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class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/advocacy/issues-policy/hits-act">Hits Act</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/advocacy/issues-policy/american-music-fairness-act">American Fairness Act</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/advocacy/act#/" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">Act</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.recordingacademy.com/about/artificial-intelligence" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">Artificial Intelligence</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.recordingacademy.com/membership" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">MEMBERSHIP</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/membership/governance">Governance</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/producers-engineers-wing">Producers & Engineers Wing</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/songwriters-composers-wing">Songwriters & Composers Wing</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/membership/grammy-u">GRAMMY U</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/login/?language=en_US">Membership Login</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/?language=en_US">Join Membership</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/awards" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Awards</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://grammy.com/awards" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/GRAMMYS_2025_HERO_6?fmt=auto&w=500" width="525" alt="Graphic featuring graphics for the 2025 GRAMMYs"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY AWARD SHOWS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67thAwards_PressList_11072024">67th GRAMMY Nominations: Full List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs: See The Full Nominees List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://live.grammy.com/">Watch: 2025 GRAMMY Nominations In Full</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://qrco.de/bdyS50">2025 GRAMMY Nominations Announcement Schedule</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/awards/67th-annual-grammy-awards-2024">67th Annual GRAMMY Awards (2024)</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://amazon.com/grammys">GRAMMY Shop</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">MUSIC GENRES</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com#" target="_self" class="font-bold border-solid text-[10px] pb-[5px] border-black ">SPECIAL MERIT AWARDS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/lifetime-achievement-awards">Lifetime Achievement Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/trustee-awards">Trustees Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/technical-awards">Technical GRAMMY Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/music-educator-award">Music Educator Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/hall-of-fame-award">GRAMMY Hall Of Fame</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/legends">GRAMMY Legend Award</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards/best-song-for-social-change-award" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS PROCESS</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-process">Voting Process</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/rules-guidelines">Rules and Guidelines</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67_Grammy_Gold_Quick_Reference">GRAMMY Categories</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/awards-updates">Awards Process Updates</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-and-solicitation-guidelines">Voting & Solicitation Guidelines</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards/faq" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS FAQ & HELP</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/grammy-participation-certificates">GRAMMY Participation Certificates</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/awards/grammy-nominee-stickers">GRAMMY Nominee Stickers</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards/media-company-registration-and-online-entry-process-oep" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">ARTIST/RECORD LABEL/MEDIA REGISTRATION (OEP)</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/news" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">News</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/videos" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Videos</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/videos" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-03_1644x925?fmt=auto&w=500" width="525" alt="Image of GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/videos" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY ORIGINAL SERIES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammys-red-carpet-flashback-videos">GRAMMY Red Carpet Flashback</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-great-performances">GRAMMY Great Performances</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-rewind-grammys">GRAMMY Rewind</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/global-spin-grammys">Global Spin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/it-goes-to-11-videos-grammys">It Goes To 11</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/reimagined-grammys">ReImagined</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/where-do-you-keep-your-grammy">Where Do You Keep Your GRAMMY?</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/positive-vibes-only-grammys">Positive Vibes Only</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/press-play-grammys">Press Play</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/for-the-record-grammys">For The Record</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/behind-the-boards-grammys">Behind The Board</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/herbal-tea-white-sofas-grammys">Herbal Tea & White Sofas</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/family-matters">Family Matters</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://live.grammy.com" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">WATCH GRAMMY LIVE!</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/music-genres" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Genres</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-04_1644x925?fmt=auto&w=500" width="525" alt="A close-up graphic of a GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">ALL MUSIC GENRES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/pop">Pop</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rock">Rock</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/r-and-b">R&B</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/country">Country</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rap">Rap</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/latin">Latin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/global-music">Global Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/gospel-contemporary-christian-music">Gospel & Contemporary Christian Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/new-age">New Age</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/jazz">Jazz</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/alternative">Alternative</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" 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src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black text-sm font-['Polaris']">Musicares</div><div class="h-4 justify-start items-start gap-4 flex"><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/facebook_solid"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/x_corp"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/instagram_new"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black 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h-full p-0 m-0 border-0"></button></div><div class="z-[100] subscribe-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-2 pt-5 pb-12 mb-16 top-[70px] border-t-2 border-[#CCC] bg-white"><div class="p-3 mx-auto"><div class="flex flex-wrap md-xl:flex-nowrap md-xl:max-h-[546px] w-full"><div class="flex flex-col md-xl:flex-subscribeFirst md-xl:pr-20 w-full"><iframe src="https://newsletter.grammy.com/grammy-header-subscribe?site=grammy" width="100%" frameborder="0" height="500px" scrolling="no"></iframe></div><div class="mt-[40px] flex flex-col md-xl:flex-subscribeSecond md-xl:mt-0"><h2 class="text-[24px] leading-tight mt-[15px] ">Join us on Social</h2><ul class="mt-[20px] p-0 m-0 flex flex-wrap text-xs font-medium leading-none list-none cursor-pointer uppercase"><li class="flex flex-full items-center "><span class="w-[161px] md-xl:w-[120px] text-11">RECORDING ACADEMY</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">MEMBERSHIP</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">ADVOCACY</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">MUSICARES</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/musicares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">LATIN GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="http://www.facebook.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://twitter.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.instagram.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.youtube.com/latinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMY MUSEUM</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYMuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/thegrammymuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li></ul></div></div></div></div><div class="overlay z-10"></div></div></div></div><main class="flex flex-col items-center justify-center w-full flex-1"><section class="jsx-1e2cf9d73d09fe56 news-slug-section-ads flex flex-col w-full items-center justify-center mt-16 md-xl:mt-24 lg:mt-24 xl:mt-24"><div class="jsx-1e2cf9d73d09fe56 news-slug-div-ads max-w-7xl w-full pt-12 flex relative"><div class="jsx-1e2cf9d73d09fe56 md-xl:w-7/12 md-xl:mr-4 w-full"><div class="w-full mb-12" id="f28b6153-d42b-499c-9166-a4bc43c0e95f"><div class="w-full mb-3 overflow-hidden"><div class="relative article-photo-wrapper isolate"><img src="https://i8.amplience.net/i/naras/2025_grammys_67G_full_Winner_Nominees_List_Hero_1644x925.jpg" alt="2025 GRAMMYs Full Winners List" class="max-h-430px object-cover object-top-center w-full mix-blend-overlay"/></div><div class="flex flex-col flex-wrap mt-1 mb-4"><div class="font-Polaris text-14 md-xl:text-18 mb-1">See all the winners and nominees at the 2025 GRAMMYs.</div><div class="text-14 md-xl:text-18 font-semibold uppercase contents"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p>Graphic Courtesy of the Recording Academy</p> </div></div></div></div><div class="w-full flex relative px-11 md-xl:px-0"><div class="pr-8 pl-20 pt-8 flex-col items-center md-xl:flex hidden relative"><div class="sticky top-108px"><div class="mb-6"><a class="simple-share-link-facebook mx-auto" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mb-6"><a class="simple-share-link-twitter mx-auto" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div class="mb-6"><a class="simple-share-link-email mx-auto" href="mailto:?body=">E-mail</a></div></div></div><div class="w-full"><div class="mb-2 w-full"><p class="uppercase text-11 text-custom-blue font-semibold mb-2">news</p><h1 class="text-2xl md-xl:text-4xl text-black text-left font-semibold leading-normal">2025 GRAMMYs: See The Full Winners & Nominees List</h1></div><div class="md-xl:hidden flex mt-6 mb-6"><div class="mr-8"><a class="simple-share-link-facebook" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mr-8"><a class="simple-share-link-twitter" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div><a class="simple-share-link-email" href="mailto:?body=">Email</a></div></div><div class="mb-2 md-xl:mt-6 md-xl:mb-6 w-full"><p class="text-lg text-title-gray ">The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. Check out the complete list of winners and nominees from the 2025 GRAMMYs.</p></div><div class="flex flex-col md-xl:flex-row md-xl:my-3 my-5 text-11 md-xl:items-center text-title-gray font-semibold"><div><a href="/bio/nina-frazier" class="text-custom-blue uppercase">Nina Frazier</a></div><div class="flex items-center"><span class="mx-2 text-black hidden md-xl:block">|</span><span class="uppercase">GRAMMYs</span><span class="mx-2">/</span><span class="uppercase">Feb 3, 2025 - 06:14 am</span></div></div><div class="w-full"><div class="overflow-hidden relative read-more-content pb-10 h-500px read-more-section"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><em>Watch highlights from the <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs</a> on <a href="https://live.grammy.com/">live.GRAMMY.com</a>.</em></p> <p><em>The 2025 GRAMMYs telecast has been reimagined to raise funds for <a href="https://grammy.com/firerelief">MusiCares Fire Relief</a>, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. <a href="https://grammy.com/firerelief">Donate now</a>.</em></p> <p><em><strong><span>Editor’s Note:</span></strong> <span>Updated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the</span> <a href="https://www.grammy.com/awards/67th-annual-grammy-awards-2024"><span>67th GRAMMY Awards</span></a><span>.</span></em></p> <p><span>From </span><a href="https://www.grammy.com/artists/beyonce-knowles/12474"><span>Beyoncé</span>'s</a> <em><span>Cowboy Carter</span></em><span> making history, </span><strong><a href="https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys"><span>winning her first Album Of The Year award</span></a></strong><span> and becoming the </span><strong><a href="https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter"><span>first Black woman</span></a></strong><span> to ever take home a golden gramophone in the Best Country Album, to </span><a href="https://www.grammy.com/artists/kendrick-lamar/17949"><span>Kendrick Lamar</span>'s</a> “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like <a href="https://www.grammy.com/artists/doechii/57882">Doechii</a> and <a href="https://www.grammy.com/artists/chappell-roan/56864">Chappell Roan</a> rattled Crypto.com Arena and entirely transformed the energy in the room.</p> <p><span>The Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.</span></p> <p><span>This year, </span><a href="https://www.recordingacademy.com/"><span>the Recording Academy</span></a><span>, the organization behind the </span><a href="https://www.grammy.com/awards"><span>GRAMMY Awards</span></a><span>, </span><a href="https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines"><span>introduced several key updates</span></a><span> to the </span><a href="https://www.recordingacademy.com/awards"><span>annual GRAMMY Awards process</span></a><span>, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.</span></p> <p><span>For more information about the 2025 GRAMMY Awards season, learn more about the </span><a href="https://www.recordingacademy.com/awards"><span>annual GRAMMY Awards process</span></a><span> and </span><a href="https://www.grammy.com/awards/awards-updates"><span>visit the GRAMMY Award Update Center</span></a><span> for a list of real-time changes to the GRAMMY Awards process. </span></p> <p><span>Check out the full list of winners and nominees at the 2025 GRAMMYs below.</span></p> </div><section class="w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px]"><h3 class="pl-0 pt-5 mb-5 font-galaxy-polaris text-[#666] text-xl ">2025 GRAMMYs: Performances, Acceptance Speeches & Highlights</h3><style> .curated-content-container { height: 100%; position: relative; } .curated-carousel-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .curated-content-container:hover .curated-carousel-buttons { opacity: 1; height: auto; } .curated-content-carousel { padding-left: 1.25rem; width: 100%; overflow: visible !important; } .curated-content-carousel .embla__container { display: flex; gap: 10px; } .curated-content-carousel .embla__slide { position: relative; flex: 0 0 190px; } .curated-content-carousel .embla__slide .video-desc { padding-top: 1.5rem; transform-origin: center; transition: 0.2s; } .curated-content-carousel .embla__slide .watch-now { display: none; } .curated-embla-button .embla__button { outline: 0; cursor: pointer; touch-action: manipulation; position: absolute; top: 0; height: 100%; width: 50px; background-color: #fff; opacity: 0.7; border-radius: 0; } .curated-embla-button .embla__button:disabled { cursor: default; opacity: 0.3; } .curated-content-carousel.news-carousel { padding-left: 0 !important; } 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<p><em><span>CATEGORY 1</span></em></p> <h2 id="record-of-the-year"><strong><span>Record Of The Year</span></strong></h2> <p><span>Award to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist </span></p> <p>“<strong>Now and Then”</strong> - The Beatles</p> <p><span>Giles Martin & Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent & Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer</span></p> <p><strong><span>"TEXAS HOLD 'EM"</span></strong><span> – Beyoncé</span></p> <p><span>Beyoncé, Nate Ferraro, Killah B & Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley & Stuart White, engineers/mixers; Colin Leonard, mastering engineer</span></p> <p><strong><span>"Espresso"</span></strong><span> – Sabrina Carpenter</span></p> <p><span>Julian Bunetta, producer; Julian Bunetta & Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer</span></p> <p><strong><span>"360"</span></strong><span> – Charli xcx</span></p> <p><span>Cirkut & A. G. Cook, producers; Cirkut & Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer</span></p> <p><strong><span>"BIRDS OF A FEATHER"</span></strong><span> – Billie Eilish </span></p> <p><span>FINNEAS & Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS & Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer</span></p> <p><strong><span>"Not Like Us"</span></strong><span> – Kendrick Lamar - </span><strong><span>WINNER</span></strong></p> <p><span>Sean Momberger, Mustard & Sounwave, producers; Ray Charles Brown Jr. & Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer</span></p> <p><strong><span>"Good Luck, Babe!" –</span></strong> <span>Chappell Roan</span></p> <p><span>Dan Nigro, producer; Mitch McCarthy & Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer</span></p> <p><strong><span>"Fortnight"</span></strong><span> – Taylor Swift Featuring Post Malone</span></p> <p><span>Jack Antonoff, Louis Bell & Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger & Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer</span></p> <hr> <p><em><span>CATEGORY 2</span></em></p> <h2 id="album-of-the-year"><strong><span>Album Of The Year</span></strong></h2> <p><span>Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)</span></p> <p><em><strong><span>New Blue Sun</span></strong></em> <span>– André 3000</span></p> <p><span>André 3000 & Carlos Niño, producers; André 3000, Carlos Niño & Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, songwriters; Andy Kravitz, mastering engineer</span></p> <p><em><strong><span>COWBOY CARTER</span></strong></em> <span>– Beyoncé </span><span>- </span><strong><span>WINNER</span></strong></p> <p><span>Beyoncé, Terius "The-Dream" Gesteelde-Diamant & Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri & Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius "The-Dream" Gesteelde-Diamant, Dave Hamelin, S. Carter & Raphael Saadiq, songwriters; Colin Leonard, mastering engineer</span></p> <p><em><strong><span>Short n' Sweet</span></strong></em><span> – Sabrina Carpenter</span></p> <p><span>Jack Antonoff, Julian Bunetta, Ian Kirkpatrick & John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan & Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels & John Ryan, songwriters; Nathan Dantzler & Ruairi O'Flaherty, mastering engineers</span></p> <p><em><strong><span>BRAT</span></strong></em><span> – Charli xcx</span></p> <p><span>Charli xcx, Cirkut & A. G. Cook, producers; A. G. Cook, Tom Norris & Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane & Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer</span></p> <p><em><strong><span>Djesse Vol. 4</span></strong></em> <span>– Jacob Collier</span></p> <p><span>Jacob Collier, producer; Ben Bloomberg, Jacob Collier & Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers</span></p> <p><em><strong><span>HIT ME HARD AND SOFT</span></strong></em> <span>– Billie Eilish</span></p> <p><span>FINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS & Chaz Sexton, engineers/mixers; Billie Eilish O'Connell & Finneas O'Connell, songwriters; Dale Becker, mastering engineer</span></p> <p><em><strong><span>Chappell Roan The Rise And Fall Of A Midwest Princess</span></strong></em><span> – Chappell Roan</span></p> <p><span>Daniel Nigro, producer; Mitch McCarthy & Daniel Nigro, engineers/mixers; Daniel Nigro & Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer</span></p> <p><em><strong><span>THE TORTURED POETS DEPARTMENT</span></strong></em><span> – Taylor Swift</span></p> <p><span>Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk & Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer</span></p> <hr> <p><em><span>CATEGORY 3</span></em></p> <h2 id="song-of-the-year"><strong><span>Song Of The Year</span></strong></h2> <p>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.</p> <p><strong>"A Bar Song (Tipsy)"</strong> — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)</p> <p><strong>"BIRDS OF A FEATHER"</strong> — Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)</p> <p><strong>"Die With A Smile"</strong> — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)</p> <p><strong>"Fortnight"</strong> — Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)</p> <p><strong>"Good Luck, Babe!"</strong> — Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)</p> <p><strong>"Not Like Us"</strong> — Kendrick Lamar, songwriter (Kendrick Lamar) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Please Please Please"</strong> — Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)</p> <p><strong>"TEXAS HOLD 'EM"</strong> — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)</p> <hr> <p><em><span>CATEGORY 4</span></em></p> <h2 id="best-new-artist"><strong><span>Best New Artist</span></strong></h2> <p><span>This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.</span></p> <p><strong><span>Benson Boone<br>Sabrina Carpenter<br>Doechii<br>Khruangbin<br>Raye<br>Chappell Roan</span></strong> <span>- </span><strong><span>WINNER<br>Shaboozey<br>Teddy Swims</span></strong></p> <hr> <p><em><span>CATEGORY 5</span></em></p> <h2 id="producer-of-the-year-non-classical"><strong><span>Producer Of The Year, Non-Classical</span></strong></h2> <p><span>A Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.</span></p> <p><strong><span>Alissia</span></strong></p> <p><span>"Bugs" (Jamila Woods) (T)</span></p> <p><span>"DON'T MATTER" (Rae Khalil) (T)</span></p> <p><span>"Honey" (BJ The Chicago Kid Featuring Chlöe) (T)</span></p> <p><span>"IRREPLACEABLE (INTERLUDE)" (Rae Khalil) (T)</span></p> <p><span>"IS IT WORTH IT" (Rae Khalil) (S)</span></p> <p><span>"Love Takeover" (LION BABE) (S)</span></p> <p><span>"Spend The Night" (BJ The Chicago Kid, Coco Jones) (T)</span></p> <p><strong><span>Dernst “D’Mile” Emile II</span></strong></p> <p><em><span>Algorithm</span></em><span> (Lucky Daye) (A)</span></p> <p><span>"Bar Song" (Koe Wetzel) (T)</span></p> <p><span>"Die With A Smile" (Lady Gaga, Bruno Mars) (S)</span></p> <p><span>"HERicane" (Lucky Daye) (T)</span></p> <p><span>"I Love U" (Usher) (T)</span></p> <p><span>"One Of Them Ones" (Usher) (T)</span></p> <p><span>"Power of Two (From "Star Wars: The Acolyte")" (Victoria Monét) (T)</span></p> <p><span>"That's You" (Lucky Daye) (T)</span></p> <p><strong><span>Ian Fitchuk</span></strong></p> <p><span>"AMEN" (Beyoncé) (T)</span></p> <p><em><span>Angel Face</span></em><span> (Stephen Sanchez) (A)</span></p> <p><em><span>Deeper Well</span></em> <span>(Kacey Musgraves) (A)</span></p> <p><em><span>Don't Forget Me</span></em><span> (Maggie Rogers) (A)</span></p> <p><span>"Lemon" (Still Woozy) (S)</span></p> <p><span>"Oh, Gemini" (ROLE MODEL) (S)</span></p> <p><span>"Peaceful Place" (Leon Bridges) (S)</span></p> <p><span>"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)" (Leon Bridges) (S)</span></p> <p><span>"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)" (Kacey Musgraves) (S)</span></p> <p><strong><span>Mustard</span></strong></p> <p><em><span>Faith Of A Mustard Seed</span></em><span> (Mustard) (A)</span></p> <p><span>"Not Like Us" (Kendrick Lamar) (S)</span></p> <p><span>"Parking Lot" (Mustard & Travis Scott) (S)</span></p> <p><strong><span>Daniel Nigro</span></strong> <span>- </span><strong><span>WINNER</span></strong></p> <p><span>"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds & Snakes)" (Olivia Rodrigo) (S)</span></p> <p><em><span>Chappell Roan The Rise and Fall Of A Midwest Princess</span></em> <span>(Chappell Roan) (A)</span></p> <p><span>"girl i’ve always been" (Olivia Rodrigo) (T)</span></p> <p><span>"Good Luck, Babe!" (Chappell Roan) (S)</span></p> <p><span>"so american" (Olivia Rodrigo) (T)</span></p> <p><span>"stranger" (Olivia Rodrigo) (T)</span></p> <hr> <p><em><span>CATEGORY 6</span></em></p> <h2 id="songwriter-of-the-year-non-classical"><strong><span>Songwriter of the Year, Non-Classical</span></strong></h2> <p><span>A Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.</span></p> <p><strong><span>Jessi Alexander</span></strong></p> <p><span>"Ain't No Love In Oklahoma" (Luke Combs) (S)</span></p> <p><span>"All I Ever Do Is Leave" (Luke Combs) (S)</span></p> <p><span>"Chevrolet" (Dustin Lynch Featuring Jelly Roll) (S)</span></p> <p><span>"Make Me A Mop" (Cody Johnson) (S)</span></p> <p><span>"Never Left Me" (Megan Moroney) (S)</span></p> <p><span>"No Caller ID" (Megan Moroney) (S)</span></p> <p><span>"Noah" (Megan Moroney) (S)</span></p> <p><span>"Remember Him That Way" (Luke Combs) (S)</span></p> <p><span>"Roulette On The Heart" (Conner Smith & Hailey Whitters) (S)</span></p> <p><strong><span>Amy Allen</span></strong> <span>- </span><strong><span>WINNER</span></strong></p> <p><span>"Chrome Cowgirl" (Leon Bridges) (S)</span></p> <p><span>"Espresso" (Sabrina Carpenter) (S)</span></p> <p><span>"High Road" (Koe Wetzel & Jessie Murph) (S)</span></p> <p><span>"Please Please Please" (Sabrina Carpenter) (S)</span></p> <p><span>"run for the hills" (Tate McRae) (S)</span></p> <p><span>"scared of my guitar" (Olivia Rodrigo) (T)</span></p> <p><span>"Selfish" (Justin Timberlake) (S)</span></p> <p><span>"Sweet Dreams" (Koe Wetzel) (S)</span></p> <p><span>"Taste" (Sabrina Carpenter) (S)</span></p> <p><strong><span>Edgar Barrera</span></strong></p> <p><span>"Atención" (Ivan Cornejo) (T)</span></p> <p><span>"(Entre Paréntesis)" (Shakira & Grupo Frontera) (T)</span></p> <p><span>"It Was Always You (Siempre Fuiste Tú)" (Carin León & Leon Bridges) (S)</span></p> <p><span>"No Se Vale" (Camilo) (T)</span></p> <p><span>"The One (Pero No Como Yo)" (Carin León & Kane Brown) (S)</span></p> <p><span>"POR EL CONTRARIO" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)</span></p> <p><span>"Si Antes Te Hubiera Conocido" (Karol G) (S)</span></p> <p><span>"Sincere" (Khalid) (T)</span></p> <p><span>"TOMMY & PAMELA" (Peso Pluma & Kenia Os) (T)</span></p> <p><strong><span>Jessie Jo Dillon</span></strong></p> <p><span>"Am I Okay?" (Megan Moroney) (T)</span></p> <p><span>"Go To Hell" (Post Malone) (T)</span></p> <p><span>"Heaven By Noon" (Megan Moroney) (T)</span></p> <p><span>"Lies Lies Lies" (Morgan Wallen) (S)</span></p> <p><span>"MESSED UP AS ME" (Keith Urban) (S)</span></p> <p><span>"Never Left Me" (Megan Moroney) (T)</span></p> <p><span>"No Caller ID" (Megan Moroney) (T)</span></p> <p><span>"Sorry Mom" (Kelsea Ballerini) (S)</span></p> <p><span>"Two Hearts" (Post Malone) (T)</span></p> <p><strong><span>RAYE</span></strong></p> <p><span>"Ask & You Shall Receive" (Rita Ora) (S)</span></p> <p><span>"Because I Love You" (Halle) (S)</span></p> <p><span>"Dear Ben, Pt II" (Jennifer Lopez) (T)</span></p> <p><span>"Genesis." (RAYE) (S)</span></p> <p><span>"Mother Nature" (RAYE & Hans Zimmer) (S)</span></p> <p><span>"Paralyzed" (Lucky Daye Featuring RAYE) (T)</span></p> <p><span>"RIIVERDANCE" (Beyoncé) (T)</span></p> <p><span>"You're Hired" (NEIKED Featuring Ayra Starr) (S)</span></p> <hr> <h1 id="field-1-pop--danceelectronic"><span>Field 1: Pop & Dance/Electronic</span></h1> <p><em><span>CATEGORY 7</span></em></p> <h2 id="best-pop-solo-performance"><strong><span>Best Pop Solo Performance</span></strong></h2> <p><span>For new vocal or instrumental pop recordings. Singles or Tracks only.</span></p> <p><strong>"BODYGUARD"</strong> — Beyoncé</p> <p><strong>"Espresso"</strong> — Sabrina Carpenter <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Apple"</strong> — Charli xcx</p> <p><strong>"BIRDS OF A FEATHER"</strong> — Billie Eilish</p> <p><strong>"Good Luck, Babe!"</strong> — Chappell Roan</p> <hr> <p><em><span>CATEGORY 8</span></em></p> <h2 id="best-pop-duogroup-performance"><strong><span>Best Pop Duo/Group Performance</span></strong></h2> <p><span>For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.</span></p> <p><strong>"us."</strong> — Gracie Abrams Featuring Taylor Swift</p> <p><strong>"LEVII'S JEANS"</strong> — Beyoncé Featuring Post Malone</p> <p><strong>"Guess"</strong> — Charli xcx & Billie Eilish</p> <p><strong>"the boy is mine"</strong> — Ariana Grande, Brandy & Monica</p> <p><strong>"Die With A Smile"</strong> — Lady Gaga & Bruno Mars <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 9</span></em></p> <h2 id="best-pop-vocal-album"><strong><span>Best Pop Vocal Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new pop vocal recordings.</span></p> <p><em><strong>Short n' Sweet</strong></em> — Sabrina Carpenter <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>HIT ME HARD AND SOFT</strong></em> — Billie Eilish</p> <p><em><strong>eternal sunshine</strong></em> — Ariana Grande</p> <p><em><strong>Chappell Roan The Rise And Fall Of A Midwest Princess</strong></em> — Chappell Roan</p> <p><em><strong>THE TORTURED POETS DEPARTMENT</strong></em> — Taylor Swift</p> <hr> <p><em><span>CATEGORY 10</span></em></p> <h2 id="best-danceelectronic-recording"><strong><span>Best Dance/Electronic Recording</span></strong></h2> <p><span>For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.</span></p> <p><strong>"She's Gone, Dance On"</strong> — Disclosure</p> <p>Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer</p> <p><strong>"Loved"</strong> — Four Tet</p> <p>Kieran Hebden, producer; Kieran Hebden, mixer</p> <p><strong>"leavemealone"</strong> — Fred Again.. & Baby Keem</p> <p>Boo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex & Sid Stone, producers; Fred Again.. & Jay Reynolds, mixers</p> <p><strong>"Neverender"</strong> — Justice & Tame Impala <span>- </span><strong><span>WINNER</span></strong></p> <p>Gaspard Augé & Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard & Vincent Taurelle, mixers</p> <p><strong>"Witchy"</strong> — KAYTRANADA Featuring Childish Gambino</p> <p>Lauren D'Elia & KAYTRANADA, producers; Neal H Pogue, mixer</p> <hr> <p><em><span>CATEGORY 11</span></em></p> <h2 id="best-dance-pop-recording"><strong><span>Best Dance Pop Recording</span></strong></h2> <p><span>For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.</span></p> <p><strong>"Make You Mine"</strong> — Madison Beer</p> <p>Madison Beer & Leroy Clampitt, producers; Mitch McCarthy, mixer</p> <p><strong>"Von dutch"</strong> — Charli xcx <span>- </span><strong><span>WINNER</span></strong></p> <p>Finn Keane, producer; Tom Norris, mixer</p> <p><strong>"L’AMOUR DE MA VIE [OVER NOW EXTENDED EDIT]"</strong> — Billie Eilish</p> <p>Billie Eilish & FINNEAS, producers; Jon Castelli & Aron Forbes, mixers</p> <p><strong>"yes, and?"</strong> — Ariana Grande</p> <p>Ariana Grande, ILYA & Max Martin, producers; Serban Ghenea, mixer</p> <p><strong>"Got Me Started"</strong> — Troye Sivan</p> <p>Styalz Fuego & Ian Kirkpatrick, producers; Alex Ghenea, mixer</p> <hr> <p><em><span>CATEGORY 12</span></em></p> <h2 id="best-danceelectronic-album"><strong><span>Best Dance/Electronic Album</span></strong></h2> <p><span>For vocal or instrumental albums. Albums only.</span></p> <p><em><strong>BRAT</strong></em> — Charli xcx <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Three</strong></em> — Four Tet</p> <p><em><strong>Hyperdrama</strong></em> — Justice</p> <p><em><strong>TIMELESS</strong></em> — KAYTRANADA</p> <p><em><strong>Telos</strong></em> — Zedd</p> <hr> <p><em><span>CATEGORY 13</span></em></p> <h2 id="best-remixed-recording"><strong><span>Best Remixed Recording</span></strong></h2> <p><span>A Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.</span></p> <p><strong>"Alter Ego - KAYTRANADA Remix"</strong> — KAYTRANADA, remixer (Doechii Featuring JT)</p> <p><strong>"A Bar Song (Tipsy) [Remix]"</strong> — David Guetta, remixer (Shaboozey & David Guetta)</p> <p><strong>"Espresso (Mark Ronson x FNZ Working Late Remix)"</strong> — FNZ & Mark Ronson, remixers (Sabrina Carpenter) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Jah Sees Them - Amapiano Remix"</strong> — Alexx Antaeus, Footsteps & MrMyish, remixers (Julian Marley & Antaeus)</p> <p><strong>"Von dutch"</strong> — A.G. Cook, remixer (Charli xcx & A.G. Cook Featuring Addison Rae)</p> <hr> <h1 id="field-2-rock-metal--alternative-music"><span>Field 2: Rock, Metal & Alternative Music</span></h1> <p><em><span>CATEGORY 14</span></em></p> <h2 id="best-rock-performance"><strong><span>Best Rock Performance</span></strong></h2> <p><span>For new vocal or instrumental solo, duo/group or collaborative rock recordings.</span></p> <p><strong>"Now and Then"</strong> — The Beatles <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Beautiful People (Stay High)"</strong> — The Black Keys</p> <p><strong>"The American Dream Is Killing Me"</strong> — Green Day</p> <p><strong>"Gift Horse"</strong> — IDLES</p> <p><strong>"Dark Matter"</strong> — Pearl Jam</p> <p><strong>"Broken Man"</strong> — St. Vincent</p> <hr> <p><em><span>CATEGORY 15</span></em></p> <h2 id="best-metal-performance"><strong><span>Best Metal Performance</span></strong></h2> <p><span>For new vocal or instrumental solo, duo/group or collaborative metal recordings.</span></p> <p><strong>"Mea Culpa (Ah! Ça ira!)"</strong> — Gojira, Marina Viotti & Victor Le Masne <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Crown of Horns"</strong> — Judas Priest</p> <p><strong>"Suffocate"</strong> — Knocked Loose Featuring Poppy</p> <p><strong>"Screaming Suicide"</strong> — Metallica</p> <p><strong>"Cellar Door"</strong> — Spiritbox</p> <hr> <p><em><span>CATEGORY 16</span></em></p> <h2 id="best-rock-song"><strong><span>Best Rock Song</span></strong></h2> <p><span>A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"Beautiful People (Stay High)"</strong> — Dan Auerbach, Patrick Carney, Beck Hansen & Daniel Nakamura, songwriters (The Black Keys)</p> <p><strong>"Broken Man"</strong> — Annie Clark, songwriter (St. Vincent) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Dark Matter"</strong> — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder & Andrew Watt, songwriters (Pearl Jam)</p> <p><strong>"Dilemma"</strong> — Billie Joe Armstrong, Tré Cool & Mike Dirnt, songwriters (Green Day)</p> <p><strong>"Gift Horse"</strong> — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan & Joe Talbot, songwriters (IDLES)</p> <hr> <p><em><span>CATEGORY 17</span></em></p> <h2 id="best-rock-album"><strong><span>Best Rock Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new rock, hard rock or metal recordings.</span></p> <p><em><strong>Happiness Bastards</strong></em> — The Black Crowes</p> <p><em><strong>Romance</strong></em> — Fontaines D.C.</p> <p><em><strong>Saviors</strong></em> — Green Day</p> <p><em><strong>TANGK</strong></em> — IDLES</p> <p><em><strong>Dark Matter</strong></em> — Pearl Jam</p> <p><em><strong>Hackney Diamonds</strong></em> — The Rolling Stones <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>No Name</strong></em> — Jack White</p> <hr> <p><em><span>CATEGORY 18</span></em></p> <h2 id="best-alternative-music-performance"><strong><span>Best Alternative Music Performance</span></strong></h2> <p><span>For new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.</span></p> <p><strong>"Neon Pill"</strong> — Cage The Elephant</p> <p><strong>"Song Of The Lake"</strong> — Nick Cave & The Bad Seeds</p> <p><strong>"Starburster"</strong> — Fontaines D.C.</p> <p><strong>"BYE BYE"</strong> — Kim Gordon</p> <p><strong>"Flea"</strong> — St. Vincent <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 19</span></em></p> <h2 id="best-alternative-music-album"><strong><span>Best Alternative Music Album</span></strong></h2> <p><span>Vocal or Instrumental.</span></p> <p><em><strong>Wild God</strong></em> — Nick Cave & The Bad Seeds</p> <p><em><strong>Charm</strong></em> — Clairo</p> <p><em><strong>The Collective</strong></em> — Kim Gordon</p> <p><em><strong>What Now</strong></em> — Brittany Howard</p> <p><em><strong>All Born Screaming</strong></em> — St. Vincent <span>- </span><strong><span>WINNER</span></strong></p> <hr> <h1 id="field-3-rb-rap--spoken-word-poetry"><span>Field 3: R&B, Rap & Spoken Word Poetry</span></h1> <p><em><span>CATEGORY 20</span></em></p> <h2 id="best-rb-performance"><strong><span>Best R&B Performance</span></strong></h2> <p><span>For new vocal or instrumental R&B recordings.</span></p> <p><strong>"Guidance"</strong> — Jhené Aiko</p> <p><strong>"Residuals"</strong> — Chris Brown</p> <p><strong>"Here We Go (Uh Oh)"</strong> — Coco Jones</p> <p><strong>"Made For Me (Live On BET)"</strong> — Muni Long <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Saturn"</strong> — SZA</p> <hr> <p><em><span>CATEGORY 21</span></em></p> <h2 id="best-traditional-rb-performance"><strong><span>Best Traditional R&B Performance</span></strong></h2> <p><span>For new vocal or instrumental traditional R&B recordings.</span></p> <p><strong>"Wet"</strong> — Marsha Ambrosius</p> <p><strong>"Can I Have This Groove"</strong> — Kenyon Dixon</p> <p><strong>"No Lie"</strong> — Lalah Hathaway Featuring Michael McDonald</p> <p><strong>"Make Me Forget"</strong> — Muni Long</p> <p><strong>"That's You"</strong> — Lucky Daye <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 22</span></em></p> <h2 id="best-rb-song"><strong><span>Best R&B Song</span></strong></h2> <p><span>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"After Hours"</strong> — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes & Daniel Upchurch, songwriters (Kehlani)</p> <p><strong>"Burning"</strong> — Ronald Banful & Temilade Openiyi, songwriters (Tems)</p> <p><strong>"Here We Go (Uh Oh)"</strong> — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick & Kelvin Wooten, songwriters (Coco Jones)</p> <p><strong>"Ruined Me"</strong> — Jeff Gitelman, Kareen Lomax, Priscilla Renea & Kevin Theodore, songwriters (Muni Long)</p> <p><strong>"Saturn"</strong> — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA) <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 23</span></em></p> <h2 id="best-progressive-rb-album"><strong><span>Best Progressive R&B Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R&B.</span></p> <p><em><strong>So Glad to Know You</strong></em> — Avery*Sunshine <span>- </span><strong><span>WINNER - TIE</span></strong></p> <p><em><strong>En Route</strong></em> — Durand Bernarr</p> <p><em><strong>Bando Stone & the New World</strong></em> — Childish Gambino</p> <p><em><strong>Crash</strong></em> — Kehlani</p> <p><em><strong>Why Lawd?</strong></em> — NxWorries (Anderson .Paak & Knxwledge) <span>- </span><strong><span>WINNER - TIE</span></strong></p> <hr> <p><em><span>CATEGORY 24</span></em></p> <h2 id="best-rb-album"><strong><span>Best R&B Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new R&B recordings.</span></p> <p><em><strong>11:11 (Deluxe)</strong></em> — Chris Brown <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>VANTABLACK</strong></em> — Lalah Hathaway</p> <p><em><strong>Revenge</strong></em> — Muni Long</p> <p><em><strong>Algorithm</strong></em> — Lucky Daye</p> <p><em><strong>COMING HOME</strong></em> — Usher</p> <hr> <p><em><span>CATEGORY 25</span></em></p> <h2 id="best-rap-performance"><strong><span>Best Rap Performance</span></strong></h2> <p><span>For a Rap performance. Singles or Tracks only.</span></p> <p><strong>"Enough (Miami)"</strong> — Cardi B</p> <p><strong>"When The Sun Shines Again"</strong> — Common & Pete Rock Featuring Posdnuos</p> <p><strong>"NISSAN ALTIMA"</strong> — Doechii</p> <p><strong>"Houdini"</strong> — Eminem</p> <p><strong>"Like That"</strong> — Future & Metro Boomin Featuring Kendrick Lamar</p> <p><strong>"Yeah Glo!"</strong> — GloRilla</p> <p><strong>"Not Like Us"</strong> — Kendrick Lamar <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 26</span></em></p> <h2 id="best-melodic-rap-performance"><strong><span>Best Melodic Rap Performance</span></strong></h2> <p><span>For a solo or collaborative performance containing both elements of R&B melodies and Rap.</span></p> <p><strong>"KEHLANI"</strong> — Jordan Adetunji Featuring Kehlani</p> <p><strong>"SPAGHETTII"</strong> — Beyoncé Featuring Linda Martell & Shaboozey</p> <p><strong>"We Still Don't Trust You"</strong> — Future & Metro Boomin Featuring The Weeknd</p> <p><strong>"Big Mama"</strong> — Latto</p> <p><strong>"3"</strong> — Rapsody Featuring Erykah Badu <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 27</span></em></p> <h2 id="best-rap-song"><strong><span>Best Rap Song</span></strong></h2> <p><span>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"Asteroids"</strong> — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)</p> <p><strong>"Carnival"</strong> — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West & Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West & Ty Dolla $Ign) Featuring Rich The Kid & Playboi Carti)</p> <p><strong>"Like That"</strong> — Kendrick Lamar Duckworth, Kobe "BbyKobe" Hood, Leland Wayne & Nayvadius Wilburn, songwriters (Future & Metro Boomin Featuring Kendrick Lamar)</p> <p><strong>"Not Like Us"</strong> — Kendrick Lamar, songwriter (Kendrick Lamar) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Yeah Glo!"</strong> — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III & Gloria Woods, songwriters (GloRilla)</p> <hr> <p><em><span>CATEGORY 28</span></em></p> <h2 id="best-rap-album"><strong><span>Best Rap Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new rap recordings.</span></p> <p><em><strong>Might Delete Later</strong></em> — J. Cole</p> <p><em><strong>The Auditorium, Vol. 1</strong></em> — Common & Pete Rock</p> <p><em><strong>Alligator Bites Never Heal</strong></em> — Doechii - <strong>WINNER</strong></p> <p><em><strong>The Death Of Slim Shady (Coup De Grâce)</strong></em> — Eminem</p> <p><em><strong>We Don't Trust You</strong></em> — Future & Metro Boomin</p> <hr> <p><em><span>CATEGORY 29</span></em></p> <h2 id="best-spoken-word-poetry-album"><strong><span>Best Spoken Word Poetry Album</span></strong></h2> <p><span>For albums containing greater than 50% playing time of new spoken word poetry recordings.</span></p> <p><em><strong>CIVIL WRITES: The South Got Something To Say</strong></em> — Queen Sheba</p> <p><em><strong>cOncrete & wHiskey Act II Part 1: A Bourbon 30 Series</strong></em> — Omari Hardwick</p> <p><em><strong>Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word</strong></em> — Malik Yusef</p> <p><em><strong>The Heart, The Mind, The Soul</strong></em> — Tank and The Bangas <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>The Seven Number Ones</strong></em> — Mad Skillz</p> <hr> <h1 id="field-4-jazz-traditional-pop-contemporary-instrumental--musical-theater"><span>Field 4: Jazz, Traditional Pop, Contemporary Instrumental & Musical Theater</span></h1> <p><em><span>CATEGORY 30</span></em></p> <h2 id="best-jazz-performance"><strong><span>Best Jazz Performance</span></strong></h2> <p><span>For new vocal or instrumental solo, duo/group or collaborative jazz recordings.</span></p> <p><strong>"Walk With Me, Lord (SOUND | SPIRIT)"</strong> — The Baylor Project</p> <p><strong>"Phoenix Reimagined (Live)"</strong> — Lakecia Benjamin Featuring Randy Brecker, Jeff "Tain" Watts & John Scofield</p> <p><strong>"Juno"</strong> — Chick Corea & Béla Fleck</p> <p><strong>"Twinkle Twinkle Little Me"</strong> — Samara Joy Featuring Sullivan Fortner <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Little Fears"</strong> — Dan Pugach Big Band Featuring Nicole Zuraitis & Troy Roberts</p> <hr> <p><em><span>CATEGORY 31</span></em></p> <h2 id="best-jazz-vocal-album"><strong><span>Best Jazz Vocal Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal jazz recordings.</span></p> <p><em><strong>Journey In Black</strong></em> — Christie Dashiell</p> <p><em><strong>Wildflowers Vol. 1</strong></em> — Kurt Elling & Sullivan Fortner</p> <p><em><strong>A Joyful Holiday</strong></em> — Samara Joy <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Milton + esperanza</strong></em> — Milton Nascimento & esperanza spalding</p> <p><em><strong>My Ideal</strong></em> — Catherine Russell & Sean Mason</p> <hr> <p><em><span>CATEGORY 32</span></em></p> <h2 id="best-jazz-instrumental-album"><strong><span>Best Jazz Instrumental Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new instrumental jazz recordings.</span></p> <p><em><strong>Owl Song</strong></em> — Ambrose Akinmusire Featuring Bill Frisell & Herlin Riley</p> <p><em><strong>Beyond This Place</strong></em> — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson</p> <p><em><strong>Phoenix Reimagined (Live)</strong></em> — Lakecia Benjamin</p> <p><em><strong>Remembrance</strong></em> — Chick Corea & Béla Fleck <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Solo Game</strong></em> — Sullivan Fortner</p> <hr> <p><em><span>CATEGORY 33</span></em></p> <h2 id="best-large-jazz-ensemble-album"><strong><span>Best Large Jazz Ensemble Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new large ensemble jazz recordings.</span></p> <p><em><strong>Returning To Forever</strong></em> — John Beasley & Frankfurt Radio Big Band</p> <p><em><strong>And So It Goes</strong></em> — The Clayton-Hamilton Jazz Orchestra</p> <p><em><strong>Walk A Mile In My Shoe</strong></em> — Orrin Evans & The Captain Black Big Band</p> <p><em><strong>Bianca Reimagined: Music for Paws and Persistence</strong></em> — Dan Pugach Big Band <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Golden City</strong></em> — Miguel Zenón</p> <hr> <p><em><span>CATEGORY 34</span></em></p> <h2 id="best-latin-jazz-album"><strong><span>Best Latin Jazz Album</span></strong></h2> <p><span>For vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.</span></p> <p><em><strong>Spain Forever Again</strong></em> — Michel Camilo & Tomatito</p> <p><em><strong>Cubop Lives!</strong></em> — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina & Reinaldo de Jesus <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>COLLAB</strong></em> — Hamilton de Holanda & Gonzalo Rubalcaba</p> <p><em><strong>Time And Again</strong></em> — Eliane Elias</p> <p><em><strong>El Trio: Live in Italy</strong></em> — Horacio 'El Negro' Hernández, John Beasley & José Gola</p> <p><strong>Cuba And Beyond</strong> — Chucho Valdés & Royal Quartet</p> <p><em><strong>As I Travel</strong></em> — Donald Vega Featuring Lewis Nash, John Patitucci & Luisito Quintero</p> <hr> <p><em><span>CATEGORY 35</span></em></p> <h2 id="best-alternative-jazz-album"><strong><span>Best Alternative Jazz Album</span></strong></h2> <p><span>For vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.</span></p> <p><em><strong>Night Reign</strong></em> — Arooj Aftab</p> <p><em><strong>New Blue Sun</strong></em> — André 3000</p> <p><em><strong>Code Derivation</strong></em> — Robert Glasper</p> <p><em><strong>Foreverland</strong></em> — Keyon Harrold</p> <p><em><strong>No More Water: The Gospel Of James Baldwin</strong></em> — Meshell Ndegeocello <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 36</span></em></p> <h2 id="best-traditional-pop-vocal-album"><strong><span>Best Traditional Pop Vocal Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new traditional pop recordings.</span></p> <p><em><strong>À Fleur De Peau</strong></em> — Cyrille Aimée</p> <p><em><strong>Visions</strong></em> — Norah Jones <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Good Together</strong></em> — Lake Street Dive</p> <p><em><strong>Impossible Dream</strong></em> — Aaron Lazar</p> <p><em><strong>Christmas Wish</strong></em> — Gregory Porter</p> <hr> <p><em><span>CATEGORY 37</span></em></p> <h2 id="best-contemporary-instrumental-album"><strong><span>Best Contemporary Instrumental Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new contemporary instrumental recordings.</span></p> <p><em><strong>Plot Armor</strong></em> — Taylor Eigsti <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Rhapsody In Blue</strong></em> — Béla Fleck</p> <p><em><strong>Orchestras (Live)</strong></em> — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston & Thomas Morgan</p> <p><em><strong>Mark</strong></em> — Mark Guiliana</p> <p><em><strong>Speak To Me</strong></em> — Julian Lage</p> <hr> <p><em><span>CATEGORY 38</span></em></p> <h2 id="best-musical-theater-album"><strong><span>Best Musical Theater Album</span></strong></h2> <p><span>For albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.</span></p> <p><em><strong>Hell’s Kitchen</strong></em> — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis & Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys & Tom Kitt, producers (Alicia Keys, composer & lyricist) (Original Broadway Cast) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Merrily We Roll Along</strong></em> — Jonathan Groff, Lindsay Mendez & Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman & David Lai, producers (Stephen Sondheim, composer & lyricist) (New Broadway Cast)</p> <p><em><strong>The Notebook</strong></em> — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum & Ingrid Michaelson, producers; Ingrid Michaelson, composer & lyricist (Original Broadway Cast)</p> <p><em><strong>The Outsiders</strong></em> — Joshua Boone, Brent Comer, Brody Grant & Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine & Lawrence Manchester, producers; Zach Chance, Jonathan Clay & Justin Levine, composers/lyricists (Original Broadway Cast)</p> <p><em><strong>Suffs</strong></em> — Andrea Grody, Dean Sharenow & Shaina Taub, producers; Shaina Taub, composer & lyricist (Original Broadway Cast)</p> <p><em><strong>The Wiz</strong></em> — Wayne Brady, Deborah Cox, Nichelle Lewis & Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis & Lawrence Manchester, producers (Charlie Smalls, composer & lyricist) (2024 Broadway Cast Recording)</p> <hr> <h1 id="field-5-country--american-roots-music"><span>Field 5: Country & American Roots Music</span></h1> <p><em><span>CATEGORY 39</span></em></p> <h2 id="best-country-solo-performance"><strong><span>Best Country Solo Performance</span></strong></h2> <p><span>For new vocal or instrumental solo country recordings.</span></p> <p><strong>"16 CARRIAGES"</strong> — Beyoncé</p> <p><strong>"I Am Not Okay"</strong> — Jelly Roll</p> <p><strong>"The Architect"</strong> — Kacey Musgraves</p> <p><strong>"A Bar Song (Tipsy)"</strong> — Shaboozey</p> <p><strong>"It Takes A Woman"</strong> — Chris Stapleton <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 40</span></em></p> <h2 id="best-country-duogroup-performance"><strong><span>Best Country Duo/Group Performance</span></strong></h2> <p><span>For new vocal or instrumental duo/group or collaborative country recordings.</span></p> <p><strong>"Cowboys Cry Too"</strong> — Kelsea Ballerini With Noah Kahan</p> <p><strong>"II MOST WANTED"</strong> — Beyoncé Featuring Miley Cyrus <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Break Mine"</strong> — Brothers Osborne</p> <p><strong>"Bigger Houses"</strong> — Dan + Shay</p> <p><strong>"I Had Some Help"</strong> — Post Malone Featuring Morgan Wallen</p> <hr> <p><em><span>CATEGORY 41</span></em></p> <h2 id="best-country-song"><strong><span>Best Country Song</span></strong></h2> <p><span>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"The Architect"</strong> — Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"A Bar Song (Tipsy)"</strong> — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)</p> <p><strong>"I Am Not Okay"</strong> — Casey Brown, Jason DeFord, Ashley Gorley & Taylor Phillips, songwriters (Jelly Roll)</p> <p><strong>"I Had Some Help"</strong> — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen & Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)</p> <p><strong>"TEXAS HOLD 'EM"</strong> — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)</p> <hr> <p><em><span>CATEGORY 42</span></em></p> <h2 id="best-country-album"><strong><span>Best Country Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new country recordings.</span></p> <p><em><strong>COWBOY CARTER</strong></em> — Beyoncé <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>F-1 Trillion</strong></em> — Post Malone</p> <p><em><strong>Deeper Well</strong></em> — Kacey Musgraves</p> <p><em><strong>Higher</strong></em> — Chris Stapleton</p> <p><em><strong>Whirlwind</strong></em> — Lainey Wilson</p> <hr> <p><em><span>CATEGORY 43</span></em></p> <h2 id="best-american-roots-performance"><strong><span>Best American Roots Performance</span></strong></h2> <p><span>For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).</span></p> <p><strong>"Blame It On Eve"</strong> — Shemekia Copeland</p> <p><strong>"Nothing In Rambling"</strong> — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal & Mick Fleetwood</p> <p><strong>"Lighthouse"</strong> — Sierra Ferrell <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"The Ballad Of Sally Anne"</strong> — Rhiannon Giddens</p> <hr> <p><em><span>CATEGORY 44</span></em></p> <h2 id="best-americana-performance"><strong><span>Best Americana Performance</span></strong></h2> <p><span>For new vocal or instrumental Americana performance. Award to the artist(s).</span></p> <p><strong><span>"YA YA"</span></strong> — <span>Beyoncé</span></p> <p><strong><span>"Subtitles"</span></strong> — <span>Madison Cunningham</span></p> <p><strong><span>"Don't Do Me Good"</span></strong> — <span>Madi Diaz Featuring Kacey Musgraves</span></p> <p><strong><span>"American Dreaming"</span></strong> — <span>Sierra Ferrell</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><strong><span>"Runaway Train"</span></strong> — <span>Sarah Jarosz</span></p> <p><strong><span>"Empty Trainload Of Sky"</span></strong> — <span>Gillian Welch & David Rawlings</span></p> <hr> <p><em><span>CATEGORY 45</span></em></p> <h2 id="best-american-roots-song"><strong><span>Best American Roots Song</span></strong></h2> <p><span>A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"Ahead Of The Game"</strong> — Mark Knopfler, songwriter (Mark Knopfler)</p> <p><strong>"All In Good Time"</strong> — Sam Beam, songwriter (Iron & Wine Featuring Fiona Apple)</p> <p><strong>"All My Friends"</strong> — Aoife O'Donovan, songwriter (Aoife O'Donovan)</p> <p><strong>"American Dreaming"</strong> — Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Blame It On Eve"</strong> — John Hahn & Will Kimbrough, songwriters (Shemekia Copeland)</p> <hr> <p><em><span>CATEGORY 46</span></em></p> <h2 id="best-americana-album"><strong><span>Best Americana Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.</span></p> <p><em><strong>The Other Side</strong></em> — T Bone Burnett</p> <p><em><strong>$10 Cowboy</strong></em> — Charley Crockett</p> <p><em><strong>Trail Of Flowers</strong></em> — Sierra Ferrell <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Polaroid Lovers</strong></em> — Sarah Jarosz</p> <p><em><strong>No One Gets Out Alive</strong></em> — Maggie Rose</p> <p><em><strong>Tigers Blood</strong></em> — Waxahatchee</p> <hr> <p><em><span>CATEGORY 47</span></em></p> <h2 id="best-bluegrass-album"><strong><span>Best Bluegrass Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.</span></p> <p><em><strong>I Built A World</strong></em> — Bronwyn Keith-Hynes</p> <p><em><strong>Songs of Love and Life</strong></em> — The Del McCoury Band</p> <p><em><strong>No Fear</strong></em> — Sister Sadie</p> <p><em><strong>Live Vol. 1</strong></em> — Billy Strings <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Earl Jam</strong></em> — Tony Trischka</p> <p><em><strong>Dan Tyminski: Live From The Ryman</strong></em> — Dan Tyminski</p> <hr> <p><em><span>CATEGORY 48</span></em></p> <h2 id="best-traditional-blues-album"><strong><span>Best Traditional Blues Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.</span></p> <p><em><strong>Hill Country Love</strong></em> — Cedric Burnside</p> <p><em><strong>Struck Down</strong></em> — The Fabulous Thunderbirds</p> <p><em><strong>One Guitar Woman</strong></em> — Sue Foley</p> <p><em><strong>Sam's Place</strong></em> — Little Feat</p> <p><em><strong>Swingin' Live at The Church in Tulsa</strong></em> — The Taj Mahal Sextet <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 49</span></em></p> <h2 id="best-contemporary-blues-album"><strong><span>Best Contemporary Blues Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.</span></p> <p><em><strong>Blues Deluxe Vol. 2</strong></em> — Joe Bonamassa</p> <p><em><strong>Blame It On Eve</strong></em> — Shemekia Copeland</p> <p><em><strong>Friendlytown</strong></em> — Steve Cropper & The Midnight Hour</p> <p><em><strong>Mileage</strong></em> — Ruthie Foster <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>The Fury</strong></em> — Antonio Vergara</p> <hr> <p><em><span>CATEGORY 50</span></em></p> <h2 id="best-folk-album"><strong><span>Best Folk Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental folk recordings.</span></p> <p><em><strong>American Patchwork Quartet</strong></em> — American Patchwork Quartet</p> <p><em><strong>Weird Faith</strong></em> — Madi Diaz</p> <p><em><strong>Bright Future</strong></em> — Adrianne Lenker</p> <p><em><strong>All My Friends</strong></em> — Aoife O'Donovan</p> <p><em><strong>Woodland</strong></em> — Gillian Welch & David Rawlings <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 51</span></em></p> <h2 id="best-regional-roots-music-album"><strong><span>Best Regional Roots Music Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.</span></p> <p><em><strong>25 Back To My Roots</strong></em> — Sean Ardoin And Kreole Rock And Soul</p> <p><em><strong>Live At The 2024 New Orleans Jazz & Heritage Festival</strong></em> — Big Chief Monk Boudreaux & The Golden Eagles Featuring J'Wan Boudreaux</p> <p><em><strong>Live At The 2024 New Orleans Jazz & Heritage Festival</strong></em> — New Breed Brass Band Featuring Trombone Shorty</p> <p><em><strong>Kuini</strong></em> — Kalani Pe'a <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Stories From The Battlefield</strong></em> — The Rumble Featuring Chief Joseph Boudreaux Jr.</p> <hr> <h1 id="field-6-gospel--contemporary-christian-music"><span>Field 6: Gospel & Contemporary Christian Music</span></h1> <p><em><span>CATEGORY 52</span></em></p> <h2 id="best-gospel-performancesong"><strong><span>Best Gospel Performance/Song</span></strong></h2> <p><span>This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.</span></p> <p>"<strong>Church Doors</strong>" — Yolanda Adams; Sir William James Baptist & Donald Lawrence, songwriters</p> <p><strong>"Yesterday"</strong> — Melvin Crispell III</p> <p><strong>"Hold On (Live)"</strong> — Ricky Dillard</p> <p><strong>"Holy Hands"</strong> — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord & Juan Winans, songwriters</p> <p><strong>"One Hallelujah"</strong> — Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 53</span></em></p> <h2 id="best-contemporary-christian-music-performancesong"><strong><span>Best Contemporary Christian Music Performance/Song</span></strong></h2> <p><span>This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).</span></p> <p><strong>"Holy Forever (Live)"</strong> — Bethel Music, Jenn Johnson Featuring CeCe Winans</p> <p><strong>"Praise"</strong> — Elevation Worship Featuring Brandon Lake, Chris Brown & Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake & Chandler Moore, songwriters</p> <p><strong>"Firm Foundation (He Won't)"</strong> — Honor & Glory Featuring Disciple</p> <p><strong>"In The Name Of Jesus"</strong> — JWLKRS Worship & Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky & Ilya Toshinskiy, songwriters</p> <p><strong>"In The Room"</strong> — Maverick City Music, Naomi Raine & Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard & Naomi Raine, songwriters</p> <p><strong>"That's My King"</strong> — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks & Jess Russ, songwriters <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 54</span></em></p> <h2 id="best-gospel-album"><strong><span>Best Gospel Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.</span></p> <p><em><strong>Covered Vol. 1</strong></em> — Melvin Crispell III</p> <p><em><strong>Choirmaster II (Live)</strong></em> — Ricky Dillard</p> <p><em><strong>Father's Day</strong></em> — Kirk Franklin</p> <p><em><strong>Still Karen</strong></em> — Karen Clark Sheard</p> <p><em><strong>More Than This</strong></em> — CeCe Winans <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 55</span></em></p> <h2 id="best-contemporary-christian-music-album"><strong><span>Best Contemporary Christian Music Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.</span></p> <p><em><strong>Heart Of A Human</strong></em> — DOE <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>When Wind Meets Fire</strong></em> — Elevation Worship</p> <p><em><strong>Child Of God</strong></em> — Forrest Frank</p> <p><em><strong>Coat Of Many Colors</strong></em> — Brandon Lake</p> <p><em><strong>The Maverick Way Complete</strong></em> — Maverick City Music, Naomi Raine & Chandler Moore</p> <hr> <p><em><span>CATEGORY 56</span></em></p> <h2 id="best-roots-gospel-album"><strong><span>Best Roots Gospel Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.</span></p> <p><em><strong>The Gospel Sessions, Vol 2</strong></em> — Authentic Unlimited</p> <p><em><strong>The Gospel According To Mark</strong></em> — Mark D. Conklin</p> <p><em><strong>Rhapsody</strong></em> — The Harlem Gospel Travelers</p> <p><em><strong>Church</strong></em> — Cory Henry <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Loving You</strong></em> — The Nelons</p> <hr> <h1 id="field-7-latin-global-reggae--new-age-ambient-or-chant"><span>Field 7: Latin, Global, Reggae & New Age, Ambient, or Chant</span></h1> <p><em><span>CATEGORY 57</span></em></p> <h2 id="best-latin-pop-album"><strong><span>Best Latin Pop Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new Latin pop recordings.</span></p> <p><em><strong>Funk Generation</strong></em> — Anitta</p> <p><em><strong>El Viaje</strong></em> — Luis Fonsi</p> <p><em><strong>GARCÍA</strong></em> — Kany García</p> <p><em><strong>Las Mujeres Ya No Lloran</strong></em> — Shakira <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>ORQUÍDEAS</strong></em> — Kali Uchis</p> <hr> <p><em><span>CATEGORY 58</span></em></p> <h2 id="best-música-urbana-album"><strong><span>Best Música Urbana Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new Música Urbana recordings.</span></p> <p><em><strong>nadie sabe lo que va a pasar mañana</strong></em> — Bad Bunny</p> <p><em><strong>Rayo</strong></em> — J Balvin</p> <p><em><strong>FERXXOCALIPSIS</strong></em> — Feid</p> <p><em><strong>LAS LETRAS YA NO IMPORTAN</strong></em> — Residente <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>att.</strong> —</em> Young Miko</p> <hr> <p><em><span>CATEGORY 59</span></em></p> <h2 id="best-latin-rock-or-alternative-album"><strong><span>Best Latin Rock or Alternative Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new Latin rock or alternative recordings.</span></p> <p><em><strong>Compita del Destino</strong></em> — El David Aguilar</p> <p><em><strong>Pa' Tu Cuerpa</strong></em> — Cimafunk</p> <p><em><strong>Autopoiética</strong></em> — Mon Laferte</p> <p><em><strong>GRASA</strong></em> — NATHY PELUSO</p> <p><em><strong>¿Quién trae las cornetas?</strong></em> — Rawayana <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 60</span></em></p> <h2 id="best-música-mexicana-album-including-tejano"><strong><span>Best Música Mexicana Album (Including Tejano)</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.</span></p> <p><em><strong>Diamantes</strong></em> — Chiquis</p> <p><em><strong>Boca Chueca, Vol. 1</strong></em> — Carín León <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>ÉXODO</strong></em> — Peso Pluma</p> <p><em><strong>De Lejitos</strong></em> — Jessi Uribe</p> <hr> <p><em><span>CATEGORY 61</span></em></p> <h2 id="best-tropical-latin-album"><strong><span>Best Tropical Latin Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new tropical Latin recordings.</span></p> <p><em><strong>MUEVENSE</strong></em> — Marc Anthony</p> <p><em><strong>Bailar</strong></em> — Sheila E.</p> <p><em><strong>Radio Güira</strong></em> — Juan Luis Guerra 4.40</p> <p><em><strong>Alma, Corazón y Salsa (Live at Gran Teatro Nacional)</strong></em> — Tony Succar, Mimy Succar <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Vacilón Santiaguero</strong></em> — Kiki Valera</p> <hr> <p><em><span>CATEGORY 62</span></em></p> <h2 id="best-global-music-performance"><strong><span>Best Global Music Performance</span></strong></h2> <p><span>For new vocal or instrumental Global music recordings.</span></p> <p><strong>"Raat Ki Rani"</strong> — Arooj Aftab</p> <p><strong>"A Rock Somewhere"</strong> — Jacob Collier Featuring Anoushka Shankar & Varijashree Venugopal</p> <p><strong>"Rise"</strong> — Rocky Dawuni</p> <p><strong>"Bemba Colorá"</strong> — Sheila E. Featuring Gloria Estefan & Mimy Succar <span>- </span><strong><span>WINNER</span></strong></p> <p>**"Sunlight To My Soul"**— Angélique Kidjo Featuring Soweto Gospel Choir</p> <p><strong>"Kashira"</strong> — Masa Takumi Featuring Ron Korb, Noshir Mody & Dale Edward Chung</p> <hr> <p><em><span>CATEGORY 63</span></em></p> <h2 id="best-african-music-performance"><strong><span>Best African Music Performance</span></strong></h2> <p><span>For new vocal or instrumental African music recordings.</span></p> <p><strong>"Tomorrow"</strong> — Yemi Alade</p> <p><strong>"MMS"</strong> — Asake & Wizkid</p> <p><strong>"Sensational"</strong> — Chris Brown Featuring Davido & Lojay</p> <p><strong>"Higher"</strong> — Burna Boy</p> <p><strong>"Love Me JeJe"</strong> — Tems <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 64</span></em></p> <h2 id="best-global-music-album"><strong><span>Best Global Music Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.</span></p> <p><em><strong>ALKEBULAN II</strong></em> — Matt B Featuring Royal Philharmonic Orchestra <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Paisajes</strong></em> — Ciro Hurtado</p> <p><em><strong>Heis</strong></em> — Rema</p> <p><em><strong>Historias de un Flamenco</strong></em> — Antonio Rey</p> <p><em><strong>Born in the Wild</strong></em> — Tems</p> <hr> <p><em><span>CATEGORY 65</span></em></p> <h2 id="best-reggae-album"><strong><span>Best Reggae Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new reggae recordings.</span></p> <p><em><strong>Take It Easy</strong></em> — Collie Buddz</p> <p><em><strong>Party With Me</strong></em> — Vybz Kartel</p> <p><em><strong>Never Gets Late Here</strong></em> — Shenseea</p> <p><em><strong>Bob Marley: One Love - Music Inspired By The Film (Deluxe)</strong></em> — (Various Artists) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Evolution</strong></em> — The Wailers</p> <hr> <p><em><span>CATEGORY 66</span></em></p> <h2 id="best-new-age-ambient-or-chant-album"><strong><span>Best New Age, Ambient, or Chant Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new vocal or instrumental new age recordings.</span></p> <p><em><strong>Break of Dawn</strong></em> — Ricky Kej</p> <p><em><strong>Triveni</strong></em> — Wouter Kellerman, Eru Matsumoto & Chandrika Tandon <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Opus</strong></em> — Ryuichi Sakamoto</p> <p><em><strong>Chapter II: How Dark It Is Before Dawn</strong></em> — Anoushka Shankar</p> <p><em><strong>Warriors Of Light</strong></em> — Radhika Vekaria</p> <hr> <h1 id="field-8-childrens-comedy-audio-books-visual-media--music-videofilm"><span>Field 8: Children’s, Comedy, Audio Books, Visual Media & Music Video/Film</span></h1> <p><em><span>CATEGORY 67</span></em></p> <h2 id="best-childrens-music-album"><strong><span>Best Children's Music Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.</span></p> <p><em><strong><span>Brillo, Brillo</span></strong></em><strong><span>!</span></strong> — <span>Lucky Diaz And The Family Jam Band</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong><span>Creciendo</span></strong></em> — <span>Lucy Kalantari & The Jazz Cats</span></p> <p><em><strong><span>My Favorite Dream</span></strong></em> — <span>John Legend</span></p> <p><em><strong><span>Solid Rock Revival</span></strong></em> — <span>Rock For Children</span></p> <p><em><strong><span>World Wide Playdate</span></strong></em> — <span>Divinity Roxx and Divi Roxx Kids</span></p> <hr> <p><em><span>CATEGORY 68</span></em></p> <h2 id="best-comedy-album"><strong><span>Best Comedy Album</span></strong></h2> <p><span>For albums containing greater than 75% playing time of new recordings.</span></p> <p><em><strong><span>Armageddon</span></strong></em> — <span>Ricky Gervais</span></p> <p><em><strong><span>The Dreamer</span></strong></em> — <span>Dave Chappelle</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong><span>The Prisoner</span></strong></em> — <span>Jim Gaffigan</span></p> <p><em><strong><span>Someday You'll Die</span></strong></em> — <span>Nikki Glaser</span></p> <p><em><strong><span>Where Was I</span></strong></em> — <span>Trevor Noah</span></p> <hr> <p><em><span>CATEGORY 69</span></em></p> <h2 id="best-audio-book-narration-and-storytelling-recording"><strong><span>Best Audio Book, Narration, and Storytelling Recording</span></strong></h2> <p><span>For an album that is spoken word in format.</span></p> <p><em><strong><span>All You Need Is Love: The Beatles in Their Own Words</span></strong></em> <span>(Various Artists) </span>— <span>Guy Oldfield, producer</span></p> <p><em><strong><span>...And Your Ass Will Follow</span></strong></em> — <span>George Clinton</span></p> <p><em><strong><span>Behind the Seams: My Life in Rhinestones</span></strong></em> — <span>Dolly Parton</span></p> <p><em><strong><span>Last Sundays in Plains: A Centennial Celebration</span></strong></em> — <span>Jimmy Carter</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong><span>My Name Is Barbra</span></strong></em> — <span>Barbra Streisand</span></p> <hr> <p><em><span>CATEGORY 70</span></em></p> <h2 id="best-compilation-soundtrack-for-visual-media"><strong><span>Best Compilation Soundtrack For Visual Media</span></strong></h2> <p><span>Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).</span></p> <p><em><strong><span>The Color Purple</span></strong></em> — <span>(Various Artists) Nick Baxter, Blitz Bazawule & Stephen Bray, compilation producers; Jordan Carroll & Morgan Rhodes, music supervisors</span></p> <p><em><strong><span>Deadpool & Wolverine</span></strong></em> — <span>(Various Artists) </span>Dave Jordan, Shawn Levy & Ryan Reynolds, compilation producers; Dave Jordan, music supervisor</p> <p><em><strong><span>Maestro: Music By Leonard Bernstein</span></strong></em> — Bradley Cooper & Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin & Jason Ruder, compilation producers; Steven Gizicki, music supervisor <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong><span>Saltburn</span></strong></em> — <span>(Various Artists) </span>Emerald Fennell, compilation producer; Kirsten Lane, music supervisor</p> <p><em><strong><span>Twisters: The Album</span></strong></em> — <span>(Various Artists) </span>Ian Cripps, Brandon Davis, Joe Khoury & Kevin Weaver, compilation producers; Mike Knobloch & Rachel Levy, music supervisors</p> <hr> <p><em><span>CATEGORY 71</span></em></p> <h2 id="best-score-soundtrack-for-visual-media-includes-film-and-television"><strong><span>Best Score Soundtrack For Visual Media (Includes Film And Television)</span></strong></h2> <p><span>Award to Composer(s) for an original score created specifically for a current motion picture, television show, or series.</span></p> <p><em><strong><span>American Fiction</span></strong></em> — <span>Laura Karpman, composer</span></p> <p><em><strong><span>Challengers</span></strong></em> — <span>Trent Reznor & Atticus Ross, composers</span></p> <p><em><strong><span>The Color Purple</span></strong></em> — <span>Kris Bowers, composer</span></p> <p><em><strong><span>Dune: Part Two</span></strong></em> — <span>Hans Zimmer, composer</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong><span>Shōgun</span></strong></em> — <span>Nick Chuba, Atticus Ross & Leopold Ross, composers</span></p> <hr> <p><em><span>CATEGORY 72</span></em></p> <h2 id="best-score-soundtrack-for-video-games-and-other-interactive-media"><strong><span>Best Score Soundtrack for Video Games and Other Interactive Media</span></strong></h2> <p><span>Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.</span></p> <p><em><strong><span>Avatar: Frontiers of Pandora</span></strong></em> — <span>Pinar Toprak, composer</span></p> <p><em><strong><span>God of War Ragnarök: Valhalla</span></strong></em> — <span>Bear McCreary, composer</span></p> <p><em><strong><span>Marvel's Spider-Man 2</span></strong></em> — <span>John Paesano, composer</span></p> <p><em><strong><span>Star Wars Outlaws</span></strong></em> — <span>Wilbert Roget, II, composer</span></p> <p><em><strong><span>Wizardry: Proving Grounds of the Mad Overlord</span></strong></em> — <span>Winifred Phillips, composer</span> <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 73</span></em></p> <h2 id="best-song-written-for-visual-media"><strong><span>Best Song Written For Visual Media</span></strong></h2> <p><span>A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.</span></p> <p><em><strong><span>Ain't No Love In Oklahoma [From "Twisters: The Album"]</span></strong></em> — <span>Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)</span></p> <p><em><strong><span>Better Place [From "TROLLS Band Together"]</span></strong></em> — <span>Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)</span></p> <p><em><strong><span>Can't Catch Me Now [From "The Hunger Games: The Ballad of Songbirds & Snakes"]</span></strong></em> — <span>Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)</span></p> <p><em><strong><span>It Never Went Away [From “American Symphony”]</span></strong></em> — <span>Jon Batiste & Dan Wilson, songwriters (Jon Batiste)</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong><span>Love Will Survive [From "The Tattooist of Auschwitz"]</span></strong></em> — <span>Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)</span></p> <hr> <p><em><span>CATEGORY 74</span></em></p> <h2 id="best-music-video"><strong><span>Best Music Video</span></strong></h2> <p><span>Award to the artist, video director, and video producer.</span></p> <p><strong><span>"Tailor Swif"</span></strong> — <span>A$AP Rocky</span></p> <p><span>Vania Heymann & Gal Muggia, video directors, </span>Natan Schottenfels, video producer</p> <p><strong><span>"360"</span></strong> — <span>Charli xcx</span></p> <p><span>Aidan Zamiri, video director; Jami Arceo & Evan Thicke, video producers</span></p> <p><strong><span>"Houdini"</span></strong> — <span>Eminem</span></p> <p><span>Rich Lee, video director; Kathy Angstadt, Lisa Arianna & Justin Diener, video producers</span></p> <p><strong><span>"Not Like Us"</span></strong> — <span>Kendrick Lamar</span> <span>- </span><strong><span>WINNER</span></strong></p> <p>Dave Free & Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau & Anthony Saleh, video producers</p> <p><strong><span>"Fortnight"</span></strong> — <span>Taylor Swift Featuring Post Malone</span></p> <p><span>Taylor Swift, video director; Jil Hardin, video producer</span></p> <hr> <p><em><span>CATEGORY 75</span></em></p> <h2 id="best-music-film"><strong><span>Best Music Film</span></strong></h2> <p><span>For concert/performance films or music documentaries. Award to the artist, video director, and video producer.</span></p> <p><strong><span>"American Symphony"</span></strong> — <span>Jon Batiste</span> <span>- </span><strong><span>WINNER</span></strong></p> <p><span>Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers</span></p> <p><strong><span>"June"</span></strong> — <span>(June Carter Cash)</span></p> <p><span>Kristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson & Kristen Vaurio, video producers</span></p> <p><span>"</span><strong><span>Kings From Queens"</span></strong> — <span>Run DMC</span></p> <p><span>Kirk Fraser, video director; </span>Dan Goodman, Brian Hunt & <span>William H. Masterson III, video producers</span></p> <p><strong><span>"Stevie Van Zandt: Disciple"</span></strong> — <span>Steven Van Zandt </span></p> <p><span>Bill Teck, video director; Robert Cotto, David Fisher & Bill Teck, video producers</span></p> <p><strong><span>"The Greatest Night in Pop"</span></strong> — <span>(Various Artists)</span></p> <p><span>Bao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie & Harriet Sternberg, video producers</span></p> <hr> <h1 id="field-9-package-notes--historical"><span>Field 9: Package, Notes & Historical</span></h1> <p><em><span>CATEGORY 76</span></em></p> <h2 id="best-recording-package"><strong><span>Best Recording Package</span></strong></h2> <p><span>For the best artistic package of an album.</span></p> <p><em><strong>The Avett Brothers</strong></em> — Scott Avett, Jonny Black & Giorgia Sage, art directors (The Avett Brothers)</p> <p><em><strong>Baker Hotel</strong></em> — Sarah Dodds & Shauna Dodds, art directors (William Clark Green)</p> <p><em><strong>BRAT</strong></em> — Brent David Freaney & Imogene Strauss, art directors (Charli xcx) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>F-1 Trillion</strong></em> — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon & Ana Cecilia Thompson Motta, art directors (Post Malone)</p> <p><em><strong>Hounds Of Love The Baskerville Edition</strong></em> — Kate Bush & Albert McIntosh, art directors (Kate Bush)</p> <p><strong>Jug Band Millionaire</strong> — Andrew Wong & Julie Yeh, art directors (The Muddy Basin Ramblers)</p> <p><em><strong>Pregnancy, Breakdown, And Disease</strong></em> — Lee Pei-Tzu, art director (iWhoiWhoo)</p> <hr> <p><em><span>CATEGORY 77</span></em></p> <h2 id="best-boxed-or-special-limited-edition-package"><strong><span>Best Boxed Or Special Limited Edition Package</span></strong></h2> <p><span>For the best package of a special edition album.</span></p> <p><em><strong>Half Living Things</strong></em> — Patrick Galvin, art director (Alpha Wolf)</p> <p><em><strong>Hounds Of Love The Boxes Of Lost At Sea</strong></em> — Kate Bush & Albert McIntosh, art directors (Kate Bush)</p> <p><em><strong>In Utero</strong></em> — Doug Cunningham & Jason Noto, art directors (Nirvana)</p> <p><em><strong>Mind Games</strong></em> — Simon Hilton & Sean Ono Lennon, art directors (John Lennon) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Unsuk Chin</strong></em> — Takahiro Kurashima & Marek Polewski, art directors (Unsuk Chin & Berliner Philharmoniker)</p> <p><em><strong>We Blame Chicago</strong></em> — Rebeka Arce & Farbod Kokabi, art directors (90 Day Men)</p> <hr> <p><em><span>CATEGORY 78</span></em></p> <h2 id="best-album-notes"><strong><span>Best Album Notes</span></strong></h2> <p><span>Award to the album notes writer.</span></p> <p><em><strong>After Midnight</strong></em> — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)</p> <p><em><strong>The Carnegie Hall Concert</strong></em> — Lauren Du Graf, album notes writer (Alice Coltrane)</p> <p><em><strong>Centennial</strong></em> — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band & Various Artists) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>John Culshaw</strong></em> — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)</p> <p><em><strong>SONtrack Original De La Película "Al Son De Beno"</strong></em> — Josh Kun, album notes writer (Various Artists)</p> <hr> <p><em><span>CATEGORY 79</span></em></p> <h2 id="best-historical-album"><strong><span>Best Historical Album</span></strong></h2> <p><span>For historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.</span></p> <p><em><strong>Centennial</strong></em> — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Diamonds And Pearls: Super Deluxe Edition</strong></em> — Charles F. Spicer, Jr. & Duane Tudahl, compilation producers; Brad Blackwood & Bernie Grundman, mastering engineers (Prince & The New Power Generation)</p> <p><em><strong>Paul Robeson</strong></em> – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson & Robert Russ, compilation producers; Nancy Conforti & Andreas K. Meyer, mastering engineers (Paul Robeson)</p> <p><em><strong>Pepito y Paquito</strong></em> — Pepe De Lucía & Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)</p> <p><em><strong>The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)</strong></em> — Mike Matessino & Mark Piro, compilation producers; Steve Genewick & Mike Matessino, mastering engineers (Rodgers & Hammerstein & Julie Andrews)</p> <hr> <p><em><span>CATEGORY 80</span></em></p> <h2 id="best-engineered-album-non-classical"><strong><span>Best Engineered Album, Non-Classical</span></strong></h2> <p><span>An Engineer's Award. (Artists' names appear in parentheses.)</span></p> <p><em><strong>Algorithm</strong></em> — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz & Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)</p> <p><em><strong>Cyan Blue</strong></em> — Jack Emblem, Jack Rochon & Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)</p> <p><em><strong>Deeper Well</strong></em> — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder & Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)</p> <p><em><strong>empathogen</strong></em> — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller & Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)</p> <p><em><strong>i/o</strong></em> — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw & Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Short n' Sweet</strong></em> — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan & Laura Sisk, engineers; Nathan Dantzler & Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)</p> <hr> <p><em><span>CATEGORY 81</span></em></p> <h2 id="best-engineered-album-classical"><strong><span>Best Engineered Album, Classical</span></strong></h2> <p><span>An Engineer's Award. (Artists' names appear in parentheses.)</span></p> <p><em><strong>Adams: Girls Of The Golden West</strong></em> — Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic & Los Angeles Master Chorale)</p> <p><em><strong>Andres: The Blind Banister</strong></em> — Silas Brown, Doron Schachter & Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev & Metropolis Ensemble)</p> <p><em><strong>Bruckner: Symphony No. 7; Bates: Resurrexit</strong></em> — Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Clear Voices In The Dark</strong></em> — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard & Skylark Vocal Ensemble)</p> <p><em><strong>Ortiz: Revolución Diamantina</strong></em> — Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic & Los Angeles Master Chorale)</p> <hr> <p><em><span>CATEGORY 82</span></em></p> <h2 id="producer-of-the-year-classical"><strong><span>Producer Of The Year, Classical</span></strong></h2> <p><span>A Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.</span></p> <p><strong>Erica Brenner</strong></p> <p><em>Biber: Mystery Sonatas</em> (Alan Choo, Jeannette Sorrell & Apollo's Fire) (A)</p> <p><em>Handel: Israel In Egypt</em> (Jeannette Sorrell, Apollo's Singers & Apollo's Fire) (A)</p> <p><em>Mozart: Piano Sonatas, Vols. 5 & 6</em> (Orli Shaham) (A)</p> <p><em>Songs For A Friend - A Tribute To Trumpeter Ryan Anthony</em> (Various Artists) (A)</p> <p><em>Sonic Alchemy</em> (YuEun Kim, Mina Gajić & Coleman Itzkoff) (A)</p> <p><strong>Christoph Franke</strong></p> <p><em>Beethoven: The Complete Symphonies</em> (Antonello Manacorda & Kammerakademie Potsdam) (A)</p> <p><em>Beethoven: Violin Sonatas Nos. 1, 5, 6 & 10</em> (Dénes Várjon & Antje Weithaas) (A)</p> <p><em>Brahms, Viotti & Dvořák: Orchestral Works</em> (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi & Deutsches Symphonie-Orchester Berlin) (A)</p> <p><em>Mozart: Sinigaglia</em> (Noah Bendix-Balgley) (A)</p> <p><em>Rachmaninoff: Symphony No. 2</em> (Kirill Petrenko & Berliner Philharmoniker) (A)</p> <p><em>The Vienna Recital</em> (Yuja Wang) (A)</p> <p><strong>Morten Lindberg</strong></p> <p><em>Mor</em> (Karen Haugom Olsen & Nidaros Domkor) (A)</p> <p><em>Pax</em> (Nina T. Karlsen, Ensemble 96 & Current Saxophone Quartet) (A)</p> <p><em>Sommerro: Borders</em> (Nick Davies & Trondheim Symphony Orchestra) (A)</p> <p><strong>Dmitriy Lipay</strong></p> <p><em>Adams: Girls Of The Golden West</em> (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles</p> <p>Philharmonic & Los Angeles Master Chorale) (A)</p> <p><em>Messiaen: Des Canyons Aux Étoiles...</em> (Ludovic Morlot & Seattle Symphony) (A)</p> <p><em>Ortiz: Revolución Diamantina</em> (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)</p> <p><strong>Elaine Martone</strong> <span>- </span><strong><span>WINNER</span></strong></p> <p><em>Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin</em>' (Franz Welser-Möst & The Cleveland Orchestra) (A)</p> <p><em>The Book Of Spells</em> (Merian Ensemble) (A)</p> <p><em>Bruckner: Symphony No. 4</em> (Franz Welser-Möst & The Cleveland Orchestra) (A)</p> <p><em>Divine Mischief</em> (Julian Bliss, J. Eric Wilson & Baylor University Wind Ensemble) (A)</p> <p><em>Joy!</em> (John Morris Russell & Cincinnati Pops) (A)</p> <p><em>Prokofiev: Symphony No. 6</em> (Franz Welser-Möst & The Cleveland Orchestra) (A)</p> <p><em>Schubert: The Complete Impromptus</em> (Gerardo Teissonnière) (A)</p> <p><em>Stranger At Home</em> (Shachar Israel) (A)</p> <p><em>Tchaikovsky: Symphony No. 4</em> (Franz Welser-Möst & The Cleveland Orchestra) (A)</p> <p><strong>Dirk Sobotka</strong></p> <p><em>American Dreams</em> (Louis Langrée & Cincinnati Symphony) (A)</p> <p><em>Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck & Pittsburgh Symphony Orchestra) (A)</em></p> <p><em>Dvořák: Symphony No. 9, 'From The New World'; American Suite</em> (Nathalie Stutzmann & Atlanta Symphony Orchestra) (A)</p> <p><em>Radiance Untethered - The Choral Music Of John Wykoff</em> (Cameron F. Labarr & Missouri State University Chorale) (A)</p> <hr> <h1 id="field-10-production-engineering-composition--arrangement"><span>Field 10: Production, Engineering, Composition & Arrangement</span></h1> <p><em><span>CATEGORY 83</span></em></p> <h2 id="best-immersive-audio-album"><strong><span>Best Immersive Audio Album</span></strong></h2> <p><span>For albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).</span></p> <p><em><strong>Avalon</strong></em> — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies & Bryan Ferry, immersive producers (Roxy Music)</p> <p><em><strong>Genius Loves Company</strong></em> — Michael Romanowski, Eric Schilling & Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)</p> <p><em><strong>Henning Sommerro: Borders</strong></em> — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)</p> <p><em><strong>i/o (In-Side Mix)</strong></em> — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>Pax</strong></em> — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 & Current Saxophone Quartet)</p> <hr> <p><em><span>CATEGORY 84</span></em></p> <h2 id="best-instrumental-composition"><strong><span>Best Instrumental Composition</span></strong></h2> <p><span>A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.</span></p> <p><strong>"At Last"</strong> — Shelton G. Berg, composer (Shelly Berg)</p> <p><strong>"Communion"</strong> — Christopher Zuar, composer (Christopher Zuar Orchestra)</p> <p><strong>"I Swear, I Really Wanted To Make A "Rap" Album But This Is Literally The Way The Wind Blew Me This Time"</strong> — André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, composers (André 3000)</p> <p><strong>"Remembrance"</strong> — Chick Corea, composer (Chick Corea & Béla Fleck)</p> <p><strong>"Strands"</strong> — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman) <span>- </span>**<span>WINNER</span>**<br><br><em><span>CATEGORY 85</span></em></p> <h2 id="best-arrangement-instrumental-or-a-cappella"><strong><span>Best Arrangement, Instrumental or A Cappella</span></strong></h2> <p><span>An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"Baby Elephant Walk - Encore"</strong> — Michael League, arranger (Snarky Puppy)</p> <p><strong>"Bridge Over Troubled Water"</strong> — Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Rhapsody In Blue(Grass)"</strong> — Béla Fleck & Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)</p> <p><strong>"Rose Without The Thorns"</strong> — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor, arrangers (Scott Hoying Featuring säje & Tonality)</p> <p><strong>"Silent Night"</strong> — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje)</p> <hr> <p><em><span>CATEGORY 86</span></em></p> <h2 id="best-arrangement-instruments-and-vocals"><strong><span>Best Arrangement, Instruments and Vocals</span></strong></h2> <p><span>An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.</span></p> <p><strong>"Alma"</strong> — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Regina Carter) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Always Come Back"</strong> — Matt Jones, arranger (John Legend)</p> <p><strong>"b i g f e e l i n g s"</strong> — Chris Greatti, Zach Tenorio & Willow, arrangers (WILLOW)</p> <p><strong>"Last Surprise (From "Persona 5")"</strong> — Charlie Rosen & Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson & Button Masher)</p> <p><strong>"The Sound Of Silence"</strong> — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)</p> <hr> <h1 id="field-11-classical"><span>Field 11: Classical</span></h1> <p><em><span>CATEGORY 87</span></em></p> <h2 id="best-orchestral-performance"><strong><span>Best Orchestral Performance</span></strong></h2> <p><span>Award to the conductor and the orchestra.</span></p> <p><strong>"Adams: City Noir, Fearful Symmetries & Lola Montez Does The Spider Dance"</strong> — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)</p> <p><strong>"Kodály: Háry János Suite; Summer Evening & Symphony In C Major"</strong> — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)</p> <p><strong>"Ortiz: Revolución Diamantina"</strong> — Gustavo Dudamel, conductor (Los Angeles Philharmonic) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Sibelius: Karelia Suite, Rakastava, & Lemminkäinen"</strong> — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)</p> <p><strong>"Stravinsky: The Firebird"</strong> — Esa-Pekka Salonen, conductor (San Francisco Symphony)</p> <hr> <p><em><span>CATEGORY 88</span></em></p> <h2 id="best-opera-recording"><strong><span>Best Opera Recording</span></strong></h2> <p><span>Award to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.</span></p> <p><strong>"Adams: Girls Of The Golden West"</strong> — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny & Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)</p> <p><strong>"Catán: Florencia En El Amazonas"</strong> — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez & Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)</p> <p><strong>"Moravec: The Shining"</strong> — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce & Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)</p> <p><strong>"Puts: The Hours"</strong> — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming & Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)</p> <p><strong>"Saariaho: Adriana Mater"</strong> — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 89</span></em></p> <h2 id="best-choral-performance"><strong><span>Best Choral Performance</span></strong></h2> <p><span>Award to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.</span></p> <p><strong>"Clear Voices In The Dark"</strong> — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski & Clare McNamara; Skylark Vocal Ensemble)</p> <p><strong>"A Dream So Bright: Choral Music Of Jake Runestad"</strong> — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)</p> <p><strong>"Handel: Israel in Egypt"</strong> — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry & Edward Vogel; Apollo's Fire; Apollo's Singers)</p> <p><strong>"Ochre"</strong> — Donald Nally, conductor (The Crossing) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Sheehan: Akathist"</strong> — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands & Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan & Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices & Trinity Youth Chorus)</p> <hr> <p><em><span>CATEGORY 90</span></em></p> <h2 id="best-chamber-musicsmall-ensemble-performance"><strong><span>Best Chamber Music/Small Ensemble Performance</span></strong></h2> <p><span>Award to the ensemble and conductor if applicable.</span></p> <p><strong>"Adams, J.L.: Waves & Particles"</strong> — JACK Quartet</p> <p><strong>"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'"</strong> — Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax</p> <p><strong>"Cerrone: Beaufort Scales"</strong> — Beth Willer, Christopher Cerrone & Lorelei Ensemble</p> <p><strong>"Home"</strong> — Miró Quartet</p> <p><strong>"Rectangles and Circumstance"</strong> — Caroline Shaw & Sō Percussion <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 91</span></em></p> <h2 id="best-classical-instrumental-solo"><strong><span>Best Classical Instrumental Solo</span></strong></h2> <p><span>Award to the instrumental soloist(s) and to the conductor when applicable.</span></p> <p><strong>"Akiho: Longing"</strong> — Andy Akiho</p> <p><strong>"Bach: Goldberg Variations"</strong> — Víkingur Ólafsson <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>"Eastman: The Holy Presence Of Joan D'Arc"</strong> — Seth Parker Woods (Wild Up)</p> <p><strong>"Entourer"</strong> — Mak Grgić (Ensemble Dissonance)</p> <p><strong>"Perry: Concerto For Violin & Orchestra"</strong> — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)</p> <hr> <p><em><span>CATEGORY 92</span></em></p> <h2 id="best-classical-solo-vocal-album"><strong><span>Best Classical Solo Vocal Album</span></strong></h2> <p><span>Award to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.</span></p> <p><em><strong>Bespoke Songs</strong></em> — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña & Garrick Zoeter)</p> <p><em><strong>Beyond The Years - Unpublished Songs Of Florence Price</strong></em> — Karen Slack, soloist; Michelle Cann, pianist <span>- </span><strong><span>WINNER</span></strong></p> <p><em><strong>A Change Is Gonna Come</strong></em> — Nicholas Phan, soloist; Palaver Strings, ensembles</p> <p><em><strong>Show Me The Way</strong></em> — Will Liverman, soloist; Jonathan King, pianist</p> <p><em><strong>Wagner: Wesendonck Lieder</strong></em> — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)</p> <hr> <p><em><span>CATEGORY 93</span></em></p> <h2 id="best-classical-compendium"><strong><span>Best Classical Compendium</span></strong></h2> <p><span>Award to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.</span></p> <p><em><strong>Akiho: BeLonging</strong></em> — Andy Akiho & Imani Winds; Andy Akiho, Sean Dixon & Mark Dover, producers</p> <p><em><strong>American Counterpoints</strong></em> — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer</p> <p><em><strong>Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode</strong></em> — JoAnn Falletta, conductor; Bernd Gottinger, producer</p> <p><em><strong>Mythologies II</strong></em> — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse & Kitt Wakeley, producers</p> <p><em><strong>Ortiz: Revolución Diamantina</strong></em> — Gustavo Dudamel, conductor; Dmitriy Lipay, producer <span>- </span><strong><span>WINNER</span></strong></p> <hr> <p><em><span>CATEGORY 94</span></em></p> <h2 id="best-contemporary-classical-composition"><strong><span>Best Contemporary Classical Composition</span></strong></h2> <p><span>A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.</span></p> <p><strong>Casarrubios: Seven For Solo Cello</strong> — Andrea Casarrubios, composer (Andrea Casarrubios)</p> <p><strong>Coleman: Revelry</strong> — Valerie Coleman, composer (Decoda)</p> <p><strong>Lang: Composition As Explanation</strong> — David Lang, composer (Eighth Blackbird)</p> <p><strong>Ortiz: Revolución Diamantina</strong> — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale) <span>- </span><strong><span>WINNER</span></strong></p> <p><strong>Saariaho: Adriana Mater</strong> — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus & Orchestra)</p> </div><section class="jsx-3ffc5a587783db0b w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px] "><h3 class="jsx-3ffc5a587783db0b mb-5 font-galaxy-polaris text-[#666] text-xl">Latest Recording Academy News & 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target="_self" rel="noreferrer"><div class="relative"><img class="w-full h-[106px] md-xl:h-[193px] object-cover" src="https://cdn.media.amplience.net/i/naras/GU_Mixtape_Feb_Hero_2025.webp" alt="Press Play On GRAMMY U Mixtape: Cupid's Shuffle Playlist"/></div><div class="pt-2 flex flex-col w-[180px]"><p class="text-black line-clamp-2">Press Play On GRAMMY U Mixtape: Cupid's Shuffle Playlist</p></div></a><a data-title="How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy" href="/news/recording-academy-membership-initiatives-2025-grammys" class="embla__slide bg-[#fff] w-[190px] md-xl:w-[340px] md-xl:origin-bottom" target="_self" rel="noreferrer"><div class="relative"><img class="w-full h-[106px] md-xl:h-[193px] object-cover" src="https://cdn.media.amplience.net/i/naras/Harvey-Mason-Jr-2025-GRAMMYs-GettyImages-2196833007.webp" alt="How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy"/></div><div class="pt-2 flex flex-col w-[180px]"><p 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mix-blend-overlay"/></div><div class="flex flex-col flex-wrap mt-1 mb-4"><div class="font-Polaris text-14 md-xl:text-18 mb-1">Chappell Roan performs at the 2025 GRAMMYs.</div><div class="text-14 md-xl:text-18 font-semibold uppercase contents"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p>Photo: John Shearer/Getty Images for The Recording Academy</p> </div></div></div></div><div class="w-full flex relative px-11 md-xl:px-0"><div class="pr-8 pl-20 pt-8 flex-col items-center md-xl:flex hidden relative"><div class="sticky top-108px"><div class="mb-6"><a class="simple-share-link-facebook mx-auto" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mb-6"><a class="simple-share-link-twitter mx-auto" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div class="mb-6"><a class="simple-share-link-email mx-auto" href="mailto:?body=">E-mail</a></div></div></div><div class="w-full"><div class="mb-2 w-full"><p class="uppercase text-11 text-custom-blue font-semibold mb-2">news</p><h1 class="text-2xl md-xl:text-4xl text-black text-left font-semibold leading-normal">The 2025 GRAMMYs Effect: Beyoncé, Kendrick Lamar, Billie Eilish & More See Major Streaming Boosts After Inspiring Show</h1></div><div class="md-xl:hidden flex mt-6 mb-6"><div class="mr-8"><a class="simple-share-link-facebook" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mr-8"><a class="simple-share-link-twitter" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div><a class="simple-share-link-email" href="mailto:?body=">Email</a></div></div><div class="mb-2 md-xl:mt-6 md-xl:mb-6 w-full"><p class="text-lg text-title-gray ">From Chappell Roan to Doechii, learn about the 2025 GRAMMYs winners and performers who made impressive gains in Spotify streams and album/song sales.</p></div><div class="flex flex-col md-xl:flex-row md-xl:my-3 my-5 text-11 md-xl:items-center text-title-gray font-semibold"><div><a href="/bio/taylor-weatherby" class="text-custom-blue uppercase">Taylor Weatherby</a></div><div class="flex items-center"><span class="mx-2 text-black hidden md-xl:block">|</span><span class="uppercase">GRAMMYs</span><span class="mx-2">/</span><span class="uppercase">Feb 12, 2025 - 12:27 am</span></div></div><div class="w-full"><div class="overflow-hidden relative read-more-content pb-10 h-500px read-more-section"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><em>Watch highlights from the <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs</a> on <a href="https://live.grammy.com/">live.GRAMMY.com</a>.</em></p> <p><em>The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. <a href="https://musicares.org/firerelief">Donate now</a>.</em></p> <p><span>The</span> <a href="https://grammy.com/news/2025-grammys-nominations-full-winners-nominees-list"><span>2025 GRAMMYs</span></a> <span>celebrated an</span> <a href="https://grammy.com/news/2025-grammys-first-time-winners-sabrina-carpenter-chappell-roan"><span>abundance of new winners</span></a> <span>and</span> <a href="https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos"><span>iconic moments</span></a> <span>for superstars — and</span> <a target='_blank' href="https://www.billboard.com/pro/kendrick-lamar-beyonce-chart-gains-after-2025-grammy-awards/"><span>according to Luminate</span></a><span>, many of them saw big gains in streaming, sales and chart movements.</span></p> <p><span>Following her momentous </span><a href="https://grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys"><span>first Album Of The Year win</span></a><span>, </span><a href="https://grammy.com/artists/beyonce-knowles/12474"><span>Beyoncé</span></a><span> also earned the night's biggest boost for an album. </span><em><span>COWBOY CARTER</span></em><span>, which also won </span><a href="https://grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter"><span>Best Country Album</span></a><span> and Best Country Duo/Group Performance for the </span><a href="https://grammy.com/artists/miley-cyrus/18384"><span>Miley Cyrus</span></a><span> collab "II MOST WANTED," earned 25,000 equivalent album units post-GRAMMYs — a 254 percent gain.</span></p> <p><a href="https://grammy.com/artists/doechii/57882"><span>Doechii</span></a><span>'s </span><em><span>Alligator Bites Never Heal</span></em><span> also saw a big bump following her historic win for </span><a href="https://www.grammy.com/videos/doechii-wins-best-rap-album-2025-grammys"><span>Best Rap Album</span></a><span>, which made her the third woman to win in the Category. The album earned 31,000 equivalent album units (combining consumption via streams, downloads, sales, etc.), earning not just a 107 percent gain, but also its best week yet on the Billboard 200 at No. 14.</span></p> <p><span>The night's biggest winner,</span> <a href="https://grammy.com/artists/kendrick-lamar/17949"><span>Kendrick Lamar</span></a> <span>— whose viral hit "Not Like Us" nabbed the rapper five more golden gramophones, including his first for</span> <a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys"><span>Record Of The Year</span></a> <span>and</span> <a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys"><span>Song Of The Year</span></a> <span>— saw perhaps the most interesting boost. Despite the song not being featured on</span> <a href="https://grammy.com/news/kendrick-lamar-facts-grammys-wins-nominations-albums-mr-morale-the-big-steppers-tour-pglang-label-tde-damn-humble-most-popular-song"><span>his latest album,</span></a> <em><a href="https://grammy.com/news/kendrick-lamar-facts-grammys-wins-nominations-albums-mr-morale-the-big-steppers-tour-pglang-label-tde-damn-humble-most-popular-song"><span>GNX</span></a></em><span>, the 2024 LP is up 9 percent. Four more of his six albums also saw a gain:</span> <em><span>Mr. Morale and The Big Steppers</span></em> <span>is up 13 percent;</span> <em><span>Good Kid, M.A.A.D City</span></em> <span>is up 11 percent; and</span> <em><span>DAMN.</span></em> <span>and</span> <em><span>To Pimp a Butterfly</span></em> <span>are both up 9 percent.</span></p> </div><div class="text-white">Loading...</div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><a href="https://grammy.com/artists/billie-eilish/251741"><span>Billie Eilish</span></a> <span>saw a similar impact to Lamar's gains, as all of her albums saw a streaming boost following her</span> <a href="https://www.grammy.com/news/billie-eilish-2025-grammys-performance"><span>stirring performance of "BIRDS OF A FEATHER"</span></a> <span>on the telecast. Her 2024 album,</span> <em><a href="https://grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways"><span>HIT ME HARD AND SOFT</span></a></em> <span>— which earned Eilish six more nominations this year — gained 47 percent, while 2022's</span> <em><span>Happier Than Ever</span></em> <span>gained 17 percent and 2019's</span> <em><span>WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?</span></em> <span>gained 10 percent. Even her 2017 EP,</span> <em><span>don't smile at me</span></em><span>, saw a 14 percent boost.</span></p> <p><a href="https://grammy.com/artists/chappell-roan/56864"><span>Chappell Roan</span></a><span> had one of the biggest album boosts following her Best New Artist win and </span><a href="https://www.grammy.com/news/chappell-roan-2025-grammys-performance"><span>theatrical performance of "Pink Pony Club."</span></a><span> Her debut album, </span><em><span>The Rise and Fall of a Midwest Princess</span></em><span>, gained 56 percent. ("Pink Pony Club" also reached a new high on the Billboard Hot 100 singles chart, jumping to No. 18 after a 98 percent gain; more on other Hot 100 moves later.)</span></p> <p><span>On the heels of her own two wins, </span><a href="https://grammy.com/artists/sabrina-carpenter/57838"><span>Sabrina Carpenter</span></a><span> enjoyed a 20 percent boost for </span><em><a href="https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career"><span>Short N' Sweet</span></a></em><span> as well as an 8 percent gain for its predecessor, 2022's </span><em><span>emails i can't send</span></em><span>. </span><em><span>Short N' Sweet</span></em> <span>helped Carpenter win Best Pop Vocal Album and Best Pop Solo Performance for its viral smash "Espresso"; the singer earned six nominations in total, including Best New Artist.