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hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/login/?language=en_US">Membership Login</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/?language=en_US">Join Membership</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/awards" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Awards</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://grammy.com/awards" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/GRAMMYS_2025_HERO_6?fmt=auto&w=500" width="525" alt="Graphic featuring graphics for the 2025 GRAMMYs"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY AWARD SHOWS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67thAwards_PressList_11072024">67th GRAMMY Nominations: Full List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs: See The Full Nominees List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://live.grammy.com/">Watch: 2025 GRAMMY Nominations In Full</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://qrco.de/bdyS50">2025 GRAMMY Nominations Announcement Schedule</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/awards/67th-annual-grammy-awards-2024">67th Annual GRAMMY Awards (2024)</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://amazon.com/grammys">GRAMMY Shop</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">MUSIC GENRES</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com#" target="_self" class="font-bold border-solid text-[10px] pb-[5px] border-black ">SPECIAL MERIT AWARDS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/lifetime-achievement-awards">Lifetime Achievement Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/trustee-awards">Trustees Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/technical-awards">Technical GRAMMY Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/music-educator-award">Music Educator Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/hall-of-fame-award">GRAMMY Hall Of Fame</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/legends">GRAMMY Legend Award</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards/best-song-for-social-change-award" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS PROCESS</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-process">Voting Process</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" 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class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/news" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">News</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/videos" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Videos</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/videos" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-03_1644x925?fmt=auto&w=500" width="525" alt="Image of GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/videos" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY ORIGINAL SERIES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammys-red-carpet-flashback-videos">GRAMMY Red Carpet Flashback</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-great-performances">GRAMMY Great Performances</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-rewind-grammys">GRAMMY Rewind</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/global-spin-grammys">Global Spin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/it-goes-to-11-videos-grammys">It Goes To 11</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/reimagined-grammys">ReImagined</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/where-do-you-keep-your-grammy">Where Do You Keep Your GRAMMY?</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/positive-vibes-only-grammys">Positive Vibes Only</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/press-play-grammys">Press Play</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/for-the-record-grammys">For The Record</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/behind-the-boards-grammys">Behind The Board</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/herbal-tea-white-sofas-grammys">Herbal Tea & White Sofas</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/family-matters">Family Matters</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://live.grammy.com" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">WATCH GRAMMY LIVE!</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/music-genres" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Genres</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-04_1644x925?fmt=auto&w=500" width="525" alt="A close-up graphic of a GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">ALL MUSIC GENRES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/pop">Pop</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rock">Rock</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/r-and-b">R&B</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/country">Country</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rap">Rap</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/latin">Latin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/global-music">Global Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/gospel-contemporary-christian-music">Gospel & Contemporary Christian Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/new-age">New Age</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/jazz">Jazz</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/alternative">Alternative</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/dance-electronic-music">Dance/Electronic</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://www.amazon.com/grammys" target="_blank" class="block text-sm p-[2px] border-solid 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href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li 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alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">ADVOCACY</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">MUSICARES</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/musicares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">LATIN GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="http://www.facebook.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://twitter.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.instagram.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.youtube.com/latinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMY MUSEUM</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYMuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/thegrammymuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li></ul></div></div></div></div><div class="overlay z-10"></div></div></div></div><main class="flex flex-col flex-grow w-full"><section class="h-full w-full"><div class="relative h-[265px] w-full flex justify-center items-center"><svg version="1.1" id="loader-1" xmlns="http://www.w3.org/2000/svg" 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class="arrow right"></i></button></div></div></div></section><section class="w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px]"><h3 class="pl-4 md-xl:pl-20 mb-5 font-galaxy-polaris text-[#666] text-xl ">2025 GRAMMYs: Meet The Nominees</h3><style> .curated-content-container { height: 100%; position: relative; } .curated-carousel-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .curated-content-container:hover .curated-carousel-buttons { opacity: 1; height: auto; } .curated-content-carousel { padding-left: 1.25rem; width: 100%; overflow: visible !important; } .curated-content-carousel .embla__container { display: flex; gap: 10px; } .curated-content-carousel .embla__slide { position: relative; flex: 0 0 190px; } .curated-content-carousel .embla__slide .video-desc { padding-top: 1.5rem; transform-origin: center; transition: 0.2s; } .curated-content-carousel .embla__slide .watch-now { display: none; } .curated-embla-button .embla__button { outline: 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md-xl:text-[20px] leading-[28px]">57th Annual GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/56th-annual-grammy-awards"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/56gr_poster_final?fmt=auto&w=220" alt="56th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">56th Annual GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/55th-annual-grammy-awards"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/55th_poster?fmt=auto&w=220" alt="55th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">55th Annual GRAMMY Awards</div></div></a></div></div></div></div></div></div></div></div><div class="awards-row flex flex-col bg-faint-gray-background md-xl:flex-row md-xl:justify-around md-xl:py-[45px] md-xl:items-start md-xl:px-[5rem]"><style> .awards-row .prose { max-width: 100%; } </style><div class="mb-[45px] px-[16px] md-xl:px-0"><div class="simple-content-card max-w-none md-xl:max-w-[458px] md-xl:min-w-0 box-border"><div class="text-[24px] leading-[48px] font-galaxy-polaris mb-[20px]">Explore the GRAMMY Awards</div><div class="text-[24px] leading-[36px] "><p><em>As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. We’re counting on you in the music community to continue that legacy by participating in the process.</em></p> </div></div><div class="hidden md-xl:block border-b border-[#d7d7d7] my-[45px]"></div><div class="hidden md-xl:block"><div class="simple-content-card max-w-none md-xl:max-w-[458px] md-xl:min-w-0 box-border"><div class="text-[24px] leading-[48px] font-galaxy-polaris mb-[20px]">How it Works</div><div class="text-[20px] leading-[28px] mb-[24px]"><p><span class="s1">We’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.</span></p> </div><a class="text-[12px] px-[20px] py-[10px] leading-[38px] box-border bg-predominant-color rounded-[50px] text-white" href="https://www.recordingacademy.com/awards">LEARN MORE</a></div></div></div><div class="md-xl:mx-[24px] px-[16px]"></div><div class="border-b border-t my-[45px] py-[45px] px-[16px] border-[#d8d8d8] md-xl:hidden"><div class="simple-content-card max-w-none md-xl:max-w-[458px] md-xl:min-w-0 box-border"><div class="text-[24px] leading-[48px] font-galaxy-polaris mb-[20px]">How it Works</div><div class="text-[20px] leading-[28px] mb-[24px]"><p><span class="s1">We’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.</span></p> </div><a class="text-[12px] px-[20px] py-[10px] leading-[38px] box-border bg-predominant-color rounded-[50px] text-white" href="https://www.recordingacademy.com/awards">LEARN MORE</a></div></div><div class="relative px-[16px] mb-[45px] md-xl:px-0 md-xl:my-0"><div class="bg-faint-gray-background md-xl:static"><div class="w-full flex md-xl:max-w-[464px] "><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><h2 id="67th-annual-grammy-awards-key-dates">67th ANNUAL GRAMMY AWARDS: KEY DATES</h2> <table> <thead> <tr> <th>September 16, 2023 – August 30, 2024</th> <th>Product Eligibility Period For Entries</th> </tr> </thead> <tbody><tr> <td>July 8, 2024 – August 23, 2024</td> <td>Media Company Registration</td> </tr> <tr> <td>July 17, 2024 – August 30, 2024</td> <td>Online Entry Process (OEP) Access Period</td> </tr> <tr> <td>October 4, 2024 - October 15, 2024</td> <td>First Round Voting</td> </tr> <tr> <td>November 8, 2024</td> <td>Nominees Announced for the 67th Annual GRAMMY Awards</td> </tr> <tr> <td>December 12, 2024 - January 3, 2025</td> <td>Final Round Voting</td> </tr> <tr> <td>February 2, 2025</td> <td>67th Annual GRAMMY Awards Show Date/Telecast</td> </tr> </tbody></table> </div></div></div></div></div><div class="flex flex-col xl:flex-row mx-auto max-w-[1414px] items-center xl:items-end px-[8px]"><div class="xl:flex"><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">MusiCares<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/2021-musicares-health-wellness-survey-editorial-hero.png.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-custom-red border border-custom-red font-bold border-[#b69859] max-h-[282px] uppercase">MUSIC'S LEADING CHARITY</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">MusiCares provides critical health and welfare services to the humans behind the music.</div><a href="https://www.musicares.org/donations"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-custom-red rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">SUPPORT OUR CAUSE</div></a></div></div></div><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">The Recording Academy<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/grammy.com_images-04.png.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">HELPING MUSIC AND ITS MAKERS THRIVE</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">We are dedicated to celebrating, honoring and sustaining music's past, present and future.</div><a href="https://recordingacademy.com/"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">LEARN MORE</div></a></div></div></div></div><div class="md-xl:px-[20px] pt-[40px] pillar-row-ad-container"></div></div><div class="flex flex-col xl:flex-row-reverse mx-auto max-w-[1414px] items-center xl:items-end px-[8px]"><div class="xl:flex"><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">Advocacy<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/521243764.jpg.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">REPRESENTING MUSIC'S CREATORS</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">We fight tirelessly to champion creators’ rights, elevating important policy issues impacting music.</div><a href="https://recordingacademy.com/advocacy"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">ACT NOW</div></a></div></div></div><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">Membership<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/2022-grammys-awards-nominations-casbah_general_18_1920x1080.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">REPRESENTING THE MUSIC COMMUNITY</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">We represent musicians, songwriters, producers, engineers, and other industry professionals.</div><a href="https://www.recordingacademy.com/membership"><div class="text-center py-[15px] px-[30px] 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border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">An international nonprofit dedicated to celebrating Latin music and its creators worldwide.</div><a href="https://www.latingrammy.com/en"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">LEARN MORE</div></a></div></div></div><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">GRAMMY Museum<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/GRAMMY-Museum-Front-Entrance.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">CELEBRATING THE HISTORY OF MUSIC</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">A nonprofit organization dedicated to understanding and exploring the history and significance of music.</div><a href="https://grammymuseum.org/"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">VISIT NOW</div></a></div></div></div></div><div class="md-xl:px-[20px] pt-[40px] pillar-row-ad-container"></div></div><style global="true" jsx="true"> .partner-carousel-container { border-top: 1px solid #ccc; margin: 50px auto; } .sponsor .flickity-page-dots .dot { background: #fff !important; width: 19px !important; height: 19px !important; border: 2px solid #666 !important; } .sponsor .flickity-page-dots .dot.is-selected { background: #b69859 !important; border-color: #b69859 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More","deliveryId":"fc1c5167-682d-4974-9798-de26f48365d7","deliveryKey":"news/december-2024-album-releases-snoop-dogg-dr-dre-dua-lipa-rose-dmx"},"articleCategory":["list"],"contributors":[{"id":"65573587-6909-4ac3-9f73-ddd86063aaf0","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - 5 Must-Hear Albums In December","deliveryId":"7e659885-0911-41ab-9d66-f16328a81157"},"bodyText":{"richText":"\u003cspan\u003eThe final month of 2024 is upon us. Filled with a festive — yet a little chaotic — mood, it's a great month to discover new albums to soundtrack your trips, block out the noise outside, or find the perfect gift for the music aficionados in your life.\u003c/span\u003e\n\n\u003cspan\u003eIn the upcoming weeks, \u003c/span\u003e[\u003cspan\u003eDua Lipa\u003c/span\u003e](https://grammy.com/artists/dua-lipa/243376)\u003cspan\u003e will release the live recording of her concert at London's Royal Albert Hall, \u003c/span\u003e[\u003cspan\u003eLucinda Williams\u003c/span\u003e](https://grammy.com/artists/lucinda-williams/7914)\u003cspan\u003e will pay homage to \u003c/span\u003e[\u003cspan\u003ethe Beatles\u003c/span\u003e](https://grammy.com/artists/beatles/16293)\u003cspan\u003e with a new LP recorded at the iconic Abbey Road Studios, and \u003c/span\u003e[\u003cspan\u003eSnoop Dogg\u003c/span\u003e](https://grammy.com/artists/calvin-broadus/14274)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eDr. Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e will try to replicate the magic of 1996's \u003c/span\u003e*\u003cspan\u003eDoggystyle\u003c/span\u003e*\u003cspan\u003e with upcoming \u003c/span\u003e*\u003cspan\u003eMissionary\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eK-pop lovers will rejoice with a new EP by TWICE, BLACKPINK's Rosé long-awaited debut album, and a brand new Stray Kids mixtape. For those who also enjoy J-pop, Travis Japan will come back with \u003c/span\u003e*\u003cspan\u003eVIIsual\u003c/span\u003e*\u003cspan\u003e. And for those who like completely different stuff, Hepcat will release a dub version of their classic \u003c/span\u003e*\u003cspan\u003eScientific\u003c/span\u003e*\u003cspan\u003e, a new posthumous LP from late rapper \u003c/span\u003e[\u003cspan\u003eDMX\u003c/span\u003e](https://www.grammy.com/artists/dmx/11324)\u003cspan\u003e will drop, and Pure Prairie League will bring forth their first album in almost two decades.\u003c/span\u003e\n\n## \u003cspan\u003eTravis Japan — 'VIIsual' (Dec. 4)\u003c/span\u003e\n\n## "}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Travis Japan - 'Crazy Crazy' Music Video","deliveryId":"6fdf0d37-185e-479a-b082-ccbd2bc6d841"},"videoUrl":"https://url.us.m.mimecastprotect.com/s/2YovCVOk3Ds0n8lNfGflIEmrLX?domain=youtube.com"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - 15 Must-Hear Albums In December","deliveryId":"244d83ae-302e-4d72-9637-98bfc189c249"},"bodyText":{"richText":"\u003cspan\u003eJ-pop sensation Travis Japan are gearing up for a comeback on Dec. 4 with their sophomore studio album, \u003c/span\u003e*\u003cspan\u003eVIIsual\u003c/span\u003e*\u003cspan\u003e. The 13-track collection showcases the septet's synergy and creativity in its best form. Each member produced one song in the album, reflecting their individual styles while still forming a propulsive whole.\u003c/span\u003e\n\n\u003cspan\u003eSpearheading the project, Travis Japan released the buoyant pop-rock singles \"Crazy Crazy\" and \"\u003c/span\u003e[\u003cspan\u003eFly Higher\u003c/span\u003e](https://www.youtube.com/watch?v=8eb4cMb0VmU)\u003cspan\u003e,\" as well as \"\u003c/span\u003e[\u003cspan\u003eSweetest Tune\u003c/span\u003e](https://www.youtube.com/watch?v=He4vxbXLjho)\u003cspan\u003e,\" the theme for TV Asahi's \"Tokyo Tower\u003c/span\u003e*\u003cspan\u003e\"\u003c/span\u003e*\u003cspan\u003e (starring group member Genta Matsuda), and the '80's chill of \"\u003c/span\u003e[\u003cspan\u003eT.G.I. Friday Night\u003c/span\u003e](https://www.youtube.com/watch?v=GUXe0ACJRHI)\u003cspan\u003e.\"\u003c/span\u003e\n\n*\u003cspan\u003eVIIsual\u003c/span\u003e*\u003cspan\u003e follows 2023's \u003c/span\u003e*\u003cspan\u003eRoad to A\u003c/span\u003e*\u003cspan\u003e, and the band's recently wrapped first world tour, including sold-out stops in Seattle, Los Angeles, and New York.\u003c/span\u003e\n\n## \u003cspan\u003eDua Lipa — 'Dua Lipa Live From the Royal Albert Hall' (Dec. 6)\u003c/span\u003e\n\n\u003cspan\u003eDua Lipa fans can soon relive her extraordinary Royal Albert Hall concert with the release of her live album, \u003c/span\u003e*\u003cspan\u003eDua Lipa Live From the Royal Albert Hall\u003c/span\u003e*\u003cspan\u003e, available Dec. 6. The performance, held on Oct. 17 at the prestigious London venue, was a dazzling showcase of her songs from \u003c/span\u003e*\u003cspan\u003eRadical Optimism\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003e\"For the longest time, I've had this idea to reimagine my music with an orchestra,\" Lipa said in a recent statement. \"When I was making \u003c/span\u003e*\u003cspan\u003eRadical Optimism\u003c/span\u003e*\u003cspan\u003e, I was constantly thinking about the live element and how these songs would transform on stage.\"\u003c/span\u003e\n\n\u003cspan\u003eAccompanied by a seven-piece band, a full choir, and the 53 members of the Heritage Orchestra, Lipa described the opportunity as \"perfect\" for reconstructing and celebrating her music \"in such a beautiful and intimate way.\"\u003c/span\u003e\n\n\u003cspan\u003e\"The experience was entirely thrilling and equally rewarding. It was a dream come true, and something I'll always take with me,\" she added. Now, fans can take the experience with them too, as they await the North American leg of her Radical Optimism tour, set to begin in September 2025.\u003c/span\u003e\n\n## \u003cspan\u003eTWICE — 'STRATEGY' (Dec. 6)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"TWICE “Sweetest Obsession” @ 2024 TWICE FANMEETING [HOME 9ROUND]","deliveryId":"99f0ae70-9491-4b6a-8be5-5e6d7aefb509"},"videoUrl":"https://www.youtube.com/watch?v=dM2MAOavweU"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3 - 15 Must-Hear Albums In December","deliveryId":"344345bb-db10-421c-ac77-75c3456dac86"},"bodyText":{"richText":"\u003cspan\u003eFollowing a remix of \u003c/span\u003e[\u003cspan\u003eMegan Thee Stallion\u003c/span\u003e](https://www.grammy.com/artists/Megan-Pete/35996)\u003cspan\u003e's viral hit \"Mamushi,\" K-pop girl group TWICE will join forces with the Houston rapper once again. Their upcoming fourteenth EP, \u003c/span\u003e*\u003cspan\u003eStrategy\u003c/span\u003e*\u003cspan\u003e, features Stallion on the title track of the album, set to drop Dec. 6.\u003c/span\u003e\n\n\u003cspan\u003eIn a 15-second snippet of the song, TWICE sing lines such as \"Hey boy, once I get ya/ You'll be oh so glad that I met ya,\" while Stallion announces her name, foreshadowing a fun and sassy collaboration. \u003c/span\u003e*\u003cspan\u003eStrategy\u003c/span\u003e*\u003cspan\u003e follows TWICE's February EP, \u003c/span\u003e*\u003cspan\u003eWith You-th\u003c/span\u003e*\u003cspan\u003e, and new solo music from vocalist Nayeon and youngest member Tzuyu, as well as Japanese subunit MISAMO.\u003c/span\u003e\n\n\u003cspan\u003eIn October, during their ninth-anniversary fan meeting, TWICE delighted fans with a surprise performance of their upcoming b-side \"Sweetest Obsession.\" Although the group concluded their \u003c/span\u003e*\u003cspan\u003eReady to Be\u003c/span\u003e*\u003cspan\u003e World tour in July, their prolific track record suggests it won't take long before new live dates for 2025 are announced.\u003c/span\u003e\n\n## \u003cspan\u003eScientist Meets Hepcat — 'Scientific Dub Special' (Dec. 6)\u003c/span\u003e\n\n\u003cspan\u003eAfter the \u003c/span\u003e[\u003cspan\u003epassing of founding member Greg Lee in the beginning of the year\u003c/span\u003e](https://www.latimes.com/entertainment-arts/music/story/2024-03-20/greg-lee-singer-of-la-ska-band-hepcat-dies-at-53)\u003cspan\u003e, California ska legends Hepcat will keep his memory alive with a dub reissue of their 1996 masterpiece, \u003c/span\u003e*\u003cspan\u003eScientific\u003c/span\u003e*\u003cspan\u003e. The album was produced by one of \u003c/span\u003e[\u003cspan\u003edub music's forefathers, Scientist,\u003c/span\u003e](https://www.grammy.com/news/10-scientist-dub-reggae-productions-yellowman-sugar-minott-roots-radics-shaggy-khruangbin-lone-ranger)\u003cspan\u003e and is set to drop on Dec. 6 via Trust Records.\u003c/span\u003e\n\n\u003cspan\u003e\"Greg Lee believed it would be cool if Scientist would dub Scientific. He liked the play on names and the historic implications,\" the band shared in a statement. Said and done, Hepcat eventually met Scientist, who agreed to produce the LP. Back in January, Lee was still alive to approve the final mixes, making it even more special. \"Greg Lee is Hepcat personified,\" they added. \"One of the strongest and greatest songwriters of Hepcat's history. A mastermind. A positive source of inspiration. A leader. An eternal flame.\"\u003c/span\u003e\n\n\u003cspan\u003eThe album will be accompanied by a deluxe reissue of \u003c/span\u003e*\u003cspan\u003eScientific\u003c/span\u003e*\u003cspan\u003e, and by limited vinyl copies included in the deluxe set. Along with the announcement, Hepcat shared Scientist's \"Bobby \u0026amp; Joe (Rambo Dub).\"\u003c/span\u003e\n\n## \u003cspan\u003eLauren Mayberry — 'Vicious Creature' (Dec. 6)\u003c/span\u003e\n\n## "}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Lauren Mayberry - Something In The Air","deliveryId":"5f5c5460-9aca-4e3f-a916-b7f62287acd3"},"videoUrl":"https://www.youtube.com/watch?v=5qxVv0H2v5M"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4 - 15 Must-Hear Albums In December","deliveryId":"cf5ab17f-b24b-463d-8c30-d9c27f4e003f"},"bodyText":{"richText":"\u003cspan\u003eAfter embarking on her first solo tour last year, CHVRCHES lead singer Lauren Mayberry will finally drop her debut studio album, \u003c/span\u003e*\u003cspan\u003eVicious Creature\u003c/span\u003e*\u003cspan\u003e, on Dec. 6. The project has been teased through singles \"\u003c/span\u003e[\u003cspan\u003eAre You Awake?\u003c/span\u003e](https://www.youtube.com/watch?v=FXQFFJS94XY\u0026pp=ygUPbGF1cmVuIG1heWJlcnJ5)\u003cspan\u003e,\" \"\u003c/span\u003e[\u003cspan\u003eShame\u003c/span\u003e](https://www.youtube.com/watch?v=t2bVotvgM54\u0026pp=ygUPbGF1cmVuIG1heWJlcnJ5)\u003cspan\u003e,\" \"\u003c/span\u003e[\u003cspan\u003eChange Shapes\u003c/span\u003e](https://www.youtube.com/watch?v=ciDssZQfn_k\u0026pp=ygUPbGF1cmVuIG1heWJlcnJ5)\u003cspan\u003e,\" \"Something in the Air,\" and \"\u003c/span\u003e[\u003cspan\u003eCrocodile Tears\u003c/span\u003e](https://www.youtube.com/watch?v=EUYBHnBaLNs\u0026pp=ygUPbGF1cmVuIG1heWJlcnJ5)\u003cspan\u003e\" — all of which expand on her keen lyricism and nostalgic electronic beats.\u003c/span\u003e\n\n\u003cspan\u003e\"So much of this process has been an exercise in empowering myself to listen to my own intuition — something I really trained myself out of,\" said Mayberry in a statement. \"That's ultimately why you start making things — because you felt a feeling, and you wanted to articulate that somehow. I think it was important for me to relearn that kind of independence, and recognize what I bring to any table I choose to sit at.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Scottish singer worked on \u003c/span\u003e*\u003cspan\u003eVicious Creatures\u003c/span\u003e*\u003cspan\u003e with producers \u003c/span\u003e[\u003cspan\u003eGreg Kurstin\u003c/span\u003e](https://grammy.com/artists/greg-kurstin/9943)\u003cspan\u003e, Matthew Korma, \u003c/span\u003e[\u003cspan\u003eTobias Jesso Jr\u003c/span\u003e](https://grammy.com/artists/tobias-jesso-jr-/51852)\u003cspan\u003e., \u003c/span\u003e[\u003cspan\u003eEthan Gruska\u003c/span\u003e](https://grammy.com/artists/ethan-gruska/54879)\u003cspan\u003e, and Dan McDougall. Starting January 2025, Mayberry will embark on a 24-stop North American tour and will head to the U.K. for six shows in March.\u003c/span\u003e\n\n## \u003cspan\u003eLucinda Williams — 'Lucinda Williams Sings The Beatles From Abbey Road' (Dec. 6)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Lucinda Williams \"While My Guitar Gently Weeps\"","deliveryId":"a7329574-2a80-46c8-bae6-9540f7775d2c"},"videoUrl":"https://www.youtube.com/watch?v=srakrrvSm-Q"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5 - 15 Must-Hear Albums In December","deliveryId":"aeb14556-6b7e-41ed-86cf-4877c234b6e7"},"bodyText":{"richText":"\u003cspan\u003eDuring the COVID-19 pandemic in 2020, acclaimed singer/songwriter Lucinda Williams started \u003c/span\u003e*\u003cspan\u003eLu's Jukebox.\u003c/span\u003e* \u003cspan\u003eInitially a six-part series of full-band, HD video performances in-studio, \u003c/span\u003e*\u003cspan\u003eLu's Jukebox\u003c/span\u003e*\u003cspan\u003e featured sets of cover songs curated by Williams and streamed for a fee, with proceeds going to venues suffering from the lack of live performances at the time. \u003c/span\u003e\n\n\u003cspan\u003eFour years later, Williams turned to the \u003c/span\u003e*\u003cspan\u003eJukebox\u003c/span\u003e*\u003cspan\u003e again — this time to record The Beatles' songs at the legendary Abbey Road Studios in London. Serving as Vol. 7 of the series, \u003c/span\u003e*\u003cspan\u003eLucinda Williams Sings The Beatles From Abbey Road\u003c/span\u003e*\u003cspan\u003e will be released on Dec. 6.\u003c/span\u003e\n\n\u003cspan\u003eFeaturing 12 tracks that range from big hits like \"Can't Buy Me Love,\" \"With A Little Help From My Friends\" and \"Something,\" to hidden gems such as \"I'm So Tired,\" \"I've Got A Feeling,\" and \"Yer Blues,\" Williams and her band inhabit the Beatles' timeless songs and give them a singular soul.\u003c/span\u003e\n\n## \u003cspan\u003ePure Prairie League — 'Back On Track' (Dec. 6)\u003c/span\u003e\n\n\u003cspan\u003eCountry-rock mavens Pure Prairie League are \u003c/span\u003e*\u003cspan\u003eBack On Track\u003c/span\u003e*\u003cspan\u003e with their new album. After nearly two decades without studio releases, the '70s and '80's formative ensemble prove that they are still on top of trends while never losing their essence.\u003c/span\u003e\n\n*\u003cspan\u003eBack On Track\u003c/span\u003e*\u003cspan\u003e is set to release on Dec. 6 and, according to a statement, \"flows like a freshwater river making its way through moss-covered rocks to its home in a cool clear lake.\" Spanning 12 cuts that display a \"rejuvenated band,\" the album blends country, rock, pop, and R\u0026amp;B into an accessible, unique sound.\u003c/span\u003e\n\n\u003cspan\u003eProduced by bandleader and veteran PPL bassist Michael Reilly, \u003c/span\u003e*\u003cspan\u003eBack On Track\u003c/span\u003e*\u003cspan\u003e was recorded at Riverfront Recorders in Madison, Tennessee with additional recording at Twilight Zona Studio in Hendersonville, Tennessee. \"We're hoping that our fans will be as pleased with the new record as we are proud of what we've done,\" Reilly said.\u003c/span\u003e\n\n## \u003cspan\u003eAngel Olsen — 'Cosmic Waves Volume 1' (Dec. 6)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Angel Olsen - Farfisa Song (Camp Saint Helene Cover) [Official Audio]","deliveryId":"02e5d565-6409-4145-aec4-35e39b5cee83"},"videoUrl":"https://www.youtube.com/watch?v=5O0VXP8zlzk"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 6 - 15 Must-Hear Albums In December","deliveryId":"78b83de0-6665-4e98-ba8f-76fafc46f5b9"},"bodyText":{"richText":"\u003cspan\u003e\"As someone that emerged into the music scene through a small tape label, I've wanted to continue the spirit of discovery and of my debut release, \u003c/span\u003e*\u003cspan\u003eStrange Cacti\u003c/span\u003e*\u003cspan\u003e, while supporting and collaborating with artists and friends whose music I have been moved by,\" said indie star Angel Olsen in a press release about her upcoming album, \u003c/span\u003e*\u003cspan\u003eCosmic Waves Volume 1\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eOutlined as \"a compilation reimagined as a dialogue,\" \u003c/span\u003e*\u003cspan\u003eCosmic Waves\u003c/span\u003e*\u003cspan\u003e is composed of sides A and B. The first features artists selected by Olsen, with each of them choosing a song of their own for the collection. The latter comprises songs from the same artists, but chosen and recorded by Olsen.\u003c/span\u003e\n\n\u003cspan\u003e\"I feel there is something unique and special about covering another artist's song. We all make it our own, or we try to, but I personally always learn something new about the process when I'm engaging someone else's words and melodies in such a close way,\" she added.\u003c/span\u003e\n\n\u003cspan\u003eAmong the artists contributing to \u003c/span\u003e*\u003cspan\u003eCosmic Waves Volume 1\u003c/span\u003e*\u003cspan\u003e are Poppy Jean Crawford, Coffin Prick, Sarah Grace White, Maxim Ludwig, and Camp Saint Helene. To celebrate, Olsen and all the artists will be having a release party at Los Angeles venue In The Meantime.\u003c/span\u003e\n\n## \u003cspan\u003eRosé — 'rosie' (Dec. 6)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"ROSÉ \u0026 Bruno Mars - APT. (Official Music Video)","deliveryId":"75a51b8f-ea58-426c-a585-49ce2e85a3ae"},"videoUrl":"https://www.youtube.com/watch?v=ekr2nIex040"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 7 - 15 Must-Hear Albums In December","deliveryId":"c4dcc48d-7654-4d80-bfb6-6c6a4a5db7bb"},"bodyText":{"richText":"\u003cspan\u003eIf you had never heard of Rosé before, October's viral \"APT.\" with \u003c/span\u003e[\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e certainly changed that. The addictive track brought even more people to see what fans of the BLACKPINK vocalist have seen for almost a decade — Rosé is destined to shine.\u003c/span\u003e\n\n\u003cspan\u003eHer upcoming debut studio album is scheduled to drop on Dec. 6 through Atlantic Records. \u003c/span\u003e*\u003cspan\u003eRosie\u003c/span\u003e*\u003cspan\u003e is \"the name I allow my friends and family to call me,\" she shared on Instagram. \"With this album, I hope you all feel that much closer to me.\"\u003c/span\u003e\n\n\u003cspan\u003eRosé described the year-long process of making the record as \"walking in and out of the studio, writing songs with songwriters and producers I'd met for the first time, trying to figure out the next chapter in my career,\" and that she poured her \"blood and tears\" into it. The result is a relatable, emotional \"little journal\" (as she called it) of a promising global star.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eBreaking Down Every Solo Act From BLACKPINK\u003c/span\u003e](https://grammy.com/news/blackpink-solo-acts-jennie-jisoo-rose-lisa-single-album-born-pink-world-tour)\n\n## \u003cspan\u003eRoddy Ricch — 'The Navy Album' (Dec. 6)\u003c/span\u003e\n\n\u003cspan\u003eRoddy Ricch has been largely out of the spotlight since 2022's mixtape \u003c/span\u003e*\u003cspan\u003eFeed Tha Streets III\u003c/span\u003e*\u003cspan\u003e, but this December will mark his awaited return. The Compton rapper is set to release his third studio effort, \u003c/span\u003e*\u003cspan\u003eThe Navy Album\u003c/span\u003e*\u003cspan\u003e, on Dec. 6.\u003c/span\u003e\n\n\u003cspan\u003eAlthough the official date might change (Ricch has since deleted \u003c/span\u003e[\u003cspan\u003ethe announcement post\u003c/span\u003e](https://hypebeast.com/2024/10/roddy-ricch-the-navy-album-release-information)\u003cspan\u003e on X/Twitter), there's a great chance \u003c/span\u003e*\u003cspan\u003eThe Navy Album\u003c/span\u003e*\u003cspan\u003e will still come out this month — it follows 2019's \u003c/span\u003e*\u003cspan\u003ePlease Excuse Me for Being Antisocial\u003c/span\u003e*\u003cspan\u003e and 2021's \u003c/span\u003e*\u003cspan\u003eLive Life Fast\u003c/span\u003e*\u003cspan\u003e, which were both released in December of their respective years.\u003c/span\u003e\n\n\u003cspan\u003eThroughout this year, Ricch featured on \u003c/span\u003e[\u003cspan\u003eGunna\u003c/span\u003e](https://grammy.com/artists/gunna/251787)\u003cspan\u003e's \"Let It Breathe\" and \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e's \"dodger blue.\" Off the new album, he shared the rumoured lead single \"Survivor's Remorse\" and \"\u003c/span\u003e[\u003cspan\u003e911\u003c/span\u003e](https://www.youtube.com/watch?v=5N3lAfydeWs)\u003cspan\u003e.\"\u003c/span\u003e\n\n## \u003cspan\u003eLaura Nyro — 'Hear My Song: The Collection, 1966–1995' (Dec. 6)\u003c/span\u003e\n\n\u003cspan\u003eOne of the most brilliant folk singers of the U.S., Laura Nyro, is getting a deserved rediscovery this month. \u003c/span\u003e*\u003cspan\u003eHear My Song: The Collection, 1966–1995\u003c/span\u003e* \u003cspan\u003eis coming Dec. 6, and includes a massive 19 albums, plus a 90-page coffee-table book with unseen photos and a foreword by \u003c/span\u003e[\u003cspan\u003eElton John\u003c/span\u003e](https://grammy.com/artists/elton-john/12074)\u003cspan\u003e.\u003c/span\u003e\n\n*\u003cspan\u003eHear My Song\u003c/span\u003e*\u003cspan\u003e compiles Nyro's 10 studio albums, from her 1967 debut \u003c/span\u003e*\u003cspan\u003eMore Than a New Discovery\u003c/span\u003e*\u003cspan\u003e to 2021's posthumous \u003c/span\u003e*\u003cspan\u003eAngel in the Dark\u003c/span\u003e*\u003cspan\u003e, six live albums — two of which are previously unreleased — her 1966 \u003c/span\u003e*\u003cspan\u003eGo Find The Moon\u003c/span\u003e*\u003cspan\u003e demo tape, and a rarities CD.\u003c/span\u003e\n\n\u003cspan\u003eNyro's work was a major influence on the work of \u003c/span\u003e[\u003cspan\u003eBob Dylan\u003c/span\u003e](https://grammy.com/artists/bob-dylan/3014)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eJoni Mitchell\u003c/span\u003e](https://grammy.com/artists/joni-mitchell/11174)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://grammy.com/artists/alicia-keys/12104)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSt. Vincent\u003c/span\u003e](https://grammy.com/artists/st-vincent/18723)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTori Amos\u003c/span\u003e](https://grammy.com/artists/tori-amos/746)\u003cspan\u003e, and more. \"She wrote songs that had no kind of fixed compass point,\" said Elton John in a statement about the collection. \"They remain as unique and absolutely spellbinding to this day as when I first heard them in the '60s.\"\u003c/span\u003e\n\n## \u003cspan\u003eSnoop Dogg \u0026amp; Dr. Dre — 'Missionary' (Dec. 13)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Snoop Dogg - Gorgeous (feat. Jhené Aiko) [Official Lyric Video]","deliveryId":"4bb08c27-c240-4346-8f68-9e8ca216fb64"},"videoUrl":"https://www.youtube.com/watch?v=GYw_TWn8lpA"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 8 - 15 Must-Hear Albums In December","deliveryId":"f646cbd6-adc2-4395-bb37-68e58703e27e"},"bodyText":{"richText":"\u003cspan\u003eIn 2022, Snoop Dogg teased the idea of a 30th-anniversary album to honor his 1993 masterpiece, \u003c/span\u003e*\u003cspan\u003eDoggystyle\u003c/span\u003e*\u003cspan\u003e. Widely regarded as one of the greatest rap records of all time, \u003c/span\u003e*\u003cspan\u003eDoggystyle\u003c/span\u003e*\u003cspan\u003e showcased the unparalleled synergy between Snoop and producer Dr. Dre.\u003c/span\u003e\n\n\u003cspan\u003eNow, after much anticipation, the celebratory album — titled \u003c/span\u003e*\u003cspan\u003eMissionary\u003c/span\u003e*\u003cspan\u003e — finally has a release date: Dec. 13. Also produced by Dr. Dre, the project features 15 tracks, including the singles \"Gorgeous\" with \u003c/span\u003e[\u003cspan\u003eJhené Aiko\u003c/span\u003e](https://grammy.com/artists/jhene-aiko/18275)\u003cspan\u003e and \"\u003c/span\u003e[\u003cspan\u003eOutta Da Blue\u003c/span\u003e](https://www.youtube.com/watch?v=JUPLv48_exc\u0026pp=ygUVc25vb3AgZG9nZyBtaXNzaW9uYXJ5)\u003cspan\u003e\" with Dre and Alus. On the remaining tracklist, there are stellar participations by \u003c/span\u003e[\u003cspan\u003eTom Petty\u003c/span\u003e](https://grammy.com/artists/tom-petty/5380)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSting\u003c/span\u003e](https://grammy.com/artists/sting/10244)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eJelly Roll\u003c/span\u003e](https://grammy.com/artists/jelly-roll/54236)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003e50 Cent\u003c/span\u003e](https://grammy.com/artists/50-cent/2468)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eEminem\u003c/span\u003e](https://grammy.com/artists/eminem/8580)\u003cspan\u003e, and more.\u003c/span\u003e\n\n\u003cspan\u003eIn an \u003c/span\u003e[\u003cspan\u003einterview for ET\u003c/span\u003e](https://www.etonline.com/dr-dre-shares-how-his-magical-olympics-performance-with-snoop-dogg-came-together-exclusive-230336)\u003cspan\u003e, Dre said that working with Snoop was \"much more fun\" this time around. \"We were kids at that time, you know what I mean?\" he added. \"This one is gonna show a different level of maturity with his lyrics and with my music. I feel like this is some of the best music I've done in my career.\"\u003c/span\u003e\n\n## \u003cspan\u003eDMX — 'Let Us Pray: Chapter X' (Dec. 13)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"DMX \"Favor\"","deliveryId":"543e8651-03d7-4cb6-b5e4-c13b0ae5d2c2"},"videoUrl":"https://www.youtube.com/watch?v=hndyGUKPmZY"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 9 - 15 Must-Hear Albums In December","deliveryId":"87fbf1fe-ab05-4404-b00f-ce338db9d2ce"},"bodyText":{"richText":"\u003cspan\u003eWhile mostly known for his violent lyrics, late rapper DMX was a born-again Christian, and a deeply spiritual man. Therefore, his upcoming posthumous album, \u003c/span\u003e*\u003cspan\u003eLet Us Pray: Chapter X\u003c/span\u003e*\u003cspan\u003e, aims to explore a less-popular side of the iconic star. \u003c/span\u003e\n\n\u003cspan\u003eComing out Dec. 13, \u003c/span\u003e*\u003cspan\u003eLet Us Pray\u003c/span\u003e*\u003cspan\u003e will reflect on DMX's complexity and emotionality by pairing his prayers with original music from GRAMMY-winning songwriter and producer \u003c/span\u003e[\u003cspan\u003eWarryn Campbell\u003c/span\u003e](https://grammy.com/artists/warryn-campbell/1213)\u003cspan\u003e. The album also packs a stellar line of contributors, including Snoop Dogg, \u003c/span\u003e[\u003cspan\u003eMary Mary\u003c/span\u003e](https://grammy.com/artists/mary-mary/17678)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKiller Mike\u003c/span\u003e](https://grammy.com/artists/killer-mike/14429)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMC Lyte\u003c/span\u003e](https://grammy.com/artists/mc-lyte/4373)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLecrae\u003c/span\u003e](https://grammy.com/artists/lecrae/4872)\u003cspan\u003e, and more.\u003c/span\u003e\n\n\u003cspan\u003e\"Working on \u003c/span\u003e*\u003cspan\u003eLet Us Pray: Chapter X\u003c/span\u003e*\u003cspan\u003e has been one of the most fulfilling experiences for me as a creative,\" Campbell said in a statement. \"When you hear the voice of DMX, it inspires instant creativity and what better way to showcase who X really was than through prayer.\"\u003c/span\u003e\n\n## \u003cspan\u003eStray Kids — '合 (HOP)' (Dec. 13)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Stray Kids \"合 (HOP)\" UNVEIL : TRACK \"HALLUCINATION (아이엔)\"","deliveryId":"0e271093-1121-4f68-8dcc-23d91aaf6810"},"videoUrl":"https://www.youtube.com/watch?v=hWIZaL2J7eo"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 10 - 15 Must-Hear Albums In December","deliveryId":"6045452d-2b90-4f9a-9d77-f5d863d74162"},"bodyText":{"richText":"\u003cspan\u003eAs prolific as their labelmates TWICE, K-pop boy group Stray Kids are also closing 2024 on a big note. Their upcoming mixtape, \u003c/span\u003e*\u003cspan\u003e合 (HOP)\u003c/span\u003e*\u003cspan\u003e, is the first installment of a new project titled SKZHOP HIPTAPE — a name that combines Stray Kids' abbreviation \"SKZ\" with \"hip-hop.\"\u003c/span\u003e\n\n\u003cspan\u003eIn a press release by their label JYP Entertainment, \u003c/span\u003e*\u003cspan\u003e合 (HOP)\u003c/span\u003e*\u003cspan\u003e is said to carry a double meaning, combining \"hop\" from hip-hop and its Korean homophone, the \u003c/span\u003e*\u003cspan\u003ehanja\u003c/span\u003e*\u003cspan\u003e 合, which means \"unity.\"\u003c/span\u003e\n\n\u003cspan\u003eThe record is also described as containing \"songs in Stray Kids' own 'new genre' that can't be officially defined.\"\u003c/span\u003e\n\n\u003cspan\u003eStray Kids have been sharing sneak peeks of the songs through their \"Unveil: Track\" videos on social media. The tracklist also includes each member's new solo songs — first performed during their ongoing Dominate World Tour. Track \"U\" features a first-class feature by Epik High's frontman, Tablo.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eWhat's Next For K-Pop? A Roundtable Unpacks The Genre's Past, Present And Future\u003c/span\u003e](https://grammy.com/news/future-of-kpop-roundtable-interview-twice-stray-kids-jakops-videos)\n\n## \u003cspan\u003eMario — 'Glad You Came' (Dec. 13)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Mario - Glad You Came (Official Performance Video)","deliveryId":"87ea5d2b-0e46-4a4f-9296-06d77fcceb61"},"videoUrl":"https://www.youtube.com/watch?v=0K7YtyLCGeU"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 11 - 15 Must-Hear Albums In December","deliveryId":"c0838731-9a38-42d5-a712-5f963d1b154d"},"bodyText":{"richText":"\u003cspan\u003eIt's been six years since R\u0026amp;B notable Mario released a studio album, 2018's \u003c/span\u003e*\u003cspan\u003eDancing Shadows\u003c/span\u003e*\u003cspan\u003e. The much-anticipated \u003c/span\u003e*\u003cspan\u003eGlad You Came\u003c/span\u003e*\u003cspan\u003e will break that spell on Dec. 13.\u003c/span\u003e\n\n\u003cspan\u003e\"My successes and failures in the department of love and my imagination are what helped me to create this body of work,\" \u003c/span\u003e[\u003cspan\u003eMario told \u003c/span\u003e](https://www.billboard.com/music/rb-hip-hop/mario-new-album-glad-you-came-album-release-date-1235810263/)*[\u003cspan\u003eBillboard\u003c/span\u003e](https://www.billboard.com/music/rb-hip-hop/mario-new-album-glad-you-came-album-release-date-1235810263/)*\u003cspan\u003e in a recent interview about the new LP. \"I had the pleasure of creating alongside \u003c/span\u003e[\u003cspan\u003eJames Fauntleroy\u003c/span\u003e](https://grammy.com/artists/james-fauntleroy/17853)\u003cspan\u003e, who executive-produced this project and wrote multiple songs with me. We have the same mission in our hearts of helping to preserve the art form.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Baltimore native added that \u003c/span\u003e*\u003cspan\u003eGlad You Came\u003c/span\u003e*\u003cspan\u003e \"embodies the very essence of the quality of classic R\u0026amp;B and retro-futuristic sound that can be played in any space\" and that it is permeated by \"vulnerability and confidence.\"\u003c/span\u003e\n\n\u003cspan\u003eMario shared the smooth singles \"Space\" and \"Glad You Came\" to preview the album. In January 2025, he will join \u003c/span\u003e[\u003cspan\u003eNe-Yo\u003c/span\u003e](https://grammy.com/artists/ne-yo/5109)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eMary J. Blige\u003c/span\u003e](https://grammy.com/artists/mary-j-blige/779)\u003cspan\u003e on her The For My Fans Tour.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"id":"956bd330-f835-4e8e-8254-a5f3fa3e728f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"15 Must-Hear Albums In December: Snoop Dogg \u0026 Dr. Dre, Rosé, Dua Lipa, Travis Japan, DMX \u0026 More"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","Pop","Rap","World Music"],"tags":["Snoop Dogg","Dr. Dre","Rosé","Dua Lipa","DMX","Mario","Angel Olsen"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1733182580778,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"15 Must-Hear Albums In December: Snoop Dogg \u0026 Dr. Dre, Rosé, Dua Lipa, Travis Japan, DMX \u0026 More","shortTitle":"15 Must-Hear December Albums: Dua Lipa, DMX \u0026 More","subHeadline":"December’s album releases include Angel Olsen's 'Cosmic Waves Volume 1,' Pure Prairie League's 'Back On Track,' Mario's 'Glad You Came,' and a special reissue by Hepcat, among many others.","articleSummary":"December 2024 brings a diverse lineup of new albums, from Snoop Dogg and Dr. Dre's highly anticipated 'Missionary' to Rosé's debut 'rosie'. Releases also include Angel Olsen's collaborative project 'Cosmic Waves Volume 1,' DMX's posthumous 'Let Us Pray: Chapter X,' and a nostalgic reissue by Hepcat.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"15 Must-Hear Albums In December: Snoop Dogg \u0026 Dr. Dre, Rosé, Dua Lipa, Travis Japan, DMX \u0026 More","deliveryId":"956bd330-f835-4e8e-8254-a5f3fa3e728f"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"0c26a30a-a418-40d4-bce7-fd5b3a1525af","name":"Must-Hear-Albums_December_2024","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"hasGATrackingLink":true,"credit":{"richText":"Photos: \u003cspan\u003eSara Jaye/Getty Images for The Rock and Roll Hall of Fame; Ethan Miller/Getty Images\u003c/span\u003e; \u003cspan\u003eHarmony Gerber/Getty Images\u003c/span\u003e;\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eHan Myung-Gu/WireImage\u003c/span\u003e; \u003cspan\u003eLloyd Bishop/NBC via Getty Images;\u003c/span\u003e \u003cspan\u003eTheo Wargo/Getty Images\u003c/span\u003e; \u003cspan\u003eSteve Jennings/Getty Images; Michael Ochs Archives/Getty Images\u003c/span\u003e"},"tags":["Dua Lipa","Dr. Dre","Snoop Dogg","Greg Lee of Hepcat","DMX","Laura Nyro","Lauren Mayberry"],"title":"15 Must-Hear Albums In December: Snoop Dogg \u0026 Dr. Dre, Rosé, Dua Lipa, Travis Japan, DMX \u0026 More","shortTitle":"15 Must-Hear Albums In December","link":"/","imgTitle":"15 Must-Hear Albums In December","captionValue":"(Clockwise from top left) Dua Lipa, Dr. Dre \u0026 Snoop Dogg, Greg Lee of Hepcat, Rosé, Lucinda Williams, DMX, Lauren Mayberry \u0026 Laura Nyro","imgAlt":"Dua Lipa, Dr. Dre \u0026 Snoop Dogg, Greg Lee of Hepcat, Rosé, Lucinda Williams, DMX, Lauren Mayberry \u0026 Laura Nyro in collage"},"contributorInfo":{"_meta":{"name":"Tássia Assis","schema":"https://therecordingacademy.com/content/contributor","deliveryKey":"bio/tassia-assis","deliveryId":"65573587-6909-4ac3-9f73-ddd86063aaf0"},"title":"Tássia Assis","photoTitle":"","photoAlt":"","image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"99771f1e-4131-46c2-b857-f31361773675","name":"tassiaassis.jpg","endpoint":"naras","defaultHost":"cdn.media.amplience.net"},"bioValue":"Tássia Assis is a freelance writer focused on Asian pop music, most specifically K-pop and C-pop. She has written for i-D, MTV News, Seoulbeats, and others. Born in Brazil, she is currently based in Lisbon, Portugal.","bioFormat":"plain_text","twitterHandleUrl":"https://twitter.com/_tassia_a","twitterHandleTitle":"@_tassia_a"}},"mdContent":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"How To Vote In The 2025 GRAMMYs: A Complete Final Round Voting Guide For GRAMMY Voters","deliveryId":"0e9a65d1-dd3e-4e4f-86fa-33196b958dbd","deliveryKey":"news/how-to-vote-2025-grammys-voting-guide"},"articleCategory":["news"],"contributors":[{"id":"088e5a6c-f55a-4048-8723-7cf020fab65a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","deliveryId":"7d3740f8-2dd0-4574-8114-37b3b35cd5ff"},"bodyText":{"richText":"***Editor’s Note:** This article was updated and republished on Monday, Dec. 2, to reflect information about \u003cspan\u003eFinal Round Voting for the\u003c/span\u003e 2025 GRAMMYs.*\n\n\u003cspan\u003eNow that the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY nominations\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e have been announced, the final phase of the GRAMMY voting season is in full swing. Ahead of the 2025 GRAMMYs, which \u003c/span\u003e[\u003cspan\u003etake place\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\u003cspan\u003e \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, live at Crypto.com Arena in Los Angeles, GRAMMY voters will vote on the artists, creators and releases who will take home the coveted GRAMMY Award on Music's Biggest Night.\u003c/span\u003e\n\n\u003cspan\u003eThis month, GRAMMY voters enter the final step in the GRAMMY Awards voting process: Final Round Voting. Taking place from \u003c/span\u003e**\u003cspan\u003eThursday, December 12, 2024\u003c/span\u003e**\u003cspan\u003e, through \u003c/span\u003e**\u003cspan\u003eFriday, January 3, 2025\u003c/span\u003e**\u003cspan\u003e, Final Round Voting will ultimately determine the GRAMMY winners across all 94 Categories to be awarded at the 2025 GRAMMYs.\u003c/span\u003e\n\n[\u003cspan\u003eThe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the annual GRAMMY Awards, encourages our Voting Members to educate themselves on the GRAMMY voting process each year as they prepare to cast their ballots when GRAMMY voting opens. To help guide Voting Members through the GRAMMY voting process, we've put together a thorough and informative guide outlining all the key dates, deadlines and voting guidelines to know this year.\u003c/span\u003e\n\n\u003cspan\u003eHere's everything you need to know about Final Round Voting for the 2025 GRAMMYs, officially known as the \u003c/span\u003e[\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e\n\n**\u003cspan\u003eLearn More:\u003c/span\u003e** [\u003cspan\u003eWho Are The Top GRAMMY Awards Winners Of All Time? Who Has The Most GRAMMYs?\u003c/span\u003e](https://www.grammy.com/news/who-are-the-top-grammy-awards-winners-of-all-time)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"TikTok Embed 1: How Do The GRAMMYs Work?","deliveryId":"b49b2abb-cf32-4df0-8f9a-4f1c0c11ee58"},"postUrl":"https://www.tiktok.com/@grammys/video/7439535791690239274?is_from_webapp=1\u0026sender_device=pc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","deliveryId":"cbabf13d-f96c-4f36-b522-223aba3b0c88"},"bodyText":{"richText":"## **\u003cspan\u003eROAD TO THE 2025 GRAMMYs\u003c/span\u003e**\n\n\u003cspan\u003eAs a member of the Recording Academy, you may be asked questions about the GRAMMY voting process. Equip yourself with the knowledge to explain the complete GRAMMY Awards process by visiting \u003c/span\u003e[\u003cspan\u003eour interactive online resource\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, which breaks down the full GRAMMY Awards journey from beginning to end.\u003c/span\u003e\n\n\u003cspan\u003eBelow is an overview of the complete GRAMMY Awards process as related to the 2025 GRAMMYs.\u003c/span\u003e\n\n### **\u003cspan\u003eKEY DATES: 2025 GRAMMYs\u003c/span\u003e**\n\n\u003cspan\u003eKey dates for the 2025 GRAMMY Awards season are as follows:\u003c/span\u003e\n\nSept. 16, 2023 – Aug. 30, 2024\\\n**Product Eligibility Period**\\\n*The period by which recordings are submitted for GRAMMY consideration. All releases must be available for sale, via general distribution, to the public by this date and through at least the date of the current year's voting deadline (final ballot) to be eligible for the 2025 GRAMMY Awards.*\n\nJuly 8, 2024 – Aug. 23, 2024\\\n**Media Company Registration Period**\\\n*Media companies must [apply for registration](https://www.recordingacademy.com/awards/media-company-registration-and-online-entry-process-oep) with the Recording Academy to submit recordings.*\n\n\u003cspan\u003eJuly 17, 2024 – Aug. 30, 2024\\\n\u003c/span\u003e**\u003cspan\u003eOnline Entry Period\u003c/span\u003e**\u003cspan\u003e\\\n\u003c/span\u003e*\u003cspan\u003eAll eligible recordings must be entered prior to the close of the \u003c/span\u003e[\u003cspan\u003eOnline Entry Period\u003c/span\u003e](https://www.recordingacademy.com/news/2025-grammys-online-entry-process-how-to-guide-now-open)\u003cspan\u003e, regardless of the public release date.\u003c/span\u003e*\n\nOct. 4, 2024 – Oct. 15, 2024\\\n**First Round Voting**\\\n*First Round Voting determines all the GRAMMY nominees for each GRAMMY Awards year.*\n\n\u003cspan\u003eNov. 8, 2024\\\n\u003c/span\u003e**\u003cspan\u003eNominees Announced for the 2025 GRAMMY Awards\u003c/span\u003e**\u003cspan\u003e\\\n\u003c/span\u003e*\u003cspan\u003eAnnouncing the official nominees list for the 2025 GRAMMYs.\u003c/span\u003e*\n\n\u003cspan\u003eDec. 12, 2024 – Jan. 3, 2025\\\n\u003c/span\u003e**\u003cspan\u003eFinal Round Voting\u003c/span\u003e**\u003cspan\u003e\\\n\u003c/span\u003e*\u003cspan\u003eDetermines the GRAMMY winners across all categories revealed on GRAMMY night.\u003c/span\u003e*\n\n\u003cspan\u003eFeb. 2, 2025\\\n\u003c/span\u003e**\u003cspan\u003e2025 GRAMMY Awards\u003c/span\u003e**\u003cspan\u003e\\\n\u003c/span\u003e*\u003cspan\u003eMusic's Biggest Night, recognizing excellence in the recording arts and sciences.\u003c/span\u003e*\n\n**\u003cspan\u003eLearn More:\u003c/span\u003e** [\u003cspan\u003eHow Much Is A GRAMMY Worth? 7 Facts To Know About The GRAMMY Award Trophy\u003c/span\u003e](https://www.grammy.com/news/how-much-is-a-grammy-worth-facts-grammy-award)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"TikTok Embed: What Happens After GRAMMYs Voting?","deliveryId":"83d8631e-5732-41da-a842-834c87fff49b"},"postUrl":"https://www.tiktok.com/@grammys/video/7426434390034779438?is_from_webapp=1\u0026sender_device=pc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","deliveryId":"f5b0c904-dc2e-4dcb-bbe0-b71e08f80e0f"},"bodyText":{"richText":"## **\u003cspan\u003eHOW DOES GRAMMY VOTING WORK?\u003c/span\u003e**\n\n### **\u003cspan\u003eTHE GRAMMYS ONLINE ENTRY PROCESS\u003c/span\u003e**\n\n\u003cspan\u003eThe annual \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards journey\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e begins with the \u003c/span\u003e[\u003cspan\u003eOnline Entry Process (OEP)\u003c/span\u003e](https://www.recordingacademy.com/news/2025-grammys-online-entry-process-how-to-guide-now-open)\u003cspan\u003e. During OEP, which this year took place from July 17 through Aug. 30, Media Companies and Recording Academy members submitted recordings, music videos/films and releases for consideration to be included on the 2025 GRAMMY Awards ballot. Submissions that were not formally submitted during OEP were not considered for the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eEligible r\u003c/span\u003e\u003cspan\u003eeleases must have been released during the Product Eligibility Period, which this year comprised the period between Sept. 16, 2023, through Aug. 30, 2024; \u003c/span\u003e\u003cspan\u003eall releases must be available for sale, via general distribution, to the public by this date and through at least the date of the current year's voting deadline (final ballot) to be eligible for the 2025 GRAMMY Awards.\u003c/span\u003e\n\n### **\u003cspan\u003eSUBMISSIONS SCREENING\u003c/span\u003e**\n\n\u003cspan\u003eAfter the Online Entry Process, the Recording Academy's Awards Department and genre screening committees manually reviewed all entries to ensure they were categorized in the appropriate GRAMMY Categories. The purpose of genre screening committees is not to make artistic or technical judgements about the submissions, but rather to ensure each entry is eligible and placed in its proper Category.\u003c/span\u003e\n\n### **\u003cspan\u003eFIRST ROUND VOTING \u0026amp; FINAL ROUND VOTING\u003c/span\u003e**\n\n\u003cspan\u003eFollowing OEP, the GRAMMY voting process begins with First Round Voting, which this year took place in October and determined the nominees at the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eThe \u003c/span\u003e[\u003cspan\u003eannual GRAMMY voting process\u003c/span\u003e](https://www.recordingacademy.com/awards/voting-process)\u003cspan\u003e is divided into two phases: \u003c/span\u003e**\u003cspan\u003eFirst Round Voting\u003c/span\u003e**\u003cspan\u003e, which determines all the GRAMMY nominees for each GRAMMY Category each year, and \u003c/span\u003e**\u003cspan\u003eFinal Round Voting\u003c/span\u003e**\u003cspan\u003e, which ultimately determines the GRAMMY winners across all Categories revealed on GRAMMY night. It is crucial for all Recording Academy Voting Members to actively participate in both First Round Voting and Final Round Voting. This will ensure that all eligible artists, musicians and creators are fairly evaluated based on their artistic and technical merits and will help the wider music community determine the leading music of the year, as voted on by their peers.\u003c/span\u003e\n\n\u003cspan\u003eThe ballots GRAMMY voters submit during Final Round Voting this month will determine the GRAMMY winners at the 2025 GRAMMYs, which will be announced live on the GRAMMY stage on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e. Thus, it's essential for all GRAMMY voters to be involved.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"TikTok Embed 2: Who Votes For The GRAMMYs?","deliveryId":"92f1daef-898d-4a7c-adde-49dbbfce66e1"},"postUrl":"https://www.tiktok.com/@grammys/video/7432487048612744494?is_from_webapp=1\u0026sender_device=pc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","deliveryId":"bb0f5d74-ae59-4816-9739-18124881a756"},"bodyText":{"richText":"## **\u003cspan\u003eWHO VOTES FOR THE GRAMMYS?\u003c/span\u003e**\n\n\u003cspan\u003eAs the only peer-voted award in music, the GRAMMY Award is the highest honor in all of music. That's because GRAMMY nominees and GRAMMY winners are determined by Voting Members, who are composed of vetted and venerable performers, songwriters, producers, engineers, instrumentalists, and other creators currently working in the recording industry. Every GRAMMY vote affirms this prestige and strengthens the highest excellence in music and the recording arts and sciences.\u003c/span\u003e\n\n\u003cspan\u003eFinal Round Voting ballots are provided to Voting Members in good dues standing. To ensure the quality of GRAMMY voting, members are directed to vote only in their areas of expertise and those in which they are a peer: up to 10 GRAMMY Categories across three Fields, plus the six General Field Categories (\u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-record-of-the-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammy-nominations-song-of-the-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-producer-of-the-year-non-classical)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSongwriter Of The Year, Non-Classical\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-songwriter-of-the-year-non-classical)\u003cspan\u003e). This process ensures the quality of the voting during the full GRAMMY Awards process.\u003c/span\u003e\n\n\u003cspan\u003eLearn more about \u003c/span\u003e[\u003cspan\u003eRecording Academy Membership\u003c/span\u003e](https://www.recordingacademy.com/membership)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003ehow to become a member\u003c/span\u003e](https://members.recordingacademy.com/s/?language=en_US)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eVoting Members represent and celebrate the accomplishments of their peers in their genre. By voting only in Categories where they are a peer, GRAMMY voters help ensure the GRAMMY Awards reflect the diversity and excellence of our music community.\u003c/span\u003e\n\n\u003cspan\u003eGRAMMY voters were selected amongst thousands of applicants for their expertise, skill, and diverse background. Your vote represents your voice within the Academy, and its impact will influence music history.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eYour Vote, Your Voice: 6 Reasons Why Your GRAMMY Vote Matters\u003c/span\u003e](https://www.recordingacademy.com/news/2023-grammys-why-65th-grammy-awards-voting-process-matters-membership-list)\n\n### **\u003cspan\u003eVOTE TABULATION\u003c/span\u003e**\n\n\u003cspan\u003eTo maintain integrity in the voting process, ballots are collected and tabulated by the independent accounting firm Deloitte.\u003c/span\u003e\n\n### **\u003cspan\u003eHOW ARE GRAMMY NOMINATIONS DETERMINED?\u003c/span\u003e**\n\n\u003cspan\u003eAfter GRAMMY voters submit their votes, the top five finalists in each GRAMMY Category are nominated for a GRAMMY Award, except for the General Field Categories of Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist, where the top eight finalists are the nominees.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"TikTok Embed: GRAMMY Categories Breakdown","deliveryId":"5425cabc-7844-462b-9849-7c5485a32cdf"},"postUrl":"https://www.tiktok.com/@grammys/video/7430973552507112750?is_from_webapp=1\u0026sender_device=pc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","deliveryId":"5e7a249c-f0f4-430c-ad92-e4a1c34e592a"},"bodyText":{"richText":"## **\u003cspan\u003eHOW TO VOTE IN THE 2025 GRAMMYS\u003c/span\u003e**\n\n\u003cspan\u003eRecording Academy Voting Members can access their Final Round Voting ballot for the 2025 GRAMMYs via their \u003c/span\u003e[\u003cspan\u003emember dashboard\u003c/span\u003e](https://members.recordingacademy.com/s/login/?language=en_US)\u003cspan\u003e \u003c/span\u003e**\u003cspan\u003estarting at 9 a.m. PT / 12 p.m. ET on Thursday, December 12, 2024\u003c/span\u003e**\u003cspan\u003e. Final Round Voting \u003c/span\u003e**\u003cspan\u003ecloses at 6 p.m. PT / 9 p.m. ET on Friday, January 3, 2025.\u003c/span\u003e**\n\n\u003cspan\u003eBefore voting opens, please make sure you have the correct email and password to login. If your credentials are invalid, reset your password. For further assistance, see the following contact info below:\u003c/span\u003e\n\n### **\u003cspan\u003eVOTER TECHNICAL SUPPORT\u003c/span\u003e**\n\n**\u003cspan\u003ePHONE:\u003c/span\u003e**\u003cspan\u003e 866-992-9902 x403 \u003c/span\u003e\\\n**\u003cspan\u003eEMAIL:\u003c/span\u003e** [\u003cspan\u003egrammys@yangaroo.com\u003c/span\u003e](mailto:grammys@yangaroo.com)\u003cspan\u003e \u003c/span\u003e\\\n**\u003cspan\u003eHOURS:\u003c/span\u003e**\u003cspan\u003e M-F, 5 a.m. — 5 p.m. PT / 8 a.m. — 8 p.m. ET (Note holiday schedule below.)\u003c/span\u003e\n\n* \u003cspan\u003eDec. 24 \u0026amp; Dec. 31: 6 a.m. PT – 1 p.m. PT / 9 a.m. ET – 4 p.m. ET\u003c/span\u003e\n\n* \u003cspan\u003eDec. 25, Dec. 26 \u0026amp; Jan. 1 – CLOSED\u003c/span\u003e\n\n* \u003cspan\u003eFinal Round Voting: \u003c/span\u003e**\u003cspan\u003eThursday, December 12, 2024\u003c/span\u003e**\u003cspan\u003e – \u003c/span\u003e**\u003cspan\u003eFriday, January 3, 2025\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n### **\u003cspan\u003eAWARDS, FYC (FOR YOUR CONSIDERATION) \u0026amp; NON-TECHNICAL SUPPORT:\u003c/span\u003e**\n\n**\u003cspan\u003ePHONE:\u003c/span\u003e** \u003cspan\u003e833-789-8683 \u003c/span\u003e\\\n**\u003cspan\u003eEMAIL:\u003c/span\u003e** [\u003cspan\u003evotersupport@grammy.com\u003c/span\u003e](mailto:votersupport@grammy.com)\n\n**\u003cspan\u003eHOURS:\u003c/span\u003e** \u003cspan\u003e9 a.m. – 5 p.m. PT / noon – 8 p.m. ET (Note holiday schedule below.)\u003c/span\u003e\n\n* \u003cspan\u003eDec. 14, Dec. 15, Dec. 20, Dec. 21, Dec. 25 \u0026amp; Jan. 1 – CLOSED\u003c/span\u003e\n\n### **\u003cspan\u003eMEMBERSHIP QUESTIONS:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n**\u003cspan\u003ePHONE:\u003c/span\u003e**\u003cspan\u003e 866-794-3391 \u003c/span\u003e\\\n**\u003cspan\u003eEMAIL:\u003c/span\u003e** [\u003cspan\u003emembership@grammy.com\u003c/span\u003e](mailto:membership@recordingacademy.com)\\\n**\u003cspan\u003eHOURS\u003c/span\u003e**\u003cspan\u003e 9 a.m. – 5 p.m. PT / noon – 8 p.m. ET\u003c/span\u003e\n\n**\u003cspan\u003eLearn More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eThe Impact Of A GRAMMY Win: Life After The Award\u003c/span\u003e](https://www.grammy.com/news/impact-of-winning-grammy-award-linda-ronstadt-kabaka-pyramid-antonio-sanchez-ile-white-sun)\n\n### **\u003cspan\u003eNEW CHANGES TO GRAMMY AWARDS CATEGORIES\u003c/span\u003e**\n\n\u003cspan\u003eIn June, the Recording Academy shared a series of updates to the annual GRAMMY Awards process for the 2025 GRAMMYs, including adjustments to eligibility criteria, Category renaming, and submission guidelines updates for some Categories. All updates go into effect immediately at the 2025 GRAMMYs. Learn more about the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards Categories changes\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e as related to your areas of expertise ahead of casting your votes for the 2025 GRAMMYs.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards Updates For The 2025 GRAMMYs: Here's Everything You Need To Know About GRAMMY Awards Categories Changes \u0026amp; Eligibility Guidelines\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\n\n### **\u003cspan\u003eGRAMMY BALLOT ESSENTIALS\u003c/span\u003e**\n\n\u003cspan\u003eThe search and flexibility enhancements recently added to GRAMMY voting ballots will return for this GRAMMY season. The Category selection tool, which minimizes scrolling time and creates an easy-to-use ballot for each voter, will return for Final Round Voting this year.\u003c/span\u003e\n\n### **\u003cspan\u003eTIPS FOR SUCCESSFUL GRAMMY VOTING\u003c/span\u003e**\n\n\u003cspan\u003eEvery GRAMMY voting season is unique. To help GRAMMY voters prepare for Final Round Voting, we've compiled a \u003c/span\u003e[\u003cspan\u003ehelpful guide of GRAMMY voting tips.\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-voting-tips)\n\n### **\u003cspan\u003eLISTENING TO NOMINATED RECORDINGS\u003c/span\u003e**\n\n\u003cspan\u003eDuring Final Round Voting, Recording Academy Voting Members can stream submitted recordings on select streaming services. The Recording Academy encourages all Voting Members to listen to all submitted recordings in the Categories in which they are voting to ensure intentional listening and thoughtful voting. This process will encourage respect and consideration for all creators and their submitted works on behalf of GRAMMY voters.\u003c/span\u003e\n\n**\u003cspan\u003eLearn More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eRecording Academy Renames Best Song For Social Change Award In Honor Of Harry Belafonte\u003c/span\u003e](https://www.grammy.com/news/harry-belafonte-best-song-social-change-award-2025-grammys)\n\n### **\u003cspan\u003eGRAMMY VOTING \u0026amp; SOLICITATION GUIDELINES\u003c/span\u003e**\n\n\u003cspan\u003eEach year, Recording Academy Voting Members drive the GRAMMY Awards process. The Recording Academy respects its Voting membership body and trusts that each Voting Member will uphold the GRAMMY standard of excellence by voting with integrity and discipline.\u003c/span\u003e\n\n\u003cspan\u003eAll Voting Members should only cast their votes based on the artistic and technical merits of the submitted recordings and products. This will ensure that the annual GRAMMY Awards process is fair and ethical for all creators and submitted works. Read the Recording Academy's \u003c/span\u003e[\u003cspan\u003eVoting and Solicitation Guidelines and Voter Code of Conduct\u003c/span\u003e](https://www.recordingacademy.com/awards/voting-and-solicitation-guidelines)\u003cspan\u003e for additional information before submitting your GRAMMY votes.\u003c/span\u003e\n\n### **\u003cspan\u003eVOTE WITH THE NEW \"MY ACADEMY HUB\" MOBILE APP\u003c/span\u003e**\n\n\u003cspan\u003eThe Recording Academy is proud to provide Final Round Voting ballot access within the new \u003c/span\u003e[\u003cspan\u003e\"My Academy Hub\" mobile app\u003c/span\u003e](https://www.recordingacademy.com/news/my-academy-hub-membership-app-download-grammy-voting)\u003cspan\u003e.\\* Visit your member dashboard anytime, anywhere right at your fingertips. Download the mobile app in the \u003c/span\u003e[\u003cspan\u003eApple App Store\u003c/span\u003e](https://apps.apple.com/us/app/my-academy-hub/id6468744359)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003eGoogle Play Store\u003c/span\u003e](https://play.google.com/store/apps/details?id=com.mysalesforce.mycommunity.C00D8c0000024AlvEAE.A0OT8c000000oM11GAE.app1\u0026pcampaignid=web_share\u0026pli=1)\u003cspan\u003e today and be sure to set up biometric login so you'll never have to remember your password again^.\u003c/span\u003e\n\n\u003cspan\u003eHaving issues? For questions and technical support regarding the app, please contact us at \u003c/span\u003e[\u003cspan\u003eapp@recordingacademy.com\u003c/span\u003e](mailto:app@recordingacademy.com)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003e\\*The GRAMMY Voting process remains unchanged, and members will now be able to access their Final Round Voting ballots directly in their member dashboards via the \"My Academy Hub\" mobile app.\u003c/span\u003e\n\n\u003cspan\u003e^Members in almost all locations, domestic and international, can download and use the mobile app. Please note the app is not currently available to members in China.\u003c/span\u003e\n\n**\u003cspan\u003eLearn More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eThe Recording Academy Adds More Than 3,000 Women GRAMMY Voters Since 2019, Surpassing Its 2025 Membership Goal\u003c/span\u003e](https://www.grammy.com/news/recording-academy-2024-membership-report-new-member-class)\n\n### **\u003cspan\u003eADDITIONAL RESOURCES\u003c/span\u003e**\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e; view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e; and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process.\u003c/span\u003e\n\n\u003cspan\u003eCast your GRAMMY votes for the 2025 GRAMMYs once \u003c/span\u003e**\u003cspan\u003eFinal Round Voting opens Thursday, December 12, 2024\u003c/span\u003e**\u003cspan\u003e, and make sure to watch Music's Biggest Night\u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, to see who wins the GRAMMY gold.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The 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GRAMMYs: Meet The Nominees"}],"hero":{"id":"b08b8602-3200-4cfd-b208-39255e69b306","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: How To Vote In The 2025 GRAMMYs - Final Round Voting Update"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","GRAMMY Voting","Membership","Recording Academy"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1733188368527,"source":"Recording Academy","primaryPillar":"GRAMMYs","title":"How To Vote In The 2025 GRAMMYs: A Complete Final Round Voting Guide For GRAMMY Voters","shortTitle":"How To Vote In The 2025 GRAMMYs: Final Round Votes","subHeadline":"Final Round Voting for the 2025 GRAMMYs opens Thursday, Dec. 12. Read our GRAMMY voting guide for everything GRAMMY voters need to know, including key dates and deadlines, voting guidelines, and much more.","articleSummary":"Final Round Voting for the 2025 GRAMMYs opens Thursday, Dec. 12. Read our GRAMMY voting guide for everything GRAMMY voters need to know, including key dates and deadlines, voting guidelines, and much more.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","deliveryId":"b08b8602-3200-4cfd-b208-39255e69b306"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"7f101b44-9c42-4743-ac7a-f142c5e06047","name":"2025_grammys_voting_guide_67th_grammy_awards_recording_academy_YVYV_Final_Round_A_Email_Header_1644x925","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"hasGATrackingLink":true,"credit":{"richText":"Graphic courtesy of the Recording Academy"},"tags":["2025 GRAMMYs","GRAMMY Voting","Membership","Recording Academy"],"title":"Hero: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","shortTitle":"Hero: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","imgTitle":"Hero: How To Vote In The 2025 GRAMMYs - Final Round Voting Update","assetTypes":"GRAMMY Awards","imgAlt":"Graphic about the Recording Academy's Final Round GRAMMY Voting period for the 2025 GRAMMYs. The words \"Final Round GRAMMY Voting,\" \"Dec. 12, 2024 - Jan. 3, 2025,\" \"#SoundChoices,\" and the Recording Academy logo are written in white on a gold background.","captionValue":"Final Round Voting for the 2025 GRAMMYs takes place from Thursday, December 12, 2024, through Friday, January 3, 2025.","captionSummary":"Final Round Voting for the 2025 GRAMMYs takes place from Thursday, December 12, 2024, through Friday, January 3, 2025."},"contributorInfo":{"_meta":{"name":"John Ochoa","schema":"https://therecordingacademy.com/content/contributor","deliveryKey":"bio/john-ochoa","deliveryId":"088e5a6c-f55a-4048-8723-7cf020fab65a"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"a305a65f-ed6c-4184-861b-aa0e304d16a3","name":"john-ochoa-headshot-web.jpg","endpoint":"naras","defaultHost":"cdn.media.amplience.net"},"title":"John Ochoa","bioValue":"John Ochoa is the Director of Content for the Recording Academy. His writing explores the intersection of music/arts, culture, identity and community. Prior to the Recording Academy, he was senior editor of Insomniac.com (Insomniac Events) and editor-at-large of DJ Mag North America. He has written for Rolling Stone, Billboard, Noisey/Vice, MTV News and. Brooklyn for now, Los Angeles forever. Photo by \u003ca href=\"https://deanhammer.com/\"\u003edeanhammer.com\u003c/a\u003e for EMC.","bioFormat":"full_html","twitterHandleUrl":"https://twitter.com/JohnAOchoa","twitterHandleTitle":"@JohnAOchoa","photoAlt":"Photo of John Ochoa, Director of Content for the Recording Academy"}},"smContent":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"10 Juice WRLD Songs That Showcase The Rapper's Legacy: \"Lucid Dreams,\" \"Robbery\" \u0026 More","deliveryId":"e920c8f6-1038-4b1c-807b-ba56a95c7ee8","deliveryKey":"news/juice-wrld-songs-the-party-never-ends-final-album-legacy"},"articleCategory":["list"],"contributors":[{"id":"e2b6e6db-bbb0-4e9d-ac1a-e448b25c0cdb","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - Juice WRLD Essentials","deliveryId":"28622fc9-ee7f-4f14-995d-a6caae24f06e"},"bodyText":{"richText":"\u003cspan\u003eJuice WRLD lived life fast, and he wasn't afraid to go off course. The Chicago rap star captured the hearts of fans who endured the same romantic and emotional storms, and was hopeful a more promising forecast would emerge from the clouded skies.\u003c/span\u003e\n\n\u003cspan\u003eBorn Jarad Higgins, Juice WRLD broke out from the SoundCloud underground alongside Lil Peep, Trippie Redd and XXXTentacion, and soon became the face of emo rap. Lauded for his ability to crank out punk-infused trap hits like \"All Girls Are The Same\" and \"Lucid Dreams,\" Juice WRLD ascended to rap stardom upon his 2018 breakthrough.\u003c/span\u003e\n\n\u003cspan\u003eHe bellowed in heart-soaked rhymes, unafraid to address his depressed thoughts, spells of heartache, and dependence on the very substances that fueled his music. But the latter would eventually stop him in his tracks.\u003c/span\u003e\n\n\u003cspan\u003eOn Dec. 8, 2019, Juice WRLD died of a drug overdose at age 21. His unexpected loss sent a shockwave throughout the music community, as he was on his way to changing the soundscape of rap for the foreseeable future. But in the five years since his passing, his legacy — including the reflective emo rap hits that defined his artistry — continues to swell with admiration. \u003c/span\u003e\n\n\u003cspan\u003eJuice WRLD's first posthumous album, \u003c/span\u003e*\u003cspan\u003eLegends Never Die\u003c/span\u003e*\u003cspan\u003e, reached No. 1 on the Billboard 200 in July 2020, selling nearly 500,000 equivalent units its first week. The project also notched five Top 10 Billboard entries, making it the most successful posthumous release since \u003c/span\u003e[\u003cspan\u003e2Pac\u003c/span\u003e](https://grammy.com/artists/2pac/7233)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eNotorious B.I.G.\u003c/span\u003e](https://grammy.com/artists/notorious-big/5241)\u003cspan\u003e's respective 1997 albums, according to \u003c/span\u003e[\u003cspan\u003eUSA Today\u003c/span\u003e](https://www.usatoday.com/story/entertainment/music/2020/07/21/juice-wrld-posthumous-album-legends-never-die-sets-chart-records/5477479002/)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eMonths before the rapper's second posthumous album, \u003c/span\u003e*\u003cspan\u003eFighting Demons\u003c/span\u003e*\u003cspan\u003e, was released in December 2021 — alongside an HBOMax documentary, \u003c/span\u003e*[\u003cspan\u003eJuice Wrld: Into the Abyss\u003c/span\u003e](https://www.hbo.com/movies/music-box-juice-wrld-into-the-abyss)*\u003cspan\u003e — Juice WRLD's manager Peter Jideonwo revealed that a project called \u003c/span\u003e*\u003cspan\u003eThe Party Never Ends\u003c/span\u003e*\u003cspan\u003e was in the works. Three years later, that project finally arrived on Nov. 29, marking Juice WRLD's third and final posthumous release. \u003c/span\u003e\n\n\u003cspan\u003eIn commemoration of the \"Big\" rapper's last album, revisit 10 of Juice WRLD's most impactful and soul-stirring songs — both in life and in passing.\u003c/span\u003e\n\n## \u003cspan\u003e\"Forever,\" 'What Is Love?' (2015)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Soundcloud Embed - Juice WRLD Forever","deliveryId":"43cf0284-e349-4be1-bb92-b9072207e8e1"},"bodyText":{"richText":"\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/190196386\u0026color=%23ff5500\u0026auto_play=false\u0026hide_related=false\u0026show_comments=true\u0026show_user=true\u0026show_reposts=false\u0026show_teaser=true\u0026visual=true\"\u003e\u003c/iframe\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Juice WRLD Essentials","deliveryId":"c9ca724a-c948-4eca-9130-d0a9b5a81596"},"bodyText":{"richText":"\u003cspan\u003eYears before lighting the world on fire with hits like \"All Girls Are The Same\" and the Billboard-topper \"Lucid Dreams,\" a then-17-year-old Juice WRLD was uploading rough-cut freestyles and brooding love songs to SoundCloud. Then known as JuicetheKidd, he recorded and uploaded them from his cell phone as a sophomore in high school. His first release was 2015's \"Forever,\" a subdued, lo-fi track that divulges into a newfound love.\u003c/span\u003e\n\n\u003cspan\u003eThe song signaled the greatness Juice WRLD would later develop under Interscope Records and Lil Bibby's Grade A Productions. It was equipped with the same moody production and emotional lyrics that oozed with vulnerability: \"Put that on God, I can't do no more merchin/ Don't turn your back, I can't take no more hurtin',\" he raps. \u003c/span\u003e\n\n\u003cspan\u003eHis raw talent was evident on other early releases like \"Lost My Mind (Freestyle)\" and \"Mmmmm,\" showcasing his prowess as a songwriter and versatility as an artist. And within three years, JuicetheKidd would adopt a new name and sound — and soar to the world stage.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Lucid Dreams [WITH TITLE]","deliveryId":"120cb324-d81e-4d31-b945-05e8253798f1"},"videoUrl":"https://www.youtube.com/watch?v=mzB1VGEGcSU","videoTitle":"\"Lucid Dreams,\" 'Goodbye \u0026 Good Riddance' (2018)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - Juice WRLD Essentials (Lucid Dreams)","deliveryId":"b826ff51-d698-4ae7-8f10-e3210f7e0ed3"},"bodyText":{"richText":"\u003cspan\u003eAfter refining his emo rap sound with a string of Soundcloud releases, Juice WRLD was primed for stardom — and \"Lucid Dreams\" set that in stone. Underpinned by the gloomy guitar samples from\u003c/span\u003e [\u003cspan\u003eSting\u003c/span\u003e](https://grammy.com/artists/sting/10244)\u003cspan\u003e's \"Shape of My Heart,\" the swirling heartbreak track thrusted Juice WRLD into the mainstream at hyper-speed.\u003c/span\u003e\n\n\u003cspan\u003eThe monstrous hit reached No. 2 on the Billboard Hot 100, and was eventually certified diamond by the Recording Industry Association of America in February 2022. The song's success opened pathways for the rising artist, who was recruited to collaborate by the likes of \u003c/span\u003e[\u003cspan\u003eFuture\u003c/span\u003e](https://grammy.com/artists/future/19716)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTravis Scott\u003c/span\u003e](https://grammy.com/artists/travis-scott/24827)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eYoung Thug\u003c/span\u003e](https://grammy.com/artists/jeffery-lamar-williams/245883)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eBrent Faiyaz\u003c/span\u003e](https://grammy.com/artists/brent-faiyaz/187316)\u003cspan\u003e, and other big-name acts, even after his passing. \u003c/span\u003e\n\n\u003cspan\u003eAccolades aside, \"Lucid Dreams\" epitomized the dampened trap sound that Juice WRLD would later master. While the bulk of his catalog showcased his open-ended confessions and unwavering honesty, \"Lucid Dreams\" is what made him a star to be reckoned with.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD All Girls Are The Same [WITH TITLE]","deliveryId":"383a9b4a-d636-49d6-b853-6f6dda260c7d"},"videoUrl":"https://www.youtube.com/watch?v=h3EJICKwITw","videoTitle":"\"All Girls Are The Same,\" 'Goodbye \u0026 Good Riddance' (2018)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4 - Juice WRLD Essentials (All Girls Are the Same)","deliveryId":"013ada9e-87e8-4ea8-bcc2-8349b2113a0e"},"bodyText":{"richText":"\u003cspan\u003eIntrospection was second nature to Juice WRLD, who freely explored the emotional whirlwinds he faced. And 2018's \"All Girls Are The Same\" is the most compelling snapshot of his romantic failures and emotional mood swings, which often ended in drug or alcohol consumption to ease his sorrow. \u003c/span\u003e\n\n\u003cspan\u003eWhile \"Lucid Dreams\" would become the more popular song from his debut album, \"All Girls Are The Same\" was his first official single. It introduced listeners unfamiliar with Juice WRLD's independently released projects to his sound, and opened doors for a new subgenre to emerge in mainstream rap. And with its success came a new slew of artists who followed Juice WRLD's lead, including well-established acts looking for new ways to garner young hip-hop fans. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Rich And Blind [WITH TITLE]","deliveryId":"128a8b3e-eb1f-42c6-be13-6492fb40f39b"},"videoUrl":"https://www.youtube.com/watch?v=DRN2jnlXewE","videoTitle":"\"Rich And Blind,\" 'Too Soon..' (2018)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - Juice WRLD Essentials (Rich and Blind)","deliveryId":"611a4ac4-62f5-41b4-a9ae-4c0480d327d8"},"bodyText":{"richText":"\u003cspan\u003eAlong with melding elements of pop, punk and trap in his music, Juice WRLD's superpower was his ability to delve into the deepest, most vulnerable parts of himself — and then divulge them through a catchy record. \"Rich and Blind\" is one of his most underrated examples of this, as he peels back the layers of a new and once-unfathomable lifestyle.\u003c/span\u003e\n\n\u003cspan\u003eWhile the song didn't reach the same chart success as his other releases, it showcased Juice WRLD's lucidity as an artist. He addressed how the money, notoriety and growing expectations turned his reality into a daunting one. He struggled with upkeep, and turned to drugs to suppress the added stress — like so many in his position blindly do, as he alludes in the track. \u003c/span\u003e\n\n\u003cspan\u003eThe first verse is especially heartbreaking in the wake of his own tragic passing. While he acknowledged the impact his music would serve, he prophesied an early and sudden death from percocets: \"I know I have a purpose, but I don't see the purpose/ They tell me the death of me gon' be the Perkys/ I know they laced pills, I bought them on purpose/ Life's unreal and death's uncertain/ It's funny how the blessed ones had the most curses.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Bandit [WITH TITLE]","deliveryId":"64e60f13-40b2-4980-b230-23a4af4abbd2"},"videoUrl":"https://www.youtube.com/watch?v=Sw5fNI400E4","videoTitle":"\"Bandit\" (feat. NWA YoungBoy), 'Death Race for Love' (2019)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - Juice WRLD Essentials (Bandit)","deliveryId":"7b7e1ee4-3e80-499d-b663-a6da9cb354ea"},"bodyText":{"richText":"\u003cspan\u003eWith Juice WRLD as the new face of emo rap, expectations were high for his second release; his next album had to be bolder and bigger than the first. And with singles \"Hear Me Calling\" and the Top 30 hit \"Robbery\" proceeding a second outing, he was ready to shake things up for another go-round.\u003c/span\u003e\n\n\u003cspan\u003eUpon its 2019 release, Juice WRLD's \u003c/span\u003e*\u003cspan\u003eDeath Race for Love\u003c/span\u003e*\u003cspan\u003e further established his musical presence. He upped the production quality, and dove deeper into his past romantic dealings, mental unravelings, and drug-induced episodes on the project's singles. And all of it proved his initial success was no fluke, as the album became his first No. 1 on the Billboard 200. \u003c/span\u003e\n\n\u003cspan\u003eThe album's third single, a collaboration with NBA YoungBoy called \"Bandit,\" is one of its most electrifying songs. Unlike the other songs on the 22-track LP — and Juice WRLD's vast discography — \"Bandit\" was a record that could be played in the club. It was one of the few songs that embodied his favored musical themes of sex, drugs, and sorrow while capturing the same elements as a dance floor banger.\u003c/span\u003e\n\n\u003cspan\u003eThe song, backed by Nick Mira's hard-hitting production, reached No. 10 on the Hot 100. And as the last song he released before his passing, \"Bandit\" drew added attention following Juice WRLD's untimely death.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Righteous [WITH TITLE]","deliveryId":"d7af2861-0853-4b9f-9395-9ba244037bd8"},"videoUrl":"https://www.youtube.com/watch?v=ZengOKCUBHo","videoTitle":"\"Righteous,\" 'Legends Never Die' (2020)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 7 - Juice WRLD Essentials (Righteous)","deliveryId":"865918df-87c1-49ff-b56d-4c174277db51"},"bodyText":{"richText":"\u003cspan\u003eThe entire music world mourned Juice WRLD's loss. And after seeing the anguish shared among his fans and close collaborations — and the millions his music impacted — his family decided the world needed to hear the magic he left behind.\u003c/span\u003e\n\n\u003cspan\u003eNearly six months after his death, Juice WRLD's estate released the song \"Righteous\" with a public message to the music world. \"Juice was a prolific artist who dedicated his life to making music,\" the family said in a statement. \"Choosing how to share his upcoming music with the world was no easy feat. Honoring the love Juice felt for his fans while shining a light on his talents and his spirit are the most important parts of this process for us.\" \u003c/span\u003e\n\n\u003cspan\u003eTrue to Juice WRLD's signature sound, the song's guitar strings and heavy bass support the artists' gut-wrenching lyrics. He raps about his \"planet-sized\" anxiety and attachment to harmful substances over a tranquilizing beat. The song rose to No. 11 on the Hot 100 and became the lead single to the posthumous album,\u003c/span\u003e *\u003cspan\u003eLegends Never Die\u003c/span\u003e* \u003cspan\u003e— yet another remarkable display of his undeniable talent.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Man Of The Year [WITH TITLE]","deliveryId":"0628358a-af5c-40a1-84c2-20d16bedace6"},"videoUrl":"https://www.youtube.com/watch?v=_YwppMLPoPg","videoTitle":"\"Man Of The Year,\" 'Legends Never Die' (2020)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 8 - Juice WRLD Essentials (Man of the Year)","deliveryId":"a673ab89-e0cd-40ad-a845-b2b5a99396f0"},"bodyText":{"richText":"\u003cspan\u003eAs many of Juice WRLD's loyal fans know, \"Man Of The Year\" has two iterations that feature a different chorus and second verse. But the sentiment of the song remains the same, and it's a rather heartbreaking one.\u003c/span\u003e\n\n\u003cspan\u003eInitially teased in 2019 before his passing, the rock-influenced track saw Juice WRLD acknowledge both the woes of his stardom and the impact he was making. On the verses, he cheers to the lifestyle that fame gifted him (including his \"bad b—\" girlfriend, Ally Lotti). On the chorus, he embraces the transcendent power of his vulnerable music: \"I know I'm here to save you, I know I'm here to save you/ Let's raise our hands and sing and dance/ I know my lyrics saved you, I know I helped your breakthrough.\"\u003c/span\u003e\n\n\u003cspan\u003eWhile the song's thudding drums and guitar riffs provided an upbeat soundtrack, the message of \"Man Of The Year\" was poignant; he was just as aware of his positive influence as he was of his pitfalls. He expressed a similar sentiment in 2021's \"Already Dead,\" which featured grim production and a heartbreaking confession (\"I know that I didn't stand a chance/ I don't think I'll ever live again/ I'm only here by popular demand/ I'm stayin' alive for the fans\"). No matter how he presented his highs or lows, Juice WRLD's unguarded expression is exactly what made, and continues to make, his music so powerful.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Legends [WITH TITLE]","deliveryId":"9c2a0451-7e96-4245-b712-24a8b6bcccd6"},"videoUrl":"https://www.youtube.com/watch?v=dIzgiclddlM","videoTitle":"\"Legends,\" 'Fighting Demons' (2021)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 9 - Juice WRLD Essentials (Legends)","deliveryId":"57101f83-2e86-4e0c-9bff-823e24b6380e"},"bodyText":{"richText":"\u003cspan\u003eJuice WRLD's \"Legends\" is a song dedicated to music's most influential voices, who often unexpectedly or tragically died before 21 as a result of senseless violence or drug abuse. The song was originally released in 2018 as a tribute to late rappers Lil Peep and XXXTentacion, who also rose from SoundCloud fame alongside Juice WRLD; Lil Peep died of an accidental overdose of fentanyl and Xanax at age 21 in 2017, and XXXTentacion was fatally shot a year later outside a South Florida motorcycle shop at age 20.\u003c/span\u003e \n\n\u003cspan\u003eTheir deaths prompted Juice WRLD to make \"Legends,\" which acknowledges the negative path that can come with such stature. \"They tell me Imma be a legend. I don't want that title now/ 'Cause all the legends seem to die out,\" Juice WRLD rapped. \u003c/span\u003e\n\n\u003cspan\u003eThough its initial release was in 2018, the song's inclusion on Juice WRLD's second posthumous album made it even more devastating. Even so, \"Legends\" is another moving display of the rapper's uncompromising vulnerability, one of the predominant traits that cemented him a star.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Lightyears [WITH TITLE]","deliveryId":"62c959d3-ec75-437b-9ebb-83e67c7de513"},"videoUrl":"https://www.youtube.com/watch?v=gBKQOAUjI8w","videoTitle":"\"Lightyears,\" (feat. Young Thug), 'The Pre-Party (Extended)' (2024)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 10 - Juice WRLD Essentials (Lightyears)","deliveryId":"daf4f5e5-7a87-4d65-b6f5-6e1fb7fee6e4"},"bodyText":{"richText":"\u003cspan\u003eAmong several artists who grieved over Juice WRLD's loss,\u003c/span\u003e [\u003cspan\u003eYoung Thug\u003c/span\u003e](https://grammy.com/artists/jeffery-lamar-williams/245883) \u003cspan\u003ewas one of the more vocal in singing the late rapper's praises. Their friendship bloomed after collaborating on songs such as \"On God,\" \"Mannequin Challenge\" and \"Red Bentley\"; the two stars were even slated to put a joint album together in 2019, but Juice WRLD's unexpected passing upended their planned venture.\u003c/span\u003e\n\n\u003cspan\u003eIn the years since, a series of unheard songs with the two artists surfaced on SoundCloud and YouTube. The only official posthumous releases between Juice WRLD and Thug were 2021's \"Bad Boy\" and 2023's \"Money,\" until another collaboration called \"Lightyears\" was featured on 2024's \u003c/span\u003e*\u003cspan\u003eThe Pre-Party (Extended)\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eThe Thug-assisted track showcased their musical chemistry, and enlivened Juice WRLD fans seeking another posthumous project from the genre-bending artist. \u003c/span\u003e*\u003cspan\u003eThe Pre-Party (Extended)\u003c/span\u003e*\u003cspan\u003e EP, which features three more previously unreleased tracks, served as a preview to Juice WRLD's final posthumous album, \u003c/span\u003e*\u003cspan\u003eThe Party Never Ends\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThe song is also one of many records that display Juice WRLD's prowess as a collaborator. And while the newest posthumous album will be his last, Lil Bibby and\u003c/span\u003e \u003cspan\u003eJideonwo recently told\u003c/span\u003e *[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2024/music/news/juice-wrld-the-party-never-ends-final-album-leaked-songs-1236215111/)* \u003cspan\u003ethat\u003c/span\u003e \u003cspan\u003ehis legacy will continue to live on through more collaborations in the future.