0026Expires=1736134250\u0026Signature=GCXzONZ1Gd16xB0a6TI9SDglTU~3pkDL3s5j7kkHB4HC6R4LSGz7F6JRzaBNpZE03WyUL4OFg3BOaXESegPppJYPvpfDNxPoSdmANTvUzLgq4EQ751TXuU55El6Oww-P2efn72z1bZl3P9OFOjGAllqCexB~gPfYzoTJLhsNaNDl8GbQX14FvvkpPp5JcOt36rWnLJJ8bjXJUEFFtKKExkru0U9UK7NE6bzB4RaF~sbXd8EZjvB-jvBUFqS419~un9hvjuZkFdpzQBcvBQCnVBUIw-kyyPgVSRCnV88nwnOIj5MBSvNhZqBU9yryRi~w8nYrfKwxe1oy7y9Yd1mAig__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology"},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography"},{"id":2213,"name":"Pottery (Archaeology)","url":"https://www.academia.edu/Documents/in/Pottery_Archaeology_"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography"},{"id":27926,"name":"Statistical Methods in Archaeology","url":"https://www.academia.edu/Documents/in/Statistical_Methods_in_Archaeology"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases"},{"id":43492,"name":"Standardization","url":"https://www.academia.edu/Documents/in/Standardization"},{"id":79533,"name":"Athens","url":"https://www.academia.edu/Documents/in/Athens"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting"},{"id":562390,"name":"Red Figure Pottery","url":"https://www.academia.edu/Documents/in/Red_Figure_Pottery"},{"id":663012,"name":"Red-figure Pottery","url":"https://www.academia.edu/Documents/in/Red-figure_Pottery"},{"id":821823,"name":"Athenian Red-Figured Vases","url":"https://www.academia.edu/Documents/in/Athenian_Red-Figured_Vases"},{"id":1381990,"name":"Attic Red-figured Pottery","url":"https://www.academia.edu/Documents/in/Attic_Red-figured_Pottery"}],"urls":[{"id":8541470,"url":"https://www.vml.de/d/detail.php?ISBN=978-3-86757-665-9"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Edited volumes" id="Edited volumes"><h3 class="profile--tab_heading_container">Edited volumes by Mariachiara Franceschini</h3></div><div class="js-work-strip profile--work_container" data-work-id="104274754"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104274754/R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_"><img alt="Research paper thumbnail of R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023)" class="work-thumbnail" src="https://attachments.academia-assets.com/104048424/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104274754/R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_">R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-tuebingen.academia.edu/RaffaellaDaVela">Raffaella Da Vela</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-m.academia.edu/FrancescaMazzilli">Francesca Mazzilli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/FrancescaFulminante">Francesca Fulminante</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">When and how did networking become a resource for ancient communities? Were these networks percei...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When and how did networking become a resource for ancient communities? Were<br />these networks perceived by ancient societies and actors as a means to perform and<br />assert social, personal and group identities?<br />Covering various periods and geo-cultural areas from Iran to the western Mediterranean,<br />with a strong focus on classical antiquity, the papers collected here approach the<br />topic of network as resources in three different but interrelated thematic domains:<br />the interaction between societies and the natural environment (socio-natural<br />networks), the transmission of knowledge and habitus (networks of knowledge<br />and power) and religious interactions (sacred landscape). The social values that<br />communities attribute to the networks they are embedded in are opened up to new<br />interpretative layers, dynamics and scales. Looking at networks as resources changes<br />our perspective on both terms of the equation. On the one hand, ancient networks are<br />reframed in their relational and social contexts and linked to their actors’ intentions<br />and perceptions. On the other hand, the properties of specifi c networks, such as<br />fl uidity, redundancy and the strength and fragility of relationships, shed new light on<br />resources and resource-related socio-cultural dynamics.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2e38f805c271a36fc88264855848bdbb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104048424,"asset_id":104274754,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104048424/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104274754"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104274754"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104274754; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104274754]").text(description); $(".js-view-count[data-work-id=104274754]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104274754; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104274754']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104274754, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2e38f805c271a36fc88264855848bdbb" } } $('.js-work-strip[data-work-id=104274754]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104274754,"title":"R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023)","translated_title":"","metadata":{"doi":"10.15496/publikation-82292","abstract":"When and how did networking become a resource for ancient communities? Were\nthese networks perceived by ancient societies and actors as a means to perform and\nassert social, personal and group identities?\nCovering various periods and geo-cultural areas from Iran to the western Mediterranean,\nwith a strong focus on classical antiquity, the papers collected here approach the\ntopic of network as resources in three different but interrelated thematic domains:\nthe interaction between societies and the natural environment (socio-natural\nnetworks), the transmission of knowledge and habitus (networks of knowledge\nand power) and religious interactions (sacred landscape). The social values that\ncommunities attribute to the networks they are embedded in are opened up to new\ninterpretative layers, dynamics and scales. Looking at networks as resources changes\nour perspective on both terms of the equation. On the one hand, ancient networks are\nreframed in their relational and social contexts and linked to their actors’ intentions\nand perceptions. On the other hand, the properties of specifi c networks, such as\nfl uidity, redundancy and the strength and fragility of relationships, shed new light on\nresources and resource-related socio-cultural dynamics."},"translated_abstract":"When and how did networking become a resource for ancient communities? Were\nthese networks perceived by ancient societies and actors as a means to perform and\nassert social, personal and group identities?\nCovering various periods and geo-cultural areas from Iran to the western Mediterranean,\nwith a strong focus on classical antiquity, the papers collected here approach the\ntopic of network as resources in three different but interrelated thematic domains:\nthe interaction between societies and the natural environment (socio-natural\nnetworks), the transmission of knowledge and habitus (networks of knowledge\nand power) and religious interactions (sacred landscape). The social values that\ncommunities attribute to the networks they are embedded in are opened up to new\ninterpretative layers, dynamics and scales. Looking at networks as resources changes\nour perspective on both terms of the equation. On the one hand, ancient networks are\nreframed in their relational and social contexts and linked to their actors’ intentions\nand perceptions. 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Franceschini, ›L´abito non fa il greco‹. Etruskische Identität und visuelle Narration, in: M. Di Fazio – M. E. Gorrini – S. Paltineri (Hrsg.), Verbis ut imagine pingo. Studi in onore di Maurizio Harari, Sidera 6 (Rom 2024) 189–198" class="work-thumbnail" src="https://attachments.academia-assets.com/119528159/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125495844/M_Franceschini_L_abito_non_fa_il_greco_Etruskische_Identit%C3%A4t_und_visuelle_Narration_in_M_Di_Fazio_M_E_Gorrini_S_Paltineri_Hrsg_Verbis_ut_imagine_pingo_Studi_in_onore_di_Maurizio_Harari_Sidera_6_Rom_2024_189_198">M. Franceschini, ›L´abito non fa il greco‹. Etruskische Identität und visuelle Narration, in: M. Di Fazio – M. E. Gorrini – S. Paltineri (Hrsg.), Verbis ut imagine pingo. Studi in onore di Maurizio Harari, Sidera 6 (Rom 2024) 189–198</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="01f1f9271635b8dc8bcf4aadb3493bd7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119528159,"asset_id":125495844,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119528159/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125495844"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125495844"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125495844; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125495844]").text(description); $(".js-view-count[data-work-id=125495844]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125495844; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125495844']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 125495844, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "01f1f9271635b8dc8bcf4aadb3493bd7" } } $('.js-work-strip[data-work-id=125495844]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125495844,"title":"M. Franceschini, ›L´abito non fa il greco‹. Etruskische Identität und visuelle Narration, in: M. Di Fazio – M. E. Gorrini – S. Paltineri (Hrsg.), Verbis ut imagine pingo. 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Franceschini – P. P. Pasieka, Neue Forschungen zur Cityscape von Vulci, in: D. Neumann (Hrsg.), Gründer Roms. Etruskische Schätze aus der Villa Giulia, Ausstellungskatalog Hannover (Hannover 2024) 70–71" class="work-thumbnail" src="https://attachments.academia-assets.com/113928439/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118259282/M_Franceschini_P_P_Pasieka_Neue_Forschungen_zur_Cityscape_von_Vulci_in_D_Neumann_Hrsg_Gr%C3%BCnder_Roms_Etruskische_Sch%C3%A4tze_aus_der_Villa_Giulia_Ausstellungskatalog_Hannover_Hannover_2024_70_71">M. Franceschini – P. P. Pasieka, Neue Forschungen zur Cityscape von Vulci, in: D. Neumann (Hrsg.), Gründer Roms. Etruskische Schätze aus der Villa Giulia, Ausstellungskatalog Hannover (Hannover 2024) 70–71</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fc10c06480403436a32460ec46fa3467" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113928439,"asset_id":118259282,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113928439/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118259282"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118259282"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118259282; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118259282]").text(description); $(".js-view-count[data-work-id=118259282]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118259282; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118259282']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118259282, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fc10c06480403436a32460ec46fa3467" } } $('.js-work-strip[data-work-id=118259282]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118259282,"title":"M. 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Franceschini – P. P. Pasieka – J. Meyer – B. Ullrich, The Hidden Cityscape of Vulci. Geophysical Prospections Providing New Data on Etruscan Urbanism, AA 2023/1, 146-193" class="work-thumbnail" src="https://attachments.academia-assets.com/107565365/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109211370/M_Franceschini_P_P_Pasieka_J_Meyer_B_Ullrich_The_Hidden_Cityscape_of_Vulci_Geophysical_Prospections_Providing_New_Data_on_Etruscan_Urbanism_AA_2023_1_146_193">M. Franceschini – P. P. Pasieka – J. Meyer – B. Ullrich, The Hidden Cityscape of Vulci. Geophysical Prospections Providing New Data on Etruscan Urbanism, AA 2023/1, 146-193</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">For a long time, Etruscan cities, their physical appearance, diachronic evolution and cultural an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">For a long time, Etruscan cities, their physical appearance, diachronic evolution and cultural and social figurations have largely been neglected in archaeological research. Only in recent years has this begun to change thanks to the systematic application of new methodological approaches. By using a combination of non-invasive, geophysical prospections and targeted excavations at neuralgic points, the Vulci Cityscape project aims to examine the cityscape of Vulci and its transformation over the longue durée. Geophysical surveys conducted in 2020 on 22.5 ha north of the so-called decumanus resulted in a new and more complete plan of this part of the city, identifying different functional areas, differentiating street systems and revealing the complex historical palimpsest of the urban structure. Among the functional areas, a new sacred district to the west of the tempio grande, including a new monumental, late Archaic temple stands out. Not only do the results improve our knowledge of the urban layout of Vulci, but they also shed new light on Etruscan urbanism in general.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="889f9e5e25d278c505b308f0e02b57d3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107565365,"asset_id":109211370,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107565365/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109211370"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109211370"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109211370; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109211370]").text(description); $(".js-view-count[data-work-id=109211370]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109211370; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109211370']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109211370, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "889f9e5e25d278c505b308f0e02b57d3" } } $('.js-work-strip[data-work-id=109211370]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109211370,"title":"M. 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Franceschini - Paul P. Pasieka, “Recently imported from Italy”. Disiecta membra dagli scavi della famiglia Campanari e dalle relative aste sul mercato antiquario londinese, MEFRA 135, 1, 2023, 67-83" class="work-thumbnail" src="https://attachments.academia-assets.com/105880991/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107029533/M_Franceschini_Paul_P_Pasieka_Recently_imported_from_Italy_Disiecta_membra_dagli_scavi_della_famiglia_Campanari_e_dalle_relative_aste_sul_mercato_antiquario_londinese_MEFRA_135_1_2023_67_83">M. Franceschini - Paul P. Pasieka, “Recently imported from Italy”. Disiecta membra dagli scavi della famiglia Campanari e dalle relative aste sul mercato antiquario londinese, MEFRA 135, 1, 2023, 67-83</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'attività della famiglia Campanari, che per anni ha lasciato traccia nel paesaggio archeologico ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'attività della famiglia Campanari, che per anni ha lasciato traccia nel paesaggio archeologico vulcente, aveva principalmente, anche se non esclusivamente, interessi commerciali. La conseguente dispersione dei reperti e le dinamiche di mercato che regolavano le operazioni di vendita sono spesso difficili da tracciare a causa della scarsa documentazione. Sulla base dei cataloghi delle aste della famiglia Campanari, svoltesi a Londra tra il 1837 e il 1841, verranno analizzate le pratiche antiquarie e commerciali che legavano la famiglia di Tuscania a collezionisti europei e alla rete del mercato d'arte ottocentesco, in particolare anglosassone. Si ottiene così una buona panoramica riguardo alle caratteristiche degli oggetti commerciati e soprattutto ai protagonisti degli acquisti, in riferimento anche alle loro preferenze, alla classe sociale e agli svariati interessi che li animavano. Vulci, Etruria, mercato antiquario, Londra, archeologia classica, aste, Campanari The activity of the Campanari family, which left its mark on the archaeological landscape of Vulci for years, had mainly, though not exclusively, commercial interests. The dispersion of materials and the market dynamics governing sales are often difficult to trace due to the scarcity of documentation. On the basis of the catalogues of the auctions, which the Campanari family held in London between 1837 and 1841, the antiquarian and commercial practices that linked the family from Tuscania to European collectors and the network of the 19 th-century art market, particularly the Anglo-Saxon one, will be discussed. In this way, a rich panorama is obtained not only of the characteristics of the objects traded, but above all of the protagonists of the purchases, their preferences, social class and the various interests that animated them.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1bfc370dd19d1d40d3431b9b700705ab" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105880991,"asset_id":107029533,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105880991/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107029533"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107029533"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107029533; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107029533]").text(description); $(".js-view-count[data-work-id=107029533]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107029533; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107029533']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 107029533, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1bfc370dd19d1d40d3431b9b700705ab" } } $('.js-work-strip[data-work-id=107029533]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107029533,"title":"M. Franceschini - Paul P. Pasieka, “Recently imported from Italy”. Disiecta membra dagli scavi della famiglia Campanari e dalle relative aste sul mercato antiquario londinese, MEFRA 135, 1, 2023, 67-83","translated_title":"","metadata":{"doi":"10.4000/mefra.14464","grobid_abstract":"L'attività della famiglia Campanari, che per anni ha lasciato traccia nel paesaggio archeologico vulcente, aveva principalmente, anche se non esclusivamente, interessi commerciali. La conseguente dispersione dei reperti e le dinamiche di mercato che regolavano le operazioni di vendita sono spesso difficili da tracciare a causa della scarsa documentazione. Sulla base dei cataloghi delle aste della famiglia Campanari, svoltesi a Londra tra il 1837 e il 1841, verranno analizzate le pratiche antiquarie e commerciali che legavano la famiglia di Tuscania a collezionisti europei e alla rete del mercato d'arte ottocentesco, in particolare anglosassone. Si ottiene così una buona panoramica riguardo alle caratteristiche degli oggetti commerciati e soprattutto ai protagonisti degli acquisti, in riferimento anche alle loro preferenze, alla classe sociale e agli svariati interessi che li animavano. Vulci, Etruria, mercato antiquario, Londra, archeologia classica, aste, Campanari The activity of the Campanari family, which left its mark on the archaeological landscape of Vulci for years, had mainly, though not exclusively, commercial interests. The dispersion of materials and the market dynamics governing sales are often difficult to trace due to the scarcity of documentation. On the basis of the catalogues of the auctions, which the Campanari family held in London between 1837 and 1841, the antiquarian and commercial practices that linked the family from Tuscania to European collectors and the network of the 19 th-century art market, particularly the Anglo-Saxon one, will be discussed. In this way, a rich panorama is obtained not only of the characteristics of the objects traded, but above all of the protagonists of the purchases, their preferences, social class and the various interests that animated them.","grobid_abstract_attachment_id":105880991},"translated_abstract":null,"internal_url":"https://www.academia.edu/107029533/M_Franceschini_Paul_P_Pasieka_Recently_imported_from_Italy_Disiecta_membra_dagli_scavi_della_famiglia_Campanari_e_dalle_relative_aste_sul_mercato_antiquario_londinese_MEFRA_135_1_2023_67_83","translated_internal_url":"","created_at":"2023-09-22T12:12:08.001-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1278574,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":40375237,"work_id":107029533,"tagging_user_id":1278574,"tagged_user_id":1617222,"co_author_invite_id":null,"email":"f***a@yahoo.com","affiliation":"Albert-Ludwigs-Universität Freiburg","display_order":1,"name":"Mariachiara Franceschini","title":"M. Franceschini - Paul P. Pasieka, “Recently imported from Italy”. Disiecta membra dagli scavi della famiglia Campanari e dalle relative aste sul mercato antiquario londinese, MEFRA 135, 1, 2023, 67-83"}],"downloadable_attachments":[{"id":105880991,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105880991/thumbnails/1.jpg","file_name":"06_Franceschini_Pasieka.pdf","download_url":"https://www.academia.edu/attachments/105880991/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_Paul_P_Pasieka_Recently_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105880991/06_Franceschini_Pasieka-libre.pdf?1695420295=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_Paul_P_Pasieka_Recently_i.pdf\u0026Expires=1736081780\u0026Signature=a94a0pIwI-PGhGijK7~3eAc9iw~6CxFM1wiraMknRaNNCbwJJHBMeWd6or9k9anQCyM-yuu1dojaaqkYb3sY69XoI-zyLowoDajGp7VN~iWF1ZCxcct4LH8PAyCFtnAZaA9ounodcUQoPxMJ8BkpLe0mtOA4jZir1rO35q8xQ-0IFeiq9rz4bSX6MxzxYfO5D2sMaiiuqL0dsrmXVdJuTJjpiGTRv3r1JziIUiALyHyTnQQQalLBhKblna8akch~G3vHl14pJseWTH2lckQSD4xrO2CHEFRb0JJ80Qn2zrWqMekkWapMT4O7ZzjYSXAagdOvkjpbUXbF3hqkui2jlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"M_Franceschini_Paul_P_Pasieka_Recently_imported_from_Italy_Disiecta_membra_dagli_scavi_della_famiglia_Campanari_e_dalle_relative_aste_sul_mercato_antiquario_londinese_MEFRA_135_1_2023_67_83","translated_slug":"","page_count":18,"language":"it","content_type":"Work","summary":"L'attività della famiglia Campanari, che per anni ha lasciato traccia nel paesaggio archeologico vulcente, aveva principalmente, anche se non esclusivamente, interessi commerciali. La conseguente dispersione dei reperti e le dinamiche di mercato che regolavano le operazioni di vendita sono spesso difficili da tracciare a causa della scarsa documentazione. Sulla base dei cataloghi delle aste della famiglia Campanari, svoltesi a Londra tra il 1837 e il 1841, verranno analizzate le pratiche antiquarie e commerciali che legavano la famiglia di Tuscania a collezionisti europei e alla rete del mercato d'arte ottocentesco, in particolare anglosassone. Si ottiene così una buona panoramica riguardo alle caratteristiche degli oggetti commerciati e soprattutto ai protagonisti degli acquisti, in riferimento anche alle loro preferenze, alla classe sociale e agli svariati interessi che li animavano. Vulci, Etruria, mercato antiquario, Londra, archeologia classica, aste, Campanari The activity of the Campanari family, which left its mark on the archaeological landscape of Vulci for years, had mainly, though not exclusively, commercial interests. The dispersion of materials and the market dynamics governing sales are often difficult to trace due to the scarcity of documentation. On the basis of the catalogues of the auctions, which the Campanari family held in London between 1837 and 1841, the antiquarian and commercial practices that linked the family from Tuscania to European collectors and the network of the 19 th-century art market, particularly the Anglo-Saxon one, will be discussed. In this way, a rich panorama is obtained not only of the characteristics of the objects traded, but above all of the protagonists of the purchases, their preferences, social class and the various interests that animated them.","owner":{"id":1278574,"first_name":"Paul","middle_initials":null,"last_name":"Pasieka","page_name":"PaulPasieka","domain_name":"uni-mainz","created_at":"2012-03-07T04:28:01.310-08:00","display_name":"Paul Pasieka","url":"https://uni-mainz.academia.edu/PaulPasieka"},"attachments":[{"id":105880991,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105880991/thumbnails/1.jpg","file_name":"06_Franceschini_Pasieka.pdf","download_url":"https://www.academia.edu/attachments/105880991/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_Paul_P_Pasieka_Recently_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105880991/06_Franceschini_Pasieka-libre.pdf?1695420295=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_Paul_P_Pasieka_Recently_i.pdf\u0026Expires=1736081780\u0026Signature=a94a0pIwI-PGhGijK7~3eAc9iw~6CxFM1wiraMknRaNNCbwJJHBMeWd6or9k9anQCyM-yuu1dojaaqkYb3sY69XoI-zyLowoDajGp7VN~iWF1ZCxcct4LH8PAyCFtnAZaA9ounodcUQoPxMJ8BkpLe0mtOA4jZir1rO35q8xQ-0IFeiq9rz4bSX6MxzxYfO5D2sMaiiuqL0dsrmXVdJuTJjpiGTRv3r1JziIUiALyHyTnQQQalLBhKblna8akch~G3vHl14pJseWTH2lckQSD4xrO2CHEFRb0JJ80Qn2zrWqMekkWapMT4O7ZzjYSXAagdOvkjpbUXbF3hqkui2jlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology"},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology"},{"id":17602,"name":"Auctions","url":"https://www.academia.edu/Documents/in/Auctions"},{"id":28069,"name":"Art Market","url":"https://www.academia.edu/Documents/in/Art_Market"},{"id":30744,"name":"Etruscan Archaeology","url":"https://www.academia.edu/Documents/in/Etruscan_Archaeology"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases"},{"id":41191,"name":"Provenance research","url":"https://www.academia.edu/Documents/in/Provenance_research"},{"id":43884,"name":"History of Archaeology","url":"https://www.academia.edu/Documents/in/History_of_Archaeology"},{"id":52078,"name":"Etruscology","url":"https://www.academia.edu/Documents/in/Etruscology"},{"id":295223,"name":"Vulci","url":"https://www.academia.edu/Documents/in/Vulci"},{"id":538258,"name":"Etruria and Ancient Italy","url":"https://www.academia.edu/Documents/in/Etruria_and_Ancient_Italy"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104419605"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104419605/R_Da_Vela_M_Franceschini_F_Mazzilli_Rethinking_networks_as_resources_for_ancient_communities_in_R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_9_18"><img alt="Research paper thumbnail of R. Da Vela - M. Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 9-18" class="work-thumbnail" src="https://attachments.academia-assets.com/104154865/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104419605/R_Da_Vela_M_Franceschini_F_Mazzilli_Rethinking_networks_as_resources_for_ancient_communities_in_R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_9_18">R. Da Vela - M. Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 9-18</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="12440d0e8127bce253913813be3eaf47" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104154865,"asset_id":104419605,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104154865/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104419605"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104419605"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104419605; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104419605]").text(description); $(".js-view-count[data-work-id=104419605]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104419605; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104419605']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104419605, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "12440d0e8127bce253913813be3eaf47" } } $('.js-work-strip[data-work-id=104419605]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104419605,"title":"R. Da Vela - M. Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. 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Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 9-18"},{"id":40089905,"work_id":104419605,"tagging_user_id":1617222,"tagged_user_id":917578,"co_author_invite_id":null,"email":"m***a@gmail.com","affiliation":"Universität Münster","display_order":2,"name":"Francesca Mazzilli","title":"R. Da Vela - M. Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. 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Franceschini, Flowing resources: socio-natural riverine networks in Etruria, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 37–54" class="work-thumbnail" src="https://attachments.academia-assets.com/104154819/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104419517/M_Franceschini_Flowing_resources_socio_natural_riverine_networks_in_Etruria_in_R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_37_54">M. Franceschini, Flowing resources: socio-natural riverine networks in Etruria, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 37–54</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Natural elements, such as rivers, are not only necessary to human life but are also tightly entan...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Natural elements, such as rivers, are not only necessary to human life but are also tightly entangled with every sociocultural aspect of ancient communities occupying the territory of their basins. Such a dynamic relationship is evident from the interconnection of waterways, valleys and archaeological remains, as well as from the flow of ideas, knowledge and phenomena, reflecting how ancient communities acted and reacted to the riverine agency, or better ‘effectancy’ (Stockhammer 2016). This creates a lively socio-natural network where all elements of the riverine landscape and its human actors are intertwined together. By rethinking the relationships between the actors involved, it is possible to understand how this network could have become a resource for ancient communities. This paper aims to reconsider the riverine networks of the two basins of the Paglia and Fiora in the Etruscan period. It is intended to emphasise the polyvalent role of the river- system as a resource for ancient communities, both affecting changes and resulting in enhancements on a microregional level, as well as acting as a trait d’union between broader networks and as conduit for the spread of cultural innovations on a macroregional level. Focusing especially on the influence of the interaction between rivers and society, on settlement and communication strategies and basing the analysis on the archaeological materials connected to these factors, it will be illustrated how riverine networks can become powerful resources, improving social and cultural mobility, and affecting cultural history on a multiscale level.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7ab9e7d38db84e8503d87264645cdf46" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104154819,"asset_id":104419517,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104154819/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104419517"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104419517"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104419517; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104419517]").text(description); $(".js-view-count[data-work-id=104419517]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104419517; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104419517']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104419517, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7ab9e7d38db84e8503d87264645cdf46" } } $('.js-work-strip[data-work-id=104419517]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104419517,"title":"M. 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Franceschini – P. P. Pasieka, Vulci Cityscape. Il volto nascosto di una metropoli etrusca, in: S. Carosi – C. Regoli – C. Casi (Hrsg.), Vulci. Work in Progress 1. Atti della conferenza 14–15 dicembre 2021 (Acquapendente 2023) 137–151" class="work-thumbnail" src="https://attachments.academia-assets.com/102737546/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102477834/M_Franceschini_P_P_Pasieka_Vulci_Cityscape_Il_volto_nascosto_di_una_metropoli_etrusca_in_S_Carosi_C_Regoli_C_Casi_Hrsg_Vulci_Work_in_Progress_1_Atti_della_conferenza_14_15_dicembre_2021_Acquapendente_2023_137_151">M. Franceschini – P. P. Pasieka, Vulci Cityscape. Il volto nascosto di una metropoli etrusca, in: S. Carosi – C. Regoli – C. Casi (Hrsg.), Vulci. Work in Progress 1. Atti della conferenza 14–15 dicembre 2021 (Acquapendente 2023) 137–151</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0592febf4a3e9a6d2b71abd1252cea55" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102737546,"asset_id":102477834,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102737546/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102477834"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102477834"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102477834; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102477834]").text(description); $(".js-view-count[data-work-id=102477834]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102477834; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102477834']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102477834, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0592febf4a3e9a6d2b71abd1252cea55" } } $('.js-work-strip[data-work-id=102477834]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102477834,"title":"M. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="76107468"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76107468/Das_verborgene_Antlitz_einer_etruskischen_Metropole_Neue_Forschungen_zur_Cityscape_von_Vulci_Antike_Welt_53_2_2022_53_61"><img alt="Research paper thumbnail of Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61" class="work-thumbnail" src="https://attachments.academia-assets.com/83948656/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76107468/Das_verborgene_Antlitz_einer_etruskischen_Metropole_Neue_Forschungen_zur_Cityscape_von_Vulci_Antike_Welt_53_2_2022_53_61">Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span>Antike Welt 53, 2</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen Vorrats figürlicher Vasen bekannt, die sich in fast jeder Antikensammlung finden. Neue Forschungen haben sich zum Ziel gesetzt, die Stadt ganzheitlicher zu untersuchen. Ein neuer Plan des nördlichen Stadtareals und eine erste Grabungskampagne an einem bislang unbekannten monumentalen, spätarchaischen Tempel beginnen unser Bild Vulcis grundlegend zu verändern.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2ade492889d3686fee554955e87a72d1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83948656,"asset_id":76107468,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83948656/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76107468"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76107468"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76107468; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76107468]").text(description); $(".js-view-count[data-work-id=76107468]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76107468; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76107468']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 76107468, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2ade492889d3686fee554955e87a72d1" } } $('.js-work-strip[data-work-id=76107468]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76107468,"title":"Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61","translated_title":"","metadata":{"abstract":"Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen Vorrats figürlicher Vasen bekannt, die sich in fast jeder Antikensammlung finden. 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Franceschini - P. P. Pasieka, “da niuna cura accompagnato fuori che quella di scoprire antiche cose”. Nuovi dati sugli scavi Campanari a Vulci (Rapporti di scavo inediti, 09.11.1835–28.05.1836) , RM 127, 2021, 322–374" class="work-thumbnail" src="https://attachments.academia-assets.com/77072141/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65506058/M_Franceschini_P_P_Pasieka_da_niuna_cura_accompagnato_fuori_che_quella_di_scoprire_antiche_cose_Nuovi_dati_sugli_scavi_Campanari_a_Vulci_Rapporti_di_scavo_inediti_09_11_1835_28_05_1836_RM_127_2021_322_374">M. Franceschini - P. P. Pasieka, “da niuna cura accompagnato fuori che quella di scoprire antiche cose”. Nuovi dati sugli scavi Campanari a Vulci (Rapporti di scavo inediti, 09.11.1835–28.05.1836) , RM 127, 2021, 322–374</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Hitherto unpublished reports of the excavations by the Società Vincenzo Campanari – Governo Ponti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Hitherto unpublished reports of the excavations by the Società Vincenzo Campanari – Governo Pontificio at Vulci found at the German Archaeological Institute in Rome provide an important contribution to the better understanding of the early excavations at Vulci, their temporal and spatial progress, the dissemination of the finds, and the mechanisms of the art market in the late 1830s. The reports – signed by Domenico Campanari and addressed to Karl Josias von Bunsen – span the entire second excavation season between November 9th 1835 and May 28th 1836 both on the plateau of the Etrusco-Roman city and in the necropolis. We have been able to identify a group of 37 objects in various European and non-European museums and collections and connect them with the excavations of the Campanaris in Vulci. It was thus possible outline the lively network of antiquarians, scholars and collectors within which the Campanaris operated and for whom scientific and commercial interests appeared complementary.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ffb0ed54b007d18f56198dd71b41d713" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77072141,"asset_id":65506058,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77072141/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65506058"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65506058"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65506058; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65506058]").text(description); $(".js-view-count[data-work-id=65506058]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65506058; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65506058']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 65506058, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ffb0ed54b007d18f56198dd71b41d713" } } $('.js-work-strip[data-work-id=65506058]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65506058,"title":"M. Franceschini - P. P. Pasieka, “da niuna cura accompagnato fuori che quella di scoprire antiche cose”. Nuovi dati sugli scavi Campanari a Vulci (Rapporti di scavo inediti, 09.11.1835–28.05.1836) , RM 127, 2021, 322–374","translated_title":"","metadata":{"doi":"10.34780/g2l3-4kzl","abstract":"Hitherto unpublished reports of the excavations by the Società Vincenzo Campanari – Governo Pontificio at Vulci found at the German Archaeological Institute in Rome provide an important contribution to the better understanding of the early excavations at Vulci, their temporal and spatial progress, the dissemination of the finds, and the mechanisms of the art market in the late 1830s. The reports – signed by Domenico Campanari and addressed to Karl Josias von Bunsen – span the entire second excavation season between November 9th 1835 and May 28th 1836 both on the plateau of the Etrusco-Roman city and in the necropolis. 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Nuovi dati sugli scavi Campanari a Vulci (Rapporti di scavo inediti, 09.11.1835–28.05.1836) , RM 127, 2021, 322–374"}],"downloadable_attachments":[{"id":77072141,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77072141/thumbnails/1.jpg","file_name":"Franceschini_Pasieka_RM_2021.pdf","download_url":"https://www.academia.edu/attachments/77072141/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_P_P_Pasieka_da_niuna_cura.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77072141/Franceschini_Pasieka_RM_2021-libre.pdf?1640187620=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_P_P_Pasieka_da_niuna_cura.pdf\u0026Expires=1736105800\u0026Signature=f6oBUHxA9mUp-wxq~T5OIpo-mw844GgBZZmnpp6t-vRyaqVcBMHxRbDDcIcLR6u1s82EU15tgVRdKSbYq7Qdk-1SBl47JQBzdEaiLHUVYRNvgG1zrvjGf2ZkLbJBecyEMEdfROOKPSEo8v7r40wcSAPjHzOkTlA~RG2mDXncdi4RWDT9NVxK48eQYgUslAfRxpf8pzmd-Ee5QYQs6JPbb7e5qKvwGyIxFQ1DlDuZG~~U~snNBBUy56mgHBVnn4ZJNnnINgFn8b6UPblIrzObeWR~XwJPlyKQN5CKp2Q81qWbm7oy3ftpJrUnzX~LiGwowY443oSo3nWA3CU3UqrRww__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"M_Franceschini_P_P_Pasieka_da_niuna_cura_accompagnato_fuori_che_quella_di_scoprire_antiche_cose_Nuovi_dati_sugli_scavi_Campanari_a_Vulci_Rapporti_di_scavo_inediti_09_11_1835_28_05_1836_RM_127_2021_322_374","translated_slug":"","page_count":54,"language":"it","content_type":"Work","summary":"Hitherto unpublished reports of the excavations by the Società Vincenzo Campanari – Governo Pontificio at Vulci found at the German Archaeological Institute in Rome provide an important contribution to the better understanding of the early excavations at Vulci, their temporal and spatial progress, the dissemination of the finds, and the mechanisms of the art market in the late 1830s. The reports – signed by Domenico Campanari and addressed to Karl Josias von Bunsen – span the entire second excavation season between November 9th 1835 and May 28th 1836 both on the plateau of the Etrusco-Roman city and in the necropolis. We have been able to identify a group of 37 objects in various European and non-European museums and collections and connect them with the excavations of the Campanaris in Vulci. It was thus possible outline the lively network of antiquarians, scholars and collectors within which the Campanaris operated and for whom scientific and commercial interests appeared complementary.","owner":{"id":1278574,"first_name":"Paul","middle_initials":null,"last_name":"Pasieka","page_name":"PaulPasieka","domain_name":"uni-mainz","created_at":"2012-03-07T04:28:01.310-08:00","display_name":"Paul Pasieka","url":"https://uni-mainz.academia.edu/PaulPasieka"},"attachments":[{"id":77072141,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77072141/thumbnails/1.jpg","file_name":"Franceschini_Pasieka_RM_2021.pdf","download_url":"https://www.academia.edu/attachments/77072141/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_P_P_Pasieka_da_niuna_cura.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77072141/Franceschini_Pasieka_RM_2021-libre.pdf?1640187620=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_P_P_Pasieka_da_niuna_cura.pdf\u0026Expires=1736105800\u0026Signature=f6oBUHxA9mUp-wxq~T5OIpo-mw844GgBZZmnpp6t-vRyaqVcBMHxRbDDcIcLR6u1s82EU15tgVRdKSbYq7Qdk-1SBl47JQBzdEaiLHUVYRNvgG1zrvjGf2ZkLbJBecyEMEdfROOKPSEo8v7r40wcSAPjHzOkTlA~RG2mDXncdi4RWDT9NVxK48eQYgUslAfRxpf8pzmd-Ee5QYQs6JPbb7e5qKvwGyIxFQ1DlDuZG~~U~snNBBUy56mgHBVnn4ZJNnnINgFn8b6UPblIrzObeWR~XwJPlyKQN5CKp2Q81qWbm7oy3ftpJrUnzX~LiGwowY443oSo3nWA3CU3UqrRww__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology"},{"id":26750,"name":"History of Archeology","url":"https://www.academia.edu/Documents/in/History_of_Archeology"},{"id":30744,"name":"Etruscan Archaeology","url":"https://www.academia.edu/Documents/in/Etruscan_Archaeology"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases"},{"id":41191,"name":"Provenance research","url":"https://www.academia.edu/Documents/in/Provenance_research"},{"id":52078,"name":"Etruscology","url":"https://www.academia.edu/Documents/in/Etruscology"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases"},{"id":235389,"name":"Etruscan and pre-Roman archaeology","url":"https://www.academia.edu/Documents/in/Etruscan_and_pre-Roman_archaeology"},{"id":264359,"name":"Etruscologia","url":"https://www.academia.edu/Documents/in/Etruscologia"},{"id":295223,"name":"Vulci","url":"https://www.academia.edu/Documents/in/Vulci"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="46024152"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/46024152/Iconographic_Series_in_Attic_Vase_Painting_Technical_Simplification_or_Semantic_Strategy_in_A_Reinhardt_Hrsg_Strictly_Economic_Ancient_Serial_Production_and_its_Premises_Panel_3_18_Heidelberg_2021_45_59"><img alt="Research paper thumbnail of Iconographic Series in Attic Vase Painting: Technical Simplification or Semantic Strategy?, in: A. Reinhardt (Hrsg.), Strictly Economic? Ancient Serial Production and its Premises: Panel 3.18 (Heidelberg 2021) 45–59" class="work-thumbnail" src="https://attachments.academia-assets.com/66212539/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46024152/Iconographic_Series_in_Attic_Vase_Painting_Technical_Simplification_or_Semantic_Strategy_in_A_Reinhardt_Hrsg_Strictly_Economic_Ancient_Serial_Production_and_its_Premises_Panel_3_18_Heidelberg_2021_45_59">Iconographic Series in Attic Vase Painting: Technical Simplification or Semantic Strategy?, in: A. Reinhardt (Hrsg.), Strictly Economic? Ancient Serial Production and its Premises: Panel 3.18 (Heidelberg 2021) 45–59</a></div><div class="wp-workCard_item"><span>Archaeology and Economy in the Ancient World – Proceedings of the 19th International Congress of Classical Archaeology, Cologne/Bonn 2018, Vol. 20</span><span>, 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4f58afdab66ff4895e70e13cf61ffdf8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66212539,"asset_id":46024152,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66212539/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46024152"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46024152"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46024152; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46024152]").text(description); $(".js-view-count[data-work-id=46024152]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46024152; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46024152']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46024152, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4f58afdab66ff4895e70e13cf61ffdf8" } } $('.js-work-strip[data-work-id=46024152]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46024152,"title":"Iconographic Series in Attic Vase Painting: Technical Simplification or Semantic Strategy?, in: A. 