</span></p> <p><span>In fact, all eight of the </span><a href="https://grammy.com/news/2025-grammys-nominations-best-new-artist"><span>Best New Artist nominees</span></a><span> saw streaming gains thanks to their appearances on the telecast. </span><a href="https://grammy.com/artists/benson-boone/57823"><span>Benson Boone</span></a><span>, </span><a href="https://grammy.com/artists/rachel-keen/58098"><span>RAYE</span></a><span>, </span><a href="https://grammy.com/artists/shaboozey/56863"><span>Shaboozey</span></a><span>, and </span><a href="https://grammy.com/artists/teddy-swims/58158"><span>Teddy Swims</span></a><span> — all of whom, along with Doechii, were featured in </span><a href="https://grammy.com/news/best-new-artist-performance-medley-2025-grammys"><span>a medley performance of their individual hits</span></a><span> — each earned a boost. RAYE saw the biggest boost with 65 percent; Boone's </span><em><a href="https://grammy.com/news/benson-boone-new-album-fireworks-and-rollerblades-tour-interview-beautiful-things"><span>Fireworks & Rollerblades</span></a></em><span> album is up 44 percent; Shaboozey's </span><em><a href="https://grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter"><span>Where I've Been, Isn't Where I'm Going</span></a></em><span> is up 13 percent; Swims' </span><em><span>I've Tried Everything But Therapy (Part 1)</span></em><span> is up 8 percent. </span><a href="https://grammy.com/artists/khruangbin/58222"><span>Khruangbin</span></a><span>, who were spotlighted in a performance just before the BNA medley, also earned a big gain, as their most recent LP, 2024's </span><em><span>A La Sala</span></em><span>, rose 36 percent. </span></p> <p><a href="https://grammy.com/artists/charli-xcx/18360"><span>Charli xcx</span></a> <span>topped off a</span> <em><a href="https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable"><span>BRAT</span></a></em> <a href="https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable"><span>GRAMMY night</span></a> <span>— which included her first three wins and a</span> <a href="https://grammy.com/news/charli-xcx-2025-grammys-performance"><span>party-fueled performance</span></a> <span>of album singles "Von dutch" and "Guess" — with the album seeing a 28 percent gain.</span></p> </div><div class="text-white">Loading...</div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><span>Several winning songs and artists also jumped up on the Billboard Hot 100. The chart's Top 10 is almost entirely dominated by GRAMMY winners and performers, helmed by</span> <a href="https://grammy.com/artists/lady-gaga/3611"><span>Lady Gaga</span></a> <span>and</span> <a href="https://grammy.com/artists/bruno-mars/5082"><span>Bruno Mars</span></a><span>' "Die With a Smile," which returns to the No. 1 spot for a fifth week. Though the pair opted to tribute those affected by the Los Angeles wildfires with a</span> <a href="https://www.grammy.com/news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys"><span>moving rendition of "California Dreamin'"</span></a> <span>for their joint performance on the telecast, they were awarded Best Pop Duo/Group Performance for "Die With A Smile" (and Lady Gaga delivered a</span> <a href="https://www.grammy.com/news/2025-grammys-powerful-acceptance-speeches-chappell-roan-alicia-keys"><span>powerful message</span></a> <span>in</span> <a href="https://www.grammy.com/videos/lady-gaga-bruno-mars-wins-best-pop-duo-group-performance-2025-grammys"><span>support of queer and trans communities</span></a> <span>in her speech).</span></p> <p><span>Elsewhere on the Hot 100, Lamar's wins helped his latest </span><a href="https://grammy.com/artists/Solana-Rowe/32514"><span>SZA</span></a><span> collab, </span><em><span>GNX</span></em><span>'s "Luther," move back to No. 3 for the first time since its December debut; Eilish's "BIRDS OF A FEATHER" jumped from No. 7 to No. 4; and Shaboozey's "A Bar Song (Tipsy)" held on No. 5 after seeing a 118 percent boost in sales.</span></p> <p><a href="https://grammy.com/artists/The-Weeknd/24884"><span>The Weeknd</span></a><span> saw the biggest bound into the Top 10 thanks to his </span><a href="https://grammy.com/news/the-weeknd-2025-grammys-performance"><span>monumental GRAMMYs surprise</span></a><span>. Ending a nearly four-year boycott, the Canadian superstar took the GRAMMYs stage for a performance of "Cry For Me" and "Timeless" (with collaborator Playboi Carti) from his new album, </span><em><span>Hurry Up Tomorrow</span></em><span>; the latter jumped from No. 18 to No. 7 on the chart.</span></p> <p><span>Boone's "Beautiful Things" also saw a significant increase, moving from No. 15 to No. 9. </span><a href="https://grammy.com/videos/benson-boone-beautiful-things-performance-2025-grammys"><span>His backflip-filled performance</span></a><span> on the telecast also helped the song see a 29 percent streaming gain and a remarkable 515 percent boost in sales. </span></p> <p><span>Though Swims' "Lose Control" performance didn't quite have the same effect, he still holds at No. 8. Lamar's </span><em><span>GNX</span></em><span> single "tv off" closes out the Hot 100's Top 10 by rising from 11-10 on the post-GRAMMYs chart — but he surely will be seeing another big boost on the next tally, thanks to his instantly </span><a href="https://grammy.com/news/super-bowl-halftime-performances-kendrick-lamar-prince-rihanna-michael-jackson"><span>iconic halftime performance</span></a><span> at Super Bowl LIX. </span></p> </div><section class="w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px]"><h3 class="pl-0 pt-5 mb-5 font-galaxy-polaris text-[#666] text-xl ">2025 GRAMMYs: Performances, Acceptance Speeches & Highlights</h3><style> .curated-content-container { height: 100%; position: relative; } .curated-carousel-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .curated-content-container:hover .curated-carousel-buttons { opacity: 1; height: auto; } .curated-content-carousel { padding-left: 1.25rem; width: 100%; overflow: visible 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class="curated-carousel-buttons"><div class="curated-embla-button"><button class="embla__button embla__button--prev left-0 swiper" disabled=""><i class="arrow left"></i></button></div><style></style><div class="curated-embla-button"><button class="embla__button right-0 swiper-next" disabled=""><i class="arrow right"></i></button></div></div></div></section></div><div class="flex w-full justify-center items-center"><button class="uppercase font-polaris border border-custom-blue px-5 py-3 text-xs text-custom-blue hover:text-white hover:bg-custom-blue outline-none focus:outline-none">Read More</button></div></div></div></div></div><div class="w-full mb-12" id="ce442095-7f96-4ef1-af19-8b90bea5b103"><div class="w-full mb-3 overflow-hidden"><div class="relative article-photo-wrapper isolate"><img src="https://i8.amplience.net/i/naras/nile-rodgers-GettyImages-2186785137.jpg" alt="Nile Rodgers performs live at Barrowland Ballroom in Glasgow." class="max-h-430px object-cover object-top-center w-full mix-blend-overlay"/></div><div class="flex flex-col flex-wrap mt-1 mb-4"><div class="font-Polaris text-14 md-xl:text-18 mb-1">Living Legends: Nile Rodgers Talks "Levi's Jeans"</div><div class="text-14 md-xl:text-18 font-semibold uppercase contents"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p>Photo: Stuart Westwood</p> </div></div></div></div><div class="w-full flex relative px-11 md-xl:px-0"><div class="pr-8 pl-20 pt-8 flex-col items-center md-xl:flex hidden relative"><div class="sticky top-108px"><div class="mb-6"><a class="simple-share-link-facebook mx-auto" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mb-6"><a class="simple-share-link-twitter mx-auto" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div class="mb-6"><a class="simple-share-link-email mx-auto" href="mailto:?body=">E-mail</a></div></div></div><div class="w-full"><div class="mb-2 w-full"><p class="uppercase text-11 text-custom-blue font-semibold mb-2">interview</p><h1 class="text-2xl md-xl:text-4xl text-black text-left font-semibold leading-normal">Living Legends: Nile Rodgers On "Levii's Jeans," Madonna's Work Ethic And Internalizing Music</h1></div><div class="md-xl:hidden flex mt-6 mb-6"><div class="mr-8"><a class="simple-share-link-facebook" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mr-8"><a class="simple-share-link-twitter" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div><a class="simple-share-link-email" href="mailto:?body=">Email</a></div></div><div class="mb-2 md-xl:mt-6 md-xl:mb-6 w-full"><p class="text-lg text-title-gray ">The Lifetime Achievement Award honoree discusses his lengthy career — from his work with Beyoncé and David Bowie, to his contribution to 'Coming To America.'</p></div><div class="flex flex-col md-xl:flex-row md-xl:my-3 my-5 text-11 md-xl:items-center text-title-gray font-semibold"><div><a href="/bio/jessica-lipsky" class="text-custom-blue uppercase">Jessica Lipsky</a></div><div class="flex items-center"><span class="mx-2 text-black hidden md-xl:block">|</span><span class="uppercase">GRAMMYs</span><span class="mx-2">/</span><span class="uppercase">Feb 11, 2025 - 04:28 pm</span></div></div><div class="w-full"><div class="overflow-hidden relative read-more-content pb-10 h-500px read-more-section"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><em>Watch highlights from the <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs</a> on <a href="https://live.grammy.com/">live.GRAMMY.com</a>.</em></p> <p><em>The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. <a href="https://musicares.org/firerelief">Donate now</a>.</em></p> <p><span>"The thing that makes my life exciting is the fact that I always feel like I'm ready,"</span> <a href="https://www.grammy.com/artists/nile-rodgers/15233"><span>Nile Rodgers</span></a> <span>says.</span></p> <p><span>The</span> <a href="https://www.grammy.com/news/nile-rodgers-2023-grammys-lifetime-achievement-award-recipient"><span>Lifetime Achievement Award honoree</span></a> <span>may be the textbook example of the axiom: "if you stay ready, you won't have to get ready." From a tour stop in London, Rodgers notes that he always has his guitar with him — typically his white 1960 Stratocaster, which Fender has since</span> <a href="https://www.fender.com/en-US/electric-guitars/stratocaster/nile-rodgers-hitmaker-stratocaster/0115922705.html"><span>issued a replica</span></a> <span>of — and "always" has a recording studio with him. "I always believe that I can add something musically," he says.</span></p> <p><span>There's little hubris in that statement, and there shouldn't be. The past 12 months alone have seen Rodgers tour with his band Chic internationally (including his first-ever performance in Korea), work on a GRAMMY-winning project with the most awarded artist of all time, and accept another five-year term as the Chairman of the Songwriters Hall of Fame.</span></p> <p><span>This level of activity is far from uncommon for the four-time GRAMMY winner. Rodgers got his start as a session musician in the "Sesame Street" traveling band in the early 1970s, though his legend truly began when he co-founded Chic — a disco group whose sound and language have become the blueprint for much of contemporary pop and dance music.</span></p> <p><span>Over six decades, Nile Rodgers developed something of a midas touch, writing and producing canonical earworms for the likes of</span> <a href="https://grammy.com/artists/david-bowie/4819"><span>David Bowie</span></a><span>,</span> <a href="https://grammy.com/artists/madonna/5068"><span>Madonna</span></a><span>,</span> <a href="https://grammy.com/artists/mick-jagger/3488"><span>Mick Jagger</span></a><span>,</span> <a href="https://grammy.com/artists/diana-ross/15248"><span>Diana Ross</span></a><span>,</span> <a href="https://grammy.com/artists/daft-punk/8207"><span>Daft Punk</span></a> <span>(which netted the producer his first three GRAMMY Awards), and many others. Rodgers has so honed his skill and ear that it's</span> <em><span>le freaky</span></em><span>; his contributions to the pop pantheon come with ease. "I never think about a song before I get to the studio, unless it's an idea that I had come up with the night before," he says.</span></p> <p><span>Such was the case with "LEVII'S JEANS" from</span> <a href="https://grammy.com/artists/beyonce-knowles/12474"><span>Beyoncé</span></a><span>'s Album Of The Year-winning</span> <em><a href="https://grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country"><span>COWBOY CARTER</span></a></em><span>; the song itself was nominated for Best Pop Duo/Group Performance at the</span> <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list"><span>2025 GRAMMYs</span></a><span>.</span> <em><span>COWBOY CARTER</span></em> <span>is the second time Rodgers has worked with Bey: The two celebrated a Best R&B Song win for "Cuff It" at the 65th GRAMMY Awards, while</span> <em><span>Renaissance</span></em> <span>itself took some DNA from Rodgers' Chic era.</span></p> </div><style> .video-wrapper { position: relative; padding-top: 56.25%; width: 100%; } .react-player { position: absolute; top: 0; left: 0; } </style><div class="py-4"><div class="video-wrapper"><div style="width:100%;height:100%" class="react-player"></div></div></div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><span>Nile Rodgers spoke with GRAMMY.com about his genre-defying career and the artists who have helped populate it. Read on for insights into his nominated work, the now-iconic jheri curl activator commercial he penned in 1988, and much more: </span></p> <p><strong><span class="NormalTextRun SCXW112686121 BCX4">I'm going to get right to </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">business, and </span><span class="NormalTextRun SCXW112686121 BCX4">start with an existential question.</span></strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">My favorite kind.</span></p> <p><strong><span class="NormalTextRun SCXW112686121 BCX4">What makes a good and lasting pop song?</span></strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">Everybody has a different formula and a different concept and a different approach. Rather than try and analyze what are the components of the great lasting pop song, let's just say that all great songs that last are what my music teacher used to tell me: they are always internalized. They're songs that you can't get out of your head no matter how much you try.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">The way my professor taught me, he said: "The </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">Itsy Bitsy</span><span class="NormalTextRun SCXW112686121 BCX4"> Spider, went up the </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">water spout</span><span class="NormalTextRun SCXW112686121 BCX4"> down came the rain, and washed the spider out," and he says, "That's internalization. You can't help it." He says, "The national anthem. Go to a baseball game. Look at everybody's mouths. They start doing the lyrics, even though you would never buy the record." Can you imagine going up and buying that? But everybody knows it. It's internalized.</span></p> <p><strong>Speaking of great pop songs, I would love to know a bit more about your work on <em>COWBOY CARTER</em>. Is this the first country and Americana influenced album that you've worked on?</strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">Not at all. I've worked with </span><a href="https://grammy.com/artists/keith-urban/7015"><span class="NormalTextRun SCXW112686121 BCX4">Keith Urban</span></a><span class="NormalTextRun SCXW112686121 BCX4"> quite a bit. I've worked with </span><a href="https://grammy.com/artists/david-lee-roth/13805"><span class="NormalTextRun SCXW112686121 BCX4">David Lee Roth</span></a><span class="NormalTextRun SCXW112686121 BCX4"> years ago when he did a collaboration with </span><a href="https://grammy.com/artists/travis-tritt/12700"><span class="NormalTextRun SCXW112686121 BCX4">Travis Tritt</span></a><span class="NormalTextRun SCXW112686121 BCX4"> and I produced a record by David. I've been in the mix with quite a few country players.</span></p> <p><strong><span class="NormalTextRun SCXW112686121 BCX4">Did you bring those experiences to work when you were working on "Levii's Jeans" or when you were chatting with </span><a href="https://grammy.com/artists/beyonce-knowles/12474"><span class="NormalTextRun SCXW112686121 BCX4">Beyoncé </span></a><span class="NormalTextRun SCXW112686121 BCX4">about various projects?</span></strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">"Levi's Jeans" really started with my guitar part. [Producer The-] </span><a href="https://grammy.com/artists/terius-dream-nash/5219"><span class="NormalTextRun SCXW112686121 BCX4">Dream</span></a><span class="NormalTextRun SCXW112686121 BCX4"> and I were just working together out in the </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">Hamptons, and</span><span class="NormalTextRun SCXW112686121 BCX4"> I picked up the guitar and started writing to a lick he was singing. Or I played </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">it</span><span class="NormalTextRun SCXW112686121 BCX4"> and Dream said, "Damn, what's that?" And then started singing on top of it.</span></p> <p><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">So</span><span class="NormalTextRun SCXW112686121 BCX4"> one of those two stories is true. I remember me playing the whole thing. And the voice </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">leading of</span><span class="NormalTextRun SCXW112686121 BCX4"> the guitar playing has the melody and the vibe of [</span><em><span class="NormalTextRun SCXW112686121 BCX4">imitates "Levis Jeans" riff.</span></em><span class="NormalTextRun SCXW112686121 BCX4">]. So that had to have come before it was even called "Levi's Jeans" or anything like that, because Dream and I were just jamming.</span></p> <p><strong><span class="NormalTextRun SCXW112686121 BCX4">From there, are you involved in the creative process? Do you work directly with Beyoncé or with </span><a href="https://grammy.com/artists/post-malone/243389"><span class="NormalTextRun SCXW112686121 BCX4">Post Malone </span></a><span class="NormalTextRun SCXW112686121 BCX4">when putting this together?</span></strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">It’s interesting how songs are composed in today's world. By providing that bed track, that's sort of all I needed to do. Then that sparks an idea, and then they write on top of that. I don't remember it even coming back to me and me having to fix anything.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">Honestly, just playing it down the one or two times that I played it down — which is basically the way I always write — I never think about a song before I get to the studio, and unless it's an idea that I had come up with the night before or something. I just was in the room with Dream and mixed it. It was probably one of many songs that we wrote that day.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">That was the day that he came to the studio really late; I was sitting there for hours. So that may have been the only song that we wound up doing, and maybe what wound up happening is that there was such clarity and such great direction that by the time we finished it, that's all we needed to do that day. I'm picturing the studio, the house, and the long-ass drive. My studio </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">in</span><span class="NormalTextRun SCXW112686121 BCX4"> Connecticut, in Westport, Connecticut, all the way out to the Hamptons.</span></p> <p><strong>You also worked on <em>Renaissance</em>, and "Cuff It," specifically. What was it like to work on projects centered on radically different genres? It seems to me that there's a bit of a parallel between your musical fingerprint and what Beyoncé is doing.</strong></p> <p><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">The way</span><span class="NormalTextRun SCXW112686121 BCX4"> that I look at all music — be it symphonic or small jazz trio or quartet — I always believe that I can add something musically. I'm an old school arranger, so even if my playing isn't the type of playing they want, I could write string parts or I could write horn parts, I could write whatever to make the music a little better.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">The most fun I have is just </span><em><span class="NormalTextRun SCXW112686121 BCX4">doing</span></em><span class="NormalTextRun SCXW112686121 BCX4"> stuff. I really say this with no ego: I just believe in my heart that I always have a musical idea that's worth sharing. No matter what the situation is, especially if it comes to composition. The reason why I feel so comfortable writing with people is because, with composition, you don't have to get perfect right then on the spot. You can get something close, and it's just inspirational and it can take you to the next place. I am lucky enough that most of the time I get my part right the first day or maybe the first hour, usually. But if a person calls me back, as some have, and said, "You know what, Nile? That's close, but I was thinking more like this," I go, "Oh, okay, cool."</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">In today's world, a lot of the recordings that we </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">do</span><span class="NormalTextRun SCXW112686121 BCX4">, we're not necessarily in the same room at the same time. In the old days, we were </span><em><span class="NormalTextRun SCXW112686121 BCX4">always</span></em><span class="NormalTextRun SCXW112686121 BCX4"> in the same room at the same time. Now, I record in my hotel rooms all the time. I always have a recording studio with me.</span></p> <p><strong>For either <em>COWBOY CARTER</em> or <em>Renaissance</em>, was that the situation for your work?</strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">With </span><em><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">Renaissance</span></em><span class="NormalTextRun SCXW112686121 BCX4">, they had already gotten to a certain place; </span><em><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">Renaissance</span></em><span class="NormalTextRun SCXW112686121 BCX4"> was almost like</span><a href="https://grammy.com/artists/daft-punk/8207"><span class="NormalTextRun SCXW112686121 BCX4"> Daft Punk</span></a><span class="NormalTextRun SCXW112686121 BCX4">. So Daft Punk had been working on </span><em><a href="https://www.grammy.com/news/daft-punk-random-access-memories-record"><span class="NormalTextRun SCXW112686121 BCX4">Random Access Memories</span></a></em> <span class="NormalTextRun SCXW112686121 BCX4">and on the track that wound up becoming "Get Lucky" for eight years; Dream had told me that many of the songs that he's done, he's worked on for years. And </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">so</span><span class="NormalTextRun SCXW112686121 BCX4"> he'll play me an idea and I’ll jump on it.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">What happened with "Cuff It" was a situation like that. I came in near the end on that one, as opposed to "Levi's Jeans," where I was actually at the beginning. It started with guitar and whatever </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">Dream</span><span class="NormalTextRun SCXW112686121 BCX4"> and I did.</span></p> <p><strong><span class="NormalTextRun SCXW112686121 BCX4">That speaks to your ability to just have that great idea and know how to fit yourself in. You can come in at the beginning, you can come in at the end and provide that flourish that makes the song a bop.</span></strong></p> <p><span class="NormalTextRun SCXW112686121 BCX4">The point I was really making was that I feel like I can always add at any point during the process.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">I'm on the new</span><a href="https://grammy.com/artists/coldplay/10952"><span class="NormalTextRun SCXW112686121 BCX4"> Coldplay</span></a><span class="NormalTextRun SCXW112686121 BCX4"> record. </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">So</span><span class="NormalTextRun SCXW112686121 BCX4"> Coldplay, I happened to walk in the </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">studio</span><span class="NormalTextRun SCXW112686121 BCX4"> and they just asked me to join the circle, like, </span><em><span class="NormalTextRun SCXW112686121 BCX4">Whoa, hey, great</span></em><span class="NormalTextRun SCXW112686121 BCX4">. </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">So</span><span class="NormalTextRun SCXW112686121 BCX4"> I had my guitar walked in and started playing. That's unusual in today's world because rarely is the band there, and I happened to have my guitar. That was just a very sort of freak occurrence, and it wound up being cool.</span></p> <p><span class="NormalTextRun SCXW112686121 BCX4">The thing that makes my life exciting is the fact that I always feel like I'm ready. I drag my guitar with me everywhere. If somebody wants to write or perform, I'm down. I learned years ago to not be afraid of failing or making a mistake or having people criticize it, because that's sort of what music is all about. You </span><span class="NormalTextRun AdvancedProofingIssueV2Themed SCXW112686121 BCX4">definitely want</span><span class="NormalTextRun SCXW112686121 BCX4"> to touch people's </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">hearts,</span><span class="NormalTextRun SCXW112686121 BCX4"> you want to get some kind of emotional response; most of the time you want them to like it. </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4">Certainly</span><span class="NormalTextRun SCXW112686121 BCX4"> I've written a </span><span class="NormalTextRun SpellingErrorV2Themed SCXW112686121 BCX4">protesty</span><span class="NormalTextRun SCXW112686121 BCX4"> type of song or two, and it was designed for the person that I was writing it about </span><em><span class="NormalTextRun SCXW112686121 BCX4">not</span></em><span class="NormalTextRun SCXW112686121 BCX4"> to like it. However, I wanted it to be internalized.</span></p> </div><style> .video-wrapper { position: relative; padding-top: 56.25%; width: 100%; } .react-player { position: absolute; top: 0; left: 0; } </style><div class="py-4"><div class="video-wrapper"><div style="width:100%;height:100%" class="react-player"></div></div></div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><strong><span class="NormalTextRun SCXW48594835 BCX4">You've worked on an incredible number of classic songs over the years</span> <span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4">that</span> <span class="NormalTextRun SCXW48594835 BCX4">it's hard to pick something</span> <span class="NormalTextRun AdvancedProofingIssueV2Themed SCXW48594835 BCX4">in particular to</span> <span class="NormalTextRun SCXW48594835 BCX4">ask you about. Off the top of your head, is there a song that you played on or that you composed, that you produced that makes you smile?</span></strong></p> <p><span class="NormalTextRun SCXW48594835 BCX4">There's been so, so many, but I would have to say probably the most shocking and successful was "Let's Dance" with David Bowie.</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">When David asked me to produce </span><em><a href="https://grammy.com/news/revisiting-david-bowie-lets-dance-40th-anniversary-china-girl-modern-love-awards"><span class="NormalTextRun SCXW48594835 BCX4">Let's Dance</span></a></em><span class="NormalTextRun SCXW48594835 BCX4">, he and I had just met. We just bumped into each other at a club and started talking, and I was amazed at his knowledge of jazz artists and composers and arrangers. He was deep into it; we tried to sort of one up each other, going more and more avant-garde, like, "Yeah, well, have you heard so-and-so's record?" "Well, but have you heard </span><em><span class="NormalTextRun SCXW48594835 BCX4">17 West</span></em><span class="NormalTextRun SCXW48594835 BCX4"> by Eric Dolphy?" I mean, we were </span><span class="NormalTextRun AdvancedProofingIssueV2Themed SCXW48594835 BCX4">really just</span><span class="NormalTextRun SCXW48594835 BCX4"> going at it man.</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">He then called me and realized, </span><em><span class="NormalTextRun SCXW48594835 BCX4">okay, you're the guy I want to produce my next album</span></em><span class="NormalTextRun SCXW48594835 BCX4">. I go to his house in Switzerland, and he comes into my bedroom and says, "Now darling, I think this is a hit." And he starts playing a song that sounds very much like a folk song, and that wasn't what we agreed we were going to do, but he was really into it. He said, "I call it 'Let's Dance.'"</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">I said, "Man, I come from dance music. Let me </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4">do</span><span class="NormalTextRun SCXW48594835 BCX4"> an arrangement." And basically, I restructured the whole thing. I had never heard "Let's Dance" until we went to the recording studio the following day and played it. Of course, as an arranger, you can hear it in your head sort of, but I write for an ensemble. When we did </span><a href="https://www.youtube.com/watch?v=PExpZECskrs"><span class="NormalTextRun SCXW48594835 BCX4">the demo</span></a><span class="NormalTextRun SCXW48594835 BCX4">, we didn't have a keyboard player. It was just two guitars, very </span><a href="https://grammy.com/artists/james-brown/819"><span class="NormalTextRun SCXW48594835 BCX4">James Brown</span></a><span class="NormalTextRun SCXW48594835 BCX4"> style.</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">I said, "David, I want you to sing what you sang in the bedroom and sing it over this music." It really worked. When you hear the "Let's Dance" demo, you can hear how much fun he's having; you're going to hear that he likes it. Obviously, it's the biggest record of his career, but he thought that my arranging skills on a song called </span><a href="https://www.youtube.com/watch?v=YOKA-e4MWPo"><span class="NormalTextRun SCXW48594835 BCX4">"Ricochet"</span></a><span class="NormalTextRun SCXW48594835 BCX4"> were far superior to "Let's Dance," and he couldn't understand why people didn't like that more. And I thought, </span><em><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4">Wow</span><span class="NormalTextRun SCXW48594835 BCX4">, how weird is that?</span></em></p> <p><span class="NormalTextRun SCXW48594835 BCX4">Usually when I finish a record, I'm on to the next project. If you look at my discography, you'll see that. How could I possibly? The day I finished "Like a Virgin," the very next day I was in the studio with Mick Jagger.</span></p> <p><strong><span class="NormalTextRun SCXW48594835 BCX4">You've worked with so many multi-hyphenate talents and big personalities. Who has been among the most fascinating people that you've worked with?</span></strong></p> <p><span class="NormalTextRun SCXW48594835 BCX4">I certainly know Beyonce's got an incredible work ethic. The first time we ever worked together, we were doing a show where I was the music director for VH1, a television special for Diana Ross. And man, Beyonce was there when she had the group, and they worked so hard. But it was a television show, and usually you do work hard. You only have a certain </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4">amount</span><span class="NormalTextRun SCXW48594835 BCX4"> of hours to get things right.</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">I have to say Madonna. The thing that was so incredibly special about Madonna was her work ethic. It was like her taking power back or control or something. All the musicians were my musicians, we’re working at my recording studio, the place that I called home and christened the Power Station. And she went out of her way to be the boss. It was like, "Madonna, it's cool. We know we're working for you."</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">But it was incredible; she worked so hard. No matter how early I got to the studio, she would always be there before me. </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4">So</span><span class="NormalTextRun SCXW48594835 BCX4"> I called my doorman and asked them one day, I say, "Does Madonna call here and ask you guys has Mr. Rogers left so she can make sure she gets to the studio first?"</span></p> <p><span class="NormalTextRun SCXW48594835 BCX4">She would work out early in the morning, she'd swim and then go to the recording studio and get there before me. The studio's literally 10 blocks from my house.</span></p> </div><style> .video-wrapper { position: relative; padding-top: 56.25%; width: 100%; } .react-player { position: absolute; top: 0; left: 0; } </style><div class="py-4"><div class="video-wrapper"><div style="width:100%;height:100%" class="react-player"></div></div></div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><strong><span class="NormalTextRun SCXW43668571 BCX4">It seems like you've done a lot with K-pop recently, and you're just finished your first concert in Korea. What excites you about Korean music?</span></strong></p> <p><span class="NormalTextRun SCXW43668571 BCX4">What’s great about K-pop is that a lot of the artists that I work with like sort of sophisticated R&B-styled music. </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">So</span><span class="NormalTextRun SCXW43668571 BCX4"> I get to do interesting arrangements and very sort of old school R&</span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">B guitar</span><span class="NormalTextRun SCXW43668571 BCX4"> playing, and they really appreciate it, man.</span></p> <p><span class="NormalTextRun SCXW43668571 BCX4">I had a big record last year with </span><a href="https://www.grammy.com/news/le-sserafim-nile-rodgers-collaboration-joint-interview-unforgiven-new-album"><span class="NormalTextRun SCXW43668571 BCX4">LE SSERAFIM called "Unforgiven."</span></a><span class="NormalTextRun SCXW43668571 BCX4"> </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">And</span><span class="NormalTextRun SCXW43668571 BCX4"> then I just did G-Dragon, and he was so cool. It’s almost like I </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">couldn't</span><span class="NormalTextRun SCXW43668571 BCX4"> play enough guitar parts, no matter whatever I did. It was like, "Okay, cool. No, no, no, do some more. Do some more." </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">So</span><span class="NormalTextRun SCXW43668571 BCX4"> I just </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">playing</span><span class="NormalTextRun SCXW43668571 BCX4"> and </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">playing</span><span class="NormalTextRun SCXW43668571 BCX4">, which I like to do anyway.</span></p> <p><em><strong>Coming to America</strong></em> <strong>is my favorite movie of all time, hands down. <span class="NormalTextRun SCXW43668571 BCX4">And when I learned that you did the</span> <a href="https://www.youtube.com/watch?v=-33Ef7gS0vE"><span class="NormalTextRun SCXW43668571 BCX4">Soul Glo jingle</span></a><span class="NormalTextRun SCXW43668571 BCX4">, my mind was blown. Why didn't we know about this?</span></strong></p> <p><span class="NormalTextRun SCXW43668571 BCX4">I got that job because the person who was in charge of music at Paramount Pictures at the time, I used to do television commercials for him. His name was Steve Adele, and I used to play classical guitar for him, play Spanish guitar for a coffee brand called</span><a href="https://www.youtube.com/watch?v=3W_iIXRxbsk"><span class="NormalTextRun SCXW43668571 BCX4"> Savarin Coffee, and the character was El Exigente</span></a><span class="NormalTextRun SCXW43668571 BCX4">. And I used to play El </span><span class="NormalTextRun SpellingErrorV2Themed SCXW43668571 BCX4">Exigente's</span><span class="NormalTextRun SCXW43668571 BCX4"> theme music.</span></p> <p><span class="NormalTextRun SCXW43668571 BCX4">But </span><em><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">Coming</span> <span class="NormalTextRun SCXW43668571 BCX4">to America</span></em><span class="NormalTextRun SCXW43668571 BCX4">, I composed everything. That's me singing and </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">playing on</span><span class="NormalTextRun SCXW43668571 BCX4"> all of the music that's spilling </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">out</span><span class="NormalTextRun SCXW43668571 BCX4"> the tenements and stuff like that. I did everything like the full orchestral score and the funny, interstitial stuff. And Soul Glo, the commercial.</span></p> <p><span class="NormalTextRun SCXW43668571 BCX4">I learned a lot from [director] John Landis about scoring </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">film</span><span class="NormalTextRun SCXW43668571 BCX4">. He was saying that even when you're writing funny songs, you </span><span class="NormalTextRun AdvancedProofingIssueV2Themed SCXW43668571 BCX4">have to</span><span class="NormalTextRun SCXW43668571 BCX4"> treat it like it's totally serious. And </span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">so</span><span class="NormalTextRun SCXW43668571 BCX4"> then of course, since then, I've done "Beavis and Butt-Head" and all sorts of stuff that was supposedly really silly, but of course I write it in character. When I did Beavis and Butt-</span><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4">Head, and</span><span class="NormalTextRun SCXW43668571 BCX4"> I wrote </span><a href="https://www.youtube.com/watch?v=YT-qCzPoIOM"><span class="NormalTextRun SCXW43668571 BCX4">"Come to Butt-Head"</span></a><span class="NormalTextRun SCXW43668571 BCX4"> with Mike Judge. I've done quite a few films where I had to do comedic songs, Soul Glo just happens to be one of the best ones.</span></p> </div><section class="jsx-3ffc5a587783db0b w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px] "><h3 class="jsx-3ffc5a587783db0b mb-5 font-galaxy-polaris text-[#666] text-xl">More Living Legends</h3><div class="jsx-3ffc5a587783db0b curated-content-container"><div class="jsx-3ffc5a587783db0b curated-content-carousel relative"><div class="jsx-3ffc5a587783db0b embla__container"><a data-title="Living Legends: Nile Rodgers On "Levii's Jeans," Madonna's Work Ethic And Internalizing Music" href="/news/living-legends-nile-rodgers-interview-beyonce-madonna-david-bowie" class="embla__slide bg-[#fff] w-[190px] md-xl:w-[340px] md-xl:origin-bottom" target="_self" rel="noreferrer"><div class="relative"><img class="w-full h-[106px] md-xl:h-[193px] object-cover" src="https://cdn.media.amplience.net/i/naras/nile-rodgers-GettyImages-2186785137.webp" alt="Living 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right"></i></button></div></div></div></section></div><div class="flex w-full justify-center items-center"><button class="uppercase font-polaris border border-custom-blue px-5 py-3 text-xs text-custom-blue hover:text-white hover:bg-custom-blue outline-none focus:outline-none">Read More</button></div></div></div></div></div><div class="w-full mb-12" id="e057153a-d402-4b26-9f45-88f59ced303e"><div class="w-full mb-3 overflow-hidden"><div class="relative article-photo-wrapper isolate"><img src="https://i8.amplience.net/i/naras/Harvey-Mason-Jr-2025-GRAMMYs-GettyImages-2196833007.jpg" alt="Harvey Mason jr. at the 2025 GRAMMYs" class="max-h-430px object-cover object-top-center w-full mix-blend-overlay"/></div><div class="flex flex-col flex-wrap mt-1 mb-4"><div class="font-Polaris text-14 md-xl:text-18 mb-1">Harvey Mason jr., CEO of The Recording Academy, at the 2025 GRAMMYs.</div><div class="text-14 md-xl:text-18 font-semibold uppercase contents"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p>Photo: Sonja Flemming/CBS via Getty Images</p> </div></div></div></div><div class="w-full flex relative px-11 md-xl:px-0"><div class="pr-8 pl-20 pt-8 flex-col items-center md-xl:flex hidden relative"><div class="sticky top-108px"><div class="mb-6"><a class="simple-share-link-facebook mx-auto" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mb-6"><a class="simple-share-link-twitter mx-auto" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div class="mb-6"><a class="simple-share-link-email mx-auto" href="mailto:?body=">E-mail</a></div></div></div><div class="w-full"><div class="mb-2 w-full"><p class="uppercase text-11 text-custom-blue font-semibold mb-2">list</p><h1 class="text-2xl md-xl:text-4xl text-black text-left font-semibold leading-normal">How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy</h1></div><div class="md-xl:hidden flex mt-6 mb-6"><div class="mr-8"><a class="simple-share-link-facebook" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mr-8"><a class="simple-share-link-twitter" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div><a class="simple-share-link-email" href="mailto:?body=">Email</a></div></div><div class="mb-2 md-xl:mt-6 md-xl:mb-6 w-full"><p class="text-lg text-title-gray ">Take a look at the many ways the Recording Academy is making strides in best supporting and representing the music community — from record-breaking fundraising to the most diverse membership class to date.</p></div><div class="flex flex-col md-xl:flex-row md-xl:my-3 my-5 text-11 md-xl:items-center text-title-gray font-semibold"><div><a href="/bio/douglas-markowitz" class="text-custom-blue uppercase">Douglas Markowitz</a></div><div class="flex items-center"><span class="mx-2 text-black hidden md-xl:block">|</span><span class="uppercase">GRAMMYs</span><span class="mx-2">/</span><span class="uppercase">Feb 7, 2025 - 09:11 pm</span></div></div><div class="w-full"><div class="overflow-hidden relative read-more-content pb-10 h-500px read-more-section"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><em>Watch highlights from the <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs</a> on <a href="https://live.grammy.com/">live.GRAMMY.com</a>.</em></p> <p><em>The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. <a href="https://musicares.org/firerelief">Donate now</a>.</em></p> <p><span>With awe-inspiring performances and </span><a href="https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos"><span>incredible cultural moments</span></a><span>, the </span><a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list"><span>2025 GRAMMYs</span></a><span> delivered an unforgettable experience for millions of music fans. The show generated 102.2 million social media interactions, the </span><a href="https://www.hollywoodreporter.com/tv/tv-news/grammy-awards-tv-ratings-feb-2-2025-1236126284/"><span>highest traffic ever recorded</span></a><span> for a TV broadcast. Even critics came away impressed, with </span><em><a href="https://variety.com/2025/music/reviews/grammys-review-best-show-years-chappell-roan-sabrina-carpenter-beyonce-1236295330/"><span>Variety</span></a></em><span> calling the show "the best in years." </span></p> <p><span>Beyond reviews and ratings, however, the show proved that </span><a href="https://www.recordingacademy.com/"><span>the Recording Academy</span></a><span>'s work in advancing and evolving the music industry has paid off. </span><a href="https://recordingacademy.com/inclusion"><span>Diversity initiatives</span></a><span>, a </span><a href="https://www.recordingacademy.com/awards"><span>more equitable voting process</span></a><span>, and support for upcoming and established artists prove that the organization is in healthy hands. </span></p> <p><span>Below, revisit the ways that Music's Biggest Night showed just how bright the Recording Academy's future will be. </span></p> <h2 id="helping-communities-in-need"><strong><span>Helping Communities In Need</span></strong></h2> <p><span>Amid the sorrow and devastation caused by the Los Angeles wildfires, the GRAMMYs became a </span><a href="https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos"><span>celebration of the city</span></a><span> and a rallying point for assistance, not just for the music world but for the entire L.A. community at large. As performers such as </span><a href="https://grammy.com/artists/billie-eilish/251741"><span>Billie Eilish</span></a><span>, </span><a href="https://grammy.com/artists/chappell-roan/56864"><span>Chappell Roan</span></a><span>, </span><a href="https://grammy.com/artists/zach-dawes/53920"><span>Dawes</span></a><span>, and </span><a href="https://grammy.com/artists/bruno-mars/5082"><span>Bruno Mars</span></a><span> and </span><a href="https://grammy.com/artists/lady-gaga/3611"><span>Lady Gaga</span></a><span> celebrated SoCal through music, and </span><a href="https://grammy.com/artists/kendrick-lamar/17949"><span>Kendrick Lamar</span></a><span>, one of its proudest native sons, took home five GRAMMYs, including </span><a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys"><span>Record Of The Year</span></a><span> and </span><a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys"><span>Song Of The Year</span></a><span>, the awards moments and </span><a href="https://www.grammy.com/news/2025-grammys-powerful-acceptance-speeches-chappell-roan-alicia-keys"><span>powerful acceptance speeches</span></a><span> further amplified the </span><a href="https://grammy.com/firerelief"><span>charitable appeals and support for victims</span></a><span>. They also gave visibility to the important work being done year-round by </span><a href="https://www.musicares.org/"><span>MusiCares</span></a><span>, the largest U.S. nonprofit devoted to the overall health and well-being of the music community, and other Academy affiliates. </span></p> <p><span>That experience made the GRAMMY weekend campaign even more effective. With plenty of opportunities to donate offered throughout the lead-up to GRAMMY Sunday and during the ceremony itself, the Academy and MusiCares raised more than $24 million for wildfire relief through its </span><a href="https://grammy.com/firerelief"><span>MusiCares Fire Relief</span></a><span> initiative; almost $9 million of that was raised on GRAMMY Sunday alone. The Academy also gave airtime to local small businesses impacted by the fires, letting the likes of </span><a href="https://www.gofundme.com/f/rebuild-paliskates-a-community-staple?attribution_id=sl:7cd1a593-2c44-439d-a9f9-5da5bae0371e&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=native_options"><span>Paliskates</span></a><span>, </span><a href="https://www.gofundme.com/f/rebuild-two-dragons-30-years-of-community?attribution_id=sl:88d65f1e-b1e2-4005-a2c5-53ef9e2afb0b&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link"><span>Two Dragons Martial Arts Studio</span></a><span>, </span><a href="https://www.gofundme.com/f/help-rebuild-rhythms-of-the-village-family-after-la-fires?attribution_id=sl:6e0458a5-2a89-4f42-9fc2-94d31dffdb57&utm_campaign=man_sharesheet_dash&utm_medium=customer&utm_source=copy_link"><span>Rhythm of the Village</span></a><span>, </span><a href="https://www.instagram.com/loststuffyproject/"><span>Lost Stuffy Project</span></a><span>, and </span><a href="https://www.gofundme.com/f/help-renata-and-andrew-rebuild-after-the-la-wildfires?attribution_id=sl:9f83b3a1-f622-4b87-9182-eff3dac51ad4&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link"><span>Orla Floral Studio</span></a><span> advertise during the ceremony — further using the GRAMMYs' global platform to support those in need.</span></p> <p><span>On Jan. 31, two days before the telecast, MusiCares hosted its annual </span><a href="https://www.musicares.org/news/grateful-dead-persons-of-the-year-2025-gala-recap-performances"><span>Persons of the Year gala</span></a><span>, celebrating the creative and philanthropic work of the </span><a href="https://www.grammy.com/news/beginners-guide-to-the-grateful-dead-videos-albums-live-shows"><span>Grateful Dead</span></a><span> while raising a record amount of money. </span></p> <p><span>"MusiCares partnering with the GRAMMYs gave us an incredible platform to reinforce our 35-year mission to help the humans behind music because music gives so much to the world. Due to the extraordinary need following the L.A. area wildfires, the MusiCares Fire Relief effort also raised funds and awareness for California Community Foundation, Direct Relief and Pasadena Community Foundation. Together, our organizations will help all impacted communities," MusiCares Executive Director Laura Segura told GRAMMY.com.</span></p> <p><span>"The record-breaking generosity at MusiCares' Persons of the Year, </span><a href="https://www.grammy.com/news/2025-clive-davis-recording-academy-pre-grammy-fundraising-event-recap"><span>Clive Davis' & Recording Academy's Pre-GRAMMY Fundraising Event</span></a><span> and the GRAMMYs telecast is a testament to the compassion of the music industry and the impact we can make together," she added. "We're grateful for the opportunity to continue expanding awareness so that even more music professionals know we are here for them — now and always."</span></p> <p>In addition to fundraising efforts, the Recording Academy partnered with Musically Fed, a nonprofit organization that works with music industry organizations to donate unused backstage meals to community organizations supporting those in need, to deliver hundreds of meals to organizations including Van Ness Recovery House, Hawks Transitional Housing for Women & Children, Midnight Mission, and LA Rescue Mission. The meals, repurposed from various 2025 GRAMMY Week events, including the Clive Davis' & the Recording Academy's Pre-GRAMMY Fundraising Event, the annual Premiere Ceremony, and the 2025 GRAMMYs telecast, went to those facing homelessness, hunger, and food insecurity, including direct food donations to those impacted by the Los Angeles wildfires. The Academy also supported a domestic violence shelter for women and children fleeing abusive households.</p> <h2 id="inviting-more-voters--more-perspectives"><strong><span>Inviting More Voters & More Perspectives</span></strong></h2> <p><span>"As selected by the 13,000 Voting Members of the Recording Academy…" may have been the most common refrain heard during the GRAMMYs ceremony. It's a sentence that reflects the real gains made in making the GRAMMYs more reflective of the entire music community; those 13,000 Voting Members, a body composed of artists, songwriters, producers, engineers, and other music creatives across a wide swathe of genres and disciplines, are the ones selecting GRAMMY nominees and GRAMMY winners. </span></p> <p><span>Today, 66 percent of the GRAMMYs voting electorate is new since the Recording Academy advanced its </span><a href="https://www.grammy.com/news/recording-academy-advances-new-membership-model-inviting-years-class"><span>new membership model in 2019</span></a><span>. More than 3,000 of those Voting Members are women, surpassing goals set by the Academy to add 2,500 women Voting Members by 2025. And 38 percent of the Academy's voting body identifies as people of color, a 65 percent increase since 2019. </span></p> <p><span>"I'm incredibly proud of the strides the Recording Academy has made in diversifying its membership over the last few years," Kelley Purcell, Vice President of Membership & Industry Relations for the Recording Academy, said in an interview with GRAMMY.com. "With more women, more people of color, and a broad representation of diverse genres and crafts, it's the most diverse and representative GRAMMY electorate ever."</span></p> <p><span>The Academy's recent efforts in diversifying its membership helped restore its relationship with four-time GRAMMY winner </span><a href="https://grammy.com/artists/The-Weeknd/24884"><span>The Weeknd</span></a><span>, who </span><a href="https://www.grammy.com/news/the-weeknd-2025-grammys-performance"><span>returned to the GRAMMY stage</span></a><span> following a </span><a href="https://www.cbc.ca/music/the-weeknd-grammys-surprise-performance-1.7448769"><span>nearly four-year boycott</span></a><span> to deliver a surprise performance. The artist had demanded "transparency" for himself and his fans after a shocking nominations shutout in 2020, and as Recording Academy CEO </span><a href="https://www.grammy.com/artists/harvey-mason-jr/4668"><span>Harvey Mason jr.</span></a><span> detailed before The Weeknd's appearance, the organization listened.</span></p> <p><span>"Criticism is ok," Mason jr. said. "I heard him. I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now and for future generations."</span></p> </div><div class="text-white">Loading...</div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><h2 id="standing-behind-diversity"><span>Standing Behind Diversity</span></h2> <p><span>Along with making its membership more diverse and inclusive, the Academy has recognized the need to strengthen and defend the gains made through its diversity, equity and inclusion (DEI) initiatives. </span><a href="https://grammy.com/artists/alicia-keys/12104"><span>Alicia Keys</span></a><span> said it best in her </span><a href="https://www.grammy.com/videos/alicia-keys-global-impact-award-acceptance-speech-2025-grammys"><span>acceptance speech</span></a><span> for the </span><a href="https://www.grammy.com/news/alicia-keys-2025-grammys-global-impact-award-speech"><span>Dr. Dre Global Impact Award</span></a><span>, presented by the </span><a href="https://www.recordingacademy.com/inclusion/black-music-collective"><span>Black Music Collective.</span></a><span> </span></p> <p><span>"This is not the time to shut down the diversity of voices," she said. "We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound."</span></p> <p><span>The Recording Academy proudly trumpeted its diversity initiatives on Music's Biggest Night, with Harvey Mason jr. shouting out </span><a href="https://www.recordingacademy.com/inclusion/womensstudy"><span>Women in the Mix</span></a><span>, Academy Proud and the Black Music Collective in his speech. These initiatives are only expanding: In August 2024, the Academy unveiled </span><a href="https://www.grammy.com/news/recording-academy-raad-network-supports-artist-creators-with-disabilities"><span>RAA+D (Recording Academy Accessibility + Disability)</span></a><span>, ensuring that disabled music makers are given all the support and resources they need to participate fully in the music community. In November, the Academy also </span><a href="https://www.grammy.com/news/indigenous-peoples-network"><span>launched its Indigenous Peoples Network</span></a><span>, dedicated to preserving and boosting Indigenous musical practices and presences in the music community. </span></p> <p><span>These are all networks that are being worked on under the umbrella of the DEI team's "Diversity Reimagined by Engaging All Music Makers" (DREAM) initiative, which also houses </span><a href="https://grammy.com/news/gold-music-alliance-2024-grammy-week-reception-recap"><span>Gold Music Alliance</span></a><span>, a network for the Pan-Asian music community, and others to be launched soon.</span></p> <p><span>"True diversity, equity and inclusion are not just ideals but actions — continuous efforts to ensure every voice is heard, every individual is valued, and every opportunity is accessible," Ricky Lyon, Director of DEI at the Academy, told GRAMMY.com. "The Recording Academy aims to ensure we are representative of the music industry and our efforts will continue to grow with more opportunities for the underserved." </span></p> <h2 id="making-music-heard-in-the-halls-of-power"><strong><span>Making Music Heard In The Halls Of Power</span></strong></h2> <p><span>The Academy also used the platform of the GRAMMYs to reach out to lawmakers to ensure the music community has a voice in the nation's capital. The </span><a href="https://www.recordingacademy.com/advocacy"><span>Recording Academy's Advocacy arm</span></a><span> hosted over a dozen lawmakers from across the country to experience GRAMMY Week in order to educate them about the music community's importance to our country and how the GRAMMYs can act as a force for positive change. </span></p> <p><span>Academy members such as singer/songwriter</span> <a href="https://grammy.com/artists/maggie-rose/58116"><span>Maggie Rose</span></a> <span>and two-time GRAMMY-winning producer</span> <a href="https://grammy.com/artists/giles-martin/9336"><span>Giles Martin</span></a> <span>met with members of Congress at briefing sessions held at the GRAMMY Museum, where they discussed issues such as the</span> <a href="https://www.recordingacademy.com/about/artificial-intelligence"><span>ethical use of artificial intelligence (AI) in music</span></a> <span>and the</span> <a href="https://www.recordingacademy.com/advocacy/issues-policy/hits-act"><span>HITS Act</span></a><span>. Lawmakers were also briefed on the work MusiCares and the Academy have been doing to support fire relief in Los Angeles. And on GRAMMY Sunday, they were given a behind-the-scenes look at the final preparations for the GRAMMYs telecast.</span></p> </div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed&utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; 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overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed&utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank">A post shared by GRAMMY U (@grammyu)</a></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script></div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><h2 id="supporting-the-next-generation-of-industry-players"><span>Supporting The Next Generation Of Industry Players</span></h2> <p><span>The past year saw the emergence of a trio of major female pop stars at the highest levels of the music industry — </span><a href="https://grammy.com/artists/sabrina-carpenter/57838"><span>Sabrina Carpenter</span></a><span>, </span><a href="https://grammy.com/artists/chappell-roan/56864"><span>Chappell Roan</span></a><span> and </span><a href="https://grammy.com/artists/charli-xcx/18360"><span>Charli xcx</span></a><span> — and all three performed and received awards at the 2025 GRAMMYs. It should be emphasized that none of the three are overnight successes; each of them spent years developing their craft and honing their talents. Roan even emphasized her struggles after being dropped from her former record label in her </span><a href="https://www.grammy.com/news/chappell-roan-wins-best-new-artist-2025-grammys"><span>acceptance speech</span></a><span>, saying "It was so devastating to feel so committed to my art and feel so betrayed by the system." </span></p> <p><span>Proud Tampa native </span><a href="https://grammy.com/artists/doechii/57882"><span>Doechii</span></a><span> also became part of rap history on the telecast, with her </span><a href="https://www.grammy.com/videos/doechii-wins-best-rap-album-2025-grammys"><span>Best Rap Album</span></a><span> win marking the third time in GRAMMY history that a female artist has won in the Category. Her inspirational speech — as well as her </span><a href="https://www.grammy.com/news/best-new-artist-performance-medley-2025-grammys"><span>dynamic performance</span></a><span> that was praised as one of the night's best — was a testament to the remarkable crop of fresh talent that was honored with this year's nominations.</span></p> <p><span>Of course, awards are only a part of the Academy's efforts to shape the music industry's next generation. During GRAMMY Week, </span><a href="https://www.recordingacademy.com/membership/grammy-u"><span>GRAMMY U</span></a><span>, the Academy's program for emerging music industry professionals and creatives pursuing careers in music, helped 14 GRAMMY U Representatives and over 150 GRAMMY U Members be part of the events both as attendees and support behind the scenes. </span></p> <p><span>Several new experiences were offered for GRAMMY U this year: 2 Representatives worked as press on the Persons of the Year Gala red carpet; 55 Members attended the Clive Davis' & Recording Academy's Pre-GRAMMY Fundraising Event (sponsored by Mastercard); 2 Members worked the </span><a href="https://www.grammy.com/news/2025-grammys-premiere-ceremony-performers-host-presenters"><span>Premiere Ceremony</span></a><span> as front of house support; all 14 Representatives worked as talent escorts on the GRAMMYs red carpet; and 98 Members had the opportunity to attend the telecast. </span></p> <p><span>These initiatives gave unprecedented access and opportunity to young and aspiring music professionals like never before. From artists on stage to the crew behind the curtains, the Recording Academy continues to ensure that the industry's next generation is well-prepared to inspire and excel — helping the organization do the same from the GRAMMYs stage and beyond. </span></p> </div><section class="w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px]"><h3 class="pl-0 pt-5 mb-5 font-galaxy-polaris text-[#666] text-xl ">2025 GRAMMYs: Performances, Acceptance Speeches & Highlights</h3><style> .curated-content-container { height: 100%; position: relative; } .curated-carousel-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .curated-content-container:hover .curated-carousel-buttons { opacity: 1; height: auto; } .curated-content-carousel { padding-left: 1.25rem; width: 100%; overflow: visible !important; } .curated-content-carousel .embla__container { display: flex; gap: 10px; } .curated-content-carousel .embla__slide { position: relative; flex: 0 0 190px; } .curated-content-carousel .embla__slide .video-desc { padding-top: 1.5rem; transform-origin: center; transition: 0.2s; } .curated-content-carousel .embla__slide .watch-now { display: none; } .curated-embla-button .embla__button { outline: 0; cursor: pointer; touch-action: manipulation; position: absolute; top: 0; height: 100%; width: 50px; background-color: #fff; opacity: 0.7; border-radius: 0; } .curated-embla-button .embla__button:disabled { cursor: default; opacity: 0.3; } .curated-content-carousel.news-carousel { padding-left: 0 !important; } .curated-content-carousel.news-carousel .embla__slide { flex: 0 0 190px; font-size: 14px; } .curated-content-carousel.news-carousel .embla__slide:hover .video-desc { font-size: 12px; padding: 10px; } .curated-content-carousel.news-carousel .embla__slide:hover .watch-now { display: flex; } @media (min-width: 940px) { .curated-content-carousel { height: auto; padding-left: 5rem; } .curated-content-carousel .embla__slide { position: relative; flex: 0 0 340px; } .curated-content-carousel .embla__slide:hover .video-desc { padding: 20px; } .curated-content-carousel .embla__slide:hover .watch-now { display: flex; } } </style><div class="curated-content-container"><div class="curated-content-carousel relative news-carousel max-w-[398px]"><div class="embla__container"><a data-title="2025 GRAMMYs: See The Full Winners & Nominees List" href="/news/2025-grammys-nominations-full-winners-nominees-list" class="embla__slide bg-[#fff] w-[190px] md-xl:w-[340px] md-xl:origin-bottom ga-carousel-links" target="_self" rel="noreferrer"><div class="relative"><img class="w-full h-[106px] md-xl:h-[193px] object-cover" src="https://naras.a.bigcontent.io/v1/static/banner.default" alt="2025 GRAMMYs: See The Full Winners & Nominees List"/></div><div class="pt-2 flex flex-col"><p class="text-black line-clamp-2 ga-link-title">2025 GRAMMYs: See The Full Winners & Nominees List</p></div></a><a data-title="Watch Performances & Highlights From The 2025 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md-xl:text-18 mb-1">Hip-hop legend Pete Rock and 2025 GRAMMY nominee Keyon Harrold at the New York Chapter nominee celebration.</div><div class="text-14 md-xl:text-18 font-semibold uppercase contents"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><strong><span>Photo courtesy of the New York Chapter</span></strong></p> </div></div></div></div><div class="w-full flex relative px-11 md-xl:px-0"><div class="pr-8 pl-20 pt-8 flex-col items-center md-xl:flex hidden relative"><div class="sticky top-108px"><div class="mb-6"><a class="simple-share-link-facebook mx-auto" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mb-6"><a class="simple-share-link-twitter mx-auto" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div class="mb-6"><a class="simple-share-link-email mx-auto" href="mailto:?body=">E-mail</a></div></div></div><div class="w-full"><div class="mb-2 w-full"><p class="uppercase text-11 text-custom-blue font-semibold mb-2">news</p><h1 class="text-2xl md-xl:text-4xl text-black text-left font-semibold leading-normal">At Their 2025 GRAMMY Nominee Celebrations, Academy Chapters Focus On Giving Back</h1></div><div class="md-xl:hidden flex mt-6 mb-6"><div class="mr-8"><a class="simple-share-link-facebook" href="https://www.facebook.com/sharer/sharer.php?u=">Facebook</a></div><div class="mr-8"><a class="simple-share-link-twitter" href="https://twitter.com/intent/tweet?url=">Twitter</a></div><div><a class="simple-share-link-email" href="mailto:?body=">Email</a></div></div><div class="mb-2 md-xl:mt-6 md-xl:mb-6 w-full"><p class="text-lg text-title-gray ">Uniting those up for GRAMMY honors with Chapter board members, past winners and up-and-coming artists, New York, Nashville, and San Francisco Chapter events held before the 2025 GRAMMYs honored hard work and fundraised for wildfire victims.</p></div><div class="flex flex-col md-xl:flex-row md-xl:my-3 my-5 text-11 md-xl:items-center text-title-gray font-semibold"><div><a href="/bio/zack-ruskin" class="text-custom-blue uppercase">Zack Ruskin</a></div><div class="flex items-center"><span class="mx-2 text-black hidden md-xl:block">|</span><span class="uppercase">GRAMMYs</span><span class="mx-2">/</span><span class="uppercase">Feb 7, 2025 - 05:55 pm</span></div></div><div class="w-full"><div class="overflow-hidden relative read-more-content pb-10 h-500px read-more-section"><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p><em>Watch highlights from the <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs</a> on <a href="https://live.grammy.com/">live.GRAMMY.com</a>.</em></p> <p><em>The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. <a href="https://musicares.org/firerelief">Donate now</a>.</em></p> <p><span>Ahead of the</span> <a href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list"><span>2025 GRAMMYs</span></a><span>, a trio of special evenings were convened to honor the year's nominees and celebrate the achievements of the Recording Academy's wider musical community.</span></p> <p><span>Held in</span> <a href="https://www.recordingacademy.com/membership/chapters/san-francisco"><span>San Francisco</span></a><span>,</span> <a href="https://www.recordingacademy.com/membership/chapters/new-york"><span>New York City</span></a> <span>and</span> <a href="https://www.recordingacademy.com/membership/chapters/nashville"><span>Nashville</span></a> <span>by those Chapters of the Recording Academy, each event provided local music industry peers a unique chance to unite for dual common causes: supporting those impacted by a confluence of wildfires in Los Angeles and celebrating an exceptional class of nominees.</span></p> <p><span>The San Francisco Chapter kicked off the series of celebrations on Jan. 16 at the Claremont Hotel in Berkeley. The evening began with a performance by Bay Area singer/songwriter </span><a href="https://www.grammy.com/news/la-dona-cant-eat-clout-new-ep-interview-videos"><span>La Doña</span></a><span>, who dedicated one of her songs to the migrants who "created the Bay Area I know and love," and continued with music by DJ D-Sharp, Official DJ of the Golden State Warriors. In subsequent opening remarks, Chapter President Kev Choice acknowledged the challenge of having a party in the wake of the devastation now facing the greater Los Angeles community.</span></p> <p><span>"It may feel difficult to celebrate with what’s happening in L.A.," Choice said, "especially because up here in NorCal, we are all too familiar with that reality."</span></p> <p><span>But as SF Chapter Executive Director Christen McFarland noted in her comments to the crowd, the best way to help is simply to give.</span></p> <p><span>Noting that GRAMMY-affiliated fundraising organization MusiCares had already dispersed $2 million worth of funds to those in need — by the conclusion of Sunday’s telecast, MusiCares and the Academy had</span> <a href="https://www.instagram.com/p/DFqgePQT0qK/"><span>raised over $24 million</span></a> <span>for charitable activities — McFarland spoke of</span> <span>the GRAMMY Awards' renewed sense of purpose: Recognizing the bravery and dedication of the first responders and raising funds to support the recovery of the Southern California music industry.</span></p> <p><span>Among the nominees in attendance in San Francisco were</span> <a href="https://www.grammy.com/artists/nicolas-de-porcel/57875"><span>Nicolas de Porce</span></a><span>l (mastering engineer for</span> <a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys"><span>Record Of The Year winner "Not Like Us"</span></a><span>),</span> <a href="https://nicholas-phan.com/press-1/tag/Grammys"><span>Nicholas Phan</span></a> <span>(nominated for both Best Classical Solo Vocal Album and the winning Best Opera Recording entry),and</span> <a href="https://grammy.com/artists/michael-romanowski/18084"><span>Michael Romanowski</span></a> <span>(with this 10th nomination, this year for Best Immersive Audio Album. Acclaimed local acts such as</span> <a href="https://grammy.com/artists/green-day/7433"><span>Green Day</span></a><span>, 2025 Lifetime Achievement Award recipient</span> <a href="https://docs.google.com/document/u/1/d/1aQoJmxfYvAmbwC0rv9Ct9-eH0et4O1AdfsQmbRbsQfs/edit"><span>Taj Mahal</span></a><span>, and</span> <a href="https://grammy.com/videos/2025-musicares-persons-of-the-year-carpet-grateful-dead"><span>MusiCares Persons Of The Year the Grateful Dead</span></a> <span>were acknowledged in absentia.</span></p> </div><div class="w-full h-full flex justify-center py-4"><img src="https://i8.amplience.net/i/naras/La Dona_SFChapter_Performance?fmt=auto&w=821&sm=c" alt="La Dona performs"/></div><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><p style="text-align: right"><span>Performing artist La Doña┃Courtesy of the San Francisco Chapter</span></p> <p><span>Several days later in Nashville, Chapter members similarly encouraged support for musicians reeling from the wildfire fallout. "Our family right now in California — both in the music community and the community at large — have unfortunately been through so much," Nashville Chapter Executive Director Alicia Warwick said in her opening remarks.</span></p> <p><span>Warwick encouraged the crowd to "be intentional" with their efforts to support Southern California's music community. "Let us use the power of music to help rebuild, uplift and support those in need," she continued. </span></p> <p><span>QR codes found on tables around the room reduced the challenge of making donations to </span><a href="https://www.grammy.com/news/2025-grammys-wildfire-relief-expansion"><span>MusiCares’ Los Angeles Fire Relief Effort</span></a><span> to three-chord simplicity, while Warwick also made sure to encourage any professionals affected to apply for said relief. </span></p> <p><span>Music City had a significant presence among 2025 GRAMMYs nominees. Nashville Chapter President Armand Hutton emphasized that over 110 Chapter professionals were nominated across 45 Categories, including nominees for Album Of The Year, Record Of The Year, Best New Artist, Producer Of The Year, Non-Classical, and two nominees in Songwriter Of The Year, Non-Classical. </span></p> <p><span>The New York City Chapter closed out the series of festivities on Jan. 27. Presented in collaboration with platinum partner Tavern on the Green and 2025 partners — including the New York City Mayor’s Office of Media & Entertainment, Amazon Music, Concord, Sound Royalties, and the Orchard — the festivities included remarks from NY Chapter President Lee Dannay, who shared with GRAMMY.com that coast-to-coast efforts are required to properly support those in the industry affected by the Los Angeles wildfires. </span></p> <p><span>"[We are] harnessing the power of music to help rebuild, uplift, and support our L.A. family and community," Dannay said. "At our nominee celebration, we reinforced the importance of service and support to our music family, and we will continue to donate, volunteer and spread the word about the Los Angeles Fire Relief Effort to support those impacted by the crisis throughout the long road to recovery ahead." </span></p> <p><span>The full house present for the evening included </span><a href="https://grammy.com/artists/charlie-rosen/42496"><span>Charlie Rosen</span></a><span>, a nominee in the Best Arrangement, Instruments and Vocals Category. "This is my fourth time being recognized by the GRAMMY Awards, which is, of course, an insanely huge honor," Rosen told GRAMMY.com. </span></p> <p><span>"But the GRAMMYS isn’t some floating entity made of pure magic that lives in the sky — it’s an organization of like-minded artists. It’s a community! I would be nowhere without the community of incredible artists the Recording Academy has assembled through the years to support what we do," he continued. "Having a strong community of both collaborators and listeners is the backbone of our industry, and without that support system I wouldn’t be where I am today. Full stop." </span></p> <p><span>Rosen’s full-throated support of the Recording Academy is reflected in the generosity of those who have gathered quickly and eagerly to support their ailing Los Angeles comrades. Just as Sunday’s Ceremony managed to meld the severity of that situation with a celebration worthy of a gloriously historic evening on numerous fronts, these nominee dinners continue to confirm that the members of the Recording Academy are committed to never leaving their own behind.</span></p> </div><section class="w-full overflow-hidden md-xl:min-h-[400px] py-[40px] md-xl:py-[60px]"><h3 class="pl-0 pt-5 mb-5 font-galaxy-polaris text-[#666] text-xl ">2025 GRAMMYs: Performances, Acceptance Speeches & Highlights</h3><style> .curated-content-container { height: 100%; position: relative; } .curated-carousel-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .curated-content-container:hover .curated-carousel-buttons { opacity: 1; height: auto; } .curated-content-carousel { padding-left: 1.25rem; width: 100%; overflow: visible !important; } .curated-content-carousel .embla__container { display: flex; gap: 10px; } .curated-content-carousel .embla__slide { position: 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[Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"2025 GRAMMYs Full Nomination List","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ec9eba9c-c548-4113-89c9-981abf385da7","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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Having already collected the GRAMMY for Best Country Album — \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003ethe first Black woman to do so\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003e — earlier in the evening, she gave a concise, yet gracious acceptance speech.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"eb5d20c3-70a9-4e35-88db-998317a225da"},"assetId":"4daba1a8-bb73-4dba-ac24-ce119c95907c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"4f75f658-923d-499a-8320-564fb04afc14"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I’d like to thank and acknowledge and praise all the firefighters keeping us safe,\" she began, mentioning the Los Angeles County Fire Department members that presented the award.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I just feel very full and very honored,\" she continued. \"It’s been many years, and I just want to thank the GRAMMYs, every songwriter, every collaborator, every producer, all the hard work.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e2025 GRAMMYs: See The Full Winners \u0026amp; Nominees List (UPDATING LIVE)\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé then dedicated the award to Linda Martell, a country music singer who became the first Black woman to play at the Grand Ole Opry in Nashville. Martell’s story was a theme of \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, which attempted to restore a Black presence in a genre historically dominated by white artists.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I want to dedicate this to Mrs. Martell, and I hope we just keep pushing forward, opening doors. God bless y’all.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé has been nominated for Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year six \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003etimes, but\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e had yet to win until now. Her pursuit of the award was even commented on by host \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTrevor Noah\u003c/span\u003e](https://grammy.com/artists/trevor-noah/251934)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"She had 99 nominations, and now Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year is one,\" he joked, referencing her husband Shawn \"\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\" Carter’s song \"99 Problems\" as well as her 99 career GRAMMY nominations.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé was nominated in the Category alongside \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eAndré 3000\u003c/span\u003e](https://grammy.com/artists/andre-3000-benjamin/73)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e. In addition to her win for Best Country Album, she also received the Best Country Duo/Group Performance for \"II MOST WANTED,\" her collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, at the Premiere Ceremony earlier in the day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé had also announced a concert tour behind \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003ethe day before the GRAMMYs ceremony; the announcement was postponed from January due to the Los Angeles wildfires.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Album Of The Year For '[TK]'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Album of the year","Beyoncé","Cowboy Carter","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738561199923,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"Beyoncé Wins Her First Album Of The Year GRAMMY","subHeadline":"Beyoncé finally took home the coveted GRAMMY for 'COWBOY CARTER' after six nominations in the Category.","articleSummary":"Beyoncé takes home the GRAMMY for Album Of The Year at the 2025 GRAMMYs, winning over fellow nominees André 3000, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce_album_of_the_year_2025_grammys_acceptance_speech_KW1_3645_2aLIT2tw","id":"58f6a26f-1465-47fc-81c5-005e89bd26bd","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","imgAlt":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","imgTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","link":"/","captionValue":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","captionSummary":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","poi":{"isImage":true,"alpha":false,"width":4072,"height":2715,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43442443847656,"y":0.10383552379822}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year Win","deliveryKey":"news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys","deliveryId":"45283c99-3e68-4e29-bf8a-9171b085e210"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Song Of The Year - 2025 GRAMMYs","deliveryId":"7713dd78-7a63-4662-abed-2b562ec08176"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eImmediately after winning Record Of The Year,\u003c/span\u003e [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003eand his collaborators reemerged from backstage at the 2025 GRAMMYs to collect the trophy for Song Of The Year.\u003c/span\u003e\n\n\u003cspan\u003eLamar was speechless and \"starstruck\" after taking the golden gramophone from presenter \u003c/span\u003e[\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e, herself a 13-time GRAMMY nominee. His speech shouted out pioneering west coast rap artists like G Malone, Problem, and Maestro as well as his former labelmates Schoolboy Q, Ab-Soul, and Jay Rock. \u003c/span\u003e\n\n\u003cspan\u003e\"This is what it’s about man, because at the end of the day, nothing is more powerful than rap music,\" he said. \"We are the culture, it’s gonna always stay here and live forever.\" \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Song Of The Year acceptance speech 2025 GRAMMYs","deliveryId":"3b36c40f-6900-473c-bb38-95df58227252"},"assetId":"015cd164-d17c-4159-82a6-5ffd50e4f877","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year body 2","deliveryId":"4fbbf385-e30b-4d82-9770-890ce822071a"},"bodyText":{"richText":"\u003cspan\u003eHe also encouraged younger rappers to stay true to the culture of hip-hop. \"I just hope you respect the artform, that’s all. Respect the artform, it’ll get you where you need to go.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan\u003eCompleting a sweep of his categories, the song had also won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. It was the song’s producer \u003c/span\u003e[\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar)\u003cspan\u003e that summed up the situation best: \u003c/span\u003e\n\n\u003cspan\u003e\"Somebody get the broom out!\" \u003c/span\u003e\n\n\u003cspan\u003eLamar was nominated for Song Of The Year alongside\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611) \u003cspan\u003e\u0026amp;\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) \u003cspan\u003efor the award. He dedicated his win for Record Of The Year to the city of Los Angeles.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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[Donate now](https://grammy.com/firerelief).*\n\nAfter winning Best New Artist at the 2025 GRAMMYs, \u003cspan\u003eChappell Roan\u003c/span\u003e used her platform to advocate for a livable wage for musicians.\n\nTaking the golden gramophone after her \u003cspan\u003eperformance of \"Pink Pony Club,\"\u003c/span\u003e the first-time GRAMMY winner used her speech to ask record companies to pay their artists fairly, a cause that got a huge applause from the crowd at Crypto.com Arena.\n\n\"I told myself, if I ever won a GRAMMY, and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off artists would offer a living wage and healthcare, especially to developing artists,\" she said.\n\nThe six-time nominee got even more personal, describing her own struggles after being dropped from her label."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"6d2f6396-60e3-4c2b-8840-3aa93a9622bf"},"assetId":"96f93e93-8edb-4a9d-a30e-358ffef1f019","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"37e2891a-601e-4ea5-bead-cded046921ca"},"bodyText":{"richText":"\"I was signed as a minor, \\[and\\] when I got dropped I had zero job experience under my belt. And like most people I had a difficult time finding a job during the pandemic and could not afford health insurance,\" she said. \"It was so devastating to feel so committed to my art and feel so betrayed by the system. I was so dehumanized not to have health insurance.\"\n\nShe ended her speech by asking, \"Labels, we got you, but do you got us?\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\nRoan was nominated alongside \u003cspan\u003eBenson Boone\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eDoechii\u003c/span\u003e, \u003cspan\u003eKhruangbin\u003c/span\u003e, \u003cspan\u003eRaye\u003c/span\u003e, \u003cspan\u003eShaboozey\u003c/span\u003e, and \u003cspan\u003eTeddy Swims\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eVictoria Monét\u003c/span\u003e.\n\nThe artist, who named herself after her Papa Chappell, was nominated for five additional awards, including Album Of The Year for *Chappel Roan The Rise and Fall of a Midwest Princess* and Song Of The Year and Record Of The Year for \"Good Luck, Babe!\" Her producer \u003cspan\u003eDan Nigro won Producer Of The Year (Non-Classical)\u003c/span\u003e at the Premiere Ceremony earlier in the day."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"4254ed74-5b2b-4cc6-9a68-7bc1cb8313bf"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nLike her GRAMMY-nominated album, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e may be *Short n’ Sweet*, but the pint-sized – and newly GRAMMY-winning – pop star went big for her GRAMMYs debut. In one of the first performances at the 2025 GRAMMYs, Carpenter delivered a glamorous live performance of her smash hits \"Espresso\" and \"Please Please Please.\"\n\nCarpenter began with a comedic jazzy rendition of \"Espresso\" before changing from a sparkling, tuxedo-inspired dress into the sugary original itself while showing off her tap skills in the process. From there, the Best New Artist nominee suavely transitioned into \"Please Please Please\" and its country twang before returning to \"Espresso\" just as quickly for her finale.\n\nThe dazzling, drenched-in-blue display was something of a victory lap for the summer-dominating \"Espresso,\" for which Carpenter won Best Pop Solo Performance earlier at the Premiere Ceremony. Shortly after her performance, *Short n’ Sweet* won the GRAMMY Award for [Best Pop Vocal Album](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/sabrina-carpenter-album-wins-best-pop-vocal-album-2025-grammys)."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad: Sabrina Carpenter - 2025 GRAMMYs","deliveryId":"ff3f8767-6044-4559-992e-d0f7a2e53c24"},"assetId":"b6a4b827-4f50-4520-ae5c-9dfd1d23ed4b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"a2cb7b40-6a15-487e-a1ca-fe577d0ac5ae"},"bodyText":{"richText":"Released in April 2024, \"Espresso\" earned Carpenter her first Top 10 single on the Billboard Hot 100, while \"Please Please Please\" topped the Billboard Hot 100. The accolades kept stacking with the August release of another single, \"Taste,\" which debuted on the Hot 100 at No. 2. \n\nAccording to *\u003cspan\u003eBillboard\u003c/span\u003e*, \"As the tracks mark Carpenter’s first three top five Hot 100 hits, she \\[became\\] only the second act — and first soloist — ever to chart her first three top five hits in the region simultaneously,\" something last achieved by \u003cspan\u003ethe Beatles\u003c/span\u003e in 1964. So while *Short n’ Sweet* may have been Carpenter’s sixth album and a decade into her musical career, its success established her as a pop force. \"This album doing what it’s done is so fulfilling to me because I’m just being myself with bigger hair.\"\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[How Sabrina Carpenter Became A GRAMMY-Winning Pop Queen: Tracing Her Journey To 'Short N' Sweet'](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\n\nThe singer’s rapid ascent happened just as much off-stage, too, having started the year guesting on multiple dates of Swift's epic [\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-eras-tour-records-movie-disney-plus-stream). In April, she made her Coachella debut, and following the album’s release, she embarked on her first arena tour and produced and starred in a Netflix holiday special, *A Nonsense Christmas with Sabrina Carpenter*. Next month, the tour heads overseas to Europe."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"97ea21bc-70e3-408f-a191-9af6ada372e8","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["Sabrina Carpenter","2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738547645755,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Sabrina Carpenter Celebrates Her 2025 GRAMMYs Wins With A Performance of \"Espresso\" \u0026 \"Please Please Please\"","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","subHeadline":"From comedic and quirky to country-inflected pop, the newly GRAMMY-winning artist dazzled with a medley of her hit 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Shortly after her performance, Sabrina Carpenter won Best Pop Vocal Album for 'Short N' Sweet.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"97ea21bc-70e3-408f-a191-9af6ada372e8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"sabrina-carpenter-2025-grammys-performance","id":"40db6722-cfb2-490e-b682-5829f1065fbf","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo:Kevin Winter/Getty Images for The Recording Academy"},"tags":["Sabrina Carpenter","2025 GRAMMYs"],"title":"Sabrina Carpenter Performs At The 2025 GRAMMYs","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgAlt":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","link":"/","captionValue":"Sabrina Carpenter performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3816,"height":2656,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","deliveryKey":"news/the-weeknd-2025-grammys-performance","deliveryId":"b16f5422-83c5-467c-90d0-c62625dbfc80"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - The Weeknd performs at 2025 GRAMMYs","deliveryId":"48d0dce2-1f52-462f-b065-351a4083e36c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nAt the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), global superstar [The Weeknd](https://www.grammy.com/artists/The-Weeknd/24884) made his highly anticipated return to the GRAMMY stage after a three-year boycott, marking a turning point for the Recording Academy.\n\nHis performance, a rousing medley of \"Cry For Me\" and \"Timeless,\" came after his widely public decision to step away from submitting any of his music in 2021 stemming from concerns over a lack of transparency and fairness in the awards process. Now, following the Academy's sweeping reforms and a massive overhaul of its voting body, and initiatives to promote inclusivity, The Weeknd's return signals a new era of accountability and integrity for the GRAMMYs."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"The Weeknd Playboy Caarti 2025 GRAMMYs Performance","deliveryId":"5dd5d20f-4c10-4f41-90e2-7ef11094f8b2"},"assetId":"1c249a70-f716-4ad0-9017-4df69b615503","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - The Weeknd Makes Triumphant Return To GRAMMYs Stage","deliveryId":"d3a7d49c-3bc1-4f0a-953e-f7bcc91cfb49"},"bodyText":{"richText":"Moments before the surprise performance, Recording Academy [CEO Harvey Mason jr.](https://grammy.com/artists/harvey-mason-jr/4668) touched on the organization's changes that have helped lead to the monumental moment.\n\n\"Criticism is ok. I heard him, and I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now, and for future generations,\" Mason jr. said. \"So over the past few years, we've listened. We've acted. And, we've changed. We've launched initiatives like the Black Music Collective, Women in the Mix, Academy Proud, and others. We have completely re-made our membership, adding more than 3,000 women voting members. The GRAMMY electorate is now younger, nearly 40 percent people of color, and 66 percent of our members are new since we started our transformation. This year, the 13,000 voting members of the Academy nominated their peers and voted for the winners that you're seeing on this stage tonight. It's a system rooted in fairness, integrity, and the principle that every voice in our community matters. Now, charting a new course is never easy, there is still work to be done… but I firmly believe we’re on the right path.\n\n\"As we've seen tonight, music is a powerful force for good in the world,\" he continued. \"It heals us... it unites us. And we need that in this city right now. With that in mind, on a truly special night, what better way to bring us together, than this next artist. Someone who has seen the work this Academy has put in. I am so honored to leave you with a sentence, that I wasn't sure, would ever be said on the GRAMMY stage again: My friends, my fellow music makers, please join me in welcoming *back*, none other than, four-time GRAMMY-winning artist, and global superstar, The Weeknd.\"\n\nPerched among a slew of dancers with strobe lights blaring, The Weeknd delivered dynamic renditions of \"Cry For Me\" and \"Timeless,\" the latter featuring collaborator Playboi Carti. Both of the songs are singles from The Weeknd's new album, *Hurry Up Tomorrow*, which was just released on Jan. 31."}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"8af0c7d6-08a8-42f4-9f76-987a5565eb06","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["2025 GRAMMYs","the Weeknd"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738552010890,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","shortTitle":"2025 GRAMMYs: The Weeknd's Triumphant Return","subHeadline":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","articleSummary":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: The Weeknd Performs On The GRAMMY Stage","deliveryId":"8af0c7d6-08a8-42f4-9f76-987a5565eb06"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"The-Weeknd-2025-GRAMMYs-GettyImages-2197328083","id":"488d4204-87bf-4f56-b465-424b5a4a478f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Amy Sussman/Getty Images"},"tags":["2025 GRAMMYs","The Weeknd"],"title":"The Weeknd Performs At The 2025 GRAMMYs","shortTitle":"The Weeknd Performs At The 2025 GRAMMYs","imgAlt":"The Weeknd Performs At The 2025 GRAMMYs","imgTitle":"The Weeknd Performs At The 2025 GRAMMYs","link":"/","captionValue":"The Weeknd performs at The 2025 GRAMMYs.","captionSummary":"The Weeknd performs at The 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.55117881774902,"y":0.30696554576859}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Lady Gaga \u0026 Bruno Mars Perform \"California Dreamin'\"","deliveryKey":"news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys","deliveryId":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b038568e-2104-4c4f-b68d-3ce07bdd99d1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Lady Gaga And Bruno Mars Perform body 1","deliveryId":"99d7d62a-070b-4d37-a5e9-36d9ed9a4d25"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eLady Gaga\u003c/span\u003e and \u003cspan\u003eBruno Mars\u003c/span\u003e brought another solemn and beautiful moment to the 2025 GRAMMYs with their own tribute to Los Angeles.\n\nFollowing a video revealing the widespread devastation of the L.A. wildfires, the pair appeared onstage to perform \"California Dreamin’\" (originally recorded by \u003cspan\u003eBarry McGuire\u003c/span\u003e but made famous by\u003cspan\u003e the Mamas \u0026amp; The Papas\u003c/span\u003e). With Gaga draped in a sheer, flower-embroidered maxi dress and Mars in a tan suit and straw hat, they embodied the laidback and melancholy dreaminess of the 1965 classic.\n\nGaga and Mars are both twice nominated this year for their duet \"Die With A Smile,\" for Best Pop Duo/Group Performance and \u003cspan\u003eSong Of The Year, winning in the former category\u003c/span\u003e. Over the years, they have amassed 28 golden gramophones between them, including three for Best Pop Duo/Group Performance — Gaga for \"Shallow\" with \u003cspan\u003eBradley Cooper\u003c/span\u003e in 2019 and \"Rain On Me\" with \u003cspan\u003eAriana Grande\u003c/span\u003e in 2021, and Mars for \"Uptown Funk\" with \u003cspan\u003eMark Ronson\u003c/span\u003e in 2016 — and one for Song Of The Year, Mars for \"That's What I Like\" in 2018.\n\nGaga and Mars wrote and produced \"Die With A Smile\" with regular Mars collaborators \u003cspan\u003eDernst \"D'Mile\" Emile II\u003c/span\u003e and \u003cspan\u003eAndrew Wyatt\u003c/span\u003e. \"I remember feeling that it was a song people needed to hear,\" Gaga told the *\u003cspan\u003eL.A. Times\u003c/span\u003e*. \"I write music all the time, and sometimes you feel like you're creating something that some people might like. But there are other times when you work on something, and you just know it's going to speak deeply to all kinds of people. I knew it immediately.\"\n\nShe was spot on. In addition to the song dominating Billboard's Global 200 upon its August release, \"Die With A Smile\" is currently atop the Billboard Hot 100 for its fourth total and consecutive week.\n\nFor both stars, the song is merely a starting point of momentum for 2025. Gaga, who shared \"Disease\" in October and a new single [\"Abracadabra\"](https://www.youtube.com/watch?v=vBynw9Isr28\u0026feature=youtu.be) just minutes after her duet, will be releasing her latest album, *Mayhem,* on March 7. In April, she'll headline Coachella. Meanwhile, Mars has been continuing his collaborative streak. His team-up with \u003cspan\u003eBLACKPINK\u003c/span\u003e member \u003cspan\u003eROSÉ\u003c/span\u003e, \"APT.,\" just surpassed 1 billion views on YouTube, and last month, he kicked off the new year with the Sexxy Red collab \"Fat Juicy \u0026amp; Wet.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nArguably one of the biggest hits of 2024, \"Pink Pony Club\" and \u003cspan\u003eChappell Roan\u003c/span\u003e have rightfully earned massive praise and accolades — ones the size of the massive pony that stood on stage during her performance at the \u003cspan\u003e2025 GRAMMYs\u003c/span\u003e.\n\nThanks to the astonishing success of her debut album, *\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003eRoan is being celebrated at this year’s ceremony in some of the night’s most-coveted Categories, including Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist. Shortly after her performance, Roan won the golden gramophone for Best New Artist.\n\n\u003cspan\u003eThough it took a little while for \u003c/span\u003e*\u003cspan\u003eThe Rise\u003c/span\u003e*\u003cspan\u003e to get into the cultural zeitgeist, Roan's GRAMMYs debut showcased just how essential she has already become to the pop world. \u003c/span\u003eThe crowd in the Crypto.com Arena — including artists such as \u003cspan\u003eAlicia Keys\u003c/span\u003e and \u003cspan\u003eJanelle Monáe\u003c/span\u003e —\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003erose to their feet, much like the\u003cspan\u003e massive festival crowds\u003c/span\u003e Roan has performed for recently. Their dancing was only topped by the immaculately choreographed crowd of rodeo clowns miming in unison, matching the artistry of the moment."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Chappell Roan 2025 GRAMMYs Performance","deliveryId":"e27532f1-8620-4be5-bbc7-617cf42bf12e"},"assetId":"646d6e07-583e-4a05-b0b5-e9e6c75c4459","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Chappell Roan 2025 GRAMMYs performance","deliveryId":"ac9ae659-c5ce-4c86-9e96-1881eb6dd5ae"},"bodyText":{"richText":"Prior to taking the stage, Roan welcomed the audience into her story, for those very few not aware of her meteoric rise. Her story of growing up queer in Missouri and longing for a larger world, not to mention finding a home in Los Angeles, rang especially powerfully this evening.\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eChappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop \"Femininomenon\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\n\nWearing a black and gold rhinestone-adorned corset with black leather gloves, and a black bedazzled cowboy hat, Roan kept things hot, her copper hair flowing across the stage, elegantly soaring into the song as if she were inviting audiences to an exciting new world we’ve never seen before. Holding her hand, the audience sang along: \"I know you wanted me to stay/ But I can’t ignore the crazy visions of me in L.A.\"\n\nDuring her introduction, good friend \u003cspan\u003eOlivia Rodrigo\u003c/span\u003e noted that Roan has come a long way from working in a nearby donut shop in L.A.'s Highland Park. And with this powerful, sincere performance, Roan is sure to reach even more dazzling heights in the future."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"991cae20-378a-427a-ac2a-e498ab297fcd"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://www.grammy.com/artists/charli-xcx/18360) \u003cspan\u003eturned Crypto.com Arena into a rave at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a wild live performance of \"Von dutch\" and \"Guess\" from her GRAMMY-winning album\u003c/span\u003e *[\u003cspan\u003ebrat\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eMaking her entrance from the parking area in a fur coat and lingerie, Charli debuted onstage at Music's Biggest Night with her it-girls in tow. The space transformed into a makeshift rave while she sang \"Von dutch,\" which \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for\u003c/span\u003e Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys)\u003cspan\u003e earlier in the night — giving new meaning to her lyrical declaration: \"It's so obvious, I'm your number one.\" \u003c/span\u003e\n\n\u003cspan\u003eThe British star then took the afterparty onstage, performing the suggestive \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e collab \"Guess\" among a sea of writhing limbs, booming bass, and flying undergarments.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Body 1: Charli xcx 2025 GRAMMYs Performance: \"Von dutch\" \u0026 \"Guess\"","deliveryId":"176df206-bf2f-4881-84b5-12faed65c87b"},"assetId":"7f9a2135-55df-4708-be56-b596083c5a4c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","deliveryId":"48d4e31e-727f-4721-9d79-21143a96a6e6"},"bodyText":{"richText":"\u003cspan\u003eCharlie walked into the 67th Annual GRAMMY Awards as one of the night's most-nominated artists, earning eight nominations in total. She ended the night with three wins, including \u003c/span\u003e[Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys) (“Von dutch”), [Best Dance/Electronic Album](https://www.grammy.com/music-genre/dance-electronic-music) (*BRAT*)and [Best Recording Package](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/charli-xcx-brat-best-recording-package-backstage-interview-2025-grammys) (*BRAT*).\n\n\u003cspan\u003eCharli's performance served as a triumphant return to the GRAMMYs, as she was last nominated in 2015 for her hit \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e collaboration, \"Fancy.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eCharli XCX's Road To 'Brat': How Her New Album Celebrates Unabashed Confidence \u0026amp; Eccentricity\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)\n\n\u003cspan\u003eCharli's GRAMMY appearance also encapsulated how \u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e took the singer into a new stratosphere in 2024. Her celebrated Brat Summer turned into an entire Brat year, kicking off with a Boiler Room event (aptly titled PARTYGIRL) last February. Charli's big year spawned a viral TikTok dance, a collaboration-stacked remix album (\u003c/span\u003e*\u003cspan\u003ebrat and it's completely different but also still brat\u003c/span\u003e*\u003cspan\u003e), an arena tour with \u003c/span\u003e[\u003cspan\u003eTroye Sivan\u003c/span\u003e](https://grammy.com/artists/troye-sivan/54138)\u003cspan\u003e, and a double-duty host and musical guest spot on \"Saturday Night Live.\" \u003c/span\u003e\n\n\u003cspan\u003eStill, like the 24-hour party girl she is, Charli's not yet done. In April, she's due to perform at Coachella, and she will kick off her first solo U.S. arena tour. She also reportedly has a film in the works, as announced by\u003c/span\u003e *[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/film/news/charli-xcx-a24-movie-the-moment-original-idea-1236283554/)*\u003cspan\u003e, which states she's \"teaming up with A24 to produce and star in a new movie called\u003c/span\u003e *\u003cspan\u003eThe Moment\u003c/span\u003e*\u003cspan\u003e, based on her own original idea.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx performance","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Dance/Electronic","Pop"],"tags":["Charli xcx","2025 GRAMMYs","Dance Electronic Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738560199791,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs With A Performance Of \"Von Dutch\" \u0026 \"Guess\"","shortTitle":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs","subHeadline":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","articleSummary":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Charli xcx performance","deliveryId":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"charli-xcx-2025-grammys-performance","id":"49c9f240-10f4-4ada-88f7-68c493b8fc5b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy)"},"tags":["Charli xcx","2025 GRAMMYs"],"title":"Charli xcx performs at the 2025 GRAMMYs","shortTitle":"Charli xcx performs at the 2025 GRAMMYs","imgAlt":"Charli XCX performs onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"Charli xcx performs at the 2025 GRAMMYs","link":"/","captionValue":"Charli xcx performing at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3407,"height":2271,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","deliveryKey":"news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys","deliveryId":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Record Of The Year - 2025 GRAMMYs","deliveryId":"b3c885e7-5c39-48df-8d56-f5f33d5d1666"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nOn a GRAMMY night overflowing with support for an ailing Los Angeles, one of its proudest native sons has taken home the golden gramophone for Record Of The Year.\n\nA beaming [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) ascended the stage to collect his trophy for \"Not Like Us,\" the blistering diss track that topped the charts and became an unofficial anthem for L.A., and dedicated the win to the city itself.\n\n\"We gon’ dedicate this one to the city,\" he said, naming his hometown of Compton, as well as Watts, Long Beach, Inglewood, and a smattering of other neighborhoods and cities. \"I can’t give enough thanks to these places that I rolled around since high school, and most importantly the people and the families out in Palisades and Altadena. This is a true testament that we will continue to restore this city.\"\n\nLamar, whose music is heavily associated with Los Angeles and its culture, also mentioned the passing of his aunt, who died the day before the GRAMMYs ceremony.\n\n\"She probably watching from up there, make sure y’all got y’all best smiles on, make her feel good.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Wins Record Of The Year: 2025 GRAMMYs","deliveryId":"d7b5efba-1e31-47f3-ad2d-0d6c81f63099"},"assetId":"532dbfb8-d8df-4028-b7ca-561da50a3801","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles body 1","deliveryId":"a0b58a8e-dfbd-4490-a432-634d450498a4"},"bodyText":{"richText":"\"Not Like Us,\" which served as the dramatic climax of a diss battle between Lamar and [\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370) last year, had already won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. [\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar), the song’s producer, collected all three trophies and accompanied Lamar onstage at Crypto.com Arena.\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\n\n[\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\"I ain’t got nothing to say but WEST SIDE!\" he declared after Lamar had finished speaking.\n\nLamar was nominated for Record Of The Year alongside \u003cspan\u003ethe Beatles\u003c/span\u003e, \u003cspan\u003eBeyoncé\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eCharli xcx\u003c/span\u003e, \u003cspan\u003eBillie Eilish\u003c/span\u003e, \u003cspan\u003eChappell Roan\u003c/span\u003e, and \u003cspan\u003eTaylor Swift\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eMiley Cyrus\u003c/span\u003e. A 57-time GRAMMY nominee, his previous wins include Best Rap Album for *To Pimp A Butterfly* and Best Rap Song and Best Rap Performance for \"Alright.