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Juice WRLD Condone It [WITH TITLE]","deliveryId":"ff2fde60-b8ea-4b90-9a53-7d6d09ecf76c"},"videoUrl":"https://www.youtube.com/watch?v=Jwm18NSC2L0","videoTitle":"\"Condone It,\" 'The Party Never Ends' (2024)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 11 - Juice WRLD Essentials (Condone It)","deliveryId":"e691689a-0eae-4a84-8178-d774128fd447"},"bodyText":{"richText":"\u003cspan\u003eReleased just days before the five-year anniversary of Juice WRLD's death,\u003c/span\u003e *\u003cspan\u003eThe Party Never Ends\u003c/span\u003e* \u003cspan\u003eis laden with repurposed clips from his live performances. And while album cut \"Condone It\" is a braggadocious party anthem that leans more into the trap side of Juice WRLD's sound, it also offers the LP's most poignant live moment in its final moments.\u003c/span\u003e\n\n\u003cspan\u003eDuring a 20-second-long outro, Juice WRLD pays homage to fallen artists like \u003c/span\u003e[\u003cspan\u003eMac Miller\u003c/span\u003e](https://grammy.com/artists/mac-miller/243424)\u003cspan\u003e, A$AP Yams, \u003c/span\u003e[\u003cspan\u003eNipsey Hussle\u003c/span\u003e](https://grammy.com/artists/nipsey-hussle/243452)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKurt Cobain\u003c/span\u003e](https://grammy.com/artists/kurt-cobain/8357)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePimp C\u003c/span\u003e](https://grammy.com/artists/pimp-c/13889)\u003cspan\u003e, and others as the song slowly descends. That clip transitions into \"Goodbye,\" a sorrow-filled song of loss, regret, and remembrance sung by The Kid LAROI. \u003c/span\u003e\n\n\u003cspan\u003e\"At the time, time with you was well spent/ When you're done, I think 'bout the time we shared,\" LAROI sings. It's a subsequent nod to Juice WRLD, who's become as revered by his fans as the late stars he listed at the end of \"Condone It.\" And with\u003c/span\u003e *\u003cspan\u003eThe Party Never Ends\u003c/span\u003e* \u003cspan\u003ebeing his official swan song, the emotionally rich record makes the artist's commemorative and legacy that much more momentous.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Rap","deliveryId":"044a0262-4577-4494-b6ec-ca4eef8e7688"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Hip Hop","Rap"]},"title":"More Rap News"}],"hero":{"id":"84141d2d-7dc7-4cbb-a9a3-c3b61017b206","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: Juice WRLD Essentials"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Rap"],"tags":["Juice WRLD","Rap"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1733169433824,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"10 Juice WRLD Songs That Showcase The Rapper's Legacy: \"Lucid Dreams,\" \"Robbery\" \u0026 More","shortTitle":"10 Songs That Showcase Juice WRLD's Legacy","subHeadline":"On the heels of Juice WRLD's final posthumous album, 'The Party Never Ends,' revisit some of the most compelling tracks that highlight his unwavering vulnerability and genre-bending mastery.","articleSummary":"On the heels of Juice WRLD's final posthumous album, 'The Party Never Ends,' revisit some of the most compelling tracks that highlight his unwavering vulnerability and genre-bending mastery.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Juice WRLD Essentials","deliveryId":"84141d2d-7dc7-4cbb-a9a3-c3b61017b206"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"c958dd12-0f23-4d2f-b903-dfddbb710a7c","name":"Juice-WRLD-2019-GettyImages-1171419931","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Mazur/Getty Images for Roc Nation"},"tags":["Juice WRLD"],"title":"Juice WRLD performing in 2019","shortTitle":"Juice WRLD performing in 2019","imgAlt":"Juice WRLD performing in 2019","imgTitle":"Juice WRLD performing in 2019","captionValue":"Juice WRLD performs at the Made In America Festival in 2019.","captionSummary":"Juice WRLD performs at the Made In America Festival in 2019.","link":"/"},"contributorInfo":{"_meta":{"name":"Earl Hopkins","schema":"https://therecordingacademy.com/content/contributor","deliveryKey":"bio/earl-hopkins","deliveryId":"e2b6e6db-bbb0-4e9d-ac1a-e448b25c0cdb"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"f03fb64b-4703-438c-832d-f15ba5ac2114","name":"GRAMMYs Contributor Page Image-new","endpoint":"naras","defaultHost":"cdn.media.amplience.net"},"title":"Earl Hopkins"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"COPY Revisiting John Coltrane's 'A Love Supreme' At 60: How The Record Ushered In A Spiritual Revival","deliveryId":"bc4ccf77-beed-46d9-aa70-a5b2016d81e7","deliveryKey":"news/john-coltrane-a-love-supreme-anniversary-spiritual-jazz-revolution"},"articleCategory":["feature"],"contributors":[{"id":"c1c9fd80-2f22-4465-bbc6-453e430291d7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Revisiting John Coltrane's 'A Love Supreme' At 60 body 1","deliveryId":"777cc508-254f-42a6-b2dd-6431c22fb561"},"bodyText":{"richText":"\u003cspan\u003eSixty years ago this month, \u003c/span\u003e[\u003cspan\u003eJohn Coltrane\u003c/span\u003e](https://grammy.com/artists/john-coltrane/8796)\u003cspan\u003e and his quartet settled into Van Gelder Studio in New Jersey. Alongside \u003c/span\u003e[\u003cspan\u003eMcCoy Tyner\u003c/span\u003e](https://grammy.com/artists/mccoy-tyner/14472)\u003cspan\u003e on piano, Jimmy Garrison on bass, Elvin Jones on drums, and Coltrane as bandleader and on saxophone, the group recorded one of the most influential musical proclamations of all time: \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eThe catalyst for the composition was, per Coltrane's liner notes, a \"spiritual awakening which was to lead me to a richer, fuller, more productive life\" that occurred seven years prior. He continues in the liner notes, \"At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.\"\u003c/span\u003e\n\n\u003cspan\u003eIt more than certainly delivered on that wish. \u003c/span\u003e\n\n\u003cspan\u003eColtrane was not yet 40 years old when \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e* \u003cspan\u003ewas recorded, though he already had more than a dozen albums in his discography. \u003c/span\u003e\u003cspan\u003eReleased in January 1965, \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e's influence permeated through the jazz world and culture at large — it \u003c/span\u003e\u003cspan\u003eopened\u003c/span\u003e\u003cspan\u003e doors for spiritual jazz and musical experimentation in 1965 and beyond. \u003c/span\u003e\n\n\u003cspan\u003eThe \u003c/span\u003e[\u003cspan\u003ealbum sold a half-million copies by 1970\u003c/span\u003e](https://www.grammy.com/news/john-coltrane-love-supreme-record)\u003cspan\u003e and earned him his first nominations for Best Instrumental Jazz Performance - Small Group Or Soloist With A Small Group and for Best Original Jazz Composition \u003c/span\u003e[\u003cspan\u003eat the 8th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/artists/john-coltrane/8796)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Revisiting John Coltrane's 'A Love Supreme' At 60 - a love supreme stream","deliveryId":"4e3de248-76fb-46f2-8959-382c6bce6816"},"videoUrl":"https://www.youtube.com/watch?v=ll3CMgiUPuU"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Revisiting John Coltrane's 'A Love Supreme' At 60 body 2","deliveryId":"d9d512f6-1290-43a3-a45a-75201a087dc8"},"bodyText":{"richText":"\u003cspan\u003eFor Coltrane, the spiritual element was infused in his entire approach to musicianship and personal development. This was no concept album, it was \u003c/span\u003e*\u003cspan\u003ethe\u003c/span\u003e* \u003cspan\u003econcept. \"There's no ambiguity whatsoever about what the music is about and what Coltrane is about,\" says Leon Lee Dorsey, renowned jazz bassist and Berklee College of Music educator.\u003c/span\u003e\n\n\u003cspan\u003eBy the early 1960s, jazz musicians had already been evolving and experimenting since the era of bebop, with \u003c/span\u003e[\u003cspan\u003eMax Roach\u003c/span\u003e](https://grammy.com/artists/max-roach/15223)\u003cspan\u003e’s \u003c/span\u003e*\u003cspan\u003eWe Insist! Freedom Now Suite\u003c/span\u003e*\u003cspan\u003e (1960) and \u003c/span\u003e[\u003cspan\u003eOrnette Coleman\u003c/span\u003e](https://grammy.com/artists/ornette-coleman/1596)\u003cspan\u003e and \u003c/span\u003e*\u003cspan\u003eFree Jazz: A Collective Improvisation\u003c/span\u003e* \u003cspan\u003e(1961), not to mention the futuristic sounds of \u003c/span\u003e[\u003cspan\u003eSun Ra\u003c/span\u003e](https://grammy.com/artists/Sun-Ra-Arkestra/38637)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eliterally\u003c/span\u003e](https://www.discogs.com/master/84411-Sun-Ra-The-Futuristic-Sounds-Of-Sun-Ra)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003e\"\\[Coltrane's\\] transition from style to style is almost hard to process,\" Dorsey continues. In the late '50s, the saxophonist recorded multiple records with \u003c/span\u003e[\u003cspan\u003eMiles Davis\u003c/span\u003e](https://grammy.com/artists/miles-davis/11305)\u003cspan\u003e, including the legendary \u003c/span\u003e*\u003cspan\u003eRound \\[About\\] Midnight\u003c/span\u003e*\u003cspan\u003e and \u003c/span\u003e*\u003cspan\u003eKind of Blue\u003c/span\u003e*\u003cspan\u003e, the latter of which was \"already breaking the mold with modal jazz.\" He explains how Coltrane had gone from interpreting popular standards like \"All of You\" and \"Bye Bye Blackbird\" on \u003c/span\u003e*\u003cspan\u003eMidnight\u003c/span\u003e*\u003cspan\u003e, to modal jazz with the classic and influential \u003c/span\u003e*\u003cspan\u003eKind of Blue\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e[\u003cspan\u003eThe album was groundbreaking\u003c/span\u003e](https://www.milesdavis.com/albums/kind-of-blue/)\u003cspan\u003e for its intentional break from the complexities and chord changes of bebop to modal structures. Coltrane expanded on this, later revisiting the iconic \"So What\" chord sequence by reimagining it for \"Impressions.\"\u003c/span\u003e\n\n\u003cspan\u003e\"It's just a few years, but that really speaks to his spiritual and musical development,\" Dorsey says of Coltrane. \"In my mind, what he said on \u003c/span\u003e*\u003cspan\u003eKind of Blue\u003c/span\u003e*\u003cspan\u003e after his constant searching and development, he came back to that \\[on 1961's \"Impressions\"\\] because he was at a different level than he was \\[with Miles\\].\"\u003c/span\u003e\n\n*\u003cspan\u003eImpressions\u003c/span\u003e*\u003cspan\u003e as a record didn’t just reference Coltrane’s previous work and the evolving genre of jazz, but musical constructs and ideologies from all over. Compositions like \"India\" explore eastern musical influence and spirituality. Next, he recorded \u003c/span\u003e*\u003cspan\u003eCrescent\u003c/span\u003e*\u003cspan\u003e, the studio album just prior to \u003c/span\u003e*\u003cspan\u003eA Love Supreme,\u003c/span\u003e* \u003cspan\u003eand avante-garde jazz firmly found its way into his sound along with spiritual elements. Following that record, those elements gave way to a focused theme of spirituality, while still paying homage to pre-existing musical practices and structure.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eJohn Coltrane, 'A Love Supreme': For The Record\u003c/span\u003e](https://www.grammy.com/videos/john-coltranes-love-supreme-record)\n\n\u003cspan\u003eIngrid Monson, Quincy Jones Research Professor of African-American music at Harvard University, describes how the theme of \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e develops, builds, and hooks the audience, while having distinct structure and sections. \"So it's almost like a little sonata form in that sense. It's got a couple of themes, that then he systematically develops that…and then he decides he's going to play the theme of \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e in all 12 keys.\" Then listeners hear the chant and Coltrane’s vocals, a rare inclusion that Monson describes as \"This incredible moment when the voice comes in and goes down to the key \\[that\\] the next movement's going to be in.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Revisiting John Coltrane's 'A Love Supreme' At 60 - aknowledgemnet","deliveryId":"362e64fc-4171-446d-a54a-667b32ef1d1a"},"videoUrl":"https://www.youtube.com/watch?v=TMvbUKqWYEs"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Revisiting John Coltrane's 'A Love Supreme' At 60 body 3","deliveryId":"477c77cb-1008-4361-ac51-443f784bd93c"},"bodyText":{"richText":"\u003cspan\u003eThe musical references and structure, \u003c/span\u003e[\u003cspan\u003ealso heavily dissected by Coltrane’s biographer, Lewis Porter\u003c/span\u003e](https://www.wbgo.org/music/2020-07-17/a-deep-dive-into-john-coltranes-a-love-supreme-by-his-biographer-lewis-porter-pt-1)\u003cspan\u003e, underscore both its reference and evolution of genre. \u003c/span\u003e\n\n\u003cspan\u003eThe piece was prepared in detail for a spiritual performance, as illustrated by \u003c/span\u003e[\u003cspan\u003ethe written manuscript for the piece\u003c/span\u003e](https://sova.si.edu/record/nmah.ac.0903)\u003cspan\u003e. \"He clearly had it planned to be in four movements and that it would feature each one of the band members \\[in each movement\\],\" Monson explains. \"There is an incredible ethical importance to it.\" \u003c/span\u003e\n\n\u003cspan\u003eTo wit, \"Psalm\" was also a musical narration to a prayer that Coltrane had written; its final chord is a reference to that of \"Alabama,\" a piece Coltrane composed shortly after the Birmingham bombings, \u003c/span\u003e[\u003cspan\u003eas noted in the music manuscript\u003c/span\u003e](https://edan.si.edu/slideshow/viewer/?eadrefid=NMAH.AC.0903)\u003cspan\u003e for \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e. \"Alabama\" was also \u003c/span\u003e[\u003cspan\u003einspired by the rhythm of a speech by Dr. Martin Luther King Jr\u003c/span\u003e](https://www.wbgo.org/music/2020-11-18/they-did-not-die-in-vain-on-alabama-john-coltrane-carefully-wrought-anguish-into-grace)\u003cspan\u003e; some say it was inspired by the eulogy for the four victims of the bombing. In this sense, Coltrane wasn’t using spirituality and music to reflect on existing stories, but to say something new and relevant to the times.\u003c/span\u003e\n\n\u003cspan\u003eThe complexity isn’t for the sake of being performative, it’s within the spiritual nature of the piece — something \u003c/span\u003e[\u003cspan\u003eother scholars and even Tyner himself\u003c/span\u003e](https://www.npr.org/2000/10/23/148148986/a-love-supreme)\u003cspan\u003e have recalled of the studio session.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eJohn Coltrane's Unearthed 'A Love Supreme: Live In Seattle' Is A Revelation. Without This Little-Known Figure, It Wouldn't Exist.\u003c/span\u003e](https://www.grammy.com/news/john-coltrane-a-love-supreme-live-in-seattle-steve-griggs-why-joe-brazil-matters)\n\n*[\u003cspan\u003eArthur Magazine\u003c/span\u003e](https://arthurmag.com/2021/10/11/avant-garde-a-force-for-good-at-the-peak-of-his-popularity-john-coltrane-went-for-something-deeper-ashley-kahn-arthur-2003/)*\u003cspan\u003e described a performance not a year after the release of \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e as touching \"\u003c/span\u003e\u003cspan\u003ea communal nerve.\" Although Coltrane only performed \"Acknowledgement,\" \"the chant from the well-known album — a year old by that point — had certainly become part of the lingua franca of the jazz circle, disseminating as well into the larger Black community.\"\u003c/span\u003e\n\n\u003cspan\u003eAlthough spiritual jazz was an existing and evolving genre , exploration accelerated once \u003c/span\u003e*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e hit the world. A concentration of interest took hold through the 1960s, exemplified by \u003c/span\u003e[\u003cspan\u003eDuke Ellington\u003c/span\u003e](https://grammy.com/artists/duke-ellington/11972)\u003cspan\u003e’s \u003c/span\u003e*[\u003cspan\u003eSacred Concerts\u003c/span\u003e](https://www.youtube.com/watch?v=oq7CZa2BuhI)*\u003cspan\u003e (1965-1973) and pianist/arranger \u003c/span\u003e[\u003cspan\u003eMary Lou Williams\u003c/span\u003e](https://www.youtube.com/watch?v=9nxLp_eZKA8\u0026list=PLQQLNys0yJ0v1L8ZbtUtYdZPn-5_FOjZK)\u003cspan\u003e’ shift to sacred music. \u003c/span\u003e[\u003cspan\u003eThe Beatles\u003c/span\u003e](https://grammy.com/artists/beatles/16293)\u003cspan\u003e would later weave spirituality into their music.\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e\u003cspan\u003eHis impact is great, equally as great as Miles, outside of jazz,\" Dorsey elaborates. \u003c/span\u003e\u003cspan\u003e\"\u003c/span\u003e\u003cspan\u003eYou see this kind of spiritual journey that musicians kind of weave into their compositions and concepts of the albums and all. He's really probably the first artist where that quest was in the titles of the songs, and his legendary musicianship was wrapped into his spiritual journey.\"\u003c/span\u003e\n\n\u003cspan\u003eColtrane's spiritual quest was unusually openly displayed compared to his contemporaries. For Coltrane, it wasn't just in the music, but in his entire approach to musicianship and personal development.\u003c/span\u003e\n\n\u003cspan\u003e\"I really do think that part of his cultural impact is that he represented this incredibly moral force that people wanted to identify with and different groups of people articulated that in different ways,\" says Monson. She notes how \u003c/span\u003e*\u003cspan\u003eMuhammad Speaks\u003c/span\u003e*\u003cspan\u003e of the Nation of Islam was initially skeptical of Coltrane’s work, later changing their view and presenting a \"simple eulogy to this Black Colossus and his widow and the four small children he left behind\", declaring that \"his phenomenal performances opened special spheres for untold millions in this world and in the worlds to come. (\u003c/span\u003e*\u003cspan\u003eMuhammad Speaks\u003c/span\u003e* \u003cspan\u003e1967: 21).\u003c/span\u003e\n\n*\u003cspan\u003eA Love Supreme\u003c/span\u003e*\u003cspan\u003e changed the tides and moved so many individuals, spiritually, politically, and musically.\u003c/span\u003e\n\n\u003cspan\u003e\"I think a lot of players wouldn't have happened without him. People like \u003c/span\u003e[\u003cspan\u003ePharaoh Sanders\u003c/span\u003e](https://grammy.com/artists/pharoah-sanders/6309)\u003cspan\u003e, for example, Leon Thomas, and all that spectacular stuff they did exploring a kind of spiritual dimension,\" Monson notes, citing modern musicians like \u003c/span\u003e[\u003cspan\u003eKamasi Washington\u003c/span\u003e](https://grammy.com/artists/kamasi-washington/287562)\u003cspan\u003e as continuing to move forward the needle Coltrane pushed. It’s worth noting that Pharaoh Sanders became a member of Coltrane’s band in 1965, performing on \u003c/span\u003e*\u003cspan\u003eAscension\u003c/span\u003e*\u003cspan\u003e and \u003c/span\u003e*\u003cspan\u003eMeditation\u003c/span\u003e*\u003cspan\u003e, which firmly placed Coltrane on the map of avant garde jazz as the genre evolved.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eVirtuosos, Voyagers \u0026amp; Visionaries: 5 Artists Pushing Jazz Into The Future\u003c/span\u003e](https://www.grammy.com/news/virtuosos-voyagers-visionaries-five-artists-future-jazz)\n\n\u003cspan\u003eDorsey contemplates the lasting impact of Coltrane’s music and struggles to find words to do it justice. \"Like, how would you describe your mother's love?\" he questions with a laugh. After all, his output was contained in just a 12 year window.\u003c/span\u003e\n\n\u003cspan\u003e\"That's almost mythological,\" he adds, elaborating on how Coltrane played with other jazz greats and persevered with a vision, catapulting spiritual jazz to influence generations to come. \"I don't think there's a more revered jazz musician when you add that spiritual factor in.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"1a1af814-df85-429f-9458-cec0b83d6c63","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Revisiting John Coletrane's 'A Love Supreme' At 60 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\u003cspan\u003e2024 Latin GRAMMYs are officially over, and the night proved, once again, why the Latin GRAMMYs continue to be the \u003c/span\u003ethe Biggest Night in Latin Music — 25 years in the making. The 2024 Latin GRAMMYs, which aired tonight live from Miami, marked the [25th anniversary of the Latin GRAMMY Awards](https://www.latingrammy.com/en/awards/latin-grammy-25), a major milestone for the Latin Recording Academy and the Latin GRAMMY Awards.\n\nSeveral major changes were recently introduced to the Latin GRAMMYs Awards Process, including \u003cspan\u003ethe \u003c/span\u003e[\u003cspan\u003eaddition of a \u003c/span\u003enew Field and two new Latin GRAMMY Categories](https://www.grammy.com/news/two-new-latin-grammys-categories-best-latin-electronic-music-performance-best-contemporary-mexican-music-album) — [Best Latin Electronic Music Performance](https://www.grammy.com/news/bizarrap-shakira-win-best-contemporary-electronic-music-performance-bzrp-music-sessions-53-2024-latin-grammys-acceptance-speech-video-watch), housed within the new Electronic Music Field, and [Best Contemporary Mexican Music Album](https://www.grammy.com/news/carin-leron-wins-boca-chueca-vol-1-best-contemporary-mexican-music-album-2024-latin-grammys-acceptance-speech-video-watch) — which both debuted tonight at the 2024 Latin GRAMMYs.\n\nThe nominees across all \u003cspan\u003e58 categories \u003c/span\u003eat the 2024 Latin GRAMMYs, determined by vote by Latin Recording Academy Voting Members during the first round of voting, \u003cspan\u003ereflect an expansive, \u003c/span\u003eexceptional \u003cspan\u003erange of artists and \u003c/span\u003ecreators across a variety of genres who reflect the diversity within Latin music and its growing cultural influence worldwide. The eligibility period for the 2024 Latin GRAMMYs is for recordings and releases released **between \u003cspan\u003eJune 1, 2023, through May 31, 2024\u003c/span\u003e**\u003cspan\u003e. \u003c/span\u003eAll songs that are considered for nominations must be new songs and contain a minimum percentage of lyric content (60%) in Spanish, Portuguese, or any native regional dialect.\n\nThe Latin Recording Academy's membership body of music creators, who represent all genres and creative disciplines — including recording artists, songwriters, producers, recording engineers, and mixers — vote during the Latin GRAMMYs Awards Process to determine Latin GRAMMY nominees and winners each year. This peer-voted process establishes the Latin GRAMMY Award as the preeminent international honor celebrating excellence in Latin music and the only accolade awarded by music industry professionals.\n\n\u003cspan\u003eThe \u003c/span\u003e2024 Latin GRAMMYs, officially known as the [\u003cspan\u003e25th Annual Latin GRAMMY Awards\u003c/span\u003e](https://www.latingrammy.com/en/awards/nominees-25th-annual-latin-grammy-awards)\u003cspan\u003e, took place live at the Kaseya Center in Miami tonight, \u003c/span\u003e**\u003cspan\u003eThursday, Nov. 14\u003c/span\u003e**\u003cspan\u003e. \u003c/span\u003e\n\nLearn more about how the [Latin GRAMMYs have honored and elevated Latin music](https://www.latingrammy.com/en/awards/latin-grammy-25) and its creators across the past 25 years and listen to the [25 songs that have defined the Latin GRAMMYs](https://www.grammy.com/news/25-songs-that-defined-the-latin-grammys-playlist).\n\n\u003cspan\u003eSee the full list of winners and nominees at the 2024 Latin GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2024 Latin GRAMMYs: Performances, Acceptance Speeches, Highlights \u0026 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Latin GRAMMYs: Performances, Acceptance Speeches, Highlights \u0026 More"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body - 2024 Latin GRAMMYs: See The Full Nominations List","deliveryId":"f59174c2-4ce9-46ba-8b1e-437035fd17e0"},"bodyText":{"richText":"# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist.\u003c/span\u003e\n\n## **\u003cspan\u003eGrabación del Año\u003c/span\u003e**\n\n\u003cspan\u003ePremio al Artista(s), Productor(es) del Álbum, Ingeniero(s) de Grabación, Ingenieros de Mezcla y Masterizadores si es(son) otro(s) diferente(s) al artista.\u003c/span\u003e\n\n## **\u003cspan\u003eGravação do Ano\u003c/span\u003e**\n\n\u003cspan\u003ePrêmio ao(s) Artista(s), Produtor(es) do Álbum, Engenheiro(s) de Gravação Mixagem e Masterização, se outro que não o próprio Artista.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Mil Veces\"\u003c/span\u003e** *\u003cspan\u003e–\u003c/span\u003e* \u003cspan\u003eAnitta\u003c/span\u003e\n\n\u003cspan\u003eMarcio Arantes, Dj Gabriel Do Borel \u0026amp; Julia Lewis, record producers; Denzel \"Heartbreak\" Richards, Jean Rodriguez \u0026amp; Pamela Velez, recording engineers; Eli Heisler \u0026amp; Rob Kinelski, mixers; Dave Kutch, mastering engineer. \u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eFunk Generation\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003e\\[Republic Records / Universal Music Latin Entertainment\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Monaco\"\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003e–\u003c/span\u003e* \u003cspan\u003eBad Bunny\u003c/span\u003e\n\n\u003cspan\u003eArgel, Smash David, Edsclusive, La Paciencia \u0026amp; Mag, record producers; Colin Leonard, recording engineer; Josh Gudwin, mixer; \u003c/span\u003eColin Leonard, mastering enginee\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eNadie Sabe Lo Que Va A Pasar Mañana\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Una Vida Pasada\"\u003c/span\u003e** \u003cspan\u003e– Camilo \u0026amp; Carin \u003c/span\u003eLeón\n\nCamilo, Nico González \u0026amp; Nicolás Ramírez, record producers; Richard Bravo, Oscar Convers, Frank Fuentes, Nico González, Natalia Ramírez, Nicolás Ramírez \u0026amp; Daniel Uribe, recording engineers; Nico González \u0026amp; Nicolás Ramírez, mixers; Adam Ayan, mastering engineer\n\n\u003cspan\u003eTrack from:\u003c/span\u003e *Cuatro*\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC/Hecho A Mano (HAMM)\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Catalina\"\u003c/span\u003e** \u003cspan\u003e– Cimafunk \u0026amp; Monsieur Periné\u003c/span\u003e\n\n\u003cspan\u003eFux Beat, record producer; Jose Manuel Morales Duluc, recording engineer; Jonathan Vergara, mixer; Bassy Bob Brockmann, mastering engineer \u003c/span\u003e\n\n\u003cspan\u003e\\[Terapia Productions\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Derrumbe\"\u003c/span\u003e** \u003cspan\u003e– Jorge Drexler\u003c/span\u003e\n\nRafa Arcaute, Jorge Drexler \u0026amp; Federico Vindver, record producers; Rafa Arcaute, Carles Campi Campón, Lucas Piedracueva \u0026amp; Federico Vindver, recording engineers; Federico Vindver, mixer; Fred Kevorkian, mastering engineer\n\n\u003cspan\u003e\\[Sony Music Entertainment España\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Con Dinero y Sin Dinero\"\u003c/span\u003e** \u003cspan\u003e– Fonseca \u0026amp; Grupo Niche\u003c/span\u003e\n\n\u003cspan\u003eJosé Aguirre \u0026amp; Fonseca, record producers; José Aguirre, Carlos Bonilla \u0026amp; Germán Rodríguez, recording engineers; Carlos Alvarez, mixer; Mike Fuller, mastering engineer\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eTropicalia\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Mi Ex Tenía Razón\"\u003c/span\u003e** \u003cspan\u003e– Karol G\u003c/span\u003e\n\nEdgar Barrera \u0026amp; MAG, record producers; Luis Barrera, Jr., Abiel Beltran \u0026amp; Martin Garcia, recording engineers; MAG, mixer; Colin Leonard, mastering engineer\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e*\n\n\u003cspan\u003e\\[Bichota Records/ Interscope Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Mambo 23\"\u003c/span\u003e**\u003cspan\u003e – Juan Luis Guerra 4.40\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eJuan Luis Guerra \u0026amp; Janina Rosado, record producers; Allan Leschhorn, recording engineer; Allan Leschhorn, mixer; Adam Ayan, mastering engineer\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eRadio Güira\u003c/span\u003e*\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Tenochtitlán\"\u003c/span\u003e** \u003cspan\u003e– Mon Laferte\u003c/span\u003e\n\n\u003cspan\u003eManú Jalil \u0026amp; Mon Laferte, record producers; Isaí Araujo, Manú Jalil, Daniel Martinez \u0026amp; Pablo Rojas, recording engineers; Ignacio Sotelo, mixer; Chalo González, mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Mexico\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Igual Que Un Ángel\"\u003c/span\u003e** \u003cspan\u003e– Kali Uchis \u0026amp; Peso Pluma\u003c/span\u003e\n\n\u003cspan\u003eCarter Lang, Jean Rodriguez, Kali Uchis \u0026amp; Dylan Wiggins, record producers; Luca Brown, Austen Jux-Chandler, Enrique Larreal \u0026amp; Jean Rodriguez, recording engineers; Neal Pogue, mixer; Mike Bozzi, mastering engineer\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eOrquídeas\u003c/span\u003e*\n\n\u003cspan\u003e\\[Geffen Records\\]\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2024 Latin GRAMMYs: Record Of The Year Nominations\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominations-record-of-the-year)\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eAward to the Artist. Songwriter(s) of new material, Producer(s), Engineer(s), Mixer(s), and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist, will receive the award.\u003c/span\u003e\n\n## **\u003cspan\u003eÁlbum del Año\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePremio al Artista(s). Compositor(es) con material nuevo, Productor(es) del Álbum, Ingeniero(s) de Grabación, Ingeniero(s) de Mezcla y Masterizador(es) acreditados con por lo menos 33% del tiempo de reproducción del álbum si es(son) otro(s) diferente(s) al artista, recibirán la estatuilla.\u003c/span\u003e\n\n## **\u003cspan\u003eÁlbum do Ano\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao Artista(s) e tambén os Compositor(es) Produtores, Engenheiros, Mixadores e Engenheiros de Masterização creditados com pelo menos 33% do tempo de reprodução do álbum, caso sejam outros além do artista, receberão a estatueta.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eBolero\u003c/span\u003e***\u003cspan\u003e, Ángela Aguilar\u003c/span\u003e\n\n\u003cspan\u003ePepe Aguilar \u0026amp; Cheche Alara, album producers; Norberto Islas \u0026amp; Peter Mokran, album recording engineers; Peter Mokran, album mixer; Bernie Grundman, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Machin Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eCuatro\u003c/span\u003e***\u003cspan\u003e, Camilo\u003c/span\u003e\n\nCamilo, Nico González \u0026amp; Nicolás Ramírez, album producers; Oscar Convers, Frank Fuentes, Nico González, Natalia Ramírez, Nicolás Ramírez \u0026amp; Daniel Uribe, album recording engineers; Nico González \u0026amp; Nicolás Ramírez, album mixers; Camilo, songwriter; Adam Ayan, album mastering engineer\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC/Hecho A Mano (HAMM)\\]\u003c/span\u003e\n\n***\u003cspan\u003eXande Canta Caetano\u003c/span\u003e***\u003cspan\u003e, Xande De Pilares\u003c/span\u003e\n\n\u003cspan\u003ePretinho Da Serrinha, album producer; Igor Ferreira, album recording engineer; Igor Ferreira, album mixer; Caetano Veloso, songwriter; Alexandre Rabaço, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Gold Records / Uns Produções Artísticas\\]\u003c/span\u003e\n\n***\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e***\u003cspan\u003e, Karol G\u003c/span\u003e\n\n\u003cspan\u003eSky Rompiendo, album producer; Joel Iglesias, album recording engineer; Josh Gudwin \u0026amp; Joel Iglesias, album mixers; Karol G, Ovy On The Drums \u0026amp; Sky Rompiendo, songwriters; Dave Kutch, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Bichota Records / Interscope Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eGarcía\u003c/span\u003e***\u003cspan\u003e, Kany García\u003c/span\u003e\n\n\u003cspan\u003eRafa Arcaute \u0026amp; Richi López, album producers; Rafa Arcaute \u0026amp; Richi López, album recording engineers; Lewis Pickett, album mixer; Rafa Arcaute, Kany García, Richi López \u0026amp; Juan Morelli, songwriters; Felipe Tichauer, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eRadio Güira\u003c/span\u003e***\u003cspan\u003e, Juan Luis Guerra 4.40\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eJuan Luis Guerra \u0026amp; Janina Rosado, album producers; Allan Leschhorn, album recording engineer; Allan Leschhorn, album mixer; Juan Luis Guerra, songwriter; Adam Ayan, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eAutopoiétic\u003c/span\u003e*****\u003cspan\u003ea\u003c/span\u003e**\u003cspan\u003e, Mon Laferte\u003c/span\u003e\n\n\u003cspan\u003eManú Jalil \u0026amp; Mon Laferte, album producers; Isaí Araujo, Manú Jalil, Daniel Martínez, Joel Orta Oviedo \u0026amp; Pablo Rojas, album recording engineers; Ignacio Sotelo, album mixer; Mon Laferte, songwriter; Chalo González, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eBoca Chueca\u003c/span\u003e**\u003cspan\u003e, Vol. 1\u003c/span\u003e*\u003cspan\u003e, Carin León\u003c/span\u003e\n\n\u003cspan\u003eIsrael Aispuro Meneses \u0026amp; Orlando Aispuro Meneses, album producers; Israel Aispuro Meneses \u0026amp; Orlando Aispuro Meneses, album recording engineers; Alberto Medina, album mixer; Edgar Barrera, songwriter; Alberto Medina, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Socios Music LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eLas Letras Ya No Importan\u003c/span\u003e***\u003cspan\u003e, Residente\u003c/span\u003e\n\n\u003cspan\u003eResidente, album producer; Beatriz Artola, album recording engineer; Beatriz Artola, album mixer; Leo Genovese, Jeffrey Peñalva \u0026amp; Residente, songwriters; Ted Jensen, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e***\u003cspan\u003e, Shakira\u003c/span\u003e\n\n\u003cspan\u003eAlberto Carlos Melendez \u0026amp; Shakira, album producers; Dave Clauss, Roger Rodés \u0026amp; Dani Val, album recording engineers; Dave Clauss, album mixer; Kevyn Mauricio Cruz, Alberto Carlos Melendez \u0026amp; Shakira, songwriters; Adam Ayan, album mastering engineer\u003c/span\u003e\n\n\u003cspan\u003e\\[Ace Entertainment S.ar.l./Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2024 Latin GRAMMYs: Meet The Nominees For Album Of The Year\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominees-album-of-the-year)\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eA Songwriter(s) Award. A song must contain at least 60% of the lyrics in Spanish or Portuguese and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## **\u003cspan\u003eCanción del Año\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español o Portugués, ademas deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## **\u003cspan\u003eCanção Do Ano\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol ou português e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"A Fuego Lento\"\u003c/span\u003e** \u003cspan\u003e– Daymé Arocena \u0026amp; Vicente García, songwriters (Daymé Arocena \u0026amp; Vicente Garcia)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eAlkemi\u003c/span\u003e*\n\n\u003cspan\u003e\\[Brownswood Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"A La Mitad\" (Banda Sonora Original De La Serie \"Zorro\")\u003c/span\u003e** \u003cspan\u003e– Julio Reyes Copello \u0026amp; Mariana Vega, songwriters (Maura Nava)\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Aún Me Sigo Encontrando\"\u003c/span\u003e** \u003cspan\u003e– Rubén Blades, Gian Marco \u0026amp; Julio Reyes Copello, songwriters (Gian Marco \u0026amp; Rubén Blades)\u003c/span\u003e\n\n\u003cspan\u003e\\[Altafonte/Enjoymusic Studios LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Caracas En El 2000\"\u003c/span\u003e** \u003cspan\u003e– Marvin Hawkins Rodriguez, Jerry Di, La Pichu, Danny Ocean \u0026amp; Elena Rose, songwriters (Elena Rose, Danny Ocean \u0026amp; Jerry Di)\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Latina\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Derrumbe\"\u003c/span\u003e** \u003cspan\u003e– Jorge Drexler, songwriter (Jorge Drexler) \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"(Entre Paréntesis)\"\u003c/span\u003e** \u003cspan\u003e– Edgar Barrera, Kevyn Mauricio Cruz, Manuel Lorente Freire, Lenin Yorney Palacios \u0026amp; Shakira, songwriters (Shakira, Grupo Frontera)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\n\n\u003cspan\u003e\\[Ace Entertainment S.ar.l./Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Mi Ex Tenía Razón\"\u003c/span\u003e**\u003cspan\u003e – Edgar Barrera, Andres Jael Correa Rios, Kevyn Mauricio Cruz, Karol G \u0026amp; MAG, songwriters (Karol G)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e*\n\n\u003cspan\u003e\\[Bichota Records/ Interscope Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Según Quién\"\u003c/span\u003e** \u003cspan\u003e– Edgar Barrera, Kevyn Mauricio Cruz, Luís Miguel Gómez Castaño, Maluma, Lenin Yorney Palacios \u0026amp; Juan Camilo Vargas, songwriters (Maluma \u0026amp; Carin León)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Te Lo Agradezco\"\u003c/span\u003e** \u003cspan\u003e– \u003c/span\u003eRafa Arcaute, Kany García, Carin León \u0026amp; Richi López, songwriters (Kany García \u0026amp; Carin León)\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"313\"\u003c/span\u003e** \u003cspan\u003e– Leo Genovese, Residente \u0026amp; Silvia Pérez Cruz, songwriters (Residente,Silvia Pérez Cruz \u0026amp; Penélope Cruz)\u003c/span\u003e\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eFor a new artist who releases during the Eligibility Year the first recording which establishes the public identity of that artist.\u003c/span\u003e\n\n## **\u003cspan\u003eMejor Nuevo Artista\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePara un artista nuevo que haya sido lanzado durante el Período de Elegibilidad la grabación que primero establece su identidad ante el público como intérprete.\u003c/span\u003e\n\n## **\u003cspan\u003eMelhor Artista Revelação\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePara um novo artista que lança durante o Período de Elegibilidade a gravação que estabelece primeiramente a identidade pública.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2024 Latin GRAMMYs: Meet The Nominees For Best New Artist\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominees-best-new-artist)\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003eAgris\u003c/span\u003e**\n\n**\u003cspan\u003eKevin Aguilar\u003c/span\u003e**\n\n**\u003cspan\u003eDarumas\u003c/span\u003e**\n\n**\u003cspan\u003eNicolle Horbath\u003c/span\u003e**\n\n**\u003cspan\u003eLatin Mafia\u003c/span\u003e**\n\n**\u003cspan\u003eCacá Magalhães\u003c/span\u003e**\n\n**\u003cspan\u003eOs Garotin\u003c/span\u003e**\n\n**\u003cspan\u003eIñigo Quintero\u003c/span\u003e**\n\n**\u003cspan\u003eSofi Saar\u003c/span\u003e**\n\n**\u003cspan\u003eEla Taubert — WINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 1 - Pop\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eFor albums containing at least 51% playing time of new Pop recordings.\u003c/span\u003e\n\n## **\u003cspan\u003eMejor Álbum Vocal Pop\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePara álbumes que contengan 51% o más de tiempo total de grabaciones nuevas de música Pop.\u003c/span\u003e\n\n## **\u003cspan\u003eMelhor Álbum Pop Vocal\u003c/span\u003e**\n\n\u003cspan\u003ePara álbuns que contenham 51% ou mais de tempo total de gravações novas de música Pop.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eTofu\u003c/span\u003e***\u003cspan\u003e, Caloncho\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Group Mexico\\]\u003c/span\u003e\n\n***\u003cspan\u003e.mp3\u003c/span\u003e***\u003cspan\u003e, Emilia\u003c/span\u003e\n\n\u003cspan\u003e\\[2023 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eEl Viaje\u003c/span\u003e***\u003cspan\u003e, Luis Fonsi \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n***\u003cspan\u003eHotel Caracas\u003c/span\u003e***\u003cspan\u003e, Mau y Ricky\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Latina /Why Club Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eOrquídeas\u003c/span\u003e*****\u003cspan\u003e, Kali Uchis\u003c/span\u003e**\n\n\u003cspan\u003e\\[Geffen Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eEscrita\u003c/span\u003e***\u003cspan\u003e, Nicole Zignago\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Mexico\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## \u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e\n\n\u003cspan\u003eFor albums containing at least 51% playing time of new Traditional Pop recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Vocal Pop Tradicional\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes que contengan 51% o más de tiempo total de grabaciones nuevas de música Pop Tradicional.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Pop Vocal Tradicional\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns que contenham 51% ou mais de tempo total de gravações novas de música Pop Tradicional.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eObras Maestras\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eDiego El Cigala\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eGarcía\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eKany García \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eMar Adentro\u003c/span\u003e***\u003cspan\u003e, Juliana\u003c/span\u003e\n\n\u003cspan\u003e\\[MUN Records/Warner Music Mexico/ADA\\]\u003c/span\u003e\n\n***\u003cspan\u003eAún Me Sigo Encontrando\u003c/span\u003e***\u003cspan\u003e, Gian Marco\u003c/span\u003e\n\n\u003cspan\u003e\\[Altafonte/Enjoymusic Studios LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eAlmas Paralelas\u003c/span\u003e***\u003cspan\u003e, Laura Pausini\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music International\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## \u003cspan\u003eBest Pop Song \u003c/span\u003e\n\n\u003cspan\u003eFor singles or tracks from the Pop Vocal and Traditional Pop genres. A song must be new and be at least 60% of lyrics in Spanish. Award to the Songwriter(s).\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Pop\u003c/span\u003e\n\n\u003cspan\u003eUna canción Pop es para sencillos o cortes de los géneros que conforman esta área, es una canción nueva y contiene por lo menos el 60% de letra en español. Premio al Compositor(es).\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção Pop\u003c/span\u003e\n\n\u003cspan\u003eMelhor Canção Pop é para singles ou faixas que atendam às condições descritas nas definições de álbum de música Pop: Pop Vocal é Pop Tradicional. A canção deve conter pelo menos 60% da letra em espanhol e deve ser nova canção. Prêmio ao(s) Compositor(es).\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"A La Mitad\" (Banda Sonora Original De La Serie \"Zorro\")\u003c/span\u003e**\u003cspan\u003e – Julio Reyes Copello \u0026amp; Mariana Vega, songwriters (Maura Nava)\u003c/span\u003e\n\n\u003cspan\u003e\\[Univesal Music Latino\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"A Las 3\"\u003c/span\u003e**\u003cspan\u003e – Paty Cantú, Ángela Dávalos, Leon Leiden \u0026amp; Saibu, songwriters (Paty Cantú \u0026amp; León Leiden)\u003c/span\u003e\n\n\u003cspan\u003e\\[OCESA Seitrack\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Ahora\"\u003c/span\u003e**\u003cspan\u003e – David Bisbal, Pablo Preciado \u0026amp; Carlos Rivera, songwriters (David Bisbal \u0026amp; Carlos Rivera)\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Spain\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Amor\"\u003c/span\u003e**\u003cspan\u003e – \u003c/span\u003eJosé Andrés Benitez, Christian Bermudez, Richard Bermudez, Rodney Kumbirayi Hwingwiri, Juan Diego Linares, Luis Alejandro Márquez, Anibal Morin Diaz, Danny Ocean, Rafael Salcedo \u0026amp; Ashton Sellars, songwriters (Danny Ocean)\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eReflexa\u003c/span\u003e*\n\n\u003cspan\u003e\\[Atlantic Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Dime Quién\"\u003c/span\u003e**\u003cspan\u003e – Lagos, songwriters (Lagos)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eAlta Fidelidad\u003c/span\u003e*\n\n\u003cspan\u003e\\[Warner Music Mexico\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Feriado\"\u003c/span\u003e**\u003cspan\u003e – \u003c/span\u003eManuel Lorente Freire, Héctor Mazzarri, Alberto Montenegro, Daniel Rondón \u0026amp; Andres Story, songwriters (Rawayana) **— WINNER**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eQuién Trae Las Cornetas\u003c/span\u003e*\n\n\u003cspan\u003e\\[Brocoli Records/Ada Latin\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Igual Que Un Ángel\"\u003c/span\u003e**\u003cspan\u003e – Carter Lang, Manuel Lorente Freire, Kali Uchis \u0026amp; Dylan Wiggins, songwriters (Kali Uchis \u0026amp; Peso Pluma)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eOrquídeas\u003c/span\u003e*\n\n\u003cspan\u003e\\[Geffen Records\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 2 - Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## \u003cspan\u003eBest Latin Electronic Music Performance \u003c/span\u003e\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo or group, Latin electronic music recordings. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Interpretación de Música Electrónica Latina \u003c/span\u003e\n\n\u003cspan\u003ePara grabaciones nuevas, vocales o instrumentales, por artistas solistas, dúos o grupos de música electrónica Latina. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Interpretação de Música Eletrônica Latina\u003c/span\u003e\n\n\u003cspan\u003ePara gravações vocais instrumentais por artistas-solo, duplas ou grupos que contenham material inédito de música eletrônica latina. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"La Ceniza\"\u003c/span\u003e** \u003cspan\u003e– Ale Acosta, Valeria Castro\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Spain S.L.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Drum Machine\"\u003c/span\u003e**\u003cspan\u003e – \u003c/span\u003eAlok, Pickle\n\n\\[CONTROVERSIA Records\\]\n\n**\u003cspan\u003e\"Pedju Kunumigwe\"\u003c/span\u003e**\u003cspan\u003e – Alok, Guarani Nhandewa\u003c/span\u003e\n\n\u003cspan\u003e \\[Coleção Som Nativo\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Bzrp Music Sessions, Vol. 53 (Tiësto Remix)\"\u003c/span\u003e**\u003cspan\u003e - Bizarrap, Shakira\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Ace Entertainment S.ar.l./Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"BAMBOLE\"\u003c/span\u003e**\u003cspan\u003e – Vikina Featuring Deorro\u003c/span\u003e\n\n\u003cspan\u003e\\[2023 Mr. 305 Records\\]\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs: Best Latin Electronic Music Performance Nominations\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominations-best-latin-electronic-music-performance)\n\n---\n\n# \u003cspan\u003eField 3 - Urban\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## \u003cspan\u003eBest Urban Fusion/Performance\u003c/span\u003e\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group Urban recordings. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Fusión/Interpretación Urbana\u003c/span\u003e\n\n\u003cspan\u003ePara grabaciones nuevas, vocales o instrumentales, por artistas solistas, dúos o grupos de música Urbana. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Fusão/Interpretação Urbana\u003c/span\u003e\n\n\u003cspan\u003ePara gravações vocais instrumentais por artistas-solo, duplas ou grupos que contenham material inédito de música Urbana. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Nadie Sabe\"\u003c/span\u003e** \u003cspan\u003e– Bad Bunny\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Nadie Sabe Lo Que Va A Pasar Mañana\u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Corazon Vacio\"\u003c/span\u003e** \u003cspan\u003e– Maria Becerra\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Latina\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Young Miko: Bzrp Music Sessions, Vol. 58\"\u003c/span\u003e** \u003cspan\u003e– Bizarrap Featuring Young Miko\u003c/span\u003e\n\n\u003cspan\u003e\\[DALE PLAY Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"S91\"\u003c/span\u003e**\u003cspan\u003e – Karol G\u003c/span\u003e\n\n\u003cspan\u003e\\[Bichota Records LLC / Interscope Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Tranky Funky\"\u003c/span\u003e** \u003cspan\u003e– Trueno\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment Us Latin LLC\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## \u003cspan\u003eBest Reggaeton Performance\u003c/span\u003e\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group Reggaeton recordings. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Interpretación Reggaeton\u003c/span\u003e\n\n\u003cspan\u003ePara grabaciones nuevas, vocales o instrumentales, por artistas solistas, dúos o grupos de música Reggaeton. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Interpretação Reggaeton\u003c/span\u003e\n\n\u003cspan\u003ePara gravações vocais instrumentais por artistas-solo, duplas ou grupos que contenham material inédito de música Reggaeton. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Perro Negro\"\u003c/span\u003e** \u003cspan\u003e– Bad Bunny Featuring Feid\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Un Preview\"\u003c/span\u003e** \u003cspan\u003e– Bad Bunny\u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Triple S\"\u003c/span\u003e** \u003cspan\u003e– J Balvin Featuring Jowell \u0026amp; Randy \u0026amp; De La Ghetto\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Byak\"\u003c/span\u003e** \u003cspan\u003e– Alvaro Diaz Featuring Rauw Alejandro\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Qlona\"\u003c/span\u003e** \u003cspan\u003e– Karol G Featuring Peso Pluma\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Mañana Será Bonito (Bichota Season)\u003c/span\u003e\n\n\u003cspan\u003e\\[Bichota Records LLC /Interscope Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Labios Mordidos\"\u003c/span\u003e**\u003cspan\u003e – Kali Uchis Featuring Karol G\u003c/span\u003e\n\n\u003cspan\u003e\\[Geffen Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## \u003cspan\u003eBest Urban Music Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Urban recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Urbana\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Urbana.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música \"Urban\"\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Urbana.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eNadie Sabe Lo Que Va A Pasar Mañana\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eBad Bunny\u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eSol María\u003c/span\u003e***\u003cspan\u003e, Eladio Carrion\u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eSayonara\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Alvaro Diaz\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n***\u003cspan\u003eFerxxocalipsis\u003c/span\u003e***\u003cspan\u003e, Feid\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n***\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e***\u003cspan\u003e, Karol G\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Bichota Records LLC / Interscope Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eEl Último Baile\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Trueno\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC/ Sur Capital Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## \u003cspan\u003eBest Rap/Hip Hop Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter's Award. A song must contain at least 60% of the lyrics in Spanish or Portuguese and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción de Rap/Hip Hop\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español o Portugués, además deberá de ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção Rap/Hip Hop\u003c/span\u003e\n\n\u003cspan\u003ePrêmio para o(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol ou português e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Aprender A Amar\"\u003c/span\u003e** \u003cspan\u003e– Pablo Drexler, Alberto Escámez López \u0026amp; Nathy Peluso, songwriters (Nathy Peluso)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eGrasa\u003c/span\u003e*\n\n\u003cspan\u003e\\[5020 Records / Sony Music Entertainment España, S.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Bendecido\"\u003c/span\u003e** \u003cspan\u003e– Eladio Carrion, songwriter (Eladio Carrion)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eSol María\u003c/span\u003e*\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Blam Blam\"\u003c/span\u003e** \u003cspan\u003e– Al2 El Aldeano \u0026amp; Vico C, songwriters (Vico C Featuring Al2 El Aldeano)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003ePánico\u003c/span\u003e*\n\n\u003cspan\u003e\\[Nain Music LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"La Sabia Escuela\"\u003c/span\u003e** \u003cspan\u003e– Akapellah, \u003c/span\u003eCanserbero, \u003cspan\u003eLeonardo Daniel Díaz, Marlon Luis Morales Santana, Luis Jacinto Muñoz Hernandez \u0026amp; Pedro Elias Querales, songwriters (Akapellah Featuring Canserbero \u0026amp; Lil Supa)\u003c/span\u003e\n\n\u003cspan\u003e\\[OBG Nation/Warner Music Latina\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Telefono Nuevo\"\u003c/span\u003e** \u003cspan\u003e– Bad Bunny \u0026amp; Luar La L, songwriters (Bad Bunny Featuring Luar La L)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eNadie Sabe Lo Que Va A Pasar Mañana\u003c/span\u003e*\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Thunder y Lightning\"\u003c/span\u003e** \u003cspan\u003e– Bad Bunny \u0026amp; Eladio Carrion, songwriters (Bad Bunny Featuring Eladio Carrion)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eNadie Sabe Lo Que Va A Pasar Mañana\u003c/span\u003e*\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## \u003cspan\u003eBest Urban Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter's Award. A song must contain at least 60% of the lyrics in Spanish or Portuguese and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Urbana\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español o Portugués y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção \"Urban\"\u003c/span\u003e\n\n\u003cspan\u003ePrêmio para o(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol ou português e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Bonita\"\u003c/span\u003e** \u003cspan\u003e– Daddy Yankee, songwriter (Daddy Yankee)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[El Cartel Records, Inc. / Imperial\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Columbia\"\u003c/span\u003e** \u003cspan\u003e– J\u003c/span\u003eavier Falquet Moragues, David Hernandez García, Juan Pedro Moreno Carril \u0026amp; Quevedo, songwriters (Quevedo)\n\n\u003cspan\u003e\\[Taste The Floor Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"El Cielo\"\u003c/span\u003e** \u003cspan\u003e– Feid, Nicolás Jaña Galleguillos, Gabriel Mora Quintero, Andres David Restrepo Echavarria, Sky Rompiendo \u0026amp; Myke Towers, songwriters (Sky Rompiendo, Feid, Myke Towers)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"La Falda\"\u003c/span\u003e** \u003cspan\u003e– Julio Emmanuel Batista Santos, Carlos Alberto Butter Aguila, Orlando J. Cepeda Matos, Ralph Jemar Milln Calderon, Jose Reyes, Myke Towers \u0026amp; Siggy Vazquez Rodriguez, songwriters (Myke Towers)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eLveu: Vive La Tuya...No La Mia\u003c/span\u003e*\n\n\u003cspan\u003e\\[One World International / Warner Music Latina\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Luna\"\u003c/span\u003e**\u003cspan\u003e – Feid, songwriter (Feid Featuring Atl Jacob)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eFerxxocalipsis\u003c/span\u003e*\n\n\u003cspan\u003e\\[Universal Music Latino\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Qlona\"\u003c/span\u003e** \u003cspan\u003e– \u003c/span\u003eKarol G, Daniel Esteban Gutiérrez, Juan Sebastian Navarro Gonzalez, Ovy On The Drums \u0026amp; Peso Pluma, songwriters (Karol G Featuring Peso Pluma)\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e*\n\n\u003cspan\u003e\\[Bichota Records LLC/Interscope Records\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 4 - Rock\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## \u003cspan\u003eBest Rock Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Rock recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Rock\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Rock.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Rock\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Rock.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eEl Dorado (En Vivo)\u003c/span\u003e***\u003cspan\u003e, Aterciopelados\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Entre Casa Colombia S.A.S.\\]\u003c/span\u003e\n\n***\u003cspan\u003eDiáspora Live Vol.1\u003c/span\u003e***\u003cspan\u003e, La Vida Boheme\u003c/span\u003e\n\n\u003cspan\u003e\\[La Vida Boheme LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eHerencia Lebón\u003c/span\u003e***\u003cspan\u003e, David Lebón\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Argentina\\]\u003c/span\u003e\n\n***\u003cspan\u003eAlicia En El Metalverso\u003c/span\u003e***\u003cspan\u003e, Mägo De Oz\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Spain, S.L.\\]\u003c/span\u003e\n\n***\u003cspan\u003eMi Mejor Enemigo\u003c/span\u003e***\u003cspan\u003e, Viniloversus\u003c/span\u003e\n\n\u003cspan\u003e\\[Viniloversus Music\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## \u003cspan\u003eBest Rock Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter(s) Award. A song must contain at least 51% of the lyrics in Spanish and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción de Rock\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 51% de letra en Español y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção de Rock\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Compositor(es). Uma canção deve conter pelo menos 51% de letra em espanhol e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Algo Bueno Tenía Que Tener (Bogotá)\"\u003c/span\u003e** \u003cspan\u003e– \u003c/span\u003eDaniel Álvarez, Juan David Galeano \u0026amp; Andrés Kenguan, songwriters (Diamante Eléctrico)\n\n\u003cspan\u003e\\[Diamante Eléctrico\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Animal Temporal\"\u003c/span\u003e** \u003cspan\u003e– Viniloversus, songwriters (Viniloversus)\u003c/span\u003e\n\n\u003cspan\u003e\\[Viniloversus Music LLC.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Camaleónica\"\u003c/span\u003e** \u003cspan\u003e– Ali Stone, songwriter (Ali Stone)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003ePandora\u003c/span\u003e*\n\n\u003cspan\u003e\\[Ali Stone / Create Music Group\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"No Me Preguntes (Live)\"\u003c/span\u003e** \u003cspan\u003e– Jesús Quintero \u0026amp; Draco Rosa, songwriters (Draco Rosa)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eLife After Vida (Live)\u003c/span\u003e*\n\n\u003cspan\u003e\\[2023 Sony Music Entertainment Us Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Qué Más Quieres\"\u003c/span\u003e** \u003cspan\u003e– Anton Curtis Delost, Shaun Lopez, Kathryn Ostenberg, Monica Velez \u0026amp; The Warning, songwriters (The Warning)\u003c/span\u003e\n\n\u003cspan\u003e\\[Lava Music/Republic Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## \u003cspan\u003eBest Pop/Rock Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Pop/Rock recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Pop/Rock\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Pop/Rock.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Pop/Rock\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Pop/Rock.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eCuando Ella Me Besó Probé A Dios\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eBruses\u003c/span\u003e\n\n\u003cspan\u003e\\[Honey\\]\u003c/span\u003e\n\n***\u003cspan\u003eJet Love\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eConociendo Rusia\u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Geiser Discos S.A.\\]\u003c/span\u003e\n\n***\u003cspan\u003eJay De La Cueva\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eJay De La Cueva\u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eReflejos De Lo Eterno\u003c/span\u003e***\u003cspan\u003e, Draco Rosa\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment Us Latin LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eAdentro\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eFrancisca Valenzuela\u003c/span\u003e\n\n\u003cspan\u003e\\[Frantastic Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## \u003cspan\u003eBest Pop/Rock Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter(s) Award. A song must contain at least 60% of the lyrics in Spanish and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Pop/Rock\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção Pop/Rock\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Acapulco\"\u003c/span\u003e** \u003cspan\u003e– Emmanuel Horvilleur, Siddhartha \u0026amp; Rul Velázquez, songwriters (Siddhartha Featuring Emmanuel Horvilleur)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment México S.A. de C.V.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Afilá\"\u003c/span\u003e** \u003cspan\u003e– Ali Stone, songwriter (Ali Stone)\u003c/span\u003e\n\n\u003cspan\u003e\\[Ali Stone / Create Music Group\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Blanco y Negro\"\u003c/span\u003e** \u003cspan\u003e– Christian Mauricio Aloisio Zavala, Lagos \u0026amp; Elena Rose, songwriters (Lagos Featuring Elena Rose)\u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Warner Music México, S.A. de C.V.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"5 Horas Menos\"\u003c/span\u003e**\u003cspan\u003e – Conociendo Rusia \u0026amp; Natalia Lafourcade, songwriters (Conociendo Rusia Featuring Natalia Lafourcade)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eJet Love\u003c/span\u003e*\n\n\u003cspan\u003e\\[2024 Geiser Discos S.A.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Diciembre\"\u003c/span\u003e** \u003cspan\u003e– Los Mesoneros, songwriters (Los Mesoneros)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eNuestro Año\u003c/span\u003e*\n\n\u003cspan\u003e\\[2024 SR Records\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 5 - Alternative\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## \u003cspan\u003eBest Alternative Music Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal (in Spanish) or instrumental Alternative recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Alternativa\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales en español o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Alternativa.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Alternativa\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais em espanhol ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Alternativa.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003ePor Cesárea\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Dillom\u003c/span\u003e\n\n\u003cspan\u003e\\[Bohemian Groove\\]\u003c/span\u003e\n\n**\u003cspan\u003eHíper\u003c/span\u003e**\u003cspan\u003e, Hello Seahorse!\u003c/span\u003e\n\n\u003cspan\u003e\\[Lovrecs\\]\u003c/span\u003e\n\n***\u003cspan\u003eNica\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eNicole Horts\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eAutopoiética\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Mon Laferte \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[2023 Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003ePandora\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Ali Stone\u003c/span\u003e\n\n\u003cspan\u003e\\[Ali Stone / Create Music Group\\]\u003c/span\u003e\n\n***\u003cspan\u003eDESCARTABLE\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eWOS\u003c/span\u003e\n\n\u003cspan\u003e\\[Doguito Records / Dale Play Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## \u003cspan\u003eBest Alternative Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter's Award. A song must contain at least 60% of the lyrics in Spanish and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Alternativa\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção Alternativa\u003c/span\u003e\n\n\u003cspan\u003ePrêmio para o(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Cabecear\"\u003c/span\u003e** \u003cspan\u003e– J Noa, Jeffrey Peñalva \"Trooko\" \u0026amp; Skai, songwriters (J Noa)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eMatense Por La Corona\u003c/span\u003e*\n\n\u003cspan\u003e\\[Sony Music Entertainment Us Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Déjalo Ir\"\u003c/span\u003e** \u003cspan\u003e– \u003c/span\u003eFrancisco Victoria \u0026amp; Francisca Valenzuela, songwriters (Francisca Valenzuela)\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eAdentro\u003c/span\u003e*\n\n\u003cspan\u003e\\[Frantastic Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"El Día Que Perdí Mi Juventud\"\u003c/span\u003e** \u003cspan\u003e– Devonté Hynes \u0026amp; Nathy Peluso, songwriters (Nathy Peluso) \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eGrasa\u003c/span\u003e*\n\n\u003cspan\u003e\\[5020 Records / Sony Music Entertainment España, S.L.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Insomnia\"\u003c/span\u003e**\u003cspan\u003e – Goyo, Illmind, Omar Isaiah Lupuku, Don Mills, Carlos Santander \u0026amp; Telly, songwriters (Goyo)\u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Lloro\"\u003c/span\u003e** \u003cspan\u003e– Nicole Horts, Camilo Velez \u0026amp; Maria Vertiz, songwriters (Nicole Horts)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eNica\u003c/span\u003e*\n\n\u003cspan\u003e\\[Warner Music México, S.A. de C.V.\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 6 - Tropical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## \u003cspan\u003eBest Salsa Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Salsa recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Salsa\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Salsa.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Salsa\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Salsa.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eYo Deluxe\u003c/span\u003e***\u003cspan\u003e, Christian Alicea\u003c/span\u003e\n\n\u003cspan\u003e\\[Therapist Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eMuevense\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eMarc Anthony\u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eSiembra: 45° Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022)\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eRubén Blades and Roberto Delgado \u0026amp; Orquesta\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[2023 Ruben Blades Productions\\]\u003c/span\u003e\n\n***\u003cspan\u003eJoyas Que Bailan\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eRonald Borjas\u003c/span\u003e\n\n\u003cspan\u003e\\[Ronald Borjas\\]\u003c/span\u003e\n\n***\u003cspan\u003eCoexistencia\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eLuis Figueroa\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## \u003cspan\u003eBest Cumbia/Vallenato Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Cumbia/Vallenato recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Cumbia/Vallenato\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Cumbia/Vallenato.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Cumbia/Vallenato\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Cumbia/Vallenato.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003e'Ta Malo\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eSilvestre Dangond\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[2023 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eDe La Uno A La 1000 (Primera Temporada)\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eOmar Geles\u003c/span\u003e\n\n\u003cspan\u003e\\[Diatónica Artist Management\\]\u003c/span\u003e\n\n***\u003cspan\u003eSe Agradece\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eLos Ángeles Azules\u003c/span\u003e\n\n\u003cspan\u003e\\[OCESA Seitrack\\]\u003c/span\u003e\n\n***\u003cspan\u003eVallenatos Pa Enamorar\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eOsmar Pérez \u0026amp; Geño Gamez\u003c/span\u003e\n\n\u003cspan\u003e\\[Mano De Obra\\]\u003c/span\u003e\n\n***\u003cspan\u003eLa Sociedad De La Cumbia (Big Band Live)\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003ePuerto Candelaria\u003c/span\u003e\n\n\u003cspan\u003e\\[Merlín Studios Producciones S.A.S\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## \u003cspan\u003eBest Merengue/Bachata Album\u003c/span\u003e\n\n\u003cspan\u003eFor vocal or instrumental Merengue and/or Bachata albums containing at least 51% playing time of newly recorded material.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Merengue y/o Bachata\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales de Merengue y/o Bachata que contengan por lo menos 51% de tiempo total grabado con material nuevo.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Merengue/Bachata\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Merengue/Bachata.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eRadio Güira,\u003c/span\u003e*** \u003cspan\u003eJuan Luis Guerra 4.40\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Rimas Entertainment LLC.\\]\u003c/span\u003e\n\n***\u003cspan\u003eAgradecido Live!,\u003c/span\u003e*** \u003cspan\u003eEddy Herrera\u003c/span\u003e\n\n\u003cspan\u003e\\[Intermusic\u003c/span\u003e\n\n***\u003cspan\u003eSuperhéroe Merengue,\u003c/span\u003e*** \u003cspan\u003eMagic Juan\u003c/span\u003e\n\n\u003cspan\u003e\\[Omerta Music Group\\]\u003c/span\u003e\n\n***\u003cspan\u003eLo Tengo Todo,\u003c/span\u003e*** \u003cspan\u003eOscarito\u003c/span\u003e\n\n\u003cspan\u003e\\[Flame Entertainment/Distributed by La Oreja Media Group, Inc.\\]\u003c/span\u003e\n\n***\u003cspan\u003eLlamada Perdida,\u003c/span\u003e*** \u003cspan\u003ePrince Royce\u003c/span\u003e\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment US Latin LLC, under exclusive license from Smiling Prince Music, Inc.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## \u003cspan\u003eBest Traditional Tropical Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Traditional Tropical recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Tropical Tradicional\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Tropical Tradicional.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Tropical Tradicional\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Tropical Tradicional.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eRodando Por El Mundo,\u003c/span\u003e*** \u003cspan\u003eJosé Alberto \"El Canario\"\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Los Canarios Music Distributed by La Oreja Media Group, Inc.\\]\u003c/span\u003e\n\n***\u003cspan\u003eTengo Algo Que Decirte,\u003c/span\u003e*** \u003cspan\u003eLuis Fernando Borjas\u003c/span\u003e\n\n\u003cspan\u003e\\[CAE Group/Machine Media Group\\]\u003c/span\u003e\n\n***\u003cspan\u003eVoces De Mi Familia,\u003c/span\u003e*** \u003cspan\u003eAlex Cuba\u003c/span\u003e\n\n\u003cspan\u003e\\[Caracol Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eLos Mismos Negros,\u003c/span\u003e*** \u003cspan\u003eYelsy Heredia\u003c/span\u003e\n\n\u003cspan\u003e\\[INEfable Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eA Mis Ancestros,\u003c/span\u003e*** \u003cspan\u003eYeisy Rojas\u003c/span\u003e\n\n\u003cspan\u003e\\[Yeisy Rojas\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## \u003cspan\u003eBest Contemporary Tropical Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Contemporary Tropical or Tropical Fusion recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Tropical Contemporáneo\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música del género Tropical Contemporáneo o de Fusión Tropical.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Tropical Contemporâneo\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Tropical Contemporânea ou de Fusão Tropical.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eEpílogo: La Clave Del Tiempo,\u003c/span\u003e*** \u003cspan\u003eJeremy Bosch\u003c/span\u003e\n\n\u003cspan\u003e\\[License To Love LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003ecuatro\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eCamilo\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC/Hecho A Mano\u003c/span\u003e\n\n\u003cspan\u003e(HAMM)\\]\u003c/span\u003e\n\n***\u003cspan\u003eTropicalia\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eFonseca\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eMonte Adentro\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eGusi\u003c/span\u003e\n\n\u003cspan\u003e\\[Gaira Música Local\\]\u003c/span\u003e\n\n***\u003cspan\u003eLa Fiesta\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eIlegales\u003c/span\u003e\n\n\u003cspan\u003e\\[Dotel Productions, Inc./Distributed by La Oreja Media Group, Inc\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## \u003cspan\u003eBest Tropical Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter(s) Award. A song must contain at least 60% of the lyrics in Spanish and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Tropical\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção Tropical\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Baila Y Goza\"\u003c/span\u003e**\u003cspan\u003e – Renesito Avich \u0026amp; Rafael \"Pollo\" Brito, songwriters (Renesito Avich Featuring Rafael \"Pollo\" Brito)\u003c/span\u003e\n\n\u003cspan\u003e\\[My Cuban Music LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Con Dinero Y Sin Dinero\"\u003c/span\u003e**\u003cspan\u003e – Jorge Luis Chacín, Fonseca \u0026amp; Miguel Yadam González Cárdenas, songwriters (Fonseca \u0026amp; Grupo Niche)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eTropicalia\u003c/span\u003e*\n\n\u003cspan\u003e\\[2024 Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Hasta Que Aguante El Cuerpo\"\u003c/span\u003e**\u003cspan\u003e – Jorge Luis Piloto, songwriter (Dayhan Díaz \u0026amp; Pupy Santiago)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sinfonic LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Llorar Bonito\"\u003c/span\u003e**\u003cspan\u003e – Luis Figueroa \u0026amp; Yoel Henríquez, songwriters (Luis Figueroa)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC/Magnus Media LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Mambo 23\"\u003c/span\u003e**\u003cspan\u003e – Juan Luis Guerra, songwriter (Juan Luis Guerra 4.40)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eRadio Güira\u003c/span\u003e*\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 7 - Singer-Songwriter\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## \u003cspan\u003eBest Singer-Songwriter Album\u003c/span\u003e\n\n\u003cspan\u003eFor solo artists or duos.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Cantautor\u003c/span\u003e\n\n\u003cspan\u003ePara interpretaciones por artistas solistas o dúos.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Cantor Compositor\u003c/span\u003e\n\n\u003cspan\u003ePara interpretações por artistas-solo ou duplas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eCompita Del Destino\u003c/span\u003e***\u003cspan\u003e, El David Aguilar\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eScratch De Versos\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eEl Riqué\u003c/span\u003e\n\n\u003cspan\u003e\\[Palapa Records\\]\u003c/span\u003e\n\n***\u003cspan\u003ePausa\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eLeonel García\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment México, S.A. De C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eDe Magia Imperfecta\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eNicolle Horbath\u003c/span\u003e\n\n\u003cspan\u003e\\[Nicolle Horbath Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eEl Abrazo\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eRozalén\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment España, S.L\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## \u003cspan\u003eBest Singer-Songwriter Song\u003c/span\u003e\n\n\u003cspan\u003eFor singles or tracks that contain at least 60% of the lyrics in Spanish, Portuguese, or any language recognized in Ibero-America. Must be a new song composed and performed 100% by the singer-songwriter. Only solo artists or duos are eligible.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Cantautor\u003c/span\u003e\n\n\u003cspan\u003ePara sencillos o cortes que contengan al menos el 60% de la letra en español, portugués o cualquier idioma reconocido en Iberoamérica. Debe ser una canción nueva, compuesta e interpretada en su totalidad por el cantautor.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canción Cantor Compositor\u003c/span\u003e\n\n\u003cspan\u003ePara singles ou faixas. Deve conter pelo menos 60% das letras em espanhol, português ou qualquer idioma reconhecido na Ibero-América. Deve ser uma canção nova composta e interpretada 100% pelo cantautor(a).\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Antes Que O Mundo Acabe\"\u003c/span\u003e**\u003cspan\u003e – Tiago Iorc, songwriter (Tiago Iorc)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Antes Que O Mundo Acabe\u003c/span\u003e\n\n\u003cspan\u003e\\[Som Livre\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Derrumbe\" –\u003c/span\u003e** \u003cspan\u003eJorge Drexler, songwriter (Jorge Drexler)\u003c/span\u003e **\u003cspan\u003e— WINNER/TIE\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment España, S.L.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Entonces\" –\u003c/span\u003e** \u003cspan\u003eRozalén, songwriter (Rozalén)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: El Abrazo\u003c/span\u003e\n\n\u003cspan\u003e \\[Sony Music Entertainment España, S.L.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"García\" –\u003c/span\u003e** \u003cspan\u003eKany García, songwriter (Kany García)\u003c/span\u003e **\u003cspan\u003e— WINNER/TIE\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: García\u003c/span\u003e\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Luz De Cabeza\" –\u003c/span\u003e** \u003cspan\u003eEl David Aguilar, songwriter (El David Aguilar)\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Group Mexico, S.A. de C.V.\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 8 - Regional-Mexican\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## \u003cspan\u003eBest Ranchero/Mariachi Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Ranchero/Mariachi recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Ranchera/Mariachi\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Ranchera/Mariachi.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Ranchera/Mariachi\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Ranchera/Mariachi.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eMariachi y Tequila (Deluxe)\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eMajo Aguilar\u003c/span\u003e\n\n\u003cspan\u003e\\[Fonovisa/Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eQue Llueva Tequila\u003c/span\u003e***\u003cspan\u003e, Pepe Aguilar\u003c/span\u003e\n\n\u003cspan\u003e\\[Equinoccio Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eTe Llevo En La Sangre\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eAlejandro Fernández\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Universal Music Latino/UMG Recordings, Inc.\\]\u003c/span\u003e\n\n***\u003cspan\u003eRomances Eternos\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eMariachi Sol de México de José Hernández\u003c/span\u003e\n\n\u003cspan\u003e\\[Serenata Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## \u003cspan\u003eBest Banda Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Banda recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Banda\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Banda.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Banda\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Banda.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003ePresente\u003c/span\u003e***\u003cspan\u003e, Julión Álvarez y Su Norteño Banda\u003c/span\u003e\n\n\u003cspan\u003e\\[Fonovisa/UMG Recordings, Inc.\\]\u003c/span\u003e\n\n***\u003cspan\u003eYo Te Extrañaré\u003c/span\u003e***\u003cspan\u003e, Luis Angel \"El Flaco\"\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eDiamantes\u003c/span\u003e***\u003cspan\u003e, Chiquis\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Fonovisa/UMG Recordings, Inc.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## \u003cspan\u003eBest Tejano Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Tejano recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Tejana\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Tejana.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Texana\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Tejano.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eImperfecto\u003c/span\u003e***\u003cspan\u003e, El Plan\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Indepe Music S.A de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eSiempre Gabriella\u003c/span\u003e***\u003cspan\u003e, Gabriella\u003c/span\u003e\n\n\u003cspan\u003e\\[GT Digital / Gabriella / EMPIRE\\]\u003c/span\u003e\n\n***\u003cspan\u003eGanas (Deluxe)\u003c/span\u003e***\u003cspan\u003e, Vilax\u003c/span\u003e\n\n\u003cspan\u003e\\[Fonovisa/Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## \u003cspan\u003eBest Norteño Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Norteño recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Norteña\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Norteña.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Nortenha\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Nortenha.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eEl Comienzo\u003c/span\u003e***\u003cspan\u003e, Grupo Frontera\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Grupo Frontera\\]\u003c/span\u003e\n\n***\u003cspan\u003eModus Operandi\u003c/span\u003e***\u003cspan\u003e, Intocable\u003c/span\u003e\n\n\u003cspan\u003e\\[Good I Music, LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eLNDT\u003c/span\u003e***\u003cspan\u003e, Los Nietos De Terán\u003c/span\u003e\n\n\u003cspan\u003e\\[Fonovisa/Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003eTe Amaré\u003c/span\u003e***\u003cspan\u003e, Pesado\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Latina\\]\u003c/span\u003e\n\n***\u003cspan\u003eTerca\u003c/span\u003e***\u003cspan\u003e, Sofi Saar\u003c/span\u003e\n\n\u003cspan\u003e\\[BAM Songs S.A. de C.V. / Sony Music Entertainment México S.A. de C.V.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## \u003cspan\u003eBest Contemporary Mexican Music Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Contemporary Mexican Music recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Mexicana Contemporánea\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música regional mexicana contemporánea.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Mexicana Contemporânea\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Regional Mexicana Contemporânea.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eNata Montana\u003c/span\u003e***\u003cspan\u003e, Natanael Cano\u003c/span\u003e\n\n\u003cspan\u003e\\[Rancho Humilde/Los CT Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eEvoluxion\u003c/span\u003e***\u003cspan\u003e, DannyLux\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Latina/VPS Music LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eJugando A Que No Pasa Nada\u003c/span\u003e***\n\n\u003cspan\u003eGrupo Frontera\u003c/span\u003e\n\n\u003cspan\u003e\\[Frontera Records LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eBoca Chueca, Vol. 1\u003c/span\u003e***\u003cspan\u003e, Carin León\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Socios Music LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eTrastornado\u003c/span\u003e***\u003cspan\u003e, Michelle Maciel\u003c/span\u003e\n\n\u003cspan\u003e\\[Dale Play Records / Sólido Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eGénesis\u003c/span\u003e***\u003cspan\u003e, Peso Pluma\u003c/span\u003e\n\n\u003cspan\u003e\\[Double P Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## \u003cspan\u003eBest Regional Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter(s) Award. A song must contain at least 60% of the lyrics in Spanish and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción Regional Mexicana\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Español y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção Regional\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em espanhol e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Aquí Mando Yo\"\u003c/span\u003e** \u003cspan\u003e– Héctor Guerrero, songwriter (Los Tigres Del Norte)\u003c/span\u003e\n\n\u003cspan\u003e\\[Fonovisa/RMS Music Group, Inc., Exclusively Licensed To UMG Recordings, Inc.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Canción Para Olvidarte\"\u003c/span\u003e** \u003cspan\u003e– Mango, Nabález, Chris Zadley \u0026amp; Nicole Zignago, songwriters (Majo Aguilar)\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"El Amor De Su Vida\"\u003c/span\u003e** \u003cspan\u003e– Edgar Barrera \u0026amp; Kevyn Mauricio Cruz, songwriters (Grupo Frontera, Grupo Firme)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eEl Comienzo\u003c/span\u003e*\n\n\u003cspan\u003e\\[Grupo Frontera\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Por El Contrario\"\u003c/span\u003e** \u003cspan\u003e– Edgar Barrera, \u003c/span\u003eBecky G, \u003cspan\u003eKevyn Mauricio Cruz \u0026amp; Elena Rose, songwriters (Becky G Featuring Angela Aguilar \u0026amp; Leonardo Aguilar)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eEsquinas\u003c/span\u003e*\n\n\u003cspan\u003e\\[Kemosabe Records/RCA Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Tienes Que Ser Tú\"\u003c/span\u003e** \u003cspan\u003e– Salvador Aponte \u0026amp; Yoel Henríquez, songwriters (La Energía Norteña)\u003c/span\u003e\n\n\u003cspan\u003e\\[Azteca Records, LLC\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9 - Instrumental\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## \u003cspan\u003eBest Instrumental Album\u003c/span\u003e\n\n\u003cspan\u003eFor albums containing 51% or more playing time of Instrumental recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Instrumental\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes que contengan un 51%, o más, de grabaciones instrumentales.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Instrumental\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns que contenham, no mínimo, 51% de seu tempo de duração de gravações instrumentais.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eImpronta\u003c/span\u003e***\u003cspan\u003e, Omar Acosta\u003c/span\u003e\n\n\u003cspan\u003e\\[Nesso Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eClaude Bolling Goes Latin - Suite For Flute And Latin Music Ensemble\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eCarlomagno Araya, Jose Valentino \u0026amp; The Latin Music Ensemble\u003c/span\u003e\n\n\u003cspan\u003e\\[Drumit Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eCapriccio Latino\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e* \u003cspan\u003eAlexis Cárdenas\u003c/span\u003e\n\n\u003cspan\u003e\\[Independiente\\]\u003c/span\u003e\n\n***\u003cspan\u003eEncontro Das Águas\u003c/span\u003e***\u003cspan\u003e, Yamandu Costa \u0026amp; Armandinho Macêdo\u003c/span\u003e\n\n\u003cspan\u003e\\[Bagual Produções E Eventos Ltda\\]\u003c/span\u003e\n\n***\u003cspan\u003eTembla\u003c/span\u003e***\u003cspan\u003e, Hamilton De Holanda \u0026amp; C4 Trío\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 10 - Traditional\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## \u003cspan\u003eBest Folk Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Folk recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Folclórico\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Folclórica.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Folclórica\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Folclórica.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eCanto Y Rio\u003c/span\u003e***\u003cspan\u003e, Martina Camargo\u003c/span\u003e\n\n\u003cspan\u003e\\[Chaco World Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eC4 Suena A Navidad\u003c/span\u003e***\u003cspan\u003e, C4 Trío\u003c/span\u003e\n\n\u003cspan\u003e\\[C4 Trío - Guataca\\]\u003c/span\u003e\n\n***\u003cspan\u003eRaíz Nunca Me Fuí\u003c/span\u003e***\u003cspan\u003e, (Lila Downs, Niña Pastori, Soledad)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment México, S.A. De C.V.\\]\u003c/span\u003e\n\n***\u003cspan\u003ePaisajes\u003c/span\u003e***\u003cspan\u003e, Ciro Hurtado\u003c/span\u003e\n\n\u003cspan\u003e\\[Inti Productions Recordings\\]\u003c/span\u003e\n\n***\u003cspan\u003eBullerengue Y Tonada\u003c/span\u003e***\u003cspan\u003e, Tonada\u003c/span\u003e\n\n\u003cspan\u003e\\[Tambora Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## \u003cspan\u003eBest Tango Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Tango recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Tango\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Tango.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Tango\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Tango.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eEl Cantor De Tangos\u003c/span\u003e***\u003cspan\u003e, Guillermo Fernández Featuring Cristian Zarate\u003c/span\u003e\n\n\u003cspan\u003e\\[Acqua Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eTangos Cruzados\u003c/span\u003e***\u003cspan\u003e, Franco Luciani, Fabrizio Mocata\u003c/span\u003e\n\n\u003cspan\u003e\\[Acqua Records\\]\u003c/span\u003e\n\n***\u003cspan\u003e¿Y El Fin Del Amor?\u003c/span\u003e***\u003cspan\u003e, Mariana Mazú\u003c/span\u003e\n\n\u003cspan\u003e\\[Acqua Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eApiazolado\u003c/span\u003e***\u003cspan\u003e, Diego Schissi Quinteto\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Club Del Disco\\]\u003c/span\u003e\n\n***\u003cspan\u003eYa Está En El Aire\u003c/span\u003e***\u003cspan\u003e, Ullmann Cuarteto\u003c/span\u003e\n\n\u003cspan\u003e\\[Independiente\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## \u003cspan\u003eBest Flamenco Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Flamenco recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Flamenca\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Flamenca.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Flamenca\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Flamenca.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eAndenes Del Tiempo\u003c/span\u003e***\u003cspan\u003e, Vicente Amigo\u003c/span\u003e\n\n\u003cspan\u003e\\[Ritmo Amigo\\]\u003c/span\u003e\n\n***\u003cspan\u003eRumberas\u003c/span\u003e***\u003cspan\u003e, Las Migas\u003c/span\u003e\n\n\u003cspan\u003e\\[Las Migas Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eHistorias De Un Flamenco\u003c/span\u003e***\u003cspan\u003e, Antonio Rey\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[El Cerrito Records\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 11 - Jazz\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## \u003cspan\u003eBest Latin Jazz/Jazz Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Latin Jazz/Jazz recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Jazz Latino/Jazz\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Jazz Latino/Jazz.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Jazz Latino/Jazz\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Jazz Latino/Jazz.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eCollab\u003c/span\u003e***\u003cspan\u003e, Hamilton De Holanda \u0026amp; Gonzalo Rubalcaba\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil\\]\u003c/span\u003e\n\n***\u003cspan\u003eSearching For A Memory (Busco Tu Recuerdo)\u003c/span\u003e***\u003cspan\u003e, Sammy Figueroa Featuring Gonzalo Rubalcaba \u0026amp; Aymée Nuviola\u003c/span\u003e\n\n\u003cspan\u003e\\[Ashe Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eMy Heart Speaks\u003c/span\u003e***\u003cspan\u003e, Ivan Lins\u003c/span\u003e\n\n\u003cspan\u003e\\[Resonance Records\\]\u003c/span\u003e\n\n***\u003cspan\u003ePra Você, Ilza\u003c/span\u003e***\u003cspan\u003e, Hermeto Pascoal \u0026amp; Grupo\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Rocinante\\]\u003c/span\u003e\n\n***\u003cspan\u003eEl Arte Del Bolero, Vol. 2\u003c/span\u003e***\u003cspan\u003e, Miguel Zenón \u0026amp; Luis Perdomo\u003c/span\u003e\n\n\u003cspan\u003e\\[Miel Music\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 12 - Christian\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## \u003cspan\u003eBest Christian Album (Spanish Language)\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new Spanish language Christian recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Cristiano (En Español)\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Cristiana en Español.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Cristã (Língua Espanhola)\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais que contenham pelo menos 51% de tempo total gravado com material inédito de música Cristã em Espanhol.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eNecesito De Ti\u003c/span\u003e***\u003cspan\u003e, Jesús Israel\u003c/span\u003e\n\n\u003cspan\u003e\\[Colibrí Music Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eNo Yo, Sino Cristo\u003c/span\u003e***\u003cspan\u003e, Majo y Dan\u003c/span\u003e\n\n\u003cspan\u003e\\[CanZion\\]\u003c/span\u003e\n\n***\u003cspan\u003eMaverick\u003c/span\u003e***\u003cspan\u003e, Redimi2\u003c/span\u003e\n\n\u003cspan\u003e\\[Redimi2 Records Inc.\\]\u003c/span\u003e\n\n***\u003cspan\u003eKintsugi\u003c/span\u003e***\u003cspan\u003e, Un Corazón\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[CanZion\\]\u003c/span\u003e\n\n***\u003cspan\u003eTu Iglesia\u003c/span\u003e***\u003cspan\u003e, Marcos Witt\u003c/span\u003e\n\n\u003cspan\u003e\\[CanZion\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## \u003cspan\u003eBest Portuguese Language Christian Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new Portuguese language Christian recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Cristiano (En Portugués)\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Cristiana en Portugués.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Cristã (Língua Portuguesa)\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais que contenham pelo menos 51% de tempo total gravado com material inédito de música Cristã em Português.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eEle É Jesus - Ao Vivo\u003c/span\u003e***\u003cspan\u003e, Bruna Karla\u003c/span\u003e\n\n\u003cspan\u003e\\[MK Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eDeixa Vir - Vol II (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Thalles Roberto \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eIn Concert (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Rosa de Saron\u003c/span\u003e\n\n\u003cspan\u003e\\[Rosa De Saron Produções Artísticas Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eVida (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Eli Soares\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Christian Group\\]\u003c/span\u003e\n\n***\u003cspan\u003eTemporal\u003c/span\u003e***\u003cspan\u003e, Vocal Livre\u003c/span\u003e\n\n\u003cspan\u003e\\[Ventania/Vocal Livre\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 13 - Portuguese Language\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## \u003cspan\u003eBest Portuguese Language Contemporary Pop Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Portuguese Language Contemporary Pop recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Pop Contemporáneo en Lengua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Pop Contemporánea en Lengua Portuguesa.