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Zwei Fragmente einer Bauchamphora des Mastos-Malers, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". Ausstellungskatalog Zürich (Zürich 2018), 303–311" class="work-thumbnail" src="https://attachments.academia-assets.com/119349632/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125276875/22_Zwei_Fragmente_einer_Bauchamphora_des_Mastos_Malers_in_C_Reusser_M_B%C3%BCrge_Hrsg_Exekias_hat_mich_gemalt_und_get%C3%B6pfert_Ausstellungskatalog_Z%C3%BCrich_Z%C3%BCrich_2018_303_311">22. Zwei Fragmente einer Bauchamphora des Mastos-Malers, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". 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Fragment einer Bauchamphora, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". Ausstellungskatalog Zürich (Zürich 2018), 297–299" class="work-thumbnail" src="https://attachments.academia-assets.com/119349583/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125276815/20_Fragment_einer_Bauchamphora_in_C_Reusser_M_B%C3%BCrge_Hrsg_Exekias_hat_mich_gemalt_und_get%C3%B6pfert_Ausstellungskatalog_Z%C3%BCrich_Z%C3%BCrich_2018_297_299">20. Fragment einer Bauchamphora, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". 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Vier Fragmente einer Halsamphora; 20. Fragment einer Bauchamphora; 21. Fragment einer Bauchamphora; 22. Zwei Fragmente einer Bauchamphora des Mastos-Malers, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". Ausstellungskatalog Zürich (Zürich 2018), 160–164; 301–315" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37786514/5_Vier_Fragmente_einer_Halsamphora_20_Fragment_einer_Bauchamphora_21_Fragment_einer_Bauchamphora_22_Zwei_Fragmente_einer_Bauchamphora_des_Mastos_Malers_in_C_Reusser_M_B%C3%BCrge_Hrsg_Exekias_hat_mich_gemalt_und_get%C3%B6pfert_Ausstellungskatalog_Z%C3%BCrich_Z%C3%BCrich_2018_160_164_301_315">5. Vier Fragmente einer Halsamphora; 20. Fragment einer Bauchamphora; 21. 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Ancient Serial Production and its Premises" class="work-thumbnail" src="https://attachments.academia-assets.com/114507729/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46834419/Strictly_Economic_Ancient_Serial_Production_and_its_Premises">Strictly Economic? Ancient Serial Production and its Premises</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unizh.academia.edu/ArneReinhardt">Arne Reinhardt</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span>Archaeology and Economy in the Ancient World – Proceedings of the 19th International Congress of Classical Archaeology, Cologne/Bonn 2018</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bentz, Martin und Heinzelmann, Michael: Strictly Economic? Ancient Serial Production and its Prem...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bentz, Martin und Heinzelmann, Michael: Strictly Economic? Ancient Serial Production and its Premises: Panel 3.18, herausgegeben von Arne Reinhardt, Heidelberg: Propylaeum, 2021 (Archaeology and Economy in the Ancient World – Proceedings of the 19th International Congress of Classical Archaeology, Cologne/Bonn 2018, Band 20)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="67f411e8334c10e89d52308ce50383f3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114507729,"asset_id":46834419,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114507729/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46834419"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46834419"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46834419; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46834419]").text(description); $(".js-view-count[data-work-id=46834419]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46834419; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46834419']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46834419, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "67f411e8334c10e89d52308ce50383f3" } } $('.js-work-strip[data-work-id=46834419]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46834419,"title":"Strictly Economic? 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Franceschini, Attische Mantelfiguren. Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei, ZAF 5 (Rahden/Westf. 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/64226049/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37032031/M_Franceschini_Attische_Mantelfiguren_Relevanz_eines_standardisierten_Motivs_der_rotfigurigen_Vasenmalerei_ZAF_5_Rahden_Westf_2018_">M. Franceschini, Attische Mantelfiguren. Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei, ZAF 5 (Rahden/Westf. 2018)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; http:...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; <a href="http://www.bmcreview.org/2019/10/20191037.html" rel="nofollow">http://www.bmcreview.org/2019/10/20191037.html</a>); Gymnasium 127, 2020, 198–201 (E. Günther) <br /> ------- <br />Die Mantelfiguren, eines der zentralen Motive der attischen Bilderwelt, sind Gegenstand der Untersuchung des vorliegenden Buchs, in dem ein innovativer Zugang zum Bildsystem der attischen Vasenmalerei vorgestellt wird. Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert, wobei sie sich nur schwer in semantische Kategorien einordnen lassen. Die typologische und semantische Untersuchung dieses Bildmotivs für die attisch-rotfigurige Vasenmalerei des 6.–5. Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. Die Auswertung einer umfangreichen und repräsentativen Materialbasis kommt zu dem Ergebnis, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert. <br /> ------- <br />Mantle figures, a central motif of the Attic red-figure vase production, form the subject matter of the present volume, which introduces an innovative approach towards the representational system of Attic vase painting. So far, the communis opinio on anonymous male figures wearing the himation is dominated by a perception rooted in later depictions, where these seemingly isolated figures are shown only on one side of the vase and are difficult to integrate into existing semantic categories. However, a typological and semantic study of this motif on Attic red-figure vases of the 6th-5th centuries B. C. demonstrates that mantle figures in their diachronic, pictorial and semantic development show both a varied iconographic spectrum and are significant in terms of communication and meaning content. The analysis of an extensive and representative corpus reveals that this motif, one of the most common on Attic red-figure vases, is not only a more complex and relevant element of Ancient imagery than has been realised so far, but indeed can stand as an almost paradigmatic interpretative key for the relationship between producers, viewers, objects and imagery.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="abaac935747fc7b190f9f0cea53ed319" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64226049,"asset_id":37032031,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64226049/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37032031"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37032031"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37032031; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37032031]").text(description); $(".js-view-count[data-work-id=37032031]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37032031; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37032031']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37032031, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "abaac935747fc7b190f9f0cea53ed319" } } $('.js-work-strip[data-work-id=37032031]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37032031,"title":"M. Franceschini, Attische Mantelfiguren. Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei, ZAF 5 (Rahden/Westf. 2018)","translated_title":"","metadata":{"abstract":"Rez. in: Museum Helveticum 76, 2019, 124–125 (K. Gex); BMCR 2019.10.37 (G. Jurriaans-Helle; http://www.bmcreview.org/2019/10/20191037.html); Gymnasium 127, 2020, 198–201 (E. Günther)\r\n ------- \r\nDie Mantelfiguren, eines der zentralen Motive der attischen Bilderwelt, sind Gegenstand der Untersuchung des vorliegenden Buchs, in dem ein innovativer Zugang zum Bildsystem der attischen Vasenmalerei vorgestellt wird. Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert, wobei sie sich nur schwer in semantische Kategorien einordnen lassen. Die typologische und semantische Untersuchung dieses Bildmotivs für die attisch-rotfigurige Vasenmalerei des 6.–5. Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. 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Jhs. v.Chr. zeigt jedoch, dass die Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung sowohl ein vielfältiges ikonographisches Spektrum, als auch eine relevante kommunikative und inhaltliche Bedeutung aufweisen. Die Auswertung einer umfangreichen und repräsentativen Materialbasis kommt zu dem Ergebnis, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.\r\n ------- \r\nMantle figures, a central motif of the Attic red-figure vase production, form the subject matter of the present volume, which introduces an innovative approach towards the representational system of Attic vase painting. So far, the communis opinio on anonymous male figures wearing the himation is dominated by a perception rooted in later depictions, where these seemingly isolated figures are shown only on one side of the vase and are difficult to integrate into existing semantic categories. However, a typological and semantic study of this motif on Attic red-figure vases of the 6th-5th centuries B. C. demonstrates that mantle figures in their diachronic, pictorial and semantic development show both a varied iconographic spectrum and are significant in terms of communication and meaning content. The analysis of an extensive and representative corpus reveals that this motif, one of the most common on Attic red-figure vases, is not only a more complex and relevant element of Ancient imagery than has been realised so far, but indeed can stand as an almost paradigmatic interpretative key for the relationship between producers, viewers, objects and imagery.","owner":{"id":1617222,"first_name":"Mariachiara","middle_initials":null,"last_name":"Franceschini","page_name":"MariachiaraFranceschini","domain_name":"uni-freiburg","created_at":"2012-04-26T18:03:04.613-07:00","display_name":"Mariachiara Franceschini","url":"https://uni-freiburg.academia.edu/MariachiaraFranceschini"},"attachments":[{"id":64226049,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64226049/thumbnails/1.jpg","file_name":"M.Franceschini_Attische Mantelfiguren_ZAF 5_Rahden2018_Inhalt_1.pdf","download_url":"https://www.academia.edu/attachments/64226049/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_Attische_Mantelfiguren_Re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64226049/M.Franceschini_Attische_Mantelfiguren_ZAF_5_Rahden2018_Inhalt_1-libre.pdf?1597906653=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_Attische_Mantelfiguren_Re.pdf\u0026Expires=1736134250\u0026Signature=GCXzONZ1Gd16xB0a6TI9SDglTU~3pkDL3s5j7kkHB4HC6R4LSGz7F6JRzaBNpZE03WyUL4OFg3BOaXESegPppJYPvpfDNxPoSdmANTvUzLgq4EQ751TXuU55El6Oww-P2efn72z1bZl3P9OFOjGAllqCexB~gPfYzoTJLhsNaNDl8GbQX14FvvkpPp5JcOt36rWnLJJ8bjXJUEFFtKKExkru0U9UK7NE6bzB4RaF~sbXd8EZjvB-jvBUFqS419~un9hvjuZkFdpzQBcvBQCnVBUIw-kyyPgVSRCnV88nwnOIj5MBSvNhZqBU9yryRi~w8nYrfKwxe1oy7y9Yd1mAig__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology"},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography"},{"id":2213,"name":"Pottery (Archaeology)","url":"https://www.academia.edu/Documents/in/Pottery_Archaeology_"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography"},{"id":27926,"name":"Statistical Methods in Archaeology","url":"https://www.academia.edu/Documents/in/Statistical_Methods_in_Archaeology"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases"},{"id":43492,"name":"Standardization","url":"https://www.academia.edu/Documents/in/Standardization"},{"id":79533,"name":"Athens","url":"https://www.academia.edu/Documents/in/Athens"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting"},{"id":562390,"name":"Red Figure Pottery","url":"https://www.academia.edu/Documents/in/Red_Figure_Pottery"},{"id":663012,"name":"Red-figure Pottery","url":"https://www.academia.edu/Documents/in/Red-figure_Pottery"},{"id":821823,"name":"Athenian Red-Figured Vases","url":"https://www.academia.edu/Documents/in/Athenian_Red-Figured_Vases"},{"id":1381990,"name":"Attic Red-figured Pottery","url":"https://www.academia.edu/Documents/in/Attic_Red-figured_Pottery"}],"urls":[{"id":8541470,"url":"https://www.vml.de/d/detail.php?ISBN=978-3-86757-665-9"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="18270912" id="editedvolumes"><div class="js-work-strip profile--work_container" data-work-id="104274754"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104274754/R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_"><img alt="Research paper thumbnail of R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023)" class="work-thumbnail" src="https://attachments.academia-assets.com/104048424/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104274754/R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_">R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-tuebingen.academia.edu/RaffaellaDaVela">Raffaella Da Vela</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-m.academia.edu/FrancescaMazzilli">Francesca Mazzilli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/FrancescaFulminante">Francesca Fulminante</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">When and how did networking become a resource for ancient communities? Were these networks percei...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When and how did networking become a resource for ancient communities? Were<br />these networks perceived by ancient societies and actors as a means to perform and<br />assert social, personal and group identities?<br />Covering various periods and geo-cultural areas from Iran to the western Mediterranean,<br />with a strong focus on classical antiquity, the papers collected here approach the<br />topic of network as resources in three different but interrelated thematic domains:<br />the interaction between societies and the natural environment (socio-natural<br />networks), the transmission of knowledge and habitus (networks of knowledge<br />and power) and religious interactions (sacred landscape). The social values that<br />communities attribute to the networks they are embedded in are opened up to new<br />interpretative layers, dynamics and scales. Looking at networks as resources changes<br />our perspective on both terms of the equation. On the one hand, ancient networks are<br />reframed in their relational and social contexts and linked to their actors’ intentions<br />and perceptions. On the other hand, the properties of specifi c networks, such as<br />fl uidity, redundancy and the strength and fragility of relationships, shed new light on<br />resources and resource-related socio-cultural dynamics.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2e38f805c271a36fc88264855848bdbb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104048424,"asset_id":104274754,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104048424/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104274754"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104274754"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104274754; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104274754]").text(description); $(".js-view-count[data-work-id=104274754]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104274754; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104274754']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104274754, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2e38f805c271a36fc88264855848bdbb" } } $('.js-work-strip[data-work-id=104274754]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104274754,"title":"R. 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The social values that\ncommunities attribute to the networks they are embedded in are opened up to new\ninterpretative layers, dynamics and scales. Looking at networks as resources changes\nour perspective on both terms of the equation. On the one hand, ancient networks are\nreframed in their relational and social contexts and linked to their actors’ intentions\nand perceptions. On the other hand, the properties of specifi c networks, such as\nfl uidity, redundancy and the strength and fragility of relationships, shed new light on\nresources and resource-related socio-cultural dynamics."},"translated_abstract":"When and how did networking become a resource for ancient communities? Were\nthese networks perceived by ancient societies and actors as a means to perform and\nassert social, personal and group identities?\nCovering various periods and geo-cultural areas from Iran to the western Mediterranean,\nwith a strong focus on classical antiquity, the papers collected here approach the\ntopic of network as resources in three different but interrelated thematic domains:\nthe interaction between societies and the natural environment (socio-natural\nnetworks), the transmission of knowledge and habitus (networks of knowledge\nand power) and religious interactions (sacred landscape). The social values that\ncommunities attribute to the networks they are embedded in are opened up to new\ninterpretative layers, dynamics and scales. Looking at networks as resources changes\nour perspective on both terms of the equation. On the one hand, ancient networks are\nreframed in their relational and social contexts and linked to their actors’ intentions\nand perceptions. 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Franceschini, ›L´abito non fa il greco‹. Etruskische Identität und visuelle Narration, in: M. Di Fazio – M. E. Gorrini – S. Paltineri (Hrsg.), Verbis ut imagine pingo. Studi in onore di Maurizio Harari, Sidera 6 (Rom 2024) 189–198" class="work-thumbnail" src="https://attachments.academia-assets.com/119528159/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125495844/M_Franceschini_L_abito_non_fa_il_greco_Etruskische_Identit%C3%A4t_und_visuelle_Narration_in_M_Di_Fazio_M_E_Gorrini_S_Paltineri_Hrsg_Verbis_ut_imagine_pingo_Studi_in_onore_di_Maurizio_Harari_Sidera_6_Rom_2024_189_198">M. Franceschini, ›L´abito non fa il greco‹. Etruskische Identität und visuelle Narration, in: M. Di Fazio – M. E. Gorrini – S. Paltineri (Hrsg.), Verbis ut imagine pingo. 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Franceschini – P. P. Pasieka, Neue Forschungen zur Cityscape von Vulci, in: D. Neumann (Hrsg.), Gründer Roms. Etruskische Schätze aus der Villa Giulia, Ausstellungskatalog Hannover (Hannover 2024) 70–71" class="work-thumbnail" src="https://attachments.academia-assets.com/113928439/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118259282/M_Franceschini_P_P_Pasieka_Neue_Forschungen_zur_Cityscape_von_Vulci_in_D_Neumann_Hrsg_Gr%C3%BCnder_Roms_Etruskische_Sch%C3%A4tze_aus_der_Villa_Giulia_Ausstellungskatalog_Hannover_Hannover_2024_70_71">M. Franceschini – P. P. Pasieka, Neue Forschungen zur Cityscape von Vulci, in: D. Neumann (Hrsg.), Gründer Roms. Etruskische Schätze aus der Villa Giulia, Ausstellungskatalog Hannover (Hannover 2024) 70–71</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fc10c06480403436a32460ec46fa3467" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113928439,"asset_id":118259282,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113928439/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118259282"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118259282"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118259282; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118259282]").text(description); $(".js-view-count[data-work-id=118259282]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118259282; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118259282']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118259282, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fc10c06480403436a32460ec46fa3467" } } $('.js-work-strip[data-work-id=118259282]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118259282,"title":"M. 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Franceschini – P. P. Pasieka – J. Meyer – B. Ullrich, The Hidden Cityscape of Vulci. Geophysical Prospections Providing New Data on Etruscan Urbanism, AA 2023/1, 146-193" class="work-thumbnail" src="https://attachments.academia-assets.com/107565365/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109211370/M_Franceschini_P_P_Pasieka_J_Meyer_B_Ullrich_The_Hidden_Cityscape_of_Vulci_Geophysical_Prospections_Providing_New_Data_on_Etruscan_Urbanism_AA_2023_1_146_193">M. Franceschini – P. P. Pasieka – J. Meyer – B. Ullrich, The Hidden Cityscape of Vulci. Geophysical Prospections Providing New Data on Etruscan Urbanism, AA 2023/1, 146-193</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">For a long time, Etruscan cities, their physical appearance, diachronic evolution and cultural an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">For a long time, Etruscan cities, their physical appearance, diachronic evolution and cultural and social figurations have largely been neglected in archaeological research. Only in recent years has this begun to change thanks to the systematic application of new methodological approaches. By using a combination of non-invasive, geophysical prospections and targeted excavations at neuralgic points, the Vulci Cityscape project aims to examine the cityscape of Vulci and its transformation over the longue durée. Geophysical surveys conducted in 2020 on 22.5 ha north of the so-called decumanus resulted in a new and more complete plan of this part of the city, identifying different functional areas, differentiating street systems and revealing the complex historical palimpsest of the urban structure. Among the functional areas, a new sacred district to the west of the tempio grande, including a new monumental, late Archaic temple stands out. Not only do the results improve our knowledge of the urban layout of Vulci, but they also shed new light on Etruscan urbanism in general.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="889f9e5e25d278c505b308f0e02b57d3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107565365,"asset_id":109211370,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107565365/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109211370"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109211370"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109211370; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109211370]").text(description); $(".js-view-count[data-work-id=109211370]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109211370; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109211370']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109211370, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "889f9e5e25d278c505b308f0e02b57d3" } } $('.js-work-strip[data-work-id=109211370]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109211370,"title":"M. 