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Record Of The Year For \"[TK]\"","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"bd611e5d-0a99-44d7-bb1c-50d592b9fb6e","contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","Record Of The Year"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738557985375,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","shortTitle":"Kendrick Lamar Wins Record Of The Year","subHeadline":"\"We will continue to restore this city\" the rapper declared; the city embraced \"Not Like Us\" as an unofficial anthem last year.","articleSummary":"Kendrick Lamar won his first 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[Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393) \u003cspan\u003eshowed why\u003c/span\u003e [\u003cspan\u003eshe's Latin music royalty\u003c/span\u003e](https://www.grammy.com/news/10-essential-shakira-songs-that-prove-superstar-status) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a performance of one of her earliest hits, 1998's \"Ojos Así,\" followed by her viral Bizarrap collaboration, \"Shakira: Bzrp Music Sessions, Vol. 53\" from her GRAMMY-winning album\u003c/span\u003e *\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"cb93e03a-483f-4c6a-8691-8e9fb8ffc876"},"assetId":"0accf71c-6edf-4976-977f-19ca758cbb17","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"94edcaf8-e5ab-49be-8854-40685277169f"},"bodyText":{"richText":"\u003cspan\u003eThe performance — her first on the GRAMMYs stage since 2007 — punctuated a triumphant moment for the Colombian superstar, who shortly before the occasion won her fourth career GRAMMY. Bathed in dim, warm light and smoke, Shakira began with a stripped-back version of \"Ojos Así\" that went heavy on drums while showing off her sensual belly-dancing. Following a short dance break, she launched into her \"Bzrp Music Sessions,\" bringing the she-wolf energy of\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ethrough its self-confident bars and cheeky yet scathing disses.\u003c/span\u003e\n\n\u003cspan\u003eShakira's GRAMMY win for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emarks her third victory for Best Latin Pop Album, having previously won for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eShakira - MTV Unplugged\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2001 — her first-ever GRAMMY win — and more recently, her previous album\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2018.\u003c/span\u003e\n\n\u003cspan\u003eIn the six years since\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan\u003e, Shakira underwent a life-changing event with the breakup of her longtime relationship, for which\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eserved as a therapeutic outlet. \"Making this body of work has been an alchemical process. While writing each song I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength,\" she\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003esaid on Instagram\u003c/span\u003e](https://www.instagram.com/p/C3XwGN9Mtuc/?utm_source=ig_embed\u0026ig_rid=8e58be30-c8d1-407b-af1e-7aec1bc05644\u0026img_index=1)\u003cspan\u003e.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eShakira's Road To 'Las Mujeres Ya No Lloran': How Overcoming A Breakup Opened A New Chapter In Her Artistry\u003c/span\u003e](https://www.grammy.com/news/shakira-road-to-la-mujeres-ya-no-lloran-new-album-videos)\n\n\u003cspan\u003eShakira's triumph was as personal as it was professional. Her\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"Sessions\"\u003c/span\u003e](https://www.youtube.com/watch?v=CocEMWdc7Ck)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith Bizarrap set streaming records, and another,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"TQG\"\u003c/span\u003e](https://www.youtube.com/watch?v=jZGpkLElSu8)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)\u003cspan\u003e, ascended to No. 1 on the Billboard Global 200. Both tracks earned the singer three Latin GRAMMYs in 2023, for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/shakira-bizarrap-win-song-of-the-year-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e, Best Pop Song and Best Urban Fusion/Performance.\u003c/span\u003e\n\n\u003cspan\u003eFollowing its March 2024 release,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emaintained momentum with two more Latin GRAMMY nominations and a win in the newly created\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eBest Latin Electronic Music Performance\u003c/span\u003e](https://www.grammy.com/news/bizarrap-shakira-win-best-contemporary-electronic-music-performance-bzrp-music-sessions-53-2024-latin-grammys-acceptance-speech-video-watch)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003e(\"Shakira: Bzrp Music Sessions, Vol. 53 \\[Tiësto Remix\\])\"). As a result of its success, Shakira became the first woman with No. 1 albums across four decades on the\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eBillboard\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eLatin album charts — a resounding testament to\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eher longevity\u003c/span\u003e](https://www.grammy.com/news/shakira-albums-awards-facts-womens-history-month-video-run-the-world)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eShakira is continuing her run with new single \"Soltera,\" released this past September, and a forthcoming world tour scheduled to begin later this month.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 Performances","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide","id":"a641a720-8512-4139-9da1-8e2f1f2b39fe"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"9ffdb187-8efd-42a9-a11f-b748f1f4ee66"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"45283c99-3e68-4e29-bf8a-9171b085e210"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b5bb1f5a-19ec-4065-8adb-99b575586478"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"776416c7-30cf-47e9-a822-b78220954bd2"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b16f5422-83c5-467c-90d0-c62625dbfc80"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"eade9017-8601-4f29-b8d3-41a5c4edea6e"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"00db222a-fe5a-40bd-bb0d-af9d5bcff3fb"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ae2daccc-caa3-4e8b-bf71-dcb9c06ad8d0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f1d9706b-41a6-4527-9cae-6c51445687b0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"a4b6132c-b134-4983-96b3-c3d1c5b4c683"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"62829624-027d-4e06-8122-2e4cd7ebbf16"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"5883d091-317e-4c7d-9050-0aca8bd935fc"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"fdc355a6-8d7a-4bf9-9ab6-9f26906800d8"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"ef15170c-4a53-481a-a973-663715043a14"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"}],"title":"2025 GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin"],"tags":["2025 GRAMMYs","Shakira"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612655680,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","shortTitle":"Shakira Performs At The 2025 GRAMMYs","subHeadline":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","articleSummary":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","deliveryId":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Shakira-2025-GRAMMYs-GettyImages-2197336575","id":"ecfc5916-86a9-4aba-b1da-4fa4aaf83dce","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: JC Olivera/WireImage"},"tags":["Shakira","2025 GRAMMYs"],"title":"Shakira Performs At The 2025 GRAMMYs","shortTitle":"Shakira Performs At The 2025 GRAMMYs","imgAlt":"Shakira Performs At The 2025 GRAMMYs","imgTitle":"Shakira Performs At The 2025 GRAMMYs","link":"/","captionValue":"Shakira performs at the 2025 GRAMMYs.","captionSummary":"Shakira performs at the 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43720149993896,"y":0.24735022841321}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryKey":"news/best-new-artist-performance-medley-2025-grammys","deliveryId":"f1d9706b-41a6-4527-9cae-6c51445687b0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fc97c690-9391-46ce-b48f-ea5f15ed5ba7"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Doechii Performs On The GRAMMY Stage","deliveryId":"3d37cf98-f24d-4db6-b806-548dbcbddc82"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eJust before Chappell Roan was crowned\u003c/span\u003e [\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, her fellow nominees\u003c/span\u003e [\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/artists/benson-boone/57823)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eRAYE\u003c/span\u003e](https://grammy.com/artists/rachel-keen/58098) \u003cspan\u003eperformed a medley of their hit songs on the GRAMMY stage — proving why they all deserved the coveted recognition.\u003c/span\u003e\n\n\u003cspan\u003eAnd it truly was one big medley to rule all medleys! Each artist delivered their\u003c/span\u003e \u003cspan\u003esignature songs, resulting in an epic, genre-blending performance: Boone's catchy pop, Doechii's astonishingly original take on rap, Swims' alt balladry, Shaboozey's record-breaking country stylings, and RAYE's bewildering soul.\u003c/span\u003e\n\n\u003cspan\u003eBoone was up first, starting from his seat on the Crypto.com Arena floor and snaking through the crowd singing the mesmeric beginning to his smash-hit \"Beautiful Things.\" Right at that killer pre-chorus soar, he hurriedly ripped the top of the suit open to reveal a blue sequined jumpsuit, climbing up the stage and across the grand piano for his trademark backflip. It felt as if Boone was cannonballing over an endless abyss, his powerful vocals keeping the whole room afloat.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003eThat jolt of energy lent itself perfectly to the next act, the masterful\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e](https://www.grammy.com/artists/doechii/57882)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003e— who is now a first-time GRAMMY winner, taking home Best Rap Album not long before hitting the stage. The Tampa native was surrounded by an immaculately choreographed group of backing dancers all clad in custom Thom Browne gray uniforms — that is, before it was ripped away, revealing a two-piece white underwear fit with classic red and blue stripes.\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003epowerfully strutted along a moving walkway, delivering a mix of \"CATFISH\" and \"DENIAL IS A RIVER\" for a performance that spoke volumes.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Doechii) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"391fde00-d9f4-482e-a1a6-c0d59b5b4aeb"},"assetId":"9a6a3d38-44fa-467e-b02f-0ab32a7a27f5","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"4a271df8-4b37-40f8-b0c1-60040848f6bf"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003ePowerhouse vocalist \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003e kept the awe going, as his voice danced across the mic and commanded the stage for a dynamic rendition of his chart-topping hit, \"Lose Control.\" \"Something's got a hold of me lately,\" he cooed. \"No, I don't know myself anymore.\" That admission echoed through the Crypto.com Arena, Swims looking well in control of his fate for years to come.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003eCelebrating both his first GRAMMY nominations as well as the decade's longest-running No. 1 hit on the Billboard Hot 100,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/artists/shaboozey/56863)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought his chart-topping smash \"A Bar Song (Tipsy)\" to the GRAMMY stage next. Starting with a snippet of his recent single \"Good News,\" the country and hip-hop experimentalist got the crowd to swell in unison, showcasing a song that feels at once all-American and universally joyful. And with Jennifer Lopez cheering him on, the joy\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought to the ceremony was palpable.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Shaboozey) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"d69f47bd-96d9-42fb-a673-c8712fb48b10"},"assetId":"aaa36e1e-abe3-45b8-8d80-7fa3643f0893","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Benson Boone Best New Artist Medley Performance","deliveryId":"c8c53a1a-14b2-4d19-bc0a-222848e50cd8"},"theme":"Grammy (Gold)","assetId":"1cca596c-e3b6-45db-9d3d-10a79df53c88"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Raye Performs Best New Artist Medley","deliveryId":"62667adf-c955-4b9b-8ab5-19c5ac584275"},"assetId":"046ef96f-b1d7-465e-a641-6d7d590a0d73","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Teddy Swims Performance Best New Artist Medley","deliveryId":"742ff7e6-1689-428f-90f2-cf32a458b94e"},"assetId":"efc6b6c4-ad1e-41a8-8be7-e4411924c56a","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Khruangbin performance Best New Artist Medley","deliveryId":"c5a78dab-20de-4f05-8c1e-64e947d00d02"},"assetId":"51a71594-bcee-4fa8-8f9e-074341337b7c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"2a80faeb-b426-44a4-b943-58ebf19c5add"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eThen the angelic voice of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eRAYE\u003c/span\u003e](https://www.grammy.com/artists/rachel-keen/58098)\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003e sealed the medley's finale with an impressive old-Hollywood-inspired \"Oscar Winning Tears.\" RAYE's sparkling black dress, the white tux-clad backing band, and the vintage bandstands perfectly complimented her immaculate voice that kept the crowd in a trance. That mystic spell was only broken when she giddily bounced on the stage at the massive roar of approval.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eRead More:\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eMeet The First-Time GRAMMY Nominee: RAYE On Her Long Road To Stardom, Writing Songs With Beyoncé \u0026amp; Her \"Really Beautiful\" Bond With Charli XCX\u003c/span\u003e](https://www.grammy.com/news/raye-my-21st-century-blues-interview-songwriter-2025-grammys)\u003cspan class=\"EOP SCXW268025665 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eWhile they may not have been a part of the medley proper, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eKhruangbin\u003c/span\u003e](https://www.grammy.com/artists/khruangbin/58222)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e offered a majestic rendition of \"May Ninth\" just before their fellow Best New Artist nominees took the stage. It was a fitting transition between the medley showcase and the standout performances given by their other BNA comrades \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e.\u003c/span\u003e\u003cspan class=\"EOP SCXW197354953 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e\"That's a tough category right there,\" last year's Best New Artist recipient \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eVictoria Monét\u003c/span\u003e](https://grammy.com/artists/victoria-monet/287096)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e beamed, just prior to revealing Roan winning the category. Year in and year out, Best New Artist offers some of the most thrilling music of the evening. But being able to showcase such an incredible spectrum of unique, powerful artists emphasized the bright musical future ahead.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"Rewatch the 2025 GRAMMYs Premiere Ceremony in full. Taking place hours before the **[2025 GRAMMY Awards](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** telecast, the Premiere Ceremony is a special presentation in which the majority of the night's GRAMMY Awards are awarded. Featuring a star-studded and uplifting opening number, stellar performances, a roster of influential presenters, and more, the 2025 GRAMMYs Premiere Ceremony is a special event that gives music fans the full GRAMMYs experience. Watch performances from **[Yolanda Adams](https://www.grammy.com/artists/yolanda-adams/105)**, **[Wayne Brady](https://grammy.com/artists/wayne-brady/10452)**, **[Deborah Cox](https://www.grammy.com/artists/deborah-cox/57863)**, **[Béla Fleck](https://www.grammy.com/artists/bela-fleck/11488), [Angélique Kidjo](https://www.grammy.com/artists/angelique-kidjo/9915)**, and **[Muni Long](https://www.grammy.com/artists/Priscilla-Priscilla-Renea-Hamilton/38121)**; acceptance speeches from **[Kacey Musgraves](https://grammy.com/artists/kacey-musgraves/18025)**, **[Mustard](https://www.grammy.com/artists/dijon-mcfarlane/243405)**, and **[Anderson .Paak](https://grammy.com/artists/anderson-paak/19926)**; and many more special GRAMMY moments. \n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\nCity National Bank, the Official Bank of the GRAMMY Awards, is returning for the third consecutive year as the presenting sponsor of the annual GRAMMY Awards Premiere Ceremony."},"body":{"richText":"The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. **[Donate now](https://musicares.org/firerelief)**.\n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\n\n**[Watch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.](https://live.grammy.com/)**\n\n\u003cspan\u003e \u003c/span\u003e \n\n**[See the full 2025 GRAMMYs winners and nominees list.](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","2025 GRAMMYs Premiere Ceremony","Kacey Musgraves","Muni Long","Mustard","Anderson .Paak","Wayne Brady"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738976298016,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The 2025 GRAMMYs Premiere Ceremony In Full: Kacey Musgraves, Muni Long, Mustard, Anderson .Paak, Wayne Brady \u0026 More","shortTitle":"Watch The 2025 GRAMMYs Premiere Ceremony In Full","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/3a/99/69/3a9969cd-e63e-4632-b9dc-bcb060e24b18/screenshots/PreviewImage-01-55-10.604.jpg","duration":"13821208"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryKey":"news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter","deliveryId":"62829624-027d-4e06-8122-2e4cd7ebbf16"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"ae2f4831-6adc-4fea-b3a2-145a1fe2f40d"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs ](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) made history at the 2025 GRAMMYs, by becoming the first Black woman in GRAMMYs history to take home the award for Best Country Album.\n\nAccepting the award from [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450), Queen Bey appeared genuinely dumbfounded when her fellow superstar read out her name as the Category’s winner for her 2024 album, *COWBOY CARTER*.\n\n\"Wow, I really was not expecting this,\" the \"TEXAS HOLD ‘EM\" singer said in her acceptance speech, before going on to thank both God and the many country artists she collaborated with on the album.\n\n\"I think sometimes 'genre' is a code word to keep us in our place as artists,\" she continued. \"And I just want to encourage people to do what they’re passionate about, and to stay persistent.\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eHow Beyoncé Is Honoring Black Music History With 'Cowboy Carter,' \"Texas Hold Em,\" 'Renaissance' \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/how-beyonce-honors-black-music-history-texas-hold-em-renaissance)\n\nBeyoncé slapped down the concept of genre as a musical limitation with help from pioneering country artist Linda Martell on *COWBOY CARTER*’s panoramic 27 tracks. \"Genres are a funny little concept, aren’t they? Yes, they are,\" the trailblazing Martell, who was the first Black woman to ever play the Grand Ole Opry in 1969, said on the GRAMMY-nominated album cut \"SPAGHETTII.\" \"In theory, they have a simple definition that’s easy to understand/ But in practice, well, some may feel confined.\"\n\nThe five-time Album Of The Year nominee also took aim at doubters questioning whether she \"belonged\" in country music at all on the studio set’s powerful opening thesis \"AMERIICAN REQUIEM.\"\n\n\"The grandbaby of a moonshine man/ Gadsden, Alabama/ Got folk down in Galveston, rooted in Louisiana/ Used to say I spoke ‘Too country’/ And the rejection came, said, ‘I wasn’t country ‘nough’/ Said I wouldn’t saddle up, but/ If that ain’t country, tell me what is?/ Plant my bare feet on solid ground for years/ They don’t, don’t know how hard I had to fight for this/ When I sang my song,\" she sang on the album opener.\n\nWhen the 2025 GRAMMY nominations were announced in November 2024, Beyoncé officially became the most-nominated artist in history when *COWBOY CARTER*’s 11 nods brought her career total to an all-time record of 99 nominations. And ahead of the telecast, she also won her first GRAMMY in the Category for Best Country Duo/Group Performance for *COWBOY CARTER* fan-favorite cut \"II MOST WANTED\" featuring [\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384).\n\nJust 24 hours ahead of the GRAMMYs, Beyoncé also sent the BeyHive into a frenzy by teasing her forthcoming *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.instagram.com/beyonce/)*\u003cspan\u003e Tour 2025\u003c/span\u003e on [\u003cspan\u003esocial media\u003c/span\u003e](https://www.instagram.com/beyonce/). Tour dates are expected to be announced soon."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"7cc50360-e001-449b-924a-35528c132d96"},"assetId":"d3f21d06-dacf-4906-bd27-60307bfcb969","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"821b8cae-0bc5-4d73-af54-c55337c89e93","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Beyoncé","Cowboy Carter","Country Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738551361029,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé's 'Cowboy Carter' Wins Best Country Album","subHeadline":"Less than 24 hours after announcing her 'COWBOY CARTER' tour, Beyoncé and her album made history on stage at Music's Biggest Night.","articleSummary":"Beyoncé made history at the 2025 GRAMMYs by becoming the first Black woman in the history of the show to take home the award for Best Country Album.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"821b8cae-0bc5-4d73-af54-c55337c89e93"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce-2025-grammys-speech","id":"eda15a81-5adb-4a54-b9e7-651b8ed5a068","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé Becomes First Black Woman To Win GRAMMY For 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan\u003eColdplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)**\u003cspan\u003e’s \u003c/span\u003e**[\u003cspan\u003eChris Martin\u003c/span\u003e](https://grammy.com/artists/chris-martin/4358)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eGrace Bowers\u003c/span\u003e](https://grammymuseum.org/event/spotlight-grace-bowers/)**\u003cspan\u003e deliver an emotional performance of \"All My Love\" \u003c/span\u003e\u003cspan\u003eduring the annual \u003c/span\u003e**[\u003cspan\u003eIn Memoriam segment \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-in-memoriam-tribute-chris-martin)**\u003cspan\u003eat the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e, honoring the artists, industry icons, and music legends we recently lost.\u003c/span\u003e Visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e**[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam)**, which honors the **[GRAMMY Award recipients](https://www.grammy.com/awards)** and Special Merit Awards honorees we’ve lost over the years."},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Pop","Alternative"],"tags":["2025 GRAMMYs","Coldplay's Chris Martin","In Memoriam"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561837294,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Coldplay's Chris Martin With Grace Bowers Perform \"All My Love\" In A Moving In Memoriam Tribute | 2025 GRAMMYs Performance","shortTitle":"Chris Martin In Memoriam 2025 GRAMMYs Performance","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/82/48/c6/8248c6d6-94c9-4e12-8dbe-40ed0b630513/screenshots/PreviewImage-00-02-17.187.jpg","duration":"274374"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryKey":"news/2025-grammys-in-memoriam-tribute-chris-martin","deliveryId":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: In Memoriam Performance - 2025 GRAMMYs","deliveryId":"eab37d13-23d8-4892-a25c-adc0162fd350"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nDuring a moving moment at the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), [the Recording Academy](https://www.recordingacademy.com/) honored the artists, creators and music professionals who recently passed during a special In Memoriam tribute. GRAMMY-winning vocalist and pianist [Chris Martin](https://www.grammy.com/artists/chris-martin/4358), of [Coldplay](https://www.grammy.com/artists/coldplay/10952), with Grace Bowers, performed an emotional rendition of \"All My Love,\" paying tribute to those who have deeply impacted the musical community."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryId":"c33a4302-e028-4057-8638-0f105d0a832d"},"assetId":"8248c6d6-94c9-4e12-8dbe-40ed0b630513","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Chris Martin Pays Tribute To Late Icons (In Memoriam) | 2025 GRAMMYs","deliveryId":"6865c51c-ba6f-4a11-95fd-c3cff75ac817"},"bodyText":{"richText":"The below list of names reflects just some of those from the music community we recently lost. As well, visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years.\n\nAashish Khan\n\nAbdou Cherif\n\nAbdul 'Duke' Fakir\n\nAdam (Haim Cohen)\n\nAdam Abeshouse\n\nAdam Lewis\n\nAdele Akin Anderson\n\nAdrián Olivares\n\nAgnaldo Rayol\n\nAgnes Buen Garnås\n\nAhmad Nawab\n\nAl Jones\n\nAl Schiltz\n\nAlan Mansfield\n\nAlan Oreman\n\nAlan Shapiro\n\nAlbert Heath\n\nAlcides Lanza\n\nAleksandr Sibirtsev\n\nAlex Hassilev\n\nAlex Riel\n\nAlexander Goehr\n\nAlexander Knaifel\n\nAlfa Anderson\n\nAlfredo Fiorito\n\nAlfredo Garrido\n\nAmaury du Closel\n\nAmber Kistler\n\nAminollah Rashidi\n\nAmjad Parvez\n\nAmund Bjørgen\n\nAnatol Latîşev\n\nAnders Widmark\n\nAnderson Leonardo\n\nAndrei Tropillo\n\nAndrés Vega Delfín\n\nAndrew Turner\n\nAndrius Kulikauskas\n\nAndy Paley\n\nAngela Alvarez\n\nAngela Bofill\n\nAngela McCluskey\n\nAnna Nshanyan\n\nAnnie Laura Carmichael Smith\n\nAnthony \"Baby Gap\" Walker\n\nAnthony S. Scarlati\n\nAntonio Cabán Vale\n\nAribert Reimann\n\nÁrni Grétar Jóhannesson\n\nArthur \"Gaps\" Hendrickson\n\nArthur E. Rich\n\nArthur Edghill\n\nArthur Miles\n\nArthur Moreira Lima\n\nArtie Rose\n\nArtt Frank\n\nAshima Bhattacharya\n\nAston Barrett\n\nAugusto M. Seabra\n\nAyla Erduran\n\nAyres Sasaki\n\nB. B. Seaton\n\nBarbara Dane\n\nBarbara Kolb\n\nBarbara Owen\n\nBarry Goldberg\n\nBarry Squire\n\nBeej Chaney\n\nBelén Fernández\n\nBelgacem Bouguenna\n\nBen Eldridge\n\nBen Lanzarone\n\nBen Manilla\n\nBen Thapa\n\nBen Vaughn\n\nBenedict Chiajulam Ihesiba Jr PKA OG Maco\n\nBenny Golson\n\nBernice Johnson Reagon\n\nBernie Constantin\n\nBert De Coninck\n\nBert Susanka\n\nBetty Mullican Orr\n\nBetty Veldpaus\n\nBev Paul\n\nBhakta Raj Acharya\n\nBigidagoe\n\nBill Crook\n\nBill Holman\n\nBill Kelly\n\nBilly Edd Wheeler\n\nBilly Sherrill\n\nBilly Swann\n\nBjørn Müller\n\nBlake Harrison\n\nBob Bender\n\nBob Booker\n\nBob Kuban\n\nBob Lanese\n\nBob Newhart\n\nBob Perkins\n\nBob Rogers\n\nBob Seeley\n\nBob Shaw\n\nBobby Hicks\n\nBobby Tench\n\nBora Đorđević\n\nBoris Ćiro Gašparac\n\nBrenton Wood\n\nBrother Dege\n\nBrother Marquis\n\nBruce Howe\n\nBruno Pochesci\n\nBuck White\n\nBucky Wilkin\n\nBud Logan\n\nBuzz Cason\n\nBuzz Rabin\n\nByron Janis\n\nC. J. Snare\n\nC.J. Flanigan\n\nCalvin Keys\n\nCandy Devine\n\nCarl Bevan\n\nCarl Helm\n\nCarl Scott\n\nCarl Weathersby\n\nCarlos Paravís\n\nCarmen Pateña\n\nCasey Benjamin\n\nCasey Chaos\n\nCat Glover\n\nCat Janice\n\nCaterina Valente\n\nCatherine Ribeiro\n\nCayouche\n\nCecilia Gentili\n\nChad Morgan\n\nChalmers Davis\n\nChan Romero\n\nChandra Kumara Kandanarachchi\n\nChanning \"Enchanting\" Larry\n\nCharin Nantanakorn\n\nCharles \"Brit\" Turner\n\nCharles Blackwell\n\nCharles Cross\n\nCharles Dumont\n\nCharles Jones pka Julio Foolio\n\nCharlie Colin\n\nCharlie Lennon\n\nChas Banks\n\nChavelita Pinzón\n\nChino XL\n\nCho Min Woong\n\nChon Travis\n\nChris King\n\nChristian Escoudé\n\nChristian Martin Schmidt\n\nChristiane Stefanski\n\nChristof Nel\n\nChristopher Ciccone\n\nChristopher Stafford\n\nChuck Ward\n\nChuck Wentworth\n\nChuy Montana\n\nCindy Charles\n\nCissy Houston\n\nClaire Daly\n\nClaire van Kampen\n\nClarel Betsy\n\nClarence \"Frogman\" Henry\n\nClaudia Perry\n\nClaudio Gaitán\n\nClaudio Reyes\n\nCliff Waldron\n\nClorofila\n\nColin Chilvers\n\nColin Gibb\n\nColin Petersen\n\nConrad Kelly\n\nCorinne Allal\n\nCunnie Williams\n\nCynthia Charles\n\nCynthia Strother\n\nDamo Suzuki\n\nDan Morgenstern\n\nDan Wallin\n\nDaniel Kramer\n\nDaniel McMahon\n\nDanielle Moore\n\nDanny Carter\n\nDanny Clarke\n\nDario G aka Paul Spencer\n\nDaron Beck\n\nDarshanam Mogilaiah\n\nDaryl Schiff\n\nDashbaldangiin Purevsuren\n\nDave Allison\n\nDave Ferguson\n\nDave Loggins\n\nDave Sweetapple\n\nDavid Davis\n\nDavid Ezell\n\nDavid Kendall\n\nDavid Libert\n\nDavid Lynch\n\nDavid Mallett\n\nDavid Sanborn\n\nDavid Tunley\n\nDavlatmand Kholov\n\nDean Roberts\n\nDebra Byrd\n\nDef Rhymz\n\nDejan Despić\n\nDennis Bryon\n\nDennis Schiavon\n\nDennis Thompson\n\nDequantes Devontay Lamar (Rich Homie Quan)\n\nDerek Boshier\n\nDerrick Cobb\n\nDewayne Pigg\n\nDex Romweber\n\nDiana\n\nDick Allix\n\nDick Asher\n\nDick Johnson\n\nDickey Betts\n\nDickie Rock\n\nDieter Rexroth\n\nDimos Moutsis\n\nDina Mariana\n\nDiva Gray\n\nDJ Clark Kent\n\nDJ Polo\n\nDJ Randall\n\nDJ Unk\n\nDominic Cossa\n\nDon Nix\n\nDonald Kinsey\n\nDonnie K. Smith\n\nDonnie Winters\n\nDottie Leonard Miller\n\nDoug Dagger\n\nDoug Hood\n\nDoug Ingle\n\nDoug Sides\n\nDouglass Fake\n\nDr. Velásquez\n\nDuane Eddy\n\nDulce\n\nDuncan Warwick\n\nDušan Grúň\n\nDutty Dior\n\nEarle Wheeler\n\nEberhard Hertel\n\nEd Askew\n\nEd Mann\n\nEdd Griles\n\nEddie Burton\n\nEddie Cheeba\n\nEddie Low\n\nEddie Rosenblatt\n\nEddie Sutton\n\nEdgard Brito\n\nEdgardo Huertas\n\nÉdith Lejet\n\nEgidio Cuadrado\n\nEkaterina Shklyaeva\n\nEl Taiger\n\nElba Cabrera\n\nEleanor Collins\n\nElena Mauti Nunziata\n\nElgar Howarth\n\nElla Jenkins\n\nElla Mitchell\n\nElliot Ingber\n\nEllisha \"Teapot\" McKinney\n\nEmilia Contessa\n\nEmma Lou Diemer\n\nEmre Tukur\n\nEnrico Musiani\n\nEnriqueta Tarrés\n\nEoin French (Talos)\n\nErasmito Bultron\n\nEric Carmen\n\nÉric Tappy\n\nErik Barrett\n\nErnest Berger\n\nErnest Bryll\n\nErnstalbrecht Stiebler\n\nErv Woolsey\n\nEtsurō Wakakonai\n\nEtterlene DeBarge\n\nEugen Indjic\n\nEugen Šváb\n\nEugene Sârbu\n\nEugene W. Ward\n\nEugene Wolfgramm\n\nEvelyn Thomas\n\nEverett Collins Jr.\n\nEvin Agassi\n\nFaramarz Aslani\n\nFat Man Scoop\n\nFausto Bordalo Dias\n\nFélix Sabal Lecco\n\nFerenc Sánta Jr.\n\nFereydoun Shahbazian\n\nFergie MacDonald\n\nFlorence Warner\n\nFran Boyd\n\nFrances Anne Varallo\n\nFrancesco Petrozzi\n\nFranchino\n\nFrancis ‘Teddy’ Osei\n\nFranco Vaz\n\nFrançoise Garner\n\nFrançoise Hardy\n\nFrank Darcel\n\nFrank Ifield\n\nFrank Robson\n\nFrank Wakefield\n\nFrankie Beverly\n\nFred Noonan\n\nFreddie Salem\n\nFredl Fesl\n\nFredrik Lindgren\n\nFresia Saavedra\n\nGaboro\n\nGabriel Cotabiță\n\nGabriel Gonzalez\n\nGabriel Patillo\n\nGabriel Yacoub\n\nGarbis Aprikian\n\nGarry Van Egmond\n\nGarth Hudson\n\nGary Floyd\n\nGary Grant\n\nGary Grier\n\nGary Stroutsos\n\nGavin Creel\n\nGavin Webb\n\nGene Elders\n\nGeoff Follin\n\nGeoffrey Michaels\n\nGeorg Riedel\n\nGeorge Bohanon\n\nGeorge French\n\nGeorge Nicolescu\n\nGeorge Wilkins\n\nGerardo Guevara\n\nGerri Lynn\n\nGerry Conway\n\nGerry Robinson\n\nGerry Weil\n\nGetachew Kassa\n\nGhigo Agosti\n\nGianfranco Manfredi\n\nGiovanna Marini\n\nGladys de Moctezuma\n\nGogo Theodorou\n\nGökçe Akçelik\n\nGonzalo “Gonzo” Lubel\n\nGöran Fristorp\n\nGraciela Susana\n\nGraeme Naysmith\n\nGreg \"Fritz\" Hinz\n\nGreg Kihn\n\nGreg Lee\n\nGregg Young\n\nGunnar Stubseid\n\nGustavo Mullem\n\nGuy Touvron\n\nGuylaine Guy\n\nGyörgy Pauk\n\nHaniya Aslam\n\nHank Cicalo\n\nHans Blum\n\nHans Rotmo\n\nHans van Hemert\n\nHappy Traum\n\nHarold Meltzer\n\nHarry van Hoof\n\nHarry Williams\n\nHarvey Magee\n\nHasina Mumtaz\n\nHasna El-Bacharia\n\nHeikki Silvennoinen\n\nHelena Zeťová\n\nHenry Fambrough\n\nHerb Applin\n\nHerb Robertson\n\nHerbie Flowers\n\nHuang Zhun\n\nHugh Prestwood\n\nHumphrey Campbell\n\nHyun Cheol\n\nIan Amey\n\nIgnatius Jones\n\nİlhan Usmanbaş\n\nImogen Moorsom\n\nInger Lorre\n\nIon Krasnopolsky\n\nIta Beausang\n\nIulian Caranfil\n\nIvica Krajač\n\nJ. J. Jeffrey\n\nJ. Remington Wilde\n\nJ. Saul Kane\n\nJaafar Onn\n\nJaakko Teppo\n\nJack Colwell\n\nJack Hale\n\nJack Jones\n\nJack Peck\n\nJack Ponti\n\nJack Russell\n\nJackie Avery Sr.\n\nJackie Farry\n\nJackmaster\n\nJacques Barsamian\n\nJade Stice\n\nJames \"Jim\" Robert Mills\n\nJames Chance\n\nJames Darren\n\nJames Earl Jones\n\nJames Leach\n\nJames Progris\n\nJames Whitbourn\n\nJan A.P. Kaczmarek\n\nJan Ptaszyn Wróblewski\n\nJanice Brown Stephens\n\nJanis Paige\n\nJános Csányi\n\nJanusz Olejniczak\n\nJaroslav Jeroným Neduha\n\nJason Clark\n\nJason Hobdy\n\nJason Parkin\n\nJay David Saks\n\nJay Jay\n\nJD Souther\n\nJean Musy\n\nJean-Marie Aerts\n\nJean-Michel Defaye\n\nJean-Paul Vignon\n\nJean-Philippe Allard\n\nJean-Pierre Bourtayre\n\nJean-Pierre Ferland\n\nJean-Pierre Marty\n\nJeffrey Buntin\n\nJeremy Tepper\n\nJerome\n\nJerry Fuller\n\nJerry Miller (Moby Grape, Jerry Miller Band)\n\nJerry Miller (The Untouchables)\n\nJerzy Artysz\n\nJessica Mbangeni\n\nJewel Brown\n\nJhonny Iskandar\n\nJim Beard\n\nJim Gaines\n\nJim May\n\nJim Rotondi\n\nJim Scott\n\nJimmy Carter\n\nJimmy Gilmer\n\nJimmy Hastings\n\nJimmy James\n\nJimmy Van Eaton\n\nJodie Devos\n\nJoe Bonsall\n\nJoe Chambers\n\nJoe Cutajar\n\nJoe Egan\n\nJoe Elmore\n\nJoe Scaife\n\nJoe Thomas\n\nJoe Viera\n\nJoey Gardner\n\nJoey Gilmore\n\nJohan Slager\n\nJohn \"Spider\" Koerner\n\nJohn Barbata\n\nJohn Blunt\n\nJohn Earl Hartridge\n\nJohn Hadley\n\nJohn Hawken\n\nJohn Koerner\n\nJohn Lowe\n\nJohn Mayall\n\nJohn Pisano\n\nJohn Schweers\n\nJohn Sykes\n\nJohn Titta\n\nJohnny \"Dandy\" Rodríguez\n\nJohnny Canales\n\nJohnny Duhan\n\nJohnny Madsen\n\nJohnny Neel\n\nJohnny Thunder\n\nJon Card\n\nJon Wysocki\n\nJonathan Zak\n\nJordi Bonell\n\nJorge Arriagada\n\nJosef Laufer\n\nJozef Ábel\n\nJuan Carlos Salazar\n\nJuana Bacallao\n\nJudi Pulver\n\nJudy Lee\n\nJulie Gordon\n\nJulie Stevens\n\nJulien Terzics\n\nJuris Kulakovs\n\nJustin Seth Riley (BeatKing)\n\nK. G. Jayan\n\nKabir Singh\n\nKaiti Grey\n\nKaj Chydenius\n\nKalevi Kiviniemi\n\nKarar Ali Salem Ramadan aka C.Gambino\n\nKarl Kohn\n\nKarl Wallinger\n\nKaseem \"Ka\" Ryan\n\nKatie Laur\n\nKazuyoshi Akiyama\n\nKeith LeBlanc\n\nKelath Aravindakshan Marar\n\nKelly Nelon Clark\n\nKen Biddy\n\nKen Page\n\nKen Tobias\n\nKenny Hyslop\n\nKerry \"Fat Man\" Hunter\n\nKester \"Smitty\" Smith\n\nKevin Joshua \"Rowdy\" Rowsey II\n\nKevin Toney\n\nKevork Mardirossian\n\nKhalid\n\nKim Min-ki\n\nKim Richmond\n\nKimberly Elisabeth Cherry\n\nKinky Friedman\n\nKiril Marichkov\n\nKlaus Wolfgang Niemöller\n\nKODA\n\nKoko Ateba\n\nKong Nay\n\nKostas Karousakis\n\nKris Kristofferson\n\nLa Castou\n\nLadislav Burlas\n\nLamara Chkonia\n\nLambert Schomaker\n\nLando Bartolini\n\nLani Simmons\n\nLarry Garris\n\nLarry Page\n\nLarry Vallon\n\nLars Martin Myhre\n\nLarysa Jackson\n\nLarysa Jaye\n\nLaurens van Rooyen\n\nLaurie Lindeen\n\nLeah Kunkel\n\nLeif Segerstam\n\nLen Holsclaw\n\nLencho Salazar\n\nLennie De Ice\n\nLeo Dan\n\nLeShawn \"Chubbie Baby\" Rogers\n\nLía Crucet\n\nLiam Payne\n\nLiana Isakadze\n\nLibby Titus\n\nLichelle Marie Laws pka Bo$$\n\nLilibert\n\nLinda Balgord\n\nLinda LaFlamme\n\nLinda Nolan\n\nLisa Lopez-Galvan\n\nLiu Chia-chang\n\nLiu Yuan\n\nLorenzo Palomo\n\nLou Donaldson\n\nLouis Bozon\n\nĽubomír Stankovský\n\nLucien Francœur\n\nLucine Amara\n\nLucius Banda\n\nLucy Rimmer\n\nLucy-Bleu Knight\n\nLuis María Serra\n\nLuizinho Andanças\n\nLuther Kent\n\nLynford Manning\n\nMakaya Ntshoko\n\nMakoto Shinohara\n\nMalabar Manoharan\n\nMalcolm Holcombe\n\nMalome Vector\n\nMandisa\n\nManfred Schütz\n\nManju Mehta\n\nMansour Seck\n\nManuela Kemp\n\nMarc Van den Hoof\n\nMarcel Guilloux\n\nMarcel Marnat\n\nMarcelo Yzurieta\n\nMarco Paulo\n\nMarcus Allen\n\nMargarita Voites\n\nMaria Feliciana\n\nMaria Rita Viaggi\n\nMarian Zazeela\n\nMarianne Faithfull\n\nMaricenne Costa\n\nMarie Goodman Hunter\n\nMario Tessuto\n\nMarius Bațu\n\nMark Germino\n\nMark Gormley\n\nMark Izu\n\nMark James\n\nMark Moffatt\n\nMark Spiro\n\nMarlos Nobre\n\nMartha Sharp\n\nMartial Solal\n\nMartin France\n\nMartin Kirkup\n\nMartin Lee\n\nMartin Mull\n\nMartin Phillipps\n\nMartti Wallén\n\nMarty Gamblin\n\nMarvin Schlachter\n\nMary Martin\n\nMary Sack\n\nMaryvonne Le Dizès\n\nMassimo Cotto\n\nMatthew \"Cola Boyy\" Urango\n\nMatthew Moore\n\nMatti Heinivaho\n\nMaurice El Médiouni\n\nMaurice Williams\n\nMaurizio Pollini\n\nMax Werner\n\nMC Duke\n\nMélanie Renaud\n\nMelba Montgomery\n\nMelitha Sidabutar\n\nMestre Laurentino\n\nMetin Arolat\n\nMichael Boder\n\nMichael Corcoran\n\nMichael Cuscuna\n\nMichael Knott\n\nMichael Pennington\n\nMichael Reidy\n\nMichael Ward\n\nMichel Boyibanda\n\nMichio Mamiya\n\nMick Underwood\n\nMiguel Ángel Gómez Martínez\n\nMihai Amihalachioaie\n\nMiho Nakayama\n\nMike Billard\n\nMike Brewer\n\nMike Jones\n\nMike Martinovich\n\nMike Miller\n\nMike Pinder\n\nMike Pinera\n\nMikie Harris\n\nMile Agatonović\n\nMimi Hines\n\nMimis Plessas\n\nMiroslav Bázlik\n\nMiroslav Imrich\n\nMiroslav Švejda\n\nMisia\n\nMissinho\n\nMister Cee\n\nMitzi Gaynor\n\nMoisés Canelo\n\nMojo Nixon\n\nMourad Tsimpou\n\nMuluken Melesse\n\nMuñequita Milly\n\nMusafir Ram Bhardwaj\n\nNaa Amanua\n\nNahim\n\nNancy Harmon\n\nNaomy\n\nNell Smith\n\nNick Gravenites\n\nNicu Covaci\n\nNigel Brooks\n\nNikki Giovanni\n\nNikša Gligo\n\nNino Vella\n\nNona Asiah\n\nNora Orlandi\n\nNorah Lee Allen\n\nNorman Carol\n\nNorman Shetler\n\nOdile Bailleux\n\nOldřich Janota\n\nOlle Zetterquist\n\nOllie Olsen\n\nOmar Geles\n\nOmer Detz\n\nOnyeka Onwenu\n\nOscar Ghiglia\n\nOsmar Milito\n\nOswald d'Andréa\n\nOwsley Manier\n\nOzzy Osment\n\nPacífico Mascarenhas\n\nPaddy Cole\n\nPalle Danielsson\n\nPankaj Udhas\n\nPapa Kojak\n\nPapa Noël Nedule\n\nPark Bo-ram\n\nPascal Danel\n\nPat Collier\n\nPat Lewis\n\nPat Rolfe\n\nPaul Cripple\n\nPaul Di'Anno\n\nPaul Dwayne\n\nPaul Gilmartin\n\nPaul Lovelace\n\nPaul Roper\n\nPaul Sperry\n\nPaulo Alexandre\n\nPavel Karmanov\n\nPavel Zajíček\n\nPavol Zelenay\n\nPedro Altamiranda\n\nPeggi Blu\n\nPepe Guerra\n\nPepe Justicia\n\nPete Rodriguez\n\nPete Wade\n\nPeter \"Peetah\" Morgan\n\nPeter Collins\n\nPéter Eötvös\n\nPeter Forrest (pka P. Fluid)\n\nPeter Kubik\n\nPeter Schaap\n\nPeter Sinfield\n\nPeter Tiboris\n\nPeter Yarrow\n\nPetr Hannig\n\nPhil Delire\n\nPhil Lesh\n\nPhil Nimmons\n\nPhil Swern\n\nPhil Wiggins\n\nPhilip \"Daddae\" Harvey\n\nPhilip Prendergast\n\nPhilippe McKenzie\n\nPhloen Phromdaen\n\nPinche Peach\n\nPino D'Angiò\n\nPooch Tavares\n\nPraveen Kumar\n\nPresto\n\nPriya Suriyasena\n\nPuput Novel\n\nQuincy Jones\n\nRajeev Taranath\n\nRajko Maksimović\n\nRanch Sironi\n\nRandall Collins\n\nRandy Davidson\n\nRandy Rayburn\n\nRandy Sparks\n\nRaul Sepper\n\nRay Kirkland\n\nRay St. Germain\n\nRebel Roy Steiner Jr.\n\nReggie \"Saafir\" Gibson\n\nReita\n\nRemo Saraceni\n\nRenato Serio\n\nRenna Kellaway\n\nReuben Jackson\n\nRichard Andrew\n\nRichard Dyer\n\nRichard Horowitz\n\nRichard Macphail\n\nRichard Maloof\n\nRichard Perry\n\nRichard Sherman\n\nRichard Tandy\n\nRico Wade\n\nRieko Nakagawa\n\nRise Kagona\n\nRita Mckenzie\n\nRob Stone\n\nRobert \"Bob\" D. Fead\n\nRoberta Marrero\n\nRoberto Darvin\n\nRobin George\n\nRobin Guy\n\nRocket Norton\n\nRodessa Barrett Porter\n\nRodger Fox\n\nRoger Palm\n\nRohan de Saram\n\nRoli Mosimann\n\nRomualds Kalsons\n\nRon Boutwell\n\nRon Kavana\n\nRon Pateras\n\nRoni Stoneman\n\nRose-Marie\n\nRoy Cape\n\nRoy Carter\n\nRoy Haynes\n\nRudolf Jansen\n\nRuss \"Rusty\" Gauthier\n\nRuss North\n\nRuss Wilson\n\nRussell Malone\n\nRussell Stone\n\nRusty Golden\n\nRuth Hesse\n\nRyan Whyte Maloney\n\nRylo Huncho\n\nRyszard Poznakowski\n\nS. Atan\n\nSadi Mohammad\n\nŞahlar Quliyev\n\nSakini Ramachandraiah\n\nSalvatore \"Sam\" Cerami\n\nSam Moore\n\nSandile Ngwenya\n\nSandra Crouch\n\nSandy Posey\n\nSarah Gibson\n\nSarwar\n\nSayuri\n\nScreamin' Scott Simon\n\nSeiji Ozawa\n\nSenaka Batagoda\n\nSergei Rudnitsky\n\nSérgio Mendes\n\nShafin Ahmed\n\nSharda Sinha\n\nShari Martin\n\nShaun Martin\n\nShel Talmy\n\nShifty Shellshock\n\nShinsadong Tiger\n\nShujeo Shyam\n\nSiegfried\n\nSiegfried Lorenz\n\nSiegfried Thiele\n\nSigrid Kehl\n\nSilvia Infantas\n\nSir Andrew Davis\n\nSkowa\n\nSlađana Milošević\n\nSlim Dunlap\n\nStanislas Deriemaeker\n\nStanley Booth\n\nStefan Wojtas\n\nStella Greka\n\nStéphane Venne\n\nSteve Alaimo\n\nSteve Albini\n\nSteve Brown\n\nSteve Davislim\n\nSteve Harley\n\nSteve Kaspar\n\nSteve Kille\n\nSteve Lawrence\n\nSteve Lewinson\n\nSteve Lowry\n\nSteve Morse\n\nSteve Nelson\n\nSteve Ostrow\n\nSteve Wright\n\nSteven Tajti\n\nStipica Kalogjera\n\nStoika Milanova\n\nSturgis Nikides\n\nSue Chaloner\n\nSugar Pie DeSanto\n\nSusan Alcorn\n\nSusan Buckner\n\nSusie Tennant\n\nSylvain Augier\n\nSylvain Luc\n\nT. M. Stevens\n\nTakeshi Inomata\n\nTamás Deák\n\nTarek Ali Hassan\n\nTaro Kida\n\nTavinho Paes\n\nTeddy Lasry\n\nTeodor Zgureanu\n\nTeresa Bright\n\nTerje Bjørklund\n\nThabiso Sikwane\n\nThay Floyd\n\nThomas Hertel\n\nTim Cook\n\nTina Rainford\n\nTito Jackson\n\nToby Keith\n\nToby Meyers\n\nTom Foote\n\nTom Fowler\n\nTom Johnson\n\nTom Kent\n\nTom Prasada-Rao\n\nTomáš Vendl\n\nTomcraft\n\nTommy Alverson\n\nTommy Cash\n\nTommy Drennan\n\nToni Montano\n\nToni Price\n\nTony Haynes\n\nTony Middleton\n\nTony Tuff\n\nTore Ylwizaker\n\nToumani Diabaté\n\nTyka Nelson\n\nUma Ramanan\n\nUmberto Marcato\n\nVaja Azarashvili\n\nValentin Petricenco\n\nVanhlupuii\n\nVic Flick\n\nVicki Rhodes\n\nVijay Anand\n\nVincent Bonham\n\nVitalij Kuprij\n\nVladimir Lyovkin\n\nVladimir Turiyansky\n\nVojtěch Havel\n\nVyacheslav Dobrynin\n\nW.C. 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[Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eAmid a historic night at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://www.grammy.com/artists/alicia-keys/12104) \u003cspan\u003eadded to the remarkable feats when she accepted the Dr. Dre Global Impact Award — becoming the first woman to receive the special honor.\u003c/span\u003e\n\n\u003cspan\u003eAfter a loving introduction by presenter \u003c/span\u003e[\u003cspan\u003eQueen Latifah\u003c/span\u003e](https://www.grammy.com/artists/queen-latifah/5764)\u003cspan\u003e, the \"If I Ain't Got You\" singer delivered a powerful acceptance speech. \"I always had to fight for a certain level of respect as a songwriter, a composer, and especially, a producer,\" Keys began. \u003c/span\u003e\n\n\u003cspan\u003e\"It's strange that we don't think of women as producers like \u003c/span\u003e[\u003cspan\u003eQuincy \\[Jones\\]\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003e\\[Dr.\\] Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003eSwizzy\u003c/span\u003e](https://grammy.com/artists/swizz-beatz/7479)\u003cspan\u003e, but female producers have always powered the industry,\" she continued before citing examples in \u003c/span\u003e[\u003cspan\u003ePatrice Rushen\u003c/span\u003e](https://www.grammy.com/artists/patrice-rushen/17346)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMissy Elliott\u003c/span\u003e](https://www.grammy.com/artists/missy-misdemeanor-elliott/11451)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLinda Perry\u003c/span\u003e](https://www.grammy.com/artists/linda-perry/5376)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGrimes\u003c/span\u003e](https://www.grammy.com/news/grimes-non-violent-utopia)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSolange Knowles\u003c/span\u003e](https://www.grammy.com/artists/solange/20012)\u003cspan\u003e. \"We stand together, so it's a beautiful feeling to be acknowledged for the thing I always thought people didn't really recognize about me.\"\u003c/span\u003e\n\n\u003cspan\u003eAfter dedicating her Global Impact Award to \"all the ladies that know the magic that they bring to the room,\" the\u003c/span\u003e [\u003cspan\u003eShe Is The Music\u003c/span\u003e](https://sheisthemusic.org/) \u003cspan\u003efounder then turned her speech into a rallying cry for unity amid the current federal administration's efforts to dismantle and demonize diversity, equity and inclusion efforts.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Alicia Keys receives Global Impact Award","deliveryId":"7da782f3-19cb-4f68-a8df-3c46f8eab602"},"assetId":"4a851fab-559c-4409-80e3-41dc77b35236","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Alicia Keys Receives Global Impact Award","deliveryId":"2da2d9b4-c2ee-4406-84f5-2059b43274cb"},"bodyText":{"richText":"\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" Keys said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\u003c/span\u003e\n\n\u003cspan\u003e\"When destructive forces try to burn us down, we rise from the ashes like a phoenix. And as you see tonight, music is the unstoppable language that connects us all — it's so beautiful,\" she added in conclusion. \"So let's keep showing up with compassion, with empathy, what I call 'soul care.' Keep opening the doors. 'Dream the world as it ought to be,' as the great Toni Morrison said. So thank you for this massive award, this massive honor.\"\u003c/span\u003e\n\n\u003cspan\u003eKeys earned her first five GRAMMYs more than two decades ago thanks to her 2001 breakout album, \u003c/span\u003e*\u003cspan\u003eSongs in A Minor\u003c/span\u003e*\u003cspan\u003e. She became the biggest winner of the evening at the 2002 GRAMMYs, taking home the golden gramophones for Best New Artist and Best R\u0026amp;B Album, as well as Song Of The Year, Best R\u0026amp;B Song and Best Female R\u0026amp;B Vocal Performance for her debut single, \"Fallin.'\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eGRAMMY Rewind: Watch A 'Humbled' Alicia Keys Win Song Of The Year For \"Fallin'\" In 2002\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-grammy-rewind-fallin-song-of-the-year-win-acceptance-speech-video-songs-in-a-minor)\n\n\u003cspan\u003eSince then, she's added 11 more GRAMMYs to her collection in Categories ranging from Best Rap Song and Best Rap/Sung Collaboration (both for 2009's \"Empire State of Mind\" with \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e) to Best Immersive Audio Album (for the 20th anniversary edition of her 2003 sophomore album \u003c/span\u003e*\u003cspan\u003eThe Diary of Alicia Keys\u003c/span\u003e*\u003cspan\u003e).\u003c/span\u003e\n\n\u003cspan\u003eAhead of the telecast, Keys also scored her 17th career win — and added a new Category to her long GRAMMY resume — when the original cast recording of her 2024 \u003c/span\u003e[\u003cspan\u003eTony-winning\u003c/span\u003e](https://www.grammy.com/news/tony-awards-2024-recap-musical-theater-wins-losses)\u003cspan\u003e Broadway musical \"Hell's Kitchen\" took home the trophy for Best Musical Theater Album.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/dr-dre-2023-grammys-global-impact-award-inaugural-recipient) \u003cspan\u003ewas first given out at the 2023 GRAMMYs ceremony, honoring its namesake for his visionary contributions to popular music and culture throughout his decades long career. Last year, Keys' \"Empire State of Mind\" collaborator Jay-Z was\u003c/span\u003e [\u003cspan\u003ehonored\u003c/span\u003e](https://www.grammy.com/news/jay-z-2024-grammys-speech-dr-dre-global-impact-award) \u003cspan\u003ewith the special award with his daughter (and fellow GRAMMY winner)\u003c/span\u003e [\u003cspan\u003eBlue Ivy Carter\u003c/span\u003e](https://www.grammy.com/artists/blue-ivy/292460) \u003cspan\u003eby his side.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"85e390c6-71dd-4cbd-9aaa-70b814964b87","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B"],"tags":["Alicia Keys","2025 GRAMMYs","Global Impact Award","Black Music Collective"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738559697762,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Alicia Keys Delivers A Powerful Call To Action After Receiving Dr. Dre Global Impact Award","shortTitle":"Alicia Keys Receives Dr. Dre Global Impact Award","subHeadline":"The freshly minted 17-time GRAMMY winner dedicated her history-making honor to the women in the room, also praising the power of diversity.","articleSummary":"The freshly minted 17-time GRAMMY winner became the first woman to receive the special honor. She dedicated her history-making feat to the women in the room and praised the power of diversity.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","deliveryId":"85e390c6-71dd-4cbd-9aaa-70b814964b87"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"alicia-keys-2025-grammys-GIA-speech","id":"b462e3c4-1c89-4ee4-aa92-b3eda6eb8aed","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Alicia Keys","2025 GRAMMYs"],"title":"Alicia Keys Honored With The Global Impact Award","shortTitle":"Alicia Keys Honored With The Global Impact Award","imgAlt":"Honoree Alicia Keys accepts the Dr. Dre Global Impact Award onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California","imgTitle":"Alicia Keys Honored With The Global Impact Award","link":"/","captionValue":"Alicia Keys onstage at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":4261,"height":2841,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryKey":"news/2025-grammys-quincy-jones-tribute-performance-stevie-wonder-herbie-hancock-janelle-monae","deliveryId":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"bdbfbd8d-b0d4-41a5-a6cc-d3d2f2c61b6c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eThe Recording Academy paid tribute to the life and legacy of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e with a special medley during the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. The legendary producer and composer, a 28-time GRAMMY winner, passed away in November 2024 at the age of 91.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFeaturing a heartfelt introduction from \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eWill Smith\u003c/span\u003e](https://grammy.com/artists/will-smith/7175)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, the dazzling performance featured a myriad of artists who honored the multihyphenate's extensive catalog. The tribute began with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCynthia Erivo\u003c/span\u003e](https://docs.google.com/document/d/1JTEoUQ97cZ-qEXrcBV_xYYAJvNoQkvE1-FFnBCFQ7Fk/edit?tab=t.0)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eHerbie Hancock\u003c/span\u003e](https://grammy.com/artists/herbie-hancock/9477)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e blowing the roof \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW160280551 BCX4\"\u003eoff of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e L.A.’s Crypto.com Arena with a jazzy rendition of \"Fly Me to the Moon,\" which Jones famously arranged for \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e’s 1964 rendition accompanied by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCount Basie\u003c/span\u003e](https://grammy.com/artists/count-basie/332)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. An instrumental version by\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Joe Harnell\u003c/span\u003e](https://grammy.com/artists/joe-harnell/3676)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e won a GRAMMY in 1963 for Best Performance \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eBy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eAn\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Orchestra – For Dancing.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eNext, \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003ecurrent\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e nominee \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eLainey Wilson\u003c/span\u003e](https://www.grammy.com/artists/lainey-wilson/54192)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e was backed by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and a live band for \"Let the Good Times Roll.\" Notably, the song earned Jones one of his first two GRAMMY nominations, for Best Arrangement, in 1961. Thirty-four years later, Jones memorably assembled \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eStevie Wonder\u003c/span\u003e](https://grammy.com/artists/stevie-wonder/8257)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRay Charles\u003c/span\u003e](https://grammy.com/artists/ray-charles/10927)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eBono\u003c/span\u003e](https://grammy.com/artists/bono/788)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e to cover the song — which was later inducted into the GRAMMY Hall of Fame in 2009 — on his 1995 album \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQ’s Jook Joint\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFollowing Wilson’s twangy take on the jump blues classic, Wonder showed off his famous harmonica skills for the 1962 instrumental jazz standard \"Bluesette\" — which closed out Jones’ 1975 LP \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eMellow Madness\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e — with another assist from Hancock. From Hancock's piano bench, wonder led the entire arena in a sing-along of \"We Are the World.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRemembering Quincy Jones: Musical Pioneer, Inspiration, Activist \u0026amp; Renaissance Man\u003c/span\u003e](https://www.grammy.com/news/remembering-quincy-jones-grammy-winner-pioneer)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Stevie Wonder \u0026 Herbie Hancock Performance | \"We Are The World\" \u0026 \"Bluesette\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"ef553acc-20c4-44b9-957a-07f1da145e65"},"assetId":"de08cee5-fa97-404a-af78-e3104d3ecede","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Cynthia Erivo \u0026 Herbie Hancock Performance | \"Fly Me To The Moon\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"013532c6-32a4-4516-af75-b523743dab23"},"assetId":"e63f4fed-d2ec-4f02-b0ec-7bdaad320860","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Lainey Wilson \u0026 Jacob Collier Performance| \"Let The Good Times Roll\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"fcbc1916-16be-4bc7-a7cb-20501b01fd0e"},"assetId":"ea8fb4c2-8bb4-42e1-afab-a28a56804c18","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"b3c2e4d2-9276-4bdf-bbe0-2da61e0e58c2"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"This song fed millions of people in Ethiopia,\" Wonder said to introduce the 1985 charity single — which Jones produced featuring an all-star line-up including \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eLionel Richie\u003c/span\u003e](https://grammy.com/artists/lionel-richie/17291)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eMichael Jackson\u003c/span\u003e](https://grammy.com/artists/michael-jackson/13202)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBilly Joel\u003c/span\u003e](https://grammy.com/artists/billy-joel/12071)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTina Turner\u003c/span\u003e](https://grammy.com/artists/tina-turner/7641)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBruce Springsteen\u003c/span\u003e](https://grammy.com/artists/bruce-springsteen/6389)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e and many more.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"You see those people on the screen? You see the people up there?\" Wonder continued as photos flashed from the song’s famed recording session. \"That day, Quincy told us to keep our egos out, and at the door. And we are still the world. And I say to you, we’re still the children, we are still the people who will fight and die for this nation. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e we definitely have to be able to celebrate each other’s cultures all the time. You feel me?\" The anthem by USA for Africa won multiple GRAMMY Awards in 1986, including Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year and Best Pop Performance by a Duo or Group with Vocal.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBetween musical numbers, Smith then returned to the mic to share the impact Jones left on his life as executive producer of \"The Fresh Prince of Bel-Air.\" \"He said something to me that became the absolute center of how I wanted to have my career, how I wanted to live my life,\" the rapper-turned-actor said. \"He looked right in my face, and he said, ‘It is your job to take care of these people.’ And I’ve done everything I can through my career to try to live up to Quincy’s demand.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"All of Q’s children and all of us who just loved him like he was our father, know this: Quincy Jones always took care of people,\" Smith continued. \"And that’s how he fed the world. Quincy taught us all that life is a feast, and you don’t stop ‘til you get enough.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eFinally, the segment concluded with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eJanelle Monáe\u003c/span\u003e](https://grammy.com/artists/janelle-monae/4464)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e paying tribute to Jones’ long and fruitful working relationship with Jackson with a performance of \"Don’t Stop \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW205796115 BCX4\"\u003e'Til\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e You Get Enough.\" After channeling the King of Pop by moonwalking across the stage, the ten-time GRAMMY nominee jumped up on a table in the audience, throwing off her bedazzled suit jacket to reveal a t-shirt emblazoned with \"I \\[Heart\\] QJ.\" (For its part, the suit coat appeared to end up around none other than \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e’s shoulders by the time Monáe took her final bow.)\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eIn addition to 80 GRAMMY nominations, Jones took home golden gramophones for Producer \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year three times, and both Album and Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year twice. He was also the recipient of the GRAMMY Trustees Award in 1989, the GRAMMY Legend Award in 1991 and was named MusiCares Person of the Year in 1996.\u003c/span\u003e\n\nVisit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"b24256db-0c3a-467f-962e-f16b9996b6f6","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B","Rap"],"tags":["2025 GRAMMYs","In Memoriam","Quincy Jones","Janelle Monáe","Stevie Wonder","Lainey Wilson","Herbie Hancock","Jacob Collier","Cynthia Erivo"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612153316,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","subHeadline":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","articleSummary":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","deliveryId":"b24256db-0c3a-467f-962e-f16b9996b6f6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"cynthia-erivo-2025-grammys-performance","id":"ac6f4a15-3d5d-4813-81d7-b35397c588b1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["2025 GRAMMYs","Cynthia Erivo"],"title":"2025 GRAMMYs Pay Tribute To Quincy Jones","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","imgAlt":"Cynthia Erivo onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","link":"/","captionValue":"Cynthia Erivo performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":5000,"height":3334,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/doechii-wins-best-rap-album-2025-grammys","deliveryId":"ef15170c-4a53-481a-a973-663715043a14"},"video":{"videoPlatformSource":"Nomad","assetId":"7820fb20-977d-4431-851b-95fd6d76dfea"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e delivers an acceptance speech after winning Best Rap Album for \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e at the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eJ. Cole\u003c/span\u003e](https://www.grammy.com/artists/j-cole/1324)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMight Delete Later\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eCommon\u003c/span\u003e](https://www.grammy.com/artists/common/1332)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp; \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003ePete Rock\u003c/span\u003e](https://www.grammy.com/artists/pete-rock/58112)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Auditorium, Vol. 1\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eEminem\u003c/span\u003e](https://www.grammy.com/artists/eminem/8580)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Death \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eOf \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eSlim Shady (Coup De \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eGrâce\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e)\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), and \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eFuture\u003c/span\u003e](https://grammy.com/artists/future/19716)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp;\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMetro Boomin\u003c/span\u003e](https://grammy.com/artists/metro-boomin/51984)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eWe Don't Trust You\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e).\u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Rap"],"tags":["2025 GRAMMYs","Rap","Best Rap Album","Doechii"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738352001223,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","shortTitle":"Doechii Wins Best Rap Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/78/20/fb/7820fb20-977d-4431-851b-95fd6d76dfea/screenshots/PreviewImage-00-01-44.020.jpg","duration":"208041"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Shakira Win Best Latin Pop Album For Best Latin Pop Album | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/shaikra-wins-best-latin-pop-album-2025-grammys","deliveryId":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},"video":{"videoPlatformSource":"Nomad","assetId":"a6b6cc8f-3f7f-4521-8fc9-97481bd34993"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[Shakira](https://grammy.com/artists/shakira/17393)** \u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003edelivers an acceptance speech after winning Best Latin Pop Album for \u003c/span\u003e*Las Mujeres Ya No Lloran*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e at the\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eFunk Generation\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eAnitta\u003c/span\u003e](https://www.grammy.com/artists/anitta/51568)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eEl Viaje\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eLuis Fonsi\u003c/span\u003e](https://www.grammy.com/artists/luis-fonsi/3346)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eGARCÍA\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKany García\u003c/span\u003e](https://www.grammy.com/artists/kany-garcia/3540)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), and \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eORQUÍDEAS\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKali Uchis\u003c/span\u003e](https://www.grammy.com/artists/kali-uchis/188816)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e). \u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Latin","Pop"],"tags":["2025 GRAMMYs","Best Latin Pop Album","Latin Music","Shakira"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1739229150127,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Shakira Win Best Latin Pop Album For 'Las Mujeres Ya No Lloran' | 2025 GRAMMYs Acceptance Speech","shortTitle":"Shakira Wins Best Latin Pop Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/a6/b6/cc/a6b6cc8f-3f7f-4521-8fc9-97481bd34993/screenshots/PreviewImage-00-00-55.372.jpg","duration":"110744"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch SZA Talk About Super Bowl Lix Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","deliveryKey":"videos/sza-2025-grammys-backstage-interview","deliveryId":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},"video":{"videoPlatformSource":"Nomad","assetId":"7ddd0b6b-36fc-4883-bed5-14c477ffab4c"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what \u003c/span\u003e**[\u003cspan\u003eSZA\u003c/span\u003e](https://www.grammy.com/artists/Solana-Rowe/32514)**\u003cspan\u003e, winner for\u003c/span\u003e \u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e \u003cspan\u003efor\u003c/span\u003e \u003cspan\u003e“Saturn”\u003c/span\u003e \u003cspan\u003ehad to say when\u003c/span\u003e \u003cspan\u003eshe\u003c/span\u003e \u003cspan\u003estopped by to speak to the Recording Academy backstage at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e.\u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview","SZA","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738560215627,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch SZA Talk About Super Bowl LIX Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","shortTitle":"SZA Backstage Interview | 2025 GRAMMYs","videoCategory":"interview","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/7d/dd/0b/7ddd0b6b-36fc-4883-bed5-14c477ffab4c/screenshots/PreviewImage-00-03-50.013.jpg","duration":"460026"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/grammys-pay-tribute-to-first-responders-lafd-wildfire-recovery","deliveryId":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"},"video":{"videoPlatformSource":"Nomad","assetId":"26e7acc6-4145-4714-a5aa-d04c2d166e30"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what the Los Angeles Fire Department Fire Chief, Anthony Marrone, and Fire Captain Sheila Kelliher Berkoh had to say on stage about wildfire recovery in Los Angeles at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e before presenting Album Of The Year to Beyoncé. \u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561042764,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","shortTitle":"Watch The GRAMMYs Pay Tribute To First Responders","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/26/e7/ac/26e7acc6-4145-4714-a5aa-d04c2d166e30/screenshots/PreviewImage-00-01-07.784.jpg","duration":"135569"}}]},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives","contents":[{"__typename":"News","title":"5 Songs To Get Into Cymande, The British Funk Pioneers Behind Your Favorite Samples","id":"081be441-e55f-4510-b633-3932c9ec2f9b","deliveryKey":"news/cymande-songs-to-know-interview-tour-new-album","pillar":"GRAMMYs","datePublished":1739461087608,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"5 Songs To Get Into British Funk Pioneers Cymande","deliveryId":"081be441-e55f-4510-b633-3932c9ec2f9b","deliveryKey":"news/cymande-songs-to-know-interview-tour-new-album"},"articleCategory":["list"],"contributors":[{"id":"bc399f03-9e1f-46a9-ba73-c5c5fe7af38d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"5 Songs To Get Into British Funk Pioneers Cymande body 1","deliveryId":"b7a1bb3e-1d4b-4a5a-ada8-f673bbb43576"},"bodyText":{"richText":"\u003cspan\u003eWhen\u003c/span\u003e \u003cspan\u003ePatrick Patterson and Steve Scipio\u003c/span\u003e \u003cspan\u003eformed\u003c/span\u003e [\u003cspan\u003eCymande\u003c/span\u003e](https://cymandeofficial.com/) \u003cspan\u003ein 1971 in South London, they had two main goals in mind: Make original music, and make music with a message.\u003c/span\u003e\n\n\u003cspan\u003eThe group didn’t have a specific approach or genre, but pulled musical and cultural inspiration from the African and Caribbean roots of their predominantly Black communities. They wrote lyrics about the racism they faced in late '60s, early 1970s London. The resulting music was funky, but not overly busy or rushed; its laid-back grooves and melodies are clear, distinct, and uplifting. \u003c/span\u003e\n\n\u003cspan\u003eIn their late teens, guitarist Patterson and bassist Scipio played in a jazz group called Metre, and also played with a Nigerian band who introduced them to polyrhythmic ideas. These key elements carried over into Cymande, pronounced \"see-Mahn-dee,\" \u003c/span\u003e[\u003cspan\u003ea word taken from the lyrics of a popular calypso song\u003c/span\u003e](https://www.rollingstone.com/music/music-news/cymande-londons-greatest-funk-band-on-return-to-stage-35573/3/)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003e\"Don’t ask me to play any covers, I can’t do covers,\" Patterson tells GRAMMY.com. \"Right from the start, we wanted to write our own music, and make it unique.\"\u003c/span\u003e\n\n\u003cspan\u003eTheir decision to blend funk, soul, reggae, and jazz in unique ways quickly changed their lives in phenomenal ways. Over the course of just a few years, Cymande went from playing small basement clubs in London to touring the U.S. with \u003c/span\u003e[\u003cspan\u003eAl Green\u003c/span\u003e](https://grammy.com/artists/al-green/13386)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKool \u0026amp; The Gang\u003c/span\u003e](https://grammy.com/artists/kool-and-gang/7816)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePatty LaBelle\u003c/span\u003e](https://grammy.com/artists/patti-labelle/9251)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eBilly Preston\u003c/span\u003e](https://grammy.com/artists/billy-preston/5752)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRamsey Lewis\u003c/span\u003e](https://grammy.com/artists/ramsey-lewis/15078)\u003cspan\u003e, and Mandrill. \u003c/span\u003e\n\n\u003cspan\u003e\"To be onstage with someone like Al Green was just fantastic. He was in a world of his own,\" Scipio says. \"In the small UK clubs, we were lucky to play for a hundred people. In America the biggest audience we had was 20,000 people. Some of the guys in the band were scared. It was a very rapid ascent.\"\u003c/span\u003e\n\n\u003cspan\u003eCymande released three albums between 1972 and 1974, and their self-titled debut album reached the U.S. Billboard pop and R\u0026amp;B Charts. Their first single,\u003c/span\u003e[\u003cspan\u003e \"The Message\"\u003c/span\u003e](https://5f5885ec.streaklinks.com/CSh0uMoIyITd8gPtcgGcalhK/https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DbPhb30PXd4I)\u003cspan\u003e reached the Billboard Hot 100 and Hot R\u0026amp;B Charts. In 1972, the group became the first British band to perform at The Apollo Theatre in Harlem. \u003c/span\u003e\n\n\u003cspan\u003eComing back to the UK was a buzzkill for the band: they felt neglected and rejected by a British music industry that didn’t seem keen on nurturing all-Black bands. By the end of 1974 they went on hiatus, and Patterson and Scipio eventually both became practicing lawyers in the Caribbean. The group remained disbanded for decades.\u003c/span\u003e\n\n\u003cspan\u003eIn the ensuing years, Cymande has resurfaced in many different ways. British DJ Norman Jay introduced a new generation of listeners to Cymande by playing their records in the 1980s on London pirate radio. Early hip-hop DJs like \u003c/span\u003e[\u003cspan\u003eKool Herc\u003c/span\u003e](https://grammy.com/news/dj-kool-herc-cindy-campbell-50th-anniversary-of-hip-hop-interview-jamaican-roots)\u003cspan\u003e sampled their music in the '80s. In the 1990s, Cymande was sampled by the likes of \u003c/span\u003e[\u003cspan\u003eDe La Soul\u003c/span\u003e](https://grammy.com/artists/de-la-soul/7793)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eWu-Tang Clan\u003c/span\u003e](https://grammy.com/artists/wu-tang-clan/16390)\u003cspan\u003e, Gangstarr, MC Solaar and \u003c/span\u003e[\u003cspan\u003ethe Fugees\u003c/span\u003e](https://grammy.com/artists/fugees/7429)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eSpike Lee\u003c/span\u003e](https://grammy.com/artists/Spike-Lee/38238)\u003cspan\u003e used their music in two of his films. They’ve released a handful of studio albums and compilations, and have regrouped for a handful of live performances. A documentary on their history, \u003c/span\u003e*\u003cspan\u003eGetting It Back: The Story of Cymande\u003c/span\u003e*\u003cspan\u003e, was released in 2022. \u003c/span\u003e\n\n\u003cspan\u003eIn January, the band released \u003c/span\u003e*\u003cspan\u003eRENASCENCE,\u003c/span\u003e*\u003cspan\u003e their first album of new material in a decade. The album's 10 tracks have that same energy and style the band is known for, combined with the depth of a lifetime of experiences. Cymande is touring 10 U.S. cities in February and will perform this Spring and Fall in the UK. On Feb. 27, the \u003c/span\u003e[\u003cspan\u003eGRAMMY Museum in Los Angeles will host a film screening\u003c/span\u003e](https://grammymuseum.org/event/reel-to-reel-getting-it-back-the-story-of-cymande/)\u003cspan\u003e of the band documentary, featuring a Q\u0026amp;A with Patterson and Scipio. \u003c/span\u003e\n\n\u003cspan\u003eGRAMMY.com spoke with Patterson and Scipio about their lives in and out of Cymande, and selected the following songs that help illustrate the heart of their sound and style.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"5 Songs To Get Into British Funk Pioneers Cymande - \"Bra\" WITH TITLE","deliveryId":"3e351f71-1b22-4fc7-97ef-9b28cfd05cd6"},"videoUrl":"https://www.youtube.com/watch?v=i3g0tptBwt8","videoTitle":"\"Bra\" (1972)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"5 Songs To Get Into British Funk Pioneers Cymande body 2","deliveryId":"3946ff96-227f-4e60-8640-b121b285679c"},"bodyText":{"richText":"\u003cspan\u003eArguably one of their most recognizable songs, \"Bra\" was named for a colloquial West Indian expression for brother, and the style of \"Bra\" and other songs written at that time were influenced by\u003c/span\u003e [\u003cspan\u003eMiles Davis\u003c/span\u003e](https://grammy.com/artists/miles-davis/11305)\u003cspan\u003e. The song originated with the bass line and rhythm, and the melody and the lyrics came later,\u003c/span\u003e [\u003cspan\u003eaccording to Scipio\u003c/span\u003e](https://daily.redbullmusicacademy.com/2014/12/cymande-interview)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eHip-hop group Gangstarr sampled \"Bra\" on their 1988 song\u003c/span\u003e [\u003cspan\u003e\"Movin’ On,\"\u003c/span\u003e](https://www.youtube.com/watch?v=hW7mQh2-mYA) \u003cspan\u003eand De La Soul\u003c/span\u003e [\u003cspan\u003esampled it a year later\u003c/span\u003e](https://www.whosampled.com/Cymande/)\u003cspan\u003e. Filmmaker Spike Lee included the song in 1994’s\u003c/span\u003e *\u003cspan\u003eCrooklyn\u003c/span\u003e* \u003cspan\u003eand 2002’s\u003c/span\u003e *\u003cspan\u003e25th Hour\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"5 Songs To Get Into British Funk Pioneers Cymande - \"Dove\" WITH TITLE","deliveryId":"1d1e35eb-0dc5-47ab-b8e2-938e17f712f6"},"videoUrl":"https://www.youtube.com/watch?v=C7l-xs2GF-0","videoTitle":"\"Dove\" (1972)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"5 Songs To Get Into British Funk Pioneers Cymande body 3","deliveryId":"cd38b627-a384-463b-b15f-b54273a65ada"},"bodyText":{"richText":"\u003cspan\u003eThis moody, psychedelic groove is almost 11 minutes long, punctuated by jazzy flute improvisations and haunting vocals. Wu-Tang Clan sampled it on their 1991 song \u003c/span\u003e[\u003cspan\u003e\"Problems,\"\u003c/span\u003e](https://www.youtube.com/watch?v=is1ULOzgC1c)\u003cspan\u003e and the Fugees and EPMD also sampled it later that same decade.\u003c/span\u003e\n\n\u003cspan\u003eScipio found out through his children that Cymande songs like \"Dove\" were being sampled in hip-hop. He and Patterson subsequently put their legal expertise to work to get their publishing rights back from the record labels, making sure they had full ownership of how their music was being used. \u003c/span\u003e\n\n\u003cspan\u003eBeyond its highly sampled legacy, doves are central to Cymande: \"Cymande\" is a reference to a lyric from a calypso song called \"Dove and Pigeon,\" and dove images appear on their album covers. \"\u003c/span\u003e\u003cspan\u003eThe dove represents peace and love and for us,\" \u003c/span\u003e[\u003cspan\u003eScipio told \u003c/span\u003e](https://www.rollingstone.com/music/music-news/cymande-londons-greatest-funk-band-on-return-to-stage-35573/3/)*[\u003cspan\u003eRolling Stone\u003c/span\u003e](https://www.rollingstone.com/music/music-news/cymande-londons-greatest-funk-band-on-return-to-stage-35573/3/)*[\u003cspan\u003e in 2016.\u003c/span\u003e](https://www.rollingstone.com/music/music-news/cymande-londons-greatest-funk-band-on-return-to-stage-35573/3/)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"5 Songs To Get Into British Funk Pioneers Cymande - \"Brothers On The Slide\" WITH TITLE","deliveryId":"fedc4899-eef3-4787-afd9-4bf83796f29e"},"videoUrl":"https://www.youtube.com/watch?v=RCCSQtRXCnU","videoTitle":"\"Brothers On The Slide\" (1974)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"5 Songs To Get Into British Funk Pioneers Cymande body 4","deliveryId":"e44c410a-1099-49ff-8968-a06a9ab4c40c"},"bodyText":{"richText":"\u003cspan\u003eThis heavy groove — sampled by \u003c/span\u003e[\u003cspan\u003eMF Doom\u003c/span\u003e](https://grammy.com/news/10-facts-about-mf-doom-mm-food-deluxe-reissue)\u003cspan\u003e in 2004 — maye have hints of \u003c/span\u003e[\u003cspan\u003eCurtis Mayfield\u003c/span\u003e](https://grammy.com/artists/curtis-mayfield/5308)\u003cspan\u003e, but the standouts are all signature Cymande: clear, melodic bass line, hand percussion, poignant lyrics, and plenty of space for the song to breathe. \u003c/span\u003e\n\n\u003cspan\u003e\"Brothers On The Slide\" is Cymande’s most popular song on Spotify, with nearly 50 million plays. The song appeared on their third album, \u003c/span\u003e*\u003cspan\u003ePromised Heights\u003c/span\u003e*\u003cspan\u003e, released in 1974. The lyrics seem to speak directly to young men who may be struggling with life’s hardships: \"\u003c/span\u003e\u003cspan\u003eWorking on the wrong side/What ya gonna do/You can't win so you know you must lose/We know which way you goin.'\"\u003c/span\u003e\n\n*\u003cspan\u003e\"Promised Heights\u003c/span\u003e*\u003cspan\u003e was kind of a realization of getting to where we want to be,\" \u003c/span\u003e[\u003cspan\u003eScipio said in 2014\u003c/span\u003e](https://daily.redbullmusicacademy.com/2014/12/cymande-interview)\u003cspan\u003e. \"The quality of the songs, the lyrics, are much deeper than what had gone before, and also the structure and arrangement of the songs was much more involved.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"5 Songs To Get Into British Funk Pioneers Cymande - \"Crawshay\" WITH TITLE","deliveryId":"6c66ff4f-9fda-4237-8098-0e219a968e85"},"videoUrl":"https://www.youtube.com/watch?v=splgJ41GKCo","videoTitle":"\"Crawshay\" (1973)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"5 Songs To Get Into British Funk Pioneers Cymande body 5","deliveryId":"a93ea204-25f3-48a3-9ca8-c712f610b5c6"},"bodyText":{"richText":"\u003cspan\u003e\"Crawshay\" is a bouncy yet somber groove from the band’s 1973 album \u003c/span\u003e*\u003cspan\u003eSecond Time Round\u003c/span\u003e*\u003cspan\u003e. The song is essentially two long, bluesy verse-chorus arrangements divided by a laid-back piano solo that conveys a feeling of sweet melancholy.\u003c/span\u003e\n\n\u003cspan\u003eThe chorus is a proud declaration of freedom: \"It makes no difference what you think of me/Once again I’m free.\"\u003c/span\u003e\n\n\u003cspan\u003eCymande began recording \u003c/span\u003e*\u003cspan\u003eSecond Time Round\u003c/span\u003e*\u003cspan\u003e after their first U.S. tour. \u003c/span\u003e\u003cspan\u003e\"In relation to the second album, we had a little more experience of not only writing but also of recording. We had a clearer vision of where our music should be going,\" \u003c/span\u003e[\u003cspan\u003ePatterson said in 2014\u003c/span\u003e](https://daily.redbullmusicacademy.com/2014/12/cymande-interview)\u003cspan\u003e. \"We had more language in terms of what we wanted to say. We had a wider vocabulary. Some of the songs on \u003c/span\u003e*\u003cspan\u003eSecond Time Around\u003c/span\u003e*\u003cspan\u003e didn’t speak simply to our local or national experience but perhaps we had a better world perspective. I feel our songs on the second album were deeper, and certainly to me more meaningful.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"5 Songs To Get Into British Funk Pioneers Cymande \"Coltrane\" WITH TITLE","deliveryId":"04fa5103-237b-4d22-a6d4-552d5f8957aa"},"videoUrl":"https://www.youtube.com/watch?v=4dmIlu9Xnlg","videoTitle":"\"Coltrane\" (2025)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"5 Songs To Get Into British Funk Pioneers Cymande body 6","deliveryId":"3620ce54-cf04-4304-9ed1-afc82c9829c6"},"bodyText":{"richText":"\u003cspan\u003eJazz has always been a through-line in Cymande’s music, and iconic artists like Miles Davis and \u003c/span\u003e[\u003cspan\u003eJohn Coltrane\u003c/span\u003e](https://grammy.com/artists/john-coltrane/8796)\u003cspan\u003e were a huge influence since the group’s teenage years in South London in the '60s.\u003c/span\u003e\n\n\u003cspan\u003eIt was important to Patterson and Scipio that they keep the core, recognizable elements of Cymande — jazz, reggae, soul, calypso, funk — but also not try to recreate the past. They wanted to continue the message of their three main albums, but also show that they have moved on and developed as people and musicians. \u003c/span\u003e\n\n\u003cspan\u003e\"Coltrane is so important to Black music,\" Patterson says. \"It's not just about music, it's about the Black experience. It’s so identifiable about Coltrane. And it’s been so important to our group as well, something that is forever. It’s a forever thing.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"75fb9225-ee5e-41d0-81c2-d153aec0941d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"5 Songs To Get Into British Funk Pioneers Cymande hero"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B"],"tags":["Cymande","GRAMMY Museum","Spike Lee","De La Soul"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1739461087608,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"5 Songs To Get Into Cymande, The British Funk Pioneers Behind Your Favorite Samples","shortTitle":"5 Songs To Get Into British Funk Pioneers Cymande","subHeadline":"Cymande’s latest record, 'RENASCENCE,' offers a fresh take on the politically-aware, infectious grooves that have defined their sound since forming in 1970. Ahead of the band’s U.S. headline tour, explore their pioneering music via five great tracks.","articleSummary":"Cymande’s latest record, 'RENASCENCE,' offers a fresh take on the politically-aware, infectious grooves that have defined their sound since forming in 1970. Ahead of the band’s U.S. headline tour, explore their pioneering music via five great tracks."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"5 Songs To Get Into British Funk Pioneers Cymande hero","deliveryId":"75fb9225-ee5e-41d0-81c2-d153aec0941d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Cymande Press Shot 1_Credit_DeanChalkley","id":"2bfa29c9-8446-4c41-bee4-1545930d122b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Dean Chalkley"},"tags":["Cymande"],"title":"5 Songs To Get Into British Funk Pioneers Cymande","shortTitle":"5 Songs To Get Into British Funk Pioneers Cymande","imgAlt":"5 Songs To Get Into British Funk Pioneers Cymande","imgTitle":"5 Songs To Get Into British Funk Pioneers Cymande","link":"/","captionValue":"Cymande"}},{"__typename":"News","title":"2025 GRAMMY Hall Of Fame Inducted Recordings Announced: Jay-Z, Santana, Gloria Estefan, Cat Stevens, Emmylou Harris, Luther Vandross \u0026 More","id":"ecdb4ea1-2f8b-468e-830a-ab10e8643fee","deliveryKey":"news/grammy-hall-of-fame-2025-inductees","pillar":"GRAMMYs","datePublished":1739455205727,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMY Hall Of Fame Inducted Recordings Announced: Jay-Z, Santana, Gloria Estefan, Cat Stevens, Emmylou Harris, Luther Vandross \u0026 More","deliveryId":"ecdb4ea1-2f8b-468e-830a-ab10e8643fee","deliveryKey":"news/grammy-hall-of-fame-2025-inductees"},"articleCategory":["news"],"contributors":[{"id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMY Hall Of Fame Inductees Announcement","deliveryId":"0fb595cd-81c0-40ea-9cde-00b14240f82a"},"bodyText":{"richText":"\u003cspan\u003eThe \u003c/span\u003e[\u003cspan\u003eRecording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e has unveiled the 2025 inductees to the esteemed \u003c/span\u003e[\u003cspan\u003eGRAMMY Hall Of Fame\u003c/span\u003e](https://grammy.com/awards/hall-of-fame-award)\u003cspan\u003e, celebrating eight albums and five singles that have significantly shaped music history. To be eligible, recordings must hold qualitative or historical significance and be at least 25 years old.\u003c/span\u003e\n\n\u003cspan\u003eThis year’s honorees range from \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e’s \u003c/span\u003e*\u003cspan\u003eReasonable Doubt\u003c/span\u003e*\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eCat Stevens\u003c/span\u003e](https://grammy.com/artists/yusuf-cat-stevens/188936)\u003cspan\u003e’ \u003c/span\u003e*\u003cspan\u003eTea For The Tillerman\u003c/span\u003e*\u003cspan\u003e to \u003c/span\u003e[\u003cspan\u003eSantana\u003c/span\u003e](https://grammy.com/artists/santana/8052)\u003cspan\u003e’s \u003c/span\u003e*\u003cspan\u003eSupernatural\u003c/span\u003e*\u003cspan\u003e, as well as recordings by Big Star, \u003c/span\u003e[\u003cspan\u003eClara Ward\u003c/span\u003e](https://grammy.com/artists/clara-ward/12802)\u003cspan\u003e, Eddie Floyd, \u003c/span\u003e[\u003cspan\u003eEmmylou Harris\u003c/span\u003e](https://grammy.com/artists/emmylou-harris/13460)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eFela Kuti\u003c/span\u003e](https://grammy.com/artists/femi-kuti/9248)\u003cspan\u003e \u0026amp; Afrika 70, Geeshie Wiley, \u003c/span\u003e[\u003cspan\u003eGloria Estefan\u003c/span\u003e](https://grammy.com/artists/gloria-estefan/2518)\u003cspan\u003e \u0026amp; Miami Sound Machine, \u003c/span\u003e[\u003cspan\u003eJ.D. Crowe\u003c/span\u003e](https://grammy.com/artists/jd-crowe/8708)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eThe New South\u003c/span\u003e](https://grammy.com/artists/new-south/7470)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLinda Martell\u003c/span\u003e](https://grammy.com/artists/linda-martell/58022)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eLuther Vandross\u003c/span\u003e](https://grammy.com/artists/luther-vandross/6968)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThe inducted recordings will be celebrated at the GRAMMY Museum and Recording Academy’s GRAMMY Hall Of Fame Gala on May 16, 2025, at the Beverly Hilton in Beverly Hills, California. The event will also pay tribute to this year’s label honoree, Republic Records, with performances to be announced at a later date. Tables and seats are now \u003c/span\u003e[\u003cspan\u003eavailable for purchase\u003c/span\u003e](https://my.onecause.com/event/organizations/b060a9fb-deb8-4871-90ce-cd9725fac843/events/vevt:3812c7ad-86dd-48f8-95ba-0ff0a4aa1b9d/home/story)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003e\"It’s a privilege to recognize these eclectic recordings as the 2025 GRAMMY Hall Of Fame inductees,\" said \u003c/span\u003e[\u003cspan\u003eHarvey Mason jr.\u003c/span\u003e](https://grammy.com/artists/harvey-mason-jr/4668)\u003cspan\u003e, CEO of the Recording Academy. “Music has the unique power to shape culture and mark moments in time. Each inducted recording reflects that spirit, and we’re excited to celebrate these impactful works, ensuring their legacies continue to inspire generations to come.” \u003c/span\u003e\n\n\u003cspan\u003eMichael Sticka, President/CEO of the GRAMMY Museum, echoed this sentiment, adding, \"The GRAMMY Hall Of Fame serves as a vital bridge between music’s past and present, honoring recordings that have left a lasting mark on our cultural landscape. We’re proud to preserve and share these influential works at the annual GRAMMY Hall Of Fame Gala this spring.\" \u003c/span\u003e\n\n\u003cspan\u003eEligible recipients will receive an official certificate from the Recording Academy. With these 13 new titles, the \u003c/span\u003e\u003cspan\u003eGRAMMY Hall Of Fame now comprises 1,165 inducted recordings\u003c/span\u003e\u003cspan\u003e, recognizing the influential works that have defined music history. \u003c/span\u003e\n\n## **\u003cspan\u003e2025 GRAMMY Hall Of Fame Inducted Recordings\u003c/span\u003e**\n\n***\u003cspan\u003e#1 Record \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eBig Star\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n**\u003cspan\u003e\"Color Him Father\" \u003c/span\u003e**\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eLinda Martell\u003c/span\u003e\u003cspan\u003e (Single)\u003c/span\u003e\n\n**\u003cspan\u003e\"Conga\" \u003c/span\u003e**\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eGloria Estefan \u0026amp; Miami Sound Machine\u003c/span\u003e\u003cspan\u003e (Single)\u003c/span\u003e\n\n**\u003cspan\u003e\"How I Got Over\" \u003c/span\u003e**\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eClara Ward\u003c/span\u003e\u003cspan\u003e (Single)\u003c/span\u003e\n\n***\u003cspan\u003eJ.D. Crowe \u0026amp; The New South \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eJ.D. Crowe \u0026amp; The New South\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n**\u003cspan\u003e\"Knock On Wood\" \u003c/span\u003e**\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eEddie Floyd\u003c/span\u003e\u003cspan\u003e (Single)\u003c/span\u003e\n\n**\u003cspan\u003e\"Last Kind Words Blues\" \u003c/span\u003e**\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eGeeshie Wiley\u003c/span\u003e\u003cspan\u003e (Single)\u003c/span\u003e\n\n***\u003cspan\u003eNever Too Much \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eLuther Vandross\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n***\u003cspan\u003eReasonable Doubt \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eJAY-Z\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n***\u003cspan\u003eSupernatural \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eSantana\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n***\u003cspan\u003eTea For The Tillerman \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eCat Stevens\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n***\u003cspan\u003eWrecking Ball \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eEmmylou Harris\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n***\u003cspan\u003eZombie \u003c/span\u003e***\u003cspan\u003e— \u003c/span\u003e\u003cspan\u003eFela Kuti \u0026amp; Afrika 70\u003c/span\u003e\u003cspan\u003e (Album)\u003c/span\u003e\n\n## **\u003cspan\u003eAbout The GRAMMY Hall Of Fame\u003c/span\u003e**\n\n\u003cspan\u003eEstablished in 1973 by the Recording Academy’s National Trustees, the GRAMMY Hall Of Fame preserves recordings that have made a lasting impact on music and culture. Inductees are selected annually by a dedicated member committee of music professionals, with final ratification by the Recording Academy’s \u003c/span\u003e\u003cspan\u003eNational Board of Trustees\u003c/span\u003e\u003cspan\u003e. View the \u003c/span\u003e[\u003cspan\u003efull list of past inducted recordings here\u003c/span\u003e](https://www.grammy.com/awards/hall-of-fame-award)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMY Hall Of Fame Inductees","deliveryId":"8acbb498-fa23-48e9-823b-5b31eb0e65e7"},"isChatbotAvailable":false,"slides":[{"id":"294ba6de-f93a-41f3-802e-8c52fdfd9b8d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video"},{"id":"7ccb99d4-0e4b-445d-a281-77f781f73902","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"570bf1dd-1bc9-457a-970d-3cf0e467eb56","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"37c4cbc1-67b8-49ef-8820-346e51a90dda","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"8e8262a1-d26c-45e9-9949-48428547e794","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"c592b1e4-46ee-4e00-8536-d999afbb8fae","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video"},{"id":"405107ad-c2f8-4522-8f82-d5cda7e0b33c","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"09a90ee2-6288-4fc0-b819-8bdd7af58111","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"c8645ee4-3235-4a8d-a5d6-795e634da272","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video"},{"id":"8c38343a-f466-4583-84b9-b7d8f053c54f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video"}],"title":"Explore The 2025 GRAMMY Hall Of Fame Inductees"}],"hero":{"id":"fca1b188-43f5-4873-9bf1-f3b091263a71","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Recordings By Cat Stevens, Emmylou Harris, Gloria Estefan, Jay-Z, Luther Vandross, Santana \u0026 More Inducted Into The GRAMMY Hall Of Fame"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Rap","Latin","Rock","World Music","Country"],"tags":["GRAMMY Hall Of Fame","GRAMMY Museum","Recording Academy","Jay-Z","Emmylou Harris","Santana","Luther Vandross"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1739455205727,"source":"Recording Academy","primaryPillar":"GRAMMYs","title":"2025 GRAMMY Hall Of Fame Inducted Recordings Announced: Jay-Z, Santana, Gloria Estefan, Cat Stevens, Emmylou Harris, Luther Vandross \u0026 More","shortTitle":"2025 GRAMMY Hall Of Fame Inductees Announced","subHeadline":"Thirteen influential recordings will be added to the GRAMMY Hall Of Fame, honoring music’s legacy at the GRAMMY Museum and during a special gala on May 16.","articleSummary":"The Recording Academy has announced the 2025 GRAMMY Hall Of Fame inductees, recognizing eight albums and five singles that have shaped music history. This year’s honorees include recordings by Jay-Z, Santana, Cat Stevens, Emmylou Harris, Gloria Estefan \u0026 Miami Sound Machine, and others. The inductees will be celebrated at the GRAMMY Hall Of Fame Gala on May 16 at the Beverly Hilton, which will also pay tribute to Republic Records."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Recordings By Cat Stevens, Emmylou Harris, Gloria Estefan, Jay-Z, Luther Vandross, Santana \u0026 More Inducted Into The GRAMMY Hall Of Fame","deliveryId":"fca1b188-43f5-4873-9bf1-f3b091263a71"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"GRAMMY.com Hero_1644x925 v2","id":"e71b7a3f-ffe6-4167-a5c5-7b22b8584595","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic courtesy of the Recording Academy"},"title":"Recordings By Cat Stevens, Emmylou Harris, Gloria Estefan, Jay-Z, Luther Vandross, Santana \u0026 More Inducted Into The GRAMMY Hall Of Fame","shortTitle":"Celebrate The 2025 GRAMMY Hall Of Fame Inductees","imgAlt":"Celebrate The 2025 GRAMMY Hall Of Fame Inductees","link":"/"}},{"__typename":"News","title":"Press Play On GRAMMY U Mixtape: Cupid's Shuffle Playlist","id":"f9bdb294-c55a-4c98-86a9-674678bd61b9","deliveryKey":"news/listen-and-submit-grammy-u-mixtape-monthly-member-playlist","pillar":"GRAMMYs","datePublished":1739380281630,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Introducing GRAMMY U Mixtape, A New Monthly Member Playlist: Submit Your Music Today!","deliveryId":"f9bdb294-c55a-4c98-86a9-674678bd61b9","deliveryKey":"news/listen-and-submit-grammy-u-mixtape-monthly-member-playlist"},"articleCategory":["news"],"contributors":[{"id":"6fd2b843-e435-4c2a-967b-688a6f82e6ed","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"grammy u playlist body 1","deliveryId":"f048e678-98ab-4de2-9c0f-01a7126a1720"},"bodyText":{"richText":"\u003cspan\u003eDid you know that among all\u003c/span\u003e [\u003cspan\u003eGRAMMY U\u003c/span\u003e](https://www.recordingacademy.com/membership/grammy-u) \u003cspan\u003emembers, songwriting and performance are some of the most sought-after fields of study? This playlist dedicates a space to hear what these members are creating today!\u003c/span\u003e\n\n\u003cspan\u003eThe GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that members are bringing to this industry directly on the Recording Academy's Spotify, Apple Music and Amazon Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.\u003c/span\u003e\n\n\u003cspan\u003eEach month, we accept submissions and feature 15 to 25 songs that match each month’s theme. This month’s playlist invites you to embrace the magic of love with soulful melodies and heartfelt rhythms \u003c/span\u003e— a warm, romantic escape for inimitate moments and quiet reflections. \u003cspan\u003eSo, what’s stopping you? Press play on GRAMMY U's Mixtape and listen now on Spotify\u003c/span\u003e \u003cspan\u003eand\u003c/span\u003e \u003cspan\u003eAmazon Music.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"GRAMMY U Mixtape_Spotify","deliveryId":"e389e407-3bcf-4171-ad33-8d5d8c0872ed"},"bodyText":{"richText":"\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/playlist/4PXCCA0jQc618a5F2EMCWf?utm_source=generator\u0026theme=0\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c/iframe\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/amazon-music-audio-embed","name":"GU Mixtape Amazon playlist embed","deliveryId":"7dcff33e-d23c-4e27-9246-131e58b19c15"},"audioUrl":"https://music.amazon.com/user-playlists/cb438b88224e4c148839cd305a365887sune?marketplaceId=ATVPDKIKX0DER\u0026musicTerritory=US\u0026ref=dm_sh_C9A8CU6hnjVgDC3QeKeELU6vW"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"grammy u mixtape body 2","deliveryId":"7fc7e6bd-1e7d-4cc0-b556-de6ac12d7150"},"bodyText":{"richText":"\u003cspan\u003eWant to be featured on the next playlist?\u003c/span\u003e [\u003cspan\u003eSubmit your songs today!\u003c/span\u003e](https://docs.google.com/forms/d/e/1FAIpQLSeoYUWFfOJefqI1dzq1Mm2x4Q5wGmYvsiHUQhttHxEeNND2WQ/viewform)\u003cspan\u003e We are currently accepting submissions for songs of all genres for consideration for our March playlist. Whether you write pop, rock, hip-hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the member (an original song) and you must be able to submit a Spotify, Apple Music and/or Amazon Music link to the song. Artists must be a \u003c/span\u003e[\u003cspan\u003eGRAMMY U member\u003c/span\u003e](https://members.recordingacademy.com/s/?language=en_US)\u003cspan\u003e to submit.\u003c/span\u003e\n\n**\u003cspan\u003eAbout GRAMMY U:\u003c/span\u003e**\n\n\u003cspan\u003eGRAMMY U is a program that connects aspiring professionals and creatives ages 18-29 with the music industry's brightest and most talented minds. We provide a community for emerging professionals and creatives in addition to various opportunities and tools necessary to start a career in music. Throughout the program year, events and initiatives touch on all facets of the industry, including business, technology, and the creative process.\u003c/span\u003e\n\n\u003cspan\u003eAs part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.\u003c/span\u003e\n\n**\u003cspan\u003eNot a member, but want to submit to our playlist? \u003c/span\u003e[\u003cspan\u003eApply for GRAMMY U Membership here.\u003c/span\u003e](https://www.recordingacademy.com/membership/grammy-u/join)**\n\n*\u003cspan\u003eFormer GRAMMY U Reps Heather Howard, Sophie Griffiths and Samantha Kopec contributed to this article.\u003c/span\u003e*"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"82555c4c-f9ba-4eeb-8d4f-877c8cec7e8a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"grammy u monthly member playlist updated look hero"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Dance/Electronic","R\u0026B","Rock","Rap"],"tags":["GRAMMY U"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1739380281630,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Press Play On GRAMMY U Mixtape: Cupid's Shuffle Playlist","shortTitle":"Press Play On GRAMMY U Mixtape: Cupid's Shuffle","subHeadline":"The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from our talented members. This month's playlist is a love letter to hopeless romantics and celebrates love in all its forms.","articleSummary":"The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from our talented members. This month's playlist, Cupid's Shuffle, is a love letter to hopeless romantics. Immerse yourself in warm, soulful melodies and tender rhythms that celebrate love in all its forms."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"grammy u monthly member playlist updated look hero","deliveryId":"82555c4c-f9ba-4eeb-8d4f-877c8cec7e8a"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"GU_Mixtape_Feb_Hero_2025","id":"95703997-40cf-4375-9cac-2f034c7ab55b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["GRAMMY U"],"title":"grammy u monthly member playlist updated look","shortTitle":"grammy u monthly member playlist updated look","imgAlt":"grammy u monthly member playlist updated look","imgTitle":"grammy u monthly member playlist updated look","link":"/"}},{"__typename":"News","title":"How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy","id":"e057153a-d402-4b26-9f45-88f59ced303e","deliveryKey":"news/recording-academy-membership-initiatives-2025-grammys","pillar":"GRAMMYs","datePublished":1738962682675,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy","deliveryId":"e057153a-d402-4b26-9f45-88f59ced303e","deliveryKey":"news/recording-academy-membership-initiatives-2025-grammys"},"articleCategory":["list"],"contributors":[{"id":"45c67c65-75f9-45bd-9de3-bbe4473509cc","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - RA's Bright Future at the 2025 GRAMMYs","deliveryId":"6859f90d-3fcc-49f2-935c-8dc5b48728e9"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. [Donate now](https://musicares.org/firerelief).*\n\n\u003cspan\u003eWith awe-inspiring performances and \u003c/span\u003e[\u003cspan\u003eincredible cultural moments\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos)\u003cspan\u003e, the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e delivered an unforgettable experience for millions of music fans. The show generated 102.2 million social media interactions, the \u003c/span\u003e[\u003cspan\u003ehighest traffic ever recorded\u003c/span\u003e](https://www.hollywoodreporter.com/tv/tv-news/grammy-awards-tv-ratings-feb-2-2025-1236126284/)\u003cspan\u003e for a TV broadcast. Even critics came away impressed, with \u003c/span\u003e*[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/music/reviews/grammys-review-best-show-years-chappell-roan-sabrina-carpenter-beyonce-1236295330/)*\u003cspan\u003e calling the show \"the best in years.\" \u003c/span\u003e\n\n\u003cspan\u003eBeyond reviews and ratings, however, the show proved that \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e's work in advancing and evolving the music industry has paid off. \u003c/span\u003e[\u003cspan\u003eDiversity initiatives\u003c/span\u003e](https://recordingacademy.com/inclusion)\u003cspan\u003e, a \u003c/span\u003e[\u003cspan\u003emore equitable voting process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, and support for upcoming and established artists prove that the organization is in healthy hands. \u003c/span\u003e\n\n\u003cspan\u003eBelow, revisit the ways that Music's Biggest Night showed just how bright the Recording Academy's future will be. \u003c/span\u003e\n\n## **\u003cspan\u003eHelping Communities In Need\u003c/span\u003e**\n\n\u003cspan\u003eAmid the sorrow and devastation caused by the Los Angeles wildfires, the GRAMMYs became a \u003c/span\u003e[\u003cspan\u003ecelebration of the city\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos)\u003cspan\u003e and a rallying point for assistance, not just for the music world but for the entire L.A. community at large. As performers such as \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eDawes\u003c/span\u003e](https://grammy.com/artists/zach-dawes/53920)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611)\u003cspan\u003e celebrated SoCal through music, and \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e, one of its proudest native sons, took home five GRAMMYs, including \u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys)\u003cspan\u003e, the awards moments and \u003c/span\u003e[\u003cspan\u003epowerful acceptance speeches\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-powerful-acceptance-speeches-chappell-roan-alicia-keys)\u003cspan\u003e further amplified the \u003c/span\u003e[\u003cspan\u003echaritable appeals and support for victims\u003c/span\u003e](https://grammy.com/firerelief)\u003cspan\u003e. They also gave visibility to the important work being done year-round by \u003c/span\u003e[\u003cspan\u003eMusiCares\u003c/span\u003e](https://www.musicares.org/)\u003cspan\u003e, the largest U.S. nonprofit devoted to the overall health and well-being of the music community, and other Academy affiliates. \u003c/span\u003e\n\n\u003cspan\u003eThat experience made the GRAMMY weekend campaign even more effective. With plenty of opportunities to donate offered throughout the lead-up to GRAMMY Sunday and during the ceremony itself, the Academy and MusiCares raised more than $24 million for wildfire relief through its \u003c/span\u003e[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)\u003cspan\u003e initiative; almost $9 million of that was raised on GRAMMY Sunday alone. The Academy also gave airtime to local small businesses impacted by the fires, letting the likes of \u003c/span\u003e[\u003cspan\u003ePaliskates\u003c/span\u003e](https://www.gofundme.com/f/rebuild-paliskates-a-community-staple?attribution_id=sl:7cd1a593-2c44-439d-a9f9-5da5bae0371e\u0026utm_campaign=fp_sharesheet\u0026utm_medium=customer\u0026utm_source=native_options)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTwo Dragons Martial Arts Studio\u003c/span\u003e](https://www.gofundme.com/f/rebuild-two-dragons-30-years-of-community?attribution_id=sl:88d65f1e-b1e2-4005-a2c5-53ef9e2afb0b\u0026utm_campaign=fp_sharesheet\u0026utm_medium=customer\u0026utm_source=copy_link)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRhythm of the Village\u003c/span\u003e](https://www.gofundme.com/f/help-rebuild-rhythms-of-the-village-family-after-la-fires?attribution_id=sl:6e0458a5-2a89-4f42-9fc2-94d31dffdb57\u0026utm_campaign=man_sharesheet_dash\u0026utm_medium=customer\u0026utm_source=copy_link)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLost Stuffy Project\u003c/span\u003e](https://www.instagram.com/loststuffyproject/)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eOrla Floral Studio\u003c/span\u003e](https://www.gofundme.com/f/help-renata-and-andrew-rebuild-after-the-la-wildfires?attribution_id=sl:9f83b3a1-f622-4b87-9182-eff3dac51ad4\u0026utm_campaign=fp_sharesheet\u0026utm_medium=customer\u0026utm_source=copy_link)\u003cspan\u003e advertise during the ceremony — further using the GRAMMYs' global platform to support those in need.