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Pop Contemporâneo em Língua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito Pop Contemporâneo em Língua Portuguesa.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eAfrodhit\u003c/span\u003e***\u003cspan\u003e, Iza\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Brasil Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eSuper\u003c/span\u003e***\u003cspan\u003e, Jão\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eAmaríssima\u003c/span\u003e***\u003cspan\u003e, Melly\u003c/span\u003e\n\n\u003cspan\u003e\\[Slap / Som Livre\\]\u003c/span\u003e\n\n***\u003cspan\u003eOs Garotin De São Gonçalo\u003c/span\u003e***\u003cspan\u003e, Os Garotin \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[MangoMusik / Believe\\]\u003c/span\u003e\n\n***\u003cspan\u003eEscândalo Íntimo\u003c/span\u003e***\u003cspan\u003e, Luísa Sonza\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda. | Luísa Sonza \u0026amp; Cia.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## \u003cspan\u003eBest Portuguese Language Rock or Alternative Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Portuguese language Rock or Alternative recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Rock o Música Alternativa en Lengua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Rock o música Alternativa en Lengua Portuguesa.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Rock ou de Música Alternativa em Língua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Rock ou Música Alternativa em Língua Portuguesa.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eErasmo Esteves\u003c/span\u003e***\u003cspan\u003e, Erasmo Carlos \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Som Livre\\]\u003c/span\u003e\n\n***\u003cspan\u003eNo Rastro de Catarina\u003c/span\u003e***\u003cspan\u003e, Cátia de França\u003c/span\u003e\n\n\u003cspan\u003e\\[Cátia De França / Tratore\\]\u003c/span\u003e\n\n***\u003cspan\u003eMe Chama de Gato Que Eu Sou Sua\u003c/span\u003e***\u003cspan\u003e, Ana Frango Elétrico\u003c/span\u003e\n\n\u003cspan\u003e\\[Risco / Altafonte\\]\u003c/span\u003e\n\n***\u003cspan\u003eOntem Eu Tinha Certeza (Hoje Eu Tenho Mais)\u003c/span\u003e***\u003cspan\u003e, Jovem Dionisio\u003c/span\u003e\n\n\u003cspan\u003e\\[Jd Produções\\]\u003c/span\u003e\n\n***\u003cspan\u003eLagum Ao Vivo\u003c/span\u003e***\u003cspan\u003e, Lagum\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## \u003cspan\u003eBest Portuguese Language Urban Performance\u003c/span\u003e\n\n\u003cspan\u003eFor commercially released singles or tracks (vocal or instrumental) of recordings in Portuguese language that contain 51% or more playing time of newly recorded (previously unreleased) material, and 51% playing time of Urban music. For solo artists, duos, or groups. Award to the Artist(s).\u003c/span\u003e\n\n## \u003cspan\u003eMejor Interpretación Urbana en Lengua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara sencillos o cortes (vocales o instrumentales) de grabaciones en portugués lanzados comercialmente, en las que 51% o más del tiempo total es material de una grabación nueva (no lanzada comercialmente) y 51% del tiempo total es música urbana. Para solistas, dúos o grupos. Premio al (a los) artista(s).\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Interpretação Urbana en Lengua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara singles ou faixas (vocais ou instrumentais), lançados comercialmente, de gravações em língua portuguesa que contenham material com 51% ou mais de tempo de reprodução de gravações recentes (que nunca foram lançadas comercialmente), e 51% de tempo de reprodução de música Urban. Para artistas solo, duplas ou grupos. Prêmio para o(s) Artista(s).\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Joga Pra Lua\"\u003c/span\u003e** \u003cspan\u003e– Anitta Featuring Dennis \u0026amp; Pedro Sampaio\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Funk Generation\u003c/span\u003e\n\n\u003cspan\u003e\\[Republic Records / Universal Music Latin Entertainment\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Cachimbo da Paz 2\"\u003c/span\u003e** \u003cspan\u003e– Gabriel O Pensador, Lulu Santos, Xamã\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: Antídoto Pra Todo Tipo de Veneno\u003c/span\u003e\n\n\u003cspan\u003e\\[Onerpm\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Da Braba\"\u003c/span\u003e** \u003cspan\u003e– Gloria Groove Featuring Ludmilla \u0026amp; Mc Gw\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Futuro Fluxo\u003c/span\u003e\n\n\u003cspan\u003e\\[Sb Music\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Carta Aberta\"\u003c/span\u003e** \u003cspan\u003e– Mc Cabelinho\u003c/span\u003e\n\n\u003cspan\u003e\\[Bairro 13 / Onerpm\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Fé nas Maluca\"\u003c/span\u003e** \u003cspan\u003e– Mc Carol, Iza\u003c/span\u003e\n\n\u003cspan\u003e\\[Warner Music Brasil Ltda.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"La Noche\"\u003c/span\u003e** \u003cspan\u003e– Yago Oproprio Featuring Patricio Sid\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Oproprio\u003c/span\u003e\n\n\u003cspan\u003e\\[Som Livre\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## \u003cspan\u003eBest Samba/Pagode Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Samba/Pagode recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Samba/Pagode\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Samba/Pagode.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Samba/Pagode\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Samba/Pagode.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eAlcione 50 Anos (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Alcione\u003c/span\u003e\n\n\u003cspan\u003e\\[Biscoito Fino\\]\u003c/span\u003e\n\n***\u003cspan\u003eXande Canta Caetano\u003c/span\u003e***\u003cspan\u003e, Xande De Pilares\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Gold Records / Uns Produções Artísticas\\]\u003c/span\u003e\n\n***\u003cspan\u003eIboru\u003c/span\u003e***\u003cspan\u003e, Marcelo D2\u003c/span\u003e\n\n\u003cspan\u003e\\[Pupila Dilatada / Altafonte\\]\u003c/span\u003e\n\n***\u003cspan\u003eTardezinha Pela Vida Inteira (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Thiaguinho\u003c/span\u003e\n\n\u003cspan\u003e\\[Paz \u0026amp; Bem / Virgin Music Brasil\\]\u003c/span\u003e\n\n***\u003cspan\u003eSubúrbio (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Tiee\u003c/span\u003e\n\n\u003cspan\u003e\\[Som Livre\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## \u003cspan\u003eBest MPB (Musica Popular Brasileira)/MAPB (Música Afro Portuguesa Brasileira) Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental MPB \u0026amp; MAPB recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum Música Popular Brasileña/Música Afro Portuguesa Brasileña\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de Música Popular Brasileña y Música Afro-Portuguesa Brasileña.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Popular Brasileira/Música Afro Portuguesa Brasileira\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de Música Popular Brasileira e Música Afro-Portuguesa-Brasileira (MAPB).\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e\\\n\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eD Ao Vivo Maceió\u003c/span\u003e***\u003cspan\u003e, Djavan\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda. / Luanda \u003c/span\u003e\n\n\u003cspan\u003eRecords Brasil Gravadora Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eSe o Meu Peito Fosse o Mundo\u003c/span\u003e***\u003cspan\u003e, Jota.Pê \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Slap / Som Livre\\]\u003c/span\u003e\n\n***\u003cspan\u003ePortas (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Marisa Monte\u003c/span\u003e\n\n\u003cspan\u003e\\[Phonomotor\\]\u003c/span\u003e\n\n***\u003cspan\u003eOutros Cantos\u003c/span\u003e***\u003cspan\u003e, Milton Nascimento, Chitãozinho \u0026amp; Xororó\u003c/span\u003e\n\n\u003cspan\u003e\\[Onda Musical\\]\u003c/span\u003e\n\n***\u003cspan\u003eNo Tempo da Intolerância\u003c/span\u003e***\u003cspan\u003e, Elza Soares\u003c/span\u003e\n\n\u003cspan\u003e\\[Deck\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## \u003cspan\u003eBest Sertaneja Music Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Sertaneja recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Sertaneja\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música Sertaneja.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Sertaneja\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música Sertaneja.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eBoiadeira Internacional (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Ana Castela\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Agroplay Music\\]\u003c/span\u003e\n\n***\u003cspan\u003eParaíso Particular (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Gusttavo Lima\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda. / Balada \u003c/span\u003e\n\n\u003cspan\u003eEventos e Produção Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eCintilante (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Simone Mendes\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eRaiz Goiânia (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Lauana Prado\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eLuan City 2.0 (Ao Vivo)\u003c/span\u003e***\u003cspan\u003e, Luan Santana\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda. / LS Music Produções Artísticas Eireli.\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## \u003cspan\u003eBest Portuguese Language Roots Album\u003c/span\u003e\n\n\u003cspan\u003eFor Albums containing at least 51% playing time of new vocal or instrumental Portuguese Language Roots recordings.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música de Raíces en Lengua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes vocales o instrumentales que contengan por lo menos 51% de tiempo total grabado con material nuevo de música de Raíces en Lengua Portuguesa.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música de Raízes em Língua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns vocais ou instrumentais que contenham pelo menos 51% de tempo total gravado com material inédito de música de Raízes em Língua Portuguesa.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eMariana e Mestrinho\u003c/span\u003e***\u003cspan\u003e, Mariana Aydar, Mestrinho \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Brisa Records/Lf+C / Altafonte\\]\u003c/span\u003e\n\n***\u003cspan\u003eAguidavi do Jêje\u003c/span\u003e***\u003cspan\u003e, \u003c/span\u003eAguidavi Do Jêje\n\n\u003cspan\u003e\\[Rocinante\\]\u003c/span\u003e\n\n***\u003cspan\u003eDe Norte a Sul\u003c/span\u003e***\u003cspan\u003e, João Gomes\u003c/span\u003e\n\n\u003cspan\u003e\\[Jg Shows/Believe\\]\u003c/span\u003e\n\n***\u003cspan\u003eNight Clube Forró Latino ( Volume I )\u003c/span\u003e***\u003cspan\u003e, Marcelo Jeneci\u003c/span\u003e\n\n\u003cspan\u003e\\[Onerpm\\]\u003c/span\u003e\n\n***\u003cspan\u003eFaróis do Sertão\u003c/span\u003e***\u003cspan\u003e, Gabriel Sater\u003c/span\u003e\n\n\u003cspan\u003e\\[Indomável Produções \u0026amp; Valetes Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## \u003cspan\u003eBest Portuguese Language Song\u003c/span\u003e\n\n\u003cspan\u003eA Songwriter(s) Award. A song must contain at least 60% of the lyrics in Portuguese and must be a new song. Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Canción en Lengua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Una canción debe contener por lo menos el 60% de letra en Portugués y deberá ser una canción nueva. Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Canção em Língua Portuguesa\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Compositor(es). Uma canção deve conter pelo menos 60% de letra em português e deve ser uma nova canção. Somente singles ou faixas.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Alinhamento Milenar\"\u003c/span\u003e** \u003cspan\u003e– Jão, Pedro Tófani \u0026amp; Zebu, songwriters (Jão)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Super\u003c/span\u003e\n\n\u003cspan\u003e\\[Universal Music Ltda.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Ata-me\"\u003c/span\u003e** \u003cspan\u003e– Junio Barreto, songwriter (Alaíde Costa)\u003c/span\u003e\n\n\u003cspan\u003e\\[Samba Rock Discos / Altafonte\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Chico\"\u003c/span\u003e** \u003cspan\u003e– Bruno Caliman, Carolzinha, Douglas Moda, Jenni Mosello \u0026amp; Luísa Sonza, songwriters (Luísa Sonza)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: Escândalo Íntimo\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment Brasil Ltda. | Luísa Sonza \u0026amp; Cia.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Esperança\"\u003c/span\u003e** \u003cspan\u003e– Criolo, Dino D'Santiago, Amaro Freitas \u0026amp; Nave, songwriters (Criolo, Dino D'Santiago, Amaro Freitas)\u003c/span\u003e\n\n\u003cspan\u003e\\[Oloko Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Ouro Marrom\"\u003c/span\u003e** \u003cspan\u003e– Jota.Pê, songwriter (Jota.Pê) — \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eTrack from: Se o Meu Peito Fosse o Mundo\u003c/span\u003e\n\n\u003cspan\u003e\\[Slap / Som Livre\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 14 - Children's\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## \u003cspan\u003eBest Latin Children’s Album\u003c/span\u003e\n\n\u003cspan\u003eFor albums containing at least 51% playing time of new musical recordings that are created and intended specifically for children.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Latina Para Niños\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes que contengan por lo menos 51% de tiempo total grabado con material nuevo de grabaciones que han sido creadas y destinadas específicamente para niños.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum Infantil Latino\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns que contenham pelo menos 51% de tempo total gravado com material inédito de gravações criadas especificamente para crianças.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eNavidad de Norte a Sur: Cantoalegre Big Band (En vivo)\u003c/span\u003e***\u003cspan\u003e, (Cantoalegre, Orquesta La Pascasia)\u003c/span\u003e\n\n\u003cspan\u003e\\[Cantoalegre\\]\u003c/span\u003e\n\n***\u003cspan\u003eCantemos Juntos\u003c/span\u003e***\u003cspan\u003e, Claraluna\u003c/span\u003e\n\n\u003cspan\u003e\\[2023 Claraluna Taller Artistico Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003e¡A Cantar!\u003c/span\u003e***\u003cspan\u003e, Danilo \u0026amp; Chapis\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Moon Moosic Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eDun Dun Dara\u003c/span\u003e***\u003cspan\u003e, Payasitas Nifu Nifa\u003c/span\u003e\n\n\u003cspan\u003e\\[Nifu Nifa Oficial LLC\\]\u003c/span\u003e\n\n***\u003cspan\u003eTodos Podemos Cantar 2024\u003c/span\u003e***\u003cspan\u003e, Todos Podemos Cantar\u003c/span\u003e\n\n\u003cspan\u003e\\[The Orchard\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 15 - Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## \u003cspan\u003eBest Classical Album\u003c/span\u003e\n\n\u003cspan\u003eAward to the Artist(s), Conductor, Producer(s), and established Orchestra/ Ensemble.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Álbum de Música Clásica\u003c/span\u003e\n\n\u003cspan\u003ePremio al Artista(s), Productor(es), Conductor y Orquesta/Conjunto establecido.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Música Clássica\u003c/span\u003e\n\n\u003cspan\u003ePrêmio para o(s) Artista(s), Produtor(es), Condutor, Conjunto ou Orquestra estabelecida.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eAire, Aire… No Puedo Respirar\u003c/span\u003e***\u003cspan\u003e, Ricardo Jaramillo, conductor; Ricardo Jaramillo, Jefferson Rosas \u0026amp; Marcela Zorro, album producers (Nueva Filarmonía)\u003c/span\u003e\n\n\u003cspan\u003e\\[Nueva Filarmonía/Naku Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eCredo For Orchestra, Choir And Five Soloists\u003c/span\u003e***\u003cspan\u003e, \u003c/span\u003eIván Cardozo, Fernando Escalona, Claudio González, Jhoxiris Medina \u0026amp; Grace Terán; Christian Vásquez, conductor; Maria Beatriz Cárdenas, Eugenio Carreño, Eduardo Martínez Planas \u0026amp; Eduardo Mendez, album producers (Simón Bolívar Symphony Orchestra Of Venezuela; Simón Bolívar National Choir)\n\n\u003cspan\u003e\\[El Sistema\\]\u003c/span\u003e\n\n***\u003cspan\u003eFandango\u003c/span\u003e***\u003cspan\u003e, Anne Akiko Meyers \u0026amp; Gustavo Castillo; Gustavo Dudamel, conductor; Dmitry Lipay, album producer (Los Angeles Philharmonic)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Los Angeles Philharmonic/Platoon\\]\u003c/span\u003e\n\n***\u003cspan\u003eFantasies of Buenos Aires\u003c/span\u003e***\u003cspan\u003e, \u003c/span\u003eLincoln Trio; Daniel Binelli, Lincoln Trio, Charlie Post \u0026amp; Ted Viviani, album producer\n\n\u003cspan\u003e\\[Acqua Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eThe Latin Rites\u003c/span\u003e***\u003cspan\u003e, Josep Vicent, conductor; Fernando Arias, album producer (Adda Simfònica Alicante)\u003c/span\u003e\n\n\u003cspan\u003e\\[ARIA Classics\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## \u003cspan\u003eBest Classical Contemporary Composition\u003c/span\u003e\n\n\u003cspan\u003eA Composer's Award. For newly, recorded original composition written in the last 25 years, and released for the first time during the Eligibility year.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Obra/Composición Clásica Contemporánea\u003c/span\u003e\n\n\u003cspan\u003ePremio al Compositor(es). Para las grabaciones nuevas de obras o composiciones originales que hayan sido compuestas dentro de los pasados 25 años y que hayan sido lanzadas pro primera vez dentro del Periodo de Elegibilidad.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Obra/Composição Clássica Contemporânea\u003c/span\u003e\n\n\u003cspan\u003ePrêmio para os Compositor(es). Para as gravações novas de obra ou composição original que tenham sido compostas nos últimos 25 anos, é que tenham sido lançadas pela primera vez dentro do Período de Elegibilidade.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Caribbean Berceuse\"\u003c/span\u003e** \u003cspan\u003e– Paquito D'Rivera, composer (Barcelona Clarinet Players, Paquito D'Rivera, North Texas Wind Symphony, Eugene Migliaro Corporon (Conductor))\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003ePanamericano\u003c/span\u003e*\n\n\u003cspan\u003e\\[GIA WindWorks\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Concerto for Electric Bass and Orchestra - Live at Adrienne Arsht Center Miami\"\u003c/span\u003e** \u003cspan\u003e– Rodner Padilla, composer (Rodner Padilla, Miami Symphony Orchestra, Eduardo Marturet (Conductor))\u003c/span\u003e\n\n\u003cspan\u003e\\[Rod Padilla Music/Escorcia Music\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Fandango\"\u003c/span\u003e** \u003cspan\u003e– Arturo Márquez, composer (Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Los Angeles Philharmonic/Platoon\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"La Minerva - III. Himno A La Mujer\"\u003c/span\u003e** \u003cspan\u003e– Juan Pablo Contreras, composer (Juan Pablo Contreras, Orquesta Latino Mexicana, Angélica Olivo)\u003c/span\u003e\n\n\u003cspan\u003e\\[2023 Universal Music Group México, S.A. de C.V.\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Meditation No.1\"\u003c/span\u003e** \u003cspan\u003e– Julien Labro, composer (Takács Quartet, Julien Labro)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eTakács Assad Labro\u003c/span\u003e*\n\n\u003cspan\u003e\\[Yarlung Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Sueño Austral\"\u003c/span\u003e** \u003cspan\u003e– Daniel Freiberg, composer (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay \u0026amp; Daniel Freiberg)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003ePanamericano\u003c/span\u003e*\n\n\u003cspan\u003e\\[GIA WindWorks\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 16 - Arranging\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## \u003cspan\u003eBest Arrangement\u003c/span\u003e\n\n\u003cspan\u003eArrangement must be new, released for the first time on any recording during the current eligibility year. Award to Arranger(s). Singles or Tracks only.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Arreglo\u003c/span\u003e\n\n\u003cspan\u003eUn arreglo debe ser nuevo, lanzado por primera vez en cualquier grabación durante el año de elegibilidad actual. Premio al Arreglista(s). Solamente sencillos o cortes.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Arranjo\u003c/span\u003e\n\n\u003cspan\u003eO arranjo deve ser novo, lançado pela primeira vez em qualquer gravação durante o ano de elegibilidade atual. Prêmio para: Arranjador(es). Apenas Singles ou Tracks.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Sueño Austral\"\u003c/span\u003e** \u003cspan\u003e– (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay \u0026amp; Daniel Freiberg)\u003c/span\u003e\n\n\u003cspan\u003eDaniel Freiberg, arranger (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay \u0026amp; Daniel Freiberg)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003ePanamericano\u003c/span\u003e*\n\n\u003cspan\u003e\\[Gia WindWorks\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Night In Tunisia\"\u003c/span\u003e** \u003cspan\u003e– Hilario Durán And His Latin Jazz Big Band Featuring Paquito D'Rivera\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eHilario Durán, arranger (Hilario Durán And His Latin Jazz Big Band Featuring Paquito D'Rivera)\u003c/span\u003e\n\n\u003cspan\u003eTrack from: \u003c/span\u003e*\u003cspan\u003eCry Me A River\u003c/span\u003e*\n\n\u003cspan\u003eAlma Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Fuego De Noche, Nieve De Día\"\u003c/span\u003e** \u003cspan\u003e– Ricky Martin, Christian Nodal\u003c/span\u003e\n\n\u003cspan\u003eJulio Reyes Copello, arranger (Ricky Martin, Christian Nodal)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment US Latin LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Linha de Passe\"\u003c/span\u003e** \u003cspan\u003e– Orquestra Jazz De Matosinhos, Gabi Guedes, Kiko Freitas\u003c/span\u003e\n\n\u003cspan\u003eNailor Proveta, arranger (Orquestra Jazz De Matosinhos, Gabi Guedes, Kiko Freitas)\u003c/span\u003e\n\n\u003cspan\u003e\\[Biscoito Fino\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Rapsodia Aérea\"\u003c/span\u003e**\n\n\u003cspan\u003eAndrés Soto, Orquesta Sinfónica Nacional de Costa Rica, Carl St. Clair\u003c/span\u003e\n\n\u003cspan\u003eAndrés Soto, arranger (Andrés Soto, Orquesta Sinfónica Nacional de Costa Rica, Carl St. Clair)\u003c/span\u003e\n\n\u003cspan\u003e\\[Andres Soto\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 17 - Recording Package\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## \u003cspan\u003eBest Recording Package\u003c/span\u003e\n\n\u003cspan\u003eAward to the Art Director(s).\u003c/span\u003e\n\n## \u003cspan\u003eMejor Diseño de Empaque\u003c/span\u003e\n\n\u003cspan\u003ePremio al Director de Arte.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Projecto Gráfico de Um Álbum\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao Diretor de Arte.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eEn Vivo - 100 Años de Azúcar\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Nelson Albareda, Sebastian Aristizabal, Kemelly Figueroa-Mouriz, Omer Pardillo-Cid \u0026amp; Albertico Rodríguez, art directors (Celia Cruz) \u003c/span\u003e**\u003cspan\u003e— WINNER/TIE\u003c/span\u003e**\n\n\u003cspan\u003e\\[Loud And Live Studios\\]\u003c/span\u003e\n\n***\u003cspan\u003eFigurantes\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Boa Mistura, art director (Vetusta Morla)\u003c/span\u003e\n\n\u003cspan\u003e\\[Pequeño Salto Mortal. / Sony Music Entertainment España S.L.\\]\u003c/span\u003e\n\n***\u003cspan\u003eKarma\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Carlos Ortíz, art director (Diana Burco) \u003c/span\u003e**\u003cspan\u003e— WINNER/TIE\u003c/span\u003e**\n\n\u003cspan\u003e\\[Codiscos S.A.S.\\]\u003c/span\u003e\n\n***\u003cspan\u003eRealismo Mágico\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Carlos Sadness, art director (Carlos Sadness)\u003c/span\u003e\n\n\u003cspan\u003e\\[Sony Music Entertainment España, S.L.\\]\u003c/span\u003e\n\n***\u003cspan\u003eTekoá\u003c/span\u003e**\u003cspan\u003e,\u003c/span\u003e*\u003cspan\u003e Leonardo Macias, art director (Jair Oliveira)\u003c/span\u003e\n\n\u003cspan\u003e\\[S De Samba/Marshmelody\\]\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 18 - Songwriter\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## \u003cspan\u003eSongwriter of the Year\u003c/span\u003e\n\n\u003cspan\u003eSix (6) singles or tracks (Spanish, Portuguese, or any native regional dialect) released for the first time during the current eligibility year. Songwriter must be credited “solely” as a songwriter or co-writer. Songwriter with a minimum of 6 newly written songs in which they are listed as a non-performing, non-producing songwriter, or co-writer.\u003c/span\u003e\n\n## \u003cspan\u003eCompositor del Año\u003c/span\u003e\n\n\u003cspan\u003ePara sencillos o cortes solamente. Seis (6) sencillos o cortes (en español, portugués o cualquier dialecto autóctono regional) lanzados por primera vez durante el año actual de elegibilidad. El compositor debe haber recibido crédito únicamente como compositor o co-compositor. Para compositores con un mínimo de seis canciones recién compuestas en las que se les acredite como compositor o co-compositor y que no son el intérprete, productor o ingeniero.\u003c/span\u003e\n\n## \u003cspan\u003eCompositor do Ano\u003c/span\u003e\n\n\u003cspan\u003eSomente para singles ou faixas. Seis (6) singles ou faixas (espanhol, português ou qualquer dialeto regional nativo) lançado pela primeira vez durante o ano de elegibilidade atual. O compositor deve ser creditado somente como compositor ou co-autor. Compositores com um mínimo de seis canções recém-escritas nas quais são creditados como compositor ou co-autor e que não são o intérprete, produtor ou engenheiro.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003eEdgar Barrera — WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Cuestion De Tiempo\" (Don Omar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"En Tus Sueños o En Los Míos\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira, Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Mi Ex Tenía Razón\" (Karol G) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Ojos Verdes\" (Nicki Nicole) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"The One\" (Pero No Como Yo) (Carin Leon, Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Por El Contrario\" (Becky G, Angela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"XL\" (Grupo Firme, Luis Mexia) (S)\u003c/span\u003e\n\n**\u003cspan\u003eYoel Henríquez\u003c/span\u003e**\n\n\u003cspan\u003e\"Equipo Favorito\" (India Martinez Feauring La Adictiva) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Eres Tú\" (Diego Torres) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"La Que Se Nos Viene\" (Emmanuel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"La Sicologa\" (Fonseca) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Llorar Bonito\" (Luis Figueroa) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mi X\" (Kenia Os) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Tienes Que Ser Tú\" (La Energía Norteña) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Todas Menos Una\" (Luis Figueroa) (T)\u003c/span\u003e\n\n**\u003cspan\u003eManuel Lorente Freire\u003c/span\u003e**\n\n\u003cspan\u003e\"El Jefe\" (Shakira, Fuerza Regida) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira, Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Existo\" (Carin Leon, Pedro Capó) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Feriado\" (Rawayana) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Igual Que Un Ángel\" (Kali Uchis, Peso Pluma) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Legendario\" (Nathy Peluso) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Nunca La Olvidé\" (Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"2ndo Chance\" (Becky G, Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Vocation\" (Ozuna, David Guetta) (T)\u003c/span\u003e\n\n**\u003cspan\u003eHoracio Palencia\u003c/span\u003e**\n\n\u003cspan\u003e\"Ahí La Llevo\" (Carin Leon, Hijos de Barron) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Alch Si\" (Carin Leon, Grupo Frontera) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Alguien De Aquí\"(Nathan Galante, Gerardo Coronel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Buen Provecho\" (La Adictiva, Gerardo Coronel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"En Altavoz\" (Grupo Frontera, Junior H) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Ojitos Rojos\" (Grupo Frontera, Ke Personajes) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Se Cancela La Depre\" (En Vivo) (Grupo Firme) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Tu Perfume\" (Banda Ms De Sergio Lizárraga) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Ya Pedo Quién Sabe\" (Grupo Frontera, Christian Nodal) (S)\u003c/span\u003e\n\n**\u003cspan\u003ePablo Preciado\u003c/span\u003e**\n\n\u003cspan\u003e\"Ahora\" (David Bisbal, Carlos Rivera) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Corazón A Medio Día\" (Pepe Aguilar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"De Tanto\" (Chayanne) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"El Amor Cuando Se Va\" (Intocable) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Hasta Que Me Duermo\" (Pepe Aguilar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mi Alma Rota\" (Tanto) (Intocable) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Ojalá Estuvieras Aquí\" (Intocable) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Te Acuerdas\" (Ha Ash, Reik) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 19 - Production\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## \u003cspan\u003eBest Engineered Album\u003c/span\u003e\n\n\u003cspan\u003eFor newly recorded albums released for the first time during the current Eligibility Year. Award to Recording Engineer(s) and Mixer(s) credited with at least 33% of the album, and Mastering Engineer (s) credited with at least 51% of the album. NOT ELIGIBLE: Albums of previously released material do not qualify. Engineers credited as “assistant”, “additional”, “second engineer(s)”, etc., are not eligible.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Ingeniería de Grabación para un Álbum\u003c/span\u003e\n\n\u003cspan\u003ePara álbumes grabados recientemente que hayan sido lanzados por primera vez durante el período actual de elegibilidad. Premio al (a los) ingeniero(s) de grabación e ingeniero(s) de mezcla acreditado(s) con al menos un 33% del álbum y masterizador(es) acreditados con al menos 51% del álbum.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Álbum de Engenharia de Gravação\u003c/span\u003e\n\n\u003cspan\u003ePara álbuns recém-gravados lançados pela primeira vez durante o atual Ano de Elegibilidade. Prêmio para Engenheiro(s) de Gravação e Engenheiro(s) de Mixagem creditado(s) com pelo menos 33% do álbum e Engenheiro(s) de Masterização creditados com pelo menos 51% do álbum.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n***\u003cspan\u003eAnalu\u003c/span\u003e***\u003cspan\u003e, Tó Brandileone, engineer; Daniel Musy, mixer; André Dias, mastering engineer (Analu Sampaio)\u003c/span\u003e\n\n\u003cspan\u003e\\[F/Simas\\]\u003c/span\u003e\n\n***\u003cspan\u003eEra Uma Vez\u003c/span\u003e***\u003cspan\u003e, Pedro Peixoto \u0026amp; Matheus Stiirmer, engineers; Pedro Peixoto, mixer; Fili Filizzola, mastering engineer (Mobi Colombo)\u003c/span\u003e\n\n\u003cspan\u003e\\[Loco Records\\]\u003c/span\u003e\n\n***\u003cspan\u003eOs Garotin De São Gonçalo\u003c/span\u003e***\u003cspan\u003e, Uiliam Pimenta, Julio Raposo \u0026amp; Pepê Santos, engineers; Bernardo Martins, mixer; Felipe Tichauer, mastering engineer (Os Garotin)\u003c/span\u003e\n\n\u003cspan\u003e\\[MangoMusik / Believe\\]\u003c/span\u003e\n\n***\u003cspan\u003eQuem É Ela?\u003c/span\u003e***\u003cspan\u003e, \u003c/span\u003eTúlio Airold, Alex Dos Reis Silva, José Gil \u0026amp; Gianlucca Pernechele Azevedo, engineers; João Milliet, mixer; Fili Filizzola, mastering engineer (Mariana Nolasco)\n\n\u003cspan\u003e\\[No Santo Som / Universal Music Ltda.\\]\u003c/span\u003e\n\n***\u003cspan\u003eSe o Meu Peito Fosse o Mundo\u003c/span\u003e***\u003cspan\u003e, Thiago Baggio, Will Bone, Leonardo Emocija, Rodrigo Lemos \u0026amp; Felipe Vassão, engineers; João Milliet, mixer; Felipe Tichauer, mastering engineer (Jota.Pê)\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\\[Slap / Som Livre\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## \u003cspan\u003eProducer of the Year\u003c/span\u003e\n\n\u003cspan\u003eA Producer’s Award. (Artists names appear in parenthesis).\u003c/span\u003e\n\n## \u003cspan\u003eProductor del Año\u003c/span\u003e\n\n\u003cspan\u003ePremio al/los Productor(es). (Los artistas aparecen entre paréntesis).\u003c/span\u003e\n\n## \u003cspan\u003eProdutor do Ano\u003c/span\u003e\n\n\u003cspan\u003ePrêmio ao(s) Produtor(es). (Os artistas denominam aparecem no parêntese).\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003eEdgar Barrera — WINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Cosas De La Peda\" (Prince Royce Featuring Gabito Ballesteros) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Cuando La Vida Sea Trago\" (Carin León) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Difícil Tu Caso\" (Alejandro Fernández) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"El Jefe\" (Shakira \u0026amp; Fuerza Regida) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Esquinas\" (Becky G) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Jugando A Que No Pasa Nada\" (Grupo Frontera) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Me Gusta Tu Flow\" (Arcángel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Mi Ex Tenía Razón\" (Karol G) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Obsessed Pt. 2\" (Yahritza Y Su Esencia) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Según Quién\" (Maluma \u0026amp; Carin León) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEduardo Cabra\u003c/span\u003e**\n\n\u003cspan\u003e\"Alkemi\" (Daymé Arocena) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bachaqué\" (Mima) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Esta Vida Que Elegí\" (st. Pedro) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Guarapo Y Flor\" (Seba Otero, Bebo Dumont) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Malabar\" (Seba Otero Featuring Irepelusa) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Manual De Romería\"(Rodrigo Cuevas) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Miel\" (Rawayana, Rafa Pabön, Cabra) (T)\u003c/span\u003e\n\n**\u003cspan\u003eNico Cotton\u003c/span\u003e**\n\n\u003cspan\u003e\"Atelier\" (Chita) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Diamante (Louta, Elsa y Elmar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Faltas Tú\" (Morat) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Jet Love\" (Conociendo Rusia) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"La Carta\" (Daniela Spalla) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"La Vivida Noche\" (Usted Señálemelo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Pelo Suelto\" (Elsa y Elmar \u0026amp; Conociendo Rusia) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Siempre Que Lo Beso\" (Miranda! \u0026amp; Kenia OS) (S)\u003c/span\u003e\n\n\u003cspan\u003eUn Día (Lara91k, Julieta Venegas) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"X Siempre\" (Usted Señalemelo) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJuan Luis Guerra, Janina Rosado\u003c/span\u003e**\n\n\u003cspan\u003e\"Capitán Avispa\" (Original Motion Picture Soundtrack) (Juan Luis Guerra 4.40) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Radio Güira\" (Juan Luis Guerra 4.40) (A)\u003c/span\u003e\n\n**\u003cspan\u003eJulio Reyes Copello\u003c/span\u003e**\n\n\u003cspan\u003e\"A La Mitad\" - Banda Sonora Original De La Serie \"Zorro\" (Maura Nava) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Aún Me Sigo Encontrando\" (Gian Marco \u0026amp; Rubén Blades) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Fuego De Noche, Nieve De Día\" (Ricky Martin \u0026amp; Christian Nodal) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Los Sueños De Tu Vida\" (Gian Marco \u0026amp; Silvio Rodriguez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Nacimos Solos\" - Banda Sonora Original De La Serie \"Zorro\" (Juanes) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Perderme\" - Banda Sonora Original De La Serie \"Zorro\" (Morat) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Quise Quererte\" (Joaquina) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Se Te Va A Olvidar\" (Agris) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Me Llevas Contigo\" - Banda Sonora Original De La Serie \"Zorro\" (Carin León Featuring Keith Urban \u0026amp; Rosario) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Vale La Pena\" (Laura Pausini) (T)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 20 - Music Video\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## \u003cspan\u003eBest Short Form Music Video\u003c/span\u003e\n\n\u003cspan\u003eFor an individual track or single promotional clip. Award to the Artist and to the Video Director/Producer.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Video Musical Versión Corta\u003c/span\u003e\n\n\u003cspan\u003ePara un clip promocional de un corte o sencillo. Premio al /los Artista(s), Director(es) del Video y Productor(es) del Video.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Vídeo Musical Versão Curta\u003c/span\u003e\n\n\u003cspan\u003ePara um clip promocional de uma faixa ou single. Prêmio ao(s) Artista(s), Diretor(es) do Vídeo e Produtor(es) do Vídeo.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e\\\n\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Ale Ale (Official Video)\"\u003c/span\u003e**\u003cspan\u003e – Marc Anthony\u003c/span\u003e\n\nCarlos Pérez, video director; Joanna Egozcue, Gianni Felice \u0026amp; Felipe Pimiento, video producers\n\n\\[Elastic People\\]\n\n**\u003cspan\u003e\"Baticano\"\u003c/span\u003e**\u003cspan\u003e – Bad Bunny\u003c/span\u003e\n\n\u003cspan\u003eStillz, video director\u003c/span\u003e\n\n\u003cspan\u003e\\[Rimas Entertainment LLC\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Oliveira Dos Cen Anos\"\u003c/span\u003e**\u003cspan\u003e – C. Tangana\u003c/span\u003e\n\nC. Tangana, video director; Cris Trenas, video producer\n\n\\[2023 Oliveira Dos Cen Anos. Editado Bajo Distribución Exclusiva por Sony Music Entertainment España, S.L\\]\n\n**\u003cspan\u003e\"Sálvanos\"\u003c/span\u003e**\u003cspan\u003e – Leonel García\u003c/span\u003e\n\n\u003cspan\u003eNuno Gomes, video director; \u003c/span\u003eMaite Calzacorta, video producer\n\n\u003cspan\u003e\\[Sony Music Entertainment Mexico\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Glock\"\u003c/span\u003e**\u003cspan\u003e – Mau Y Ricky\u003c/span\u003e\n\nDaniel Durán, video director; Alegna Espinoza, Ana Martínez \u0026amp; Maricel Zambrano, video producers\n\n\u003cspan\u003e\\[Why Club Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"313\"\u003c/span\u003e**\u003cspan\u003e – Residente Featuring Penélope Cruz \u0026amp; Silvia Pérez Cruz\u003c/span\u003e **\u003cspan\u003e— WINNER\u003c/span\u003e**\n\n\u003cspan\u003eResidente, video director; Carolina Wolf, video producer\u003c/span\u003e\n\n\u003cspan\u003e\\[5020 Records\\]\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## \u003cspan\u003eBest Long Form Music Video\u003c/span\u003e\n\n\u003cspan\u003eFor Video Packages consisting of more than one song. Award to the Artist and to the Video Director/Producer of at least 51% of the total playing time.\u003c/span\u003e\n\n## \u003cspan\u003eMejor Video Musical Versión Larga\u003c/span\u003e\n\n\u003cspan\u003ePara Videos Musicales que contienen mas de una canción. Premio al Artista(s), Director(es) del Video y Productor(es) del Video.\u003c/span\u003e\n\n## \u003cspan\u003eMelhor Video Musical Versão Longa\u003c/span\u003e\n\n\u003cspan\u003ePara vídeos musicais que constam de mais de uma canção. Prêmio para o(s) Artista(s), Director(es) do Video e Produtor(es) do Video.\u003c/span\u003e\n\n*\u003cspan\u003e-\u003c/span\u003e*\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Beautiful Humans Vol 1. Documental\"\u003c/span\u003e** \u003cspan\u003e– Alemor\u003c/span\u003e\n\n\u003cspan\u003eWismer Jimenez, video director; Alemor \u0026amp; Wismer Jimenez, video producers\u003c/span\u003e\n\n\u003cspan\u003e\\[Wizzmor Inc\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Meu Karma\"\u003c/span\u003e** \u003cspan\u003e– Jovem Mk\u003c/span\u003e\n\nKaique Alves \u0026amp; Paladino, video directors; Rodrigo Castello, Konrad Dantas, Mariê Nunes \u0026amp; Eduardo Saraiva, video producers\n\n\u003cspan\u003e\\[Kondzilla \u0026amp; Czar Sp\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Hotel Caracas\"\u003c/span\u003e** \u003cspan\u003e– Mau Y Ricky\u003c/span\u003e\n\nDaniel Durán, video director; Alegna Espinoza, Ana Martínez \u0026amp; Maricel Zambrano, video producers\n\n\u003cspan\u003e\\[2024 Why Club Records\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Grasa (Album Long Form)\"\u003c/span\u003e** \u003cspan\u003e– Nathy Peluso \u003c/span\u003e**\u003cspan\u003e— WINNER\u003c/span\u003e**\n\nAgustín Puente, video director; Juan Manuel Cuervo, video producer\n\n\u003cspan\u003e\\[5020 Records/ Sony Music Entertainment\\]\u003c/span\u003e\n\n**\u003cspan\u003e\"Nacimos Llorando\"\u003c/span\u003e** \u003cspan\u003e– Rubio\u003c/span\u003e\n\n\u003cspan\u003eFernando Cattori, video director; Luis Betances, Fernando Cattori, Josep Pardo, Jaume Rigual, Ana Laura Solis, Aura Solis \u0026amp; Joe Solis, video producers\u003c/span\u003e\n\n\\[FAMA Collective\\]"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"a3da3d08-4ed3-4dd2-8aa4-d9f2fc09e674"},"contentGenre":["Latin","Alternative","Classical","Contemporary Christian","Mexican","Pop","Rap","Rock","Reggae","Jazz","American Roots Music","Children's","Comedy","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Music for Visual Media","Musical Theater","New Age","R\u0026B","Spoken Word","World Music"],"tags":["2024 Latin GRAMMYs","Latin Recording Academy","Latin Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1726579915879,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"2024 Latin GRAMMYs: See The Full Winners \u0026 Nominations List","shortTitle":"2024 Latin GRAMMYs: See The Full Winners List","subHeadline":"Read the full list of winners and nominees in all 58 categories at the 2024 Latin GRAMMYs here, including Best New Artist, Album Of The Year, Song Of The Year, Record Of The Year, and more.","articleSummary":"Read the full list of winners and nominees in all 58 categories at the 2024 Latin GRAMMYs here, including Best New Artist, Album Of The Year, Song Of The Year, Record Of The Year, and more.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2024 Latin GRAMMYs (25 Latin GRAMMYs) Logo GREEN","deliveryId":"a3da3d08-4ed3-4dd2-8aa4-d9f2fc09e674"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2024_latin_grammys_nominations_MOJITO_1644x925_LOGO_1","id":"82f17b43-764e-40ec-9fe6-f9882d962ed0","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic courtesy of the Latin Recording Academy"},"tags":["2024 Latin GRAMMYs"],"title":"Hero: 2024 Latin GRAMMYs (25 Latin GRAMMYs) Logo GREEN","shortTitle":"Hero: 2024 Latin GRAMMYs (25 Latin GRAMMYs) Logo GREEN","imgAlt":"An image featuring the logo for the 2024 Latin GRAMMYs, officially known as the 25th Annual Latin GRAMMY Awards. The words \"Latin GRAMMY\" and the number 25 are featured alongside a Latin GRAMMY Award logo on top of a green background.","link":"/","captionValue":"The 2024 Latin GRAMMYs will air live on Thursday, Nov. 14.","captionSummary":"The 2024 Latin GRAMMYs will air live on Thursday, Nov. 14.","imgTitle":"Hero: 2024 Latin GRAMMYs (25 Latin GRAMMYs) Logo GREEN","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"10 Meaningful Moments From The 2024 Latin GRAMMYs: Karol G’s Heartfelt Speech, Tributes To Late Legends \u0026 More","deliveryKey":"news/latin-grammys-2024-best-moments-karol-g-carin-leon-carlos-vives","deliveryId":"b7350db2-19b0-468a-b741-00798ee578c7"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"3bb3a985-6300-4b02-a16a-737be861baad"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - 2024 Latin GRAMMYs Best Moments","deliveryId":"1815f861-e4c2-4a1e-8ca1-763629120766"},"bodyText":{"richText":"\u003cspan\u003eOne would have expected plenty of pomp and circumstance as the Latin GRAMMYs celebrated their 25th\u003c/span\u003e \u003cspan\u003eyear anniversary. But there were no lengthy speeches or self-congratulatory videos during the Nov. 14 telecast.\u003c/span\u003e\n\n\u003cspan\u003eThis year, the telecast focused on the things that matter: saluting the magic of undying genres like salsa, rock and bossa nova. Honoring the legacies of such Latin American trendsetters as\u003c/span\u003e [\u003cspan\u003eCarlos Vives\u003c/span\u003e](https://www.latingrammy.com/artists/carlos-vives/23269-01) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eJuan Luis Guerra\u003c/span\u003e](https://www.latingrammy.com/artists/juan-luis-guerra/20651-01)\u003cspan\u003e. Giving artists a carefully curated space where to showcase their craft and inspiration.\u003c/span\u003e\n\n\u003cspan\u003eFrom the stark cinematic moods of reggaetón to the healing warmth of Afro-Caribbean roots and the bold expansion of\u003c/span\u003e *\u003cspan\u003emúsica mexicana\u003c/span\u003e*\u003cspan\u003e, here are 10 of the most exciting celebratory moments from the 2024 Latin GRAMMYs.\u003c/span\u003e\n\n## \u003cspan\u003eThe Music Of Carlos Vives Is A Priceless Cultural Treasure\u003c/span\u003e\n\n\u003cspan\u003eColombian singer/songwriter Carlos Vives was The Latin Recording Academy's 2024\u003c/span\u003e [\u003cspan\u003ePerson Of The Year\u003c/span\u003e](https://www.grammy.com/news/carlos-vives-interview-2024-latin-recording-academy-person-of-the-year) \u003cspan\u003e— a fitting recognition to his groundbreaking fusion of the accordion-heavy vallenato music of his land with rock, pop and even reggae. Vives' path of innovation began with the 1993 album\u003c/span\u003e *\u003cspan\u003eClásicos de la Provincia\u003c/span\u003e*\u003cspan\u003e, and, like the Latin GRAMMYs, his career has evolved much over the last 25 years.\u003c/span\u003e\n\n\u003cspan\u003eThe singer kicked off the telecast with a career-spanning medley of hits such as \"Fruta Fresca\" — a rollicking gem off his 1999 classic\u003c/span\u003e *\u003cspan\u003eEl Amor de mi Tierra\u003c/span\u003e* \u003cspan\u003e— and the more recent \"La Bicicleta.\" At the end of his performance, he was joined by an enthusiastic group of fellow singers, including\u003c/span\u003e [\u003cspan\u003eJuanes\u003c/span\u003e](https://www.latingrammy.com/artists/juanes/20909-01) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eCamilo\u003c/span\u003e](https://www.latingrammy.com/artists/camilo/36371-01)\u003cspan\u003e. This brisk summary of his creative genius underscored his innate ability to connect with the essence of Latin American culture.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eWatch: Carlos Vives Performs \"La Bicicleta,\" \"Robarte Un Beso\" \u0026amp; More At The 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/carlos-vives-performance-2024-latin-grammys-video-watch)\n\n## \u003cspan\u003eThe Moody Soundscapes Of Urbano Continue To Expand\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG EMBED: Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","deliveryId":"55567d2c-0edf-4f81-942a-929309d891d5"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCZl9LHJ5rE/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCZl9LHJ5rE/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - 2024 Latin GRAMMYs Best Moments","deliveryId":"b1b9ec59-47a4-42b6-98ef-8fdf6d3d3745"},"bodyText":{"richText":"\u003cspan\u003eJagged regaetón beats and ominous trap atmospherics are a natural component of the Latin pop DNA. But the\u003c/span\u003e *\u003cspan\u003eurbano\u003c/span\u003e* \u003cspan\u003euniverse continues to grow, experimenting with novel song structures while incorporating references to other genres.\u003c/span\u003e\n\n\u003cspan\u003eEarly on in the telecast, three contemporary stars joined forces for a segment that showcased the ever evolving side of\u003c/span\u003e *\u003cspan\u003eurbano\u003c/span\u003e*\u003cspan\u003e. Eladio Carrión (\"Mama's Boy\") Quevedo (\"Columbia\") and Myke Towers (\"La Falda\") combined their proven commercial appeal with a sophisticated vision.\u003c/span\u003e\n\n## \u003cspan\u003eA True Master Never Stops Learning His Craft\u003c/span\u003e\n\n\u003cspan\u003eLet's just say that this year's ceremony was a memorable evening for perennial Latin GRAMMY favorite Juan Luis Guerra. The 67-year-old singer/songwriter won the coveted Record Of The Year and Album Of The Year awards, and cherished his Dominican roots in his acceptance speech.\u003c/span\u003e\n\n\u003cspan\u003eBut Guerra also let the music speak for itself in a mesmerizing performance of Record Of The Year winning track \"MAMBO 23.\" A stunning display of craftsmanship, it begins with a dembow beat, incorporates electronic loops, and also switches between the haunting qualities of spiraling bachata lines and the raucous party vibe of traditional merengue — all within the same song. Clearly, Guerra continues to learn and further refine his musical lexicon with each new project.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eJuan Luis Guerra Sweeps The 2024 Latin GRAMMYs With 'Radio Güira'\u003c/span\u003e](https://www.grammy.com/news/juan-luis-guerra-sweeps-2024-latin-grammys-performance-acceptance-speech-watch)\n\n## \u003cspan\u003eThree Mexican Legends Are Sorely Missed\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Alejandro Fernandez performs at 2024 Latin GRAMMYs","deliveryId":"e94b9f59-660b-4ce6-847a-86ca4ab1fcad"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"3bfa17be-b351-4e65-93de-e92f94ec3880","name":"Alejandro-Fernandez-2024-Latin-GRAMMYs","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Alejandro Fernandez"],"title":"Alejandro Fernandez performs at 2024 Latin GRAMMYs","shortTitle":"Alejandro Fernandez at 2024 Latin GRAMMYs","imgAlt":"Alejandro Fernandez at 2024 Latin GRAMMYs","imgTitle":"Alejandro Fernandez performs at 2024 Latin GRAMMYs","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - 2024 Latin GRAMMYs Best Moments","deliveryId":"97f49a87-5b95-4bd2-960c-d9c2d2408b11"},"bodyText":{"richText":"\u003cp style=\"text-align: right\"\u003eAlejandro Fernández | Photo: Getty Images for The Latin Recording Academy\u003c/p\u003e\n\n\u003cspan\u003eThere was a reflective quality to this year's telecast, which included tributes to classic genres and luminaries of the past. Perhaps the most poignant, though, was the segment dedicated to three late giants of Mexican music:\u003c/span\u003e [\u003cspan\u003eJuan Gabriel\u003c/span\u003e](https://www.latingrammy.com/artists/juan-gabriel/20351-01)\u003cspan\u003e, José José and\u003c/span\u003e [\u003cspan\u003eVicente Fernández\u003c/span\u003e](https://www.latingrammy.com/artists/vicente-fernandez/20214-01)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThe delicate sadness of Juan Gabriel's \"Hasta Que Te Conocí\" (performed by Reik and Leonel García), the apocalyptic balada pathos of José José's \"El Triste\" as a duet (a duet with Carlos Rivera and David Bisbal), and the unapologetic joy of Vicente Fernández's \"No Me Sé Rajar\" (fittingly, by his son Alejandro) — illustrated the monumental sway that these masters still hold in the Latin music zeitgeist.\u003c/span\u003e\n\n## \u003cspan\u003eSalsa Lives On — And It Grooves Like Crazy\u003c/span\u003e\n\n\u003cspan\u003eWhile it is true that the heyday of salsa took place during the '70s and '80s, this is a genre that simply refuses to grow stale. And to prove it, a parade of stars delivered a dazzling tribute to the tenets of salsa fever.\u003c/span\u003e\n\n\u003cspan\u003eVenezuela's\u003c/span\u003e [\u003cspan\u003eOscar D'León\u003c/span\u003e](https://www.latingrammy.com/artists/oscar-dleon/19763-01) \u003cspan\u003eoffered a swinging reading of his 1974 classic \"Llorarás,\" while Colombia's\u003c/span\u003e [\u003cspan\u003eGrupo Niche\u003c/span\u003e](https://www.latingrammy.com/artists/grupo-niche/23584-01) \u003cspan\u003ehad the audience chanting along to the chorus of \"Una Aventura.\" Tito Nieves and young stars\u003c/span\u003e [\u003cspan\u003eLuis Figueroa\u003c/span\u003e](https://www.latingrammy.com/artists/luis-figueroa/42088-01) \u003cspan\u003eand Christian Alicea were also present, while the\u003c/span\u003e *\u003cspan\u003esalsa romántica\u003c/span\u003e* \u003cspan\u003eroyalty of\u003c/span\u003e [\u003cspan\u003eMarc Anthony\u003c/span\u003e](https://www.latingrammy.com/artists/marc-anthony/18911-01) \u003cspan\u003eand La India revived their '90s mega-hit \"Vivir Lo Nuestro\" in stunning, dynamic form.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eWatch: Marc Anthony \u0026amp; Salsa All-Stars Tito Nieves, Grupo Niche, Oscar D'Leon \u0026amp; More Celebrate The Genre At The 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/marc-anthony-salsa-all-stars-performance-2024-latin-grammys-video-watch)\n\n## \u003cspan\u003eLatin Pop Thrives On Emotional Connection\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Karol G Acceptance Speech 2024 Latin GRAMMYs","deliveryId":"6cd129f1-b6b3-44fe-9d75-941f9ab50e43"},"assetId":"caa17e36-3069-4478-8c38-039f7869732e","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4 - 2024 Latin GRAMMYs Best Moments","deliveryId":"69c4374e-ba14-4100-8ca4-36d9d2ab4f91"},"bodyText":{"richText":"\u003cspan\u003eAfter winning three Latin GRAMMYs last year on the strength of the genre defining\u003c/span\u003e *\u003cspan\u003eMañana Será Bonito\u003c/span\u003e* \u003cspan\u003e— including the coveted Album Of The Year — \u003c/span\u003e[\u003cspan\u003eKAROL G\u003c/span\u003e](https://www.latingrammy.com/artists/karol-g/34124-01) \u003cspan\u003eadded another award to her collection on the 2024 telecast. The Colombian star's eclectic 2023 mixtape,\u003c/span\u003e *\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e*\u003cspan\u003e, won in the Best Urban Music Album category, at a moment when KAROL G is celebrated as one of the world's biggest pop stars.\u003c/span\u003e\n\n\u003cspan\u003eAs she collected the Latin GRAMMY, she focused on the things that matter. \"This is about the love that I share with my fans,\" said a visibly moved KAROL. \"And my family, which makes my life so much easier. Without them, I wouldn't have my mental health.\" The same feeling of emotional openness permeates the songs in both\u003c/span\u003e *\u003cspan\u003eMañana Será Bonito\u003c/span\u003e* \u003cspan\u003eprojects.\u003c/span\u003e\n\n## \u003cspan\u003eThis Is Not Your Parents' Música Mexicana\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG Embed: Carin Leon 2024 Latin GRAMMYs performance","deliveryId":"a97fc7b0-e955-40e7-802c-097255b8170e"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https://www.instagram.com/reel/DCaFbPWugb7/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCaFbPWugb7/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCaFbPWugb7/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e \u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - 2024 Latin GRAMMYs Best Moments","deliveryId":"cfa243bd-3df2-478f-866c-b5fd51c4bda2"},"bodyText":{"richText":"\u003cspan\u003eIt is definitely not a coincidence that\u003c/span\u003e *\u003cspan\u003emúsica mexicana\u003c/span\u003e* \u003cspan\u003eis experiencing a massive wave of popularity. The charisma and musical talent of stars like Peso Pluma, Grupo Frontera and Fuerza Régida is augmented by the vision of innovators such as\u003c/span\u003e [\u003cspan\u003eCarín León\u003c/span\u003e](https://www.latingrammy.com/artists/carin-leon/39603-01)\u003cspan\u003e, who blends effortlessly the folk roots of his native Sonora with cool touches of country and blues.\u003c/span\u003e\n\n\u003cspan\u003eIntroduced by\u003c/span\u003e [\u003cspan\u003eJulieta Venegas\u003c/span\u003e](https://www.latingrammy.com/artists/julieta-venegas/23184-01) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eMon Laferte\u003c/span\u003e](https://www.latingrammy.com/artists/mon-laferte/31731-01)\u003cspan\u003e, León performed \"Despídase Bien\" — the ending track of his extraordinary 2024 album,\u003c/span\u003e *\u003cspan\u003eBoca Chueca, Vol. 1\u003c/span\u003e* \u003cspan\u003e— backed by a full band and choir. A thorny electric guitar solo and rousing gospel vocals added gravitas to a song that is Mexican to the core, but does not hesitate to venture out of the box in search of true emotion.\u003c/span\u003e\n\n## \u003cspan\u003eThe Old Bossa Nova Classics Are Indestructible\u003c/span\u003e\n\n\u003cspan\u003eThere were no sassy baile funk riddims when Brazilian stars\u003c/span\u003e [\u003cspan\u003eAnitta\u003c/span\u003e](https://www.latingrammy.com/artists/anitta/25427-01) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eTiago Iorc\u003c/span\u003e](https://www.latingrammy.com/artists/tiago-iorc/31712-01) \u003cspan\u003ejoined forces for a couple of songs in a dimly lit section of the stage. Instead, the duo launched into a fragile, understated version of Anitta's \"Mil Veces,\" backed only by acoustic guitar and the diva's gorgeous voice.\u003c/span\u003e\n\n\u003cspan\u003eThis intimate moment was followed by \"Mas Que Nada\" — the whimsical 1963 tune by Jorge Ben that turned\u003c/span\u003e [\u003cspan\u003eSérgio Mendes\u003c/span\u003e](https://www.latingrammy.com/artists/sergio-mendes/21458-01) \u003cspan\u003eand his band Brasil '66 into one of the architects of the bossa nova movement. Mendes passed away in September of this year, and the luminous interpretation by Anitta and Iorc served as the most elegant tribute possible.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eWatch: Anitta \u0026amp; Tiago Iorc Team Up For \"Mil Veces\" \u0026amp; A Beautiful Tribute To Sérgio Mendes At The 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/anitta-tiago-iorc-performance-2024-latin-grammys-video-watch)\n\n## \u003cspan\u003eVisceral Rock n Roll Will Never Go Out Of Style\u003c/span\u003e\n\n\u003cspan\u003eOne of the most intense moments of the telecast lasted less than two minutes — but will stay in the mind of anyone who ever prophesied the death of rock.\u003c/span\u003e\n\n\u003cspan\u003eHailing from Monterrey, Mexico, The Warning — a trio made up by sisters Daniela, Alejandra and Paulina Villarreal Vélez — delivered a welcome jolt of rock 'n'roll with a ferocious version of their hit \"Qué Más Quieres.\" The performance was a reminder of how much raucous fun a trio of guitar, bass, drums, and gutsy vocals can generate. And yes, Latin rock is in excellent health, thank you.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eWatch: The Warning Bring Hard Rock Power To The 2024 Latin GRAMMYs With \"Qué Más Quieres\"\u003c/span\u003e](https://www.grammy.com/news/the-warning-performance-2024-latin-grammys-video-watch)\n\n## \u003cspan\u003eAt The End Of The Day, It's All About The Songs\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Jorge Drexler SOTY 2024 Latin GRAMMYs","deliveryId":"442391a2-7363-416f-903f-354149f8ce2e"},"assetId":"de197f00-ef6a-42ab-9b40-88d1854a5fd0","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - 2024 Latin GRAMMYs Best Moments","deliveryId":"c4eef507-be0f-4a4c-bc2c-d4411e1107b7"},"bodyText":{"richText":"\u003cspan\u003eAs is often the case with Latin GRAMMY darling\u003c/span\u003e [\u003cspan\u003eJorge Drexler\u003c/span\u003e](https://www.latingrammy.com/artists/jorge-drexler/20041-01)\u003cspan\u003e, the Uruguayan troubadour had some deep thoughts to share when he received the\u003c/span\u003e [\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/jorge-drexler-wins-derrumbe-song-year-2024-latin-grammys-acceptance-speech-video-watch) \u003cspan\u003ehonor for the exquisite \"Derrumbe\" — a non-album single he released in February of this year.\u003c/span\u003e\n\n\u003cspan\u003e\"This is madness,\" Drexler said after exchanging a hug with Juanes, who announced the winner. He pointed out that he hails from a very small country, and that \"Derrumbe\" itself was a sad and short song —\u003c/span\u003e *\u003cspan\u003euna cancioncita\u003c/span\u003e*\u003cspan\u003e, he called it.\u003c/span\u003e\n\n\u003cspan\u003eHe thanked the Latin Recording Academy for healing his chronic imposter syndrome and proving that a delicate, unassuming tune like his could win. Then again, that's one of the main missions of the Latin GRAMMYs: to acknowledge the power of a great song to inspire and transform.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"name":"Hero: 2024 Latin GRAMMYs Best Moments","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"cfdeb96f-437c-4681-b8b5-e6bb1f63a9a3","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin","Mexican"],"tags":["2024 Latin GRAMMYs","Karol G","Carin Leon","Anitta","Juan Luis Guerra","Carlos Vives","Latin Music","Latin Recording Academy"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731711455326,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"10 Meaningful Moments From The 2024 Latin GRAMMYs: Karol G's Heartfelt Speech, Tributes To Late Legends \u0026 More","shortTitle":"10 Meaningful Moments From The 2024 Latin GRAMMYs","subHeadline":"The 25th anniversary of the Latin GRAMMYs was a celebration indeed, spotlighting contemporary stars like Carín León and Anitta while paying homage to veterans like Carlos Vives and Juan Luis Guerra who have paved the way. Revisit 10 highlights here.","articleSummary":"The 25th anniversary of the Latin GRAMMYs was a celebration indeed, spotlighting contemporary stars like Carín León and Anitta while paying homage to veterans like Carlos Vives and Juan Luis Guerra who have paved the way. Revisit 10 highlights from the extraordinary telecast.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2024 Latin GRAMMYs Best Moments","deliveryId":"cfdeb96f-437c-4681-b8b5-e6bb1f63a9a3"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Latin-GRAMMYs-2024-Backstage-Group-Photo","id":"8361344c-bea6-4b8a-97f7-db9a79574831","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Getty Images for The Latin Recording Academy"},"tags":["Karol G"],"title":"Backstage group shot from the 2024 Latin GRAMMYs","shortTitle":"Backstage group shot from the 2024 Latin GRAMMYs","imgAlt":"Backstage group shot from the 2024 Latin GRAMMYs","imgTitle":"Backstage group shot from the 2024 Latin GRAMMYs","link":"/","captionValue":"(L-R): Alejandro Fernández, Karol G, Elena Rose and Marc Anthony at the 2024 Latin GRAMMYs.","captionSummary":"(L-R): Alejandro Fernández, Karol G, Elena Rose and Marc Anthony at the 2024 Latin GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":2780,"height":1694,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.20491803278689,"x":0.4375,"y":0.39754098360656}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Anitta \u0026 Tiago Iorc Team Up For \"Mil Veces\" \u0026 A Beautiful Tribute To Sérgio Mendes At The 2024 Latin GRAMMYs","deliveryKey":"news/anitta-tiago-iorc-performance-2024-latin-grammys-video-watch","deliveryId":"261f8a4c-3e6d-4f83-a551-de51f880857e"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"0a776d10-374c-4d78-9012-98f23a2fdeda"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Anitta and Tiago Iorc Perform \"Mil Vesses\" \u0026 \"Mas Que Nada\" | 2024 Latin GRAMMYs","deliveryId":"6fdf7ddb-f8b0-465f-bb1c-9af58b2f2676"},"bodyText":{"richText":"\u003cspan\u003eAmid plenty of special moments throughout 2024 Latin GRAMMYs, two Brazilian stars offered a display of pride and camaraderie — while celebrating a late icon.\u003c/span\u003e\n\n[\u003cspan\u003eAnitta\u003c/span\u003e](https://www.latingrammy.com/artists/anitta/25427-01)\u003cspan\u003e was joined by Brazilian singer/songwriter \u003c/span\u003e[\u003cspan\u003eTiago Iorc\u003c/span\u003e](https://www.latingrammy.com/artists/tiago-iorc/31712-01)\u003cspan\u003e for an intimate rendition of \"Mil Veces,\" the Brazilian bombshell's pop/baile funk track from her hit 2024 album, \u003c/span\u003e*\u003cspan\u003eFunk Generation\u003c/span\u003e*\u003cspan\u003e. Sitting across from her, Iorc accompanied on acoustic guitar. \u003c/span\u003e\n\n\u003cspan\u003eThe performance transitioned smoothly into a laid-back, duet version of the instantly recognizable \u003c/span\u003e[\u003cspan\u003eSérgio Mendes\u003c/span\u003e](https://www.latingrammy.com/artists/sergio-mendes/21458-01)\u003cspan\u003e classic \"Mas Que Nada,\" which prompted an immediate audience sing-along. It was a beautiful tribute to the late legend of bossa nova, who passed away in September.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG Embed: Anitta \u0026 Tiago Iorc 2024 Latin GRAMMYs performance","deliveryId":"84847c36-db49-4233-96a1-b6923bcecb54"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https://www.instagram.com/reel/DCZpYRDR_w3/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCZpYRDR_w3/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCZpYRDR_w3/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Anitta 🎤 (@anitta)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e \u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Anitta and Tiago Iorc Perform \"Mil Vesses\" \u0026 \"Mas Que Nada\" | 2024 Latin GRAMMYs","deliveryId":"23afdca0-56a7-43af-b508-17df5e0bc481"},"bodyText":{"richText":"\u003cspan\u003eAlong with the moving performance, both Anitta and Iorc celebrated nominations at this year's Latin GRAMMYs. \"Mil Veces\" earned Anitta a nomination for Record Of The Year, as well as a nod for Best Urban Interpretation In Portuguese Language for \"Joga Pra Lua,\" also from \u003c/span\u003e*\u003cspan\u003eFunk Generation\u003c/span\u003e*\u003cspan\u003e; to date, Anitta has been nominated for 10 Latin GRAMMYs. Iorc, a five-time Latin GRAMMY winner before the 2024 GRAMMYs, was nominated for Best Singer-Songwriter Song for the title track from his album \u003c/span\u003e*\u003cspan\u003eAntes Que O Mundo Acabe\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the\u003c/span\u003e [\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"9571df82-270a-4f17-9d24-313d83cffff8"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Anitta","Tiago Iorc"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731641334993,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Anitta \u0026 Tiago Iorc Team Up For \"Mil Veces\" \u0026 A Beautiful Tribute To Sérgio Mendes At The 2024 Latin GRAMMYs","shortTitle":"Anitta And Tiago Iorc Perform | 2024 Latin GRAMMYs","subHeadline":"Honoring a late Brazilian legend and a Latin GRAMMY-nominated Anitta hit, the Brazilian music leaders joined together on stage in Miami for a stunning acoustic Latin GRAMMYs performance of \"Mil Veces\" and Mendes' \"Mas Que Nada.\"","articleSummary":"Honoring a late Brazilian legend and a Latin GRAMMY-nominated Anitta hit, the Brazilian music leaders joined together on stage in Miami for a stunning acoustic Latin GRAMMYs performance of \"Mil Veces\" and Mendes' \"Mas Que Nada.\"","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Anitta and Tiago Iorc Perform \"Mil Vesses\" \u0026 \"Mas Que Nada\" | 2024 Latin GRAMMYs","deliveryId":"9571df82-270a-4f17-9d24-313d83cffff8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Anitta-Tiago-Iorc-2024-Latin-GRAMMYs-GettyImages-2184863450","id":"552a70b0-811b-4d8a-87cc-a097d9aa7f69","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photos: \u003cspan\u003eDia Dipasupil/Getty Images\u003c/span\u003e"},"tags":["Anitta","Tiago Iorc"],"title":"Watch Anitta and Tiago Iorc Perform \"Mil Vesses\" \u0026 \"Mas Que Nada\" | 2024 Latin GRAMMYs","shortTitle":"Anitta and Tiago Iorc Perform | 2024 Latin GRAMMYs","imgAlt":"Anitta and Tiago Iorc Perform | 2024 Latin GRAMMYs","link":"/","captionValue":"Tiago Iorc \u0026 Anitta","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.41882766723633,"y":0.32548540093926}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Carin León Performs \"Despídase Bien\" At The 2024 Latin GRAMMYs","deliveryKey":"news/carin-leon-performance-2024-latin-grammys-video-watch","deliveryId":"071f1d56-90fe-4761-8b70-8164a60ee087"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"56eee956-612a-40f2-92f9-94a06f6feda0"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Carín León Perform \"Despidase Bien\" | 2024 Latin GRAMMYs","deliveryId":"a83c24f8-d4ed-4cce-a0b5-91104c3d4494"},"bodyText":{"richText":"[\u003cspan\u003eCarin León\u003c/span\u003e](https://www.latingrammy.com/artists/carin-leon/39603-01)\u003cspan\u003e's genre-bending approach to música Mexicana has filled arenas this past year. The Mexican superstar brought that energy to the Latin GRAMMYs stage with a searing performance of \"Despídase Bien,\" backed by a gospel choir and full band.\u003c/span\u003e\n\n\u003cspan\u003eLeón is nominated for four Latin GRAMMY Awards, including Album Of The Year and \u003c/span\u003e[\u003cspan\u003eBest Contemporary Mexican Music Album\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominations-best-contemporary-mexican-music-album)\u003cspan\u003e for \u003c/span\u003e*\u003cspan\u003eBoca Chueca, Vol. 1\u003c/span\u003e*\u003cspan\u003e. He's received nods for Record Of The Year for his duet with \u003c/span\u003e[\u003cspan\u003eCamilo\u003c/span\u003e](https://www.latingrammy.com/artists/camilo/36371-01)\u003cspan\u003e, and Song Of The Year for the multi-artist \"Te Lo Agradezco.\" At the beginning of the ceremony, \u003c/span\u003e*\u003cspan\u003eBoca Chueca, Vol. 1\u003c/span\u003e* — which includes the single \u003cspan\u003e\"Despídase Bien\"\u003c/span\u003e —\u003cspan\u003e emerged victorious the inaugural \u003c/span\u003e[\u003cspan\u003eBest Contemporary Mexican Music Album category\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominations-best-contemporary-mexican-music-album)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG Embed: Carin Leon 2024 Latin GRAMMYs performance","deliveryId":"a97fc7b0-e955-40e7-802c-097255b8170e"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https://www.instagram.com/reel/DCaFbPWugb7/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; 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flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCaFbPWugb7/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e \u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"carin leon performance 2024 latin grammys body 2","deliveryId":"d1f9968a-f661-44ef-bb24-bc1c95d60f4d"},"bodyText":{"richText":"**\u003cspan\u003eWatch:\u003c/span\u003e** [\u003cspan\u003eCarin León Wins Best Contemporary Mexican Music Album For 'Boca Chueca, Vol. 1' | 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/carin-leron-wins-boca-chueca-vol-1-best-contemporary-mexican-music-album-2024-latin-grammys-acceptance-speech-video-watch)\n\n\u003cspan\u003eLeón's fusion of música Mexicana with elements of country and blues has ushered him onto international stages and festival performances, including Coachella and Stagecoach. Earlier this year, he also proudly represented Mexico at the legendary Grand Ole Opry. \u003c/span\u003e\n\n\u003cspan\u003eThe multiple Latin GRAMMY winner is no stranger to the stage as a performer at the Biggest Night In Latin Music. At last year's ceremony, León pulled double-duty with live performances of \"\u003c/span\u003e[\u003cspan\u003ePrimera Cita\u003c/span\u003e](https://www.grammy.com/news/carin-leon-performance-2023-latin-grammys-video-watch)\u003cspan\u003e\" and \"\u003c/span\u003e[\u003cspan\u003eSegún Quién\u003c/span\u003e](https://www.grammy.com/news/maluma-carin-leon-performance-2023-latin-grammys-video-watch)\u003cspan\u003e\" alongside \u003c/span\u003e[\u003cspan\u003eMaluma\u003c/span\u003e](https://www.latingrammy.com/artists/maluma/24164-01)\u003cspan\u003e. This time around, he delivered one solid performance of \"Despídase Bien\" with the support of a choir and band that included drums, keys, bass, and an electric guitar solo. With a cowboy hat and suited-up, León belted out heart out while singing the heartbreaking ballad. He brought plenty of soul and blues to the stage with his commanding performance. León’s live multi-genre spin on música Mexicana was mesmerizing. \u003c/span\u003e\n\n\u003cspan\u003eLeón won his first Latin GRAMMY in 2022 for Best Regional Mexican Song for \"Como lo Hice Yo\" with Matisse. Last year, he took home the award for Best Norteño Album for\u003c/span\u003e *\u003cspan\u003eColmillo De Leche\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"95102fda-76bb-4ef6-a205-c8b4766b1a42"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Carin Leon"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731639524706,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Carin León Performs \"Despídase Bien\" At The 2024 Latin GRAMMYs","shortTitle":"Carín León Performs | 2024 Latin GRAMMYs","subHeadline":"The Mexican singer is up for four awards at the 25th Annual Latin GRAMMYs, including Album Of The Year. León offered an emotional performance of \"Despídase Bien,\" from his Latin GRAMMY-winning album 'Boca Chueca, Vol. 1.'","articleSummary":"The Mexican singer is up for four awards at the 25th Annual Latin GRAMMYs, including Album Of The Year. León offered an emotional performance of \"Despídase Bien,\" from his Latin GRAMMY-winning album 'Boca Chueca, Vol. 1.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Carín León Perform \"Despidase Bien\" | 2024 Latin GRAMMYs","deliveryId":"95102fda-76bb-4ef6-a205-c8b4766b1a42"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"carin-leon-performs-2024-latin-grammys","id":"34b8c1e3-9717-4d21-aa0f-2be44d73f131","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"**\u003cspan\u003ePhoto:\u003c/span\u003e** \u003cspan\u003eJason Koerner/Getty Images\u003c/span\u003e"},"tags":["Carin Leon"],"title":"Watch Carín León Perform \"Despidase Bien\" | 2024 Latin GRAMMYs","shortTitle":"Carín León Performs | 2024 Latin GRAMMYs","imgAlt":"Carin León performs onstage during the 25th Annual Latin GRAMMY Awards","link":"/","captionValue":"Carín León performs during the 25th Annual Latin GRAMMY Awards","imgTitle":"Carín León Performs | 2024 Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3728,"height":2485,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.49955718994141,"y":0.35407157069288}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Kali Uchis, Elena Rose \u0026 Emilia Deliver Their Hits \"Te Mata,\" \"Caracas En El 2000,\" \u0026 \"No Se Ve\" At The 2024 Latin GRAMMYs","deliveryKey":"news/elena-rose-kali-uchis-emilia-performance-2024-latin-grammys-video-watch","deliveryId":"a1fea237-5e4b-4d38-b87a-fe85f8b45e65"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"0a776d10-374c-4d78-9012-98f23a2fdeda"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Elena Rose, Kali Uchis \u0026 Emilia Perform \"Te Mata,\" \"Caracas en el 2000,\" \u0026 \"No Se Ve\" | 2024 Latin GRAMMYs","deliveryId":"dad6535e-9538-43d8-af98-40dd14e1e896"},"bodyText":{"richText":"\u003cspan\u003eThree of the most distinctive and powerful female voices in Latin pop joined forces on the\u003c/span\u003e [\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list) \u003cspan\u003estage in Miami on Nov. 14 for a medley of their nominated songs.\u003c/span\u003e\n\n\u003cspan\u003eFirst to perform was Columbian-American artist \u003c/span\u003e[\u003cspan\u003eKali Uchis\u003c/span\u003e](https://www.latingrammy.com/artists/kali-uchis/33028-01)\u003cspan\u003e, with her bolero-inspired song \"Te Mata\" from her chart-topping Spanish-language album \u003c/span\u003e*[\u003cspan\u003eOrquídeas\u003c/span\u003e](https://www.grammy.com/news/kali-uchis-interview-orquideas-new-album-videos)*\u003cspan\u003e. Nominated for Best Pop Vocal Album, Uchis also boasts nods for Best Pop Song and \u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominations-record-of-the-year)\u003cspan\u003e for her track \"Igual Que Un Ángel,\" featuring Mexican rapper \u003c/span\u003e[\u003cspan\u003ePeso Pluma\u003c/span\u003e](https://grammy.com/artists/peso-pluma/54091)\u003cspan\u003e, and for Best Reggaeton Performance for \"Labios Mordidos,\" featuring \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.latingrammy.com/en/artists/karol-g/34124-01)\u003cspan\u003e. This year's Latin GRAMMY nominations mark her first since her 2017 nomination for Record Of The Year for the song \"Ratico,\" with \u003c/span\u003e[\u003cspan\u003eJuanes\u003c/span\u003e](https://www.latingrammy.com/artists/juanes/20909-01)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eDressed in a strapless, corset-style white satin gown, orchids fittingly adorning her mic stand, Uchis embodied old-school glamor and cool as she crooned the downtempo ballad. \u003c/span\u003e\n\n\u003cspan\u003eNext, alone on stage in a floor-sweeping white gown of her own, dance-pop singer/songwriter \u003c/span\u003e[\u003cspan\u003eElena Rose\u003c/span\u003e](https://www.latingrammy.com/artists/elena-rose/42371-01)\u003cspan\u003e introduced a different kind of nostalgia with a performance of her upbeat hit \"Caracas En El 2000,\" originally featuring \u003c/span\u003e[\u003cspan\u003eDanny Ocean\u003c/span\u003e](https://www.latingrammy.com/artists/danny-ocean/39701-01)\u003cspan\u003e and Jerry Di. The single, an innocent and breezy ode to her Venezuelan roots, has amassed over 22 million views on YouTube and earned a nomination for \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominations-song-of-the-year)\u003cspan\u003e in addition to nominations this year for Best Pop/Rock Song for \"Blanco y Negro\" and Best Regional Song for \"Por El Contrario.\" \u003c/span\u003e\n\n\u003cspan\u003eKnown for her behind-the-scenes writing for stars like \u003c/span\u003e[\u003cspan\u003eBad Bunny\u003c/span\u003e](https://www.latingrammy.com/artists/bad-bunny/35119-01)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eSelena Gomez\u003c/span\u003e](https://www.latingrammy.com/artists/selena-gomez/39525-01)\u003cspan\u003e, Rose has become a rising artist in her own right. Along with her Song Of The Year nomination, she earned nods for Best Pop/Rock Song and Best Regional Song, bringing her career Latin GRAMMY nominations total to nine.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Elena Rose Performs at 2024 Latin GRAMMYs","deliveryId":"90b56b7f-6563-4407-85da-f4bfd51745f6"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCbt6Psu8LZ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCbt6Psu8LZ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCbt6Psu8LZ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Elena Rose, Kali Uchis \u0026 Emilia Perform \"Te Mata,\" \"Caracas en el 2000,\" \u0026 \"No Se Ve\" | 2024 Latin GRAMMYs","deliveryId":"e449e05e-0349-4d90-b819-a24ae8b2cc70"},"bodyText":{"richText":"\u003cspan\u003eLast but not least, Argentine pop sensation Emilia captivated the audience with a portion of her hit \"No Se Ve,\" a standout from her Y2K-aesthetic 2023 album \u003c/span\u003e*\u003cspan\u003e.mp3\u003c/span\u003e*\u003cspan\u003e, which is nominated for Best Pop Vocal Album alongside Kali Uchis. In rhinestones and ultra-mini skirts, Emilia and her crew of dancers appropriately evoked the early '00s with a faithfulness that would give anyone flashbacks.\u003c/span\u003e\n\n\u003cspan\u003eEmilia \u003c/span\u003e[\u003cspan\u003ebroke into the Argentine music scene\u003c/span\u003e](https://www.grammy.com/news/10-women-leading-latin-pop)\u003cspan\u003e with her 2022 debut, \u003c/span\u003e*\u003cspan\u003eTú Crees En Mí?\u003c/span\u003e*\u003cspan\u003e, a trap and reggaeton-heavy album featuring hits like \"Cuatro Viente\" and \"Intoxicao.\" With its follow-up, \u003c/span\u003e*\u003cspan\u003e.mp3\u003c/span\u003e*\u003cspan\u003e, she shifted to Latin pop with '90s and 2000s influences, teaming up with Tini and selling out dates across Argentina, Uruguay and Spain for her upcoming tour. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Emilia Performs at 2024 Latin GRAMMYs","deliveryId":"b9e10965-48c9-44fe-ba3e-e0f2f947b058"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYZJQhuPU1/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCYZJQhuPU1/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; 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border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYZJQhuPU1/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"b2a3519b-e516-441c-81e4-0acf17bec0af"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Kali Uchis","Elena Rose","Emilia"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731638051768,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Kali Uchis, Elena Rose \u0026 Emilia Deliver Their Hits \"Te Mata,\" \"Caracas En El 2000,\" \u0026 \"No Se Ve\" At The 2024 Latin GRAMMYs","shortTitle":"Elena Rose, Kali Uchis \u0026 Emilia | Latin GRAMMYs","subHeadline":"At the 2024 Latin GRAMMYs, three women who've become powerful forces in Latin pop came together for a captivating medley of their nominated hits.","articleSummary":"At the 2024 Latin GRAMMYs, three of Latin pop's most powerful voices — Elena Rose, Kali Uchis, and Emilia — took the stage in Miami for a show-stopping medley of their nominated hits.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Elena Rose, Kali Uchis \u0026 Emilia Perform \"Te Mata,\" \"Caracas en el 2000,\" \u0026 \"No Se Ve\" | 2024 Latin GRAMMYs","deliveryId":"b2a3519b-e516-441c-81e4-0acf17bec0af"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Emilia_Kali_Uchis_Elena_Rose_2024_Latin_GRAMMYs","id":"d77ccfbd-f7a0-4fea-bb9c-a48f65f49b8c","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eGIORGIO VIERA/AFP via Getty Images; \u003c/span\u003e\u003cspan\u003eJason Koerner/Getty Images; \u003c/span\u003e\u003cspan\u003eRodrigo Varela/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["Kali Uchis","2024 Latin GRAMMYs"],"title":"Watch Kali Uchis, Elena Rose \u0026 Emilia Perform \"Te Mata,\" \"Caracas en el 2000,\" \u0026 \"No Se Ve\" | 2024 Latin GRAMMYs","shortTitle":"Becky G \u0026 Aguilars Perform | Latin GRAMMYs","imgAlt":"Elena Rose, Kali Uchis \u0026 Emilia | Latin GRAMMYs","link":"/","captionValue":"Elena Rose, Kali Uchis, \u0026 Emilia","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Eladio Carrión, Quevedo \u0026 Myke Towers Perform At The 2024 Latin GRAMMYs","deliveryKey":"news/2024-latin-grammys-performance-eladio-carrion-quevedo-myke-towers-dj-khaled-watch","deliveryId":"5554005d-17eb-47d1-88c7-d22bd930c313"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"0a776d10-374c-4d78-9012-98f23a2fdeda"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","deliveryId":"9b752fa8-fd25-4b0d-b976-ab1f22cdbece"},"bodyText":{"richText":"\u003cspan\u003eFew MCs are more closely identified with Miami than\u003c/span\u003e [\u003cspan\u003eDJ Khaled\u003c/span\u003e](https://grammy.com/artists/dj-khaled/1860)\u003cspan\u003e, so it’s appropriate that Khaled welcomed three nominated rappers,\u003c/span\u003e [\u003cspan\u003eEladio Carrión\u003c/span\u003e](https://www.latingrammy.com/artists/eladio-carrion/36379-01)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eQuevedo\u003c/span\u003e](https://www.latingrammy.com/artists/quevedo/53334-01) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eMyke Towers\u003c/span\u003e](https://www.latingrammy.com/artists/myke-towers/36864-01) \u003cspan\u003eto the Latin GRAMMYs stage in his home city for performances representing the best in urban Latin music.\u003c/span\u003e\n\n\u003cspan\u003eBefore performing \"Mama’s Boy\" from his 2024 album \u003c/span\u003e*\u003cspan\u003eSol María\u003c/span\u003e*\u003cspan\u003e, Eladio Carrión stepped into the audience to give his mom a hug. The album, which was nominated for Best Urban Album, is dedicated to his mother (the award was ultimately given to \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.latingrammy.com/en/artists/karol-g/34124-01)\u003cspan\u003e for \u003c/span\u003e*\u003cspan\u003eMañana Será Bonito (Bichota Season)).\u003c/span\u003e* \u003cspan\u003eThe American rapper was also nominated twice for Best Rap/Hip-Hop Song: once for \"Bendecido,\" a song from \u003c/span\u003e*\u003cspan\u003eSol María\u003c/span\u003e*\u003cspan\u003e, and again for \"Thunder y Lightning,\" a collaboration with \u003c/span\u003e[\u003cspan\u003eBad Bunny\u003c/span\u003e](https://www.latingrammy.com/artists/bad-bunny/35119-01)\u003cspan\u003e on his \u003c/span\u003e*[\u003cspan\u003eNadie Sabe Lo Que Va A Pasar Mañana\u003c/span\u003e](https://grammy.com/news/5-takeaways-from-bad-bunny-new-album-nadie-sabe-lo-que-va-a-pasar-manana-videos)\u003cspan\u003e.\u003c/span\u003e* \u003cspan\u003eCarrión previously won a Latin GRAMMY for Best Rap/Hip-Hop Song in 2023 for \"Coco Chanel,\" also with Bad Bunny. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG EMBED: Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","deliveryId":"55567d2c-0edf-4f81-942a-929309d891d5"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCZl9LHJ5rE/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCZl9LHJ5rE/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCZl9LHJ5rE/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","deliveryId":"fed6dd67-2f8d-4eb8-88d2-13b9659b3219"},"bodyText":{"richText":"**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003e8 Latinx Rappers To Know: Eladio Carrion, Young Miko, Akapellah \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/8-latinx-rappers-to-know-videos)\n\n\u003cspan\u003eDressed in a white tux and surrounded by six bodyguards in matching livery, Quevedo performed his multi-platinum 2023 reggaeton single \"Columbia,\" for which he was nominated for Best Urban Song (the award ultimately went to \u003c/span\u003e[\u003cspan\u003eDaddy Yankee\u003c/span\u003e](https://www.latingrammy.com/artists/daddy-yankee/19782-01)\u003cspan\u003e's \"Bonita\"). The 22-year-old \u003c/span\u003e*\u003cspan\u003eMadrileño\u003c/span\u003e*\u003cspan\u003e had a No. 1 hit in Spain with the track, and also released his highly anticipated debut album\u003c/span\u003e *\u003cspan\u003eDONDE QUIERO ESTAR\u003c/span\u003e*\u003cspan\u003e in January 2023. That same year, Quevedo was nominated for, and won, his first Latin GRAMMY: Best Urban Song for \"Quevedo: Bzrp Music Sessions, Vol. 52,\" with \u003c/span\u003e[\u003cspan\u003eBizarrap\u003c/span\u003e](https://www.latingrammy.com/artists/bizarrap/39352-01)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003ePuerto Rican rapper Myke Towers closed the medley with a performance of his 2023 mega-hit \"LA FALDA,\" backed by a complement of female dancers who brought the \u003c/span\u003e*\u003cspan\u003eperreo\u003c/span\u003e*\u003cspan\u003e. Towers also received nods for Best Urban Song, for \"LA FALDA\" from \u003c/span\u003e*\u003cspan\u003eLVEU: VIVE LA TUYA...NO LA MIA\u003c/span\u003e*\u003cspan\u003e and his appearance on \u003c/span\u003e[\u003cspan\u003eSky Rompiendo\u003c/span\u003e](https://www.latingrammy.com/artists/sky-rompiendo/42367-01)\u003cspan\u003e's \"El Cielo,\" which also features \u003c/span\u003e[\u003cspan\u003eFeid\u003c/span\u003e](https://www.latingrammy.com/artists/feid/35257-01)\u003cspan\u003e. Towers has been nominated for Best Urban Album and Best Reggaeton Performance in past years, but has yet to win an award. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"5705f7ea-e315-4a5c-8329-894f1ce15960"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Eladio Carrion","Quevedo","Myke Towers"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731635398270,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Eladio Carrión, Quevedo \u0026 Myke Towers Perform At The 2024 Latin GRAMMYs","shortTitle":"Eladio Carrión, Quevedo \u0026 Myke Towers Perform","subHeadline":"At the 25th Annual Latin GRAMMY Awards, the trio of rappers performed their nominated hits — \"Mama’s Boy,\" \"Columbia\" and \"LA FALDA\" — with a little assist from DJ Khaled.","articleSummary":"At the 25th Annual Latin GRAMMY Awards, the trio of rappers performed their nominated hits — \"Mama’s Boy,\" \"Columbia\" and \"LA FALDA\" — with a little assist from DJ Khaled.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","deliveryId":"5705f7ea-e315-4a5c-8329-894f1ce15960"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Eladio_Carrios_2024_Latin_GRAMMYs_performance","id":"4d56d134-dab9-4e4e-96a3-037726087042","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eJason Koerner/Getty Images\u003c/span\u003e"},"tags":["Eladio Carrion"],"title":"Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","shortTitle":"Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","imgAlt":"Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","link":"/","captionValue":"Eladio Carrión performs onstage during the 25th Annual Latin GRAMMY Awards","imgTitle":"Eladio Carrión, Quevedo \u0026 Myke Towers Perform | 2024 Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Becky G, Angela Aguilar \u0026 Leonardo Aguilar Perform \"Por El Contrario\" At The 2024 Latin GRAMMYs","deliveryKey":"news/becky-g-angela-leonardo-aguilar-performance-2024-latin-grammys-video-watch","deliveryId":"d65b35bc-7300-47c2-8d02-838352288d60"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"ca953e71-fd6e-4abf-82a3-994d3ac04b0a"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Becky G With Angela \u0026 Leonardo Aguilar Perform \"Por El Contrario\" | 2024 Latin GRAMMYs","deliveryId":"33fe4954-7d7c-4563-991b-6fbec702f41f"},"bodyText":{"richText":"[\u003cspan\u003eBecky G\u003c/span\u003e](https://www.latingrammy.com/artists/becky-g/41955-01)\u003cspan\u003e and siblings \u003c/span\u003e[\u003cspan\u003eÁngela Aguilar\u003c/span\u003e](https://www.latingrammy.com/artists/angela-aguilar/33867-01)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eLeonardo Aguilar\u003c/span\u003e](https://www.latingrammy.com/artists/leonardo-aguilar/32642-01)\u003cspan\u003e represent a new generation of artists who are connecting with their roots while modernizing Mexican music.\u003c/span\u003e\n\n\u003cspan\u003eThis musical exploration led Becky G to create \u003c/span\u003e*\u003cspan\u003eESQUEMAS\u003c/span\u003e*\u003cspan\u003e, an album released in September 2023 featuring the powerhouse collaboration \"Por El Contrario\" with the heirs of the Aguilar dynasty. A year later, the trio took to the Latin GRAMMYs stage to showcase their global hit, which was nominated for Best Regional Mexican Song (the award went to Grupo Frontera and Grupo Firme).\u003c/span\u003e\n\n\u003cspan\u003eBecky G, Leonardo, and Angela Aguilar opted for a minimalist staging to spotlight the lyrics and deliver an emotion-filled, if not understated, performance. With a play of soft lights, mostly in red, the artists conveyed sweetness, strength, and elegance. A 12-piece mariachi group, an eight-string ensemble, and \u003c/span\u003e[\u003cspan\u003eEdgar Barrera\u003c/span\u003e](https://www.latingrammy.com/artists/edgar-barrera/19076-01)\u003cspan\u003e's memorable guitar appearance completed the refined act.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Becky G, Angela Aguilar, Leonardo Aguilar - 2024 Latin GRAMMYs Performance - \"Por El Contrario\"","deliveryId":"951a447b-b3c4-4e70-9e80-684d73812554"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCcZ2XLpUgf/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); 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flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCcZ2XLpUgf/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Becky G With Angela \u0026 Leonardo Aguilar Perform \"Por El Contrario\" | 2024 Latin GRAMMYs","deliveryId":"1d5d8d7b-41d7-4c4c-875e-6eeb94b42e6a"},"bodyText":{"richText":"\u003cspan\u003eWritten by Edgar Barrera — who leads nominations for this year’s awards with nine nods and took home the golden gramophone for \u003c/span\u003e[\u003cspan\u003eProducer Of The Year during the Premiere Ceremony\u003c/span\u003e](https://www.youtube.com/watch?v=F9S16KbBRAU)\u003cspan\u003e —\u003c/span\u003e[\u003cspan\u003e Kevyn \"Keityn\" Mauricio Cruz\u003c/span\u003e](https://www.grammy.com/news/2023-latin-grammys-songwriter-of-the-year-nominees-roundtable-interview)\u003cspan\u003e and\u003c/span\u003e[\u003cspan\u003e Elena Rose\u003c/span\u003e](https://www.grammy.com/artists/elena-rose/52111)\u003cspan\u003e, this melancholic track became a fan favorite among all three artists' audiences. It amassed over 331 million views on YouTube and exceeded 210 million streams on Spotify as of writing.\u003c/span\u003e\n\n\u003cspan\u003e\"Por El Contrario\" marks Becky G's sole name appearance on the 2024 Latin GRAMMYs nomination list, while\u003c/span\u003e[\u003cspan\u003e Ángela Aguilar\u003c/span\u003e](https://www.grammy.com/news/meet-first-time-grammy-nominee-angela-aguilar-her-culture-and-family-legacy)\u003cspan\u003e competes in the coveted Album Of The Year category with \u003c/span\u003e*\u003cspan\u003eBolero\u003c/span\u003e*\u003cspan\u003e, a collection of Latin romantic classics produced by her father, Ranchera icon\u003c/span\u003e[\u003cspan\u003e Pepe Aguilar\u003c/span\u003e](https://www.latingrammy.com/artists/pepe-aguilar/18785-01)\u003cspan\u003e, alongside Latin GRAMMY winner \u003c/span\u003e[\u003cspan\u003eCheche Alara\u003c/span\u003e](https://www.latingrammy.com/artists/cheche-alara/32645-01)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"0d9e7f62-05dd-4011-8535-f32a5a0b6035"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Becky G","Ángela Aguilar","Leonardo Aguilar"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731642029932,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Becky G, Angela Aguilar \u0026 Leonardo Aguilar Perform \"Por El Contrario\" At The 2024 Latin GRAMMYs","shortTitle":"Becky G \u0026 Aguilars Perform | Latin GRAMMYs","subHeadline":"The trio were joined by Edgar Barrera for \"Por El Contrario,\" which was nominated for Best Regional Mexican Song at the 2024 Latin GRAMMYs.","articleSummary":"Becky G and siblings Ángela and Leonardo Aguilar are connecting with their roots while modernizing Mexican music. The trio performed \"Por El Contrario,\" which was nominated for Best Regional Mexican Song at the 2024 Latin GRAMMYs.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Becky G With Angela \u0026 Leonardo Aguilar Perform \"El Amor De Me Vida\" | 2024 Latin GRAMMYs","deliveryId":"0d9e7f62-05dd-4011-8535-f32a5a0b6035"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Becky-G-and-Edgar-Barrera_2024_Latin_GRAMMYs-Performance","id":"6bca796e-2686-4221-ad5c-85bb96f16c49","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eKevin Winter/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["Becky G","Leondardo Aguilar","Angela Aguilar"],"title":"Watch Becky G With Angela \u0026 Leonardo Aguilar Perform \"El Amor De Me Vida\" | 2024 Latin GRAMMYs","shortTitle":"Becky G \u0026 Aguilars Perform | Latin GRAMMYs","imgAlt":"Becky G and Edgar Barrera perform at the 2024 Latin GRAMMYs","link":"/","captionValue":"Becky G \u0026 Edgar Barrera","imgTitle":"Becky G \u0026 Aguilars Perform | Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Marc Anthony \u0026 Salsa All-Stars Tito Nieves, Grupo Niche, Oscar D'Leon \u0026 More Celebrate The Genre At The 2024 Latin GRAMMYs","deliveryKey":"news/marc-anthony-salsa-all-stars-performance-2024-latin-grammys-video-watch","deliveryId":"2a48122d-c2ec-4bab-ae80-78f107cde331"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"ca953e71-fd6e-4abf-82a3-994d3ac04b0a"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1- Watch Marc Anthony \u0026 Salsa All Stars Perform | 2024 Latin GRAMMYs","deliveryId":"48355a2e-3429-4585-a5e1-0e566f7c9320"},"bodyText":{"richText":"\u003cspan\u003eYou can't talk about Miami without talking about salsa. From every corner of the city to Calle 8, known as \"Little Havana,\" the scorching rhythms of this Caribbean sound pulse through its streets.