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Only in recent years has this begun to change thanks to the systematic application of new methodological approaches. By using a combination of non-invasive, geophysical prospections and targeted excavations at neuralgic points, the Vulci Cityscape project aims to examine the cityscape of Vulci and its transformation over the longue durée. Geophysical surveys conducted in 2020 on 22.5 ha north of the so-called decumanus resulted in a new and more complete plan of this part of the city, identifying different functional areas, differentiating street systems and revealing the complex historical palimpsest of the urban structure. Among the functional areas, a new sacred district to the west of the tempio grande, including a new monumental, late Archaic temple stands out. 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Franceschini - Paul P. Pasieka, “Recently imported from Italy”. Disiecta membra dagli scavi della famiglia Campanari e dalle relative aste sul mercato antiquario londinese, MEFRA 135, 1, 2023, 67-83" class="work-thumbnail" src="https://attachments.academia-assets.com/105880991/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107029533/M_Franceschini_Paul_P_Pasieka_Recently_imported_from_Italy_Disiecta_membra_dagli_scavi_della_famiglia_Campanari_e_dalle_relative_aste_sul_mercato_antiquario_londinese_MEFRA_135_1_2023_67_83">M. Franceschini - Paul P. Pasieka, “Recently imported from Italy”. Disiecta membra dagli scavi della famiglia Campanari e dalle relative aste sul mercato antiquario londinese, MEFRA 135, 1, 2023, 67-83</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'attività della famiglia Campanari, che per anni ha lasciato traccia nel paesaggio archeologico ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'attività della famiglia Campanari, che per anni ha lasciato traccia nel paesaggio archeologico vulcente, aveva principalmente, anche se non esclusivamente, interessi commerciali. La conseguente dispersione dei reperti e le dinamiche di mercato che regolavano le operazioni di vendita sono spesso difficili da tracciare a causa della scarsa documentazione. Sulla base dei cataloghi delle aste della famiglia Campanari, svoltesi a Londra tra il 1837 e il 1841, verranno analizzate le pratiche antiquarie e commerciali che legavano la famiglia di Tuscania a collezionisti europei e alla rete del mercato d'arte ottocentesco, in particolare anglosassone. Si ottiene così una buona panoramica riguardo alle caratteristiche degli oggetti commerciati e soprattutto ai protagonisti degli acquisti, in riferimento anche alle loro preferenze, alla classe sociale e agli svariati interessi che li animavano. Vulci, Etruria, mercato antiquario, Londra, archeologia classica, aste, Campanari The activity of the Campanari family, which left its mark on the archaeological landscape of Vulci for years, had mainly, though not exclusively, commercial interests. The dispersion of materials and the market dynamics governing sales are often difficult to trace due to the scarcity of documentation. On the basis of the catalogues of the auctions, which the Campanari family held in London between 1837 and 1841, the antiquarian and commercial practices that linked the family from Tuscania to European collectors and the network of the 19 th-century art market, particularly the Anglo-Saxon one, will be discussed. In this way, a rich panorama is obtained not only of the characteristics of the objects traded, but above all of the protagonists of the purchases, their preferences, social class and the various interests that animated them.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1bfc370dd19d1d40d3431b9b700705ab" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105880991,"asset_id":107029533,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105880991/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107029533"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107029533"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107029533; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107029533]").text(description); $(".js-view-count[data-work-id=107029533]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107029533; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107029533']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 107029533, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1bfc370dd19d1d40d3431b9b700705ab" } } $('.js-work-strip[data-work-id=107029533]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107029533,"title":"M. 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Si ottiene così una buona panoramica riguardo alle caratteristiche degli oggetti commerciati e soprattutto ai protagonisti degli acquisti, in riferimento anche alle loro preferenze, alla classe sociale e agli svariati interessi che li animavano. Vulci, Etruria, mercato antiquario, Londra, archeologia classica, aste, Campanari The activity of the Campanari family, which left its mark on the archaeological landscape of Vulci for years, had mainly, though not exclusively, commercial interests. The dispersion of materials and the market dynamics governing sales are often difficult to trace due to the scarcity of documentation. On the basis of the catalogues of the auctions, which the Campanari family held in London between 1837 and 1841, the antiquarian and commercial practices that linked the family from Tuscania to European collectors and the network of the 19 th-century art market, particularly the Anglo-Saxon one, will be discussed. 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In this way, a rich panorama is obtained not only of the characteristics of the objects traded, but above all of the protagonists of the purchases, their preferences, social class and the various interests that animated them.","owner":{"id":1278574,"first_name":"Paul","middle_initials":null,"last_name":"Pasieka","page_name":"PaulPasieka","domain_name":"uni-mainz","created_at":"2012-03-07T04:28:01.310-08:00","display_name":"Paul Pasieka","url":"https://uni-mainz.academia.edu/PaulPasieka"},"attachments":[{"id":105880991,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105880991/thumbnails/1.jpg","file_name":"06_Franceschini_Pasieka.pdf","download_url":"https://www.academia.edu/attachments/105880991/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"M_Franceschini_Paul_P_Pasieka_Recently_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105880991/06_Franceschini_Pasieka-libre.pdf?1695420295=\u0026response-content-disposition=attachment%3B+filename%3DM_Franceschini_Paul_P_Pasieka_Recently_i.pdf\u0026Expires=1736081780\u0026Signature=a94a0pIwI-PGhGijK7~3eAc9iw~6CxFM1wiraMknRaNNCbwJJHBMeWd6or9k9anQCyM-yuu1dojaaqkYb3sY69XoI-zyLowoDajGp7VN~iWF1ZCxcct4LH8PAyCFtnAZaA9ounodcUQoPxMJ8BkpLe0mtOA4jZir1rO35q8xQ-0IFeiq9rz4bSX6MxzxYfO5D2sMaiiuqL0dsrmXVdJuTJjpiGTRv3r1JziIUiALyHyTnQQQalLBhKblna8akch~G3vHl14pJseWTH2lckQSD4xrO2CHEFRb0JJ80Qn2zrWqMekkWapMT4O7ZzjYSXAagdOvkjpbUXbF3hqkui2jlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology"},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology"},{"id":17602,"name":"Auctions","url":"https://www.academia.edu/Documents/in/Auctions"},{"id":28069,"name":"Art Market","url":"https://www.academia.edu/Documents/in/Art_Market"},{"id":30744,"name":"Etruscan Archaeology","url":"https://www.academia.edu/Documents/in/Etruscan_Archaeology"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases"},{"id":41191,"name":"Provenance research","url":"https://www.academia.edu/Documents/in/Provenance_research"},{"id":43884,"name":"History of Archaeology","url":"https://www.academia.edu/Documents/in/History_of_Archaeology"},{"id":52078,"name":"Etruscology","url":"https://www.academia.edu/Documents/in/Etruscology"},{"id":295223,"name":"Vulci","url":"https://www.academia.edu/Documents/in/Vulci"},{"id":538258,"name":"Etruria and Ancient Italy","url":"https://www.academia.edu/Documents/in/Etruria_and_Ancient_Italy"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104419605"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104419605/R_Da_Vela_M_Franceschini_F_Mazzilli_Rethinking_networks_as_resources_for_ancient_communities_in_R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_9_18"><img alt="Research paper thumbnail of R. Da Vela - M. Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 9-18" class="work-thumbnail" src="https://attachments.academia-assets.com/104154865/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104419605/R_Da_Vela_M_Franceschini_F_Mazzilli_Rethinking_networks_as_resources_for_ancient_communities_in_R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_9_18">R. Da Vela - M. Franceschini - F. Mazzilli, Rethinking networks as resources for ancient communities, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 9-18</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="12440d0e8127bce253913813be3eaf47" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104154865,"asset_id":104419605,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104154865/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104419605"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104419605"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104419605; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104419605]").text(description); $(".js-view-count[data-work-id=104419605]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104419605; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104419605']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104419605, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "12440d0e8127bce253913813be3eaf47" } } $('.js-work-strip[data-work-id=104419605]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104419605,"title":"R. 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Franceschini, Flowing resources: socio-natural riverine networks in Etruria, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 37–54" class="work-thumbnail" src="https://attachments.academia-assets.com/104154819/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104419517/M_Franceschini_Flowing_resources_socio_natural_riverine_networks_in_Etruria_in_R_Da_Vela_M_Franceschini_F_Mazzilli_eds_Networks_as_Resources_for_Ancient_Communities_RessourcenKulturen_22_T%C3%BCbingen_2023_37_54">M. Franceschini, Flowing resources: socio-natural riverine networks in Etruria, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 37–54</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Natural elements, such as rivers, are not only necessary to human life but are also tightly entan...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Natural elements, such as rivers, are not only necessary to human life but are also tightly entangled with every sociocultural aspect of ancient communities occupying the territory of their basins. Such a dynamic relationship is evident from the interconnection of waterways, valleys and archaeological remains, as well as from the flow of ideas, knowledge and phenomena, reflecting how ancient communities acted and reacted to the riverine agency, or better ‘effectancy’ (Stockhammer 2016). This creates a lively socio-natural network where all elements of the riverine landscape and its human actors are intertwined together. By rethinking the relationships between the actors involved, it is possible to understand how this network could have become a resource for ancient communities. This paper aims to reconsider the riverine networks of the two basins of the Paglia and Fiora in the Etruscan period. It is intended to emphasise the polyvalent role of the river- system as a resource for ancient communities, both affecting changes and resulting in enhancements on a microregional level, as well as acting as a trait d’union between broader networks and as conduit for the spread of cultural innovations on a macroregional level. Focusing especially on the influence of the interaction between rivers and society, on settlement and communication strategies and basing the analysis on the archaeological materials connected to these factors, it will be illustrated how riverine networks can become powerful resources, improving social and cultural mobility, and affecting cultural history on a multiscale level.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7ab9e7d38db84e8503d87264645cdf46" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104154819,"asset_id":104419517,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104154819/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104419517"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104419517"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104419517; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104419517]").text(description); $(".js-view-count[data-work-id=104419517]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104419517; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104419517']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104419517, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7ab9e7d38db84e8503d87264645cdf46" } } $('.js-work-strip[data-work-id=104419517]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104419517,"title":"M. Franceschini, Flowing resources: socio-natural riverine networks in Etruria, in: R. Da Vela - M. Franceschini - F. Mazzilli (eds.), Networks as Resources for Ancient Communities, RessourcenKulturen 22 (Tübingen 2023), 37–54","translated_title":"","metadata":{"doi":"10.15496/publikation-82292","abstract":"Natural elements, such as rivers, are not only necessary to human life but are also tightly entangled with every sociocultural aspect of ancient communities occupying the territory of their basins. Such a dynamic relationship is evident from the interconnection of waterways, valleys and archaeological remains, as well as from the flow of ideas, knowledge and phenomena, reflecting how ancient communities acted and reacted to the riverine agency, or better ‘effectancy’ (Stockhammer 2016). This creates a lively socio-natural network where all elements of the riverine landscape and its human actors are intertwined together. By rethinking the relationships between the actors involved, it is possible to understand how this network could have become a resource for ancient communities. This paper aims to reconsider the riverine networks of the two basins of the Paglia and Fiora in the Etruscan period. It is intended to emphasise the polyvalent role of the river- system as a resource for ancient communities, both affecting changes and resulting in enhancements on a microregional level, as well as acting as a trait d’union between broader networks and as conduit for the spread of cultural innovations on a macroregional level. Focusing especially on the influence of the interaction between rivers and society, on settlement and communication strategies and basing the analysis on the archaeological materials connected to these factors, it will be illustrated how riverine networks can become powerful resources, improving social and cultural mobility, and affecting cultural history on a multiscale level. 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It is intended to emphasise the polyvalent role of the river- system as a resource for ancient communities, both affecting changes and resulting in enhancements on a microregional level, as well as acting as a trait d’union between broader networks and as conduit for the spread of cultural innovations on a macroregional level. Focusing especially on the influence of the interaction between rivers and society, on settlement and communication strategies and basing the analysis on the archaeological materials connected to these factors, it will be illustrated how riverine networks can become powerful resources, improving social and cultural mobility, and affecting cultural history on a multiscale level. 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It is intended to emphasise the polyvalent role of the river- system as a resource for ancient communities, both affecting changes and resulting in enhancements on a microregional level, as well as acting as a trait d’union between broader networks and as conduit for the spread of cultural innovations on a macroregional level. Focusing especially on the influence of the interaction between rivers and society, on settlement and communication strategies and basing the analysis on the archaeological materials connected to these factors, it will be illustrated how riverine networks can become powerful resources, improving social and cultural mobility, and affecting cultural history on a multiscale level. 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Franceschini – P. P. Pasieka, Vulci Cityscape. Il volto nascosto di una metropoli etrusca, in: S. Carosi – C. Regoli – C. Casi (Hrsg.), Vulci. Work in Progress 1. Atti della conferenza 14–15 dicembre 2021 (Acquapendente 2023) 137–151" class="work-thumbnail" src="https://attachments.academia-assets.com/102737546/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102477834/M_Franceschini_P_P_Pasieka_Vulci_Cityscape_Il_volto_nascosto_di_una_metropoli_etrusca_in_S_Carosi_C_Regoli_C_Casi_Hrsg_Vulci_Work_in_Progress_1_Atti_della_conferenza_14_15_dicembre_2021_Acquapendente_2023_137_151">M. Franceschini – P. P. Pasieka, Vulci Cityscape. Il volto nascosto di una metropoli etrusca, in: S. Carosi – C. Regoli – C. Casi (Hrsg.), Vulci. Work in Progress 1. Atti della conferenza 14–15 dicembre 2021 (Acquapendente 2023) 137–151</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0592febf4a3e9a6d2b71abd1252cea55" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102737546,"asset_id":102477834,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102737546/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102477834"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102477834"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102477834; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102477834]").text(description); $(".js-view-count[data-work-id=102477834]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102477834; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102477834']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102477834, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0592febf4a3e9a6d2b71abd1252cea55" } } $('.js-work-strip[data-work-id=102477834]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102477834,"title":"M. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="76107468"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76107468/Das_verborgene_Antlitz_einer_etruskischen_Metropole_Neue_Forschungen_zur_Cityscape_von_Vulci_Antike_Welt_53_2_2022_53_61"><img alt="Research paper thumbnail of Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61" class="work-thumbnail" src="https://attachments.academia-assets.com/83948656/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76107468/Das_verborgene_Antlitz_einer_etruskischen_Metropole_Neue_Forschungen_zur_Cityscape_von_Vulci_Antike_Welt_53_2_2022_53_61">Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span>Antike Welt 53, 2</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen Vorrats figürlicher Vasen bekannt, die sich in fast jeder Antikensammlung finden. Neue Forschungen haben sich zum Ziel gesetzt, die Stadt ganzheitlicher zu untersuchen. Ein neuer Plan des nördlichen Stadtareals und eine erste Grabungskampagne an einem bislang unbekannten monumentalen, spätarchaischen Tempel beginnen unser Bild Vulcis grundlegend zu verändern.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2ade492889d3686fee554955e87a72d1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83948656,"asset_id":76107468,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83948656/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76107468"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76107468"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76107468; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76107468]").text(description); $(".js-view-count[data-work-id=76107468]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76107468; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76107468']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 76107468, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2ade492889d3686fee554955e87a72d1" } } $('.js-work-strip[data-work-id=76107468]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76107468,"title":"Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61","translated_title":"","metadata":{"abstract":"Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen Vorrats figürlicher Vasen bekannt, die sich in fast jeder Antikensammlung finden. 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Ein neuer Plan des nördlichen Stadtareals und eine erste Grabungskampagne an einem bislang unbekannten monumentalen, spätarchaischen Tempel beginnen unser Bild Vulcis grundlegend zu verändern.","internal_url":"https://www.academia.edu/76107468/Das_verborgene_Antlitz_einer_etruskischen_Metropole_Neue_Forschungen_zur_Cityscape_von_Vulci_Antike_Welt_53_2_2022_53_61","translated_internal_url":"","created_at":"2022-04-11T05:05:23.326-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":38014295,"work_id":76107468,"tagging_user_id":1617222,"tagged_user_id":1278574,"co_author_invite_id":null,"email":"p***a@gmx.de","affiliation":"Johannes Gutenberg-Universität Mainz","display_order":0,"name":"Paul Pasieka","title":"Das verborgene Antlitz einer etruskischen Metropole: Neue Forschungen zur Cityscape von Vulci, Antike Welt 53, 2, 2022, 53-61"}],"downloadable_attachments":[{"id":83948656,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/83948656/thumbnails/1.jpg","file_name":"Franceschini_Pasieka_AW.pdf","download_url":"https://www.academia.edu/attachments/83948656/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Das_verborgene_Antlitz_einer_etruskische.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/83948656/Franceschini_Pasieka_AW-libre.pdf?1649768377=\u0026response-content-disposition=attachment%3B+filename%3DDas_verborgene_Antlitz_einer_etruskische.pdf\u0026Expires=1736105800\u0026Signature=Gn3w5lidIi4doSF1e4vA8CcSaVgKThRSPvhoOQ3gDIRiiUSBNvye5xAKafxs2CMz5X2krk5jqvEKzWRYE2-KQQQK1fXHJOf5Tt~Jndn2-KNHxPe4P-AF9II7DbYs7kGiaeqQYcnXadRRQ35AXXWFi85aomzZ~XrGkCVol~zxFvS~pODH6DFjzUs6k0TZBi8-~hx6u5R7APyovBnpdEsR-HlQltDr7NViSpKgQHhPpAldRQqYLbPzebZAY-0Yfnt2bVbflI5NFg33ugK0pPgmPz8gAUuO3agAwJ7D6-PpjrXBqpJn8YrrqFHQwvoeJpko1UaYxvAbyJHipFTmLK7Uhg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Das_verborgene_Antlitz_einer_etruskischen_Metropole_Neue_Forschungen_zur_Cityscape_von_Vulci_Antike_Welt_53_2_2022_53_61","translated_slug":"","page_count":1,"language":"de","content_type":"Work","summary":"Lange Zeit war die etruskische Metropole Vulci vor allem aufgrund ihres nahezu unerschöpflichen Vorrats figürlicher Vasen bekannt, die sich in fast jeder Antikensammlung finden. Neue Forschungen haben sich zum Ziel gesetzt, die Stadt ganzheitlicher zu untersuchen. Ein neuer Plan des nördlichen Stadtareals und eine erste Grabungskampagne an einem bislang unbekannten monumentalen, spätarchaischen Tempel beginnen unser Bild Vulcis grundlegend zu verändern.","owner":{"id":1617222,"first_name":"Mariachiara","middle_initials":null,"last_name":"Franceschini","page_name":"MariachiaraFranceschini","domain_name":"uni-freiburg","created_at":"2012-04-26T18:03:04.613-07:00","display_name":"Mariachiara Franceschini","url":"https://uni-freiburg.academia.edu/MariachiaraFranceschini"},"attachments":[{"id":83948656,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/83948656/thumbnails/1.jpg","file_name":"Franceschini_Pasieka_AW.pdf","download_url":"https://www.academia.edu/attachments/83948656/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Das_verborgene_Antlitz_einer_etruskische.