\u003c/span\u003e\n\n\u003cspan\u003eOn Jan. 31, two days before the telecast, MusiCares hosted its annual \u003c/span\u003e[\u003cspan\u003ePersons of the Year gala\u003c/span\u003e](https://www.musicares.org/news/grateful-dead-persons-of-the-year-2025-gala-recap-performances)\u003cspan\u003e, celebrating the creative and philanthropic work of the \u003c/span\u003e[\u003cspan\u003eGrateful Dead\u003c/span\u003e](https://www.grammy.com/news/beginners-guide-to-the-grateful-dead-videos-albums-live-shows)\u003cspan\u003e while raising a record amount of money. \u003c/span\u003e\n\n\u003cspan\u003e\"MusiCares partnering with the GRAMMYs gave us an incredible platform to reinforce our 35-year mission to help the humans behind music because music gives so much to the world. Due to the extraordinary need following the L.A. area wildfires, the MusiCares Fire Relief effort also raised funds and awareness for California Community Foundation, Direct Relief and Pasadena Community Foundation. Together, our organizations will help all impacted communities,\" MusiCares Executive Director Laura Segura told GRAMMY.com.\u003c/span\u003e\n\n\u003cspan\u003e\"The record-breaking generosity at MusiCares' Persons of the Year, \u003c/span\u003e[\u003cspan\u003eClive Davis' \u0026amp; Recording Academy's Pre-GRAMMY Fundraising Event\u003c/span\u003e](https://www.grammy.com/news/2025-clive-davis-recording-academy-pre-grammy-fundraising-event-recap)\u003cspan\u003e and the GRAMMYs telecast is a testament to the compassion of the music industry and the impact we can make together,\" she added. \"We're grateful for the opportunity to continue expanding awareness so that even more music professionals know we are here for them — now and always.\"\u003c/span\u003e\n\nIn addition to fundraising efforts, the Recording Academy partnered with Musically Fed, a nonprofit organization that works with music industry organizations to donate unused backstage meals to community organizations supporting those in need, to deliver hundreds of meals to organizations including Van Ness Recovery House, Hawks Transitional Housing for Women \u0026amp; Children, Midnight Mission, and LA Rescue Mission. The meals, repurposed from various 2025 GRAMMY Week events, including the Clive Davis' \u0026amp; the Recording Academy's Pre-GRAMMY Fundraising Event, the annual Premiere Ceremony, and the 2025 GRAMMYs telecast, went to those facing homelessness, hunger, and food insecurity, including direct food donations to those impacted by the Los Angeles wildfires. The Academy also supported a domestic violence shelter for women and children fleeing abusive households.\n\n## **\u003cspan\u003eInviting More Voters \u0026amp; More Perspectives\u003c/span\u003e**\n\n\u003cspan\u003e\"As selected by the 13,000 Voting Members of the Recording Academy…\" may have been the most common refrain heard during the GRAMMYs ceremony. It's a sentence that reflects the real gains made in making the GRAMMYs more reflective of the entire music community; those 13,000 Voting Members, a body composed of artists, songwriters, producers, engineers, and other music creatives across a wide swathe of genres and disciplines, are the ones selecting GRAMMY nominees and GRAMMY winners. \u003c/span\u003e\n\n\u003cspan\u003eToday, 66 percent of the GRAMMYs voting electorate is new since the Recording Academy advanced its \u003c/span\u003e[\u003cspan\u003enew membership model in 2019\u003c/span\u003e](https://www.grammy.com/news/recording-academy-advances-new-membership-model-inviting-years-class)\u003cspan\u003e. More than 3,000 of those Voting Members are women, surpassing goals set by the Academy to add 2,500 women Voting Members by 2025. And 38 percent of the Academy's voting body identifies as people of color, a 65 percent increase since 2019. \u003c/span\u003e\n\n\u003cspan\u003e\"I'm incredibly proud of the strides the Recording Academy has made in diversifying its membership over the last few years,\" Kelley Purcell, Vice President of Membership \u0026amp; Industry Relations for the Recording Academy, said in an interview with GRAMMY.com. \"With more women, more people of color, and a broad representation of diverse genres and crafts, it's the most diverse and representative GRAMMY electorate ever.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Academy's recent efforts in diversifying its membership helped restore its relationship with four-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eThe Weeknd\u003c/span\u003e](https://grammy.com/artists/The-Weeknd/24884)\u003cspan\u003e, who \u003c/span\u003e[\u003cspan\u003ereturned to the GRAMMY stage\u003c/span\u003e](https://www.grammy.com/news/the-weeknd-2025-grammys-performance)\u003cspan\u003e following a \u003c/span\u003e[\u003cspan\u003enearly four-year boycott\u003c/span\u003e](https://www.cbc.ca/music/the-weeknd-grammys-surprise-performance-1.7448769)\u003cspan\u003e to deliver a surprise performance. The artist had demanded \"transparency\" for himself and his fans after a shocking nominations shutout in 2020, and as Recording Academy CEO \u003c/span\u003e[\u003cspan\u003eHarvey Mason jr.\u003c/span\u003e](https://www.grammy.com/artists/harvey-mason-jr/4668)\u003cspan\u003e detailed before The Weeknd's appearance, the organization listened.\u003c/span\u003e\n\n\u003cspan\u003e\"Criticism is ok,\" Mason jr. said. \"I heard him. I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now and for future generations.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Harvey Mason jr on power of change before The Weeknd","deliveryId":"d631cc48-5f6c-4719-bfa1-325c2e54024e"},"assetId":"664086b4-21c5-4401-8e8b-e84d57bc8983","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - RA's Bright Future at 2025 GRAMMYs","deliveryId":"5ae58b5b-4ffe-4827-a986-8375eadee6c5"},"bodyText":{"richText":"## \u003cspan\u003eStanding Behind Diversity\u003c/span\u003e\n\n\u003cspan\u003eAlong with making its membership more diverse and inclusive, the Academy has recognized the need to strengthen and defend the gains made through its diversity, equity and inclusion (DEI) initiatives. \u003c/span\u003e[\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://grammy.com/artists/alicia-keys/12104)\u003cspan\u003e said it best in her \u003c/span\u003e[\u003cspan\u003eacceptance speech\u003c/span\u003e](https://www.grammy.com/videos/alicia-keys-global-impact-award-acceptance-speech-2025-grammys)\u003cspan\u003e for the \u003c/span\u003e[\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-2025-grammys-global-impact-award-speech)\u003cspan\u003e, presented by the \u003c/span\u003e[\u003cspan\u003eBlack Music Collective.\u003c/span\u003e](https://www.recordingacademy.com/inclusion/black-music-collective)\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" she said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Recording Academy proudly trumpeted its diversity initiatives on Music's Biggest Night, with Harvey Mason jr. shouting out \u003c/span\u003e[\u003cspan\u003eWomen in the Mix\u003c/span\u003e](https://www.recordingacademy.com/inclusion/womensstudy)\u003cspan\u003e, Academy Proud and the Black Music Collective in his speech. These initiatives are only expanding: In August 2024, the Academy unveiled \u003c/span\u003e[\u003cspan\u003eRAA+D (Recording Academy Accessibility + Disability)\u003c/span\u003e](https://www.grammy.com/news/recording-academy-raad-network-supports-artist-creators-with-disabilities)\u003cspan\u003e, ensuring that disabled music makers are given all the support and resources they need to participate fully in the music community. In November, the Academy also \u003c/span\u003e[\u003cspan\u003elaunched its Indigenous Peoples Network\u003c/span\u003e](https://www.grammy.com/news/indigenous-peoples-network)\u003cspan\u003e, dedicated to preserving and boosting Indigenous musical practices and presences in the music community. \u003c/span\u003e\n\n\u003cspan\u003eThese are all networks that are being worked on under the umbrella of the DEI team's \"Diversity Reimagined by Engaging All Music Makers\" (DREAM) initiative, which also houses \u003c/span\u003e[\u003cspan\u003eGold Music Alliance\u003c/span\u003e](https://grammy.com/news/gold-music-alliance-2024-grammy-week-reception-recap)\u003cspan\u003e, a network for the Pan-Asian music community, and others to be launched soon.\u003c/span\u003e\n\n\u003cspan\u003e\"True diversity, equity and inclusion are not just ideals but actions — continuous efforts to ensure every voice is heard, every individual is valued, and every opportunity is accessible,\" Ricky Lyon, Director of DEI at the Academy, told GRAMMY.com. \"The Recording Academy aims to ensure we are representative of the music industry and our efforts will continue to grow with more opportunities for the underserved.\" \u003c/span\u003e\n\n## **\u003cspan\u003eMaking Music Heard In The Halls Of Power\u003c/span\u003e**\n\n\u003cspan\u003eThe Academy also used the platform of the GRAMMYs to reach out to lawmakers to ensure the music community has a voice in the nation's capital. The \u003c/span\u003e[\u003cspan\u003eRecording Academy's Advocacy arm\u003c/span\u003e](https://www.recordingacademy.com/advocacy)\u003cspan\u003e hosted over a dozen lawmakers from across the country to experience GRAMMY Week in order to educate them about the music community's importance to our country and how the GRAMMYs can act as a force for positive change. \u003c/span\u003e\n\n\u003cspan\u003eAcademy members such as singer/songwriter\u003c/span\u003e [\u003cspan\u003eMaggie Rose\u003c/span\u003e](https://grammy.com/artists/maggie-rose/58116) \u003cspan\u003eand two-time GRAMMY-winning producer\u003c/span\u003e [\u003cspan\u003eGiles Martin\u003c/span\u003e](https://grammy.com/artists/giles-martin/9336) \u003cspan\u003emet with members of Congress at briefing sessions held at the GRAMMY Museum, where they discussed issues such as the\u003c/span\u003e [\u003cspan\u003eethical use of artificial intelligence (AI) in music\u003c/span\u003e](https://www.recordingacademy.com/about/artificial-intelligence) \u003cspan\u003eand the\u003c/span\u003e [\u003cspan\u003eHITS Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/issues-policy/hits-act)\u003cspan\u003e. Lawmakers were also briefed on the work MusiCares and the Academy have been doing to support fire relief in Los Angeles. And on GRAMMY Sunday, they were given a behind-the-scenes look at the final preparations for the GRAMMYs telecast.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG Embed - GRAMMY U at 2025 GRAMMYs","deliveryId":"d23c0ef5-6e88-4784-84c9-e5e381fca5dc"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by GRAMMY U (@grammyu)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e \u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - RA's Bright Future at the 2025 GRAMMYs","deliveryId":"f0c71580-9e30-4331-8381-5dc56d923e80"},"bodyText":{"richText":"## \u003cspan\u003eSupporting The Next Generation Of Industry Players\u003c/span\u003e\n\n\u003cspan\u003eThe past year saw the emergence of a trio of major female pop stars at the highest levels of the music industry — \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan\u003e — and all three performed and received awards at the 2025 GRAMMYs. It should be emphasized that none of the three are overnight successes; each of them spent years developing their craft and honing their talents. Roan even emphasized her struggles after being dropped from her former record label in her \u003c/span\u003e[\u003cspan\u003eacceptance speech\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-wins-best-new-artist-2025-grammys)\u003cspan\u003e, saying \"It was so devastating to feel so committed to my art and feel so betrayed by the system.\" \u003c/span\u003e\n\n\u003cspan\u003eProud Tampa native \u003c/span\u003e[\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e also became part of rap history on the telecast, with her \u003c/span\u003e[\u003cspan\u003eBest Rap Album\u003c/span\u003e](https://www.grammy.com/videos/doechii-wins-best-rap-album-2025-grammys)\u003cspan\u003e win marking the third time in GRAMMY history that a female artist has won in the Category. Her inspirational speech — as well as her \u003c/span\u003e[\u003cspan\u003edynamic performance\u003c/span\u003e](https://www.grammy.com/news/best-new-artist-performance-medley-2025-grammys)\u003cspan\u003e that was praised as one of the night's best — was a testament to the remarkable crop of fresh talent that was honored with this year's nominations.\u003c/span\u003e\n\n\u003cspan\u003eOf course, awards are only a part of the Academy's efforts to shape the music industry's next generation. During GRAMMY Week, \u003c/span\u003e[\u003cspan\u003eGRAMMY U\u003c/span\u003e](https://www.recordingacademy.com/membership/grammy-u)\u003cspan\u003e, the Academy's program for emerging music industry professionals and creatives pursuing careers in music, helped 14 GRAMMY U Representatives and over 150 GRAMMY U Members be part of the events both as attendees and support behind the scenes. \u003c/span\u003e\n\n\u003cspan\u003eSeveral new experiences were offered for GRAMMY U this year: 2 Representatives worked as press on the Persons of the Year Gala red carpet; 55 Members attended the Clive Davis' \u0026amp; Recording Academy's Pre-GRAMMY Fundraising Event (sponsored by Mastercard); 2 Members worked the \u003c/span\u003e[\u003cspan\u003ePremiere Ceremony\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-premiere-ceremony-performers-host-presenters)\u003cspan\u003e as front of house support; all 14 Representatives worked as talent escorts on the GRAMMYs red carpet; and 98 Members had the opportunity to attend the telecast. \u003c/span\u003e\n\n\u003cspan\u003eThese initiatives gave unprecedented access and opportunity to young and aspiring music professionals like never before. From artists on stage to the crew behind the curtains, the Recording Academy continues to ensure that the industry's next generation is well-prepared to inspire and excel — helping the organization do the same from the GRAMMYs stage and beyond. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Take a look at the many ways the organization is making strides in best supporting and representing the music community."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: RA's Bright Future at the 2025 GRAMMYs","deliveryId":"425274d7-cf3a-44b8-8063-31469ae93564"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Harvey-Mason-Jr-2025-GRAMMYs-GettyImages-2196833007","id":"103b4df2-4d94-4a91-a1d6-be398f864652","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Sonja Flemming/CBS via Getty Images"},"tags":["Harvey Mason jr."],"title":"Harvey Mason jr. at the 2025 GRAMMYs","shortTitle":"Harvey Mason jr. at the 2025 GRAMMYs","imgAlt":"Harvey Mason jr. at the 2025 GRAMMYs","imgTitle":"Harvey Mason jr. at the 2025 GRAMMYs","link":"/","captionValue":"Harvey Mason jr., CEO of The Recording Academy, at the 2025 GRAMMYs.","captionSummary":"Harvey Mason jr., CEO of The Recording Academy, at the 2025 GRAMMYs."}},{"__typename":"Video","id":"23e48444-b89d-4eb8-8dac-5346a1cd22cf","title":"Take A Behind-The-Scenes Tour Of The 2025 GRAMMYs","image":{"__typename":"Image","thumbnail":"","poster":""},"pillar":"GRAMMYs","datePublished":1738468035109,"deliveryKey":"videos/2025-grammys-backstage-tour-grammy-u","content":{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Take A Behind-The-Scenes Tour Of The 2025 GRAMMYs At The Crypto.com Arena","deliveryId":"23e48444-b89d-4eb8-8dac-5346a1cd22cf","deliveryKey":"videos/2025-grammys-backstage-tour-grammy-u"},"video":{"videoPlatformSource":"Nomad","assetId":"9e303d1c-6f84-415e-aa93-ca7d1d50c23e"},"badgeImage":{"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"alt":"Graphic promoting the 2025 GRAMMYs. 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Viewers will be able to take action and donate in support of the \u003c/span\u003e**[\u003cspan\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://donor.musicares.org/page/lafirerelief)**\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eThe 2025 GRAMMYs, officially known as the \u003c/span\u003e**[\u003cspan\u003e67th Annual GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)**\u003cspan\u003e, broadcasts live \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, at \u003c/span\u003e**\u003cspan\u003e8 p.m. ET/5 p.m. PT\u003c/span\u003e**\u003cspan\u003e on the CBS Television Network and streaming live and on demand on Paramount+.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003ePrior to the Telecast, the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMYs Premiere Ceremony\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-premiere-ceremony-performers-host-presenters)**\u003cspan\u003e, where the majority of the GRAMMY Awards will be presented, will broadcast live \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2\u003c/span\u003e**\u003cspan\u003e, at \u003c/span\u003e**\u003cspan\u003e3:30 p.m. ET/12:30 p.m. PT\u003c/span\u003e**\u003cspan\u003e and will stream live on \u003c/span\u003e**[\u003cspan\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan\u003e and on the \u003c/span\u003e**[\u003cspan\u003eRecording Academy’s YouTube channel\u003c/span\u003e](https://www.youtube.com/live/Ot6ia8KDi9o?si=ksqJJyT279qNzKiP)**\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003e \u003c/span\u003e\n\n**[\u003cspan\u003eDonate to the Recording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals now.\u003c/span\u003e](https://donor.musicares.org/page/lafirerelief)**\n\n\u003cspan\u003e \u003c/span\u003e\n\n**[\u003cspan\u003eWatch highlights, including full GRAMMYs performances, from the 2025 GRAMMYs.\u003c/span\u003e](https://live.grammy.com/)**\n\n\u003cspan\u003e \u003c/span\u003e\n\n**[\u003cspan\u003eSee the full 2025 GRAMMYs winners and nominees list.\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**"},"tags":["2025 GRAMMYs","GRAMMY U"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738468035109,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Take A Behind-The-Scenes Tour Of The 2025 GRAMMYs At The Crypto.com Arena","shortTitle":"Take A Behind-The-Scenes Tour Of The 2025 GRAMMYs","videoCategory":"recaps","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos"},"photo":{"poster":"https://nomad-content.grammy.com/pmc/9e/30/3d/9e303d1c-6f84-415e-aa93-ca7d1d50c23e/screenshots/PreviewImage-00-01-17.891.jpg","duration":"155781"}}]}],"hero":{"id":"ec9eba9c-c548-4113-89c9-981abf385da7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"2025 GRAMMYs Full Nomination List"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. Check out the complete list of winners and nominees from the 2025 GRAMMYs.","articleSummary":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. Check out the complete list of winners and nominees from the 2025 GRAMMYs."},"authors":[{"title":"Nina Frazier","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53","deliveryKey":"bio/nina-frazier"}],"image":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs Full Nomination List","deliveryId":"ec9eba9c-c548-4113-89c9-981abf385da7"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"2025_grammys_67G_full_Winner_Nominees_List_Hero_1644x925","id":"1a3acc6b-e9bf-4d86-a47d-8189325c8fd4","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Graphic Courtesy of the Recording Academy"},"tags":["2025 GRAMMYs"],"title":"2025 GRAMMYs Full Winners List","shortTitle":"2025 GRAMMYs Full Winners List","imgAlt":"2025 GRAMMYs Full Winners List","link":"/","captionValue":"See all the winners and nominees at the 2025 GRAMMYs.","captionSummary":"See all the winners and nominees at the 2025 GRAMMYs."}},{"data":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"The 2025 GRAMMYs Effect: Beyoncé, Kendrick Lamar, Billie Eilish \u0026 More See Major Streaming Boosts After Inspiring Show","deliveryId":"c7200c4a-3681-4c5d-ac4f-b8f59d2d5a60","deliveryKey":"news/2025-grammys-winners-performers-streaming-boosts-album-sales"},"articleCategory":["news"],"contributors":[{"id":"b18f692b-99d1-49cf-ad7d-95cf10f76102","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - 2025 GRAMMYs Effect","deliveryId":"bdc1ced5-136c-4d48-b317-95338d20a7f3"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. [Donate now](https://musicares.org/firerelief).*\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) \u003cspan\u003ecelebrated an\u003c/span\u003e [\u003cspan\u003eabundance of new winners\u003c/span\u003e](https://grammy.com/news/2025-grammys-first-time-winners-sabrina-carpenter-chappell-roan) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eiconic moments\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos) \u003cspan\u003efor superstars — and\u003c/span\u003e [\u003cspan\u003eaccording to Luminate\u003c/span\u003e](:blank:https://www.billboard.com/pro/kendrick-lamar-beyonce-chart-gains-after-2025-grammy-awards/)\u003cspan\u003e, many of them saw big gains in streaming, sales and chart movements.\u003c/span\u003e\n\n\u003cspan\u003eFollowing her momentous \u003c/span\u003e[\u003cspan\u003efirst Album Of The Year win\u003c/span\u003e](https://grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e also earned the night's biggest boost for an album. \u003c/span\u003e*\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan\u003e, which also won \u003c/span\u003e[\u003cspan\u003eBest Country Album\u003c/span\u003e](https://grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)\u003cspan\u003e and Best Country Duo/Group Performance for the \u003c/span\u003e[\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan\u003e collab \"II MOST WANTED,\" earned 25,000 equivalent album units post-GRAMMYs — a 254 percent gain.\u003c/span\u003e\n\n[\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e's \u003c/span\u003e*\u003cspan\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan\u003e also saw a big bump following her historic win for \u003c/span\u003e[\u003cspan\u003eBest Rap Album\u003c/span\u003e](https://www.grammy.com/videos/doechii-wins-best-rap-album-2025-grammys)\u003cspan\u003e, which made her the third woman to win in the Category. The album earned 31,000 equivalent album units (combining consumption via streams, downloads, sales, etc.), earning not just a 107 percent gain, but also its best week yet on the Billboard 200 at No. 14.\u003c/span\u003e\n\n\u003cspan\u003eThe night's biggest winner,\u003c/span\u003e [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003e— whose viral hit \"Not Like Us\" nabbed the rapper five more golden gramophones, including his first for\u003c/span\u003e [\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys) \u003cspan\u003e— saw perhaps the most interesting boost. Despite the song not being featured on\u003c/span\u003e [\u003cspan\u003ehis latest album,\u003c/span\u003e](https://grammy.com/news/kendrick-lamar-facts-grammys-wins-nominations-albums-mr-morale-the-big-steppers-tour-pglang-label-tde-damn-humble-most-popular-song) *[\u003cspan\u003eGNX\u003c/span\u003e](https://grammy.com/news/kendrick-lamar-facts-grammys-wins-nominations-albums-mr-morale-the-big-steppers-tour-pglang-label-tde-damn-humble-most-popular-song)*\u003cspan\u003e, the 2024 LP is up 9 percent. Four more of his six albums also saw a gain:\u003c/span\u003e *\u003cspan\u003eMr. Morale and The Big Steppers\u003c/span\u003e* \u003cspan\u003eis up 13 percent;\u003c/span\u003e *\u003cspan\u003eGood Kid, M.A.A.D City\u003c/span\u003e* \u003cspan\u003eis up 11 percent; and\u003c/span\u003e *\u003cspan\u003eDAMN.\u003c/span\u003e* \u003cspan\u003eand\u003c/span\u003e *\u003cspan\u003eTo Pimp a Butterfly\u003c/span\u003e* \u003cspan\u003eare both up 9 percent.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"10 Incredible Moments From The 2025 GRAMMYs - Sizzle Reel","deliveryId":"339993f5-0b32-45f6-97e2-eea8478d49cc"},"assetId":"ae14babc-a573-4010-a88c-b3b7312c55b1","theme":"Grammy (Gold)","nomadSource":"https://nomad-content.grammy.com/pmc/ae/14/ba/ae14babc-a573-4010-a88c-b3b7312c55b1/tra-apple-hls-acc/67-2025-sizzle-v4-hd-cr-linear.m3u8","nomadVideoTitle":"Watch The Top Moments From The 2025 GRAMMYs: Chappell Roan, Sabrina Carpenter, Lady Gaga, Kendrick Lamar \u0026 More","cookies":["CloudFront-Policy=eyJTdGF0ZW1lbnQiOiBbeyJSZXNvdXJjZSI6Imh0dHBzOi8vbm9tYWQtY29udGVudC5ncmFtbXkuY29tL21jLyoiLCJDb25kaXRpb24iOnsiRGF0ZUxlc3NUaGFuIjp7IkFXUzpFcG9jaFRpbWUiOjE3Mzk5MTYxNDR9fX1dfQ__; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Signature=n~o3RO9vIlpeQRhNrutgDNgShm8sy5drEEOOHP2o~BHrWEZ1mcGVvsRtbXGqPodwKZWDm8wqjzdlwoC2FU~CqdblCQ7wK7k-drrbf~J-BKrRe3JOqQz0odOnVBdhhHFXRLQWqFHUmDiAjRQ8-wksskL-qcEeRqjupXaAsbDkGoTBM2HwFT2ccgulSDiVSNr5z3AZrtLBMZLBwP~bgBHryMhyQtlif3QS6wK9VYRoLP8vrS8Yy6UNovf~IHCYUUv1aKoe3fjj-zlp9tlagt7RLBA6ZBEzxMifgd8BriUMZJJeaA1Qaq6mDscKtyWsFC3Rx1Sx39U5aGb1rS0HASxxDQ__; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Key-Pair-Id=KB0JNFO6ISQSI; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Policy=eyJTdGF0ZW1lbnQiOiBbeyJSZXNvdXJjZSI6Imh0dHBzOi8vbm9tYWQtcmNvbnRlbnQuZ3JhbW15LmNvbS9ybWMvKiIsIkNvbmRpdGlvbiI6eyJEYXRlTGVzc1RoYW4iOnsiQVdTOkVwb2NoVGltZSI6MTczOTkxNjE0NH19fV19; Domain=.grammy.com; Path=/rmc/; Secure","CloudFront-Signature=uNFruuAGJRU3J6twRhDVQcvjFJJmphf73XbBSAMdhRqMlY5HrgOSAt7~AQHMq3tFVoX9-hOqWNSoLXblx01yPUbArI0RiTnbr7kWkrfo-wb4vPjlNUiz5ZtlN2n-dLlf3ysIO~dg1ts9h0aNCxBICk2Pp1j8G8u7xPkcqFyq0yz4o9KGcAzlIAlGE2YO46annBRUlcD7RlSo-LRHqIGespiPNpCXdCodXDI~A13RQWPvgz6G5aetYc70Bxpp4kjdq4jS~BApYIp5h3w7hkWK3kwE3qkcJYh90~--Vtv3NzIESb08o5FQTSUn6A67oPk6jrsANgiqKLh7YmVmWQeKDA__; Domain=.grammy.com; Path=/rmc/; Secure","CloudFront-Key-Pair-Id=KB0JNFO6ISQSI; Domain=.grammy.com; Path=/rmc/; Secure"],"newsDetails":true},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - 2025 GRAMMYs Effect","deliveryId":"3cc52bdc-059d-4079-9bcc-b00ecbf86e6b"},"bodyText":{"richText":"[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741) \u003cspan\u003esaw a similar impact to Lamar's gains, as all of her albums saw a streaming boost following her\u003c/span\u003e [\u003cspan\u003estirring performance of \"BIRDS OF A FEATHER\"\u003c/span\u003e](https://www.grammy.com/news/billie-eilish-2025-grammys-performance) \u003cspan\u003eon the telecast. Her 2024 album,\u003c/span\u003e *[\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e](https://grammy.com/news/billie-eilish-new-album-hit-me-hard-and-soft-review-takeaways)* \u003cspan\u003e— which earned Eilish six more nominations this year — gained 47 percent, while 2022's\u003c/span\u003e *\u003cspan\u003eHappier Than Ever\u003c/span\u003e* \u003cspan\u003egained 17 percent and 2019's\u003c/span\u003e *\u003cspan\u003eWHEN WE ALL FALL ASLEEP, WHERE DO WE GO?\u003c/span\u003e* \u003cspan\u003egained 10 percent. Even her 2017 EP,\u003c/span\u003e *\u003cspan\u003edon't smile at me\u003c/span\u003e*\u003cspan\u003e, saw a 14 percent boost.\u003c/span\u003e\n\n[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e had one of the biggest album boosts following her Best New Artist win and \u003c/span\u003e[\u003cspan\u003etheatrical performance of \"Pink Pony Club.\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-2025-grammys-performance)\u003cspan\u003e Her debut album, \u003c/span\u003e*\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, gained 56 percent. (\"Pink Pony Club\" also reached a new high on the Billboard Hot 100 singles chart, jumping to No. 18 after a 98 percent gain; more on other Hot 100 moves later.)\u003c/span\u003e\n\n\u003cspan\u003eOn the heels of her own two wins, \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e enjoyed a 20 percent boost for \u003c/span\u003e*[\u003cspan\u003eShort N' Sweet\u003c/span\u003e](https://grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)*\u003cspan\u003e as well as an 8 percent gain for its predecessor, 2022's \u003c/span\u003e*\u003cspan\u003eemails i can't send\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e*\u003cspan\u003eShort N' Sweet\u003c/span\u003e* \u003cspan\u003ehelped Carpenter win Best Pop Vocal Album and Best Pop Solo Performance for its viral smash \"Espresso\"; the singer earned six nominations in total, including Best New Artist.\u003c/span\u003e\n\n\u003cspan\u003eIn fact, all eight of the \u003c/span\u003e[\u003cspan\u003eBest New Artist nominees\u003c/span\u003e](https://grammy.com/news/2025-grammys-nominations-best-new-artist)\u003cspan\u003e saw streaming gains thanks to their appearances on the telecast. \u003c/span\u003e[\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/artists/benson-boone/57823)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRAYE\u003c/span\u003e](https://grammy.com/artists/rachel-keen/58098)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://grammy.com/artists/teddy-swims/58158)\u003cspan\u003e — all of whom, along with Doechii, were featured in \u003c/span\u003e[\u003cspan\u003ea medley performance of their individual hits\u003c/span\u003e](https://grammy.com/news/best-new-artist-performance-medley-2025-grammys)\u003cspan\u003e — each earned a boost. RAYE saw the biggest boost with 65 percent; Boone's \u003c/span\u003e*[\u003cspan\u003eFireworks \u0026amp; Rollerblades\u003c/span\u003e](https://grammy.com/news/benson-boone-new-album-fireworks-and-rollerblades-tour-interview-beautiful-things)*\u003cspan\u003e album is up 44 percent; Shaboozey's \u003c/span\u003e*[\u003cspan\u003eWhere I've Been, Isn't Where I'm Going\u003c/span\u003e](https://grammy.com/news/shaboozey-new-album-where-ive-been-isnt-where-im-going-interview-beyonce-cowboy-carter)*\u003cspan\u003e is up 13 percent; Swims' \u003c/span\u003e*\u003cspan\u003eI've Tried Everything But Therapy (Part 1)\u003c/span\u003e*\u003cspan\u003e is up 8 percent. \u003c/span\u003e[\u003cspan\u003eKhruangbin\u003c/span\u003e](https://grammy.com/artists/khruangbin/58222)\u003cspan\u003e, who were spotlighted in a performance just before the BNA medley, also earned a big gain, as their most recent LP, 2024's \u003c/span\u003e*\u003cspan\u003eA La Sala\u003c/span\u003e*\u003cspan\u003e, rose 36 percent. \u003c/span\u003e\n\n[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360) \u003cspan\u003etopped off a\u003c/span\u003e *[\u003cspan\u003eBRAT\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable)* [\u003cspan\u003eGRAMMY night\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable) \u003cspan\u003e— which included her first three wins and a\u003c/span\u003e [\u003cspan\u003eparty-fueled performance\u003c/span\u003e](https://grammy.com/news/charli-xcx-2025-grammys-performance) \u003cspan\u003eof album singles \"Von dutch\" and \"Guess\" — with the album seeing a 28 percent gain.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Body 1: Charli xcx 2025 GRAMMYs Performance: \"Von dutch\" \u0026 \"Guess\"","deliveryId":"176df206-bf2f-4881-84b5-12faed65c87b"},"assetId":"7f9a2135-55df-4708-be56-b596083c5a4c","theme":"Grammy (Gold)","nomadSource":"https://nomad-content.grammy.com/pmc/7f/9a/21/7f9a2135-55df-4708-be56-b596083c5a4c/tra-apple-hls-acc/0495-perf11-tp-tp.m3u8","nomadVideoTitle":"Watch Charli xcx Unleash A 'Brat' Performance Of \"Von dutch\" \u0026 \"Guess\" | 2025 GRAMMYs","cookies":["CloudFront-Policy=eyJTdGF0ZW1lbnQiOiBbeyJSZXNvdXJjZSI6Imh0dHBzOi8vbm9tYWQtY29udGVudC5ncmFtbXkuY29tL21jLyoiLCJDb25kaXRpb24iOnsiRGF0ZUxlc3NUaGFuIjp7IkFXUzpFcG9jaFRpbWUiOjE3Mzk5MTI1Mzl9fX1dfQ__; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Signature=TeDiPn4fEedzeEU5xR-3i-hkBRcgYaj9SjTKB5uS6PzXGrkjrobEdLowvi1aNI~dGUkEsAF9qOcKmO4JHjPh5WeSnts4lN8kWXAykO8PK92oDBxPz9ke88Dd1pm0t7278Zie9pzpZyqKh49zN5JQP9chPt7UwDDYalMYV2KN9X9c092o31ygENcEKzR7H1mDrZL7v7XnC80I2NXMN8g6pn8idFcNMrv2uF64olthnRVK2Ll9XXWtW4iPziyqoXUpT~TCmikXlbI6~uQohhKMUQ~vrtJIoiRZwFbs7D2HDcnO3fBLO0Qv8cR~wumL0eJLs8ayTHyqjNd-GLQBNz-xJA__; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Key-Pair-Id=KB0JNFO6ISQSI; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Policy=eyJTdGF0ZW1lbnQiOiBbeyJSZXNvdXJjZSI6Imh0dHBzOi8vbm9tYWQtcmNvbnRlbnQuZ3JhbW15LmNvbS9ybWMvKiIsIkNvbmRpdGlvbiI6eyJEYXRlTGVzc1RoYW4iOnsiQVdTOkVwb2NoVGltZSI6MTczOTkxMjUzOX19fV19; Domain=.grammy.com; Path=/rmc/; Secure","CloudFront-Signature=t-zFAUUqFuF7zzVlmStu4m3PymEjKvjBi3c0cfAFApRDWMHdVZc7SQNWb66xpwznpZIHRZg6q~WMyHOBJWXzWbKH6uprCxc101Eoi0o6vPzTSQYXSVVv3E4GrBqcT9x0GumYH2-wie2-3og15-bTLPBi3~Z2HA4bz9I2WZQi8bhQqm9SqFpSXR20zh7HGFc2SQwPgzfh9Bh4bl3FQYVqOIiaRYEDmXonrkKTg-jDYZBPb2o8rl8~CD1Lml-u0V1nouWzm1PQQul0508itw~bGJZSiscWZyU1f6FJkwbk9hOSmTdVOhFRo6XBy3DXthc8Y89Imk-f71DHkK-ZayoIOg__; Domain=.grammy.com; Path=/rmc/; Secure","CloudFront-Key-Pair-Id=KB0JNFO6ISQSI; Domain=.grammy.com; Path=/rmc/; Secure"],"newsDetails":true},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - 2025 GRAMMYs Effect","deliveryId":"724c17ba-75d8-4ccc-a4c2-d3cb14b6cad3"},"bodyText":{"richText":"\u003cspan\u003eSeveral winning songs and artists also jumped up on the Billboard Hot 100. The chart's Top 10 is almost entirely dominated by GRAMMY winners and performers, helmed by\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e' \"Die With a Smile,\" which returns to the No. 1 spot for a fifth week. Though the pair opted to tribute those affected by the Los Angeles wildfires with a\u003c/span\u003e [\u003cspan\u003emoving rendition of \"California Dreamin'\"\u003c/span\u003e](https://www.grammy.com/news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys) \u003cspan\u003efor their joint performance on the telecast, they were awarded Best Pop Duo/Group Performance for \"Die With A Smile\" (and Lady Gaga delivered a\u003c/span\u003e [\u003cspan\u003epowerful message\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-powerful-acceptance-speeches-chappell-roan-alicia-keys) \u003cspan\u003ein\u003c/span\u003e [\u003cspan\u003esupport of queer and trans communities\u003c/span\u003e](https://www.grammy.com/videos/lady-gaga-bruno-mars-wins-best-pop-duo-group-performance-2025-grammys) \u003cspan\u003ein her speech).\u003c/span\u003e\n\n\u003cspan\u003eElsewhere on the Hot 100, Lamar's wins helped his latest \u003c/span\u003e[\u003cspan\u003eSZA\u003c/span\u003e](https://grammy.com/artists/Solana-Rowe/32514)\u003cspan\u003e collab, \u003c/span\u003e*\u003cspan\u003eGNX\u003c/span\u003e*\u003cspan\u003e's \"Luther,\" move back to No. 3 for the first time since its December debut; Eilish's \"BIRDS OF A FEATHER\" jumped from No. 7 to No. 4; and Shaboozey's \"A Bar Song (Tipsy)\" held on No. 5 after seeing a 118 percent boost in sales.\u003c/span\u003e\n\n[\u003cspan\u003eThe Weeknd\u003c/span\u003e](https://grammy.com/artists/The-Weeknd/24884)\u003cspan\u003e saw the biggest bound into the Top 10 thanks to his \u003c/span\u003e[\u003cspan\u003emonumental GRAMMYs surprise\u003c/span\u003e](https://grammy.com/news/the-weeknd-2025-grammys-performance)\u003cspan\u003e. Ending a nearly four-year boycott, the Canadian superstar took the GRAMMYs stage for a performance of \"Cry For Me\" and \"Timeless\" (with collaborator Playboi Carti) from his new album, \u003c/span\u003e*\u003cspan\u003eHurry Up Tomorrow\u003c/span\u003e*\u003cspan\u003e; the latter jumped from No. 18 to No. 7 on the chart.\u003c/span\u003e\n\n\u003cspan\u003eBoone's \"Beautiful Things\" also saw a significant increase, moving from No. 15 to No. 9. \u003c/span\u003e[\u003cspan\u003eHis backflip-filled performance\u003c/span\u003e](https://grammy.com/videos/benson-boone-beautiful-things-performance-2025-grammys)\u003cspan\u003e on the telecast also helped the song see a 29 percent streaming gain and a remarkable 515 percent boost in sales. \u003c/span\u003e\n\n\u003cspan\u003eThough Swims' \"Lose Control\" performance didn't quite have the same effect, he still holds at No. 8. Lamar's \u003c/span\u003e*\u003cspan\u003eGNX\u003c/span\u003e*\u003cspan\u003e single \"tv off\" closes out the Hot 100's Top 10 by rising from 11-10 on the post-GRAMMYs chart — but he surely will be seeing another big boost on the next tally, thanks to his instantly \u003c/span\u003e[\u003cspan\u003eiconic halftime performance\u003c/span\u003e](https://grammy.com/news/super-bowl-halftime-performances-kendrick-lamar-prince-rihanna-michael-jackson)\u003cspan\u003e at Super Bowl LIX. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights","slidesFromServer":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"2025 GRAMMYs Full Nomination List","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ec9eba9c-c548-4113-89c9-981abf385da7","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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Having already collected the GRAMMY for Best Country Album — \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003ethe first Black woman to do so\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003e — earlier in the evening, she gave a concise, yet gracious acceptance speech.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"eb5d20c3-70a9-4e35-88db-998317a225da"},"assetId":"4daba1a8-bb73-4dba-ac24-ce119c95907c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"4f75f658-923d-499a-8320-564fb04afc14"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I’d like to thank and acknowledge and praise all the firefighters keeping us safe,\" she began, mentioning the Los Angeles County Fire Department members that presented the award.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I just feel very full and very honored,\" she continued. \"It’s been many years, and I just want to thank the GRAMMYs, every songwriter, every collaborator, every producer, all the hard work.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e2025 GRAMMYs: See The Full Winners \u0026amp; Nominees List (UPDATING LIVE)\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé then dedicated the award to Linda Martell, a country music singer who became the first Black woman to play at the Grand Ole Opry in Nashville. Martell’s story was a theme of \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, which attempted to restore a Black presence in a genre historically dominated by white artists.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I want to dedicate this to Mrs. Martell, and I hope we just keep pushing forward, opening doors. God bless y’all.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé has been nominated for Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year six \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003etimes, but\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e had yet to win until now. Her pursuit of the award was even commented on by host \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTrevor Noah\u003c/span\u003e](https://grammy.com/artists/trevor-noah/251934)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"She had 99 nominations, and now Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year is one,\" he joked, referencing her husband Shawn \"\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\" Carter’s song \"99 Problems\" as well as her 99 career GRAMMY nominations.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé was nominated in the Category alongside \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eAndré 3000\u003c/span\u003e](https://grammy.com/artists/andre-3000-benjamin/73)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e. In addition to her win for Best Country Album, she also received the Best Country Duo/Group Performance for \"II MOST WANTED,\" her collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, at the Premiere Ceremony earlier in the day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé had also announced a concert tour behind \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003ethe day before the GRAMMYs ceremony; the announcement was postponed from January due to the Los Angeles wildfires.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Album Of The Year For '[TK]'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Album of the year","Beyoncé","Cowboy Carter","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738561199923,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"Beyoncé Wins Her First Album Of The Year GRAMMY","subHeadline":"Beyoncé finally took home the coveted GRAMMY for 'COWBOY CARTER' after six nominations in the Category.","articleSummary":"Beyoncé takes home the GRAMMY for Album Of The Year at the 2025 GRAMMYs, winning over fellow nominees André 3000, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce_album_of_the_year_2025_grammys_acceptance_speech_KW1_3645_2aLIT2tw","id":"58f6a26f-1465-47fc-81c5-005e89bd26bd","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","imgAlt":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","imgTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","link":"/","captionValue":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","captionSummary":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","poi":{"isImage":true,"alpha":false,"width":4072,"height":2715,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43442443847656,"y":0.10383552379822}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year Win","deliveryKey":"news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys","deliveryId":"45283c99-3e68-4e29-bf8a-9171b085e210"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Song Of The Year - 2025 GRAMMYs","deliveryId":"7713dd78-7a63-4662-abed-2b562ec08176"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eImmediately after winning Record Of The Year,\u003c/span\u003e [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003eand his collaborators reemerged from backstage at the 2025 GRAMMYs to collect the trophy for Song Of The Year.\u003c/span\u003e\n\n\u003cspan\u003eLamar was speechless and \"starstruck\" after taking the golden gramophone from presenter \u003c/span\u003e[\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e, herself a 13-time GRAMMY nominee. His speech shouted out pioneering west coast rap artists like G Malone, Problem, and Maestro as well as his former labelmates Schoolboy Q, Ab-Soul, and Jay Rock. \u003c/span\u003e\n\n\u003cspan\u003e\"This is what it’s about man, because at the end of the day, nothing is more powerful than rap music,\" he said. \"We are the culture, it’s gonna always stay here and live forever.\" \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Song Of The Year acceptance speech 2025 GRAMMYs","deliveryId":"3b36c40f-6900-473c-bb38-95df58227252"},"assetId":"015cd164-d17c-4159-82a6-5ffd50e4f877","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year body 2","deliveryId":"4fbbf385-e30b-4d82-9770-890ce822071a"},"bodyText":{"richText":"\u003cspan\u003eHe also encouraged younger rappers to stay true to the culture of hip-hop. \"I just hope you respect the artform, that’s all. Respect the artform, it’ll get you where you need to go.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan\u003eCompleting a sweep of his categories, the song had also won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. It was the song’s producer \u003c/span\u003e[\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar)\u003cspan\u003e that summed up the situation best: \u003c/span\u003e\n\n\u003cspan\u003e\"Somebody get the broom out!\" \u003c/span\u003e\n\n\u003cspan\u003eLamar was nominated for Song Of The Year alongside\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611) \u003cspan\u003e\u0026amp;\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) \u003cspan\u003efor the award. He dedicated his win for Record Of The Year to the city of Los Angeles.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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[Donate now](https://grammy.com/firerelief).*\n\nAfter winning Best New Artist at the 2025 GRAMMYs, \u003cspan\u003eChappell Roan\u003c/span\u003e used her platform to advocate for a livable wage for musicians.\n\nTaking the golden gramophone after her \u003cspan\u003eperformance of \"Pink Pony Club,\"\u003c/span\u003e the first-time GRAMMY winner used her speech to ask record companies to pay their artists fairly, a cause that got a huge applause from the crowd at Crypto.com Arena.\n\n\"I told myself, if I ever won a GRAMMY, and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off artists would offer a living wage and healthcare, especially to developing artists,\" she said.\n\nThe six-time nominee got even more personal, describing her own struggles after being dropped from her label."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"6d2f6396-60e3-4c2b-8840-3aa93a9622bf"},"assetId":"96f93e93-8edb-4a9d-a30e-358ffef1f019","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"37e2891a-601e-4ea5-bead-cded046921ca"},"bodyText":{"richText":"\"I was signed as a minor, \\[and\\] when I got dropped I had zero job experience under my belt. And like most people I had a difficult time finding a job during the pandemic and could not afford health insurance,\" she said. \"It was so devastating to feel so committed to my art and feel so betrayed by the system. I was so dehumanized not to have health insurance.\"\n\nShe ended her speech by asking, \"Labels, we got you, but do you got us?\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\nRoan was nominated alongside \u003cspan\u003eBenson Boone\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eDoechii\u003c/span\u003e, \u003cspan\u003eKhruangbin\u003c/span\u003e, \u003cspan\u003eRaye\u003c/span\u003e, \u003cspan\u003eShaboozey\u003c/span\u003e, and \u003cspan\u003eTeddy Swims\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eVictoria Monét\u003c/span\u003e.\n\nThe artist, who named herself after her Papa Chappell, was nominated for five additional awards, including Album Of The Year for *Chappel Roan The Rise and Fall of a Midwest Princess* and Song Of The Year and Record Of The Year for \"Good Luck, Babe!\" Her producer \u003cspan\u003eDan Nigro won Producer Of The Year (Non-Classical)\u003c/span\u003e at the Premiere Ceremony earlier in the day."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"4254ed74-5b2b-4cc6-9a68-7bc1cb8313bf"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nLike her GRAMMY-nominated album, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e may be *Short n’ Sweet*, but the pint-sized – and newly GRAMMY-winning – pop star went big for her GRAMMYs debut. In one of the first performances at the 2025 GRAMMYs, Carpenter delivered a glamorous live performance of her smash hits \"Espresso\" and \"Please Please Please.\"\n\nCarpenter began with a comedic jazzy rendition of \"Espresso\" before changing from a sparkling, tuxedo-inspired dress into the sugary original itself while showing off her tap skills in the process. From there, the Best New Artist nominee suavely transitioned into \"Please Please Please\" and its country twang before returning to \"Espresso\" just as quickly for her finale.\n\nThe dazzling, drenched-in-blue display was something of a victory lap for the summer-dominating \"Espresso,\" for which Carpenter won Best Pop Solo Performance earlier at the Premiere Ceremony. Shortly after her performance, *Short n’ Sweet* won the GRAMMY Award for [Best Pop Vocal Album](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/sabrina-carpenter-album-wins-best-pop-vocal-album-2025-grammys)."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad: Sabrina Carpenter - 2025 GRAMMYs","deliveryId":"ff3f8767-6044-4559-992e-d0f7a2e53c24"},"assetId":"b6a4b827-4f50-4520-ae5c-9dfd1d23ed4b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"a2cb7b40-6a15-487e-a1ca-fe577d0ac5ae"},"bodyText":{"richText":"Released in April 2024, \"Espresso\" earned Carpenter her first Top 10 single on the Billboard Hot 100, while \"Please Please Please\" topped the Billboard Hot 100. The accolades kept stacking with the August release of another single, \"Taste,\" which debuted on the Hot 100 at No. 2. \n\nAccording to *\u003cspan\u003eBillboard\u003c/span\u003e*, \"As the tracks mark Carpenter’s first three top five Hot 100 hits, she \\[became\\] only the second act — and first soloist — ever to chart her first three top five hits in the region simultaneously,\" something last achieved by \u003cspan\u003ethe Beatles\u003c/span\u003e in 1964. So while *Short n’ Sweet* may have been Carpenter’s sixth album and a decade into her musical career, its success established her as a pop force. \"This album doing what it’s done is so fulfilling to me because I’m just being myself with bigger hair.\"\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[How Sabrina Carpenter Became A GRAMMY-Winning Pop Queen: Tracing Her Journey To 'Short N' Sweet'](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\n\nThe singer’s rapid ascent happened just as much off-stage, too, having started the year guesting on multiple dates of Swift's epic [\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-eras-tour-records-movie-disney-plus-stream). In April, she made her Coachella debut, and following the album’s release, she embarked on her first arena tour and produced and starred in a Netflix holiday special, *A Nonsense Christmas with Sabrina Carpenter*. Next month, the tour heads overseas to Europe."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"97ea21bc-70e3-408f-a191-9af6ada372e8","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["Sabrina Carpenter","2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738547645755,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Sabrina Carpenter Celebrates Her 2025 GRAMMYs Wins With A Performance of \"Espresso\" \u0026 \"Please Please Please\"","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","subHeadline":"From comedic and quirky to country-inflected pop, the newly GRAMMY-winning artist dazzled with a medley of her hit 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Shortly after her performance, Sabrina Carpenter won Best Pop Vocal Album for 'Short N' Sweet.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"97ea21bc-70e3-408f-a191-9af6ada372e8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"sabrina-carpenter-2025-grammys-performance","id":"40db6722-cfb2-490e-b682-5829f1065fbf","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo:Kevin Winter/Getty Images for The Recording Academy"},"tags":["Sabrina Carpenter","2025 GRAMMYs"],"title":"Sabrina Carpenter Performs At The 2025 GRAMMYs","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgAlt":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","link":"/","captionValue":"Sabrina Carpenter performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3816,"height":2656,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","deliveryKey":"news/the-weeknd-2025-grammys-performance","deliveryId":"b16f5422-83c5-467c-90d0-c62625dbfc80"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - The Weeknd performs at 2025 GRAMMYs","deliveryId":"48d0dce2-1f52-462f-b065-351a4083e36c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nAt the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), global superstar [The Weeknd](https://www.grammy.com/artists/The-Weeknd/24884) made his highly anticipated return to the GRAMMY stage after a three-year boycott, marking a turning point for the Recording Academy.\n\nHis performance, a rousing medley of \"Cry For Me\" and \"Timeless,\" came after his widely public decision to step away from submitting any of his music in 2021 stemming from concerns over a lack of transparency and fairness in the awards process. Now, following the Academy's sweeping reforms and a massive overhaul of its voting body, and initiatives to promote inclusivity, The Weeknd's return signals a new era of accountability and integrity for the GRAMMYs."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"The Weeknd Playboy Caarti 2025 GRAMMYs Performance","deliveryId":"5dd5d20f-4c10-4f41-90e2-7ef11094f8b2"},"assetId":"1c249a70-f716-4ad0-9017-4df69b615503","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - The Weeknd Makes Triumphant Return To GRAMMYs Stage","deliveryId":"d3a7d49c-3bc1-4f0a-953e-f7bcc91cfb49"},"bodyText":{"richText":"Moments before the surprise performance, Recording Academy [CEO Harvey Mason jr.](https://grammy.com/artists/harvey-mason-jr/4668) touched on the organization's changes that have helped lead to the monumental moment.\n\n\"Criticism is ok. I heard him, and I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now, and for future generations,\" Mason jr. said. \"So over the past few years, we've listened. We've acted. And, we've changed. We've launched initiatives like the Black Music Collective, Women in the Mix, Academy Proud, and others. We have completely re-made our membership, adding more than 3,000 women voting members. The GRAMMY electorate is now younger, nearly 40 percent people of color, and 66 percent of our members are new since we started our transformation. This year, the 13,000 voting members of the Academy nominated their peers and voted for the winners that you're seeing on this stage tonight. It's a system rooted in fairness, integrity, and the principle that every voice in our community matters. Now, charting a new course is never easy, there is still work to be done… but I firmly believe we’re on the right path.\n\n\"As we've seen tonight, music is a powerful force for good in the world,\" he continued. \"It heals us... it unites us. And we need that in this city right now. With that in mind, on a truly special night, what better way to bring us together, than this next artist. Someone who has seen the work this Academy has put in. I am so honored to leave you with a sentence, that I wasn't sure, would ever be said on the GRAMMY stage again: My friends, my fellow music makers, please join me in welcoming *back*, none other than, four-time GRAMMY-winning artist, and global superstar, The Weeknd.\"\n\nPerched among a slew of dancers with strobe lights blaring, The Weeknd delivered dynamic renditions of \"Cry For Me\" and \"Timeless,\" the latter featuring collaborator Playboi Carti. Both of the songs are singles from The Weeknd's new album, *Hurry Up Tomorrow*, which was just released on Jan. 31."}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"8af0c7d6-08a8-42f4-9f76-987a5565eb06","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["2025 GRAMMYs","the Weeknd"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738552010890,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","shortTitle":"2025 GRAMMYs: The Weeknd's Triumphant Return","subHeadline":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","articleSummary":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: The Weeknd Performs On The GRAMMY Stage","deliveryId":"8af0c7d6-08a8-42f4-9f76-987a5565eb06"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"The-Weeknd-2025-GRAMMYs-GettyImages-2197328083","id":"488d4204-87bf-4f56-b465-424b5a4a478f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Amy Sussman/Getty Images"},"tags":["2025 GRAMMYs","The Weeknd"],"title":"The Weeknd Performs At The 2025 GRAMMYs","shortTitle":"The Weeknd Performs At The 2025 GRAMMYs","imgAlt":"The Weeknd Performs At The 2025 GRAMMYs","imgTitle":"The Weeknd Performs At The 2025 GRAMMYs","link":"/","captionValue":"The Weeknd performs at The 2025 GRAMMYs.","captionSummary":"The Weeknd performs at The 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.55117881774902,"y":0.30696554576859}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Lady Gaga \u0026 Bruno Mars Perform \"California Dreamin'\"","deliveryKey":"news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys","deliveryId":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b038568e-2104-4c4f-b68d-3ce07bdd99d1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Lady Gaga And Bruno Mars Perform body 1","deliveryId":"99d7d62a-070b-4d37-a5e9-36d9ed9a4d25"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eLady Gaga\u003c/span\u003e and \u003cspan\u003eBruno Mars\u003c/span\u003e brought another solemn and beautiful moment to the 2025 GRAMMYs with their own tribute to Los Angeles.\n\nFollowing a video revealing the widespread devastation of the L.A. wildfires, the pair appeared onstage to perform \"California Dreamin’\" (originally recorded by \u003cspan\u003eBarry McGuire\u003c/span\u003e but made famous by\u003cspan\u003e the Mamas \u0026amp; The Papas\u003c/span\u003e). With Gaga draped in a sheer, flower-embroidered maxi dress and Mars in a tan suit and straw hat, they embodied the laidback and melancholy dreaminess of the 1965 classic.\n\nGaga and Mars are both twice nominated this year for their duet \"Die With A Smile,\" for Best Pop Duo/Group Performance and \u003cspan\u003eSong Of The Year, winning in the former category\u003c/span\u003e. Over the years, they have amassed 28 golden gramophones between them, including three for Best Pop Duo/Group Performance — Gaga for \"Shallow\" with \u003cspan\u003eBradley Cooper\u003c/span\u003e in 2019 and \"Rain On Me\" with \u003cspan\u003eAriana Grande\u003c/span\u003e in 2021, and Mars for \"Uptown Funk\" with \u003cspan\u003eMark Ronson\u003c/span\u003e in 2016 — and one for Song Of The Year, Mars for \"That's What I Like\" in 2018.\n\nGaga and Mars wrote and produced \"Die With A Smile\" with regular Mars collaborators \u003cspan\u003eDernst \"D'Mile\" Emile II\u003c/span\u003e and \u003cspan\u003eAndrew Wyatt\u003c/span\u003e. \"I remember feeling that it was a song people needed to hear,\" Gaga told the *\u003cspan\u003eL.A. Times\u003c/span\u003e*. \"I write music all the time, and sometimes you feel like you're creating something that some people might like. But there are other times when you work on something, and you just know it's going to speak deeply to all kinds of people. I knew it immediately.\"\n\nShe was spot on. In addition to the song dominating Billboard's Global 200 upon its August release, \"Die With A Smile\" is currently atop the Billboard Hot 100 for its fourth total and consecutive week.\n\nFor both stars, the song is merely a starting point of momentum for 2025. Gaga, who shared \"Disease\" in October and a new single [\"Abracadabra\"](https://www.youtube.com/watch?v=vBynw9Isr28\u0026feature=youtu.be) just minutes after her duet, will be releasing her latest album, *Mayhem,* on March 7. In April, she'll headline Coachella. Meanwhile, Mars has been continuing his collaborative streak. His team-up with \u003cspan\u003eBLACKPINK\u003c/span\u003e member \u003cspan\u003eROSÉ\u003c/span\u003e, \"APT.,\" just surpassed 1 billion views on YouTube, and last month, he kicked off the new year with the Sexxy Red collab \"Fat Juicy \u0026amp; Wet.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nArguably one of the biggest hits of 2024, \"Pink Pony Club\" and \u003cspan\u003eChappell Roan\u003c/span\u003e have rightfully earned massive praise and accolades — ones the size of the massive pony that stood on stage during her performance at the \u003cspan\u003e2025 GRAMMYs\u003c/span\u003e.\n\nThanks to the astonishing success of her debut album, *\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003eRoan is being celebrated at this year’s ceremony in some of the night’s most-coveted Categories, including Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist. Shortly after her performance, Roan won the golden gramophone for Best New Artist.\n\n\u003cspan\u003eThough it took a little while for \u003c/span\u003e*\u003cspan\u003eThe Rise\u003c/span\u003e*\u003cspan\u003e to get into the cultural zeitgeist, Roan's GRAMMYs debut showcased just how essential she has already become to the pop world. \u003c/span\u003eThe crowd in the Crypto.com Arena — including artists such as \u003cspan\u003eAlicia Keys\u003c/span\u003e and \u003cspan\u003eJanelle Monáe\u003c/span\u003e —\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003erose to their feet, much like the\u003cspan\u003e massive festival crowds\u003c/span\u003e Roan has performed for recently. Their dancing was only topped by the immaculately choreographed crowd of rodeo clowns miming in unison, matching the artistry of the moment."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Chappell Roan 2025 GRAMMYs Performance","deliveryId":"e27532f1-8620-4be5-bbc7-617cf42bf12e"},"assetId":"646d6e07-583e-4a05-b0b5-e9e6c75c4459","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Chappell Roan 2025 GRAMMYs performance","deliveryId":"ac9ae659-c5ce-4c86-9e96-1881eb6dd5ae"},"bodyText":{"richText":"Prior to taking the stage, Roan welcomed the audience into her story, for those very few not aware of her meteoric rise. Her story of growing up queer in Missouri and longing for a larger world, not to mention finding a home in Los Angeles, rang especially powerfully this evening.\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eChappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop \"Femininomenon\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\n\nWearing a black and gold rhinestone-adorned corset with black leather gloves, and a black bedazzled cowboy hat, Roan kept things hot, her copper hair flowing across the stage, elegantly soaring into the song as if she were inviting audiences to an exciting new world we’ve never seen before. Holding her hand, the audience sang along: \"I know you wanted me to stay/ But I can’t ignore the crazy visions of me in L.A.\"\n\nDuring her introduction, good friend \u003cspan\u003eOlivia Rodrigo\u003c/span\u003e noted that Roan has come a long way from working in a nearby donut shop in L.A.'s Highland Park. And with this powerful, sincere performance, Roan is sure to reach even more dazzling heights in the future."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"991cae20-378a-427a-ac2a-e498ab297fcd"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://www.grammy.com/artists/charli-xcx/18360) \u003cspan\u003eturned Crypto.com Arena into a rave at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a wild live performance of \"Von dutch\" and \"Guess\" from her GRAMMY-winning album\u003c/span\u003e *[\u003cspan\u003ebrat\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eMaking her entrance from the parking area in a fur coat and lingerie, Charli debuted onstage at Music's Biggest Night with her it-girls in tow. The space transformed into a makeshift rave while she sang \"Von dutch,\" which \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for\u003c/span\u003e Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys)\u003cspan\u003e earlier in the night — giving new meaning to her lyrical declaration: \"It's so obvious, I'm your number one.\" \u003c/span\u003e\n\n\u003cspan\u003eThe British star then took the afterparty onstage, performing the suggestive \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e collab \"Guess\" among a sea of writhing limbs, booming bass, and flying undergarments.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Body 1: Charli xcx 2025 GRAMMYs Performance: \"Von dutch\" \u0026 \"Guess\"","deliveryId":"176df206-bf2f-4881-84b5-12faed65c87b"},"assetId":"7f9a2135-55df-4708-be56-b596083c5a4c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","deliveryId":"48d4e31e-727f-4721-9d79-21143a96a6e6"},"bodyText":{"richText":"\u003cspan\u003eCharlie walked into the 67th Annual GRAMMY Awards as one of the night's most-nominated artists, earning eight nominations in total. She ended the night with three wins, including \u003c/span\u003e[Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys) (“Von dutch”), [Best Dance/Electronic Album](https://www.grammy.com/music-genre/dance-electronic-music) (*BRAT*)and [Best Recording Package](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/charli-xcx-brat-best-recording-package-backstage-interview-2025-grammys) (*BRAT*).\n\n\u003cspan\u003eCharli's performance served as a triumphant return to the GRAMMYs, as she was last nominated in 2015 for her hit \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e collaboration, \"Fancy.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eCharli XCX's Road To 'Brat': How Her New Album Celebrates Unabashed Confidence \u0026amp; Eccentricity\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)\n\n\u003cspan\u003eCharli's GRAMMY appearance also encapsulated how \u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e took the singer into a new stratosphere in 2024. Her celebrated Brat Summer turned into an entire Brat year, kicking off with a Boiler Room event (aptly titled PARTYGIRL) last February. Charli's big year spawned a viral TikTok dance, a collaboration-stacked remix album (\u003c/span\u003e*\u003cspan\u003ebrat and it's completely different but also still brat\u003c/span\u003e*\u003cspan\u003e), an arena tour with \u003c/span\u003e[\u003cspan\u003eTroye Sivan\u003c/span\u003e](https://grammy.com/artists/troye-sivan/54138)\u003cspan\u003e, and a double-duty host and musical guest spot on \"Saturday Night Live.\" \u003c/span\u003e\n\n\u003cspan\u003eStill, like the 24-hour party girl she is, Charli's not yet done. In April, she's due to perform at Coachella, and she will kick off her first solo U.S. arena tour. She also reportedly has a film in the works, as announced by\u003c/span\u003e *[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/film/news/charli-xcx-a24-movie-the-moment-original-idea-1236283554/)*\u003cspan\u003e, which states she's \"teaming up with A24 to produce and star in a new movie called\u003c/span\u003e *\u003cspan\u003eThe Moment\u003c/span\u003e*\u003cspan\u003e, based on her own original idea.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx performance","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Dance/Electronic","Pop"],"tags":["Charli xcx","2025 GRAMMYs","Dance Electronic Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738560199791,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs With A Performance Of \"Von Dutch\" \u0026 \"Guess\"","shortTitle":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs","subHeadline":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","articleSummary":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Charli xcx performance","deliveryId":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"charli-xcx-2025-grammys-performance","id":"49c9f240-10f4-4ada-88f7-68c493b8fc5b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy)"},"tags":["Charli xcx","2025 GRAMMYs"],"title":"Charli xcx performs at the 2025 GRAMMYs","shortTitle":"Charli xcx performs at the 2025 GRAMMYs","imgAlt":"Charli XCX performs onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"Charli xcx performs at the 2025 GRAMMYs","link":"/","captionValue":"Charli xcx performing at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3407,"height":2271,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","deliveryKey":"news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys","deliveryId":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Record Of The Year - 2025 GRAMMYs","deliveryId":"b3c885e7-5c39-48df-8d56-f5f33d5d1666"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nOn a GRAMMY night overflowing with support for an ailing Los Angeles, one of its proudest native sons has taken home the golden gramophone for Record Of The Year.\n\nA beaming [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) ascended the stage to collect his trophy for \"Not Like Us,\" the blistering diss track that topped the charts and became an unofficial anthem for L.A., and dedicated the win to the city itself.\n\n\"We gon’ dedicate this one to the city,\" he said, naming his hometown of Compton, as well as Watts, Long Beach, Inglewood, and a smattering of other neighborhoods and cities. \"I can’t give enough thanks to these places that I rolled around since high school, and most importantly the people and the families out in Palisades and Altadena. This is a true testament that we will continue to restore this city.\"\n\nLamar, whose music is heavily associated with Los Angeles and its culture, also mentioned the passing of his aunt, who died the day before the GRAMMYs ceremony.\n\n\"She probably watching from up there, make sure y’all got y’all best smiles on, make her feel good.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Wins Record Of The Year: 2025 GRAMMYs","deliveryId":"d7b5efba-1e31-47f3-ad2d-0d6c81f63099"},"assetId":"532dbfb8-d8df-4028-b7ca-561da50a3801","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles body 1","deliveryId":"a0b58a8e-dfbd-4490-a432-634d450498a4"},"bodyText":{"richText":"\"Not Like Us,\" which served as the dramatic climax of a diss battle between Lamar and [\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370) last year, had already won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. [\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar), the song’s producer, collected all three trophies and accompanied Lamar onstage at Crypto.com Arena.\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\n\n[\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\"I ain’t got nothing to say but WEST SIDE!\" he declared after Lamar had finished speaking.\n\nLamar was nominated for Record Of The Year alongside \u003cspan\u003ethe Beatles\u003c/span\u003e, \u003cspan\u003eBeyoncé\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eCharli xcx\u003c/span\u003e, \u003cspan\u003eBillie Eilish\u003c/span\u003e, \u003cspan\u003eChappell Roan\u003c/span\u003e, and \u003cspan\u003eTaylor Swift\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eMiley Cyrus\u003c/span\u003e. A 57-time GRAMMY nominee, his previous wins include Best Rap Album for *To Pimp A Butterfly* and Best Rap Song and Best Rap Performance for \"Alright.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Record Of The Year For \"[TK]\"","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"bd611e5d-0a99-44d7-bb1c-50d592b9fb6e","contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","Record Of The Year"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738557985375,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","shortTitle":"Kendrick Lamar Wins Record Of The Year","subHeadline":"\"We will continue to restore this city\" the rapper declared; the city embraced \"Not Like Us\" as an unofficial anthem last year.","articleSummary":"Kendrick Lamar won his first 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[Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393) \u003cspan\u003eshowed why\u003c/span\u003e [\u003cspan\u003eshe's Latin music royalty\u003c/span\u003e](https://www.grammy.com/news/10-essential-shakira-songs-that-prove-superstar-status) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a performance of one of her earliest hits, 1998's \"Ojos Así,\" followed by her viral Bizarrap collaboration, \"Shakira: Bzrp Music Sessions, Vol. 53\" from her GRAMMY-winning album\u003c/span\u003e *\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"cb93e03a-483f-4c6a-8691-8e9fb8ffc876"},"assetId":"0accf71c-6edf-4976-977f-19ca758cbb17","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"94edcaf8-e5ab-49be-8854-40685277169f"},"bodyText":{"richText":"\u003cspan\u003eThe performance — her first on the GRAMMYs stage since 2007 — punctuated a triumphant moment for the Colombian superstar, who shortly before the occasion won her fourth career GRAMMY. Bathed in dim, warm light and smoke, Shakira began with a stripped-back version of \"Ojos Así\" that went heavy on drums while showing off her sensual belly-dancing. Following a short dance break, she launched into her \"Bzrp Music Sessions,\" bringing the she-wolf energy of\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ethrough its self-confident bars and cheeky yet scathing disses.\u003c/span\u003e\n\n\u003cspan\u003eShakira's GRAMMY win for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emarks her third victory for Best Latin Pop Album, having previously won for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eShakira - MTV Unplugged\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2001 — her first-ever GRAMMY win — and more recently, her previous album\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2018.\u003c/span\u003e\n\n\u003cspan\u003eIn the six years since\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan\u003e, Shakira underwent a life-changing event with the breakup of her longtime relationship, for which\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eserved as a therapeutic outlet. \"Making this body of work has been an alchemical process. While writing each song I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength,\" she\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003esaid on Instagram\u003c/span\u003e](https://www.instagram.com/p/C3XwGN9Mtuc/?utm_source=ig_embed\u0026ig_rid=8e58be30-c8d1-407b-af1e-7aec1bc05644\u0026img_index=1)\u003cspan\u003e.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eShakira's Road To 'Las Mujeres Ya No Lloran': How Overcoming A Breakup Opened A New Chapter In Her Artistry\u003c/span\u003e](https://www.grammy.com/news/shakira-road-to-la-mujeres-ya-no-lloran-new-album-videos)\n\n\u003cspan\u003eShakira's triumph was as personal as it was professional. Her\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"Sessions\"\u003c/span\u003e](https://www.youtube.com/watch?v=CocEMWdc7Ck)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith Bizarrap set streaming records, and another,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"TQG\"\u003c/span\u003e](https://www.youtube.com/watch?v=jZGpkLElSu8)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)\u003cspan\u003e, ascended to No. 1 on the Billboard Global 200. Both tracks earned the singer three Latin GRAMMYs in 2023, for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/shakira-bizarrap-win-song-of-the-year-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e, Best Pop Song and Best Urban Fusion/Performance.\u003c/span\u003e\n\n\u003cspan\u003eFollowing its March 2024 release,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emaintained momentum with two more Latin GRAMMY nominations and a win in the newly created\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eBest Latin Electronic Music Performance\u003c/span\u003e](https://www.grammy.com/news/bizarrap-shakira-win-best-contemporary-electronic-music-performance-bzrp-music-sessions-53-2024-latin-grammys-acceptance-speech-video-watch)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003e(\"Shakira: Bzrp Music Sessions, Vol. 53 \\[Tiësto Remix\\])\"). As a result of its success, Shakira became the first woman with No. 1 albums across four decades on the\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eBillboard\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eLatin album charts — a resounding testament to\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eher longevity\u003c/span\u003e](https://www.grammy.com/news/shakira-albums-awards-facts-womens-history-month-video-run-the-world)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eShakira is continuing her run with new single \"Soltera,\" released this past September, and a forthcoming world tour scheduled to begin later this month.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 Performances","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide","id":"a641a720-8512-4139-9da1-8e2f1f2b39fe"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"9ffdb187-8efd-42a9-a11f-b748f1f4ee66"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"45283c99-3e68-4e29-bf8a-9171b085e210"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b5bb1f5a-19ec-4065-8adb-99b575586478"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"776416c7-30cf-47e9-a822-b78220954bd2"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b16f5422-83c5-467c-90d0-c62625dbfc80"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"eade9017-8601-4f29-b8d3-41a5c4edea6e"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"00db222a-fe5a-40bd-bb0d-af9d5bcff3fb"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ae2daccc-caa3-4e8b-bf71-dcb9c06ad8d0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f1d9706b-41a6-4527-9cae-6c51445687b0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"a4b6132c-b134-4983-96b3-c3d1c5b4c683"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"62829624-027d-4e06-8122-2e4cd7ebbf16"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"5883d091-317e-4c7d-9050-0aca8bd935fc"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"fdc355a6-8d7a-4bf9-9ab6-9f26906800d8"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"ef15170c-4a53-481a-a973-663715043a14"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"}],"title":"2025 GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin"],"tags":["2025 GRAMMYs","Shakira"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612655680,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","shortTitle":"Shakira Performs At The 2025 GRAMMYs","subHeadline":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","articleSummary":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","deliveryId":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Shakira-2025-GRAMMYs-GettyImages-2197336575","id":"ecfc5916-86a9-4aba-b1da-4fa4aaf83dce","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: JC Olivera/WireImage"},"tags":["Shakira","2025 GRAMMYs"],"title":"Shakira Performs At The 2025 GRAMMYs","shortTitle":"Shakira Performs At The 2025 GRAMMYs","imgAlt":"Shakira Performs At The 2025 GRAMMYs","imgTitle":"Shakira Performs At The 2025 GRAMMYs","link":"/","captionValue":"Shakira performs at the 2025 GRAMMYs.","captionSummary":"Shakira performs at the 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43720149993896,"y":0.24735022841321}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryKey":"news/best-new-artist-performance-medley-2025-grammys","deliveryId":"f1d9706b-41a6-4527-9cae-6c51445687b0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fc97c690-9391-46ce-b48f-ea5f15ed5ba7"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Doechii Performs On The GRAMMY Stage","deliveryId":"3d37cf98-f24d-4db6-b806-548dbcbddc82"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eJust before Chappell Roan was crowned\u003c/span\u003e [\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, her fellow nominees\u003c/span\u003e [\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/artists/benson-boone/57823)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eRAYE\u003c/span\u003e](https://grammy.com/artists/rachel-keen/58098) \u003cspan\u003eperformed a medley of their hit songs on the GRAMMY stage — proving why they all deserved the coveted recognition.\u003c/span\u003e\n\n\u003cspan\u003eAnd it truly was one big medley to rule all medleys! Each artist delivered their\u003c/span\u003e \u003cspan\u003esignature songs, resulting in an epic, genre-blending performance: Boone's catchy pop, Doechii's astonishingly original take on rap, Swims' alt balladry, Shaboozey's record-breaking country stylings, and RAYE's bewildering soul.\u003c/span\u003e\n\n\u003cspan\u003eBoone was up first, starting from his seat on the Crypto.com Arena floor and snaking through the crowd singing the mesmeric beginning to his smash-hit \"Beautiful Things.\" Right at that killer pre-chorus soar, he hurriedly ripped the top of the suit open to reveal a blue sequined jumpsuit, climbing up the stage and across the grand piano for his trademark backflip. It felt as if Boone was cannonballing over an endless abyss, his powerful vocals keeping the whole room afloat.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003eThat jolt of energy lent itself perfectly to the next act, the masterful\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e](https://www.grammy.com/artists/doechii/57882)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003e— who is now a first-time GRAMMY winner, taking home Best Rap Album not long before hitting the stage. The Tampa native was surrounded by an immaculately choreographed group of backing dancers all clad in custom Thom Browne gray uniforms — that is, before it was ripped away, revealing a two-piece white underwear fit with classic red and blue stripes.\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003epowerfully strutted along a moving walkway, delivering a mix of \"CATFISH\" and \"DENIAL IS A RIVER\" for a performance that spoke volumes.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Doechii) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"391fde00-d9f4-482e-a1a6-c0d59b5b4aeb"},"assetId":"9a6a3d38-44fa-467e-b02f-0ab32a7a27f5","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"4a271df8-4b37-40f8-b0c1-60040848f6bf"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003ePowerhouse vocalist \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003e kept the awe going, as his voice danced across the mic and commanded the stage for a dynamic rendition of his chart-topping hit, \"Lose Control.\" \"Something's got a hold of me lately,\" he cooed. \"No, I don't know myself anymore.\" That admission echoed through the Crypto.com Arena, Swims looking well in control of his fate for years to come.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003eCelebrating both his first GRAMMY nominations as well as the decade's longest-running No. 1 hit on the Billboard Hot 100,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/artists/shaboozey/56863)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought his chart-topping smash \"A Bar Song (Tipsy)\" to the GRAMMY stage next. Starting with a snippet of his recent single \"Good News,\" the country and hip-hop experimentalist got the crowd to swell in unison, showcasing a song that feels at once all-American and universally joyful. And with Jennifer Lopez cheering him on, the joy\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought to the ceremony was palpable.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Shaboozey) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"d69f47bd-96d9-42fb-a673-c8712fb48b10"},"assetId":"aaa36e1e-abe3-45b8-8d80-7fa3643f0893","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Benson Boone Best New Artist Medley Performance","deliveryId":"c8c53a1a-14b2-4d19-bc0a-222848e50cd8"},"theme":"Grammy (Gold)","assetId":"1cca596c-e3b6-45db-9d3d-10a79df53c88"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Raye Performs Best New Artist Medley","deliveryId":"62667adf-c955-4b9b-8ab5-19c5ac584275"},"assetId":"046ef96f-b1d7-465e-a641-6d7d590a0d73","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Teddy Swims Performance Best New Artist Medley","deliveryId":"742ff7e6-1689-428f-90f2-cf32a458b94e"},"assetId":"efc6b6c4-ad1e-41a8-8be7-e4411924c56a","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Khruangbin performance Best New Artist Medley","deliveryId":"c5a78dab-20de-4f05-8c1e-64e947d00d02"},"assetId":"51a71594-bcee-4fa8-8f9e-074341337b7c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"2a80faeb-b426-44a4-b943-58ebf19c5add"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eThen the angelic voice of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eRAYE\u003c/span\u003e](https://www.grammy.com/artists/rachel-keen/58098)\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003e sealed the medley's finale with an impressive old-Hollywood-inspired \"Oscar Winning Tears.\" RAYE's sparkling black dress, the white tux-clad backing band, and the vintage bandstands perfectly complimented her immaculate voice that kept the crowd in a trance. That mystic spell was only broken when she giddily bounced on the stage at the massive roar of approval.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eRead More:\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eMeet The First-Time GRAMMY Nominee: RAYE On Her Long Road To Stardom, Writing Songs With Beyoncé \u0026amp; Her \"Really Beautiful\" Bond With Charli XCX\u003c/span\u003e](https://www.grammy.com/news/raye-my-21st-century-blues-interview-songwriter-2025-grammys)\u003cspan class=\"EOP SCXW268025665 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eWhile they may not have been a part of the medley proper, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eKhruangbin\u003c/span\u003e](https://www.grammy.com/artists/khruangbin/58222)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e offered a majestic rendition of \"May Ninth\" just before their fellow Best New Artist nominees took the stage. It was a fitting transition between the medley showcase and the standout performances given by their other BNA comrades \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e.\u003c/span\u003e\u003cspan class=\"EOP SCXW197354953 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e\"That's a tough category right there,\" last year's Best New Artist recipient \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eVictoria Monét\u003c/span\u003e](https://grammy.com/artists/victoria-monet/287096)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e beamed, just prior to revealing Roan winning the category. Year in and year out, Best New Artist offers some of the most thrilling music of the evening. But being able to showcase such an incredible spectrum of unique, powerful artists emphasized the bright musical future ahead.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"Rewatch the 2025 GRAMMYs Premiere Ceremony in full. Taking place hours before the **[2025 GRAMMY Awards](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** telecast, the Premiere Ceremony is a special presentation in which the majority of the night's GRAMMY Awards are awarded. Featuring a star-studded and uplifting opening number, stellar performances, a roster of influential presenters, and more, the 2025 GRAMMYs Premiere Ceremony is a special event that gives music fans the full GRAMMYs experience. Watch performances from **[Yolanda Adams](https://www.grammy.com/artists/yolanda-adams/105)**, **[Wayne Brady](https://grammy.com/artists/wayne-brady/10452)**, **[Deborah Cox](https://www.grammy.com/artists/deborah-cox/57863)**, **[Béla Fleck](https://www.grammy.com/artists/bela-fleck/11488), [Angélique Kidjo](https://www.grammy.com/artists/angelique-kidjo/9915)**, and **[Muni Long](https://www.grammy.com/artists/Priscilla-Priscilla-Renea-Hamilton/38121)**; acceptance speeches from **[Kacey Musgraves](https://grammy.com/artists/kacey-musgraves/18025)**, **[Mustard](https://www.grammy.com/artists/dijon-mcfarlane/243405)**, and **[Anderson .Paak](https://grammy.com/artists/anderson-paak/19926)**; and many more special GRAMMY moments. \n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\nCity National Bank, the Official Bank of the GRAMMY Awards, is returning for the third consecutive year as the presenting sponsor of the annual GRAMMY Awards Premiere Ceremony."},"body":{"richText":"The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. **[Donate now](https://musicares.org/firerelief)**.\n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\n\n**[Watch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.](https://live.grammy.com/)**\n\n\u003cspan\u003e \u003c/span\u003e \n\n**[See the full 2025 GRAMMYs winners and nominees list.](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","2025 GRAMMYs Premiere Ceremony","Kacey Musgraves","Muni Long","Mustard","Anderson .Paak","Wayne Brady"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738976298016,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The 2025 GRAMMYs Premiere Ceremony In Full: Kacey Musgraves, Muni Long, Mustard, Anderson .Paak, Wayne Brady \u0026 More","shortTitle":"Watch The 2025 GRAMMYs Premiere Ceremony In Full","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/3a/99/69/3a9969cd-e63e-4632-b9dc-bcb060e24b18/screenshots/PreviewImage-01-55-10.604.jpg","duration":"13821208"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryKey":"news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter","deliveryId":"62829624-027d-4e06-8122-2e4cd7ebbf16"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"ae2f4831-6adc-4fea-b3a2-145a1fe2f40d"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs ](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) made history at the 2025 GRAMMYs, by becoming the first Black woman in GRAMMYs history to take home the award for Best Country Album.\n\nAccepting the award from [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450), Queen Bey appeared genuinely dumbfounded when her fellow superstar read out her name as the Category’s winner for her 2024 album, *COWBOY CARTER*.\n\n\"Wow, I really was not expecting this,\" the \"TEXAS HOLD ‘EM\" singer said in her acceptance speech, before going on to thank both God and the many country artists she collaborated with on the album.\n\n\"I think sometimes 'genre' is a code word to keep us in our place as artists,\" she continued. \"And I just want to encourage people to do what they’re passionate about, and to stay persistent.\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eHow Beyoncé Is Honoring Black Music History With 'Cowboy Carter,' \"Texas Hold Em,\" 'Renaissance' \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/how-beyonce-honors-black-music-history-texas-hold-em-renaissance)\n\nBeyoncé slapped down the concept of genre as a musical limitation with help from pioneering country artist Linda Martell on *COWBOY CARTER*’s panoramic 27 tracks. \"Genres are a funny little concept, aren’t they? Yes, they are,\" the trailblazing Martell, who was the first Black woman to ever play the Grand Ole Opry in 1969, said on the GRAMMY-nominated album cut \"SPAGHETTII.\" \"In theory, they have a simple definition that’s easy to understand/ But in practice, well, some may feel confined.\"\n\nThe five-time Album Of The Year nominee also took aim at doubters questioning whether she \"belonged\" in country music at all on the studio set’s powerful opening thesis \"AMERIICAN REQUIEM.\"\n\n\"The grandbaby of a moonshine man/ Gadsden, Alabama/ Got folk down in Galveston, rooted in Louisiana/ Used to say I spoke ‘Too country’/ And the rejection came, said, ‘I wasn’t country ‘nough’/ Said I wouldn’t saddle up, but/ If that ain’t country, tell me what is?/ Plant my bare feet on solid ground for years/ They don’t, don’t know how hard I had to fight for this/ When I sang my song,\" she sang on the album opener.\n\nWhen the 2025 GRAMMY nominations were announced in November 2024, Beyoncé officially became the most-nominated artist in history when *COWBOY CARTER*’s 11 nods brought her career total to an all-time record of 99 nominations. And ahead of the telecast, she also won her first GRAMMY in the Category for Best Country Duo/Group Performance for *COWBOY CARTER* fan-favorite cut \"II MOST WANTED\" featuring [\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384).\n\nJust 24 hours ahead of the GRAMMYs, Beyoncé also sent the BeyHive into a frenzy by teasing her forthcoming *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.instagram.com/beyonce/)*\u003cspan\u003e Tour 2025\u003c/span\u003e on [\u003cspan\u003esocial media\u003c/span\u003e](https://www.instagram.com/beyonce/). Tour dates are expected to be announced soon."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"7cc50360-e001-449b-924a-35528c132d96"},"assetId":"d3f21d06-dacf-4906-bd27-60307bfcb969","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"821b8cae-0bc5-4d73-af54-c55337c89e93","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Beyoncé","Cowboy Carter","Country Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738551361029,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé's 'Cowboy Carter' Wins Best Country Album","subHeadline":"Less than 24 hours after announcing her 'COWBOY CARTER' tour, Beyoncé and her album made history on stage at Music's Biggest Night.","articleSummary":"Beyoncé made history at the 2025 GRAMMYs by becoming the first Black woman in the history of the show to take home the award for Best Country Album.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"821b8cae-0bc5-4d73-af54-c55337c89e93"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce-2025-grammys-speech","id":"eda15a81-5adb-4a54-b9e7-651b8ed5a068","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé Becomes First Black Woman To Win GRAMMY For 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan\u003eColdplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)**\u003cspan\u003e’s \u003c/span\u003e**[\u003cspan\u003eChris Martin\u003c/span\u003e](https://grammy.com/artists/chris-martin/4358)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eGrace Bowers\u003c/span\u003e](https://grammymuseum.org/event/spotlight-grace-bowers/)**\u003cspan\u003e deliver an emotional performance of \"All My Love\" \u003c/span\u003e\u003cspan\u003eduring the annual \u003c/span\u003e**[\u003cspan\u003eIn Memoriam segment \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-in-memoriam-tribute-chris-martin)**\u003cspan\u003eat the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e, honoring the artists, industry icons, and music legends we recently lost.\u003c/span\u003e Visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e**[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam)**, which honors the **[GRAMMY Award recipients](https://www.grammy.com/awards)** and Special Merit Awards honorees we’ve lost over the years."},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Pop","Alternative"],"tags":["2025 GRAMMYs","Coldplay's Chris Martin","In Memoriam"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561837294,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Coldplay's Chris Martin With Grace Bowers Perform \"All My Love\" In A Moving In Memoriam Tribute | 2025 GRAMMYs Performance","shortTitle":"Chris Martin In Memoriam 2025 GRAMMYs Performance","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/82/48/c6/8248c6d6-94c9-4e12-8dbe-40ed0b630513/screenshots/PreviewImage-00-02-17.187.jpg","duration":"274374"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryKey":"news/2025-grammys-in-memoriam-tribute-chris-martin","deliveryId":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: In Memoriam Performance - 2025 GRAMMYs","deliveryId":"eab37d13-23d8-4892-a25c-adc0162fd350"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nDuring a moving moment at the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), [the Recording Academy](https://www.recordingacademy.com/) honored the artists, creators and music professionals who recently passed during a special In Memoriam tribute. GRAMMY-winning vocalist and pianist [Chris Martin](https://www.grammy.com/artists/chris-martin/4358), of [Coldplay](https://www.grammy.com/artists/coldplay/10952), with Grace Bowers, performed an emotional rendition of \"All My Love,\" paying tribute to those who have deeply impacted the musical community."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryId":"c33a4302-e028-4057-8638-0f105d0a832d"},"assetId":"8248c6d6-94c9-4e12-8dbe-40ed0b630513","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Chris Martin Pays Tribute To Late Icons (In Memoriam) | 2025 GRAMMYs","deliveryId":"6865c51c-ba6f-4a11-95fd-c3cff75ac817"},"bodyText":{"richText":"The below list of names reflects just some of those from the music community we recently lost. As well, visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years.\n\nAashish Khan\n\nAbdou Cherif\n\nAbdul 'Duke' Fakir\n\nAdam (Haim Cohen)\n\nAdam Abeshouse\n\nAdam Lewis\n\nAdele Akin Anderson\n\nAdrián Olivares\n\nAgnaldo Rayol\n\nAgnes Buen Garnås\n\nAhmad Nawab\n\nAl Jones\n\nAl Schiltz\n\nAlan Mansfield\n\nAlan Oreman\n\nAlan Shapiro\n\nAlbert Heath\n\nAlcides Lanza\n\nAleksandr Sibirtsev\n\nAlex Hassilev\n\nAlex Riel\n\nAlexander Goehr\n\nAlexander Knaifel\n\nAlfa Anderson\n\nAlfredo Fiorito\n\nAlfredo Garrido\n\nAmaury du Closel\n\nAmber Kistler\n\nAminollah Rashidi\n\nAmjad Parvez\n\nAmund Bjørgen\n\nAnatol Latîşev\n\nAnders Widmark\n\nAnderson Leonardo\n\nAndrei Tropillo\n\nAndrés Vega Delfín\n\nAndrew Turner\n\nAndrius Kulikauskas\n\nAndy Paley\n\nAngela Alvarez\n\nAngela Bofill\n\nAngela McCluskey\n\nAnna Nshanyan\n\nAnnie Laura Carmichael Smith\n\nAnthony \"Baby Gap\" Walker\n\nAnthony S. Scarlati\n\nAntonio Cabán Vale\n\nAribert Reimann\n\nÁrni Grétar Jóhannesson\n\nArthur \"Gaps\" Hendrickson\n\nArthur E. Rich\n\nArthur Edghill\n\nArthur Miles\n\nArthur Moreira Lima\n\nArtie Rose\n\nArtt Frank\n\nAshima Bhattacharya\n\nAston Barrett\n\nAugusto M. Seabra\n\nAyla Erduran\n\nAyres Sasaki\n\nB. B. Seaton\n\nBarbara Dane\n\nBarbara Kolb\n\nBarbara Owen\n\nBarry Goldberg\n\nBarry Squire\n\nBeej Chaney\n\nBelén Fernández\n\nBelgacem Bouguenna\n\nBen Eldridge\n\nBen Lanzarone\n\nBen Manilla\n\nBen Thapa\n\nBen Vaughn\n\nBenedict Chiajulam Ihesiba Jr PKA OG Maco\n\nBenny Golson\n\nBernice Johnson Reagon\n\nBernie Constantin\n\nBert De Coninck\n\nBert Susanka\n\nBetty Mullican Orr\n\nBetty Veldpaus\n\nBev Paul\n\nBhakta Raj Acharya\n\nBigidagoe\n\nBill Crook\n\nBill Holman\n\nBill Kelly\n\nBilly Edd Wheeler\n\nBilly Sherrill\n\nBilly Swann\n\nBjørn Müller\n\nBlake Harrison\n\nBob Bender\n\nBob Booker\n\nBob Kuban\n\nBob Lanese\n\nBob Newhart\n\nBob Perkins\n\nBob Rogers\n\nBob Seeley\n\nBob Shaw\n\nBobby Hicks\n\nBobby Tench\n\nBora Đorđević\n\nBoris Ćiro Gašparac\n\nBrenton Wood\n\nBrother Dege\n\nBrother Marquis\n\nBruce Howe\n\nBruno Pochesci\n\nBuck White\n\nBucky Wilkin\n\nBud Logan\n\nBuzz Cason\n\nBuzz Rabin\n\nByron Janis\n\nC. J. Snare\n\nC.J. Flanigan\n\nCalvin Keys\n\nCandy Devine\n\nCarl Bevan\n\nCarl Helm\n\nCarl Scott\n\nCarl Weathersby\n\nCarlos Paravís\n\nCarmen Pateña\n\nCasey Benjamin\n\nCasey Chaos\n\nCat Glover\n\nCat Janice\n\nCaterina Valente\n\nCatherine Ribeiro\n\nCayouche\n\nCecilia Gentili\n\nChad Morgan\n\nChalmers Davis\n\nChan Romero\n\nChandra Kumara Kandanarachchi\n\nChanning \"Enchanting\" Larry\n\nCharin Nantanakorn\n\nCharles \"Brit\" Turner\n\nCharles Blackwell\n\nCharles Cross\n\nCharles Dumont\n\nCharles Jones pka Julio Foolio\n\nCharlie Colin\n\nCharlie Lennon\n\nChas Banks\n\nChavelita Pinzón\n\nChino XL\n\nCho Min Woong\n\nChon Travis\n\nChris King\n\nChristian Escoudé\n\nChristian Martin Schmidt\n\nChristiane Stefanski\n\nChristof Nel\n\nChristopher Ciccone\n\nChristopher Stafford\n\nChuck Ward\n\nChuck Wentworth\n\nChuy Montana\n\nCindy Charles\n\nCissy Houston\n\nClaire Daly\n\nClaire van Kampen\n\nClarel Betsy\n\nClarence \"Frogman\" Henry\n\nClaudia Perry\n\nClaudio Gaitán\n\nClaudio Reyes\n\nCliff Waldron\n\nClorofila\n\nColin Chilvers\n\nColin Gibb\n\nColin Petersen\n\nConrad Kelly\n\nCorinne Allal\n\nCunnie Williams\n\nCynthia Charles\n\nCynthia Strother\n\nDamo Suzuki\n\nDan Morgenstern\n\nDan Wallin\n\nDaniel Kramer\n\nDaniel McMahon\n\nDanielle Moore\n\nDanny Carter\n\nDanny Clarke\n\nDario G aka Paul Spencer\n\nDaron Beck\n\nDarshanam Mogilaiah\n\nDaryl Schiff\n\nDashbaldangiin Purevsuren\n\nDave Allison\n\nDave Ferguson\n\nDave Loggins\n\nDave Sweetapple\n\nDavid Davis\n\nDavid Ezell\n\nDavid Kendall\n\nDavid Libert\n\nDavid Lynch\n\nDavid Mallett\n\nDavid Sanborn\n\nDavid Tunley\n\nDavlatmand Kholov\n\nDean Roberts\n\nDebra Byrd\n\nDef Rhymz\n\nDejan Despić\n\nDennis Bryon\n\nDennis Schiavon\n\nDennis Thompson\n\nDequantes Devontay Lamar (Rich Homie Quan)\n\nDerek Boshier\n\nDerrick Cobb\n\nDewayne Pigg\n\nDex Romweber\n\nDiana\n\nDick Allix\n\nDick Asher\n\nDick Johnson\n\nDickey Betts\n\nDickie Rock\n\nDieter Rexroth\n\nDimos Moutsis\n\nDina Mariana\n\nDiva Gray\n\nDJ Clark Kent\n\nDJ Polo\n\nDJ Randall\n\nDJ Unk\n\nDominic Cossa\n\nDon Nix\n\nDonald Kinsey\n\nDonnie K. Smith\n\nDonnie Winters\n\nDottie Leonard Miller\n\nDoug Dagger\n\nDoug Hood\n\nDoug Ingle\n\nDoug Sides\n\nDouglass Fake\n\nDr. Velásquez\n\nDuane Eddy\n\nDulce\n\nDuncan Warwick\n\nDušan Grúň\n\nDutty Dior\n\nEarle Wheeler\n\nEberhard Hertel\n\nEd Askew\n\nEd Mann\n\nEdd Griles\n\nEddie Burton\n\nEddie Cheeba\n\nEddie Low\n\nEddie Rosenblatt\n\nEddie Sutton\n\nEdgard Brito\n\nEdgardo Huertas\n\nÉdith Lejet\n\nEgidio Cuadrado\n\nEkaterina Shklyaeva\n\nEl Taiger\n\nElba Cabrera\n\nEleanor Collins\n\nElena Mauti Nunziata\n\nElgar Howarth\n\nElla Jenkins\n\nElla Mitchell\n\nElliot Ingber\n\nEllisha \"Teapot\" McKinney\n\nEmilia Contessa\n\nEmma Lou Diemer\n\nEmre Tukur\n\nEnrico Musiani\n\nEnriqueta Tarrés\n\nEoin French (Talos)\n\nErasmito Bultron\n\nEric Carmen\n\nÉric Tappy\n\nErik Barrett\n\nErnest Berger\n\nErnest Bryll\n\nErnstalbrecht Stiebler\n\nErv Woolsey\n\nEtsurō Wakakonai\n\nEtterlene DeBarge\n\nEugen Indjic\n\nEugen Šváb\n\nEugene Sârbu\n\nEugene W. Ward\n\nEugene Wolfgramm\n\nEvelyn Thomas\n\nEverett Collins Jr.\n\nEvin Agassi\n\nFaramarz Aslani\n\nFat Man Scoop\n\nFausto Bordalo Dias\n\nFélix Sabal Lecco\n\nFerenc Sánta Jr.\n\nFereydoun Shahbazian\n\nFergie MacDonald\n\nFlorence Warner\n\nFran Boyd\n\nFrances Anne Varallo\n\nFrancesco Petrozzi\n\nFranchino\n\nFrancis ‘Teddy’ Osei\n\nFranco Vaz\n\nFrançoise Garner\n\nFrançoise Hardy\n\nFrank Darcel\n\nFrank Ifield\n\nFrank Robson\n\nFrank Wakefield\n\nFrankie Beverly\n\nFred Noonan\n\nFreddie Salem\n\nFredl Fesl\n\nFredrik Lindgren\n\nFresia Saavedra\n\nGaboro\n\nGabriel Cotabiță\n\nGabriel Gonzalez\n\nGabriel Patillo\n\nGabriel Yacoub\n\nGarbis Aprikian\n\nGarry Van Egmond\n\nGarth Hudson\n\nGary Floyd\n\nGary Grant\n\nGary Grier\n\nGary Stroutsos\n\nGavin Creel\n\nGavin Webb\n\nGene Elders\n\nGeoff Follin\n\nGeoffrey Michaels\n\nGeorg Riedel\n\nGeorge Bohanon\n\nGeorge French\n\nGeorge Nicolescu\n\nGeorge Wilkins\n\nGerardo Guevara\n\nGerri Lynn\n\nGerry Conway\n\nGerry Robinson\n\nGerry Weil\n\nGetachew Kassa\n\nGhigo Agosti\n\nGianfranco Manfredi\n\nGiovanna Marini\n\nGladys de Moctezuma\n\nGogo Theodorou\n\nGökçe Akçelik\n\nGonzalo “Gonzo” Lubel\n\nGöran Fristorp\n\nGraciela Susana\n\nGraeme Naysmith\n\nGreg \"Fritz\" Hinz\n\nGreg Kihn\n\nGreg Lee\n\nGregg Young\n\nGunnar Stubseid\n\nGustavo Mullem\n\nGuy Touvron\n\nGuylaine Guy\n\nGyörgy Pauk\n\nHaniya Aslam\n\nHank Cicalo\n\nHans Blum\n\nHans Rotmo\n\nHans van Hemert\n\nHappy Traum\n\nHarold Meltzer\n\nHarry van Hoof\n\nHarry Williams\n\nHarvey Magee\n\nHasina Mumtaz\n\nHasna El-Bacharia\n\nHeikki Silvennoinen\n\nHelena Zeťová\n\nHenry Fambrough\n\nHerb Applin\n\nHerb Robertson\n\nHerbie Flowers\n\nHuang Zhun\n\nHugh Prestwood\n\nHumphrey Campbell\n\nHyun Cheol\n\nIan Amey\n\nIgnatius Jones\n\nİlhan Usmanbaş\n\nImogen Moorsom\n\nInger Lorre\n\nIon Krasnopolsky\n\nIta Beausang\n\nIulian Caranfil\n\nIvica Krajač\n\nJ. J. Jeffrey\n\nJ. Remington Wilde\n\nJ. Saul Kane\n\nJaafar Onn\n\nJaakko Teppo\n\nJack Colwell\n\nJack Hale\n\nJack Jones\n\nJack Peck\n\nJack Ponti\n\nJack Russell\n\nJackie Avery Sr.\n\nJackie Farry\n\nJackmaster\n\nJacques Barsamian\n\nJade Stice\n\nJames \"Jim\" Robert Mills\n\nJames Chance\n\nJames Darren\n\nJames Earl Jones\n\nJames Leach\n\nJames Progris\n\nJames Whitbourn\n\nJan A.P. Kaczmarek\n\nJan Ptaszyn Wróblewski\n\nJanice Brown Stephens\n\nJanis Paige\n\nJános Csányi\n\nJanusz Olejniczak\n\nJaroslav Jeroným Neduha\n\nJason Clark\n\nJason Hobdy\n\nJason Parkin\n\nJay David Saks\n\nJay Jay\n\nJD Souther\n\nJean Musy\n\nJean-Marie Aerts\n\nJean-Michel Defaye\n\nJean-Paul Vignon\n\nJean-Philippe Allard\n\nJean-Pierre Bourtayre\n\nJean-Pierre Ferland\n\nJean-Pierre Marty\n\nJeffrey Buntin\n\nJeremy Tepper\n\nJerome\n\nJerry Fuller\n\nJerry Miller (Moby Grape, Jerry Miller Band)\n\nJerry Miller (The Untouchables)\n\nJerzy Artysz\n\nJessica Mbangeni\n\nJewel Brown\n\nJhonny Iskandar\n\nJim Beard\n\nJim Gaines\n\nJim May\n\nJim Rotondi\n\nJim Scott\n\nJimmy Carter\n\nJimmy Gilmer\n\nJimmy Hastings\n\nJimmy James\n\nJimmy Van Eaton\n\nJodie Devos\n\nJoe Bonsall\n\nJoe Chambers\n\nJoe Cutajar\n\nJoe Egan\n\nJoe Elmore\n\nJoe Scaife\n\nJoe Thomas\n\nJoe Viera\n\nJoey Gardner\n\nJoey Gilmore\n\nJohan Slager\n\nJohn \"Spider\" Koerner\n\nJohn Barbata\n\nJohn Blunt\n\nJohn Earl Hartridge\n\nJohn Hadley\n\nJohn Hawken\n\nJohn Koerner\n\nJohn Lowe\n\nJohn Mayall\n\nJohn Pisano\n\nJohn Schweers\n\nJohn Sykes\n\nJohn Titta\n\nJohnny \"Dandy\" Rodríguez\n\nJohnny Canales\n\nJohnny Duhan\n\nJohnny Madsen\n\nJohnny Neel\n\nJohnny Thunder\n\nJon Card\n\nJon Wysocki\n\nJonathan Zak\n\nJordi Bonell\n\nJorge Arriagada\n\nJosef Laufer\n\nJozef Ábel\n\nJuan Carlos Salazar\n\nJuana Bacallao\n\nJudi Pulver\n\nJudy Lee\n\nJulie Gordon\n\nJulie Stevens\n\nJulien Terzics\n\nJuris Kulakovs\n\nJustin Seth Riley (BeatKing)\n\nK. G. Jayan\n\nKabir Singh\n\nKaiti Grey\n\nKaj Chydenius\n\nKalevi Kiviniemi\n\nKarar Ali Salem Ramadan aka C.Gambino\n\nKarl Kohn\n\nKarl Wallinger\n\nKaseem \"Ka\" Ryan\n\nKatie Laur\n\nKazuyoshi Akiyama\n\nKeith LeBlanc\n\nKelath Aravindakshan Marar\n\nKelly Nelon Clark\n\nKen Biddy\n\nKen Page\n\nKen Tobias\n\nKenny Hyslop\n\nKerry \"Fat Man\" Hunter\n\nKester \"Smitty\" Smith\n\nKevin Joshua \"Rowdy\" Rowsey II\n\nKevin Toney\n\nKevork Mardirossian\n\nKhalid\n\nKim Min-ki\n\nKim Richmond\n\nKimberly Elisabeth Cherry\n\nKinky Friedman\n\nKiril Marichkov\n\nKlaus Wolfgang Niemöller\n\nKODA\n\nKoko Ateba\n\nKong Nay\n\nKostas Karousakis\n\nKris Kristofferson\n\nLa Castou\n\nLadislav Burlas\n\nLamara Chkonia\n\nLambert Schomaker\n\nLando Bartolini\n\nLani Simmons\n\nLarry Garris\n\nLarry Page\n\nLarry Vallon\n\nLars Martin Myhre\n\nLarysa Jackson\n\nLarysa Jaye\n\nLaurens van Rooyen\n\nLaurie Lindeen\n\nLeah Kunkel\n\nLeif Segerstam\n\nLen Holsclaw\n\nLencho Salazar\n\nLennie De Ice\n\nLeo Dan\n\nLeShawn \"Chubbie Baby\" Rogers\n\nLía Crucet\n\nLiam Payne\n\nLiana Isakadze\n\nLibby Titus\n\nLichelle Marie Laws pka Bo$$\n\nLilibert\n\nLinda Balgord\n\nLinda LaFlamme\n\nLinda Nolan\n\nLisa Lopez-Galvan\n\nLiu Chia-chang\n\nLiu Yuan\n\nLorenzo Palomo\n\nLou Donaldson\n\nLouis Bozon\n\nĽubomír Stankovský\n\nLucien Francœur\n\nLucine Amara\n\nLucius Banda\n\nLucy Rimmer\n\nLucy-Bleu Knight\n\nLuis María Serra\n\nLuizinho Andanças\n\nLuther Kent\n\nLynford Manning\n\nMakaya Ntshoko\n\nMakoto Shinohara\n\nMalabar Manoharan\n\nMalcolm Holcombe\n\nMalome Vector\n\nMandisa\n\nManfred Schütz\n\nManju Mehta\n\nMansour Seck\n\nManuela Kemp\n\nMarc Van den Hoof\n\nMarcel Guilloux\n\nMarcel Marnat\n\nMarcelo Yzurieta\n\nMarco Paulo\n\nMarcus Allen\n\nMargarita Voites\n\nMaria Feliciana\n\nMaria Rita Viaggi\n\nMarian Zazeela\n\nMarianne Faithfull\n\nMaricenne Costa\n\nMarie Goodman Hunter\n\nMario Tessuto\n\nMarius Bațu\n\nMark Germino\n\nMark Gormley\n\nMark Izu\n\nMark James\n\nMark Moffatt\n\nMark Spiro\n\nMarlos Nobre\n\nMartha Sharp\n\nMartial Solal\n\nMartin France\n\nMartin Kirkup\n\nMartin Lee\n\nMartin Mull\n\nMartin Phillipps\n\nMartti Wallén\n\nMarty Gamblin\n\nMarvin Schlachter\n\nMary Martin\n\nMary Sack\n\nMaryvonne Le Dizès\n\nMassimo Cotto\n\nMatthew \"Cola Boyy\" Urango\n\nMatthew Moore\n\nMatti Heinivaho\n\nMaurice El Médiouni\n\nMaurice Williams\n\nMaurizio Pollini\n\nMax Werner\n\nMC Duke\n\nMélanie Renaud\n\nMelba Montgomery\n\nMelitha Sidabutar\n\nMestre Laurentino\n\nMetin Arolat\n\nMichael Boder\n\nMichael Corcoran\n\nMichael Cuscuna\n\nMichael Knott\n\nMichael Pennington\n\nMichael Reidy\n\nMichael Ward\n\nMichel Boyibanda\n\nMichio Mamiya\n\nMick Underwood\n\nMiguel Ángel Gómez Martínez\n\nMihai Amihalachioaie\n\nMiho Nakayama\n\nMike Billard\n\nMike Brewer\n\nMike Jones\n\nMike Martinovich\n\nMike Miller\n\nMike Pinder\n\nMike Pinera\n\nMikie Harris\n\nMile Agatonović\n\nMimi Hines\n\nMimis Plessas\n\nMiroslav Bázlik\n\nMiroslav Imrich\n\nMiroslav Švejda\n\nMisia\n\nMissinho\n\nMister Cee\n\nMitzi Gaynor\n\nMoisés Canelo\n\nMojo Nixon\n\nMourad Tsimpou\n\nMuluken Melesse\n\nMuñequita Milly\n\nMusafir Ram Bhardwaj\n\nNaa Amanua\n\nNahim\n\nNancy Harmon\n\nNaomy\n\nNell Smith\n\nNick Gravenites\n\nNicu Covaci\n\nNigel Brooks\n\nNikki Giovanni\n\nNikša Gligo\n\nNino Vella\n\nNona Asiah\n\nNora Orlandi\n\nNorah Lee Allen\n\nNorman Carol\n\nNorman Shetler\n\nOdile Bailleux\n\nOldřich Janota\n\nOlle Zetterquist\n\nOllie Olsen\n\nOmar Geles\n\nOmer Detz\n\nOnyeka Onwenu\n\nOscar Ghiglia\n\nOsmar Milito\n\nOswald d'Andréa\n\nOwsley Manier\n\nOzzy Osment\n\nPacífico Mascarenhas\n\nPaddy Cole\n\nPalle Danielsson\n\nPankaj Udhas\n\nPapa Kojak\n\nPapa Noël Nedule\n\nPark Bo-ram\n\nPascal Danel\n\nPat Collier\n\nPat Lewis\n\nPat Rolfe\n\nPaul Cripple\n\nPaul Di'Anno\n\nPaul Dwayne\n\nPaul Gilmartin\n\nPaul Lovelace\n\nPaul Roper\n\nPaul Sperry\n\nPaulo Alexandre\n\nPavel Karmanov\n\nPavel Zajíček\n\nPavol Zelenay\n\nPedro Altamiranda\n\nPeggi Blu\n\nPepe Guerra\n\nPepe Justicia\n\nPete Rodriguez\n\nPete Wade\n\nPeter \"Peetah\" Morgan\n\nPeter Collins\n\nPéter Eötvös\n\nPeter Forrest (pka P. Fluid)\n\nPeter Kubik\n\nPeter Schaap\n\nPeter Sinfield\n\nPeter Tiboris\n\nPeter Yarrow\n\nPetr Hannig\n\nPhil Delire\n\nPhil Lesh\n\nPhil Nimmons\n\nPhil Swern\n\nPhil Wiggins\n\nPhilip \"Daddae\" Harvey\n\nPhilip Prendergast\n\nPhilippe McKenzie\n\nPhloen Phromdaen\n\nPinche Peach\n\nPino D'Angiò\n\nPooch Tavares\n\nPraveen Kumar\n\nPresto\n\nPriya Suriyasena\n\nPuput Novel\n\nQuincy Jones\n\nRajeev Taranath\n\nRajko Maksimović\n\nRanch Sironi\n\nRandall Collins\n\nRandy Davidson\n\nRandy Rayburn\n\nRandy Sparks\n\nRaul Sepper\n\nRay Kirkland\n\nRay St. Germain\n\nRebel Roy Steiner Jr.