\u003c/span\u003e\n\n\u003cspan\u003eSo it was only fitting that\u003c/span\u003e [\u003cspan\u003eMarc Anthony\u003c/span\u003e](https://www.latingrammy.com/artistas/marc-anthony/18911-02)\u003cspan\u003e, one of salsa's greatest icons, lead a tribute to the genre during The Biggest Night In Latin Music — live from Miami — to honor the songs and singers that built its legacy.\u003c/span\u003e\n\n\u003cspan\u003eUnder Anthony's executive production with \u003c/span\u003e[\u003cspan\u003eSergio Gorge\u003c/span\u003e](https://www.latingrammy.com/artists/sergio-george/20472-01)\u003cspan\u003e as music director, some of salsa's elite — \u003c/span\u003e[\u003cspan\u003eTito Nieves\u003c/span\u003e](https://www.grammy.com/artists/tito-nieves/13442)\u003cspan\u003e,\u003c/span\u003e[\u003cspan\u003e Grupo Niche\u003c/span\u003e](https://www.grammy.com/artists/grupo-niche/20119)\u003cspan\u003e,\u003c/span\u003e[\u003cspan\u003e Oscar D'Leon\u003c/span\u003e](https://www.grammy.com/artists/oscar-dleon/11323)\u003cspan\u003e, La India — joined forces with the genre's rising stars, Christian Alicea and\u003c/span\u003e[\u003cspan\u003e Luis Figueroa\u003c/span\u003e](https://www.grammy.com/artists/luis-figueroa/53947)\u003cspan\u003e, to perform an exquisite medley of hits that have become part of Latin America's musical songbook.\u003c/span\u003e\n\n\u003cspan\u003eThe thrilling performance featured a selection of salsa classics that have defined the genre across decades: \"De Mi Enamórate,\" Tito Nieves' 1991 hit; Grupo Niche's 1994 favorite \"Una Aventura\"; Frankie Ruiz's \"Tú Me Vuelves Loco\" from 1996; Oscar D'Leon's 1986 anthem \"Llorarás\"; and \"Vivir Lo Nuestro,\" the iconic 1994 collaboration between La India and Marc Anthony.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Marc Anthony \u0026 La India Performance - Marc Anthony \u0026 Salsa All Stars Performance | 2024 Latin GRAMMYs","deliveryId":"99f97012-d512-411f-98a6-13cada7e1689"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCcCpmNOubQ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCcCpmNOubQ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCcCpmNOubQ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2- Watch Marc Anthony \u0026 Salsa All Stars Perform | 2024 Latin GRAMMYs","deliveryId":"d9a0be65-498e-45bc-92dc-25aa93ad1cee"},"bodyText":{"richText":"\u003cspan\u003eWith backdrops that paid homage to salsa's impact from Cali to New York, the performance was an effervescent tribute to salsa. The celebration began with Tito Nieves, who invited Christian Alicea to perform his 1991 hit \"De Mi Enamórate.\" The audience went wild at the appearance of Grupo Niche for their 1994 classic, \"Una Aventura.\" \u003c/span\u003e\n\n\u003cspan\u003ePuerto Rico took center stage with Luis Figueroa, who revived Frankie Ruiz's hit, \"Tu Me Vuelves Loco.\" Venezuela was proudly represented by Oscar D'León with his \"Llorarás,\" who made the audience sway.\u003c/span\u003e\n\n\u003cspan\u003eThe audience erupted when Marc Anthony emerged, hypnotizing the audience with his powerful vocals from the first notes of \"Vivir Lo Nuestro,\" his larger-than-life hit performed with the equally powerful La India.\u003c/span\u003e\n\n\u003cspan\u003eThe tribute, one of the night's most celebrated by the audience, proves that, as La India declared, salsa is alive.\u003c/span\u003e\n\n\u003cspan\u003eAlong with serving as executive producer of the salsa tribute, Anthony arrived at the 2024 Latin GRAMMYs as a two-time nominee. He earned nods for Best Salsa Album for \u003c/span\u003e*\u003cspan\u003eMUEVANSE\u003c/span\u003e*\u003cspan\u003e and Best Short Form Music Video for \"Ale Ale,\" bringing his career total to 28. To date, he has won nine Latin GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the\u003c/span\u003e [\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list) \u003cspan\u003eat the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Grupo Niche Performance - Marc Anthony \u0026 Salsa All Stars Perform | 2024 Latin GRAMMYs","deliveryId":"9be557c9-2da1-457a-9295-a6aaa00b6b1c"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYYRq4uB2p/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCYYRq4uB2p/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" xmlns:xlink=\"https://www.w3.org/1999/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 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white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYYRq4uB2p/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Tito Nieves Performance - Marc Anthony \u0026 Salsa All Stars Perform | 2024 Latin GRAMMYs","deliveryId":"ea87a48c-9b6a-45a1-9a50-9941136f46e6"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYU5URuyQy/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" 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14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" xmlns:xlink=\"https://www.w3.org/1999/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 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style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 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font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYU5URuyQy/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Luis Figueroa Performance - Marc Anthony \u0026 Salsa All Stars Perform | 2024 Latin GRAMMYs","deliveryId":"3c4a2800-0d34-4909-a789-edf2b615e541"},"bodyText":{"richText":"\u003cblockquote 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style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" xmlns:xlink=\"https://www.w3.org/1999/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 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border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DChcQFMJIFi/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"eb5cd36d-6fdd-4b49-9291-671e0e9026d6"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Marc Anthony","Salsa All Stars","La India","Tito Nieves","Grupo Niche","Oscar D Leon","Rubén 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with La India at the 2024 Latin GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Ela Taubert \u0026 Joe Jonas Perform A Soaring Rendition Of \"¿Cómo Pasó?\" At The 2024 Latin GRAMMYs","deliveryKey":"news/ela-taubert-joe-jonas-performance-2024-latin-grammys-video-watch","deliveryId":"248ed5a0-b47d-4299-b6fe-7c028e7c699e"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"ca953e71-fd6e-4abf-82a3-994d3ac04b0a"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Ela Taubert \u0026 Joe Jonas Perform \"No Se Como Paso\" | 2024 Latin GRAMMYs","deliveryId":"89efb859-f7fc-4ac5-adf1-364168815a48"},"bodyText":{"richText":"*\u003cspan\u003eEditor’s Note: This article was updated after Taubert's and Jonas' performance to reflect Taubert's win for Best New Artist.\u003c/span\u003e*\n\n\u003cspan\u003eIn February, Colombian singer/songwriter — and\u003c/span\u003e the freshly crowned [\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominees-best-new-artist) [winner](https://grammy.com/news/ela-taubert-wins-best-new-artist-2024-latin-grammys-acceptance-speech-video-watch) — \u003cspan\u003eEla Taubert released \"¿Cómo Pasó?,\" a synth-pop track exploring the fragile nuances of love and loss.\u003c/span\u003e\n\n\u003cspan\u003eThe track became a breakthrough international hit, over 200 million combined streams and propelling Taubert to new stages and horizons. The success led her to the\u003c/span\u003e [\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e, where Taubert performed \"¿Cómo Pasó?\" alongside GRAMMY-nominated artist\u003c/span\u003e [\u003cspan\u003eJoe Jonas\u003c/span\u003e](https://www.grammy.com/artists/joe-jonas/13669) \u003cspan\u003e— an inspiration to Taubert since childhood. It was a full-circle moment in many ways for the rising star, who was \u003c/span\u003e[\u003cspan\u003eawarded Best New Artist\u003c/span\u003e](https://grammy.com/news/ela-taubert-wins-best-new-artist-2024-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e shortly after the performance.\u003c/span\u003e\n\n\u003cspan\u003e\"Since I was little, I dreamed of one day being at the Latin GRAMMYs,\" Taubert told \u003c/span\u003e*[\u003cspan\u003eGalore\u003c/span\u003e](https://galoremag.com/ela-taubert/)*\u003cspan\u003e magazine in a recent interview regarding her nomination. \"It's such a huge joy to know that dream is a reality, especially in a category where artists I love and admire have been.\"\u003c/span\u003e\n\n\u003cspan\u003eTaubert and Jonas commanded the stage with pure talent: a modest band, their voices and an electric presence (along with a pair of leather jackets to boot). Jonas added English verses in this new version of the hit, elevating the song to new heights. The two-time GRAMMY nominee matched Taubert's energy on electric guitar, and their musical chemistry was evident on every note.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text) - Watch Ela Taubert \u0026 Joe Jonas Perform \"No Se Como Paso\" | 2024 Latin GRAMMYs","deliveryId":"44775fbc-34cb-46ba-b428-01d940c264d1"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYWoGzOw-r/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCYWoGzOw-r/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYWoGzOw-r/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Ela Taubert \u0026 Joe Jonas Perform \"No Se Como Paso\" | 2024 Latin GRAMMYs","deliveryId":"37d6e609-a7e8-4a41-a356-e54b8bd69f59"},"bodyText":{"richText":"\u003cspan\u003eTaubert's honest confessional storytelling and emotional resonance has struck a chord with audiences, particularly on TikTok, where she first gained attention with intimate, faceless videos that focused on her music alone. The success of her first EP, 2023's \u003c/span\u003e*\u003cspan\u003e¿Quién Dijo Que Era Fácil?,\u003c/span\u003e*\u003cspan\u003e has been pivotal in Taubert's rise to stardom, earning the Bogotá native a coveted Latin GRAMMY nomination — and, in turn, a win — for Best New Artist. The EP features five tracks, each deeply personal, including the standout \"¿Qué Hubiera Pasado?\" — a raw, guitar-driven reflection on a relationship in turmoil. \u003c/span\u003e\n\n\u003cspan\u003eThe release of \"¿Cómo Pasó?\" marked a new chapter in her career, gaining over 91 million streams on Spotify as of press time and earning her the admiration of Latin GRAMMY Best New Artist alum \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.latingrammy.com/artists/karol-g/34124-01)\u003cspan\u003e, who invited Taubert to open for her concert in Bogotá. \"¿Cómo Pasó?\" will also be featured on Taubert's upcoming debut album, which fans eagerly await after her impressive rise in the past year.\u003c/span\u003e\n\n\u003cspan\u003eA graduate of the renowned Art House Academy and Abbey Road Institute Miami — like\u003c/span\u003e[\u003cspan\u003e Joaquina\u003c/span\u003e](https://www.latingrammy.com/artists/joaquina/53210-01)\u003cspan\u003e, who won the \u003c/span\u003e[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/joaquina-wins-best-new-artist-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e Latin GRAMMY in 2023 — Taubert is now poised for an extraordinary journey in Latin music.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the\u003c/span\u003e [\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"209d70d1-2d47-47dd-a7b8-a74a44be75dd"},"contentGenre":["Latin"],"tags":["Ela Taubert","Joe Jonas","2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Best New Artist"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731635141049,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Ela Taubert \u0026 Joe Jonas Perform A Soaring Rendition Of \"¿Cómo Pasó?\" At The 2024 Latin GRAMMYs","shortTitle":"Ela Taubert \u0026 Joe Jonas Perform | Latin GRAMMYs","subHeadline":"Just before Ela Taubert took home Best New Artist at the 2024 Latin GRAMMYs, she joined forces with one of her childhood inspirations, Joe Jonas, to perform her hit \"¿Cómo Pasó?.\"","articleSummary":"Just before Ela Taubert took home Best New Artist at the 2024 Latin GRAMMYs, she joined forces with one of her childhood inspirations, Joe Jonas, to perform her hit \"¿Cómo Pasó?.\"","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Ela Taubert \u0026 Joe Jonas Perform \"No Se Como Paso\" | 2024 Latin GRAMMYs","deliveryId":"209d70d1-2d47-47dd-a7b8-a74a44be75dd"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"ela-taubert-joe-jonas-2024-latin-grammys","id":"38e4b787-801c-4743-a32e-bf494289d1cf","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eRodrigo Varela/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"title":"Watch Ela Taubert \u0026 Joe Jonas Perform \"No Se Como Paso\" | 2024 Latin GRAMMYs","shortTitle":"Ela Taubert \u0026 Joe Jonas Perform | Latin GRAMMYs","imgAlt":"Ela Taubert and Joe Jonas perform during the 25th Latin GRAMMY Awards","link":"/","captionValue":"Ela Taubert and Joe Jonas perform during the 25th Latin GRAMMY Awards","imgTitle":"Ela Taubert \u0026 Joe Jonas Perform | Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":1100,"height":733,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.4375,"y":0.4063670411985}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: The Warning Bring Hard Rock Power To The 2024 Latin GRAMMYs With \"Qué Más Quieres\"","deliveryKey":"news/the-warning-performance-2024-latin-grammys-video-watch","deliveryId":"1f0668e9-5385-4ec3-ad40-683d58e9f76f"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"0a776d10-374c-4d78-9012-98f23a2fdeda"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch The Warning Perform \"Que Mas Quieres\" | 2024 Latin GRAMMYs","deliveryId":"71382aa3-b9f8-4589-99a1-39c1460b5bf3"},"bodyText":{"richText":"\u003cspan\u003eThe Warning have four albums in their discography, but the sibling trio's latest LP,\u003c/span\u003e *[\u003cspan\u003eKeep Me Fed\u003c/span\u003e](https://www.grammy.com/news/the-warning-mexican-rock-band-new-album-keep-us-fed-interview-trio)*\u003cspan\u003e, helped them earn their first Latin GRAMMY nomination. And to celebrate, the three sisters from Monterrey, Mexico, delivered a charged-up performance of their Best Rock Song-nominated track \"Qué Más Quieres.\"\u003c/span\u003e\n\n\u003cspan\u003eFollowing a warm introduction from rock legend \u003c/span\u003e[\u003cspan\u003eJuanes\u003c/span\u003e](https://www.latingrammy.com/artists/juanes/20909-01)\u003cspan\u003e, Daniela, Paulina and Alejandra Villarreal Vélez turned the full-force of their rock firepower on the audience with the Spanish-language power ballad, making for an exhilarating Latin GRAMMYs debut. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG Embed: The Warning Perform at the Latin GRAMMYs","deliveryId":"5f94f347-e088-4f0c-8d72-7bed4f33f570"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https://www.instagram.com/reel/DCZktkWpodX/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCZktkWpodX/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" xmlns:xlink=\"https://www.w3.org/1999/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c/path\u003e\u003c/g\u003e\u003c/g\u003e\u003c/g\u003e\u003c/svg\u003e\u003c/div\u003e\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCZktkWpodX/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e \u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch The Warning Perform \"Que Mas Quieres\" | 2024 Latin GRAMMYs","deliveryId":"97e91aab-d03a-4fbf-9d04-e679b79076fe"},"bodyText":{"richText":"\u003cspan\u003eThe trio sing in English more often than Spanish, but performing this single allowed them to show off just how expressive they can be in their first language. It was an incendiary moment in a night already packed with unforgettable performances.\u003c/span\u003e\n\n*\u003cspan\u003eKeep Me Fed\u003c/span\u003e*\u003cspan\u003e marked a watershed moment in the band's career. Along with spawning their first Latin GRAMMY nomination, it was their first album to appear on multiple charts internationally, even rising to No. 1 on the UK Rock \u0026amp; Metal Albums Chart.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"7ec01f9c-a0a3-402e-bfa5-d2225038fd42"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","The Warning"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731643442997,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: The Warning Bring Hard Rock Power To The 2024 Latin GRAMMYs With \"Qué Más Quieres\"","shortTitle":"The Warning Perform At The 2024 Latin GRAMMYs","subHeadline":"The Mexican trio capped off a banner year with their first performance at the 2024 Latin GRAMMYs.","articleSummary":"The Mexican trio capped off a banner year with their first performance at the 2024 Latin GRAMMYs, where they also received their first Latin GRAMMY nomination thanks to their fourth album, 'Keep Me Fed.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch The Warning Perform \"Que Mas Quieres\" | 2024 Latin GRAMMYs","deliveryId":"7ec01f9c-a0a3-402e-bfa5-d2225038fd42"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"The-Warning-2024-Latin-GRAMMYs-GettyImages-2184867624","id":"57094aff-2341-4622-b8f9-affb09d73bd8","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Jason Koerner/Getty Images"},"tags":["The Warning"],"title":"Watch The Warning Perform \"Que Mas Quieres\" | 2024 Latin GRAMMYs","shortTitle":"The Warning Performs | 2024 Latin GRAMMYs","imgAlt":"The Warning 2024 Latin GRAMMYs Performance","imgTitle":"The Warning 2024 Latin GRAMMYs Performance","link":"/","captionValue":"The Warning","captionSummary":"The Warning","poi":{"isImage":true,"alpha":false,"width":2942,"height":1962,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.4375,"y":0.4063670411985}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" At The 2024 Latin GRAMMYs","deliveryKey":"news/pitbull-jon-bon-jovi-performance-2024-latin-grammys-video-watch","deliveryId":"c768e904-2542-4dd7-b997-8136e31f8f1d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"56eee956-612a-40f2-92f9-94a06f6feda0"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" | 2024 Latin GRAMMYs","deliveryId":"c8ebdb0c-658a-4369-b5e4-d2d5cae26e53"},"bodyText":{"richText":"\u003cspan\u003eThe Latin GRAMMY Awards have a history of surprise moments and tonight added to that legacy when \u003c/span\u003e[\u003cspan\u003ePitbull\u003c/span\u003e](https://www.latingrammy.com/artists/pitbull/22064-01)\u003cspan\u003e joined forces with a rock icon. The Cuban American superstar teamed up with \u003c/span\u003e[\u003cspan\u003eJon Bon Jovi\u003c/span\u003e](https://grammy.com/artists/jon-bon-jovi/10440)\u003cspan\u003e for an explosive performance of \"Now or Never,\" a new version of the latter's classic \"It's My Life.\"\u003c/span\u003e\n\n\u003cspan\u003eWhile the pairing seems unlikely, Pitbull and Bon Jovi have a history that dates back to 2017 after meeting at the Songwriters Hall of Fame. Since then, the GRAMMY-winning artists have performed together a few times, including a \u003c/span\u003e[\u003cspan\u003eJimmy Buffet tribute concert\u003c/span\u003e](https://www.latimes.com/entertainment-arts/music/story/2024-04-11/jimmy-buffett-tribute-hollywood-bowl-live-updates-paul-mccartney)\u003cspan\u003e last April. Back in September, Pitbull and Bon Jovi teased their updated version of \"It's My Life\" on Bon Jovi's Party After Dark Tour.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed: Pitbull \u0026 Jon Bon Jovi Performance","deliveryId":"b3747cbd-37f5-4c15-886e-c62db7ab4967"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https://www.instagram.com/reel/DCaBhQgJn0R/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCaBhQgJn0R/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCaBhQgJn0R/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" | 2024 Latin GRAMMYs","deliveryId":"60042805-0734-4694-aa75-cb1e7a6d5055"},"bodyText":{"richText":"\u003cspan\u003eThe duo rocked the house with help from a group of female dancers, exciting pyrotechnics and strobe lights. While Bon Jovi belted out the iconic chorus from \"It's My Life,\" Pitbull added a fresh hip-hop and EDM spin to the song. Mr. 305 even made a nod to \u003c/span\u003e[\u003cspan\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan\u003e’s \"My Way\" in his slick verses. \u003c/span\u003e\n\n\u003cspan\u003eAlthough he's not nominated at the 2024 Latin GRAMMYs, Pitbull has received a total of seven Latin GRAMMY nominations. He won his first Latin GRAMMY in 2013 for Best Urban Fusion/Performance for \"Echa Pa'llá\" (Hands Up). Three years later, Pitbull won his first GRAMMY Award in 2016 for Best Latin Rock or Alternative Album for \u003c/span\u003e*\u003cspan\u003eDale\u003c/span\u003e*\u003cspan\u003e, which tied with \u003c/span\u003e[\u003cspan\u003eNatalia Lafourcade\u003c/span\u003e](https://www.latingrammy.com/artists/natalia-lafourcade/20969-01)\u003cspan\u003e’s \u003c/span\u003e*\u003cspan\u003eHasta La Raíz\u003c/span\u003e*\u003cspan\u003e. After recently wrapping the U.S. leg of his world tour, Pitbull will return to Las Vegas next year with Pitbull: Vegas After Dark The residency. \u003c/span\u003e\n\n\u003cspan\u003eThe performance was Bon Jovi's second appearance of the night on the Latin GRAMMY stage. Earlier in the evening, he \u003c/span\u003e[\u003cspan\u003epresented the Person Of The Year award to Carlos Vives\u003c/span\u003e](https://youtu.be/UAHYgivZ8-8?si=9eObfcPVOvIu6yHf)\u003cspan\u003e; the American rocker was the \u003c/span\u003e[\u003cspan\u003e2023 MusiCares Person Of The Year\u003c/span\u003e](https://www.grammy.com/news/person-of-the-year-2024-honoree-jon-bon-jovi-gala-grammys)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"b3d25a7a-df66-4ad2-a45e-22e521d7ba5d"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Pitbull","Jon Bon Jovi"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731641633280,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" At The 2024 Latin GRAMMYs","shortTitle":"Pitbull \u0026 Jon Bon Jovi | 2024 Latin GRAMMYs","subHeadline":"The Latin GRAMMY winner and former MusiCares Person Of The Year teamed up for an updated version of Bon Jovi's classic \"It's My Life\" titled \"We Do It Our Way.\"","articleSummary":"While the pairing seems unlikely, Pitbull and Bon Jovi have a history that dates back to 2017. On the Latin GRAMMY stage, the two performed an updated version of Bon Jovi's classic \"It's My Life\" titled \"We Do It Our Way.\"","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" | 2024 Latin GRAMMYs","deliveryId":"b3d25a7a-df66-4ad2-a45e-22e521d7ba5d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"KW2_0604_l6gFp814","id":"1a26a3bf-07af-4cfd-b8d3-9e252c237bd8","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eKevin Winter/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["Pitbull","Jon Bon Jovi"],"title":"Watch Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" | 2024 Latin GRAMMYs","shortTitle":"Pitbull \u0026 Jon Bon Jovi | 2024 Latin GRAMMYs","imgAlt":"Pitbull \u0026 Jon Bon Jovi | 2024 Latin GRAMMYs","link":"/","captionValue":"Pitbull and Jon Bon Jovi perform during the 25th Latin GRAMMY Awards","imgTitle":"Watch Pitbull \u0026 Jon Bon Jovi Perform \"We Do It Our Way\" | 2024 Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":6000,"height":4000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.47757884979248,"y":0.33470290966248}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Luis Fonsi Performs \"Despacito\" \u0026 Two More Of His Classics At The 2024 Latin GRAMMYs","deliveryKey":"news/luis-fonsi-performance-2024-latin-grammys-video-watch","deliveryId":"d0fbd0c3-4ec2-4839-b394-f73e30dc87cf"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"56eee956-612a-40f2-92f9-94a06f6feda0"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Luis Fonsi Perform \"No Me Doy Por Vencido,\" \"Despacito\" \u0026 \"Santa Marta\" | 2024 Latin GRAMMYs","deliveryId":"5f3d9541-10b7-44b3-b014-02860337529e"},"bodyText":{"richText":"\u003cspan\u003eThe legacy of\u003c/span\u003e [\u003cspan\u003eLuis Fonsi\u003c/span\u003e](https://grammy.com/artists/luis-fonsi/3346)\u003cspan\u003e's career practically goes hand-in-hand with the history of the Latin GRAMMY Awards. Fresh off his win for Best Pop Vocal Album at the\u003c/span\u003e [\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e, the Puerto Rican pop icon performed a medley of his greatest hits.\u003c/span\u003e\n\n\u003cspan\u003eThe career-spanning performance began with his beloved 2008 ballad, \"No Me Doy Por Vencido.\" In a sparkling orange suit, Fonsi belted his heart out to the song that's become an anthem of hope. \u003c/span\u003e\n\n\u003cspan\u003eDancers then joined him onstage for a sultry performance of his 2017 global smash, \"Despacito,\" which had the whole audience — including \u003c/span\u003e[\u003cspan\u003eMarc Anthony\u003c/span\u003e](https://www.latingrammy.com/artists/marc-anthony/18911-01)\u003cspan\u003e and his wife Nadia Ferreira — dancing along. Fonsi then closed out his live medley with the upbeat \"Santa Marta\" from his latest album, \u003c/span\u003e*\u003cspan\u003eEl Viaje\u003c/span\u003e*\u003cspan\u003e; he danced into the audience where this year's \u003c/span\u003e[\u003cspan\u003ePerson Of The Year honoree\u003c/span\u003e](https://www.grammy.com/news/grammy-museum-events-november-2024-fall)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCarlos Vives\u003c/span\u003e](https://www.latingrammy.com/artists/carlos-vives/23269-01)\u003cspan\u003e, sang along with him.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Luis Fonsi - 2024 Latin GRAMMYs Performance","deliveryId":"3ff04423-9f16-44c3-83f7-7845a76112a7"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCaDU00JjhW/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCaDU00JjhW/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; 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flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCaDU00JjhW/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Luis Fonsi Perform \"No Me Doy Por Vencido,\" \"Despacito\" \u0026 \"Santa Marta\" | 2024 Latin GRAMMYs","deliveryId":"d976fdd6-5fd6-40ab-87d3-351d1a8a82ab"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCaDU00JjhW/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCaDU00JjhW/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" xmlns:xlink=\"https://www.w3.org/1999/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c/path\u003e\u003c/g\u003e\u003c/g\u003e\u003c/g\u003e\u003c/svg\u003e\u003c/div\u003e\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCaDU00JjhW/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e\n\n\u003cspan\u003eThe ambitious \u003c/span\u003e*\u003cspan\u003eEl Viaje\u003c/span\u003e*\u003cspan\u003e, which was recorded in several different countries around the world, earned Fonsi \u003c/span\u003e[\u003cspan\u003ea Latin GRAMMY win for Best Pop Vocal Album\u003c/span\u003e](https://www.youtube.com/watch?v=v0uUXkP0oeU)\u003cspan\u003e. It marks his 11th Latin GRAMMY nomination to date; he has won six Latin GRAMMYs, four of those thanks to \"Despacito,\" which won \u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/luis-fonsi-despacito-wins-record-year-18th-latin-grammys)\u003cspan\u003e and Song Of The Year in 2017.\u003c/span\u003e\n\n\u003cspan\u003e\"What I'm most proud of is just that — it's a song that represents my heritage, my language, and the love of my island, Puerto Rico,\" Fonsi \u003c/span\u003e[\u003cspan\u003etold\u003c/span\u003e](https://www.grammy.com/news/luis-fonsi-ley-de-gravedad-album-interview-despacito-dolce-love-songs)\u003cspan\u003e GRAMMY.com about \"Despacito\" back in 2022. \"It has that swag, that thing, that \u003c/span\u003e*\u003cspan\u003esabor\u003c/span\u003e*\u003cspan\u003e that we carry in our blood. It's a celebration of all of that.\"\u003c/span\u003e\n\n\u003cspan\u003eJust after the 2024 Latin GRAMMYs, Fonsi will add an exciting first to his resume: his film debut. The singer will star in the rom-com \u003c/span\u003e*\u003cspan\u003eSay A Little Prayer\u003c/span\u003e*\u003cspan\u003e, which opens in theaters on Nov. 22. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"11e44204-5ea0-4e43-b6ba-c54a8dc0bef1"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Luis Fonsi"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731644944771,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Luis Fonsi Performs \"Despacito\" \u0026 Two More Of His Classics At The 2024 Latin GRAMMYs","shortTitle":"Luis Fonsi Performs At The 2024 Latin GRAMMYs","subHeadline":"Just after winning his sixth Latin GRAMMY, the Puerto Rican star celebrated his win — and career — with a feel-good performance of \"No Me Doy Por Vencido,\" \"Despacito\" and \"Santa Marta.\"","articleSummary":"Just after winning his sixth Latin GRAMMY, the Puerto Rican star celebrated his win — and career — with a feel-good performance of \"No Me Doy Por Vencido,\" \"Despacito\" and \"Santa Marta.\"","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Luis Fonsi Perform \"No Me Doy Por Vencido,\" \"Despacito\" \u0026 \"Santa Marta\" | 2024 Latin GRAMMYs","deliveryId":"11e44204-5ea0-4e43-b6ba-c54a8dc0bef1"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Luis-Fonsi-2024-Latin-GRAMMYs-GettyImages-2184867904","id":"bc050f6e-c221-4299-82ea-c53a9b86bb10","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Jason Koerner/Getty Images"},"tags":["Luis Fonsi"],"title":"Watch Luis Fonsi Perform \"No Me Doy Por Vencido,\" \"Despacito\" \u0026 \"Santa Marta\" | 2024 Latin GRAMMYs","shortTitle":"Luis Fonsi Performs | 2024 Latin GRAMMYs","imgAlt":"Luis Fonsi Performs | 2024 Latin GRAMMYs","link":"/","captionValue":"Luis Fonsi","captionSummary":"Luis Fonsi","poi":{"isImage":true,"alpha":false,"width":3405,"height":2270,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43816246032715,"y":0.35350042335996}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Grupo Frontera Perform \"El Amor De Mi Vida\" At The 2024 Latin GRAMMYs","deliveryKey":"news/grupo-frontera-performance-2024-latin-grammys-video-watch","deliveryId":"70f7850c-a437-4109-a021-931ee1517869"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"56eee956-612a-40f2-92f9-94a06f6feda0"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Grupo Frontera Perform \"Por El Contrario\" | 2024 Latin GRAMMYs","deliveryId":"3148e403-f2ab-40b0-9ea6-f23d19844028"},"bodyText":{"richText":"\u003cspan\u003eGrupo Frontera has helped globalize the música Mexicana movement and proudly represented the genre and norteño music with a heartfelt performance during The Biggest Night In Latin Music. \u003c/span\u003e\n\n\u003cspan\u003eFresh off their first U.S. arena tour, the Mexican American band hit the stage at the 2024 Latin GRAMMY Awards to perform \"El Amor De Su Vida.\" The track won Best Regional Song during the 2024 Latin GRAMMYs Premiere Ceremony. \u003c/span\u003e\n\n\u003cspan\u003eGrupo Frontera showcased their regional flair — complete with Tejano style-suits and cowboy hats — bringing life on the border between the US and Mexico to the 2024 Latin GRAMMYs stage. Lead singer Adelaido \"Payo\" Solís III belted out the band’s love song “El Amor De Su Vida” in a soulful performance, and shouted out the group's roots in Mexico and Texas.\u003c/span\u003e\n\n\u003cspan\u003eThe performance was a continuation of the momentum of their 2023 debut album \u003c/span\u003e*\u003cspan\u003eEl Comienzo\u003c/span\u003e*\u003cspan\u003e, which included the genre-bending \"Un x100to\" featuring \u003c/span\u003e[\u003cspan\u003eBad Bunny\u003c/span\u003e](https://www.latingrammy.com/artists/bad-bunny/35119-01)\u003cspan\u003e and took home the golden gramophone for Best Norteño Album. Grupo Frontera pushed their cumbia and norteño sound to new places with this year's \u003c/span\u003e*\u003cspan\u003eJugando a Que No Pasa Nada\u003c/span\u003e*\u003cspan\u003e, which was nominated in the inaugural \u003c/span\u003e[\u003cspan\u003eBest Contemporary Mexican Music Album\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominations-best-contemporary-mexican-music-album)\u003cspan\u003e category (that award ultimately went to \u003c/span\u003e[\u003cspan\u003eCarin León\u003c/span\u003e](https://www.latingrammy.com/artists/carin-leon/39603-01)\u003cspan\u003e).\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Grupo Frontera Perform \"Por El Contrario\" | 2024 Latin GRAMMYs","deliveryId":"39293fe4-fe95-445d-adaf-8e506f9aef12"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYiE4aOLu2/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; 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flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYiE4aOLu2/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eGrupo Frontera On 'Jugando A Que No Pasa Nada' \u0026amp; Fully Expressing Themselves: \"This Album Was Made From The Heart\"\u003c/span\u003e](https://www.grammy.com/news/grupo-frontera-jugando-a-que-no-pasa-nada-new-album-interview)\n\n\u003cspan\u003e\"Each member of Grupo Frontera listens and plays different styles, so starting from that, we each had a big say in the genres we wanted to play and styles we wanted to record on this album,\" Solís III \u003c/span\u003e[\u003cspan\u003etold\u003c/span\u003e](https://www.grammy.com/news/grupo-frontera-jugando-a-que-no-pasa-nada-new-album-interview)\u003cspan\u003e GRAMMY.com in May about the band's latest album. \u003c/span\u003e\n\n*\u003cspan\u003eJugando a Que No Pasa Nada\u003c/span\u003e*\u003cspan\u003e included collaborations with artists from around the world. Colombia's Maluma featured on \"Por Qué Será,\" Argentina' s \u003c/span\u003e[\u003cspan\u003eNicki Nicole\u003c/span\u003e](https://www.latingrammy.com/artists/nicki-nicole/36694-01)\u003cspan\u003e was tapped for \"Desquite,\" and fellow Mexican singer \u003c/span\u003e[\u003cspan\u003eChristian Nodal\u003c/span\u003e](https://www.latingrammy.com/artists/christian-nodal/34225-01)\u003cspan\u003e featured on \"Ya Pedo Quién Sabe.\" \"(Entre Paréntesis),\" their collaboration with Shakira, was also nominated for Song Of The Year, but ultimately lost to\u003c/span\u003e[\u003cspan\u003e Jorge Drexler\u003c/span\u003e](https://www.latingrammy.com/artists/jorge-drexler/20041-01)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"6cdfd975-3986-4310-b081-82a6ecd778c3"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin GRAMMYs","Latin Music","Grupo Frontera"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731642732705,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Grupo Frontera Perform \"El Amor De Mi Vida\" At The 2024 Latin GRAMMYs","shortTitle":"Grupo Frontera Perform At The 2024 Latin GRAMMYs","subHeadline":"The Mexican American band hit the stage to perform their Latin GRAMMY-winning duet with Grupo Firme.","articleSummary":"Fresh off their first U.S. arena tour, the Mexican American band hit the stage at the 2024 Latin GRAMMY Awards to perform their 2023 duet with Grupo Firme. At the Premiere Ceremony, the group won Best Norteño Album for 'El Comienzo' and \"El Amor De Su Vida\" took home Best Regional Song.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Grupo Frontera Perform \"Por El Contrario\" | 2024 Latin GRAMMYs","deliveryId":"6cdfd975-3986-4310-b081-82a6ecd778c3"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"groupo-frontera-Adelaido Solis-2024-latin-grammys","id":"01c3b274-31d7-4d5c-84b9-777c9314db35","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eKevin Winter/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["Grupo Frontera"],"title":"Watch Grupo Frontera Perform \"Por El Contrario\" | 2024 Latin GRAMMYs","shortTitle":"Grupo Frontera Performs | 2024 Latin GRAMMYs","imgAlt":"Adelaido Solis III of Grupo Frontera Performs | 2024 Latin GRAMMYs","link":"/","captionValue":"Adelaido Solis III of Grupo Frontera","imgTitle":"Adelaido Solis III of Grupo Frontera Performs | 2024 Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3929,"height":2273,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.21598272138229,"x":0.50472789764404,"y":0.34509765097698}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2024 Latin GRAMMYs Red Carpet Photos: See Head-Turning Looks From Anitta, Maria Becerra, Gloria Estefan, Becky G, Juanes \u0026 More","deliveryKey":"news/2024-latin-grammys-red-carpet-fashion-photos-gallery","deliveryId":"955b1e3d-6411-4dca-8158-803b7758e0b6"},"articleCategory":["photo"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1: 2024 Latin GRAMMYs Red Carpet Photos","deliveryId":"5fda8d3f-6dca-47a9-b250-eeaf385dc66c"},"bodyText":{"richText":"The [2024 Latin GRAMMYs](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list) are officially here and so is the stunning red carpet fashion.\n\nThe 2024 Latin GRAMMYs, officially known as the [25th Latin GRAMMY Awards](https://www.latingrammy.com/en/awards/nominees-25th-annual-latin-grammy-awards), take place tonight, **Thursday, Nov. 14**, and will air live beginning at 8 p.m. ET/PT (7 p.m. CT). A one-hour pre-show, preceding the 2024 Latin GRAMMYs telecast, starts at 7 p.m. ET/PT. Ahead of the telecast, nominated singers, musicians, producers, and others made appearances on the red carpet — with outfits that displayed as much creativity and distinction as their musical output.\n\n**Read More:** [How To Watch The 2024 Latin GRAMMYs Live: Full Performers Lineup, Nominations, Air Date, Time \u0026amp; More](https://www.grammy.com/news/how-to-watch-the-2024-latin-grammys-live-guide)\n\nBelow, see some of our favorite looks from the 2024 Latin GRAMMYs red carpet at the Kaseya Center in Miami.\n\n[Check out the full winners and nominations list for the 2024 Latin GRAMMYs.](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Inline Photo: Anitta at the 2024 Latin GRAMMYs Red 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See some of the hottest, fashion-forward looks at the 2024 Latin GRAMMYs red carpet from Ela Taubert, Alok, Bizarrap, Eladio Carrión, and many more.","articleSummary":"The 2024 Latin GRAMMYs kicked off tonight, Thursday, Nov. 14, in Miami. See some of the hottest, fashion-forward looks at the 2024 Latin GRAMMYs red carpet from Ela Taubert, Alok, Bizarrap, Eladio Carrión, and many more.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2024 Latin GRAMMYs Red Carpet Photos: See Head-Turning Looks From Anitta, Gloria Estefan, Becky G, Juanes \u0026 More","deliveryId":"e447c28e-790f-4e2b-b806-640c8656f057"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Anitta_2024_latin_grammys_DK017877_PRYxigPS_herojpeg","id":"e11e1be9-30d7-41ad-8ba2-c65cb4d8280d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Dimitrios Kambouris/Getty Images for The Latin Recording Academy"},"tags":["Anitta","2024 Latin GRAMMYs"],"title":"Hero: 2024 Latin GRAMMYs Red Carpet Photos: See Head-Turning Looks From Anitta, Gloria Estefan, Becky G, Juanes \u0026 More","shortTitle":"Hero: 2024 Latin GRAMMYs Red Carpet Photos: See Head-Turning Looks From Anitta, Gloria Estefan, Becky G, Juanes \u0026 More","assetTypes":"GRAMMY Awards","imgTitle":"Hero: 2024 Latin GRAMMYs Red Carpet Photos: See Head-Turning Looks From Anitta, Gloria Estefan, Becky G, Juanes \u0026 More","imgAlt":"Anitta attends the 2024 Latin GRAMMYs at Kaseya Center on November 14 in Miami, Florida","captionValue":"Anitta attends the 2024 Latin GRAMMYs at Kaseya Center on November 14 in Miami, Florida","captionSummary":"Anitta attends the 2024 Latin GRAMMYs at Kaseya Center on November 14 in Miami, Florida","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.4181489944458,"y":0.16964553833008}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Behind The Scenes At Latin GRAMMY Week 2024: Inside VIP Celebrations \u0026 More","deliveryKey":"news/behind-the-scenes-2024-latin-grammys-week","deliveryId":"1e1b32a9-6f83-4354-978b-80b39a6238f0"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"27045c3c-4a5f-4a0d-9ef2-6f48104993cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs body 1","deliveryId":"52cdba4b-7718-4193-9b77-6ab2b4515919"},"bodyText":{"richText":"\u003cspan\u003eThe Latin music community is buzzing with excitement following a week of events leading up to the 25th Annual Latin GRAMMY Awards. Held at Miami's\u003c/span\u003e \u003cspan\u003eKaseya Center\u003c/span\u003e \u003cspan\u003eon Nov. 14, the 2024 GRAMMYs showcased the best and the brightest in global Latin sounds.\u003c/span\u003e\n\n\u003cspan\u003eIn the lead-up to The Biggest Night In Latin Music, a series of festivities offered a rare glimpse into the heart of Latin music’s vibrant culture. Latin GRAMMY Week brought artists, producers, and fans together on star-studded red carpets and intimate industry events — each of which was electric with anticipation, celebration, and reflection. \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2024 Latin GRAMMYs: See The Full Winners \u0026amp; Nominations List\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\n\n\u003cspan\u003eContinue celebrating 25 years of Latin Music excellence with a glimpse behind the scenes at some of the unforgettable moments that have made this week in Miami one to remember. \u003c/span\u003e\n\n## \u003cspan\u003eLeading Ladies Got Their Flowers\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs - Leading Ladies of Entertainment","deliveryId":"b225fce9-8924-4d9b-9b7b-730ff9698651"},"tweetId":"1856396785251672455"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs body 2","deliveryId":"20b4eca0-ac65-4c44-89ee-2f5d9b17693e"},"bodyText":{"richText":"\u003cspan\u003eOne of the first events of Latin GRAMMY week was the 8th edition of\u003c/span\u003e [\u003cspan\u003ethe Leading Ladies in Entertainment\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-leading-ladies-entertainment)\u003cspan\u003e, a heartfelt celebration of women who have made significant contributions to the arts and entertainment world.\u003c/span\u003e\n\n\u003cspan\u003eThe event was hosted by Latin GRAMMY-nominated artist \u003c/span\u003e[\u003cspan\u003eBecky G\u003c/span\u003e](https://www.latingrammy.com/en/artists/becky-g/41955-01)\u003cspan\u003e (who also \u003c/span\u003e[\u003cspan\u003eperformed at the 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/becky-g-angela-leonardo-aguilar-performance-2024-latin-grammys-video-watch)\u003cspan\u003e) and was held inside inside the Loews Hotel. Portraits of honorees Ana Rosa Santiago, Vivir Quintana, \u003c/span\u003e[\u003cspan\u003eJulieta Venegas\u003c/span\u003e](https://www.latingrammy.com/artists/julieta-venegas/23184-01)\u003cspan\u003e and Diana Rodríguez were displayed on elegant arches draped in peach and gold. A warmth and intensity buzzed throughout the room, which was amplified by Becky G's encouragement. \u003c/span\u003e\n\n\u003cspan\u003eEach honoree's speech reflected the event's theme of elevating women and inspiring the next generation of female leaders. Quintana's powerful speech shared sage wisdom with aspiring music professionals in the room. “You absolutely do not have to change anything about yourself. Just work on your talent, be who you are, and follow your inner compass always,” she told the crowd, sparking a standing ovation. \u003c/span\u003e\n\n\u003cspan\u003eIn a sweet touch to the already outstanding celebration, attendees were invited to create personalized bouquets. The gesture left honorees and guests alike feeling empowered and appreciated, with the evening both symbolically and quite literally giving everyone their flowers for their contributions to Latin music and culture.\u003c/span\u003e\n\n## \u003cspan\u003eNominees \"Swam\" With The Big Fish\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs - Nominees Reception","deliveryId":"e4986e9e-6579-4887-9fa7-8687ac1149fe"},"tweetId":"1856514820516000141"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs body 3","deliveryId":"1b6203de-f971-4db8-b9d6-ac02fac44257"},"bodyText":{"richText":"\u003cspan\u003eThe Latin GRAMMY Awards do more than recognize artistic excellence — they invite nominees into a circle of industry peers who celebrate each other's achievements. At the Latin GRAMMY Nominee Reception, this vibrant community bonded over a deep appreciation for the artistry, dedication, and hard work it takes to earn this peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThe crowd at the Frost Science Museum’s Ocean Gallery was a mix of first-time Latin GRAMMY nominees such as \u003c/span\u003e[\u003cspan\u003eLatin Mafia\u003c/span\u003e](https://grammy.com/news/latin-mafia-meet-the-first-time-latin-grammy-nominee-new-album-interview#:\\~:text=Meet%20The%20First%2DTime%20Latin%20GRAMMY%20Nominee%3A%20Carlos%20Rivera%20On,Bisbal%20%26%20Playing%20The%20Long%20Game\u0026text=%22I%20always%20bet%20on%20love,nominated%20duet%20with%20David%20Bisbal.)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eCarlos Rivera\u003c/span\u003e](https://www.grammy.com/news/carlos-rivera-ahora-interview-2024-latin-grammys-meet-first-time-nominee)\u003cspan\u003e, international stars such as Alok, and \u003c/span\u003e[\u003cspan\u003erecently-announced nominees for the 2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e. Producers and collaborators who work with \u003c/span\u003e[\u003cspan\u003eJ Noa\u003c/span\u003e](https://www.latingrammy.com/artists/j-noa/53204-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePeso Pluma\u003c/span\u003e](https://grammy.com/artists/peso-pluma/54091)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eResidente\u003c/span\u003e](https://www.latingrammy.com/artists/rene-perez/22010-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAnitta\u003c/span\u003e](https://www.latingrammy.com/artists/anitta/25427-01)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eKali Uchis\u003c/span\u003e](https://www.latingrammy.com/artists/kali-uchis/33028-01)\u003cspan\u003e were also in attendance. Guests represented a range of genres and disciplines: violinists, songwriters, DJs, salsa musicians, and even the singing clowns of Payasitas Nifu Nifa, who make children’s music, mingled energetically. \u003c/span\u003e\n\n\u003cspan\u003eNominees proudly donned their medallions, capturing this pivotal career moment on the red carpet and posing in front of a giant, golden GRAMMY. The reception featured a stunning aquarium view, and guests could watch the fish, sharks, and stingrays swimming peacefully above them and snapped more photos. The aquarium was a fitting scene: this year’s class of nominees certainly got here by making waves in the music industry.\u003c/span\u003e\n\n## \u003cspan\u003eThe Future Sounded Bright As Rising Stars Hit The Stage \u003c/span\u003e\n\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCVXxAmJNmd/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCVXxAmJNmd/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; 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flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCVXxAmJNmd/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by GRAMMY U (@grammyu)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e\n\n\u003cspan\u003eHeld at Miami Beach’s Faena Forum and presented by Mastercard and Bank of America, the third annual\u003c/span\u003e [\u003cspan\u003eBest New Artist Showcase\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-best-new-artist-showcase-agris-darumas-ela-taubert) \u003cspan\u003ebrought an exciting spotlight to the future of Latin music. Over a performance-filled day, each of the\u003c/span\u003e [\u003cspan\u003eseven Best New Artist nominees\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominees-best-new-artist) \u003cspan\u003ebrought their unique flavor to the stage.\u003c/span\u003e\n\n\u003cspan\u003eFrom Nicolle Horbath’s fresh \u003c/span\u003e*\u003cspan\u003epopteño\u003c/span\u003e*\u003cspan\u003e style to 13-year-old Kevin Aguilar’s heartfelt mariachi and corridos, every performance showcased a captivating fusion of genres. The crowd was especially energized when the three-piece girl group DARUMAS delivered an electrifying rock cover of \u003c/span\u003e[\u003cspan\u003eWhitney Houston\u003c/span\u003e](https://grammy.com/artists/whitney-houston/3899)\u003cspan\u003e’s \"I Wanna Dance with Somebody,\" getting everyone on their feet.\u003c/span\u003e\n\n\u003cspan\u003eOther standout performances included Agris, Cacá Magalhães, Os Garotins, Íñigo Quintero, Sofi Saar, and Ela Taubert. Ultimately, it was \u003c/span\u003e[\u003cspan\u003eEla Taubert who took home the Latin GRAMMY on Thursday night\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-best-new-artist-showcase-agris-darumas-ela-taubert)\u003cspan\u003e, and she closed out the week with an emotional performance of her hit \"¿Cómo Pasó?\" alongside Joe Jonas at the 2024 Latin GRAMMYs. \u003c/span\u003e\n\n\u003cspan\u003eThis showcase not only highlighted the diverse talent shaping the future of Latin music but also gave attendees an unforgettable opportunity to experience the next generation of superstars up close.\u003c/span\u003e\n\n## \u003cspan\u003eCarlos Vives' Life \u0026amp; Influence Was Fêted\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs - Person OTY embed","deliveryId":"00020366-e391-4f84-9d03-eb25a58b7ff8"},"tweetId":"1857005028621296097"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs body 4","deliveryId":"c307a109-ccef-4337-b6fe-a5f458f726f4"},"bodyText":{"richText":"\u003cspan\u003eThe annual Latin GRAMMY Person Of The Year Year celebration honored Colombian artist and philanthropist\u003c/span\u003e [\u003cspan\u003eCarlos Vives\u003c/span\u003e](https://www.latingrammy.com/en/artists/carlos-vives/23269-01)\u003cspan\u003e. The annual event drew a crowd of about 2,000 attendees to the Miami Beach Convention Center, including legends in Latin music and the next generation of stars.\u003c/span\u003e\n\n\u003cspan\u003eGuests arrived in ornate attire, enjoying drinks and capturing memories with the Glambot’s interactive photo experience. Among the star-studded crowd were \u003c/span\u003e[\u003cspan\u003eCamilo\u003c/span\u003e](https://www.grammy.com/artists/camilo/287164)\u003cspan\u003e, Grupo Frontera, \u003c/span\u003e[\u003cspan\u003eRico Love\u003c/span\u003e](https://www.grammy.com/artists/rico-love/4903)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAymee Nuviola\u003c/span\u003e](https://www.latingrammy.com/en/artists/aymee-nuviola/25668-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAleMor\u003c/span\u003e](https://www.latingrammy.com/en/artists/alemor/39306-01)\u003cspan\u003e, and many more. The mayor of Miami also took the stage to offer a few heartfelt words of appreciation for Vives’ contributions. \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eCarlos Vives, The 2024 Latin Recording Academy Person Of The Year, On The Colombia Music \u0026amp; Culture That Made Him\u003c/span\u003e](https://www.grammy.com/news/carlos-vives-interview-2024-latin-recording-academy-person-of-the-year)\n\n\u003cspan\u003eThe evening culminated in a historic moment when six previous Latin GRAMMY Person Of The Year honorees gathered to pay tribute to Vives, a powerful salute to his legacy and impact on the Latin music community. Onstage at the 2024 Latin GRAMMYs, Carlos Vives was \u003c/span\u003e[\u003cspan\u003esaluted by 2023 MusiCares Person Of The Year Jon Bon Jovi\u003c/span\u003e](https://www.youtube.com/watch?v=UAHYgivZ8-8\u0026t=1s)\u003cspan\u003e.\u003c/span\u003e\n\n## ***\u003cspan\u003eSomos Familia\u003c/span\u003e***\n\n\u003cspan\u003eIn collaboration with the Recording Academy’s Florida Chapter,BMI and Rebeleon Entertainment, Latin music producers and artists gathered to celebrate in true Miami fashion — with a party. \u003c/span\u003e\n\nAt the Los Producers event, attendees filled the venue’s balconies for the best views, while Latin GRAMMY nominees such as \u003c/span\u003e[\u003cspan\u003eCimafunk\u003c/span\u003e](https://www.grammy.com/artists/cimafunk/51657)\u003cspan\u003e, Agris, Latin Mafia, and \u003c/span\u003e[\u003cspan\u003eTrooko\u003c/span\u003e](https://www.latingrammy.com/artists/trooko/33026-01)\u003cspan\u003e were spotted among the crowd. Guests danced and mingled to a mix of '80s classics and rock, all delivered in a Spanglish blend that had the crowd singing along. But the night truly came alive during a series of energetic performances from the likes of five-time Latin GRAMMY winner \u003c/span\u003e[\u003cspan\u003eLuis Fonsi\u003c/span\u003e](https://www.latingrammy.com/en/artists/luis-fonsi/20285-01)\u003cspan\u003e, The Warning, and \u003c/span\u003e[\u003cspan\u003eBruses\u003c/span\u003e](https://www.latingrammy.com/en/artists/bruses/41971-01)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003ePrior to taking the stage, Fonsi and his bandmates shared a sweet moment. The group sang \"Happy Birthday\" and brought out a cake for their guitarist, exemplifying the tight-knit family bond that defines the Latin music community. \u003c/span\u003e\n\n## \u003cspan\u003eGRAMMY U Gained On The Ground Experience \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs bts","deliveryId":"db8bd20d-f2de-46d8-9893-0c0fbe952f22"},"tweetId":"1857072833391677505"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs body 5","deliveryId":"9a9935b5-6ca0-4d5d-84dd-4f76d3bff988"},"bodyText":{"richText":"\u003cspan\u003eThroughout the week, over 75 GRAMMY U members volunteered on the talent team escorting artists such as \u003c/span\u003e[\u003cspan\u003eGloria Estefan\u003c/span\u003e](https://www.latingrammy.com/en/artists/gloria-estefan/20141-01)\u003cspan\u003e and DARUMAS.\u003c/span\u003e\n\n\u003cspan\u003eFlorida Chapter Member Amy Torres shared her experience: \"My dream has always been to work in the Latin music industry so this is a dream come true. This week, I’ve seen a lot of artists I’ve admired growing up and made connections both within GRAMMY U and outside of the organization.\" \u003c/span\u003e\n\n\u003cspan\u003ePatience Murray, a non-student GRAMMY U Member and singer/songwriter based in Florida, described GRAMMY Week as a \"mind-blowing experience.\" \"Being able to witness a music event of this caliber and magnitude felt like a once-in-a-lifetime manifestation exercise, and I'm grateful to have seen the stages I dream to one day perform on,\" she said, adding that her favorite part of the week was connecting with other GRAMMY U members. \u003c/span\u003e\n\n\u003cspan\u003e\"I have gained so much respect for the talent teams who work tirelessly behind the scenes to ensure that every show looks effortless and enjoyable for the fans,\" Murray added.\u003c/span\u003e\n\n\u003cspan\u003e2024 Latin GRAMMY Week was the definitive celebration of music's power to connect and inspire. As Latin music cements its place on the global stage, it’s clear that these artists are not only shaping the future of the industry but also fostering a greater sense of shared identity that transcends borders. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Recording Academy","deliveryId":"89f29227-e637-4871-b531-dfb366f10e72"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Latin Recording Academy","2024 Latin GRAMMYs","Latin GRAMMYs"]},"title":"Latest Latin Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs 2024 Latin GRAMMY In The Schools","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"7994af2e-dc55-4a75-a677-2144d4d07012","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin","Mexican"],"tags":["2024 Latin GRAMMYs","The Latin Recording Academy","GRAMMY U","Carlos Vives","Best New Artist","Leading Ladies In Entertainment","Latin Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731709861737,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Behind The Scenes At Latin GRAMMY Week 2024: Inside VIP Celebrations \u0026 More","shortTitle":"6 Things You Didn’t See At Latin GRAMMY Week 2024","subHeadline":"The Latin Music community has been celebrating with a full week of festivities leading up to the 2024 Latin GRAMMYs in Miami, Florida. Here are some behind-the-scenes moments from the biggest week in Latin Music.","articleSummary":"The Latin Music community has been celebrating with a full week of festivities leading up to the 2024 Latin GRAMMYs in Miami, Florida. Here are some behind-the-scenes moments from the biggest week in Latin Music.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs 2024 Latin GRAMMY In The Schools","deliveryId":"7994af2e-dc55-4a75-a677-2144d4d07012"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"carlos-vives-latin-grammy-in-the-schools-2024","id":"751bb801-9a47-4425-8453-10ceaf1fe064","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"\u003cspan\u003ePhoto: John Parra/Getty Images for The Latin Recording Academy \u003c/span\u003e"},"tags":["Carlos Vives","Latin GRAMMY In The Schools"],"title":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs","shortTitle":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs","imgTitle":"6 Special Moments You Didn’t See At The 2024 Latin GRAMMYs","link":"/","captionValue":"Carlos Vives poses with students of Miami Senior High School during 2024 Latin GRAMMY In The Schools","imgAlt":"Carlos Vives poses with students of Miami Senior High School during 2024 Latin GRAMMY In The Schools","poi":{"isImage":true,"alpha":false,"width":4858,"height":3240,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.46206439971924,"y":0.32501855057277}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Carlos Vives Performs \"La Bicicleta,\" \"Robarte Un Beso\" \u0026 More At The 2024 Latin GRAMMYs","deliveryKey":"news/carlos-vives-performance-2024-latin-grammys-video-watch","deliveryId":"a7af77cb-57cc-449d-bef0-f025266607fa"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"ca953e71-fd6e-4abf-82a3-994d3ac04b0a"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Watch Carlos Vives Perform \"La Bicicleta,\" \"Robarte Un Beso,\" \u0026 More | 2024 Latin GRAMMYs","deliveryId":"f49a46bc-9be1-40c4-991e-7ebf0d8f2214"},"bodyText":{"richText":"[\u003cspan\u003eCarlos Vives\u003c/span\u003e](https://www.latingrammy.com/en/artists/carlos-vives/23269-01)\u003cspan\u003e kicked off the 2024 Latin GRAMMYs in a way befitting Miami, considered the capital of Latin America, with \u003c/span\u003e*\u003cspan\u003efiesta\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003ePerforming a medley of hits spanning his three-decade career, Vives lit up the Kaseya Center on a historic night: the awards' 25th anniversary. The 25th Annual Latin GRAMMY Awards was particularly special for the Colombian singer, who is being honored as The Latin Recording Academy's \u003c/span\u003e[\u003cspan\u003e2024 Person Of The Year\u003c/span\u003e](https://www.latingrammy.com/en/news/carlos-vives-named-2024-latin-recording-academy-person-of-the-year)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eCarlos Vives began his vibrant performance from within the crowd, culminating in a series of dynamic and nearly 3D set pieces on the Latin GRAMMY stage. The Colombian superstar's energy made Miami's Kaseya Center roar.\u003c/span\u003e\n\n\u003cspan\u003eAccompanied on stage by a 10-piece band, four backup singers and eight dancers, the Colombian star took a trip down memory lane through a medley, starting his awaited act with \"Fruta Fresca,\" a song nominated at the 1st Latin GRAMMYs for Song Of The Year and Best Tropical Song, followed by \"La Bicicleta,\" \"Tierra Del Olvido,\" and \"Volví a Nacer.\"\u003c/span\u003e\n\n\u003cspan\u003eThe hit-filled performance couldn’t finish without a tribute to Vives’ accordionist, Egidio Cuadrado, who passed away in October. The set ended with \"Robarte Un Beso\" and \"Pa’ Mayte,\" with \u003c/span\u003e[\u003cspan\u003eJuanes\u003c/span\u003e](https://www.latingrammy.com/artists/juanes/20909-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSebastián Yatra\u003c/span\u003e](https://www.latingrammy.com/artists/sebastian-yatra/33047-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCamilo\u003c/span\u003e](https://www.latingrammy.com/artists/camilo/36371-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSilvestre Dangond\u003c/span\u003e](https://www.latingrammy.com/artists/silvestre-dangond/19796-01)\u003cspan\u003e, and Kapo joining Vives on stage.\u003c/span\u003e\n\n\u003cspan\u003eVives is one of Latin music's most iconic figures. A pioneer who created a unique Latin sound he named \u003c/span\u003e*\u003cspan\u003eel rock de mi pueblo\u003c/span\u003e*\u003cspan\u003e (my people’s rock), Vives' songs and legacy have transcended borders, establishing him as a cultural ambassador for Colombia and all of Latin America to the world.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eCarlos Vives, The 2024 Latin Recording Academy Person Of The Year, On The Colombia Music \u0026amp; Culture That Made Him\u003c/span\u003e](https://www.grammy.com/news/carlos-vives-interview-2024-latin-recording-academy-person-of-the-year)\n\n\u003cspan\u003eHis dedication to music has kept him closely tied to the Latin Academy since its beginnings. Beyond his 47 nominations — the first coming at the inaugural ceremony in 2000 — his commitment to promoting artistry and supporting the new generation of Latin music creators has made him a generous contributor to both the Academy and its Foundation.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Carlos Vives - 2024 Latin GRAMMYs Performance - Intro - Fruta Fresca, La Bicicleta, Tierra del Olvido, Volví a Nacer","deliveryId":"f705e8a7-7d32-457d-8e63-cdeb8524682f"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYcH9HuzWn/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; 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white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYcH9HuzWn/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Watch Carlos Vives Perform \"La Bicicleta,\" \"Robarte Un Beso,\" \u0026 More | 2024 Latin GRAMMYs","deliveryId":"366826b2-a7e6-4a25-9e0a-a538cfd06e80"},"bodyText":{"richText":"\u003cspan\u003eIn 2018, Vives sponsored the Latin GRAMMY Cultural Foundation's Prodigy Scholarship, which allowed his fellow Colombian \u003c/span\u003e[\u003cspan\u003eNicolle Horbath\u003c/span\u003e](https://www.latingrammy.com/en/news/the-latin-grammy-cultural-foundation-awards-the-carlos-vives-scholarship-to-nicolle-horbath)\u003cspan\u003e, who is vying for the Best New Artist award this year, to study at Berklee College of Music. \u003c/span\u003e\n\n\u003cspan\u003eWith over 10 billion streams on digital platforms and 20 million albums sold, Vives looks to the future with the same energy and passion that has conquered countless stages in Latin America and across the globe.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text): Carlos Vives - 2024 Latin GRAMMYs Performance - Outro","deliveryId":"86b48b72-7363-4a89-9a1c-8f7d5655bbf4"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DChRv8_uGHZ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DChRv8_uGHZ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; 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224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DChRv8_uGHZ/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async 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GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Carlos Vives Performs \"La Bicicleta,\" \"Robarte Un Beso\" \u0026 More At The 2024 Latin GRAMMYs","shortTitle":"Carlos Vives Performs At The 2024 Latin GRAMMYs","subHeadline":"Carlos Vives, the 2024 Latin Recording Academy Person Of The Year, opened the 2024 Latin GRAMMYs with a medley of beloved hits.","articleSummary":"Performing a medley of hits spanning his three-decade career, Carlos Vives, the 2024 Latin Recording Academy Person Of The Year, lit up the 2024 Latin GRAMMYs on a historic night: the awards' 25th anniversary.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Watch Carlos Vives Perform \"La Bicicleta,\" \"Robarte Un Beso,\" \u0026 More | 2024 Latin 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- Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","deliveryId":"cd211295-b771-4b90-a1e9-d62f0a624e36"},"bodyText":{"richText":"[\u003cspan\u003eBizarrap\u003c/span\u003e](https://www.latingrammy.com/artists/bizarrap/39352-01)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393)\u003cspan\u003e won \u003c/span\u003e[\u003cspan\u003eBest Latin Electronic Music Performance\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominations-best-latin-electronic-music-performance#:\\~:text=2024%20Latin%20GRAMMYs%3A%20Best%20Latin%20Electronic%20Music%20Performance%20Nominations,-Facebook\u0026text=The%202024%20Latin%20GRAMMYs%20will%20feature%20a%20new%20category%20that,a%20song%20by%20Vikina%20feat.)\u003cspan\u003e for \"Bzrp Music Sessions, Vol. 53 (Tiësto Remix)\" at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e. While accepting the award, Bizarrap reflected that he was first introduced to electronic music as a child through Tiësto’s work. \u003c/span\u003e\n\n[\u003cspan\u003eTiësto\u003c/span\u003e](https://grammy.com/artists/tiesto/12687)\u003cspan\u003e has a history of collaborating with Latin artists and, for \"Vol. 53 (Tiësto remix),\" he increased the tempo and added ravey synths. First released in January 2023, the original \"Vol. 53\" won the coveted \u003c/span\u003e[\u003cspan\u003eLatin GRAMMY Song Of The Year\u003c/span\u003e](https://www.grammy.com/news/shakira-bizarrap-win-song-of-the-year-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e at the \u003c/span\u003e[2023 Latin GRAMMYs](https://www.grammy.com/news/2023-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e. The track inspired the title of Shakira’s 2024 album, \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e, which includes the Tiësto remix as a bonus track. On stage, Bizarrap called Shakira a queen, and wished her luck on her upcoming tour. \u003c/span\u003e\u003cspan\u003e In an Instagram story, the Colombian singer thanked people for their well wishes, adding, \u003c/span\u003e\u003cspan\u003e\"\u003c/span\u003e\u003cspan\u003eI’m happy to share this with Tiesto and Bizarrap, who I love so much.\u003c/span\u003e\u003cspan\u003e\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","deliveryId":"c19eb7a1-a5b0-4f4c-8170-4b38b2e893d8"},"videoUrl":"https://www.youtube.com/watch?v=kYuXsjRbge0"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","deliveryId":"b17f7fbe-5c91-4668-94a0-d1fee212a37f"},"bodyText":{"richText":"\u003cspan\u003eOther nominees for Best Latin Electronic Music Performance included \u003c/span\u003e[\u003cspan\u003eAle Acosta\u003c/span\u003e](https://www.latingrammy.com/artists/alejandro-acosta/23391-01)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eValeria Castro\u003c/span\u003e](https://www.latingrammy.com/artists/valeria-castro/53085-01)\u003cspan\u003e's \"La Ceniza,\" Alok's \"Drum Machine,\" Alok \u0026amp; Guarani Nhandewa's \"Pedju Kunumigwe,\" and Vikina \u0026amp; Deorro's \"BAMBOLE.\" \u003c/span\u003e\n\n\u003cspan\u003eBest Latin Electronic Music Performance is one of \u003c/span\u003e[\u003cspan\u003etwo new categories at the 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/two-new-latin-grammys-categories-best-latin-electronic-music-performance-best-contemporary-mexican-music-album)\u003cspan\u003e. The category is a reflection of the \u003c/span\u003e[\u003cspan\u003emany DJs, artists and producers\u003c/span\u003e](https://www.grammy.com/news/latin-electronic-music-songs-albums-to-know-2024-latin-grammys-new-category-field)\u003cspan\u003e who meld the myriad sounds of electronic music with those of their own cultures.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"8f8d0ac5-5c55-47de-998a-ad49848c05d2"},"contentGenre":["Latin","Dance/Electronic"],"tags":["2024 Latin GRAMMYs","Latin Music","Shakira","Bizzarap","Tiësto"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731611481120,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Bizarrap \u0026 Shakira Win Best Latin Electronic Music Performance For \"Bzrp Music Sessions, Vol. 53 (Tiësto Remix)\" | 2024 Latin GRAMMYs","shortTitle":"2024 Latin GRAMMYs: Best Latin Electronic Winner","subHeadline":"One of two new categories at the 25th Annual Latin GRAMMY Awards, the inaugural golden gramophone was awarded to the dynamic duo of Bizarrap \u0026 Shakira.","articleSummary":"One of two new categories at the 25th Annual Latin GRAMMY Awards, the inaugural golden gramophone was awarded to the dynamic duo of Bizarrap \u0026 Shakira. The Argentinian producer accepted the award on behalf of his team.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Best Latin Electronic Music Performance Winner | 2024 Latin GRAMMYs","deliveryId":"8f8d0ac5-5c55-47de-998a-ad49848c05d2"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Bizarrap-LG-2024","id":"6b57b830-05a9-4586-924a-a73ca8565fda","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["2024 Latin GRAMMYs","Latin Music"],"title":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","shortTitle":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","imgAlt":"Bizarrap accepts the award for Best Latin Electronic Music Performance at the 2024 Latin GRAMMYs","link":"/","imgTitle":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","captionValue":"Bizarrap accepts the inaugural award for Best Latin Electronic Music Performance","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Juan Luis Guerra 4.40 Wins Album Of The Year For 'Radio Güira' | 2024 Latin GRAMMYs","deliveryKey":"news/juan-luis-guerra-wins-radio-guira-album-year-2024-latin-grammys-acceptance-speech-video-watch","deliveryId":"63cd080d-d757-4283-b5ec-df8687521ff6"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fa95ee0f-3d40-4e07-a6f0-8e509a07bee1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Album Of The Year | 2024 Latin GRAMMYs","deliveryId":"6526d747-9dc6-47a3-af46-cdb07cc1f0f1"},"bodyText":{"richText":"[\u003cspan\u003eJuan Luis Guerra\u003c/span\u003e](https://www.latingrammy.com/artists/juan-luis-guerra/20651-01)\u003cspan\u003e \u003c/span\u003e\u003cspan\u003ewon \u003c/span\u003e[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominees-album-of-the-year)\u003cspan\u003e for \u003c/span\u003e*\u003cspan\u003eRadio Güira\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eat the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eAn unerring ability to make international pop hits from tropical genres such as bachata and merengue has made \u003c/span\u003e[\u003cspan\u003eJuan Luis Guerra\u003c/span\u003e](https://grammy.com/artists/juan-luis-guerra/10737)\u003cspan\u003e an icon. Album Of The Year has long been the genre-blending artist's domain at the Latin GRAMMYs; he won the award as an artist in 2007, 2010 and 2014, as well as a producer on \u003c/span\u003e[\u003cspan\u003eJuanes\u003c/span\u003e](https://www.latingrammy.com/artists/juanes/20909-01)\u003cspan\u003e' \u003c/span\u003e*\u003cspan\u003eMTV Unplugged\u003c/span\u003e*\u003cspan\u003e album in 2012. This year, he took home the final award of the night for \u003c/span\u003e*\u003cspan\u003eRadio Güira\u003c/span\u003e*\u003cspan\u003e, his lively 2023 concept EP, which presents each song as part of a broadcast on the fictional radio station \"4:40 FM.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Juan Luis Guerra | Album Of The Year - 2024 Latin GRAMMYs","deliveryId":"6aff618f-e9fe-4afa-829d-628b898e754e"},"assetId":"595fa858-128a-4843-9dec-ef58f7fed7e7","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Album Of The Year | 2024 Latin GRAMMYs","deliveryId":"cd435510-76ea-428a-b8e2-60534d502932"},"bodyText":{"richText":"*\u003cspan\u003eRadio Güira\u003c/span\u003e*\u003cspan\u003e exudes 1970s nostalgia with the bachata and merengue that have defined the career of this Latin music icon, while still showing he's got some new tricks up his sleeve with ventures into mambo and big band sounds. The lead single \"Mambo 23,\" blends mambo with merengue de la calle, while \"Cositas de Amor,\" a heartfelt tribute to his wife Nora, offers a dreamy, pop-infused take on reggaeton. \u003c/span\u003e\n\n\u003cspan\u003eThe album's eclectic sound stirs elements of jazz, blues, and rock into the effervescent tropical mix, taking Guerra's Caribbean roots on a global adventure. Described by Guerra as a gift to longtime fans, the album also extends an invitation to younger listeners to tune in and discover the artistry that has made him a household name. \u003c/span\u003e\n\n**\u003cspan\u003eWatch:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eWatch Juan Luis Guerra Latin GRAMMY Win For Best Tropical Song For \"Las Avispas\" In 2005 | GRAMMY Rewind\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys/grammy-rewind-watch-juan-luis-guerra-win-best-tropical-song-las-avispas-2005-latin-grammys-awards)\n\n\u003cspan\u003eOther nominees for Album Of The Year included \u003c/span\u003e[\u003cspan\u003eÁngela Aguilar\u003c/span\u003e](https://www.latingrammy.com/artists/angela-aguilar/33867-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eBolero\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCamilo\u003c/span\u003e](https://www.latingrammy.com/artists/camilo/36371-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003ecuatro\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eXande de Pilares\u003c/span\u003e](https://www.latingrammy.com/artists/xande-de-pilares/19885-01)\u003cspan\u003e' \u003c/span\u003e*\u003cspan\u003eXande Canta Caetano\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.latingrammy.com/artists/karol-g/34124-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eMañana Será Bonito (Bichota Season)\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKany García\u003c/span\u003e](https://www.latingrammy.com/artists/kany-garcia/20408-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eGarcía\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMon Laferte\u003c/span\u003e](https://www.latingrammy.com/artists/mon-laferte/31731-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eAutopoiética\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCarin León\u003c/span\u003e](https://www.latingrammy.com/artists/carin-leon/39603-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eBoca Chueca, Vol. 1\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eResidente\u003c/span\u003e](https://www.latingrammy.com/artists/rene-perez/22010-01)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eLas Letras Ya No Importan\u003c/span\u003e*\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e were the other nominees in the category.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"9fb1999e-bef5-4aed-af8c-9af04adbd898"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin Music","Juan Luis Guerra"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731644836964,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Juan Luis Guerra 4.40 Wins Album Of The Year For 'Radio Güira' | 2024 Latin GRAMMYs","shortTitle":"2024 Latin GRAMMYs: Album Of The Year Winner","subHeadline":"Juan Luis Guerra 4.40 adds to his growing Latin GRAMMYs collection with wins for Album Of The Year, Record Of The Year, Best Merengue/Bachata Album, and Best Tropical Song at the 2024 Latin GRAMMYs.","articleSummary":"Juan Luis Guerra 4.40 won Album Of The Year for Radio Güira at the 2024 Latin GRAMMYs.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Album Of The Year Winner | 2024 Latin GRAMMYs","deliveryId":"9fb1999e-bef5-4aed-af8c-9af04adbd898"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Juan-Luis_Guerra_2024_Latin_GRAMMYs_Album_Of_The_YEar","id":"e92659f2-a168-4552-b4c3-ce51e6cb5928","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: GIORGIO VIERA/AFP via Getty 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\u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eBuilding on the massive success of his previous album, \u003c/span\u003e*\u003cspan\u003eColmillo de Leche\u003c/span\u003e*\u003cspan\u003e, which won the Latin GRAMMY for Best Norteño Album in 2023. The singer’s fifth album is a triumphant blend of his own experimental style and the traditional Mexican music he grew up with and has since become known for. The 19-track effort explores pop, country, rock, and R\u0026amp;B, flexing León’s introspective songwriting prowess as the singer’s lyrics dove into the darker sides of his personal life and career.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Carin León Wins Best Contemporary Mexican Music Album For 'Boca Chueca, Vol. 1' | 2024 Latin GRAMMYs Brightcove Video Player","deliveryId":"1abb176e-2e1b-4969-8a5b-733f2d157a92"},"assetId":"2af10efb-bc7e-4327-b071-da3534c17315","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Best Contemporary Mexican Music Album (Regional-Mexican Field) | 2024 Latin GRAMMYs","deliveryId":"6283633d-a231-407c-a519-fb11db3c8adb"},"bodyText":{"richText":"\u003cspan\u003eThe inaugural winner of the category, León dedicated the award to the people of his hometown of Hermosillo, Sonora, and all those whose mission is to keep uplifting Mexican music. \u003c/span\u003e\n\n\u003cspan\u003eOther nominees for \u003c/span\u003e[\u003cspan\u003eBest Contemporary Mexican Music Album\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-nominations-best-contemporary-mexican-music-album)\u003cspan\u003e (Regional-Mexican Field) included \u003c/span\u003e[\u003cspan\u003eNatanael Cano\u003c/span\u003e](https://grammy.com/artists/nati-cano/853)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eNata Montana\u003c/span\u003e*\u003cspan\u003e, DannyLux's \u003c/span\u003e*\u003cspan\u003eEvoluxíon\u003c/span\u003e*\u003cspan\u003e, Grupo Frontera's \u003c/span\u003e*\u003cspan\u003eJugando A Que No Pasa Nada\u003c/span\u003e*\u003cspan\u003e, Michelle Maciel's \u003c/span\u003e*\u003cspan\u003eTrastornado\u003c/span\u003e*\u003cspan\u003e, and Peso Pluma's \u003c/span\u003e*\u003cspan\u003eGénesis\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eBest Contemporary Mexican Music Album is one of \u003c/span\u003e[\u003cspan\u003etwo new categories at the 2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/two-new-latin-grammys-categories-best-latin-electronic-music-performance-best-contemporary-mexican-music-album)\u003cspan\u003e. This new category highlights albums with a diversity of Mexican genres, and reflects the worldwide spread and evolution of the country's music.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"c31ad444-6d89-4b59-b533-748b4724256b"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin Music","Carin Leon"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731634669009,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Carin León Wins Best Contemporary Mexican Music Album For 'Boca Chueca, Vol. 1' | 2024 Latin GRAMMYs","shortTitle":"2024 Latin GRAMMYs Winner: Mexican Music Album","subHeadline":"Carin León won the first-ever Latin GRAMMY award for Best Contemporary Mexican Music Album at the 2024 Latin GRAMMYs.","articleSummary":"Carin León won the first-ever Latin GRAMMY award for Best Contemporary Mexican Music Album at the 2024 Latin GRAMMYs.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Best Contemporary Mexican Music Album (Regional-Mexican Field) | 2024 Latin GRAMMYs","deliveryId":"c31ad444-6d89-4b59-b533-748b4724256b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Carin-Leon-2024_Latin_GRAMMYs_Best-Contemporary-Mexican-Music-Album","id":"f4da5183-37d9-4636-a8fd-2b5e8d6387b5","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eDimitrios Kambouris/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["2024 Latin GRAMMYs","Latin Music","Carin León"],"title":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","shortTitle":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","imgAlt":"Best Latin Electronic Music Performance | 2024 Latin GRAMMYs","link":"/","captionValue":"Carin León at the 2024 Latin GRAMMYs","captionSummary":"Carin León at the 2024 Latin GRAMMYs","poi":{"isImage":true,"alpha":false,"width":2000,"height":1124,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Juan Luis Guerra Sweeps The 2024 Latin GRAMMYs With 'Radio Güira'","deliveryKey":"news/juan-luis-guerra-sweeps-2024-latin-grammys-performance-acceptance-speech-watch","deliveryId":"8c34af7b-529c-4539-8134-5694188c6d5b"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"0a776d10-374c-4d78-9012-98f23a2fdeda"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Juan Luis Guerra's Sweeps The 2024 Latin GRAMMYs body 1","deliveryId":"7676f9db-8c5e-46c5-9a7c-22bf03b00a3e"},"bodyText":{"richText":"\u003cspan\u003eThe 2024 Latin GRAMMYs marked 25 years of Latin music excellence with a gala evening in Miami, one of the world capitals for the Latin music industry. Replete with dazzling performances from legends and rising acts, tributes and tearful acceptance speeches, the 25th Annual Latin GRAMMYs was certainly one for the books.\u003c/span\u003e\n\n\u003cspan\u003eIn an evening with many leading lights, onelegend stood out as the night’s star: singer, songwriter and musician \u003c/span\u003e[\u003cspan\u003eJuan Luis Guerra\u003c/span\u003e](https://www.latingrammy.com/artists/juan-luis-guerra/20651-01)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eGuerra already had two dozen Latin GRAMMYs on his CV — as well as\u003c/span\u003e [\u003cspan\u003ethree GRAMMYs\u003c/span\u003e](https://www.grammy.com/artists/juan-luis-guerra/10737) \u003cspan\u003e— but his run at this year’s Latin GRAMMYs netted several new pieces of hardware. His honors included the award\u003c/span\u003e [\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/juan-luis-guerra-wins-radio-guira-album-year-2024-latin-grammys-acceptance-speech-video-watch) \u003cspan\u003efor\u003c/span\u003e *\u003cspan\u003eRadio Güira\u003c/span\u003e*\u003cspan\u003e, the inventive 2023 concept EP released with his band 4.40, and Record Of The Year for \"Mambo 23,\" a hyper-speed merengue epic from the EP.\u003c/span\u003e *\u003cspan\u003eRadio Güira\u003c/span\u003e* \u003cspan\u003ealso took the prize for\u003c/span\u003e [\u003cspan\u003eBest Merengue/Bachata Album\u003c/span\u003e](https://www.youtube.com/watch?v=ucwRfbA89AI)\u003cspan\u003e, while \"Mambo 23\" also won for\u003c/span\u003e [\u003cspan\u003eBest Tropical Song\u003c/span\u003e](https://www.youtube.com/watch?v=dty0X32zoJU)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Juan Luis Guerra 4.40 | Record Of The Year - 2024 Latin GRAMMYs","deliveryId":"a39a28fd-753e-4f8c-90c9-e7c660c55671"},"assetId":"dc621805-f508-422e-812b-7ca3d763554b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Juan Luis Guerra's Sweeps The 2024 Latin GRAMMYs body 2","deliveryId":"84c448fc-ef1c-4575-ad9c-920b13378ce0"},"bodyText":{"richText":"\u003cspan\u003eThese were Guerra's first wins in a major category since 2015, when he won Album Of The Year for \u003c/span\u003e*\u003cspan\u003eTodo Tiene Su Hora\u003c/span\u003e*\u003cspan\u003e at the 16th Annual Latin GRAMMY awards. Guerra has won Album Of The Year as an artist in 2007, 2010 and 2014, and in 2012 he won for his production work on \u003c/span\u003e[\u003cspan\u003eJuanes'\u003c/span\u003e](https://www.latingrammy.com/artistas/juanes/20909-02)\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eMTV Unplugged\u003c/span\u003e*\u003cspan\u003e album\u003c/span\u003e\u003cspan\u003e.\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eDespite his familiarity with the Latin GRAMMYs stage, Guerra appeared emotional when he walked up to the stage for the last time to accept the award for Album Of The Year from \u003c/span\u003e[\u003cspan\u003eCarlos Vives\u003c/span\u003e](https://www.latingrammy.com/artists/carlos-vives/23269-01)\u003cspan\u003e. Holding his Latin GRAMMY, Guerra praised God and credited Jesus with inspiring the album.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Juan Luis Guerra | Album Of The Year - 2024 Latin GRAMMYs","deliveryId":"6aff618f-e9fe-4afa-829d-628b898e754e"},"assetId":"595fa858-128a-4843-9dec-ef58f7fed7e7","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Juan Luis Guerra's Sweeps The 2024 Latin GRAMMYs body 3","deliveryId":"df49ef92-f1ab-44d5-9070-b2a3a31f6b66"},"bodyText":{"richText":"\u003cspan\u003eEarlier in the night, Guerra delighted the crowd at Miami’s Kaseya Center with a performance of \"Mambo 23,\" featuring the full band. Dressed in his iconic newsboy cap and neckerchief, he launched into the dance floor burner on a stage illuminated in flashing neon. Boiler Suit-clad dancers completed a scene that was somehow both unassuming and spectacular.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/facebook-post-embed","name":"Juan Luis Guerra's Sweeps The 2024 Latin GRAMMYs - Performance embed","deliveryId":"0825c3b1-f2dc-44d1-aa75-a6ec7da8f1bf"},"postUrl":"https://www.facebook.com/reel/1132414918311487"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Juan Luis Guerra's Sweeps The 2024 Latin GRAMMYs body 3","deliveryId":"280aa8f5-e5aa-4644-bc31-43b82839a5b0"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCYI8--u8P9/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; 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flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCYI8--u8P9/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by The Latin Recording Academy (@latingrammys)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e\n\n\u003cspan\u003eGuerra has had a four-decade long career of innovating in Caribbean music, while bringing genres such bachata to international fame.\u003c/span\u003e *\u003cspan\u003eRadio Güira\u003c/span\u003e* \u003cspan\u003econtinues the theme of boundary pushing. It has been praised for its experiments in combining old and new genres, from merengue to reggaeton, with dashes of jazz and blues. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the complete list of winners and nominees at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"Juan Luis Guerra's Big Night┃2024 Latin GRAMMYs hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"989c00dd-6052-4f0f-91b4-adf7853472f6","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin","Mexican"],"tags":["2024 Latin GRAMMYs","The Latin Recording Academy","Juan Luis Guerra","Record Of The Year","Album Of The Year Oral History","Latin Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731698569871,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Juan Luis Guerra Sweeps The 2024 Latin GRAMMYs With 'Radio Güira'","shortTitle":"Juan Luis Guerra's Sweeps The 2024 Latin GRAMMYs","subHeadline":"The legendary Dominican artist won Album Of The Year for a fifth time with his 2023 EP.","articleSummary":"The legendary Dominican artist won Album Of The Year for a fifth time with his 2023 EP. His \"Mambo 23\" also took home golden gramophones for Record Of The Year, Best Tropical Song and Best Merengue/Bachata Album.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Juan Luis Guerra's Big Night┃2024 Latin GRAMMYs hero","deliveryId":"989c00dd-6052-4f0f-91b4-adf7853472f6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Juan-luis-guerra-grammys-2024-latin-grammys","id":"df486f4d-a866-4d09-a8a4-4978a9b4eaba","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eAlexander Tamargo/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["Juan Luis Gerra"],"title":"Juan Luis Guerra's Big Night┃2024 Latin GRAMMYs","shortTitle":"Juan Luis Guerra's Big Night┃2024 Latin GRAMMYs","imgTitle":"Juan Luis Guerra's Big Night┃2024 Latin GRAMMYs","imgAlt":"Juan Luis Guerra holding latin grammy awards at the 2024 Latin GRAMMYs","link":"/","captionValue":"Juan Luis Guerra","poi":{"isImage":true,"alpha":false,"width":3400,"height":2753,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.15432098765432,"x":0.4375,"y":0.42283950617284}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Jorge Drexler Wins Song Of The Year For \"Derrumbe\" | 2024 Latin GRAMMYs","deliveryKey":"news/jorge-drexler-wins-derrumbe-song-year-2024-latin-grammys-acceptance-speech-video-watch","deliveryId":"c1d56bca-2ec0-4e62-a0df-8883dea49852"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fa95ee0f-3d40-4e07-a6f0-8e509a07bee1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Song Of The Year | 2024 Latin GRAMMYs","deliveryId":"8bf5950a-70f4-4bc4-94c2-c198eed53f07"},"bodyText":{"richText":"\u003cspan\u003eUruguayan singer/songwriter \u003c/span\u003e[\u003cspan\u003eJorge Drexler\u003c/span\u003e](https://www.latingrammy.com/artists/jorge-drexler/20041-01)\u003cspan\u003e won \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominations-song-of-the-year)\u003cspan\u003e for \"Derrumbe\" at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eDrexler has achieved international acclaim for his folk-pop sound, which deeply honors his country's musical heritage. A 15-time Latin GRAMMY winner, including three Song Of The Year awards, Drexler continues to impress with his poignant songwriting, highlighted by his win earlier in the day for Best Singer-Songwriter Song, tied with \u003c/span\u003eKany García’s “García”\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Jorge Drexler SOTY 2024 Latin GRAMMYs","deliveryId":"442391a2-7363-416f-903f-354149f8ce2e"},"assetId":"de197f00-ef6a-42ab-9b40-88d1854a5fd0","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Song Of The Year | 2024 Latin GRAMMYs","deliveryId":"749e2eca-52df-4fd0-8223-48c4da7c36a5"},"bodyText":{"richText":"\u003cspan\u003eIn his wrenching ballad \"Derrumbe,\" Drexler tells the story of a relationship's disintegration in poetic terms, characterizing it as a house of cards that crumbles when one partner removes a single card.\u003c/span\u003e\n\n\u003cspan\u003eAccompanied only by guitar, the troubadour mourns the loss of his love, lamenting \"Nuestro amor cedió por las costuras\" (\"Our love gave way at the seams\"). \"Quedamos a la intemperie/ Sin un \"tal vez\" que nos resguardara,\" he sings. (\"We are left out in the open/ Without a \"maybe to protect us.\") Though somber, the song reflects Drexler's prodigious skill in songcraft and economy of storytelling in song.\u003c/span\u003e\n\n\u003cspan\u003eCaught off guard by his latest win, the singer gave an emotional speech dedicated to the memory of his late father who passed away just 11 days ago. “This is crazy. It never occurred to me that I would win… I’d like to thank the Academy for ridding me of this impostor syndrome I’ve always had by saying that a sad, short song like this could be alongside so many people I admire in this category.” \u003c/span\u003e\n\n\u003cspan\u003eOther nominees for Song Of The Year included \u003c/span\u003e[\u003cspan\u003eDaymé Arocena\u003c/span\u003e](https://grammy.com/artists/dayme-arocena/224586)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eVicente García\u003c/span\u003e](https://www.latingrammy.com/artists/vicente-garcia/32777-01)\u003cspan\u003e's \"A Fuego Lento,\" Maura Nava's \"A La Mitad,\" \u003c/span\u003e[\u003cspan\u003eGian Marco\u003c/span\u003e](https://www.latingrammy.com/artists/gian-marco/21272-01)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eRubén Blades\u003c/span\u003e](https://www.latingrammy.com/artists/ruben-blades/19199-01)\u003cspan\u003e' \"Aún Me Sigo Encontrando,\" \u003c/span\u003e[\u003cspan\u003eElena Rose\u003c/span\u003e](https://www.latingrammy.com/artists/elena-rose/42371-01)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eDanny Ocean\u003c/span\u003e](https://www.latingrammy.com/artists/danny-ocean/39701-01)\u003cspan\u003e and Jerry Di's \"Caracas En El 2000,\" \u003c/span\u003e[\u003cspan\u003eJorge Drexler\u003c/span\u003e](https://www.latingrammy.com/artists/jorge-drexler/20041-01)\u003cspan\u003e's \"Derrumbe,\" \u003c/span\u003e[\u003cspan\u003eShakira \u003c/span\u003e](https://grammy.com/artists/shakira/17393)\u003cspan\u003eand Grupo Frontera's \"(Entre Paréntesis),\" \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.latingrammy.com/artists/karol-g/34124-01)\u003cspan\u003e's \"Mi Ex Tenía Razón,\" \u003c/span\u003e[\u003cspan\u003eMaluma\u003c/span\u003e](https://www.latingrammy.com/artists/maluma/24164-01)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eCarin León\u003c/span\u003e](https://www.latingrammy.com/artists/carin-leon/39603-01)\u003cspan\u003e's \"Según Quién,\" \u003c/span\u003e[\u003cspan\u003eKany Garcia\u003c/span\u003e](https://www.latingrammy.com/artists/kany-garcia/20408-01)\u003cspan\u003e and Carin León's \"Te Lo Agradezco,\" and \u003c/span\u003e[\u003cspan\u003eResidente\u003c/span\u003e](https://www.latingrammy.com/artists/rene-perez/22010-01)\u003cspan\u003e, Silvia Pérez Cruz and Penélope Cruz's \"313.\" \u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS 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Song Of The Year Winner","subHeadline":"Jorge Drexler adds to his Latin GRAMMY collection with a win for Song Of The Year and Best Singer-Songwriter Song.","articleSummary":"Jorge Drexler won Song Of The Year for \"Derrumbe\" at the 2024 Latin GRAMMYs.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Song Of The Year Winner | 2024 Latin GRAMMYs","deliveryId":"fb60e7ee-5184-4884-a5b3-b4f1b6868800"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Jorge_Drexler_2024_Latin_GRAMMYs","id":"a9331b98-c782-4ade-bf45-6d5db423c58e","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eMike Coppola/Getty Images for The Latin Recording Academy\u003c/span\u003e"},"tags":["2024 Latin GRAMMYs"],"title":"Song Of The Year Winner | 2024 Latin GRAMMYs","shortTitle":"Song Of The Year Winner | 2024 Latin GRAMMYs","imgAlt":"Song Of The Year Winner | 2024 Latin GRAMMYs","link":"/","captionValue":"Jorge Drexler","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Ela Taubert Wins Best New Artist | 2024 Latin GRAMMYs","deliveryKey":"news/ela-taubert-wins-best-new-artist-2024-latin-grammys-acceptance-speech-video-watch","deliveryId":"ae764ccd-ce3d-4ac6-9228-6067a73377ac"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fa95ee0f-3d40-4e07-a6f0-8e509a07bee1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Best New Artist | 2024 Latin GRAMMYs","deliveryId":"29bc796d-5477-4f1f-bb9c-c847045a8e13"},"bodyText":{"richText":"\u003cspan\u003eEla Taubert won \u003c/span\u003e[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominees-best-new-artist)\u003cspan\u003e at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e. Taubert's confessional lyrics are connecting with millions of listeners. \u003c/span\u003e\n\n\u003cspan\u003eIn March 2023, Taubert released her debut EP \u003c/span\u003e*\u003cspan\u003e¿Quién Dijo Que Era Fácil?\u003c/span\u003e*\u003cspan\u003e On the five-track release, Taubert channeled her angst from a relationship on the rocks into the guitar-driven \"¿Qué Hubiera Pasado?\" Taubert fully delved into that heartbreak in February with her breakthrough single \"¿Cómo Pasó?\", an emotional synth-pop track that amassed more than 91 million streams on Spotify. Taubert also got a co-sign from previous Best New Artist winner \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.grammy.com/news/karol-g-crowned-best-new-artist-2018-latin-grammys)\u003cspan\u003e, who invited her to open for her concert in Bogotá. \u003c/span\u003e\n\n\u003cspan\u003eThe Bogotá, Colombia, native is an alum of Julio Reyes Copello's Art House Academy \u0026amp; Abbey Road Institute Miami, which produced last year's \u003c/span\u003e[\u003cspan\u003eBest New Artist winner Joaquina\u003c/span\u003e](https://www.grammy.com/news/joaquina-wins-best-new-artist-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e. \u003c/span\u003e\n\nEarlier in the night, the singer debuted a bilingual remix of her hit song alongside Joe Jonas, who made his Latin Grammy performance debut. Dressed in matching black outfits, the singers traded verses, lending the song a new energy with their electrifying chemistry.\n\n\u003cspan\u003eOther nominees in the Best New Artist category included Agris, Kevin Aguilar, DARUMAS, Nicolle Horbath, Latin Mafia, Cacá Magalhães, Os Garotin, Iñigo Quintero, and Sofi Saar.