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/83948656/Franceschini_Pasieka_AW-libre.pdf?1649768377=\u0026response-content-disposition=attachment%3B+filename%3DDas_verborgene_Antlitz_einer_etruskische.pdf\u0026Expires=1736105800\u0026Signature=Gn3w5lidIi4doSF1e4vA8CcSaVgKThRSPvhoOQ3gDIRiiUSBNvye5xAKafxs2CMz5X2krk5jqvEKzWRYE2-KQQQK1fXHJOf5Tt~Jndn2-KNHxPe4P-AF9II7DbYs7kGiaeqQYcnXadRRQ35AXXWFi85aomzZ~XrGkCVol~zxFvS~pODH6DFjzUs6k0TZBi8-~hx6u5R7APyovBnpdEsR-HlQltDr7NViSpKgQHhPpAldRQqYLbPzebZAY-0Yfnt2bVbflI5NFg33ugK0pPgmPz8gAUuO3agAwJ7D6-PpjrXBqpJn8YrrqFHQwvoeJpko1UaYxvAbyJHipFTmLK7Uhg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies"},{"id":16818,"name":"Etruscan","url":"https://www.academia.edu/Documents/in/Etruscan"},{"id":25991,"name":"Urban archaeology","url":"https://www.academia.edu/Documents/in/Urban_archaeology"},{"id":30744,"name":"Etruscan Archaeology","url":"https://www.academia.edu/Documents/in/Etruscan_Archaeology"},{"id":52078,"name":"Etruscology","url":"https://www.academia.edu/Documents/in/Etruscology"},{"id":87029,"name":"Etruscan studies","url":"https://www.academia.edu/Documents/in/Etruscan_studies"},{"id":234039,"name":"Italic Archaeology, Etruscology, Greek and Roman Archaeology","url":"https://www.academia.edu/Documents/in/Italic_Archaeology_Etruscology_Greek_and_Roman_Archaeology"},{"id":264359,"name":"Etruscologia","url":"https://www.academia.edu/Documents/in/Etruscologia"},{"id":295223,"name":"Vulci","url":"https://www.academia.edu/Documents/in/Vulci"},{"id":365986,"name":"Urbanistica","url":"https://www.academia.edu/Documents/in/Urbanistica"},{"id":538258,"name":"Etruria and Ancient Italy","url":"https://www.academia.edu/Documents/in/Etruria_and_Ancient_Italy"},{"id":825514,"name":"Cityscapes","url":"https://www.academia.edu/Documents/in/Cityscapes"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="65506058"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/65506058/M_Franceschini_P_P_Pasieka_da_niuna_cura_accompagnato_fuori_che_quella_di_scoprire_antiche_cose_Nuovi_dati_sugli_scavi_Campanari_a_Vulci_Rapporti_di_scavo_inediti_09_11_1835_28_05_1836_RM_127_2021_322_374"><img alt="Research paper thumbnail of M. Franceschini - P. P. Pasieka, “da niuna cura accompagnato fuori che quella di scoprire antiche cose”. Nuovi dati sugli scavi Campanari a Vulci (Rapporti di scavo inediti, 09.11.1835–28.05.1836) , RM 127, 2021, 322–374" class="work-thumbnail" src="https://attachments.academia-assets.com/77072141/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65506058/M_Franceschini_P_P_Pasieka_da_niuna_cura_accompagnato_fuori_che_quella_di_scoprire_antiche_cose_Nuovi_dati_sugli_scavi_Campanari_a_Vulci_Rapporti_di_scavo_inediti_09_11_1835_28_05_1836_RM_127_2021_322_374">M. Franceschini - P. P. Pasieka, “da niuna cura accompagnato fuori che quella di scoprire antiche cose”. Nuovi dati sugli scavi Campanari a Vulci (Rapporti di scavo inediti, 09.11.1835–28.05.1836) , RM 127, 2021, 322–374</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Hitherto unpublished reports of the excavations by the Società Vincenzo Campanari – Governo Ponti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Hitherto unpublished reports of the excavations by the Società Vincenzo Campanari – Governo Pontificio at Vulci found at the German Archaeological Institute in Rome provide an important contribution to the better understanding of the early excavations at Vulci, their temporal and spatial progress, the dissemination of the finds, and the mechanisms of the art market in the late 1830s. The reports – signed by Domenico Campanari and addressed to Karl Josias von Bunsen – span the entire second excavation season between November 9th 1835 and May 28th 1836 both on the plateau of the Etrusco-Roman city and in the necropolis. We have been able to identify a group of 37 objects in various European and non-European museums and collections and connect them with the excavations of the Campanaris in Vulci. It was thus possible outline the lively network of antiquarians, scholars and collectors within which the Campanaris operated and for whom scientific and commercial interests appeared complementary.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ffb0ed54b007d18f56198dd71b41d713" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77072141,"asset_id":65506058,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77072141/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65506058"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65506058"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65506058; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65506058]").text(description); $(".js-view-count[data-work-id=65506058]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65506058; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65506058']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 65506058, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ffb0ed54b007d18f56198dd71b41d713" } } $('.js-work-strip[data-work-id=65506058]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65506058,"title":"M. 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Reinhardt (Hrsg.), Strictly Economic? Ancient Serial Production and its Premises: Panel 3.18 (Heidelberg 2021) 45–59" class="work-thumbnail" src="https://attachments.academia-assets.com/66212539/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46024152/Iconographic_Series_in_Attic_Vase_Painting_Technical_Simplification_or_Semantic_Strategy_in_A_Reinhardt_Hrsg_Strictly_Economic_Ancient_Serial_Production_and_its_Premises_Panel_3_18_Heidelberg_2021_45_59">Iconographic Series in Attic Vase Painting: Technical Simplification or Semantic Strategy?, in: A. Reinhardt (Hrsg.), Strictly Economic? 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Fragment einer Bauchamphora, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". Ausstellungskatalog Zürich (Zürich 2018), 297–299" class="work-thumbnail" src="https://attachments.academia-assets.com/119349583/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125276815/20_Fragment_einer_Bauchamphora_in_C_Reusser_M_B%C3%BCrge_Hrsg_Exekias_hat_mich_gemalt_und_get%C3%B6pfert_Ausstellungskatalog_Z%C3%BCrich_Z%C3%BCrich_2018_297_299">20. Fragment einer Bauchamphora, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". 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Vier Fragmente einer Halsamphora; 20. Fragment einer Bauchamphora; 21. Fragment einer Bauchamphora; 22. Zwei Fragmente einer Bauchamphora des Mastos-Malers, in: C. Reusser – M. Bürge (Hrsg.), "Exekias hat mich gemalt und getöpfert". Ausstellungskatalog Zürich (Zürich 2018), 160–164; 301–315" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37786514/5_Vier_Fragmente_einer_Halsamphora_20_Fragment_einer_Bauchamphora_21_Fragment_einer_Bauchamphora_22_Zwei_Fragmente_einer_Bauchamphora_des_Mastos_Malers_in_C_Reusser_M_B%C3%BCrge_Hrsg_Exekias_hat_mich_gemalt_und_get%C3%B6pfert_Ausstellungskatalog_Z%C3%BCrich_Z%C3%BCrich_2018_160_164_301_315">5. Vier Fragmente einer Halsamphora; 20. Fragment einer Bauchamphora; 21. 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Schlehofer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span>e-Forschungsberichte 2016 des Deutschen Archäologischen Instituts, Faszikel 1, S. 73–76</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9485bce2cc8c37092d71192f42a43041" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":47225180,"asset_id":26963809,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/47225180/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="26963809"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="26963809"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26963809; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8818934"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8818934/Mantled_and_naked_figures_in_attic_red_figure_pottery_Appendix_in_M_Harari_Out_of_the_tondos_The_outside_of_the_Clusium_Cups_An_iconographic_reconsideration_in_V_Sabetai_S_Schierup_Hrsg_The_Regional_Production_of_Red_figure_Pottery_Greece_Magna_Graecia_and_Etruria_Aarhus_2014_298_301"><img alt="Research paper thumbnail of Mantled and naked figures in attic red-figure pottery, Appendix in M. Harari, Out of the tondos. The outside of the Clusium Cups: An iconographic reconsideration, in V. Sabetai – S. Schierup (Hrsg.), The Regional Production of Red-figure Pottery: Greece, Magna Graecia & Etruria, Aarhus 2014, 298-301" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8818934/Mantled_and_naked_figures_in_attic_red_figure_pottery_Appendix_in_M_Harari_Out_of_the_tondos_The_outside_of_the_Clusium_Cups_An_iconographic_reconsideration_in_V_Sabetai_S_Schierup_Hrsg_The_Regional_Production_of_Red_figure_Pottery_Greece_Magna_Graecia_and_Etruria_Aarhus_2014_298_301">Mantled and naked figures in attic red-figure pottery, Appendix in M. Harari, Out of the tondos. The outside of the Clusium Cups: An iconographic reconsideration, in V. Sabetai – S. Schierup (Hrsg.), The Regional Production of Red-figure Pottery: Greece, Magna Graecia & Etruria, Aarhus 2014, 298-301</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The mantle-figures, mostly unnamed male with a himation, were developed as part of the ancient im...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The mantle-figures, mostly unnamed male with a himation, were developed as part of the ancient imagery in the Attic red-figured vase production since 530 BC and spread with great success until the late fourth Century BC. Within mantle-figures appear also different nude figures in representations of a plurality of common themes (e.g., athletic or erotic, work- or warrior-scenes). The relationship between these figures should be understood as a dynamic and active dialectic, as each mantle-figure is potentially naked, and vice versa. Nudity thus represents a different habitus taken on certain occasions by the same person. A growing standardisation of these scenes in generic ‘conversation pieces’ with mantled and naked figures between the end of the 5th and the early 4th century BC, far from being irreversible and trivializing, therefore corresponds to an iconic and semantic specification of the subject, that underlines some dominant semantic fields of these images.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8818934"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8818934"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8818934; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8818934]").text(description); $(".js-view-count[data-work-id=8818934]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8818934; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8818934']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8818934, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=8818934]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8818934,"title":"Mantled and naked figures in attic red-figure pottery, Appendix in M. 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Nudity thus represents a different habitus taken on certain occasions by the same person. A growing standardisation of these scenes in generic ‘conversation pieces’ with mantled and naked figures between the end of the 5th and the early 4th century BC, far from being irreversible and trivializing, therefore corresponds to an iconic and semantic specification of the subject, that underlines some dominant semantic fields of these images.","internal_url":"https://www.academia.edu/8818934/Mantled_and_naked_figures_in_attic_red_figure_pottery_Appendix_in_M_Harari_Out_of_the_tondos_The_outside_of_the_Clusium_Cups_An_iconographic_reconsideration_in_V_Sabetai_S_Schierup_Hrsg_The_Regional_Production_of_Red_figure_Pottery_Greece_Magna_Graecia_and_Etruria_Aarhus_2014_298_301","translated_internal_url":"","created_at":"2014-10-16T16:33:45.953-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Mantled_and_naked_figures_in_attic_red_figure_pottery_Appendix_in_M_Harari_Out_of_the_tondos_The_outside_of_the_Clusium_Cups_An_iconographic_reconsideration_in_V_Sabetai_S_Schierup_Hrsg_The_Regional_Production_of_Red_figure_Pottery_Greece_Magna_Graecia_and_Etruria_Aarhus_2014_298_301","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"The mantle-figures, mostly unnamed male with a himation, were developed as part of the ancient imagery in the Attic red-figured vase production since 530 BC and spread with great success until the late fourth Century BC. Within mantle-figures appear also different nude figures in representations of a plurality of common themes (e.g., athletic or erotic, work- or warrior-scenes). The relationship between these figures should be understood as a dynamic and active dialectic, as each mantle-figure is potentially naked, and vice versa. Nudity thus represents a different habitus taken on certain occasions by the same person. A growing standardisation of these scenes in generic ‘conversation pieces’ with mantled and naked figures between the end of the 5th and the early 4th century BC, far from being irreversible and trivializing, therefore corresponds to an iconic and semantic specification of the subject, that underlines some dominant semantic fields of these images.","owner":{"id":1617222,"first_name":"Mariachiara","middle_initials":null,"last_name":"Franceschini","page_name":"MariachiaraFranceschini","domain_name":"uni-freiburg","created_at":"2012-04-26T18:03:04.613-07:00","display_name":"Mariachiara Franceschini","url":"https://uni-freiburg.academia.edu/MariachiaraFranceschini"},"attachments":[],"research_interests":[{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases"}],"urls":[{"id":3659075,"url":"https://www.academia.edu/8742071/Stine_Schierup_and_Victoria_Sabetai_eds._The_Regional_Production_of_Red-figure_Pottery_Greece_Magna_Graecia_and_Etruria_Gosta_Enbom_Monographs_Volume_4_Aarhus_University_Press_2014"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="11620328" id="report"><div class="js-work-strip profile--work_container" data-work-id="103601919"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/103601919/Spring_School_Vulci_Cityscape_meets_DIGITAL_ROOFS"><img alt="Research paper thumbnail of Spring School. Vulci Cityscape meets DIGITAL ROOFS" class="work-thumbnail" src="https://attachments.academia-assets.com/103566559/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/103601919/Spring_School_Vulci_Cityscape_meets_DIGITAL_ROOFS">Spring School. Vulci Cityscape meets DIGITAL ROOFS</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span>Jahresbericht 2022 des Instituts für Altertumswissenschaften an der Johannes Gutenberg-Universität Mainz</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Für die im Jahresbericht genutzten personenbezogenen Daten liegen die Einverständnisse aller B et...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Für die im Jahresbericht genutzten personenbezogenen Daten liegen die Einverständnisse aller B eteiligten vor. Text-Bild-Lizenz: Texte und Bilder stehen (sofern nichts anderes vermerkt) unter CC BY 4.0 Lizenz. 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Bundrick, Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison 2019)" class="work-thumbnail" src="https://attachments.academia-assets.com/60910517/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40630594/Rez_zu_Sheramy_D_Bundrick_Athens_Etruria_and_the_Many_Lives_of_Greek_Figured_Pottery_Madison_2019_">Rez. zu Sheramy D. Bundrick, Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison 2019)</a></div><div class="wp-workCard_item"><span>BMCR 2019.10.30</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nelle molteplici "vite" di un vaso attico tra Atene e l'Etruria, forme e iconografie assumono di ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nelle molteplici "vite" di un vaso attico tra Atene e l'Etruria, forme e iconografie assumono di volta in volta valore e significato diversi che si adeguano al contesto. Il titolo programmatico di questa nuova pubblicazione di Sheramy D. Bundrick preannuncia già il taglio che assumerà la disanima di un tema centrale nelle ricerche di ceramografia antica: se le problematiche sono note nella storia degli studi, la reinterpretazione della questione in chiave "biografica" offre nuovi spunti di riflessione.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="abcfe244d18f0c29c776fdba96eddcf7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60910517,"asset_id":40630594,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60910517/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40630594"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40630594"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40630594; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40630594]").text(description); $(".js-view-count[data-work-id=40630594]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40630594; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40630594']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40630594, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "abcfe244d18f0c29c776fdba96eddcf7" } } $('.js-work-strip[data-work-id=40630594]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40630594,"title":"Rez. zu Sheramy D. 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Unteritalische Vasenmalerei zwischen Griechen und Indigenen, CVA Beihefte 8 (München 2018), Museum Helveticum 76, 2019, 132</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bd2d9f625dc2d7a7330142173deb5a63" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59875057,"asset_id":39703329,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59875057/download_file?st=MTczNjEzMDY1MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39703329"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39703329"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39703329; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39703329]").text(description); $(".js-view-count[data-work-id=39703329]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39703329; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39703329']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39703329, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bd2d9f625dc2d7a7330142173deb5a63" } } $('.js-work-strip[data-work-id=39703329]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39703329,"title":"Rez. zu Ursula Kästner – Stefan Schmidt (Hrsg.), Inszenierungen von Identitäten. 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class="js-work-more-abstract-truncated">05. 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href="https://www.academia.edu/109106271/Keynote_lecture_The_sacred_landscape_of_Vulci"><img alt="Research paper thumbnail of Keynote lecture: The sacred landscape of Vulci" class="work-thumbnail" src="https://attachments.academia-assets.com/107326538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109106271/Keynote_lecture_The_sacred_landscape_of_Vulci">Keynote lecture: The sacred landscape of Vulci</a></div><div class="wp-workCard_item"><span>Stadt – Land – Fluss: Aktuelle Forschungen in der Landschaftsarchäologie, Table Ronde der Saka 2023, Samstag, 11. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="78505323"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/78505323/Vulci_Cityscape_Das_verborgene_Antlitz_einer_etruskischen_Metropole"><img alt="Research paper thumbnail of Vulci Cityscape: Das verborgene Antlitz einer etruskischen Metropole" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/78505323/Vulci_Cityscape_Das_verborgene_Antlitz_einer_etruskischen_Metropole">Vulci Cityscape: Das verborgene Antlitz einer etruskischen Metropole</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span>Archäologische Vorträge in Bonn, Sommersemester 2022</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis hat es sich zum Ziel gesetzt, mit eine...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis hat es sich zum Ziel gesetzt, mit einer Kombination aus non-invasiven geophysikalischen Prospektionen und gezielten Grabungsschnitten an neuralgischen Punkten das Stadtbild Vulcis und seine Veränderung in der longue durée in den Blick zu nehmen. Im Vortrag werden die Ergebnisse der 2020 im gesamte nördlichen Bereich der antiken Stadt durchgeführten geophysikalischen Prospektionen vorgestellt, dank der ein neuer Stadtplan erarbeitet werden konnte, sowie der ersten Ausgrabungskampagne 2021 am neu identifizierten monumentalen Tempel. Ausgehend von diesen ersten Ergebnissen und weiteren Forschungen zu etruskischen und italischen Städten sollen neue Perspektiven auf die etruskische Urbanistik eröffnet werden.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="78505323"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="78505323"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 78505323; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=78505323]").text(description); $(".js-view-count[data-work-id=78505323]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 78505323; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='78505323']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 78505323, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=78505323]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":78505323,"title":"Vulci Cityscape: Das verborgene Antlitz einer etruskischen Metropole","translated_title":"","metadata":{"abstract":"Das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis hat es sich zum Ziel gesetzt, mit einer Kombination aus non-invasiven geophysikalischen Prospektionen und gezielten Grabungsschnitten an neuralgischen Punkten das Stadtbild Vulcis und seine Veränderung in der longue durée in den Blick zu nehmen. Im Vortrag werden die Ergebnisse der 2020 im gesamte nördlichen Bereich der antiken Stadt durchgeführten geophysikalischen Prospektionen vorgestellt, dank der ein neuer Stadtplan erarbeitet werden konnte, sowie der ersten Ausgrabungskampagne 2021 am neu identifizierten monumentalen Tempel. Ausgehend von diesen ersten Ergebnissen und weiteren Forschungen zu etruskischen und italischen Städten sollen neue Perspektiven auf die etruskische Urbanistik eröffnet werden.