\n\nReggie \"Saafir\" Gibson\n\nReita\n\nRemo Saraceni\n\nRenato Serio\n\nRenna Kellaway\n\nReuben Jackson\n\nRichard Andrew\n\nRichard Dyer\n\nRichard Horowitz\n\nRichard Macphail\n\nRichard Maloof\n\nRichard Perry\n\nRichard Sherman\n\nRichard Tandy\n\nRico Wade\n\nRieko Nakagawa\n\nRise Kagona\n\nRita Mckenzie\n\nRob Stone\n\nRobert \"Bob\" D. Fead\n\nRoberta Marrero\n\nRoberto Darvin\n\nRobin George\n\nRobin Guy\n\nRocket Norton\n\nRodessa Barrett Porter\n\nRodger Fox\n\nRoger Palm\n\nRohan de Saram\n\nRoli Mosimann\n\nRomualds Kalsons\n\nRon Boutwell\n\nRon Kavana\n\nRon Pateras\n\nRoni Stoneman\n\nRose-Marie\n\nRoy Cape\n\nRoy Carter\n\nRoy Haynes\n\nRudolf Jansen\n\nRuss \"Rusty\" Gauthier\n\nRuss North\n\nRuss Wilson\n\nRussell Malone\n\nRussell Stone\n\nRusty Golden\n\nRuth Hesse\n\nRyan Whyte Maloney\n\nRylo Huncho\n\nRyszard Poznakowski\n\nS. Atan\n\nSadi Mohammad\n\nŞahlar Quliyev\n\nSakini Ramachandraiah\n\nSalvatore \"Sam\" Cerami\n\nSam Moore\n\nSandile Ngwenya\n\nSandra Crouch\n\nSandy Posey\n\nSarah Gibson\n\nSarwar\n\nSayuri\n\nScreamin' Scott Simon\n\nSeiji Ozawa\n\nSenaka Batagoda\n\nSergei Rudnitsky\n\nSérgio Mendes\n\nShafin Ahmed\n\nSharda Sinha\n\nShari Martin\n\nShaun Martin\n\nShel Talmy\n\nShifty Shellshock\n\nShinsadong Tiger\n\nShujeo Shyam\n\nSiegfried\n\nSiegfried Lorenz\n\nSiegfried Thiele\n\nSigrid Kehl\n\nSilvia Infantas\n\nSir Andrew Davis\n\nSkowa\n\nSlađana Milošević\n\nSlim Dunlap\n\nStanislas Deriemaeker\n\nStanley Booth\n\nStefan Wojtas\n\nStella Greka\n\nStéphane Venne\n\nSteve Alaimo\n\nSteve Albini\n\nSteve Brown\n\nSteve Davislim\n\nSteve Harley\n\nSteve Kaspar\n\nSteve Kille\n\nSteve Lawrence\n\nSteve Lewinson\n\nSteve Lowry\n\nSteve Morse\n\nSteve Nelson\n\nSteve Ostrow\n\nSteve Wright\n\nSteven Tajti\n\nStipica Kalogjera\n\nStoika Milanova\n\nSturgis Nikides\n\nSue Chaloner\n\nSugar Pie DeSanto\n\nSusan Alcorn\n\nSusan Buckner\n\nSusie Tennant\n\nSylvain Augier\n\nSylvain Luc\n\nT. M. Stevens\n\nTakeshi Inomata\n\nTamás Deák\n\nTarek Ali Hassan\n\nTaro Kida\n\nTavinho Paes\n\nTeddy Lasry\n\nTeodor Zgureanu\n\nTeresa Bright\n\nTerje Bjørklund\n\nThabiso Sikwane\n\nThay Floyd\n\nThomas Hertel\n\nTim Cook\n\nTina Rainford\n\nTito Jackson\n\nToby Keith\n\nToby Meyers\n\nTom Foote\n\nTom Fowler\n\nTom Johnson\n\nTom Kent\n\nTom Prasada-Rao\n\nTomáš Vendl\n\nTomcraft\n\nTommy Alverson\n\nTommy Cash\n\nTommy Drennan\n\nToni Montano\n\nToni Price\n\nTony Haynes\n\nTony Middleton\n\nTony Tuff\n\nTore Ylwizaker\n\nToumani Diabaté\n\nTyka Nelson\n\nUma Ramanan\n\nUmberto Marcato\n\nVaja Azarashvili\n\nValentin Petricenco\n\nVanhlupuii\n\nVic Flick\n\nVicki Rhodes\n\nVijay Anand\n\nVincent Bonham\n\nVitalij Kuprij\n\nVladimir Lyovkin\n\nVladimir Turiyansky\n\nVojtěch Havel\n\nVyacheslav Dobrynin\n\nW.C. 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[Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eAmid a historic night at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://www.grammy.com/artists/alicia-keys/12104) \u003cspan\u003eadded to the remarkable feats when she accepted the Dr. Dre Global Impact Award — becoming the first woman to receive the special honor.\u003c/span\u003e\n\n\u003cspan\u003eAfter a loving introduction by presenter \u003c/span\u003e[\u003cspan\u003eQueen Latifah\u003c/span\u003e](https://www.grammy.com/artists/queen-latifah/5764)\u003cspan\u003e, the \"If I Ain't Got You\" singer delivered a powerful acceptance speech. \"I always had to fight for a certain level of respect as a songwriter, a composer, and especially, a producer,\" Keys began. \u003c/span\u003e\n\n\u003cspan\u003e\"It's strange that we don't think of women as producers like \u003c/span\u003e[\u003cspan\u003eQuincy \\[Jones\\]\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003e\\[Dr.\\] Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003eSwizzy\u003c/span\u003e](https://grammy.com/artists/swizz-beatz/7479)\u003cspan\u003e, but female producers have always powered the industry,\" she continued before citing examples in \u003c/span\u003e[\u003cspan\u003ePatrice Rushen\u003c/span\u003e](https://www.grammy.com/artists/patrice-rushen/17346)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMissy Elliott\u003c/span\u003e](https://www.grammy.com/artists/missy-misdemeanor-elliott/11451)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLinda Perry\u003c/span\u003e](https://www.grammy.com/artists/linda-perry/5376)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGrimes\u003c/span\u003e](https://www.grammy.com/news/grimes-non-violent-utopia)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSolange Knowles\u003c/span\u003e](https://www.grammy.com/artists/solange/20012)\u003cspan\u003e. \"We stand together, so it's a beautiful feeling to be acknowledged for the thing I always thought people didn't really recognize about me.\"\u003c/span\u003e\n\n\u003cspan\u003eAfter dedicating her Global Impact Award to \"all the ladies that know the magic that they bring to the room,\" the\u003c/span\u003e [\u003cspan\u003eShe Is The Music\u003c/span\u003e](https://sheisthemusic.org/) \u003cspan\u003efounder then turned her speech into a rallying cry for unity amid the current federal administration's efforts to dismantle and demonize diversity, equity and inclusion efforts.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Alicia Keys receives Global Impact Award","deliveryId":"7da782f3-19cb-4f68-a8df-3c46f8eab602"},"assetId":"4a851fab-559c-4409-80e3-41dc77b35236","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Alicia Keys Receives Global Impact Award","deliveryId":"2da2d9b4-c2ee-4406-84f5-2059b43274cb"},"bodyText":{"richText":"\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" Keys said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\u003c/span\u003e\n\n\u003cspan\u003e\"When destructive forces try to burn us down, we rise from the ashes like a phoenix. And as you see tonight, music is the unstoppable language that connects us all — it's so beautiful,\" she added in conclusion. \"So let's keep showing up with compassion, with empathy, what I call 'soul care.' Keep opening the doors. 'Dream the world as it ought to be,' as the great Toni Morrison said. So thank you for this massive award, this massive honor.\"\u003c/span\u003e\n\n\u003cspan\u003eKeys earned her first five GRAMMYs more than two decades ago thanks to her 2001 breakout album, \u003c/span\u003e*\u003cspan\u003eSongs in A Minor\u003c/span\u003e*\u003cspan\u003e. She became the biggest winner of the evening at the 2002 GRAMMYs, taking home the golden gramophones for Best New Artist and Best R\u0026amp;B Album, as well as Song Of The Year, Best R\u0026amp;B Song and Best Female R\u0026amp;B Vocal Performance for her debut single, \"Fallin.'\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eGRAMMY Rewind: Watch A 'Humbled' Alicia Keys Win Song Of The Year For \"Fallin'\" In 2002\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-grammy-rewind-fallin-song-of-the-year-win-acceptance-speech-video-songs-in-a-minor)\n\n\u003cspan\u003eSince then, she's added 11 more GRAMMYs to her collection in Categories ranging from Best Rap Song and Best Rap/Sung Collaboration (both for 2009's \"Empire State of Mind\" with \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e) to Best Immersive Audio Album (for the 20th anniversary edition of her 2003 sophomore album \u003c/span\u003e*\u003cspan\u003eThe Diary of Alicia Keys\u003c/span\u003e*\u003cspan\u003e).\u003c/span\u003e\n\n\u003cspan\u003eAhead of the telecast, Keys also scored her 17th career win — and added a new Category to her long GRAMMY resume — when the original cast recording of her 2024 \u003c/span\u003e[\u003cspan\u003eTony-winning\u003c/span\u003e](https://www.grammy.com/news/tony-awards-2024-recap-musical-theater-wins-losses)\u003cspan\u003e Broadway musical \"Hell's Kitchen\" took home the trophy for Best Musical Theater Album.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/dr-dre-2023-grammys-global-impact-award-inaugural-recipient) \u003cspan\u003ewas first given out at the 2023 GRAMMYs ceremony, honoring its namesake for his visionary contributions to popular music and culture throughout his decades long career. Last year, Keys' \"Empire State of Mind\" collaborator Jay-Z was\u003c/span\u003e [\u003cspan\u003ehonored\u003c/span\u003e](https://www.grammy.com/news/jay-z-2024-grammys-speech-dr-dre-global-impact-award) \u003cspan\u003ewith the special award with his daughter (and fellow GRAMMY winner)\u003c/span\u003e [\u003cspan\u003eBlue Ivy Carter\u003c/span\u003e](https://www.grammy.com/artists/blue-ivy/292460) \u003cspan\u003eby his side.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"85e390c6-71dd-4cbd-9aaa-70b814964b87","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B"],"tags":["Alicia Keys","2025 GRAMMYs","Global Impact Award","Black Music Collective"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738559697762,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Alicia Keys Delivers A Powerful Call To Action After Receiving Dr. Dre Global Impact Award","shortTitle":"Alicia Keys Receives Dr. Dre Global Impact Award","subHeadline":"The freshly minted 17-time GRAMMY winner dedicated her history-making honor to the women in the room, also praising the power of diversity.","articleSummary":"The freshly minted 17-time GRAMMY winner became the first woman to receive the special honor. She dedicated her history-making feat to the women in the room and praised the power of diversity.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","deliveryId":"85e390c6-71dd-4cbd-9aaa-70b814964b87"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"alicia-keys-2025-grammys-GIA-speech","id":"b462e3c4-1c89-4ee4-aa92-b3eda6eb8aed","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Alicia Keys","2025 GRAMMYs"],"title":"Alicia Keys Honored With The Global Impact Award","shortTitle":"Alicia Keys Honored With The Global Impact Award","imgAlt":"Honoree Alicia Keys accepts the Dr. Dre Global Impact Award onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California","imgTitle":"Alicia Keys Honored With The Global Impact Award","link":"/","captionValue":"Alicia Keys onstage at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":4261,"height":2841,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryKey":"news/2025-grammys-quincy-jones-tribute-performance-stevie-wonder-herbie-hancock-janelle-monae","deliveryId":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"bdbfbd8d-b0d4-41a5-a6cc-d3d2f2c61b6c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eThe Recording Academy paid tribute to the life and legacy of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e with a special medley during the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. The legendary producer and composer, a 28-time GRAMMY winner, passed away in November 2024 at the age of 91.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFeaturing a heartfelt introduction from \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eWill Smith\u003c/span\u003e](https://grammy.com/artists/will-smith/7175)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, the dazzling performance featured a myriad of artists who honored the multihyphenate's extensive catalog. The tribute began with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCynthia Erivo\u003c/span\u003e](https://docs.google.com/document/d/1JTEoUQ97cZ-qEXrcBV_xYYAJvNoQkvE1-FFnBCFQ7Fk/edit?tab=t.0)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eHerbie Hancock\u003c/span\u003e](https://grammy.com/artists/herbie-hancock/9477)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e blowing the roof \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW160280551 BCX4\"\u003eoff of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e L.A.’s Crypto.com Arena with a jazzy rendition of \"Fly Me to the Moon,\" which Jones famously arranged for \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e’s 1964 rendition accompanied by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCount Basie\u003c/span\u003e](https://grammy.com/artists/count-basie/332)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. An instrumental version by\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Joe Harnell\u003c/span\u003e](https://grammy.com/artists/joe-harnell/3676)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e won a GRAMMY in 1963 for Best Performance \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eBy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eAn\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Orchestra – For Dancing.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eNext, \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003ecurrent\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e nominee \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eLainey Wilson\u003c/span\u003e](https://www.grammy.com/artists/lainey-wilson/54192)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e was backed by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and a live band for \"Let the Good Times Roll.\" Notably, the song earned Jones one of his first two GRAMMY nominations, for Best Arrangement, in 1961. Thirty-four years later, Jones memorably assembled \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eStevie Wonder\u003c/span\u003e](https://grammy.com/artists/stevie-wonder/8257)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRay Charles\u003c/span\u003e](https://grammy.com/artists/ray-charles/10927)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eBono\u003c/span\u003e](https://grammy.com/artists/bono/788)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e to cover the song — which was later inducted into the GRAMMY Hall of Fame in 2009 — on his 1995 album \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQ’s Jook Joint\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFollowing Wilson’s twangy take on the jump blues classic, Wonder showed off his famous harmonica skills for the 1962 instrumental jazz standard \"Bluesette\" — which closed out Jones’ 1975 LP \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eMellow Madness\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e — with another assist from Hancock. From Hancock's piano bench, wonder led the entire arena in a sing-along of \"We Are the World.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRemembering Quincy Jones: Musical Pioneer, Inspiration, Activist \u0026amp; Renaissance Man\u003c/span\u003e](https://www.grammy.com/news/remembering-quincy-jones-grammy-winner-pioneer)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Stevie Wonder \u0026 Herbie Hancock Performance | \"We Are The World\" \u0026 \"Bluesette\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"ef553acc-20c4-44b9-957a-07f1da145e65"},"assetId":"de08cee5-fa97-404a-af78-e3104d3ecede","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Cynthia Erivo \u0026 Herbie Hancock Performance | \"Fly Me To The Moon\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"013532c6-32a4-4516-af75-b523743dab23"},"assetId":"e63f4fed-d2ec-4f02-b0ec-7bdaad320860","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Lainey Wilson \u0026 Jacob Collier Performance| \"Let The Good Times Roll\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"fcbc1916-16be-4bc7-a7cb-20501b01fd0e"},"assetId":"ea8fb4c2-8bb4-42e1-afab-a28a56804c18","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"b3c2e4d2-9276-4bdf-bbe0-2da61e0e58c2"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"This song fed millions of people in Ethiopia,\" Wonder said to introduce the 1985 charity single — which Jones produced featuring an all-star line-up including \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eLionel Richie\u003c/span\u003e](https://grammy.com/artists/lionel-richie/17291)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eMichael Jackson\u003c/span\u003e](https://grammy.com/artists/michael-jackson/13202)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBilly Joel\u003c/span\u003e](https://grammy.com/artists/billy-joel/12071)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTina Turner\u003c/span\u003e](https://grammy.com/artists/tina-turner/7641)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBruce Springsteen\u003c/span\u003e](https://grammy.com/artists/bruce-springsteen/6389)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e and many more.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"You see those people on the screen? You see the people up there?\" Wonder continued as photos flashed from the song’s famed recording session. \"That day, Quincy told us to keep our egos out, and at the door. And we are still the world. And I say to you, we’re still the children, we are still the people who will fight and die for this nation. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e we definitely have to be able to celebrate each other’s cultures all the time. You feel me?\" The anthem by USA for Africa won multiple GRAMMY Awards in 1986, including Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year and Best Pop Performance by a Duo or Group with Vocal.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBetween musical numbers, Smith then returned to the mic to share the impact Jones left on his life as executive producer of \"The Fresh Prince of Bel-Air.\" \"He said something to me that became the absolute center of how I wanted to have my career, how I wanted to live my life,\" the rapper-turned-actor said. \"He looked right in my face, and he said, ‘It is your job to take care of these people.’ And I’ve done everything I can through my career to try to live up to Quincy’s demand.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"All of Q’s children and all of us who just loved him like he was our father, know this: Quincy Jones always took care of people,\" Smith continued. \"And that’s how he fed the world. Quincy taught us all that life is a feast, and you don’t stop ‘til you get enough.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eFinally, the segment concluded with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eJanelle Monáe\u003c/span\u003e](https://grammy.com/artists/janelle-monae/4464)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e paying tribute to Jones’ long and fruitful working relationship with Jackson with a performance of \"Don’t Stop \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW205796115 BCX4\"\u003e'Til\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e You Get Enough.\" After channeling the King of Pop by moonwalking across the stage, the ten-time GRAMMY nominee jumped up on a table in the audience, throwing off her bedazzled suit jacket to reveal a t-shirt emblazoned with \"I \\[Heart\\] QJ.\" (For its part, the suit coat appeared to end up around none other than \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e’s shoulders by the time Monáe took her final bow.)\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eIn addition to 80 GRAMMY nominations, Jones took home golden gramophones for Producer \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year three times, and both Album and Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year twice. He was also the recipient of the GRAMMY Trustees Award in 1989, the GRAMMY Legend Award in 1991 and was named MusiCares Person of the Year in 1996.\u003c/span\u003e\n\nVisit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"b24256db-0c3a-467f-962e-f16b9996b6f6","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B","Rap"],"tags":["2025 GRAMMYs","In Memoriam","Quincy Jones","Janelle Monáe","Stevie Wonder","Lainey Wilson","Herbie Hancock","Jacob Collier","Cynthia Erivo"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612153316,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","subHeadline":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","articleSummary":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","deliveryId":"b24256db-0c3a-467f-962e-f16b9996b6f6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"cynthia-erivo-2025-grammys-performance","id":"ac6f4a15-3d5d-4813-81d7-b35397c588b1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["2025 GRAMMYs","Cynthia Erivo"],"title":"2025 GRAMMYs Pay Tribute To Quincy Jones","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","imgAlt":"Cynthia Erivo onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","link":"/","captionValue":"Cynthia Erivo performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":5000,"height":3334,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/doechii-wins-best-rap-album-2025-grammys","deliveryId":"ef15170c-4a53-481a-a973-663715043a14"},"video":{"videoPlatformSource":"Nomad","assetId":"7820fb20-977d-4431-851b-95fd6d76dfea"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e delivers an acceptance speech after winning Best Rap Album for \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e at the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eJ. Cole\u003c/span\u003e](https://www.grammy.com/artists/j-cole/1324)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMight Delete Later\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eCommon\u003c/span\u003e](https://www.grammy.com/artists/common/1332)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp; \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003ePete Rock\u003c/span\u003e](https://www.grammy.com/artists/pete-rock/58112)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Auditorium, Vol. 1\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eEminem\u003c/span\u003e](https://www.grammy.com/artists/eminem/8580)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Death \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eOf \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eSlim Shady (Coup De \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eGrâce\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e)\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), and \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eFuture\u003c/span\u003e](https://grammy.com/artists/future/19716)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp;\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMetro Boomin\u003c/span\u003e](https://grammy.com/artists/metro-boomin/51984)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eWe Don't Trust You\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e).\u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Rap"],"tags":["2025 GRAMMYs","Rap","Best Rap Album","Doechii"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738352001223,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","shortTitle":"Doechii Wins Best Rap Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/78/20/fb/7820fb20-977d-4431-851b-95fd6d76dfea/screenshots/PreviewImage-00-01-44.020.jpg","duration":"208041"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Shakira Win Best Latin Pop Album For Best Latin Pop Album | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/shaikra-wins-best-latin-pop-album-2025-grammys","deliveryId":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},"video":{"videoPlatformSource":"Nomad","assetId":"a6b6cc8f-3f7f-4521-8fc9-97481bd34993"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[Shakira](https://grammy.com/artists/shakira/17393)** \u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003edelivers an acceptance speech after winning Best Latin Pop Album for \u003c/span\u003e*Las Mujeres Ya No Lloran*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e at the\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eFunk Generation\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eAnitta\u003c/span\u003e](https://www.grammy.com/artists/anitta/51568)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eEl Viaje\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eLuis Fonsi\u003c/span\u003e](https://www.grammy.com/artists/luis-fonsi/3346)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eGARCÍA\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKany García\u003c/span\u003e](https://www.grammy.com/artists/kany-garcia/3540)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), and \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eORQUÍDEAS\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKali Uchis\u003c/span\u003e](https://www.grammy.com/artists/kali-uchis/188816)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e). \u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Latin","Pop"],"tags":["2025 GRAMMYs","Best Latin Pop Album","Latin Music","Shakira"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1739229150127,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Shakira Win Best Latin Pop Album For 'Las Mujeres Ya No Lloran' | 2025 GRAMMYs Acceptance Speech","shortTitle":"Shakira Wins Best Latin Pop Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/a6/b6/cc/a6b6cc8f-3f7f-4521-8fc9-97481bd34993/screenshots/PreviewImage-00-00-55.372.jpg","duration":"110744"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch SZA Talk About Super Bowl Lix Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","deliveryKey":"videos/sza-2025-grammys-backstage-interview","deliveryId":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},"video":{"videoPlatformSource":"Nomad","assetId":"7ddd0b6b-36fc-4883-bed5-14c477ffab4c"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what \u003c/span\u003e**[\u003cspan\u003eSZA\u003c/span\u003e](https://www.grammy.com/artists/Solana-Rowe/32514)**\u003cspan\u003e, winner for\u003c/span\u003e \u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e \u003cspan\u003efor\u003c/span\u003e \u003cspan\u003e“Saturn”\u003c/span\u003e \u003cspan\u003ehad to say when\u003c/span\u003e \u003cspan\u003eshe\u003c/span\u003e \u003cspan\u003estopped by to speak to the Recording Academy backstage at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e.\u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview","SZA","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738560215627,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch SZA Talk About Super Bowl LIX Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","shortTitle":"SZA Backstage Interview | 2025 GRAMMYs","videoCategory":"interview","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/7d/dd/0b/7ddd0b6b-36fc-4883-bed5-14c477ffab4c/screenshots/PreviewImage-00-03-50.013.jpg","duration":"460026"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/grammys-pay-tribute-to-first-responders-lafd-wildfire-recovery","deliveryId":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"},"video":{"videoPlatformSource":"Nomad","assetId":"26e7acc6-4145-4714-a5aa-d04c2d166e30"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what the Los Angeles Fire Department Fire Chief, Anthony Marrone, and Fire Captain Sheila Kelliher Berkoh had to say on stage about wildfire recovery in Los Angeles at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e before presenting Album Of The Year to Beyoncé. \u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561042764,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","shortTitle":"Watch The GRAMMYs Pay Tribute To First Responders","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/26/e7/ac/26e7acc6-4145-4714-a5aa-d04c2d166e30/screenshots/PreviewImage-00-01-07.784.jpg","duration":"135569"}}]}],"hero":{"id":"dcc538f3-5a50-46c5-8f49-595beafb3022","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: 2025 GRAMMYs Effect"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Rap","R\u0026B","Country"],"tags":["2025 GRAMMYs","Beyoncé","Kendrick Lamar","Chappell Roan","Sabrina Carpenter","Billie Eilish","Charli XCX"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1739320038350,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"The 2025 GRAMMYs Effect: Beyoncé, Kendrick Lamar, Billie Eilish \u0026 More See Major Streaming Boosts After Inspiring Show","shortTitle":"How 2025 GRAMMYs Helped Boost Steams \u0026 Sales","subHeadline":"From Chappell Roan to Doechii, learn about the 2025 GRAMMYs winners and performers who made impressive gains in Spotify streams and album/song sales.","articleSummary":"From Chappell Roan to Doechii, learn about the 2025 GRAMMYs winners and performers who made impressive gains in Spotify streams and album/song sales."},"authors":[{"title":"Taylor Weatherby","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102","deliveryKey":"bio/taylor-weatherby"}],"image":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs Effect","deliveryId":"dcc538f3-5a50-46c5-8f49-595beafb3022"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Chappell_Roan_2025_GRAMMYs","id":"3217bf9c-9f6e-42cb-a360-2c39f50800a8","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: John Shearer/Getty Images for The Recording Academy"},"tags":["Chappell Roan"],"title":"Chappell Roan performing at 2025 GRAMMYs","shortTitle":"Chappell Roan performing at 2025 GRAMMYs","imgAlt":"Chappell Roan performing at 2025 GRAMMYs","imgTitle":"Chappell Roan performing at 2025 GRAMMYs","link":"/","captionValue":"Chappell Roan performs at the 2025 GRAMMYs.","captionSummary":"Chappell Roan performs at the 2025 GRAMMYs."}},{"data":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"ce442095-7f96-4ef1-af19-8b90bea5b103","deliveryKey":"news/living-legends-nile-rodgers-interview-beyonce-madonna-david-bowie"},"articleCategory":["interview"],"contributors":[{"id":"7c960874-96ae-4ecd-8d8b-4590419b6d20","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"376a02cf-58be-4a5a-aab3-5ab10ded9456"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. [Donate now](https://musicares.org/firerelief).*\n\n\u003cspan\u003e\"The thing that makes my life exciting is the fact that I always feel like I'm ready,\"\u003c/span\u003e [\u003cspan\u003eNile Rodgers\u003c/span\u003e](https://www.grammy.com/artists/nile-rodgers/15233) \u003cspan\u003esays.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eLifetime Achievement Award honoree\u003c/span\u003e](https://www.grammy.com/news/nile-rodgers-2023-grammys-lifetime-achievement-award-recipient) \u003cspan\u003emay be the textbook example of the axiom: \"if you stay ready, you won't have to get ready.\" From a tour stop in London, Rodgers notes that he always has his guitar with him — typically his white 1960 Stratocaster, which Fender has since\u003c/span\u003e [\u003cspan\u003eissued a replica\u003c/span\u003e](https://www.fender.com/en-US/electric-guitars/stratocaster/nile-rodgers-hitmaker-stratocaster/0115922705.html) \u003cspan\u003eof — and \"always\" has a recording studio with him. \"I always believe that I can add something musically,\" he says.\u003c/span\u003e\n\n\u003cspan\u003eThere's little hubris in that statement, and there shouldn't be. The past 12 months alone have seen Rodgers tour with his band Chic internationally (including his first-ever performance in Korea), work on a GRAMMY-winning project with the most awarded artist of all time, and accept another five-year term as the Chairman of the Songwriters Hall of Fame.\u003c/span\u003e\n\n\u003cspan\u003eThis level of activity is far from uncommon for the four-time GRAMMY winner. Rodgers got his start as a session musician in the \"Sesame Street\" traveling band in the early 1970s, though his legend truly began when he co-founded Chic — a disco group whose sound and language have become the blueprint for much of contemporary pop and dance music.\u003c/span\u003e\n\n\u003cspan\u003eOver six decades, Nile Rodgers developed something of a midas touch, writing and producing canonical earworms for the likes of\u003c/span\u003e [\u003cspan\u003eDavid Bowie\u003c/span\u003e](https://grammy.com/artists/david-bowie/4819)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eMadonna\u003c/span\u003e](https://grammy.com/artists/madonna/5068)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eMick Jagger\u003c/span\u003e](https://grammy.com/artists/mick-jagger/3488)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDaft Punk\u003c/span\u003e](https://grammy.com/artists/daft-punk/8207) \u003cspan\u003e(which netted the producer his first three GRAMMY Awards), and many others. Rodgers has so honed his skill and ear that it's\u003c/span\u003e *\u003cspan\u003ele freaky\u003c/span\u003e*\u003cspan\u003e; his contributions to the pop pantheon come with ease. \"I never think about a song before I get to the studio, unless it's an idea that I had come up with the night before,\" he says.\u003c/span\u003e\n\n\u003cspan\u003eSuch was the case with \"LEVII'S JEANS\" from\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e's Album Of The Year-winning\u003c/span\u003e *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country)*\u003cspan\u003e; the song itself was nominated for Best Pop Duo/Group Performance at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e.\u003c/span\u003e *\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan\u003eis the second time Rodgers has worked with Bey: The two celebrated a Best R\u0026amp;B Song win for \"Cuff It\" at the 65th GRAMMY Awards, while\u003c/span\u003e *\u003cspan\u003eRenaissance\u003c/span\u003e* \u003cspan\u003eitself took some DNA from Rodgers' Chic era.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Beyoncé \u0026 Post Malone - LEVII'S JEANS (Official Lyric Video)","deliveryId":"8b343a9d-c91f-4372-ba48-1ccb6867f1c9"},"videoUrl":"https://www.youtube.com/watch?v=esnhbIbQHgM"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"b1a08c15-588a-4c12-97a0-626a62a9b5fa"},"bodyText":{"richText":"\u003cspan\u003eNile Rodgers spoke with GRAMMY.com about his genre-defying career and the artists who have helped populate it. Read on for insights into his nominated work, the now-iconic jheri curl activator commercial he penned in 1988, and much more: \u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eI'm going to get right to \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ebusiness, and \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003estart with an existential question.\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eMy favorite kind.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWhat makes a good and lasting pop song?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eEverybody has a different formula and a different concept and a different approach. Rather than try and analyze what are the components of the great lasting pop song, let's just say that all great songs that last are what my music teacher used to tell me: they are always internalized. They're songs that you can't get out of your head no matter how much you try.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe way my professor taught me, he said: \"The \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eItsy Bitsy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Spider, went up the \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ewater spout\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e down came the rain, and washed the spider out,\" and he says, \"That's internalization. You can't help it.\" He says, \"The national anthem. Go to a baseball game. Look at everybody's mouths. They start doing the lyrics, even though you would never buy the record.\" Can you imagine going up and buying that? But everybody knows it. It's internalized.\u003c/span\u003e\n\n**Speaking of great pop songs, I would love to know a bit more about your work on *COWBOY CARTER*. Is this the first country and Americana influenced album that you've worked on?**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eNot at all. I've worked with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eKeith Urban\u003c/span\u003e](https://grammy.com/artists/keith-urban/7015)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e quite a bit. I've worked with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eDavid Lee Roth\u003c/span\u003e](https://grammy.com/artists/david-lee-roth/13805)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e years ago when he did a collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eTravis Tritt\u003c/span\u003e](https://grammy.com/artists/travis-tritt/12700)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and I produced a record by David. I've been in the mix with quite a few country players.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eDid you bring those experiences to work when you were working on \"Levii's Jeans\" or when you were chatting with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eBeyoncé \u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eabout various projects?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e\"Levi's Jeans\" really started with my guitar part. \\[Producer The-\\] \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eDream\u003c/span\u003e](https://grammy.com/artists/terius-dream-nash/5219)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and I were just working together out in the \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eHamptons, and\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e I picked up the guitar and started writing to a lick he was singing. Or I played \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eit\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and Dream said, \"Damn, what's that?\" And then started singing on top of it.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e one of those two stories is true. I remember me playing the whole thing. And the voice \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eleading of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e the guitar playing has the melody and the vibe of \\[\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eimitates \"Levis Jeans\" riff.\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e\\]. So that had to have come before it was even called \"Levi's Jeans\" or anything like that, because Dream and I were just jamming.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eFrom there, are you involved in the creative process? Do you work directly with Beyoncé or with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003ePost Malone \u003c/span\u003e](https://grammy.com/artists/post-malone/243389)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003ewhen putting this together?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eIt’s interesting how songs are composed in today's world. By providing that bed track, that's sort of all I needed to do. Then that sparks an idea, and then they write on top of that. I don't remember it even coming back to me and me having to fix anything.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eHonestly, just playing it down the one or two times that I played it down — which is basically the way I always write — I never think about a song before I get to the studio, and unless it's an idea that I had come up with the night before or something. I just was in the room with Dream and mixed it. It was probably one of many songs that we wrote that day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThat was the day that he came to the studio really late; I was sitting there for hours. So that may have been the only song that we wound up doing, and maybe what wound up happening is that there was such clarity and such great direction that by the time we finished it, that's all we needed to do that day. I'm picturing the studio, the house, and the long-ass drive. My studio \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ein\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Connecticut, in Westport, Connecticut, all the way out to the Hamptons.\u003c/span\u003e\n\n**You also worked on *Renaissance*, and \"Cuff It,\" specifically. What was it like to work on projects centered on radically different genres? It seems to me that there's a bit of a parallel between your musical fingerprint and what Beyoncé is doing.**\n\n\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eThe way\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e that I look at all music — be it symphonic or small jazz trio or quartet — I always believe that I can add something musically. I'm an old school arranger, so even if my playing isn't the type of playing they want, I could write string parts or I could write horn parts, I could write whatever to make the music a little better.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe most fun I have is just \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003edoing\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e stuff. I really say this with no ego: I just believe in my heart that I always have a musical idea that's worth sharing. No matter what the situation is, especially if it comes to composition. The reason why I feel so comfortable writing with people is because, with composition, you don't have to get perfect right then on the spot. You can get something close, and it's just inspirational and it can take you to the next place. I am lucky enough that most of the time I get my part right the first day or maybe the first hour, usually. But if a person calls me back, as some have, and said, \"You know what, Nile? That's close, but I was thinking more like this,\" I go, \"Oh, okay, cool.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eIn today's world, a lot of the recordings that we \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003edo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e, we're not necessarily in the same room at the same time. In the old days, we were \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003ealways\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e in the same room at the same time. Now, I record in my hotel rooms all the time. I always have a recording studio with me.\u003c/span\u003e\n\n**For either *COWBOY CARTER* or *Renaissance*, was that the situation for your work?**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWith \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eRenaissance\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e, they had already gotten to a certain place; \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eRenaissance\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e was almost like\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Daft Punk\u003c/span\u003e](https://grammy.com/artists/daft-punk/8207)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e. So Daft Punk had been working on \u003c/span\u003e*[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eRandom Access Memories\u003c/span\u003e](https://www.grammy.com/news/daft-punk-random-access-memories-record)* \u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eand on the track that wound up becoming \"Get Lucky\" for eight years; Dream had told me that many of the songs that he's done, he's worked on for years. And \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eso\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e he'll play me an idea and I’ll jump on it.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWhat happened with \"Cuff It\" was a situation like that. I came in near the end on that one, as opposed to \"Levi's Jeans,\" where I was actually at the beginning. It started with guitar and whatever \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eDream\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and I did.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThat speaks to your ability to just have that great idea and know how to fit yourself in. You can come in at the beginning, you can come in at the end and provide that flourish that makes the song a bop.\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe point I was really making was that I feel like I can always add at any point during the process.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eI'm on the new\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Coldplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e record. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Coldplay, I happened to walk in the \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003estudio\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and they just asked me to join the circle, like, \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWhoa, hey, great\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e I had my guitar walked in and started playing. That's unusual in today's world because rarely is the band there, and I happened to have my guitar. That was just a very sort of freak occurrence, and it wound up being cool.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe thing that makes my life exciting is the fact that I always feel like I'm ready. I drag my guitar with me everywhere. If somebody wants to write or perform, I'm down. I learned years ago to not be afraid of failing or making a mistake or having people criticize it, because that's sort of what music is all about. You \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW112686121 BCX4\"\u003edefinitely want\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e to touch people's \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ehearts,\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e you want to get some kind of emotional response; most of the time you want them to like it. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eCertainly\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e I've written a \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW112686121 BCX4\"\u003eprotesty\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e type of song or two, and it was designed for the person that I was writing it about \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003enot\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e to like it. However, I wanted it to be internalized.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"CHIC feat. Nile Rodgers - Let's Dance (David Bowie) (Kendal Calling, July 26th, 2019)","deliveryId":"bbed27d0-cac6-47d9-9d31-9719412f70bd"},"videoUrl":"https://www.youtube.com/watch?v=vol75gIQQf4"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"00ccd1e3-bc65-4a38-9992-3e3fa564c7c1"},"bodyText":{"richText":"**\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eYou've worked on an incredible number of classic songs over the years\u003c/span\u003e \u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003ethat\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eit's hard to pick something\u003c/span\u003e \u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW48594835 BCX4\"\u003ein particular to\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eask you about. Off the top of your head, is there a song that you played on or that you composed, that you produced that makes you smile?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eThere's been so, so many, but I would have to say probably the most shocking and successful was \"Let's Dance\" with David Bowie.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eWhen David asked me to produce \u003c/span\u003e*[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eLet's Dance\u003c/span\u003e](https://grammy.com/news/revisiting-david-bowie-lets-dance-40th-anniversary-china-girl-modern-love-awards)*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e, he and I had just met. We just bumped into each other at a club and started talking, and I was amazed at his knowledge of jazz artists and composers and arrangers. He was deep into it; we tried to sort of one up each other, going more and more avant-garde, like, \"Yeah, well, have you heard so-and-so's record?\" \"Well, but have you heard \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e17 West\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e by Eric Dolphy?\" I mean, we were \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW48594835 BCX4\"\u003ereally just\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e going at it man.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eHe then called me and realized, \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eokay, you're the guy I want to produce my next album\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e. I go to his house in Switzerland, and he comes into my bedroom and says, \"Now darling, I think this is a hit.\" And he starts playing a song that sounds very much like a folk song, and that wasn't what we agreed we were going to do, but he was really into it. He said, \"I call it 'Let's Dance.'\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI said, \"Man, I come from dance music. Let me \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003edo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e an arrangement.\" And basically, I restructured the whole thing. I had never heard \"Let's Dance\" until we went to the recording studio the following day and played it. Of course, as an arranger, you can hear it in your head sort of, but I write for an ensemble. When we did \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003ethe demo\u003c/span\u003e](https://www.youtube.com/watch?v=PExpZECskrs)\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e, we didn't have a keyboard player. It was just two guitars, very \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eJames Brown\u003c/span\u003e](https://grammy.com/artists/james-brown/819)\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e style.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI said, \"David, I want you to sing what you sang in the bedroom and sing it over this music.\" It really worked. When you hear the \"Let's Dance\" demo, you can hear how much fun he's having; you're going to hear that he likes it. Obviously, it's the biggest record of his career, but he thought that my arranging skills on a song called \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e\"Ricochet\"\u003c/span\u003e](https://www.youtube.com/watch?v=YOKA-e4MWPo)\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e were far superior to \"Let's Dance,\" and he couldn't understand why people didn't like that more. And I thought, \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003eWow\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e, how weird is that?\u003c/span\u003e*\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eUsually when I finish a record, I'm on to the next project. If you look at my discography, you'll see that. How could I possibly? The day I finished \"Like a Virgin,\" the very next day I was in the studio with Mick Jagger.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eYou've worked with so many multi-hyphenate talents and big personalities. Who has been among the most fascinating people that you've worked with?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI certainly know Beyonce's got an incredible work ethic. The first time we ever worked together, we were doing a show where I was the music director for VH1, a television special for Diana Ross. And man, Beyonce was there when she had the group, and they worked so hard. But it was a television show, and usually you do work hard. You only have a certain \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003eamount\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e of hours to get things right.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI have to say Madonna. The thing that was so incredibly special about Madonna was her work ethic. It was like her taking power back or control or something. All the musicians were my musicians, we’re working at my recording studio, the place that I called home and christened the Power Station. And she went out of her way to be the boss. It was like, \"Madonna, it's cool. We know we're working for you.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eBut it was incredible; she worked so hard. No matter how early I got to the studio, she would always be there before me. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e I called my doorman and asked them one day, I say, \"Does Madonna call here and ask you guys has Mr. Rogers left so she can make sure she gets to the studio first?\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eShe would work out early in the morning, she'd swim and then go to the recording studio and get there before me. The studio's literally 10 blocks from my house.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"LE SSERAFIM (르세라핌) 'UNFORGIVEN (feat. Nile Rodgers)' OFFICIAL M/V","deliveryId":"f37448ed-955e-4c3d-bce5-271fe05a3d95"},"videoUrl":"https://www.youtube.com/watch?v=UBURTj20HXI"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"9952d6ed-ec5f-4538-acda-d0edddaa4aec"},"bodyText":{"richText":"**\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eIt seems like you've done a lot with K-pop recently, and you're just finished your first concert in Korea. What excites you about Korean music?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eWhat’s great about K-pop is that a lot of the artists that I work with like sort of sophisticated R\u0026amp;B-styled music. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e I get to do interesting arrangements and very sort of old school R\u0026amp;\u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eB guitar\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e playing, and they really appreciate it, man.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eI had a big record last year with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eLE SSERAFIM called \"Unforgiven.\"\u003c/span\u003e](https://www.grammy.com/news/le-sserafim-nile-rodgers-collaboration-joint-interview-unforgiven-new-album)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eAnd\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e then I just did G-Dragon, and he was so cool. It’s almost like I \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003ecouldn't\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e play enough guitar parts, no matter whatever I did. It was like, \"Okay, cool. No, no, no, do some more. Do some more.\" \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e I just \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eplaying\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e and \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eplaying\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e, which I like to do anyway.\u003c/span\u003e\n\n***Coming to America*** **is my favorite movie of all time, hands down. \u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eAnd when I learned that you did the\u003c/span\u003e [\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eSoul Glo jingle\u003c/span\u003e](https://www.youtube.com/watch?v=-33Ef7gS0vE)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e, my mind was blown. Why didn't we know about this?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eI got that job because the person who was in charge of music at Paramount Pictures at the time, I used to do television commercials for him. His name was Steve Adele, and I used to play classical guitar for him, play Spanish guitar for a coffee brand called\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e Savarin Coffee, and the character was El Exigente\u003c/span\u003e](https://www.youtube.com/watch?v=3W_iIXRxbsk)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e. And I used to play El \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW43668571 BCX4\"\u003eExigente's\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e theme music.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eBut \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eComing\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eto America\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e, I composed everything. That's me singing and \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eplaying on\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e all of the music that's spilling \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eout\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e the tenements and stuff like that. I did everything like the full orchestral score and the funny, interstitial stuff. And Soul Glo, the commercial.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eI learned a lot from \\[director\\] John Landis about scoring \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003efilm\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e. He was saying that even when you're writing funny songs, you \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW43668571 BCX4\"\u003ehave to\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e treat it like it's totally serious. And \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eso\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e then of course, since then, I've done \"Beavis and Butt-Head\" and all sorts of stuff that was supposedly really silly, but of course I write it in character. When I did Beavis and Butt-\u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eHead, and\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e I wrote \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e\"Come to Butt-Head\"\u003c/span\u003e](https://www.youtube.com/watch?v=YT-qCzPoIOM)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e with Mike Judge. I've done quite a few films where I had to do comedic songs, Soul Glo just happens to be one of the best ones.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: More Living Legends","deliveryId":"516a3e40-ee75-4a03-bf2f-d4038bd52b81"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Living Legends"]},"title":"More Living Legends","contents":[{"__typename":"News","title":"Living Legends: Nile Rodgers On \"Levii's Jeans,\" Madonna's Work Ethic And Internalizing Music","id":"ce442095-7f96-4ef1-af19-8b90bea5b103","deliveryKey":"news/living-legends-nile-rodgers-interview-beyonce-madonna-david-bowie","pillar":"GRAMMYs","datePublished":1739291339101,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"ce442095-7f96-4ef1-af19-8b90bea5b103","deliveryKey":"news/living-legends-nile-rodgers-interview-beyonce-madonna-david-bowie"},"articleCategory":["interview"],"contributors":[{"id":"7c960874-96ae-4ecd-8d8b-4590419b6d20","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"376a02cf-58be-4a5a-aab3-5ab10ded9456"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. [Donate now](https://musicares.org/firerelief).*\n\n\u003cspan\u003e\"The thing that makes my life exciting is the fact that I always feel like I'm ready,\"\u003c/span\u003e [\u003cspan\u003eNile Rodgers\u003c/span\u003e](https://www.grammy.com/artists/nile-rodgers/15233) \u003cspan\u003esays.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eLifetime Achievement Award honoree\u003c/span\u003e](https://www.grammy.com/news/nile-rodgers-2023-grammys-lifetime-achievement-award-recipient) \u003cspan\u003emay be the textbook example of the axiom: \"if you stay ready, you won't have to get ready.\" From a tour stop in London, Rodgers notes that he always has his guitar with him — typically his white 1960 Stratocaster, which Fender has since\u003c/span\u003e [\u003cspan\u003eissued a replica\u003c/span\u003e](https://www.fender.com/en-US/electric-guitars/stratocaster/nile-rodgers-hitmaker-stratocaster/0115922705.html) \u003cspan\u003eof — and \"always\" has a recording studio with him. \"I always believe that I can add something musically,\" he says.\u003c/span\u003e\n\n\u003cspan\u003eThere's little hubris in that statement, and there shouldn't be. The past 12 months alone have seen Rodgers tour with his band Chic internationally (including his first-ever performance in Korea), work on a GRAMMY-winning project with the most awarded artist of all time, and accept another five-year term as the Chairman of the Songwriters Hall of Fame.\u003c/span\u003e\n\n\u003cspan\u003eThis level of activity is far from uncommon for the four-time GRAMMY winner. Rodgers got his start as a session musician in the \"Sesame Street\" traveling band in the early 1970s, though his legend truly began when he co-founded Chic — a disco group whose sound and language have become the blueprint for much of contemporary pop and dance music.\u003c/span\u003e\n\n\u003cspan\u003eOver six decades, Nile Rodgers developed something of a midas touch, writing and producing canonical earworms for the likes of\u003c/span\u003e [\u003cspan\u003eDavid Bowie\u003c/span\u003e](https://grammy.com/artists/david-bowie/4819)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eMadonna\u003c/span\u003e](https://grammy.com/artists/madonna/5068)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eMick Jagger\u003c/span\u003e](https://grammy.com/artists/mick-jagger/3488)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDaft Punk\u003c/span\u003e](https://grammy.com/artists/daft-punk/8207) \u003cspan\u003e(which netted the producer his first three GRAMMY Awards), and many others. Rodgers has so honed his skill and ear that it's\u003c/span\u003e *\u003cspan\u003ele freaky\u003c/span\u003e*\u003cspan\u003e; his contributions to the pop pantheon come with ease. \"I never think about a song before I get to the studio, unless it's an idea that I had come up with the night before,\" he says.\u003c/span\u003e\n\n\u003cspan\u003eSuch was the case with \"LEVII'S JEANS\" from\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan\u003e's Album Of The Year-winning\u003c/span\u003e *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://grammy.com/news/beyonce-cowboy-carter-review-new-album-takeaways-country)*\u003cspan\u003e; the song itself was nominated for Best Pop Duo/Group Performance at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e.\u003c/span\u003e *\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan\u003eis the second time Rodgers has worked with Bey: The two celebrated a Best R\u0026amp;B Song win for \"Cuff It\" at the 65th GRAMMY Awards, while\u003c/span\u003e *\u003cspan\u003eRenaissance\u003c/span\u003e* \u003cspan\u003eitself took some DNA from Rodgers' Chic era.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Beyoncé \u0026 Post Malone - LEVII'S JEANS (Official Lyric Video)","deliveryId":"8b343a9d-c91f-4372-ba48-1ccb6867f1c9"},"videoUrl":"https://www.youtube.com/watch?v=esnhbIbQHgM"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"b1a08c15-588a-4c12-97a0-626a62a9b5fa"},"bodyText":{"richText":"\u003cspan\u003eNile Rodgers spoke with GRAMMY.com about his genre-defying career and the artists who have helped populate it. Read on for insights into his nominated work, the now-iconic jheri curl activator commercial he penned in 1988, and much more: \u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eI'm going to get right to \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ebusiness, and \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003estart with an existential question.\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eMy favorite kind.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWhat makes a good and lasting pop song?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eEverybody has a different formula and a different concept and a different approach. Rather than try and analyze what are the components of the great lasting pop song, let's just say that all great songs that last are what my music teacher used to tell me: they are always internalized. They're songs that you can't get out of your head no matter how much you try.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe way my professor taught me, he said: \"The \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eItsy Bitsy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Spider, went up the \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ewater spout\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e down came the rain, and washed the spider out,\" and he says, \"That's internalization. You can't help it.\" He says, \"The national anthem. Go to a baseball game. Look at everybody's mouths. They start doing the lyrics, even though you would never buy the record.\" Can you imagine going up and buying that? But everybody knows it. It's internalized.\u003c/span\u003e\n\n**Speaking of great pop songs, I would love to know a bit more about your work on *COWBOY CARTER*. Is this the first country and Americana influenced album that you've worked on?**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eNot at all. I've worked with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eKeith Urban\u003c/span\u003e](https://grammy.com/artists/keith-urban/7015)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e quite a bit. I've worked with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eDavid Lee Roth\u003c/span\u003e](https://grammy.com/artists/david-lee-roth/13805)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e years ago when he did a collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eTravis Tritt\u003c/span\u003e](https://grammy.com/artists/travis-tritt/12700)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and I produced a record by David. I've been in the mix with quite a few country players.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eDid you bring those experiences to work when you were working on \"Levii's Jeans\" or when you were chatting with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eBeyoncé \u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eabout various projects?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e\"Levi's Jeans\" really started with my guitar part. \\[Producer The-\\] \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eDream\u003c/span\u003e](https://grammy.com/artists/terius-dream-nash/5219)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and I were just working together out in the \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eHamptons, and\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e I picked up the guitar and started writing to a lick he was singing. Or I played \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eit\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and Dream said, \"Damn, what's that?\" And then started singing on top of it.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e one of those two stories is true. I remember me playing the whole thing. And the voice \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eleading of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e the guitar playing has the melody and the vibe of \\[\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eimitates \"Levis Jeans\" riff.\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e\\]. So that had to have come before it was even called \"Levi's Jeans\" or anything like that, because Dream and I were just jamming.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eFrom there, are you involved in the creative process? Do you work directly with Beyoncé or with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003ePost Malone \u003c/span\u003e](https://grammy.com/artists/post-malone/243389)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003ewhen putting this together?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eIt’s interesting how songs are composed in today's world. By providing that bed track, that's sort of all I needed to do. Then that sparks an idea, and then they write on top of that. I don't remember it even coming back to me and me having to fix anything.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eHonestly, just playing it down the one or two times that I played it down — which is basically the way I always write — I never think about a song before I get to the studio, and unless it's an idea that I had come up with the night before or something. I just was in the room with Dream and mixed it. It was probably one of many songs that we wrote that day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThat was the day that he came to the studio really late; I was sitting there for hours. So that may have been the only song that we wound up doing, and maybe what wound up happening is that there was such clarity and such great direction that by the time we finished it, that's all we needed to do that day. I'm picturing the studio, the house, and the long-ass drive. My studio \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ein\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Connecticut, in Westport, Connecticut, all the way out to the Hamptons.\u003c/span\u003e\n\n**You also worked on *Renaissance*, and \"Cuff It,\" specifically. What was it like to work on projects centered on radically different genres? It seems to me that there's a bit of a parallel between your musical fingerprint and what Beyoncé is doing.**\n\n\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eThe way\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e that I look at all music — be it symphonic or small jazz trio or quartet — I always believe that I can add something musically. I'm an old school arranger, so even if my playing isn't the type of playing they want, I could write string parts or I could write horn parts, I could write whatever to make the music a little better.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe most fun I have is just \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003edoing\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e stuff. I really say this with no ego: I just believe in my heart that I always have a musical idea that's worth sharing. No matter what the situation is, especially if it comes to composition. The reason why I feel so comfortable writing with people is because, with composition, you don't have to get perfect right then on the spot. You can get something close, and it's just inspirational and it can take you to the next place. I am lucky enough that most of the time I get my part right the first day or maybe the first hour, usually. But if a person calls me back, as some have, and said, \"You know what, Nile? That's close, but I was thinking more like this,\" I go, \"Oh, okay, cool.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eIn today's world, a lot of the recordings that we \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003edo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e, we're not necessarily in the same room at the same time. In the old days, we were \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003ealways\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e in the same room at the same time. Now, I record in my hotel rooms all the time. I always have a recording studio with me.\u003c/span\u003e\n\n**For either *COWBOY CARTER* or *Renaissance*, was that the situation for your work?**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWith \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eRenaissance\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e, they had already gotten to a certain place; \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eRenaissance\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e was almost like\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Daft Punk\u003c/span\u003e](https://grammy.com/artists/daft-punk/8207)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e. So Daft Punk had been working on \u003c/span\u003e*[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eRandom Access Memories\u003c/span\u003e](https://www.grammy.com/news/daft-punk-random-access-memories-record)* \u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eand on the track that wound up becoming \"Get Lucky\" for eight years; Dream had told me that many of the songs that he's done, he's worked on for years. And \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eso\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e he'll play me an idea and I’ll jump on it.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWhat happened with \"Cuff It\" was a situation like that. I came in near the end on that one, as opposed to \"Levi's Jeans,\" where I was actually at the beginning. It started with guitar and whatever \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eDream\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and I did.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThat speaks to your ability to just have that great idea and know how to fit yourself in. You can come in at the beginning, you can come in at the end and provide that flourish that makes the song a bop.\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe point I was really making was that I feel like I can always add at any point during the process.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eI'm on the new\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Coldplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e record. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e Coldplay, I happened to walk in the \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003estudio\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e and they just asked me to join the circle, like, \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eWhoa, hey, great\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e I had my guitar walked in and started playing. That's unusual in today's world because rarely is the band there, and I happened to have my guitar. That was just a very sort of freak occurrence, and it wound up being cool.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003eThe thing that makes my life exciting is the fact that I always feel like I'm ready. I drag my guitar with me everywhere. If somebody wants to write or perform, I'm down. I learned years ago to not be afraid of failing or making a mistake or having people criticize it, because that's sort of what music is all about. You \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW112686121 BCX4\"\u003edefinitely want\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e to touch people's \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003ehearts,\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e you want to get some kind of emotional response; most of the time you want them to like it. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW112686121 BCX4\"\u003eCertainly\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e I've written a \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW112686121 BCX4\"\u003eprotesty\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e type of song or two, and it was designed for the person that I was writing it about \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003enot\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW112686121 BCX4\"\u003e to like it. However, I wanted it to be internalized.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"CHIC feat. Nile Rodgers - Let's Dance (David Bowie) (Kendal Calling, July 26th, 2019)","deliveryId":"bbed27d0-cac6-47d9-9d31-9719412f70bd"},"videoUrl":"https://www.youtube.com/watch?v=vol75gIQQf4"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"00ccd1e3-bc65-4a38-9992-3e3fa564c7c1"},"bodyText":{"richText":"**\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eYou've worked on an incredible number of classic songs over the years\u003c/span\u003e \u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003ethat\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eit's hard to pick something\u003c/span\u003e \u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW48594835 BCX4\"\u003ein particular to\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eask you about. Off the top of your head, is there a song that you played on or that you composed, that you produced that makes you smile?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eThere's been so, so many, but I would have to say probably the most shocking and successful was \"Let's Dance\" with David Bowie.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eWhen David asked me to produce \u003c/span\u003e*[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eLet's Dance\u003c/span\u003e](https://grammy.com/news/revisiting-david-bowie-lets-dance-40th-anniversary-china-girl-modern-love-awards)*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e, he and I had just met. We just bumped into each other at a club and started talking, and I was amazed at his knowledge of jazz artists and composers and arrangers. He was deep into it; we tried to sort of one up each other, going more and more avant-garde, like, \"Yeah, well, have you heard so-and-so's record?\" \"Well, but have you heard \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e17 West\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e by Eric Dolphy?\" I mean, we were \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW48594835 BCX4\"\u003ereally just\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e going at it man.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eHe then called me and realized, \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eokay, you're the guy I want to produce my next album\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e. I go to his house in Switzerland, and he comes into my bedroom and says, \"Now darling, I think this is a hit.\" And he starts playing a song that sounds very much like a folk song, and that wasn't what we agreed we were going to do, but he was really into it. He said, \"I call it 'Let's Dance.'\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI said, \"Man, I come from dance music. Let me \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003edo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e an arrangement.\" And basically, I restructured the whole thing. I had never heard \"Let's Dance\" until we went to the recording studio the following day and played it. Of course, as an arranger, you can hear it in your head sort of, but I write for an ensemble. When we did \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003ethe demo\u003c/span\u003e](https://www.youtube.com/watch?v=PExpZECskrs)\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e, we didn't have a keyboard player. It was just two guitars, very \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eJames Brown\u003c/span\u003e](https://grammy.com/artists/james-brown/819)\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e style.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI said, \"David, I want you to sing what you sang in the bedroom and sing it over this music.\" It really worked. When you hear the \"Let's Dance\" demo, you can hear how much fun he's having; you're going to hear that he likes it. Obviously, it's the biggest record of his career, but he thought that my arranging skills on a song called \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e\"Ricochet\"\u003c/span\u003e](https://www.youtube.com/watch?v=YOKA-e4MWPo)\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e were far superior to \"Let's Dance,\" and he couldn't understand why people didn't like that more. And I thought, \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003eWow\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e, how weird is that?\u003c/span\u003e*\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eUsually when I finish a record, I'm on to the next project. If you look at my discography, you'll see that. How could I possibly? The day I finished \"Like a Virgin,\" the very next day I was in the studio with Mick Jagger.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eYou've worked with so many multi-hyphenate talents and big personalities. Who has been among the most fascinating people that you've worked with?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI certainly know Beyonce's got an incredible work ethic. The first time we ever worked together, we were doing a show where I was the music director for VH1, a television special for Diana Ross. And man, Beyonce was there when she had the group, and they worked so hard. But it was a television show, and usually you do work hard. You only have a certain \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003eamount\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e of hours to get things right.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eI have to say Madonna. The thing that was so incredibly special about Madonna was her work ethic. It was like her taking power back or control or something. All the musicians were my musicians, we’re working at my recording studio, the place that I called home and christened the Power Station. And she went out of her way to be the boss. It was like, \"Madonna, it's cool. We know we're working for you.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eBut it was incredible; she worked so hard. No matter how early I got to the studio, she would always be there before me. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW48594835 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003e I called my doorman and asked them one day, I say, \"Does Madonna call here and ask you guys has Mr. Rogers left so she can make sure she gets to the studio first?\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW48594835 BCX4\"\u003eShe would work out early in the morning, she'd swim and then go to the recording studio and get there before me. The studio's literally 10 blocks from my house.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"LE SSERAFIM (르세라핌) 'UNFORGIVEN (feat. Nile Rodgers)' OFFICIAL M/V","deliveryId":"f37448ed-955e-4c3d-bce5-271fe05a3d95"},"videoUrl":"https://www.youtube.com/watch?v=UBURTj20HXI"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"9952d6ed-ec5f-4538-acda-d0edddaa4aec"},"bodyText":{"richText":"**\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eIt seems like you've done a lot with K-pop recently, and you're just finished your first concert in Korea. What excites you about Korean music?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eWhat’s great about K-pop is that a lot of the artists that I work with like sort of sophisticated R\u0026amp;B-styled music. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e I get to do interesting arrangements and very sort of old school R\u0026amp;\u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eB guitar\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e playing, and they really appreciate it, man.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eI had a big record last year with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eLE SSERAFIM called \"Unforgiven.\"\u003c/span\u003e](https://www.grammy.com/news/le-sserafim-nile-rodgers-collaboration-joint-interview-unforgiven-new-album)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eAnd\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e then I just did G-Dragon, and he was so cool. It’s almost like I \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003ecouldn't\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e play enough guitar parts, no matter whatever I did. It was like, \"Okay, cool. No, no, no, do some more. Do some more.\" \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e I just \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eplaying\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e and \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eplaying\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e, which I like to do anyway.\u003c/span\u003e\n\n***Coming to America*** **is my favorite movie of all time, hands down. \u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eAnd when I learned that you did the\u003c/span\u003e [\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eSoul Glo jingle\u003c/span\u003e](https://www.youtube.com/watch?v=-33Ef7gS0vE)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e, my mind was blown. Why didn't we know about this?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eI got that job because the person who was in charge of music at Paramount Pictures at the time, I used to do television commercials for him. His name was Steve Adele, and I used to play classical guitar for him, play Spanish guitar for a coffee brand called\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e Savarin Coffee, and the character was El Exigente\u003c/span\u003e](https://www.youtube.com/watch?v=3W_iIXRxbsk)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e. And I used to play El \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW43668571 BCX4\"\u003eExigente's\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e theme music.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eBut \u003c/span\u003e*\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eComing\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eto America\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e, I composed everything. That's me singing and \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eplaying on\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e all of the music that's spilling \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eout\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e the tenements and stuff like that. I did everything like the full orchestral score and the funny, interstitial stuff. And Soul Glo, the commercial.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003eI learned a lot from \\[director\\] John Landis about scoring \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003efilm\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e. He was saying that even when you're writing funny songs, you \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW43668571 BCX4\"\u003ehave to\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e treat it like it's totally serious. And \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eso\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e then of course, since then, I've done \"Beavis and Butt-Head\" and all sorts of stuff that was supposedly really silly, but of course I write it in character. When I did Beavis and Butt-\u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW43668571 BCX4\"\u003eHead, and\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e I wrote \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e\"Come to Butt-Head\"\u003c/span\u003e](https://www.youtube.com/watch?v=YT-qCzPoIOM)\u003cspan class=\"NormalTextRun SCXW43668571 BCX4\"\u003e with Mike Judge. I've done quite a few films where I had to do comedic songs, Soul Glo just happens to be one of the best ones.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: More Living Legends","deliveryId":"516a3e40-ee75-4a03-bf2f-d4038bd52b81"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Living Legends"]},"title":"More Living Legends"}],"hero":{"id":"b670323b-c225-4dc2-ba7c-7e1d9f0b1b35","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B"],"tags":["2025 GRAMMYs","Living Legends","Nile Rodgers","Beyoncé","David Bowie","The-Dream","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1739291339101,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: Nile Rodgers On \"Levii's Jeans,\" Madonna's Work Ethic And Internalizing Music","shortTitle":"Living Legends: Nile Rodgers Talks \"Levii's Jeans\"","subHeadline":"The Lifetime Achievement Award honoree discusses his lengthy career — from his work with Beyoncé and David Bowie, to his contribution to 'Coming To America.'","articleSummary":"Nile Rodgers worked on the 2025 GRAMMY-nominated song by Beyoncé, \"Levii's Jeans\" featuring Post Malone. The Lifetime Achievement Award honoree discusses his lengthy career, from David Bowie to his contribution to 'Coming To America.'"},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"b670323b-c225-4dc2-ba7c-7e1d9f0b1b35"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"nile-rodgers-GettyImages-2186785137","id":"72cc4dd8-5a31-4e09-8baf-1d154356eb27","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Stuart Westwood"},"tags":["Nile Rodgers"],"title":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\"","shortTitle":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\"","imgAlt":"Nile Rodgers performs live at Barrowland Ballroom in Glasgow.","imgTitle":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\"","link":"/","captionValue":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\""}},{"__typename":"News","title":"Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","id":"f381eec4-d080-42ec-b6b5-5b9c7d4e511e","deliveryKey":"news/living-legends-kirk-franklin-fathers-day-album-interview","pillar":"GRAMMYs","datePublished":1738102419077,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","deliveryId":"f381eec4-d080-42ec-b6b5-5b9c7d4e511e","deliveryKey":"news/living-legends-kirk-franklin-fathers-day-album-interview"},"articleCategory":["interview"],"contributors":[{"id":"07c41069-00d4-48a7-b5d5-d28e7fa37c52","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","deliveryId":"d5b8a9f4-b67e-44d2-afcd-619dd4fc67be"},"bodyText":{"richText":"*The [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), officially known as the [67th GRAMMY Awards](https://www.grammy.com/awards/67th-annual-grammy-awards-2024), will air live on CBS and Paramount+ on **Sunday, Feb. 2**. Watch highlights from the 2025 GRAMMYs on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eThe 2025 GRAMMYs telecast will be reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e. Donate to the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://donor.musicares.org/page/lafirerelief)\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e.\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"EOP SCXW98201978 BCX4\"\u003e \u003c/span\u003e\n\n*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eEditor's Note: This interview was conducted before the onset of the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.grammy.com/news/wildfire-relief-guide)\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e. The artist has since addressed the situation.\u003c/span\u003e*\n\n[\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eKirk Franklin\u003c/span\u003e](https://grammy.com/artists/kirk-franklin/9067)\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e has spent three decades redefining the sound of gospel music, crafting a legacy that transcends genres and captivates audiences across generations. From the moment his 1993 debut album, \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eKirk Franklin \u0026amp; The Family\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e, skyrocketed to No.1 on Billboard's Top Gospel Albums chart, Franklin has seamlessly blended traditional gospel with the electrifying energy of R\u0026amp;B, hip-hop, and pop, creaking a body of work that resonates with music lovers from all walks of life.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eA 20-time GRAMMY winner and trailblazer in gospel music, Franklin continues to shatter records — most recently, by spending a record-breaking 100 weeks at No.1 on Billboard's Gospel Songwriters chart. Hits including \"Looking for You,\" \"Declaration (This Is It),\" \"Try Love,\" and \"All Things\" (from his GRAMMY-nominated \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003eFather’s Day\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e album) further cement his place as a leading contender for Best Gospel Album at the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan class=\"NormalTextRun SCXW98201978 BCX4\"\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"YouTube Embed: Kirk Franklin - 'Father's Day'","deliveryId":"4ae5846b-73da-4c28-9924-317db306434d"},"videoUrl":"https://youtube.com/playlist?list=OLAK5uy_mAKRvfoDjvViB9MZ7X_6dMP6vkoBhWJiU\u0026si=SBXcnyb-2d5KQUN8"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","deliveryId":"4c6a6447-3141-4baf-833c-952e1c3f1255"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eWhat sets Franklin apart is more than his accolades or longevity. It’s his relentless drive, heartfelt songwriting, and boundary-pushing artistry that have made him a cornerstone of the gospel genre. At 55, Franklin shows no sign of slowing down.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e\"I'm still striving to get signed as a \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW51183057 BCX4\"\u003ebrand new\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e artist. That's how I feel because my attitude is that I'm a \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW51183057 BCX4\"\u003ebrand new\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e artist every time. I try to keep that type of posture because that's really important. I'm always looking for what's next, always looking for another moment,” Franklin shared with GRAMMY.com. \"That experience hasn't gotten old for me. I don't feel any level of redundancy. I show up wherever I am, and at every moment, I am hungry, just ready to try and be as much as I can. And hopefully, with God's will, brand new.\"\u003c/span\u003e\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eThis tireless pursuit of innovation has opened the door to collaborations with a diverse array of artists from \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eChance The Rapper\u003c/span\u003e](https://grammy.com/artists/chancelor-bennett/19614)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eJustin Bieber\u003c/span\u003e](https://grammy.com/artists/justin-bieber/10220)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e to \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eDemi Lovato\u003c/span\u003e](https://grammy.com/artists/demi-lovato/19851)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eWyclef Jean\u003c/span\u003e](https://grammy.com/artists/wyclef-jean/9817)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e, and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eGloRilla\u003c/span\u003e](https://grammy.com/artists/glorilla/51781)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e. Through it all, Franklin's name remains synonymous with gospel greatness, his influence cemented as a cornerstone of the industry.\u003c/span\u003e\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eAs he prepares for the 2025 GRAMMYs, Franklin reflected on the destruction caused by the recent Los Angeles wildfires. \"My heart goes out to all the victims of the wildfires in Los Angeles. With such mass devastation, it's hard to even know where to start to lend a helping hand. My prayer is that God will recover what's been lost and for our people to get the resources they need to start to rebuild and repair,\" he shared. As Recording Academy CEO Harvey Mason Jr. said, “His unwavering dedication to his craft and his legacy of service embody the very essence of the Black Music Icon Award. We look forward to honoring Kirk for his profound influence on the industry and the countless lives he continues to touch worldwide.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eAhead of Music's Biggest Night, the multi-hyphenate visionary \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW51183057 BCX4\"\u003eopened up\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e to GRAMMY.com about his career milestones and how his music continues to resonate, redefine, and inspire the contemporary musical landscape.\u003c/span\u003e\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eYou've secured GRAMMY nominations throughout the years, but what does this particular nomination mean to you as an artist?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eI'm going to be honest with you. I don't know if anyone will mean as much as last year because last year was number 20. That was just such a milestone. I'm humbled and grateful to be nominated again. Of course, you get nervous. You always deal with nerves, fear, and everything else when you're dealing with all that. I'm still blown away that I’ve been afforded this opportunity. But last year was number 20... and then I also performed, so it's hard to compare.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eNow, you've had many career highs, but can you speak to one of your career lows and how it shaped you into the artist you are today?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eOh, man. I've had many career lows. I had seasons where, as the genre or as the industry was changing, I was trying to be able to still follow the sounds and trends. Because of the DNA of gospel music, I was not able to grab hold of every musical trend that would happen because people still come to gospel music for the message; there's this message of hope. They don't necessarily come for production.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eWhen you try to make music that can stand up against any relevant sound that may be happening, you want your music to be as relevant and comfortable. But a lot of times, styles and different things may be a little too trendy for the moment for a message that is still built on these traditional fundamental messages. Those \\[times\\] can be some lows. Times when I may have been having problems with different groups that I was working with and not knowing if people still wanted to hear music from me, not knowing if I had a relevant voice because of these challenges. So, all those things can make you question yourself and make you feel irrelevant or unviable. Those are powerful moments for me.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eYou mentioned being trendy and staying relevant. You were recently featured on rapper\u003c/span\u003e \u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW51183057 BCX4\"\u003eGloRilla's\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003edebut album, and to some, it seemed like an unlikely pair. How did that collaboration come about?\u003c/span\u003e**\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eIt wasn't me. That's my cousin, Ricky Earl. He just got out of jail, so he was not playing \\[\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003elaughs\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e\\]. Okay. I'll be serious. It just came about. It is just something that I don't know why these people want to work with me. I don't know. But she liked my music, and she helped me out. It's a great honor because she's a very gifted, talented young lady\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e,\u003c/span\u003e** \u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eand she has the ear of millions of people.\u003c/span\u003e\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eBut you're no stranger to working with a variety of artists from different genres, from Chance\u003c/span\u003e \u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW51183057 BCX4\"\u003eThe\u003c/span\u003e \u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eRapper,\u003c/span\u003e [\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eMariah Carey\u003c/span\u003e](https://grammy.com/artists/mariah-carey/856)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e,\u003c/span\u003e [\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eMichael Jackson\u003c/span\u003e](https://grammy.com/artists/michael-jackson/13202)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e, and many more. So, what artists are on your collaborator\u003c/span\u003e \u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW51183057 BCX4\"\u003ewishlist\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e?\u003c/span\u003e**\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eI would love to work with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eSting\u003c/span\u003e](https://grammy.com/artists/sting/10244)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e. Sting is a monster. There \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW51183057 BCX4\"\u003eare\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e so many people. Let's see. Maybe \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eAdele\u003c/span\u003e](https://grammy.com/artists/adele/528)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eAndrea Bocelli\u003c/span\u003e](https://grammy.com/artists/andrea-bocelli/4129)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e. I'm a fan of this famous classical cello player named \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eYo-Yo Ma\u003c/span\u003e](https://grammy.com/artists/yo-yo-ma/11918)\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e. I would love to work with Yo-Yo Ma.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eNice list! Your music has touched many hearts and brought people closer to their faith. I'm curious. When you're not singing or creating, how do you personally talk to God and nurture that connection?\u003c/span\u003e**\u003cspan class=\"EOP SCXW51183057 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eI'm a very outdoors person, so it's nothing for me to turn a park or a bench by the river into my sanctuary or turn them into my church. I spend a lot of time outside with my emotions, just communing with God.\u003c/span\u003e\n\n**Switching gears to your album, *Father's Day*. You unpacked the complexities of your relationship with your father, both the pain and the pursuit of understanding. How were you able to make room for two truths to coexist, honoring your story while opening up about the wounds of the past?**\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eWell, I think those are the fundamentals of life, which is that life will always be a duality, that \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW51183057 BCX4\"\u003eall of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003e our existences have this juxtaposition to them, and that is the trademark of a fruitful life. The complexities always follow us, painting and coloring the narrative of our human nature. If you do not have these dual sunshine and rain, joy and pain moments in life, then I suggest you're not living. It is a signature cosign of a fruitful life that tears and sleepless nights are also connected to victories and smiles. They are both necessary.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eYour song \"Welcome Home\" on the album speaks to a profound sense of belonging, acceptance, and spiritual fulfillment. Can you elaborate on what home means to you? And how does this concept of home manifest in your music and your life?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eI think that in the narrative of the song, home had to do more with what our ancestors would talk about, what our mothers and fathers would talk about when they talked about going to be with God, going to see him. A light after this, a lightness that has to do with eternity that I think, as people who subscribe to faith, has been the hope we hold onto as we have these trajectories through moments that feel like hell on earth. Those things have been the catalyst of our strength and power to survive these very challenging moments.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW51183057 BCX4\"\u003eAnd so that's the premise of the \"Welcome Home\" song. It is those visions that we have, whether they at times can be imaginative or figurative or even literal for those who believe in these literal spaces and places that we read about in the Holy scripture. We use them, apply them, and find comfort in them, knowing that the world we live in is not the only one that exists.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Kirk Franklin - Welcome Home (Official Visualizer) | Father's Day","deliveryId":"73795581-7325-4215-9e4c-55dff1fa3de0"},"videoUrl":"https://www.youtube.com/watch?v=IF49hQYY0mQ"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","deliveryId":"8f25ae7b-d4fc-4be2-b639-e7288d207408"},"bodyText":{"richText":"**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eYes, absolutely. Another eye-opener. And you penned all of the songs on your latest release. What was your most intense writing session on this album?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eI think they're all intense. I believe, for me, that songwriting is the most revealing truth that God exists. That's how God has always worked through my life through downloaded songs. It is a supernatural out-of-body experience that happens to me. It's something that I can't even bring language for; I've seen God speak songs out of nothing. That's why I've always found hope in knowing what I believe is actually real. In time and space, it just makes no sense how something can be created from nothing.\u003c/span\u003e\u003cspan class=\"EOP SCXW205683890 BCX4\"\u003e \u003c/span\u003e\n\n**Your *Father's Day* project transcended the traditional notion of a Father's Day celebration. It dived deep into the themes of family, forgiveness, and reconciliation, not just with your biological father but also with your son and the enduring power of love. With so many emotions, questions, confusion, and also confronting a sense of trauma head-on, can you talk more about the creative process and putting the pieces of this project together?