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Ela Taubert | Best New Artist Acceptance Speech - 2024 Latin GRAMMYs","deliveryId":"026930fa-c73c-474a-b885-b3bcd16c987a"},"assetId":"b86f35ba-9b65-4bad-a882-b7c9fa08a713","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS ONE)","deliveryId":"060f7f7f-8b7e-402f-ae85-afae9b3abed2"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"contentGenre":"Latin","tags":["Latin Music","Latin"]},"title":"Latest In Latin Music, News \u0026 Videos"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"33431162-71ce-43ac-86d8-a99f8c226386"},"contentGenre":["Latin"],"tags":["2024 Latin GRAMMYs","Latin Music","Ela Taubert"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731642040238,"source":"Latin GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch: Ela Taubert Wins Best New Artist | 2024 Latin GRAMMYs","shortTitle":"2024 Latin GRAMMYs: Best New Artist Winner","subHeadline":"Ela Taubert takes home the 2024 Latin GRAMMY for Best New Artist.","articleSummary":"Ela Taubert won Best New Artist at the 2024 Latin GRAMMYs.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Best New Artist Winner | 2024 Latin GRAMMYs","deliveryId":"33431162-71ce-43ac-86d8-a99f8c226386"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Ela_Taubert-Best_New_Artsit_2024_Latin_GRAMMYs","id":"1fbea090-cb6f-4141-8889-3fda8aa518a2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Rodrigo Varela/Getty Images for The Latin Recording Academy"},"tags":["2024 Latin GRAMMYs","Latin Music","Ela Taubert"],"title":"Ela Taubert Best New Artist Winner | 2024 Latin GRAMMYs","shortTitle":"Best New Artist Winner | 2024 Latin GRAMMYs","imgAlt":"Best New Artist Winner | 2024 Latin GRAMMYs","link":"/","captionValue":"Ela Tuabert","poi":{"isImage":true,"alpha":false,"width":2000,"height":1125,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Watch: Juan Luis Guerra 4.40 Wins Record Of The Year For \"Mambo 23\" | 2024 Latin GRAMMYs","deliveryKey":"news/juan-luis-guerra-4-4-0-mambo-23-wins-record-year-2024-latin-grammys-acceptance-speech-video-watch","deliveryId":"d1a8b633-4079-4b52-bfc4-76d523d70de7"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fa95ee0f-3d40-4e07-a6f0-8e509a07bee1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Record Of The Year | 2024 Latin GRAMMYs","deliveryId":"ef60ed1f-8a5d-4ce5-a3ea-3e0ab6a28b8d"},"bodyText":{"richText":"[\u003cspan\u003eJuan Luis Guerra 4.40\u003c/span\u003e](https://www.latingrammy.com/artists/juan-luis-guerra/20651-01)\u003cspan\u003e won \u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2024-latin-grammys-nominations-record-of-the-year)\u003cspan\u003e for \"Mambo 23\" at the \u003c/span\u003e[\u003cspan\u003e2024 Latin GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThroughout his 40-year career, \u003c/span\u003e[\u003cspan\u003eJuan Luis Guerra\u003c/span\u003e](https://www.latingrammy.com/artists/juan-luis-guerra/20651-01)\u003cspan\u003e has won three GRAMMY Awards and 28 Latin GRAMMY Awards. In 2007, the Dominican artist and musician was honored by the Latin Recording Academy as Person Of The Year for popularizing bachata and merengue music.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Juan Luis Guerra 4.40 | Record Of The Year - 2024 Latin GRAMMYs","deliveryId":"a39a28fd-753e-4f8c-90c9-e7c660c55671"},"assetId":"dc621805-f508-422e-812b-7ca3d763554b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Record Of The Year | 2024 Latin GRAMMYs","deliveryId":"e1713606-55d2-4c2e-afd5-261b92d809c4"},"bodyText":{"richText":"\u003cspan\u003eKnown as an innovator of tropical music, Guerra has always tried to see how far he could push the rhythms of the Dominican Republic. With his November 2023 EP, \u003c/span\u003e*\u003cspan\u003eRadio Güira\u003c/span\u003e*\u003cspan\u003e, he incorporated music from the streets of his country into the Caribbean genres that he’s known for. On the sprawling and ambitious \"Mambo 23,” recorded entirely in the Dominican Republic, merengue collides with elements of trap and dembow music. \u003c/span\u003e\n\n\u003cspan\u003eThe win also comes as the singer celebrates 40 years with his band, 4.40, named for the frequency often used to tune stringed instruments and pianos. \u003c/span\u003e[\u003cspan\u003eJanina Rosado\u003c/span\u003e](https://www.latingrammy.com/artists/janina-rosado/22455-01)\u003cspan\u003e, the group’s musical director and co-producer, thanked their fans for the award. “For forty years, you’ve been listening to 4.40. Here’s to the continuation of 4.40, that it keeps going.”\u003c/span\u003e\n\n**\u003cspan\u003eWatch:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eWatch Juan Luis Guerra Latin GRAMMY Win For Best Tropical Song For \"Las Avispas\" In 2005 | GRAMMY Rewind\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys/grammy-rewind-watch-juan-luis-guerra-win-best-tropical-song-las-avispas-2005-latin-grammys-awards)\n\n\u003cspan\u003eOther nominees for \u003c/span\u003e\u003cspan\u003eRecord Of The Year included \u003c/span\u003e[\u003cspan\u003eAnitta\u003c/span\u003e](https://www.latingrammy.com/artists/anitta/25427-01)\u003cspan\u003e's \"Mil Veces,\" \u003c/span\u003e[\u003cspan\u003eBad Bunny\u003c/span\u003e](https://www.latingrammy.com/artists/bad-bunny/35119-01)\u003cspan\u003e's \"Monaco,\" \u003c/span\u003e[\u003cspan\u003eCamilo\u003c/span\u003e](https://www.latingrammy.com/artists/camilo/36371-01)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eCarin León\u003c/span\u003e](https://www.latingrammy.com/artists/carin-leon/39603-01)\u003cspan\u003e's \"Una Vida Pasada,\" \u003c/span\u003e[\u003cspan\u003eCimafunk\u003c/span\u003e](https://grammy.com/artists/cimafunk/51657)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eMonsieur Periné\u003c/span\u003e](https://www.latingrammy.com/artists/monsieur-perine/28287-01)\u003cspan\u003e's \"Catalina,\" \u003c/span\u003e[\u003cspan\u003eJorge Drexler\u003c/span\u003e](https://www.latingrammy.com/artists/jorge-drexler/20041-01)\u003cspan\u003e's \"Derrumbe,\" \u003c/span\u003e[\u003cspan\u003eFonseca\u003c/span\u003e](https://www.latingrammy.com/artists/fonseca/20278-01)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eGrupo Niche\u003c/span\u003e](https://www.latingrammy.com/artists/grupo-niche/23584-01)\u003cspan\u003e's \"Con Dinero y Sin Dinero,\" \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://www.latingrammy.com/artists/karol-g/34124-01)\u003cspan\u003e's \"Mi Ex Tenía Razón,\" \u003c/span\u003e[\u003cspan\u003eMon Laferte\u003c/span\u003e](https://www.latingrammy.com/artists/mon-laferte/31731-01)\u003cspan\u003e's \"Tenochtitlán,\" and \u003c/span\u003e[\u003cspan\u003eKali Uchis\u003c/span\u003e](https://www.latingrammy.com/artists/kali-uchis/33028-01)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003ePeso Pluma\u003c/span\u003e](https://grammy.com/artists/peso-pluma/54091)\u003cspan\u003e's \"Igual Que Un Ángel.\" \u003c/span\u003e\n\n\u003cspan\u003eCheck out the \u003c/span\u003e[\u003cspan\u003ecomplete list of winners and nominees\u003c/span\u003e](https://grammy.com/news/2024-latin-grammys-complete-winners-nominees-nominations-list)\u003cspan\u003e at the 2024 Latin GRAMMYs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Latin Music (USE THIS 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GRAMMYs: Meet The Nominees","slidesFromServer":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Nominations List","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"***\u003cspan\u003eEditor’s Note: \u003c/span\u003e**\u003cspan\u003eUpdated Friday, Nov. 8, to reflect the nominations at the 2025 GRAMMYs, officially known as the 67th GRAMMY Awards.\u003c/span\u003e*\n\n\u003cspan\u003eThe 2025 GRAMMYs season is in full swing. The 2025 GRAMMY nominations have been officially announced, leading up to Music's Biggest Night. See all of the nominations in 94 categories below, including \u003c/span\u003e**[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-record-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammy-nominations-song-of-the-year)**\u003cspan\u003e, and \u003c/span\u003e**[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)**\u003cspan\u003e below.\u003c/span\u003e\n\n\u003cspan\u003eThe main event: The \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\u003cspan\u003e, officially known as the 67th GRAMMY Awards, will take place live at Crypto.com Arena in Los Angeles on \u003c/span\u003e**\u003cspan\u003eSunday, Feb.2\u003c/span\u003e**\u003cspan\u003e, broadcasting live on the CBS Television Network and streaming live and on demand on Paramount+. \u003c/span\u003e\n\n\u003cspan\u003eBefore the awards, Final Round Voting will take place from \u003c/span\u003e**\u003cspan\u003eDec. 12, 2024 to Jan. 3, 2025\u003c/span\u003e**\u003cspan\u003e. The Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which will all go into effect immediately at the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eAll these changes are designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e; read our \u003c/span\u003e[\u003cspan\u003eFirst Round Voting guide for the 2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e; view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e; and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eMake sure to come back and tune in on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2,\u003c/span\u003e**\u003cspan\u003e for the reveal of all the 2025 GRAMMY winners. \u003c/span\u003e\n"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The 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GRAMMYs: Meet The Nominees"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist.\u003c/span\u003e\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Now and Then\"\u003c/span\u003e** *\u003cspan\u003e–\u003c/span\u003e* \u003cspan\u003eThe Beatles\u003c/span\u003e\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar\u003c/span\u003e\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter)\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent)\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA)\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge)\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast)\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves)\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell)\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists)\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx)\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon)\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists)\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists)\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel)\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra)\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman)*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly)\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter)\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic)\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing)\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"2025 GRAMMYs Full Nomination List","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ec9eba9c-c548-4113-89c9-981abf385da7","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082755789,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The OFFICIAL Full Nominations List","shortTitle":"2025 GRAMMYs: See The Full Nominations List","subHeadline":"The 2025 GRAMMY OFFICIAL nominations have been announced. See the full list of nominees in all 94 categories ahead of Music's Biggest Night on Sunday, Feb. 2.","articleSummary":"The 2025 GRAMMY OFFICIAL nominations have been announced. See the full list of nominees in all 94 categories ahead of Music's Biggest Night on Sunday, Feb. 2.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Full Nomination List","deliveryId":"ec9eba9c-c548-4113-89c9-981abf385da7"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammys_nominations_67th_grammy_awards_67G_See-Full-List_-Hero_1644x925 1","id":"b89ab9b5-2d9b-4eda-98aa-48538b46021f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic Courtesy of the Recording Academy"},"title":"2025 GRAMMYs Full Nominations","shortTitle":"2025 GRAMMYs Full Nominations","imgAlt":"2025 GRAMMYs Full Nominations","link":"/","captionValue":"The 2025 GRAMMYs will air on Sunday, Feb. 2, 2025.","captionSummary":"The 2025 GRAMMYs will air on Sunday, Feb. 2, 2025.","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/slide","name":"Slide: Watch The 2025 GRAMMY Nominations Announcement Live","deliveryId":"a641a720-8512-4139-9da1-8e2f1f2b39fe"},"isChatbotAvailable":true,"openLinkInNewTab":false,"hasGATrackingLink":true,"media":{"_meta":{"name":"Hero for Slide: Watch the 2025 GRAMMY Nominations Live On Live.GRAMMY.com","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"85ac0273-8939-42dd-b720-992bd35af60a","contentType":"https://therecordingacademy.com/content/photo"},"title":"Watch The 2025 GRAMMY Nominations Announcement Now","link":"https://live.grammy.com/","shortTitle":"Watch The 2025 GRAMMY Nominations Now","fieldUrl":"https://live.grammy.com/","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero for Slide: Watch the 2025 GRAMMY Nominations Live On Live.GRAMMY.com","deliveryId":"85ac0273-8939-42dd-b720-992bd35af60a"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammy_nominations_67G-Key-Art-Variation-03_1644x925","id":"159710f2-ceea-4423-bb9a-7d0747fcb498","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic courtesy of the Recording Academy"},"tags":["2025 GRAMMYs"],"title":"Hero for Slide: Watch the 2025 GRAMMY Nominations Live On Live.GRAMMY.com","shortTitle":"Hero for Slide: Watch the 2025 GRAMMY Nominations Live On Live.GRAMMY.com","assetTypes":"GRAMMY Awards","imgAlt":"Graphic promoting the Recording Academy's 2025 GRAMMY nominations announcement. 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Though virality can propel music to the mainstream, releasing an album is a profound accomplishment that can have a deep and laying impact. Albums are more than an encapsulation of a musician’s lived and learned experiences: they’re a way to cherish them forever.\u003c/span\u003e\n\n[\u003cspan\u003eThe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com)\u003cspan\u003e is proud to present the 2025 GRAMMYs nominees for Album Of The Year, honoring both artistic and technical skill of the highest degree in music. The Category is notably dominated by \u003c/span\u003e[\u003cspan\u003ewomen\u003c/span\u003e](https://www.grammy.com/news/2024-grammys-ways-women-dominated-taylor-swift-sza-boygenius)\u003cspan\u003e this season, while several entries see established artists tapping into new genres and sonic arenas. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the nominees below and read the \u003c/span\u003e[\u003cspan\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e ahead of Music's Biggest Night on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e. \u003c/span\u003e\n\n## **\u003cspan\u003eAndré 3000 — 'New Blue Sun'\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"André 3000 - New Blue Sun (Full Album)","deliveryId":"457ae784-8018-4a3a-a2b6-e617f3626f14"},"videoUrl":"https://www.youtube.com/watch?v=vRxGdKIuO20"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 (André 3000)- 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"e7058596-8b79-460a-b76f-f31fdd14b6bb"},"bodyText":{"richText":"[\u003cspan\u003eAndré 3000\u003c/span\u003e](https://www.grammy.com/artists/andre-3000-benjamin/73)\u003cspan\u003e might be best known for his role in \u003c/span\u003e[\u003cspan\u003eOutkast\u003c/span\u003e](https://www.grammy.com/artists/outkast/8325)\u003cspan\u003e, but recently, the Atlanta rapper has been busy \u003c/span\u003e[\u003cspan\u003ecarving out a new reputation\u003c/span\u003e](https://www.grammy.com/news/andre-3000-new-blue-sun-interview)\u003cspan\u003e as André the flutist.\u003c/span\u003e\n\n\u003cspan\u003eIn the years following Outkast’s split in 2007, André 3000 has been spotted wandering everywhere from \u003c/span\u003e[\u003cspan\u003eLAX\u003c/span\u003e](https://www.cnn.com/2019/06/15/entertainment/andre-3000-flute-lax-airport-trnd/index.html)\u003cspan\u003e to \u003c/span\u003e[\u003cspan\u003eJapan\u003c/span\u003e](https://www.complex.com/music/a/tracewilliamcowen/andre-3000-flute-japan-video)\u003cspan\u003e with his flute in tow. Now, the opening track of his first-ever solo album amusingly calls out his genre switch: \"I Swear, I Really Wanted to Make a ‘Rap’ Album but This Is Literally the Way the Wind Blew Me This Time.\"\u003c/span\u003e\n\n\u003cspan\u003eTo record improvisations that eventually birthed \u003c/span\u003e*[\u003cspan\u003eNew Blue Sun\u003c/span\u003e](https://www.grammy.com/news/andre-3000-new-blue-sun-interview)*\u003cspan\u003e, the flutist worked with producer Carlos Niño, keyboardist \u003c/span\u003e[\u003cspan\u003eSurya Botofasina\u003c/span\u003e](https://www.grammy.com/news/alternative-jazz-albums-new-grammys-category-2024)\u003cspan\u003e, and guitarist \u003c/span\u003e[\u003cspan\u003eNate Mercereau\u003c/span\u003e](https://www.grammy.com/artists/Nate-Mercereau/38299)\u003cspan\u003e to craft a surreal, textured soundscape. Throughout, André 3000 plays the contrabass flute, Maya flute, wood and bamboo flutes, and more wind instruments — harmoniously uniting to create the artist’s first release in over 17 years.\u003c/span\u003e\n\n\u003cspan\u003eComposed of eight tracks with bizarre, lengthy titles, the lyricless \u003c/span\u003e*\u003cspan\u003eNew Blue Sun\u003c/span\u003e*\u003cspan\u003e is labeled as new-age and experimental jazz. It’s fairly shocking that André 3000 is not a trained musician, given the project’s brilliance; led primarily by rhythm, and using his instincts \u003c/span\u003e[\u003cspan\u003edeveloped\u003c/span\u003e](https://www.grammy.com/news/andre-3000-new-blue-sun-interview)\u003cspan\u003e from rapping, the expert flutist embeds \u003c/span\u003e*\u003cspan\u003eNew Blue Sun\u003c/span\u003e* \u003cspan\u003ewith an organic authenticity. The album feels limitlessly atmospheric, dipping into an ambience that teeters between peaceful and precarious.\u003c/span\u003e\n\n\u003cspan\u003eWith \u003c/span\u003e[\u003cspan\u003eBig Boi\u003c/span\u003e](https://www.grammy.com/artists/antwon-big-boi-patton/353)\u003cspan\u003e in the ‘90s, André 3000 undoubtedly helped shape hip-hop, pushing the genre forward with creative integrations of funk, jazz, rock, and gospel. In 2024, he continues to break rules as he champions \u003c/span\u003e[\u003cspan\u003ealternative jazz\u003c/span\u003e](https://www.grammy.com/news/alternative-jazz-albums-new-grammys-category-2024)\u003cspan\u003e — all with his flute by his side.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Beyoncé — 'COWBOY CARTER' [WITH TITLE]","deliveryId":"90fc318e-13ba-4b0f-9066-bc2c2b73af9e"},"videoUrl":"https://www.youtube.com/watch?v=aJMl-K7HcZk\u0026list=OLAK5uy_lirsolI4HUPN3Uvmxylc6v1wlR5OXUONQ\u0026index=2","videoTitle":"Beyoncé — 'COWBOY CARTER'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3 (Beyoncé) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"0f25b37f-8de8-4113-bb1f-85765581420d"},"bodyText":{"richText":"\u003cspan\u003eWhen\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country)\u003cspan\u003e’s first country song came out in 2016, people questioned if the icon belonged on the country radio — despite the\u003c/span\u003e [\u003cspan\u003eindisputable impact of Black artists on the genre\u003c/span\u003e](https://www.grammy.com/news/black-country-singers-songs-history-beyonce-act-ii-kane-brown-heaven)\u003cspan\u003e. Eight years later, the genre-bending diva is still drowning out the noise by switching on her very own radio station:\u003c/span\u003e *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country)*\u003cspan\u003e’s KNTRY Radio Texas, that is.\u003c/span\u003e\n\n\u003cspan\u003eThe fantasy station is one of the many visionary elements of \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e, an album that honors the cultural \u003c/span\u003e[\u003cspan\u003econtributions of Black artists\u003c/span\u003e](https://www.grammy.com/news/black-country-singers-songs-history-beyonce-act-ii-kane-brown-heaven)\u003cspan\u003e to American country music. The eighth studio project is Act II of her album trilogy; while the first installment \u003c/span\u003e*[\u003cspan\u003eRENAISSANCE\u003c/span\u003e](https://www.grammy.com/news/beyonce-renaissance-winner-best-dance-electronic-music-album-2023-grammys-watch-acceptance-speech)*\u003cspan\u003e (2022) focused on futuristic escapism, \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan\u003elooks to the past. It pays \u003c/span\u003e[\u003cspan\u003evibrant tribute to the Black community’s roots in country music\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-genres-beyond-country-opera-hip-hop-blues-gospel-folk)\u003cspan\u003e, offering a glorious reimagination of Americana.\u003c/span\u003e\n\n\u003cspan\u003eNot just championing but also reinventing Southern subgenres, \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e is yet another example of Beyoncé’s revolutionary versatility. From horseshoe steps to boot stomps to Beyoncé’s fingernails as percussion, the album unites \u003c/span\u003e[\u003cspan\u003ebluegrass\u003c/span\u003e](https://www.grammy.com/news/how-bluegrass-trailblazer-molly-tuttle-embraced-her-quirks-vulnerabilities-on-crooked-tree)\u003cspan\u003e, zydeco, folk, R\u0026amp;B, and more to craft a majestic testament to Beyoncé’s boundless artistry.\u003c/span\u003e\n\n\u003cspan\u003eBoasting 27 tracks and five years in the making, the Texas-born legend’s album includes features from \u003c/span\u003e[\u003cspan\u003eDolly Parton\u003c/span\u003e](https://www.grammy.com/artists/dolly-parton/17205)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eWillie Nelson\u003c/span\u003e](https://www.grammy.com/artists/willie-nelson/4954)\u003cspan\u003e, Linda Martell, \u003c/span\u003e[\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://www.grammy.com/artists/miley-cyrus/18384)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePost Malone\u003c/span\u003e](https://www.grammy.com/artists/post-malone/243389)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTanner Adell\u003c/span\u003e](https://www.grammy.com/news/tanner-adell-buckle-bunny-beyonce-cowboy-carter-blackbiird-interview-big-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTiera Kennedy\u003c/span\u003e](https://www.grammy.com/videos/tiera-kennedy-i-aint-a-cowgirl-performance)\u003cspan\u003e, Reyna Roberts, and \u003c/span\u003e[\u003cspan\u003eBrittney Spencer\u003c/span\u003e](https://www.grammy.com/news/female-country-singers-women-artists-2024-grammys)\u003cspan\u003e, embracing country legends as well as making space for up-and-coming Black artists on the scene.\u003c/span\u003e\n\n\u003cspan\u003eWhile \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://www.grammy.com/news/beyonce-grammys-nominations-wins-performances-timeline-moments-videos-2023-history-record-jay-z)\u003cspan\u003e has yet to take home GRAMMY Gold for Album Of The Year, she remains the \u003c/span\u003e[\u003cspan\u003eartist with the most GRAMMY wins\u003c/span\u003e](https://www.grammy.com/news/beyonce-grammys-facts-renaissance-songs-albums-jay-z-kids-blue-ivy-destinys-child-collaborators-halo-queen-bey)\u003cspan\u003e of all time. After all, this isn’t her first rodeo.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Sabrina Carpenter — 'Short n' Sweet' [WITH TITLE]","deliveryId":"31723e39-56e9-418c-8dbf-c02c7ec2af5b"},"videoTitle":"Sabrina Carpenter — 'Short n' Sweet'","videoUrl":"https://www.youtube.com/playlist?list=OLAK5uy_mr6DjxLeVO2rPk8zAZx0F2_k5BaGuXlyQ\u0026playnext=1\u0026index=1"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4 (Sabrina Carpenter) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"707214da-c44e-411d-9493-3b133a789121"},"bodyText":{"richText":"\u003cspan\u003e\"Oh, I leave quite an impression,\" \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://www.grammy.com/news/sabrina-carpenter-feather-eras-tour-interview-big-year)\u003cspan\u003e croons on \u003c/span\u003e*[\u003cspan\u003eShort n’ Sweet\u003c/span\u003e](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)*\u003cspan\u003e, with a nonchalance that’s virtually intoxicating. While the 25-year-old indeed stands at just five feet tall, it’s evident the actress-turned-songstress has \u003c/span\u003e[\u003cspan\u003eenough talent to fill a stadium\u003c/span\u003e](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eGlowing with lighthearted, honest-to-goodness genius, \u003c/span\u003e*\u003cspan\u003eShort n’ Sweet\u003c/span\u003e*\u003cspan\u003e is the cherry on top of Carpenter’s already extensive discography. Her sixth studio album spawned a trinity of 2024 hits: \"Espresso,\" \"Please Please Please\" and \"Taste.\" With this remarkable trio, Carpenter became the first artist since \u003c/span\u003e[\u003cspan\u003ethe Beatles\u003c/span\u003e](https://www.grammy.com/artists/beatles/16293)\u003cspan\u003e to chart their first three top five US hits in the same week. \u003c/span\u003e*\u003cspan\u003eShort n’ Sweet\u003c/span\u003e*\u003cspan\u003e's success was boosted by her Coachella debut earlier in the year, and furthered during her first arena tour.\u003c/span\u003e\n\n\u003cspan\u003eOn her delightful summer hit \"Espresso,\" Carpenter explicitly mentions that her \"twisted humor\" is what makes her lovable, which might remind older fans of her 2022 single \"Nonsense.\" The pop track went viral for its raunchy, often silly outros that Carpenter lovingly tailored to each city she toured in — and on \u003c/span\u003e*\u003cspan\u003eShort n’ Sweet\u003c/span\u003e*\u003cspan\u003e, she taps into her risqué wit much more fully, rocketing her album to another level of memorable.\u003c/span\u003e\n\n\u003cspan\u003eUndoubtedly, it’s Carpenter’s bright confidence that makes space for her playful pen game on \u003c/span\u003e*\u003cspan\u003eShort n’ Sweet\u003c/span\u003e*\u003cspan\u003e. With her signature plucky yet composed soprano, she balances her soulful ardor with her deadpan humor expertly, allowing her to explore the nuances of romance in new and clever ways — all while maintaining her infectious charisma that earned her her first GRAMMY nominations this year.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Charli xcx — 'BRAT' [TITLE]","deliveryId":"61c24503-0b97-4eef-b423-770a5a28c66f"},"videoUrl":"https://www.youtube.com/watch?v=nI6GP8wKJ6o\u0026list=OLAK5uy_nSIlyvjzWS-Y6sZb24dhzcg0UlQazxn5k\u0026index=2","videoTitle":"Charli xcx — 'BRAT'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5 (Charli xcx) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"cd16d049-5c49-4189-8b8d-a8b6dda218e9"},"bodyText":{"richText":"[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://www.grammy.com/artists/charli-xcx/18360)\u003cspan\u003e knows how to throw a party, and on June 7, 2024, she turned the world into her own nightclub. \u003c/span\u003e*[\u003cspan\u003eBRAT\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)*\u003cspan\u003e, her sixth studio album, \u003c/span\u003e[\u003cspan\u003egloriously splattered the globe a garish green\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)\u003cspan\u003e, with hits like \"360,\" \"Apple,\" and \"Von Dutch\" soundtracking the summer.\u003c/span\u003e\n\n\u003cspan\u003eTen years after scoring her first GRAMMY nominations for \"\u003c/span\u003e[\u003cspan\u003eFancy\u003c/span\u003e](https://www.grammy.com/videos/charli-xcx-on-fancy-iggy-azalea-and-sucker)\u003cspan\u003e\" with \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://www.grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e, the British queen of \"brat summer\" continues to crank out bangers about chandelier swinging and driving in the fast lane. Working with producers \u003c/span\u003e[\u003cspan\u003eA.G. Cook\u003c/span\u003e](https://www.grammy.com/news/ag-cook-art-perfect-pop-song)\u003cspan\u003e, EASYFUN, \u003c/span\u003e[\u003cspan\u003eCirkut\u003c/span\u003e](https://go.grammy.com/people/cirkut-2/)\u003cspan\u003e, her fiancé \u003c/span\u003e[\u003cspan\u003eGeorge Daniel\u003c/span\u003e](https://www.grammy.com/artists/george-daniel/251723)\u003cspan\u003e, and other longtime collaborators, Charli conjured her own genre: a chic, club-ready pop blend of electroclash and \u003c/span\u003e[\u003cspan\u003ehyperpop\u003c/span\u003e](https://grammy.com/news/listen-essential-hyperpop-artists-alice-longyu-gao-shygirl-daine-hannah-diamond-slayyyter-namasenda-cobrah-charli-xcx-sophie-tiktok-gen-z)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThough the self-proclaimed \u003c/span\u003e[\u003cspan\u003e365 party girl\u003c/span\u003e](https://www.youtube.com/watch?v=w_pDmpSSbQc)\u003cspan\u003e sings about dancing until dawn and sipping one too many aperol spritzes, \u003c/span\u003e*\u003cspan\u003eBRAT\u003c/span\u003e* \u003cspan\u003eis also Charli’s most vulnerable album, her long nails gingerly peeling back the sticky layers of fame and womanhood. \u003c/span\u003e*\u003cspan\u003eBRAT\u003c/span\u003e*\u003cspan\u003e makes blunt confessions about jealousy, questioning motherhood, \u003c/span\u003e[\u003cspan\u003egrief\u003c/span\u003e](https://www.grammy.com/news/sophie-created-boundless-genderless-future-pop)\u003cspan\u003e, and intergenerational trauma. Brilliantly, she’s dauntless and exposed all at once — and still \u003c/span\u003e[\u003cspan\u003ebumpin’ that\u003c/span\u003e](https://www.youtube.com/watch?v=Ol9CCM240Ag)\u003cspan\u003e at the club.\u003c/span\u003e\n\n\u003cspan\u003eHer popular co-headlining SWEAT Tour with GRAMMY-nominated collaborator \u003c/span\u003e[\u003cspan\u003eTroye Sivan\u003c/span\u003e](https://www.grammy.com/news/troye-sivan-rush-interview-2024-grammys-meet-first-time-nominee-video)\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003evroom-vroomed\u003c/span\u003e](https://www.youtube.com/watch?v=qfAqtFuGjWM)\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eBRAT\u003c/span\u003e*\u003cspan\u003e to arenas across the U.S. Charli xcx might have had her shades on while performing, but make no mistake: she has nothing to hide.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Jacob Collier — 'Djesse Vol. 4' [TITLE]","deliveryId":"7636d396-1d85-46c5-8e7e-aff4006b3bad"},"videoUrl":"https://www.youtube.com/watch?v=g8lurbUH41I\u0026list=OLAK5uy_l_r5udRYjQMSQlrKyn35lDmjuBQBHjCD0\u0026index=2","videoTitle":"Jacob Collier — 'Djesse Vol. 4'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 6 (Jacob Collier) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"53069446-ffd0-49c8-be2e-7b221b244542"},"bodyText":{"richText":"\u003cspan\u003eWhen people think of contemporary jazz, rollercoaster might not be the first word that comes to mind — but \u003c/span\u003e[\u003cspan\u003eJacob Collier\u003c/span\u003e](https://www.grammy.com/artists/jacob-collier/19622)\u003cspan\u003e is nothing if not ambitious. As the climax of his \u003c/span\u003e[\u003cspan\u003efour-album project\u003c/span\u003e](https://www.grammy.com/news/jacob-collier-decodes-magic-behind-djesse-vol-3-talks-working-tori-kelly-daniel-caesar)\u003cspan\u003e dating back to 2018, \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*\u003cspan\u003e triumphs as an odyssey through genre.\u003c/span\u003e\n\n\u003cspan\u003eWhat makes Collier such a prolific musician is his refusal to distill abundance. He sees the beauty in anything and everything, and \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*\u003cspan\u003e brings his perspective to life. The project not only centers but celebrates the human voice; in fact, about \u003c/span\u003e[\u003cspan\u003e150,000 voices\u003c/span\u003e](https://www.billboard.com/music/awards/jacob-collier-djesse-fourth-volume-due-february-2024-1235418466/)\u003cspan\u003e feature on \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*\u003cspan\u003e — many from his own concert audiences that he transformed into improvised choirs. \u003c/span\u003e\n\n\u003cspan\u003eCollier has won multiple GRAMMY Awards for \u003c/span\u003e[\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e](https://www.grammy.com/artists/jacob-collier/19622)\u003cspan\u003e, and \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*\u003cspan\u003e continues to showcase his mastery of sound via genre diversity. The nominated album is modern and sprawling, from the serenity of his audience-choirs to howling of heavy metal. \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e* \u003cspan\u003eis thought-provoking, engrossing, and oftentimes surprising; who else would have \u003c/span\u003e[\u003cspan\u003eaespa\u003c/span\u003e](https://www.grammy.com/news/aespa-savage-interview-debut-mini-album-artificial-intelligence-k-pop)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eChris Martin\u003c/span\u003e](https://www.grammy.com/artists/chris-martin/4358)\u003cspan\u003e on the same track?\u003c/span\u003e\n\n\u003cspan\u003eCollier is the first British artist to win a GRAMMY for \u003c/span\u003e[\u003cspan\u003eeach of his first four albums\u003c/span\u003e](https://www.grammy.com/artists/jacob-collier/19622)\u003cspan\u003e, and\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e* \u003cspan\u003ealready boasts a GRAMMY-nominated track on it (2022’s \"Never Gonna Be Alone,\" featuring \u003c/span\u003e[\u003cspan\u003eLizzy McAlpine\u003c/span\u003e](https://grammy.com/news/lizzy-mcalpine-big-year-interview-headlining-tour-major-label-deal-new-record)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eJohn Mayer\u003c/span\u003e](https://grammy.com/artists/john-mayer/14891)\u003cspan\u003e, which was later announced as the album’s first single). Collier was previously \u003c/span\u003e[\u003cspan\u003enominated\u003c/span\u003e](https://www.grammy.com/artists/jacob-collier/19622)\u003cspan\u003e for Album Of The Year for \u003c/span\u003e*\u003cspan\u003eDjesse Vol. 3\u003c/span\u003e* \u003cspan\u003eand also received a nod at the 2023 GRAMMYs in the same Category for \u003c/span\u003e[\u003cspan\u003eColdplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)\u003cspan\u003e’s nominated \u003c/span\u003e*\u003cspan\u003eMusic of the Spheres\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n*\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*\u003cspan\u003e has \u003c/span\u003e[\u003cspan\u003eredefined\u003c/span\u003e](https://www.npr.org/2024/02/29/1234996309/jacob-collier-on-the-four-album-project-djesse)\u003cspan\u003e Collier’s perspective on life, and in a way, Collier’s album is more than a reflection: it’s an open invitation.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Billie Eilish — 'HIT ME HARD AND SOFT' [TITLE]","deliveryId":"f6592f86-2a0e-4cb7-b879-e00d0382ee03"},"videoUrl":"https://www.youtube.com/watch?v=GgGarnL54Fw\u0026list=OLAK5uy_m1WZWUtrntyrrtCUSATYfs84K3ZnZl9P0\u0026index=2","videoTitle":"Billie Eilish — 'HIT ME HARD AND SOFT'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 7 (Billie Eilish) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"5b223466-2677-4bdf-a1e3-3efeed4aeb10"},"bodyText":{"richText":"[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://www.grammy.com/artists/billie-eilish/251741)\u003cspan\u003e had a \u003c/span\u003e[\u003cspan\u003efear\u003c/span\u003e](https://www.rollingstone.com/music/music-features/billie-eilish-hit-me-hard-and-soft-mental-health-fame-1235003585/)\u003cspan\u003e of water as a child, yet to capture the album cover for \u003c/span\u003e*[\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways)*\u003cspan\u003e, she spent six brutal hours on-and-off submerged underwater with a weight on her shoulders.\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e\u003cspan\u003e\"A lot of my artwork is painful physically in a lot of ways, and I love it,\" the 22-year-old told \u003c/span\u003e*[\u003cspan\u003eRolling Stone\u003c/span\u003e](https://www.rollingstone.com/music/music-features/billie-eilish-hit-me-hard-and-soft-mental-health-fame-1235003585/)*\u003cspan\u003e. \"Oh, my God, I live for it.\"\u003c/span\u003e\n\n\u003cspan\u003eEilish \u003c/span\u003e[\u003cspan\u003edelves beneath the surface in more ways than one\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways)\u003cspan\u003e on \u003c/span\u003e*\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*\u003cspan\u003e. As rippling,\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eimmersive alt-pop, the album swims through similar topics covered in her first two studio albums, including coping with fame, body image, and post-breakup grief. Yet Eilish is no longer the proudly self-proclaimed \"\u003c/span\u003e[\u003cspan\u003ebad guy\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-wins-record-year-bad-guy-2020-grammys)\u003cspan\u003e\"; instead she doesn’t tether herself to a persona.\u003c/span\u003e\n\n\u003cspan\u003eIn this way, \u003c/span\u003e*\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*\u003cspan\u003e holds dear a newfound, striking level of maturity. Eilish is incontestably true to herself, and lyrically, the album feels especially unbridled and attentive. With its title a paradoxical demand, \u003c/span\u003e*\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*\u003cspan\u003e powerfully represents the impossible struggle between intensity and tenderness — both in love and in life.\u003c/span\u003e\n\n\u003cspan\u003eThough the album cascades as an \u003c/span\u003e[\u003cspan\u003eemotional torrent\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways)\u003cspan\u003e, it’s as cohesive as it is potent. It’s (unsurprisingly) produced by her brother and day-one collaborator, \u003c/span\u003e[\u003cspan\u003eFINNEAS\u003c/span\u003e](https://www.grammy.com/news/meet-first-time-grammy-nominee-finneas-billie-eilish-doing-production-no-ones-ever-done)\u003cspan\u003e, whose minimalistic but nevertheless hard-hitting soundscape gives bedroom pop a makeover. Eilish’s third Album Of The Year nomination shows that, once again, she isn’t treading water; she’s plunging straight into the deep end.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Chappell Roan — 'The Rise and Fall of a Midwest Princess' [TITLE]","deliveryId":"b65f4ec6-4a51-440e-b8ab-7b20baa3311e"},"videoUrl":"https://www.youtube.com/playlist?list=OLAK5uy_kkVDoZ2rx0HswFBxBTiLvPJjOG3c1qIIM\u0026playnext=1\u0026index=1","videoTitle":"Chappell Roan — 'The Rise and Fall of a Midwest Princess'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 8 (Chappell Roan) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"84ddd252-bfd2-4d23-8bb3-8551fe214a84"},"bodyText":{"richText":"\u003cspan\u003eIn the prismatic world of pop, \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e knows how to rotate through every color in the rainbow. A kaleidoscope of wistful yet intense romance, Roan’s \u003c/span\u003e*\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e* \u003cspan\u003echurns with the unabashed authenticity that only true superstars can craft — and on a \u003c/span\u003e*\u003cspan\u003edebut\u003c/span\u003e*\u003cspan\u003e album, nonetheless.\u003c/span\u003e\n\n\u003cspan\u003eAlthough Roan’s career began 10 years ago on YouTube, the Missouri-born singer \u003c/span\u003e[\u003cspan\u003eskyrocketed to fame in the last year\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e following spectacular \u003c/span\u003e[\u003cspan\u003efestival performances\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e and an opening slot on \u003c/span\u003e[\u003cspan\u003eOlivia Rodrigo\u003c/span\u003e](https://www.grammy.com/artists/Olivia-Rodrigo/38411)\u003cspan\u003e’s \u003c/span\u003e[\u003cspan\u003eGuts World Tour\u003c/span\u003e](https://www.grammy.com/news/olivia-rodrigo-guts-world-tour-takeaways)\u003cspan\u003e. Her 2020 single \"Pink Pony Club\" pushed the singer toward a massive 2024 breakthrough, the song an open proclamation of queer joy (amid understanding her \u003c/span\u003e[\u003cspan\u003eevolving\u003c/span\u003e](https://www.vanityfair.com/style/2023/09/chappell-roan-on-making-pop-music-and-giving-back)\u003cspan\u003e relationship with religion).\u003c/span\u003e\n\n\u003cspan\u003eInspired by drag queens, Roan’s aesthetic is breathtakingly campy and sparkly — much like her striking debut album. Championing \u003c/span\u003e[\u003cspan\u003efemale and queer freedom\u003c/span\u003e](https://www.grammy.com/news/lesbian-pop-singers-timeline-songs-chappell-roan-dusty-springfield)\u003cspan\u003e, \u003c/span\u003e*\u003cspan\u003eThe Rise And Fall\u003c/span\u003e* \u003cspan\u003egushes with yearning in a way that’s both carefree and confessional. From the hungry, heart-shattering \"\u003c/span\u003e[\u003cspan\u003eCasual\u003c/span\u003e](https://www.youtube.com/watch?v=AfSjnsYiY_A)\u003cspan\u003e\" to the kinky pleasure of \"\u003c/span\u003e[\u003cspan\u003eRed Wine Supernova\u003c/span\u003e](https://www.youtube.com/watch?v=VS6ixn2berk)\u003cspan\u003e,\" each track showcases Roan’s sharp dynamism.\u003c/span\u003e\n\n*\u003cspan\u003eThe Rise And Fall\u003c/span\u003e*\u003cspan\u003e bursts with radiant '80s-inspired and 2000s synthpop from GRAMMY-winning producer \u003c/span\u003e[\u003cspan\u003eDan Nigro\u003c/span\u003e](https://www.grammy.com/news/dan-nigro-interview-olivia-rodrigo-producer-of-the-year-2024-grammys)\u003cspan\u003e, all of which only highlights her dynamism. Beyond her vocal flips and cutting lyricism meant for laughing and/or crying, what’s special about Roan’s album is its defiance. Chappell Roan is the definition of unapologetic, and \u003c/span\u003e*\u003cspan\u003eThe Rise And Fall\u003c/span\u003e*\u003cspan\u003e is all the evidence anyone needs.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Taylor Swift — 'The Tortured Poets Department' [TITLE]","deliveryId":"1063d2be-0433-48af-81bc-6413cf9fae2a"},"videoUrl":"https://www.youtube.com/watch?v=eXrmLd5mer4\u0026list=OLAK5uy_lFbfW_UOra8dYRTa69lxR3fxYjogNtiQw\u0026index=2","videoTitle":"Taylor Swift — 'The Tortured Poets Department'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 9 (Taylor Swift) - 2025 GRAMMYs Nominations: Album Of The Year","deliveryId":"67458e06-e1fd-4a98-9f1a-7f5995fd548d"},"bodyText":{"richText":"\u003cspan\u003eBefore it was even released, \u003c/span\u003e*[\u003cspan\u003eThe Tortured Poets Department \u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-tortured-poets-department-takeaways-recap-videos)*\u003cspan\u003ehad already made GRAMMY history: during her acceptance speech for the 2024 GRAMMY Award for Best Pop Vocal Album, \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan\u003e surprised audiences by announcing the album’s upcoming release. And just one year later, Swift is making history yet again with her seventh Album Of The Year nomination.\u003c/span\u003e\n\n\u003cspan\u003eServing as a creative \"\u003c/span\u003e[\u003cspan\u003elifeline\u003c/span\u003e](https://www.nme.com/news/music/taylor-swift-says-writing-new-album-the-tortured-poets-department-was-a-lifeline-3589651)\u003cspan\u003e\" for Swift during the \u003c/span\u003e[\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-tour-eras-concert-review-ticketmaster-nashville-rain-show-records-speak-now-taylors-version-announcement)\u003cspan\u003e, working on \u003c/span\u003e*\u003cspan\u003eThe Tortured Poets Department\u003c/span\u003e*\u003cspan\u003e reminded the star of how integral songwriting is to her wellbeing. Consequently, the \u003c/span\u003e[\u003cspan\u003e16-track album\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-tortured-poets-department-tracklist-easter-eggs-guests)\u003cspan\u003e (plus an additional 15 tracks in an expanded version of the labrum) unveiled \u003c/span\u003e[\u003cspan\u003esome of her most diaristic songwriting\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-tortured-poets-department-tracklist-easter-eggs-guests)\u003cspan\u003e yet. Swift's meandering lyrics stand out as particularly candid, dramatic, and whimsical — though it’s far from the first time the prolific songwriter has \u003c/span\u003e[\u003cspan\u003eused or referenced poetry in her work\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-poetry-songs-interviews-tortured-poets-department-album)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eFor a return to her folksy synthpop sound, Swift turned to her close friends \u003c/span\u003e[\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://www.grammy.com/artists/jack-antonoff/248)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eAaron Dessner\u003c/span\u003e](https://www.grammy.com/artists/aaron-dessner/17823)\u003cspan\u003e, who most recently helped produce her GRAMMY-winning album \u003c/span\u003e*[\u003cspan\u003eMidnights \u003c/span\u003e](https://www.grammy.com/news/taylor-swift-midnights-new-album-takeaways-songs-anti-hero-lavender-haze-reputation-lover-tiktok-3am-tracks-edition)*\u003cspan\u003eamong other projects. Showcasing Swift’s collaborative brilliance, \u003c/span\u003e*\u003cspan\u003eThe Tortured Poets Department\u003c/span\u003e* \u003cspan\u003ealso features \u003c/span\u003e[\u003cspan\u003ePost Malone\u003c/span\u003e](https://www.grammy.com/artists/post-malone/243389)\u003cspan\u003e on the hauntingly atmospheric opener \"Fortnight\" and a stirring \"Florida!!!\" verse from \u003c/span\u003e[\u003cspan\u003eFlorence + the Machine\u003c/span\u003e](https://www.grammy.com/artists/florence-machine/15810)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eAs the \u003c/span\u003e[\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-eras-tour-film-concert-movie-theaters-review)\u003cspan\u003e comes to a close (unless, of course, she has another surprise up her sleeve) on Dec. 8 in Vancouver, \u003c/span\u003e*\u003cspan\u003eThe Tortured Poets Department\u003c/span\u003e*\u003cspan\u003e’s nomination is one of the many recent reminders of Swift’s staggering legacy. Swift is the first and only person to have \u003c/span\u003e[\u003cspan\u003ewon Album Of The Year four times\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-album-of-the-year-2024-grammys-speech)\u003cspan\u003e, and \u003c/span\u003e*\u003cspan\u003eThe Tortured Poets Department\u003c/span\u003e*\u003cspan\u003e could score her a legendary fifth win — further solidifying her as a breaker of records and rules.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed - Pop Music","deliveryId":"20f533b6-01af-4974-bf59-aca45396b3ae"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Pop","pop music"],"contentGenre":"Pop"},"title":"The Latest Pop Music News \u0026 Releases"}],"hero":{"_meta":{"name":"2025 GRAMMYs Nominations: Album Of The Year Nominees","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"e2ea16a8-0b7e-4a85-a99f-373812285e8d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Jazz","Country"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Album Of The Year Oral History","Beyoncé","Andre 3000","Sabrina Carpenter","Charli XCX","Jacob Collier","Chappell Roan","Billie Eilish"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082702563,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Album Of The Year Nominees","shortTitle":"2025 GRAMMYs Nominations: Album Of The Year","subHeadline":"Ahead of Music’s Biggest Night, celebrate the works of eight nominated artists in the Album Of The Year Category: André 3000, Beyoncé, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift.","articleSummary":"It’s time to welcome the 2025 GRAMMY Award nominees for Album Of The Year. Celebrate the eight nominated artists ahead of Music’s Biggest Night: André 3000, Beyoncé, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Nominations: Album Of The Year Nominees","deliveryId":"e2ea16a8-0b7e-4a85-a99f-373812285e8d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Album-of-the-year-nominees-2025-grammys","id":"cfc5ae96-cae8-430e-96ea-4eba84f28760","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["Andre 3000","Beyoncé","Sabrina Carpenter","Charli xcx","Jacob Collier","Billie Eilish","Chappell Roan","Taylor Swift"],"title":"2025 GRAMMYs Nominations: Album Of The Year Nominees","shortTitle":"2025 GRAMMYs Nominations: Album Of The Year","imgAlt":"2025 GRAMMYsAlbum Of The Year nominees Jacob Collier, Billie Eilish, Beyoncé, André 3000, Sabrina Carpenter, Chappell Roan, Charli xcx, Taylor Swift in collage","link":"/","captionValue":"(From left) Jacob Collier, Billie Eilish, Beyoncé, André 3000, Sabrina Carpenter, Chappell Roan, Charli xcx, Taylor Swift","imgTitle":"2025 GRAMMYs Nominations: Album Of The Year","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.25779708862305,"y":0.39118723551432}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees","deliveryKey":"news/2025-grammy-nominations-song-of-the-year","deliveryId":"e75d22a2-9287-42f6-84c8-175d26c7204f"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"deb4f751-bc2f-4d6e-8287-04d09c77bd9c"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 1","deliveryId":"3bc77186-1422-4909-8b79-d127e42bfadc"},"bodyText":{"richText":"\u003cspan\u003eLyrics have a unique way of validating and soundtracking our real-world experiences. Perhaps this year, a celebratory drink called for Shaboozey's \"A Bar Song (Tipsy)\" on repeat. Or maybe you professed your love with a playlist containing \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e's \"BIRDS OF A FEATHER,\" and \u003c/span\u003e[\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e' \"Die with a Smile.\"\u003c/span\u003e\n\n\u003cspan\u003eIt's those small but significant moments that showcase the power of songwriting — and what makes GRAMMY's Song Of The Year award so necessary. In the 2025 SOTY nominee list, you'll find the above hits, plus \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e's \"Fortnight\" (feat. \u003c/span\u003e[\u003cspan\u003ePost Malone\u003c/span\u003e](https://grammy.com/artists/post-malone/243389)\u003cspan\u003e), Chappell Roan's \"Good Luck, Babe,\" \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e's \"Not Like Us,\" Sabrina Carpenter's \"Please Please Please\" and \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e's \"TEXAS HOLD ‘EM.\"\u003c/span\u003e\n\n\u003cspan\u003eAhead of the 2025 GRAMMYs, take a deeper look into all the tracks that made the nominee list for Song Of The Year. Be sure to check out the \u003c/span\u003e[\u003cspan\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e ahead of Music's Biggest Night on\u003c/span\u003e\u003cspan\u003e Sunday, Feb. 2, 2025\u003c/span\u003e\u003cspan\u003e.\u003c/span\u003e\n\n## \u003cspan\u003eShaboozey — \"A Bar Song (Tipsy)\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Shaboozey - A Bar Song (Tipsy)","deliveryId":"b8936cfc-591a-44de-b0ca-b72ffd11468c"},"videoUrl":"https://www.youtube.com/watch?v=t7bQwwqW-Hc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 2","deliveryId":"9e179526-3f65-426e-930c-c96d9b2e955d"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** \u003cspan\u003eSean Cook, Jerrel Jones, \u003c/span\u003e[\u003cspan\u003eJoe Kent\u003c/span\u003e](https://grammy.com/artists/joe-kent/11664)\u003cspan\u003e, Nevin Sastry, Chibueze Collins Obinna \u0026amp; \u003c/span\u003e[\u003cspan\u003eMark Williams\u003c/span\u003e](https://grammy.com/artists/mark-williams/14341)\n\n\u003cspan\u003eBefore this year, \u003c/span\u003e[\u003cspan\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\u003cspan\u003e was just another rising artist ready to make a name for himself. With the April release of \"A Bar Song (Tipsy),\" he blossomed into the most prolific country musician of 2024, coinciding with his 10th anniversary in the music industry.\u003c/span\u003e\n\n\u003cspan\u003eBy July, the J-Kwon interpolation simultaneously hit No. 1 on the Hot 100 and the Hot Country Songs charts, making him the first Black man to conquer a feat. On Oct. 29, it \u003c/span\u003e[\u003cspan\u003ebroke the record\u003c/span\u003e](https://www.billboard.com/lists/shaboozey-a-bar-song-tipsy-ties-decade-hot-100-number-one-16-weeks/)\u003cspan\u003e for the longest-running No. 1 hit, previously set by \"Old Town Road (feat. \u003c/span\u003e[\u003cspan\u003eBilly Ray Cyrus\u003c/span\u003e](https://grammy.com/artists/billy-ray-cyrus/8713)\u003cspan\u003e)\" by \u003c/span\u003e[\u003cspan\u003eLil Nas X\u003c/span\u003e](https://grammy.com/artists/montero-lamar-hill/251875)\u003cspan\u003e.\u003c/span\u003e\n\n## \u003cspan\u003eBillie Eilish — \"BIRDS OF A FEATHER\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Billie Eilish BIRDS OF A FEATHER","deliveryId":"241e6be2-da7e-4a46-a7ae-cd88529098c2"},"videoUrl":"https://www.youtube.com/watch?v=d5gf9dXbPi0"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 3","deliveryId":"0fec7b14-de39-41dd-8d59-548ea8255563"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** \u003cspan\u003eBillie Eilish O’Connell \u0026amp; Finneas O’Connell\u003c/span\u003e\n\n\u003cspan\u003eMost know Billie Eilish for her \u003c/span\u003e[\u003cspan\u003e\"sad girl\" anthems\u003c/span\u003e](https://grammy.com/news/sad-girl-pop-olivia-rodrigo-billie-eilish-gracie-abrams-mental-health-music-psychology-analysis)\u003cspan\u003e, scaling topics of body dysmorphia, cruel exes and the relentless dissection of her life under the public eye. But on \"BIRDS OF A FEATHER,\" a single from 2024's \u003c/span\u003e*[\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways)*\u003cspan\u003e, the 22-year-old songbird unveils a softer, sweeter side of herself over a twinkling synth. The track details an unwavering connection.\u003c/span\u003e\n\n\u003cspan\u003e\"I don't know what I'm cryin' for/ I don't think I could love you more,\" she muses in the song's pre-chorus. \"Might not be long, but baby, I/ Don't wanna say goodbye.\"\u003c/span\u003e\n\n\u003cspan\u003eAs \u003c/span\u003e[\u003cspan\u003eFinneas O'Connell\u003c/span\u003e](https://grammy.com/artists/finneas-oconnell/251939)\u003cspan\u003e, Eilish's brother and longtime collaborator, explained on their \u003c/span\u003e[\u003cspan\u003eAmerican Express \"Story of My Song\"\u003c/span\u003e](https://www.youtube.com/watch?v=1bkjEO_Zj2g\u0026ab_channel=BillieEilish)\u003cspan\u003e segment, \"There's a lot of songs about dying for somebody and loving them until they die, and I thought it was really fun to lean in.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Lady Gaga \u0026 Bruno Mars \"Die With a Smile\" [WITH TITLE]","deliveryId":"3799a3d1-cf96-4796-a8bf-a810c4449646"},"videoUrl":"https://youtu.be/kPa7bsKwL-c","videoTitle":"Lady Gaga \u0026 Bruno Mars — \"Die With a Smile\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 4","deliveryId":"f65e5a91-c255-452e-bd83-f2163a776ff3"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** [\u003cspan\u003eDernst Emile II\u003c/span\u003e](https://grammy.com/news/5-essential-productions-by-d-mile-silk-sonic-her)\u003cspan\u003e, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; \u003c/span\u003e[\u003cspan\u003eAndrew Watt\u003c/span\u003e](https://grammy.com/news/how-andrew-watt-became-a-rock-producer-videos)\n\n\u003cspan\u003ePut two musical legends together, and you get a masterpiece. For Lady Gaga and Bruno Mars, that piece of artwork is \"Die with a Smile,\" a grandiose ballad about not taking your relationships for granted. It's reminiscent of the sultry duets of the 1960s, such as \u003c/span\u003e[\u003cspan\u003eSonny\u003c/span\u003e](https://grammy.com/artists/sonny-bono/10442)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eCher\u003c/span\u003e](https://grammy.com/artists/cher/10931)\u003cspan\u003e's \"I Got You Babe\" or \u003c/span\u003e[\u003cspan\u003eFrank\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eNancy Sinatra\u003c/span\u003e](https://grammy.com/artists/nancy-sinatra/15381)\u003cspan\u003e's \"Somethin' Stupid.\"\u003c/span\u003e\n\n\u003cspan\u003eThe unexpected collaboration unfolded while Gaga finished her upcoming album in Malibu. \"After a long day, he asked me to come to his studio to hear something he was working on \\[...\\] We stayed up all night and finished writing and recording the song,\" Gaga said in a press release.\u003c/span\u003e\n\n\u003cspan\u003eAs Gaga mentions in her \u003c/span\u003e[\u003cspan\u003eannouncement post\u003c/span\u003e](https://x.com/ladygaga/status/1824130054298931601)\u003cspan\u003e, the song is a treat for Little Monsters \"while you wait for \u003c/span\u003e*\u003cspan\u003eLG7\u003c/span\u003e*\u003cspan\u003e.\" But if the rest of the project is anything like \"Die with a Smile,\" it's already looking like a hit.\u003c/span\u003e\n\n## \u003cspan\u003eTaylor Swift — \"Fortnight\" Feat. Post Malone\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Taylor Swift Tortured Poets - Fortnight feat Post Malone","deliveryId":"b530fe9a-8ee1-48d4-9a8c-7b216d9a46aa"},"videoUrl":"https://www.youtube.com/watch?v=b7kmP1fsGg8"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 5","deliveryId":"53b37b02-a74d-4efd-a56f-b381c594f3f3"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** [\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://grammy.com/artists/jack-antonoff/248)\u003cspan\u003e, Austin Post \u0026amp; Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift has become increasingly transparent in her artistry through whimsical lyrical metaphors and cinematic music videos. \"Fortnight,\" the opening track of \u003c/span\u003e*[\u003cspan\u003eThe\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-tortured-poets-department-tracklist-easter-eggs-guests)*[\u003cspan\u003e \u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-tortured-poets-department-tracklist-easter-eggs-guests)*[\u003cspan\u003eTortured Poets Department\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-the-tortured-poets-department-tracklist-easter-eggs-guests)*\u003cspan\u003e, is no exception as Swift likens a crumbling relationship to the failure of the American dream. In its sepia-toned visual, she's an asylum escapee taking the \"Forget Him\" pill, washing away their million-paged saga.\u003c/span\u003e\n\n\u003cspan\u003e\"'Fortnight' is a song that exhibits a lot of the common themes that run throughout this album. One of which being fatalism — longing, pining away, lost dreams,\" Swift told \u003c/span\u003e[\u003cspan\u003eAmazon Music\u003c/span\u003e](https://music.amazon.com/playlists/B0D1D7RXJR?ref_=dmm_acq_mrn_d_br\u0026ref_=dmm_acq_mrn_d_ds_z_-c_c_669863966609_t_dsa-19959388920)\u003cspan\u003e. \"And 'I love you, it's ruining my life,' these are very hyperbolic, dramatic things to say. But it's that kind of album.\"\u003c/span\u003e\n\n\u003cspan\u003eSwift first \u003c/span\u003e[\u003cspan\u003eannounced \u003c/span\u003e](https://www.youtube.com/watch?v=fEj9F9zsAxc)*[\u003cspan\u003eTortured Poets\u003c/span\u003e](https://www.youtube.com/watch?v=fEj9F9zsAxc)*[\u003cspan\u003e during her acceptance speech\u003c/span\u003e](https://www.youtube.com/watch?v=fEj9F9zsAxc)\u003cspan\u003e for Best Pop Vocal Album (\u003c/span\u003e*\u003cspan\u003eMidnights\u003c/span\u003e*\u003cspan\u003e) at the 2024 GRAMMYs. At the 67th GRAMMY Awards, Swift will again vie for a chance to win Song Of The Year — her eighth nomination in the Category.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Chappell Roan — \"Good Luck, Babe!\" [with video title]","deliveryId":"a4d21422-4fa7-4b3b-b5f0-3dccbfb51b10"},"videoUrl":"https://www.youtube.com/watch?v=xcVwbhooTm0","videoTitle":"Chappell Roan — \"Good Luck, Babe!\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 6","deliveryId":"deb81412-ff87-4e21-a642-dd65b23a0386"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** [\u003cspan\u003eDaniel Nigro\u003c/span\u003e](https://grammy.com/news/dan-nigro-interview-olivia-rodrigo-producer-of-the-year-2024-grammys)\u003cspan\u003e, Kayleigh Rose Amstutz \u0026amp; \u003c/span\u003e[\u003cspan\u003eJustin Tranter\u003c/span\u003e](https://www.grammy.com/news/justin-tranter-wants-elevate-new-generation-superstars-new-label)\n\n[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e might have written \"Good Luck, Babe!\" in three minutes, but this breakthrough single has left the impact of a lifetime as the singer's debut on the Billboard Hot 100.\u003c/span\u003e\n\n\u003cspan\u003eThe cathartic indie rock track wishes a hopeless flame well after denying their \u003c/span\u003e[\u003cspan\u003equeer identity\u003c/span\u003e](https://grammy.com/news/lesbian-pop-singers-timeline-songs-chappell-roan-dusty-springfield)\u003cspan\u003e: \"When you wake up next to him in the middle of the night/ With your head in your hands, you're nothing more than this wife/ And when you think about me, all of those years ago/ You're standing face to face with, 'I told you so.'\"\u003c/span\u003e\n\n\u003cspan\u003e\"I think throughout the year, I'm like, \"What can I get away with?\" Because right now it's pretty tame for what it is like to be a gay artist,\" Roan \u003c/span\u003e[\u003cspan\u003etold GRAMMY.com\u003c/span\u003e](http://grammy.com)\u003cspan\u003e in March. \"But I just want to push it to see how far can I go — with the most controversial outfits or things to rile people up. I'm not really afraid to do that.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Kendrick Lamar — \"Not Like Us\" with title","deliveryId":"b40cb376-e547-44ae-906a-3d13b056cd14"},"videoUrl":"https://www.youtube.com/watch?v=H58vbez_m4E","videoTitle":"Kendrick Lamar — \"Not Like Us\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 7","deliveryId":"fbea52bc-7990-4345-bc9c-f90bfd4f1f03"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** Kendrick Lamar\n\n\u003cspan\u003eKendrick Lamar and \u003c/span\u003e[\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370)\u003cspan\u003e have been throwing shots at each other for the past decade, but it wasn't until Drake's claims of being the best of the \"Big Three\" rappers (including him, Lamar and \u003c/span\u003e[\u003cspan\u003eJ. Cole\u003c/span\u003e](https://grammy.com/artists/j-cole/1324)\u003cspan\u003e) in 2023 that the battle climaxed. \u003c/span\u003e\n\n\u003cspan\u003eThe next six months saw back-and-forth diss tracks, such as Lamar's \"Euphoria\" and \"Meet the Grahams.\" In a sweeping moment in May, Lamar reigned superior with \"Not Like Us,\" poking fun at Drake's OVO brand alongside accusations of pedophilia and disingenuous relationship with other artists.\u003c/span\u003e\n\n\u003cspan\u003eUpon its release, \"Not Like Us\" debuted at No. 1 on the Billboard Hot 100 and might be Lamar's first gramophone in the Song Of The Year category. \u003c/span\u003e\n\n## \u003cspan\u003eSabrina Carpenter — \"Please Please Please\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"(Please Please Please) What We Know About Sabrina Carpenter's New LP - YT Embed","deliveryId":"6fbbace7-e4bd-46b1-999a-8b6296f6844b"},"videoUrl":"https://youtu.be/cF1Na4AIecM?si=U_x-ooEt5UiCghak"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 8","deliveryId":"04ae9cd4-9610-405a-952a-586ef96b05c9"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** [\u003cspan\u003eAmy Allen\u003c/span\u003e](https://grammy.com/news/amy-allen-songwriter-sabrina-carpenter-songs-harry-styles-debut-album-test2)\u003cspan\u003e, Jack Antonoff \u0026amp; Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eIf \"Espresso\" hadn't already catapulted \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\u003cspan\u003e as one of the biggest stars of 2024, \"Please Please Please\" solidifies her status as one of the music industry's key players.\u003c/span\u003e\n\n\u003cspan\u003eIn typical Sabrina fashion, this '70s-inspired tune features witty and playful lyricism, with the \u003c/span\u003e*\u003cspan\u003eShort n' Sweet\u003c/span\u003e* \u003cspan\u003esinger begging her new lover to stay faithful and true: \"And please, please, please/ Don't bring me to tears when I just did my makeup so nice/ Heartbreak is one thing, my ego's another/ I beg you, don't embarrass me, motherf—.\"\u003c/span\u003e\n\n\u003cspan\u003eThe single, co-written with Jack Antonoff, also marks Sabrina's first No. 1 track on the Billboard Hot 100, sitting comfortably above \"Espresso's\" No. 2 placement.\u003c/span\u003e\n\n## Beyoncé — \"TEXAS HOLD ‘EM\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"0:02 / 3:57 Beyoncé - TEXAS HOLD 'EM (Official Visualizer)","deliveryId":"8a90be4b-598c-4043-bb7b-9021e1807ab7"},"videoUrl":"https://www.youtube.com/watch?v=238Z4YaAr1g"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Song Of The Year Nominees body 9","deliveryId":"30f6d26a-12bf-4d12-b686-1776247775f4"},"bodyText":{"richText":"**\u003cspan\u003eSongwriters:\u003c/span\u003e** \u003cspan\u003eBrian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; \u003c/span\u003e[\u003cspan\u003eRaphael Saadiq\u003c/span\u003e](https://grammy.com/artists/raphael-saadiq/13827)\n\n\u003cspan\u003eAfter more than two decades as a solo artist, Beyoncé's latest era has been defined by risk-taking experimentation. The first installment of her trilogy project, \u003c/span\u003e*\u003cspan\u003eRENAISSANCE\u003c/span\u003e*\u003cspan\u003e, revived house. Her latest addition, \u003c/span\u003e*[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country)*\u003cspan\u003e, invites listeners to throw on their Western boots in her first full-length venture into country music, led by \"TEXAS HOLD 'EM.\"\u003c/span\u003e\n\n\u003cspan\u003eAside from its addictive twangy instrumentation and chant-worthy lyrics (\"This ain't Texas, ain't no hold 'em\"), the \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e lead confirms Beyoncé's artistic range while simultaneously encouraging much-needed conversations about the diversity of the country genre. An ambitious venture, indeed, but one that paid off, making Queen Bey \u003c/span\u003e[\u003cspan\u003ethe first Black woman\u003c/span\u003e](https://grammy.com/news/black-country-singers-songs-history-beyonce-act-ii-kane-brown-heaven)\u003cspan\u003e to top Billboard's Hot Country Songs chart and earning her a spot on this year's Song Of The Year nominee list.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"_meta":{"name":"2025 GRAMMYs Nominations: Song Of The Year hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"552123f6-d3f9-4792-8cd7-fcec67b15eaa","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Country","Rap","R\u0026B"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Song Of The Year","Shaboozey","Billie Eilish","Lady Gaga","Bruno Mars","Taylor Swift Experience","Post Malone","Chappell Roan","Kendrick Lamar","Sabrina Carpenter","Beyoncé"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082359491,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Song Of The Year Nominees","shortTitle":"2025 GRAMMYs Nominations: Song Of The Year","subHeadline":"Ahead of Music's Biggest Night on Feb. 2, celebrate nominated artists in the Song Of The Year Category: Shaboozey, Billie Eilish, Lady Gaga \u0026 Bruno Mars, Taylor Swift \u0026 Post Malone, Chappell Roan, Kendrick Lamar, Sabrina Carpenter and Beyoncé.","articleSummary":"Ahead of the 67th GRAMMY Awards on Feb. 2, celebrate nominated artists in the Song Of The Year Category: Shaboozey, Billie Eilish, Lady Gaga \u0026 Bruno Mars, Taylor Swift \u0026 Post Malone, Chappell Roan, Kendrick Lamar, Sabrina Carpenter and Beyoncé.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Nominations: Song Of The Year hero","deliveryId":"552123f6-d3f9-4792-8cd7-fcec67b15eaa"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"67G-Nom-Talent-Collage_Hero_1644x925","id":"8e61578f-5517-45f3-b705-55577e7b912a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["2025 GRAMMYs"],"title":"2025 GRAMMYs Nominations: Song Of The Year","shortTitle":"2025 GRAMMYs Nominations: Song Of The Year","imgAlt":"2025 GRAMMYs for Song Of The Year in collage","imgTitle":"2025 GRAMMYs Nominations: Song Of The Year","link":"/","captionValue":"(From left) Bruno Mars \u0026 Lady Gaga, Billie Eilish, Kendrick Lamar, Sabrina Carpenter, Beyoncé', Chappell Roan, Post Malone \u0026 Taylor Swift, Shaboozey","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.71545745849609,"y":0.38659054226345}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs Nominations: Best New Artist Nominees","deliveryKey":"news/2025-grammys-nominations-best-new-artist","deliveryId":"e41552a5-d111-4629-8a85-5233aa8ed099"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"65573587-6909-4ac3-9f73-ddd86063aaf0"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 1","deliveryId":"d168e2c9-652c-4622-bdf6-73149ce1277e"},"bodyText":{"richText":"\u003cspan\u003eEvery year, the GRAMMYs' Best New Artist category acknowledges rising stars who are shaping the future of music through their own artistry. \u003c/span\u003e\n\n\u003cspan\u003eLittle does it matter if they have just a few singles or 10 studio albums under their belts. The Best New Artist Category is all about highlighting how an act pushes creative boundaries and challenges a saturated industry with outstanding — and sometimes surprising — music.\u003c/span\u003e\n\n\u003cspan\u003eThe Best New Artist nominees for the 2025 GRAMMYs are \u003c/span\u003e[\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/news/benson-boone-beautiful-things-singer-bio-tour-american-idol)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-feather-eras-tour-interview-big-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/news/5-emerging-artists-pushing-electronic-dance-music-forward-moore-kisment-shygirl-pink-pantheress-doechii)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKhruangbin\u003c/span\u003e](https://grammy.com/news/5-important-khruangbin-songs-new-album-a-la-sala)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRAYE\u003c/span\u003e](https://www.grammy.com/series-or-collection/it-goes-to-11-videos-grammys/raye-songwriting-notebook)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://grammy.com/news/teddy-swims-ive-tried-everything-but-therapy-new-album-interview)\u003cspan\u003e. Though only one of them will claim the golden gramophone on Feb. 2, 2025, each of these artists are forging bold, inspiring careers ahead. With this well-deserved nomination, the Recording Academy recognizes their efforts and celebrates their success.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the nominees below and read the \u003c/span\u003e[\u003cspan\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e ahead of Music's Biggest Night on\u003c/span\u003e **\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e. \u003c/span\u003e\n\n## **\u003cspan\u003eBenson Boone\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Benson Boone Beautiful Things","deliveryId":"359db24c-9ca9-45c8-9cc2-e37e8bbba394"},"videoUrl":"https://youtu.be/Oa_RSwwpPaA"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 2","deliveryId":"a1caaf96-6d5c-4679-b7cf-9c3fa47989e9"},"bodyText":{"richText":"\u003cspan\u003e\"I feel like things have taken off for me like a firework tied to a rollerblade, all very quickly,\" Benson Boone told\u003c/span\u003e [\u003cspan\u003eGRAMMY.com\u003c/span\u003e](https://www.grammy.com/news/benson-boone-new-album-fireworks-and-rollerblades-tour-interview-beautiful-things) \u003cspan\u003eupon releasing his debut LP, aptly titled\u003c/span\u003e *\u003cspan\u003eFireworks \u0026amp; Rollerblades\u003c/span\u003e*\u003cspan\u003e, in April. While it may be a metaphor for his career in 2024, Boone's swift ascent is the result of a promising last few years.\u003c/span\u003e\n\n\u003cspan\u003eHailing from Monroe, Washington, he first caught the public's attention during a short stint on season 19 of \"American Idol\" in 2021. As the 22-year-old built momentum via TikTok, \u003c/span\u003e[\u003cspan\u003eImagine Dragons\u003c/span\u003e](https://grammy.com/artists/imagine-dragons/18215)\u003cspan\u003e' \u003c/span\u003e[\u003cspan\u003eDan Reynolds\u003c/span\u003e](https://grammy.com/artists/dan-reynolds/18072)\u003cspan\u003e also saw his potential, and promptly signed Benson to his label, Night Street Records, in partnership with Warner Records.\u003c/span\u003e\n\n\u003cspan\u003eBoone's first hit single, 2021's \"Ghost Town,\" foreshadowed his talent for vulnerable songwriting and catchy piano lines, followed by the release of two EPs in 2022 and 2023. However, his bonafide breakthrough came only in January of this year, with the soaring \"Beautiful Things\" — a global smash that peaked at No. 2 on the Billboard Hot 100, and surpassed 1.5 billion streams on Spotify as of press time. Second single \"Slow It Down\" went similarly viral in March, followed by a sold-out global tour and opening for \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e's \u003c/span\u003e[\u003cspan\u003eEras Tour\u003c/span\u003e](https://grammy.com/news/taylor-swift-eras-tour-opening-acts-gracie-abrams-gayle-beabadoobee-girl-in-red-owenn-interviews-backstage-memories)\u003cspan\u003e in London.\u003c/span\u003e\n\n\u003cspan\u003eHence, the release of \u003c/span\u003e*\u003cspan\u003eFireworks \u0026amp; Rollerblades\u003c/span\u003e*\u003cspan\u003e only cemented what many already knew: Boone is one 2024's definite stars. \u003c/span\u003e\n\n**Read more:** [Benson Boone Declares \"Beautiful Things\" Is No Fluke: \"I've Tapped Into How I'll Write For The Rest Of My Life\"](https://www.grammy.com/news/benson-boone-new-album-fireworks-and-rollerblades-tour-interview-beautiful-things)\n\n## **\u003cspan\u003eSabrina Carpenter\u003c/span\u003e**\n\n## "}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Sabrina Carpenter - taste","deliveryId":"fdf4864f-e580-4d76-8897-a5966f95f931"},"videoUrl":"https://www.youtube.com/watch?v=KEG7b851Ric"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 3","deliveryId":"0f92f34b-ff2e-40f3-8e8e-043c9fd2c3e5"},"bodyText":{"richText":"\u003cspan\u003e\"I never had the plan B, and it wasn't even a thought in my mind that it wouldn't work out,\" Sabrina Carpenter told \u003c/span\u003e*[\u003cspan\u003eRolling Stone\u003c/span\u003e](https://www.rollingstone.com/music/music-features/sabrina-carpenter-espresso-short-n-sweet-taylor-swift-1235036627/)*\u003cspan\u003e back in June. \"I just always knew it was about not if it would happen but when it would happen.\"\u003c/span\u003e\n\n\u003cspan\u003eThe 25-year-old singer was right. 2024 was the year that took Carpenter to the superstardom stratosphere, with three chart-smashing, defining hits — \"Espresso,\" \"Please, Please, Please,\" and \"Taste\" — a dazzling debut at Coachella, and a tenure opening Taylor Swift's Eras Tour in Latin America, Australia and Asia.\u003c/span\u003e\n\n\u003cspan\u003eBut Carpenter's success is hard-earned. \u003c/span\u003e[\u003cspan\u003eA former Disney star\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\u003cspan\u003e, she spent the last decade relentlessly developing her singing and songwriting style. It wasn't until her fifth studio album, 2022's \u003c/span\u003e*\u003cspan\u003eemails i can't send\u003c/span\u003e*\u003cspan\u003e, that she took full creative control over her work and, in turn, found her own artistry; with standout singles \"Nonsense\" and \"Feather,\" she displayed the witty lyricism and catchy hooks that would become her signature.\u003c/span\u003e\n\n\u003cspan\u003eWhen Carpenter's sixth LP, \u003c/span\u003e*\u003cspan\u003eShort n' Sweet\u003c/span\u003e*\u003cspan\u003e, arrived in August, she solidified her status as pop's newest queen. Co-produced by pop savant \u003c/span\u003e[\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://grammy.com/artists/jack-antonoff/248)\u003cspan\u003e, the album bursts with confidence and charisma, channeling her sassy persona and velvety vocals into timeless earworms.\u003c/span\u003e\n\n\u003cspan\u003eThe album went on to become Carpenter's first No. 1 project in the U.S., and also earned her first Platinum certification. And now, she adds her first GRAMMY nominations to her 2024 feats, and seven at that — hinting that her pop reign will be anything but short n' sweet.\u003c/span\u003e\n\n**Read more:** [How Sabrina Carpenter Became A Pop Queen: Tracing Her Journey To 'Short N' Sweet'](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\n\n## \u003cspan\u003eDoechii\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Doechii - What It Is (Block Boy) feat. Kodak Black","deliveryId":"28f9141c-b0ac-4b11-859e-05b178959913"},"videoUrl":"https://www.youtube.com/watch?v=phtcAd8j6Ro"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 4","deliveryId":"bc1e441d-4542-4228-a7f3-8e6a51bc8d8d"},"bodyText":{"richText":"\u003cspan\u003e\"Overly cocky, I'm hyper-ambitious/ Me, me, me, me, bitch I'm narcin-assistic/ I am a Black girl who beat the statistics,\" says Doechii on her first viral single, 2020's \"Yucky Blucky Fruitcake.\" It's a banging introduction to the rapper, who has since signed with Top Dawg Entertainment (home to Isaiah Rashad, \u003c/span\u003e[\u003cspan\u003eSZA\u003c/span\u003e](https://grammy.com/artists/Solana-Rowe/32514)\u003cspan\u003e and more), released two EPs and three mixtapes, collaborated with the likes of Kodak Black and \u003c/span\u003e[\u003cspan\u003eKaty Perry\u003c/span\u003e](https://grammy.com/artists/katy-perry/5726)\u003cspan\u003e, supported \u003c/span\u003e[\u003cspan\u003eDoja Cat\u003c/span\u003e](https://www.grammy.com/artists/doja-cat/287205)\u003cspan\u003e on tour, and has now earned her first GRAMMY nominations.\u003c/span\u003e\n\n\u003cspan\u003eBorn Jaylah Hickmon in Tampa, Florida, \u003c/span\u003e[\u003cspan\u003eDoechii\u003c/span\u003e](https://www.grammy.com/news/5-emerging-artists-pushing-electronic-dance-music-forward-moore-kisment-shygirl-pink-pantheress-doechii)\u003cspan\u003e was a theater kid who wrote poetry before adding beats to her bars. Her music is confessional, irreverent and unapologetic, sourcing her experiences as a Black woman and transmuting them into provocative, empowering anthems — see 2022's \"Crazy,\" whose music video was banned from trending on YouTube due to its violence and nudity content.\u003c/span\u003e\n\n\u003cspan\u003eBut it didn't faze her. The scenes were not for shock value, but to express the hardships that women go through, and to challenge the sexualized gaze over them. After all, \u003c/span\u003e[\u003cspan\u003eas she said\u003c/span\u003e](https://www.grammy.com/news/5-emerging-artists-pushing-electronic-dance-music-forward-moore-kisment-shygirl-pink-pantheress-doechii)\u003cspan\u003e in a since-deleted Instagram post, \"'Crazy' is about uncontained power, creativity and confidence. People call you crazy when they fear you or they don't understand you. So when I use it in the song, I'm reflecting that energy back on them to show them themselves.\" \u003c/span\u003e\n\n\u003cspan\u003eDoechii has yet to release a debut studio album, but her latest mixtape, August's \u003c/span\u003e*\u003cspan\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan\u003e, is a strong display of her brilliant storytelling and quirky uniqueness. Coupled with the success of her previous releases, \u003c/span\u003e*\u003cspan\u003eAlligator Bites\u003c/span\u003e*\u003cspan\u003e's critical acclaim suggests that the \"Swamp Princess\" is bound to fly even higher.\u003c/span\u003e\n\n**Read more:** [5 Emerging Artists Pushing Electronic Music Forward: Moore Kismet, TSHA, Doechii \u0026amp; Others](https://www.grammy.com/news/5-emerging-artists-pushing-electronic-dance-music-forward-moore-kisment-shygirl-pink-pantheress-doechii)\n\n## **\u003cspan\u003eKhruangbin\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Khruangbin - A Love International","deliveryId":"889bf20e-0ac8-4075-ab7a-d2c69eceb44b"},"videoUrl":"https://www.youtube.com/watch?v=2e4oRKhilhA"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 5","deliveryId":"9ff8f363-0c30-4f16-9efc-056ab3c3d717"},"bodyText":{"richText":"[\u003cspan\u003eKhruangbin\u003c/span\u003e](https://grammy.com/news/5-important-khruangbin-songs-new-album-a-la-sala)\u003cspan\u003e means airplane in Thai, and there couldn't be a better word to describe the Texan trio. From Middle Eastern scales to Peruvian \u003c/span\u003e*\u003cspan\u003ecumbia\u003c/span\u003e*\u003cspan\u003e, the intercontinental influences within their sound transport listeners around the world. \u003c/span\u003e\n\n\u003cspan\u003eFormed by bassist Laura Lee Ochoa, guitarist Mark Speer, and drummer Donald \"DJ\" Johnson Jr., they first took inspiration in Thai funk from the '60s and '70s, and in 2015 released their debut LP, \u003c/span\u003e*\u003cspan\u003eThe Universe Smiles Upon You\u003c/span\u003e*\u003cspan\u003e. Now four albums in, the band has crafted a lush soundscape that can be both nostalgic and avant-garde, familiar and strange. They've entranced fans from Barack Obama to \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e, played at festivals like Coachella and sold out several tours (including two nights at New York's Radio City Music Hall), and collaborated with icons such as \u003c/span\u003e[\u003cspan\u003ePaul McCartney\u003c/span\u003e](https://grammy.com/artists/paul-mccartney/4678)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eFor the past four years, Khruangbin focused on their aggregating nature: they put out \u003c/span\u003e[\u003cspan\u003etwo EPs with soul singer Leon Bridges\u003c/span\u003e](https://www.grammy.com/news/leon-bridges-khruangbin-texas-moon-ep-interview)\u003cspan\u003e (2020's \u003c/span\u003e*\u003cspan\u003eTexas Sun\u003c/span\u003e*\u003cspan\u003e and 2022's \u003c/span\u003e*\u003cspan\u003eTexas Moon\u003c/span\u003e*\u003cspan\u003e), 2022's \u003c/span\u003e*\u003cspan\u003eAli\u003c/span\u003e*\u003cspan\u003e with Vieux Farka Touré, and a series of 2023 live recordings in partnership with Toro y Moi, Nubya Garcia, and Men I Trust. It was time the trio turned down outside noise, and focused on their own synergy. Khruangbin's latest album, \u003c/span\u003e*\u003cspan\u003eA La Sala\u003c/span\u003e*\u003cspan\u003e (\"to the room,\" in Spanish), arrived in April as a core example of their essence — for the first time, they had no additional collaborators, resulting in a rebirth of their original magic. \u003c/span\u003e\n\n\u003cspan\u003eWith this return to their roots and their rising popularity, a GRAMMY nomination for Best New Artist stands as an invite for even more people to dive into their ethereal, exceptional work.\u003c/span\u003e\n\n**Read more:** [5 Songs To Get Into Khruangbin Ahead Of Their New Album 'A La Sala'](https://www.grammy.com/news/5-important-khruangbin-songs-new-album-a-la-sala)\n\n## \u003cspan\u003eRAYE\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"RAYE - Genesis","deliveryId":"14ace575-40ac-4bfc-90e8-27c834985056"},"videoUrl":"https://www.youtube.com/watch?v=aOX8gyc27K4"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 6","deliveryId":"46d7cf29-359a-46b2-ac70-a9538248bfa3"},"bodyText":{"richText":"\u003cspan\u003eFor seven years, South London singer/songwriter RAYE was kept in the talent basement of Polydor Records, unable to release her debut LP. During that time, she co-penned songs for acts like \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eRihanna\u003c/span\u003e](https://grammy.com/artists/rihanna/5943)\u003cspan\u003e, released five EPs and a handful of singles, including collaborations with \u003c/span\u003e[\u003cspan\u003eDavid Guetta\u003c/span\u003e](https://grammy.com/artists/david-guetta/12848)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eMartin Solveig\u003c/span\u003e](https://grammy.com/news/spinning-gold-movie-casablanca-records-biopic-songs-kiss-donna-summer-village-people-cher-george-clinton-neil-bogart)\u003cspan\u003e, but she knew it wasn't half of what she had to offer.\u003c/span\u003e\n\n\u003cspan\u003e\"Imagine this pain. I have been signed to a major label since 2014...and I have had albums on albums of music sat in folders collecting dust,\" she \u003c/span\u003e[\u003cspan\u003eshared\u003c/span\u003e](https://x.com/raye/status/1409901542275268615)\u003cspan\u003e on Twitter back in 2021, reflecting on her situation. \"Songs I am now giving away to A-list artists because I am still awaiting confirmation that I am good enough to release an album.\"\u003c/span\u003e\n\n\u003cspan\u003eShortly after that confession, RAYE (whose birth name is Rachel Keen) parted ways with Polydor and became an independent artist. Slowly, she pieced together the riveting songs that formed her hard-fought 2023 debut, \u003c/span\u003e*\u003cspan\u003eMy 21st Century Blues\u003c/span\u003e*\u003cspan\u003e. Her resonant voice and raw lyricism earned raving reviews, and the album's lead single, \"Escapism\" took off — going viral on TikTok, topping the UK Singles Chart, and becoming her first Billboard Hot 100 entry. \u003c/span\u003e\n\n\u003cspan\u003eIt was a pivotal moment for the now 27-year-old, proving that her intuition and belief in herself paid off. Since then, RAYE has continued to flourish as an artist in her own right, supporting world tours by SZA, \u003c/span\u003e[\u003cspan\u003eKali Uchis\u003c/span\u003e](https://grammy.com/artists/kali-uchis/188816)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eLewis Capaldi\u003c/span\u003e](https://grammy.com/artists/lewis-capaldi/251691)\u003cspan\u003e, opening for Taylor Swift's Eras Tour, and performing at Coachella and Lollapalooza. In March 2024, she made history at the BRIT Awards by securing six trophies — the most for any artist in a single year.\u003c/span\u003e\n\n\u003cspan\u003eRAYE's latest single, June's \"Genesis.,\" is a seven-minute epic that she described in a statement as \"a prayer and a plea and a cry for help.\" Its three-act structure and straightforward, relatable lyrics suggest a newfound confidence — and with RAYE's first GRAMMY nomination for Best New Artist in tow, the sky's the limit for her next chapter.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eWatch RAYE Open Up About Her Prized Songwriting Notebook | It Goes To 11\u003c/span\u003e](https://www.grammy.com/series-or-collection/it-goes-to-11-videos-grammys/raye-songwriting-notebook)\n\n## \u003cspan\u003eChappell Roan\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Chappell Roan - Hot To Go","deliveryId":"ac0531cc-43b8-4f0c-a96e-ac03f5533cfd"},"videoUrl":"https://www.youtube.com/watch?v=xaPNR-_Cfn0"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 7","deliveryId":"e57519be-c89e-4180-89f1-311eef210b9a"},"bodyText":{"richText":"\u003cspan\u003eCredited by many for infusing pop music with a much-needed dose of fun, Missouri-born singer Chappell Roan laced 2024 with her enthusiasm, flair and unabashed sexuality. However, the path to this moment wasn't easy — and is reflected in her 2023 debut album's title, \u003c/span\u003e*\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eRoan first signed with Atlantic Records in 2015 at just 17, but the label didn't find her profitable enough; by 2020, she was dropped from their roster. Coupled with the breakup of a four-year relationship and a brief return to her parents' house, Roan found herself in a slump. Yet, she pulled herself up, moved to Los Angeles, and finally started working independently on music that she was proud of.\u003c/span\u003e\n\n\u003cspan\u003eBorn Kayleigh Amstutz, the singer describes Chappell Roan as a \"larger-than-life, drag queen version of myself,\" who allows her to embrace her queer identity and sexuality, as well as dealing with the hardships of being a woman. Her glittery, campy world is DIY by design, all-inclusive and genuine, prompting a devoted cult fan base that was eager to spread her truth to the mainstream.\u003c/span\u003e\n\n\u003cspan\u003eIt was only a matter of time until that happened. She signed with Island and Amusement Records in early 2023 to release the effervescent \u003c/span\u003e*\u003cspan\u003eMidwest Princess\u003c/span\u003e*\u003cspan\u003e, but refused to compromise her artistic vision or creative control — and her commitment to authenticity resonated.\u003c/span\u003e\n\n\u003cspan\u003eAfter starting 2024 by opening for \u003c/span\u003e[\u003cspan\u003eOlivia Rodrigo\u003c/span\u003e](https://grammy.com/artists/Olivia-Rodrigo/38411)\u003cspan\u003e on the sold-out \u003c/span\u003e[\u003cspan\u003eGUTS World Tour\u003c/span\u003e](https://grammy.com/news/olivia-rodrigo-guts-world-tour-takeaways)\u003cspan\u003e, Roan went on to draw mind-blowing (if not record-breaking) crowds at Coachella, Governors Ball, Lollapalooza, and Austin City Limits festivals thanks to her rapidly increasing allure. Roan's follow-up single, \"Good Luck, Babe!,\" bolstered her to even greater heights (including 2025 GRAMMY nods for Record Of The Year, Song Of The Year and Best Pop Solo Performance) and helped \u003c/span\u003e*\u003cspan\u003eMidwest Princess\u003c/span\u003e*\u003cspan\u003e reach its biggest sales week a full year after its release — ultimately securing her place as one of pop's most promising stars.\u003c/span\u003e\n\n**\u003cspan\u003eRead more: \u003c/span\u003e**[\u003cspan\u003eChappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop \"Feminomenon\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\n\n## **\u003cspan\u003eShaboozey\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Shaboozey - A Bar Song (Tipsy)","deliveryId":"b8936cfc-591a-44de-b0ca-b72ffd11468c"},"videoUrl":"https://www.youtube.com/watch?v=t7bQwwqW-Hc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 8","deliveryId":"3c1bfbdc-24a4-4704-bd1b-a1d4f6883bc0"},"bodyText":{"richText":"\u003cspan\u003e\"They say it takes 10 years to have an overnight success, and it's true,\" Shaboozey told \u003c/span\u003e[\u003cspan\u003eGRAMMY.com\u003c/span\u003e](https://grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\u003cspan\u003e in May. The 29-year-old Nigerian-American born Collins Chibueze knows it firsthand: his first single, \"Jeff Gordon,\" came out in 2014, but he's only now seeing the fruits of his hard work a full decade later.\u003c/span\u003e\n\n\u003cspan\u003eIt all started in March, with \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e's trailblazing \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e, where Shaboozey's two guest features — \"SPAGHETTII\" and \"SWEET HONEY BUCKIIN\" — left listeners craving for more. Fortunately, there was plenty to discover. Since \"Jeff Gordon,\" Shaboozey signed to Republic Records and released his 2018 debut, \u003c/span\u003e*\u003cspan\u003eLady Wrangler\u003c/span\u003e*\u003cspan\u003e, followed by 2022's \u003c/span\u003e*\u003cspan\u003eCowboys Live Forever, Outlaws Never Die\u003c/span\u003e*\u003cspan\u003e, via EMPIRE. (According to Spotify, Shaboozey's catalog streams increased by 1,350 percent after the release of \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e.)\u003c/span\u003e\n\n\u003cspan\u003eJust six weeks later, Shaboozey had another breakthrough moment. His single \"A Bar Song (Tipsy)\" dethroned Beyoncé's \"TEXAS HOLD 'EM\" for the No. 1 spot on Billboard's Hot Country chart. But that was far from where the song's success stopped. Along with topping charts around the world and helping Shaboozey become the first male Black artist to be No. 1 on Billboard's Hot Country Songs and Country Airplay charts simultaneously, \"A Bar Song\" has notched 16 weeks atop the Billboard Hot 100 as of press time — just one week away from breaking the record for the longest run this decade.\u003c/span\u003e\n\n\u003cspan\u003eThough \"A Bar Song\" undoubtedly put Shaboozey on the map as an artist in his own right, his third album \u003c/span\u003e*\u003cspan\u003eWhere I've Been, Isn't Where I'm Going\u003c/span\u003e*\u003cspan\u003e showed he's more than a smash hit. With his distinctive mix of country, Americana, and hip-hop, as well as lyrics that lay bare a journey through heartbreak and depression, he snagged a No. 5 debut on the Billboard 200 album chart. Now, with a GRAMMY nomination for Best New Artist, Shaboozey is poised to reach even wider audiences.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eShaboozey On His New Album, Beyoncé \u0026amp; Why He'll Never Be A \"Stereotypical\" Artist\u003c/span\u003e](https://www.grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\n\n## \u003cspan\u003eTeddy Swims\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Teddy Swims Lose Control live","deliveryId":"26763498-cac2-4119-9ad6-2741776659ce"},"videoUrl":"https://www.youtube.com/watch?v=GZ3zL7kT6_c"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Best New Artist Nominees body 9","deliveryId":"b7edabf9-1605-446e-8979-1351f2feb801"},"bodyText":{"richText":"\u003cspan\u003e\"I don't want to swallow my insecurities. I don't have to wait until I feel like I'm worthy of love to put myself out there,\" Teddy Swims \u003c/span\u003e[\u003cspan\u003etold GRAMMY.com\u003c/span\u003e](https://www.grammy.com/news/teddy-swims-ive-tried-everything-but-therapy-new-album-interview)\u003cspan\u003e upon the release of his 2023 debut, \u003c/span\u003e*\u003cspan\u003eI've Tried Everything But Therapy (Part 1)\u003c/span\u003e*\u003cspan\u003e. It's rare to find a man so emotionally open, but that's one of the factors that makes the Georgia native so special — that, and his arrestingly powerful, soulful voice.\u003c/span\u003e\n\n\u003cspan\u003eAfter starting out on YouTube in 2019, Swims (born Jaten Dimsdale) signed with Warner Records and put out four EPs, gradually emerging as one of the most compelling vocalists of his generation. His true breakthrough came in June 2023 with the bellowing hit \"Lose Control,\" which earned him a first entry on the Billboard Hot 100 and a swarm of new fans who were entranced by his music.\u003c/span\u003e\n\n\u003cspan\u003eThe track featured on \u003c/span\u003e*\u003cspan\u003eI've Tried Everything but Therapy (Part 1)\u003c/span\u003e*\u003cspan\u003e, which expanded on the lyrical vulnerability and stirring sounds of \"Lose Control\" and spawned another pop hit with \"The Door.\" Keeping his promise of a Part 2, Swims dropped a sneak peek with \u003c/span\u003e*\u003cspan\u003eI've Tried Everything But Therapy (Part 1.5)\u003c/span\u003e*\u003cspan\u003e in April, and just announced that \u003c/span\u003e*\u003cspan\u003ePart 2\u003c/span\u003e*\u003cspan\u003e will arrive on Jan. 24, 2025.\u003c/span\u003e\n\n\u003cspan\u003eWill Teddy Swims be celebrating a GRAMMY win just after celebrating his next album release? Tune into the 2025 GRAMMYs on Feb. 2 to find out!\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eTeddy Swims Is Letting Himself Be Brutally Honest On 'I've Tried Everything But Therapy'\u003c/span\u003e](https://www.grammy.com/news/teddy-swims-ive-tried-everything-but-therapy-new-album-interview)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed - Pop Music","deliveryId":"20f533b6-01af-4974-bf59-aca45396b3ae"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Pop","pop music"],"contentGenre":"Pop"},"title":"The Latest Pop Music News \u0026 Releases"}],"hero":{"_meta":{"name":"2025 GRAMMYs Nominations: Best New Artist Nominees hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ac5f59e7-a62b-4229-998e-bcf3a3edb406","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Country","Rap","Alternative"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Best New Artist","Sabrina Carpenter","Benson Boone","Doechii","Khruangbin","Raye","Chappell Roan","Shaboozey","Teddy Swims"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082109199,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Best New Artist Nominees","shortTitle":"2025 GRAMMYs Nominations: Best New Artist Nominees","subHeadline":"Ahead of Music's Biggest Night on Feb. 2, celebrate nominated artists in the Best New Artist Category: Benson Boone, Sabrina Carpenter, Doechii, Khruangbin, RAYE, Chappell Roan, Shaboozey, and Teddy Swims.","articleSummary":"Ahead of Music's Biggest Night on Feb. 2, celebrate nominated artists in the Best New Artist Category: Benson Boone, Sabrina Carpenter, Doechii, Khruangbin, RAYE, Chappell Roan, Shaboozey, and Teddy Swims.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Nominations: Best New Artist Nominees hero","deliveryId":"ac5f59e7-a62b-4229-998e-bcf3a3edb406"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"best-new-artist-nominees-2025-grammys","id":"ea747c20-7e6a-4ae2-930a-f389d348a161","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["2025 GRAMMYs"],"title":"2025 GRAMMYs Nominations: Best New Artist Nominees","shortTitle":"2025 GRAMMYs Nominations: Best New Artist Nominees","imgAlt":"2025 GRAMMYs Best New Artist Nominees Benson Boone, Teddy Swims, Shaboozey, Chappell Roan, RAYE, Doechii, Sabrina Carpenter, Khruangbin in collage","imgTitle":"2025 GRAMMYs Nominations: Best New Artist Nominees","link":"/","captionValue":"(From left) Benson Boone, Teddy Swims, Shaboozey, Chappell Roan, RAYE, Doechii, Sabrina Carpenter, Khruangbin","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.39612953186035,"y":0.38659054226345}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs Nominations: Record Of The Year Nominees","deliveryKey":"news/2025-grammys-nominations-record-of-the-year","deliveryId":"03cf618b-a117-4ffd-926d-f434782bc3c1"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"d5176bce-a6a5-4b16-80a9-dbdc63139a11"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - ROTY 2025 GRAMMYS Nominations","deliveryId":"10b6cb64-fa99-402b-8196-2e0a4ae695b8"},"bodyText":{"richText":"\u003cspan\u003eThe Record Of The Year Category honors some of the year's biggest recordings — and at the 2025 GRAMMYs, the nominees are hits by a mix of newcomers and superstars.