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Archäologische Vorträge in Bonn, Sommersemester 2022"},"translated_abstract":"Das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis hat es sich zum Ziel gesetzt, mit einer Kombination aus non-invasiven geophysikalischen Prospektionen und gezielten Grabungsschnitten an neuralgischen Punkten das Stadtbild Vulcis und seine Veränderung in der longue durée in den Blick zu nehmen. Im Vortrag werden die Ergebnisse der 2020 im gesamte nördlichen Bereich der antiken Stadt durchgeführten geophysikalischen Prospektionen vorgestellt, dank der ein neuer Stadtplan erarbeitet werden konnte, sowie der ersten Ausgrabungskampagne 2021 am neu identifizierten monumentalen Tempel. Ausgehend von diesen ersten Ergebnissen und weiteren Forschungen zu etruskischen und italischen Städten sollen neue Perspektiven auf die etruskische Urbanistik eröffnet werden.","internal_url":"https://www.academia.edu/78505323/Vulci_Cityscape_Das_verborgene_Antlitz_einer_etruskischen_Metropole","translated_internal_url":"","created_at":"2022-05-05T04:12:33.505-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[{"id":38175212,"work_id":78505323,"tagging_user_id":1617222,"tagged_user_id":1278574,"co_author_invite_id":null,"email":"p***a@gmx.de","affiliation":"Johannes Gutenberg-Universität Mainz","display_order":0,"name":"Paul Pasieka","title":"Vulci Cityscape: Das verborgene Antlitz einer etruskischen Metropole"}],"downloadable_attachments":[],"slug":"Vulci_Cityscape_Das_verborgene_Antlitz_einer_etruskischen_Metropole","translated_slug":"","page_count":null,"language":"de","content_type":"Work","summary":"Das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis hat es sich zum Ziel gesetzt, mit einer Kombination aus non-invasiven geophysikalischen Prospektionen und gezielten Grabungsschnitten an neuralgischen Punkten das Stadtbild Vulcis und seine Veränderung in der longue durée in den Blick zu nehmen. 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Das verborgene Antlitz Vulcis" class="work-thumbnail" src="https://attachments.academia-assets.com/81754907/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/73100445/Die_Stadt_jenseits_der_Nekropolen_Das_verborgene_Antlitz_Vulcis">Die Stadt jenseits der Nekropolen. Das verborgene Antlitz Vulcis</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span>Frankfurter Vorträge zu Archäologie und Geschichte, Archäologisches Museum Frankfurt, 10. März 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Die letzten Jahre haben ein neues Interesse und eine verstärkte Grabungsaktivität in Vulci gesehe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Die letzten Jahre haben ein neues Interesse und eine verstärkte Grabungsaktivität in Vulci gesehen, deren wichtige und teils spektakuläre Funde von ganzen Grabkomplexen in der Ausstellung „Löwen, Sphingen, Silberhände. Der unsterbliche Glanz etruskischer Familien aus Vulci“ im Archäologischen Museum Frankfurt zu sehen sind. Darüber hinaus rückt aber auch das eigentliche Stadtgebiet in den Fokus. 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Erst in den vergangenen Jahren beginnt sich das Bild dank der systematischen Anwendung neuer methodischer Verfahren zu wandeln.<br /><br />Der Vortrag soll einen Einblick in das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis geben, das es sich zum Ziel gesetzt hat, mit einer Kombination aus non-invasiven geophysikalischen Prospektionen und gezielten Grabungsschnitten an neuralgischen Punkten das Stadtbild Vulcis und seine Veränderung in der longue durée in den Blick zu nehmen.<br /><br />Zunächst wurde 2020 der gesamte Bereich nördlich des sog. decumanus geomagnetisch prospektiert und im Anschluss ein neuer Stadtplan für dieses Areal erstellt, der bisherige Vorstellungen zur Cityscape Vulcis grundlegend revidiert. Dabei wurde u. a. ein neuer monumentaler Tempel identifiziert, der im Sommer 2021 durch eine erste Ausgrabungskampagne stratigraphisch eingeordnet werden konnte.<br /><br />Diese neuen Ergebnisse sollen zu unserem bisherigen Kenntnisstand zu anderen etruskischen Städten ins Verhältnis gesetzt werden, um so einen neuen Zugang zur etruskischen Urbanistik zu gewinnen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b92b79ea5ff4876499042614ff0d5031" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":74671907,"asset_id":61679708,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/74671907/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="61679708"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="61679708"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61679708; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=61679708]").text(description); $(".js-view-count[data-work-id=61679708]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 61679708; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='61679708']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 61679708, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b92b79ea5ff4876499042614ff0d5031" } } $('.js-work-strip[data-work-id=61679708]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":61679708,"title":"Der neue monumentale Tempel und die sich wandelnde Cityscape Vulcis","translated_title":"","metadata":{"abstract":"Lange Zeit dominierten die so reichhaltigen Nekropolen das archäologische Bild von den Etruskern, wobei die Urbanistik, zahlreiche Aspekte des Lebens und der Gestaltung etruskischer Städte bislang zu den großen Forschungsdesiderate der italischen Archäologie zählen und noch immer im Dunkeln liegen. 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Erst in den vergangenen Jahren beginnt sich das Bild dank der systematischen Anwendung neuer methodischer Verfahren zu wandeln.\n\nDer Vortrag soll einen Einblick in das 2019 initiierte Forschungsprojekt zur Cityscape Vulcis geben, das es sich zum Ziel gesetzt hat, mit einer Kombination aus non-invasiven geophysikalischen Prospektionen und gezielten Grabungsschnitten an neuralgischen Punkten das Stadtbild Vulcis und seine Veränderung in der longue durée in den Blick zu nehmen.\n\nZunächst wurde 2020 der gesamte Bereich nördlich des sog. decumanus geomagnetisch prospektiert und im Anschluss ein neuer Stadtplan für dieses Areal erstellt, der bisherige Vorstellungen zur Cityscape Vulcis grundlegend revidiert. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45438267"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45438267/Il_cityscape_di_Vulci_un_palinsesto_dai_Campanari_alla_geofisica"><img alt="Research paper thumbnail of Il cityscape di Vulci: un palinsesto dai Campanari alla geofisica" class="work-thumbnail" src="https://attachments.academia-assets.com/65948892/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45438267/Il_cityscape_di_Vulci_un_palinsesto_dai_Campanari_alla_geofisica">Il cityscape di Vulci: un palinsesto dai Campanari alla geofisica</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span>Deutsches Archäologisches Institut, Abteilung Rom - Conferenza Online Nuove Ricerche</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L’adozione di approcci scientifici complementari contribuisce ora ad arricchire il cityscape di V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L’adozione di approcci scientifici complementari contribuisce ora ad arricchire il cityscape di Vulci, ancora incompleto e frazionato, nonostante la quasi bicentenaria attività archeologica. Da un lato i recenti risultati di prospezioni geofisiche estensive permettono una valutazione approfondita della struttura urbana del settore settentrionale della città e della reciproca relazione tra diverse aree funzionali. Dall’altro l’analisi dei rapporti di scavo inediti del 1835/36 intreccia i nuovi dati alle ricerche ottocentesche, delineando un quadro dinamico della rete collezionistica e archeologica che gravitava intorno alle attività vulcenti della famiglia Campanari.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9f380da1fdb5b04fe57d37a8c8b4f453" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65948892,"asset_id":45438267,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65948892/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45438267"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45438267"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45438267; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45438267]").text(description); $(".js-view-count[data-work-id=45438267]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45438267; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45438267']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45438267, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9f380da1fdb5b04fe57d37a8c8b4f453" } } $('.js-work-strip[data-work-id=45438267]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45438267,"title":"Il cityscape di Vulci: un palinsesto dai Campanari alla geofisica","translated_title":"","metadata":{"abstract":"L’adozione di approcci scientifici complementari contribuisce ora ad arricchire il cityscape di Vulci, ancora incompleto e frazionato, nonostante la quasi bicentenaria attività archeologica. 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Erfolg und Standardisierung der Mantelfiguren</a></div><div class="wp-workCard_item"><span>Archäologisches Kolloquium - Institut für Klassische Archäologie der Universität Tübingen </span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45488363"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45488363"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45488363; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45488363]").text(description); $(".js-view-count[data-work-id=45488363]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45488363; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45488363']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45488363, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=45488363]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45488363,"title":"Kleider machen Griechen. 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Die Bedeutung eines standardisierten Motivs in der attisch rotfigurigen Vasenmalerei" class="work-thumbnail" src="https://attachments.academia-assets.com/65985641/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45488418/Attische_Mantelfiguren_Die_Bedeutung_eines_standardisierten_Motivs_in_der_attisch_rotfigurigen_Vasenmalerei">Attische Mantelfiguren. Die Bedeutung eines standardisierten Motivs in der attisch rotfigurigen Vasenmalerei</a></div><div class="wp-workCard_item"><span>Archäologisches Kolloquium - Fachbereich Klassische Archäologie der Universität Zürich</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, den ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reflektiert man die bisherige communis opinio zu den namenlosen männlichen Himationsträgern, den Mantelfiguren, so wird ihre Wahrnehmung von den späteren Bildern, in denen diese Figuren scheinbar isoliert nur auf einer Seite der Vase auftauchen, dominiert. Diese auf den ersten Blick ›banalen‹ Darstellungen lassen sich nur schwer in semantische Kategorien einordnen, sodass ihre kommunikative und inhaltliche Bedeutung unterschätzt wurde. Auf Grundlage einer umfangreichen und repräsentativen Materialbasis zeigt jedoch die ausführliche Untersuchung der Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bd6041fceecac5bfd7feced66e860b47" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65985641,"asset_id":45488418,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65985641/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45488418"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45488418"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45488418; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45488418]").text(description); $(".js-view-count[data-work-id=45488418]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45488418; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45488418']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45488418, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bd6041fceecac5bfd7feced66e860b47" } } $('.js-work-strip[data-work-id=45488418]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45488418,"title":"Attische Mantelfiguren. 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Auf Grundlage einer umfangreichen und repräsentativen Materialbasis zeigt jedoch die ausführliche Untersuchung der Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.","internal_url":"https://www.academia.edu/45488418/Attische_Mantelfiguren_Die_Bedeutung_eines_standardisierten_Motivs_in_der_attisch_rotfigurigen_Vasenmalerei","translated_internal_url":"","created_at":"2021-03-12T06:33:37.651-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":36339814,"work_id":45488418,"tagging_user_id":1617222,"tagged_user_id":10513425,"co_author_invite_id":null,"email":"m***8@gmail.com","display_order":1,"name":"Marina De Franceschini","title":"Attische Mantelfiguren. 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Diese auf den ersten Blick ›banalen‹ Darstellungen lassen sich nur schwer in semantische Kategorien einordnen, sodass ihre kommunikative und inhaltliche Bedeutung unterschätzt wurde. Auf Grundlage einer umfangreichen und repräsentativen Materialbasis zeigt jedoch die ausführliche Untersuchung der Mantelfiguren in ihrer diachronen, bildlichen und semantischen Entwicklung, dass eines der häufigsten Motive der attisch-rotfigurigen Vasenproduktion in Wirklichkeit nicht nur ein komplexeres und relevanteres Element der antiken Bildsprache war als bisher vermutet, sondern geradezu paradigmatisch ein interpretatives Schlüsselmoment im Verhältnis zwischen Produzent, Betrachter, Objekt und Bildwelt liefert.","owner":{"id":1617222,"first_name":"Mariachiara","middle_initials":null,"last_name":"Franceschini","page_name":"MariachiaraFranceschini","domain_name":"uni-freiburg","created_at":"2012-04-26T18:03:04.613-07:00","display_name":"Mariachiara Franceschini","url":"https://uni-freiburg.academia.edu/MariachiaraFranceschini"},"attachments":[{"id":65985641,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65985641/thumbnails/1.jpg","file_name":"EinladungFranceschini.pdf","download_url":"https://www.academia.edu/attachments/65985641/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Attische_Mantelfiguren_Die_Bedeutung_ein.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65985641/EinladungFranceschini-libre.pdf?1615561830=\u0026response-content-disposition=attachment%3B+filename%3DAttische_Mantelfiguren_Die_Bedeutung_ein.pdf\u0026Expires=1736134251\u0026Signature=hCm52ciPx-n7OxKQ2jGXPZQ8kffAdlqbzBK0Kcg2~IzsL6uHTatqetZqpQaRQVIIhT6fclDod1iEdfsEFjMHN8fS56S~sRxQ55gO5PbdrP0e27336pxUzkh1Kd0nrcf1lZt6PSVjviNzO0tMdN3ylW-pyKC723nCItt98VzyR6IhdQLRExUZtRhYtp5yNlj0sHMLAx8ZWh81KX4FJHs3tCn3XOzKYkxf8dG7TGpY7FaoI-eNmjdIkbaMU4rYdGpdceCpMTTqYPL3zyC2hbdHWPR6MOcOsaSXWf6ZOgZBvYJeQtW2Wm0X6lIxUH2jsJ36kckeeu0Tj9pafHddWwtj-Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2852,"name":"Narrative","url":"https://www.academia.edu/Documents/in/Narrative"},{"id":19818,"name":"Narrative Theory","url":"https://www.academia.edu/Documents/in/Narrative_Theory"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting"},{"id":466561,"name":"Greek vase painting","url":"https://www.academia.edu/Documents/in/Greek_vase_painting"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8352787" id="conferencepresentations"><div class="js-work-strip profile--work_container" data-work-id="124656614"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/124656614/Nuove_terrecotte_architettoniche_orientalizzanti_e_arcaiche_dallarea_del_nuovo_tempio_urbano_di_Vulci"><img alt="Research paper thumbnail of Nuove terrecotte architettoniche orientalizzanti e arcaiche dall'area del nuovo tempio urbano di Vulci" class="work-thumbnail" src="https://attachments.academia-assets.com/118842383/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124656614/Nuove_terrecotte_architettoniche_orientalizzanti_e_arcaiche_dallarea_del_nuovo_tempio_urbano_di_Vulci">Nuove terrecotte architettoniche orientalizzanti e arcaiche dall'area del nuovo tempio urbano di Vulci</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span>Deliciae Fictiles VI. Terrecotte Architettoniche in Italia Antica Nuove scoperte, riletture critiche, rassegne di rinvenimenti (Tarquinia, 17-19 ottobre 2024)</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gli scavi al nuovo tempio monumentale arcaico che affianca il Tempio Grande nell’area urbana di V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gli scavi al nuovo tempio monumentale arcaico che affianca il Tempio Grande nell’area urbana di Vulci avviati nel 2021 non solo hanno prodotto informazioni sulle diverse fasi della struttura sacra, ma ci offrono uno spaccato del palinsesto urbano dalla fondazione della città all’epoca tardo romana. Dagli strati di riempimento e fondazione del podio – che datano la struttura tra la fine del VI e gli inizi del V secolo a.C. – sono emerse diverse terrecotte architettoniche orientalizzanti e arcaiche. <br />Per la fase orientalizzante, contiamo frammenti di lastre decorate a guilloche white-on-red confrontabili, tra gli altri, con esemplari da Acquarossa e Caere. Agli inizi dell’età arcaica si inquadrano le sime con teorie di grifoni e cervi, che presentano somiglianze con lastre soprattutto da Poggio Buco, ma anche da Veio; rispetto a queste hanno, tuttavia, dimensioni considerevolmente maggiori e monumentali. Tra i nuovi ritrovamenti si contano, inoltre, frammenti di sime a lingue, simili a esemplari da Tuscania e Acquarossa (570/560 a.C.) e diversi frammenti di lastre con teorie di guerrieri che ben si allineano a tipi noti da Tuscania, Poggio Buco e Acquarossa (570-550 a.C.).<br />Per la prima volta è possibile disporre di un consistente ensemble di terrecotte architettoniche vulcenti da contesti scavati stratigraficamente che abbracciano senza soluzione di continuità l’intero VI secolo a.C. Le terrecotte, messe in relazione a tegole, coppi e frammenti di pittura parietale dal riempimento del tempio, consentono di far luce su edifici di diverse dimensioni e cronologia presenti in area urbana prima del nuovo tempio. In particolare, le sime con teorie di grifoni e cervi, proprio per le loro particolari dimensioni, sembrano riferirsi a edifici pubblici. I nuovi ritrovamenti ampliano notevolmente e integrano il corpus delle terrecotte architettoniche di Vulci e permetto una più approfondita conoscenza della coroplastica vulcente in un’importante fase di sviluppo urbano e delle influenze in Etruria Meridionale.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c96c04f4f90200601302d6de12c4e0e6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118842383,"asset_id":124656614,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118842383/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="124656614"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="124656614"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 124656614; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=124656614]").text(description); $(".js-view-count[data-work-id=124656614]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 124656614; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='124656614']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 124656614, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c96c04f4f90200601302d6de12c4e0e6" } } $('.js-work-strip[data-work-id=124656614]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":124656614,"title":"Nuove terrecotte architettoniche orientalizzanti e arcaiche dall'area del nuovo tempio urbano di Vulci","translated_title":"","metadata":{"abstract":"Gli scavi al nuovo tempio monumentale arcaico che affianca il Tempio Grande nell’area urbana di Vulci avviati nel 2021 non solo hanno prodotto informazioni sulle diverse fasi della struttura sacra, ma ci offrono uno spaccato del palinsesto urbano dalla fondazione della città all’epoca tardo romana. Dagli strati di riempimento e fondazione del podio – che datano la struttura tra la fine del VI e gli inizi del V secolo a.C. – sono emerse diverse terrecotte architettoniche orientalizzanti e arcaiche. \nPer la fase orientalizzante, contiamo frammenti di lastre decorate a guilloche white-on-red confrontabili, tra gli altri, con esemplari da Acquarossa e Caere. Agli inizi dell’età arcaica si inquadrano le sime con teorie di grifoni e cervi, che presentano somiglianze con lastre soprattutto da Poggio Buco, ma anche da Veio; rispetto a queste hanno, tuttavia, dimensioni considerevolmente maggiori e monumentali. 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I nuovi ritrovamenti ampliano notevolmente e integrano il corpus delle terrecotte architettoniche di Vulci e permetto una più approfondita conoscenza della coroplastica vulcente in un’importante fase di sviluppo urbano e delle influenze in Etruria Meridionale.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Deliciae Fictiles VI. Terrecotte Architettoniche in Italia Antica Nuove scoperte, riletture critiche, rassegne di rinvenimenti (Tarquinia, 17-19 ottobre 2024)"},"translated_abstract":"Gli scavi al nuovo tempio monumentale arcaico che affianca il Tempio Grande nell’area urbana di Vulci avviati nel 2021 non solo hanno prodotto informazioni sulle diverse fasi della struttura sacra, ma ci offrono uno spaccato del palinsesto urbano dalla fondazione della città all’epoca tardo romana. 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Pasieka – Mariachiara Franceschini, New Approaches to the Construction of Ancient Cities</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">International Conference Constructing Ancient Cities, september 11th-12th 2023, Mainz</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ccd73285e472c3b024c755d87e78376e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105510327,"asset_id":106268107,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105510327/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="106268107"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="106268107"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 106268107; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=106268107]").text(description); $(".js-view-count[data-work-id=106268107]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 106268107; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='106268107']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 106268107, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ccd73285e472c3b024c755d87e78376e" } } $('.js-work-strip[data-work-id=106268107]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":106268107,"title":"Paul P. 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The role of terracotta roofs in the process of urbanization in Etruria</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">International Conference Constructing Ancient Cities, september 11th-12th 2023, Mainz</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7271b7b0c8bbf9e8943c72966069d2f2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105548508,"asset_id":106318136,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105548508/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="106318136"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="106318136"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 106318136; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=106318136]").text(description); $(".js-view-count[data-work-id=106318136]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 106318136; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='106318136']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 106318136, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7271b7b0c8bbf9e8943c72966069d2f2" } } $('.js-work-strip[data-work-id=106318136]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":106318136,"title":"Mariachiara Franceschini – Paul P. 