**\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eI think that, once again, it is what speaks to me, the divine hand of God in it, because there was nothing super unique about this that was different than any other project except for the pain that I still had to push through. But I've always had moments in my life where I've had to push through pain when it comes to working on certain projects. Whether it's your very first project you're working on, you \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW205683890 BCX4\"\u003ehave to\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e write through the pain of being broke, homeless, and \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205683890 BCX4\"\u003etrying\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e to figure out if anybody will ever listen to your music. So, writing through the pain and tension of life while working on an album is not something foreign to me. Once again, this was very therapeutic for me. Working on the music gave me a way not to have to internalize a lot of the grieving that I was experiencing at the same time.\u003c/span\u003e\u003cspan class=\"EOP SCXW205683890 BCX4\"\u003e \u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eThirteen albums later, your music still speaks to the layered complexities of everyday life for people from all walks of life. Was it always your intention to translate your own experiences and observations into songs that resonate with such a broad audience? Or, like you said, initially looking back, was it a form of therapy for you at the time?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eI had no methodical plan for what I was doing \\[\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003elaughs\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e\\]. I was just trying to find something to say about the hell I felt. That was it. I was not that pragmatic.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eAnd it all worked out for you! We are all just trying to figure it out. That's life.\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eYes, we're all trying to figure it out.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eBeyond immediate achievements, what lasting change do you hope to create through your artistry?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eThat there are relevant and tangible conversations. \\[It is\\] not just a story about faith, but the real-life experience of a historical Jesus who historically lived and existed so that we could find truth, solace, and hope. Not just the narrative but the truth, whether it's through academia, literature, or history, that we can argue for the belief that what we write about, what we sing about, what we rejoice about when we struggle through the tensions of it is that these are built on foundational principles that are not just folklore or just a story of a legend.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eWe do this because we believe — whether through our own emotional experiences or the academic, intellectual process of being able to struggle with, question, and even reconstruct or deconstruct these thoughts and ideas — to find them to be fundamental truths that we can hang our lives upon.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eHave you ever felt an added pressure to conform to current trends? Or do you prioritize staying true to your artistic voice?\u003c/span\u003e**\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eGirl, I struggle with every temptation he ever created for us. Whatever that struggle and temptation is, just because I love Jesus, you think I'm not over here trying to figure out how to make people bob their heads? I'm trying to figure out how to get your attention. I struggle with everything everybody else struggles with. And I'm okay with that.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eThank you for speaking your truth. For decades, your music has been a source of light and hope for countless people, and sometimes, we forget that you're still nurturing your own light during challenging times or at any given moment.\u003c/span\u003e**\u003cspan class=\"EOP SCXW205683890 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003eIsn't that amazing? People think that people who come from this community of faith are just automatically superhuman. It's amazing to me. Listen, most of the time, we can be the most broken. We can be the most messed up. Think about the heart surgeons who \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW205683890 BCX4\"\u003ehave to\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e try and save lives every day. Some \\[lives\\] you can. Some \\[lives\\] you can't. Can you imagine them just going home, trying to have a cup of tea, and \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205683890 BCX4\"\u003ewatch\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e Conan O'Brien at night? We underestimate the pressure of those who are constantly trying to do emotional, spiritual, and physical surgery on people's lives every day and what that can do to their own faith\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e.\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e I'm first in line to say, \"I need help.\" That's why I'm a Christian. I'm a Black man who prays and sees a therapist. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205683890 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205683890 BCX4\"\u003e there it is.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"id":"62c767f0-e6c1-469d-b7bd-2b627becf860","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Gospel/Contemporary Christian"],"tags":["Living Legends","Kirk Franklin","2025 GRAMMYs","67th GRAMMY Awards","Black Music Collective","Impact Award","Gospel Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738102419077,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","shortTitle":"Living Legends: Kirk Franklin On Breaking Barriers","subHeadline":"Gospel visionary Kirk Franklin reflects on his 30-year career, his GRAMMY-nominated album 'Father's Day' and his collaboration wishlist: \"I would love to work with Sting. Sting is a monster.\"","articleSummary":"Kirk Franklin, a 20-time GRAMMY-winning gospel icon, continues to redefine the soundscape of gospel music with his genre-blending creativity and heartfelt storytelling. As he prepares for the 2025 GRAMMYs and the Black Music Impact Award, Franklin opens up about his career milestones, collaborations, and the enduring power of faith."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Living Legends: Kirk Franklin On Bridging Genres, Breaking Barriers \u0026 Leaving A Lasting Legacy In Gospel Music","deliveryId":"62c767f0-e6c1-469d-b7bd-2b627becf860"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Kirk Franklin-Photo credit Chris Cavanaugh","id":"3b796f4b-c06d-4699-823d-e16e5582c7e6","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Chris Cavanaugh"},"tags":["Kirk Franklin"],"title":"Kirk Franklin On Bridging Genres \u0026 Breaking Barriers","shortTitle":"Kirk Franklin On Bridging Genres \u0026 Breaking Barriers","imgAlt":"Kirk Franklin On Bridging Genres \u0026 Breaking Barriers","imgTitle":"Kirk Franklin On Bridging Genres \u0026 Breaking Barriers","link":"/","captionValue":"Kirk Franklin"}},{"__typename":"News","title":"Living Legends: T Bone Burnett On Producing His Heroes, Remaining Imaginative \u0026 Keeping It Real","id":"2597d2f9-8030-4c3e-a500-f4bc540ec33b","deliveryKey":"news/living-legends-t-bone-burnett-producing-songwriting-2025-grammys","pillar":"GRAMMYs","datePublished":1737647596786,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: T Bone Burnett On Producing His Heroes, Remaining Imaginative \u0026 Keeping It Real","deliveryId":"2597d2f9-8030-4c3e-a500-f4bc540ec33b","deliveryKey":"news/living-legends-t-bone-burnett-producing-songwriting-2025-grammys"},"articleCategory":["interview"],"contributors":[{"id":"73ff3301-cc2b-403c-9671-4be807733e53","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: T Bone Burnett body 1","deliveryId":"e8a4c750-1705-49bc-b41b-edba68c02e7a"},"bodyText":{"richText":"*The [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), officially known as the [67th GRAMMY Awards](https://www.grammy.com/awards/67th-annual-grammy-awards-2024), will air live on CBS and Paramount+ on **Sunday, Feb. 2**. Watch highlights from the 2025 GRAMMYs on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast will be reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the [wildfires in Los Angeles](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy). Donate to the Recording Academy's and MusiCares' [Los Angeles Fire Relief Effort To Support Music Professionals](https://donor.musicares.org/page/lafirerelief).*\n\n*Editor’s Note: This interview was conducted before the onset of the [wildfires in Los Angeles](https://www.grammy.com/news/wildfire-relief-guide). The artist has since addressed the situation.*\n\n[\u003cspan\u003eT Bone Burnett\u003c/span\u003e](https://www.grammy.com/artists/t-bone-burnett/1198) \u003cspan\u003esays he’s not doing much producing these days — a curious statement for a guy with current production projects involving multiple artistic giants. But the massively influential producer and 13-time GRAMMY winner has had such prolific periods of work that his recent efforts may seem like semi-retirement by comparison.\u003c/span\u003e\n\n\u003cspan\u003eAfter all, Burnett shepherded the soundtracks to\u003c/span\u003e[\u003cspan\u003e \u003c/span\u003e](https://www.grammy.com/news/o-brother-where-art-thou-20-year-anniversary)*[\u003cspan\u003eO Brother, Where Art Thou?\u003c/span\u003e](https://www.grammy.com/news/o-brother-where-art-thou-20-year-anniversary)*\u003cspan\u003e, \u003c/span\u003e*\u003cspan\u003eI Walk the Line, The Big Lebowski\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e*\u003cspan\u003eCrazy Heart\u003c/span\u003e*\u003cspan\u003e, TV’s \"Nashville,\" and plenty more. And that’s when he wasn’t busy playing musical midwife to albums by \u003c/span\u003e[\u003cspan\u003eElvis Costello\u003c/span\u003e](https://grammy.com/artists/elvis-costello/10970)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eB.B. King\u003c/span\u003e](https://grammy.com/artists/bb-king/14964)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTony Bennett\u003c/span\u003e](https://grammy.com/artists/tony-bennett/1073)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003ek.d. lang\u003c/span\u003e](https://grammy.com/artists/kd-lang/4855)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eCounting Crows\u003c/span\u003e](https://grammy.com/artists/counting-crows/14543)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLos Lobos\u003c/span\u003e](https://grammy.com/artists/los-lobos/16341)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eWillie Nelson\u003c/span\u003e](https://grammy.com/artists/willie-nelson/4954)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eDiana Krall\u003c/span\u003e](https://grammy.com/artists/diana-krall/4172)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRobert Plant\u003c/span\u003e](https://grammy.com/artists/robert-plant/5390)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eAlison Krauss\u003c/span\u003e](https://www.grammy.com/artists/alison-krauss/16961)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eElton John\u003c/span\u003e](https://www.grammy.com/artists/elton-john/12074)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGillian Welch\u003c/span\u003e](https://grammy.com/artists/gillian-welch/16212)\u003cspan\u003e, then-wife Sam Phillips, and scads of others. That’s how he racked up a GRAMMY Award for Producer Of The Year, Non-Classical (among many others), a President’s Merit Award at the 2011 Producers \u0026amp; Engineers Wing GRAMMY Week celebration, and loads of other honors.\u003c/span\u003e\n\n\u003cspan\u003eBurnett’s relative detachment from his superproducer status makes even more sense considering he's recorded his own work since the early ‘70s and he states that he regards himself as a songwriter first and foremost. Besides his rich catalog, the fruits of those labors appeared on two 2024 albums: a self-titled, pseudonymous collaboration with Costello as the Coward Brothers and a solo release, \u003c/span\u003e*\u003cspan\u003eThe Other Side\u003c/span\u003e*\u003cspan\u003e. The latter is nominated for Best Americana Album at the 2025 GRAMMYs.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMYs: See The OFFICIAL Full Nominations List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n*\u003cspan\u003eThe Other Side\u003c/span\u003e* \u003cspan\u003eis a quintessential example of Burnett’s signature rootsy, stripped-down production aesthetic that made the musician a kind of modern-day ambassador of American roots music. T Bone Burnett spoke with GRAMMY.com about his latest release, his other current efforts, and his heavy-duty history — revealing a lot about the uncompromising, innovative mind that made all that music possible.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: T Bone Burnett - The Other Side playlist","deliveryId":"c2138779-685f-4b46-a821-b173b6b77e46"},"videoUrl":"https://youtube.com/playlist?list=OLAK5uy_nsl9eNE_Cv5n6A3zeJm5xcSuDB-dbhXnc\u0026si=EYW6uWT11rQM-5Yr"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: T Bone Burnett body 2","deliveryId":"91be0872-4ac5-45cb-b282-341710383653"},"bodyText":{"richText":"**\u003cspan\u003eYou make your home in Nashville these days, but you lived and worked in L.A. for decades. How have the wildfires impacted your world?\u003c/span\u003e**\n\n[\u003cspan\u003eRingo Starr\u003c/span\u003e](https://grammy.com/artists/ringo-starr/12572)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eJack White\u003c/span\u003e](https://grammy.com/artists/jack-white/15627)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSheryl Crow\u003c/span\u003e](https://grammy.com/artists/sheryl-crow/1553)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMickey Guyton\u003c/span\u003e](https://grammy.com/artists/mickey-guyton/287274)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMolly Tuttle\u003c/span\u003e](https://grammy.com/artists/molly-tuttle/52200)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eBilly Strings\u003c/span\u003e](https://grammy.com/artists/billy-strings/287520)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eThe War and Treaty\u003c/span\u003e](https://grammy.com/artists/the-war-and-treaty/54235)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSarah Jarosz\u003c/span\u003e](https://grammy.com/artists/sarah-jarosz/13600)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eJamey Johnson\u003c/span\u003e](https://grammy.com/artists/jamey-johnson/3503)\u003cspan\u003e, Larkin Poe, \u003c/span\u003e[\u003cspan\u003eEmmylou Harris\u003c/span\u003e](https://grammy.com/artists/emmylou-harris/13460)\u003cspan\u003e, and I just finished playing two nights at the Ryman Auditorium. We are releasing the finale, “A Little Help from My Friends,” to benefit victims of California wildfires. \u003c/span\u003e\n\n\u003cspan\u003e\\[My wife\\] Callie and I used to live on Radcliffe in Pacific Palisades. That house and our old neighborhood is gone. Solid gone. It looks like Tokyo after \\[WWII USAF General\\] Curtis LeMay got finished with it. I have many friends who have lost their homes and the lifetimes that were in them. I grieve deeply for all that has been lost.\u003c/span\u003e\n\n**\u003cspan\u003eYou’ve just produced Ringo’s new album,\u003c/span\u003e *Look Up*\u003cspan\u003e, his first country record since 1971. What was that like for the teenager in you who was galvanized by\u003c/span\u003e [\u003cspan\u003ethe Beatles\u003c/span\u003e](https://grammy.com/artists/beatles/16293)\u003cspan\u003e?\u003c/span\u003e**\n\n\u003cspan\u003eIn many ways, it’s the culmination of a dream I’ve been living since 1964. It was a chance to give something back to Ringo for all I feel he’s given us. It was a way to say \"Thank you.\"\u003c/span\u003e\n\n\u003cspan\u003eIt’s a pretty deep record. I’m really proud of it, I have to say, even though I understand pride goes before a fall. I love the record. The last song on it is \u003c/span\u003e[\u003cspan\u003e\"Thankful,\"\u003c/span\u003e](https://www.youtube.com/watch?v=Wp4qWnpGar0)\u003cspan\u003e it’s a song he wrote and it’s the most personal, honest song I think he’s ever recorded. And I think it became the warp and woof of the whole record; the whole record’s about gratitude.\u003c/span\u003e\n\n**\u003cspan\u003eIt seems like some artists gain gravitas as they get older, have you felt that from people you’ve produced?\u003c/span\u003e**\n\n\u003cspan\u003eI have to say I’ve felt it from all of the people I’ve worked with. Right now, I’m working with five people all over 80 — Ringo, Willie Nelson, \u003c/span\u003e[\u003cspan\u003eBob Dylan\u003c/span\u003e](https://grammy.com/artists/bob-dylan/3014)\u003cspan\u003e, Meredith Monk and Twyla Tharp — and they’re all doing extraordinary work. With Dylan and Willie, we’ve gone back and recorded classic songs that they wrote; in Dylan’s case 60 years ago and in Willie’s case 70 years ago. I feel the versions that we’ve done are the definitive versions of the songs, because every one has that 60 or 70 years of life in them. \u003c/span\u003e\n\n\u003cspan\u003eWhen you’re working with people in their 20s and 30s there’s all this uncertainty about the endeavor, like, \u003c/span\u003e*\u003cspan\u003eWhat will this mean to me, how will this affect my career?\u003c/span\u003e*\u003cspan\u003e I don’t believe that artists have careers, I just believe that artists do the work that’s right under their noses every day. Careers, I believe, are for politicians and lawyers and educators, people like that, where there’s a ladder to climb. With artists, you’re just doing your work every day. \u003c/span\u003e\n\n\u003cspan\u003eWith artists in their 80s it’s all second nature, so there’s no real uncertainty. It’s just more, \u003c/span\u003e*\u003cspan\u003eThis is what I do\u003c/span\u003e*\u003cspan\u003e, and that’s incredibly freeing. And as a collaborator it gives you a lot firmer ground to stand on. \u003c/span\u003e\n\n**\u003cspan\u003eHave you felt that for yourself with your own work too?\u003c/span\u003e**\n\n\u003cspan\u003eMost certainly, yes. Definitely. \u003c/span\u003e\n\n**\u003cspan\u003eYou snuck out two albums this year, one under an alias. How did the idea of you and Elvis creating musical alter egos as\u003c/span\u003e [\u003cspan\u003ethe Coward Brothers\u003c/span\u003e](https://youtu.be/7w3hW7z1q_U?si=2vKQ19ytQK1ZNnsU) \u003cspan\u003ecome about?\u003c/span\u003e**\n\n\u003cspan\u003eIt started in probably 1984, 1985. We went all over the world together, just the two of us solo, so we spent a tremendous amount of time together. Very soon after we started doing those shows, I think Elvis invited me to do a series of songs with him in the middle of his show. He thought, \"Let’s have a context or a pretext of why we’re doing these songs together,\" so we invented a group act called the Coward Brothers. It was really just an excuse for us to do a lot of songs we really loved: \"Baby’s in Black\" by the Beatles, Doc Watson’s version of \"Tom Dooley.\" \u003c/span\u003e\n\n\u003cspan\u003eOver the decades the Coward Brothers have come up several times. Eventually, I think during the pandemic, he sat down and wrote a three-act play that we decided to do as an audio-only play with Audible. We invited Chris Guest to direct it because there’s nobody better at directing improvisational-type faux histories, inventing worlds like \u003c/span\u003e*\u003cspan\u003eBest in Show\u003c/span\u003e*\u003cspan\u003e or\u003c/span\u003e *\u003cspan\u003eA Mighty Wind\u003c/span\u003e* \u003cspan\u003eor \u003c/span\u003e*\u003cspan\u003eSpinal Tap\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eWhen we went in to start recording the play we started writing songs as we needed them for the story. So, we ended up with an album and this Audible Original. \u003c/span\u003e\n\n**\u003cspan\u003eSome of the songs you wrote for\u003c/span\u003e *\u003cspan\u003eThe Other Side\u003c/span\u003e* \u003cspan\u003efeel like they could be country or folk songs from the ‘50s.\u003c/span\u003e**\n\n\u003cspan\u003eI think that’s right. I look at American music as a continuum that’s being reinvented every few years. For instance, there’s a famous American air \\[traditional melody\\] that appeared most recently as \"Blowin’ in the Wind\" like 60 years ago. But \"Blowin’ in the Wind\" before that was a civil rights song called \"We Shall Overcome.\" And before that, in the mid-1800s, it was a song about the end of slavery called \"No More Auction Block.\" And before that in, like, 1843, the first time the song was ever recorded — and I don’t mean audio recording — it was called \"Nearer My God to Thee.\" \u003c/span\u003e\n\n\u003cspan\u003eIf you listen to that song, it’s all this same air that’s been repurposed as the times change in the country. That’s how I see all of our music. \u003c/span\u003e\n\n**\u003cspan\u003eAlong those lines, one of my favorites on the album, \"Everything and Nothing,\" feels like a distillation of the ideas in\u003c/span\u003e [\u003cspan\u003eLeonard Cohen\u003c/span\u003e](https://www.grammy.com/artists/leonard-cohen/11253)\u003cspan\u003e’s \"Everybody Knows\" and\u003c/span\u003e [\u003cspan\u003eMose Allison\u003c/span\u003e](https://grammy.com/artists/mose-allison/65)\u003cspan\u003e’s \"Everybody Cryin’ Mercy.\"\u003c/span\u003e**\n\n\u003cspan\u003eYeah, I think that’s right. It’s \\[also\\] got an Irishness about it. And yeah, lyrically it certainly reflects those two pieces.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: T Bone Burnett - Everything And Nothing","deliveryId":"6f1eb27b-02ba-491f-ad12-53d4fe9f4e5b"},"videoUrl":"https://www.youtube.com/watch?v=Zr6PK47Jeco"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: T Bone Burnett body 3","deliveryId":"1119da1d-c15f-45b8-9f1c-373f762bb126"},"bodyText":{"richText":"**\u003cspan\u003eThe lyrics to \u003c/span\u003e[\u003cspan\u003e\"Sometimes I Wonder\" \u003c/span\u003e](https://www.youtube.com/watch?v=0VuTR7OXSFA)\u003cspan\u003eare great too. I laughed out loud at \"When he said to her, ‘Judge, I am my own worst enemy’/She responded, ‘Not as long as I’m alive.’\"\u003c/span\u003e**\n\n\u003cspan\u003eThat’s probably a \\[playwright\\] George S. Kaufman line or something like that. But that’s another one that’s a very ‘50s kind of Jimmy Reed rock ‘n’ roll song, blues song, whatever you want to call it. Country blues you could call it, but it’s sort of neither at the same time. I don’t think there’s ever been a blues song that had that sort of bridge in it. That bridge takes us into pop music. By the way, you know, all those guys — Jimmy Reed, Robert Johnson, all those guys were trying to play pop music.\u003c/span\u003e\n\n\u003cspan\u003eAn interesting thing that’s going on now is that there’s a reexamination of the African American contribution to country music. The history of country music has been told that it started with Jimmie Rodgers and the Carter Family....and anytime Black people were mentioned they were always called influences. You know, Hank Williams learned to play from Rufus Payne, a guy they called Tee Tot. And Bill Monroe and Ike Everly and Merle Travis learned to play from a guy called Arnold Schultz ,who was a fiddle and guitar player up in Kentucky. And the Carter Family learned to play from Lesley Riddle. \u003c/span\u003e\n\n\u003cspan\u003eAll of those people were Black. They weren’t influences; they were really originators. And I think it’s good that a fuller story of country music is beginning to be told. \u003c/span\u003e\n\n**\u003cspan\u003eLearn more:\u003c/span\u003e** [\u003cspan\u003eA Brief History Of Black Country Music: 11 Important Tracks From DeFord Bailey, Kane Brown \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/black-country-singers-songs-history-beyonce-act-ii-kane-brown-heaven)\n\n**\u003cspan\u003eIn both your writing and production, it’s always seemed like minimalism has been a watchword; you strive towards an economy of words and music.\u003c/span\u003e**\n\n\u003cspan\u003eI feel like the longer I go, the more it’s true. I never set out to be a minimalist, I was just trying to be as true as possible, but the further I’ve gone, the more I like to hear the person. Hip-hop brought back this idea of minimalism I think, where there's just a beat and one instrument and the song. In that case you hear the person, you hear the story. \u003c/span\u003e\n\n\u003cspan\u003eThe other thing that’s been really important to me through all this is diction. Allen Ginsberg used to talk about how important it is for a poet or a singer to have good diction, that you should be able to hear every consonant and every syllable of every word. And that’s something I’m really working with younger artists with. \u003c/span\u003e\n\n\u003cspan\u003eI think part of the insecurity I was talking to you about before is not having the conviction of the word. That’s one of the beautiful things about Dylan, he always just laid down the law. He would just sing what it was he was saying really clearly. Minimalism is more about what’s crucial, what’s central to the message, the story that’s being told. Why write \\[lyrics\\] if you don’t put them out there? It’s a function of trying to impart emotion over meaning. And part of it is just not having the conviction to just say the thing you’re saying. I think self-doubt is probably part of that reticence to enunciate.\u003c/span\u003e\n\n**\u003cspan\u003eOn your new album, the idea of retaining only what’s crucial comes into play. Like a sculptor would say: chip away everything that isn’t the sculpture.\u003c/span\u003e**\n\n\u003cspan\u003eWe’ve worked very much with that kind of principle. Like, not having drums was interesting. Because one of the other things I believe, and the way I work, is that all instruments are drums. All instruments are resonating chambers that you attack either with your hand or a bow or a pick...but they’re all essentially drums. \u003c/span\u003e\n\n\u003cspan\u003eIn the kind of folk/country blues record that \u003c/span\u003e*\u003cspan\u003eThe Other Side\u003c/span\u003e*\u003cspan\u003e is, it wasn’t necessary at all to have drums, because I was playing rhythm guitar and I was basically functioning as the drummer. And then \u003c/span\u003e[\u003cspan\u003eDennis Crouch\u003c/span\u003e](https://grammy.com/artists/dennis-crouch/11283)\u003cspan\u003e is playing those big bass notes, the bass just allows you to change tonality more frequently than a bass drum. A double bass is a version of a bass drum that you can change tones with quickly and easily. \u003c/span\u003e\n\n**\u003cspan\u003eProduction-wise you’ve earned a reputation as the go-to guy for a kind of musical traditionalism, as the back-to-basics roots kind of guy. How intentional was that?\u003c/span\u003e**\n\n\u003cspan\u003eI’ve just always been trying to tell the truth. I guess it’s just my taste. I’ve never been a follower of mass culture, with the exception of the Beatles. The things I’ve been interested in were always the off-the-beaten-path things: I love the Louvin Brothers and the Blue Sky Boys and \u003c/span\u003e[\u003cspan\u003eRalph Stanley\u003c/span\u003e](https://grammy.com/artists/ralph-stanley/14291)\u003cspan\u003e, things that felt like they were coming from another world. \u003c/span\u003e\n\n\u003cspan\u003eWhen you’re dealing with mass culture there’s a tendency to round all the edges off so it doesn’t offend anyone. Whereas something like the Stanley Brothers would offend a lot of people because there was a harshness to it sometimes.... I think it’s the same thing for me. I would love to be good enough to make a Stanley Brothers record. I did get to make two or three records with Ralph Stanley, and I think they’re pretty good. I think they stay true to the spirit of the Stanley Brothers. \u003c/span\u003e\n\n**\u003cspan\u003eYou’ve always tried to stay true to the artists you were working with.\u003c/span\u003e**\n\n\u003cspan\u003eI made a record with B.B. King, I produced his last record. We won a GRAMMY for it, and it’s a beautiful record called\u003c/span\u003e *\u003cspan\u003eOne Kind Favor\u003c/span\u003e*\u003cspan\u003e. I think there’s a tendency with heritage artists like that to try to update them. The stuff I like the most of B.B.’s is the stuff he did in the late ‘50s/early ‘60s with \\[saxophonist/bandleader\\] Maxwell Davis in Los Angeles, like \"Rock Me Baby\" and \"Sweet Little Angel\" and \"Further on Down the Road.\" \u003c/span\u003e\n\n\u003cspan\u003eWhen I got the call to produce him, I went back and listened to those records, and listened to stuff I knew he loved, like\u003c/span\u003e [\u003cspan\u003eT-Bone Walker\u003c/span\u003e](https://grammy.com/artists/t-bone-walker/6996) \u003cspan\u003eand Lonnie Johnson, and tried to find things we could do in that same mode. Rather than trying to update him, I was trying to record the follow up to the Maxwell Davis records.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: T Bone Burnett - B B King One Kind Favor playlist","deliveryId":"b6226623-683c-4804-9705-e2c6702c8366"},"videoUrl":"https://youtube.com/playlist?list=PL7gp579CMkT_0SPKTGLeIek08ExrPcQBv\u0026si=BeqRBIpYxMK-K0PR"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: T Bone Burnett body 4","deliveryId":"0c23d504-c455-4894-b34d-de542fb1cb9a"},"bodyText":{"richText":"**\u003cspan\u003eAnd yet with Elvis, on the one hand you helped him go back to a rootsy feeling with\u003c/span\u003e *King of America*\u003cspan\u003e, but a few years later you helped him do the opposite on\u003c/span\u003e *Spike*\u003cspan\u003e.\u003c/span\u003e**\n\n\u003cspan\u003eAnd both were equally fun. When we were doing \u003c/span\u003e*\u003cspan\u003eKing of Americ\u003c/span\u003e*\u003cspan\u003ea, he had just come out of doing a record called \u003c/span\u003e*\u003cspan\u003eGoodbye Cruel World\u003c/span\u003e*\u003cspan\u003e that he really didn’t like when he finished it. That’s when we went on the road together. We went on the road solo because he wanted to go back and find out why he wrote these songs in the first place before they started becoming affected by the demands of mass culture. \u003c/span\u003e\n\n\u003cspan\u003eWe went back to playing as if we were playing songs for each other in a living room, and that was the beginning of \u003c/span\u003e*\u003cspan\u003eKing of America\u003c/span\u003e*\u003cspan\u003e. Then with\u003c/span\u003e *\u003cspan\u003eSpike\u003c/span\u003e*\u003cspan\u003e, he had been writing with \u003c/span\u003e[\u003cspan\u003eMcCartney\u003c/span\u003e](https://grammy.com/artists/paul-mccartney/4678)\u003cspan\u003e...it was all about freedom, just, \u003c/span\u003e*\u003cspan\u003eLet’s do whatever we can think of\u003c/span\u003e*\u003cspan\u003e, which was a tremendous amount of fun. I think he had his biggest single on that record with \"Veronica,\" a song he wrote with McCartney. \u003c/span\u003e\n\n**\u003cspan\u003eSpirituality has been a presence in your songwriting to varying degrees over the years. What’s your long view on that?\u003c/span\u003e**\n\n\u003cspan\u003eFor me, songwriting is a holy endeavor. It’s a spiritual endeavor, like, \u003c/span\u003e*\u003cspan\u003eWhere do these songs come from?\u003c/span\u003e*\u003cspan\u003e You have to hope they’re inspired, and what is inspiration? Inspiration is a spiritual quest. Music is my religion, and shows to me are religious experiences, or at least should be. A community comes together like a church and celebrates life. \u003c/span\u003e\n\n\u003cspan\u003eIn fact, this wonderful friend named Tom Willett brought a woman named Lesley \\[aka Sam\\] Phillips to me to produce, and she was being billed as the Christian \u003c/span\u003e[\u003cspan\u003eCyndi Lauper\u003c/span\u003e](https://www.grammy.com/artists/cyndi-lauper/4198)\u003cspan\u003e. She wanted to transition out of that whole world, and we made a beautiful record called \u003c/span\u003e*\u003cspan\u003eThe Turning\u003c/span\u003e*\u003cspan\u003e that sort of ended her run as a Christian artist. The people in that world said, \"Why’d you call it \u003c/span\u003e*\u003cspan\u003eThe Turning\u003c/span\u003e*\u003cspan\u003e? It sounds like you’re turning away from God.\" She said, \"Well, what about I’m turning toward God?\" That stuff never meant much to me, but certainly music as a holy expression means everything to me.\u003c/span\u003e\n\n**\u003cspan\u003eOn the other side of the fence, having won 13 GRAMMYs, at some point did that start to feel sort of unreal to you, like having a wallet full of Monopoly money or something?\u003c/span\u003e**\n\n\u003cspan\u003eWhen I lived in Los Angeles there was a period of time when we won award after award. GRAMMYs and Oscars and BAFTAs and American Music or CMA. And I had them all put in a closet because the last thing you want to think about when you’re making music is whether you’re gonna get a trophy for it. \u003c/span\u003e\n\n\u003cspan\u003eBut since I moved to Nashville, I actually brought them out. I have a shelf for the GRAMMYs. I’m enjoying them now. In Los Angeles, to me it felt gauche to display a bunch of trophies. And I still only have a few of them out because there are way too many, but I like seeing them. I’m old now, I’m 76, so it’s good to remember I used to do that. \\[\u003c/span\u003e*\u003cspan\u003eLaughs\u003c/span\u003e*\u003cspan\u003e.\\] \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: T Bone Burnett - every song from o brother where art thou","deliveryId":"22d867cd-c289-4578-9dba-c1ed5329a04f"},"videoUrl":"https://www.youtube.com/watch?v=XojNYLuj9Uo"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: T Bone Burnett body 5","deliveryId":"854a1bc1-aa6f-475e-b5f1-39c030308715"},"bodyText":{"richText":"**\u003cspan\u003eAre there any albums you’ve produced that you knew from the start would make a major impact?\u003c/span\u003e**\n\n\u003cspan\u003eWeirdly, I thought that \u003c/span\u003e*\u003cspan\u003eO Brother, Where Art Thou?\u003c/span\u003e*\u003cspan\u003e was going to. Because folk music like that has been around my whole life, and there have been times when it was more part of the mainstream and less part of the mainstream. But I knew we had this extraordinary group of musicians who were really underappreciated, and then we had a George Clooney/Coen brothers movie to shine a light on them. And it just felt to me like, this is a good time for this music, this is a good time for these people. \u003c/span\u003e\n\n\u003cspan\u003eAnd when we finished the record, even when we were doing the record — I had made a couple of pop records, I made \u003c/span\u003e*\u003cspan\u003eAugust and Everything After\u003c/span\u003e*\u003cspan\u003e by \u003c/span\u003e[\u003cspan\u003eCounting Crows\u003c/span\u003e](https://www.grammy.com/artists/counting-crows/14543)\u003cspan\u003e and then \u003c/span\u003e*\u003cspan\u003eBringing Down the Horse\u003c/span\u003e*\u003cspan\u003e by \u003c/span\u003e[\u003cspan\u003ethe Wallflowers\u003c/span\u003e](https://grammy.com/artists/wallflowers/14803)\u003cspan\u003e — and the music didn’t sound very different in the three records. So, I thought there was a really good chance the record would penetrate the zeitgeist. So, we won several GRAMMYs for that. And we won several GRAMMYs for the \\[Robert Plant/Alison Krauss\\] \u003c/span\u003e*\u003cspan\u003eRaising Sand\u003c/span\u003e*\u003cspan\u003e record, which I also thought would appeal to a lot of people because of how good everybody involved was and how interesting the songs were. \u003c/span\u003e\n\n**\u003cspan\u003eWhat do you feel are the challenges and benefits of producing a film soundtrack vs. an artist’s album?\u003c/span\u003e**\n\n\u003cspan\u003eI’m not producing that much anymore. I wrote and produced this Ringo record because I love Ringo and he’s an extraordinary human being. He’s made an extraordinary contribution to our culture. As a producer, unless you’re working with a handful of artists, there’s not really the back end \\[of making much money\\] anymore. \u003c/span\u003e\n\n\u003cspan\u003eI am completely out of touch with how anybody makes money at all anymore. I’ve been reading these articles about what a nightmare Spotify is. \\[Spotify CEO\\] Daniel Ek is worth \u003c/span\u003e[\u003cspan\u003eseveral hundred million dollars more\u003c/span\u003e](https://www.digitalmusicnews.com/2024/06/26/spotify-ceo-daniel-ek-is-richer-than-any-musician-in-history/)\u003cspan\u003e than any artist I’ve ever heard of is worth. Spotify is worth over twice as much as the biggest record company; I think Spotify is \u003c/span\u003e[\u003cspan\u003eworth 93 billion dollars\u003c/span\u003e](https://stockanalysis.com/stocks/spot/market-cap/)\u003cspan\u003e and Universal Music Group is like \u003c/span\u003e[\u003cspan\u003e45 billion\u003c/span\u003e](https://stockanalysis.com/quote/otc/UNVGY/market-cap/)\u003cspan\u003e. There’s a complete imbalance that’s taken place and I don’t know how that’s gonna get resolved. \u003c/span\u003e\n\n\u003cspan\u003eThere was a time when I thought I would produce soundtrack records because the movie theater was a pretty good radio station, you know? So that music would get played in the movie theater and at that time there were record stores that were often within several feet of the movie theater, and people would leave the theater and go buy the record. Now I don’t know what happens; people see something on streaming and listen to it once and that’s it. There are a few artists like \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eDrake\u003c/span\u003e](https://www.grammy.com/artists/drake/12370)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eEd Sheeran\u003c/span\u003e](http://v)\u003cspan\u003e that the audience listens to repeatedly, and they rack up hundreds of billions of streams. I don’t know how that would ever happen with a soundtrack album for instance. \u003c/span\u003e\n\n**\u003cspan\u003eI’d like to throw out a few titles of albums you’ve produced and have you just tell me the first thing that comes to mind about them. First, Los Lobos –\u003c/span\u003e *\u003cspan\u003eHow Will the Wolf Survive?\u003c/span\u003e***\n\n\u003cspan\u003eThat’s a beautiful record. \u003c/span\u003e[\u003cspan\u003e\"I Got Loaded\"\u003c/span\u003e](https://www.youtube.com/watch?v=hHrRhZAPI9k)\u003cspan\u003e is on that record, and I remember one night I was walking into The Roxy and Robin Williams was on the street outside, I guess he was at the box office. And when I walked in, he turned around and sang \"I Got Loaded\" to me, and I thought, \u003c/span\u003e*\u003cspan\u003eOkay, that record is a success\u003c/span\u003e*\u003cspan\u003e. And also, that song \u003c/span\u003e[\u003cspan\u003e\"Will the Wolf Survive\"\u003c/span\u003e](https://www.youtube.com/watch?v=lJVsUMKftMo)\u003cspan\u003e is a beautiful song. I think that record went a long way toward setting up Los Lobos for a long life in music.\u003c/span\u003e\n\n**[\u003cspan\u003eRoy Orbison –\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_kUO3-mWUW0WZl7YxQPUSCRHddr50j2eg4\u0026si=5qPIcofnWBeRyfvv) *[\u003cspan\u003eMystery Girl\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_kUO3-mWUW0WZl7YxQPUSCRHddr50j2eg4\u0026si=5qPIcofnWBeRyfvv)***\n\n\u003cspan\u003eOrbison was to me the most beautiful of all the rock ‘n’ roll singers. He sang very, very quietly — like, if you stood 10 feet away from him you couldn’t hear him. And from him I learned that it’s not about volume, it’s about tone. Because when you put a mic in front of him and he sang with that intense tone, and you turned it up, he sounded like an opera singer or something. But in fact, he was a very, very sensitive, personal, intimate singer. \u003c/span\u003e\n\n\u003cspan\u003eWhen he recorded, he would have the band in his headphones but he wouldn’t have his own voice in the headphones, because he said he had sung so long in rock ‘n’ roll shows without monitors that he had learned how to feel the notes in his jaw. Isn’t that wild?\u003c/span\u003e\n\n**[\u003cspan\u003eCounting Crows –\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_ly8V0F8-TeR4BfR0QIyHTS23dEYtkcZYM\u0026si=B6-dkjqSGai-_R4D) *[\u003cspan\u003eAugust and Everything After\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_ly8V0F8-TeR4BfR0QIyHTS23dEYtkcZYM\u0026si=B6-dkjqSGai-_R4D)***\n\n\u003cspan\u003eAdam Duritz was on fire, and is an extraordinary singer and writer. And as soon as I heard the demo of that I thought, \u003c/span\u003e*\u003cspan\u003eI know exactly what to do with this; I see exactly where this fits in the culture, the zeitgeist\u003c/span\u003e*\u003cspan\u003e. And we rented a house up the street from my house in Brentwood, and I think we were up there five or six months, just recording every day. It wasn’t even a \\[working\\] band at the time, they had only played two gigs. So, we had to invent the band as we were inventing the record.\u003c/span\u003e\n\n**[\u003cspan\u003eRobert Plant \u0026amp; Alison Krauss –\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_lPg4aTYLLsQyvjHTH6NZLGonTn5P8haw4\u0026si=1SUDSxioarc94ykS) *[\u003cspan\u003eRaising Sand\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_lPg4aTYLLsQyvjHTH6NZLGonTn5P8haw4\u0026si=1SUDSxioarc94ykS)***\n\n\u003cspan\u003eThat album was one of those rare experiences where you get to put your whole being into it. And I’m grateful to both Robert and Alison for their generosity in allowing me into that in that profound way. I hope to only write songs for the rest of my life and make my own records, but in a record like that, it almost becomes your own record because the principals allow you a free hand to collaborate with them.\u003c/span\u003e\n\n**[\u003cspan\u003eWillie Nelson –\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_l-SkoWp0OgOUO_zNPQnXVZuFSlLG3VPFU\u0026si=ZztdRqIzlOPMjWmS) *[\u003cspan\u003eCountry Music\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_l-SkoWp0OgOUO_zNPQnXVZuFSlLG3VPFU\u0026si=ZztdRqIzlOPMjWmS)***\n\n\u003cspan\u003eI’ve just gone in with Willie and we’ve recorded six of his most classic songs — \\[including\\] \"Funny How Time Slips Away\" and \"The Party’s Over\" and \"Crazy\" — and they’re some of the most beautiful recordings I’ve ever done. \u003c/span\u003e\n\n\u003cspan\u003eI loved working with Willie with all of those extraordinary musicians \\[on \u003c/span\u003e*\u003cspan\u003eCountry Music\u003c/span\u003e*\u003cspan\u003e\\]. We went in not with his band, but with what I would call mountain music musicians in Nashville and made a very resonant, beautiful country record. I think that \\[album\\] was a response, the idea of it as \"country music,\" to a transition that was taking place in country music, where it was getting more and more rock and had less and less to do with \u003c/span\u003e[\u003cspan\u003eJimmie Rodgers\u003c/span\u003e](https://grammy.com/artists/jimmie-rodgers/5902)\u003cspan\u003e and more to do with \u003c/span\u003e[\u003cspan\u003eJimmy Page\u003c/span\u003e](https://grammy.com/artists/jimmy-page/5482)\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: American Roots Music (Americana, Bluegrass, Blues, Folk, Regional Roots Music)","deliveryId":"d4f686f0-83ad-43c3-9274-0128dda7fbfd"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["American Roots Music","Americana","Bluegrass","Blues","Folk","Regional Roots Music","regional roots"],"contentGenre":"American Roots Music"},"title":"More American Roots Music News \u0026 Videos"}],"hero":{"id":"87424e3d-6e45-450c-810f-e2c86dfde2c5","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Living Legends: T Bone Burnett"},"contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","T Bone Burnett","Living Legends","Elvis Costello","B.B. King","Willie Nelson","Robert Plant","Alison Krauss"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1737647596786,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: T Bone Burnett On Producing His Heroes, Remaining Imaginative \u0026 Keeping It Real","shortTitle":"Living Legends: T Bone Burnett On Keeping It Real","subHeadline":"\"Inspiration is a spiritual quest,\" the former L.A. resident says of his lengthy and sonically diverse career. His latest album, 'The Other Side,' is up for Best Americana Album at the 2025 GRAMMYs.","articleSummary":"The 13-time GRAMMY nominee is up for Best Americana Album at the 2025 GRAMMYs. The producer, songwriter, musician and former L.A. resident discusses his latest album, 'The Other Side,' working with Ringo Starr, and how minimalism and authenticity intersect."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Living Legends: T Bone Burnett","deliveryId":"87424e3d-6e45-450c-810f-e2c86dfde2c5"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"t_bone_burnett_jason-myers","id":"d8722ea8-c1a4-4770-b2d3-c55dd6f23bf2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Jason Myers"},"tags":["T Bone Burnett"],"title":"Living Legends: T Bone Burnett","shortTitle":"Living Legends: T Bone Burnett","imgAlt":"Living Legends: T Bone Burnett","imgTitle":"Living Legends: T Bone Burnett","link":"/","captionValue":"T Bone Burnett"}},{"__typename":"News","title":"Living Legends: Rubén Blades On His Place In Latin Music History, Working With The Greats \u0026 Taking Salsa Beyond Party Vibes","id":"98485584-ab10-416d-9a25-10480d2f46c8","deliveryKey":"news/living-legends-ruben-blades-interview-career-retrospective","pillar":"GRAMMYs","datePublished":1736436166818,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Rubén Blades On Owning His Place In Latin Music History, Working With The Greats \u0026 Taking Salsa Beyond Party Vibes","deliveryId":"98485584-ab10-416d-9a25-10480d2f46c8","deliveryKey":"news/living-legends-ruben-blades-interview-career-retrospective"},"articleCategory":["news"],"contributors":[{"id":"3bb3a985-6300-4b02-a16a-737be861baad","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Living Legend Rubén Blades On His Expansive Career","deliveryId":"6d844a62-d55b-453a-98f9-1a85f7e374dd"},"bodyText":{"richText":"\u003cspan\u003eFew Latin artists have been recognized and celebrated by the Recording Academy like Panamanian salsa legend \u003c/span\u003e[\u003cspan\u003eRubén Blades\u003c/span\u003e](https://www.grammy.com/artists/ruben-blades/904)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eHe was nominated for the first time in 1983 for \u003c/span\u003e*\u003cspan\u003eCanciones del Solar de los Aburridos\u003c/span\u003e*\u003cspan\u003e — a now classic collaboration with trombonist and producer \u003c/span\u003e[\u003cspan\u003eWillie Colón\u003c/span\u003e](https://grammy.com/artists/willie-colon/11257)\u003cspan\u003e. Between 1997 and 2018, Blades won seven GRAMMY Awards, emerging victorious every single time he was nominated. His \u003c/span\u003e[\u003cspan\u003eLatin GRAMMY\u003c/span\u003e](https://www.latingrammy.com/artistas/ruben-blades/19199-02)\u003cspan\u003e bounty is equally impressive, including\u003c/span\u003e[\u003cspan\u003e a win last November\u003c/span\u003e](https://www.youtube.com/watch?v=1tt2OigMmGc)\u003cspan\u003e for a live recording of his legendary 1978 album \u003c/span\u003e*\u003cspan\u003eSiembra\u003c/span\u003e*\u003cspan\u003e. He was also named the \u003c/span\u003e[\u003cspan\u003eLatin Recording Academy’s Person Of The Year\u003c/span\u003e](https://www.latingrammy.com/en/news/ruben-blades-named-2021-latin-recording-academy-person-of-the-yeartm-)\u003cspan\u003e in 2021.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Spotify - Ruben Blades Siembra: 45 Aniversario","deliveryId":"1ad07e58-1402-48ef-9894-32e401460729"},"bodyText":{"richText":"\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/album/57y0cHwEuN2zJQPrKOXYfi?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c/iframe\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Living Legend Rubén Blades On His Expansive Career","deliveryId":"ee021078-b572-41a9-9552-48dfc941e7c7"},"bodyText":{"richText":"\u003cspan\u003eBlades will be forever remembered as the singer/songwriter who brought to Afro-Caribbean music the spirit of social justice and political awakening. After moving to New York in the early ‘70s, he got a job in the mailroom of \u003c/span\u003e[\u003cspan\u003eFania Records\u003c/span\u003e](https://www.grammy.com/news/guide-to-fania-records-important-artists-albums-genres)\u003cspan\u003e — the Motown of salsa — and convinced many of the label’s stars to record his compositions. It didn’t take much effort; his songs always stood out for their nostalgic melodies and vivid lyrical imagery.\u003c/span\u003e\n\n\u003cspan\u003eIt was his collaboration with Willie Colón — already established as a solo artist and partner in crime of glamorous \u003c/span\u003e*\u003cspan\u003esonero\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eHéctor Lavoe\u003c/span\u003e](https://grammy.com/artists/hector-lavoe/3625)\u003cspan\u003e — that launched Blades as singing star and ideological ambassador. Their second effort together, \u003c/span\u003e*\u003cspan\u003eSiembra\u003c/span\u003e*\u003cspan\u003e was a visionary manifesto of progressive salsa, and remained the genre’s best-selling LP for decades. It also spawned the timeless \u003c/span\u003e[\u003cspan\u003e\"Pedro Navaja\"\u003c/span\u003e](https://youtu.be/ZJ4v1Lbx3-I)\u003cspan\u003e — a wondrous, seven minute-long epic seeped in funky grooves and vitriolic wit, complete with nods to Kurt Weill and Franz Kafka.\u003c/span\u003e\n\n\u003cspan\u003eThis was only the beginning. Blades broke ties with Fania, revamped his sound in the ‘80s (no brass; cool textures on vibes, synths and trap drums), and eventually mutated into the pan-Latin hybrid that he classified as \u003c/span\u003e*\u003cspan\u003emixtura\u003c/span\u003e*\u003cspan\u003e, borrowing liberally from sophisticated pop, ethereal folk and world influences. He also became a reliable film and television actor, ran for the presidency of his native Panama (he came out third,) and later became the country’s minister of tourism. \u003c/span\u003e\n\n\u003cspan\u003eNow living in New York, Blades spoke with GRAMMY.com about the upcoming \u003c/span\u003e[\u003cspan\u003eretrospective of his work at Lincoln Center\u003c/span\u003e](https://www.lincolncenter.org/series/lincoln-center-presents/s/Lincoln%20Center%20Visionary%20Artist:%20Rub%C3%A9n%20Blades)\u003cspan\u003e, his future albums — all three of them — and the impending release of his autobiography. \u003c/span\u003e\n\n**\u003cspan\u003eSo, this interview is part of our Living Legends series...\u003c/span\u003e**\n\n\u003cspan\u003eI only qualify on one of the two adjectives. \\[\u003c/span\u003e*\u003cspan\u003eLaughs.\u003c/span\u003e*\u003cspan\u003e\\]\u003c/span\u003e\n\n**\u003cspan\u003eI’d like to start by mentioning the obvious: the amount of GRAMMY and Latin GRAMMY wins and nominations that you amassed throughout the decades is unreal. What are your thoughts on this?\u003c/span\u003e**\n\n\u003cspan\u003eFirst, it is essential to acknowledge the quality of the people who accompanied me on these excursions, because I couldn’t have done it alone. The contribution of the arrangers, producers, and musicians in my band.\u003c/span\u003e\n\n\u003cspan\u003eSecond, the fact that I imagined that salsa fans would be interested in lyrics that ventured beyond the usual party vibes. My songs reflected the realities experienced by families and individuals, touching on political themes that didn’t appear on salsa radio stations at the time. I think it’s my lyrics that best survived the passing of time.\u003c/span\u003e\n\n\u003cspan\u003eI also think that I started winning GRAMMYs only after \u003c/span\u003e[\u003cspan\u003eTito Puente\u003c/span\u003e](https://grammy.com/artists/tito-puente/5760)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eEddie Palmieri\u003c/span\u003e](https://grammy.com/news/eddie-palmieri-blue-note-residency-pioneering-latin-jazz-interview)\u003cspan\u003e got a bit old. Before that, it was them who consistently won all the awards.\u003c/span\u003e\n\n**\u003cspan\u003eLet’s not forget that you brought to salsa a level of poetic and sociopolitical consciousness that simply didn’t exist before.\u003c/span\u003e**\n\n\u003cspan\u003eIt’s the lyrics, but also the person singing them, and what kind of credibility he has. I went to college and got a degree in law; I was active in politics in Panama and was openly against dictatorships and the stupid behaviors of governments that are allegedly democratic. Throughout the years — and we’re talking 50 years — the consistency of my behavior has given people a reference point. If one of the Kardashians recorded \"Pablo Pueblo,\" the impact wouldn’t be the same.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Willie Colón Presents Rubén Blades - Pablo Pueblo (Audio Oficial)","deliveryId":"f8905718-59b0-4c76-878c-40f033c47af9"},"videoUrl":"https://youtu.be/lwWJHLmTuNc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3 - Living Legend Rubén Blades On His Expansive Career","deliveryId":"4c4308da-7348-4316-9625-c5825d5603b1"},"bodyText":{"richText":"**\u003cspan\u003eYou were also painfully ahead of your time with the trilogy of pan-Latin albums that you released between 1996 and 2002 (La Rosa de los Vientos, Tiempos and Mundo.) I was one of the many who gave you grief publicly because you didn’t stick to a straight-ahead Afro-Caribbean sound.\u003c/span\u003e**\n\n\u003cspan\u003eThose problems started earlier. When I left Willie Colón's band in the early ‘80s and bypassed salsa’s traditional brass section in favor of vibes, synths and drums, genre purists felt betrayed. \u003c/span\u003e*\u003cspan\u003eBuscando América\u003c/span\u003e*\u003cspan\u003e (1984) was more successful with Anglo listeners in New York than with the salsa crowd \\[in NYC\\]. They thought it was pretentious, even though the entire record follows the \u003c/span\u003e*\u003cspan\u003eclave\u003c/span\u003e*\u003cspan\u003e \\[the basic rhythmic pattern on which all salsa music is anchored\\].\u003c/span\u003e\n\n\u003cspan\u003eBut I did survive those changes, and some of the misunderstood songs gained traction. Like \u003c/span\u003e[\u003cspan\u003e\"Amor y Control\"\u003c/span\u003e](https://youtu.be/XIoUz-nEu0g)\u003cspan\u003e \\[the title track of a genre defying 1992 album\\], which has become a mandatory part of my set list, wherever I go.\u003c/span\u003e\n\n**\u003cspan\u003eGoing back to the GRAMMYS, was there a particular victory that felt especially gratifying?\u003c/span\u003e**\n\n\u003cspan\u003eI tend to remember defeats over victories, and I still lament that we didn’t win for \u003c/span\u003e*\u003cspan\u003eEba Say Ajá\u003c/span\u003e*\u003cspan\u003e, the 2012 album with Cheo Feliciano. I really wanted Cheo to win a GRAMMY, and would gladly swap all my wins for that one. It was a beautiful record, and Cheo’s version of \"Manuela\" was almost better than mine. He added an extra chorus that sounded great.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"YouTube - RUBEN BLADES Y CHEO FELICIANO - MANUELA","deliveryId":"05a8e427-ba56-4e25-98ef-0c2db79698df"},"videoUrl":"https://youtu.be/NoAm-YeINvg"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4 - Living Legend Rubén Blades On His Expansive Career","deliveryId":"ef0371e6-2e93-464c-961b-8b89943957ee"},"bodyText":{"richText":"\u003cspan\u003eWhen I was nominated in 1983, the night before the ceremony I prayed to God that I would lose so that \\[salsa pioneer\\] \u003c/span\u003e[\u003cspan\u003eMachito\u003c/span\u003e](https://grammy.com/artists/machito/14854)\u003cspan\u003e could win his first GRAMMY. He did win, and I was overjoyed to lose that time. Winning for \u003c/span\u003e*\u003cspan\u003eEscenas\u003c/span\u003e* \u003cspan\u003ein 1987 didn’t feel like a validation — in essence, I don’t make records for the awards — but I felt it was wonderful recognition to the quality of the arrangements by the musicians in my band, people like Oscar Hernández, Mike Viñas and Ricardo Marrero.\u003c/span\u003e\n\n**\u003cspan\u003eMy favorite Latin GRAMMY event is the Person Of The Year, which you won in 2021. Any special memories from that?\u003c/span\u003e**\n\n\u003cspan\u003eI was blown away by \u003c/span\u003e[\u003cspan\u003eChristina Aguilera\u003c/span\u003e](https://grammy.com/artists/christina-aguilera/1097)\u003cspan\u003e, who’s such a big name in mainstream pop, and \u003c/span\u003e[\u003cspan\u003eperformed \"Camaleón\"\u003c/span\u003e](https://www.youtube.com/watch?v=s8JummXItjM)\u003cspan\u003e in the style of an Ecuadorian \u003c/span\u003e*\u003cspan\u003epasillo\u003c/span\u003e*\u003cspan\u003e. It was excellent; such a delightful surprise. Also \\[Spanish singer/songwriter\\] \u003c/span\u003e[\u003cspan\u003eJoaquín Sabina\u003c/span\u003e](https://www.latingrammy.com/artists/joaquin-sabina/22527-01)\u003cspan\u003e was having health issues, and still flew from far away to attend the ceremony. That was extraordinary. He’s such a special guy, on account of his personality, and the songs that he writes.\u003c/span\u003e\n\n\u003cspan\u003eIt was deeply moving to see so many fellow artists together. I’ll never forget \u003c/span\u003e[\u003cspan\u003eCarlos Vives\u003c/span\u003e](https://www.grammy.com/artists/carlos-vives/12787)\u003cspan\u003e’ expression when we were singing with \u003c/span\u003e[\u003cspan\u003eJuan Luis Guerra\u003c/span\u003e](https://www.grammy.com/artists/juan-luis-guerra/10737)\u003cspan\u003e. Also, seeing my peers performing my songs — outside of their musical comfort zone for some — and doing it out of respect and recognition for my work. Usually, award ceremonies have a bit of a difficult connotation for me, because your happiness at winning relies on someone else losing. This particular event serves as a complete vindication of music, and the process of sharing it.\u003c/span\u003e\n\n**\u003cspan\u003eI remember interviewing you for the first time in 1995, and telling you that you are the Latin American equivalent of an\u003c/span\u003e [\u003cspan\u003eElton John\u003c/span\u003e](https://www.grammy.com/artists/elton-john/12074) \u003cspan\u003eor a\u003c/span\u003e [\u003cspan\u003eBruce Springsteen\u003c/span\u003e](https://grammy.com/artists/bruce-springsteen/6389)\u003cspan\u003e. You looked at me in disbelief. Have you come to terms with the place of honor you occupy in Latin culture?\u003c/span\u003e**\n\n\u003cspan\u003eNot really, but I understand the meaning, because people tell me these things more than ever before. I see so many people at my shows — some of them crying, most of them singing along. I’m very accessible, since I walk a lot and use public transportation, and people tell me about my music helping them through difficult times.\u003c/span\u003e\n\n\u003cspan\u003eWhen I released \u003c/span\u003e*\u003cspan\u003eMaestra Vida\u003c/span\u003e*\u003cspan\u003e \\[in 1980\\], I received about 200 letters that were incredibly moving, some of them written with pencil on a piece of paper. I kept them for many years, and eventually threw them away, because I didn’t see the point in keeping them anymore — it was like someone saving newspaper clippings about himself. Now that I'm older, I realize that my songs had a deeper effect than what I imagined at the time. This doesn’t mean that I’m loved by everyone, because my political views are not popular with some. But even people who dislike me admit that I’m a good musician.\u003c/span\u003e\n\n**\u003cspan\u003eAre you working on a new album right now?\u003c/span\u003e**\n\n\u003cspan\u003eI have three albums in the making. The first one is a big band salsa record with devilish arrangements by Roberto Delgado and Luis Perico Ortiz. The other one is with Paraíso Road Gang — that’s my \u003c/span\u003e*\u003cspan\u003emixtura\u003c/span\u003e* \u003cspan\u003econcept, a hybrid of styles.\u003c/span\u003e\n\n**\u003cspan\u003eAnd the third one?\u003c/span\u003e**\n\n\u003cspan\u003eI’m doing something completely different and subversive: going back to the ‘60s sound of Eddie Palmieri’s La Perfecta orchestra, but without the flute. Just two trombones, the ferocious propulsion that Palmieri had going with Barry Rogers and Jose Rodrigues. I wrote a very intense song called \"La Cárcel\" that will be part of this record. \u003c/span\u003e\n\n\u003cspan\u003eLast night, I was thinking of a string quartet intro that would precede the salsa section. It’s a return to \"Calle Luna, Calle Sol\" \\[the Willie Colón and Héctor Lavoe hit\\], and Palmieri’s \"Café.\" I’m taking you back to that era, because it’s important for people to realize that the classic salsa sound will never die.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"YouTube - Ruben Blades \"Cafe\"","deliveryId":"353495d6-a2fd-4322-87d3-1017357c7bee"},"videoUrl":"https://youtu.be/809IFwO_chM"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 4 - Living Legend Rubén Blades On His Expansive Career","deliveryId":"d3741411-31a0-4d9c-ad4a-6226b31f6a97"},"bodyText":{"richText":"**\u003cspan\u003eHow did the retrospective of your work at Lincoln Center come about?\u003c/span\u003e**\n\n\u003cspan\u003eThere are millions of Latinos in New York, and yet somehow we continue to remain invisible. The contribution of the Hispanic community has not been recognized as it should. In my case, there’s a 50 year-old career with GRAMMY Awards, a bunch of films, even the fact that I was Panama’s presidential candidate. None of this means you’ll be honored anyway — Machito didn’t get the recognition he deserved, and neither did \u003c/span\u003e[\u003cspan\u003eMario Bauzá\u003c/span\u003e](https://grammy.com/artists/mario-bauza/1008)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRay Barretto\u003c/span\u003e](https://grammy.com/artists/ray-barretto/11562)\u003cspan\u003e, Eddie Palmieri, or even Willie Colón himself. \u003c/span\u003e\n\n\u003cspan\u003eI’m very thankful, but also focusing on the precedent that’s being established. If one of ours is being honored today, then tomorrow it could be another artist — a man or a woman. I feel a lot of gratitude, being aware that there are more deserving people than me out there.\u003c/span\u003e\n\n**\u003cspan\u003eAre you done writing your autobiography? Is it going to be published soon?\u003c/span\u003e**\n\n\u003cspan\u003eIt’s coming out in September. Gabriel García Márquez was the one who advised me to write my memoirs. \"Just clarify everything,\" he told me. \"Otherwise, other people will do it for you once you’re gone, and it will be too late.\" He got to write the first volume of his autobiography, and the second remained unfinished. But when you read it, you can see what everything was like at the beginning of his career — who helped him out and gave him food when he was starting out.\u003c/span\u003e\n\n**\u003cspan\u003eWas it difficult to condense such a prolific career into a single book?\u003c/span\u003e**\n\n\u003cspan\u003eAt one point, the manuscript was 500 pages. I also didn’t want it to become some sort of hagiography. I tried to draw a coherent connection with the facets of my career, trying not to sound self-serving. It’s a wacky story: a \u003c/span\u003e*\u003cspan\u003esalsero\u003c/span\u003e*\u003cspan\u003e who graduated from Harvard and ran for president. What is this? Who is this guy? Who does he think he is? I’m going to put this book out and try to disappear for a year so no one can find me. Maybe I should hire a plastic surgeon and become like Emilia Pérez.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"4699298c-c3d6-4bbb-9cbf-2b6418bea4cb","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Living Legends: Rubén Blades On Owning His Place In Latin Music History, Working With The Greats \u0026 Taking Salsa Beyond Party Vibes"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin"],"tags":["Rubén Blades","Living Legends","Willie Colon","Machito","Latin Music","Gabriel García Márquez","2024 Latin GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1736436166818,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: Rubén Blades On His Place In Latin Music History, Working With The Greats \u0026 Taking Salsa Beyond Party Vibes","shortTitle":"Living Legend Rubén Blades On His Expansive Career","subHeadline":"\"Now that I'm older, I realize that my songs had a deeper effect than what I imagined at the time,\" the GRAMMY-winning salsero muses.","articleSummary":"Prolific salsero Rubén Blades reflects on his 50-year career — from his dozen GRAMMY and Latin GRAMMY Awards, to his Lincoln Center retrospective and three unreleased albums."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Living Legends: Rubén Blades On Owning His Place In Latin Music History, Working With The Greats \u0026 Taking Salsa Beyond Party Vibes","deliveryId":"4699298c-c3d6-4bbb-9cbf-2b6418bea4cb"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"ruben-blades-credit-Ivan-Gonzalez","id":"0b79179a-c993-4358-8a37-12d6ec976cc1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Ivan Gonzalez"},"title":"Living Legends: Rubén Blades On Owning His Place In Latin Music History, Working With The Greats \u0026 Taking Salsa Beyond Party Vibes","shortTitle":"Living Legend Rubén Blades On His Expansive Career","imgAlt":"Rubén Blades","link":"/","captionValue":"Rubén Blades"}},{"__typename":"News","title":"Living Legends: Havoc Talks Mobb Deep’s Legacy \u0026 The Double-Edged Life Of A Rapper-Producer","id":"e5b348f8-8d1c-4b54-922f-cfbb73d2b3d0","deliveryKey":"news/havoc-mobb-deep-final-album-interview","pillar":"GRAMMYs","datePublished":1728919485382,"content":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Havoc Talks Mobb Deep’s Legacy \u0026 The Double-Edged Life of a Rapper-Producer","deliveryId":"e5b348f8-8d1c-4b54-922f-cfbb73d2b3d0","deliveryKey":"news/havoc-mobb-deep-final-album-interview"},"articleCategory":["interview"],"contributors":[{"id":"3542da67-b097-409d-847b-7c5133ebe95a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Living Legends: Havoc of Mobb Deep","deliveryId":"2c66a339-1e7f-46a9-ac78-2c9e86344cc8"},"bodyText":{"richText":"[\u003cspan\u003eHavoc\u003c/span\u003e](https://grammy.com/artists/havoc/2659) \u003cspan\u003eis excited. The Mobb Deep MC and acclaimed industry producer is preparing to film a video with\u003c/span\u003e [\u003cspan\u003eWu-Tang Clan\u003c/span\u003e](https://grammy.com/artists/wu-tang-clan/16390) \u003cspan\u003eMC-turned-actor and Internet crush\u003c/span\u003e [\u003cspan\u003eMethod Man\u003c/span\u003e](https://grammy.com/artists/method-man/4448)\u003cspan\u003e, and the thought of new music for the masses has him thrilled to pieces.\u003c/span\u003e\n\n\u003cspan\u003e\"This shit is about to be fire,\" he says enthusiastically. \"I can't wait for everybody to check it out.\"\u003c/span\u003e\n\n\u003cspan\u003eThis single is dropping as part of a larger project with Method Man, which will serve as a tribute to their fallen comrades \u003c/span\u003e[\u003cspan\u003eOl' Dirty Bastard\u003c/span\u003e](https://grammy.com/artists/ol-dirty-bastard/5567)\u003cspan\u003e (ODB) and \u003c/span\u003e[\u003cspan\u003eProdigy\u003c/span\u003e](https://grammy.com/artists/prodigy/15908)\u003cspan\u003e, respectively. But that's not the only new music in the pipeline: after getting the blessing from his late rap partner estate, Havoc will drop the final Mobb Deep album featuring never-before-released verses from the late, great Prodigy, and production by longtime Mobb Deep producer \u003c/span\u003e[\u003cspan\u003eAlchemist\u003c/span\u003e](https://grammy.com/artists/alchemist/374)\u003cspan\u003e, on \u003c/span\u003e[\u003cspan\u003eNovember 2nd, 2024\u003c/span\u003e](https://power1051.iheart.com/content/2024-08-20-havoc-opens-up-about-upcoming-mobb-deep-album-his-new-podcast-more/)\u003cspan\u003e — on what would have been Prodigy's 50th birthday.\u003c/span\u003e\n\n\u003cspan\u003eBorn Kejuan Muchita in Brooklyn, New York, Havoc was raised in the Queensbridge Housing Project — the same place that would give the world rappers like MC Shan, Cormega, and of course, \u003c/span\u003e[\u003cspan\u003eNas\u003c/span\u003e](https://grammy.com/artists/nas/5218)\u003cspan\u003e — and attended the High School of Art \u0026amp; Design in Manhattan, where he met Albert Johnson (later known as Prodigy). There, the duo would form Poetical Prophets, which later became \"The Infamous\" Mobb Deep. \u003c/span\u003e\n\n\u003cspan\u003eHavoc isn't only known for his rhymes — whether as a solo artist, notably on \"\u003c/span\u003e[\u003cspan\u003eAmerican Nightmare,\u003c/span\u003e](https://www.youtube.com/watch?v=LpS8qSMx1Tc)\u003cspan\u003e\" where he traded bars with ex-Juice Crew MC Kool G Rap, or as one-half of Mobb Deep. He's also become one of the most acclaimed producers in hip-hop, sitting behind the boards crafting tracks for \u003c/span\u003e[\u003cspan\u003eLil Wayne\u003c/span\u003e](https://grammy.com/artists/lil-wayne/4037)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003e2 Chainz\u003c/span\u003e](https://grammy.com/artists/tauheed-epps/7645)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eEminem\u003c/span\u003e](https://grammy.com/artists/eminem/8580)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eGRAMMY.com spoke with Havoc to talk about his new projects, his legacy with Mobb Deep, and how being both a rapper and a producer is a blessing and a curse.\u003c/span\u003e\n\n*\u003cspan\u003eThis interview has been edited for length and clarity.\u003c/span\u003e*\n\n**\u003cspan\u003eLet's just dive right into it. Let's talk about your new single with Method Man and your new album\u003c/span\u003e**\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eThe concept of the album is to pay tribute to our loved ones who passed away — to Ol' Dirty Bastard, and to Prodigy. We thought it would be cool to do a salute to them. Method Man and I had worked together before this — and seeing that we worked together so well, you know, we decided to do it again. \u003c/span\u003e\n\n\u003cspan\u003eWith the Mobb Deep album: that's been a long time in the making. I wanted to make it years ago, but it wasn't completely my decision. I also needed to work with Prodigy's estate, and they needed time to come to terms with the idea. I gave them as much time as they needed — and of course, we hit a few bumps in the road, but nothing major. We were finally like, \"It's time.\" It's time to continue with the Mobb Deep legacy — to remember Prodigy — and to give the supporters the music that they miss, and love, from Mobb Deep. \u003c/span\u003e\n\n\u003cspan\u003eAlchemist was one of the people that we worked with when we did the Mobb Deep albums. We were always in contact because we were good friends — and I wanted to have him included to keep up with the Mobb Deep tradition. His inclusion is what our supporters would expect from a classic Mobb Deep album. \u003c/span\u003e\n\n**\u003cspan\u003eI wanted to explore, a little bit, what you said earlier about collaborating with Method Man to both pay tribute to your fallen comrades, and to produce new music. How much of it would you say is paying tribute to ODB and Prodigy, while educating young heads about their history — and how much of it is the \"new sound\" that's representative of where you two are in your careers right now?\u003c/span\u003e**\n\n\u003cspan\u003eIt's equally a bit of both. We're talking about where we're at right now in our careers and our lives — we're both older now. Method Man really doesn't like to curse too much, and I understand — but I'm on there, talking my talk, as usual. Nonetheless, Method Man is in the greatest space he's ever been in, in his life.\u003c/span\u003e\n\n**\u003cspan\u003eYou also have a great deal of influence in hip-hop as a producer. Some may go so far as to say that you're one of the most iconic producers of all time. From your perspective, the two-fold question is this: would you say your impact is more felt as a rapper, or as a producer? And is that your legacy, in this industry, and how you'd like to be remembered?\u003c/span\u003e**\n\n\u003cspan\u003eI believe I'm better received as a producer than as a rapper — which is kind of like a gift and a curse. It doesn't bother me too much, but I pour a lot of my heart into writing — I started as a rapper first, and did production later. \u003c/span\u003e\n\n\u003cspan\u003eI don't know how the transition happened — how I became better known for my production work more than my rapping — but I'd love for people to know how rapping is indeed my passion, because, to me, it's tough being a rapper that writes his lyrics and does his production at the same time. That's a big leap. If you could ask any rapper that same question, they'd tell you that it's a lot to do. \u003c/span\u003e\n\n\u003cspan\u003eI'm happy that I'm being recognized, but I'd like respect for my pen game. \u003c/span\u003e\n\n**\u003cspan\u003eLet's go back to the early years — 1991, and your appearance in \u003c/span\u003e[\u003cspan\u003e\"Unsigned Hype\" in \u003c/span\u003e](https://thesource.com/2017/06/24/honor-prodigy-poetical-prophets-mobb-deep-unsigned-hype/)*[\u003cspan\u003eThe Source \u003c/span\u003e](https://thesource.com/2017/06/24/honor-prodigy-poetical-prophets-mobb-deep-unsigned-hype/)*\u003cspan\u003ewhen you started to make headway in the mixtape scene in New York. Did you recognize that you were tapping into something special, or did that recognition come later?\u003c/span\u003e**\n\n\u003cspan\u003eI think we knew we tapped into something special, whether people recognized it at the time or not. So, when the recognition from a broader audience came along, it just affirmed what we knew all along. \u003c/span\u003e\n\n\u003cspan\u003eWith \"Unsigned Hype,\" that opened the floodgates for us. One thing led to another, we signed our first record deal, and that's when we started releasing our singles and working with Wu-Tang Clan and other artists. That's when we took hip-hop by storm. So we knew that we'd tapped into something special, and we hadn't even finished the full album yet. \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eThe Unending Evolution Of The Mixtape: \"Without Mixtapes, There Would Be No Hip-Hop\"\u003c/span\u003e](https://www.grammy.com/news/history-and-evolution-of-the-mixtape-hip-hop-cassette-comebacks)\n\n**\u003cspan\u003eWhere did your mind go with it, once you realized that? Did that change the way you made music, from that point forward?\u003c/span\u003e**\n\n\u003cspan\u003eI believe so. We had a unique recipe, and we followed that recipe for the rest of our career. And we knew that people wanted a specific sound from us, and they wanted \u003c/span\u003e*\u003cspan\u003eus\u003c/span\u003e*\u003cspan\u003e. They didn't want Nas, or Big L, or even \u003c/span\u003e[\u003cspan\u003eBiggie\u003c/span\u003e](https://grammy.com/artists/notorious-big/5241)\u003cspan\u003e. They wanted Mobb Deep. So we never tried to be like anyone else — we just gave them us, and that was the winning formula.\u003c/span\u003e\n\n**\u003cspan\u003eHow did you handle being drawn into the intense East Coast-West Coast feud, particularly after \u003c/span\u003e[\u003cspan\u003e2Pac \u003c/span\u003e](https://grammy.com/artists/2pac/7233)\u003cspan\u003enamed you in 'Hit 'Em Up'?\u003c/span\u003e**\n\n\u003cspan\u003eWe were ready for it. We were prepared for war. Look, hip-hop is a contact sport. It is very competitive. So I just looked at it as a rap battle. At the time, I looked at it and thought, \"Well, maybe when we see each other in person, there will be a little scuffle.\" We're artists — we might rap about certain things, and speak about political issues and life in the hood, but at the end of the day, we're entertainers. \u003c/span\u003e\n\n\u003cspan\u003eI thought people had more respect for human life. I never thought it was a life-and-death game. But when it \u003c/span\u003e*\u003cspan\u003ebecame\u003c/span\u003e*\u003cspan\u003e a life-and-death game, it shook the core of my existence. I didn't like it at all. And I don't believe that anybody involved — not Pac, not Big, not anybody — deserved to lose their life over some rap beef. \u003c/span\u003e\n\n\u003cspan\u003eIt made me paranoid, and I believe I still have PTSD over it. Biggie Smalls and I share the same birthday. So it hits closer to home for me. \u003c/span\u003e\n\n**\u003cspan\u003eDid you ever get a chance to squash the beef with Pac while he was still alive?\u003c/span\u003e**\n\n\u003cspan\u003eNot at all. He died in the middle of our beef. We put a record out called \"Drop a Gem on 'em\" in response to \"Hit ‘Em Up.\" We put the single on the radio — it was clear we were dissin' Pac — and, not even seven days after we first dropped the single, we found out he got shot in Vegas. And we pulled the record from the radio — purposefully.\u003c/span\u003e\n\n\u003cspan\u003eIt wasn't until maybe 20 years after the fact that we got a chance to speak with\u003c/span\u003e [\u003cspan\u003eSnoop Dogg\u003c/span\u003e](https://grammy.com/artists/calvin-broadus/14274)\u003cspan\u003e. I never thought I'd get a chance to chill around West Coast rappers, but time heals everything. Now, I'm friends with Tha Dogg Pound. I'm friends with Snoop Dogg. I'm in Los Angeles all the time. But that was\u003c/span\u003e *\u003cspan\u003eway\u003c/span\u003e* \u003cspan\u003edown the line.\u003c/span\u003e\n\n\u003cspan\u003eYou have to understand that when it came to Snoop, we didn't have any \"beef\" to squash, especially after Biggie and Pac were murdered. Once we started hanging out with West Coast artists, we knew that beef was over — and I believe the media hyped it up more than it needed to be, to be honest. No life is worth losing over some rap beef. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Mobb Deep - Drop A Gem On 'Em","deliveryId":"34249b53-a097-443c-9d7f-258ce54c818a"},"videoUrl":"https://www.youtube.com/watch?v=5ACMDW42eOI"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Mobb Deep","deliveryId":"62e95f17-4604-4303-96c1-6719449840db"},"bodyText":{"richText":"**\u003cspan\u003eFor a brief period, you and Prodigy weren't on the best of terms. You even engaged in a bit of a Twitter (now X) back-and-forth that left many fans — myself included — bewildered. Looking back on all of it now, what was the issue at hand, and how did you guys resolve it?\u003c/span\u003e**\n\n\u003cspan\u003eProdigy and I have known each other for so long, we're brothers. Internally, differences were brewing — but when you're brothers, you're going to get into arguments and disagreements, but at the end of the day, you still love one another, and you're going to work things out. \u003c/span\u003e\n\n\u003cspan\u003eIt was never meant to spill over into the public. And I take responsibility for that. I expressed myself publicly at a time when I shouldn't have been near any electronic devices, you know what I'm saying? I was drinking, and you're emotional when you're drinking — but when I was sober, I realized what I was doing was wrong. \u003c/span\u003e\n\n\u003cspan\u003eI'm not going to go on record to say what we were beefing about, but at the time, I thought it was valid. Prodigy and I squashed it a year later, though — we knew it was bad for business, plus, we'd known each other for too long to let it go on like this. \u003c/span\u003e\n\n**\u003cspan\u003eLet's touch a little bit on the G-Unit years. There's a lot that you did with the label — and you'd already had that relationship with \u003c/span\u003e[\u003cspan\u003e50 Cent \u003c/span\u003e](https://grammy.com/artists/50-cent/2468)\u003cspan\u003ebefore the signing. So, tell us what you learned during the G-Unit era about the business, hip-hop, and so on.\u003c/span\u003e**\n\n\u003cspan\u003eI'd begun working on a solo album, and the late Chris Lighty was my manager. He'd told me about this young dude named 50 Cent, and I heard some of his stuff and I was blown away. \u003c/span\u003e\n\n\u003cspan\u003eI'd told Lighty that I wanted to work with Fif, and 24 hours later, I had him in my studio. At the time, he told me how much he'd admired Mobb Deep, while also hinting that he was considering working with Eminem and \u003c/span\u003e[\u003cspan\u003eDr. Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e, as they'd shown some interest. He'd even asked me what I thought he should do! \u003c/span\u003e\n\n\u003cspan\u003eWell, my solo album never came out. Years later, when Mobb Deep got shifted around from label to label, and got dropped from Jive Records, Fif had already sold 10 million records with \u003c/span\u003e*[\u003cspan\u003eGet Rich or Die Tryin'\u003c/span\u003e](https://www.youtube.com/watch?v=bUHZ0CpKQbI)*\u003cspan\u003e. And I didn't believe that he'd even remember me — but when he heard what happened, he called me up and said he wanted to sign Mobb Deep.\u003c/span\u003e\n\n\u003cspan\u003eProdigy initially didn't want to do it, but he changed his mind once he sat down with 50 Cent. The rest, as they say, is history. I was so pleased to be down with a crew that had sold so many records. But a lot of our fans, at the time, was hatin' on it. They thought we'd sold out. \u003c/span\u003e\n\n**\u003cspan\u003eI don't even know where to begin with this, but: let's talk about Prodigy's death. It was a gut punch to me, and I can't imagine how it was for you. Where did you find the resolve to take on the responsibility of being the torch-bearer for all things Mobb Deep once Prodigy was gone?\u003c/span\u003e**\n\n\u003cspan\u003eI found it while I was thinking about Prodigy. I was thinking about him, and I was saying, \"If God forbid, the shoe was on the other foot, he'd be moving forward.\" He'd be celebrating the Mobb Deep legacy. I don't think he'd want Mobb Deep to fall to the wayside. He'd be missing me like crazy, but he'd be taking Mobb Deep to the next level. \u003c/span\u003e\n\n\u003cspan\u003eWith that, I found the resolve. I then thought about the supporters, and how they deserved one last Mobb Deep project. And I'm gonna make sure that happens because I don't want to be the one that fumbled the ball just because Prodigy isn't here. I'm the one who has to make sure that the masses hear it. \u003c/span\u003e\n\n\u003cspan\u003eAnd this \u003c/span\u003e*\u003cspan\u003eis\u003c/span\u003e*\u003cspan\u003e the last Mobb Deep album. At least, for now. There are still plenty of Mobb Deep verses to go around, but that's not for me to decide. I spoke to the estate about this album, and this album only. That's where my focus is. \u003c/span\u003e\n\n**\u003cspan\u003eSo, after this final Mobb Deep hurrah, what \u003c/span\u003e*\u003cspan\u003eis \u003c/span\u003e*\u003cspan\u003enext for Havoc?\u003c/span\u003e**\n\n\u003cspan\u003eThere are a lot of things I want to get involved with — documentaries, film scoring, getting my label off the ground, mentoring young artists — that I don't think I'll ever be bored. No, there won't be any Mobb Deep anymore, but there's still Havoc. And that's my legacy. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"95a3e397-4292-4a79-be00-5bb645df0f54","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Living Legends: Havoc Talks Mobb Deep’s Legacy \u0026 The Double-Edged Life of a Rapper-Producer"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Rap"],"tags":["Living Legends","Havoc","Mobb Deep","prodigy","Method Man","Hip Hop","Rap"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1728919485382,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: Havoc Talks Mobb Deep’s Legacy \u0026 The Double-Edged Life Of A Rapper-Producer","shortTitle":"Living Legends: Havoc Of Mobb Deep","subHeadline":"GRAMMY.com spoke with Havoc before Mobb Deep drops their final album featuring previously recorded lyrics from the late Prodigy and longtime producer Alchemist on Nov. 2.","articleSummary":"GRAMMY.com spoke with Havoc weeks before Mobb Deep drops their final album featuring previously recorded lyrics from the late Prodigy and longtime producer Alchemist on Nov. 2."},"photo":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Living Legends: Havoc Talks Mobb Deep’s Legacy \u0026 The Double-Edged Life of a Rapper-Producer","deliveryId":"95a3e397-4292-4a79-be00-5bb645df0f54"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Havoc-Mobb-Deep-GettyImages-579212422","id":"0f34e2a6-55ca-4da0-8f7b-bb40be72d45f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: \u003cspan\u003eScott Dudelson/Getty Images\u003c/span\u003e"},"tags":["Havoc","Mobb Deep"],"title":"Living Legends: Havoc Talks Mobb Deep’s Legacy \u0026 The Double-Edged Life of a Rapper-Producer","shortTitle":"Living Legends: Havoc of Mobb Deep","imgAlt":"Havoc of Mobb Deep","link":"/","captionValue":"Havoc of Mobb Deep"}}]}],"hero":{"id":"b670323b-c225-4dc2-ba7c-7e1d9f0b1b35","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B"],"tags":["2025 GRAMMYs","Living Legends","Nile Rodgers","Beyoncé","David Bowie","The-Dream","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1739291339101,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: Nile Rodgers On \"Levii's Jeans,\" Madonna's Work Ethic And Internalizing Music","shortTitle":"Living Legends: Nile Rodgers Talks \"Levii's Jeans\"","subHeadline":"The Lifetime Achievement Award honoree discusses his lengthy career — from his work with Beyoncé and David Bowie, to his contribution to 'Coming To America.'","articleSummary":"Nile Rodgers worked on the 2025 GRAMMY-nominated song by Beyoncé, \"Levii's Jeans\" featuring Post Malone. The Lifetime Achievement Award honoree discusses his lengthy career, from David Bowie to his contribution to 'Coming To America.'"},"authors":[{"title":"Jessica Lipsky","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20","deliveryKey":"bio/jessica-lipsky"}],"image":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Living Legends: Nile Rodgers On \"Levi's Jeans,\" Madonna's Work Ethic And Internalizing Music","deliveryId":"b670323b-c225-4dc2-ba7c-7e1d9f0b1b35"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"nile-rodgers-GettyImages-2186785137","id":"72cc4dd8-5a31-4e09-8baf-1d154356eb27","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Stuart Westwood"},"tags":["Nile Rodgers"],"title":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\"","shortTitle":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\"","imgAlt":"Nile Rodgers performs live at Barrowland Ballroom in Glasgow.","imgTitle":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\"","link":"/","captionValue":"Living Legends: Nile Rodgers Talks \"Levi's Jeans\""}},{"data":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy","deliveryId":"e057153a-d402-4b26-9f45-88f59ced303e","deliveryKey":"news/recording-academy-membership-initiatives-2025-grammys"},"articleCategory":["list"],"contributors":[{"id":"45c67c65-75f9-45bd-9de3-bbe4473509cc","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - RA's Bright Future at the 2025 GRAMMYs","deliveryId":"6859f90d-3fcc-49f2-935c-8dc5b48728e9"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. [Donate now](https://musicares.org/firerelief).*\n\n\u003cspan\u003eWith awe-inspiring performances and \u003c/span\u003e[\u003cspan\u003eincredible cultural moments\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos)\u003cspan\u003e, the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e delivered an unforgettable experience for millions of music fans. The show generated 102.2 million social media interactions, the \u003c/span\u003e[\u003cspan\u003ehighest traffic ever recorded\u003c/span\u003e](https://www.hollywoodreporter.com/tv/tv-news/grammy-awards-tv-ratings-feb-2-2025-1236126284/)\u003cspan\u003e for a TV broadcast. Even critics came away impressed, with \u003c/span\u003e*[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/music/reviews/grammys-review-best-show-years-chappell-roan-sabrina-carpenter-beyonce-1236295330/)*\u003cspan\u003e calling the show \"the best in years.\" \u003c/span\u003e\n\n\u003cspan\u003eBeyond reviews and ratings, however, the show proved that \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e's work in advancing and evolving the music industry has paid off. \u003c/span\u003e[\u003cspan\u003eDiversity initiatives\u003c/span\u003e](https://recordingacademy.com/inclusion)\u003cspan\u003e, a \u003c/span\u003e[\u003cspan\u003emore equitable voting process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, and support for upcoming and established artists prove that the organization is in healthy hands. \u003c/span\u003e\n\n\u003cspan\u003eBelow, revisit the ways that Music's Biggest Night showed just how bright the Recording Academy's future will be. \u003c/span\u003e\n\n## **\u003cspan\u003eHelping Communities In Need\u003c/span\u003e**\n\n\u003cspan\u003eAmid the sorrow and devastation caused by the Los Angeles wildfires, the GRAMMYs became a \u003c/span\u003e[\u003cspan\u003ecelebration of the city\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-big-moments-must-see-highlights-videos)\u003cspan\u003e and a rallying point for assistance, not just for the music world but for the entire L.A. community at large. As performers such as \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eDawes\u003c/span\u003e](https://grammy.com/artists/zach-dawes/53920)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611)\u003cspan\u003e celebrated SoCal through music, and \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e, one of its proudest native sons, took home five GRAMMYs, including \u003c/span\u003e[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys)\u003cspan\u003e, the awards moments and \u003c/span\u003e[\u003cspan\u003epowerful acceptance speeches\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-powerful-acceptance-speeches-chappell-roan-alicia-keys)\u003cspan\u003e further amplified the \u003c/span\u003e[\u003cspan\u003echaritable appeals and support for victims\u003c/span\u003e](https://grammy.com/firerelief)\u003cspan\u003e. They also gave visibility to the important work being done year-round by \u003c/span\u003e[\u003cspan\u003eMusiCares\u003c/span\u003e](https://www.musicares.org/)\u003cspan\u003e, the largest U.S. nonprofit devoted to the overall health and well-being of the music community, and other Academy affiliates. \u003c/span\u003e\n\n\u003cspan\u003eThat experience made the GRAMMY weekend campaign even more effective. With plenty of opportunities to donate offered throughout the lead-up to GRAMMY Sunday and during the ceremony itself, the Academy and MusiCares raised more than $24 million for wildfire relief through its \u003c/span\u003e[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)\u003cspan\u003e initiative; almost $9 million of that was raised on GRAMMY Sunday alone. The Academy also gave airtime to local small businesses impacted by the fires, letting the likes of \u003c/span\u003e[\u003cspan\u003ePaliskates\u003c/span\u003e](https://www.gofundme.com/f/rebuild-paliskates-a-community-staple?attribution_id=sl:7cd1a593-2c44-439d-a9f9-5da5bae0371e\u0026utm_campaign=fp_sharesheet\u0026utm_medium=customer\u0026utm_source=native_options)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eTwo Dragons Martial Arts Studio\u003c/span\u003e](https://www.gofundme.com/f/rebuild-two-dragons-30-years-of-community?attribution_id=sl:88d65f1e-b1e2-4005-a2c5-53ef9e2afb0b\u0026utm_campaign=fp_sharesheet\u0026utm_medium=customer\u0026utm_source=copy_link)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRhythm of the Village\u003c/span\u003e](https://www.gofundme.com/f/help-rebuild-rhythms-of-the-village-family-after-la-fires?attribution_id=sl:6e0458a5-2a89-4f42-9fc2-94d31dffdb57\u0026utm_campaign=man_sharesheet_dash\u0026utm_medium=customer\u0026utm_source=copy_link)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLost Stuffy Project\u003c/span\u003e](https://www.instagram.com/loststuffyproject/)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eOrla Floral Studio\u003c/span\u003e](https://www.gofundme.com/f/help-renata-and-andrew-rebuild-after-the-la-wildfires?attribution_id=sl:9f83b3a1-f622-4b87-9182-eff3dac51ad4\u0026utm_campaign=fp_sharesheet\u0026utm_medium=customer\u0026utm_source=copy_link)\u003cspan\u003e advertise during the ceremony — further using the GRAMMYs' global platform to support those in need.\u003c/span\u003e\n\n\u003cspan\u003eOn Jan. 31, two days before the telecast, MusiCares hosted its annual \u003c/span\u003e[\u003cspan\u003ePersons of the Year gala\u003c/span\u003e](https://www.musicares.org/news/grateful-dead-persons-of-the-year-2025-gala-recap-performances)\u003cspan\u003e, celebrating the creative and philanthropic work of the \u003c/span\u003e[\u003cspan\u003eGrateful Dead\u003c/span\u003e](https://www.grammy.com/news/beginners-guide-to-the-grateful-dead-videos-albums-live-shows)\u003cspan\u003e while raising a record amount of money. \u003c/span\u003e\n\n\u003cspan\u003e\"MusiCares partnering with the GRAMMYs gave us an incredible platform to reinforce our 35-year mission to help the humans behind music because music gives so much to the world. Due to the extraordinary need following the L.A. area wildfires, the MusiCares Fire Relief effort also raised funds and awareness for California Community Foundation, Direct Relief and Pasadena Community Foundation. Together, our organizations will help all impacted communities,\" MusiCares Executive Director Laura Segura told GRAMMY.com.\u003c/span\u003e\n\n\u003cspan\u003e\"The record-breaking generosity at MusiCares' Persons of the Year, \u003c/span\u003e[\u003cspan\u003eClive Davis' \u0026amp; Recording Academy's Pre-GRAMMY Fundraising Event\u003c/span\u003e](https://www.grammy.com/news/2025-clive-davis-recording-academy-pre-grammy-fundraising-event-recap)\u003cspan\u003e and the GRAMMYs telecast is a testament to the compassion of the music industry and the impact we can make together,\" she added. \"We're grateful for the opportunity to continue expanding awareness so that even more music professionals know we are here for them — now and always.\"\u003c/span\u003e\n\nIn addition to fundraising efforts, the Recording Academy partnered with Musically Fed, a nonprofit organization that works with music industry organizations to donate unused backstage meals to community organizations supporting those in need, to deliver hundreds of meals to organizations including Van Ness Recovery House, Hawks Transitional Housing for Women \u0026amp; Children, Midnight Mission, and LA Rescue Mission. The meals, repurposed from various 2025 GRAMMY Week events, including the Clive Davis' \u0026amp; the Recording Academy's Pre-GRAMMY Fundraising Event, the annual Premiere Ceremony, and the 2025 GRAMMYs telecast, went to those facing homelessness, hunger, and food insecurity, including direct food donations to those impacted by the Los Angeles wildfires. The Academy also supported a domestic violence shelter for women and children fleeing abusive households.\n\n## **\u003cspan\u003eInviting More Voters \u0026amp; More Perspectives\u003c/span\u003e**\n\n\u003cspan\u003e\"As selected by the 13,000 Voting Members of the Recording Academy…\" may have been the most common refrain heard during the GRAMMYs ceremony. It's a sentence that reflects the real gains made in making the GRAMMYs more reflective of the entire music community; those 13,000 Voting Members, a body composed of artists, songwriters, producers, engineers, and other music creatives across a wide swathe of genres and disciplines, are the ones selecting GRAMMY nominees and GRAMMY winners. \u003c/span\u003e\n\n\u003cspan\u003eToday, 66 percent of the GRAMMYs voting electorate is new since the Recording Academy advanced its \u003c/span\u003e[\u003cspan\u003enew membership model in 2019\u003c/span\u003e](https://www.grammy.com/news/recording-academy-advances-new-membership-model-inviting-years-class)\u003cspan\u003e. More than 3,000 of those Voting Members are women, surpassing goals set by the Academy to add 2,500 women Voting Members by 2025. And 38 percent of the Academy's voting body identifies as people of color, a 65 percent increase since 2019. \u003c/span\u003e\n\n\u003cspan\u003e\"I'm incredibly proud of the strides the Recording Academy has made in diversifying its membership over the last few years,\" Kelley Purcell, Vice President of Membership \u0026amp; Industry Relations for the Recording Academy, said in an interview with GRAMMY.com. \"With more women, more people of color, and a broad representation of diverse genres and crafts, it's the most diverse and representative GRAMMY electorate ever.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Academy's recent efforts in diversifying its membership helped restore its relationship with four-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eThe Weeknd\u003c/span\u003e](https://grammy.com/artists/The-Weeknd/24884)\u003cspan\u003e, who \u003c/span\u003e[\u003cspan\u003ereturned to the GRAMMY stage\u003c/span\u003e](https://www.grammy.com/news/the-weeknd-2025-grammys-performance)\u003cspan\u003e following a \u003c/span\u003e[\u003cspan\u003enearly four-year boycott\u003c/span\u003e](https://www.cbc.ca/music/the-weeknd-grammys-surprise-performance-1.7448769)\u003cspan\u003e to deliver a surprise performance. The artist had demanded \"transparency\" for himself and his fans after a shocking nominations shutout in 2020, and as Recording Academy CEO \u003c/span\u003e[\u003cspan\u003eHarvey Mason jr.\u003c/span\u003e](https://www.grammy.com/artists/harvey-mason-jr/4668)\u003cspan\u003e detailed before The Weeknd's appearance, the organization listened.\u003c/span\u003e\n\n\u003cspan\u003e\"Criticism is ok,\" Mason jr. said. \"I heard him. I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now and for future generations.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Harvey Mason jr on power of change before The Weeknd","deliveryId":"d631cc48-5f6c-4719-bfa1-325c2e54024e"},"assetId":"664086b4-21c5-4401-8e8b-e84d57bc8983","theme":"Grammy (Gold)","nomadSource":"https://nomad-content.grammy.com/pmc/66/40/86/664086b4-21c5-4401-8e8b-e84d57bc8983/tra-apple-hls-acc/0422-harvey-t-t-1.m3u8","nomadVideoTitle":"Watch Harvey Mason Jr. Speak On The Power Of Change At The Recording Academy | 2025 GRAMMYs Speech","cookies":["CloudFront-Policy=eyJTdGF0ZW1lbnQiOiBbeyJSZXNvdXJjZSI6Imh0dHBzOi8vbm9tYWQtY29udGVudC5ncmFtbXkuY29tL21jLyoiLCJDb25kaXRpb24iOnsiRGF0ZUxlc3NUaGFuIjp7IkFXUzpFcG9jaFRpbWUiOjE3Mzk5MTYxNDR9fX1dfQ__; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Signature=n~o3RO9vIlpeQRhNrutgDNgShm8sy5drEEOOHP2o~BHrWEZ1mcGVvsRtbXGqPodwKZWDm8wqjzdlwoC2FU~CqdblCQ7wK7k-drrbf~J-BKrRe3JOqQz0odOnVBdhhHFXRLQWqFHUmDiAjRQ8-wksskL-qcEeRqjupXaAsbDkGoTBM2HwFT2ccgulSDiVSNr5z3AZrtLBMZLBwP~bgBHryMhyQtlif3QS6wK9VYRoLP8vrS8Yy6UNovf~IHCYUUv1aKoe3fjj-zlp9tlagt7RLBA6ZBEzxMifgd8BriUMZJJeaA1Qaq6mDscKtyWsFC3Rx1Sx39U5aGb1rS0HASxxDQ__; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Key-Pair-Id=KB0JNFO6ISQSI; Domain=.grammy.com; Path=/mc/; Secure","CloudFront-Policy=eyJTdGF0ZW1lbnQiOiBbeyJSZXNvdXJjZSI6Imh0dHBzOi8vbm9tYWQtcmNvbnRlbnQuZ3JhbW15LmNvbS9ybWMvKiIsIkNvbmRpdGlvbiI6eyJEYXRlTGVzc1RoYW4iOnsiQVdTOkVwb2NoVGltZSI6MTczOTkxNjE0NH19fV19; Domain=.grammy.com; Path=/rmc/; Secure","CloudFront-Signature=uNFruuAGJRU3J6twRhDVQcvjFJJmphf73XbBSAMdhRqMlY5HrgOSAt7~AQHMq3tFVoX9-hOqWNSoLXblx01yPUbArI0RiTnbr7kWkrfo-wb4vPjlNUiz5ZtlN2n-dLlf3ysIO~dg1ts9h0aNCxBICk2Pp1j8G8u7xPkcqFyq0yz4o9KGcAzlIAlGE2YO46annBRUlcD7RlSo-LRHqIGespiPNpCXdCodXDI~A13RQWPvgz6G5aetYc70Bxpp4kjdq4jS~BApYIp5h3w7hkWK3kwE3qkcJYh90~--Vtv3NzIESb08o5FQTSUn6A67oPk6jrsANgiqKLh7YmVmWQeKDA__; Domain=.grammy.com; Path=/rmc/; Secure","CloudFront-Key-Pair-Id=KB0JNFO6ISQSI; Domain=.grammy.com; Path=/rmc/; Secure"],"newsDetails":true},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - RA's Bright Future at 2025 GRAMMYs","deliveryId":"5ae58b5b-4ffe-4827-a986-8375eadee6c5"},"bodyText":{"richText":"## \u003cspan\u003eStanding Behind Diversity\u003c/span\u003e\n\n\u003cspan\u003eAlong with making its membership more diverse and inclusive, the Academy has recognized the need to strengthen and defend the gains made through its diversity, equity and inclusion (DEI) initiatives. \u003c/span\u003e[\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://grammy.com/artists/alicia-keys/12104)\u003cspan\u003e said it best in her \u003c/span\u003e[\u003cspan\u003eacceptance speech\u003c/span\u003e](https://www.grammy.com/videos/alicia-keys-global-impact-award-acceptance-speech-2025-grammys)\u003cspan\u003e for the \u003c/span\u003e[\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-2025-grammys-global-impact-award-speech)\u003cspan\u003e, presented by the \u003c/span\u003e[\u003cspan\u003eBlack Music Collective.\u003c/span\u003e](https://www.recordingacademy.com/inclusion/black-music-collective)\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" she said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\"\u003c/span\u003e\n\n\u003cspan\u003eThe Recording Academy proudly trumpeted its diversity initiatives on Music's Biggest Night, with Harvey Mason jr. shouting out \u003c/span\u003e[\u003cspan\u003eWomen in the Mix\u003c/span\u003e](https://www.recordingacademy.com/inclusion/womensstudy)\u003cspan\u003e, Academy Proud and the Black Music Collective in his speech. These initiatives are only expanding: In August 2024, the Academy unveiled \u003c/span\u003e[\u003cspan\u003eRAA+D (Recording Academy Accessibility + Disability)\u003c/span\u003e](https://www.grammy.com/news/recording-academy-raad-network-supports-artist-creators-with-disabilities)\u003cspan\u003e, ensuring that disabled music makers are given all the support and resources they need to participate fully in the music community. In November, the Academy also \u003c/span\u003e[\u003cspan\u003elaunched its Indigenous Peoples Network\u003c/span\u003e](https://www.grammy.com/news/indigenous-peoples-network)\u003cspan\u003e, dedicated to preserving and boosting Indigenous musical practices and presences in the music community. \u003c/span\u003e\n\n\u003cspan\u003eThese are all networks that are being worked on under the umbrella of the DEI team's \"Diversity Reimagined by Engaging All Music Makers\" (DREAM) initiative, which also houses \u003c/span\u003e[\u003cspan\u003eGold Music Alliance\u003c/span\u003e](https://grammy.com/news/gold-music-alliance-2024-grammy-week-reception-recap)\u003cspan\u003e, a network for the Pan-Asian music community, and others to be launched soon.\u003c/span\u003e\n\n\u003cspan\u003e\"True diversity, equity and inclusion are not just ideals but actions — continuous efforts to ensure every voice is heard, every individual is valued, and every opportunity is accessible,\" Ricky Lyon, Director of DEI at the Academy, told GRAMMY.com. \"The Recording Academy aims to ensure we are representative of the music industry and our efforts will continue to grow with more opportunities for the underserved.\" \u003c/span\u003e\n\n## **\u003cspan\u003eMaking Music Heard In The Halls Of Power\u003c/span\u003e**\n\n\u003cspan\u003eThe Academy also used the platform of the GRAMMYs to reach out to lawmakers to ensure the music community has a voice in the nation's capital. The \u003c/span\u003e[\u003cspan\u003eRecording Academy's Advocacy arm\u003c/span\u003e](https://www.recordingacademy.com/advocacy)\u003cspan\u003e hosted over a dozen lawmakers from across the country to experience GRAMMY Week in order to educate them about the music community's importance to our country and how the GRAMMYs can act as a force for positive change. \u003c/span\u003e\n\n\u003cspan\u003eAcademy members such as singer/songwriter\u003c/span\u003e [\u003cspan\u003eMaggie Rose\u003c/span\u003e](https://grammy.com/artists/maggie-rose/58116) \u003cspan\u003eand two-time GRAMMY-winning producer\u003c/span\u003e [\u003cspan\u003eGiles Martin\u003c/span\u003e](https://grammy.com/artists/giles-martin/9336) \u003cspan\u003emet with members of Congress at briefing sessions held at the GRAMMY Museum, where they discussed issues such as the\u003c/span\u003e [\u003cspan\u003eethical use of artificial intelligence (AI) in music\u003c/span\u003e](https://www.recordingacademy.com/about/artificial-intelligence) \u003cspan\u003eand the\u003c/span\u003e [\u003cspan\u003eHITS Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/issues-policy/hits-act)\u003cspan\u003e. Lawmakers were also briefed on the work MusiCares and the Academy have been doing to support fire relief in Los Angeles. And on GRAMMY Sunday, they were given a behind-the-scenes look at the final preparations for the GRAMMYs telecast.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"IG Embed - GRAMMY U at 2025 GRAMMYs","deliveryId":"d23c0ef5-6e88-4784-84c9-e5e381fca5dc"},"bodyText":{"richText":"\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c/div\u003e\u003c/div\u003e\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c/div\u003e\u003c/div\u003e\u003c/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https://www.instagram.com/p/DFwD-gsx4o8/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by GRAMMY U (@grammyu)\u003c/a\u003e\u003c/p\u003e\u003c/div\u003e\u003c/blockquote\u003e \u003cscript async src=\"//www.instagram.com/embed.js\"\u003e\u003c/script\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - RA's Bright Future at the 2025 GRAMMYs","deliveryId":"f0c71580-9e30-4331-8381-5dc56d923e80"},"bodyText":{"richText":"## \u003cspan\u003eSupporting The Next Generation Of Industry Players\u003c/span\u003e\n\n\u003cspan\u003eThe past year saw the emergence of a trio of major female pop stars at the highest levels of the music industry — \u003c/span\u003e[\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan\u003e — and all three performed and received awards at the 2025 GRAMMYs. It should be emphasized that none of the three are overnight successes; each of them spent years developing their craft and honing their talents. Roan even emphasized her struggles after being dropped from her former record label in her \u003c/span\u003e[\u003cspan\u003eacceptance speech\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-wins-best-new-artist-2025-grammys)\u003cspan\u003e, saying \"It was so devastating to feel so committed to my art and feel so betrayed by the system.\" \u003c/span\u003e\n\n\u003cspan\u003eProud Tampa native \u003c/span\u003e[\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e also became part of rap history on the telecast, with her \u003c/span\u003e[\u003cspan\u003eBest Rap Album\u003c/span\u003e](https://www.grammy.com/videos/doechii-wins-best-rap-album-2025-grammys)\u003cspan\u003e win marking the third time in GRAMMY history that a female artist has won in the Category. Her inspirational speech — as well as her \u003c/span\u003e[\u003cspan\u003edynamic performance\u003c/span\u003e](https://www.grammy.com/news/best-new-artist-performance-medley-2025-grammys)\u003cspan\u003e that was praised as one of the night's best — was a testament to the remarkable crop of fresh talent that was honored with this year's nominations.