\u003c/span\u003e\n\n\u003cspan\u003eThroughout the past year, \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e proved why they're at the top of pop's current class. \u003c/span\u003e[\u003cspan\u003eThe Beatles\u003c/span\u003e](https://grammy.com/artists/beatles/16293)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e both cemented their respective legacies, while \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e continue to challenge their own musical boundaries.\u003c/span\u003e\n\n\u003cspan\u003eWith a range of unforgettable music moments, there's no telling who will take home the golden gramophone for Record Of The Year — which is awarded to the artist and the producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) — at the 67th Annual GRAMMY Awards. But one thing is for sure: the eight nominees make for quite an exciting contest.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the nominees below and read the \u003c/span\u003e[\u003cspan class=\"ui-provider a b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\"\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list \"https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list\")\u003cspan\u003e ahead of Music's Biggest Night on\u003c/span\u003e **\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - The Beatles Now And Then [WITH TITLE]","deliveryId":"c781796b-be9c-4126-bb55-7bc4c850bde2"},"videoUrl":"https://www.youtube.com/watch?v=Opxhh9Oh3rg","videoTitle":"The Beatles — \"Now And Then\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - ROTY 2025 GRAMMYS Nominations","deliveryId":"7ab45e26-8991-4cd4-8697-09079587be88"},"bodyText":{"richText":"\u003cspan\u003eIt can take years for an artist to work on their masterpiece. In the Beatles' case, the journey of\u003c/span\u003e [\u003cspan\u003e\"Now And Then\"\u003c/span\u003e](https://grammy.com/news/the-beatles-last-song-now-and-then-giles-martin-interview) \u003cspan\u003etook 45 years.\u003c/span\u003e [\u003cspan\u003eJohn Lennon\u003c/span\u003e](https://grammy.com/artists/john-lennon/3905) \u003cspan\u003eoriginally wrote the demo in the late '70s. It's a mournful, piano-backed confession: \"I know it's true/ It's all because of you/ And if I make it through/ It's all because of you.\"\u003c/span\u003e\n\n\u003cspan\u003eThe song remained unfinished long after Lennon's tragic 1980 passing, but — in a powerful act of love — his bandmates completed it for him. \u003c/span\u003e[\u003cspan\u003ePaul McCartney\u003c/span\u003e](https://grammy.com/artists/paul-mccartney/4678)\u003cspan\u003e enlisted \u003c/span\u003e[\u003cspan\u003eGiles Martin\u003c/span\u003e](https://grammy.com/artists/giles-martin/9336)\u003cspan\u003e (the son of Beatles' former producer and longtime collaborator \u003c/span\u003e[\u003cspan\u003eGeorge Martin\u003c/span\u003e](https://grammy.com/artists/george-martin/4663)\u003cspan\u003e) as the song's co-producer, using Lennon's original 1977 demo, \u003c/span\u003e[\u003cspan\u003eGeorge Harrison\u003c/span\u003e](https://grammy.com/artists/george-harrison/2775)\u003cspan\u003e's guitar melodies from the 1995 \u003c/span\u003e*\u003cspan\u003eAnthology\u003c/span\u003e* \u003cspan\u003esessions, and \u003c/span\u003e[\u003cspan\u003eRingo Starr\u003c/span\u003e](https://grammy.com/artists/ringo-starr/12572)\u003cspan\u003e's drumming and backing vocals from 2022. \"Now And Then,\" which marked the Beatles' 35th top 10 single on the Billboard Hot 100, is a tearful close to the band's legacy. \u003c/span\u003e\n\n\u003cspan\u003e\"Obviously, it hasn't been, but it sounds like John's written it for Paul now, in a very emotional way,\" Martin \u003c/span\u003e[\u003cspan\u003etold \u003c/span\u003e](https://www.rollingstone.com/music/music-news/beatles-new-song-now-and-then-1234868643/)*[\u003cspan\u003eRolling Stone\u003c/span\u003e](https://www.rollingstone.com/music/music-news/beatles-new-song-now-and-then-1234868643/)*\u003cspan\u003e. \"It's a bittersweet song, which is very John. But with a combination of happiness and regret.\" \u003c/span\u003e\n\n\u003cspan\u003eMcCartney never gave up on the song, which is a testament that true friendship never dies.\u003c/span\u003e\n\n## \u003cspan\u003eBeyoncé — \"TEXAS HOLD 'EM\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"0:02 / 3:57 Beyoncé - TEXAS HOLD 'EM (Official Visualizer)","deliveryId":"8a90be4b-598c-4043-bb7b-9021e1807ab7"},"videoUrl":"https://www.youtube.com/watch?v=238Z4YaAr1g"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - ROTY 2025 GRAMMYS Nominations","deliveryId":"7afc5e1f-ec9a-4e26-a39c-a3db6b142edc"},"bodyText":{"richText":"\u003cspan\u003eAfter shimmying underneath a disco ball for 2022's\u003c/span\u003e [\u003cspan\u003eGRAMMY-winning\u003c/span\u003e](https://grammy.com/news/beyonce-renaissance-winner-best-dance-electronic-music-album-2023-grammys-watch-acceptance-speech) *[\u003cspan\u003eRENAISSANCE\u003c/span\u003e](https://grammy.com/news/beyonce-renaissance-winner-best-dance-electronic-music-album-2023-grammys-watch-acceptance-speech)*\u003cspan\u003e, Beyoncé wanted to keep the dance party going on 2024's\u003c/span\u003e *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country)* \u003cspan\u003e— except this time around, she traded Studio 54 for a honky-tonk. But \"TEXAS HOLD 'EM,\" the album's joint lead single alongside \"16 CARRIAGES,\" is much more than an instructional hoedown.\u003c/span\u003e\n\n\u003cspan\u003eThe 32-time GRAMMY winning icon has long \u003c/span\u003e[\u003cspan\u003eincorporated African American history\u003c/span\u003e](https://grammy.com/news/beyonce-cowboy-carter-genres-beyond-country-opera-hip-hop-blues-gospel-folk)\u003cspan\u003e in her music, and \"TEXAS HOLD 'EM\" is no different. The single, like many tunes on \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e, is rooted in liberation. Country music is the backbone of America, but its \u003c/span\u003e[\u003cspan\u003eroots in Black culture\u003c/span\u003e](https://grammy.com/news/black-country-singers-songs-history-beyonce-act-ii-kane-brown-heaven)\u003cspan\u003e are often hidden. With \"TEXAS HOLD 'EM,\" Beyoncé lifts the veil off the genre's true history by celebrating both her Houston heritage and the Black country artists that paved the way for her.\u003c/span\u003e\n\n\u003cspan\u003eThe song's message is clear, but it's balanced by playful melodies, Beyoncé's signature stacked harmonies and a plucking banjo (played by\u003c/span\u003e [\u003cspan\u003eRhiannon Giddens\u003c/span\u003e](https://grammy.com/artists/rhiannon-giddens/16736)\u003cspan\u003e, an advocate for the reclamation of country music instruments by Black musicians). While Beyoncé is no stranger to chart-topping hits (\"TEXAS HOLD 'EM\" is her ninth solo No. 1 single on the Hot 100), she made history as the first Black woman to score a No. 1 on Billboard's Hot Country Songs chart.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Sabrina Carpenter \"Espresso\" [with title]","deliveryId":"f2452b99-33bd-44f8-bc33-c5013939fa2b"},"videoUrl":"https://www.youtube.com/watch?v=eVli-tstM5E","videoTitle":"Sabrina Carpenter — \"Espresso\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4 - ROTY 2025 GRAMMYS Nominations","deliveryId":"c1c5f6eb-9eb9-46f2-b829-86ac2285dc38"},"bodyText":{"richText":"\u003cspan\u003eSabrina Carpenter does whimsy so well. Chalk it up to her Disney Channel roots, but the singer's innate ability to craft an earworm is why she's skyrocketed as one of the biggest pop stars of the new generation. \"Espresso,\" the lead single from 2024's\u003c/span\u003e *\u003cspan\u003eShort n' Sweet\u003c/span\u003e* \u003cspan\u003ealbum and\u003c/span\u003e [\u003cspan\u003eunofficial song of the summer\u003c/span\u003e](https://grammy.com/news/pride-songs-anthems-lgbtqia-month-sabrina-carpenter-chappell-roan-videos)\u003cspan\u003e, encapsulates Carpenter's irresistible charm.\u003c/span\u003e\n\n\u003cspan\u003e\"The song is kind of about seeing femininity as your superpower, and embracing the confidence of being that b—,\" she told \u003c/span\u003e*[\u003cspan\u003eVogue\u003c/span\u003e](https://www.vogue.com/article/sabrina-carpenter-espresso-music-video-fashion)*\u003cspan\u003e in April. \u003c/span\u003e\n\n\u003cspan\u003eThat confidence is found all throughout \"Espresso,\" from her cooing vocals to her cheeky songwriting (\"I can't relate to desperation/ My give-a-f—s are on vacation\"). Topped off by an irresistibly catchy, undulating chorus, \"Espresso\" helped Carpenter reach several career milestones that kickstarted a year full of them — including her first GRAMMY nominations.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Charli xcx 360 [WITH TITLE]","deliveryId":"edb18b47-102d-4794-a2c4-f8426f03fd7d"},"videoUrl":"https://www.youtube.com/watch?v=WJW-VvmRKsE","videoTitle":"Charli xcx — \"360\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - ROTY 2025 GRAMMYS Nominations","deliveryId":"2f4bf254-6e4c-4e0e-8786-036c82d78ce0"},"bodyText":{"richText":"\u003cspan\u003eCharli xcx has long been one of the coolest girls in pop, and her sixth album\u003c/span\u003e *\u003cspan\u003ebrat\u003c/span\u003e* \u003cspan\u003ecemented that fact. On \"360,\" the album's second single, the British star not only acknowledges her own cool factor, but of those around her. Produced by longtime collaborator\u003c/span\u003e [\u003cspan\u003eA. G. Cook\u003c/span\u003e](https://grammy.com/news/ag-cook-art-perfect-pop-song)\u003cspan\u003e, the song trades in the producer's signature exaggerated hyperpop sonics for more minimalistic synths that complement Charli's auto-tuned vocals.\u003c/span\u003e\n\n\u003cspan\u003e\"I went my own way and I made it/ I'm your favorite reference, baby,\" Charli xcx exclaims on the cocky opening line before comparing herself to friends like model/musician Gabbriette and actress Julia Fox. \"360\" is a cheeky reflection of the ever-growing digital era, giving fellow internet \"It\" girls an anthem for the ages.\u003c/span\u003e\n\n## \u003cspan\u003eBillie Eilish — \"BIRDS OF A FEATHER\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Billie Eilish BIRDS OF A FEATHER","deliveryId":"241e6be2-da7e-4a46-a7ae-cd88529098c2"},"videoUrl":"https://www.youtube.com/watch?v=d5gf9dXbPi0"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - ROTY 2025 GRAMMYS Nominations","deliveryId":"49021b82-8960-4eca-9bd8-ce35d0f8e32e"},"bodyText":{"richText":"\u003cspan\u003eThe beauty of Billie Eilish's artistry is in her vulnerability. For the nine-time GRAMMY winner's third album\u003c/span\u003e *\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*\u003cspan\u003e, she pushed herself into her deeper territories with the assistance of her brother and go-to collaborator\u003c/span\u003e [\u003cspan\u003eFINNEAS\u003c/span\u003e](https://grammy.com/artists/finneas-oconnell/251939)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eSecond single \"BIRDS OF A FEATHER\" best exemplifies the album title's meaning in both its tenderness and desperation. It was initially intended to be a traditional love song, but given the siblings' unorthodox track record, they couldn't resist making it \u003c/span\u003e*\u003cspan\u003eslightly\u003c/span\u003e*\u003cspan\u003e untraditional: \"I want you to stay/ 'Til I'm in the grave/ 'Til I rot away, dead and buried/ 'Til I'm in the casket you carry,\" Eilish sings on the opening verse in her signature whisper. \u003c/span\u003e\n\n\u003cspan\u003eEven with the juxtaposing lyrics, the song's airy production and wistfully gauzy synths still make for a beautiful, adoring statement piece. And the heartfelt sentiment paired with Eilish's breathy vocals quickly made \"BIRDS OF A FEATHER\" the biggest hit from\u003c/span\u003e *\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*\u003cspan\u003e, already garnering nearly 1.5 billion Spotify streams as of press time.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Kendrick Lamar — \"Not Like Us\" with title","deliveryId":"b40cb376-e547-44ae-906a-3d13b056cd14"},"videoUrl":"https://www.youtube.com/watch?v=H58vbez_m4E","videoTitle":"Kendrick Lamar — \"Not Like Us\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 7 - ROTY 2025 GRAMMYS Nominations","deliveryId":"fa75365b-817f-4384-9dea-8683ae6552df"},"bodyText":{"richText":"\u003cspan\u003eBranding Kendrick Lamar's \"Not Like Us\" as merely a diss track would be doing it a disservice. The 17-time GRAMMY winner's tune is not just a rap song, but a cultural phenomenon. A seething finale to his (very public) feud with\u003c/span\u003e [\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370)\u003cspan\u003e, \"Not Like Us\" is a triumphant win for both Lamar and rap music as a whole.\u003c/span\u003e\n\n\u003cspan\u003eAtop a buzzing sample of Monk Higgins' 1968 \"I Believe to My Soul\" cover, Lamar delivers slick wordplay and calls out Drake's presumed cultural appropriation of Southern rap: \"You run to Atlanta when you need a few dollars/ No, you not a colleague, you a f—in' colonizer.\"\u003c/span\u003e\n\n\u003cspan\u003eFollowing its release, the song took on a life on its own: tennis icon Serena Williams (Drake's alleged former lover) crip walked to the track at the 2024 ESPY Awards, \u003c/span\u003e[\u003cspan\u003eMegan Thee Stallion\u003c/span\u003e](https://grammy.com/artists/Megan-Pete/35996)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eJanet Jackson\u003c/span\u003e](https://grammy.com/artists/janet-jackson/13590)\u003cspan\u003e incorporated it into their concerts, and many national sports leagues used it in their game broadcasts.\u003c/span\u003e\n\n\u003cspan\u003eDrama aside, \"Not Like Us\" — which also scored a Song Of The Year nomination — is a celebration of West Coast hip-hop. Lamar, a proud Compton native, enlisted Los Angeles-born\u003c/span\u003e [\u003cspan\u003eDJ Mustard\u003c/span\u003e](https://grammy.com/news/where-do-you-keep-your-grammy-mustard) \u003cspan\u003eto produce the track. The chopped-up sample is inspired by Oakland's \"hyphy\" rap subgenre, while Lamar exaggerates his already-animated cadence, paying homage to late Los Angeles rapper Drakeo the Ruler. While \"Not Like Us\" is a targeted diss, it's also a reminder of California's historical impact on rap — and Lamar's place within that legacy.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Chappell Roan — \"Good Luck, Babe!\" [with video title]","deliveryId":"a4d21422-4fa7-4b3b-b5f0-3dccbfb51b10"},"videoUrl":"https://www.youtube.com/watch?v=xcVwbhooTm0","videoTitle":"Chappell Roan — \"Good Luck, Babe!\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 8 - ROTY 2025 GRAMMYS Nominations","deliveryId":"3bc98ad0-b716-48e7-8575-5f4723842310"},"bodyText":{"richText":"\u003cspan\u003eChappell Roan grabbed the world's attention with her bombastic interpretation of baroque pop and her knack for highlighting queer romance. \"Good Luck, Babe!,\" April's breakout hit following her 2023 debut LP,\u003c/span\u003e *\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, ushered in a new chapter.\u003c/span\u003e\n\n\u003cspan\u003eThe song discusses compulsory heterosexuality, as Roan sings about a woman she's dating who tries to deny her feelings for Roan: \"You can kiss a hundred boys in bars/ Shoot another shot, try to stop the feeling.\" \u003c/span\u003e\n\n\u003cspan\u003e\"I knew exactly what I wanted. I wrote it in three minutes,\" Chappell Roan \u003c/span\u003e[\u003cspan\u003etold \u003c/span\u003e](https://rollingstone.com/music/music-news/chappell-roan-good-luck-babe-interview-1234998731/)*[\u003cspan\u003eRolling Stone\u003c/span\u003e](https://rollingstone.com/music/music-news/chappell-roan-good-luck-babe-interview-1234998731/)*\u003cspan\u003e of the song's creation, which she co-wrote alongside \u003c/span\u003e[\u003cspan\u003eDaniel Nigro\u003c/span\u003e](https://grammy.com/artists/Daniel-Nigro/38337)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eJustin Tranter\u003c/span\u003e](https://grammy.com/artists/justin-drew-tranter/188791)\u003cspan\u003e. \"I felt so much anger. I was so upset. It all came out and I didn't add anything when I wrote it all done. It was a perfect storm.\"\u003c/span\u003e\n\n\u003cspan\u003eThe anger definitely explodes on \"Good Luck, Babe!,\" with Roan channeling '80s divas like\u003c/span\u003e [\u003cspan\u003eKate Bush\u003c/span\u003e](https://grammy.com/artists/kate-bush/10827) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eGeorge Michael\u003c/span\u003e](https://grammy.com/artists/george-michael/12041)\u003cspan\u003e. The singer's goal was to make a \"big anthemic pop song,\" and \"Good Luck, Babe!\" soared beyond all expectations.\u003c/span\u003e\n\n## \u003cspan\u003eTaylor Swift Feat. Post Malone — \"Fortnight\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Taylor Swift Tortured Poets - Fortnight feat Post Malone","deliveryId":"b530fe9a-8ee1-48d4-9a8c-7b216d9a46aa"},"videoUrl":"https://www.youtube.com/watch?v=b7kmP1fsGg8"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 9 - ROTY 2025 GRAMMYS Nominations","deliveryId":"9116cfac-b491-483c-bbb3-9a7e52bbea5f"},"bodyText":{"richText":"\u003cspan\u003eDespite nailing a formula that has made her one of the biggest pop stars of all time, Taylor Swift is still willing to take risks.\u003c/span\u003e\n\n\u003cspan\u003e\"Fortnight,\" from the 14-time GRAMMY winner's \u003c/span\u003e*\u003cspan\u003eThe Tortured Poets Department,\u003c/span\u003e* \u003cspan\u003eserves as both the LP's first single and opening track. The chart-topping smash introduces the album's moodier tones, telling the story of a woman in an unhappy marriage who is now the neighbor to her ex-lover and his new wife. \u003c/span\u003e\n\n\u003cspan\u003eAtop '80s-inspired electropop synths courtesy of longtime collaborator and co-producer\u003c/span\u003e [\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://grammy.com/artists/jack-antonoff/248)\u003cspan\u003e, the lyrics are unexpectedly dismal for Swift: \"I took the miracle move-on drug, the effects were temporary/ And I love you, it's ruining my life.\" Featured artist\u003c/span\u003e [\u003cspan\u003ePost Malone\u003c/span\u003e](https://grammy.com/artists/post-malone/243389) \u003cspan\u003ethen sweeps in with his melancholic harmonies, giving more emotional weight to Swift's brilliant storytelling.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"_meta":{"name":"Hero: ROTY 2025 GRAMMYs Nominess","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"5b2baffb-91d4-4608-b8ad-14b52daaa03e","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Rap","Country","Rock"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Record Of The Year","The Beatles","Beyoncé","Sabrina Carpenter","Charli XCX","Billie Eilish","Kendrick Lamar","Chappell Roan","Post Malone"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082668652,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Record Of The Year Nominees","shortTitle":"2025 GRAMMYs Nominations: Record Of The Year","subHeadline":"Ahead of Music's Biggest Night on Feb. 2, celebrate nominated artists in the Record Of The Year Category: The Beatles, Billie Eilish, Beyoncé, Sabrina Carpenter, Charli xcx, Billie Eilish, Kendrick Lamar, Chappell Roan, and Taylor Swift and Post Malone.","articleSummary":"Ahead of Music's Biggest Night on Feb. 2, celebrate nominated artists in the Record Of The Year Category: The Beatles, Billie Eilish, Beyoncé, Sabrina Carpenter, Charli xcx, Billie Eilish, Kendrick Lamar, Chappell Roan, and Taylor Swift and Post Malone.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: ROTY 2025 GRAMMYs Nominess","deliveryId":"5b2baffb-91d4-4608-b8ad-14b52daaa03e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"record-of-the-year-nominees-2025-grammys-Hero-1644x925","id":"99278e60-89ae-4e44-b926-d35513bdcfc8","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["2025 GRAMMYs"],"title":"Record Of The Year 2025 GRAMMYs Hero","shortTitle":"Record Of The Year 2025 GRAMMYs Hero","imgAlt":"Record Of The Year 2025 GRAMMYs Hero","imgTitle":"Record Of The Year 2025 GRAMMYs Hero","link":"/","captionValue":"(L-R, clockwise from top left): Chappell Roan, Beyoncé, Sabrina Carpenter, Charli xcx, Post Malone, Taylor Swift, the Beatles, Kendrick Lamar, Billie Eilish","captionSummary":"(L-R, clockwise from top left): Chappell Roan, Beyoncé, Sabrina Carpenter, Charli xcx, Post Malone, Taylor Swift, the Beatles, Kendrick Lamar, Billie Eilish","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.4375,"y":0.38888888888889}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs Nominations: Producer Of The Year Nominees","deliveryKey":"news/2025-grammys-nominations-producer-of-the-year-non-classical","deliveryId":"ce340ce9-c8a5-4e64-afd5-3a5b0ce73b81"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fc97c690-9391-46ce-b48f-ea5f15ed5ba7"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMY Nominations: Producer Of The Year body 1","deliveryId":"87f8b626-b220-4a5d-bf09-1dc258acccc1"},"bodyText":{"richText":"\u003cspan\u003eFew individuals get the opportunity to truly define the sound of a moment the way that producers do. The \u003c/span\u003e[\u003cspan\u003erecent passing of Quincy Jones \u003c/span\u003e](https://www.grammy.com/news/remembering-quincy-jones-grammy-winner-pioneer)\u003cspan\u003eacts as a reminder: Even though they may not always be onstage or have their name in flashing lights on the marquee, producers’ ability to imprint their unique vision and style across genres, styles, and voices and build a map of what the year sounds like. \u003c/span\u003e\n\n\u003cspan\u003eThis year's nominees for Producer of the Year, Non-Classical have undoubtedly reached that achievement, delivering beauty and joy across the musical spectrum. There are some names that should be very familiar to GRAMMY viewers. \u003c/span\u003e[\u003cspan\u003eDernst \"D’Mile\" Emile II\u003c/span\u003e](https://grammy.com/artists/Dernst-Emile-II/32230)\u003cspan\u003e returns to the category for the third year in a row, hoping to build from his Best R\u0026amp;B Album win at the 66th GRAMMY Awards for his work on \u003c/span\u003e[\u003cspan\u003eVictoria Monet\u003c/span\u003e](https://grammy.com/artists/victoria-monet/287096)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eJAGUAR II\u003c/span\u003e*\u003cspan\u003e. Nominated for the second year in a row, \u003c/span\u003e[\u003cspan\u003eDaniel Nigro\u003c/span\u003e](https://grammy.com/artists/Daniel-Nigro/38337)\u003cspan\u003e hopes to take home the golden gramophone for shaping glorious pop indulgence. \u003c/span\u003e\n\n\u003cspan\u003eFans of rap have long known the work of \u003c/span\u003e[\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/where-do-you-keep-your-grammy-mustard)\u003cspan\u003e, but now it would seem that so would anyone who’s walked past a radio. \u003c/span\u003e[\u003cspan\u003eIan Fitchuk\u003c/span\u003e](https://grammy.com/artists/ian-fitchuk/243238)\u003cspan\u003e’s resume stretches from country gold to woozy pop delight, and \u003c/span\u003e[\u003cspan\u003eAlissia\u003c/span\u003e](https://grammy.com/artists/alissia/51562)\u003cspan\u003e put a stamp on a lush, disco-tinged brand of R\u0026amp;B. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the nominees below and read the \u003c/span\u003e[\u003cspan\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e ahead of Music's Biggest Night on\u003c/span\u003e **\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e\u003cspan\u003e.\u003c/span\u003e** \n\n## **\u003cspan\u003eAlissia\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"\"Is It Worth It\"- Rae Khalil [producer oty 2025 nominees]","deliveryId":"95c86e35-80e1-4020-b2ff-3e31a097597e"},"videoUrl":"https://www.youtube.com/watch?v=xp3QRPpnpns"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMY Nominations: Producer Of The Year body 2","deliveryId":"a4c3e01a-54d6-4927-9e83-eba5a655585f"},"bodyText":{"richText":"\u003cspan\u003eAfter obsessing over Motown, Parliament Funkadelic, \u003c/span\u003e[\u003cspan\u003ePrince\u003c/span\u003e](https://grammy.com/artists/prince/5675)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eJames Brown\u003c/span\u003e](https://grammy.com/artists/james-brown/819)\u003cspan\u003e as a young person, Alissia took up the bass and started to commit herself fully to a life in music. \"I was a big funk-head, ‘70s funk,\" she told \u003c/span\u003e[\u003cspan\u003eSweetwater\u003c/span\u003e](https://www.youtube.com/watch?v=WGmnEy--7Wo)\u003cspan\u003e. \"I was kind of like a sponge…I was a big nerd and wanted to learn how to arrange for a big band and orchestra.\" \u003c/span\u003e\n\n\u003cspan\u003eTranslating that love into actual work with none other than \u003c/span\u003e[\u003cspan\u003eBootsy Collins\u003c/span\u003e](https://grammy.com/artists/bootsy-collins/8003)\u003cspan\u003e, then, must have elevated Alissia into some level of funk heaven. Since then, Alissia has continued to evolve her grooves and style, working with artists ranging from \u003c/span\u003e[\u003cspan\u003eAnderson .Paak\u003c/span\u003e](https://grammy.com/artists/anderson-paak/19926)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e, to \u003c/span\u003e[\u003cspan\u003eNile Rodgers\u003c/span\u003e](https://grammy.com/artists/nile-rodgers/15233)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eMary J. Blige\u003c/span\u003e](https://grammy.com/artists/mary-j-blige/779)\u003cspan\u003e. In 2024, that interstellar journey culminated in an impressive swathe of releases in soul, R\u0026amp;B, and funk.\u003c/span\u003e\n\n\u003cspan\u003eTake, for example, the sublime \"Is It Worth It\", a slippery groove that elevates Rae Khalil’s smoke-laced voice to obscene extremes. Or \u003c/span\u003e[\u003cspan\u003e\"Love Takeover\"\u003c/span\u003e](https://www.youtube.com/watch?v=a-cL5Gv8oCc\u0026pp=ygUVTG92ZSBUYWtlb3ZlcuKAnSBsaW9u)\u003cspan\u003e from R\u0026amp;B duo Lion Babe, a track that could single-handedly transport an entire dancefloor back to the heights of the disco era while retaining a modernist bass flow. \u003c/span\u003e\n\n\u003cspan\u003eThe Swiss-born, New York-based producer’s soulful niche has also found a match in a pair of Chicago artists. Alissia produced the opening track to Jamila Woods’ \u003c/span\u003e*\u003cspan\u003eWater Made Us\u003c/span\u003e*\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003e\"Bugs\"\u003c/span\u003e](https://www.youtube.com/watch?v=aXsYUI8Wqko)\u003cspan\u003e gives a nostalgic and sensuous tone to the poet/vocalist’s lilting voice. Alissia’s hard-thumping rhythms also lift up \u003c/span\u003e[\u003cspan\u003eBJ the Chicago Kid\u003c/span\u003e](https://grammy.com/artists/bj-chicago-kid/18321)\u003cspan\u003e, giving a new energy to his regal voice. \u003c/span\u003e\n\n\u003cspan\u003eWhether DJing, playing bass, or working behind the board, Alissia finds a lithe, effortless cool that’s downright infectious. \"To me, what makes a great record is when you did it from your heart. You really felt it, it wasn't forced or anything, it was genuine, you made it with love,\" she told \u003c/span\u003e[\u003cspan\u003eGRAMMY.com\u003c/span\u003e](https://www.youtube.com/watch?app=desktop\u0026v=QCUs8cEa6D0)\u003cspan\u003e. \"Music is feelings. There's no competition. eVerybody has something different to bring to the table.\"\u003c/span\u003e\n\n**\u003cspan\u003eWatch:\u003c/span\u003e** [\u003cspan\u003eBehind The Board: Alissia On Working With Bootsy Collins, Learning From Anderson .Paak \u0026amp; What Makes A Great Record\u003c/span\u003e](https://www.grammy.com/news/behind-the-board-alissia-benveniste-working-bootsy-collins-learning-from-anderson-paak)\n\n## **\u003cspan\u003eDernst \"D’Mile\" Emile II\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Lucky Daye - thank you [2025 producer oty nominees]","deliveryId":"d9adab04-7837-4bf3-bbe8-72f5b1e20136"},"videoUrl":"https://www.youtube.com/watch?v=ugFKFWhsoZA"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMY Nominations: Producer Of The Year body 3","deliveryId":"64d02350-8f5d-4905-a84b-c64782567ef3"},"bodyText":{"richText":"\u003cspan\u003eWith \u003c/span\u003e[\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://grammy.com/artists/jack-antonoff/248)\u003cspan\u003e out of the running after three wins in a row in this category, Dernst Emile II, a.k.a. R\u0026amp;B/hip-hop producer D’Mile, hopes that he can take his turn at the top. And thanks to some incredible work with a coterie of smooth eccentrics, this could well be his time.\u003c/span\u003e\n\n\u003cspan\u003eOver the past few years, D’mile has helped usher a lux, live brand of vintage R\u0026amp;B to the fore, resulting in his becoming the first person to net back-to-back Song Of The Year awards for \u003c/span\u003e[\u003cspan\u003eH.E.R.\u003c/span\u003e](https://www.grammy.com/artists/her/243298)\u003cspan\u003e's \"I Can't Breathe\" and \u003c/span\u003e[\u003cspan\u003eSilk Sonic\u003c/span\u003e](https://grammy.com/artists/Silk-Sonic/38634)\u003cspan\u003e's \"Leave the Door Open,\" not to mention recognition for his work with the likes of Victoria Monet and Mary J. Blige.\u003c/span\u003e\n\n\u003cspan\u003eD’mile’s soulful penchant for fusion brought the best out of a wide variety of artists. From bringing a reeling jig to Koe Wetzel’s \u003c/span\u003e[\u003cspan\u003e\"Bar Song\"\u003c/span\u003e](https://www.youtube.com/watch?v=ZBAIVDe06GQ\u0026pp=ygUaS29lIFdldHplbOKAmXMgIkJhciBTb25nIiA%3D)\u003cspan\u003e to putting a sepia glow on \u003c/span\u003e[\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611)\u003cspan\u003e and Bruno Mars’ duet \u003c/span\u003e[\u003cspan\u003e\"Die With a Smile,\"\u003c/span\u003e](https://www.youtube.com/watch?v=kPa7bsKwL-c\u0026pp=ygUTIkRpZSBXaXRoIGEgU21pbGUsIg%3D%3D)\u003cspan\u003e this year found D’mile pushing his already expansive boundaries. At the same time, he knew exactly how to pull the best out of styles that hit closer to home, like the Prince-adjacent funk of \u003c/span\u003e[\u003cspan\u003eUsher\u003c/span\u003e](https://grammy.com/artists/usher/16167)\u003cspan\u003e’s \u003c/span\u003e[\u003cspan\u003e\"I Love U\"\u003c/span\u003e](https://www.youtube.com/watch?v=tWKSI3pgf_Y\u0026pp=ygURIkkgTG92ZSBVIiAgdXNoZXI%3D)\u003cspan\u003e and the swanky throwback \"That’s You\" from \u003c/span\u003e[\u003cspan\u003eLucky Daye\u003c/span\u003e](https://grammy.com/artists/david-brown/251887)\u003cspan\u003e (an artist with whom D’mile has already had success, gaining gold for his work on 2022’s Best Progressive R\u0026amp;B Album, \u003c/span\u003e*\u003cspan\u003eTable for Two\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eThere’s something so natural about a D’mile track — and that seems to be by design. \"It’s like when you cook, you got to make the right concoction and make sure the love is in it,\" he told \u003c/span\u003e*[\u003cspan\u003eVibe\u003c/span\u003e](https://www.vibe.com/lists/dmile-interview-outtakes/d-mile-interview-love-songs/)*\u003cspan\u003e. \"Can you explain what you just did? No. You just threw stuff in the pot.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Brooklynite has already notched six GRAMMY wins and an Academy Award, and that’s nothing to sneeze at. But on his third run at Producer Of The Year, Non-Classical, D'Mile is surely ready to finally take the award home. And if this pace continues, there’s no reason to doubt that he could go on his own three-year streak. \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003e5 Essential D'Mile Productions: Silk Sonic, Victoria Monét, \u0026amp; Others\u003c/span\u003e](https://www.grammy.com/news/5-essential-productions-by-d-mile-silk-sonic-her)\n\n## **\u003cspan\u003eIan Fitchuk\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Beyonce - Amen","deliveryId":"8f311a00-6ce0-42ee-a772-900c16f09bbc"},"videoUrl":"https://www.youtube.com/watch?v=Nx3WuoxlvcM"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMY Nominations: Producer Of The Year body 4","deliveryId":"79a13b78-8cc3-4d6d-a2fc-b93c57b85d00"},"bodyText":{"richText":"\u003cspan\u003eWhen \u003c/span\u003e[\u003cspan\u003eKacey Musgraves\u003c/span\u003e](https://grammy.com/artists/kacey-musgraves/18025)\u003cspan\u003e took home the GRAMMY Award for Best Country Album in 2019 for \u003c/span\u003e*\u003cspan\u003eGolden Hour\u003c/span\u003e*\u003cspan\u003e, she made sure to bring Ian Fitchuk onto the stage and to give him a shoutout. The Chicago-born, Nashville-based musician co-produced the record and played a variety of instruments across its 13 tracks — helping Musgraves unlock the truest expression of her version of country music to date. \u003c/span\u003e\n\n\u003cspan\u003eThis year, Fitchuk nabbed a nomination for Producer Of The Year, Non-Classical in part for his work on Musgraves’ latest, the dazzling \u003c/span\u003e*[\u003cspan\u003eDeeper Well\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_kxZB9ZBqP98R9va9KdUywh0eMUk5B-wkU\u0026si=m9LEQ9D6gxAPkezN)*\u003cspan\u003e. Speaking of helping shape unique perspectives on country, Fitchuk’s year also featured a spot on the writing and production team for \"Amen\" on \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e’s \u003c/span\u003e*\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e. \"I had the crazy idea of, ‘What if we got Beyoncé on a song \\[with Kacey Musgraves\\]?\" he \u003c/span\u003e[\u003cspan\u003erecalled in an interview with \u003c/span\u003e](https://www.vulture.com/article/producer-cowboy-carter-kacey-musgraves-ian-fitchuk.html)*[\u003cspan\u003eVulture\u003c/span\u003e](https://www.vulture.com/article/producer-cowboy-carter-kacey-musgraves-ian-fitchuk.html)*\u003cspan\u003e. While that track may never be finished, the process led to Fitchuk getting a call when Queen B was prepping her country record.\u003c/span\u003e\n\n\u003cspan\u003eAnother high-profile hit in Fitchuk's catalog comes via co-write on the ecstatic \u003c/span\u003e[\u003cspan\u003e\"Silk Chiffon,\"\u003c/span\u003e](https://www.youtube.com/watch?v=fhyk9rchC2c\u0026pp=ygUOIlNpbGsgQ2hpZmZvbiI%3D)\u003cspan\u003e the queer anthem from MUNA featuring \u003c/span\u003e[\u003cspan\u003ePhoebe Bridgers\u003c/span\u003e](https://grammy.com/artists/phoebe-bridgers/287153)\u003cspan\u003e, as well as producing the multimillion-streamed \u003c/span\u003e[\u003cspan\u003e\"Until I Found You\"\u003c/span\u003e](https://www.youtube.com/watch?v=GxldQ9eX2wo\u0026pp=ygUmIlVudGlsIEkgRm91bmQgWW91IiBieSBTdGVwaGVuIFNhbmNoZXo%3D)\u003cspan\u003e by \u003c/span\u003e[\u003cspan\u003eStephen Sanchez\u003c/span\u003e](https://grammy.com/news/stephen-sanchez-tour-until-i-found-you-interview-evangeline-elton-john)\u003cspan\u003e. This year’s Pr nomination is powered in part by Fitchuk’s role as producer for the album that spawned that latter hit, a debut that radiates vintage AM glow. Fitchuk's big year also featured work with the likes of \u003c/span\u003e[\u003cspan\u003eMaggie Rogers\u003c/span\u003e](https://grammy.com/artists/maggie-rogers/251991)\u003cspan\u003e, Still Woozy, and Role Model, not to mention working with Musgraves and \u003c/span\u003e[\u003cspan\u003eLeon Bridges\u003c/span\u003e](https://grammy.com/artists/leon-bridges/18920)\u003cspan\u003e on their contributions to an album of music inspired by the film \u003c/span\u003e*[\u003cspan\u003eBob Marley: One Love\u003c/span\u003e](https://grammy.com/news/bob-marley-one-love-biopic-takeaways)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThat diverse list of artists belies Fitchuk’s greatest strength: a willingness to experiment with country tropes while respecting the genre’s history. \"I think ‘What is country music?’ is an exhausting question,\" he told \u003c/span\u003e*\u003cspan\u003eVulture\u003c/span\u003e*\u003cspan\u003e. \"I’m down to be making all different kinds of versions of whatever anybody thinks country music is. Because I didn’t grow up with it, by me fucking with it in any way, it’s going to be its own thing.\"\u003c/span\u003e\n\n**\u003cspan\u003eWatch:\u003c/span\u003e** [\u003cspan\u003eKacey Musgraves Wins Best Country Album For 'Golden Hour' | 2019 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/kacey-musgraves-wins-best-country-album-golden-hour-2019-grammys)\n\n## **\u003cspan\u003eMustard\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Mustard- Faith Of A Mustard seed full album [2025 producer oty nominees]","deliveryId":"0e14a769-4890-4115-b4cd-22ba0561faab"},"videoUrl":"https://youtube.com/playlist?list=OLAK5uy_ncw0w3YklGqe_-n2Uq6W7U0Snx6uGKEw8\u0026si=X4gJ-YxqTpk3oy-t"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMY Nominations: Producer Of The Year body 5","deliveryId":"3cadc4a8-a6dd-4404-8a49-a518cce5129a"},"bodyText":{"richText":"\u003cspan\u003eWhen an artist decides to play one of the tracks that you produced not once, not twice, not three times, heck not even four times, but \u003c/span\u003e*[\u003cspan\u003efive times in a row\u003c/span\u003e](https://www.billboard.com/music/rb-hip-hop/kendrick-lamar-performs-not-like-us-five-times-la-show-1235714258/)*\u003cspan\u003e at a prominent concert, you know you’ve done something right. R\u0026amp;B hitmaker Mustard has plenty of absolute smash hits in his catalog, but perhaps nothing in that long line matches \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e’s \"Not Like Us\" in terms of inescapability and being in the absolute epicenter of not just the rap world but the entire pop culture conversation.\u003c/span\u003e\n\n\u003cspan\u003eA relatively mellow character when it comes to long-tenured hitmakers, Mustard seems to be reveling in the moment. \"I never look for validation from anybody in the music industry. But do I feel accomplished? Yeah,\" he told \u003c/span\u003e*[\u003cspan\u003eXXL\u003c/span\u003e](https://www.xxlmag.com/mustard-kendrick-lamar-not-like-us-beat/)*\u003cspan\u003e. \"I feel really good about what this did. And I do feel like it should make people respect who I am.\"\u003c/span\u003e\n\n\u003cspan\u003eMustard’s been at the top of the game for more than a decade, as far back as \"Rack City\" in 2011, the \"Mustard on the beat\" tag one of those constants on rap radio and favorites of deep cut fans alike. As a producer, he’s hit the charts with everyone from \u003c/span\u003e[\u003cspan\u003eBig Sean\u003c/span\u003e](https://grammy.com/artists/big-sean/355)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRihanna\u003c/span\u003e](https://grammy.com/artists/rihanna/5943)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003e2 Chainz\u003c/span\u003e](https://grammy.com/artists/tauheed-epps/7645)\u003cspan\u003e, to \u003c/span\u003e[\u003cspan\u003eFergie\u003c/span\u003e](https://grammy.com/artists/fergie/2534)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eYoung Jeezy\u003c/span\u003e](https://grammy.com/artists/young-jeezy/7109)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eTinashe\u003c/span\u003e](https://grammy.com/news/tinashe-songs-collaborations-videos-new-album-quantum-baby)\u003cspan\u003e. But Mustard’s got hits of his own as well, like the Roddy Rich-featuring \"High Fashion\" and \"Ballin'\", as well as \"Pure Water\" with \u003c/span\u003e[\u003cspan\u003eMigos\u003c/span\u003e](https://grammy.com/artists/migos/189136)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThis year, his nomination of course comes in part thanks to \u003c/span\u003e[\u003cspan\u003e\"Not Like Us,\"\u003c/span\u003e](https://www.youtube.com/watch?v=H58vbez_m4E)\u003cspan\u003e but also to his razor-sharp solo record, \u003c/span\u003e*\u003cspan\u003eFaith of a Mustard Seed.\u003c/span\u003e* \u003cspan\u003eThe album features Mustard's trademark beats, but stretches out in its click-snap percussion, well-deep bass, twitchy samples, and lux synths. Album highlight \"Parking Lot\" deserves extra attention, \u003c/span\u003e[\u003cspan\u003eTravis Scott\u003c/span\u003e](https://grammy.com/artists/travis-scott/24827)\u003cspan\u003e’s rippling AutoTune floating over the top of a glittering hi-hat and particularly rubbery bass line. \u003c/span\u003e\n\n\u003cspan\u003e\"I've been behind the boards and the beats so long that nobody's ever heard my side of things,\" Mustard recently told \u003c/span\u003e[\u003cspan\u003eREAL 92.3 radio in Los Angeles\u003c/span\u003e](https://www.youtube.com/watch?v=8sgPneVmkko)\u003cspan\u003e. \"I owe it to my fans to let you guys know where I've been the last five years, what's been going on in my life.\" And as bigger and bigger things keep happening, one has to assume that the production will just keep getting bigger as well.\u003c/span\u003e\n\n**\u003cspan\u003eWatch:\u003c/span\u003e** [\u003cspan\u003eWhere Do You Keep Your GRAMMY? | Mustard\u003c/span\u003e](https://www.grammy.com/news/where-do-you-keep-your-grammy-mustard)\n\n## **\u003cspan\u003eDaniel Nigro\u003c/span\u003e**"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Olivia Rodrigo - so american","deliveryId":"fa28c912-262b-4b47-af12-25a9159b77d7"},"videoUrl":"https://www.youtube.com/watch?v=W-PGNyhmSKA"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMY Nominations: Producer Of The Year body 6","deliveryId":"2854cca9-c1ad-4606-a838-7f69a891b60b"},"bodyText":{"richText":"\u003cspan\u003eSome of the fans in their native Long Island, New York may have looked at Tall As Lions and seen GRAMMYs in their future. And while their work never reached that height, those fans wouldn’t be wrong, as frontman Daniel Nigro has racked up eight nominations, including a win for Best Pop Vocal Album for his work on \u003c/span\u003e[\u003cspan\u003eOlivia Rodrigo\u003c/span\u003e](https://grammy.com/artists/Olivia-Rodrigo/38411)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eSour\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eIn 2023, \u003c/span\u003e*[\u003cspan\u003eGuts \u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_ldvkda_TXNkemSOhB9iYIt5nUWjkTQwIA\u0026si=feJWEgBRMcFMCAaL)*\u003cspan\u003eproved a worthy successor to that record — and tracks from the deluxe \u003c/span\u003e*\u003cspan\u003eSpilled\u003c/span\u003e* \u003cspan\u003eedition helped power Nigro to his second straight nomination for Producer Of The Year, Non-Classical. The teen pop star is a powerhouse in her own right, but Nigro’s production has helped Rodrigo evolve and find new ways to share her emotionally salient, raw lyrics. \u003c/span\u003e\n\n\u003cspan\u003e\"To me, there's so much nuance in between what makes a song good — like if it's one little part that makes it special and nurturing that to make it bigger,\" Nigro \u003c/span\u003e[\u003cspan\u003etold GRAMMY.com\u003c/span\u003e](https://www.grammy.com/news/dan-nigro-interview-olivia-rodrigo-producer-of-the-year-2024-grammys)\u003cspan\u003e earlier this year. \"I think that's what I bring to the table; helping these artists see their vision and seeing if we as a group find something special in a song.\"\u003c/span\u003e\n\n\u003cspan\u003eThough of course one of the biggest stories of the year is Chappell Roan, the esoteric dark pop genius behind \u003c/span\u003e*[\u003cspan\u003eThe Rise and Fall of a Midwest Princess \u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_kkVDoZ2rx0HswFBxBTiLvPJjOG3c1qIIM\u0026si=Iy9G2phVABrtB17j)*\u003cspan\u003e— and that record on its own could position Nigro in good standing for a big GRAMMY win. Much akin to Rodrigo’s gold-gathering albums, that record thrives on open-hearted lyrics and massive hooks, with Nigro aiding the live energy.\u003c/span\u003e\n\n\u003cspan\u003eWhile for some, the \"Pink Pony Club\" auteur came out of nowhere, Nigro has been a long-time Roan supporter and collaborator, the two having worked together for more than half a decade. In fact, when Roan was dropped from Atlantic Records, Nigro decided he'd sign her to his own label so that her creative vision could come fully to fruition. \"\\[I feel a\\] deep sense of fulfillment,\" he told \u003c/span\u003e*[\u003cspan\u003eFast Company\u003c/span\u003e](https://www.fastcompany.com/91148805/chappell-roan-and-olivia-rodrigo-producer-daniel-nigro-on-the-secret-to-overnight-success)*\u003cspan\u003e. \"I wanted nothing more than for people to listen to Chappell. I’ve been shouting it from a mountain for years — ‘Please listen to this, I promise!’\"\u003c/span\u003e\n\n**\u003cspan\u003eRead more: \u003c/span\u003e**[\u003cspan\u003eThe Genius Of Dan Nigro: The Producer Of The Year Nominee On Olivia Rodrigo's 'GUTS' \u0026amp; Why His Success \"Doesn't Feel Real\"\u003c/span\u003e](https://www.grammy.com/news/dan-nigro-interview-olivia-rodrigo-producer-of-the-year-2024-grammys)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed - Pop Music","deliveryId":"20f533b6-01af-4974-bf59-aca45396b3ae"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Pop","pop music"],"contentGenre":"Pop"},"title":"The Latest Pop Music News \u0026 Releases"}],"hero":{"_meta":{"name":"2025 GRAMMYs Nominees: Producer Of The Year hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"252a694d-c4db-4ebf-8c99-e0a96957d2be","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Country","Rap","Alternative"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Producer Of The Year","Alissia Benveniste","D'Mile","Ian Fitchuk","mustard"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731098992812,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Producer Of The Year Nominees","shortTitle":"2025 GRAMMYs Nominees: Producer Of The Year","subHeadline":"Producers Alissia, Dernst \"D'Mile\" Emile II, Ian Fitchuk, Mustard and Daniel Nigro made this year shine with powerful contributions to the world of pop, country and hip-hop.","articleSummary":"The nominees for Producer Of The Year at the 67th GRAMMY Awards have made powerful contributions to the world of pop, country and hip-hop. Read on for how Alissia, Dernst \"D'Mile\" Emile II, Ian Fitchuk, Mustard, and Daniel Nigro made this year shine.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Nominees: Producer Of The Year hero","deliveryId":"252a694d-c4db-4ebf-8c99-e0a96957d2be"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"producer-of-the-year-hero-updated","id":"ed3b3558-2cec-4748-a524-8b8bb55cc736","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["2025 GRAMMYs"],"title":"2025 GRAMMYs Nominees: Producer Of The Year","shortTitle":"2025 GRAMMYs Nominees: Producer Of The Year","imgAlt":"2025 GRAMMYs Nominees for Producer Of The Year Alissia, Ian Fitchuk, Dernst \"D'Mile\" Emile II, Daniel Nigro and Mustard in collage","imgTitle":"2025 GRAMMYs Nominees: Producer Of The Year","link":"/","captionValue":"(From left) Alissia, Ian Fitchuk, Dernst \"D'Mile\" Emile II, Daniel Nigro and Mustard","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.66633018493652,"y":0.34522016737196}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs Nominations: Songwriter Of The Year Nominees","deliveryKey":"news/2025-grammys-nominations-songwriter-of-the-year-non-classical","deliveryId":"6b489b23-5849-48fb-bbbd-44e2f95d163a"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - 2025 SWOTY Nominees","deliveryId":"19ac9d15-19c9-4423-9625-1ff71b76338b"},"bodyText":{"richText":"\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003e2025 GRAMMY nominations\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-facts-new-records-history) \u003cspan\u003eare here! One of the first categories announced on Nov. 8 was Songwriter Of The Year, Non-Classical, wth\u003c/span\u003e [\u003cspan\u003eJessi Alexander\u003c/span\u003e](https://grammy.com/artists/jessi-alexander/17732)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eAmy Allen\u003c/span\u003e](https://grammy.com/artists/Amy-Allen/37881)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eEdgar Barrera\u003c/span\u003e](https://grammy.com/artists/edgar-barrera/18854)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e](https://grammy.com/artists/jessie-jo-dillon/9526) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eRAYE\u003c/span\u003e](https://www.grammy.com/series-or-collection/it-goes-to-11-videos-grammys/raye-songwriting-notebook) \u003cspan\u003eeach scoring a nomination to round out this year's crop of nominees.\u003c/span\u003e\n\n\u003cspan\u003eLast year, \u003c/span\u003e[\u003cspan\u003eTheron Thomas\u003c/span\u003e](https://grammy.com/artists/Theron-Thomas/38509)\u003cspan\u003e took home the golden gramophone for his work writing with the likes of \u003c/span\u003e[\u003cspan\u003eTyla\u003c/span\u003e](https://grammy.com/artists/tyla/54172)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eChlöe\u003c/span\u003e](https://grammy.com/artists/chloe-bailey/243130)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLil Durk\u003c/span\u003e](https://grammy.com/artists/Durk-Banks/35965)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCordae\u003c/span\u003e](https://grammy.com/artists/ybn-cordae/252067)\u003cspan\u003e, and more. Last year also marked the award for songwriting being moved to the General Field after being introduced as a new Category in 2023.\u003c/span\u003e\n\n\u003cspan\u003eThis year's nominees represent songwriting excellence across a wide array of genres, using their talents to pen acclaimed and fan-loved songs in the realms of pop, Latin, R\u0026amp;B, Afrobeats, and beyond. They've helped superstars like \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003ePost Malone\u003c/span\u003e](https://grammy.com/artists/post-malone/243389)\u003cspan\u003e make their \u003c/span\u003e[\u003cspan\u003emark on country music\u003c/span\u003e](https://grammy.com/news/beyonce-cowboy-carter-genres-beyond-country-opera-hip-hop-blues-gospel-folk)\u003cspan\u003e, helped introduce a \u003c/span\u003e[\u003cspan\u003enew generation of pop stars\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)\u003cspan\u003e into the zeitgeist, and two nominees even pulled double duty by penning hits for their contemporaries on top of releasing their own albums.\u003c/span\u003e\n\n\u003cspan\u003eCheck out the nominees below and read the\u003c/span\u003e [\u003cspan\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) \u003cspan\u003eahead of Music's Biggest Night on\u003c/span\u003e \u003cspan\u003eSunday, Feb. 2, 2025.\u003c/span\u003e\n\n## Jessi Alexander"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Luke Combs Ain't No Love in Oklahoma","deliveryId":"19401e02-bc8b-436d-96ca-3fdf4ae3d73d"},"videoUrl":"https://www.youtube.com/watch?v=J6YlaeACE4E"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - 2025 SWOTY","deliveryId":"80c8f466-71e9-44fc-83c2-eb1a9276197a"},"bodyText":{"richText":"\u003cspan\u003eJessi Alexander began her career in Nashville as a country artist, releasing her major label debut,\u003c/span\u003e *\u003cspan\u003eHoneysuckle Sweet\u003c/span\u003e*\u003cspan\u003e, via Columbia Records in 2005. Since then, she's released two more solo albums — 2014's\u003c/span\u003e *\u003cspan\u003eDown Home\u003c/span\u003e* \u003cspan\u003eand\u003c/span\u003e *\u003cspan\u003e2020's Decatur County Red\u003c/span\u003e* \u003cspan\u003e— independently while racking up hits as a songwriter.\u003c/span\u003e\n\n\u003cspan\u003eIn 2009, she wrote \u003c/span\u003e[\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan\u003e' watershed power ballad \"The Climb\" with collaborator Jon Mabe, and five years later earned dual nominations for Best Country Song at the 2014 GRAMMYs for penning \u003c/span\u003e[\u003cspan\u003eLee Brice\u003c/span\u003e](https://grammy.com/artists/lee-brice/17772)\u003cspan\u003e's \"I Drive Your Truck\" and \u003c/span\u003e[\u003cspan\u003eBlake Shelton\u003c/span\u003e](https://grammy.com/artists/blake-shelton/6179)\u003cspan\u003e's \"Mine Would Be You\" — both of which reached the Top 10 on Billboard's Hot Country Songs chart and went No. 1 at country radio.\u003c/span\u003e\n\n\u003cspan\u003eThroughout 2024, Alexander has been a trusted co-writer for many a country superstar, co-writing Dustin Lynch and \u003c/span\u003e[\u003cspan\u003eJelly Roll\u003c/span\u003e](https://grammy.com/artists/jelly-roll/54236)\u003cspan\u003e's hit duet \"Chevrolet\" and working with \u003c/span\u003e[\u003cspan\u003eLuke Combs\u003c/span\u003e](https://grammy.com/artists/luke-combs/243187)\u003cspan\u003e across multiple projects including his fifth album, \u003c/span\u003e*\u003cspan\u003eFathers \u0026amp; Sons\u003c/span\u003e*\u003cspan\u003e (\"Remember Him That Way,\" \"All I Ever Do Is Leave\"). She's also a co-writer on Combs' \"Ain't No Love in Oklahoma,\" the seven-time GRAMMY nominee's contribution to \u003c/span\u003e*\u003cspan\u003eTwisters: The Album\u003c/span\u003e*\u003cspan\u003e that earned Alexander another GRAMMY nomination this year, for Best Song Written For Visual Media. \u003c/span\u003e\n\n\u003cspan\u003eWhat's more, Alexander crossed paths with fellow Songwriter Of The Year nominee Jessie Jo Dillon on\u003c/span\u003e [\u003cspan\u003eMegan Moroney\u003c/span\u003e](https://grammy.com/news/megan-moroney-tennessee-orange-lucky-tour-big-year-interview)\u003cspan\u003e's sophomore album,\u003c/span\u003e *\u003cspan\u003eAm I Okay?\u003c/span\u003e* \u003cspan\u003eThe two women wrote multiple tracks together on the studio set, including \"No Caller ID,\" \"Noah\" and bonus cut \"Bless Your Heart.\"\u003c/span\u003e\n\n## Amy Allen"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"(Please Please Please) What We Know About Sabrina Carpenter's New LP - YT Embed","deliveryId":"6fbbace7-e4bd-46b1-999a-8b6296f6844b"},"videoUrl":"https://youtu.be/cF1Na4AIecM?si=U_x-ooEt5UiCghak"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - 2025 SWOTY","deliveryId":"b6b58262-a5ba-454a-a8df-11862d33ab7f"},"bodyText":{"richText":"[\u003cspan\u003eAmy Allen\u003c/span\u003e](https://grammy.com/news/amy-allen-songwriter-sabrina-carpenter-songs-harry-styles-debut-album-test2)\u003cspan\u003e's name has been synonymous with top-tier pop music for more than half a decade, ever since she started writing chart-topping hits with\u003c/span\u003e [\u003cspan\u003eHalsey\u003c/span\u003e](https://grammy.com/artists/halsey/19756) \u003cspan\u003e(\"Without You\"),\u003c/span\u003e [\u003cspan\u003eSelena Gomez\u003c/span\u003e](https://grammy.com/artists/Selena-Gomez/38106) \u003cspan\u003e(\"Back to You\") and\u003c/span\u003e [\u003cspan\u003eHarry Styles\u003c/span\u003e](https://grammy.com/artists/harry-styles/287522) \u003cspan\u003e(\"Adore You\") at the end of the 2010s.\u003c/span\u003e\n\n\u003cspan\u003eThis year marks Allen's second nomination for Songwriter Of The Year, Non-Classical. The small-town Maine native and Berkelee College of Music graduate was one of the inaugural nominees in the category in 2023 — the same year she took home her first GRAMMY when Styles' \u003c/span\u003e*\u003cspan\u003eHarry's House\u003c/span\u003e*\u003cspan\u003e won Album Of The Year. \u003c/span\u003e\n\n\u003cspan\u003eAllen's career as a go-to pop songwriter reached new heights in 2024. She's been a longtime collaborator of \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\u003cspan\u003e, and helped the doe-eyed pop chanteuse pen every track on her No. 1 (and now GRAMMY-nominated) album \u003c/span\u003e*\u003cspan\u003eShort n' Sweet\u003c/span\u003e*\u003cspan\u003e, including smash singles \"Espresso,\" \"Please Please Please\" and \"Taste.\" (\"Amy is a once-in-a-lifetime writer and friend — it all comes to her very naturally and effortlessly,\" Carpenter recently gushed to \u003c/span\u003e*[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2024/music/news/amy-allen-songwriter-espresso-greedy-feather-hits-1236001227/)*\u003cspan\u003e in a May profile of Allen. \"She's super versatile: She can wear any hat and yet it still feels authentic. I've learned a lot from her and admire what an incredible collaborator she is.\")\u003c/span\u003e\n\n\u003cspan\u003eIn addition to her meteoric partnership with Carpenter, Allen has also played a role in \u003c/span\u003e[\u003cspan\u003eTate McRae\u003c/span\u003e](https://grammy.com/news/tate-mcrae-greedy-think-later-tour-big-year-interview)\u003cspan\u003e's career as a pop superstar on the rise, penning \"run for the hills\" as well as last year's breakout hit \"greedy.\" \u003c/span\u003e\n\n\u003cspan\u003eEarlier this fall, Allen also released her own self-titled debut solo album, \u003c/span\u003e*\u003cspan\u003eAmy Allen\u003c/span\u003e*\u003cspan\u003e. Her additional nominations at the 2025 GRAMMY Awards include nods for Song Of The Year for \"Please, Please, Please,\" Album Of The Year and Pop Vocal Album for \u003c/span\u003e*\u003cspan\u003eShort n' Sweet\u003c/span\u003e*\u003cspan\u003e, and Best Song Written For Visual Media for \u003c/span\u003e[\u003cspan\u003e\\*NSYNC\u003c/span\u003e](https://grammy.com/artists/nsync/8321)\u003cspan\u003e's \"Better Place\" from the animated feature \u003c/span\u003e*\u003cspan\u003eTrolls Band Together\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n## Edgar Barrera"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Karol G Si Antes Te Hubiera Conocido","deliveryId":"61545b72-94e2-4835-8f2a-ca944911eab9"},"videoUrl":"https://www.youtube.com/watch?v=MgsdDfdGdHc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4 - 2025 SWOTY","deliveryId":"f4a9c2a1-5e76-4a0c-91dc-b5c045b61e8d"},"bodyText":{"richText":"\u003cspan\u003eWith this year's nod, Edgar Barrera scores his second consecutive nomination for Songwriter Of The Year, Non-Classical after also being included in last year's pack of nominees. Also known under his moniker Edge, the songwriter remains a tectonic force in Latin music's ever-important place in the mainstream. As of 2023, Barrera has racked up 23 wins at the Latin GRAMMYs and once again leads this year's nominations with nine more nods at the upcoming Nov. 14 ceremony.\u003c/span\u003e\n\n\u003cspan\u003eIn the year since his first nomination in the Category, Barrera has penned Spanish-language hits for \u003c/span\u003e[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eGrupo Frontera\u003c/span\u003e](https://grammy.com/news/grupo-frontera-jugando-a-que-no-pasa-nada-new-album-interview)\u003cspan\u003e (\"(Entre Paréntesis)\"), \u003c/span\u003e[\u003cspan\u003eCamilo\u003c/span\u003e](https://grammy.com/artists/camilo/287164)\u003cspan\u003e (\"No Se Vale\"), \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)\u003cspan\u003e (\"Si Antes Te Hubiera Conocido\"), \u003c/span\u003e[\u003cspan\u003ePeso Pluma\u003c/span\u003e](https://grammy.com/artists/peso-pluma/54091)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eKenia Os\u003c/span\u003e](https://grammy.com/news/kenia-os-new-album-pink-aura-interview-feminine-energy-videos)\u003cspan\u003e (\"Tommy \u0026amp; Pamela\") and more. He's also contributed to multiple crossover duets on Carín León's 2024 album \u003c/span\u003e*\u003cspan\u003eBoca Chueca, Vol. 1\u003c/span\u003e* \u003cspan\u003ewith \u003c/span\u003e[\u003cspan\u003eKane Brown\u003c/span\u003e](https://grammy.com/news/kane-brown-different-man-new-album-interview-tour-drunk-or-dreaming)\u003cspan\u003e (\"The One (Pero No Como Yo)\") and \u003c/span\u003e[\u003cspan\u003eLeon Bridges\u003c/span\u003e](https://grammy.com/artists/leon-bridges/18920)\u003cspan\u003e (\"It Was Always You (Siempre Fuiste Tú),\" \u003c/span\u003e\n\n\u003cspan\u003eThis summer, Barrera added R\u0026amp;B to his sizable resume by working with \u003c/span\u003e[\u003cspan\u003eKhalid\u003c/span\u003e](https://grammy.com/artists/khalid/187821)\u003cspan\u003e on the crooner's long-awaited third studio album. The song Barrera co-wrote, \"Sincere,\" ultimately became the LP's title track, with Khalid telling Apple Music's Zane Lowe, \"It was a very difficult process in naming this album, because I had to find one name that fully…summed up what I felt in this music.\u003c/span\u003e\n\n\u003cspan\u003e\"And when I thought of the music,\" Khalid continued, \"I thought of it as my most vulnerable in a while… How do I view myself as an artist? What artist do I want to be? And that's what this album is: it's sincere.\"\u003c/span\u003e\n\n## Jessie Jo Dillon"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Megan Moroney Am I Okay","deliveryId":"b8d42360-7e00-4de2-a947-12f120a78dfb"},"videoUrl":"https://www.youtube.com/watch?v=P6BhKDR1RTo"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - 2025 SWOTY","deliveryId":"657cb9eb-6e75-4696-935c-57ca546ca01a"},"bodyText":{"richText":"\u003cspan\u003eJessie Jo Dillon joins Edgar Barrera as the other songwriter in this year's pack to earn back-to-back nominations for Songwriter of the Year, Non-Classical.\u003c/span\u003e\n\n\u003cspan\u003eAs the daughter of fellow songwriter \u003c/span\u003e[\u003cspan\u003eDean Dillon\u003c/span\u003e](https://grammy.com/artists/dean-dillon/9525)\u003cspan\u003e, the country progeny has music running through her veins. And much like how her father helped provide the soundtrack of '90s country through his work with \u003c/span\u003e[\u003cspan\u003eGeorge Strait\u003c/span\u003e](https://grammy.com/artists/george-strait/16096)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eToby Keith\u003c/span\u003e](https://grammy.com/artists/toby-keith/11658)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePam Tillis\u003c/span\u003e](https://grammy.com/artists/pam-tillis/6444)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eKenny Chesney\u003c/span\u003e](https://grammy.com/artists/kenny-chesney/12185)\u003cspan\u003e, the younger Dillon has had a hand in crafting the sound of modern country by penning tracks with \u003c/span\u003e[\u003cspan\u003eKeith Urban\u003c/span\u003e](https://grammy.com/artists/keith-urban/7015)\u003cspan\u003e (\"Messed Up As Me\"), Morgan Wallen (\"Lies Lies Lies\") and \u003c/span\u003e[\u003cspan\u003eKelsea Ballerini\u003c/span\u003e](https://grammy.com/artists/kelsea-ballerini/19558)\u003cspan\u003e (\"Sorry Mom\").\u003c/span\u003e\n\n\u003cspan\u003eThis year, she also helped Megan Moroney land her first Top 10 album on the Billboard 200 with the singer's sophomore studio effort\u003c/span\u003e *\u003cspan\u003eAm I Okay?\u003c/span\u003e* \u003cspan\u003e— co-writing the title track and three other songs on the standard version and another on the recently released deluxe edition — and worked with her dad to co-write \"Two Hearts,\" a bonus track on Post Malone's GRAMMY-nominated\u003c/span\u003e [\u003cspan\u003eswerve into country,\u003c/span\u003e](https://grammy.com/news/post-malone-country-album-f-1-trillion-sound-evolution) *[\u003cspan\u003eF-1 Trillion\u003c/span\u003e](https://grammy.com/news/post-malone-country-album-f-1-trillion-sound-evolution)*\u003cspan\u003e.\u003c/span\u003e\n\n## RAYE"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - NEIKED You're Hired feat. Ayra Starr","deliveryId":"b458e597-6a29-4aa4-913f-c45ff52b5443"},"videoUrl":"https://www.youtube.com/watch?v=euHQmzVyLdk"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - 2025 SWOTY","deliveryId":"122a4123-e871-4621-82ee-ab4e71789356"},"bodyText":{"richText":"\u003cspan\u003eIt's a fairly safe assertion to say that RAYE was already enjoying a banner year before the 2025 GRAMMY nominations were revealed. The British soul singer broke out in 2023 with her debut solo album,\u003c/span\u003e *\u003cspan\u003eMy 21st Century Blues\u003c/span\u003e*\u003cspan\u003e, with the independently released LP winning British Album Of The Year at the 2024 BRIT Awards. (RAYE also broke the record for most wins by an artist in a single year by taking home five other awards during the ceremony, including British Artist Of The Year and Song Of The Year for her viral single \"Escapism.\"\u003c/span\u003e\n\n\u003cspan\u003eHowever, the artist born Rachel Keen hasn't just focused on her own explosive career — in 2023, she collaborated with Hans Zimmer on sweeping single \"Mother Nature\" for the popular BBC nature series \"Planet Earth 3,\" narrated by Sir David Attenborough, and translated her talent to the world of Afrobeats by co-writing NEIKED's \"You're Hired\" featuring \u003c/span\u003e[\u003cspan\u003eAyra Starr\u003c/span\u003e](https://grammy.com/artists/ayra-starr/54144)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eMore recently, RAYE has lent her sharp, emotional songcraft to high-profile projects by superstars like Beyoncé (\"RIIVERDANCE\") and \u003c/span\u003e[\u003cspan\u003eJennifer Lopez\u003c/span\u003e](https://grammy.com/artists/jennifer-lopez/14846)\u003cspan\u003e (\"Dear Ben, Pt II\"), as well as working with the likes of \u003c/span\u003e[\u003cspan\u003eHalle\u003c/span\u003e](https://grammy.com/artists/halle-bailey/243131)\u003cspan\u003e (\"Because I Love You\") and Rita Ora (\"Ask \u0026amp; You Shall Receive\"). \u003c/span\u003e\n\n\u003cspan\u003eIn addition to her nod for Songwriter Of The Year, Non-Classical, RAYE is one of eight rising voices who make up this year's crop of\u003c/span\u003e [\u003cspan\u003eBest New Artist nominees\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist) \u003cspan\u003e— thereby becoming the first artist in GRAMMYs history to be nominated in both categories. She also earned a third nomination this year for Best Engineered Album, Non-Classical, for her contributions to\u003c/span\u003e [\u003cspan\u003eLucky Daye\u003c/span\u003e](https://grammy.com/artists/david-brown/251887)\u003cspan\u003e's\u003c/span\u003e *\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: R\u0026B","deliveryId":"73acfff5-ebf1-4f8c-983a-827067863145"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["R\u0026B"],"contentGenre":"R\u0026B"},"title":"More R\u0026B News"}],"hero":{"_meta":{"name":"Hero: 2025 SWOTY","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"a422aa44-6064-4be4-9288-77c8ca139f86","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Country","Rap","Alternative"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Songwriter Of The Year","Jessi Alexander","Jessie Jo Dillon","Edgar Barrera","RAYE","Amy Allen"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731102790232,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Songwriter Of The Year Nominees","shortTitle":"2025 GRAMMYs Nominees: Songwriter Of The Year","subHeadline":"Songwriters Jessi Alexander, Amy Allen, Edgar Barrera, Jessie Jo Dillon, and RAYE added their magic to some of the year's biggest songs in pop, Afrobeats and beyond.","articleSummary":"Songwriters Jessi Alexander, Amy Allen, Edgar Barrera, Jessie Jo Dillon, and RAYE added their magic to some of the year's biggest songs in pop, Latin, R\u0026B, Afrobeats, and beyond.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 SWOTY","deliveryId":"a422aa44-6064-4be4-9288-77c8ca139f86"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"songwriter-of-the-year-nominees-2025-grammys-hero_1644x925","id":"6a6e637b-7aea-4cbf-8c07-5139a4cd7fd7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["2025 GRAMMYs"],"title":"Songwriter Of The Year 2025 Nominees Hero","shortTitle":"Songwriter Of The Year 2025 Nominees Hero","imgAlt":"Songwriter Of The Year 2025 Nominees Hero","imgTitle":"Songwriter Of The Year 2025 Nominees Hero","link":"/","captionValue":"(L-R) Jessie Jo Dillon, Amy Allen, RAYE, Edgar Barrera, Jessi Alexander","captionSummary":"(L-R) Jessie Jo Dillon, Amy Allen, RAYE, Edgar Barrera, Jessi Alexander","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.4375,"y":0.38888888888889}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMY Nominations: See Shaboozey, Anitta, Teddy Swims \u0026 More Artists' Reactions","deliveryKey":"news/2025-grammys-nominees-social-media-reactions-nominations","deliveryId":"113c6a33-ccd2-4a9f-9d8a-60333654d5c2"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"4272b98e-b51c-49ed-a074-2fed35d5f93f"},"bodyText":{"richText":"\u003cspan\u003eThis morning, \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY nominations\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e were announced, sparking a wave of excitement for music fans everywhere!\u003c/span\u003e\n\n\u003cspan\u003eRight after the big announcement, nominated artists lit up social media with posts of joy and gratitude. The timeline quickly filled with celebration, from first-time Best New Artist nominees Shaboozey and Teddy Swims to shoutouts from hit-makers \u003c/span\u003e[\u003cspan\u003eAlissia\u003c/span\u003e](https://grammy.com/artists/alissia/51562)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGreen Day\u003c/span\u003e](https://grammy.com/artists/green-day/7433)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSt. Vincent\u003c/span\u003e](https://grammy.com/artists/st-vincent/18723)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eDive into the social media celebration posts, and catch up on the \u003c/span\u003e[\u003cspan\u003efull list of nominations\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e on the road to the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\u003cspan\u003e on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e at Crypto.com Arena in Los Angeles, broadcasting live on the CBS Television Network and streaming live and on demand on Paramount+. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"Tweet Embed - RA 2025 GRAMMY Nominations","deliveryId":"1170b997-7c71-4718-a660-81500f25531d"},"tweetId":"1855093290615328909"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"f51189c1-3208-413e-853f-d58a7070ee25"},"bodyText":{"richText":"[\u003cspan\u003eBest New Artist nominees\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eDoechii\u003c/span\u003e](https://www.grammy.com/news/5-emerging-artists-pushing-electronic-dance-music-forward-moore-kisment-shygirl-pink-pantheress-doechii)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-feather-eras-tour-interview-big-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://grammy.com/news/teddy-swims-ive-tried-everything-but-therapy-new-album-interview)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eRAYE\u003c/span\u003e](https://www.grammy.com/series-or-collection/it-goes-to-11-videos-grammys/raye-songwriting-notebook)\u003cspan\u003e all shared their heartfelt sentiment after being nominated:\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"TikTok Embed - Shaboozey Artist Reaction - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"6b047b24-7cb5-4867-aa32-ff1c80dbbdf3"},"postUrl":"https://www.tiktok.com/@shaboozey/video/7435029555246632223"},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"Sabrina Carpenter Artist Reaction - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"bdf8711e-768f-4310-8aba-45d2677f80b4"},"tweetId":"1855018331805565338"},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"Teddy Swims Artist Reaction - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"db8a416b-df45-407d-ae52-96044be475eb"},"tweetId":"1854965426989810098"},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"RAYE Artist Reaction - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"d5e04f3d-19f5-4267-82b8-d0933e6f5c2f"},"postUrl":"https://www.tiktok.com/@raye/video/7434960789015924001"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3 - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"eb9dd64f-002f-480e-9983-8d5d03051199"},"bodyText":{"richText":"\u003cspan\u003eBest Global Music nominee Matt B, nominated with featured performers Royal Philharmonic Orchestra for the album \u003c/span\u003e*\u003cspan\u003eALKEBULAN II\u003c/span\u003e*\u003cspan\u003e, jumped for joy at hearing news of the nomination.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"Matt B Artist Reaction - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"779245bd-f7be-4e79-8aa7-4b35893bd440"},"postUrl":"https://www.tiktok.com/@mattbworld/video/7434979489785974059"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4 - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"64022302-9252-430c-8be8-d35fe638e3ea"},"bodyText":{"richText":"\u003cspan\u003eBrazilian artist \u003c/span\u003e[\u003cspan\u003eAnitta\u003c/span\u003e](https://www.grammy.com/artists/anitta/51568)\u003cspan\u003e, nominated for Best Latin Pop Album for \u003c/span\u003e*[\u003cspan\u003eFunk Generation\u003c/span\u003e](https://www.grammy.com/news/anitta-funk-generation-new-album-interview-review)*\u003cspan\u003e, felt inspired to get up and groove upon learning of her second career GRAMMY nomination. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Anitta - Artist Reaction 2025 GRAMMY Nominations","deliveryId":"fdf97984-21c9-49ba-b060-83e1f06a5460"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DCHgVZ8Od4c/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCHgVZ8Od4c/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 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550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c/path\u003e\u003c/g\u003e\u003c/g\u003e\u003c/g\u003e\u003c/svg\u003e\u003c/div\u003e\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCHgVZ8Od4c/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Anitta 🎤 (@anitta)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5 - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"208febb7-7737-48ab-b2c2-98f8da61090a"},"bodyText":{"richText":"\u003cspan\u003eHawaiian artist \u003c/span\u003e[\u003cspan\u003eKalani Pe'a\u003c/span\u003e](https://www.grammy.com/news/grammy-winning-singersongwriter-and-producer-kalani-pea-creating-music-your)\u003cspan\u003e, nominated for Best Regional Roots Music Album for \u003c/span\u003e*\u003cspan\u003eKuini\u003c/span\u003e*\u003cspan\u003e was moved to unbridled tears from deep gratitude: \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"Kalani Pe'a 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"3271c308-6f0c-475f-bb79-575c4dbf7822"},"tweetId":"1854974190065271124"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 6 - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"7485209a-8fec-43d0-9553-3b86acdbbf28"},"bodyText":{"richText":"\u003cspan\u003eSeveral more artists took to social to share more reactions to their nominations, including Scott Hoying, \u003c/span\u003e[\u003cspan\u003eMuni Long\u003c/span\u003e](https://grammy.com/artists/Priscilla-Priscilla-Renea-Hamilton/38121)\u003cspan\u003e, Troye Sivan, \u003c/span\u003e[\u003cspan\u003eCimafunk\u003c/span\u003e](https://grammy.com/artists/cimafunk/51657)\u003cspan\u003e, Producer Of The Year, Non-Classical nominee Alissia and more:\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text (Instagram Embed): Troye Sivan - 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"8c1ca83c-f532-40af-be8a-005ed2775a4c"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https://www.instagram.com/reel/DCHrEO-SZ14/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/reel/DCHrEO-SZ14/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" 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12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DCHrEO-SZ14/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by troye sivan (@troyesivan)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"Muni Long 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"ab7e9579-e6af-4b6b-9643-b1eb07c8b172"},"postUrl":"https://www.tiktok.com/@munilong/video/7435034620392934686?lang=en"},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"Shenseea 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"adbafb32-5f6a-41ab-875b-6d9ff126a486"},"tweetId":"1855023363925635405"},{"_meta":{"schema":"https://therecordingacademy.com/content/tiktok-embed","name":"Scott Hoying 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"27c256e8-b86d-464e-bca9-9211d21f86fe"},"postUrl":"https://www.tiktok.com/@scotthoying/video/7435000607615946030"},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"St. Vincent 2025 GRAMMY Nominations: Artist Reactions","deliveryId":"cf5d8696-9aca-43b1-a2d8-d5d9e2d7a128"},"tweetId":"1854964928958128246"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Green Day - 2025 GRAMMY Nominations Artist Reactions","deliveryId":"31f2d424-4b4b-468d-b77f-6e71a6eb77cc"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/p/DCHvZv-pfMg/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; 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white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/p/DCHvZv-pfMg/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Green Day (@greenday)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"2025 GRAMMY Nominations: See Shaboozey, Anitta, Teddy Swims \u0026 More Artists' Reactions","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"7fb40046-2c52-439c-ab65-10ca8dad74c0","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","Pop","R\u0026B","Rap","Rock","Country","Latin"],"tags":["2025 GRAMMYs","Shaboozey","Anitta","Sabrina Carpenter","RAYE","Teddy Swims"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731109897785,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMY Nominations: See Shaboozey, Anitta, Teddy Swims \u0026 More Artists' Reactions","shortTitle":"2025 GRAMMY Nominations: Artist Reactions","subHeadline":"The 2025 GRAMMY nominations have been announced! Here’s how nominees from RAYE to Troye Sivan reacted on social media.","articleSummary":"The 2025 GRAMMY nominations sparked excitement as artists took to social media to celebrate with heartfelt thanks and joyful dances. Catch the highlights and the full nominees list as we gear up for the 67th GRAMMY Awards on Feb. 2, 2025, live from Crypto.com Arena in Los Angeles on CBS and Paramount+.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMY Nominations: See Shaboozey, Anitta, Teddy Swims \u0026 More Artists' Reactions","deliveryId":"7fb40046-2c52-439c-ab65-10ca8dad74c0"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammy_nominations_67G-Key-Art-Variation-01_1644x925","id":"53acc1cf-e7ea-4400-b2bb-dd1c70f74f1d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic courtesy of the Recording Academy"},"title":"2025 GRAMMY Nominations: See Shaboozey, Anitta, Teddy Swims \u0026 More Artists' Reactions","shortTitle":"2025 GRAMMY Nominations: Artist Reactions","imgAlt":"2025 GRAMMY Nominations: Artist Reactions","link":"/","captionValue":"The 2025 GRAMMYs will air live on Sunday, Feb. 2, 2025.","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.6307833480835,"y":0.23053039550781}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Beyoncé \u0026 Taylor Swift Break More GRAMMY Records, Legacy Acts Celebrate Nods \u0026 Lots Of Firsts From The 2025 GRAMMY Nominations","deliveryKey":"news/2025-grammys-nominations-facts-new-records-history","deliveryId":"912d0ba4-4d99-4a15-a9c0-492974778679"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - 2025 GRAMMY Nominations Facts/Records","deliveryId":"7b84737b-f6ac-452d-8c30-320cb8ad1ad6"},"bodyText":{"richText":"\u003cspan\u003eBelieve it or not, it's already that time of year again: the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMY nominations\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) \u003cspan\u003ehave been revealed.\u003c/span\u003e\n\n\u003cspan\u003eAfter a year that saw a pop renaissance and \u003c/span\u003e[\u003cspan\u003econtinued dominance by women\u003c/span\u003e](https://grammy.com/news/2024-grammys-ways-women-dominated-taylor-swift-sza-boygenius)\u003cspan\u003e across genres, the 2025 GRAMMY nominees followed suit. \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e is this year's most-nominated artist, adding 11 more to \u003c/span\u003e[\u003cspan\u003eher GRAMMY resumé\u003c/span\u003e](https://www.grammy.com/news/beyonce-grammys-nominations-wins-performances-timeline-moments-videos-2023-history-record-jay-z)\u003cspan\u003e (more on that later). Pop's newest reigning queens, \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\u003cspan\u003e, solidified their thrones; they each celebrate six nominations, and are the only two artists nominated for \u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-record-of-the-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammy-nominations-song-of-the-year)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eIn fact, six of the eight leading nominees are women. Female artists dominate both the Record Of The Year and Album Of The Year Categories, as well as over a dozen other Categories Best Pop Vocal Album, Best R\u0026amp;B Performance and Best Latin Pop Album.\u003c/span\u003e\n\n\u003cspan\u003eBut that's just one exciting aspect of this year's nominations. As you dive into the\u003c/span\u003e[\u003cspan\u003e full 2025 GRAMMYs nominee list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, take a look at some of the most notable feats and firsts from the 2025 GRAMMY nominations — and be sure to tune into Music's Biggest Night on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e!\u003c/span\u003e\n\n## **\u003cspan\u003eBeyoncé Adds To Her GRAMMY Legacy\u003c/span\u003e**\n\n\u003cspan\u003eWith 11 nominations, Beyoncé isn't just the most-nominated artist at the 2025 GRAMMYs — she's now the most-nominated artist in GRAMMY history. The 11 new nods bring her total to a whopping 99 nominations!\u003c/span\u003e\n\n\u003cspan\u003eQueen Bey is already the artist with the \u003c/span\u003e[\u003cspan\u003emost GRAMMY wins of all time\u003c/span\u003e](https://www.grammy.com/news/beyonce-grammys-facts-renaissance-songs-albums-jay-z-kids-blue-ivy-destinys-child-collaborators-halo-queen-bey)\u003cspan\u003e with 32, a record she achieved upon her album \u003c/span\u003e*\u003cspan\u003eRENAISSANCE\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003ewinning Best Dance/Electronic Music Album\u003c/span\u003e](https://www.grammy.com/news/beyonce-most-grammys-in-history-renaissance-best-dance-electronic-album-2023-grammys-acceptance-speech)\u003cspan\u003e at the 2023 GRAMMYs. \u003c/span\u003e\n\n## **\u003cspan\u003eArtists Are Nominated In Fields/Categories For The First Time\u003c/span\u003e**\n\n\u003cspan\u003eAlong with a new GRAMMY record, Beyoncé also adds a new GRAMMY Field to her repertoire. She received her first nominations in the Country \u0026amp; American Roots Music Field, and five at that: Best Country Solo Performance (\"16 CARRIAGES\"), Best Country Duo/Group Performance (\"II MOST WANTED\" Featuring \u003c/span\u003e[\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan\u003e), Best Country Song (\"TEXAS HOLD 'EM\"), Best Country Album (COWBOY CARTER), and Best Americana Performance (\"YA YA\").\u003c/span\u003e\n\n[\u003cspan\u003ePost Malone\u003c/span\u003e](https://grammy.com/artists/post-malone/243389)\u003cspan\u003e also tallied the first Country \u0026amp; American Roots Music Field nominations of his career, earning nods for Best Country Duo/Group Performance and Best Country Song for his Morgan Wallen duet, \"I Had Some Help,\" and Best Country Album for \u003c/span\u003e*[\u003cspan\u003eF-1 Trillion\u003c/span\u003e](https://www.grammy.com/news/post-malone-country-album-f-1-trillion-sound-evolution)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eOne of Malone's many \u003c/span\u003e*\u003cspan\u003eF-1 Trillion\u003c/span\u003e*\u003cspan\u003e collaborators, \u003c/span\u003e[\u003cspan\u003eLuke Combs\u003c/span\u003e](https://grammy.com/artists/luke-combs/243187)\u003cspan\u003e, notched his first nomination in the Best Song Written For Visual Media Category for his chart-topping \u003c/span\u003e*\u003cspan\u003eTwisters\u003c/span\u003e*\u003cspan\u003e anthem \"Ain't No Love In Oklahoma.\"\u003c/span\u003e\n\n\u003cspan\u003eMeanwhile, R\u0026amp;B titans \u003c/span\u003e[\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://grammy.com/artists/alicia-keys/12104)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eJohn Legend\u003c/span\u003e](https://grammy.com/artists/john-legend/16994)\u003cspan\u003e both celebrate nominations in new Categories as well. Keys is nominated in the Best Musical Theater Album Category for the first time (\u003c/span\u003e*\u003cspan\u003eHell's Kitchen\u003c/span\u003e*\u003cspan\u003e), and Legend received his first nods for Best Children's Music Album (\u003c/span\u003e*[\u003cspan\u003eMy Favorite Dream\u003c/span\u003e](https://grammy.com/news/john-legend-my-favorite-dream-childrens-album-interview)*\u003cspan\u003e) and Best Arrangement, Instrumental or A Cappella (\"Bridge Over Troubled Water\" by \u003c/span\u003e[\u003cspan\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan\u003e featuring Legend \u0026amp; \u003c/span\u003e[\u003cspan\u003eTori Kelly\u003c/span\u003e](https://grammy.com/artists/tori-kelly/19120)\u003cspan\u003e).\u003c/span\u003e\n\n## **\u003cspan\u003eCharli xcx Continues Her Brat Summer\u003c/span\u003e**\n\n\u003cspan\u003ePop's longtime cool girl \u003c/span\u003e[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan\u003e also adds several new Categories to her GRAMMY nomination tally, but her reason to celebrate is a little bigger than that: they're her first nominations as a solo artist.\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx's previous two GRAMMY nominations came in 2015, and they were for her \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e collaboration, \"Fancy.\" Perhaps to fans' surprise, her own work had never received a nod — but \u003c/span\u003e*[\u003cspan\u003ebrat\u003c/span\u003e](https://grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)*\u003cspan\u003e changed that immensely.\u003c/span\u003e\n\n\u003cspan\u003eOne of the most-nominated artists with seven, Charli xcx earned her first nominations in the Album Of The Year (\u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e), Best Pop Solo Performance (\"Apple\"), Best Pop Dance Recording (\"Von Dutch\"), Best Dance/Electronic Album (\u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e), and Best Music Video (\"360\") Categories. She's also nominated in the same two Categories in which \"Fancy\" were 10 years ago: Record Of The Year (\"360\") and Best Pop Duo/Group Performance (\"Guess\" Featuring \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e).\u003c/span\u003e\n\n## **\u003cspan\u003eAlbum Of The Year Marks Notable Firsts\u003c/span\u003e**\n\n\u003cspan\u003eThree of Charli xcx's fellow \u003c/span\u003e[\u003cspan\u003eAlbum Of The Year nominees\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)\u003cspan\u003e reach milestones with their respective nominations. \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e received her seventh Album Of The Year nomination thanks to \u003c/span\u003e*[\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e](https://grammy.com/news/taylor-swift-the-tortured-poets-department-tracklist-easter-eggs-guests)*\u003cspan\u003e, becoming the first woman artist to receive seven nominations in the Category. \u003c/span\u003e\n\n\u003cspan\u003eBillie Eilish notches her third Album Of The Year nomination in a row with \u003c/span\u003e*[\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e](https://grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways)*\u003cspan\u003e, making her the first artist to have their first three albums nominated in the Category.\u003c/span\u003e\n\n[\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://grammy.com/artists/jack-antonoff/248)\u003cspan\u003e also achieved a back-to-back AOTY feat, as it's the second year in a row that he has been nominated for his work with two separate artists in the Category. His latest Album Of The Year nods are for Swift's \u003c/span\u003e*\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e*\u003cspan\u003e and Sabrina Carpenter's \u003c/span\u003e*\u003cspan\u003eShort n' Sweet\u003c/span\u003e*\u003cspan\u003e. (Fittingly, Swift was one of the two artists last year too, as Antonoff was nominated for AOTY for his work on \u003c/span\u003e*[\u003cspan\u003eMidnights\u003c/span\u003e](https://grammy.com/news/taylor-swift-album-of-the-year-2024-grammys-speech)*\u003cspan\u003e as well as \u003c/span\u003e[\u003cspan\u003eLana Del Rey\u003c/span\u003e](https://grammy.com/artists/lana-del-rey/17822)\u003cspan\u003e's \u003c/span\u003e*[\u003cspan\u003eDid You Know That There's a Tunnel Under Ocean Blvd\u003c/span\u003e](https://grammy.com/news/lana-del-rey-did-you-know-that-theres-tunnel-under-ocean-blvd-2023-new-album-takeaways-grammys)*\u003cspan\u003e.)\u003c/span\u003e\n\n## **\u003cspan\u003eVeteran Acts Earn Nods For The First Time In A Long Time\u003c/span\u003e**\n\n\u003cspan\u003eSeveral artists and creators celebrate their first GRAMMY nominations this year, including big-name stars like Sabrina Carpenter, \u003c/span\u003e[\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/news/5-emerging-artists-pushing-electronic-dance-music-forward-moore-kisment-shygirl-pink-pantheress-doechii)\u003cspan\u003e, Carin Léon, Chappell Roan, \u003c/span\u003e[\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)\u003cspan\u003e, and Morgan Wallen. What's more, 32 of those first-time nominees have two or more nominations.\u003c/span\u003e\n\n\u003cspan\u003eBut while the Recording Academy is always excited to honor new nominees — check back to GRAMMY.com in January for the annual \u003c/span\u003e[\u003cspan\u003eMeet The First-Time GRAMMY Nominee\u003c/span\u003e](https://www.grammy.com/series-or-collection/meet-the-first-time-nominees-grammys)\u003cspan\u003e series — one of the most interesting stories of the 2025 GRAMMYs centers on those who received nominations for the first time in over a decade.\u003c/span\u003e\n\n\u003cspan\u003ePerhaps the most unexpected names to see on the list are \u003c/span\u003e[\u003cspan\u003ethe Beatles\u003c/span\u003e](https://grammy.com/artists/beatles/16293)\u003cspan\u003e. The Fab Four are nominated for the first time in 28 years thanks to \"Now And Then,\" what \u003c/span\u003e[\u003cspan\u003ePaul McCartney\u003c/span\u003e](https://grammy.com/artists/paul-mccartney/4678)\u003cspan\u003e has dubbed \u003c/span\u003e[\u003cspan\u003e\"the final Beatles record.\"\u003c/span\u003e](https://grammy.com/news/the-beatles-last-song-now-and-then-giles-martin-interview)\u003cspan\u003e The song earned nods for Record Of The Year and Best Rock Performance, which brings their career nominations count to 25; prior to the 2025 GRAMMYs, the Beatles have won seven GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eThe longest time between nominations this year goes to the \u003c/span\u003e[\u003cspan\u003eBlack Crowes\u003c/span\u003e](https://grammy.com/artists/black-crowes/15790)\u003cspan\u003e, who received their first nod in 34 years for \u003c/span\u003e*\u003cspan\u003eHappiness Bastards\u003c/span\u003e*\u003cspan\u003e, their first album in 14 years. They earned their first Best Rock Album nomination, as they'd only ever been nominated once previously, for Best New Artist in 1991.\u003c/span\u003e\n\n\u003cspan\u003eInterestingly, the Rock, Metal \u0026amp; Alternative Music Field spawned a few long-awaited nominations for veteran acts. \u003c/span\u003e[\u003cspan\u003eKim Gordon\u003c/span\u003e](https://grammy.com/news/kim-gordon-solo-songs-side-projects-sonic-youth-videos)\u003cspan\u003e of Sonic Youth fame scored the first nominations of her career with her second solo album, \u003c/span\u003e*\u003cspan\u003eThe Collective\u003c/span\u003e*\u003cspan\u003e, which is up for Best Alternative Music Album, and its lead single, \"BYE BYE\" is up for Best Alternative Music Performance.\u003c/span\u003e\n\n[\u003cspan\u003ePearl Jam\u003c/span\u003e](https://grammy.com/artists/pearl-jam/8448)\u003cspan\u003e celebrated their first nominations since 2011 with their 12th studio album, \u003c/span\u003e*\u003cspan\u003eDark Matter\u003c/span\u003e*\u003cspan\u003e, which received a nod for Best Rock Album as well as Best Rock Song and Best Rock Performance for its title track.\u003c/span\u003e\n\n\u003cspan\u003eThey're in company with their fellow '90s punk rock gods \u003c/span\u003e[\u003cspan\u003eGreen Day\u003c/span\u003e](https://grammy.com/artists/green-day/7433)\u003cspan\u003e, who earned nods in all three Categories thanks to their latest album, \u003c/span\u003e*[\u003cspan\u003eSaviors\u003c/span\u003e](https://grammy.com/news/green-day-saviors-new-album-dookie-america-idiot-anniversary-tour)*\u003cspan\u003e. Marking Green Day's first nominations since 2014, \u003c/span\u003e*\u003cspan\u003eSaviors\u003c/span\u003e*\u003cspan\u003e is up for Best Rock Album, while singles \"The American Dream Is Killing Me\" and \"Dilemma\" are up for Best Rock Performance and Best Rock Song, respectively.\u003c/span\u003e\n\n\u003cspan\u003eElsewhere, \u003c/span\u003e[\u003cspan\u003eUsher\u003c/span\u003e](https://grammy.com/artists/usher/16167)\u003cspan\u003e earned his first nomination for his own work in 10 years with a Best R\u0026amp;B Album nod for \u003c/span\u003e*\u003cspan\u003eComing Home\u003c/span\u003e*\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eEminem\u003c/span\u003e](https://grammy.com/artists/eminem/8580)\u003cspan\u003e earned his first nod for Best Rap Album (a Category he's won six times) in 10 years with \u003c/span\u003e*\u003cspan\u003eThe Death of Slim Shady (Coup de Grâce)\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eCollaborations helped \u003c/span\u003e[\u003cspan\u003eErykah Badu\u003c/span\u003e](https://grammy.com/artists/erykah-badu/11546)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMichael McDonald\u003c/span\u003e](https://grammy.com/artists/michael-mcdonald/10678)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eMonica\u003c/span\u003e](https://www.grammy.com/artists/monica/9439)\u003cspan\u003e snag their first nominations in more than a decade, too. Badu's team-up with \u003c/span\u003e[\u003cspan\u003eRapsody\u003c/span\u003e](https://grammy.com/artists/rapsody/19312)\u003cspan\u003e, \"3:AM,\" earned a nod for Best Melodic Rap Performance, the singer's first nomination in the Category and first overall since 2009. McDonald tallied his first nomination since 2004 thanks to his \u003c/span\u003e[\u003cspan\u003eLalah Hathaway\u003c/span\u003e](https://grammy.com/artists/lalah-hathaway/3123)\u003cspan\u003e duet, \"No Lie,\" which is nominated for Best Traditional R\u0026amp;B Performance.\u003c/span\u003e\n\n\u003cspan\u003eMonica received her first nomination since 2011, which also marked a full-circle moment. Her collab with \u003c/span\u003e[\u003cspan\u003eAriana Grande\u003c/span\u003e](https://grammy.com/artists/ariana-grande/18441)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eBrandy\u003c/span\u003e](https://www.grammy.com/artists/brandy/4828)\u003cspan\u003e, \"The Boy Is Mine,\" earned a nod for Best Pop Duo/Group Performance — 26 years after her duet with Brandy of the same name won a GRAMMY for Best R\u0026amp;B Performance By A Duo Or Group With Vocal.\u003c/span\u003e\n\n\u003cspan\u003eWill any legends go home with more golden gramophones? Will Beyoncé further her victory lap? Will there be several first-time winners? Tune into\u003c/span\u003e **[\u003cspan\u003eCBS on Feb. 5, 2025\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)** \u003cspan\u003eto find out!\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Curated/Related Content: Explore The World Of Rock","deliveryId":"0655b572-58ea-439f-9ea1-1f8250388b50"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Rock"],"contentGenre":"Rock"},"title":"Explore The World Of Rock"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMY Nominations Facts/Records","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"59e46403-b841-4737-bb62-80f4ada8b313","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Rap","Country","Rock"],"tags":["2025 GRAMMYs","Beyoncé","Chappell Roan","Sabrina Carpenter","The Beatles","Post Malone"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731087488190,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé \u0026 Taylor Swift Break More GRAMMY Records, Legacy Acts Celebrate Nods \u0026 Lots Of Firsts From The 2025 GRAMMY Nominations","shortTitle":"2025 GRAMMY Nominations: Firsts, Records \u0026 More","subHeadline":"From the Beatles' first nomination in 28 years to big nods for Chappell Roan and Sabrina Carpenter, read on for history-making nominations, record-breaking feats, and the most-nominated acts at the 67th GRAMMY Awards.","articleSummary":"The 2025 GRAMMY nominees reflect a pop renaissance and continued dominance by women across genres. Read on for history-making nominations, record-breaking nods, and the most-nominated acts at the 67th GRAMMY Awards.