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Pasieka - Melina Angermeier - Friederike Fless - Roland Frank - Katharina Oppelland - Annalize Rheeder - Philipp Schug - Alexandra Wiesbeck-Klein, Vulci Cityscape 2022: Scavi e ricerche tra Vulci e Castro" class="work-thumbnail" src="https://attachments.academia-assets.com/102737776/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102478192/Mariachiara_Franceschini_Paul_P_Pasieka_Melina_Angermeier_Friederike_Fless_Roland_Frank_Katharina_Oppelland_Annalize_Rheeder_Philipp_Schug_Alexandra_Wiesbeck_Klein_Vulci_Cityscape_2022_Scavi_e_ricerche_tra_Vulci_e_Castro">Mariachiara Franceschini - Paul P. Pasieka - Melina Angermeier - Friederike Fless - Roland Frank - Katharina Oppelland - Annalize Rheeder - Philipp Schug - Alexandra Wiesbeck-Klein, Vulci Cityscape 2022: Scavi e ricerche tra Vulci e Castro</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/AlexandraWiesbeckKlein">Alexandra Wiesbeck-Klein</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Internationaler Workshop „Vulci. Work in Progress. II Incontro Internazionale", 18.-19.05.2023, V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Internationaler Workshop „Vulci. Work in Progress. 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Disiecta membra dagli scavi Campanari nelle necropoli vulcenti" class="work-thumbnail" src="https://attachments.academia-assets.com/80926456/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71685327/_Non_differente_dalle_altre_tombe_questa_Disiecta_membra_dagli_scavi_Campanari_nelle_necropoli_vulcenti">«Non differente dalle altre tombe questa…». Disiecta membra dagli scavi Campanari nelle necropoli vulcenti</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chroniques vulciennes - Séminaire sur l’histoire des fouilles et des collections archéologiques d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chroniques vulciennes - Séminaire sur l’histoire des fouilles et des collections archéologiques dispersées / Cronache vulcenti - Seminario sulla storia degli scavi e delle collezioni archeologiche disperse<br />Séance 3 / Sessione 3<br />École Française de Rome – Piazza Navona<br />22/04/2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5f9dba6761890e3d58939bdc3da7bd88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80926456,"asset_id":71685327,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80926456/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71685327"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71685327"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71685327; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71685327]").text(description); $(".js-view-count[data-work-id=71685327]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71685327; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='71685327']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 71685327, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5f9dba6761890e3d58939bdc3da7bd88" } } $('.js-work-strip[data-work-id=71685327]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":71685327,"title":"«Non differente dalle altre tombe questa…». 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Neuigkeiten zur Urbanistik einer etruskischen Metropole</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">20. Treffen der Arbeitsgemeinschaft Etrusker & Italiker - Gestaltung und Entwicklung urbaner Räum...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">20. Treffen der Arbeitsgemeinschaft Etrusker & Italiker - Gestaltung und Entwicklung urbaner Räume im vorrömischen Italien (Freiburg , 11.-12. 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Aktuelle Forschungen in Etruskologie und italischer Archäologie in deutschsprachigen Ländern / Etruschi e Italici “a Nord delle Alpi”. 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Ancient Serial Production and its Premises" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/38086745/Strictly_economic_Ancient_Serial_Production_and_its_Premises">Strictly economic? Ancient Serial Production and its Premises</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unizh.academia.edu/ArneReinhardt">Arne Reinhardt</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-heidelberg.academia.edu/ElisabethGuenther">Elisabeth Guenther</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://fu-berlin.academia.edu/SabinePatzke">Sabine Patzke</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/ManuelFlecker">Manuel Flecker</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://smb.academia.edu/ChristophKlose">Christoph Klose</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Panel 3.18 XIX. International Congress of Classical Archaeology „Archaeology and Economy in the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Panel 3.18 <br />XIX. International Congress of Classical Archaeology „Archaeology and Economy in the Ancient World“ in Köln und Bonn <br /> <br />May 24, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38086745"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38086745"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38086745; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38086745]").text(description); $(".js-view-count[data-work-id=38086745]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38086745; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38086745']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38086745, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=38086745]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38086745,"title":"Strictly economic? 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International Congress of Classical Archaeology „Archaeology and Economy in the Ancient World“ in Köln und Bonn\r\n\r\nMay 24, 2018","owner":{"id":6803514,"first_name":"Arne","middle_initials":null,"last_name":"Reinhardt","page_name":"ArneReinhardt","domain_name":"unizh","created_at":"2013-11-12T18:14:33.020-08:00","display_name":"Arne Reinhardt","url":"https://unizh.academia.edu/ArneReinhardt"},"attachments":[],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":3442,"name":"Production","url":"https://www.academia.edu/Documents/in/Production"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology"},{"id":48628,"name":"Seriality","url":"https://www.academia.edu/Documents/in/Seriality"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology"}],"urls":[{"id":8668200,"url":"http://www.aiac2018.de/programme/sessions/#panel3-18"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36746211"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36746211/Ikonographische_Serien_in_der_attischen_Vasenmalerei_Technische_Vereinfachung_oder_semantische_Strategie_AIAC_2018"><img alt="Research paper thumbnail of Ikonographische Serien in der attischen Vasenmalerei: Technische Vereinfachung oder semantische Strategie - AIAC 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/56691085/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36746211/Ikonographische_Serien_in_der_attischen_Vasenmalerei_Technische_Vereinfachung_oder_semantische_Strategie_AIAC_2018">Ikonographische Serien in der attischen Vasenmalerei: Technische Vereinfachung oder semantische Strategie - AIAC 2018</a></div><div class="wp-workCard_item"><span>Panel 3.18 XIX. International Congress of Classical Archaeology „Archaeology and Economy in the Ancient World“ in Köln und Bonn May 24, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Betrachtet man die Wiederholung ikonographischer Motive in der Vasenmalerei, soll zunächst identi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Betrachtet man die Wiederholung ikonographischer Motive in der Vasenmalerei, soll zunächst identifiziert und definiert werden, was eine Serie ausmacht, wie und wieso ein Motiv stufenweise zum Serienprodukt wird. Dabei stellt sich als nächstes die Frage, ob die Dynamik der Herausbildung einer Serie als ein rein technisches Phänomen zu betrachtet sei oder ob ihre Semantik ebenfalls von Bedeutung ist. Für eine solche Analyse eignen sich die Mantelfiguren besonders gut: Als einheitliche Gruppe, deren bildliche Elemente gemeinsame und rekursive Eigenschaften zeigen, entwickeln sie sich zu einer Serienproduktion, die zur konstanten und redundanten Wiederholung figürlicher Schemata bzw. Kompositionen führt. Die Etappen dieser Entwicklung werden in der ersten Hälfte des 5. Jhs. am Beispiel der OEuvre des Berliner-, des Harrow-, des Achilleus-und des Penthesileas-Malers konkret dargestellt. Durch den Fokus auf die Werkstätten werden die technischen Voraussetzungen und Normen, die den Herstellungsprozess und die Gestalt des Motivs geprägt haben, deutlich nachvollziehbar. Wenn auch einerseits die handwerkliche Praxis eine wesentliche Rolle bei der Serienproduktion spielt, erkennt man anderseits bei diesen Malern die Wirkung der Serie auf semantischer Ebene, die eng an die Wahrnehmung der Nutzer gebunden ist. Bei der ökonomischen Frage der Verbreitung ikonographischer Motive als ›Massenware‹ sollen daher neben technischen ebenso soziokulturelle Faktoren näher beleuchtet werden.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d5b79e91d90dc30439b2d4fd2b09b073" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56691085,"asset_id":36746211,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56691085/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36746211"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36746211"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36746211; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36746211]").text(description); $(".js-view-count[data-work-id=36746211]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36746211; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36746211']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36746211, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d5b79e91d90dc30439b2d4fd2b09b073" } } $('.js-work-strip[data-work-id=36746211]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36746211,"title":"Ikonographische Serien in der attischen Vasenmalerei: Technische Vereinfachung oder semantische Strategie - AIAC 2018","translated_title":"","metadata":{"abstract":"Betrachtet man die Wiederholung ikonographischer Motive in der Vasenmalerei, soll zunächst identifiziert und definiert werden, was eine Serie ausmacht, wie und wieso ein Motiv stufenweise zum Serienprodukt wird. Dabei stellt sich als nächstes die Frage, ob die Dynamik der Herausbildung einer Serie als ein rein technisches Phänomen zu betrachtet sei oder ob ihre Semantik ebenfalls von Bedeutung ist. Für eine solche Analyse eignen sich die Mantelfiguren besonders gut: Als einheitliche Gruppe, deren bildliche Elemente gemeinsame und rekursive Eigenschaften zeigen, entwickeln sie sich zu einer Serienproduktion, die zur konstanten und redundanten Wiederholung figürlicher Schemata bzw. Kompositionen führt. Die Etappen dieser Entwicklung werden in der ersten Hälfte des 5. Jhs. am Beispiel der OEuvre des Berliner-, des Harrow-, des Achilleus-und des Penthesileas-Malers konkret dargestellt. Durch den Fokus auf die Werkstätten werden die technischen Voraussetzungen und Normen, die den Herstellungsprozess und die Gestalt des Motivs geprägt haben, deutlich nachvollziehbar. Wenn auch einerseits die handwerkliche Praxis eine wesentliche Rolle bei der Serienproduktion spielt, erkennt man anderseits bei diesen Malern die Wirkung der Serie auf semantischer Ebene, die eng an die Wahrnehmung der Nutzer gebunden ist. Bei der ökonomischen Frage der Verbreitung ikonographischer Motive als ›Massenware‹ sollen daher neben technischen ebenso soziokulturelle Faktoren näher beleuchtet werden.","publication_name":"Panel 3.18 XIX. International Congress of Classical Archaeology „Archaeology and Economy in the Ancient World“ in Köln und Bonn May 24, 2018"},"translated_abstract":"Betrachtet man die Wiederholung ikonographischer Motive in der Vasenmalerei, soll zunächst identifiziert und definiert werden, was eine Serie ausmacht, wie und wieso ein Motiv stufenweise zum Serienprodukt wird. Dabei stellt sich als nächstes die Frage, ob die Dynamik der Herausbildung einer Serie als ein rein technisches Phänomen zu betrachtet sei oder ob ihre Semantik ebenfalls von Bedeutung ist. Für eine solche Analyse eignen sich die Mantelfiguren besonders gut: Als einheitliche Gruppe, deren bildliche Elemente gemeinsame und rekursive Eigenschaften zeigen, entwickeln sie sich zu einer Serienproduktion, die zur konstanten und redundanten Wiederholung figürlicher Schemata bzw. Kompositionen führt. Die Etappen dieser Entwicklung werden in der ersten Hälfte des 5. Jhs. am Beispiel der OEuvre des Berliner-, des Harrow-, des Achilleus-und des Penthesileas-Malers konkret dargestellt. Durch den Fokus auf die Werkstätten werden die technischen Voraussetzungen und Normen, die den Herstellungsprozess und die Gestalt des Motivs geprägt haben, deutlich nachvollziehbar. Wenn auch einerseits die handwerkliche Praxis eine wesentliche Rolle bei der Serienproduktion spielt, erkennt man anderseits bei diesen Malern die Wirkung der Serie auf semantischer Ebene, die eng an die Wahrnehmung der Nutzer gebunden ist. Bei der ökonomischen Frage der Verbreitung ikonographischer Motive als ›Massenware‹ sollen daher neben technischen ebenso soziokulturelle Faktoren näher beleuchtet werden.","internal_url":"https://www.academia.edu/36746211/Ikonographische_Serien_in_der_attischen_Vasenmalerei_Technische_Vereinfachung_oder_semantische_Strategie_AIAC_2018","translated_internal_url":"","created_at":"2018-05-30T04:16:18.470-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"draft","co_author_tags":[],"downloadable_attachments":[{"id":56691085,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56691085/thumbnails/1.jpg","file_name":"Ikonographische_Serien_in_der_attischen_Vasenmalerei_Franceschini.pdf","download_url":"https://www.academia.edu/attachments/56691085/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Ikonographische_Serien_in_der_attischen.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56691085/Ikonographische_Serien_in_der_attischen_Vasenmalerei_Franceschini-libre.pdf?1527679843=\u0026response-content-disposition=attachment%3B+filename%3DIkonographische_Serien_in_der_attischen.pdf\u0026Expires=1736134251\u0026Signature=AV8SyiYNQoPH-nfBKGom5ZYJR5OJDKHs4SLQUR~4qhcGc0Fs9BMrZfFZ8g7zqBDtsY4ggXKDgOEdhlnLeUj-d9pLoIv27pMYbXsqv0Dx-wAUQCbHlCLjD1a9nN0RC8C36VP2uruQJxAVe~nwf08QRl5mzrUD2QjNncOhdmonaQIgJ1uXKFAB-8UVNrn3GnaGy1-fcpiTgp0gFRun3d8QVRNk61v5SPPUHl-fRCYf36LJHCexKwrND5NY4Dxf6MJNfgz4gcGs2QXr-WG~LkGkNTmJIBr8Ipc2B0HJHkIOYX-OycGFFczxu~Y8HSIl00bykPrd5Xsvbz1TidCFDS0dNw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Ikonographische_Serien_in_der_attischen_Vasenmalerei_Technische_Vereinfachung_oder_semantische_Strategie_AIAC_2018","translated_slug":"","page_count":1,"language":"de","content_type":"Work","summary":"Betrachtet man die Wiederholung ikonographischer Motive in der Vasenmalerei, soll zunächst identifiziert und definiert werden, was eine Serie ausmacht, wie und wieso ein Motiv stufenweise zum Serienprodukt wird. Dabei stellt sich als nächstes die Frage, ob die Dynamik der Herausbildung einer Serie als ein rein technisches Phänomen zu betrachtet sei oder ob ihre Semantik ebenfalls von Bedeutung ist. Für eine solche Analyse eignen sich die Mantelfiguren besonders gut: Als einheitliche Gruppe, deren bildliche Elemente gemeinsame und rekursive Eigenschaften zeigen, entwickeln sie sich zu einer Serienproduktion, die zur konstanten und redundanten Wiederholung figürlicher Schemata bzw. Kompositionen führt. Die Etappen dieser Entwicklung werden in der ersten Hälfte des 5. Jhs. am Beispiel der OEuvre des Berliner-, des Harrow-, des Achilleus-und des Penthesileas-Malers konkret dargestellt. Durch den Fokus auf die Werkstätten werden die technischen Voraussetzungen und Normen, die den Herstellungsprozess und die Gestalt des Motivs geprägt haben, deutlich nachvollziehbar. Wenn auch einerseits die handwerkliche Praxis eine wesentliche Rolle bei der Serienproduktion spielt, erkennt man anderseits bei diesen Malern die Wirkung der Serie auf semantischer Ebene, die eng an die Wahrnehmung der Nutzer gebunden ist. 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Etruskische Identität und visuelle Narration, Abstract" class="work-thumbnail" src="https://attachments.academia-assets.com/55800454/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35919159/L_abito_non_fa_il_greco_Etruskische_Identit%C3%A4t_und_visuelle_Narration_Abstract">L´abito non fa il greco. Etruskische Identität und visuelle Narration, Abstract</a></div><div class="wp-workCard_item"><span>15. Treffens der AG Etrusker und Italiker: Wer sind die Etrusker? Aspekte von Kultur und Identität (Karlsruhe, Badisches Landesmuseums, 9.–10.02.2018)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Die überlegte Verwendung von Narrationsstrategien zählt zu den Praktiken der Herausbildung und Üb...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Die überlegte Verwendung von Narrationsstrategien zählt zu den Praktiken der Herausbildung und Übermittlung einer kollektiven kulturellen Identität. Dabei erlaubt die Analyse bestimmter syntaktischer Elemente der bildlichen Narration zu verstehen, wie eine Gesellschaft ihre eigene Identität versteht und präsentiert. Obwohl die etruskische Bildwelt reichlich durch griechische Ikonographie belebt ist, ist diese aber, um sie dem eigenen kulturellen Umfeld anzupassen und im eitesten Sinn zu etruskisieren , narrativ umgestaltet und umfunktionalisiert worden. Die mit dem Himation bekleideten Mantelfigurenein wichtiger Bestandteil der griechischen Bildsprache, der in der etruskischen Bildwelt ab dem frühen 5. Jh. ein markantes ikonographisches Element in verschiedenen Materialgattungen wirdbieten beispielweise die Möglichkeit, eine etruskische kulturelle Identität zu hinterfragen. Das Himation lässt sich als prägnantes Symbol für Griechentum im weiteren Sinn verstehen, das durch die Beteiligung an einem System von als griechisch erstandenen Werten übermittelt wird. Allerdings bleibt zu klären, ob eine solche Identitätsmarke in toto von den Etruskern übernommen wurde, um ihre Nähe zur griechischen Welt zu beweisen, oder ob vielmehr die Entwicklung einer eigenständigen Ikonographiez.B. durch die Verwendung lokaler Elemente oder die Neukontextualisierung der Motiveeher die subtilere Formulierung einer eigenen etruskischen Identität hervorheben soll. Dadurch soll der Vortrag zum besseren Verständnis der Herausbildung eines Identitätsgefühls, welches sich dialektisch aus der gleichzeitigen ideellen Nähe und gewollten Distanzierung von der griechischen Kultur ergibt, beitragen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="15c285abb5473c4cdb604f6054d27ce9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55800454,"asset_id":35919159,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55800454/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35919159"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35919159"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35919159; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35919159]").text(description); $(".js-view-count[data-work-id=35919159]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35919159; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35919159']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35919159, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "15c285abb5473c4cdb604f6054d27ce9" } } $('.js-work-strip[data-work-id=35919159]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35919159,"title":"L´abito non fa il greco. 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Das Himation lässt sich als prägnantes Symbol für Griechentum im weiteren Sinn verstehen, das durch die Beteiligung an einem System von als griechisch erstandenen Werten übermittelt wird. Allerdings bleibt zu klären, ob eine solche Identitätsmarke in toto von den Etruskern übernommen wurde, um ihre Nähe zur griechischen Welt zu beweisen, oder ob vielmehr die Entwicklung einer eigenständigen Ikonographiez.B. durch die Verwendung lokaler Elemente oder die Neukontextualisierung der Motiveeher die subtilere Formulierung einer eigenen etruskischen Identität hervorheben soll. Dadurch soll der Vortrag zum besseren Verständnis der Herausbildung eines Identitätsgefühls, welches sich dialektisch aus der gleichzeitigen ideellen Nähe und gewollten Distanzierung von der griechischen Kultur ergibt, beitragen.","publication_name":"15. Treffens der AG Etrusker und Italiker: Wer sind die Etrusker? Aspekte von Kultur und Identität (Karlsruhe, Badisches Landesmuseums, 9.–10.02.2018)","grobid_abstract_attachment_id":55800454},"translated_abstract":null,"internal_url":"https://www.academia.edu/35919159/L_abito_non_fa_il_greco_Etruskische_Identit%C3%A4t_und_visuelle_Narration_Abstract","translated_internal_url":"","created_at":"2018-02-14T03:17:07.508-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1617222,"coauthors_can_edit":true,"document_type":"conference_presentation","co_author_tags":[],"downloadable_attachments":[{"id":55800454,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55800454/thumbnails/1.jpg","file_name":"Franceschini_Etruskische_Identitat_und_visuelle_Narration_Abstract.pdf","download_url":"https://www.academia.edu/attachments/55800454/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"L_abito_non_fa_il_greco_Etruskische_Iden.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55800454/Franceschini_Etruskische_Identitat_und_visuelle_Narration_Abstract-libre.pdf?1518610010=\u0026response-content-disposition=attachment%3B+filename%3DL_abito_non_fa_il_greco_Etruskische_Iden.pdf\u0026Expires=1736134251\u0026Signature=AgN-l6RyYOYEJJgqDle2EWtGZmSjDcDY-3yk4U-iZ05fPG-dDRumBf9-y-p3WPcxkuz8c7Hrlsbq2~N1cYVige~RfxOQjYEnRfuHqTvsBjtk8i2g9j8UzpF6-oqXHd8BmdrWyFyEwxROSBmOeT4u2kR40lcmJnxnetqi78PHa4~K~dzYRW~CAibFg7lcW1644tMtEC9J9bLZW45pw0yneWR63iTDipjzVaTyjsDesBjPme98o-CnK~vAtXOXushCr-Y1pYw4foTYh5TcuHXs2h7v6Ip0kRSuoh9YqWX0IExqBvD4qMqbzMDwdeuT7PToEsoHeGHibAgSxoHXprVGPQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"L_abito_non_fa_il_greco_Etruskische_Identität_und_visuelle_Narration_Abstract","translated_slug":"","page_count":3,"language":"de","content_type":"Work","summary":"Die überlegte Verwendung von Narrationsstrategien zählt zu den Praktiken der Herausbildung und Übermittlung einer kollektiven kulturellen Identität. Dabei erlaubt die Analyse bestimmter syntaktischer Elemente der bildlichen Narration zu verstehen, wie eine Gesellschaft ihre eigene Identität versteht und präsentiert. Obwohl die etruskische Bildwelt reichlich durch griechische Ikonographie belebt ist, ist diese aber, um sie dem eigenen kulturellen Umfeld anzupassen und im eitesten Sinn zu etruskisieren , narrativ umgestaltet und umfunktionalisiert worden. Die mit dem Himation bekleideten Mantelfigurenein wichtiger Bestandteil der griechischen Bildsprache, der in der etruskischen Bildwelt ab dem frühen 5. Jh. ein markantes ikonographisches Element in verschiedenen Materialgattungen wirdbieten beispielweise die Möglichkeit, eine etruskische kulturelle Identität zu hinterfragen. Das Himation lässt sich als prägnantes Symbol für Griechentum im weiteren Sinn verstehen, das durch die Beteiligung an einem System von als griechisch erstandenen Werten übermittelt wird. Allerdings bleibt zu klären, ob eine solche Identitätsmarke in toto von den Etruskern übernommen wurde, um ihre Nähe zur griechischen Welt zu beweisen, oder ob vielmehr die Entwicklung einer eigenständigen Ikonographiez.B. durch die Verwendung lokaler Elemente oder die Neukontextualisierung der Motiveeher die subtilere Formulierung einer eigenen etruskischen Identität hervorheben soll. Dadurch soll der Vortrag zum besseren Verständnis der Herausbildung eines Identitätsgefühls, welches sich dialektisch aus der gleichzeitigen ideellen Nähe und gewollten Distanzierung von der griechischen Kultur ergibt, beitragen.","owner":{"id":1617222,"first_name":"Mariachiara","middle_initials":null,"last_name":"Franceschini","page_name":"MariachiaraFranceschini","domain_name":"uni-freiburg","created_at":"2012-04-26T18:03:04.613-07:00","display_name":"Mariachiara Franceschini","url":"https://uni-freiburg.academia.edu/MariachiaraFranceschini"},"attachments":[{"id":55800454,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55800454/thumbnails/1.jpg","file_name":"Franceschini_Etruskische_Identitat_und_visuelle_Narration_Abstract.pdf","download_url":"https://www.academia.edu/attachments/55800454/download_file?st=MTczNjEzMDY1MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"L_abito_non_fa_il_greco_Etruskische_Iden.