\u003c/span\u003e\n\n\u003cspan\u003eOf course, awards are only a part of the Academy's efforts to shape the music industry's next generation. During GRAMMY Week, \u003c/span\u003e[\u003cspan\u003eGRAMMY U\u003c/span\u003e](https://www.recordingacademy.com/membership/grammy-u)\u003cspan\u003e, the Academy's program for emerging music industry professionals and creatives pursuing careers in music, helped 14 GRAMMY U Representatives and over 150 GRAMMY U Members be part of the events both as attendees and support behind the scenes. \u003c/span\u003e\n\n\u003cspan\u003eSeveral new experiences were offered for GRAMMY U this year: 2 Representatives worked as press on the Persons of the Year Gala red carpet; 55 Members attended the Clive Davis' \u0026amp; Recording Academy's Pre-GRAMMY Fundraising Event (sponsored by Mastercard); 2 Members worked the \u003c/span\u003e[\u003cspan\u003ePremiere Ceremony\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-premiere-ceremony-performers-host-presenters)\u003cspan\u003e as front of house support; all 14 Representatives worked as talent escorts on the GRAMMYs red carpet; and 98 Members had the opportunity to attend the telecast. \u003c/span\u003e\n\n\u003cspan\u003eThese initiatives gave unprecedented access and opportunity to young and aspiring music professionals like never before. From artists on stage to the crew behind the curtains, the Recording Academy continues to ensure that the industry's next generation is well-prepared to inspire and excel — helping the organization do the same from the GRAMMYs stage and beyond. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights","slidesFromServer":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"2025 GRAMMYs Full Nomination List","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ec9eba9c-c548-4113-89c9-981abf385da7","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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Having already collected the GRAMMY for Best Country Album — \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003ethe first Black woman to do so\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003e — earlier in the evening, she gave a concise, yet gracious acceptance speech.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"eb5d20c3-70a9-4e35-88db-998317a225da"},"assetId":"4daba1a8-bb73-4dba-ac24-ce119c95907c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"4f75f658-923d-499a-8320-564fb04afc14"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I’d like to thank and acknowledge and praise all the firefighters keeping us safe,\" she began, mentioning the Los Angeles County Fire Department members that presented the award.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I just feel very full and very honored,\" she continued. \"It’s been many years, and I just want to thank the GRAMMYs, every songwriter, every collaborator, every producer, all the hard work.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e2025 GRAMMYs: See The Full Winners \u0026amp; Nominees List (UPDATING LIVE)\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé then dedicated the award to Linda Martell, a country music singer who became the first Black woman to play at the Grand Ole Opry in Nashville. Martell’s story was a theme of \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, which attempted to restore a Black presence in a genre historically dominated by white artists.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I want to dedicate this to Mrs. Martell, and I hope we just keep pushing forward, opening doors. God bless y’all.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé has been nominated for Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year six \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003etimes, but\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e had yet to win until now. Her pursuit of the award was even commented on by host \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTrevor Noah\u003c/span\u003e](https://grammy.com/artists/trevor-noah/251934)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"She had 99 nominations, and now Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year is one,\" he joked, referencing her husband Shawn \"\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\" Carter’s song \"99 Problems\" as well as her 99 career GRAMMY nominations.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé was nominated in the Category alongside \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eAndré 3000\u003c/span\u003e](https://grammy.com/artists/andre-3000-benjamin/73)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e. In addition to her win for Best Country Album, she also received the Best Country Duo/Group Performance for \"II MOST WANTED,\" her collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, at the Premiere Ceremony earlier in the day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé had also announced a concert tour behind \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003ethe day before the GRAMMYs ceremony; the announcement was postponed from January due to the Los Angeles wildfires.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Album Of The Year For '[TK]'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Album of the year","Beyoncé","Cowboy Carter","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738561199923,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"Beyoncé Wins Her First Album Of The Year GRAMMY","subHeadline":"Beyoncé finally took home the coveted GRAMMY for 'COWBOY CARTER' after six nominations in the Category.","articleSummary":"Beyoncé takes home the GRAMMY for Album Of The Year at the 2025 GRAMMYs, winning over fellow nominees André 3000, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce_album_of_the_year_2025_grammys_acceptance_speech_KW1_3645_2aLIT2tw","id":"58f6a26f-1465-47fc-81c5-005e89bd26bd","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","imgAlt":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","imgTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","link":"/","captionValue":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","captionSummary":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","poi":{"isImage":true,"alpha":false,"width":4072,"height":2715,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43442443847656,"y":0.10383552379822}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year Win","deliveryKey":"news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys","deliveryId":"45283c99-3e68-4e29-bf8a-9171b085e210"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Song Of The Year - 2025 GRAMMYs","deliveryId":"7713dd78-7a63-4662-abed-2b562ec08176"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eImmediately after winning Record Of The Year,\u003c/span\u003e [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003eand his collaborators reemerged from backstage at the 2025 GRAMMYs to collect the trophy for Song Of The Year.\u003c/span\u003e\n\n\u003cspan\u003eLamar was speechless and \"starstruck\" after taking the golden gramophone from presenter \u003c/span\u003e[\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e, herself a 13-time GRAMMY nominee. His speech shouted out pioneering west coast rap artists like G Malone, Problem, and Maestro as well as his former labelmates Schoolboy Q, Ab-Soul, and Jay Rock. \u003c/span\u003e\n\n\u003cspan\u003e\"This is what it’s about man, because at the end of the day, nothing is more powerful than rap music,\" he said. \"We are the culture, it’s gonna always stay here and live forever.\" \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Song Of The Year acceptance speech 2025 GRAMMYs","deliveryId":"3b36c40f-6900-473c-bb38-95df58227252"},"assetId":"015cd164-d17c-4159-82a6-5ffd50e4f877","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year body 2","deliveryId":"4fbbf385-e30b-4d82-9770-890ce822071a"},"bodyText":{"richText":"\u003cspan\u003eHe also encouraged younger rappers to stay true to the culture of hip-hop. \"I just hope you respect the artform, that’s all. Respect the artform, it’ll get you where you need to go.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan\u003eCompleting a sweep of his categories, the song had also won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. It was the song’s producer \u003c/span\u003e[\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar)\u003cspan\u003e that summed up the situation best: \u003c/span\u003e\n\n\u003cspan\u003e\"Somebody get the broom out!\" \u003c/span\u003e\n\n\u003cspan\u003eLamar was nominated for Song Of The Year alongside\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611) \u003cspan\u003e\u0026amp;\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) \u003cspan\u003efor the award. He dedicated his win for Record Of The Year to the city of Los Angeles.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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[Donate now](https://grammy.com/firerelief).*\n\nAfter winning Best New Artist at the 2025 GRAMMYs, \u003cspan\u003eChappell Roan\u003c/span\u003e used her platform to advocate for a livable wage for musicians.\n\nTaking the golden gramophone after her \u003cspan\u003eperformance of \"Pink Pony Club,\"\u003c/span\u003e the first-time GRAMMY winner used her speech to ask record companies to pay their artists fairly, a cause that got a huge applause from the crowd at Crypto.com Arena.\n\n\"I told myself, if I ever won a GRAMMY, and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off artists would offer a living wage and healthcare, especially to developing artists,\" she said.\n\nThe six-time nominee got even more personal, describing her own struggles after being dropped from her label."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"6d2f6396-60e3-4c2b-8840-3aa93a9622bf"},"assetId":"96f93e93-8edb-4a9d-a30e-358ffef1f019","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"37e2891a-601e-4ea5-bead-cded046921ca"},"bodyText":{"richText":"\"I was signed as a minor, \\[and\\] when I got dropped I had zero job experience under my belt. And like most people I had a difficult time finding a job during the pandemic and could not afford health insurance,\" she said. \"It was so devastating to feel so committed to my art and feel so betrayed by the system. I was so dehumanized not to have health insurance.\"\n\nShe ended her speech by asking, \"Labels, we got you, but do you got us?\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\nRoan was nominated alongside \u003cspan\u003eBenson Boone\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eDoechii\u003c/span\u003e, \u003cspan\u003eKhruangbin\u003c/span\u003e, \u003cspan\u003eRaye\u003c/span\u003e, \u003cspan\u003eShaboozey\u003c/span\u003e, and \u003cspan\u003eTeddy Swims\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eVictoria Monét\u003c/span\u003e.\n\nThe artist, who named herself after her Papa Chappell, was nominated for five additional awards, including Album Of The Year for *Chappel Roan The Rise and Fall of a Midwest Princess* and Song Of The Year and Record Of The Year for \"Good Luck, Babe!\" Her producer \u003cspan\u003eDan Nigro won Producer Of The Year (Non-Classical)\u003c/span\u003e at the Premiere Ceremony earlier in the day."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"4254ed74-5b2b-4cc6-9a68-7bc1cb8313bf"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nLike her GRAMMY-nominated album, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e may be *Short n’ Sweet*, but the pint-sized – and newly GRAMMY-winning – pop star went big for her GRAMMYs debut. In one of the first performances at the 2025 GRAMMYs, Carpenter delivered a glamorous live performance of her smash hits \"Espresso\" and \"Please Please Please.\"\n\nCarpenter began with a comedic jazzy rendition of \"Espresso\" before changing from a sparkling, tuxedo-inspired dress into the sugary original itself while showing off her tap skills in the process. From there, the Best New Artist nominee suavely transitioned into \"Please Please Please\" and its country twang before returning to \"Espresso\" just as quickly for her finale.\n\nThe dazzling, drenched-in-blue display was something of a victory lap for the summer-dominating \"Espresso,\" for which Carpenter won Best Pop Solo Performance earlier at the Premiere Ceremony. Shortly after her performance, *Short n’ Sweet* won the GRAMMY Award for [Best Pop Vocal Album](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/sabrina-carpenter-album-wins-best-pop-vocal-album-2025-grammys)."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad: Sabrina Carpenter - 2025 GRAMMYs","deliveryId":"ff3f8767-6044-4559-992e-d0f7a2e53c24"},"assetId":"b6a4b827-4f50-4520-ae5c-9dfd1d23ed4b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"a2cb7b40-6a15-487e-a1ca-fe577d0ac5ae"},"bodyText":{"richText":"Released in April 2024, \"Espresso\" earned Carpenter her first Top 10 single on the Billboard Hot 100, while \"Please Please Please\" topped the Billboard Hot 100. The accolades kept stacking with the August release of another single, \"Taste,\" which debuted on the Hot 100 at No. 2. \n\nAccording to *\u003cspan\u003eBillboard\u003c/span\u003e*, \"As the tracks mark Carpenter’s first three top five Hot 100 hits, she \\[became\\] only the second act — and first soloist — ever to chart her first three top five hits in the region simultaneously,\" something last achieved by \u003cspan\u003ethe Beatles\u003c/span\u003e in 1964. So while *Short n’ Sweet* may have been Carpenter’s sixth album and a decade into her musical career, its success established her as a pop force. \"This album doing what it’s done is so fulfilling to me because I’m just being myself with bigger hair.\"\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[How Sabrina Carpenter Became A GRAMMY-Winning Pop Queen: Tracing Her Journey To 'Short N' Sweet'](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\n\nThe singer’s rapid ascent happened just as much off-stage, too, having started the year guesting on multiple dates of Swift's epic [\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-eras-tour-records-movie-disney-plus-stream). In April, she made her Coachella debut, and following the album’s release, she embarked on her first arena tour and produced and starred in a Netflix holiday special, *A Nonsense Christmas with Sabrina Carpenter*. Next month, the tour heads overseas to Europe."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"97ea21bc-70e3-408f-a191-9af6ada372e8","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["Sabrina Carpenter","2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738547645755,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Sabrina Carpenter Celebrates Her 2025 GRAMMYs Wins With A Performance of \"Espresso\" \u0026 \"Please Please Please\"","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","subHeadline":"From comedic and quirky to country-inflected pop, the newly GRAMMY-winning artist dazzled with a medley of her hit 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Shortly after her performance, Sabrina Carpenter won Best Pop Vocal Album for 'Short N' Sweet.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"97ea21bc-70e3-408f-a191-9af6ada372e8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"sabrina-carpenter-2025-grammys-performance","id":"40db6722-cfb2-490e-b682-5829f1065fbf","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo:Kevin Winter/Getty Images for The Recording Academy"},"tags":["Sabrina Carpenter","2025 GRAMMYs"],"title":"Sabrina Carpenter Performs At The 2025 GRAMMYs","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgAlt":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","link":"/","captionValue":"Sabrina Carpenter performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3816,"height":2656,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","deliveryKey":"news/the-weeknd-2025-grammys-performance","deliveryId":"b16f5422-83c5-467c-90d0-c62625dbfc80"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - The Weeknd performs at 2025 GRAMMYs","deliveryId":"48d0dce2-1f52-462f-b065-351a4083e36c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nAt the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), global superstar [The Weeknd](https://www.grammy.com/artists/The-Weeknd/24884) made his highly anticipated return to the GRAMMY stage after a three-year boycott, marking a turning point for the Recording Academy.\n\nHis performance, a rousing medley of \"Cry For Me\" and \"Timeless,\" came after his widely public decision to step away from submitting any of his music in 2021 stemming from concerns over a lack of transparency and fairness in the awards process. Now, following the Academy's sweeping reforms and a massive overhaul of its voting body, and initiatives to promote inclusivity, The Weeknd's return signals a new era of accountability and integrity for the GRAMMYs."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"The Weeknd Playboy Caarti 2025 GRAMMYs Performance","deliveryId":"5dd5d20f-4c10-4f41-90e2-7ef11094f8b2"},"assetId":"1c249a70-f716-4ad0-9017-4df69b615503","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - The Weeknd Makes Triumphant Return To GRAMMYs Stage","deliveryId":"d3a7d49c-3bc1-4f0a-953e-f7bcc91cfb49"},"bodyText":{"richText":"Moments before the surprise performance, Recording Academy [CEO Harvey Mason jr.](https://grammy.com/artists/harvey-mason-jr/4668) touched on the organization's changes that have helped lead to the monumental moment.\n\n\"Criticism is ok. I heard him, and I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now, and for future generations,\" Mason jr. said. \"So over the past few years, we've listened. We've acted. And, we've changed. We've launched initiatives like the Black Music Collective, Women in the Mix, Academy Proud, and others. We have completely re-made our membership, adding more than 3,000 women voting members. The GRAMMY electorate is now younger, nearly 40 percent people of color, and 66 percent of our members are new since we started our transformation. This year, the 13,000 voting members of the Academy nominated their peers and voted for the winners that you're seeing on this stage tonight. It's a system rooted in fairness, integrity, and the principle that every voice in our community matters. Now, charting a new course is never easy, there is still work to be done… but I firmly believe we’re on the right path.\n\n\"As we've seen tonight, music is a powerful force for good in the world,\" he continued. \"It heals us... it unites us. And we need that in this city right now. With that in mind, on a truly special night, what better way to bring us together, than this next artist. Someone who has seen the work this Academy has put in. I am so honored to leave you with a sentence, that I wasn't sure, would ever be said on the GRAMMY stage again: My friends, my fellow music makers, please join me in welcoming *back*, none other than, four-time GRAMMY-winning artist, and global superstar, The Weeknd.\"\n\nPerched among a slew of dancers with strobe lights blaring, The Weeknd delivered dynamic renditions of \"Cry For Me\" and \"Timeless,\" the latter featuring collaborator Playboi Carti. Both of the songs are singles from The Weeknd's new album, *Hurry Up Tomorrow*, which was just released on Jan. 31."}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"8af0c7d6-08a8-42f4-9f76-987a5565eb06","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["2025 GRAMMYs","the Weeknd"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738552010890,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","shortTitle":"2025 GRAMMYs: The Weeknd's Triumphant Return","subHeadline":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","articleSummary":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: The Weeknd Performs On The GRAMMY Stage","deliveryId":"8af0c7d6-08a8-42f4-9f76-987a5565eb06"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"The-Weeknd-2025-GRAMMYs-GettyImages-2197328083","id":"488d4204-87bf-4f56-b465-424b5a4a478f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Amy Sussman/Getty Images"},"tags":["2025 GRAMMYs","The Weeknd"],"title":"The Weeknd Performs At The 2025 GRAMMYs","shortTitle":"The Weeknd Performs At The 2025 GRAMMYs","imgAlt":"The Weeknd Performs At The 2025 GRAMMYs","imgTitle":"The Weeknd Performs At The 2025 GRAMMYs","link":"/","captionValue":"The Weeknd performs at The 2025 GRAMMYs.","captionSummary":"The Weeknd performs at The 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.55117881774902,"y":0.30696554576859}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Lady Gaga \u0026 Bruno Mars Perform \"California Dreamin'\"","deliveryKey":"news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys","deliveryId":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b038568e-2104-4c4f-b68d-3ce07bdd99d1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Lady Gaga And Bruno Mars Perform body 1","deliveryId":"99d7d62a-070b-4d37-a5e9-36d9ed9a4d25"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eLady Gaga\u003c/span\u003e and \u003cspan\u003eBruno Mars\u003c/span\u003e brought another solemn and beautiful moment to the 2025 GRAMMYs with their own tribute to Los Angeles.\n\nFollowing a video revealing the widespread devastation of the L.A. wildfires, the pair appeared onstage to perform \"California Dreamin’\" (originally recorded by \u003cspan\u003eBarry McGuire\u003c/span\u003e but made famous by\u003cspan\u003e the Mamas \u0026amp; The Papas\u003c/span\u003e). With Gaga draped in a sheer, flower-embroidered maxi dress and Mars in a tan suit and straw hat, they embodied the laidback and melancholy dreaminess of the 1965 classic.\n\nGaga and Mars are both twice nominated this year for their duet \"Die With A Smile,\" for Best Pop Duo/Group Performance and \u003cspan\u003eSong Of The Year, winning in the former category\u003c/span\u003e. Over the years, they have amassed 28 golden gramophones between them, including three for Best Pop Duo/Group Performance — Gaga for \"Shallow\" with \u003cspan\u003eBradley Cooper\u003c/span\u003e in 2019 and \"Rain On Me\" with \u003cspan\u003eAriana Grande\u003c/span\u003e in 2021, and Mars for \"Uptown Funk\" with \u003cspan\u003eMark Ronson\u003c/span\u003e in 2016 — and one for Song Of The Year, Mars for \"That's What I Like\" in 2018.\n\nGaga and Mars wrote and produced \"Die With A Smile\" with regular Mars collaborators \u003cspan\u003eDernst \"D'Mile\" Emile II\u003c/span\u003e and \u003cspan\u003eAndrew Wyatt\u003c/span\u003e. \"I remember feeling that it was a song people needed to hear,\" Gaga told the *\u003cspan\u003eL.A. Times\u003c/span\u003e*. \"I write music all the time, and sometimes you feel like you're creating something that some people might like. But there are other times when you work on something, and you just know it's going to speak deeply to all kinds of people. I knew it immediately.\"\n\nShe was spot on. In addition to the song dominating Billboard's Global 200 upon its August release, \"Die With A Smile\" is currently atop the Billboard Hot 100 for its fourth total and consecutive week.\n\nFor both stars, the song is merely a starting point of momentum for 2025. Gaga, who shared \"Disease\" in October and a new single [\"Abracadabra\"](https://www.youtube.com/watch?v=vBynw9Isr28\u0026feature=youtu.be) just minutes after her duet, will be releasing her latest album, *Mayhem,* on March 7. In April, she'll headline Coachella. Meanwhile, Mars has been continuing his collaborative streak. His team-up with \u003cspan\u003eBLACKPINK\u003c/span\u003e member \u003cspan\u003eROSÉ\u003c/span\u003e, \"APT.,\" just surpassed 1 billion views on YouTube, and last month, he kicked off the new year with the Sexxy Red collab \"Fat Juicy \u0026amp; Wet.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nArguably one of the biggest hits of 2024, \"Pink Pony Club\" and \u003cspan\u003eChappell Roan\u003c/span\u003e have rightfully earned massive praise and accolades — ones the size of the massive pony that stood on stage during her performance at the \u003cspan\u003e2025 GRAMMYs\u003c/span\u003e.\n\nThanks to the astonishing success of her debut album, *\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003eRoan is being celebrated at this year’s ceremony in some of the night’s most-coveted Categories, including Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist. Shortly after her performance, Roan won the golden gramophone for Best New Artist.\n\n\u003cspan\u003eThough it took a little while for \u003c/span\u003e*\u003cspan\u003eThe Rise\u003c/span\u003e*\u003cspan\u003e to get into the cultural zeitgeist, Roan's GRAMMYs debut showcased just how essential she has already become to the pop world. \u003c/span\u003eThe crowd in the Crypto.com Arena — including artists such as \u003cspan\u003eAlicia Keys\u003c/span\u003e and \u003cspan\u003eJanelle Monáe\u003c/span\u003e —\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003erose to their feet, much like the\u003cspan\u003e massive festival crowds\u003c/span\u003e Roan has performed for recently. Their dancing was only topped by the immaculately choreographed crowd of rodeo clowns miming in unison, matching the artistry of the moment."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Chappell Roan 2025 GRAMMYs Performance","deliveryId":"e27532f1-8620-4be5-bbc7-617cf42bf12e"},"assetId":"646d6e07-583e-4a05-b0b5-e9e6c75c4459","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Chappell Roan 2025 GRAMMYs performance","deliveryId":"ac9ae659-c5ce-4c86-9e96-1881eb6dd5ae"},"bodyText":{"richText":"Prior to taking the stage, Roan welcomed the audience into her story, for those very few not aware of her meteoric rise. Her story of growing up queer in Missouri and longing for a larger world, not to mention finding a home in Los Angeles, rang especially powerfully this evening.\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eChappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop \"Femininomenon\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\n\nWearing a black and gold rhinestone-adorned corset with black leather gloves, and a black bedazzled cowboy hat, Roan kept things hot, her copper hair flowing across the stage, elegantly soaring into the song as if she were inviting audiences to an exciting new world we’ve never seen before. Holding her hand, the audience sang along: \"I know you wanted me to stay/ But I can’t ignore the crazy visions of me in L.A.\"\n\nDuring her introduction, good friend \u003cspan\u003eOlivia Rodrigo\u003c/span\u003e noted that Roan has come a long way from working in a nearby donut shop in L.A.'s Highland Park. And with this powerful, sincere performance, Roan is sure to reach even more dazzling heights in the future."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"991cae20-378a-427a-ac2a-e498ab297fcd"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://www.grammy.com/artists/charli-xcx/18360) \u003cspan\u003eturned Crypto.com Arena into a rave at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a wild live performance of \"Von dutch\" and \"Guess\" from her GRAMMY-winning album\u003c/span\u003e *[\u003cspan\u003ebrat\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eMaking her entrance from the parking area in a fur coat and lingerie, Charli debuted onstage at Music's Biggest Night with her it-girls in tow. The space transformed into a makeshift rave while she sang \"Von dutch,\" which \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for\u003c/span\u003e Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys)\u003cspan\u003e earlier in the night — giving new meaning to her lyrical declaration: \"It's so obvious, I'm your number one.\" \u003c/span\u003e\n\n\u003cspan\u003eThe British star then took the afterparty onstage, performing the suggestive \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e collab \"Guess\" among a sea of writhing limbs, booming bass, and flying undergarments.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Body 1: Charli xcx 2025 GRAMMYs Performance: \"Von dutch\" \u0026 \"Guess\"","deliveryId":"176df206-bf2f-4881-84b5-12faed65c87b"},"assetId":"7f9a2135-55df-4708-be56-b596083c5a4c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","deliveryId":"48d4e31e-727f-4721-9d79-21143a96a6e6"},"bodyText":{"richText":"\u003cspan\u003eCharlie walked into the 67th Annual GRAMMY Awards as one of the night's most-nominated artists, earning eight nominations in total. She ended the night with three wins, including \u003c/span\u003e[Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys) (“Von dutch”), [Best Dance/Electronic Album](https://www.grammy.com/music-genre/dance-electronic-music) (*BRAT*)and [Best Recording Package](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/charli-xcx-brat-best-recording-package-backstage-interview-2025-grammys) (*BRAT*).\n\n\u003cspan\u003eCharli's performance served as a triumphant return to the GRAMMYs, as she was last nominated in 2015 for her hit \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e collaboration, \"Fancy.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eCharli XCX's Road To 'Brat': How Her New Album Celebrates Unabashed Confidence \u0026amp; Eccentricity\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)\n\n\u003cspan\u003eCharli's GRAMMY appearance also encapsulated how \u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e took the singer into a new stratosphere in 2024. Her celebrated Brat Summer turned into an entire Brat year, kicking off with a Boiler Room event (aptly titled PARTYGIRL) last February. Charli's big year spawned a viral TikTok dance, a collaboration-stacked remix album (\u003c/span\u003e*\u003cspan\u003ebrat and it's completely different but also still brat\u003c/span\u003e*\u003cspan\u003e), an arena tour with \u003c/span\u003e[\u003cspan\u003eTroye Sivan\u003c/span\u003e](https://grammy.com/artists/troye-sivan/54138)\u003cspan\u003e, and a double-duty host and musical guest spot on \"Saturday Night Live.\" \u003c/span\u003e\n\n\u003cspan\u003eStill, like the 24-hour party girl she is, Charli's not yet done. In April, she's due to perform at Coachella, and she will kick off her first solo U.S. arena tour. She also reportedly has a film in the works, as announced by\u003c/span\u003e *[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/film/news/charli-xcx-a24-movie-the-moment-original-idea-1236283554/)*\u003cspan\u003e, which states she's \"teaming up with A24 to produce and star in a new movie called\u003c/span\u003e *\u003cspan\u003eThe Moment\u003c/span\u003e*\u003cspan\u003e, based on her own original idea.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx performance","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Dance/Electronic","Pop"],"tags":["Charli xcx","2025 GRAMMYs","Dance Electronic Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738560199791,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs With A Performance Of \"Von Dutch\" \u0026 \"Guess\"","shortTitle":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs","subHeadline":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","articleSummary":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Charli xcx performance","deliveryId":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"charli-xcx-2025-grammys-performance","id":"49c9f240-10f4-4ada-88f7-68c493b8fc5b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy)"},"tags":["Charli xcx","2025 GRAMMYs"],"title":"Charli xcx performs at the 2025 GRAMMYs","shortTitle":"Charli xcx performs at the 2025 GRAMMYs","imgAlt":"Charli XCX performs onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"Charli xcx performs at the 2025 GRAMMYs","link":"/","captionValue":"Charli xcx performing at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3407,"height":2271,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","deliveryKey":"news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys","deliveryId":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Record Of The Year - 2025 GRAMMYs","deliveryId":"b3c885e7-5c39-48df-8d56-f5f33d5d1666"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nOn a GRAMMY night overflowing with support for an ailing Los Angeles, one of its proudest native sons has taken home the golden gramophone for Record Of The Year.\n\nA beaming [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) ascended the stage to collect his trophy for \"Not Like Us,\" the blistering diss track that topped the charts and became an unofficial anthem for L.A., and dedicated the win to the city itself.\n\n\"We gon’ dedicate this one to the city,\" he said, naming his hometown of Compton, as well as Watts, Long Beach, Inglewood, and a smattering of other neighborhoods and cities. \"I can’t give enough thanks to these places that I rolled around since high school, and most importantly the people and the families out in Palisades and Altadena. This is a true testament that we will continue to restore this city.\"\n\nLamar, whose music is heavily associated with Los Angeles and its culture, also mentioned the passing of his aunt, who died the day before the GRAMMYs ceremony.\n\n\"She probably watching from up there, make sure y’all got y’all best smiles on, make her feel good.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Wins Record Of The Year: 2025 GRAMMYs","deliveryId":"d7b5efba-1e31-47f3-ad2d-0d6c81f63099"},"assetId":"532dbfb8-d8df-4028-b7ca-561da50a3801","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles body 1","deliveryId":"a0b58a8e-dfbd-4490-a432-634d450498a4"},"bodyText":{"richText":"\"Not Like Us,\" which served as the dramatic climax of a diss battle between Lamar and [\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370) last year, had already won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. [\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar), the song’s producer, collected all three trophies and accompanied Lamar onstage at Crypto.com Arena.\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\n\n[\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\"I ain’t got nothing to say but WEST SIDE!\" he declared after Lamar had finished speaking.\n\nLamar was nominated for Record Of The Year alongside \u003cspan\u003ethe Beatles\u003c/span\u003e, \u003cspan\u003eBeyoncé\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eCharli xcx\u003c/span\u003e, \u003cspan\u003eBillie Eilish\u003c/span\u003e, \u003cspan\u003eChappell Roan\u003c/span\u003e, and \u003cspan\u003eTaylor Swift\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eMiley Cyrus\u003c/span\u003e. A 57-time GRAMMY nominee, his previous wins include Best Rap Album for *To Pimp A Butterfly* and Best Rap Song and Best Rap Performance for \"Alright.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Record Of The Year For \"[TK]\"","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"bd611e5d-0a99-44d7-bb1c-50d592b9fb6e","contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","Record Of The Year"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738557985375,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","shortTitle":"Kendrick Lamar Wins Record Of The Year","subHeadline":"\"We will continue to restore this city\" the rapper declared; the city embraced \"Not Like Us\" as an unofficial anthem last year.","articleSummary":"Kendrick Lamar won his first 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[Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393) \u003cspan\u003eshowed why\u003c/span\u003e [\u003cspan\u003eshe's Latin music royalty\u003c/span\u003e](https://www.grammy.com/news/10-essential-shakira-songs-that-prove-superstar-status) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a performance of one of her earliest hits, 1998's \"Ojos Así,\" followed by her viral Bizarrap collaboration, \"Shakira: Bzrp Music Sessions, Vol. 53\" from her GRAMMY-winning album\u003c/span\u003e *\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"cb93e03a-483f-4c6a-8691-8e9fb8ffc876"},"assetId":"0accf71c-6edf-4976-977f-19ca758cbb17","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"94edcaf8-e5ab-49be-8854-40685277169f"},"bodyText":{"richText":"\u003cspan\u003eThe performance — her first on the GRAMMYs stage since 2007 — punctuated a triumphant moment for the Colombian superstar, who shortly before the occasion won her fourth career GRAMMY. Bathed in dim, warm light and smoke, Shakira began with a stripped-back version of \"Ojos Así\" that went heavy on drums while showing off her sensual belly-dancing. Following a short dance break, she launched into her \"Bzrp Music Sessions,\" bringing the she-wolf energy of\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ethrough its self-confident bars and cheeky yet scathing disses.\u003c/span\u003e\n\n\u003cspan\u003eShakira's GRAMMY win for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emarks her third victory for Best Latin Pop Album, having previously won for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eShakira - MTV Unplugged\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2001 — her first-ever GRAMMY win — and more recently, her previous album\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2018.\u003c/span\u003e\n\n\u003cspan\u003eIn the six years since\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan\u003e, Shakira underwent a life-changing event with the breakup of her longtime relationship, for which\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eserved as a therapeutic outlet. \"Making this body of work has been an alchemical process. While writing each song I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength,\" she\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003esaid on Instagram\u003c/span\u003e](https://www.instagram.com/p/C3XwGN9Mtuc/?utm_source=ig_embed\u0026ig_rid=8e58be30-c8d1-407b-af1e-7aec1bc05644\u0026img_index=1)\u003cspan\u003e.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eShakira's Road To 'Las Mujeres Ya No Lloran': How Overcoming A Breakup Opened A New Chapter In Her Artistry\u003c/span\u003e](https://www.grammy.com/news/shakira-road-to-la-mujeres-ya-no-lloran-new-album-videos)\n\n\u003cspan\u003eShakira's triumph was as personal as it was professional. Her\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"Sessions\"\u003c/span\u003e](https://www.youtube.com/watch?v=CocEMWdc7Ck)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith Bizarrap set streaming records, and another,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"TQG\"\u003c/span\u003e](https://www.youtube.com/watch?v=jZGpkLElSu8)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)\u003cspan\u003e, ascended to No. 1 on the Billboard Global 200. Both tracks earned the singer three Latin GRAMMYs in 2023, for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/shakira-bizarrap-win-song-of-the-year-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e, Best Pop Song and Best Urban Fusion/Performance.\u003c/span\u003e\n\n\u003cspan\u003eFollowing its March 2024 release,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emaintained momentum with two more Latin GRAMMY nominations and a win in the newly created\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eBest Latin Electronic Music Performance\u003c/span\u003e](https://www.grammy.com/news/bizarrap-shakira-win-best-contemporary-electronic-music-performance-bzrp-music-sessions-53-2024-latin-grammys-acceptance-speech-video-watch)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003e(\"Shakira: Bzrp Music Sessions, Vol. 53 \\[Tiësto Remix\\])\"). As a result of its success, Shakira became the first woman with No. 1 albums across four decades on the\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eBillboard\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eLatin album charts — a resounding testament to\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eher longevity\u003c/span\u003e](https://www.grammy.com/news/shakira-albums-awards-facts-womens-history-month-video-run-the-world)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eShakira is continuing her run with new single \"Soltera,\" released this past September, and a forthcoming world tour scheduled to begin later this month.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 Performances","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide","id":"a641a720-8512-4139-9da1-8e2f1f2b39fe"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"9ffdb187-8efd-42a9-a11f-b748f1f4ee66"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"45283c99-3e68-4e29-bf8a-9171b085e210"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b5bb1f5a-19ec-4065-8adb-99b575586478"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"776416c7-30cf-47e9-a822-b78220954bd2"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b16f5422-83c5-467c-90d0-c62625dbfc80"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"eade9017-8601-4f29-b8d3-41a5c4edea6e"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"00db222a-fe5a-40bd-bb0d-af9d5bcff3fb"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ae2daccc-caa3-4e8b-bf71-dcb9c06ad8d0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f1d9706b-41a6-4527-9cae-6c51445687b0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"a4b6132c-b134-4983-96b3-c3d1c5b4c683"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"62829624-027d-4e06-8122-2e4cd7ebbf16"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"5883d091-317e-4c7d-9050-0aca8bd935fc"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"fdc355a6-8d7a-4bf9-9ab6-9f26906800d8"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"ef15170c-4a53-481a-a973-663715043a14"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"}],"title":"2025 GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin"],"tags":["2025 GRAMMYs","Shakira"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612655680,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","shortTitle":"Shakira Performs At The 2025 GRAMMYs","subHeadline":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","articleSummary":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","deliveryId":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Shakira-2025-GRAMMYs-GettyImages-2197336575","id":"ecfc5916-86a9-4aba-b1da-4fa4aaf83dce","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: JC Olivera/WireImage"},"tags":["Shakira","2025 GRAMMYs"],"title":"Shakira Performs At The 2025 GRAMMYs","shortTitle":"Shakira Performs At The 2025 GRAMMYs","imgAlt":"Shakira Performs At The 2025 GRAMMYs","imgTitle":"Shakira Performs At The 2025 GRAMMYs","link":"/","captionValue":"Shakira performs at the 2025 GRAMMYs.","captionSummary":"Shakira performs at the 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43720149993896,"y":0.24735022841321}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryKey":"news/best-new-artist-performance-medley-2025-grammys","deliveryId":"f1d9706b-41a6-4527-9cae-6c51445687b0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fc97c690-9391-46ce-b48f-ea5f15ed5ba7"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Doechii Performs On The GRAMMY Stage","deliveryId":"3d37cf98-f24d-4db6-b806-548dbcbddc82"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eJust before Chappell Roan was crowned\u003c/span\u003e [\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, her fellow nominees\u003c/span\u003e [\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/artists/benson-boone/57823)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eRAYE\u003c/span\u003e](https://grammy.com/artists/rachel-keen/58098) \u003cspan\u003eperformed a medley of their hit songs on the GRAMMY stage — proving why they all deserved the coveted recognition.\u003c/span\u003e\n\n\u003cspan\u003eAnd it truly was one big medley to rule all medleys! Each artist delivered their\u003c/span\u003e \u003cspan\u003esignature songs, resulting in an epic, genre-blending performance: Boone's catchy pop, Doechii's astonishingly original take on rap, Swims' alt balladry, Shaboozey's record-breaking country stylings, and RAYE's bewildering soul.\u003c/span\u003e\n\n\u003cspan\u003eBoone was up first, starting from his seat on the Crypto.com Arena floor and snaking through the crowd singing the mesmeric beginning to his smash-hit \"Beautiful Things.\" Right at that killer pre-chorus soar, he hurriedly ripped the top of the suit open to reveal a blue sequined jumpsuit, climbing up the stage and across the grand piano for his trademark backflip. It felt as if Boone was cannonballing over an endless abyss, his powerful vocals keeping the whole room afloat.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003eThat jolt of energy lent itself perfectly to the next act, the masterful\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e](https://www.grammy.com/artists/doechii/57882)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003e— who is now a first-time GRAMMY winner, taking home Best Rap Album not long before hitting the stage. The Tampa native was surrounded by an immaculately choreographed group of backing dancers all clad in custom Thom Browne gray uniforms — that is, before it was ripped away, revealing a two-piece white underwear fit with classic red and blue stripes.\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003epowerfully strutted along a moving walkway, delivering a mix of \"CATFISH\" and \"DENIAL IS A RIVER\" for a performance that spoke volumes.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Doechii) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"391fde00-d9f4-482e-a1a6-c0d59b5b4aeb"},"assetId":"9a6a3d38-44fa-467e-b02f-0ab32a7a27f5","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"4a271df8-4b37-40f8-b0c1-60040848f6bf"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003ePowerhouse vocalist \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003e kept the awe going, as his voice danced across the mic and commanded the stage for a dynamic rendition of his chart-topping hit, \"Lose Control.\" \"Something's got a hold of me lately,\" he cooed. \"No, I don't know myself anymore.\" That admission echoed through the Crypto.com Arena, Swims looking well in control of his fate for years to come.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003eCelebrating both his first GRAMMY nominations as well as the decade's longest-running No. 1 hit on the Billboard Hot 100,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/artists/shaboozey/56863)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought his chart-topping smash \"A Bar Song (Tipsy)\" to the GRAMMY stage next. Starting with a snippet of his recent single \"Good News,\" the country and hip-hop experimentalist got the crowd to swell in unison, showcasing a song that feels at once all-American and universally joyful. And with Jennifer Lopez cheering him on, the joy\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought to the ceremony was palpable.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Shaboozey) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"d69f47bd-96d9-42fb-a673-c8712fb48b10"},"assetId":"aaa36e1e-abe3-45b8-8d80-7fa3643f0893","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Benson Boone Best New Artist Medley Performance","deliveryId":"c8c53a1a-14b2-4d19-bc0a-222848e50cd8"},"theme":"Grammy (Gold)","assetId":"1cca596c-e3b6-45db-9d3d-10a79df53c88"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Raye Performs Best New Artist Medley","deliveryId":"62667adf-c955-4b9b-8ab5-19c5ac584275"},"assetId":"046ef96f-b1d7-465e-a641-6d7d590a0d73","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Teddy Swims Performance Best New Artist Medley","deliveryId":"742ff7e6-1689-428f-90f2-cf32a458b94e"},"assetId":"efc6b6c4-ad1e-41a8-8be7-e4411924c56a","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Khruangbin performance Best New Artist Medley","deliveryId":"c5a78dab-20de-4f05-8c1e-64e947d00d02"},"assetId":"51a71594-bcee-4fa8-8f9e-074341337b7c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"2a80faeb-b426-44a4-b943-58ebf19c5add"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eThen the angelic voice of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eRAYE\u003c/span\u003e](https://www.grammy.com/artists/rachel-keen/58098)\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003e sealed the medley's finale with an impressive old-Hollywood-inspired \"Oscar Winning Tears.\" RAYE's sparkling black dress, the white tux-clad backing band, and the vintage bandstands perfectly complimented her immaculate voice that kept the crowd in a trance. That mystic spell was only broken when she giddily bounced on the stage at the massive roar of approval.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eRead More:\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eMeet The First-Time GRAMMY Nominee: RAYE On Her Long Road To Stardom, Writing Songs With Beyoncé \u0026amp; Her \"Really Beautiful\" Bond With Charli XCX\u003c/span\u003e](https://www.grammy.com/news/raye-my-21st-century-blues-interview-songwriter-2025-grammys)\u003cspan class=\"EOP SCXW268025665 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eWhile they may not have been a part of the medley proper, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eKhruangbin\u003c/span\u003e](https://www.grammy.com/artists/khruangbin/58222)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e offered a majestic rendition of \"May Ninth\" just before their fellow Best New Artist nominees took the stage. It was a fitting transition between the medley showcase and the standout performances given by their other BNA comrades \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e.\u003c/span\u003e\u003cspan class=\"EOP SCXW197354953 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e\"That's a tough category right there,\" last year's Best New Artist recipient \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eVictoria Monét\u003c/span\u003e](https://grammy.com/artists/victoria-monet/287096)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e beamed, just prior to revealing Roan winning the category. Year in and year out, Best New Artist offers some of the most thrilling music of the evening. But being able to showcase such an incredible spectrum of unique, powerful artists emphasized the bright musical future ahead.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"Rewatch the 2025 GRAMMYs Premiere Ceremony in full. Taking place hours before the **[2025 GRAMMY Awards](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** telecast, the Premiere Ceremony is a special presentation in which the majority of the night's GRAMMY Awards are awarded. Featuring a star-studded and uplifting opening number, stellar performances, a roster of influential presenters, and more, the 2025 GRAMMYs Premiere Ceremony is a special event that gives music fans the full GRAMMYs experience. Watch performances from **[Yolanda Adams](https://www.grammy.com/artists/yolanda-adams/105)**, **[Wayne Brady](https://grammy.com/artists/wayne-brady/10452)**, **[Deborah Cox](https://www.grammy.com/artists/deborah-cox/57863)**, **[Béla Fleck](https://www.grammy.com/artists/bela-fleck/11488), [Angélique Kidjo](https://www.grammy.com/artists/angelique-kidjo/9915)**, and **[Muni Long](https://www.grammy.com/artists/Priscilla-Priscilla-Renea-Hamilton/38121)**; acceptance speeches from **[Kacey Musgraves](https://grammy.com/artists/kacey-musgraves/18025)**, **[Mustard](https://www.grammy.com/artists/dijon-mcfarlane/243405)**, and **[Anderson .Paak](https://grammy.com/artists/anderson-paak/19926)**; and many more special GRAMMY moments. \n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\nCity National Bank, the Official Bank of the GRAMMY Awards, is returning for the third consecutive year as the presenting sponsor of the annual GRAMMY Awards Premiere Ceremony."},"body":{"richText":"The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. **[Donate now](https://musicares.org/firerelief)**.\n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\n\n**[Watch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.](https://live.grammy.com/)**\n\n\u003cspan\u003e \u003c/span\u003e \n\n**[See the full 2025 GRAMMYs winners and nominees list.](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","2025 GRAMMYs Premiere Ceremony","Kacey Musgraves","Muni Long","Mustard","Anderson .Paak","Wayne Brady"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738976298016,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The 2025 GRAMMYs Premiere Ceremony In Full: Kacey Musgraves, Muni Long, Mustard, Anderson .Paak, Wayne Brady \u0026 More","shortTitle":"Watch The 2025 GRAMMYs Premiere Ceremony In Full","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/3a/99/69/3a9969cd-e63e-4632-b9dc-bcb060e24b18/screenshots/PreviewImage-01-55-10.604.jpg","duration":"13821208"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryKey":"news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter","deliveryId":"62829624-027d-4e06-8122-2e4cd7ebbf16"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"ae2f4831-6adc-4fea-b3a2-145a1fe2f40d"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs ](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) made history at the 2025 GRAMMYs, by becoming the first Black woman in GRAMMYs history to take home the award for Best Country Album.\n\nAccepting the award from [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450), Queen Bey appeared genuinely dumbfounded when her fellow superstar read out her name as the Category’s winner for her 2024 album, *COWBOY CARTER*.\n\n\"Wow, I really was not expecting this,\" the \"TEXAS HOLD ‘EM\" singer said in her acceptance speech, before going on to thank both God and the many country artists she collaborated with on the album.\n\n\"I think sometimes 'genre' is a code word to keep us in our place as artists,\" she continued. \"And I just want to encourage people to do what they’re passionate about, and to stay persistent.\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eHow Beyoncé Is Honoring Black Music History With 'Cowboy Carter,' \"Texas Hold Em,\" 'Renaissance' \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/how-beyonce-honors-black-music-history-texas-hold-em-renaissance)\n\nBeyoncé slapped down the concept of genre as a musical limitation with help from pioneering country artist Linda Martell on *COWBOY CARTER*’s panoramic 27 tracks. \"Genres are a funny little concept, aren’t they? Yes, they are,\" the trailblazing Martell, who was the first Black woman to ever play the Grand Ole Opry in 1969, said on the GRAMMY-nominated album cut \"SPAGHETTII.\" \"In theory, they have a simple definition that’s easy to understand/ But in practice, well, some may feel confined.\"\n\nThe five-time Album Of The Year nominee also took aim at doubters questioning whether she \"belonged\" in country music at all on the studio set’s powerful opening thesis \"AMERIICAN REQUIEM.\"\n\n\"The grandbaby of a moonshine man/ Gadsden, Alabama/ Got folk down in Galveston, rooted in Louisiana/ Used to say I spoke ‘Too country’/ And the rejection came, said, ‘I wasn’t country ‘nough’/ Said I wouldn’t saddle up, but/ If that ain’t country, tell me what is?/ Plant my bare feet on solid ground for years/ They don’t, don’t know how hard I had to fight for this/ When I sang my song,\" she sang on the album opener.\n\nWhen the 2025 GRAMMY nominations were announced in November 2024, Beyoncé officially became the most-nominated artist in history when *COWBOY CARTER*’s 11 nods brought her career total to an all-time record of 99 nominations. And ahead of the telecast, she also won her first GRAMMY in the Category for Best Country Duo/Group Performance for *COWBOY CARTER* fan-favorite cut \"II MOST WANTED\" featuring [\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384).\n\nJust 24 hours ahead of the GRAMMYs, Beyoncé also sent the BeyHive into a frenzy by teasing her forthcoming *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.instagram.com/beyonce/)*\u003cspan\u003e Tour 2025\u003c/span\u003e on [\u003cspan\u003esocial media\u003c/span\u003e](https://www.instagram.com/beyonce/). Tour dates are expected to be announced soon."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"7cc50360-e001-449b-924a-35528c132d96"},"assetId":"d3f21d06-dacf-4906-bd27-60307bfcb969","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"821b8cae-0bc5-4d73-af54-c55337c89e93","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Beyoncé","Cowboy Carter","Country Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738551361029,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé's 'Cowboy Carter' Wins Best Country Album","subHeadline":"Less than 24 hours after announcing her 'COWBOY CARTER' tour, Beyoncé and her album made history on stage at Music's Biggest Night.","articleSummary":"Beyoncé made history at the 2025 GRAMMYs by becoming the first Black woman in the history of the show to take home the award for Best Country Album.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"821b8cae-0bc5-4d73-af54-c55337c89e93"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce-2025-grammys-speech","id":"eda15a81-5adb-4a54-b9e7-651b8ed5a068","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé Becomes First Black Woman To Win GRAMMY For 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan\u003eColdplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)**\u003cspan\u003e’s \u003c/span\u003e**[\u003cspan\u003eChris Martin\u003c/span\u003e](https://grammy.com/artists/chris-martin/4358)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eGrace Bowers\u003c/span\u003e](https://grammymuseum.org/event/spotlight-grace-bowers/)**\u003cspan\u003e deliver an emotional performance of \"All My Love\" \u003c/span\u003e\u003cspan\u003eduring the annual \u003c/span\u003e**[\u003cspan\u003eIn Memoriam segment \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-in-memoriam-tribute-chris-martin)**\u003cspan\u003eat the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e, honoring the artists, industry icons, and music legends we recently lost.\u003c/span\u003e Visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e**[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam)**, which honors the **[GRAMMY Award recipients](https://www.grammy.com/awards)** and Special Merit Awards honorees we’ve lost over the years."},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Pop","Alternative"],"tags":["2025 GRAMMYs","Coldplay's Chris Martin","In Memoriam"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561837294,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Coldplay's Chris Martin With Grace Bowers Perform \"All My Love\" In A Moving In Memoriam Tribute | 2025 GRAMMYs Performance","shortTitle":"Chris Martin In Memoriam 2025 GRAMMYs Performance","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/82/48/c6/8248c6d6-94c9-4e12-8dbe-40ed0b630513/screenshots/PreviewImage-00-02-17.187.jpg","duration":"274374"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryKey":"news/2025-grammys-in-memoriam-tribute-chris-martin","deliveryId":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: In Memoriam Performance - 2025 GRAMMYs","deliveryId":"eab37d13-23d8-4892-a25c-adc0162fd350"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nDuring a moving moment at the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), [the Recording Academy](https://www.recordingacademy.com/) honored the artists, creators and music professionals who recently passed during a special In Memoriam tribute. GRAMMY-winning vocalist and pianist [Chris Martin](https://www.grammy.com/artists/chris-martin/4358), of [Coldplay](https://www.grammy.com/artists/coldplay/10952), with Grace Bowers, performed an emotional rendition of \"All My Love,\" paying tribute to those who have deeply impacted the musical community."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryId":"c33a4302-e028-4057-8638-0f105d0a832d"},"assetId":"8248c6d6-94c9-4e12-8dbe-40ed0b630513","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Chris Martin Pays Tribute To Late Icons (In Memoriam) | 2025 GRAMMYs","deliveryId":"6865c51c-ba6f-4a11-95fd-c3cff75ac817"},"bodyText":{"richText":"The below list of names reflects just some of those from the music community we recently lost. As well, visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years.\n\nAashish Khan\n\nAbdou Cherif\n\nAbdul 'Duke' Fakir\n\nAdam (Haim Cohen)\n\nAdam Abeshouse\n\nAdam Lewis\n\nAdele Akin Anderson\n\nAdrián Olivares\n\nAgnaldo Rayol\n\nAgnes Buen Garnås\n\nAhmad Nawab\n\nAl Jones\n\nAl Schiltz\n\nAlan Mansfield\n\nAlan Oreman\n\nAlan Shapiro\n\nAlbert Heath\n\nAlcides Lanza\n\nAleksandr Sibirtsev\n\nAlex Hassilev\n\nAlex Riel\n\nAlexander Goehr\n\nAlexander Knaifel\n\nAlfa Anderson\n\nAlfredo Fiorito\n\nAlfredo Garrido\n\nAmaury du Closel\n\nAmber Kistler\n\nAminollah Rashidi\n\nAmjad Parvez\n\nAmund Bjørgen\n\nAnatol Latîşev\n\nAnders Widmark\n\nAnderson Leonardo\n\nAndrei Tropillo\n\nAndrés Vega Delfín\n\nAndrew Turner\n\nAndrius Kulikauskas\n\nAndy Paley\n\nAngela Alvarez\n\nAngela Bofill\n\nAngela McCluskey\n\nAnna Nshanyan\n\nAnnie Laura Carmichael Smith\n\nAnthony \"Baby Gap\" Walker\n\nAnthony S. Scarlati\n\nAntonio Cabán Vale\n\nAribert Reimann\n\nÁrni Grétar Jóhannesson\n\nArthur \"Gaps\" Hendrickson\n\nArthur E. Rich\n\nArthur Edghill\n\nArthur Miles\n\nArthur Moreira Lima\n\nArtie Rose\n\nArtt Frank\n\nAshima Bhattacharya\n\nAston Barrett\n\nAugusto M. Seabra\n\nAyla Erduran\n\nAyres Sasaki\n\nB. B. Seaton\n\nBarbara Dane\n\nBarbara Kolb\n\nBarbara Owen\n\nBarry Goldberg\n\nBarry Squire\n\nBeej Chaney\n\nBelén Fernández\n\nBelgacem Bouguenna\n\nBen Eldridge\n\nBen Lanzarone\n\nBen Manilla\n\nBen Thapa\n\nBen Vaughn\n\nBenedict Chiajulam Ihesiba Jr PKA OG Maco\n\nBenny Golson\n\nBernice Johnson Reagon\n\nBernie Constantin\n\nBert De Coninck\n\nBert Susanka\n\nBetty Mullican Orr\n\nBetty Veldpaus\n\nBev Paul\n\nBhakta Raj Acharya\n\nBigidagoe\n\nBill Crook\n\nBill Holman\n\nBill Kelly\n\nBilly Edd Wheeler\n\nBilly Sherrill\n\nBilly Swann\n\nBjørn Müller\n\nBlake Harrison\n\nBob Bender\n\nBob Booker\n\nBob Kuban\n\nBob Lanese\n\nBob Newhart\n\nBob Perkins\n\nBob Rogers\n\nBob Seeley\n\nBob Shaw\n\nBobby Hicks\n\nBobby Tench\n\nBora Đorđević\n\nBoris Ćiro Gašparac\n\nBrenton Wood\n\nBrother Dege\n\nBrother Marquis\n\nBruce Howe\n\nBruno Pochesci\n\nBuck White\n\nBucky Wilkin\n\nBud Logan\n\nBuzz Cason\n\nBuzz Rabin\n\nByron Janis\n\nC. J. Snare\n\nC.J. Flanigan\n\nCalvin Keys\n\nCandy Devine\n\nCarl Bevan\n\nCarl Helm\n\nCarl Scott\n\nCarl Weathersby\n\nCarlos Paravís\n\nCarmen Pateña\n\nCasey Benjamin\n\nCasey Chaos\n\nCat Glover\n\nCat Janice\n\nCaterina Valente\n\nCatherine Ribeiro\n\nCayouche\n\nCecilia Gentili\n\nChad Morgan\n\nChalmers Davis\n\nChan Romero\n\nChandra Kumara Kandanarachchi\n\nChanning \"Enchanting\" Larry\n\nCharin Nantanakorn\n\nCharles \"Brit\" Turner\n\nCharles Blackwell\n\nCharles Cross\n\nCharles Dumont\n\nCharles Jones pka Julio Foolio\n\nCharlie Colin\n\nCharlie Lennon\n\nChas Banks\n\nChavelita Pinzón\n\nChino XL\n\nCho Min Woong\n\nChon Travis\n\nChris King\n\nChristian Escoudé\n\nChristian Martin Schmidt\n\nChristiane Stefanski\n\nChristof Nel\n\nChristopher Ciccone\n\nChristopher Stafford\n\nChuck Ward\n\nChuck Wentworth\n\nChuy Montana\n\nCindy Charles\n\nCissy Houston\n\nClaire Daly\n\nClaire van Kampen\n\nClarel Betsy\n\nClarence \"Frogman\" Henry\n\nClaudia Perry\n\nClaudio Gaitán\n\nClaudio Reyes\n\nCliff Waldron\n\nClorofila\n\nColin Chilvers\n\nColin Gibb\n\nColin Petersen\n\nConrad Kelly\n\nCorinne Allal\n\nCunnie Williams\n\nCynthia Charles\n\nCynthia Strother\n\nDamo Suzuki\n\nDan Morgenstern\n\nDan Wallin\n\nDaniel Kramer\n\nDaniel McMahon\n\nDanielle Moore\n\nDanny Carter\n\nDanny Clarke\n\nDario G aka Paul Spencer\n\nDaron Beck\n\nDarshanam Mogilaiah\n\nDaryl Schiff\n\nDashbaldangiin Purevsuren\n\nDave Allison\n\nDave Ferguson\n\nDave Loggins\n\nDave Sweetapple\n\nDavid Davis\n\nDavid Ezell\n\nDavid Kendall\n\nDavid Libert\n\nDavid Lynch\n\nDavid Mallett\n\nDavid Sanborn\n\nDavid Tunley\n\nDavlatmand Kholov\n\nDean Roberts\n\nDebra Byrd\n\nDef Rhymz\n\nDejan Despić\n\nDennis Bryon\n\nDennis Schiavon\n\nDennis Thompson\n\nDequantes Devontay Lamar (Rich Homie Quan)\n\nDerek Boshier\n\nDerrick Cobb\n\nDewayne Pigg\n\nDex Romweber\n\nDiana\n\nDick Allix\n\nDick Asher\n\nDick Johnson\n\nDickey Betts\n\nDickie Rock\n\nDieter Rexroth\n\nDimos Moutsis\n\nDina Mariana\n\nDiva Gray\n\nDJ Clark Kent\n\nDJ Polo\n\nDJ Randall\n\nDJ Unk\n\nDominic Cossa\n\nDon Nix\n\nDonald Kinsey\n\nDonnie K. Smith\n\nDonnie Winters\n\nDottie Leonard Miller\n\nDoug Dagger\n\nDoug Hood\n\nDoug Ingle\n\nDoug Sides\n\nDouglass Fake\n\nDr. Velásquez\n\nDuane Eddy\n\nDulce\n\nDuncan Warwick\n\nDušan Grúň\n\nDutty Dior\n\nEarle Wheeler\n\nEberhard Hertel\n\nEd Askew\n\nEd Mann\n\nEdd Griles\n\nEddie Burton\n\nEddie Cheeba\n\nEddie Low\n\nEddie Rosenblatt\n\nEddie Sutton\n\nEdgard Brito\n\nEdgardo Huertas\n\nÉdith Lejet\n\nEgidio Cuadrado\n\nEkaterina Shklyaeva\n\nEl Taiger\n\nElba Cabrera\n\nEleanor Collins\n\nElena Mauti Nunziata\n\nElgar Howarth\n\nElla Jenkins\n\nElla Mitchell\n\nElliot Ingber\n\nEllisha \"Teapot\" McKinney\n\nEmilia Contessa\n\nEmma Lou Diemer\n\nEmre Tukur\n\nEnrico Musiani\n\nEnriqueta Tarrés\n\nEoin French (Talos)\n\nErasmito Bultron\n\nEric Carmen\n\nÉric Tappy\n\nErik Barrett\n\nErnest Berger\n\nErnest Bryll\n\nErnstalbrecht Stiebler\n\nErv Woolsey\n\nEtsurō Wakakonai\n\nEtterlene DeBarge\n\nEugen Indjic\n\nEugen Šváb\n\nEugene Sârbu\n\nEugene W. Ward\n\nEugene Wolfgramm\n\nEvelyn Thomas\n\nEverett Collins Jr.\n\nEvin Agassi\n\nFaramarz Aslani\n\nFat Man Scoop\n\nFausto Bordalo Dias\n\nFélix Sabal Lecco\n\nFerenc Sánta Jr.\n\nFereydoun Shahbazian\n\nFergie MacDonald\n\nFlorence Warner\n\nFran Boyd\n\nFrances Anne Varallo\n\nFrancesco Petrozzi\n\nFranchino\n\nFrancis ‘Teddy’ Osei\n\nFranco Vaz\n\nFrançoise Garner\n\nFrançoise Hardy\n\nFrank Darcel\n\nFrank Ifield\n\nFrank Robson\n\nFrank Wakefield\n\nFrankie Beverly\n\nFred Noonan\n\nFreddie Salem\n\nFredl Fesl\n\nFredrik Lindgren\n\nFresia Saavedra\n\nGaboro\n\nGabriel Cotabiță\n\nGabriel Gonzalez\n\nGabriel Patillo\n\nGabriel Yacoub\n\nGarbis Aprikian\n\nGarry Van Egmond\n\nGarth Hudson\n\nGary Floyd\n\nGary Grant\n\nGary Grier\n\nGary Stroutsos\n\nGavin Creel\n\nGavin Webb\n\nGene Elders\n\nGeoff Follin\n\nGeoffrey Michaels\n\nGeorg Riedel\n\nGeorge Bohanon\n\nGeorge French\n\nGeorge Nicolescu\n\nGeorge Wilkins\n\nGerardo Guevara\n\nGerri Lynn\n\nGerry Conway\n\nGerry Robinson\n\nGerry Weil\n\nGetachew Kassa\n\nGhigo Agosti\n\nGianfranco Manfredi\n\nGiovanna Marini\n\nGladys de Moctezuma\n\nGogo Theodorou\n\nGökçe Akçelik\n\nGonzalo “Gonzo” Lubel\n\nGöran Fristorp\n\nGraciela Susana\n\nGraeme Naysmith\n\nGreg \"Fritz\" Hinz\n\nGreg Kihn\n\nGreg Lee\n\nGregg Young\n\nGunnar Stubseid\n\nGustavo Mullem\n\nGuy Touvron\n\nGuylaine Guy\n\nGyörgy Pauk\n\nHaniya Aslam\n\nHank Cicalo\n\nHans Blum\n\nHans Rotmo\n\nHans van Hemert\n\nHappy Traum\n\nHarold Meltzer\n\nHarry van Hoof\n\nHarry Williams\n\nHarvey Magee\n\nHasina Mumtaz\n\nHasna El-Bacharia\n\nHeikki Silvennoinen\n\nHelena Zeťová\n\nHenry Fambrough\n\nHerb Applin\n\nHerb Robertson\n\nHerbie Flowers\n\nHuang Zhun\n\nHugh Prestwood\n\nHumphrey Campbell\n\nHyun Cheol\n\nIan Amey\n\nIgnatius Jones\n\nİlhan Usmanbaş\n\nImogen Moorsom\n\nInger Lorre\n\nIon Krasnopolsky\n\nIta Beausang\n\nIulian Caranfil\n\nIvica Krajač\n\nJ. J. Jeffrey\n\nJ. Remington Wilde\n\nJ. Saul Kane\n\nJaafar Onn\n\nJaakko Teppo\n\nJack Colwell\n\nJack Hale\n\nJack Jones\n\nJack Peck\n\nJack Ponti\n\nJack Russell\n\nJackie Avery Sr.\n\nJackie Farry\n\nJackmaster\n\nJacques Barsamian\n\nJade Stice\n\nJames \"Jim\" Robert Mills\n\nJames Chance\n\nJames Darren\n\nJames Earl Jones\n\nJames Leach\n\nJames Progris\n\nJames Whitbourn\n\nJan A.P. Kaczmarek\n\nJan Ptaszyn Wróblewski\n\nJanice Brown Stephens\n\nJanis Paige\n\nJános Csányi\n\nJanusz Olejniczak\n\nJaroslav Jeroným Neduha\n\nJason Clark\n\nJason Hobdy\n\nJason Parkin\n\nJay David Saks\n\nJay Jay\n\nJD Souther\n\nJean Musy\n\nJean-Marie Aerts\n\nJean-Michel Defaye\n\nJean-Paul Vignon\n\nJean-Philippe Allard\n\nJean-Pierre Bourtayre\n\nJean-Pierre Ferland\n\nJean-Pierre Marty\n\nJeffrey Buntin\n\nJeremy Tepper\n\nJerome\n\nJerry Fuller\n\nJerry Miller (Moby Grape, Jerry Miller Band)\n\nJerry Miller (The Untouchables)\n\nJerzy Artysz\n\nJessica Mbangeni\n\nJewel Brown\n\nJhonny Iskandar\n\nJim Beard\n\nJim Gaines\n\nJim May\n\nJim Rotondi\n\nJim Scott\n\nJimmy Carter\n\nJimmy Gilmer\n\nJimmy Hastings\n\nJimmy James\n\nJimmy Van Eaton\n\nJodie Devos\n\nJoe Bonsall\n\nJoe Chambers\n\nJoe Cutajar\n\nJoe Egan\n\nJoe Elmore\n\nJoe Scaife\n\nJoe Thomas\n\nJoe Viera\n\nJoey Gardner\n\nJoey Gilmore\n\nJohan Slager\n\nJohn \"Spider\" Koerner\n\nJohn Barbata\n\nJohn Blunt\n\nJohn Earl Hartridge\n\nJohn Hadley\n\nJohn Hawken\n\nJohn Koerner\n\nJohn Lowe\n\nJohn Mayall\n\nJohn Pisano\n\nJohn Schweers\n\nJohn Sykes\n\nJohn Titta\n\nJohnny \"Dandy\" Rodríguez\n\nJohnny Canales\n\nJohnny Duhan\n\nJohnny Madsen\n\nJohnny Neel\n\nJohnny Thunder\n\nJon Card\n\nJon Wysocki\n\nJonathan Zak\n\nJordi Bonell\n\nJorge Arriagada\n\nJosef Laufer\n\nJozef Ábel\n\nJuan Carlos Salazar\n\nJuana Bacallao\n\nJudi Pulver\n\nJudy Lee\n\nJulie Gordon\n\nJulie Stevens\n\nJulien Terzics\n\nJuris Kulakovs\n\nJustin Seth Riley (BeatKing)\n\nK. G. Jayan\n\nKabir Singh\n\nKaiti Grey\n\nKaj Chydenius\n\nKalevi Kiviniemi\n\nKarar Ali Salem Ramadan aka C.Gambino\n\nKarl Kohn\n\nKarl Wallinger\n\nKaseem \"Ka\" Ryan\n\nKatie Laur\n\nKazuyoshi Akiyama\n\nKeith LeBlanc\n\nKelath Aravindakshan Marar\n\nKelly Nelon Clark\n\nKen Biddy\n\nKen Page\n\nKen Tobias\n\nKenny Hyslop\n\nKerry \"Fat Man\" Hunter\n\nKester \"Smitty\" Smith\n\nKevin Joshua \"Rowdy\" Rowsey II\n\nKevin Toney\n\nKevork Mardirossian\n\nKhalid\n\nKim Min-ki\n\nKim Richmond\n\nKimberly Elisabeth Cherry\n\nKinky Friedman\n\nKiril Marichkov\n\nKlaus Wolfgang Niemöller\n\nKODA\n\nKoko Ateba\n\nKong Nay\n\nKostas Karousakis\n\nKris Kristofferson\n\nLa Castou\n\nLadislav Burlas\n\nLamara Chkonia\n\nLambert Schomaker\n\nLando Bartolini\n\nLani Simmons\n\nLarry Garris\n\nLarry Page\n\nLarry Vallon\n\nLars Martin Myhre\n\nLarysa Jackson\n\nLarysa Jaye\n\nLaurens van Rooyen\n\nLaurie Lindeen\n\nLeah Kunkel\n\nLeif Segerstam\n\nLen Holsclaw\n\nLencho Salazar\n\nLennie De Ice\n\nLeo Dan\n\nLeShawn \"Chubbie Baby\" Rogers\n\nLía Crucet\n\nLiam Payne\n\nLiana Isakadze\n\nLibby Titus\n\nLichelle Marie Laws pka Bo$$\n\nLilibert\n\nLinda Balgord\n\nLinda LaFlamme\n\nLinda Nolan\n\nLisa Lopez-Galvan\n\nLiu Chia-chang\n\nLiu Yuan\n\nLorenzo Palomo\n\nLou Donaldson\n\nLouis Bozon\n\nĽubomír Stankovský\n\nLucien Francœur\n\nLucine Amara\n\nLucius Banda\n\nLucy Rimmer\n\nLucy-Bleu Knight\n\nLuis María Serra\n\nLuizinho Andanças\n\nLuther Kent\n\nLynford Manning\n\nMakaya Ntshoko\n\nMakoto Shinohara\n\nMalabar Manoharan\n\nMalcolm Holcombe\n\nMalome Vector\n\nMandisa\n\nManfred Schütz\n\nManju Mehta\n\nMansour Seck\n\nManuela Kemp\n\nMarc Van den Hoof\n\nMarcel Guilloux\n\nMarcel Marnat\n\nMarcelo Yzurieta\n\nMarco Paulo\n\nMarcus Allen\n\nMargarita Voites\n\nMaria Feliciana\n\nMaria Rita Viaggi\n\nMarian Zazeela\n\nMarianne Faithfull\n\nMaricenne Costa\n\nMarie Goodman Hunter\n\nMario Tessuto\n\nMarius Bațu\n\nMark Germino\n\nMark Gormley\n\nMark Izu\n\nMark James\n\nMark Moffatt\n\nMark Spiro\n\nMarlos Nobre\n\nMartha Sharp\n\nMartial Solal\n\nMartin France\n\nMartin Kirkup\n\nMartin Lee\n\nMartin Mull\n\nMartin Phillipps\n\nMartti Wallén\n\nMarty Gamblin\n\nMarvin Schlachter\n\nMary Martin\n\nMary Sack\n\nMaryvonne Le Dizès\n\nMassimo Cotto\n\nMatthew \"Cola Boyy\" Urango\n\nMatthew Moore\n\nMatti Heinivaho\n\nMaurice El Médiouni\n\nMaurice Williams\n\nMaurizio Pollini\n\nMax Werner\n\nMC Duke\n\nMélanie Renaud\n\nMelba Montgomery\n\nMelitha Sidabutar\n\nMestre Laurentino\n\nMetin Arolat\n\nMichael Boder\n\nMichael Corcoran\n\nMichael Cuscuna\n\nMichael Knott\n\nMichael Pennington\n\nMichael Reidy\n\nMichael Ward\n\nMichel Boyibanda\n\nMichio Mamiya\n\nMick Underwood\n\nMiguel Ángel Gómez Martínez\n\nMihai Amihalachioaie\n\nMiho Nakayama\n\nMike Billard\n\nMike Brewer\n\nMike Jones\n\nMike Martinovich\n\nMike Miller\n\nMike Pinder\n\nMike Pinera\n\nMikie Harris\n\nMile Agatonović\n\nMimi Hines\n\nMimis Plessas\n\nMiroslav Bázlik\n\nMiroslav Imrich\n\nMiroslav Švejda\n\nMisia\n\nMissinho\n\nMister Cee\n\nMitzi Gaynor\n\nMoisés Canelo\n\nMojo Nixon\n\nMourad Tsimpou\n\nMuluken Melesse\n\nMuñequita Milly\n\nMusafir Ram Bhardwaj\n\nNaa Amanua\n\nNahim\n\nNancy Harmon\n\nNaomy\n\nNell Smith\n\nNick Gravenites\n\nNicu Covaci\n\nNigel Brooks\n\nNikki Giovanni\n\nNikša Gligo\n\nNino Vella\n\nNona Asiah\n\nNora Orlandi\n\nNorah Lee Allen\n\nNorman Carol\n\nNorman Shetler\n\nOdile Bailleux\n\nOldřich Janota\n\nOlle Zetterquist\n\nOllie Olsen\n\nOmar Geles\n\nOmer Detz\n\nOnyeka Onwenu\n\nOscar Ghiglia\n\nOsmar Milito\n\nOswald d'Andréa\n\nOwsley Manier\n\nOzzy Osment\n\nPacífico Mascarenhas\n\nPaddy Cole\n\nPalle Danielsson\n\nPankaj Udhas\n\nPapa Kojak\n\nPapa Noël Nedule\n\nPark Bo-ram\n\nPascal Danel\n\nPat Collier\n\nPat Lewis\n\nPat Rolfe\n\nPaul Cripple\n\nPaul Di'Anno\n\nPaul Dwayne\n\nPaul Gilmartin\n\nPaul Lovelace\n\nPaul Roper\n\nPaul Sperry\n\nPaulo Alexandre\n\nPavel Karmanov\n\nPavel Zajíček\n\nPavol Zelenay\n\nPedro Altamiranda\n\nPeggi Blu\n\nPepe Guerra\n\nPepe Justicia\n\nPete Rodriguez\n\nPete Wade\n\nPeter \"Peetah\" Morgan\n\nPeter Collins\n\nPéter Eötvös\n\nPeter Forrest (pka P. Fluid)\n\nPeter Kubik\n\nPeter Schaap\n\nPeter Sinfield\n\nPeter Tiboris\n\nPeter Yarrow\n\nPetr Hannig\n\nPhil Delire\n\nPhil Lesh\n\nPhil Nimmons\n\nPhil Swern\n\nPhil Wiggins\n\nPhilip \"Daddae\" Harvey\n\nPhilip Prendergast\n\nPhilippe McKenzie\n\nPhloen Phromdaen\n\nPinche Peach\n\nPino D'Angiò\n\nPooch Tavares\n\nPraveen Kumar\n\nPresto\n\nPriya Suriyasena\n\nPuput Novel\n\nQuincy Jones\n\nRajeev Taranath\n\nRajko Maksimović\n\nRanch Sironi\n\nRandall Collins\n\nRandy Davidson\n\nRandy Rayburn\n\nRandy Sparks\n\nRaul Sepper\n\nRay Kirkland\n\nRay St. Germain\n\nRebel Roy Steiner Jr.\n\nReggie \"Saafir\" Gibson\n\nReita\n\nRemo Saraceni\n\nRenato Serio\n\nRenna Kellaway\n\nReuben Jackson\n\nRichard Andrew\n\nRichard Dyer\n\nRichard Horowitz\n\nRichard Macphail\n\nRichard Maloof\n\nRichard Perry\n\nRichard Sherman\n\nRichard Tandy\n\nRico Wade\n\nRieko Nakagawa\n\nRise Kagona\n\nRita Mckenzie\n\nRob Stone\n\nRobert \"Bob\" D. Fead\n\nRoberta Marrero\n\nRoberto Darvin\n\nRobin George\n\nRobin Guy\n\nRocket Norton\n\nRodessa Barrett Porter\n\nRodger Fox\n\nRoger Palm\n\nRohan de Saram\n\nRoli Mosimann\n\nRomualds Kalsons\n\nRon Boutwell\n\nRon Kavana\n\nRon Pateras\n\nRoni Stoneman\n\nRose-Marie\n\nRoy Cape\n\nRoy Carter\n\nRoy Haynes\n\nRudolf Jansen\n\nRuss \"Rusty\" Gauthier\n\nRuss North\n\nRuss Wilson\n\nRussell Malone\n\nRussell Stone\n\nRusty Golden\n\nRuth Hesse\n\nRyan Whyte Maloney\n\nRylo Huncho\n\nRyszard Poznakowski\n\nS. Atan\n\nSadi Mohammad\n\nŞahlar Quliyev\n\nSakini Ramachandraiah\n\nSalvatore \"Sam\" Cerami\n\nSam Moore\n\nSandile Ngwenya\n\nSandra Crouch\n\nSandy Posey\n\nSarah Gibson\n\nSarwar\n\nSayuri\n\nScreamin' Scott Simon\n\nSeiji Ozawa\n\nSenaka Batagoda\n\nSergei Rudnitsky\n\nSérgio Mendes\n\nShafin Ahmed\n\nSharda Sinha\n\nShari Martin\n\nShaun Martin\n\nShel Talmy\n\nShifty Shellshock\n\nShinsadong Tiger\n\nShujeo Shyam\n\nSiegfried\n\nSiegfried Lorenz\n\nSiegfried Thiele\n\nSigrid Kehl\n\nSilvia Infantas\n\nSir Andrew Davis\n\nSkowa\n\nSlađana Milošević\n\nSlim Dunlap\n\nStanislas Deriemaeker\n\nStanley Booth\n\nStefan Wojtas\n\nStella Greka\n\nStéphane Venne\n\nSteve Alaimo\n\nSteve Albini\n\nSteve Brown\n\nSteve Davislim\n\nSteve Harley\n\nSteve Kaspar\n\nSteve Kille\n\nSteve Lawrence\n\nSteve Lewinson\n\nSteve Lowry\n\nSteve Morse\n\nSteve Nelson\n\nSteve Ostrow\n\nSteve Wright\n\nSteven Tajti\n\nStipica Kalogjera\n\nStoika Milanova\n\nSturgis Nikides\n\nSue Chaloner\n\nSugar Pie DeSanto\n\nSusan Alcorn\n\nSusan Buckner\n\nSusie Tennant\n\nSylvain Augier\n\nSylvain Luc\n\nT. M. Stevens\n\nTakeshi Inomata\n\nTamás Deák\n\nTarek Ali Hassan\n\nTaro Kida\n\nTavinho Paes\n\nTeddy Lasry\n\nTeodor Zgureanu\n\nTeresa Bright\n\nTerje Bjørklund\n\nThabiso Sikwane\n\nThay Floyd\n\nThomas Hertel\n\nTim Cook\n\nTina Rainford\n\nTito Jackson\n\nToby Keith\n\nToby Meyers\n\nTom Foote\n\nTom Fowler\n\nTom Johnson\n\nTom Kent\n\nTom Prasada-Rao\n\nTomáš Vendl\n\nTomcraft\n\nTommy Alverson\n\nTommy Cash\n\nTommy Drennan\n\nToni Montano\n\nToni Price\n\nTony Haynes\n\nTony Middleton\n\nTony Tuff\n\nTore Ylwizaker\n\nToumani Diabaté\n\nTyka Nelson\n\nUma Ramanan\n\nUmberto Marcato\n\nVaja Azarashvili\n\nValentin Petricenco\n\nVanhlupuii\n\nVic Flick\n\nVicki Rhodes\n\nVijay Anand\n\nVincent Bonham\n\nVitalij Kuprij\n\nVladimir Lyovkin\n\nVladimir Turiyansky\n\nVojtěch Havel\n\nVyacheslav Dobrynin\n\nW.C. 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[Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eAmid a historic night at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://www.grammy.com/artists/alicia-keys/12104) \u003cspan\u003eadded to the remarkable feats when she accepted the Dr. Dre Global Impact Award — becoming the first woman to receive the special honor.\u003c/span\u003e\n\n\u003cspan\u003eAfter a loving introduction by presenter \u003c/span\u003e[\u003cspan\u003eQueen Latifah\u003c/span\u003e](https://www.grammy.com/artists/queen-latifah/5764)\u003cspan\u003e, the \"If I Ain't Got You\" singer delivered a powerful acceptance speech. \"I always had to fight for a certain level of respect as a songwriter, a composer, and especially, a producer,\" Keys began. \u003c/span\u003e\n\n\u003cspan\u003e\"It's strange that we don't think of women as producers like \u003c/span\u003e[\u003cspan\u003eQuincy \\[Jones\\]\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003e\\[Dr.\\] Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003eSwizzy\u003c/span\u003e](https://grammy.com/artists/swizz-beatz/7479)\u003cspan\u003e, but female producers have always powered the industry,\" she continued before citing examples in \u003c/span\u003e[\u003cspan\u003ePatrice Rushen\u003c/span\u003e](https://www.grammy.com/artists/patrice-rushen/17346)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMissy Elliott\u003c/span\u003e](https://www.grammy.com/artists/missy-misdemeanor-elliott/11451)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLinda Perry\u003c/span\u003e](https://www.grammy.com/artists/linda-perry/5376)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGrimes\u003c/span\u003e](https://www.grammy.com/news/grimes-non-violent-utopia)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSolange Knowles\u003c/span\u003e](https://www.grammy.com/artists/solange/20012)\u003cspan\u003e. \"We stand together, so it's a beautiful feeling to be acknowledged for the thing I always thought people didn't really recognize about me.\"\u003c/span\u003e\n\n\u003cspan\u003eAfter dedicating her Global Impact Award to \"all the ladies that know the magic that they bring to the room,\" the\u003c/span\u003e [\u003cspan\u003eShe Is The Music\u003c/span\u003e](https://sheisthemusic.org/) \u003cspan\u003efounder then turned her speech into a rallying cry for unity amid the current federal administration's efforts to dismantle and demonize diversity, equity and inclusion efforts.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Alicia Keys receives Global Impact Award","deliveryId":"7da782f3-19cb-4f68-a8df-3c46f8eab602"},"assetId":"4a851fab-559c-4409-80e3-41dc77b35236","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Alicia Keys Receives Global Impact Award","deliveryId":"2da2d9b4-c2ee-4406-84f5-2059b43274cb"},"bodyText":{"richText":"\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" Keys said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\u003c/span\u003e\n\n\u003cspan\u003e\"When destructive forces try to burn us down, we rise from the ashes like a phoenix. And as you see tonight, music is the unstoppable language that connects us all — it's so beautiful,\" she added in conclusion. \"So let's keep showing up with compassion, with empathy, what I call 'soul care.' Keep opening the doors. 'Dream the world as it ought to be,' as the great Toni Morrison said. So thank you for this massive award, this massive honor.\"\u003c/span\u003e\n\n\u003cspan\u003eKeys earned her first five GRAMMYs more than two decades ago thanks to her 2001 breakout album, \u003c/span\u003e*\u003cspan\u003eSongs in A Minor\u003c/span\u003e*\u003cspan\u003e. She became the biggest winner of the evening at the 2002 GRAMMYs, taking home the golden gramophones for Best New Artist and Best R\u0026amp;B Album, as well as Song Of The Year, Best R\u0026amp;B Song and Best Female R\u0026amp;B Vocal Performance for her debut single, \"Fallin.'\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eGRAMMY Rewind: Watch A 'Humbled' Alicia Keys Win Song Of The Year For \"Fallin'\" In 2002\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-grammy-rewind-fallin-song-of-the-year-win-acceptance-speech-video-songs-in-a-minor)\n\n\u003cspan\u003eSince then, she's added 11 more GRAMMYs to her collection in Categories ranging from Best Rap Song and Best Rap/Sung Collaboration (both for 2009's \"Empire State of Mind\" with \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e) to Best Immersive Audio Album (for the 20th anniversary edition of her 2003 sophomore album \u003c/span\u003e*\u003cspan\u003eThe Diary of Alicia Keys\u003c/span\u003e*\u003cspan\u003e).\u003c/span\u003e\n\n\u003cspan\u003eAhead of the telecast, Keys also scored her 17th career win — and added a new Category to her long GRAMMY resume — when the original cast recording of her 2024 \u003c/span\u003e[\u003cspan\u003eTony-winning\u003c/span\u003e](https://www.grammy.com/news/tony-awards-2024-recap-musical-theater-wins-losses)\u003cspan\u003e Broadway musical \"Hell's Kitchen\" took home the trophy for Best Musical Theater Album.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/dr-dre-2023-grammys-global-impact-award-inaugural-recipient) \u003cspan\u003ewas first given out at the 2023 GRAMMYs ceremony, honoring its namesake for his visionary contributions to popular music and culture throughout his decades long career. Last year, Keys' \"Empire State of Mind\" collaborator Jay-Z was\u003c/span\u003e [\u003cspan\u003ehonored\u003c/span\u003e](https://www.grammy.com/news/jay-z-2024-grammys-speech-dr-dre-global-impact-award) \u003cspan\u003ewith the special award with his daughter (and fellow GRAMMY winner)\u003c/span\u003e [\u003cspan\u003eBlue Ivy Carter\u003c/span\u003e](https://www.grammy.com/artists/blue-ivy/292460) \u003cspan\u003eby his side.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"85e390c6-71dd-4cbd-9aaa-70b814964b87","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B"],"tags":["Alicia Keys","2025 GRAMMYs","Global Impact Award","Black Music Collective"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738559697762,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Alicia Keys Delivers A Powerful Call To Action After Receiving Dr. Dre Global Impact Award","shortTitle":"Alicia Keys Receives Dr. Dre Global Impact Award","subHeadline":"The freshly minted 17-time GRAMMY winner dedicated her history-making honor to the women in the room, also praising the power of diversity.","articleSummary":"The freshly minted 17-time GRAMMY winner became the first woman to receive the special honor. She dedicated her history-making feat to the women in the room and praised the power of diversity.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","deliveryId":"85e390c6-71dd-4cbd-9aaa-70b814964b87"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"alicia-keys-2025-grammys-GIA-speech","id":"b462e3c4-1c89-4ee4-aa92-b3eda6eb8aed","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Alicia Keys","2025 GRAMMYs"],"title":"Alicia Keys Honored With The Global Impact Award","shortTitle":"Alicia Keys Honored With The Global Impact Award","imgAlt":"Honoree Alicia Keys accepts the Dr. Dre Global Impact Award onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California","imgTitle":"Alicia Keys Honored With The Global Impact Award","link":"/","captionValue":"Alicia Keys onstage at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":4261,"height":2841,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryKey":"news/2025-grammys-quincy-jones-tribute-performance-stevie-wonder-herbie-hancock-janelle-monae","deliveryId":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"bdbfbd8d-b0d4-41a5-a6cc-d3d2f2c61b6c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eThe Recording Academy paid tribute to the life and legacy of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e with a special medley during the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. The legendary producer and composer, a 28-time GRAMMY winner, passed away in November 2024 at the age of 91.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFeaturing a heartfelt introduction from \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eWill Smith\u003c/span\u003e](https://grammy.com/artists/will-smith/7175)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, the dazzling performance featured a myriad of artists who honored the multihyphenate's extensive catalog. The tribute began with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCynthia Erivo\u003c/span\u003e](https://docs.google.com/document/d/1JTEoUQ97cZ-qEXrcBV_xYYAJvNoQkvE1-FFnBCFQ7Fk/edit?tab=t.0)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eHerbie Hancock\u003c/span\u003e](https://grammy.com/artists/herbie-hancock/9477)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e blowing the roof \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW160280551 BCX4\"\u003eoff of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e L.A.’s Crypto.com Arena with a jazzy rendition of \"Fly Me to the Moon,\" which Jones famously arranged for \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e’s 1964 rendition accompanied by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCount Basie\u003c/span\u003e](https://grammy.com/artists/count-basie/332)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. An instrumental version by\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Joe Harnell\u003c/span\u003e](https://grammy.com/artists/joe-harnell/3676)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e won a GRAMMY in 1963 for Best Performance \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eBy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eAn\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Orchestra – For Dancing.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eNext, \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003ecurrent\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e nominee \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eLainey Wilson\u003c/span\u003e](https://www.grammy.com/artists/lainey-wilson/54192)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e was backed by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and a live band for \"Let the Good Times Roll.\" Notably, the song earned Jones one of his first two GRAMMY nominations, for Best Arrangement, in 1961. Thirty-four years later, Jones memorably assembled \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eStevie Wonder\u003c/span\u003e](https://grammy.com/artists/stevie-wonder/8257)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRay Charles\u003c/span\u003e](https://grammy.com/artists/ray-charles/10927)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eBono\u003c/span\u003e](https://grammy.com/artists/bono/788)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e to cover the song — which was later inducted into the GRAMMY Hall of Fame in 2009 — on his 1995 album \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQ’s Jook Joint\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFollowing Wilson’s twangy take on the jump blues classic, Wonder showed off his famous harmonica skills for the 1962 instrumental jazz standard \"Bluesette\" — which closed out Jones’ 1975 LP \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eMellow Madness\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e — with another assist from Hancock. From Hancock's piano bench, wonder led the entire arena in a sing-along of \"We Are the World.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRemembering Quincy Jones: Musical Pioneer, Inspiration, Activist \u0026amp; Renaissance Man\u003c/span\u003e](https://www.grammy.com/news/remembering-quincy-jones-grammy-winner-pioneer)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Stevie Wonder \u0026 Herbie Hancock Performance | \"We Are The World\" \u0026 \"Bluesette\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"ef553acc-20c4-44b9-957a-07f1da145e65"},"assetId":"de08cee5-fa97-404a-af78-e3104d3ecede","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Cynthia Erivo \u0026 Herbie Hancock Performance | \"Fly Me To The Moon\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"013532c6-32a4-4516-af75-b523743dab23"},"assetId":"e63f4fed-d2ec-4f02-b0ec-7bdaad320860","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Lainey Wilson \u0026 Jacob Collier Performance| \"Let The Good Times Roll\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"fcbc1916-16be-4bc7-a7cb-20501b01fd0e"},"assetId":"ea8fb4c2-8bb4-42e1-afab-a28a56804c18","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"b3c2e4d2-9276-4bdf-bbe0-2da61e0e58c2"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"This song fed millions of people in Ethiopia,\" Wonder said to introduce the 1985 charity single — which Jones produced featuring an all-star line-up including \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eLionel Richie\u003c/span\u003e](https://grammy.com/artists/lionel-richie/17291)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eMichael Jackson\u003c/span\u003e](https://grammy.com/artists/michael-jackson/13202)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBilly Joel\u003c/span\u003e](https://grammy.com/artists/billy-joel/12071)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTina Turner\u003c/span\u003e](https://grammy.com/artists/tina-turner/7641)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBruce Springsteen\u003c/span\u003e](https://grammy.com/artists/bruce-springsteen/6389)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e and many more.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"You see those people on the screen? You see the people up there?\" Wonder continued as photos flashed from the song’s famed recording session. \"That day, Quincy told us to keep our egos out, and at the door. And we are still the world. And I say to you, we’re still the children, we are still the people who will fight and die for this nation. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e we definitely have to be able to celebrate each other’s cultures all the time. You feel me?\" The anthem by USA for Africa won multiple GRAMMY Awards in 1986, including Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year and Best Pop Performance by a Duo or Group with Vocal.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBetween musical numbers, Smith then returned to the mic to share the impact Jones left on his life as executive producer of \"The Fresh Prince of Bel-Air.\" \"He said something to me that became the absolute center of how I wanted to have my career, how I wanted to live my life,\" the rapper-turned-actor said. \"He looked right in my face, and he said, ‘It is your job to take care of these people.’ And I’ve done everything I can through my career to try to live up to Quincy’s demand.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"All of Q’s children and all of us who just loved him like he was our father, know this: Quincy Jones always took care of people,\" Smith continued. \"And that’s how he fed the world. Quincy taught us all that life is a feast, and you don’t stop ‘til you get enough.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eFinally, the segment concluded with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eJanelle Monáe\u003c/span\u003e](https://grammy.com/artists/janelle-monae/4464)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e paying tribute to Jones’ long and fruitful working relationship with Jackson with a performance of \"Don’t Stop \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW205796115 BCX4\"\u003e'Til\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e You Get Enough.\" After channeling the King of Pop by moonwalking across the stage, the ten-time GRAMMY nominee jumped up on a table in the audience, throwing off her bedazzled suit jacket to reveal a t-shirt emblazoned with \"I \\[Heart\\] QJ.\" (For its part, the suit coat appeared to end up around none other than \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e’s shoulders by the time Monáe took her final bow.)\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eIn addition to 80 GRAMMY nominations, Jones took home golden gramophones for Producer \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year three times, and both Album and Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year twice. He was also the recipient of the GRAMMY Trustees Award in 1989, the GRAMMY Legend Award in 1991 and was named MusiCares Person of the Year in 1996.\u003c/span\u003e\n\nVisit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"b24256db-0c3a-467f-962e-f16b9996b6f6","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B","Rap"],"tags":["2025 GRAMMYs","In Memoriam","Quincy Jones","Janelle Monáe","Stevie Wonder","Lainey Wilson","Herbie Hancock","Jacob Collier","Cynthia Erivo"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612153316,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","subHeadline":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","articleSummary":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","deliveryId":"b24256db-0c3a-467f-962e-f16b9996b6f6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"cynthia-erivo-2025-grammys-performance","id":"ac6f4a15-3d5d-4813-81d7-b35397c588b1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["2025 GRAMMYs","Cynthia Erivo"],"title":"2025 GRAMMYs Pay Tribute To Quincy Jones","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","imgAlt":"Cynthia Erivo onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","link":"/","captionValue":"Cynthia Erivo performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":5000,"height":3334,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/doechii-wins-best-rap-album-2025-grammys","deliveryId":"ef15170c-4a53-481a-a973-663715043a14"},"video":{"videoPlatformSource":"Nomad","assetId":"7820fb20-977d-4431-851b-95fd6d76dfea"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e delivers an acceptance speech after winning Best Rap Album for \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e at the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eJ. Cole\u003c/span\u003e](https://www.grammy.com/artists/j-cole/1324)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMight Delete Later\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eCommon\u003c/span\u003e](https://www.grammy.com/artists/common/1332)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp; \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003ePete Rock\u003c/span\u003e](https://www.grammy.com/artists/pete-rock/58112)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Auditorium, Vol. 1\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eEminem\u003c/span\u003e](https://www.grammy.com/artists/eminem/8580)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Death \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eOf \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eSlim Shady (Coup De \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eGrâce\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e)\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), and \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eFuture\u003c/span\u003e](https://grammy.com/artists/future/19716)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp;\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMetro Boomin\u003c/span\u003e](https://grammy.com/artists/metro-boomin/51984)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eWe Don't Trust You\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e).\u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Rap"],"tags":["2025 GRAMMYs","Rap","Best Rap Album","Doechii"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738352001223,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","shortTitle":"Doechii Wins Best Rap Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/78/20/fb/7820fb20-977d-4431-851b-95fd6d76dfea/screenshots/PreviewImage-00-01-44.020.jpg","duration":"208041"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Shakira Win Best Latin Pop Album For Best Latin Pop Album | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/shaikra-wins-best-latin-pop-album-2025-grammys","deliveryId":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},"video":{"videoPlatformSource":"Nomad","assetId":"a6b6cc8f-3f7f-4521-8fc9-97481bd34993"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[Shakira](https://grammy.com/artists/shakira/17393)** \u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003edelivers an acceptance speech after winning Best Latin Pop Album for \u003c/span\u003e*Las Mujeres Ya No Lloran*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e at the\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eFunk Generation\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eAnitta\u003c/span\u003e](https://www.grammy.com/artists/anitta/51568)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eEl Viaje\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eLuis Fonsi\u003c/span\u003e](https://www.grammy.com/artists/luis-fonsi/3346)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eGARCÍA\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKany García\u003c/span\u003e](https://www.grammy.com/artists/kany-garcia/3540)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), and \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eORQUÍDEAS\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKali Uchis\u003c/span\u003e](https://www.grammy.com/artists/kali-uchis/188816)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e). \u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Latin","Pop"],"tags":["2025 GRAMMYs","Best Latin Pop Album","Latin Music","Shakira"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1739229150127,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Shakira Win Best Latin Pop Album For 'Las Mujeres Ya No Lloran' | 2025 GRAMMYs Acceptance Speech","shortTitle":"Shakira Wins Best Latin Pop Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/a6/b6/cc/a6b6cc8f-3f7f-4521-8fc9-97481bd34993/screenshots/PreviewImage-00-00-55.372.jpg","duration":"110744"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch SZA Talk About Super Bowl Lix Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","deliveryKey":"videos/sza-2025-grammys-backstage-interview","deliveryId":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},"video":{"videoPlatformSource":"Nomad","assetId":"7ddd0b6b-36fc-4883-bed5-14c477ffab4c"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what \u003c/span\u003e**[\u003cspan\u003eSZA\u003c/span\u003e](https://www.grammy.com/artists/Solana-Rowe/32514)**\u003cspan\u003e, winner for\u003c/span\u003e \u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e \u003cspan\u003efor\u003c/span\u003e \u003cspan\u003e“Saturn”\u003c/span\u003e \u003cspan\u003ehad to say when\u003c/span\u003e \u003cspan\u003eshe\u003c/span\u003e \u003cspan\u003estopped by to speak to the Recording Academy backstage at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e.\u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview","SZA","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738560215627,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch SZA Talk About Super Bowl LIX Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","shortTitle":"SZA Backstage Interview | 2025 GRAMMYs","videoCategory":"interview","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/7d/dd/0b/7ddd0b6b-36fc-4883-bed5-14c477ffab4c/screenshots/PreviewImage-00-03-50.013.jpg","duration":"460026"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/grammys-pay-tribute-to-first-responders-lafd-wildfire-recovery","deliveryId":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"},"video":{"videoPlatformSource":"Nomad","assetId":"26e7acc6-4145-4714-a5aa-d04c2d166e30"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what the Los Angeles Fire Department Fire Chief, Anthony Marrone, and Fire Captain Sheila Kelliher Berkoh had to say on stage about wildfire recovery in Los Angeles at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e before presenting Album Of The Year to Beyoncé. \u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561042764,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","shortTitle":"Watch The GRAMMYs Pay Tribute To First Responders","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/26/e7/ac/26e7acc6-4145-4714-a5aa-d04c2d166e30/screenshots/PreviewImage-00-01-07.784.jpg","duration":"135569"}}]}],"hero":{"id":"425274d7-cf3a-44b8-8063-31469ae93564","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: RA's Bright Future at the 2025 GRAMMYs"},"contentType":"https://therecordingacademy.com/content/photo"},"tags":["Recording Academy","2025 GRAMMYs","MusiCares","GRAMMY U","Advocacy","Persons Of The Year"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738962682675,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"How The 2025 GRAMMYs Signaled A Bright Future For The Recording Academy","shortTitle":"How The 2025 GRAMMYs Signaled A Bright Future","subHeadline":"Take a look at the many ways the Recording Academy is making strides in best supporting and representing the music community — from record-breaking fundraising to the most diverse membership class to date.","articleSummary":"From record-breaking fundraising to the most diverse membership class to date, the 2025 GRAMMYs highlighted the Recording Academy's promising new direction. Take a look at the many ways the organization is making strides in best supporting and representing the music community."},"authors":[{"title":"Douglas Markowitz","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc","deliveryKey":"bio/douglas-markowitz"}],"image":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: RA's Bright Future at the 2025 GRAMMYs","deliveryId":"425274d7-cf3a-44b8-8063-31469ae93564"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Harvey-Mason-Jr-2025-GRAMMYs-GettyImages-2196833007","id":"103b4df2-4d94-4a91-a1d6-be398f864652","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Sonja Flemming/CBS via Getty Images"},"tags":["Harvey Mason jr."],"title":"Harvey Mason jr. at the 2025 GRAMMYs","shortTitle":"Harvey Mason jr. at the 2025 GRAMMYs","imgAlt":"Harvey Mason jr. at the 2025 GRAMMYs","imgTitle":"Harvey Mason jr. at the 2025 GRAMMYs","link":"/","captionValue":"Harvey Mason jr., CEO of The Recording Academy, at the 2025 GRAMMYs.","captionSummary":"Harvey Mason jr., CEO of The Recording Academy, at the 2025 GRAMMYs."}},{"data":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"At Their 2025 GRAMMY Nominee Celebrations, Academy Chapters Focus On Giving Back","deliveryId":"360c7a61-b61e-495f-9bd5-b976e5d4b7ad","deliveryKey":"news/recording-academy-chapters-2025-grammy-nominee-celebrations"},"articleCategory":["news"],"contributors":[{"id":"258cc239-2829-438d-98cb-e447488cbb02","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Reflections From 2025 GRAMMY Nominee Celebrations body 1","deliveryId":"5c3ffc18-7692-48f6-b00a-b1eb1de69040"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. [Donate now](https://musicares.org/firerelief).*\n\n\u003cspan\u003eAhead of the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, a trio of special evenings were convened to honor the year's nominees and celebrate the achievements of the Recording Academy's wider musical community.\u003c/span\u003e\n\n\u003cspan\u003eHeld in\u003c/span\u003e [\u003cspan\u003eSan Francisco\u003c/span\u003e](https://www.recordingacademy.com/membership/chapters/san-francisco)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eNew York City\u003c/span\u003e](https://www.recordingacademy.com/membership/chapters/new-york) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eNashville\u003c/span\u003e](https://www.recordingacademy.com/membership/chapters/nashville) \u003cspan\u003eby those Chapters of the Recording Academy, each event provided local music industry peers a unique chance to unite for dual common causes: supporting those impacted by a confluence of wildfires in Los Angeles and celebrating an exceptional class of nominees.\u003c/span\u003e\n\n\u003cspan\u003eThe San Francisco Chapter kicked off the series of celebrations on Jan. 16 at the Claremont Hotel in Berkeley. The evening began with a performance by Bay Area singer/songwriter \u003c/span\u003e[\u003cspan\u003eLa Doña\u003c/span\u003e](https://www.grammy.com/news/la-dona-cant-eat-clout-new-ep-interview-videos)\u003cspan\u003e, who dedicated one of her songs to the migrants who \"created the Bay Area I know and love,\" and continued with music by DJ D-Sharp, Official DJ of the Golden State Warriors. In subsequent opening remarks, Chapter President Kev Choice acknowledged the challenge of having a party in the wake of the devastation now facing the greater Los Angeles community.\u003c/span\u003e\n\n\u003cspan\u003e\"It may feel difficult to celebrate with what’s happening in L.A.,\" Choice said, \"especially because up here in NorCal, we are all too familiar with that reality.\"\u003c/span\u003e\n\n\u003cspan\u003eBut as SF Chapter Executive Director Christen McFarland noted in her comments to the crowd, the best way to help is simply to give.\u003c/span\u003e\n\n\u003cspan\u003eNoting that GRAMMY-affiliated fundraising organization MusiCares had already dispersed $2 million worth of funds to those in need — by the conclusion of Sunday’s telecast, MusiCares and the Academy had\u003c/span\u003e [\u003cspan\u003eraised over $24 million\u003c/span\u003e](https://www.instagram.com/p/DFqgePQT0qK/) \u003cspan\u003efor charitable activities — McFarland spoke of\u003c/span\u003e \u003cspan\u003ethe GRAMMY Awards' renewed sense of purpose: Recognizing the bravery and dedication of the first responders and raising funds to support the recovery of the Southern California music industry.