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMY Nominations Facts/Records","deliveryId":"59e46403-b841-4737-bb62-80f4ada8b313"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammy_nominations_67G-Key-Art-Variation-01_1644x925","id":"53acc1cf-e7ea-4400-b2bb-dd1c70f74f1d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["2025 GRAMMYs"],"title":"2025 GRAMMY Nominations Facts Hero","shortTitle":"2025 GRAMMY Nominations Facts Hero","imgAlt":"2025 GRAMMY Nominations Facts Hero","imgTitle":"2025 GRAMMY Nominations Facts Hero","link":"/","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.6307833480835,"y":0.23053039550781}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs Nominations: Best African Music Performance Nominees","deliveryKey":"news/2025-grammys-nominations-best-african-music-performance","deliveryId":"add1c226-ade2-4660-b2ea-08ac1f8e18c1"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Best African Music Performance body 1","deliveryId":"b1c269a7-3857-4406-b8da-843a1b9b0b60"},"bodyText":{"richText":"\u003cspan\u003eEarlier this year, the Recording Academy made history by awarding their \u003c/span\u003e[\u003cspan\u003efirst-ever GRAMMY Award for Best African Music Performance\u003c/span\u003e](https://www.grammy.com/news/tyla-wins-first-best-african-music-performance-award-2024-grammys)\u003cspan\u003e. Never before had the continent’s vibrant musical culture been given a category all their own, and the best and brightest from the African music industry stepped up to receive nominations. \u003c/span\u003e\n\n\u003cspan\u003eThe eventual victor was 22-year-old South African singer \u003c/span\u003e[\u003cspan\u003eTyla\u003c/span\u003e](https://www.grammy.com/artists/tyla/54172)\u003cspan\u003e, whose bewitching song \"Water\" earned the hearts of GRAMMYs voters, as well as millions of listeners that boosted the song to the Billboard Hot 100. She became the first South African in 55 years to make the chart.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003e10 African GRAMMY Winners Through The Years: From Miriam Makeba To Angélique Kidjo \u0026amp; Burna Boy\u003c/span\u003e](https://www.grammy.com/news/african-grammy-winners-in-history-2024-grammys)\n\n\u003cspan\u003eThis year, Tyla will not defend her prize. But five fantastic songs from a multitude of artists, including one high-profile American that has joined up with two Afrobeats stars, will compete for the Golden Gramophone. Check out the nominees below and read the \u003c/span\u003e[\u003cspan\u003efull 2025 GRAMMYs nominations list\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e ahead of Music's Biggest Night on\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"2025 grammy nominees best african music perf Yemi Alade — \"Tomorrow\" with title","deliveryId":"8410e3aa-0153-4491-bc33-fac0abe15119"},"videoUrl":"https://www.youtube.com/watch?v=G4u2yMsPdG8","videoTitle":"Yemi Alade — \"Tomorrow\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Best African Music Performance body 2","deliveryId":"782d98a2-6f33-4cbe-9f91-2e2978a522fe"},"bodyText":{"richText":"\u003cspan\u003eOne of African pop music’ biggest stars, \u003c/span\u003e[\u003cspan\u003eYemi Alade\u003c/span\u003e](https://www.grammy.com/news/yemi-alade-interview-classic-hits-new-album-rebel-queen-beyonce)\u003cspan\u003e would be a legend even without a GRAMMY nod. She first rose to fame a decade ago thanks to continental hits like \u003c/span\u003e[\u003cspan\u003e\"Johnny\"\u003c/span\u003e](https://www.youtube.com/watch?v=C_XkTKoDI18)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003e\"Oh My Gosh\" \u003c/span\u003e](https://www.youtube.com/watch?v=2DPL4dPAXyg)\u003cspan\u003ewith \u003c/span\u003e[\u003cspan\u003eRick Ross\u003c/span\u003e](https://www.grammy.com/artists/rick-ross/17331)\u003cspan\u003e. In July, she took her sound to new heights on \u003c/span\u003e*\u003cspan\u003eRebel Queen\u003c/span\u003e*\u003cspan\u003e, an album incorporating genres such as highlife and dancehall for a global celebration of Black music that solidifies her reputation as \"Mama Africa.\" \u003c/span\u003e\n\n\u003cspan\u003e\"Tomorrow,\" the GRAMMY-nominated song from the album, is a triumphant, bright \u003c/span\u003e[\u003cspan\u003eamapiano \u003c/span\u003e](https://www.grammy.com/news/women-amapiano-artists-to-know-tyla-uncle-waffles-videos)\u003cspan\u003etune, the latest result of Alade’s \u003c/span\u003e[\u003cspan\u003eflirtation with the genre\u003c/span\u003e](https://www.grammy.com/news/amapiano-10th-anniversary-road-global-dominance-grammy-win)\u003cspan\u003e. Produced by Yasso and incorporating choral vocals, the lyrics in English and Nigerian Pidgin assert the singer’s unflappable confidence and self-belief. \"I dance away my sorrow,\" she sings, \"Rain or shine, I’ll be shining like a diamond.\" \u003c/span\u003e\n\n\u003cspan\u003e\"Tomorrow\" marks the legendary artist’s first-ever GRAMMY nomination, but whether or not she grabs the golden gramophone, it’s clear from her song that nothing will phase this Rebel Queen. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"2025 grammy nominees best african music perf Burna Boy — \"Higher\" with title","deliveryId":"30f7291e-12b7-4617-a07d-6ebd7814814c"},"videoUrl":"https://www.youtube.com/watch?v=eKzmRnetw-c","videoTitle":"Burna Boy — \"Higher\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Best African Music Performance body 3","deliveryId":"2cd3c622-c74c-4eb0-b00c-d69649abdd55"},"bodyText":{"richText":"[\u003cspan\u003eBurna Boy\u003c/span\u003e](https://www.grammy.com/artists/burna-boy/251682)\u003cspan\u003e is such an undisputed force in African music, it’s not surprising for him to be nominated in this Category two years in a row. Already a GRAMMY winner for Best Global Music Album (\u003c/span\u003e*\u003cspan\u003eTwice As Tall\u003c/span\u003e*\u003cspan\u003e took the prize in 2021), his bold, American R\u0026amp;B-inspired \"City Boys\" earned a Best African Music Performance nod last year and was among a medley of tracks \u003c/span\u003e[\u003cspan\u003eBurna performed on the GRAMMY stage\u003c/span\u003e](https://www.grammy.com/news/burna-boy-2024-grammys-performance-brandy-21-savage)\u003cspan\u003e. The braggadocious hip-hop song ultimately fell to Tyla’s \"Water,\" however. \u003c/span\u003e\n\n\u003cspan\u003eThe success of his 2023 album \u003c/span\u003e*\u003cspan\u003eI Told Them\u003c/span\u003e* \u003cspan\u003emay have put Burna Boy in a more contemplative state of mind, because \"Higher,\" his current nominated track, is a much more conscious effort. Over a mellow, amapiano-inspired beat from producer Yo Dibs, Burna reflects on his limited time on Earth and the harshness of daily life: \"You know say streets don't love you \u003c/span\u003e*\u003cspan\u003erara\u003c/span\u003e*\u003cspan\u003e / It's full of snakes and spiders / Make a wrong move, lose your life / Make it hard for your mother to sleep at night.\" \u003c/span\u003e\n\n\u003cspan\u003eThe song’s video, conceptually similar to \u003c/span\u003e[\u003cspan\u003eDrake’s\u003c/span\u003e](https://www.grammy.com/artists/drake/12370)\u003cspan\u003e visual for \"God’s Plan,\" shows the singer making an emotional visit to his hometown of Port Harcourt and distributing aid with his charity group Project PROTECT. It seems that magnanimity has already been rewarded: The song gained 1.3 million streams on Spotify in its first day of release, \u003c/span\u003e[\u003cspan\u003ea new record for an African artist\u003c/span\u003e](https://x.com/chartdata/status/1807097311484383268/)\u003cspan\u003e, and its video has been viewed over 7.3 million times as of this writing. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"2025 grammy nominees best african music perf Chris Brown — \"Sensational\" feat. Davido \u0026 Lojay w title","deliveryId":"43f334f2-56cc-4402-af0c-0d10bb823cb4"},"videoUrl":"https://www.youtube.com/watch?v=_t0qtSKOpO4","videoTitle":"Chris Brown — \"Sensational\" feat. Davido \u0026 Lojay"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Best African Music Performance body 2","deliveryId":"bd2a9fa4-1c08-474c-986a-4169b4b28ad6"},"bodyText":{"richText":"\u003cspan\u003eIt can’t be denied that \u003c/span\u003e[\u003cspan\u003eChris Brown\u003c/span\u003e](https://www.grammy.com/artists/chris-brown/2927)\u003cspan\u003e is something of a survivor in the music industry. The GRAMMY winner for Best R\u0026amp;B Album (\u003c/span\u003e*\u003cspan\u003eF.A.M.E.\u003c/span\u003e*\u003cspan\u003e) is as famous for his hits — from \u003c/span\u003e[\u003cspan\u003e\"Run It!\"\u003c/span\u003e](https://www.youtube.com/watch?v=w6QGe-pXgdI)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003e\"Kiss Kiss,\"\u003c/span\u003e](https://www.youtube.com/watch?v=eNII9PDlFJ0)\u003cspan\u003e to \u003c/span\u003e[\u003cspan\u003e\"Look at Me Now\"\u003c/span\u003e](https://www.youtube.com/watch?v=8gyLR4NfMiI)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003e\"No Guidance\"\u003c/span\u003e](https://www.youtube.com/watch?v=oOni4BMeMp0)\u003cspan\u003e — as he is infamous for his checkered past. \u003c/span\u003e\n\n\u003cspan\u003eNow he’s back in the GRAMMY spotlight with a single from his 2023 album \u003c/span\u003e*\u003cspan\u003e11:11\u003c/span\u003e*\u003cspan\u003e. \"Sensational\" marks a bold stylistic pivot for the R\u0026amp;B singer as he adopts Afrobeats for a slick song that could be called, well, \"breezy.\" Adding some African bona-fides, he’s recruited \u003c/span\u003e[\u003cspan\u003eDavido\u003c/span\u003e](https://www.grammy.com/news/davido-timeless-interview-2024-grammys-meet-first-time-nominee)\u003cspan\u003e — one of the genre’s most important acts and a GRAMMY nominee last year in this Category — as well as rising artist Lojay, for feature verses. The result is a transatlantic collab that makes the case that Americans can take on African genres too, with a little help from their continental friends. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"2025 grammy nominees best african music perf Asake, Wizkid — \"MMS\"","deliveryId":"f41ff81d-0a05-4ea3-82bc-c19418df90b2"},"videoUrl":"https://www.youtube.com/watch?v=iiOHqmmjdGk","videoTitle":"Asake \u0026 Wizkid — \"MMS\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Best African Music Performance body 5","deliveryId":"5c583dd1-914f-4932-9356-57360560b1f8"},"bodyText":{"richText":"\u003cspan\u003eIn just a few short years, \u003c/span\u003e[\u003cspan\u003eAsake\u003c/span\u003e](https://www.grammy.com/artists/asake/53854)\u003cspan\u003e has established himself as one of the most creative and charismatic new talents in Afrobeats. His 2023 record \u003c/span\u003e*\u003cspan\u003eWork of Art\u003c/span\u003e*\u003cspan\u003e blended the globally-aspirational Nigerian pop sound with South African house offshoot \u003c/span\u003e[\u003cspan\u003eamapiano\u003c/span\u003e](https://www.grammy.com/news/amapiano-10th-anniversary-road-global-dominance-grammy-win)\u003cspan\u003e and the indigenous Yoruba genre fújì; Asake earned a GRAMMY nod in this category for album single \u003c/span\u003e[\u003cspan\u003e\"Amapiano\"\u003c/span\u003e](https://www.youtube.com/watch?v=l_-v1fNdSHs)\u003cspan\u003e last year. \u003c/span\u003e\n\n\u003cspan\u003eAsake isn’t one to rest on his laurels, however. He dropped another record, \u003c/span\u003e*\u003cspan\u003eLungu Boy\u003c/span\u003e*\u003cspan\u003e, earlier in 2024, for which he switched up his sound further and recruited global stars like Stormzy, Central Cee, and \u003c/span\u003e[\u003cspan\u003eTravis Scott\u003c/span\u003e](https://www.grammy.com/artists/travis-scott/24827)\u003cspan\u003e. Single \"MMS\" keeps things refreshingly local in terms of guest spots, recruiting GRAMMY-winner \u003c/span\u003e[\u003cspan\u003eWizkid\u003c/span\u003e](https://www.grammy.com/artists/wizkid/20080)\u003cspan\u003e for the feature. Incorporating the same Yoruba-language choral vocals Asake used throughout his last album, he trades verses with Wiz over a glamorous, jazz-inflected, ‘90s R\u0026amp;B-inspired beat by P.Priime. The lyrics, in English, Yoruba, and Nigerian Pidgin, narrate Asake’s journey to finding his signature sound and letting fate determine his path. It’s a classy, reflective song from a pair of Africa’s biggest stars.\u003c/span\u003e\n\n## \u003cspan\u003eTems \u003c/span\u003e— \u003cspan\u003e\"Love Me JeJe\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Tems Love Me Jeje","deliveryId":"c68e533b-fc69-4317-9c08-429298d1250c"},"videoUrl":"https://www.youtube.com/watch?v=Y_NTooezadU"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs Nominations: Best African Music Performance body 6","deliveryId":"b24ee90e-a801-4398-8d1e-4a1c0bed514b"},"bodyText":{"richText":"[\u003cspan\u003eTems\u003c/span\u003e](https://www.grammy.com/news/tems-born-in-the-wild-debut-album-interview)\u003cspan\u003e is already a GRAMMY winner and \u003c/span\u003e[\u003cspan\u003ethe first African artist to top the Billboard Hot 100\u003c/span\u003e](https://girlsunited.essence.com/feedback/news/temsfirst-nigerian-artist-hot-100-1/)\u003cspan\u003e, all thanks \u003c/span\u003e[\u003cspan\u003eFuture\u003c/span\u003e](https://www.grammy.com/artists/future/19716)\u003cspan\u003e sampling her song \"Higher\" on his hit \"Wait For U.\" Yet 2024 was the year in which the Nigerian artist stepped into her own spotlight, finally releasing her debut album \u003c/span\u003e*\u003cspan\u003eBorn in the Wild\u003c/span\u003e*\u003cspan\u003e. Its single \"Love Me JeJe\" hit No. 1 on the UK Afrobeats charts and No. 3 on Billboard’s U.S. Afrobeats Songs. \u003c/span\u003e\n\n\u003cspan\u003eInterpolating an identically-titled 1997 hit from Seyi Sodimu that’s regarded as an African pop classic, \"Love Me JeJe\" is an Afrobeats tune as tender as the Pidgin phrase that makes up its title. Tems’ smooth, heartfelt vocals float over the track as she sings of her desire for unconditional, supportive love: \"I need your lovin’, so fresh, so clean / Love me in and out, unfailingly / And I’ll be down now, anytime you call me.\" \u003c/span\u003e\n\n\u003cspan\u003eDebuting the song during her set at \u003c/span\u003e[\u003cspan\u003eCoachella 2024\u003c/span\u003e](https://grammy.com/news/coachella-2024-surprise-guests-special-moments-recap-billie-eilish-lana-del-rey-no-doubt)\u003cspan\u003e, it could be argued that \"Love Me JeJe\" was meant to provide American audiences with a bridge to African music, from its past icons to its present talents. With her GRAMMY nod for the song, it seems that Tems has done just that.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Afrobeats/African Music","deliveryId":"13b4b647-8510-4ea5-962a-c529b8fdb9bf"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Afrobeats","African Music","Amapiano","Afropop"]},"title":"More News About African Music"}],"hero":{"_meta":{"name":"2025 GRAMMYs Nominees: African Music Performance hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"5db28026-870c-4c4c-b8e7-4b9b30dce8cf","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["World Music"],"tags":["2025 GRAMMYs","67th GRAMMY Awards","Best African Music Performance","Yemi Alade","Asake","WizKid","Chris Brown","Davido","Burna Boy","Tems"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082502758,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs Nominations: Best African Music Performance Nominees","shortTitle":"2025 GRAMMYs Nominees: African Music Performance","subHeadline":"Burna Boy, Yemi Alade, Asake \u0026 Wizkid, Tems, and Chris Brown featuring Davido and Lojay are nominees in the second annual Category.","articleSummary":"Burna Boy, Yemi Alade, Asake \u0026 Wizkid, Tems, and Chris Brown featuring Davido and Lojay are nominees in the Category. The first GRAMMYfor Best African Music Performance was awarded at the 2024 GRAMMYs to Tyla.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Nominees: African Music Performance hero","deliveryId":"5db28026-870c-4c4c-b8e7-4b9b30dce8cf"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"best-african-music-performance-2025-grammys-nominees","id":"594fc994-4965-4117-b92c-e737bc4e241b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["2025 GRAMMYs"],"title":"2025 GRAMMYs Nominees:Best African Music Performance","shortTitle":"2025 GRAMMYs Nominees:Best African Music Performance","imgAlt":"2025 GRAMMYs Nominees for Best African Music Performance in collage","imgTitle":"2025 GRAMMYs Nominees:Best African Music Performance","link":"/","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.29666759490967,"y":0.42195658365885}},"status":"ok"}}},{"_meta":{"name":"Who Are The Top GRAMMY Awards Winners Of All Time? Who Has The Most GRAMMYs?","schema":"https://therecordingacademy.com/content/news-article","deliveryKey":"news/who-are-the-top-grammy-awards-winners-of-all-time","deliveryId":"4f5ca983-3a0a-4aa7-813e-1ebdffed77a2"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"f8be8fb9-9c78-4562-bc10-bc59acd17905"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - Who Has The Most GRAMMYs","deliveryId":"ae1c7ed2-d5cf-4c94-b700-b7bfdb6e9259"},"bodyText":{"richText":"***Updated Thursday, Nov. 14, 2024, to reflect the nominations at the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), officially known as the [67th GRAMMY Awards](https://www.grammy.com/awards/67th-annual-grammy-awards-2024).***\n\nWith a total of 86 categories celebrating the best of pop, rock, R\u0026amp;B, jazz, rap, Latin, classical, Musical Theater, and more, thousands of music creators have been recognized by the GRAMMYs since its inception in 1957.\n\nThe prestige of one GRAMMY win can catapult an artist's career to the next level, but there are some who have amassed more than 10, 20 and even 30 career GRAMMY wins. Ever wonder who these elite GRAMMY winners are? Look no further. We've compiled a list of the top GRAMMY winners of all time.\n\n#### Beyoncé, 32\n\n[Beyoncé](https://www.grammy.com/artists/beyonce-knowles/12474) made history at the [2023 GRAMMYs](https://www.grammy.com/news/2023-grammy-nominations-complete-winners-nominees-list) by becoming [the artist with the most GRAMMY wins](https://www.grammy.com/news/beyonce-most-grammys-in-history-renaissance-best-dance-electronic-album-2023-grammys-acceptance-speech) — ever — when she won the GRAMMY for [Best Dance/Electronic Music Album](https://www.grammy.com/news/beyonce-renaissance-winner-best-dance-electronic-music-album-2023-grammys-watch-acceptance-speech) for her 2022 album, *[Renaissance](https://www.grammy.com/news/beyonce-new-album-renaissance-2022-takeaways-review-uncle-jonny-club-culture-lgbtqia-collaborators-jay-z-break-my-soul)*. Beyoncé counts 32 total GRAMMY wins to date. With the [2025 GRAMMY nominations](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), [Beyoncé made GRAMMY history again](https://www.grammy.com/news/2025-grammys-nominations-facts-new-records-history): Counting 11 GRAMMY nominations at the 2025 GRAMMYs, she's now also the most-nominated artist in GRAMMY history.\n\n#### Georg Solti, 31\n\nThe late conductor [Georg Solti](https://www.grammy.com/artists/georg-solti/7181) holds the record for the most GRAMMY wins in the [Classical Field](https://www.grammy.com/music-genre/classical). Solti's last win was for Best Opera Recording for *Wagner: Die Meistersinger Von Nurnberg* from 1997.\n\n#### Quincy Jones, 28\n\n[Quincy Jones](https://grammy.com/artists/quincy-jones/11020)' GRAMMY career as an artist/arranger/producer spans more than 10 Fields, from [Children's](https://www.grammy.com/music-genre/childrens) to [Jazz](https://www.grammy.com/music-genre/jazz), [Pop](https://www.grammy.com/music-genre/pop), [Rap](https://www.grammy.com/music-genre/rap), [R\u0026amp;B](https://www.grammy.com/music-genre/r-and-b), and more. He is also one of only 15 artists to receive the [GRAMMY Legend Award](https://www.grammy.com/awards/legends).\n\n#### Alison Krauss, 27\n\n[Alison Krauss](https://grammy.com/artists/alison-krauss/16961) holds the distinction as the woman artist with the most GRAMMY Awards in the [Country Field](https://www.grammy.com/music-genre/country). Krauss shares 14 of her wins with her backing band of nearly 30 years, [Union Station](https://grammy.com/artists/alison-krauss-union-station/7774).\n\n#### Chick Corea, 27\n\nMusician/composer [Chick Corea](https://grammy.com/artists/chick-corea/9341) is currently the artist with the most jazz GRAMMY wins, counting 27 GRAMMY Awards as a solo artist. Corea's Latin jazz piano stylings, compositions and arrangements have also earned him four Latin GRAMMY Awards.\n\n#### John Williams, 26\n\nJohn Williams has cashed in on cinema soundtrack classics such as *Jaws*, *Star Wars* and *Schindler's List* for a place among the GRAMMY elite. Of his 26 GRAMMY wins, Williams has earned 12 in the Music For Visual Media Field and six for his work on the *Star Wars* franchise. His most recent win came at the 60th GRAMMYs for Best Arrangement, Instrumental Or A Cappella for \"Escapades For Alto Saxophone And Orchestra from *Catch Me If You Can*.\n\n#### Pierre Boulez, 26\n\nPierre Boulez earned his GRAMMYs primarily conducting the work of renowned 20th century composers such as Bela Bartók, Alban Berg and Claude Debussy. Boulez received the Recording Academy's Lifetime Achievement Award in 2015.\n\n#### Vladimir Horowitz, 25\n\nThe late virtuoso pianist/composer Vladimir Horowitz earned GRAMMYs in every decade from the 1960s to the 1990s. He was also awarded a Recording Academy Lifetime Achievement Award in 1990 and has five recordings in the GRAMMY Hall Of Fame.\n\n#### Stevie Wonder, 25\n\nNo stranger to the GRAMMY stage, Stevie Wonder is the only artist in GRAMMY history to win five or more awards on three separate nights. His career and GRAMMY history were celebrated on the television special \"Stevie Wonder: Songs In The Key Of Life — An All-Star GRAMMY Salute\" in 2015.\n\n#### David Frost, 25\n\nA giant in the [Classical Field](https://www.grammy.com/music-genre/classical), renowned producer [David Frost](https://www.grammy.com/artists/david-frost/12607) has won the coveted Classical Producer Of The Year GRAMMY seven times. He's also won four GRAMMYs each in the Best Classical Engineered Recording and Best Opera Recording categories over the years. Most recently, he took home three GRAMMYs at the [2024 GRAMMYs](https://www.grammy.com/news/2024-grammys-nominations-full-winners-nominees-list): Best Opera Recording, Best Engineered Album Classical, and Best Classical Instrumental Solo.\n\n#### Jay-Z, 24\n\nTied with Kanye West for the most GRAMMY wins by a rap artist, Jay-Z has wins in each of the four Rap Field categories. Hova's blueprint for GRAMMY success includes collaborations with other artists such as Beyoncé (\"Drunk In Love\"), Rihanna (\"Umbrella\") and Justin Timberlake (\"Holy Grail\").\n\n#### Kanye West, 24\n\nKanye West is neck-and-neck with Jay Z for top GRAMMY-winning rap artist, but he has often competed against himself. For example, he had two nominations (and a win) each for Best Rap Performance and Best Rap Song for 2012, Best Rap Album for 2011, and Best Rap Song and Best Pop Performance By A Duo Or Group for 2007.\n\n#### U2, 22\n\nLed by frontman Bono, U2 hold the record for most GRAMMY wins by a rock act. Their most recent wins came in 2005, including Album Of The Year for How To Dismantle An Atomic Bomb.\n\n#### Vince Gill, 22\n\nSinger/songwriter Vince Gill has earned 20 of his GRAMMY wins in the Country Field, the most of any artist. He earned his first GRAMMY outside of the Country Field in 2017 for Best American Roots Song for writing the Time Jumpers' \"Kid Sister.\" He also holds the distinction of garnering the most GRAMMYs in the 1990s (14), winning one or more GRAMMYs in every year of the decade.\n\n**Serban Ghenea, 21**\n\nA leading mix engineer, Serban Ghenea is a 21-time GRAMMY winner and three-time Latin GRAMMY winner. Throughout his extensive career, he’s mixed some of the biggest songs from legendary artists across a vast array of genres, including songs by Michael Jackson, Janet Jackson, Beyoncé, Justin Timberlake, Usher, Bjork, Faith Hill, Carrie Underwood, Beck, and many others. As of January 2024, Ghenea has mixed over 225 No. 1 singles and albums, including hits for Taylor Swift, Bruno Mars, Kelly Clarkson, Katy Perry, Ke$ha, Britney Spears, Black Eyes Peas, and many more.\n\n#### Henry Mancini, 20\n\nThe composer behind TV and film themes such as \"Peter Gunn\" and \"The Pink Panther Theme,\" the late Henry Mancini made early GRAMMY history with a then-record five wins in one night for 1961. Mancini's popular \"Moon River\" and later \"Days Of Wine And Roses\" each won both Record and Song Of The Year.\n\n#### Pat Metheny, 20\n\nPat Metheny is all that jazz. The guitarist earned his first GRAMMY for Best Jazz Fusion Performance, Vocal Or Instrumental for Offramp for 1982. He has earned GRAMMYs in four consecutive decades since, most recently in 2012 as the Pat Metheny Unity Band for *Unity Band* for Best Jazz Instrumental Album.\n\n#### Al Schmitt, 20\n\nWorking on projects by artists Ray Charles, Natalie Cole, Chick Corea, and Paul McCartney, among others, Al Schmitt won his 20 GRAMMYs as an engineer/mixer. Schmitt has also earned two Latin GRAMMYs and he received the Recording Academy Trustees Award in 2006.\n\n#### Bruce Springsteen, 20\n\nIn addition to GRAMMY wins in every decade from the '80s through '00s, Bruce Springsteen has seen his albums *Born To Run* and *Born In The U.S.A.* inducted into the GRAMMY Hall Of Fame. In 2013 the quintessential rocker was honored as the MusiCares Person of the Year.\n\n#### Tony Bennett, 19\n\nAn artist who truly seems to get better with age, Tony Bennett has won nine of his 18 career GRAMMYs since 2002. Including his 2015 win with Bill Charlap for *The Silver Lining: The Songs Of Jerome Kern*, Bennett has earned Best Traditional Pop Vocal Album honors 13 times, the most in the category's history.\n\n#### Yo-Yo Ma, 19\n\nCellist Yo-Yo Ma has strung together 18 GRAMMY wins, earning his first in 1984 for *Bach: The Unaccompanied Cello Suites*. Since then he's won GRAMMYs in the Folk and World Music Fields, the latter of which came for 2016 for the Best World Music Album-winning project with his Silk Road Ensemble, Sing Me Home.\n\n#### Aretha Franklin, 18\n\nAretha Franklin reigns as the queen of R\u0026amp;B. She has 18 GRAMMY wins to date, five recordings in the GRAMMY Hall Of Fame, a Recording Academy Lifetime Achievement Award (1994) and a GRAMMY Legend Award (1991).\n\n#### Paul McCartney, 18\n\nWinning Best New Artist with the Beatles for 1964, Paul McCartney has gone on to earn 18 career GRAMMYs as an artist, composer and arranger. While most of McCartney's GRAMMY history lies in pop and rock, he earned two 58th GRAMMY nominations for Best Rap Song and Best Rap Performance for Kanye West's \"All Day\" with Theophilus London and Allan Kingdom.\n\n#### Jimmy Sturr, 18\n\nOut of the 25 GRAMMYs ever awarded for polka, Jimmy Sturr earned 18 of them, including 13 wins for Best Polka Album. He will likely remain the highest GRAMMY-winning polka artist in history (given the discontinuation of the category), and was \"Born To Polka.\""}}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"a30dda8d-dd8e-4252-940e-71cce4dca1a1"},"contentGenre":["Classical","Country","Jazz","Latin","Music for Visual Media","Pop","R\u0026B","Rap"],"tags":["tony bennett","Georg Solti","quincy jones","alison krauss","Pierre Boulez","Vladimir Horowitz","stevie wonder","Chick Corea","U2","John Williams","jay z","Kanye West","beyoncé","Vince Gill","Henry Mancini","pat metheny","Al Schmitt","Bruce Springsteen","Aretha Franklin","Jimmy Sturr","Yo Yo Ma","GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":true,"fbiaPublished":true,"grammySeries":["GRAMMY Awards"],"ampliencePublishedDate":1494855360000,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Who Are The Top GRAMMY Awards Winners Of All Time? Who Has The Most GRAMMYs?","shortTitle":"Who Has The Most GRAMMYs?","subHeadline":"From Georg Solti to U2 and Beyoncé, these are the top 24 winners in GRAMMY history through the 2024 GRAMMYs.","articleSummary":"From Georg Solti to U2 and Beyoncé, these are the top 24 winners in GRAMMY history through the 2024 GRAMMYs.","year":2015,"datePublishedOverride":"2017-05-15T13:36:00.000Z","originalLastUpdatedAt":1622579027,"originalCreatedAt":1487028826,"imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"top_grammy_winners_collage_0.jpg","deliveryId":"a30dda8d-dd8e-4252-940e-71cce4dca1a1"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce-jay-z-bruce-springsteen-most-grammy-wins-ever-Winners_Hero_1644x925","id":"ad393b73-e81a-4856-bfb7-e9c64129dc7a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Source Photos: Jamie McCarthy/Getty Images; Greg Doherty/Getty Images for Entertainment Studios;Lester Cohen/Getty Images for The Recording Academy; Frederick M. Brown/Getty Images; Scott Kowalchyk/CBS via Getty Images; Larry Busacca/PW18/Getty Images for Parkwood Entertainment; Dave Hogan/Hulton Archive/Getty Images"},"tags":["Beyoncé","Jay-Z","Paul McCartney","Bruce Springsteen","Stevie Wonder","Quincy Jones","Aretha Franklin"],"title":"Hero: Who Are The Top GRAMMY Awards Winners Of All Time? Who Has The Most GRAMMYs?","shortTitle":"Hero: Who Are The Top GRAMMY Awards Winners Of All Time? Who Has The Most GRAMMYs?","imgAlt":"Collage image featuring photos of (L-R): Aretha Franklin, Quincy Jones, Stevie Wonder, Beyoncé, Bruce Springsteen, Jay-Z, Paul McCartney","imgTitle":"Hero: Who Are The Top GRAMMY Awards Winners Of All Time? Who Has The Most GRAMMYs?","captionValue":"(L-R): Aretha Franklin, Quincy Jones, Stevie Wonder, Beyoncé, Bruce Springsteen, Jay-Z, Paul McCartney","captionSummary":"(L-R): Aretha Franklin, Quincy Jones, Stevie Wonder, Beyoncé, Bruce Springsteen, Jay-Z, Paul McCartney","originalLastUpdatedAt":1510074402,"originalCreatedAt":1494840963,"link":"https://www.grammy.com/news/who-are-the-top-grammy-awards-winners-of-all-time","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.4375,"y":0.19630542331272}},"status":"ok"}}},{"_meta":{"name":"How Much Is A GRAMMY Worth? 7 Facts To Know About The GRAMMY Award Trophy","schema":"https://therecordingacademy.com/content/news-article","deliveryKey":"news/how-much-is-a-grammy-worth-facts-grammy-award","deliveryId":"61558099-1759-4ea8-be4e-a14a9dfc45b9"},"articleCategory":["list"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b90ebee7-e532-47da-a320-8b749b218be0"}],"content":[{"_meta":{"name":"Body 1 - GRAMMYs trophys","schema":"https://therecordingacademy.com/content/body-text","deliveryId":"8565c9dc-d48e-45f6-8423-ded8d2da9aba"},"bodyText":{"richText":"\u003cspan\u003eSince 1959, the GRAMMY Award has been \u003c/span\u003e[\u003cspan\u003emusic’s most coveted honor\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e. Each year at the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards\u003c/span\u003e](https://grammy.com/awards)\u003cspan\u003e, GRAMMY-winning and -nominated artists are recognized for their musical excellence by their \u003c/span\u003e[\u003cspan\u003epeers\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e. Their lives are forever changed — so are their career trajectories. And when you have questions about the GRAMMYs, we have answers.\u003c/span\u003e\n\n\u003cspan\u003eHere are seven facts to know about the value of the GRAMMY trophy.\u003c/span\u003e\n\n## \u003cspan\u003eHow Much Does A GRAMMY Trophy Cost To Make?\u003c/span\u003e\n\n\u003cspan\u003eThe cost to produce a GRAMMY Award trophy, including labor and materials, is nearly $800. Bob Graves, who cast the original GRAMMY mold inside his garage in 1958, \u003c/span\u003e[\u003cspan\u003epassed on his legacy to John Billings\u003c/span\u003e](https://www.grammy.com/videos/the-grammy-man)\u003cspan\u003e, his neighbor, in 1983. Billings, also known as \"The GRAMMY Man,\" designed the current model in use, which debuted in 1991.\u003c/span\u003e\n\n## \u003cspan\u003eHow Long Does It Take To Make A GRAMMY Trophy?\u003c/span\u003e\n\n\u003cspan\u003eBillings and his crew work on making GRAMMY trophies throughout the year. Each GRAMMY is handmade, and each GRAMMY Award trophy takes 15 hours to produce. \u003c/span\u003e"}},{"_meta":{"name":"How Is A GRAMMY Made? Watch Behind-The-Scenes Footage Of Process","schema":"https://therecordingacademy.com/content/video-embed-player","deliveryId":"0aaf8c1c-5466-4b94-88fd-e95c139518aa"},"videoUrl":"https://youtu.be/3iiLMheKhVs?si=CT7lcGIMz4dLCsJQ"},{"_meta":{"name":"Body 2 - GRAMMYs trophies","schema":"https://therecordingacademy.com/content/body-text","deliveryId":"535b963a-5bdd-4d51-8c58-5b600444bcf9"},"bodyText":{"richText":"## \u003cspan\u003eWhere Are The GRAMMY Trophies Made?\u003c/span\u003e\n\n\u003cspan\u003eWhile Los Angeles is the headquarters of the Recording Academy and the GRAMMYs, and regularly the home of the annual GRAMMY Awards,\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eGRAMMY trophies are produced at Billings Artworks in Ridgway, Colorado, about 800 miles away from L.A.\u003c/span\u003e\n\n## \u003cspan\u003eIs The GRAMMY Award Made Of Real Gold?\u003c/span\u003e\n\n\u003cspan\u003eGRAMMY Awards are made of a trademarked alloy called \"Grammium\" — a secret zinc alloy — and are plated with 24-karat gold.\u003c/span\u003e\n\n## \u003cspan\u003eHow Many GRAMMY Trophies Are Made Per Year?\u003c/span\u003e\n\n\u003cspan\u003eApproximately 600-800 GRAMMY Award trophies are produced per year. This includes both GRAMMY Awards and Latin GRAMMY Awards for the two Academies; the number of GRAMMYs manufactured each year always depends on the number of winners and Categories we award across both award shows.\u003c/span\u003e\n\n\u003cspan\u003eFun fact: The two GRAMMY trophies have different-colored bases. The GRAMMY Award has a black base, while the Latin GRAMMY Award has a burgundy base.\u003c/span\u003e"}},{"_meta":{"name":"Photo: GRAMMY Award trophy","schema":"https://therecordingacademy.com/content/photo","deliveryId":"dd58a994-b3f7-46bd-8b18-544733b85541"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"b6833a3f-2c9a-4d8c-a5b7-8534728d045b","name":"grammys-award-trophy-latin-grammys-award","endpoint":"naras","defaultHost":"cdn.media.amplience.net"},"hasGATrackingLink":true,"title":"How Much Is A GRAMMY Worth? 7 Facts To Know About The GRAMMY Award Trophy","shortTitle":"How Much Is A GRAMMY Trophy Worth? 7 Facts To Know","link":"/"},{"_meta":{"name":"Body 3 - GRAMMYs trophys","schema":"https://therecordingacademy.com/content/body-text","deliveryId":"8e447882-8cde-4fd8-ac39-ecd6cb072c8a"},"bodyText":{"richText":"\u003cp style=\"text-align: right\"\u003e\u003cspan\u003ePhotos: Gabriel Bouys/AFP via Getty Images; Frederick M. Brown/Getty Images\u003c/span\u003e\u003c/p\u003e\n\n## **\u003cspan\u003eHow Much Does A GRAMMY Weigh?\u003c/span\u003e**\n\n\u003cspan\u003eThe GRAMMY trophy weighs approximately 5 pounds. The trophy's height is 9-and-a-half inches. The trophy's width is nearly 6 inches by 6 inches.\u003c/span\u003e\n\n## **\u003cspan\u003eWhat Is The True Value Of A GRAMMY?\u003c/span\u003e**\n\n\u003cspan\u003eWinning a GRAMMY, and even just being nominated for a GRAMMY, has an immeasurable positive impact on the nominated and winning artists. It opens up new career avenues, builds global awareness of artists, and ultimately solidifies a creator’s place in history. Since the GRAMMY Award is the only peer-voted award in music, this means artists are recognized, awarded and celebrated by those in their fields and industries, ultimately making the value of a GRAMMY truly priceless and immeasurable.\u003c/span\u003e\n\n\u003cspan\u003eIn an interview featured in the \u003c/span\u003e[\u003cspan\u003e2024 GRAMMYs program book\u003c/span\u003e](https://www.grammy.com/news/2024-program-book-read-digitally)\u003cspan\u003e, two-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eLauren Daigle\u003c/span\u003e](https://www.grammy.com/artists/lauren-daigle/18968)\u003cspan\u003e spoke of the value and impact of a GRAMMY Award. \"Time has passed since I got my \\[first\\] GRAMMYs, but the rooms that I am now able to sit in, with some of the most incredible writers, producers and performers on the planet, is truly the greatest gift of all.\" \u003c/span\u003e\n\n\u003cspan\u003e\"Once you have that credential, it's a different certification. It definitely holds weight,\" two-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eTariq \"Black Thought\" Trotter\u003c/span\u003e](https://www.grammy.com/artists/tariq-black-thought-trotter/7636)\u003cspan\u003e of \u003c/span\u003e[\u003cspan\u003ethe Roots\u003c/span\u003e](https://www.grammy.com/artists/roots/7842)\u003cspan\u003e added. \"It's a huge stamp as far as branding, businesswise, achievement-wise and in every regard. What the GRAMMY means to people, fans and artists is ever-evolving.\" \u003c/span\u003e\n\n\u003cspan\u003eAs \u003c/span\u003e*[\u003cspan\u003eBillboard\u003c/span\u003e](https://www.billboard.com/music/awards/billboard-explains-what-grammy-award-win-means-1235053015/)* [\u003cspan\u003eexplains\u003c/span\u003e](https://www.billboard.com/music/awards/billboard-explains-what-grammy-award-win-means-1235053015/)\u003cspan\u003e, artists will often see \u003c/span\u003e[\u003cspan\u003esignificant boosts in album sales and streaming numbers\u003c/span\u003e](https://www.grammy.com/news/2023-grammys-winners-albums-sales-increase-spotify-streams-bump-billboard-charts-bad-bunny-beyonce-harry-styles-kendrick-lamar-adele)\u003cspan\u003e after winning a GRAMMY or performing on the GRAMMY stage. This is known as the \"GRAMMY Effect,\" an industry phenomenon in which a GRAMMY accolade directly influences the music biz and the wider popular culture. \u003c/span\u003e\n\n\u003cspan\u003eFor new artists in particular, the \"GRAMMY Effect\" has immensely helped rising creators reach new professional heights. \u003c/span\u003e[\u003cspan\u003eSamara Joy\u003c/span\u003e](https://www.grammy.com/artists/samara-joy/51872)\u003cspan\u003e, who \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for Best New Artist\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys/samara-joy-best-new-artist-2023-grammys-speech-rewind)\u003cspan\u003e at the \u003c/span\u003e[\u003cspan\u003e2023 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2023-grammy-nominations-complete-winners-nominees-list)\u003cspan\u003e, saw a 989% boost in sales and a 670% increase in on-demand streams for her album \u003c/span\u003e*\u003cspan\u003eLinger Awhile\u003c/span\u003e*\u003cspan\u003e, which won the GRAMMY for Best Jazz Vocal Album that same night. \u003c/span\u003e[\u003cspan\u003eH.E.R.\u003c/span\u003e](https://www.grammy.com/artists/her/243298)\u003cspan\u003e, a \u003c/span\u003e[\u003cspan\u003eformer Best New Artist nominee\u003c/span\u003e](https://www.grammy.com/news/find-out-whos-nominated-best-new-artist-2019-grammy-awards)\u003cspan\u003e, saw a massive 6,771% increase in song sales for her hit “I Can’t Breathe” on the day it \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for Song Of The Year\u003c/span\u003e](https://www.grammy.com/videos/her-wins-song-year-2021-grammy-awards-show-acceptance-speech)\u003cspan\u003e at the \u003c/span\u003e[\u003cspan\u003e2021 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2021-grammys-complete-winners-nominees-list)\u003cspan\u003e, compared to the day before, \u003c/span\u003e[\u003cspan\u003eRolling Stone reports\u003c/span\u003e](https://www.rollingstone.com/music/music-news/megan-thee-stallion-folklore-watermelon-sugar-grammys-1143402/)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eThroughout the decades, past Best New Artist winners have continued to dominate the music industry and charts since taking home the GRAMMY gold — and continue to do so to this day. Recently, Best New Artist winners dominated the music industry and charts in 2023: Billie Eilish (\u003c/span\u003e[\u003cspan\u003e2020 winner\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-wins-best-new-artist-2020-grammys)\u003cspan\u003e) sold 2 million equivalent album units, \u003c/span\u003e[\u003cspan\u003eOlivia Rodrigo\u003c/span\u003e](https://grammy.com/artists/Olivia-Rodrigo/38411)\u003cspan\u003e (\u003c/span\u003e[\u003cspan\u003e2022 winner\u003c/span\u003e](https://www.grammy.com/news/olivia-rodrigo-wins-best-new-artist-2022-grammys)\u003cspan\u003e) sold 2.1 million equivalent album units, and \u003c/span\u003e[\u003cspan\u003eAdele\u003c/span\u003e](https://grammy.com/artists/adele/528)\u003cspan\u003e (\u003c/span\u003e[\u003cspan\u003e2009 winner\u003c/span\u003e](https://www.grammy.com/news/2021-grammy-rewind-adele-wins-best-new-artist-2009)\u003cspan\u003e) sold 1.3 million equivalent album units. Elsewhere, past Best New Artist winners have gone on to star in major Hollywood blockbusters (\u003c/span\u003e[\u003cspan\u003eDua Lipa\u003c/span\u003e](https://grammy.com/artists/dua-lipa/243376)\u003cspan\u003e); headline arena tours and sign major brand deals (\u003c/span\u003e[\u003cspan\u003eMegan Thee Stallion\u003c/span\u003e](https://grammy.com/artists/Megan-Pete/35996)\u003cspan\u003e); become LGBTIA+ icons (\u003c/span\u003e[\u003cspan\u003eSam Smith\u003c/span\u003e](https://grammy.com/artists/sam-smith/18713)\u003cspan\u003e); and reach multiplatinum status (\u003c/span\u003e[\u003cspan\u003eJohn Legend\u003c/span\u003e](https://grammy.com/artists/john-legend/16994)\u003cspan\u003e).\u003c/span\u003e"}},{"_meta":{"name":"Nomad - Victoria Monet Best New Artist","schema":"https://therecordingacademy.com/content/brightcove-video-player","deliveryId":"5f24bd01-1baa-4513-b690-a323efbedf3e"},"assetId":"b1138e1e-43d1-48fd-b45e-2d260f87be22","theme":"Grammy (Gold)"},{"_meta":{"name":"Body 4 - How Much Is A GRAMMY Trophy Worth? 7 Facts To Know","schema":"https://therecordingacademy.com/content/body-text","deliveryId":"432b13aa-c875-46d1-8536-616f4c4bca1b"},"bodyText":{"richText":"\u003cspan\u003eMost recently, several winners, nominees and performers at the \u003c/span\u003e[\u003cspan\u003e2024 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e saw \u003c/span\u003e[\u003cspan\u003esignificant bumps in U.S. streams and sales\u003c/span\u003e](https://www.billboard.com/pro/2024-grammy-bump-taylor-swift-billboard-charts/)\u003cspan\u003e: \u003c/span\u003e[\u003cspan\u003eTracy Chapman\u003c/span\u003e](https://grammy.com/artists/tracy-chapman/878)\u003cspan\u003e's classic, GRAMMY-winning single \"Fast Car,\" which \u003c/span\u003e[\u003cspan\u003eshe performed\u003c/span\u003e](https://www.grammy.com/news/luke-combs-tracy-chapman-fast-car-2024-grammys-performance)\u003cspan\u003e alongside \u003c/span\u003e[\u003cspan\u003eLuke Combs\u003c/span\u003e](https://www.grammy.com/artists/luke-combs/243187)\u003cspan\u003e, returned to the Billboard Hot 100 chart for the first time since 1988, when the song was originally released, \u003c/span\u003e[\u003cspan\u003eaccording to \u003c/span\u003e](https://www.billboard.com/pro/2024-grammys-winners-streams-sales-tracy-chapman/)*[\u003cspan\u003eBillboard\u003c/span\u003e](https://www.billboard.com/pro/2024-grammys-winners-streams-sales-tracy-chapman/)*\u003cspan\u003e. Fellow icon \u003c/span\u003e[\u003cspan\u003eJoni Mitchell\u003c/span\u003e](https://grammy.com/artists/joni-mitchell/11174)\u003cspan\u003e saw her ‘60s classic “Both Sides, Now,” hit the top 10 on the Digital Song Sales chart, \u003c/span\u003e*[\u003cspan\u003eBillboard\u003c/span\u003e](https://www.billboard.com/pro/2024-grammys-winners-streams-sales-tracy-chapman/)* [\u003cspan\u003ereports\u003c/span\u003e](https://www.billboard.com/pro/2024-grammys-winners-streams-sales-tracy-chapman/)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eIn addition to financial gains, artists also experience significant professional wins as a result of their GRAMMY accolades. For instance, after she won the GRAMMY for Best Reggae Album for \u003c/span\u003e*\u003cspan\u003eRapture\u003c/span\u003e* \u003cspan\u003eat the \u003c/span\u003e[\u003cspan\u003e2020 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2020-grammy-awards-nominations-complete-winners-list)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKoffee\u003c/span\u003e](https://www.grammy.com/artists/koffee/251849)\u003cspan\u003e signed a U.S. record deal; after his \u003c/span\u003e[\u003cspan\u003efirst GRAMMYs in 2014\u003c/span\u003e](https://www.grammy.com/awards/56th-annual-grammy-awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e saw a 349% increase in his Instagram following, \u003c/span\u003e*\u003cspan\u003eBillboard\u003c/span\u003e*\u003cspan\u003e reports. \u003c/span\u003e\n\n\u003cspan\u003eVisit our \u003c/span\u003e[\u003cspan\u003einteractive GRAMMY Awards Journey page\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e to learn more about the GRAMMY Awards and the voting process behind the annual ceremony.\u003c/span\u003e\n\n[\u003cspan\u003e2024 GRAMMYs: See The Full Winners \u0026amp; Nominees List\u003c/span\u003e](https://www.grammy.com/news/2024-grammys-nominations-full-winners-nominees-list)"}}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"dd289ae3-2dd3-435e-ab50-89f24f48dcaf"},"tags":["2024 GRAMMYs","GRAMMY Award","Recording Academy","Latin GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1714580608578,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"How Much Is A GRAMMY Worth? 7 Facts To Know About The GRAMMY Award Trophy","shortTitle":"How Much Is A GRAMMY Trophy Worth? 7 Facts To Know","subHeadline":"Here are seven facts to know about the actual cost and worth of a GRAMMY trophy, presented once a year by the Recording Academy at the GRAMMY Awards.","articleSummary":"Here are seven facts to know about the actual cost and worth of a GRAMMY trophy, presented once a year by the Recording Academy at the GRAMMYs Awards.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2022 GRAMMYs - Nominations Announcement","deliveryId":"dd289ae3-2dd3-435e-ab50-89f24f48dcaf"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2022-grammys-casbah_general_12_1920x1080.jpeg","id":"ce530524-58a5-48a3-9c30-ba44e9126ac5","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"\u003cp\u003ePhoto: Jathan Campbell\u003c/p\u003e\n"},"tags":["2022 GRAMMYs","64th GRAMMY Awards","Nominations"],"title":"Hero: 2022 GRAMMYs - Nominations Announcement","shortTitle":"Hero: 2022 GRAMMYs - Nominations Announcement","imgAlt":"Photo of a gold GRAMMY trophy against a black background with white lights.","link":"/","captionValue":"GRAMMY Award statue","year":"2021-01-01T05:00:00.000Z","originalLastUpdatedAt":1632231935,"originalCreatedAt":1632229166,"imgTitle":"Hero: 2022 GRAMMYs - Nominations Announcement","captionSummary":"GRAMMY Award statue","poi":{"isImage":true,"alpha":false,"width":1920,"height":1080,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"The Impact of a GRAMMY Win: Life After The Award","deliveryKey":"news/impact-of-winning-grammy-award-linda-ronstadt-kabaka-pyramid-antonio-sanchez-ile-white-sun","deliveryId":"f3f9f004-0efa-4224-82a8-7ecf6d484c50"},"articleCategory":["interview"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"0c1a0859-8aa8-4d77-9bb1-e543f365e0c4"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"The Impact of a GRAMMY Win body 1","deliveryId":"6b4a02b9-cc3d-4e45-93f2-e41400bc1c3b"},"bodyText":{"richText":"\u003cspan\u003eGRAMMY season is upon us — which means \u003c/span\u003e[\u003cspan\u003evoting for\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003esubmitted works\u003c/span\u003e](https://www.recordingacademy.com/news/2025-grammys-online-entry-process-how-to-guide-now-open)\u003cspan\u003e, watching the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY nominations\u003c/span\u003e](https://www.grammy.com/news/how-to-watch-2025-grammys-nominations-livestream-live)\u003cspan\u003e on Friday, Nov. 8, and seeing who will take home golden gramophones at the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e on Sunday, Feb. 2. \u003c/span\u003e\n\n\u003cspan\u003eOver 66 awards ceremonies, GRAMMY Awards have elevated careers, sparked cultural shifts, and cemented legacies. For artists, musicians and music industry professionals, a GRAMMY win can be a game-changing moment, unlocking new opportunities for collaboration and enhancing global recognition. Often, a GRAMMY win becomes a pivotal milestone in an artist’s career. \u003c/span\u003e\n\n**\u003cspan\u003eLearn more:\u003c/span\u003e** [\u003cspan\u003eHow Much Is A GRAMMY Worth? 7 Facts To Know About The GRAMMY Award Trophy\u003c/span\u003e](https://www.grammy.com/news/how-much-is-a-grammy-worth-facts-grammy-award)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eWhat happens after an artist or music professional wins a GRAMMY? For many, it's a life-changing moment, but the path that follows can be as unique as the music that earned them the accolade. \u003c/span\u003e\n\n\u003cspan\u003eAhead of the 2025 GRAMMY Awards, officially known as the 67th GRAMMY Awards, five GRAMMY-winning artists — icon \u003c/span\u003e[\u003cspan\u003eLinda Ronstadt\u003c/span\u003e](https://grammy.com/artists/linda-ronstadt/6742)\u003cspan\u003e, transformative artist \u003c/span\u003e[\u003cspan\u003eWhite Sun\u003c/span\u003e](https://grammy.com/artists/white-sun/20167)\u003cspan\u003e, reggae artist\u003c/span\u003e[\u003cspan\u003e Kabaka Pyramid\u003c/span\u003e](https://grammy.com/artists/kabaka-pyramid/52072)\u003cspan\u003e, Puerto Rican singer \u003c/span\u003e[\u003cspan\u003eiLe\u003c/span\u003e](https://grammy.com/artists/ile/19793)\u003cspan\u003e, and acclaimed jazz drummer \u003c/span\u003e[\u003cspan\u003eAntonio Sánchez\u003c/span\u003e](https://grammy.com/artists/antonio-sanchez/6087)\u003cspan\u003e — discuss how winning a GRAMMY has affected their careers and creativity. \u003c/span\u003e\n\n## \u003cspan\u003eLinda Ronstadt\u003c/span\u003e\n\n**\u003cspan\u003eNumber of GRAMMY Awards:\u003c/span\u003e** \u003cspan\u003e11\\\n\u003c/span\u003e**\u003cspan\u003eFirst GRAMMY Won:\u003c/span\u003e** \u003cspan\u003eBest Country Vocal Performance, Female for \"I Can't Help It (If I'm Still In Love With You),\" 1976 GRAMMYs\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Linda Ronstadt GRAMMY Rewind 1977","deliveryId":"157a4733-9917-4c38-a71c-117e219f1ec2"},"assetId":"c6a0f07d-accf-4ee0-bd60-6586b4494bb7","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"The Impact of a GRAMMY Win body 2","deliveryId":"ff6ccab9-eea7-4a1b-acde-b6719b529347"},"bodyText":{"richText":"\u003cspan\u003e A trailblazing figure, Linda Ronstadt is known for her remarkable versatility and powerful voice that transcends genres. Over four decades, Ronstadt broke boundaries not only in her music, but also in her advocacy for artists' rights and political causes.\u003c/span\u003e\n\n\u003cspan\u003eMusically, Ronstadt defied industry norms by crossing over from rock and country, while also embracing diverse genres such as opera and jazz. Ronstadt honored her Mexican heritage via multiple Spanish-language albums, including 1987's \u003c/span\u003e*\u003cspan\u003eCanciones de Mi Padre\u003c/span\u003e*\u003cspan\u003e. That album highlighted traditional Mexican mariachi music and became \u003c/span\u003e[\u003cspan\u003ethe best-selling non-English language album in U.S. history\u003c/span\u003e](https://www.loc.gov/static/programs/national-recording-preservation-board/documents/Canciones-de-Mi-Padre_Sheehy.pdf)\u003cspan\u003e, playing a key role in bringing Latin music into the mainstream spotlight. The album took home a golden gramophone for Best Mexican-American Performance at the 31st GRAMMY Awards.\u003c/span\u003e\n\n\u003cspan\u003eRonstadt has 11 career GRAMMY Awards, as well as a \u003c/span\u003e[Latin Recording Academy Lifetime Achievement Award](https://www.latingrammy.com/en/awards/lifetime-achievement-awards)\u003cspan\u003e and a \u003c/span\u003e[\u003cspan\u003eRecording Academy Lifetime Achievement Award\u003c/span\u003e](https://www.grammy.com/awards/lifetime-achievement-awards)\u003cspan\u003e. But her journey didn't end with the wins, the last of which came during the 63rd GRAMMY Awards for Best Music Film.\u003c/span\u003e\n\n\u003cspan\u003eRonstadt points to her early wins as the beginning of a new chapter characterized by continued growth and dedication. While the GRAMMY Award is recognition, it doesn't instantly transform an artist's skills or career. “Winning a GRAMMY did not make me a better singer,\" Ronstadt tells GRAMMY.com. \"It took several more years of hard work to do that. But it is always nice to have your work validated.” \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eLinda Ronstadt's Timeless Appeal\u003c/span\u003e](https://www.grammy.com/news/linda-ronstadts-timeless-appeal)\n\n## **\u003cspan\u003eAntonio Sánchez\u003c/span\u003e**\n\n**\u003cspan\u003eNumber of GRAMMY Awards:\u003c/span\u003e** \u003cspan\u003e5\u003c/span\u003e**\\\n\u003cspan\u003eFirst GRAMMY Won:\u003c/span\u003e** \u003cspan\u003eBest Contemporary Jazz Album,\u003c/span\u003e *\u003cspan\u003eSpeaking Of Now\u003c/span\u003e*\u003cspan\u003e, 2003 GRAMMYs\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"The Impact of a GRAMMY Win - Antonio Sánchez wins Best Score Soundtrack for Visual Media for 'Birdman'","deliveryId":"6200d4c4-248a-4c0a-a9af-8dc92bbc28e3"},"videoUrl":"https://www.youtube.com/watch?v=y1lFNJ0M-z8"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"The Impact of a GRAMMY Win body 3","deliveryId":"bb84b017-66fe-4ace-b48d-55ee3aaf6795"},"bodyText":{"richText":"\u003cspan\u003eDrummer and composer Antonio Sánchez gained widespread recognition for his collaborations with jazz guitar legend \u003c/span\u003e[\u003cspan\u003ePat Metheny\u003c/span\u003e](https://grammy.com/artists/pat-metheny/9425)\u003cspan\u003e and icons such as \u003c/span\u003e[\u003cspan\u003eChick Corea\u003c/span\u003e](https://www.grammy.com/artists/chick-corea/9341)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eGary Burton\u003c/span\u003e](https://grammy.com/artists/gary-burton/1410)\u003cspan\u003e. Beyond jazz, Sánchez made a significant mark on film, most notably with his groundbreaking score for the 2014 Oscar-winning film \u003c/span\u003e*\u003cspan\u003eBirdman\u003c/span\u003e*\u003cspan\u003e, directed by Alejandro González Iñárritu. Sánchez's GRAMMY Awards reflect his ability to push the boundaries of music and have shaped his career.\u003c/span\u003e\n\n\u003cspan\u003e\"I’m humbled and honored to have received GRAMMY Awards, and they have certainly expanded an awareness of what I do to those unfamiliar,\" he explains. \u003c/span\u003e\n\n\u003cspan\u003eWhile Sánchez doesn’t believe anyone hires him solely because of his awards, the wins have undoubtedly brought more attention to his work. He recalls his first GRAMMY win over 20 years ago with \u003c/span\u003e[\u003cspan\u003eThe Pat Metheny Group\u003c/span\u003e](https://grammy.com/artists/pat-metheny-group/15894)\u003cspan\u003e: \"I’ll never forget the moment I held it in my hands — and being surprised by its weight,\" Sánchez says. That win supercharged his passion for music, reinforcing his desire to surround himself with the highest caliber musicians and continue striving for excellence.\\\n\\\nFor aspiring musicians, Sánchez emphasizes the importance of staying true to one’s creative process. \"Try not to think of awards, accolades, or public opinion in your creative process,\" he advises. Instead, he encourages artists to focus on what they love and give it their all. For Sánchez, the pressure to deliver is always present, but he believes that pursuing awards should not be the goal. \u003c/span\u003e\n\n\u003cspan\u003e\"Your virtue is its own reward — the best reward,\" he says, reminding artists that if they work hard enough, recognition and awards like the GRAMMYs will follow. \u003c/span\u003e\n\n## \u003cspan\u003eKabaka Pyramid\u003c/span\u003e\n\n**\u003cspan\u003eNumber of GRAMMY Awards:\u003c/span\u003e** \u003cspan\u003e1\\\n\u003c/span\u003e**\u003cspan\u003eFirst GRAMMY Won:\u003c/span\u003e**\u003cspan\u003e Best Reggae Album for \u003c/span\u003e*\u003cspan\u003eThe Kalling\u003c/span\u003e*\u003cspan\u003e, 2023 GRAMMYs\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kabaka Pyramid Backstage Embed","deliveryId":"25a40adf-659b-4cdc-b3d5-32329c5d3f45"},"brightcoveId":"0461316e-9ac2-4893-a080-aca162a9773e","theme":"Grammy (Gold)","assetId":"0461316e-9ac2-4893-a080-aca162a9773e"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"The Impact of a GRAMMY Win body 4","deliveryId":"305c5438-3b6a-4cd2-ac60-9e1044374f5e"},"bodyText":{"richText":"Kingston, Jamaica, native Kabaka Pyramid is known for blending traditional roots reggae with elements of hip-hop and dancehall. His music is celebrated for its socially conscious messages, tackling topics such as inequality, spirituality, and cultural empowerment. Kabaka's unique style and powerful lyrics have attracted a global audience, establishing him as a leading figure in modern reggae.\n\n\u003cspan\u003eKabaka acknowledges that winning a GRAMMY has impacted all aspects of his career. \"I can say just about every area has been elevated to some degree,\" he shares. This success has led to everything from bigger financial offers to more shows, as well as increased publicity and social media growth. He’s also had the chance to travel to new places and noted a greater respect within the industry.\u003c/span\u003e\n\n\u003cspan\u003eHowever, with success comes challenges. Kabaka shared that he feels heightened expectations to perform, and notes that he's received some \"absurd requests\" to perform from people who want to benefit from their association with him. He added that some people who knew him before he won a GRAMMY now interact with him differently, which can feel strange at times.\u003c/span\u003e\n\n*\u003cspan\u003eThe Kalling\u003c/span\u003e*\u003cspan\u003e's GRAMMY win has given Kabaka Pyramid more inspiration and motivation to strive for greatness, though his approach to making music has not changed fundamentally. \"It’s the same process as before, but more mindful of the details to ensure the standard is always being raised,\" he explains. The artist advises aspiring musicians to \"stay grounded but reach for the stars.\u003c/span\u003e\n\n\u003cspan\u003e\"It's important to consciously know what you're about and what you stand for,\" he advises.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eMeet The First-Time GRAMMY Nominee: Kabaka Pyramid On Embracing His Voice \u0026amp; The Bold Future Of Reggae\u003c/span\u003e](https://www.grammy.com/news/meet-the-first-time-grammy-nominee-kabaka-pyramid-future-of-reggae-2023-grammys)\n\n## **\u003cspan\u003eiLe\u003c/span\u003e**\n\n**\u003cspan\u003eNumber of GRAMMY Awards:\u003c/span\u003e** \u003cspan\u003e1\u003c/span\u003e**\\\n\u003cspan\u003eFirst GRAMMY Won:\u003c/span\u003e** \u003cspan\u003eBest Latin Rock, Urban or Alternative Album for\u003c/span\u003e *\u003cspan\u003eiLevitable\u003c/span\u003e*\u003cspan\u003e, 2017 GRAMMYs\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"The Impact of a GRAMMY Win - iLe tweet embed","deliveryId":"14f1a649-8c55-499f-8838-b12b54b3590a"},"tweetId":"830967885455581184"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"The Impact of a GRAMMY Win body 5","deliveryId":"a0afc082-d2d9-4687-935c-1d8959a1fa02"},"bodyText":{"richText":"\u003cspan\u003eiLe possesses a powerful and distinct voice. Her solo career is defined by evocative lyrics and a style that fuses the traditional sounds of Latin America with modern musical elements.\u003c/span\u003e\n\n\u003cspan\u003eBorn Ileana Mercedes Cabra Joglar in Puerto Rico, iLe grew up surrounded by creativity, with a family deeply involved in the arts. During her teenage years, iLe collaborated with her siblings, \u003c/span\u003eRené Pérez Joglar ([Residente](https://www.grammy.com/artists/residente/188431))\u003cspan\u003e and Eduardo Cabra (\u003c/span\u003e[Visitante](https://www.grammy.com/artists/eduardo-cabra/7391))\u003cspan\u003e, to take on the role of lead singer for their group, \u003c/span\u003e[\u003cspan\u003eCalle 13\u003c/span\u003e](https://grammy.com/artists/calle-13/7741)\u003cspan\u003e. Her commanding voice and captivating stage presence played a crucial role in defining the band's unique meld of hip-hop, rock, and traditional Latin music.\u003c/span\u003e\n\n\u003cspan\u003eiLe says her win at the 59th GRAMMY Awards was an unexpected yet rewarding experience. The greatest reward was celebrating the achievement. \"Working on an album is already hard enough, and every album you get to release is literally that: a release, a satisfaction, a transition into something new,\" she shares.\u003c/span\u003e\n\n\u003cspan\u003eWhile the GRAMMY brought new opportunities, iLe emphasizes that she’s most thankful for the chance to continue making music. \"I feel grateful to have had opportunities like this to expand my music, but I feel even more grateful to be doing what I love,\" she reflects.\\\n\\\niLe notes that the award didn’t change the themes she explores in her music, which are grounded in honesty and a deep connection to her culture. She encourages other Latin artists to work hard and stay authentic. \"Don’t feel the need to turn into something you’re not just to feel some sort of approval or validation,\" she advises, adding that musicians should continue to explore their own paths and enjoy the journey.\u003c/span\u003e\n\n## \u003cspan\u003eWhite Sun\u003c/span\u003e\n\n**\u003cspan\u003eNumber of GRAMMY Awards:\u003c/span\u003e**\u003cspan\u003e 2\u003c/span\u003e\\\n**\u003cspan\u003eFirst GRAMMY Won:\u003c/span\u003e**\u003cspan\u003e Best New Age Album for \u003c/span\u003e*\u003cspan\u003eWhite Sun II\u003c/span\u003e*\u003cspan\u003e, 2017 GRAMMYs\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"White Sun Backstage Embed","deliveryId":"68e93ab4-931a-4bb1-9420-67ea5686800a"},"brightcoveId":"7a15bb7b-87ba-4bf7-81a9-7a9d8feb506e","theme":"Grammy (Gold)","assetId":"7a15bb7b-87ba-4bf7-81a9-7a9d8feb506e"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"The Impact of a GRAMMY Win: Life After The Award body 6","deliveryId":"6bbc7074-df64-46f8-a1d2-12a9ba8f00ad"},"bodyText":{"richText":"\u003cspan\u003eWhite Sun seamlessly merges ancient yogic mantras with modern music to create a sound that’s both unique and meditative. Led by vocalist Gurujas, with multi-instrumentalist Adam Berry and percussionist Harijiwan, the group is known for their calming, spiritual music that promotes mindfulness and wellness. \u003c/span\u003e\n\n\u003cspan\u003eWhite Sun first won Best New Age Album at the 2017 GRAMMYs for \u003c/span\u003e*\u003cspan\u003eWhite Sun II\u003c/span\u003e*\u003cspan\u003e — the first all-mantra album to win the award — and their second win came in the renamed category six years later for \u003c/span\u003e*\u003cspan\u003eMystic Mirror\u003c/span\u003e*\u003cspan\u003e. White Sun believes winning a GRAMMY broadened the recognition of their work.\u003c/span\u003e\n\n\u003cspan\u003e\"There is no question that our two GRAMMY wins gave us a bump in listenership,\" they note, explaining that they experienced a surge of interest following each win. The results go beyond new fans, however.\u003c/span\u003e\n\n\u003cspan\u003e\"Just like any other artist, every time we make a song, we aspire to create emotional impact, compelling melody, high production quality, and innovative lyricism,\" the group says, adding that their music exceeds these goals by using frequencies that positively affect the body, resulting in \"countless stories of physical and mental healing from all over the world.\" \u003c/span\u003e\n\n\u003cspan\u003eWhite Sun remains committed to their artistic integrity. Gurujas says winning the GRAMMY has only strengthened her resolve to \"stay true to the creative force within me and honor the music above all else.\" She advises fellow artists navigating the post-GRAMMY experience to stay prolific, humble, and true to oneself. \u003c/span\u003e\n\n\u003cspan\u003e\"If you fall into the trap of trying to create music you think other people want to hear, your success will be ephemeral, and your music will be forgotten,\" she warns, urging artists to focus on what they want to leave behind.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"_meta":{"name":"The Impact of a GRAMMY Win: Life After The Award hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c78f4d42-aaf6-4acb-9563-3c238699c181","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Reggae","Latin","New Age"],"tags":["2025 GRAMMYs","Kabaka Pyramid","ile","White Sun","antonio sanchez","Linda Ronstadt"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1730998620666,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"The Impact Of A GRAMMY Win: Life After The Award","shortTitle":"The Impact Of A GRAMMY Win: Life After The Award","subHeadline":"What happens after Music's Biggest Night? GRAMMY winners Linda Ronstadt, White Sun, Kabaka Pyramid, iLe, and Antonio Sánchez reflect on their victories and discuss how winning a GRAMMY Award has impacted their careers.","articleSummary":"What happens after Music's Biggest Night? GRAMMY winners Linda Ronstadt, White Sun, Kabaka Pyramid, iLe, and Antonio Sánchez reflect on their victories and discuss how winning a GRAMMY Award has impacted their careers.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"The Impact of a GRAMMY Win: Life After The Award hero","deliveryId":"c78f4d42-aaf6-4acb-9563-3c238699c181"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"impact-of-a-grammy-win","id":"7b1ac6bb-bcf0-4dac-8859-18a5d905e2ce","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photos: \u003cspan\u003eJason Kempin/WireImage\u003c/span\u003e; \u003cspan\u003eBob Riha, Jr./Getty Images;\u003c/span\u003e \u003cspan\u003eAmy Sussman/Getty Images\u003c/span\u003e; \u003cspan\u003eBenjo Arwas/Contour by Getty Images\u003c/span\u003e; \u003cspan\u003eJay L. Clendenin / Los Angeles Times via Getty Images\u003c/span\u003e"},"tags":["Linda Ronstadt","White Sun","Kabaka Pyramid","iLe","Antonio Sanchez"],"title":"The Impact of a GRAMMY Win: Life After The Award","shortTitle":"The Impact of a GRAMMY Win: Life After The Award","imgTitle":"The Impact of a GRAMMY Win: Life After The Award","link":"/","captionValue":"(Clockwise from left) Antonio Sánchez, Linda Ronstadt, iLe, Kabaka Pyramid, White Sun","imgAlt":"GRAMMY winners Antonio Sánchez, Linda Ronstadt, iLe, Kabaka Pyramid, White Sun with their awards","poi":{"isImage":true,"alpha":false,"width":1622,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.21881838074398,"x":0.57712581634521,"y":0.36795918738033}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs To Take Place Sunday, Feb. 2, Live In Los Angeles; GRAMMY Awards Nominations To Be Announced Friday, Nov. 8, 2024","deliveryKey":"news/2025-grammys-show-air-date-announced","deliveryId":"9cc515ce-b64b-412c-bad8-17630b84f1d0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"088e5a6c-f55a-4048-8723-7cf020fab65a"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text: 2025 GRAMMYs Key Dates Announcement","deliveryId":"090f7687-a5c0-49f7-b729-0a950d8c01c7"},"bodyText":{"richText":"\u003cspan\u003eMusic's Biggest Night is back! The \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e will take place \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, live at Crypto.com Arena in Los Angeles, the Recording Academy announced today. The 2025 GRAMMYs will broadcast live on the CBS Television Network and stream live and on demand on Paramount+. As well, nominations for the 2025 GRAMMYs will be announced \u003c/span\u003e**\u003cspan\u003eFriday, Nov. 8, 2024\u003c/span\u003e**\u003cspan\u003e. See the full list of key dates and deadlines for the 2025 GRAMMYs, officially known as the 67th Annual GRAMMY Awards, below.\u003c/span\u003e\n\nKey dates for the 2025 GRAMMY Awards season are as follows:\n\nSept. 16, 2023 – Aug. 30, 2024\\\n**Product Eligibility Period**\\\n*The period by which recordings are submitted for GRAMMY consideration. All releases must be available for sale, via general distribution, to the public by this date and through at least the date of the current year’s voting deadline (final ballot) to be eligible for the 2025 GRAMMY Awards.*\n\nJuly 8, 2024 – Aug. 23, 2024\\\n**Media Company Registration Period**\\\n*Media companies must [apply for registration](https://www.recordingacademy.com/awards/media-company-registration-and-online-entry-process-oep) with the Recording Academy to submit recordings.*\n\nJuly 17, 2024 – Aug. 30, 2024\\\n**Online Entry Period**\\\n*All eligible recordings must be entered prior to the close of the Online Entry Period, regardless of the public release date.*\n\nOct. 4, 2024 – Oct. 15, 2024\\\n**First Round Voting**\\\n*First Round Voting determines all the GRAMMY nominees for each GRAMMY Awards year.*\n\nNov. 8, 2024\\\n**Nominees Announced for the 2025 GRAMMY Awards**\\\n*Announcing the official nominees list for the 2025 GRAMMYs.*\n\nDec. 12, 2024 – Jan. 3, 2025\\\n**Final Round Voting**\\\n*Determines the GRAMMY winners across all categories revealed on GRAMMY night.*\n\nFeb. 2, 2025\\\n**2025 GRAMMY Awards**\\\n*Music's Biggest Night, recognizing excellence in the recording arts and sciences.*\n\nThis February, the [2024 GRAMMYs](https://www.grammy.com/news/2024-grammys-nominations-full-winners-nominees-list) proved to be an epic, history-making night. [Women dominated the 2024 GRAMMYs](https://www.grammy.com/news/2024-grammys-ways-women-dominated-taylor-swift-sza-boygenius): For the second time in four years, women won in the majority of the General Field Categories, winning [Album Of The Year](https://www.grammy.com/news/taylor-swift-album-of-the-year-2024-grammys-speech) ([Taylor Swift](https://grammy.com/artists/taylor-swift/15450)), [Song Of The Year](https://www.grammy.com/news/2024-grammys-billie-eilish-wins-song-of-the-year-what-was-i-made-for-barbie) ([Billie Eilish](https://grammy.com/artists/billie-eilish/251741)), [Record Of The Year](https://www.grammy.com/news/miley-cyrus-wins-record-of-the-year-flowers) ([Miley Cyrus](https://grammy.com/artists/miley-cyrus/18384)), and [Best New Artist](https://www.grammy.com/news/2024-grammys-victoria-monet-best-new-artist-win) ([Victoria Monét](https://grammy.com/artists/victoria-monet/287096)). Elsewhere, Taylor Swift [broke the all-time record](https://www.grammy.com/news/taylor-swift-album-of-the-year-2024-grammys-speech) for most GRAMMY wins in the Album Of The Year Category after winning for *[Midnights](https://www.grammy.com/news/taylor-swift-midnights-new-album-takeaways-songs-anti-hero-lavender-haze-reputation-lover-tiktok-3am-tracks-edition)*. [Tyla](https://www.grammy.com/artists/tyla/54172) won the [first-ever GRAMMY Award](https://www.grammy.com/news/tyla-wins-first-best-african-music-performance-award-2024-grammys) for [Best African Music Performance](https://www.grammy.com/news/best-african-music-performance-category-2024-grammys-roundtable), one of [three new GRAMMY Categories that debuted this year](https://www.grammy.com/news/three-new-categories-added-for-the-2024-grammys).\n\nThe 2024 GRAMMYs also [celebrated the return of music legends](https://www.grammy.com/news/grammys-2024-performances-speeches-icons-rising-stars), including [Tracy Chapman](https://grammy.com/artists/tracy-chapman/878), [Joni Mitchell](https://www.grammy.com/artists/joni-mitchell/11174) and [Celine Dion](https://grammy.com/artists/celine-dion/1762), and ushered in new music icons-in-the-making like Victoria Monét, [Samara Joy](https://www.grammy.com/artists/samara-joy/51872) and Tyla. Relive some of the [must-see moments](https://www.grammy.com/news/2024-grammys-best-moments-must-see-highlights-videos) and [memorable, heartwarming acceptance speeches](https://www.grammy.com/news/10-acceptance-speeches-laugh-cry-smile-2024-grammys) from the 2024 GRAMMYs. And \u003cspan\u003erewatch all of the performances and key highlights from the 2024 GRAMMYs all year long on \u003c/span\u003e[\u003cspan\u003eLive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eLearn more about the \u003c/span\u003e[\u003cspan\u003eupcoming 2025 GRAMMY Awards season\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e and the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The 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GRAMMYs: Meet The Nominees"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"a32b4a06-241e-468d-a2eb-7273d514c5d2"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","67th Annual GRAMMY Awards"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1716296379961,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs To Take Place Sunday, Feb. 2, Live In Los Angeles; GRAMMY Awards Nominations To Be Announced Friday, Nov. 8, 2024","shortTitle":"2025 GRAMMYs Announced: Feb. 2 Live In Los Angeles","subHeadline":"The 2025 GRAMMYs return to Los Angeles on Sunday, Feb. 2. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8. Learn more about the key dates and deadlines ahead of Music's Biggest Night.","articleSummary":"The 2025 GRAMMYs return to Los Angeles on Sunday, Feb. 2. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8. Learn more about the key dates and deadlines ahead of Music's Biggest Night.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs Key Dates Announcement","deliveryId":"a32b4a06-241e-468d-a2eb-7273d514c5d2"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammys_nominations_show_air_date_announcement_67_grammy_awards_1644x925_updated4","id":"e0b7287b-1d52-4d43-a660-b77b8b6e5e78","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic Courtesy of the Recording Academy"},"tags":["2025 GRAMMYs","67th Annual GRAMMY Awards"],"title":"Hero: 2025 GRAMMYs Key Dates Announcement","shortTitle":"Hero: 2025 GRAMMYs Key Dates Announcement","imgTitle":"Image featuring the key dates for the 2025 GRAMMYs. The image features a gold GRAMMY Award trophy in the spotlight with the Recording Academy logo and several important dates regarding the 2025 GRAMMYs listed in white text.","captionValue":"The 2025 GRAMMYs take place Sunday, Feb. 2, at Crypto.com Arena in Los Angeles. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8, 2024.","captionSummary":"The 2025 GRAMMYs take place Sunday, Feb. 2, at Crypto.com Arena in Los Angeles. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8, 2024.","poi":{"isImage":true,"alpha":false,"width":1644,"height":926,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22172949002217,"x":0.53932510375977,"y":0.20190487204}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"The Recording Academy Announces Updates To GRAMMY Awards Rules \u0026 Guidelines Ahead Of 2025 GRAMMYs","deliveryKey":"news/2025-grammys-awards-updates-changes-amendments-rules-guidelines","deliveryId":"0f4170fb-d9fd-47e7-851e-9c95a108784d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Updates To 2025 GRAMMY Awards Rules \u0026 Guidelines","deliveryId":"2dd3b4ee-d122-4574-b0f1-400b62c6b435"},"bodyText":{"richText":"[\u003cspan\u003eThe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, is sharing a series of updates to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e for the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, officially known as the 67th GRAMMY Awards, which take place \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, live at Crypto.com Arena in Los Angeles.\u003c/span\u003e\n\n\u003cspan\u003eKey updates to the 2025 GRAMMY Awards season include adjustments to eligibility criteria, Category renaming, and submission guidelines updates for some Categories, including the Songwriter Of The Year, Non-Classical Category. All updates go into effect immediately at the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eThe 2024 amendments were voted on and passed at the Recording Academy's semiannual Board of Trustees meeting. These changes, designed to enhance the integrity and inclusivity of the awards, reflect the Academy's commitment to staying current with the evolving music industry.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMYs To Take Place Sunday, Feb. 2, Live In Los Angeles; GRAMMY Awards Nominations To Be Announced Friday, Nov. 8, 2024\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\n\n\u003cspan\u003eThe Recording Academy accepts proposals for changes to the GRAMMY Awards process from members of the music community year-round. The Awards \u0026amp; Nominations Committee, composed of \u003c/span\u003e[\u003cspan\u003eRecording Academy Voting Members\u003c/span\u003e](https://members.recordingacademy.com/s/?language=en_US)\u003cspan\u003e from diverse genres and backgrounds, meets annually to review proposals to update Awards Categories, procedures and eligibility guidelines.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e, view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e, and visit the \u003c/span\u003e[\u003cspan\u003eGRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process.\u003c/span\u003e\n\n\u003cspan\u003eRead the updates and amendments for the 2025 GRAMMYs in full below:\u003c/span\u003e\n\n## **\u003cspan\u003eEligibility, Criteria \u0026amp; Submission Guidelines Amendments:\u003c/span\u003e**\n\n* **\u003cspan\u003eAll eligibly-credited Featured Artists\u003c/span\u003e** \u003cspan\u003ewith under 50% playtime will now be awarded a Winners' Certificate for all genre album Categories. (\u003c/span\u003e**\u003cspan\u003eNote:\u003c/span\u003e**\u003cspan\u003e Does not apply to \u003c/span\u003e[\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e](https://www.grammy.com/music-genre/musical-theater)\u003cspan\u003e, the General Field or Craft Categories.)\u003c/span\u003e\n\n* \u003cspan\u003eIn the \u003c/span\u003e**\u003cspan\u003eSongwriter Of The Year, Non-Classical Category\u003c/span\u003e**\u003cspan\u003e, the following submission guidelines were amended, allowing for wider representation of the songwriter community:\u003c/span\u003e\n\n * \u003cspan\u003eThe minimum submission threshold in which a songwriter is credited as a songwriter or co-writer (not a primary or featured artist or producer) was reduced from five to four songs.\u003c/span\u003e\n\n * \u003cspan\u003eThe additional number of songs a songwriter may enter in which they are also credited as a primary or featured artist, or any other supporting role, increased from four to five.\u003c/span\u003e\n\n* \u003cspan\u003eThe \u003c/span\u003e**[\u003cspan\u003eBest Traditional R\u0026amp;B Performance Category\u003c/span\u003e](https://www.grammy.com/music-genre/r-and-b)**[\u003cspan\u003e \u003c/span\u003e](https://www.grammy.com/music-genre/r-and-b)**[\u003cspan\u003ecriteria\u003c/span\u003e](https://www.grammy.com/music-genre/r-and-b)**\u003cspan\u003e was amended to more accurately represent recordings that embody the classic elements of R\u0026amp;B/soul music, distinguishing them from contemporary interpretations of the genre.\u003c/span\u003e\n\n* \u003cspan\u003eThe \u003c/span\u003e**[\u003cspan\u003eBest Traditional Pop Vocal Album Category\u003c/span\u003e](https://www.grammy.com/music-genre/pop)**[\u003cspan\u003e \u003c/span\u003e](https://www.grammy.com/music-genre/pop)**[\u003cspan\u003ecriteria\u003c/span\u003e](https://www.grammy.com/music-genre/pop)**\u003cspan\u003e was amended to expand the Category by broadening its scope and welcoming more entries from the Musical Theater community. Additionally, album eligibility criteria was updated to require that albums in this Category must contain more than 75% of newly recorded (previously unreleased) performances.\u003c/span\u003e\n\n* \u003cspan\u003eThe \u003c/span\u003e**[\u003cspan\u003eBest Children's Music Album Category\u003c/span\u003e](https://www.grammy.com/music-genre/childrens)**[\u003cspan\u003e \u003c/span\u003e](https://www.grammy.com/music-genre/childrens)**[\u003cspan\u003ecriteria\u003c/span\u003e](https://www.grammy.com/music-genre/childrens)**\u003cspan\u003e was amended to include a requirement that lyrics and English-language translations must be included with entry submissions. Additionally, an intended audience age range for this Category was defined as infant to 12 years old.\u003c/span\u003e\n\n## **GRAMMY Award Category Adjustments:**\n\n* \u003cspan\u003eThe \u003c/span\u003e**\u003cspan\u003eBest Remixed Recording Category\u003c/span\u003e**\u003cspan\u003e has moved from the Production, Engineering, Composition \u0026amp; Arrangement Field into the Pop \u0026amp; Dance/Electronic Field.\u003c/span\u003e\n\n* \u003cspan\u003eThe Category formerly known as \u003c/span\u003e**\u003cspan\u003eBest Pop Dance Recording\u003c/span\u003e**\u003cspan\u003e has been renamed \u003c/span\u003e**\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\u003cspan\u003e.\u003c/span\u003e\n\n* \u003cspan\u003eThe \u003c/span\u003e**\u003cspan\u003eBest Dance/Electronic Music Album Category\u003c/span\u003e**\u003cspan\u003e was renamed to \u003c/span\u003e**[\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e](https://www.grammy.com/music-genre/dance-electronic-music)**\u003cspan\u003e, and the Category criteria was amended to establish that albums must be made up of at least 50% Dance/Electronic recordings to qualify.\u003c/span\u003e\n\n* **\u003cspan\u003eConjunto music\u003c/span\u003e**\u003cspan\u003e will now be recognized in the \u003c/span\u003e**[\u003cspan\u003eBest Regional Roots Music Album Category\u003c/span\u003e](https://www.grammy.com/music-genre/american-roots-music)**\u003cspan\u003e, rather than the \u003c/span\u003e[\u003cspan\u003eBest Música Mexicana Album (Including Tejano) Category\u003c/span\u003e](https://www.grammy.com/music-genre/latin)\u003cspan\u003e.\u003c/span\u003e\n\n* \u003cspan\u003eThe \u003c/span\u003e**[\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media Category\u003c/span\u003e](https://www.grammy.com/music-genre/music-for-visual-media)**\u003cspan\u003e was amended to include a qualification for released material, specifically new DLC (downloaded content in-game) and Seasonal Expansions. The updated qualification establishes that greater than 50% of the music on an otherwise eligible Video Game Soundtrack or Interactive Media Soundtrack must be derived from new episodes or new programming released during the GRAMMY eligibility year for which it is entered.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The 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GRAMMYs: Meet The Nominees"}],"hero":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo","id":"dd289ae3-2dd3-435e-ab50-89f24f48dcaf"},"contentGenre":["Pop","R\u0026B","World Music","Children's","Music for Visual Media","Alternative","American Roots Music","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Musical Theater","New Age","Rap","Reggae","Rock","Spoken Word"],"tags":["2025 GRAMMYs","67th GRAMMY Awards"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"openGraph":{"ogImage":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"ce530524-58a5-48a3-9c30-ba44e9126ac5","name":"2022-grammys-casbah_general_12_1920x1080.jpeg","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"}}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1718373219467,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"GRAMMY Awards Updates For The 2025 GRAMMYs: Here's Everything You Need To Know About GRAMMY Awards Categories Changes \u0026 Eligibility Guidelines","shortTitle":"2025 GRAMMY Awards Updates \u0026 Changes Announced","subHeadline":"Key updates to the 2025 GRAMMY Awards season include adjustments to eligibility criteria, Category renaming, and submission guidelines updates for some Categories, including the Songwriter Of The Year, Non-Classical Category.","articleSummary":"Key updates to the 2025 GRAMMY Awards season include adjustments to eligibility criteria, Category renaming, and submission guidelines updates for some Categories, including the Songwriter Of The Year, Non-Classical Category.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2022 GRAMMYs - Nominations Announcement","deliveryId":"dd289ae3-2dd3-435e-ab50-89f24f48dcaf"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2022-grammys-casbah_general_12_1920x1080.jpeg","id":"ce530524-58a5-48a3-9c30-ba44e9126ac5","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"\u003cp\u003ePhoto: Jathan Campbell\u003c/p\u003e\n"},"tags":["2022 GRAMMYs","64th GRAMMY Awards","Nominations"],"title":"Hero: 2022 GRAMMYs - Nominations Announcement","shortTitle":"Hero: 2022 GRAMMYs - Nominations Announcement","imgAlt":"Photo of a gold GRAMMY trophy against a black background with white lights.","link":"/","captionValue":"GRAMMY Award statue","year":"2021-01-01T05:00:00.000Z","originalLastUpdatedAt":1632231935,"originalCreatedAt":1632229166,"imgTitle":"Hero: 2022 GRAMMYs - Nominations Announcement","captionSummary":"GRAMMY Award statue","poi":{"isImage":true,"alpha":false,"width":1920,"height":1080,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Recording Academy Renames Best Song For Social Change Award In Honor Of Late Singer, Actor And Activist, Harry Belafonte","deliveryKey":"news/harry-belafonte-best-song-social-change-award-2025-grammys","deliveryId":"853b4791-397b-42a9-8321-06403050179a"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body - Harry Belafonte Best Song For Social Change Award","deliveryId":"ada794c2-6ac2-482e-bb82-426f0911289a"},"bodyText":{"richText":"\u003cspan\u003eThe Recording Academy has renamed and recategorized its annual Best Song For Social Change Special Merit Award to the \u003c/span\u003e[\u003cspan\u003eHarry Belafonte Best Song For Social Change Award\u003c/span\u003e](https://www.grammy.com/awards/best-song-for-social-change-award)\u003cspan\u003e in honor of the \u003c/span\u003e[\u003cspan\u003elate entertainment industry icon\u003c/span\u003e](https://www.grammy.com/artists/harry-belafonte/617)\u003cspan\u003e who was a powerful voice for social justice throughout his illustrious career. \u003c/span\u003e[\u003cspan\u003eOriginally established in 2022\u003c/span\u003e](https://www.grammy.com/news/2023-grammys-new-categories-songwriter-year-best-video-game-soundtrack-social-impact-special-merit-award-65th-grammy-awards)\u003cspan\u003e, the award will continue to \u003c/span\u003e[\u003cspan\u003ehonor songwriters of message-driven music\u003c/span\u003e](https://www.grammy.com/news/2023-grammys-best-song-social-change-special-merit-award-recording-academy-interview-industry-round-table-common-pj-morton-harvey-mason-jr)\u003cspan\u003e that speaks to the social issues of our time and has demonstrated and inspired positive global impact.\u003c/span\u003e\n\nFormerly a Special Merit Award, the Harry Belafonte Best Song For Social Change Award will now be categorized as a CEO's Merit Award; finalists and the recipients will be selected annually by a Committee composed of a community of peers dedicated to artistic expression, the craft of songwriting, and the power of songs to effect social change.\n\nThe submission period for the current cycle of the Harry Belafonte Best Song For Social Change Award is Wednesday, July 17 — Friday, Aug. 30. The inaugural Harry Belafonte Best Song For Social Change Award will be presented during the [2025 GRAMMY Awards season](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list).\n\nRead the Harry Belafonte Best Song For Social Change Award guidelines and [make a submission here](https://songforsocialchange.submit.live/home). [Learn more about the award](https://www.grammy.com/awards/best-song-for-social-change-award) and see all of the past recipients.\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eRemembering Harry Belafonte’s Monumental Legacy: A Life In Music, A Passion For Activism\u003c/span\u003e](https://www.grammy.com/news/remembering-harry-belafonte-singer-actor-activist-in-memoriam)\n\nFrom his debut in the 1950s until his passing in 2023, Belafonte's artistic career progressed in parallel with his work as a trailblazing activist. An important friend of [Rev. Dr. Martin Luther King Jr.](https://grammy.com/artists/martin-luther-king-jr/3720) and \u003cspan\u003eadvisor, organizer and funder \u003c/span\u003eof the Civil Rights Movement, Belafonte helped organize the 1961 March on Washington for Jobs and Freedom and contributed to the 1961 Freedom Rides and the Mississippi Freedom Summer of 1964. Belafonte was outspoken throughout his career about American political elections; he performed at [President John F. Kennedy](https://grammy.com/artists/president-john-f-kennedy/9909)'s inaugural ball and was later named as a cultural advisor to the Peace Corps by Kennedy.\n\n\u003cspan\u003eCreating the gold record standard in the music industry, Belafonte's 1956 RCA album \u003c/span\u003e*\u003cspan\u003eCALYPSO\u003c/span\u003e*\u003cspan\u003e made him the first artist in history to sell over 1 million albums. \u003c/span\u003eAn advocate for global humanitarian causes including the Anti-Apartheid Movement and USA for Africa, Belafonte, in 1985, was the key organizer for the [benefit single \"We Are The World,\"](https://www.grammy.com/news/quincy-jones-record-year-speech-michael-jackson-lionel-richie-stevie-wonder-we-are-world-1986-grammy-rewind) which raised money for famine relief in Africa and ultimately won four GRAMMY Awards; it remains one of the best-selling physical singles of all time. As well, Belafonte became a UNICEF Goodwill Ambassador in 1987 and traveled internationally to raise awareness for the needs of children across sub-Saharan Africa.\n\nA two-time GRAMMY winner and 11-time GRAMMY nominee, Belafonte received the Recording Academy's [Lifetime Achievement Award](https://www.grammy.com/awards/lifetime-achievement-awards) in 2000. Three of Belafonte's recordings are inducted into the [GRAMMY Hall of Fame](https://www.grammy.com/awards/hall-of-fame-award): *Belafonte At Carnegie Hall* (inducted in 1999), \"Banana Boat (Day-O)\" (inducted in 2009), and *Calypso* (inducted in 2015).\n\n**Read More:** [Fight The Power: 11 Powerful Protest Songs Advocating For Racial Justice](https://www.grammy.com/news/fight-power-11-powerful-protest-songs-advocating-racial-justice)\n\n\"The greatness of Harry Belafonte's artistic legacy is matched by his profound impact of furthering social justice for all,\" Recording Academy CEO [Harvey Mason jr](https://www.grammy.com/artists/harvey-mason-jr/4668). said in a statement. \"We are honored to recognize his lasting influence with the Harry Belafonte Best Song for Social Change Award and to continue celebrating works that have inspired global communities towards social impact.\"\n\n\u003cspan\u003e\"The Belafonte estate is deeply honored and thrilled that the Recording Academy's Best Song For Social Change Award will now be named the Harry Belafonte Best Song For Social Change Award,\" Belafonte's living family members and Belafonte estate representatives Adrienne, Shari, Gina, and Pamela Belafonte \u003c/span\u003esaid in a statement\u003cspan\u003e. \"This recognition not only celebrates Harry Belafonte's enduring legacy in music and activism, but also inspires future generations to continue using their voices and art for justice and positive change.\"\u003c/span\u003e\n\n\u003cspan\u003eThe original Best Song For Social Change Special Merit Award debuted at the \u003c/span\u003e[\u003cspan\u003e2023 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2023-grammy-nominations-complete-winners-nominees-list)\u003cspan\u003e. The inaugural award, \u003c/span\u003e[\u003cspan\u003epresented by First Lady Jill Biden\u003c/span\u003e](https://www.grammy.com/series-or-collection/2023-grammys-65th-annual-grammy-awards-videos/shervin-hajipour-baraye-jill-biden-winner-best-song-social-change-watch-2023-grammys-65th-grammy-awards-acceptance-speech)\u003cspan\u003e, went to \u003c/span\u003e[\u003cspan\u003e\"Baraye\" by Iranian singer/songwriter Shervin Hajipour\u003c/span\u003e](https://www.grammy.com/news/shervin-hajipour-baraye-winner-best-song-for-social-change-watch-2023-grammys-65th-grammy-awards-acceptance-speech)\u003cspan\u003e. At the \u003c/span\u003e[\u003cspan\u003e2024 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2024-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, the \u003c/span\u003e[\u003cspan\u003eaward went to \"Refugee\"\u003c/span\u003e](https://www.grammy.com/news/2024-grammys-special-merit-awards-ceremony-recap-song-social-change-lifetime-achievement-music-educator-award)\u003cspan\u003e by \u003c/span\u003e[\u003cspan\u003eK'naan\u003c/span\u003e](https://www.grammy.com/news/5-questions-with-knaan)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSteve McEwan\u003c/span\u003e](https://www.grammy.com/artists/Steve-McEwan/38296)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eGerald Eaton\u003c/span\u003e](https://www.grammy.com/artists/gerald-eaton/7155)\u003cspan\u003e. \"The words \\[K'naan\\] wrote for the song resonate with me like not many songs do,\" McEwan said about \u003c/span\u003e\"Refugee\"\u003cspan\u003e in an interview featured in the \u003c/span\u003e[\u003cspan\u003e2024 GRAMMYs program book\u003c/span\u003e](https://www.grammy.com/news/2024-program-book-read-digitally)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content: Harry Belafonte","deliveryId":"5a86f3cd-a3b7-45fe-bef2-ac2f4de8fb7f"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Harry Belafonte"]},"title":"Read More About Harry Belafonte"}],"hero":{"_meta":{"name":"Recording Academy Renames Best Song For Social Change Award In Honor Of Late Singer, Actor And Activist, Harry Belafonte","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"bd48cc95-3b1d-4d1e-86d3-dc0d73ada193","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["Harry Belafonte","Best Song For Social Change","2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1721224799506,"source":"Recording Academy","primaryPillar":"GRAMMYs","title":"Recording Academy Renames Best Song For Social Change Award In Honor Of Harry Belafonte","shortTitle":"Harry Belafonte Best Song For Social Change Award","subHeadline":"Submissions for the newly renamed Harry Belafonte Best Song For Social Change Award, which honors songwriters and message-driven music that address a timely social issue and promote peace-building, are open now through Friday, Aug. 30.","articleSummary":"Submissions for the newly renamed Harry Belafonte Best Song For Social Change Award, which honors songwriters and message-driven music that address a timely social issue and promote peace-building, are open now through Friday, Aug. 30.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Recording Academy Renames Best Song For Social Change Award In Honor Of Late Singer, Actor And Activist, Harry Belafonte","deliveryId":"bd48cc95-3b1d-4d1e-86d3-dc0d73ada193"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"harry_belafonte_best_song_social_change_award_recording_academy_grammys_1644x925","id":"b27509c6-3586-4d1b-b97f-579c828b57a5","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic courtesy of the Recording Academy"},"tags":["Harry Belafonte Best Song For Social Change Award","2025 GRAMMYs"],"title":"Recording Academy Renames Best Song For Social Change Award In Honor Of Late Singer, Actor And Activist, Harry Belafonte","shortTitle":"Harry Belafonte Best Song For Social Change Award","imgAlt":"Harry Belafonte Best Song For Social Change Award","link":"/","captionValue":"The Harry Belafonte Best Song For Social Change Award","captionSummary":"The Harry Belafonte Best Song For Social Change Award","poi":{"isImage":true,"alpha":false,"width":1644,"height":925,"format":"PNG","metadata":{"pointOfInterest":{"w":0.125,"h":0.22222222222222,"x":0.45454627990723,"y":0.37344146728516}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"The Recording Academy Adds More Than 3,000 Women GRAMMY Voters Since 2019, Surpassing Its 2025 Membership Goal","deliveryKey":"news/recording-academy-2024-membership-report-new-member-class","deliveryId":"15511342-c98d-4ba7-b28f-80c87611c72e"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"088e5a6c-f55a-4048-8723-7cf020fab65a"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1: 2024 Membership Report - New Membership Class Announcement","deliveryId":"39e5e77a-6fed-4f74-bbed-f4065489b511"},"bodyText":{"richText":"\u003cspan\u003eOne day before \u003c/span\u003e[\u003cspan\u003eFirst Round Voting\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e opens for the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e has released its \u003c/span\u003e[\u003cspan\u003e2024 Membership Report\u003c/span\u003e](https://bit.ly/3Y73fdb)\u003cspan\u003e, revealing that the organization has added more than 3,000 women Voting Members since 2019, exceeding its goal of adding 2,500 women Voting Members by 2025. This milestone, achieved early, comes less than five years after the Recording Academy set the goal of increasing representation among women Voting Members. In total, the Academy has added thousands of new members, and now 66% of the current GRAMMYs electorate has joined since the Recording Academy advanced its \u003c/span\u003e[\u003cspan\u003enew membership model\u003c/span\u003e](https://www.grammy.com/news/recording-academy-advances-new-membership-model-inviting-years-class)\u003cspan\u003e in 2019, signifying a transformative shift in the voting body.