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55800454/Franceschini_Etruskische_Identitat_und_visuelle_Narration_Abstract-libre.pdf?1518610010=\u0026response-content-disposition=attachment%3B+filename%3DL_abito_non_fa_il_greco_Etruskische_Iden.pdf\u0026Expires=1736134251\u0026Signature=AgN-l6RyYOYEJJgqDle2EWtGZmSjDcDY-3yk4U-iZ05fPG-dDRumBf9-y-p3WPcxkuz8c7Hrlsbq2~N1cYVige~RfxOQjYEnRfuHqTvsBjtk8i2g9j8UzpF6-oqXHd8BmdrWyFyEwxROSBmOeT4u2kR40lcmJnxnetqi78PHa4~K~dzYRW~CAibFg7lcW1644tMtEC9J9bLZW45pw0yneWR63iTDipjzVaTyjsDesBjPme98o-CnK~vAtXOXushCr-Y1pYw4foTYh5TcuHXs2h7v6Ip0kRSuoh9YqWX0IExqBvD4qMqbzMDwdeuT7PToEsoHeGHibAgSxoHXprVGPQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography"},{"id":3934,"name":"Visual Narrative","url":"https://www.academia.edu/Documents/in/Visual_Narrative"},{"id":458546,"name":"Etruscan pottery","url":"https://www.academia.edu/Documents/in/Etruscan_pottery"},{"id":676854,"name":"Etruscan Vase-painting","url":"https://www.academia.edu/Documents/in/Etruscan_Vase-painting"},{"id":1041148,"name":"Etruscan Red-figured Vases","url":"https://www.academia.edu/Documents/in/Etruscan_Red-figured_Vases"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10138744"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/10138744/Die_Mantelfiguren_als_Leitfaden_der_visuellen_Wahrnehmung"><img alt="Research paper thumbnail of Die Mantelfiguren als Leitfaden der visuellen Wahrnehmung." class="work-thumbnail" src="https://attachments.academia-assets.com/58120501/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/10138744/Die_Mantelfiguren_als_Leitfaden_der_visuellen_Wahrnehmung">Die Mantelfiguren als Leitfaden der visuellen Wahrnehmung.</a></div><div class="wp-workCard_item"><span>Visuelle Narrative – kulturelle Identitäten. Eine trans- und interdisziplinäre Tagung an der Universität Hamburg (27.–29.11.2014)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The mantle-figures appear in the red-figure vase painting not only as main characters in differen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The mantle-figures appear in the red-figure vase painting not only as main characters in different mythological and genre scenes, but often also as spectators of the actual action. Especially from the second quarter of the 5th century compositions of group of mantle-figures, the so called conversation pieces, appear increasingly on one side of the vases only. Such figures, apparently isolated and not directly involved in the events, were mostly underestimated in the former research. However, the mantle-figures appear as syntactic elements of ancient imagery and play a paramount role with regard to their influence on the external viewer. <br />It is crucial to highlight the potential of the mantle-figures to lead and intensify the external viewer's perception. Like a “chorus” on the edge of the image the internal spectators can interact with the action, conveying the viewer an active and emotional participation to the events. If the audience is moved to the opposite field of the vase they become a narrating audience, which leads the viewer through the process of cognition as a pure narrative experience. The redundancy of the mantle-figures allowed, in this context, to follow the narrative thread not only in the iconographic program of a vase but in the whole system of images. <br />Furthermore, both visual and literary sources allow us to understand the himation in Greek perception as a symbol of the belonging to the Hellenic polis and to its common values. The mantle-figures, representing this ideal community, contextualize the narration in the polis and convey a broader cultural Greek identity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3abceefdcd5883abe074498f74c992ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58120501,"asset_id":10138744,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58120501/download_file?st=MTczNjEzMDY1Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10138744"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10138744"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10138744; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10138744]").text(description); $(".js-view-count[data-work-id=10138744]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10138744; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10138744']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10138744, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3abceefdcd5883abe074498f74c992ac" } } $('.js-work-strip[data-work-id=10138744]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10138744,"title":"Die Mantelfiguren als Leitfaden der visuellen Wahrnehmung.","translated_title":"","metadata":{"abstract":"The mantle-figures appear in the red-figure vase painting not only as main characters in different mythological and genre scenes, but often also as spectators of the actual action. Especially from the second quarter of the 5th century compositions of group of mantle-figures, the so called conversation pieces, appear increasingly on one side of the vases only. Such figures, apparently isolated and not directly involved in the events, were mostly underestimated in the former research. However, the mantle-figures appear as syntactic elements of ancient imagery and play a paramount role with regard to their influence on the external viewer.\r\nIt is crucial to highlight the potential of the mantle-figures to lead and intensify the external viewer's perception. Like a “chorus” on the edge of the image the internal spectators can interact with the action, conveying the viewer an active and emotional participation to the events. If the audience is moved to the opposite field of the vase they become a narrating audience, which leads the viewer through the process of cognition as a pure narrative experience. The redundancy of the mantle-figures allowed, in this context, to follow the narrative thread not only in the iconographic program of a vase but in the whole system of images.\r\nFurthermore, both visual and literary sources allow us to understand the himation in Greek perception as a symbol of the belonging to the Hellenic polis and to its common values. The mantle-figures, representing this ideal community, contextualize the narration in the polis and convey a broader cultural Greek identity. ","location":"Universität Hamburg","event_date":{"day":29,"month":11,"year":2014,"errors":{}},"organization":"Visuelle Narrative — Kulturelle Identitäten","publication_name":"Visuelle Narrative – kulturelle Identitäten. 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Like a “chorus” on the edge of the image the internal spectators can interact with the action, conveying the viewer an active and emotional participation to the events. If the audience is moved to the opposite field of the vase they become a narrating audience, which leads the viewer through the process of cognition as a pure narrative experience. The redundancy of the mantle-figures allowed, in this context, to follow the narrative thread not only in the iconographic program of a vase but in the whole system of images.\r\nFurthermore, both visual and literary sources allow us to understand the himation in Greek perception as a symbol of the belonging to the Hellenic polis and to its common values. The mantle-figures, representing this ideal community, contextualize the narration in the polis and convey a broader cultural Greek identity. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8837081"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8837081/Mantled_and_naked_figures_in_Attic_red_figure_pottery_and_abroad"><img alt="Research paper thumbnail of Mantled and naked figures in Attic red-figure pottery and abroad" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8837081/Mantled_and_naked_figures_in_Attic_red_figure_pottery_and_abroad">Mantled and naked figures in Attic red-figure pottery and abroad</a></div><div class="wp-workCard_item"><span>The Regional Production of Red-figure Pottery: Greece, Magna Graecia and Etruria (Athen, Dänisches Institut, 10.–11.10.2014)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8837081"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8837081"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8837081; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8837018"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8837018/Mantle_figures_and_local_interests_Iconographical_transfer_and_semantic_change_of_an_attic_motive_in_Etruria"><img alt="Research paper thumbnail of Mantle-figures and local interests. Iconographical transfer and semantic change of an attic motive in Etruria" class="work-thumbnail" src="https://attachments.academia-assets.com/58120532/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8837018/Mantle_figures_and_local_interests_Iconographical_transfer_and_semantic_change_of_an_attic_motive_in_Etruria">Mantle-figures and local interests. Iconographical transfer and semantic change of an attic motive in Etruria</a></div><div class="wp-workCard_item"><span>Greek Art in Context (Edinburgh, University of Edinburgh, 7.–9.04.2014)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The mantle-figure is one of the most typical Athenian iconography on red-figured vases. Despite t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The mantle-figure is one of the most typical Athenian iconography on red-figured vases. Despite the underestimation of many of the previous research, I managed during my doctoral thesis to propose a new iconographical and exegetical path that highlights the importance of these figures in the social and cultural context of the Athenian polis. This iconography spread with great success in the Magna Graecia and Etruria not only on imported attic vases, but also in the local pottery production. Thus, arising questions on the transfer and the modification of the motive with regards to the iconographic scheme and, furthermore, on the intrinsic meaning of the image in the new context. Interesting insights are offered by the analysis of the Argonaut Painter, who was active in Etruria in the first third of the 4 th century B.C. and whose production is localized between Chiusi and Orvieto. Different mantle-figures are painted on his vases that reproduce typical Attic iconographies of the second half of the 5 th century B.C. Direct comparisons can be found on attic imported vases. Sometimes the image path is mediate through the local figured pottery of the Magna Grecia, mainly from Lucania, and the former Etruscan sovradipinta-pottery. The same iconographies are reproduced in the contemporary Etruscan vases and bronzes, but they never fully reflect the Attic models. On the one hand the Painter indicates by using typical Athenian subjects the intellectual closeness of these traditions. On the other, a comparison between Attic and Etruscan iconographies shows a semantic change. Through variations of the attributes and the composition of the scene the Argonaut Painter, in line with his contemporary colleagues, fits the image of mantle-figures into the Etruscan cultural context. The transfer of the iconography is therefore not a passive phenomenon, but rather the Painter understood worked actively on the images.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e4e45f158def649c7234b7558d069960" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58120532,"asset_id":8837018,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58120532/download_file?st=MTczNjEzMDY1Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8837018"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8837018"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8837018; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8837018]").text(description); $(".js-view-count[data-work-id=8837018]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8837018; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8837018']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8837018, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e4e45f158def649c7234b7558d069960" } } $('.js-work-strip[data-work-id=8837018]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8837018,"title":"Mantle-figures and local interests. Iconographical transfer and semantic change of an attic motive in Etruria","translated_title":"","metadata":{"location":"University of Edinburgh","more_info":"Poster presentation","event_date":{"day":8,"month":4,"year":2014,"errors":{}},"organization":" International Conference \"Greek Art in Context\"","grobid_abstract":"The mantle-figure is one of the most typical Athenian iconography on red-figured vases. Despite the underestimation of many of the previous research, I managed during my doctoral thesis to propose a new iconographical and exegetical path that highlights the importance of these figures in the social and cultural context of the Athenian polis. This iconography spread with great success in the Magna Graecia and Etruria not only on imported attic vases, but also in the local pottery production. Thus, arising questions on the transfer and the modification of the motive with regards to the iconographic scheme and, furthermore, on the intrinsic meaning of the image in the new context. Interesting insights are offered by the analysis of the Argonaut Painter, who was active in Etruria in the first third of the 4 th century B.C. and whose production is localized between Chiusi and Orvieto. Different mantle-figures are painted on his vases that reproduce typical Attic iconographies of the second half of the 5 th century B.C. Direct comparisons can be found on attic imported vases. Sometimes the image path is mediate through the local figured pottery of the Magna Grecia, mainly from Lucania, and the former Etruscan sovradipinta-pottery. The same iconographies are reproduced in the contemporary Etruscan vases and bronzes, but they never fully reflect the Attic models. On the one hand the Painter indicates by using typical Athenian subjects the intellectual closeness of these traditions. On the other, a comparison between Attic and Etruscan iconographies shows a semantic change. Through variations of the attributes and the composition of the scene the Argonaut Painter, in line with his contemporary colleagues, fits the image of mantle-figures into the Etruscan cultural context. 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C., quando se ne trovano le prime attestazioni sui rilievi melii, e viene ripreso con relativa continuità fino alle più tarde rappresentazioni sui sarcofagi romani del II sec. d. C.. Per quanto riguarda la pittura vascolare, abbiamo in Attica ben pochi esemplari dell'episodio, che, al contrario, è oggetto di una</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8756cd63f16da5c00851888eb5f7f87d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58120775,"asset_id":8836997,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58120775/download_file?st=MTczNjEzMDY1Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8836997"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8836997"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8836997; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8836997]").text(description); $(".js-view-count[data-work-id=8836997]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8836997; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8836997']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8836997, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8756cd63f16da5c00851888eb5f7f87d" } } $('.js-work-strip[data-work-id=8836997]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8836997,"title":"Oreste, Elettra e la sacerdotessa","translated_title":"","metadata":{"location":"Università degli studi di Pavia ","event_date":{"day":20,"month":10,"year":2011,"errors":{}},"organization":"Conference \"Cantieri d’Autunno\"","grobid_abstract":"Il motivo iconografico dell'incontro di Oreste ed Elettra si riscontra a partire dalla metà del V sec. a. 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Jh. v. Chr.) in der etruskisch-römischen Metropole Vulci (Latium, Italien) durch. Das Projekt ist durch die Deutsche Forschungsgemeinschaft (DFG) finanziert. Weitere Informationen finden Sie unter <a href="https://vulcityscape.hypotheses.org/" rel="nofollow">https://vulcityscape.hypotheses.org/</a>.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d6f35f5abd882d5ec0d95f8c16727778" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111159281,"asset_id":114447968,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111159281/download_file?st=MTczNjEzMDY1Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114447968"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114447968"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114447968; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114447968]").text(description); $(".js-view-count[data-work-id=114447968]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114447968; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='114447968']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 114447968, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d6f35f5abd882d5ec0d95f8c16727778" } } $('.js-work-strip[data-work-id=114447968]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":114447968,"title":"Vulci Cityscape, Tempio Nuovo 2024: Ausschreibung zur Grabungsteilnahme // Bando per la partecipazione allo scavo","translated_title":"","metadata":{"grobid_abstract":"Zwischen dem 22.07. und dem 24.08.2024 führen die Abteilung für Klassische Archäologie der Albert-Ludwigs-Universität Freiburg und der Arbeitsbereich für Klassische Archäologie der JGU Mainz in Kooperation mit der Soprintendenza Archeologia, Belle Arti e Paesaggio per la provincia di Viterbo e per l‛Etruria meridionale und dem Parco Naturalistico Archeologico di Vulci die vierte Ausgrabungskampagne am neuen Tempel (spätes 6./frühes 5. 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data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/73094710/Vulci_Cityscape_meets_DIGITAL_ROOFS_Spring_School_Digitale_Dokumentation_Etruskischer_D%C3%A4cher"><img alt="Research paper thumbnail of Vulci Cityscape meets DIGITAL ROOFS - Spring School Digitale Dokumentation Etruskischer Dächer" class="work-thumbnail" src="https://attachments.academia-assets.com/81751306/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/73094710/Vulci_Cityscape_meets_DIGITAL_ROOFS_Spring_School_Digitale_Dokumentation_Etruskischer_D%C3%A4cher">Vulci Cityscape meets DIGITAL ROOFS - Spring School Digitale Dokumentation Etruskischer Dächer</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Vom 19. bis zum 27. März organisiert Vulci Cityscape in Kooperation mit der Zentrale des Deutsche...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Vom 19. bis zum 27. März organisiert Vulci Cityscape in Kooperation mit der Zentrale des Deutschen Archäologischen Instituts die Spring School "Vulci Cityscape meets DIGITAL ROOFS. 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wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/PaulPasieka">Paul Pasieka</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Submission till 8.2.24 at https://submissions.e-a-a.org/eaa2024/ More infos: https://www.e-a-a.or...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Submission till 8.2.24 at <a href="https://submissions.e-a-a.org/eaa2024/" rel="nofollow">https://submissions.e-a-a.org/eaa2024/</a><br />More infos: <a href="https://www.e-a-a.org/eaa2024" 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href="https://www.academia.edu/111897704/CfP_EAA2024_577_Following_the_River_Flowscapes_as_Clusters_of_Communication_in_the_Ancient_Mediterranean_World"><img alt="Research paper thumbnail of CfP EAA2024 #577 - Following the River: Flowscapes as Clusters of Communication in the Ancient Mediterranean World" class="work-thumbnail" src="https://attachments.academia-assets.com/109294552/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111897704/CfP_EAA2024_577_Following_the_River_Flowscapes_as_Clusters_of_Communication_in_the_Ancient_Mediterranean_World">CfP EAA2024 #577 - Following the River: Flowscapes as Clusters of Communication in the Ancient Mediterranean World</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-freiburg.academia.edu/MariachiaraFranceschini">Mariachiara Franceschini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/ElisaAbbondanzieri">Elisa Abbondanzieri</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Submission till 8.2.24 at https://submissions.e-a-a.org/eaa2024/ More infos: https://www.e-a-a.o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Submission till 8.2.24 at <a href="https://submissions.e-a-a.org/eaa2024/" rel="nofollow">https://submissions.e-a-a.org/eaa2024/</a> <br />More infos: <a href="https://www.e-a-a.org/eaa2024" 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rel="nofollow">ppasieka@uni-mainz.de</a> and <a href="mailto:mariachiara.franceschini@archaeologie.uni-freiburg.de" rel="nofollow">mariachiara.franceschini@archaeologie.uni-freiburg.de</a><br /><br />Deadline for the submission of paper proposals (max. 300 words): Sunday 16th April 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="66f3a8eb3a175bf7b79cc4cf62c22566" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100090921,"asset_id":98850667,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100090921/download_file?st=MTczNjEzMDY1Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41345665/CfP_EAA_Session_276_Networks_as_Resources_for_Ancient_Communities"><img alt="Research paper thumbnail of CfP - EAA Session #276 - Networks as Resources for Ancient Communities" class="work-thumbnail" src="https://attachments.academia-assets.com/61548211/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41345665/CfP_EAA_Session_276_Networks_as_Resources_for_Ancient_Communities">CfP - EAA Session #276 - Networks as Resources for Ancient Communities</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" 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