\u003c/span\u003e\n\n\u003cspan\u003eAmong the nominees in attendance in San Francisco were\u003c/span\u003e [\u003cspan\u003eNicolas de Porce\u003c/span\u003e](https://www.grammy.com/artists/nicolas-de-porcel/57875)\u003cspan\u003el (mastering engineer for\u003c/span\u003e [\u003cspan\u003eRecord Of The Year winner \"Not Like Us\"\u003c/span\u003e](https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys)\u003cspan\u003e),\u003c/span\u003e [\u003cspan\u003eNicholas Phan\u003c/span\u003e](https://nicholas-phan.com/press-1/tag/Grammys) \u003cspan\u003e(nominated for both Best Classical Solo Vocal Album and the winning Best Opera Recording entry),and\u003c/span\u003e [\u003cspan\u003eMichael Romanowski\u003c/span\u003e](https://grammy.com/artists/michael-romanowski/18084) \u003cspan\u003e(with this 10th nomination, this year for Best Immersive Audio Album. Acclaimed local acts such as\u003c/span\u003e [\u003cspan\u003eGreen Day\u003c/span\u003e](https://grammy.com/artists/green-day/7433)\u003cspan\u003e, 2025 Lifetime Achievement Award recipient\u003c/span\u003e [\u003cspan\u003eTaj Mahal\u003c/span\u003e](https://docs.google.com/document/u/1/d/1aQoJmxfYvAmbwC0rv9Ct9-eH0et4O1AdfsQmbRbsQfs/edit)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eMusiCares Persons Of The Year the Grateful Dead\u003c/span\u003e](https://grammy.com/videos/2025-musicares-persons-of-the-year-carpet-grateful-dead) \u003cspan\u003ewere acknowledged in absentia.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Reflections From 2025 GRAMMY Nominee Celebrations - La Dona","deliveryId":"09ad384a-2f6b-4cdf-8527-78e42bd6f20a"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"La Dona_SFChapter_Performance","id":"91bf5b6f-172f-49f3-8b48-b4349ba16801","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"tags":["La Dona"],"title":"Reflections From 2025 GRAMMY Nominee Celebrations - La Dona","shortTitle":"Reflections From 2025 GRAMMY Nominee Celebrations - La Dona","imgAlt":"La Dona performs","imgTitle":"Reflections From 2025 GRAMMY Nominee Celebrations - La Dona","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Reflections From 2025 GRAMMY Nominee Celebrations body 2","deliveryId":"7635b069-2926-4496-b86c-899bcca355c0"},"bodyText":{"richText":"\u003cp style=\"text-align: right\"\u003e\u003cspan\u003ePerforming artist La Doña┃Courtesy of the San Francisco Chapter\u003c/span\u003e\u003c/p\u003e\n\n\u003cspan\u003eSeveral days later in Nashville, Chapter members similarly encouraged support for musicians reeling from the wildfire fallout. \"Our family right now in California — both in the music community and the community at large — have unfortunately been through so much,\" Nashville Chapter Executive Director Alicia Warwick said in her opening remarks.\u003c/span\u003e\n\n\u003cspan\u003eWarwick encouraged the crowd to \"be intentional\" with their efforts to support Southern California's music community. \"Let us use the power of music to help rebuild, uplift and support those in need,\" she continued. \u003c/span\u003e\n\n\u003cspan\u003eQR codes found on tables around the room reduced the challenge of making donations to \u003c/span\u003e[\u003cspan\u003eMusiCares’ Los Angeles Fire Relief Effort\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-wildfire-relief-expansion)\u003cspan\u003e to three-chord simplicity, while Warwick also made sure to encourage any professionals affected to apply for said relief. \u003c/span\u003e\n\n\u003cspan\u003eMusic City had a significant presence among 2025 GRAMMYs nominees. Nashville Chapter President Armand Hutton emphasized that over 110 Chapter professionals were nominated across 45 Categories, including nominees for Album Of The Year, Record Of The Year, Best New Artist, Producer Of The Year, Non-Classical, and two nominees in Songwriter Of The Year, Non-Classical. \u003c/span\u003e\n\n\u003cspan\u003eThe New York City Chapter closed out the series of festivities on Jan. 27. Presented in collaboration with platinum partner Tavern on the Green and 2025 partners — including the New York City Mayor’s Office of Media \u0026amp; Entertainment, Amazon Music, Concord, Sound Royalties, and the Orchard — the festivities included remarks from NY Chapter President Lee Dannay, who shared with GRAMMY.com that coast-to-coast efforts are required to properly support those in the industry affected by the Los Angeles wildfires. \u003c/span\u003e\n\n\u003cspan\u003e\"\\[We are\\] harnessing the power of music to help rebuild, uplift, and support our L.A. family and community,\" Dannay said. \"At our nominee celebration, we reinforced the importance of service and support to our music family, and we will continue to donate, volunteer and spread the word about the Los Angeles Fire Relief Effort to support those impacted by the crisis throughout the long road to recovery ahead.\" \u003c/span\u003e\n\n\u003cspan\u003eThe full house present for the evening included \u003c/span\u003e[\u003cspan\u003eCharlie Rosen\u003c/span\u003e](https://grammy.com/artists/charlie-rosen/42496)\u003cspan\u003e, a nominee in the Best Arrangement, Instruments and Vocals Category. \"This is my fourth time being recognized by the GRAMMY Awards, which is, of course, an insanely huge honor,\" Rosen told GRAMMY.com. \u003c/span\u003e\n\n\u003cspan\u003e\"But the GRAMMYS isn’t some floating entity made of pure magic that lives in the sky — it’s an organization of like-minded artists. It’s a community! I would be nowhere without the community of incredible artists the Recording Academy has assembled through the years to support what we do,\" he continued. \"Having a strong community of both collaborators and listeners is the backbone of our industry, and without that support system I wouldn’t be where I am today. Full stop.\" \u003c/span\u003e\n\n\u003cspan\u003eRosen’s full-throated support of the Recording Academy is reflected in the generosity of those who have gathered quickly and eagerly to support their ailing Los Angeles comrades. Just as Sunday’s Ceremony managed to meld the severity of that situation with a celebration worthy of a gloriously historic evening on numerous fronts, these nominee dinners continue to confirm that the members of the Recording Academy are committed to never leaving their own behind.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights","slidesFromServer":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"2025 GRAMMYs Full Nomination List","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ec9eba9c-c548-4113-89c9-981abf385da7","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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Having already collected the GRAMMY for Best Country Album — \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003ethe first Black woman to do so\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003e — earlier in the evening, she gave a concise, yet gracious acceptance speech.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"eb5d20c3-70a9-4e35-88db-998317a225da"},"assetId":"4daba1a8-bb73-4dba-ac24-ce119c95907c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"4f75f658-923d-499a-8320-564fb04afc14"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I’d like to thank and acknowledge and praise all the firefighters keeping us safe,\" she began, mentioning the Los Angeles County Fire Department members that presented the award.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I just feel very full and very honored,\" she continued. \"It’s been many years, and I just want to thank the GRAMMYs, every songwriter, every collaborator, every producer, all the hard work.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e2025 GRAMMYs: See The Full Winners \u0026amp; Nominees List (UPDATING LIVE)\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé then dedicated the award to Linda Martell, a country music singer who became the first Black woman to play at the Grand Ole Opry in Nashville. Martell’s story was a theme of \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, which attempted to restore a Black presence in a genre historically dominated by white artists.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I want to dedicate this to Mrs. Martell, and I hope we just keep pushing forward, opening doors. God bless y’all.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé has been nominated for Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year six \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003etimes, but\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e had yet to win until now. Her pursuit of the award was even commented on by host \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTrevor Noah\u003c/span\u003e](https://grammy.com/artists/trevor-noah/251934)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"She had 99 nominations, and now Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year is one,\" he joked, referencing her husband Shawn \"\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\" Carter’s song \"99 Problems\" as well as her 99 career GRAMMY nominations.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé was nominated in the Category alongside \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eAndré 3000\u003c/span\u003e](https://grammy.com/artists/andre-3000-benjamin/73)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e. In addition to her win for Best Country Album, she also received the Best Country Duo/Group Performance for \"II MOST WANTED,\" her collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, at the Premiere Ceremony earlier in the day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé had also announced a concert tour behind \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003ethe day before the GRAMMYs ceremony; the announcement was postponed from January due to the Los Angeles wildfires.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Album Of The Year For '[TK]'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Album of the year","Beyoncé","Cowboy Carter","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738561199923,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"Beyoncé Wins Her First Album Of The Year GRAMMY","subHeadline":"Beyoncé finally took home the coveted GRAMMY for 'COWBOY CARTER' after six nominations in the Category.","articleSummary":"Beyoncé takes home the GRAMMY for Album Of The Year at the 2025 GRAMMYs, winning over fellow nominees André 3000, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce_album_of_the_year_2025_grammys_acceptance_speech_KW1_3645_2aLIT2tw","id":"58f6a26f-1465-47fc-81c5-005e89bd26bd","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","imgAlt":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","imgTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","link":"/","captionValue":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","captionSummary":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","poi":{"isImage":true,"alpha":false,"width":4072,"height":2715,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43442443847656,"y":0.10383552379822}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year Win","deliveryKey":"news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys","deliveryId":"45283c99-3e68-4e29-bf8a-9171b085e210"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Song Of The Year - 2025 GRAMMYs","deliveryId":"7713dd78-7a63-4662-abed-2b562ec08176"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eImmediately after winning Record Of The Year,\u003c/span\u003e [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003eand his collaborators reemerged from backstage at the 2025 GRAMMYs to collect the trophy for Song Of The Year.\u003c/span\u003e\n\n\u003cspan\u003eLamar was speechless and \"starstruck\" after taking the golden gramophone from presenter \u003c/span\u003e[\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e, herself a 13-time GRAMMY nominee. His speech shouted out pioneering west coast rap artists like G Malone, Problem, and Maestro as well as his former labelmates Schoolboy Q, Ab-Soul, and Jay Rock. \u003c/span\u003e\n\n\u003cspan\u003e\"This is what it’s about man, because at the end of the day, nothing is more powerful than rap music,\" he said. \"We are the culture, it’s gonna always stay here and live forever.\" \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Song Of The Year acceptance speech 2025 GRAMMYs","deliveryId":"3b36c40f-6900-473c-bb38-95df58227252"},"assetId":"015cd164-d17c-4159-82a6-5ffd50e4f877","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year body 2","deliveryId":"4fbbf385-e30b-4d82-9770-890ce822071a"},"bodyText":{"richText":"\u003cspan\u003eHe also encouraged younger rappers to stay true to the culture of hip-hop. \"I just hope you respect the artform, that’s all. Respect the artform, it’ll get you where you need to go.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan\u003eCompleting a sweep of his categories, the song had also won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. It was the song’s producer \u003c/span\u003e[\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar)\u003cspan\u003e that summed up the situation best: \u003c/span\u003e\n\n\u003cspan\u003e\"Somebody get the broom out!\" \u003c/span\u003e\n\n\u003cspan\u003eLamar was nominated for Song Of The Year alongside\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611) \u003cspan\u003e\u0026amp;\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) \u003cspan\u003efor the award. He dedicated his win for Record Of The Year to the city of Los Angeles.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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[Donate now](https://grammy.com/firerelief).*\n\nAfter winning Best New Artist at the 2025 GRAMMYs, \u003cspan\u003eChappell Roan\u003c/span\u003e used her platform to advocate for a livable wage for musicians.\n\nTaking the golden gramophone after her \u003cspan\u003eperformance of \"Pink Pony Club,\"\u003c/span\u003e the first-time GRAMMY winner used her speech to ask record companies to pay their artists fairly, a cause that got a huge applause from the crowd at Crypto.com Arena.\n\n\"I told myself, if I ever won a GRAMMY, and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off artists would offer a living wage and healthcare, especially to developing artists,\" she said.\n\nThe six-time nominee got even more personal, describing her own struggles after being dropped from her label."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"6d2f6396-60e3-4c2b-8840-3aa93a9622bf"},"assetId":"96f93e93-8edb-4a9d-a30e-358ffef1f019","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"37e2891a-601e-4ea5-bead-cded046921ca"},"bodyText":{"richText":"\"I was signed as a minor, \\[and\\] when I got dropped I had zero job experience under my belt. And like most people I had a difficult time finding a job during the pandemic and could not afford health insurance,\" she said. \"It was so devastating to feel so committed to my art and feel so betrayed by the system. I was so dehumanized not to have health insurance.\"\n\nShe ended her speech by asking, \"Labels, we got you, but do you got us?\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\nRoan was nominated alongside \u003cspan\u003eBenson Boone\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eDoechii\u003c/span\u003e, \u003cspan\u003eKhruangbin\u003c/span\u003e, \u003cspan\u003eRaye\u003c/span\u003e, \u003cspan\u003eShaboozey\u003c/span\u003e, and \u003cspan\u003eTeddy Swims\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eVictoria Monét\u003c/span\u003e.\n\nThe artist, who named herself after her Papa Chappell, was nominated for five additional awards, including Album Of The Year for *Chappel Roan The Rise and Fall of a Midwest Princess* and Song Of The Year and Record Of The Year for \"Good Luck, Babe!\" Her producer \u003cspan\u003eDan Nigro won Producer Of The Year (Non-Classical)\u003c/span\u003e at the Premiere Ceremony earlier in the day."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"4254ed74-5b2b-4cc6-9a68-7bc1cb8313bf"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nLike her GRAMMY-nominated album, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e may be *Short n’ Sweet*, but the pint-sized – and newly GRAMMY-winning – pop star went big for her GRAMMYs debut. In one of the first performances at the 2025 GRAMMYs, Carpenter delivered a glamorous live performance of her smash hits \"Espresso\" and \"Please Please Please.\"\n\nCarpenter began with a comedic jazzy rendition of \"Espresso\" before changing from a sparkling, tuxedo-inspired dress into the sugary original itself while showing off her tap skills in the process. From there, the Best New Artist nominee suavely transitioned into \"Please Please Please\" and its country twang before returning to \"Espresso\" just as quickly for her finale.\n\nThe dazzling, drenched-in-blue display was something of a victory lap for the summer-dominating \"Espresso,\" for which Carpenter won Best Pop Solo Performance earlier at the Premiere Ceremony. Shortly after her performance, *Short n’ Sweet* won the GRAMMY Award for [Best Pop Vocal Album](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/sabrina-carpenter-album-wins-best-pop-vocal-album-2025-grammys)."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad: Sabrina Carpenter - 2025 GRAMMYs","deliveryId":"ff3f8767-6044-4559-992e-d0f7a2e53c24"},"assetId":"b6a4b827-4f50-4520-ae5c-9dfd1d23ed4b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"a2cb7b40-6a15-487e-a1ca-fe577d0ac5ae"},"bodyText":{"richText":"Released in April 2024, \"Espresso\" earned Carpenter her first Top 10 single on the Billboard Hot 100, while \"Please Please Please\" topped the Billboard Hot 100. The accolades kept stacking with the August release of another single, \"Taste,\" which debuted on the Hot 100 at No. 2. \n\nAccording to *\u003cspan\u003eBillboard\u003c/span\u003e*, \"As the tracks mark Carpenter’s first three top five Hot 100 hits, she \\[became\\] only the second act — and first soloist — ever to chart her first three top five hits in the region simultaneously,\" something last achieved by \u003cspan\u003ethe Beatles\u003c/span\u003e in 1964. So while *Short n’ Sweet* may have been Carpenter’s sixth album and a decade into her musical career, its success established her as a pop force. \"This album doing what it’s done is so fulfilling to me because I’m just being myself with bigger hair.\"\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[How Sabrina Carpenter Became A GRAMMY-Winning Pop Queen: Tracing Her Journey To 'Short N' Sweet'](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\n\nThe singer’s rapid ascent happened just as much off-stage, too, having started the year guesting on multiple dates of Swift's epic [\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-eras-tour-records-movie-disney-plus-stream). In April, she made her Coachella debut, and following the album’s release, she embarked on her first arena tour and produced and starred in a Netflix holiday special, *A Nonsense Christmas with Sabrina Carpenter*. Next month, the tour heads overseas to Europe."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"97ea21bc-70e3-408f-a191-9af6ada372e8","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["Sabrina Carpenter","2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738547645755,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Sabrina Carpenter Celebrates Her 2025 GRAMMYs Wins With A Performance of \"Espresso\" \u0026 \"Please Please Please\"","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","subHeadline":"From comedic and quirky to country-inflected pop, the newly GRAMMY-winning artist dazzled with a medley of her hit 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Shortly after her performance, Sabrina Carpenter won Best Pop Vocal Album for 'Short N' Sweet.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"97ea21bc-70e3-408f-a191-9af6ada372e8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"sabrina-carpenter-2025-grammys-performance","id":"40db6722-cfb2-490e-b682-5829f1065fbf","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo:Kevin Winter/Getty Images for The Recording Academy"},"tags":["Sabrina Carpenter","2025 GRAMMYs"],"title":"Sabrina Carpenter Performs At The 2025 GRAMMYs","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgAlt":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","link":"/","captionValue":"Sabrina Carpenter performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3816,"height":2656,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","deliveryKey":"news/the-weeknd-2025-grammys-performance","deliveryId":"b16f5422-83c5-467c-90d0-c62625dbfc80"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - The Weeknd performs at 2025 GRAMMYs","deliveryId":"48d0dce2-1f52-462f-b065-351a4083e36c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nAt the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), global superstar [The Weeknd](https://www.grammy.com/artists/The-Weeknd/24884) made his highly anticipated return to the GRAMMY stage after a three-year boycott, marking a turning point for the Recording Academy.\n\nHis performance, a rousing medley of \"Cry For Me\" and \"Timeless,\" came after his widely public decision to step away from submitting any of his music in 2021 stemming from concerns over a lack of transparency and fairness in the awards process. Now, following the Academy's sweeping reforms and a massive overhaul of its voting body, and initiatives to promote inclusivity, The Weeknd's return signals a new era of accountability and integrity for the GRAMMYs."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"The Weeknd Playboy Caarti 2025 GRAMMYs Performance","deliveryId":"5dd5d20f-4c10-4f41-90e2-7ef11094f8b2"},"assetId":"1c249a70-f716-4ad0-9017-4df69b615503","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - The Weeknd Makes Triumphant Return To GRAMMYs Stage","deliveryId":"d3a7d49c-3bc1-4f0a-953e-f7bcc91cfb49"},"bodyText":{"richText":"Moments before the surprise performance, Recording Academy [CEO Harvey Mason jr.](https://grammy.com/artists/harvey-mason-jr/4668) touched on the organization's changes that have helped lead to the monumental moment.\n\n\"Criticism is ok. I heard him, and I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now, and for future generations,\" Mason jr. said. \"So over the past few years, we've listened. We've acted. And, we've changed. We've launched initiatives like the Black Music Collective, Women in the Mix, Academy Proud, and others. We have completely re-made our membership, adding more than 3,000 women voting members. The GRAMMY electorate is now younger, nearly 40 percent people of color, and 66 percent of our members are new since we started our transformation. This year, the 13,000 voting members of the Academy nominated their peers and voted for the winners that you're seeing on this stage tonight. It's a system rooted in fairness, integrity, and the principle that every voice in our community matters. Now, charting a new course is never easy, there is still work to be done… but I firmly believe we’re on the right path.\n\n\"As we've seen tonight, music is a powerful force for good in the world,\" he continued. \"It heals us... it unites us. And we need that in this city right now. With that in mind, on a truly special night, what better way to bring us together, than this next artist. Someone who has seen the work this Academy has put in. I am so honored to leave you with a sentence, that I wasn't sure, would ever be said on the GRAMMY stage again: My friends, my fellow music makers, please join me in welcoming *back*, none other than, four-time GRAMMY-winning artist, and global superstar, The Weeknd.\"\n\nPerched among a slew of dancers with strobe lights blaring, The Weeknd delivered dynamic renditions of \"Cry For Me\" and \"Timeless,\" the latter featuring collaborator Playboi Carti. Both of the songs are singles from The Weeknd's new album, *Hurry Up Tomorrow*, which was just released on Jan. 31."}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"8af0c7d6-08a8-42f4-9f76-987a5565eb06","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["2025 GRAMMYs","the Weeknd"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738552010890,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","shortTitle":"2025 GRAMMYs: The Weeknd's Triumphant Return","subHeadline":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","articleSummary":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: The Weeknd Performs On The GRAMMY Stage","deliveryId":"8af0c7d6-08a8-42f4-9f76-987a5565eb06"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"The-Weeknd-2025-GRAMMYs-GettyImages-2197328083","id":"488d4204-87bf-4f56-b465-424b5a4a478f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Amy Sussman/Getty Images"},"tags":["2025 GRAMMYs","The Weeknd"],"title":"The Weeknd Performs At The 2025 GRAMMYs","shortTitle":"The Weeknd Performs At The 2025 GRAMMYs","imgAlt":"The Weeknd Performs At The 2025 GRAMMYs","imgTitle":"The Weeknd Performs At The 2025 GRAMMYs","link":"/","captionValue":"The Weeknd performs at The 2025 GRAMMYs.","captionSummary":"The Weeknd performs at The 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.55117881774902,"y":0.30696554576859}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Lady Gaga \u0026 Bruno Mars Perform \"California Dreamin'\"","deliveryKey":"news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys","deliveryId":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b038568e-2104-4c4f-b68d-3ce07bdd99d1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Lady Gaga And Bruno Mars Perform body 1","deliveryId":"99d7d62a-070b-4d37-a5e9-36d9ed9a4d25"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eLady Gaga\u003c/span\u003e and \u003cspan\u003eBruno Mars\u003c/span\u003e brought another solemn and beautiful moment to the 2025 GRAMMYs with their own tribute to Los Angeles.\n\nFollowing a video revealing the widespread devastation of the L.A. wildfires, the pair appeared onstage to perform \"California Dreamin’\" (originally recorded by \u003cspan\u003eBarry McGuire\u003c/span\u003e but made famous by\u003cspan\u003e the Mamas \u0026amp; The Papas\u003c/span\u003e). With Gaga draped in a sheer, flower-embroidered maxi dress and Mars in a tan suit and straw hat, they embodied the laidback and melancholy dreaminess of the 1965 classic.\n\nGaga and Mars are both twice nominated this year for their duet \"Die With A Smile,\" for Best Pop Duo/Group Performance and \u003cspan\u003eSong Of The Year, winning in the former category\u003c/span\u003e. Over the years, they have amassed 28 golden gramophones between them, including three for Best Pop Duo/Group Performance — Gaga for \"Shallow\" with \u003cspan\u003eBradley Cooper\u003c/span\u003e in 2019 and \"Rain On Me\" with \u003cspan\u003eAriana Grande\u003c/span\u003e in 2021, and Mars for \"Uptown Funk\" with \u003cspan\u003eMark Ronson\u003c/span\u003e in 2016 — and one for Song Of The Year, Mars for \"That's What I Like\" in 2018.\n\nGaga and Mars wrote and produced \"Die With A Smile\" with regular Mars collaborators \u003cspan\u003eDernst \"D'Mile\" Emile II\u003c/span\u003e and \u003cspan\u003eAndrew Wyatt\u003c/span\u003e. \"I remember feeling that it was a song people needed to hear,\" Gaga told the *\u003cspan\u003eL.A. Times\u003c/span\u003e*. \"I write music all the time, and sometimes you feel like you're creating something that some people might like. But there are other times when you work on something, and you just know it's going to speak deeply to all kinds of people. I knew it immediately.\"\n\nShe was spot on. In addition to the song dominating Billboard's Global 200 upon its August release, \"Die With A Smile\" is currently atop the Billboard Hot 100 for its fourth total and consecutive week.\n\nFor both stars, the song is merely a starting point of momentum for 2025. Gaga, who shared \"Disease\" in October and a new single [\"Abracadabra\"](https://www.youtube.com/watch?v=vBynw9Isr28\u0026feature=youtu.be) just minutes after her duet, will be releasing her latest album, *Mayhem,* on March 7. In April, she'll headline Coachella. Meanwhile, Mars has been continuing his collaborative streak. His team-up with \u003cspan\u003eBLACKPINK\u003c/span\u003e member \u003cspan\u003eROSÉ\u003c/span\u003e, \"APT.,\" just surpassed 1 billion views on YouTube, and last month, he kicked off the new year with the Sexxy Red collab \"Fat Juicy \u0026amp; Wet.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nArguably one of the biggest hits of 2024, \"Pink Pony Club\" and \u003cspan\u003eChappell Roan\u003c/span\u003e have rightfully earned massive praise and accolades — ones the size of the massive pony that stood on stage during her performance at the \u003cspan\u003e2025 GRAMMYs\u003c/span\u003e.\n\nThanks to the astonishing success of her debut album, *\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003eRoan is being celebrated at this year’s ceremony in some of the night’s most-coveted Categories, including Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist. Shortly after her performance, Roan won the golden gramophone for Best New Artist.\n\n\u003cspan\u003eThough it took a little while for \u003c/span\u003e*\u003cspan\u003eThe Rise\u003c/span\u003e*\u003cspan\u003e to get into the cultural zeitgeist, Roan's GRAMMYs debut showcased just how essential she has already become to the pop world. \u003c/span\u003eThe crowd in the Crypto.com Arena — including artists such as \u003cspan\u003eAlicia Keys\u003c/span\u003e and \u003cspan\u003eJanelle Monáe\u003c/span\u003e —\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003erose to their feet, much like the\u003cspan\u003e massive festival crowds\u003c/span\u003e Roan has performed for recently. Their dancing was only topped by the immaculately choreographed crowd of rodeo clowns miming in unison, matching the artistry of the moment."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Chappell Roan 2025 GRAMMYs Performance","deliveryId":"e27532f1-8620-4be5-bbc7-617cf42bf12e"},"assetId":"646d6e07-583e-4a05-b0b5-e9e6c75c4459","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Chappell Roan 2025 GRAMMYs performance","deliveryId":"ac9ae659-c5ce-4c86-9e96-1881eb6dd5ae"},"bodyText":{"richText":"Prior to taking the stage, Roan welcomed the audience into her story, for those very few not aware of her meteoric rise. Her story of growing up queer in Missouri and longing for a larger world, not to mention finding a home in Los Angeles, rang especially powerfully this evening.\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eChappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop \"Femininomenon\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\n\nWearing a black and gold rhinestone-adorned corset with black leather gloves, and a black bedazzled cowboy hat, Roan kept things hot, her copper hair flowing across the stage, elegantly soaring into the song as if she were inviting audiences to an exciting new world we’ve never seen before. Holding her hand, the audience sang along: \"I know you wanted me to stay/ But I can’t ignore the crazy visions of me in L.A.\"\n\nDuring her introduction, good friend \u003cspan\u003eOlivia Rodrigo\u003c/span\u003e noted that Roan has come a long way from working in a nearby donut shop in L.A.'s Highland Park. And with this powerful, sincere performance, Roan is sure to reach even more dazzling heights in the future."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"991cae20-378a-427a-ac2a-e498ab297fcd"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://www.grammy.com/artists/charli-xcx/18360) \u003cspan\u003eturned Crypto.com Arena into a rave at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a wild live performance of \"Von dutch\" and \"Guess\" from her GRAMMY-winning album\u003c/span\u003e *[\u003cspan\u003ebrat\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eMaking her entrance from the parking area in a fur coat and lingerie, Charli debuted onstage at Music's Biggest Night with her it-girls in tow. The space transformed into a makeshift rave while she sang \"Von dutch,\" which \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for\u003c/span\u003e Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys)\u003cspan\u003e earlier in the night — giving new meaning to her lyrical declaration: \"It's so obvious, I'm your number one.\" \u003c/span\u003e\n\n\u003cspan\u003eThe British star then took the afterparty onstage, performing the suggestive \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e collab \"Guess\" among a sea of writhing limbs, booming bass, and flying undergarments.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Body 1: Charli xcx 2025 GRAMMYs Performance: \"Von dutch\" \u0026 \"Guess\"","deliveryId":"176df206-bf2f-4881-84b5-12faed65c87b"},"assetId":"7f9a2135-55df-4708-be56-b596083c5a4c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","deliveryId":"48d4e31e-727f-4721-9d79-21143a96a6e6"},"bodyText":{"richText":"\u003cspan\u003eCharlie walked into the 67th Annual GRAMMY Awards as one of the night's most-nominated artists, earning eight nominations in total. She ended the night with three wins, including \u003c/span\u003e[Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys) (“Von dutch”), [Best Dance/Electronic Album](https://www.grammy.com/music-genre/dance-electronic-music) (*BRAT*)and [Best Recording Package](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/charli-xcx-brat-best-recording-package-backstage-interview-2025-grammys) (*BRAT*).\n\n\u003cspan\u003eCharli's performance served as a triumphant return to the GRAMMYs, as she was last nominated in 2015 for her hit \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e collaboration, \"Fancy.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eCharli XCX's Road To 'Brat': How Her New Album Celebrates Unabashed Confidence \u0026amp; Eccentricity\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)\n\n\u003cspan\u003eCharli's GRAMMY appearance also encapsulated how \u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e took the singer into a new stratosphere in 2024. Her celebrated Brat Summer turned into an entire Brat year, kicking off with a Boiler Room event (aptly titled PARTYGIRL) last February. Charli's big year spawned a viral TikTok dance, a collaboration-stacked remix album (\u003c/span\u003e*\u003cspan\u003ebrat and it's completely different but also still brat\u003c/span\u003e*\u003cspan\u003e), an arena tour with \u003c/span\u003e[\u003cspan\u003eTroye Sivan\u003c/span\u003e](https://grammy.com/artists/troye-sivan/54138)\u003cspan\u003e, and a double-duty host and musical guest spot on \"Saturday Night Live.\" \u003c/span\u003e\n\n\u003cspan\u003eStill, like the 24-hour party girl she is, Charli's not yet done. In April, she's due to perform at Coachella, and she will kick off her first solo U.S. arena tour. She also reportedly has a film in the works, as announced by\u003c/span\u003e *[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/film/news/charli-xcx-a24-movie-the-moment-original-idea-1236283554/)*\u003cspan\u003e, which states she's \"teaming up with A24 to produce and star in a new movie called\u003c/span\u003e *\u003cspan\u003eThe Moment\u003c/span\u003e*\u003cspan\u003e, based on her own original idea.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx performance","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Dance/Electronic","Pop"],"tags":["Charli xcx","2025 GRAMMYs","Dance Electronic Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738560199791,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs With A Performance Of \"Von Dutch\" \u0026 \"Guess\"","shortTitle":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs","subHeadline":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","articleSummary":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Charli xcx performance","deliveryId":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"charli-xcx-2025-grammys-performance","id":"49c9f240-10f4-4ada-88f7-68c493b8fc5b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy)"},"tags":["Charli xcx","2025 GRAMMYs"],"title":"Charli xcx performs at the 2025 GRAMMYs","shortTitle":"Charli xcx performs at the 2025 GRAMMYs","imgAlt":"Charli XCX performs onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"Charli xcx performs at the 2025 GRAMMYs","link":"/","captionValue":"Charli xcx performing at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3407,"height":2271,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","deliveryKey":"news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys","deliveryId":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Record Of The Year - 2025 GRAMMYs","deliveryId":"b3c885e7-5c39-48df-8d56-f5f33d5d1666"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nOn a GRAMMY night overflowing with support for an ailing Los Angeles, one of its proudest native sons has taken home the golden gramophone for Record Of The Year.\n\nA beaming [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) ascended the stage to collect his trophy for \"Not Like Us,\" the blistering diss track that topped the charts and became an unofficial anthem for L.A., and dedicated the win to the city itself.\n\n\"We gon’ dedicate this one to the city,\" he said, naming his hometown of Compton, as well as Watts, Long Beach, Inglewood, and a smattering of other neighborhoods and cities. \"I can’t give enough thanks to these places that I rolled around since high school, and most importantly the people and the families out in Palisades and Altadena. This is a true testament that we will continue to restore this city.\"\n\nLamar, whose music is heavily associated with Los Angeles and its culture, also mentioned the passing of his aunt, who died the day before the GRAMMYs ceremony.\n\n\"She probably watching from up there, make sure y’all got y’all best smiles on, make her feel good.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Wins Record Of The Year: 2025 GRAMMYs","deliveryId":"d7b5efba-1e31-47f3-ad2d-0d6c81f63099"},"assetId":"532dbfb8-d8df-4028-b7ca-561da50a3801","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles body 1","deliveryId":"a0b58a8e-dfbd-4490-a432-634d450498a4"},"bodyText":{"richText":"\"Not Like Us,\" which served as the dramatic climax of a diss battle between Lamar and [\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370) last year, had already won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. [\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar), the song’s producer, collected all three trophies and accompanied Lamar onstage at Crypto.com Arena.\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\n\n[\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\"I ain’t got nothing to say but WEST SIDE!\" he declared after Lamar had finished speaking.\n\nLamar was nominated for Record Of The Year alongside \u003cspan\u003ethe Beatles\u003c/span\u003e, \u003cspan\u003eBeyoncé\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eCharli xcx\u003c/span\u003e, \u003cspan\u003eBillie Eilish\u003c/span\u003e, \u003cspan\u003eChappell Roan\u003c/span\u003e, and \u003cspan\u003eTaylor Swift\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eMiley Cyrus\u003c/span\u003e. A 57-time GRAMMY nominee, his previous wins include Best Rap Album for *To Pimp A Butterfly* and Best Rap Song and Best Rap Performance for \"Alright.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Record Of The Year For \"[TK]\"","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"bd611e5d-0a99-44d7-bb1c-50d592b9fb6e","contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","Record Of The Year"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738557985375,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","shortTitle":"Kendrick Lamar Wins Record Of The Year","subHeadline":"\"We will continue to restore this city\" the rapper declared; the city embraced \"Not Like Us\" as an unofficial anthem last year.","articleSummary":"Kendrick Lamar won his first 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[Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393) \u003cspan\u003eshowed why\u003c/span\u003e [\u003cspan\u003eshe's Latin music royalty\u003c/span\u003e](https://www.grammy.com/news/10-essential-shakira-songs-that-prove-superstar-status) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a performance of one of her earliest hits, 1998's \"Ojos Así,\" followed by her viral Bizarrap collaboration, \"Shakira: Bzrp Music Sessions, Vol. 53\" from her GRAMMY-winning album\u003c/span\u003e *\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"cb93e03a-483f-4c6a-8691-8e9fb8ffc876"},"assetId":"0accf71c-6edf-4976-977f-19ca758cbb17","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"94edcaf8-e5ab-49be-8854-40685277169f"},"bodyText":{"richText":"\u003cspan\u003eThe performance — her first on the GRAMMYs stage since 2007 — punctuated a triumphant moment for the Colombian superstar, who shortly before the occasion won her fourth career GRAMMY. Bathed in dim, warm light and smoke, Shakira began with a stripped-back version of \"Ojos Así\" that went heavy on drums while showing off her sensual belly-dancing. Following a short dance break, she launched into her \"Bzrp Music Sessions,\" bringing the she-wolf energy of\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ethrough its self-confident bars and cheeky yet scathing disses.\u003c/span\u003e\n\n\u003cspan\u003eShakira's GRAMMY win for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emarks her third victory for Best Latin Pop Album, having previously won for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eShakira - MTV Unplugged\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2001 — her first-ever GRAMMY win — and more recently, her previous album\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2018.\u003c/span\u003e\n\n\u003cspan\u003eIn the six years since\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan\u003e, Shakira underwent a life-changing event with the breakup of her longtime relationship, for which\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eserved as a therapeutic outlet. \"Making this body of work has been an alchemical process. While writing each song I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength,\" she\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003esaid on Instagram\u003c/span\u003e](https://www.instagram.com/p/C3XwGN9Mtuc/?utm_source=ig_embed\u0026ig_rid=8e58be30-c8d1-407b-af1e-7aec1bc05644\u0026img_index=1)\u003cspan\u003e.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eShakira's Road To 'Las Mujeres Ya No Lloran': How Overcoming A Breakup Opened A New Chapter In Her Artistry\u003c/span\u003e](https://www.grammy.com/news/shakira-road-to-la-mujeres-ya-no-lloran-new-album-videos)\n\n\u003cspan\u003eShakira's triumph was as personal as it was professional. Her\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"Sessions\"\u003c/span\u003e](https://www.youtube.com/watch?v=CocEMWdc7Ck)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith Bizarrap set streaming records, and another,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"TQG\"\u003c/span\u003e](https://www.youtube.com/watch?v=jZGpkLElSu8)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)\u003cspan\u003e, ascended to No. 1 on the Billboard Global 200. Both tracks earned the singer three Latin GRAMMYs in 2023, for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/shakira-bizarrap-win-song-of-the-year-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e, Best Pop Song and Best Urban Fusion/Performance.\u003c/span\u003e\n\n\u003cspan\u003eFollowing its March 2024 release,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emaintained momentum with two more Latin GRAMMY nominations and a win in the newly created\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eBest Latin Electronic Music Performance\u003c/span\u003e](https://www.grammy.com/news/bizarrap-shakira-win-best-contemporary-electronic-music-performance-bzrp-music-sessions-53-2024-latin-grammys-acceptance-speech-video-watch)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003e(\"Shakira: Bzrp Music Sessions, Vol. 53 \\[Tiësto Remix\\])\"). As a result of its success, Shakira became the first woman with No. 1 albums across four decades on the\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eBillboard\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eLatin album charts — a resounding testament to\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eher longevity\u003c/span\u003e](https://www.grammy.com/news/shakira-albums-awards-facts-womens-history-month-video-run-the-world)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eShakira is continuing her run with new single \"Soltera,\" released this past September, and a forthcoming world tour scheduled to begin later this month.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 Performances","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide","id":"a641a720-8512-4139-9da1-8e2f1f2b39fe"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"9ffdb187-8efd-42a9-a11f-b748f1f4ee66"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"45283c99-3e68-4e29-bf8a-9171b085e210"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b5bb1f5a-19ec-4065-8adb-99b575586478"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"776416c7-30cf-47e9-a822-b78220954bd2"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b16f5422-83c5-467c-90d0-c62625dbfc80"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"eade9017-8601-4f29-b8d3-41a5c4edea6e"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"00db222a-fe5a-40bd-bb0d-af9d5bcff3fb"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ae2daccc-caa3-4e8b-bf71-dcb9c06ad8d0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f1d9706b-41a6-4527-9cae-6c51445687b0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"a4b6132c-b134-4983-96b3-c3d1c5b4c683"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"62829624-027d-4e06-8122-2e4cd7ebbf16"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"5883d091-317e-4c7d-9050-0aca8bd935fc"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"fdc355a6-8d7a-4bf9-9ab6-9f26906800d8"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"ef15170c-4a53-481a-a973-663715043a14"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"}],"title":"2025 GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin"],"tags":["2025 GRAMMYs","Shakira"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612655680,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","shortTitle":"Shakira Performs At The 2025 GRAMMYs","subHeadline":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","articleSummary":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","deliveryId":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Shakira-2025-GRAMMYs-GettyImages-2197336575","id":"ecfc5916-86a9-4aba-b1da-4fa4aaf83dce","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: JC Olivera/WireImage"},"tags":["Shakira","2025 GRAMMYs"],"title":"Shakira Performs At The 2025 GRAMMYs","shortTitle":"Shakira Performs At The 2025 GRAMMYs","imgAlt":"Shakira Performs At The 2025 GRAMMYs","imgTitle":"Shakira Performs At The 2025 GRAMMYs","link":"/","captionValue":"Shakira performs at the 2025 GRAMMYs.","captionSummary":"Shakira performs at the 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43720149993896,"y":0.24735022841321}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryKey":"news/best-new-artist-performance-medley-2025-grammys","deliveryId":"f1d9706b-41a6-4527-9cae-6c51445687b0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fc97c690-9391-46ce-b48f-ea5f15ed5ba7"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Doechii Performs On The GRAMMY Stage","deliveryId":"3d37cf98-f24d-4db6-b806-548dbcbddc82"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eJust before Chappell Roan was crowned\u003c/span\u003e [\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, her fellow nominees\u003c/span\u003e [\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/artists/benson-boone/57823)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eRAYE\u003c/span\u003e](https://grammy.com/artists/rachel-keen/58098) \u003cspan\u003eperformed a medley of their hit songs on the GRAMMY stage — proving why they all deserved the coveted recognition.\u003c/span\u003e\n\n\u003cspan\u003eAnd it truly was one big medley to rule all medleys! Each artist delivered their\u003c/span\u003e \u003cspan\u003esignature songs, resulting in an epic, genre-blending performance: Boone's catchy pop, Doechii's astonishingly original take on rap, Swims' alt balladry, Shaboozey's record-breaking country stylings, and RAYE's bewildering soul.\u003c/span\u003e\n\n\u003cspan\u003eBoone was up first, starting from his seat on the Crypto.com Arena floor and snaking through the crowd singing the mesmeric beginning to his smash-hit \"Beautiful Things.\" Right at that killer pre-chorus soar, he hurriedly ripped the top of the suit open to reveal a blue sequined jumpsuit, climbing up the stage and across the grand piano for his trademark backflip. It felt as if Boone was cannonballing over an endless abyss, his powerful vocals keeping the whole room afloat.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003eThat jolt of energy lent itself perfectly to the next act, the masterful\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e](https://www.grammy.com/artists/doechii/57882)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003e— who is now a first-time GRAMMY winner, taking home Best Rap Album not long before hitting the stage. The Tampa native was surrounded by an immaculately choreographed group of backing dancers all clad in custom Thom Browne gray uniforms — that is, before it was ripped away, revealing a two-piece white underwear fit with classic red and blue stripes.\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003epowerfully strutted along a moving walkway, delivering a mix of \"CATFISH\" and \"DENIAL IS A RIVER\" for a performance that spoke volumes.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Doechii) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"391fde00-d9f4-482e-a1a6-c0d59b5b4aeb"},"assetId":"9a6a3d38-44fa-467e-b02f-0ab32a7a27f5","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"4a271df8-4b37-40f8-b0c1-60040848f6bf"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003ePowerhouse vocalist \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003e kept the awe going, as his voice danced across the mic and commanded the stage for a dynamic rendition of his chart-topping hit, \"Lose Control.\" \"Something's got a hold of me lately,\" he cooed. \"No, I don't know myself anymore.\" That admission echoed through the Crypto.com Arena, Swims looking well in control of his fate for years to come.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003eCelebrating both his first GRAMMY nominations as well as the decade's longest-running No. 1 hit on the Billboard Hot 100,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/artists/shaboozey/56863)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought his chart-topping smash \"A Bar Song (Tipsy)\" to the GRAMMY stage next. Starting with a snippet of his recent single \"Good News,\" the country and hip-hop experimentalist got the crowd to swell in unison, showcasing a song that feels at once all-American and universally joyful. And with Jennifer Lopez cheering him on, the joy\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought to the ceremony was palpable.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Shaboozey) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"d69f47bd-96d9-42fb-a673-c8712fb48b10"},"assetId":"aaa36e1e-abe3-45b8-8d80-7fa3643f0893","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Benson Boone Best New Artist Medley Performance","deliveryId":"c8c53a1a-14b2-4d19-bc0a-222848e50cd8"},"theme":"Grammy (Gold)","assetId":"1cca596c-e3b6-45db-9d3d-10a79df53c88"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Raye Performs Best New Artist Medley","deliveryId":"62667adf-c955-4b9b-8ab5-19c5ac584275"},"assetId":"046ef96f-b1d7-465e-a641-6d7d590a0d73","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Teddy Swims Performance Best New Artist Medley","deliveryId":"742ff7e6-1689-428f-90f2-cf32a458b94e"},"assetId":"efc6b6c4-ad1e-41a8-8be7-e4411924c56a","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Khruangbin performance Best New Artist Medley","deliveryId":"c5a78dab-20de-4f05-8c1e-64e947d00d02"},"assetId":"51a71594-bcee-4fa8-8f9e-074341337b7c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"2a80faeb-b426-44a4-b943-58ebf19c5add"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eThen the angelic voice of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eRAYE\u003c/span\u003e](https://www.grammy.com/artists/rachel-keen/58098)\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003e sealed the medley's finale with an impressive old-Hollywood-inspired \"Oscar Winning Tears.\" RAYE's sparkling black dress, the white tux-clad backing band, and the vintage bandstands perfectly complimented her immaculate voice that kept the crowd in a trance. That mystic spell was only broken when she giddily bounced on the stage at the massive roar of approval.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eRead More:\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eMeet The First-Time GRAMMY Nominee: RAYE On Her Long Road To Stardom, Writing Songs With Beyoncé \u0026amp; Her \"Really Beautiful\" Bond With Charli XCX\u003c/span\u003e](https://www.grammy.com/news/raye-my-21st-century-blues-interview-songwriter-2025-grammys)\u003cspan class=\"EOP SCXW268025665 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eWhile they may not have been a part of the medley proper, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eKhruangbin\u003c/span\u003e](https://www.grammy.com/artists/khruangbin/58222)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e offered a majestic rendition of \"May Ninth\" just before their fellow Best New Artist nominees took the stage. It was a fitting transition between the medley showcase and the standout performances given by their other BNA comrades \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e.\u003c/span\u003e\u003cspan class=\"EOP SCXW197354953 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e\"That's a tough category right there,\" last year's Best New Artist recipient \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eVictoria Monét\u003c/span\u003e](https://grammy.com/artists/victoria-monet/287096)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e beamed, just prior to revealing Roan winning the category. Year in and year out, Best New Artist offers some of the most thrilling music of the evening. But being able to showcase such an incredible spectrum of unique, powerful artists emphasized the bright musical future ahead.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"Rewatch the 2025 GRAMMYs Premiere Ceremony in full. Taking place hours before the **[2025 GRAMMY Awards](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** telecast, the Premiere Ceremony is a special presentation in which the majority of the night's GRAMMY Awards are awarded. Featuring a star-studded and uplifting opening number, stellar performances, a roster of influential presenters, and more, the 2025 GRAMMYs Premiere Ceremony is a special event that gives music fans the full GRAMMYs experience. Watch performances from **[Yolanda Adams](https://www.grammy.com/artists/yolanda-adams/105)**, **[Wayne Brady](https://grammy.com/artists/wayne-brady/10452)**, **[Deborah Cox](https://www.grammy.com/artists/deborah-cox/57863)**, **[Béla Fleck](https://www.grammy.com/artists/bela-fleck/11488), [Angélique Kidjo](https://www.grammy.com/artists/angelique-kidjo/9915)**, and **[Muni Long](https://www.grammy.com/artists/Priscilla-Priscilla-Renea-Hamilton/38121)**; acceptance speeches from **[Kacey Musgraves](https://grammy.com/artists/kacey-musgraves/18025)**, **[Mustard](https://www.grammy.com/artists/dijon-mcfarlane/243405)**, and **[Anderson .Paak](https://grammy.com/artists/anderson-paak/19926)**; and many more special GRAMMY moments. \n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\nCity National Bank, the Official Bank of the GRAMMY Awards, is returning for the third consecutive year as the presenting sponsor of the annual GRAMMY Awards Premiere Ceremony."},"body":{"richText":"The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. **[Donate now](https://musicares.org/firerelief)**.\n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\n\n**[Watch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.](https://live.grammy.com/)**\n\n\u003cspan\u003e \u003c/span\u003e \n\n**[See the full 2025 GRAMMYs winners and nominees list.](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","2025 GRAMMYs Premiere Ceremony","Kacey Musgraves","Muni Long","Mustard","Anderson .Paak","Wayne Brady"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738976298016,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The 2025 GRAMMYs Premiere Ceremony In Full: Kacey Musgraves, Muni Long, Mustard, Anderson .Paak, Wayne Brady \u0026 More","shortTitle":"Watch The 2025 GRAMMYs Premiere Ceremony In Full","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/3a/99/69/3a9969cd-e63e-4632-b9dc-bcb060e24b18/screenshots/PreviewImage-01-55-10.604.jpg","duration":"13821208"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryKey":"news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter","deliveryId":"62829624-027d-4e06-8122-2e4cd7ebbf16"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"ae2f4831-6adc-4fea-b3a2-145a1fe2f40d"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs ](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) made history at the 2025 GRAMMYs, by becoming the first Black woman in GRAMMYs history to take home the award for Best Country Album.\n\nAccepting the award from [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450), Queen Bey appeared genuinely dumbfounded when her fellow superstar read out her name as the Category’s winner for her 2024 album, *COWBOY CARTER*.\n\n\"Wow, I really was not expecting this,\" the \"TEXAS HOLD ‘EM\" singer said in her acceptance speech, before going on to thank both God and the many country artists she collaborated with on the album.\n\n\"I think sometimes 'genre' is a code word to keep us in our place as artists,\" she continued. \"And I just want to encourage people to do what they’re passionate about, and to stay persistent.\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eHow Beyoncé Is Honoring Black Music History With 'Cowboy Carter,' \"Texas Hold Em,\" 'Renaissance' \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/how-beyonce-honors-black-music-history-texas-hold-em-renaissance)\n\nBeyoncé slapped down the concept of genre as a musical limitation with help from pioneering country artist Linda Martell on *COWBOY CARTER*’s panoramic 27 tracks. \"Genres are a funny little concept, aren’t they? Yes, they are,\" the trailblazing Martell, who was the first Black woman to ever play the Grand Ole Opry in 1969, said on the GRAMMY-nominated album cut \"SPAGHETTII.\" \"In theory, they have a simple definition that’s easy to understand/ But in practice, well, some may feel confined.\"\n\nThe five-time Album Of The Year nominee also took aim at doubters questioning whether she \"belonged\" in country music at all on the studio set’s powerful opening thesis \"AMERIICAN REQUIEM.\"\n\n\"The grandbaby of a moonshine man/ Gadsden, Alabama/ Got folk down in Galveston, rooted in Louisiana/ Used to say I spoke ‘Too country’/ And the rejection came, said, ‘I wasn’t country ‘nough’/ Said I wouldn’t saddle up, but/ If that ain’t country, tell me what is?/ Plant my bare feet on solid ground for years/ They don’t, don’t know how hard I had to fight for this/ When I sang my song,\" she sang on the album opener.\n\nWhen the 2025 GRAMMY nominations were announced in November 2024, Beyoncé officially became the most-nominated artist in history when *COWBOY CARTER*’s 11 nods brought her career total to an all-time record of 99 nominations. And ahead of the telecast, she also won her first GRAMMY in the Category for Best Country Duo/Group Performance for *COWBOY CARTER* fan-favorite cut \"II MOST WANTED\" featuring [\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384).\n\nJust 24 hours ahead of the GRAMMYs, Beyoncé also sent the BeyHive into a frenzy by teasing her forthcoming *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.instagram.com/beyonce/)*\u003cspan\u003e Tour 2025\u003c/span\u003e on [\u003cspan\u003esocial media\u003c/span\u003e](https://www.instagram.com/beyonce/). Tour dates are expected to be announced soon."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"7cc50360-e001-449b-924a-35528c132d96"},"assetId":"d3f21d06-dacf-4906-bd27-60307bfcb969","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"821b8cae-0bc5-4d73-af54-c55337c89e93","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Beyoncé","Cowboy Carter","Country Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738551361029,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé's 'Cowboy Carter' Wins Best Country Album","subHeadline":"Less than 24 hours after announcing her 'COWBOY CARTER' tour, Beyoncé and her album made history on stage at Music's Biggest Night.","articleSummary":"Beyoncé made history at the 2025 GRAMMYs by becoming the first Black woman in the history of the show to take home the award for Best Country Album.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"821b8cae-0bc5-4d73-af54-c55337c89e93"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce-2025-grammys-speech","id":"eda15a81-5adb-4a54-b9e7-651b8ed5a068","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé Becomes First Black Woman To Win GRAMMY For 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan\u003eColdplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)**\u003cspan\u003e’s \u003c/span\u003e**[\u003cspan\u003eChris Martin\u003c/span\u003e](https://grammy.com/artists/chris-martin/4358)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eGrace Bowers\u003c/span\u003e](https://grammymuseum.org/event/spotlight-grace-bowers/)**\u003cspan\u003e deliver an emotional performance of \"All My Love\" \u003c/span\u003e\u003cspan\u003eduring the annual \u003c/span\u003e**[\u003cspan\u003eIn Memoriam segment \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-in-memoriam-tribute-chris-martin)**\u003cspan\u003eat the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e, honoring the artists, industry icons, and music legends we recently lost.\u003c/span\u003e Visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e**[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam)**, which honors the **[GRAMMY Award recipients](https://www.grammy.com/awards)** and Special Merit Awards honorees we’ve lost over the years."},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Pop","Alternative"],"tags":["2025 GRAMMYs","Coldplay's Chris Martin","In Memoriam"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561837294,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Coldplay's Chris Martin With Grace Bowers Perform \"All My Love\" In A Moving In Memoriam Tribute | 2025 GRAMMYs Performance","shortTitle":"Chris Martin In Memoriam 2025 GRAMMYs Performance","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/82/48/c6/8248c6d6-94c9-4e12-8dbe-40ed0b630513/screenshots/PreviewImage-00-02-17.187.jpg","duration":"274374"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryKey":"news/2025-grammys-in-memoriam-tribute-chris-martin","deliveryId":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: In Memoriam Performance - 2025 GRAMMYs","deliveryId":"eab37d13-23d8-4892-a25c-adc0162fd350"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nDuring a moving moment at the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), [the Recording Academy](https://www.recordingacademy.com/) honored the artists, creators and music professionals who recently passed during a special In Memoriam tribute. GRAMMY-winning vocalist and pianist [Chris Martin](https://www.grammy.com/artists/chris-martin/4358), of [Coldplay](https://www.grammy.com/artists/coldplay/10952), with Grace Bowers, performed an emotional rendition of \"All My Love,\" paying tribute to those who have deeply impacted the musical community."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryId":"c33a4302-e028-4057-8638-0f105d0a832d"},"assetId":"8248c6d6-94c9-4e12-8dbe-40ed0b630513","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Chris Martin Pays Tribute To Late Icons (In Memoriam) | 2025 GRAMMYs","deliveryId":"6865c51c-ba6f-4a11-95fd-c3cff75ac817"},"bodyText":{"richText":"The below list of names reflects just some of those from the music community we recently lost. As well, visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years.\n\nAashish Khan\n\nAbdou Cherif\n\nAbdul 'Duke' Fakir\n\nAdam (Haim Cohen)\n\nAdam Abeshouse\n\nAdam Lewis\n\nAdele Akin Anderson\n\nAdrián Olivares\n\nAgnaldo Rayol\n\nAgnes Buen Garnås\n\nAhmad Nawab\n\nAl Jones\n\nAl Schiltz\n\nAlan Mansfield\n\nAlan Oreman\n\nAlan Shapiro\n\nAlbert Heath\n\nAlcides Lanza\n\nAleksandr Sibirtsev\n\nAlex Hassilev\n\nAlex Riel\n\nAlexander Goehr\n\nAlexander Knaifel\n\nAlfa Anderson\n\nAlfredo Fiorito\n\nAlfredo Garrido\n\nAmaury du Closel\n\nAmber Kistler\n\nAminollah Rashidi\n\nAmjad Parvez\n\nAmund Bjørgen\n\nAnatol Latîşev\n\nAnders Widmark\n\nAnderson Leonardo\n\nAndrei Tropillo\n\nAndrés Vega Delfín\n\nAndrew Turner\n\nAndrius Kulikauskas\n\nAndy Paley\n\nAngela Alvarez\n\nAngela Bofill\n\nAngela McCluskey\n\nAnna Nshanyan\n\nAnnie Laura Carmichael Smith\n\nAnthony \"Baby Gap\" Walker\n\nAnthony S. Scarlati\n\nAntonio Cabán Vale\n\nAribert Reimann\n\nÁrni Grétar Jóhannesson\n\nArthur \"Gaps\" Hendrickson\n\nArthur E. Rich\n\nArthur Edghill\n\nArthur Miles\n\nArthur Moreira Lima\n\nArtie Rose\n\nArtt Frank\n\nAshima Bhattacharya\n\nAston Barrett\n\nAugusto M. Seabra\n\nAyla Erduran\n\nAyres Sasaki\n\nB. B. Seaton\n\nBarbara Dane\n\nBarbara Kolb\n\nBarbara Owen\n\nBarry Goldberg\n\nBarry Squire\n\nBeej Chaney\n\nBelén Fernández\n\nBelgacem Bouguenna\n\nBen Eldridge\n\nBen Lanzarone\n\nBen Manilla\n\nBen Thapa\n\nBen Vaughn\n\nBenedict Chiajulam Ihesiba Jr PKA OG Maco\n\nBenny Golson\n\nBernice Johnson Reagon\n\nBernie Constantin\n\nBert De Coninck\n\nBert Susanka\n\nBetty Mullican Orr\n\nBetty Veldpaus\n\nBev Paul\n\nBhakta Raj Acharya\n\nBigidagoe\n\nBill Crook\n\nBill Holman\n\nBill Kelly\n\nBilly Edd Wheeler\n\nBilly Sherrill\n\nBilly Swann\n\nBjørn Müller\n\nBlake Harrison\n\nBob Bender\n\nBob Booker\n\nBob Kuban\n\nBob Lanese\n\nBob Newhart\n\nBob Perkins\n\nBob Rogers\n\nBob Seeley\n\nBob Shaw\n\nBobby Hicks\n\nBobby Tench\n\nBora Đorđević\n\nBoris Ćiro Gašparac\n\nBrenton Wood\n\nBrother Dege\n\nBrother Marquis\n\nBruce Howe\n\nBruno Pochesci\n\nBuck White\n\nBucky Wilkin\n\nBud Logan\n\nBuzz Cason\n\nBuzz Rabin\n\nByron Janis\n\nC. J. Snare\n\nC.J. Flanigan\n\nCalvin Keys\n\nCandy Devine\n\nCarl Bevan\n\nCarl Helm\n\nCarl Scott\n\nCarl Weathersby\n\nCarlos Paravís\n\nCarmen Pateña\n\nCasey Benjamin\n\nCasey Chaos\n\nCat Glover\n\nCat Janice\n\nCaterina Valente\n\nCatherine Ribeiro\n\nCayouche\n\nCecilia Gentili\n\nChad Morgan\n\nChalmers Davis\n\nChan Romero\n\nChandra Kumara Kandanarachchi\n\nChanning \"Enchanting\" Larry\n\nCharin Nantanakorn\n\nCharles \"Brit\" Turner\n\nCharles Blackwell\n\nCharles Cross\n\nCharles Dumont\n\nCharles Jones pka Julio Foolio\n\nCharlie Colin\n\nCharlie Lennon\n\nChas Banks\n\nChavelita Pinzón\n\nChino XL\n\nCho Min Woong\n\nChon Travis\n\nChris King\n\nChristian Escoudé\n\nChristian Martin Schmidt\n\nChristiane Stefanski\n\nChristof Nel\n\nChristopher Ciccone\n\nChristopher Stafford\n\nChuck Ward\n\nChuck Wentworth\n\nChuy Montana\n\nCindy Charles\n\nCissy Houston\n\nClaire Daly\n\nClaire van Kampen\n\nClarel Betsy\n\nClarence \"Frogman\" Henry\n\nClaudia Perry\n\nClaudio Gaitán\n\nClaudio Reyes\n\nCliff Waldron\n\nClorofila\n\nColin Chilvers\n\nColin Gibb\n\nColin Petersen\n\nConrad Kelly\n\nCorinne Allal\n\nCunnie Williams\n\nCynthia Charles\n\nCynthia Strother\n\nDamo Suzuki\n\nDan Morgenstern\n\nDan Wallin\n\nDaniel Kramer\n\nDaniel McMahon\n\nDanielle Moore\n\nDanny Carter\n\nDanny Clarke\n\nDario G aka Paul Spencer\n\nDaron Beck\n\nDarshanam Mogilaiah\n\nDaryl Schiff\n\nDashbaldangiin Purevsuren\n\nDave Allison\n\nDave Ferguson\n\nDave Loggins\n\nDave Sweetapple\n\nDavid Davis\n\nDavid Ezell\n\nDavid Kendall\n\nDavid Libert\n\nDavid Lynch\n\nDavid Mallett\n\nDavid Sanborn\n\nDavid Tunley\n\nDavlatmand Kholov\n\nDean Roberts\n\nDebra Byrd\n\nDef Rhymz\n\nDejan Despić\n\nDennis Bryon\n\nDennis Schiavon\n\nDennis Thompson\n\nDequantes Devontay Lamar (Rich Homie Quan)\n\nDerek Boshier\n\nDerrick Cobb\n\nDewayne Pigg\n\nDex Romweber\n\nDiana\n\nDick Allix\n\nDick Asher\n\nDick Johnson\n\nDickey Betts\n\nDickie Rock\n\nDieter Rexroth\n\nDimos Moutsis\n\nDina Mariana\n\nDiva Gray\n\nDJ Clark Kent\n\nDJ Polo\n\nDJ Randall\n\nDJ Unk\n\nDominic Cossa\n\nDon Nix\n\nDonald Kinsey\n\nDonnie K. Smith\n\nDonnie Winters\n\nDottie Leonard Miller\n\nDoug Dagger\n\nDoug Hood\n\nDoug Ingle\n\nDoug Sides\n\nDouglass Fake\n\nDr. Velásquez\n\nDuane Eddy\n\nDulce\n\nDuncan Warwick\n\nDušan Grúň\n\nDutty Dior\n\nEarle Wheeler\n\nEberhard Hertel\n\nEd Askew\n\nEd Mann\n\nEdd Griles\n\nEddie Burton\n\nEddie Cheeba\n\nEddie Low\n\nEddie Rosenblatt\n\nEddie Sutton\n\nEdgard Brito\n\nEdgardo Huertas\n\nÉdith Lejet\n\nEgidio Cuadrado\n\nEkaterina Shklyaeva\n\nEl Taiger\n\nElba Cabrera\n\nEleanor Collins\n\nElena Mauti Nunziata\n\nElgar Howarth\n\nElla Jenkins\n\nElla Mitchell\n\nElliot Ingber\n\nEllisha \"Teapot\" McKinney\n\nEmilia Contessa\n\nEmma Lou Diemer\n\nEmre Tukur\n\nEnrico Musiani\n\nEnriqueta Tarrés\n\nEoin French (Talos)\n\nErasmito Bultron\n\nEric Carmen\n\nÉric Tappy\n\nErik Barrett\n\nErnest Berger\n\nErnest Bryll\n\nErnstalbrecht Stiebler\n\nErv Woolsey\n\nEtsurō Wakakonai\n\nEtterlene DeBarge\n\nEugen Indjic\n\nEugen Šváb\n\nEugene Sârbu\n\nEugene W. Ward\n\nEugene Wolfgramm\n\nEvelyn Thomas\n\nEverett Collins Jr.\n\nEvin Agassi\n\nFaramarz Aslani\n\nFat Man Scoop\n\nFausto Bordalo Dias\n\nFélix Sabal Lecco\n\nFerenc Sánta Jr.\n\nFereydoun Shahbazian\n\nFergie MacDonald\n\nFlorence Warner\n\nFran Boyd\n\nFrances Anne Varallo\n\nFrancesco Petrozzi\n\nFranchino\n\nFrancis ‘Teddy’ Osei\n\nFranco Vaz\n\nFrançoise Garner\n\nFrançoise Hardy\n\nFrank Darcel\n\nFrank Ifield\n\nFrank Robson\n\nFrank Wakefield\n\nFrankie Beverly\n\nFred Noonan\n\nFreddie Salem\n\nFredl Fesl\n\nFredrik Lindgren\n\nFresia Saavedra\n\nGaboro\n\nGabriel Cotabiță\n\nGabriel Gonzalez\n\nGabriel Patillo\n\nGabriel Yacoub\n\nGarbis Aprikian\n\nGarry Van Egmond\n\nGarth Hudson\n\nGary Floyd\n\nGary Grant\n\nGary Grier\n\nGary Stroutsos\n\nGavin Creel\n\nGavin Webb\n\nGene Elders\n\nGeoff Follin\n\nGeoffrey Michaels\n\nGeorg Riedel\n\nGeorge Bohanon\n\nGeorge French\n\nGeorge Nicolescu\n\nGeorge Wilkins\n\nGerardo Guevara\n\nGerri Lynn\n\nGerry Conway\n\nGerry Robinson\n\nGerry Weil\n\nGetachew Kassa\n\nGhigo Agosti\n\nGianfranco Manfredi\n\nGiovanna Marini\n\nGladys de Moctezuma\n\nGogo Theodorou\n\nGökçe Akçelik\n\nGonzalo “Gonzo” Lubel\n\nGöran Fristorp\n\nGraciela Susana\n\nGraeme Naysmith\n\nGreg \"Fritz\" Hinz\n\nGreg Kihn\n\nGreg Lee\n\nGregg Young\n\nGunnar Stubseid\n\nGustavo Mullem\n\nGuy Touvron\n\nGuylaine Guy\n\nGyörgy Pauk\n\nHaniya Aslam\n\nHank Cicalo\n\nHans Blum\n\nHans Rotmo\n\nHans van Hemert\n\nHappy Traum\n\nHarold Meltzer\n\nHarry van Hoof\n\nHarry Williams\n\nHarvey Magee\n\nHasina Mumtaz\n\nHasna El-Bacharia\n\nHeikki Silvennoinen\n\nHelena Zeťová\n\nHenry Fambrough\n\nHerb Applin\n\nHerb Robertson\n\nHerbie Flowers\n\nHuang Zhun\n\nHugh Prestwood\n\nHumphrey Campbell\n\nHyun Cheol\n\nIan Amey\n\nIgnatius Jones\n\nİlhan Usmanbaş\n\nImogen Moorsom\n\nInger Lorre\n\nIon Krasnopolsky\n\nIta Beausang\n\nIulian Caranfil\n\nIvica Krajač\n\nJ. J. Jeffrey\n\nJ. Remington Wilde\n\nJ. Saul Kane\n\nJaafar Onn\n\nJaakko Teppo\n\nJack Colwell\n\nJack Hale\n\nJack Jones\n\nJack Peck\n\nJack Ponti\n\nJack Russell\n\nJackie Avery Sr.\n\nJackie Farry\n\nJackmaster\n\nJacques Barsamian\n\nJade Stice\n\nJames \"Jim\" Robert Mills\n\nJames Chance\n\nJames Darren\n\nJames Earl Jones\n\nJames Leach\n\nJames Progris\n\nJames Whitbourn\n\nJan A.P. Kaczmarek\n\nJan Ptaszyn Wróblewski\n\nJanice Brown Stephens\n\nJanis Paige\n\nJános Csányi\n\nJanusz Olejniczak\n\nJaroslav Jeroným Neduha\n\nJason Clark\n\nJason Hobdy\n\nJason Parkin\n\nJay David Saks\n\nJay Jay\n\nJD Souther\n\nJean Musy\n\nJean-Marie Aerts\n\nJean-Michel Defaye\n\nJean-Paul Vignon\n\nJean-Philippe Allard\n\nJean-Pierre Bourtayre\n\nJean-Pierre Ferland\n\nJean-Pierre Marty\n\nJeffrey Buntin\n\nJeremy Tepper\n\nJerome\n\nJerry Fuller\n\nJerry Miller (Moby Grape, Jerry Miller Band)\n\nJerry Miller (The Untouchables)\n\nJerzy Artysz\n\nJessica Mbangeni\n\nJewel Brown\n\nJhonny Iskandar\n\nJim Beard\n\nJim Gaines\n\nJim May\n\nJim Rotondi\n\nJim Scott\n\nJimmy Carter\n\nJimmy Gilmer\n\nJimmy Hastings\n\nJimmy James\n\nJimmy Van Eaton\n\nJodie Devos\n\nJoe Bonsall\n\nJoe Chambers\n\nJoe Cutajar\n\nJoe Egan\n\nJoe Elmore\n\nJoe Scaife\n\nJoe Thomas\n\nJoe Viera\n\nJoey Gardner\n\nJoey Gilmore\n\nJohan Slager\n\nJohn \"Spider\" Koerner\n\nJohn Barbata\n\nJohn Blunt\n\nJohn Earl Hartridge\n\nJohn Hadley\n\nJohn Hawken\n\nJohn Koerner\n\nJohn Lowe\n\nJohn Mayall\n\nJohn Pisano\n\nJohn Schweers\n\nJohn Sykes\n\nJohn Titta\n\nJohnny \"Dandy\" Rodríguez\n\nJohnny Canales\n\nJohnny Duhan\n\nJohnny Madsen\n\nJohnny Neel\n\nJohnny Thunder\n\nJon Card\n\nJon Wysocki\n\nJonathan Zak\n\nJordi Bonell\n\nJorge Arriagada\n\nJosef Laufer\n\nJozef Ábel\n\nJuan Carlos Salazar\n\nJuana Bacallao\n\nJudi Pulver\n\nJudy Lee\n\nJulie Gordon\n\nJulie Stevens\n\nJulien Terzics\n\nJuris Kulakovs\n\nJustin Seth Riley (BeatKing)\n\nK. G. Jayan\n\nKabir Singh\n\nKaiti Grey\n\nKaj Chydenius\n\nKalevi Kiviniemi\n\nKarar Ali Salem Ramadan aka C.Gambino\n\nKarl Kohn\n\nKarl Wallinger\n\nKaseem \"Ka\" Ryan\n\nKatie Laur\n\nKazuyoshi Akiyama\n\nKeith LeBlanc\n\nKelath Aravindakshan Marar\n\nKelly Nelon Clark\n\nKen Biddy\n\nKen Page\n\nKen Tobias\n\nKenny Hyslop\n\nKerry \"Fat Man\" Hunter\n\nKester \"Smitty\" Smith\n\nKevin Joshua \"Rowdy\" Rowsey II\n\nKevin Toney\n\nKevork Mardirossian\n\nKhalid\n\nKim Min-ki\n\nKim Richmond\n\nKimberly Elisabeth Cherry\n\nKinky Friedman\n\nKiril Marichkov\n\nKlaus Wolfgang Niemöller\n\nKODA\n\nKoko Ateba\n\nKong Nay\n\nKostas Karousakis\n\nKris Kristofferson\n\nLa Castou\n\nLadislav Burlas\n\nLamara Chkonia\n\nLambert Schomaker\n\nLando Bartolini\n\nLani Simmons\n\nLarry Garris\n\nLarry Page\n\nLarry Vallon\n\nLars Martin Myhre\n\nLarysa Jackson\n\nLarysa Jaye\n\nLaurens van Rooyen\n\nLaurie Lindeen\n\nLeah Kunkel\n\nLeif Segerstam\n\nLen Holsclaw\n\nLencho Salazar\n\nLennie De Ice\n\nLeo Dan\n\nLeShawn \"Chubbie Baby\" Rogers\n\nLía Crucet\n\nLiam Payne\n\nLiana Isakadze\n\nLibby Titus\n\nLichelle Marie Laws pka Bo$$\n\nLilibert\n\nLinda Balgord\n\nLinda LaFlamme\n\nLinda Nolan\n\nLisa Lopez-Galvan\n\nLiu Chia-chang\n\nLiu Yuan\n\nLorenzo Palomo\n\nLou Donaldson\n\nLouis Bozon\n\nĽubomír Stankovský\n\nLucien Francœur\n\nLucine Amara\n\nLucius Banda\n\nLucy Rimmer\n\nLucy-Bleu Knight\n\nLuis María Serra\n\nLuizinho Andanças\n\nLuther Kent\n\nLynford Manning\n\nMakaya Ntshoko\n\nMakoto Shinohara\n\nMalabar Manoharan\n\nMalcolm Holcombe\n\nMalome Vector\n\nMandisa\n\nManfred Schütz\n\nManju Mehta\n\nMansour Seck\n\nManuela Kemp\n\nMarc Van den Hoof\n\nMarcel Guilloux\n\nMarcel Marnat\n\nMarcelo Yzurieta\n\nMarco Paulo\n\nMarcus Allen\n\nMargarita Voites\n\nMaria Feliciana\n\nMaria Rita Viaggi\n\nMarian Zazeela\n\nMarianne Faithfull\n\nMaricenne Costa\n\nMarie Goodman Hunter\n\nMario Tessuto\n\nMarius Bațu\n\nMark Germino\n\nMark Gormley\n\nMark Izu\n\nMark James\n\nMark Moffatt\n\nMark Spiro\n\nMarlos Nobre\n\nMartha Sharp\n\nMartial Solal\n\nMartin France\n\nMartin Kirkup\n\nMartin Lee\n\nMartin Mull\n\nMartin Phillipps\n\nMartti Wallén\n\nMarty Gamblin\n\nMarvin Schlachter\n\nMary Martin\n\nMary Sack\n\nMaryvonne Le Dizès\n\nMassimo Cotto\n\nMatthew \"Cola Boyy\" Urango\n\nMatthew Moore\n\nMatti Heinivaho\n\nMaurice El Médiouni\n\nMaurice Williams\n\nMaurizio Pollini\n\nMax Werner\n\nMC Duke\n\nMélanie Renaud\n\nMelba Montgomery\n\nMelitha Sidabutar\n\nMestre Laurentino\n\nMetin Arolat\n\nMichael Boder\n\nMichael Corcoran\n\nMichael Cuscuna\n\nMichael Knott\n\nMichael Pennington\n\nMichael Reidy\n\nMichael Ward\n\nMichel Boyibanda\n\nMichio Mamiya\n\nMick Underwood\n\nMiguel Ángel Gómez Martínez\n\nMihai Amihalachioaie\n\nMiho Nakayama\n\nMike Billard\n\nMike Brewer\n\nMike Jones\n\nMike Martinovich\n\nMike Miller\n\nMike Pinder\n\nMike Pinera\n\nMikie Harris\n\nMile Agatonović\n\nMimi Hines\n\nMimis Plessas\n\nMiroslav Bázlik\n\nMiroslav Imrich\n\nMiroslav Švejda\n\nMisia\n\nMissinho\n\nMister Cee\n\nMitzi Gaynor\n\nMoisés Canelo\n\nMojo Nixon\n\nMourad Tsimpou\n\nMuluken Melesse\n\nMuñequita Milly\n\nMusafir Ram Bhardwaj\n\nNaa Amanua\n\nNahim\n\nNancy Harmon\n\nNaomy\n\nNell Smith\n\nNick Gravenites\n\nNicu Covaci\n\nNigel Brooks\n\nNikki Giovanni\n\nNikša Gligo\n\nNino Vella\n\nNona Asiah\n\nNora Orlandi\n\nNorah Lee Allen\n\nNorman Carol\n\nNorman Shetler\n\nOdile Bailleux\n\nOldřich Janota\n\nOlle Zetterquist\n\nOllie Olsen\n\nOmar Geles\n\nOmer Detz\n\nOnyeka Onwenu\n\nOscar Ghiglia\n\nOsmar Milito\n\nOswald d'Andréa\n\nOwsley Manier\n\nOzzy Osment\n\nPacífico Mascarenhas\n\nPaddy Cole\n\nPalle Danielsson\n\nPankaj Udhas\n\nPapa Kojak\n\nPapa Noël Nedule\n\nPark Bo-ram\n\nPascal Danel\n\nPat Collier\n\nPat Lewis\n\nPat Rolfe\n\nPaul Cripple\n\nPaul Di'Anno\n\nPaul Dwayne\n\nPaul Gilmartin\n\nPaul Lovelace\n\nPaul Roper\n\nPaul Sperry\n\nPaulo Alexandre\n\nPavel Karmanov\n\nPavel Zajíček\n\nPavol Zelenay\n\nPedro Altamiranda\n\nPeggi Blu\n\nPepe Guerra\n\nPepe Justicia\n\nPete Rodriguez\n\nPete Wade\n\nPeter \"Peetah\" Morgan\n\nPeter Collins\n\nPéter Eötvös\n\nPeter Forrest (pka P. Fluid)\n\nPeter Kubik\n\nPeter Schaap\n\nPeter Sinfield\n\nPeter Tiboris\n\nPeter Yarrow\n\nPetr Hannig\n\nPhil Delire\n\nPhil Lesh\n\nPhil Nimmons\n\nPhil Swern\n\nPhil Wiggins\n\nPhilip \"Daddae\" Harvey\n\nPhilip Prendergast\n\nPhilippe McKenzie\n\nPhloen Phromdaen\n\nPinche Peach\n\nPino D'Angiò\n\nPooch Tavares\n\nPraveen Kumar\n\nPresto\n\nPriya Suriyasena\n\nPuput Novel\n\nQuincy Jones\n\nRajeev Taranath\n\nRajko Maksimović\n\nRanch Sironi\n\nRandall Collins\n\nRandy Davidson\n\nRandy Rayburn\n\nRandy Sparks\n\nRaul Sepper\n\nRay Kirkland\n\nRay St. Germain\n\nRebel Roy Steiner Jr.\n\nReggie \"Saafir\" Gibson\n\nReita\n\nRemo Saraceni\n\nRenato Serio\n\nRenna Kellaway\n\nReuben Jackson\n\nRichard Andrew\n\nRichard Dyer\n\nRichard Horowitz\n\nRichard Macphail\n\nRichard Maloof\n\nRichard Perry\n\nRichard Sherman\n\nRichard Tandy\n\nRico Wade\n\nRieko Nakagawa\n\nRise Kagona\n\nRita Mckenzie\n\nRob Stone\n\nRobert \"Bob\" D. Fead\n\nRoberta Marrero\n\nRoberto Darvin\n\nRobin George\n\nRobin Guy\n\nRocket Norton\n\nRodessa Barrett Porter\n\nRodger Fox\n\nRoger Palm\n\nRohan de Saram\n\nRoli Mosimann\n\nRomualds Kalsons\n\nRon Boutwell\n\nRon Kavana\n\nRon Pateras\n\nRoni Stoneman\n\nRose-Marie\n\nRoy Cape\n\nRoy Carter\n\nRoy Haynes\n\nRudolf Jansen\n\nRuss \"Rusty\" Gauthier\n\nRuss North\n\nRuss Wilson\n\nRussell Malone\n\nRussell Stone\n\nRusty Golden\n\nRuth Hesse\n\nRyan Whyte Maloney\n\nRylo Huncho\n\nRyszard Poznakowski\n\nS. Atan\n\nSadi Mohammad\n\nŞahlar Quliyev\n\nSakini Ramachandraiah\n\nSalvatore \"Sam\" Cerami\n\nSam Moore\n\nSandile Ngwenya\n\nSandra Crouch\n\nSandy Posey\n\nSarah Gibson\n\nSarwar\n\nSayuri\n\nScreamin' Scott Simon\n\nSeiji Ozawa\n\nSenaka Batagoda\n\nSergei Rudnitsky\n\nSérgio Mendes\n\nShafin Ahmed\n\nSharda Sinha\n\nShari Martin\n\nShaun Martin\n\nShel Talmy\n\nShifty Shellshock\n\nShinsadong Tiger\n\nShujeo Shyam\n\nSiegfried\n\nSiegfried Lorenz\n\nSiegfried Thiele\n\nSigrid Kehl\n\nSilvia Infantas\n\nSir Andrew Davis\n\nSkowa\n\nSlađana Milošević\n\nSlim Dunlap\n\nStanislas Deriemaeker\n\nStanley Booth\n\nStefan Wojtas\n\nStella Greka\n\nStéphane Venne\n\nSteve Alaimo\n\nSteve Albini\n\nSteve Brown\n\nSteve Davislim\n\nSteve Harley\n\nSteve Kaspar\n\nSteve Kille\n\nSteve Lawrence\n\nSteve Lewinson\n\nSteve Lowry\n\nSteve Morse\n\nSteve Nelson\n\nSteve Ostrow\n\nSteve Wright\n\nSteven Tajti\n\nStipica Kalogjera\n\nStoika Milanova\n\nSturgis Nikides\n\nSue Chaloner\n\nSugar Pie DeSanto\n\nSusan Alcorn\n\nSusan Buckner\n\nSusie Tennant\n\nSylvain Augier\n\nSylvain Luc\n\nT. M. Stevens\n\nTakeshi Inomata\n\nTamás Deák\n\nTarek Ali Hassan\n\nTaro Kida\n\nTavinho Paes\n\nTeddy Lasry\n\nTeodor Zgureanu\n\nTeresa Bright\n\nTerje Bjørklund\n\nThabiso Sikwane\n\nThay Floyd\n\nThomas Hertel\n\nTim Cook\n\nTina Rainford\n\nTito Jackson\n\nToby Keith\n\nToby Meyers\n\nTom Foote\n\nTom Fowler\n\nTom Johnson\n\nTom Kent\n\nTom Prasada-Rao\n\nTomáš Vendl\n\nTomcraft\n\nTommy Alverson\n\nTommy Cash\n\nTommy Drennan\n\nToni Montano\n\nToni Price\n\nTony Haynes\n\nTony Middleton\n\nTony Tuff\n\nTore Ylwizaker\n\nToumani Diabaté\n\nTyka Nelson\n\nUma Ramanan\n\nUmberto Marcato\n\nVaja Azarashvili\n\nValentin Petricenco\n\nVanhlupuii\n\nVic Flick\n\nVicki Rhodes\n\nVijay Anand\n\nVincent Bonham\n\nVitalij Kuprij\n\nVladimir Lyovkin\n\nVladimir Turiyansky\n\nVojtěch Havel\n\nVyacheslav Dobrynin\n\nW.C. 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[Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eAmid a historic night at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://www.grammy.com/artists/alicia-keys/12104) \u003cspan\u003eadded to the remarkable feats when she accepted the Dr. Dre Global Impact Award — becoming the first woman to receive the special honor.\u003c/span\u003e\n\n\u003cspan\u003eAfter a loving introduction by presenter \u003c/span\u003e[\u003cspan\u003eQueen Latifah\u003c/span\u003e](https://www.grammy.com/artists/queen-latifah/5764)\u003cspan\u003e, the \"If I Ain't Got You\" singer delivered a powerful acceptance speech. \"I always had to fight for a certain level of respect as a songwriter, a composer, and especially, a producer,\" Keys began. \u003c/span\u003e\n\n\u003cspan\u003e\"It's strange that we don't think of women as producers like \u003c/span\u003e[\u003cspan\u003eQuincy \\[Jones\\]\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003e\\[Dr.\\] Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003eSwizzy\u003c/span\u003e](https://grammy.com/artists/swizz-beatz/7479)\u003cspan\u003e, but female producers have always powered the industry,\" she continued before citing examples in \u003c/span\u003e[\u003cspan\u003ePatrice Rushen\u003c/span\u003e](https://www.grammy.com/artists/patrice-rushen/17346)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMissy Elliott\u003c/span\u003e](https://www.grammy.com/artists/missy-misdemeanor-elliott/11451)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLinda Perry\u003c/span\u003e](https://www.grammy.com/artists/linda-perry/5376)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGrimes\u003c/span\u003e](https://www.grammy.com/news/grimes-non-violent-utopia)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSolange Knowles\u003c/span\u003e](https://www.grammy.com/artists/solange/20012)\u003cspan\u003e. \"We stand together, so it's a beautiful feeling to be acknowledged for the thing I always thought people didn't really recognize about me.\"\u003c/span\u003e\n\n\u003cspan\u003eAfter dedicating her Global Impact Award to \"all the ladies that know the magic that they bring to the room,\" the\u003c/span\u003e [\u003cspan\u003eShe Is The Music\u003c/span\u003e](https://sheisthemusic.org/) \u003cspan\u003efounder then turned her speech into a rallying cry for unity amid the current federal administration's efforts to dismantle and demonize diversity, equity and inclusion efforts.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Alicia Keys receives Global Impact Award","deliveryId":"7da782f3-19cb-4f68-a8df-3c46f8eab602"},"assetId":"4a851fab-559c-4409-80e3-41dc77b35236","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Alicia Keys Receives Global Impact Award","deliveryId":"2da2d9b4-c2ee-4406-84f5-2059b43274cb"},"bodyText":{"richText":"\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" Keys said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\u003c/span\u003e\n\n\u003cspan\u003e\"When destructive forces try to burn us down, we rise from the ashes like a phoenix. And as you see tonight, music is the unstoppable language that connects us all — it's so beautiful,\" she added in conclusion. \"So let's keep showing up with compassion, with empathy, what I call 'soul care.' Keep opening the doors. 'Dream the world as it ought to be,' as the great Toni Morrison said. So thank you for this massive award, this massive honor.\"\u003c/span\u003e\n\n\u003cspan\u003eKeys earned her first five GRAMMYs more than two decades ago thanks to her 2001 breakout album, \u003c/span\u003e*\u003cspan\u003eSongs in A Minor\u003c/span\u003e*\u003cspan\u003e. She became the biggest winner of the evening at the 2002 GRAMMYs, taking home the golden gramophones for Best New Artist and Best R\u0026amp;B Album, as well as Song Of The Year, Best R\u0026amp;B Song and Best Female R\u0026amp;B Vocal Performance for her debut single, \"Fallin.'\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eGRAMMY Rewind: Watch A 'Humbled' Alicia Keys Win Song Of The Year For \"Fallin'\" In 2002\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-grammy-rewind-fallin-song-of-the-year-win-acceptance-speech-video-songs-in-a-minor)\n\n\u003cspan\u003eSince then, she's added 11 more GRAMMYs to her collection in Categories ranging from Best Rap Song and Best Rap/Sung Collaboration (both for 2009's \"Empire State of Mind\" with \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e) to Best Immersive Audio Album (for the 20th anniversary edition of her 2003 sophomore album \u003c/span\u003e*\u003cspan\u003eThe Diary of Alicia Keys\u003c/span\u003e*\u003cspan\u003e).\u003c/span\u003e\n\n\u003cspan\u003eAhead of the telecast, Keys also scored her 17th career win — and added a new Category to her long GRAMMY resume — when the original cast recording of her 2024 \u003c/span\u003e[\u003cspan\u003eTony-winning\u003c/span\u003e](https://www.grammy.com/news/tony-awards-2024-recap-musical-theater-wins-losses)\u003cspan\u003e Broadway musical \"Hell's Kitchen\" took home the trophy for Best Musical Theater Album.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/dr-dre-2023-grammys-global-impact-award-inaugural-recipient) \u003cspan\u003ewas first given out at the 2023 GRAMMYs ceremony, honoring its namesake for his visionary contributions to popular music and culture throughout his decades long career. Last year, Keys' \"Empire State of Mind\" collaborator Jay-Z was\u003c/span\u003e [\u003cspan\u003ehonored\u003c/span\u003e](https://www.grammy.com/news/jay-z-2024-grammys-speech-dr-dre-global-impact-award) \u003cspan\u003ewith the special award with his daughter (and fellow GRAMMY winner)\u003c/span\u003e [\u003cspan\u003eBlue Ivy Carter\u003c/span\u003e](https://www.grammy.com/artists/blue-ivy/292460) \u003cspan\u003eby his side.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"85e390c6-71dd-4cbd-9aaa-70b814964b87","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B"],"tags":["Alicia Keys","2025 GRAMMYs","Global Impact Award","Black Music Collective"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738559697762,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Alicia Keys Delivers A Powerful Call To Action After Receiving Dr. Dre Global Impact Award","shortTitle":"Alicia Keys Receives Dr. Dre Global Impact Award","subHeadline":"The freshly minted 17-time GRAMMY winner dedicated her history-making honor to the women in the room, also praising the power of diversity.","articleSummary":"The freshly minted 17-time GRAMMY winner became the first woman to receive the special honor. She dedicated her history-making feat to the women in the room and praised the power of diversity.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","deliveryId":"85e390c6-71dd-4cbd-9aaa-70b814964b87"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"alicia-keys-2025-grammys-GIA-speech","id":"b462e3c4-1c89-4ee4-aa92-b3eda6eb8aed","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Alicia Keys","2025 GRAMMYs"],"title":"Alicia Keys Honored With The Global Impact Award","shortTitle":"Alicia Keys Honored With The Global Impact Award","imgAlt":"Honoree Alicia Keys accepts the Dr. Dre Global Impact Award onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California","imgTitle":"Alicia Keys Honored With The Global Impact Award","link":"/","captionValue":"Alicia Keys onstage at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":4261,"height":2841,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryKey":"news/2025-grammys-quincy-jones-tribute-performance-stevie-wonder-herbie-hancock-janelle-monae","deliveryId":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"bdbfbd8d-b0d4-41a5-a6cc-d3d2f2c61b6c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eThe Recording Academy paid tribute to the life and legacy of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e with a special medley during the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. The legendary producer and composer, a 28-time GRAMMY winner, passed away in November 2024 at the age of 91.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFeaturing a heartfelt introduction from \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eWill Smith\u003c/span\u003e](https://grammy.com/artists/will-smith/7175)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, the dazzling performance featured a myriad of artists who honored the multihyphenate's extensive catalog. The tribute began with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCynthia Erivo\u003c/span\u003e](https://docs.google.com/document/d/1JTEoUQ97cZ-qEXrcBV_xYYAJvNoQkvE1-FFnBCFQ7Fk/edit?tab=t.0)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eHerbie Hancock\u003c/span\u003e](https://grammy.com/artists/herbie-hancock/9477)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e blowing the roof \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW160280551 BCX4\"\u003eoff of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e L.A.’s Crypto.com Arena with a jazzy rendition of \"Fly Me to the Moon,\" which Jones famously arranged for \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e’s 1964 rendition accompanied by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCount Basie\u003c/span\u003e](https://grammy.com/artists/count-basie/332)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. An instrumental version by\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Joe Harnell\u003c/span\u003e](https://grammy.com/artists/joe-harnell/3676)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e won a GRAMMY in 1963 for Best Performance \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eBy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eAn\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Orchestra – For Dancing.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eNext, \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003ecurrent\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e nominee \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eLainey Wilson\u003c/span\u003e](https://www.grammy.com/artists/lainey-wilson/54192)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e was backed by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and a live band for \"Let the Good Times Roll.\" Notably, the song earned Jones one of his first two GRAMMY nominations, for Best Arrangement, in 1961. Thirty-four years later, Jones memorably assembled \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eStevie Wonder\u003c/span\u003e](https://grammy.com/artists/stevie-wonder/8257)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRay Charles\u003c/span\u003e](https://grammy.com/artists/ray-charles/10927)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eBono\u003c/span\u003e](https://grammy.com/artists/bono/788)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e to cover the song — which was later inducted into the GRAMMY Hall of Fame in 2009 — on his 1995 album \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQ’s Jook Joint\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFollowing Wilson’s twangy take on the jump blues classic, Wonder showed off his famous harmonica skills for the 1962 instrumental jazz standard \"Bluesette\" — which closed out Jones’ 1975 LP \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eMellow Madness\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e — with another assist from Hancock. From Hancock's piano bench, wonder led the entire arena in a sing-along of \"We Are the World.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRemembering Quincy Jones: Musical Pioneer, Inspiration, Activist \u0026amp; Renaissance Man\u003c/span\u003e](https://www.grammy.com/news/remembering-quincy-jones-grammy-winner-pioneer)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Stevie Wonder \u0026 Herbie Hancock Performance | \"We Are The World\" \u0026 \"Bluesette\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"ef553acc-20c4-44b9-957a-07f1da145e65"},"assetId":"de08cee5-fa97-404a-af78-e3104d3ecede","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Cynthia Erivo \u0026 Herbie Hancock Performance | \"Fly Me To The Moon\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"013532c6-32a4-4516-af75-b523743dab23"},"assetId":"e63f4fed-d2ec-4f02-b0ec-7bdaad320860","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Lainey Wilson \u0026 Jacob Collier Performance| \"Let The Good Times Roll\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"fcbc1916-16be-4bc7-a7cb-20501b01fd0e"},"assetId":"ea8fb4c2-8bb4-42e1-afab-a28a56804c18","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"b3c2e4d2-9276-4bdf-bbe0-2da61e0e58c2"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"This song fed millions of people in Ethiopia,\" Wonder said to introduce the 1985 charity single — which Jones produced featuring an all-star line-up including \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eLionel Richie\u003c/span\u003e](https://grammy.com/artists/lionel-richie/17291)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eMichael Jackson\u003c/span\u003e](https://grammy.com/artists/michael-jackson/13202)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBilly Joel\u003c/span\u003e](https://grammy.com/artists/billy-joel/12071)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTina Turner\u003c/span\u003e](https://grammy.com/artists/tina-turner/7641)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBruce Springsteen\u003c/span\u003e](https://grammy.com/artists/bruce-springsteen/6389)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e and many more.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"You see those people on the screen? You see the people up there?\" Wonder continued as photos flashed from the song’s famed recording session. \"That day, Quincy told us to keep our egos out, and at the door. And we are still the world. And I say to you, we’re still the children, we are still the people who will fight and die for this nation. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e we definitely have to be able to celebrate each other’s cultures all the time. You feel me?\" The anthem by USA for Africa won multiple GRAMMY Awards in 1986, including Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year and Best Pop Performance by a Duo or Group with Vocal.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBetween musical numbers, Smith then returned to the mic to share the impact Jones left on his life as executive producer of \"The Fresh Prince of Bel-Air.\" \"He said something to me that became the absolute center of how I wanted to have my career, how I wanted to live my life,\" the rapper-turned-actor said. \"He looked right in my face, and he said, ‘It is your job to take care of these people.’ And I’ve done everything I can through my career to try to live up to Quincy’s demand.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"All of Q’s children and all of us who just loved him like he was our father, know this: Quincy Jones always took care of people,\" Smith continued. \"And that’s how he fed the world. Quincy taught us all that life is a feast, and you don’t stop ‘til you get enough.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eFinally, the segment concluded with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eJanelle Monáe\u003c/span\u003e](https://grammy.com/artists/janelle-monae/4464)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e paying tribute to Jones’ long and fruitful working relationship with Jackson with a performance of \"Don’t Stop \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW205796115 BCX4\"\u003e'Til\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e You Get Enough.\" After channeling the King of Pop by moonwalking across the stage, the ten-time GRAMMY nominee jumped up on a table in the audience, throwing off her bedazzled suit jacket to reveal a t-shirt emblazoned with \"I \\[Heart\\] QJ.\" (For its part, the suit coat appeared to end up around none other than \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e’s shoulders by the time Monáe took her final bow.)\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eIn addition to 80 GRAMMY nominations, Jones took home golden gramophones for Producer \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year three times, and both Album and Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year twice. He was also the recipient of the GRAMMY Trustees Award in 1989, the GRAMMY Legend Award in 1991 and was named MusiCares Person of the Year in 1996.\u003c/span\u003e\n\nVisit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"b24256db-0c3a-467f-962e-f16b9996b6f6","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B","Rap"],"tags":["2025 GRAMMYs","In Memoriam","Quincy Jones","Janelle Monáe","Stevie Wonder","Lainey Wilson","Herbie Hancock","Jacob Collier","Cynthia Erivo"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612153316,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","subHeadline":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","articleSummary":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","deliveryId":"b24256db-0c3a-467f-962e-f16b9996b6f6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"cynthia-erivo-2025-grammys-performance","id":"ac6f4a15-3d5d-4813-81d7-b35397c588b1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["2025 GRAMMYs","Cynthia Erivo"],"title":"2025 GRAMMYs Pay Tribute To Quincy Jones","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","imgAlt":"Cynthia Erivo onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","link":"/","captionValue":"Cynthia Erivo performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":5000,"height":3334,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/doechii-wins-best-rap-album-2025-grammys","deliveryId":"ef15170c-4a53-481a-a973-663715043a14"},"video":{"videoPlatformSource":"Nomad","assetId":"7820fb20-977d-4431-851b-95fd6d76dfea"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e delivers an acceptance speech after winning Best Rap Album for \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e at the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eJ. Cole\u003c/span\u003e](https://www.grammy.com/artists/j-cole/1324)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMight Delete Later\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eCommon\u003c/span\u003e](https://www.grammy.com/artists/common/1332)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp; \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003ePete Rock\u003c/span\u003e](https://www.grammy.com/artists/pete-rock/58112)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Auditorium, Vol. 1\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eEminem\u003c/span\u003e](https://www.grammy.com/artists/eminem/8580)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Death \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eOf \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eSlim Shady (Coup De \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eGrâce\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e)\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), and \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eFuture\u003c/span\u003e](https://grammy.com/artists/future/19716)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp;\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMetro Boomin\u003c/span\u003e](https://grammy.com/artists/metro-boomin/51984)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eWe Don't Trust You\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e).\u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Rap"],"tags":["2025 GRAMMYs","Rap","Best Rap Album","Doechii"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738352001223,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","shortTitle":"Doechii Wins Best Rap Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/78/20/fb/7820fb20-977d-4431-851b-95fd6d76dfea/screenshots/PreviewImage-00-01-44.020.jpg","duration":"208041"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Shakira Win Best Latin Pop Album For Best Latin Pop Album | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/shaikra-wins-best-latin-pop-album-2025-grammys","deliveryId":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},"video":{"videoPlatformSource":"Nomad","assetId":"a6b6cc8f-3f7f-4521-8fc9-97481bd34993"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[Shakira](https://grammy.com/artists/shakira/17393)** \u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003edelivers an acceptance speech after winning Best Latin Pop Album for \u003c/span\u003e*Las Mujeres Ya No Lloran*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e at the\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eFunk Generation\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eAnitta\u003c/span\u003e](https://www.grammy.com/artists/anitta/51568)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eEl Viaje\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eLuis Fonsi\u003c/span\u003e](https://www.grammy.com/artists/luis-fonsi/3346)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eGARCÍA\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKany García\u003c/span\u003e](https://www.grammy.com/artists/kany-garcia/3540)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), and \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eORQUÍDEAS\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKali Uchis\u003c/span\u003e](https://www.grammy.com/artists/kali-uchis/188816)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e). \u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Latin","Pop"],"tags":["2025 GRAMMYs","Best Latin Pop Album","Latin Music","Shakira"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1739229150127,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Shakira Win Best Latin Pop Album For 'Las Mujeres Ya No Lloran' | 2025 GRAMMYs Acceptance Speech","shortTitle":"Shakira Wins Best Latin Pop Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/a6/b6/cc/a6b6cc8f-3f7f-4521-8fc9-97481bd34993/screenshots/PreviewImage-00-00-55.372.jpg","duration":"110744"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch SZA Talk About Super Bowl Lix Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","deliveryKey":"videos/sza-2025-grammys-backstage-interview","deliveryId":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},"video":{"videoPlatformSource":"Nomad","assetId":"7ddd0b6b-36fc-4883-bed5-14c477ffab4c"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. 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The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview","SZA","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738560215627,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch SZA Talk About Super Bowl LIX Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","shortTitle":"SZA Backstage Interview | 2025 GRAMMYs","videoCategory":"interview","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/7d/dd/0b/7ddd0b6b-36fc-4883-bed5-14c477ffab4c/screenshots/PreviewImage-00-03-50.013.jpg","duration":"460026"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/grammys-pay-tribute-to-first-responders-lafd-wildfire-recovery","deliveryId":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"},"video":{"videoPlatformSource":"Nomad","assetId":"26e7acc6-4145-4714-a5aa-d04c2d166e30"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. 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The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561042764,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","shortTitle":"Watch The GRAMMYs Pay Tribute To First Responders","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/26/e7/ac/26e7acc6-4145-4714-a5aa-d04c2d166e30/screenshots/PreviewImage-00-01-07.784.jpg","duration":"135569"}}]}],"hero":{"id":"b61ed4c2-e1f5-4479-ab8c-afba280b3da8","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Reflections From 2025 GRAMMY Nominee Celebrations Keyon Harrold Pete Rock hero"},"contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","San Francisco Chapter","Nashville Chapter","New York Chapter"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738950940145,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"At Their 2025 GRAMMY Nominee Celebrations, Academy Chapters Focus On Giving Back","shortTitle":"Reflections From 2025 GRAMMY Nominee Celebrations","subHeadline":"Uniting those up for GRAMMY honors with Chapter board members, past winners and up-and-coming artists, New York, Nashville, and San Francisco Chapter events held before the 2025 GRAMMYs honored hard work and fundraised for wildfire victims.","articleSummary":"Enjoy an exclusive look inside the Recording Academy’s nominee celebrations in Berkeley, Nashville, and New York City and their efforts to fundraise on behalf of L.A. wildfire victims in the music industry."},"authors":[{"title":"Zack Ruskin","id":"258cc239-2829-438d-98cb-e447488cbb02","deliveryKey":"bio/zack-ruskin"}],"image":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Reflections From 2025 GRAMMY Nominee Celebrations Keyon Harrold Pete Rock hero","deliveryId":"b61ed4c2-e1f5-4479-ab8c-afba280b3da8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Pete Rock and Keyon Harrold","id":"313ed159-0c76-4331-ab4f-8f86a4867500","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"**\u003cspan\u003ePhoto courtesy of the New York Chapter\u003c/span\u003e**"},"tags":["Pete Rock","Keyon Harrold"],"title":"Reflections From 2025 GRAMMY Nominee Celebrations","shortTitle":"Reflections From 2025 GRAMMY Nominee Celebrations","imgAlt":"Hip-hop legend Pete Rock and 2025 GRAMMY nominee Keyon Harrold at the New York Chapter nominee celebration","imgTitle":"Reflections From 2025 GRAMMY Nominee Celebrations","link":"/","captionValue":"Hip-hop legend Pete Rock and 2025 GRAMMY nominee Keyon Harrold at the New York Chapter nominee celebration."}}],"openGraph":{"type":"article","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","description":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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