\u003c/span\u003e\n\n**Key takeaways from the Recording Academy's 2024 Membership Report include:**\n\n**Empowering Women**\n\n* In 2019, the Recording Academy set a goal to add 2,500 women Voting Members by 2025.\n\n* The Academy has surpassed this goal, adding more than 3,000 women Voting Members.\n\n* Since 2019, the percentage of women Voting Members has grown by 27%.\n\n**Championing Diversity**\n\nRepresentation of Voting Members from diverse backgrounds has seen remarkable growth since 2019:\n\n* 65% growth in the percentage of Voting Members who identify as people of color.\n\n* 90% growth in the percentage of Black or African American+ Voting Members.\n\n* 43% growth in the percentage of Hispanic or Latin+ Voting Members.\n\n* 100% growth in the percentage of Asian or Pacific Islander+ Voting Members.\n\n**Welcoming New Creators**\n\n* Since 2019, approximately 8,700 creators have become Recording Academy Voting Members.\n\n* 66% of the GRAMMYs voting electorate is new since welcoming the inaugural New Member Class in 2019.\n\n* In 2024, 72% of the [new invitees](https://www.recordingacademy.com/news/2024-new-member-class-invites-membership-recording-academy) accepted their invitations to join the Recording Academy, leading to a record 2,800+ total new members.\n\n**Representing Music's Creative Landscape**\n\n* Recording Academy Voting Members embody the full spectrum of the music industry's talent.\n\n* The Voting Member body spans over 13 creative disciplines, including songwriters, composers, producers, engineers, vocalists, conductors, and more.\n\n* The breadth of genre representation is substantial, with members contributing from over 22 different music genres."}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text ) 1: 2024 Membership Report - New Membership Class Announcement","deliveryId":"ef80bc10-a8e8-4bd5-b4e0-494909a099ec"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/p/DAqpQA5vDIi/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; 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border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https://www.w3.org/2000/svg\" xmlns:xlink=\"https://www.w3.org/1999/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c/path\u003e\u003c/g\u003e\u003c/g\u003e\u003c/g\u003e\u003c/svg\u003e\u003c/div\u003e\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/p/DAqpQA5vDIi/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Recording Academy / GRAMMYs (@recordingacademy)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2: 2024 Membership Report - New Membership Class Announcement","deliveryId":"c0186b1f-2f3a-450a-8451-616245a6755c"},"bodyText":{"richText":"\u003cspan\u003e\"We are not at our ultimate destination yet\u003c/span\u003e, but the Recording Academy membership has never been more reflective of the music community than it is today,\" Recording Academy CEO [Harvey Mason jr.](https://www.grammy.com/artists/harvey-mason-jr/4668) said. \"It has more women, more people of color, and a broad representation of diverse genres and crafts. It represents a dynamic and vibrant body of music creators who push the boundaries of a rapidly changing musical ecosystem while driving our culture forward and deciding GRAMMY outcomes. It's the most diverse, representative GRAMMY electorate ever.\"\n\n**Learn More:** [How The Recording Academy’s 2024 New Member Class Reflects A Commitment To Impact: \"Championing Diverse Voices, Promoting Transparency In The Award Process, And Advocating For Fairness\"](https://www.grammy.com/news/recording-academy-2024-new-member-class-interviews)\n\nThe Recording Academy's membership transformation\u003cspan\u003e has coincided with several notable achievements, including the enactment of over a dozen pro-music laws at the state and federal level advocated for by Academy members to support music creators; two consecutive \u003c/span\u003e[\u003cspan\u003eGRAMMY telecasts\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e with significant ratings increases; and recognition as one of \u003c/span\u003e*[\u003cspan\u003eFast Company\u003c/span\u003e](https://www.fastcompany.com/91042168/recording-academy-most-innovative-companies-2024)*[\u003cspan\u003e's Most Innovative Companies in music\u003c/span\u003e](https://www.fastcompany.com/91042168/recording-academy-most-innovative-companies-2024)\u003cspan\u003e.\u003c/span\u003e\n\n[\u003cspan\u003eFirst Round Voting\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e for the 2025 GRAMMY, officially known as the 67th GRAMMY Awards, \u003c/span\u003e**\u003cspan\u003eopens tomorrow, Friday, Oct. 4, at 9 a.m. PT/noon ET\u003c/span\u003e**\u003cspan\u003e and \u003c/span\u003e**\u003cspan\u003ecloses Tuesday, Oct. 15, at 6 p.m. PT/9p.m. ET\u003c/span\u003e**\u003cspan\u003e. Voting Members, including those \u003c/span\u003e[\u003cspan\u003ewelcomed in the 2024 New Member Class\u003c/span\u003e](https://www.grammy.com/news/recording-academy-2024-new-member-class-interviews)\u003cspan\u003e, are eligible to participate in the \u003c/span\u003e[\u003cspan\u003eGRAMMY voting process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e. Nominations for the 2025 GRAMMYs will be announced \u003c/span\u003e**\u003cspan\u003eFriday, Nov. 8, 2024.\u003c/span\u003e** The 2025 GRAMMYs will take place **Sunday, Feb. 2**, live at Crypto.com Arena in Los Angeles and will broadcast live on the CBS Television Network and stream live and on demand on Paramount+.\n\n\u003cspan\u003eLearn more about \u003c/span\u003e[\u003cspan\u003ethe Recording Academy's membership process and requirements\u003c/span\u003e](https://www.recordingacademy.com/membership)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e; read our \u003c/span\u003e[\u003cspan\u003eFirst Round Voting guide for the 2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e; view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e; and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process.\u003c/span\u003e\n\n\u003cspan\u003eIn the video below, watch Harvey Mason jr., Recording Academy CEO, and \u003c/span\u003e[\u003cspan\u003eRuby Marchand\u003c/span\u003e](https://www.recordingacademy.com/news/ruby-marchand-chief-awards-industry-officer-joanna-chu)\u003cspan\u003e, Chief Awards \u0026amp; Industry Officer for the Recording Academy, discuss some of the key takeaways from the 2024 Membership Report, analyze the New Member Class demographics, and celebrate the progress the Academy has made in diversifying its membership.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Instagram Embed (Body Text ) 2: 2024 Membership Report - New Membership Class Announcement","deliveryId":"1f6138ee-7a34-4b94-9815-a706edecabb0"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/reel/DAr2sclPZaX/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; 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border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/reel/DAr2sclPZaX/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Recording Academy / GRAMMYs (@recordingacademy)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e\n\u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"Hero: New Member Class 2024 Announcement","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"8393097e-6156-41de-b447-1371f14d414d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["New Member Class","Membership","Recording Academy"],"hasGATrackingLink":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1727967873837,"source":"Recording Academy","primaryPillar":"GRAMMYs","title":"The Recording Academy Adds More Than 3,000 Women GRAMMY Voters Since 2019, Surpassing Its 2025 Membership Goal","shortTitle":"Recording Academy Surpasses 2025 Membership Goal","subHeadline":"The Recording Academy's newly released 2024 Membership Report reveals remarkable growth in representation of Voting Members from diverse backgrounds as well as growth in the percentage of women Voting Members. 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Backed by a full band, Duckwrth's smooth vocals and dynamic delivery honor the ethereal essence of the original, while adding his own expressive style to the \u003c/span\u003e**[\u003cspan\u003e2004 GRAMMYs\u003c/span\u003e](https://grammy.com/awards/46th-annual-grammy-awards)**\u003cspan\u003e Record Of The Year.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eKnown for his bold and visually creative artistry, Duckwrth has cultivated a dynamic career. Seamlessly blending hip-hop, R\u0026amp;B and electronic influences, he has established himself as a versatile artist through a range of innovative projects. 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Fogerty\u003c/span\u003e](https://grammy.com/artists/john-fogerty/8835)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003ePeter Gabriel\u003c/span\u003e](https://grammy.com/artists/peter-gabriel/2505)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eEddie Money\u003c/span\u003e](https://www.grammy.com/artists/eddie-money/13258)**\u003cspan\u003e, and \u003c/span\u003e**[\u003cspan\u003eBilly Idol\u003c/span\u003e](https://grammy.com/artists/billy-idol/11895)**\u003cspan\u003e — but Palmer's unforgettable performance and timeless style earned him the golden gramophone.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eTaking the stage to accept his award from the \u003c/span\u003e**[\u003cspan\u003eBeastie Boys\u003c/span\u003e](https://grammy.com/artists/beastie-boys/17626)**\u003cspan\u003e, Palmer delivered a brief and charming speech, thanking his production team before signing off with a heartfelt message to his children at home, \"Night night, James and Jane.\" For more memorable \u003c/span\u003e**[\u003cspan\u003eGRAMMY Rewind\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys)**\u003cspan\u003e moments, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Rock"],"tags":["Robert Palmer","GRAMMY Rewind","Rock","1987 GRAMMYs"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/grammy-rewind/robert-palmer-addicted-to-love-grammy-win-1987-acceptance-speech"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1732291032070,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Robert Palmer Wins His First GRAMMY For \"Addicted To Love\" In 1987 | GRAMMY Rewind","shortTitle":"Watch Robert Palmer Win His 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After notable \u003c/span\u003e**[\u003cspan\u003eperformances at Coachella\u003c/span\u003e](https://www.grammy.com/news/japanese-pop-duo-yoasobi-interview-j-pop)**\u003cspan\u003e, sold-out shows in New York City and Boston, and an appearance at Lollapalooza, YOASOBI continues to captivate audiences globally. For more exciting performances from \u003c/span\u003e**[\u003cspan\u003eGlobal Spin Live\u003c/span\u003e](https://www.grammy.com/series-or-collection/global-spin-grammys/)**\u003cspan\u003e, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Pop","World Music"],"tags":["YOASOBI","Global Spin"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/global-spin-grammys/yoasobi-idol-performance"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1732204798698,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch YOASOBI Deliver A High-Energy Performance Of \"Idol\" | Global Spin","shortTitle":"YOASOBI Performs \"Idol\" | Global Spin","videoCategory":"performances","videoType":"episode","linkToSeriesCollection":"series-or-collection/global-spin-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/c5/13/31/c5133117-610d-43c0-9e70-be46ea676e3a/screenshots/PreviewImage-00-02-19.055.jpg"},"duration":"278111"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Tiny Habits Reveal The Guitar That Sparked Their Musical Journey | It Goes To 11","deliveryKey":"videos/tiny-habits-fender-acoustic-guitar","deliveryId":"2a514dd5-8b49-4b8b-9d0a-e7e0489ecb5c"},"video":{"videoPlatformSource":"Nomad","assetId":"163a8cec-9a0d-42b8-b5c7-82d88a50d8cb"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"0516bdb1-98eb-4879-a3fe-dc8010f9187a","name":"It-Goes-To-11-Series_Badge_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"It Goes To 11"},"summary":{"richText":"\u003cspan\u003eTiny Habits — a trio known for their rich harmonies and emotionally resonant sound — reflect on their favorite piece of gear: a cherished black Fender acoustic guitar. This instrument has been with them since their early days at Berklee College of Music in Boston, where the group formed in 2022.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eUsed during one of their first-ever jam sessions, the guitar remains a symbol of the serendipitous start of their journey. Now with viral success, collaborations with artists like \u003c/span\u003e**[\u003cspan\u003ePhoebe Bridgers\u003c/span\u003e](https://grammy.com/artists/phoebe-bridgers/287153)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eMark Ronson\u003c/span\u003e](https://grammy.com/artists/mark-ronson/17323)**\u003cspan\u003e, and an upcoming headlining tour, Tiny Habits continue to honor the humble roots that shaped their path. 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Starting at a grand piano in a dramatic black cape, Batiste quickly transitioned into a dazzling silver suit and led his entourage of dancers into the audience for a jubilant dance-off.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eBatiste entered the night with 11 nominations, the most of any artist, and went home with his first golden gramophones. He won five GRAMMYs in total: \u003c/span\u003e**[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://grammy.com/news/jon-batiste-we-are-album-year-2022-grammys-speech)**\u003cspan\u003e (\u003c/span\u003e*\u003cspan\u003eWe Are\u003c/span\u003e*\u003cspan\u003e), Best Music Video (\"Freedom\"), Best American Roots Performance (\"Cry\"), Best American Roots Song (\"Cry\"), and Best Score Soundtrack for Visual Media (\u003c/span\u003e*\u003cspan\u003eSoul\u003c/span\u003e*\u003cspan\u003e). For more \u003c/span\u003e**[\u003cspan\u003eGRAMMY\u003c/span\u003e Great \u003cspan\u003ePerformances\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-great-performances)\u003cspan\u003e,\u003c/span\u003e**\u003cspan\u003e visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["American Roots Music","R\u0026B","Classical","Jazz"],"tags":["GRAMMY Great Performances","2022 GRAMMYs","Jon Batiste","R\u0026B","Jazz","American Roots Music","Classical"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"canonicalUrl":"https://www.grammy.com/series-or-collection/reimagined-grammys/jon-batiste-freedom-2022-grammys","_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1732046851822,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Jon Batiste Deliver An Electrifying Performance Of \"Freedom\" At The 2022 GRAMMYs | GRAMMY Great Performances","shortTitle":"Jon Batiste Performs \"Freedom\" At The 2022 GRAMMYs","videoCategory":"performances","videoType":"episode","linkToSeriesCollection":"series-or-collection/grammy-great-performances","image":{"poster":"https://nomad-content.grammy.com/pmc/89/a7/9f/89a79fa5-1d84-451e-80e5-a22acca544d8/screenshots/PreviewImage-00-02-32.452.jpg"},"duration":"304905"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Max McNown's Heartrending Acoustic Cover Of Gotye's \"Somebody That I Used To Know\" | ReImagined","deliveryKey":"videos/max-mcnown-acoustic-cover-gotye-somebody-that-i-used-to-know","deliveryId":"1c06e5e9-feff-4159-9775-aa4dec65d1dc"},"video":{"videoPlatformSource":"Nomad","assetId":"9bc28069-36d4-4fd3-b963-a9b060d27ff1"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"970bf15e-1913-42f8-acfd-5cc065107f37","name":"ReImagined_Series_Badge_New_2023","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"ReImagined logo"},"summary":{"richText":"\u003cspan\u003eOregon-born, Nashville-based artist Max McNown delivers a stirring acoustic rendition of \u003c/span\u003e**[\u003cspan\u003eGotye\u003c/span\u003e](https://grammy.com/artists/gotye/2402)**\u003cspan\u003e's GRAMMY-winning hit, \"Somebody That I Used To Know.\" McNown's raw vocals and heartfelt delivery bring new depth to the \u003c/span\u003e**[\u003cspan\u003e2013 GRAMMYs\u003c/span\u003e](https://www.grammy.com/awards/55th-annual-grammy-awards)**\u003cspan\u003e' Record Of The Year, a track that also won Best Pop Duo/Group Performance.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eAt just 23 years old, McNown has captivated audiences worldwide with his breakout hit \"A Lot More Free,\" establishing himself as a powerful voice in modern pop and Americana music. For more \u003c/span\u003e**[\u003cspan\u003eReImagined\u003c/span\u003e](https://grammy.com/series-or-collection/reimagined-grammys)**\u003cspan\u003e covers, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)\u003cspan\u003e.\u003c/span\u003e**"},"contentGenre":["American Roots Music","Pop"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"canonicalUrl":"https://www.grammy.com/series-or-collection/reimagined-grammys/max-mcnown-acoustic-cover-gotye-somebody-that-i-used-to-know","_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1732032701576,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Max McNown's Heartrending Acoustic Cover Of Gotye's \"Somebody That I Used To Know\" | ReImagined","shortTitle":"Max McNown Covers \"Somebody That I Used To Know\"","videoCategory":"performances","videoType":"episode","linkToSeriesCollection":"series-or-collection/reimagined-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/9b/c2/80/9bc28069-36d4-4fd3-b963-a9b060d27ff1/screenshots/PreviewImage-00-01-35.992.jpg"},"duration":"191983"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Beyoncé On Performing With Prince \u0026 Five Wins At The 2004 GRAMMYs | GRAMMY Red Carpet Flashback","deliveryKey":"videos/beyonce-2004-grammys-prince-performance","deliveryId":"5a7826e9-bae3-4069-b834-052f4da823df"},"video":{"videoPlatformSource":"Nomad","assetId":"8661d292-63cc-4756-aa90-7cf6f06bc96f"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"9b2ac16c-d0a6-4dda-ad53-bdc78bb8f9db","name":"Series_Artwork_RedCarpet_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"}},"summary":{"richText":"\u003cspan\u003eAt the \u003c/span\u003e**[\u003cspan\u003e2004 GRAMMYs\u003c/span\u003e](https://grammy.com/awards/46th-annual-grammy-awards)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://www.grammy.com/artists/beyonce-knowles/12474)**\u003cspan\u003e experienced a night to remember. Opening the evening with a legendary performance alongside \u003c/span\u003e**[\u003cspan\u003ePrince\u003c/span\u003e](https://grammy.com/artists/prince/5675)**\u003cspan\u003e, the duo delivered an electrifying medley that set the tone for one of her most iconic GRAMMY nights. Reflecting on the experience, Beyoncé described the moment as \"magic,\" sharing her admiration for Prince and the thrill of collaborating with the musical legend.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eIn addition to an unforgettable performance, Beyoncé's debut solo album, \u003c/span\u003e*\u003cspan\u003eDangerously In Love\u003c/span\u003e*\u003cspan\u003e, dominated the awards, earning her five GRAMMY wins. She took home golden gramophones for Best Contemporary R\u0026amp;B Album (\u003c/span\u003e*\u003cspan\u003eDangerously In Love\u003c/span\u003e*\u003cspan\u003e), Best Female R\u0026amp;B Vocal Performance (\"Dangerously In Love 2\"), Best R\u0026amp;B Song and Best Rap/Sung Collaboration (\"Crazy In Love\"), and Best R\u0026amp;B Performance By A Duo Or Group With Vocals (\"The Closer I Get To You\" with \u003c/span\u003e**[\u003cspan\u003eLuther Vandross\u003c/span\u003e](https://grammy.com/artists/luther-vandross/6968)**\u003cspan\u003e).\u003c/span\u003e\n\u003cspan\u003e \u003c/span\u003e\n\u003cspan\u003eFor more episodes of\u003c/span\u003e [\u003cspan\u003eRed Carpet Flashback\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-red-carpet-flashback)\u003cspan\u003e, visit\u003c/span\u003e [\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["R\u0026B","Pop"],"tags":["Beyoncé","Prince","GRAMMYs Red Carpet Flashback","2004 GRAMMYs","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/series-or-collection/grammys-red-carpet-flashback/beyonce-2004-grammys-prince-performance"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1731946740888,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé On Performing With Prince \u0026 Five Wins At The 2004 GRAMMYs | GRAMMY Red Carpet Flashback","shortTitle":"Beyoncé At The 2004 GRAMMYs","videoCategory":"series","videoType":"episode","linkToSeriesCollection":"series-or-collection/grammys-red-carpet-flashback-videos","image":{"poster":"https://nomad-content.grammy.com/pmc/86/61/d2/8661d292-63cc-4756-aa90-7cf6f06bc96f/screenshots/PreviewImage-00-00-29.830.jpg"},"duration":"59660"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Wrap-Up Show VOD: Watch The 2025 GRAMMY Nominations Wrap-Up Show: Your Favorite Artists \u0026 The Biggest Nominations News","deliveryKey":"videos/2025-grammys-nominations-recap-wrap-up-show","deliveryId":"33969936-9136-4436-97a0-1ad9650fd039"},"video":{"videoPlatformSource":"Nomad","assetId":"4d0105a4-e200-4c9a-9809-34964ba295cf"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Key art for the 2025 GRAMMY Awards from the Recording Academy. A golden GRAMMY statue stands in front of a blue and white background. The words GRAMMY Awards® and Collection are written in white on top of a blue background at the bottom of the design."},"summary":{"richText":"\u003cspan\u003eThe \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMY nominations\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are officially here! Now, watch our exclusive 2025 GRAMMY Nominations Wrap-Up Show where Emmy-Award-winning TV hosts and \"Entertainment Tonight\" correspondents Cassie DiLaura and Denny Directo talk about your favorite artists and the biggest trends to come out of the 2025 GRAMMY nominations. We're giving music fans the inside scoop into all the biggest news and top stories from the 2025 GRAMMY nominations.\u003c/span\u003e"},"body":{"richText":"**[\u003cspan\u003eSee the full 2025 GRAMMY nominations list.\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eWatch the full 2025 GRAMMY nominations livestream and get more exclusive GRAMMYs content at \u003c/span\u003e**[\u003cspan\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan\u003e, your backstage pass to the GRAMMY Awards experience.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eWho will win at the 2025 GRAMMYs? Tune in \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e, to find out!\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eThe 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, take place \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, live at Crypto.com Arena in Los Angeles. Music's Biggest Night will broadcast live on the CBS Television Network and stream live and on demand on Paramount+.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eThe 67th Annual GRAMMY Awards Nominations are proudly sponsored by City National Bank, Coca-Cola and Dunkin'.\u003c/span\u003e"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1731095754114,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The 2025 GRAMMY Nominations Wrap-Up Show: Your Favorite Artists \u0026 The Biggest Nominations News","shortTitle":"Watch The 2025 GRAMMY Nominations Wrap-Up Show","videoCategory":"events","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","image":{"poster":"https://nomad-content.grammy.com/pmc/4d/01/05/4d0105a4-e200-4c9a-9809-34964ba295cf/screenshots/PreviewImage-00-06-48.692.jpg"},"duration":"817383"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"VOD 6: Nominations In Classical, Opera, Immersive Audio Album, Best Engineered Album \u0026 More Announced | 2025 GRAMMYs","deliveryKey":"videos/2025-grammys-nominations-classical-opera-immersive-audio-best-engineered-album","deliveryId":"e44d2da9-2001-4e0c-aee0-fe37870f49d6"},"video":{"videoPlatformSource":"Nomad","assetId":"1c4f8bca-ac87-460a-84c7-fa400c557130"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Key art for the 2025 GRAMMY Awards from the Recording Academy. A golden GRAMMY statue stands in front of a blue and white background. The words GRAMMY Awards® and Collection are written in white on top of a blue background at the bottom of the design."},"summary":{"richText":"\u003cspan\u003eWatch as eight-time GRAMMY-winning superproducer \u003c/span\u003e**[\u003cspan\u003eMark Ronson \u003c/span\u003e](https://www.grammy.com/artists/mark-ronson/17323)**\u003cspan\u003eand renowned classical producer and 25-time GRAMMY winner \u003c/span\u003e**[\u003cspan\u003eDavid Frost \u003c/span\u003e](https://www.grammy.com/artists/david-frost/12607)**\u003cspan\u003eannounce the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMY nominees\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e in the Classical, Opera, Immersive Audio Album, Engineered Album, and more GRAMMY Categories.\u003c/span\u003e"},"body":{"richText":"**[\u003cspan\u003eSee the full 2025 GRAMMY nominations list.\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n\n\u003cspan\u003e \u003c/span\u003e\n\n**\u003cspan\u003eIn this video, the 2025 GRAMMY nominees in the following GRAMMY Categories are announced:\u003c/span\u003e**\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e\n\n\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e\n\n\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e\n\n\u003cspan\u003eBest Classical Compendium\u003c/span\u003e\n\n\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e\n\n\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e\n\n\u003cspan\u003eBest Opera Recording\u003c/span\u003e\n\n\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e\n\n\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e\n\n\u003cspan\u003eBest Choral Performance\u003c/span\u003e\n\n\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e\n\n\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e\n\n\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e\n\n\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e\n\n\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eWatch the full 2025 GRAMMY nominations livestream and get more exclusive GRAMMYs content at \u003c/span\u003e**[\u003cspan\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan\u003e, your backstage pass to the GRAMMY Awards experience.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eWho will win at the 2025 GRAMMYs? Tune in \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2, 2025\u003c/span\u003e**\u003cspan\u003e, to find out!\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eThe 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, take place \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, live at Crypto.com Arena in Los Angeles. Music's Biggest Night will broadcast live on the CBS Television Network and stream live and on demand on Paramount+.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eThe 67th Annual GRAMMY Awards Nominations are proudly sponsored by City National Bank, Coca-Cola and Dunkin'.\u003c/span\u003e"},"contentGenre":["Classical"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1731040128369,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Nominations In Classical, Opera, Immersive Audio Album, Best Engineered Album \u0026 More Announced | 2025 GRAMMYs","shortTitle":"Classical, Opera \u0026 More | 2025 GRAMMY 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For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic. The only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\u003c/p\u003e\r\n"},"body":{"richText":"For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic.\n\nThe only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\n\nReturning to Madison Square Garden for the first time in 15 years, the milestone telecast proved to be a celebration that broke down barriers — with the wins, performances, and acceptance speeches showing that the power of music can literally change the world.\n\nOf course, the GRAMMYs' return to the Big Apple was cause enough for excitement. (Cut to [Tony Bennett](/artists/tony-bennett/1073) and [John Legend](/artists/john-legend/16994) singing \"New York, New York\" before presenting Best Rap/Sung Performance). And there was [Bruno Mars](/artists/bruno-mars/5082) netting six wins and nearly doubling his career output to 11 in one fell swoop. But there was plenty of excitement to go around.\n\nWhether you were there, watching on TV or live streaming, here are 12 moments from the 60th GRAMMY Awards that made it a night to remember.\n\n### 1. Kendrick Lamar, U2, Dave Chappelle Open With An Army\n\n[Kendrick Lamar](/artists/kendrick-lamar/17949) has a steady track record of impactful performances on the GRAMMYs, and this time he opened the ceremony with a groundbreaking performance before winning the first award of the evening for Best Rap/Sung Performance (\"LOYALTY.\" with Rihanna). Opening with \"XXX\" before an American flag backdrop and U.S. soldiers marching, the rapper was joined by [U2](/artists/u2/7858)'s Bono and The Edge. A war simulation followed before [Dave Chappelle](/artists/dave-chappelle/187041) hit the stage to punctuate segues in between heated musical vignettes performed by Lamar. It was history in the making, much like everything he touches.\n\n### 2. Lady Gaga's Tearjerker Performance with Mark Ronson\n\n\"This is for love and compassion …even when you can't understand,\" [Lady Gaga](/artists/lady-gaga/3611) uttered before a white piano wrapped in lace as she opened her performance with \"Joanne.\" Mark Ronson assisted on guitar as the acoustic set segued into another moving ballad, \"Million Reasons.\" The emotional performance was poignant, but most importantly showed Gaga's unreal vocal range. It's OK if you shed a tear while watching. We were all cutting onions when it happened.\n\n### 3. James Corden Rapping For Jay-Z\n\nIf you watch \"The Late Late Show With James Corden\" or are tuned into any episode of his \"Carpool Karaoke\" series, you'll know that Corden was the perfect return host for this year's telecast. On the eve of the show, [Jay-Z](/artists/jay-z/9815) was honored at the Pre-GRAMMY Gala and Corden informed the crowd, but began riddling off his knowledge of Jay-Z facts — including Jay’s former apartment address of 560 State Street in Brooklyn. Corden then launched into spitting a few bars for an amused Mr. Carter. \"You call it the Big Apple, I call it the Concrete Jungle where dreams are made of …just something I made up,\" Corden joked.\n\n### 4. Bruno Mars And Cardi B's #TBT Performance Of \"Finesse (Remix)\"\n\nA few weeks back — when the video for Bruno Mars' remix to \"Finesse\" featuring [Cardi B](/artists/cardi-b/186981) hit the internet — we were all bit by the nostalgia bug. The video (directed by Mars himself) was not only a clear nod to the sketch comedy series \"In Living Color,\" but it was also a Polaroid of a bygone era of ‘90s R\u0026amp;B and hip-hop—complete with bright colors. Cardi B donned a legendary Cross Colours bucket hat with Mars dancing onstage like a New Jack Swing-era frontman before a dance-off to House Of Pain’s \"Jump Around.\" It was #ThrowbackThursday on a Sunday night.\n\n### 5. Alessia Cara Claims Best New Artist\n\n\"I've been pretend winning GRAMMYs since I was a kid in the shower,\" [Alessia Cara](/artists/alessia-cara/186976) said with a shaky voice before a towering microphone as she accepted her first GRAMMY. While the Canadian was already considered a strong candidate for the award, the competition was fierce — including [SZA](/artists/Solana-Rowe/32514) and newcomer [Julia Michaels](/artists/julia-michaels/188121). But as Cara continued into her speech, she acknowledged and showed support for her peers, which included her fellow nominees and indie acts. \"Support real music and real artists,\" she said. Then she thanked her fans, because there will be no more pretend GRAMMYs in the shower from now on.\n\n### 6. Luis Fonsi, Daddy Yankee Bring On More \"Despacito\"\n\nOver the course of 2017, the infectious \"Despacito\" hasn't left our brains. [Luis Fonsi](/artists/luis-fonsi/3346) and [Daddy Yankee](/artists/daddy-yankee/9370) hit the stage to perform the diamond-certified single and brought former Miss Universe Zuleyka Rivera in two. Rivera also appeared in the music video, but took center stage to dance amid a mock club scene. \"That is a catchy song. I've never heard that song before,\" Corden deadpanned after the performance.\n\n### 7. \"Subway Carpool Karaoke\"\n\nCorden's viral \"Carpool Karaoke\" series made a cameo during the evening. How could it not? This time, however, it was a special \"Subway Carpool Karaoke,\" featuring Corden, [Sting](/artists/sting/10244) and [Shaggy](/artists/shaggy/10082). The former Police frontman couldn't even get through \"Every Breath You Take\" before being shushed by a construction worker on the train. And Shaggy barely sang \"It Wasn't Me\" before another passenger hushed even Corden. Then a fight broke out on the train and Corden got a bloody nose. It was a dangerous karaoke scene. You had to be there.\n\n### 8. Janelle Monáe Says #TimesUp, Kesha Sings #MeToo\n\nAll one has to do is read the news in recent months to know that injustice to women is no longer an option across industries. As [Janelle Monáe](/artists/janelle-monae/4464) introduced [Kesha](/artists/kesha/187816)'s performance of \"Praying,\" she delivered a powerful speech hooked to the sexual harassment initiative Time's Up. \"We are also daughters, wives, mothers, sisters, humans,\" Monáe told the crowd. \"We come in peace, but we mean business.\" When Kesha hit the stage, her performance was that much more intense, especially understanding all she's been through in the music industry. With [Cyndi Lauper](/artists/cyndi-lauper/4198), Camila Cabello, Bebe Rexha, Julia Michaels, and [Andra Day](/artists/andra-day/18980) joining on background vocals, the performance ended with the women hugging and in tears. They weren't alone.\n\n### 9. Elton John, Miley Cyrus Transcend Generations Onstage\n\n[Elton John](/artists/elton-john/12074)'s \"Tiny Dancer\" is one of those classic songs that can bring you immediately back to a moment or an era (or a movie scene, like that bus ride in Almost Famous). However, tonight a new moment was made with [Miley Cyrus](/artists/miley-cyrus/18384). With John seated at his piano, he opened the song and Cyrus joined to help carry the song home. While the \"Wrecking Ball\" singer is no stranger to classic music — especially given her godmother is [Dolly Parton](/artists/dolly-parton/17205) — this performance was particularly special. Call it onstage chemistry, or call it bridging the gap, but this \"Tiny Dancer\" performance was one for the ages.\n\n### 10. Ben Platt, Patti LuPone Wow With Broadway Style\n\nThis special [Leonard Bernstein](/artists/leonard-bernstein/896)-[Andrew Lloyd Webber](/artists/andrew-lloyd-webber/4044) tribute kicked off properly, as [Ben Platt](/artists/ben-platt/188321) from \"Dear Evan Hansen\" gave the audience a rousing dose of \"Somewhere\" from the former's \"West Side Story.\" But as James Corden could barely stand as he introduced [Patti LuPone](/artists/patti-lupone/5059), we soon found out why. LuPone delivered a riveting rendition of “Don't Cry For Me Argentina\" from Evita. Posted at a podium, just as the musical/movie depicts, she belted like it was her first time singing the song and it was our first time hearing it.\n\n### 11. Logic, Khalid, Alessia Cara Bring Hope \n\nThere's a reason why \"1-800-273-8255\" was nominated for Song Of The Year. The powerful track comes with a real message of suicide prevention. When the trifecta of [Logic](/artists/Sir-Robert-Bryson-Hall-II/32370), [Khalid](/artists/khalid/187821), and Alessia Cara hit the stage to perform the monumental hit single, there was no denying the magic. Performing on opposite stages before an army of survivors in \"You Are Not Alone\" shirts, Logic addressed the crowd and closed the performance with a speech pointing out many societal injustices — from the treatment of women to neighbors from other countries. There are no weak individuals, per Logic, just people waiting to realize the power of their voice.\n\n### 12. Bruno Mars' Magical Evening: 6 For 6\n\nBruno Mars emerged above the stiff competition in Album Of The Year, taking home the final GRAMMY of the evening for 24K Magic. The nod topped off a GRAMMY sweep for the Hawaii native, with Mars winning all six categories for which he was nominated. He also earned R\u0026amp;B Album, Record Of The Year for \"24K Magic,\" Best R\u0026amp;B Performance, Best R\u0026amp;B Song and Song Of The Year for \"That's What I Like.\" As he explained in his Album Of The Year speech, Mars' mission was to spread love and he did just that — even shouting out previous greats like [Babyface](/artists/babyface/985) who paved the way for him."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy60th","id":"30312ea0-acba-4e90-ac23-ca6248bfd053","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"60th Annual GRAMMY Awards","showYear":2017},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"59th Annual GRAMMY Awards","deliveryId":"26137891-0e4b-4526-b96c-aca3162f80b8","deliveryKey":"awards/59th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"During a period in our nation's history in which people are constantly reminded about the political and social issues that can divide us, the 59th GRAMMY Awards served as a convincing testament to the undeniable unifying power of music.\n\n[Adele](/artists/adele/528), whose voice is a powerful force unto itself, emerged the top winner of the night, taking home five GRAMMYs: Best Pop Vocal Album and Album Of The Year for 25 and Record Of The Year, Song Of The Year and Best Pop Solo Performance for \"Hello.\" The now-15-time winner also made GRAMMY history by becoming the first artist to sweep Record, Album and Song Of The Year twice in her career.\n\nFittingly, it was Adele who ushered in Music's Biggest Night with a mesmerizing performance of her smash \"Hello.\" A stark black backdrop provided a blank canvas over which the British singer/songwriter painted an aural masterpiece, her potent vocals reverberating throughout Los Angeles' Staples Center.\n\nThe mercurial [David Bowie](/artists/david-bowie/4819), who died just days before releasing his album Blackstar on Jan. 8, 2016, won four posthumous GRAMMYs, including Best Alternative Music Album. [Greg Kurstin](/artists/greg-kurstin/9943), Adele's producer and songwriting partner, also won four awards, including Producer Of The Year, Non-Classical.\n\n[Chance The Rapper](/artists/chancelor-bennett/19614) earned three awards, including Best New Artist, making him the first streaming-exclusive artist to win a GRAMMY. \"This is for every indie artist who's been doing this mixtape stuff for a long-a\\*\\* time,\" the Chicagoan said during his acceptance for Best Rap Album for Coloring Book. He punctuated his GRAMMY debut with a feel-good performance medley of \"How Great\" and \"All We Got,\" with his cousin Nicole and 59th GRAMMY winners [Kirk Franklin](/artists/kirk-franklin/9067) and Tamela Mann adding soulful flourishes.\n\nEngineer/mixer [Tom Elmhirst](/artists/tom-elmhirst/2228) also won three GRAMMYs; [Beyoncé](/artists/beyonce-knowles/12474), [Drake](/artists/drake/12370), [Sarah Jarosz](/artists/sarah-jarosz/13600), [John Scofield](/artists/john-scofield/13908), Franklin, and [Hillary Scott \u0026amp; The Scott Family](/artists/hillary-scott-scott-family/20151) were among those winning two awards.\n\nAs presenter Celine Dion so eloquently quoted the legendary [Stevie Wonder](/artists/stevie-wonder/8257), \"Music, at its essence, is what gives us memories.\" In addition to crowning recipients in 84 GRAMMY categories, the 59th GRAMMYs created many new memories in the form of signature GRAMMY Moments that spanned several genres.\n\nEqual parts music, theater and spoken word poetry, a golden-clad Beyoncé radiated during her medley of \"Love Drought\" and \"Sandcastles,\" two songs from her Best Urban Contemporary Album-winning opus, Lemonade. The trance-inducing performance, which was themed around the celebration of motherhood, featured her own mother, Tina Knowles, and daughter, [Blue Ivy Carter](/artists/blue-ivy/292460), and closed on a poignant note with the pregnant Beyoncé reciting a line from a Warsan Shire poem: \"If we're going to heal, let it be glorious/1,000 girls raise their arms.\"\n\n[Bruno Mars](/artists/bruno-mars/5082) dazzled with his seductive \"That's What I Like.\" Commanding the stage with aplomb, showcasing graceful dance moves and flaunting his rich tenor, Mars once again proved the breadth of his 24-karat talent.\n\n[Ed Sheeran](/artists/ed-sheeran/6178) turned in arguably the most energy-efficient performance of the evening. Armed with an acoustic guitar, synthesizer and a pedalboard that doubled as a looping device, Sheeran proved a veritable one-man band in multitasking his romantic ode \"Shape Of You.\"\n\n[The Weeknd](/artists/The-Weeknd/24884) teamed with fellow GRAMMY winners [Daft Punk](/artists/daft-punk/8207) for a medley of \"Starboy\" and \"I Feel It Coming.\" The duo's trademark synthesizer soundscapes set the tone for a sci-fi inspired set, with The Weeknd's velvety voice drifting into space.\n\n[Katy Perry](/artists/katy-perry/5726) returned to the GRAMMY stage to debut her brand-new single, \"Chained To The Rhythm,\" with reggae artist Skip Marley. Perry — who wore an armband emblazoned with the word \"Resist\" — earnestly delivered her new socially conscious anthem, which she closed by declaring \"No hate!\"\n\nBest New Artist nominee [Anderson .Paak](/artists/anderson-paak/19926) and rappers Busta Rhymes, Consequence and [A Tribe Called Quest](/artists/tribe-called-quest/10719) joined for a politically charged medley of \"Award Tour,\" \"Movin Backwards\" and \"We The People.\" The latter song, A Tribe Called Quest's anthem addressing topics such as racism, xenophobia, homophobia, and misogyny, proved timely given the recent political climate. A Tribe Called Quest's Q-Tip put an exclamation point on the performance by shouting, \"Resist! Resist! Resist!\"\n\n[Metallica](/artists/metallica/10686) and [Lady Gaga](/artists/lady-gaga/3611) turned the volume up to 10 with a driving performance of the band's \"Moth Into Flame.\" Despite a brief technical glitch with Metallica frontman James Hetfield's mic, the heat generated — stoked by pyrotechnics, headbanging and a stage dive from Gaga — set off a genre-bending explosion.\n\n[Keith Urban](/artists/keith-urban/7015) and [Carrie Underwood](/artists/carrie-underwood/10381) went toe-to-toe for their love-affirming duet \"The Fighter.\" GRAMMY-nominated newcomers [Kelsea Ballerini](/artists/kelsea-ballerini/19558) and [Lukas Graham](/artists/lukas-graham/20132) joined together for a seamless mashup of her \"Peter Pan\" and their \"7 Years,\" which was up for Song Of The Year. R\u0026amp;B/soul legend William Bell, who earlier won his first career GRAMMY, teamed with guitar slinger [Gary Clark Jr.](/artists/gary-clark-jr/17798) for a gritty \"Born Under A Bad Sign.\"\n\nFirst-time GRAMMY host James Corden got into the musical act as well. During his opening skit, Corden delivered a free-style rap that name-dropped everyone from President Donald Trump to Drake, Rihanna and Sturgill Simpson. \"The Late Late Show\" host also sped through a hilarious impromptu GRAMMY edition of Carpool Karaoke. Driving a cardboard cutout vehicle, Corden was flanked by [Jennifer Lopez](/artists/jennifer-lopez/14846), [Tim McGraw](/artists/tim-mcgraw/12018), [Faith Hill](/artists/faith-hill/10850), [Keith Urban](/artists/keith-urban/7015), [Ryan Tedder](/artists/ryan-tedder/16130), [John Legend](/artists/john-legend/16994), Blue Ivy, Jason Derulo, and [Neil Diamond](/artists/neil-diamond/2720) for a singalong of the latter's classic \"Sweet Caroline.\"\n\nIn addition to Corden's bits, [Twenty One Pilots](/artists/twenty-one-pilots/20162) provided some unexpected comic relief when they accepted their first career GRAMMY for Best Pop Duo/Group Performance for \"Stressed Out\" in their underwear. Underneath the humor, the duo from Columbus, Ohio, conveyed an important message to musicians of all stripes. \"Anyone from anywhere can do anything,\" said Pilots singer/songwriter Tyler Joseph.\n\nIt was also a night of firsts for breakout country star [Maren Morris](/artists/maren-morris/19894). Not only did she make her GRAMMY performance debut with \"Once\" alongside [Alicia Keys](/artists/alicia-keys/12104), she won her first GRAMMY for Best Country Solo Performance for \"My Church,\" making her the first GRAMMY Camp alumnus to win a GRAMMY.\n\nMusic's Biggest Night also provided moments of reflection in the form of tributes.\n\nAn all-star troupe paid homage to five-time GRAMMY winners the Bee Gees, who will be celebrated this spring via the CBS TV special \"Stayin' Alive: A GRAMMY Salute To The Music Of The Bee Gees.\" [Demi Lovato](/artists/demi-lovato/19851) glided through \"Stayin' Alive\" while [Tori Kelly](/artists/tori-kelly/19120) showcased her impressive singing and guitar chops on \"Tragedy.\" [Little Big Town](/artists/little-big-town/10623) were in perfect harmony for \"How Deep Is Your Love\" and Andra Day bottled the essence of Studio 54 during \"Night Fever.\" The group closed with a vibrant \"Stayin' Alive\" coda, with Barry Gibb looking on in delight.\n\n[Sturgill Simpson](/artists/sturgill-simpson/18703) and the Dap-Kings convened for \"All Around You,\" a song from Simpson's Best Country Album-winning A Sailor's Guide To Earth. During his introduction, Dwight Yoakam lauded the late singer [Sharon Jones](/artists/sharon-jones/18518), who worked with the Dap-Kings throughout her career.\n\nIn recognition of [George Michael](/artists/george-michael/12041), who died Dec. 25, 2016, Adele returned to the stage for a dramatic, orchestrated version of \"Fastlove,\" the final Top 10 hit of Michael's career. The tribute paused abruptly as Adele stopped mid-song, feeling that her performance was not up to par. \"I can't mess this up for him,\" she confided to the audience. Adele reset herself and delivered a moving memorial. The audience obliged with a standing ovation.\n\nMorris Day and the Time did the honors in introducing a special GRAMMY tribute to the late [Prince](/artists/prince/5675). A true showman, Day bobbed and weaved the band through the Time's funky \"Jungle Love\" and \"The Bird.\" Mars then returned to the stage for a regal reimagining of \"Let's Go Crazy.\" Armed with a Purple Rain-inspired suit, makeup and white guitar, Mars channeled vintage '80s-era Prince, right down to his authentic take on the song's spectacular unaccompanied guitar cadenza.\n\nThe In Memoriam segment featured [John Legend](/artists/john-legend/16994) and GRAMMY-winning \"The Color Purple\" cast member [Cynthia Erivo](/artists/cynthia-erivo/19682) delivering a rendition of the Beach Boys' \"God Only Knows,\" which served as a solemn musical prayer to many other individuals the music community lost during the past year.\n\nThe GRAMMY show was also marked by heartfelt, if unexpected, tributes to fellow nominees. In her final acceptance speech of the evening for Album Of The Year, a visibly moved Adele used her platform to acknowledge and thank fellow nominee Beyoncé.\n\n\"My artist of my life is Beyoncé,\" Adele said as a tearful Beyoncé looked on. \"The Lemonade album was just so monumental and so well-thought out and so beautiful and soul-bearing. … All us artists here, we f\\*\\*\\*ing adore you. You are our light.\n\nMusic's Biggest Night beamed into the homes of more than 26 million viewers, representing a 4 percent year-over-year increase and the highest viewership since 2014. The luster extended well after the Sunday telecast, with several winners, nominees and performers benefiting from the GRAMMY Effect.\n\nDigital sales of songs performed on the show saw a 140 percent increase in download sales, with Urban and Underwood's \"The Fighter\" experiencing a 574 percent gain. On-demand streams (audio and video combined) of songs performed rose 30 percent, including Mars' \"That's What I Like\" spiking 99 percent. Adele's 25 returned to the Top 10, rising to No. 6 with a 137 percent sales increase. Combined with the other Album Of The Year nominees (Beyoncé's Lemonade, [Justin Bieber](/artists/justin-bieber/10220)'s Purpose, Drake's Views, and Sturgill Simpson's A Sailor's Guide To Earth), all five albums saw a collective 91 percent increase in equivalent album sales. Following his GRAMMY performance with Perry, Skip Marley became the first member of the Marley family to score a Top 10 hit on the Billboard Hot 100.\n\nMore than just impressive statistics, these sizable GRAMMY Effect gains give additional credence to the 59th GRAMMY Awards telecast remarks of Recording Academy President/CEO Neil Portnow, who during his impassioned speech delivered to the new administration an important unified message on behalf of the music community.\n\n\"The Recording Academy, together with America's music makers, call on the president and Congress to help keep the music playing by updating music laws, protecting music education and renewing America's commitment to the arts,\" said Portnow. \"It's our collective responsibility to preserve what binds us and to ensure that the whole world continues to benefit from one of our most unique \\[and\\] economically and spiritually important assets — and exports: American music.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy-awards-promo-book-aj","id":"51c2e79c-1e46-4a87-b033-4b5af42aab57","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"59th Annual GRAMMY Awards","pdf":"https://naras.a.bigcontent.io/v1/static/recommendations_for_hires_music_production_09_28_18_0","date":"2017-02-12T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2015, through Sept. 30, 2016","showYear":2016},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"58th Annual GRAMMY Awards","deliveryId":"bdb065d4-0dae-4afc-820e-e64b162deb4b","deliveryKey":"awards/58th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"In an era when much of the prevailing cultural dialogue revolves around race relations and personal empowerment, the big winners at the 58th GRAMMY Awards reflected the currency of the times.\n\nWith 11 nominations, Compton, Calif., rapper [Kendrick Lamar](/artists/kendrick-lamar/17949) went into Music's Biggest Night as the most nominated artist since [Michael Jackson](/artists/michael-jackson/13202) and [Babyface](/artists/babyface/985) each scored 12 for 1983 and 1996, respectively. He took five GRAMMYs, including Best Rap Album for To Pimp A Butterfly, and Best Rap Performance and Best Rap Song for \"Alright.\"\n\nLamar's performance of \"The Blacker The Berry\" and \"Alright,\" songs that became unofficial soundtracks for the Black Lives Matter movement, infused the GRAMMYs with the kind of social immediacy at which it excels, whether it's championing marriage equality or honoring late musical icons such as Whitney Houston.\n\n[Alabama Shakes](/artists/alabama-shakes/14656), perhaps fittingly a multiracial band with a multiracial frontwoman, [Brittany Howard](/artists/brittany-howard/3375), won three awards — Best Rock Performance, Best Rock Song and Best Alternative Music Album — all based around their acclaimed sophomore album, Sound \u0026amp; Color. Their performance of \"Don't Wanna Fight,\" introduced with an otherworldly scream by Howard, who looked like a high priestess of rock in a flowing white cape, was a captivating moment from a band that has helped bring back a sense of urgency to rock.\n\n[Taylor Swift](/artists/taylor-swift/15450) took Album Of The Year for 1989 among her three awards. Pointing out she was the first woman to win that award twice, Swift was passionate about giving due credit to the contributions of women during her acceptance speech. Her show-opening performance of \"Out Of The Woods\" proved she's a powerful, self-assured woman.\n\nOther multiple winners included [D'Angelo](/artists/dangelo/1902), [Diplo](/artists/diplo/8548), [Jason Isbell](/artists/jason-isbell/19091), [Maria Schneider](/artists/maria-schneider/6153), [Ed Sheeran](/artists/ed-sheeran/6178), [Skrillex](/artists/skrillex/6363), [Chris Stapleton](/artists/chris-stapleton/15418), and [The Weeknd](/artists/The-Weeknd/24884).\n\nRising up, to paraphrase GRAMMY nominee and performer [Andra Day](/artists/andra-day/18980), was the theme of the night. In addition to Lamar's wins and triumphant performance, there were other noteworthy moments.\n\n\"Glory,\" Common and [John Legend](/artists/john-legend/16994)'s defiant song from Selma, the film about the 1965 Montgomery, Ala., voting rights marches, won for Best Song Written For Visual Media. [Lalah Hathaway](/artists/lalah-hathaway/3123) won in the Best Traditional R\u0026amp;B Performance category for \"Little Ghetto Boy,\" a song about overcoming the consequences of growing up in inner-city poverty that was originally recorded by her father, [Donny Hathaway](/artists/donny-hathaway/2656). \n\nMexican drummer/composer [Antonio Sanchez](/artists/antonio-sanchez/6087), who won Best Score Soundtrack For Visual Media for Birdman, thanked GRAMMY voters specifically because he had been \"eliminated by another awards show that starts with an 'O' and ends with 'scars.'\" And songwriter [Kendra Foster](/artists/kendra-foster/19024) literally raised a fist and proclaimed \"we're trying to rise up\" when accepting the Best R\u0026amp;B Song award for her, D'Angelo and [Gina Figueroa](/artists/gina-figueroa/19500)'s \"Really Love.\"\n\nIt was also a night of official goodbyes to musical giants, some of whom died within weeks of the GRAMMY telecast.\n\n[Lady Gaga](/artists/lady-gaga/3611)'s tribute to [David Bowie](/artists/david-bowie/4819) was an electrifying appreciation of one of the most influential artists of our time. Bowie — who died Jan. 10 — received a Lifetime Achievement Award from The Recording Academy in 2006, and an appropriate celebration on the GRAMMY telecast with a 10-song medley wrapped by a triumphant version of \"Heroes.\"\n\nThe band synonymous with '70s California rock came together to salute their fallen founding member, [Glenn Frey](/artists/glenn-frey/2410), who died Jan. 18. The Eagles strummed through their first hit, the classic \"Take It Easy,\" teaming with the song's co-writer Jackson Browne (who penned the tune with Frey in the early '70s when they lived in the same Los Angeles apartment building). The ode to letting troubles run off your shoulders and grabbing life while you can was a fitting tribute to a singer, guitarist and man who did just that.\n\nThings revved up a few decibels when the Hollywood Vampires (Alice Cooper, Johnny Depp and Joe Perry joined by Guns N' Roses bassist Duff McKagan and drummer Matt Sorum) lit the funeral pyre for Lemmy Kilmister — hard rock's No. 1 anarchist who died Dec. 28, 2015 — with a short blast of Motörhead's \"Ace Of Spades.\"\n\nAt the other end of the genre and attitude spectrum, [Earth, Wind \u0026amp; Fire](/artists/earth-wind-fire/14550)'s deeply optimistic pan-spiritual leader [Maurice White](/artists/maurice-white/6905), who died Feb. 4, was feted by [Stevie Wonder](/artists/stevie-wonder/8257) and vocal group [Pentatonix](/artists/pentatonix/20140), who performed an a cappella version of the classic \"That's The Way Of The World.\"\n\nFinally, Stapleton, [Gary Clark Jr.](/artists/gary-clark-jr/17798) and Bonnie Raitt paid tribute to one of the most noteworthy bluesmen of all time, B.B. King, who died May 14, 2015. The three artists — performing King's biggest hit, \"The Thrill Is Gone\" — reflected disparate generations and genres, but demonstrated that roots music is a single language often spoken with six strings.\n\nWrapped around these special GRAMMY Moments were additional performances that delivered musical breadth as only the GRAMMYs can.\n\nNew country star and former college footballer [Sam Hunt](/artists/sam-hunt/19085)'s \"Take Your Time\" got an audible via a duet with [Carrie Underwood](/artists/carrie-underwood/10381) and her \"Heartbeat.\"\n\nR\u0026amp;B sensation [The Weeknd](/artists/The-Weeknd/24884) sensitively performed his ballad \"In The Night,\" backed by piano and cello, after teasing his hit \"Can't Feel My Face.\" The vocal triumph scored a standing ovation.\n\nDay was joined by [Ellie Goulding](/artists/ellie-goulding/19043) for one of the night's sweetest melding of voices as they seamlessly brought their respective ballads \"Rise Up\" and \"Love Me Like You Do\" together.\n\n[Lionel Richie](/artists/lionel-richie/17291), the 2016 MusiCares Person of the Year honoree and a true hits king of the '80s, rightly received the royal treatment as Luke Bryan, John Legend, Demi Lovato, [Meghan Trainor](/artists/meghan-trainor/18740), and [Tyrese](/artists/tyrese/17506) came together for a mega-salute capped by the man himself singing his signature \"All Night Long (All Night).\"\n\nRichie collaborator, the late Michael Jackson, was remembered by nominee [Miguel](/artists/miguel/4571), who delivered a smooth version of \"She's Out Of My Life\" backed by the song's original keyboardist Greg Phillinganes.\n\n[Little Big Town](/artists/little-big-town/10623) turned in a contemplative version of \"Girl Crush\" rich in the harmonizing of their four collective voices.\n\nTwo Best New Artist nominees, James Bay and Tori Kelly, joined forces to show off some fresh multiweapon talent as the pair of singer/songwriter/instrumentalists ran emotively through his \"Let It Go\" and her \"Hollow.\"\n\nThe GRAMMYs aired its first-ever live performance from a Broadway stage by bringing the acclaimed musical \"Hamilton\" to a nationwide TV audience. Star/writer Lin-Manuel Miranda and his cast ran through the opening number \"Alexander Hamilton\" before an ecstatic audience at the Richard Rodgers Theatre in New York, providing a taste of its groundbreaking melding of hip-hop and traditional musical theater.\n\nDespite some well-documented technical glitches, Adele's performance became a triumph over adversity, a testament to the fact that great talent will always shine despite the sometimes unexpected travails of live TV. To paraphrase her song \"All I Ask,\" Adele left her heart on the stage to a standing ovation.\n\n[Justin Bieber](/artists/justin-bieber/10220) teamed with EDM stars Skrillex and Diplo — under their Jack Ü moniker — for a rousing take on \"Where Are Ü Now,\" which followed an acoustic solo turn by Bieber, who played his \"Love Yourself.\" As Billboard noted, \"While some previous dance performances have fallen flat in televised awards shows, there was nothing stilted about the energetic ensemble's stage show.\"\n\nAnd on a similarly energetic note, the GRAMMYs concluded with a party thrown by one of the night's winners, Pitbull, who was joined by Travis Barker, Joe Perry, Robin Thicke, and actress Sofia Vergara, who showed off some of her best dance moves.\n\nBetween honoring our musical legacy and recognizing music's power to reflect and impact our cultural legacy, fans truly had a chance to Witness Greatness on the 58th GRAMMYs."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"58gr_poster_final","id":"068c2a08-da6c-46b1-b4c5-a6c65c1c8eb1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"58th Annual GRAMMY Awards","date":"2016-02-15T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2014, through Sept. 30, 2015","showYear":2015},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"57th Annual GRAMMY Awards","deliveryId":"088a802e-0e04-437a-b471-6f7340b7fc75","deliveryKey":"awards/57th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"summary":{"richText":"\u003cp\u003eSee all GRAMMY award winners and nominees for the 57th GRAMMY Awards, presented in 2014.\u003c/p\u003e\r\n"},"body":{"richText":"\u003cp\u003eEven for the GRAMMY Awards, which takes pride in each unique performance on its world-renowned stage — performances that have collectively come to be known as GRAMMY Moments — the 57th telecast topped expectations. The show featured an impressive 23 performances, many offering teamings that were not only inspired, but resulted in illuminating versions of deeply powerful songs.\u003c/p\u003e\n\n\u003cp\u003eIf you thought \u003ca href=\"/artists/sam-smith/18713\"\u003e\u003cb\u003eSam Smith\u003c/b\u003e\u003c/a\u003e's multiple GRAMMY-winning \"Stay With Me (Darkchild Version)\" was an aching heartbreak of a song, you may have been emotionally drained after\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/mary-j-blige/779\"\u003e\u003cb\u003eMary J. Blige\u003c/b\u003e\u003c/a\u003e joined Smith to add tent-revival urgency.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/katy-perry/5726\"\u003e\u003cb\u003eKaty Perry\u003c/b\u003e\u003c/a\u003e's \"By The Grace Of God\" already defies many of the California gurl's best-known pop hits, but following a personal plea from President Barack Obama to stop domestic violence and the real-life tale of abuse from survivor and activist Brooke Axtell, its unexpected impact brought the house to its feet.\u003cbr /\u003e\n\u003cbr /\u003e\nAnd so went this year's telecast, performance after performance proving that GRAMMY Moments live well beyond the moment of their creation.\u003cbr /\u003e\n\u003cbr /\u003e\nFirst-time GRAMMY performers AC/DC opened the show with fireworks and firepower, with singer Brian Johnson and guitarist Angus Young igniting the stage — and the playfully devil-horned audience — with \"Rock Or Bust\" and the classic \"Highway To Hell.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBut it was the next performance of \"Just A Little Bit Of Your Heart\" by \u003ca href=\"/artists/ariana-grande/18441\"\u003e\u003cb\u003eAriana Grande\u003c/b\u003e\u003c/a\u003e that arguably served as the true tone setter of the night, a poignant moment of soul-stirring singing that was as moving as it was entertaining.\u003cbr /\u003e\n\u003cbr /\u003e\nBrits \u003ca href=\"/artists/jessie-j/18501\"\u003e\u003cb\u003eJessie J\u003c/b\u003e\u003c/a\u003e and the ever-vibrant Tom Jones followed with a similarly breathtaking \"You've Lost That Loving Feelin'\" in tribute to the iconic song's co-writers, 2015 Recording Academy Trustees Award recipients Barry Mann and Cynthia Weil.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/miranda-lambert/4851\"\u003e\u003cb\u003eMiranda Lambert\u003c/b\u003e\u003c/a\u003e then interjected a touch of rock-inflected hoedown energy, wheeling out her upbeat \"Little Red Wagon\" with attitude and energy to spare, tapping into her firecracker charisma.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/kanye-west/6900\"\u003e\u003cb\u003eKanye West\u003c/b\u003e\u003c/a\u003e returned to the show's tacit theme of emotional message music with \"Only One.\" Shadowy under a single spotlight, West bared it all with his ode to daughter North West, sung from the perspective of his late mother, and aimed at healing and happiness.\u003cbr /\u003e\n\u003cbr /\u003e\nAn ageless \u003ca href=\"/artists/madonna/5068\"\u003e\u003cb\u003eMadonna\u003c/b\u003e\u003c/a\u003e, still enviably contorting through Pilates-required dance numbers, debuted her new \"Living For Love\" with a bullfighting theme and a matador's determination and finesse.\u003cbr /\u003e\n\u003cbr /\u003e\nPulling out all the stops, \u003ca href=\"/artists/ed-sheeran/6178\"\u003e\u003cb\u003eEd Sheeran\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/john-mayer/14891\"\u003e\u003cb\u003eJohn Mayer\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/herbie-hancock/9477\"\u003e\u003cb\u003eHerbie Hancock\u003c/b\u003e\u003c/a\u003e, and Questlove teamed for Sheeran's \"Thinking Out Loud.\" Despite such a group of heavyweights, they retained the song’s graceful rumination on enduring love.\u003cbr /\u003e\n\u003cbr /\u003e\nThe quartet then gave way to Jeff Lynne's ELO. GRAMMY winner Lynne led the band through an ELO signature, \"Evil Woman,\" before joining with Sheeran for a rousing \"Mr. Blue Sky.\"\u003cbr /\u003e\n\u003cbr /\u003e\nAdam Levine reunited with former \"The Voice\" judge Gwen Stefani for \u003ca href=\"/artists/maroon-5/13090\"\u003e\u003cb\u003eMaroon 5\u003c/b\u003e\u003c/a\u003e's ballad \"My Heart Is Open,\" with each bringing their formidable chops to the plea for love.\u003cbr /\u003e\n\u003cbr /\u003e\nLast year, the GRAMMYs brought 33 couples to the stage for a mass musical marriage ceremony. This year, Irish singer/songwriter \u003ca href=\"/grammys/artists/hozier\"\u003e\u003cb\u003eHozier\u003c/b\u003e\u003c/a\u003e took the crowd to church with his GRAMMY-nominated hit. As \"Take Me To Church\" built to its climax, singer\u003cb\u003e \u003c/b\u003e\u003ca href=\"/grammys/artists/annie-lennox\"\u003e\u003cb\u003eAnnie Lennox\u003c/b\u003e\u003c/a\u003e joined to add an exclamation point, then segued into her cover of Screamin' Jay Hawkins' \"I Put A Spell On You,\" as she did just that to the GRAMMY audience.\u003cbr /\u003e\n\u003cbr /\u003e\nBy now, \u003ca href=\"/artists/pharrell-williams/7310\"\u003e\u003cb\u003ePharrell Williams\u003c/b\u003e\u003c/a\u003e has built a cottage industry around his inescapable hit \"Happy.\" For his GRAMMY performance, joined by composer Hans Zimmer on guitar and pianist \u003ca href=\"/artists/lang-lang/14460\"\u003e\u003cb\u003eLang Lang\u003c/b\u003e\u003c/a\u003e's otherworldly finger play, Williams' turned in a dark and satisfying take on the song.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Perry's stirring \"By The Grace Of God,\"\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/tony-bennett/1073\"\u003e\u003cb\u003eTony Bennett\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/lady-gaga/3611\"\u003e\u003cb\u003eLady Gaga\u003c/b\u003e\u003c/a\u003e hit the stage like the second coming of ultimate lounge-act couple Louis Prima and Keely Smith. The pair was clearly having authentic fun onstage, at times truly \"Cheek To Cheek.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBacked only by teen harpist Melody Tai,\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/usher/16167\"\u003e\u003cb\u003eUsher\u003c/b\u003e\u003c/a\u003e performed a sweet version of \u003ca href=\"/artists/stevie-wonder/8257\"\u003e\u003cb\u003eStevie Wonder\u003c/b\u003e\u003c/a\u003e's \"Magic\" in anticipation of \"Stevie Wonder: Songs In The Key Of Life — An All-Star GRAMMY Salute,\" a two-hour special that aired on CBS Feb. 16. Truly whetting appetites for that show, Wonder emerged from the shadows at the end of the song for an excitedly received harmonica solo.\u003cbr /\u003e\n\u003cbr /\u003e\nThe GRAMMYs took a trip to Nashville, Tenn., next for \u003ca href=\"/artists/eric-church/10938\"\u003e\u003cb\u003eEric Church\u003c/b\u003e\u003c/a\u003e's \"Give Me Back My Hometown.\" Then it was just left of Nashville for Best New Artist nominee \u003ca href=\"/artists/brandy-clark/17797\"\u003e\u003cb\u003eBrandy Clark\u003c/b\u003e\u003c/a\u003e's teaming with Dwight Yoakam for her \"Hold My Hand,\" to which Yoakam contributed haunting background vocals.\u003cbr /\u003e\n\u003cbr /\u003e\nThe camera then shifted quietly to three silhouetted figures, in what is quickly becoming an iconic pose, for a debut performance of \"FourFiveSeconds,\" \u003ca href=\"/artists/rihanna/5943\"\u003e\u003cb\u003eRihanna\u003c/b\u003e\u003c/a\u003e's new single with \u003ca href=\"/artists/paul-mccartney/4678\"\u003e\u003cb\u003ePaul McCartney\u003c/b\u003e\u003c/a\u003e and West. The trio represented almost unprecedented star power and the song was captivatingly striking in its stark presentation.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Smith (who emerged as the night's top winner with four GRAMMYs) and Blige's roof-raising performance of \"Stay With Me,\" Colombian singer/songwriter \u003ca href=\"/artists/juanes/9195\"\u003e\u003cb\u003eJuanes\u003c/b\u003e\u003c/a\u003e hit the stage for a performance of his reggae-tinged \"Juntos,\" en español.\u003cbr /\u003e\n\u003cbr /\u003e\nActress Kristen Wiig served as the face of\u003ca href=\"/artists/sia/15372\"\u003e\u003cb\u003e Sia\u003c/b\u003e\u003c/a\u003e for the latter's performance of \"Chandelier,\" miming a comic version of the song's GRAMMY-nominated music video with young dancer Maddie Ziegler, while Sia earnestly sang from a corner of the set, in her customary back-to-the-audience stance.\u003cbr /\u003e\n\u003cbr /\u003e\nAlbum Of The Year winner\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/beck/292\"\u003e\u003cb\u003eBeck\u003c/b\u003e\u003c/a\u003e teamed with \u003ca href=\"/artists/coldplay/10952\"\u003e\u003cb\u003eColdplay\u003c/b\u003e\u003c/a\u003e's Chris Martin for a Crosby, Stills, Nash \u0026amp; Young-inspired version of his acoustic gem \"Heart Is A Drum.\" Though backed only by acoustic instruments, the song's tale of heartbreak and acceptance had an electric impact.\u003cbr /\u003e\n\u003cbr /\u003e\n\"We live in complicated times,\" said Gwyneth Paltrow in introducing \u003ca href=\"/artists/beyonce-knowles/12474\"\u003e\u003cb\u003eBeyoncé\u003c/b\u003e\u003c/a\u003e's take on the gospel standard \"Take My Hand, Precious Lord,\" \"and now more than ever we need understanding and to acknowledge the feelings of others.”\u003cbr /\u003e\n\u003cbr /\u003e\nLooking angelic in a white dress that gave the appearance of wings, Bey took the crowd to church literally, as Hozier had done metaphorically earlier.\u003cbr /\u003e\n\u003cbr /\u003e\nThe 57th GRAMMY Awards closed poignantly with \u003ca href=\"/artists/john-legend/16994\"\u003e\u003cb\u003eJohn Legend\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/common/1332\"\u003e\u003cb\u003eCommon\u003c/b\u003e\u003c/a\u003e's stunning \u003ci\u003eSelma\u003c/i\u003e theme, \"Glory.\" The performance not only came two weeks prior to their Oscar turn, but taken together with Beyoncé’s preceding tour de force vocal performance, the finale drew a connection in the battle for equal rights from the '60s to the present — capping the night's powerful message about music's ability to stir people to greater awareness and action.\u003cbr /\u003e\n\u003cbr /\u003e\n\u0026nbsp;\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"57th_cover","id":"8df606b8-ffa7-4994-a2a8-5b178654c651","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"57th Annual GRAMMY Awards","date":"2015-02-08T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2013, through Sept. 30, 2014","showYear":2014},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"56th Annual GRAMMY Awards","deliveryId":"bcc3951c-e58c-4769-8dbe-6f7adf6bcbde","deliveryKey":"awards/56th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":true},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"Reuniting legends, creating unparalleled GRAMMY Moments and giving new artists a global platform are all part of what makes the GRAMMYs a truly unique celebration of music. But this year the GRAMMY stage served as an opportunity to display music's power to unleash \"whoever we are and whoever we dream about being,\" as host [LL Cool J](/artists/ll-cool-j/4008) said in his opening remarks.\n\nFollowing a steamy performance of \"Drunk In Love\" by power couple Beyoncé and Jay Z, Macklemore \u0026amp; Ryan Lewis made their first appearance on the GRAMMY stage to accept the first award of the night for Best New Artist. After catching their collective breath, Macklemore thanked their fans, \"the people that got us on this stage,\" while acknowledging their independent roots.\\\n\n\\\n\n\"We made this album without a record label,\" said Macklemore. \"And we appreciate all the support.\"\n\nThe Seattle rap duo ended their GRAMMY debut on top, garnering a total of four trophies. The duo were later joined by singer/songwriter Mary Lambert and Trombone Shorty for a performance of their GRAMMY-nominated anthem of equality, \"Same Love.\" The performance marked a historic moment for the GRAMMY Awards as Queen Latifah took the stage mid-set to officiate a live marriage ceremony for 33 diverse couples, which was capped with an appearance by Madonna. Madge gave new meaning to the chorus to her \"Open Your Heart,\" proving that while music unleashes independence, it also promotes harmony.\n\n\"When we say music has the power to bring people together at the GRAMMYs, we mean it,\" said Latifah.\n\nFellow GRAMMY newcomer Lorde performed her hit \"Royals,\" which took Song Of The Year and Best Pop Solo Performance. The 17-year-old singer/songwriter was clearly shocked: \"This is the one thing that I did not expect the most about tonight,\" she said while accepting the latter award.\n\nFurther demonstrating music's power to unleash individuality, Hunter Hayes debuted his new single \"Invisible.\" The inspirational piano-driven ballad was colored with several onscreen quotes, including one by John Lennon: \"You don't need anybody to tell you who you are or what you are. You are what you are.\"\n\nCountry singer/songwriter Kacey Musgraves nabbed the first two GRAMMYs of her career for Best Country Song for \"Merry Go 'Round\" with Shane McAnally and Josh Osborne, and Best Country Album for Same Trailer Different Park. Musgraves made her individual mark on the GRAMMYs when she brightened the stage for a performance of \"Follow Your Arrow,\" a song about doing \"whatever you want.\"\n\nOne of the most talked about — and tweeted — performances of the night was the teaming of Imagine Dragons, who won their first GRAMMY for Best Rock Performance for \"Radioactive,\" with rising rapper Kendrick Lamar. On a smoke-filled stage, the collective delivered a colorful mashup of \"Radioactive\" and Lamar's \"m.A.A.d city\" — an appropriate welcome to a new generation of GRAMMY performers.\n\nBut being in with the new does not mean out with the old — or in this case, legendary. Newly minted Lifetime Achievement Award recipient Kris Kristofferson, Willie Nelson and Merle Haggard were accompanied by Blake Shelton for a medley of classics such as \"Okie From Muskogee\" and \"Mamas Don't Let Your Babies Grow Up To Be Cowboys\" that had everyone from Musgraves to Jay Z and Beyoncé swaying in the audience. Daft Punk and Pharrell Williams — both of whom also topped the winners list with four each, including Album Of The Year for Random Access Memories and a Producer Of The Year, Non-Classical win for Williams — teamed with Nile Rodgers and Stevie Wonder for a mashup of the Chic classic \"Le Freak\" and \"Get Lucky.\" The latter earned Rodgers two of his first three career GRAMMYs for Best Pop Duo/Group Performance and Record Of The Year.\n\nAdditionally, Jay Z and Justin Timberlake won Best Rap/Sung Collaboration for \"Holy Grail,\" which Jay Z accepted on their behalf and dedicated to his daughter Blue Ivy. Bruno Mars took home Best Pop Vocal Album honors for Unorthodox Jukebox, which he dedicated to his late mother Bernadette, who died in June 2013.\n\nOn a satellite stage, 2014 MusiCares Person of the Year honoree Carole King and Sara Bareilles went head-to-head on piano for a performance of Bareilles' \"Brave\" and King's \"Beautiful.\" More all-star collaborations ensued. Robin Thicke joined Chicago to perform the latter's \"Beginnings,\" \"Does Anybody Really Know What Time It Is?\" and \"Saturday In The Park\" and his \"Blurred Lines,\" which earned Thicke his first nominations as an artist. GRAMMY winner Keith Urban and first-time winner Gary Clark Jr. joined for a performance of Urban's \"Cop Car\" that showed off each individual's guitar prowess. Pink made sure no one forgot her high-flying acrobatic skills as she took to the air to perform \"Try\" before Fun.'s Nate Ruess joined to deliver their GRAMMY-nominated hit \"Just Give Me A Reason.\"\n\nThe spotlight was on John Legend as he took a seat behind the piano for a soulful performance of his romantic ballad \"All Of Me,\" which appeared to be dedicated to his new bride, Chrissy Teigen. Taylor Swift went for a no-frills performance, looking glamorous at the piano for her \"All Too Well.\" Meanwhile, fellow singer/songwriter Katy Perry proved she has a dark side, opening encased in a crystal ball for an enchanting performance of her hit single about playing with magic, \"Dark Horse,\" featuring Juicy J.\n\nThough the evening was highlighted by new artists taking home their first GRAMMY gold, as David Grohl remarked while accepting the award for Best Rock Song for \"Cut Me Some Slack\" with Paul McCartney and former Nirvana bandmates Krist Novoselic and Pat Smear, \"If it wasn't for the Beatles, we wouldn't be here.\" Celebrating the 50th anniversary of their U.S. debut on \"The Ed Sullivan Show\" this year, remaining Beatles McCartney and Ringo Starr took the stage, likely reminding some of the younger artists in the audience why they chose their individual paths. After a solo performance by Starr of his chestnut \"Photograph,\" the drummer joined McCartney for the latter's new \"Queenie Eye.\" (Two weeks later, the pair would team again for the successful tribute \"The Beatles: The Night That Changed America — A GRAMMY Salute,\" which celebrated their historic performance on \"The Ed Sullivan Show\" 50 years ago.)\n\nFrom one surprise teaming to another, Metallica took the stage with the GRAMMY Cultural Ambassador to China, pianist Lang Lang. Following an introduction from Oscar winner Jared Leto, who cited Metallica as a \"great rock band who have stayed true to themselves,\" the group delivered a unique performance of their past GRAMMY winner \"One\" that had frontman James Hetfield going guitar-to-piano with Lang Lang. The pianist returned shortly after to pay tribute to the late Van Cliburn during the In Memoriam segment, which also featured Miranda Lambert and Billie Joe Armstrong teaming for a tribute to the late Phil Everly with the Everly Brothers' \"When Will I Be Loved.\"\n\nThe 56th telecast took its final bow with one last memorable GRAMMY Moment that literally rocked. Fleetwood Mac guitar master Lindsey Buckingham and Grohl joined Nine Inch Nails and Queens Of The Stone Age for NIN's \"Copy Of A\" and QOTSA's \"My God Is The Sun.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"56gr_poster_final","id":"065086cd-67f7-46cc-8f53-70859bfa2e86","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"56th Annual GRAMMY Awards","pdf":"https://www.grammy.com","date":"2014-01-26T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2012, through Sept. 30, 2013","showYear":2013},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"55th Annual GRAMMY Awards","deliveryId":"5d3445d9-1b49-47bc-97a5-138ae6cd8b90","deliveryKey":"awards/55th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"\u003cp\u003eWhile many past GRAMMY telecasts have turned into colorful coronations of artists who enjoyed larger-than-life years (\u003ca href=\"/artists/michael-jackson/13202\" target=\"_blank\"\u003eMichael Jackson\u003c/a\u003e's eight GRAMMYs in 1983, Santana's eight in 1999, \u003ca href=\"/artists/beyonce-knowles/12474\" target=\"_blank\"\u003eBeyoncé\u003c/a\u003e's six in 2009, and \u003ca href=\"/artists/adele/528\" target=\"_blank\"\u003eAdele\u003c/a\u003e's six in 2011), the 55th Annual GRAMMY Awards spread the wealth among a crop of younger artists who set the stage for the century's second decade in music.\u003c/p\u003e\n\n\u003cp\u003eRoots-influenced rockers the \u003ca href=\"/artists/black-keys/8120\" target=\"_blank\"\u003eBlack Keys\u003c/a\u003e won three awards in the Rock Field (and guitarist/singer Dan Auerbach added one more for \u003cstrong\u003eProducer Of The Year, Non-Classical\u003c/strong\u003e.\u003c/p\u003e\n\n\u003cp\u003eRap stalwarts \u003ca href=\"/artists/jay-z/9815\" target=\"_blank\"\u003eJay-Z\u003c/a\u003e and \u003ca href=\"/artists/kanye-west/6900\" target=\"_blank\"\u003eKanye West\u003c/a\u003e won three GRAMMYs each, all for their collaborations on \u003cstrong\u003eBest Rap Performance\u003c/strong\u003e and Best Rap Song\u003c/strong\u003ewinner \"N****s In Paris\" and \u003cstrong\u003eBest Rap/Sung Collaboration\u003c/strong\u003e winner \"No Church In The Wild\" (featuring Frank Ocean and The-Dream).\u003c/p\u003e\n\n\u003cp\u003eThen came more relative newcomers: Skrillex added three GRAMMYs to his three from last year; \u003ca href=\"/artists/gotye/2402\" target=\"_blank\"\u003eGotye\u003c/a\u003e rode \"Somebody That I Used To Know\" (featuring \u003ca href=\"/artists/kimbra/3581\" target=\"_blank\"\u003eKimbra\u003c/a\u003e), which became the most idiosyncratic radio hit of 2012, to three awards, including Record Of The Year; \u003ca href=\"/artists/fun/15812\" target=\"_blank\"\u003eFun.\u003c/a\u003e won their first two GRAMMYs for Song Of The Year for \"We Are Young\" (featuring \u003ca href=\"/artists/janelle-monae/4464\" target=\"_blank\"\u003eJanelle Monáe\u003c/a\u003e) and Best New Artist; and Mumford \u0026amp; Sons, one of the trailblazers for the new wave of acoustic roots artists, won Album Of The Year for Babel.\u003c/p\u003e\n\n\u003cp\u003eSome of the winning artists were so new, they took other winners by surprise.\u003c/p\u003e\n\n\u003cp\u003e\"Miguel, I don't know who the hell you are, but we need to sing together,\" shouted \u003ca href=\"/artists/kelly-clarkson/11249\" target=\"_blank\"\u003eKelly Clarkson\u003c/a\u003e while collecting her Best Pop Vocal Album GRAMMY for Stronger, referring to \u003ca href=\"/artists/miguel/4571\" target=\"_blank\"\u003eMiguel\u003c/a\u003e's brief slow jam of his Best R\u0026amp;B Song winner \"Adorn\" (on which he teamed with Wiz Khalifa). \"That was the sexiest damn thing I've ever seen.\"\u003c/p\u003e\n\n\u003cp\u003eIt was more than a fresh breeze that blew over the 55th GRAMMYs, it was arguably a wind of change.\u003c/p\u003e\n\n\u003cp\u003eStill, the telecast remained music's biggest melting pot, with performances that brought innumerous ingredients to the stew, starting with one that was a virtual stew all on its own. With nose-thumbing clowns, a wheelchair-bound Mephisto and scary puppeteers, \u003ca href=\"/artists/taylor-swift/15450\" target=\"_blank\"\u003eTaylor Swift\u003c/a\u003e turned in the most threatening \"We Are Never Ever Getting Back Together\" ever.\u003c/p\u003e\n\n\u003cp\u003eBritish singer/songwriter \u003ca href=\"/artists/ed-sheeran/6178\" target=\"_blank\"\u003eEd Sheeran\u003c/a\u003e teamed with the head of his management company, \u003ca href=\"/artists/elton-john/12074\" target=\"_blank\"\u003eElton John\u003c/a\u003e, for a strong reading of the former's Song Of The Year-nominated \"The A Team,\" the tale of a homeless addict.\u003c/p\u003e\n\n\u003cp\u003eFun. brought drama to \"Carry On,\" their song of perseverance, in the form of both their anthemic ambition and a rainstorm of real water that drenched their set.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/miranda-lambert/4851\" target=\"_blank\"\u003eMiranda Lambert\u003c/a\u003e and Dierks Bentley, met under a large blue tree for intimate duets of her \"Over You\" and his \"Home.\"\u003c/p\u003e\n\n\u003cp\u003eMumford \u0026amp; Sons gave a jolt to the crowd with their endlessly energetic \"I Will Wait.\" The way they attacked their acoustic guitars would have made Pete Townshend proud.\u003c/p\u003e\n\n\u003cp\u003eBreaking a seven-year hiatus from live music performance, Justin Timberlake hit a sepia-toned stage for a suave medley of his new \"Suit \u0026amp; Tie\" (on which he was joined by Jay-Z) and \"Pusher Love Girl\" from his 2013 album, The 20/20 Experience.\u003c/p\u003e\n\n\u003cp\u003eIn another unique pairing, \u003ca href=\"/artists/maroon-5/13090\" target=\"_blank\"\u003eMaroon 5\u003c/a\u003e and \u003ca href=\"/artists/alicia-keys/12104\" target=\"_self\"\u003eAlicia Keys\u003c/a\u003e teamed for the former's \"Daylight\" and the latter's \"Girl On Fire,\" both songs that kindle with power and emotion.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/rihanna/5943\" target=\"_blank\"\u003eRihanna\u003c/a\u003e was joined by Mikky Ekko for \"Stay,\" a song he co-wrote and on which he is a featured vocalist. With Rihanna in a simple black dress on a no-frills stage, the song's message of passion over logic bore through.\u003c/p\u003e\n\n\u003cp\u003eThe Black Keys wasted no time revving up \"Lonely Boy.\" The rocker, which owes a debt to rockabilly, swamp rock and electric blues, was punctuated by the New Orleans piano of Best Blues Album GRAMMY winner Dr. John and a pinch of Dixieland from the Preservation Hall Jazz Band.\u003c/p\u003e\n\n\u003cp\u003eClarkson returned for a vocal salute to two giant female artists, both of whom received Recording Academy Lifetime Achievement Awards in 2013. First up was \"Tennessee Waltz\" in honor of Patti Page, followed by \"A Natural Woman (You Make Me Feel Like),\" co-written by Carole King.\u003c/p\u003e\n\n\u003cp\u003eThe tributes continued with a nod to Bob Marley, who was the subject of the Best Compilation Soundtrack For Visual Media-nominated Marley. Two of the performers, like Marley, hail from tropical islands: \u003ca href=\"/artists/bruno-mars/5082\" target=\"_blank\"\u003eBruno Mars\u003c/a\u003e from Hawaii and Rihanna from Barbados. Also joining was Sting, whose music with the Police owed a debt to reggae and ska. Mars began with his own \"Locked Out Of Heaven\" followed by the similar-sounding Police chestnut \"Walking On The Moon.\" Rihanna emerged with Ziggy and Damian Marley for their father's \"Could You Be Loved.\"\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/lumineers/14762\" target=\"_blank\"\u003eThe Lumineers \u003c/a\u003eplayed a shortened version of their inescapable hit \"Ho Hey\" before introducing \u003ca href=\"/artists/jack-white/15627\" target=\"_blank\"\u003eJack White\u003c/a\u003e. The latter played \"Love Interruption\" with his all-female band the Peacocks. He then segued into the harder \"Freedom At 21\" with male backers the Buzzards. By the time he finished the tumult, he had thrown and stepped on his guitar, leaving a sonic residue of decaying feedback.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/hunter-hayes/9010\" target=\"_blank\"\u003eHunter Hayes\u003c/a\u003e played a portion of his hit \"Wanted\" solo on piano before bringing out fellow country star \u003ca href=\"/artists/carrie-underwood/10381\" target=\"_blank\"\u003eCarrie Underwood\u003c/a\u003e for a stripped-down version of her Best Country Solo Performance winner \"Blown Away.\" Underwood's awe-inspiring vocals were matched by her billowy dress, which doubled as a projection screen to depict the heartbreak of the song.\u003c/p\u003e\n\n\u003cp\u003eThe 2013 In Memoriam segment was bookended by two memorable tributes. The first featured pianist Chick Corea, bassist Stanley Clarke and sax player Kenny Garrett honoring the late Dave Brubeck with the timeless, and time-challenging, \"Take Five\" along with \"Blue Rondo À La Turk.\"\u003c/p\u003e\n\n\u003cp\u003eFollowing the segment, an all-star cast including Zac Brown, T Bone Burnett, \u003ca href=\"/artists/alabama-shakes/14656\" target=\"_blank\"\u003eAlabama Shakes\u003c/a\u003e' Brittany Howard, Elton John, Mumford \u0026amp; Sons, and Mavis Staples sang a gritty \"The Weight\" in honor of Levon Helm, who sang the original with the Band.\u003c/p\u003e\n\n\u003cp\u003eJuanes added a verse of español to the proceedings with a loving acoustic Spanglish rendition of Elton John's \"Your Song,\" before introducing \u003ca href=\"/artists/frank-ocean/15669\" target=\"_blank\"\u003eFrank Ocean\u003c/a\u003e. The first Best Urban Contemporary Album winner sang his elegiac \"Forrest Gump\" backed by running-sequence footage similar to the film of the same name.\u003c/p\u003e\n\n\u003cp\u003eAfter the show's most somber performance, the 55th GRAMMYs rode out on a burst of old-school rap energy, with GRAMMY host LL Cool J teaming with Chuck D, Travis Barker, Tom Morello, and DJ Z-Trip for his own \"Whaddup\" and a brief tribute to fallen Beastie Boy Adam Yauch with \"No Sleep Till Brooklyn.\"\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"55th_poster","id":"0dea14f3-90e3-4eeb-8e11-a4b9ef2979c3","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"tags":["55th Annual Grammy Awards"],"title":"55th Annual GRAMMY Awards","date":"2013-02-10T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Year: Oct. 1, 2011, through Sept. 30, 2012","showYear":2012}],"title":"GRAMMY Awards Time Capsule"},{"_meta":{"schema":"https://therecordingacademy.com/content/awards-row","name":"Awards Row","deliveryId":"571e74d9-4519-4ee8-bacf-aecd2b7997d6"},"simpleOne":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card: Explore GRAMMY Awards","deliveryId":"10a5ef55-812d-44e2-8434-b5f5987c2161"},"configs":{"paragraphFontSize":"24px"},"title":"Explore the GRAMMY Awards","paragraph":"*As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. We’re counting on you in the music community to continue that legacy by participating in the process.*"},"simpleTwo":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card","deliveryId":"727295e9-639b-4b06-ada8-8c7081e25922"},"configs":{"paragraphFontSize":"20px"},"cta":{"ctaText":"LEARN MORE","url":"https://www.recordingacademy.com/awards"},"title":"How it Works","paragraph":"\u003cspan class=\"s1\"\u003eWe’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.\u003c/span\u003e"},"featuredArticleCard":{"_meta":{"schema":"https://therecordingacademy.com/content/featured-article-card","name":"Featured Article Card: Ant Clemons Sunshine","deliveryId":"b191b64a-ff80-4eae-8ebf-1bc97854fe94"},"cardInfo":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Nominations List","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list"},"articleCategory":["news"],"contributors":[{"id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"***\u003cspan\u003eEditor’s Note: \u003c/span\u003e**\u003cspan\u003eUpdated Friday, Nov. 8, to reflect the nominations at the 2025 GRAMMYs, officially known as the 67th GRAMMY Awards.\u003c/span\u003e*\n\n\u003cspan\u003eThe 2025 GRAMMYs season is in full swing. The 2025 GRAMMY nominations have been officially announced, leading up to Music's Biggest Night. See all of the nominations in 94 categories below, including \u003c/span\u003e**[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-record-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammy-nominations-song-of-the-year)**\u003cspan\u003e, and \u003c/span\u003e**[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)**\u003cspan\u003e below.\u003c/span\u003e\n\n\u003cspan\u003eThe main event: The \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\u003cspan\u003e, officially known as the 67th GRAMMY Awards, will take place live at Crypto.com Arena in Los Angeles on \u003c/span\u003e**\u003cspan\u003eSunday, Feb.2\u003c/span\u003e**\u003cspan\u003e, broadcasting live on the CBS Television Network and streaming live and on demand on Paramount+. \u003c/span\u003e\n\n\u003cspan\u003eBefore the awards, Final Round Voting will take place from \u003c/span\u003e**\u003cspan\u003eDec. 12, 2024 to Jan. 3, 2025\u003c/span\u003e**\u003cspan\u003e. The Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which will all go into effect immediately at the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eAll these changes are designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e; read our \u003c/span\u003e[\u003cspan\u003eFirst Round Voting guide for the 2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e; view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e; and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eMake sure to come back and tune in on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2,\u003c/span\u003e**\u003cspan\u003e for the reveal of all the 2025 GRAMMY winners. \u003c/span\u003e\n"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The Nominees","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"id":"f28b6153-d42b-499c-9166-a4bc43c0e95f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"a641a720-8512-4139-9da1-8e2f1f2b39fe","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide"},{"id":"c7d0c9bf-ae5a-451b-a66e-044ecab3564c","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"e75d22a2-9287-42f6-84c8-175d26c7204f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"e41552a5-d111-4629-8a85-5233aa8ed099","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"03cf618b-a117-4ffd-926d-f434782bc3c1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"ce340ce9-c8a5-4e64-afd5-3a5b0ce73b81","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"6b489b23-5849-48fb-bbbd-44e2f95d163a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"113c6a33-ccd2-4a9f-9d8a-60333654d5c2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"912d0ba4-4d99-4a15-a9c0-492974778679","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"add1c226-ade2-4660-b2ea-08ac1f8e18c1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"4f5ca983-3a0a-4aa7-813e-1ebdffed77a2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"61558099-1759-4ea8-be4e-a14a9dfc45b9","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"f3f9f004-0efa-4224-82a8-7ecf6d484c50","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"9cc515ce-b64b-412c-bad8-17630b84f1d0","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"0f4170fb-d9fd-47e7-851e-9c95a108784d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"853b4791-397b-42a9-8321-06403050179a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"15511342-c98d-4ba7-b28f-80c87611c72e","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"}],"title":"2025 GRAMMYs: Meet The Nominees"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist.\u003c/span\u003e\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Now and Then\"\u003c/span\u003e** *\u003cspan\u003e–\u003c/span\u003e* \u003cspan\u003eThe Beatles\u003c/span\u003e\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar\u003c/span\u003e\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter)\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent)\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA)\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge)\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast)\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves)\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell)\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists)\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx)\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon)\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists)\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists)\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel)\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra)\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman)*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly)\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter)\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic)\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing)\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"id":"ec9eba9c-c548-4113-89c9-981abf385da7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"2025 GRAMMYs Full Nomination List"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082755789,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The OFFICIAL Full Nominations List","shortTitle":"2025 GRAMMYs: See The Full Nominations List","subHeadline":"The 2025 GRAMMY OFFICIAL nominations have been announced. See the full list of nominees in all 94 categories ahead of Music's Biggest Night on Sunday, Feb. 2.","articleSummary":"The 2025 GRAMMY OFFICIAL nominations have been announced. 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