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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Fernando Pessoa</h1><div class="u-tcGrayDark">23,479 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Fernando Pessoa</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Fernando_Pessoa/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Fernando_Pessoa/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Fernando_Pessoa/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Fernando_Pessoa">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44409788" data-work_id="44409788" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44409788/ANTERO_DE_QUENTAL_E_A_NOVA_POESIA_PORTUGUESA_ANTERO_DE_QUENTAL_AND_THE_NEW_PORTUGUESE_POETRY">ANTERO DE QUENTAL E A NOVA POESIA PORTUGUESA/ ANTERO DE QUENTAL AND THE NEW PORTUGUESE POETRY</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMO: O presente estudo procura investigar a obra teórica de Fernando Pessoa, intitulada A Nova Poesia Portuguesa, a fim de verificar de que forma o escritor compara o novo movimento poético português, do qual Antero de Quental fora... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44409788" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMO: O presente estudo procura investigar a obra teórica de Fernando Pessoa, intitulada A Nova Poesia Portuguesa, a fim de verificar de que forma o escritor compara o novo movimento poético português, do qual Antero de Quental fora considerado o precursor, às magnas correntes literárias europeias. Na tentativa de observar o lugar de destaque de Quental dentro do movimento literário em Portugal, busca-se analisar, nas Odes Modernas, os elementos indicados por Pessoa na teorização que este empreende em sua referida obra, com o objetivo de confirmar a relevância de Antero de Quental no contexto literário chamado por Pessoa de “Nova Poesia Portuguesa”.<br /><br />PALAVRAS-CHAVE: A Nova Poesia Portuguesa; Fernando Pessoa; Odes Modernas; Antero de Quental.<br /><br />ABSTRACT: This paper tries to investigate the theoretical work of Fernando Pessoa, titled A Nova Poesia Portuguesa, so that It may verify the way that the writer enrolls the new Portuguese poetic movement, which has Antero de Quental as the precursor, to the great European literary tendencies. In order to observe the prominence place of Antero de Quental within the literary movement in Portugal, this study intends to analyse in the Odes Modernas characteristic elements indicated by Pessoa, which confirm the relevance of Antero de Quental and his work inside the New Portuguese Poetry.<br /><br />KEYWORDS: The New Portuguese Poetry; Fernando Pessoa; Odes Modernas; Antero de Quental</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44409788" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d8a08282633616deb63046b32a18e637" rel="nofollow" data-download="{"attachment_id":64820599,"asset_id":44409788,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64820599/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="166236757" href="https://ueg.academia.edu/ViaLitterae">Via Litterae (ISSN 2176-6800)</a><script data-card-contents-for-user="166236757" type="text/json">{"id":166236757,"first_name":"Via","last_name":"Litterae (ISSN 2176-6800)","domain_name":"ueg","page_name":"ViaLitterae","display_name":"Via Litterae (ISSN 2176-6800)","profile_url":"https://ueg.academia.edu/ViaLitterae?f_ri=12684","photo":"https://0.academia-photos.com/166236757/46610603/35962653/s65_via.litterae.jpg"}</script></span></span></li><li class="js-paper-rank-work_44409788 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44409788"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44409788, container: ".js-paper-rank-work_44409788", }); 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$(".js-view-count[data-work-id=44409788]").text(description); $(".js-view-count-work_44409788").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44409788").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44409788"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="537041" href="https://www.academia.edu/Documents/in/Poesia_portuguesa_contemporanea">Poesia portuguesa contemporânea</a>, <script data-card-contents-for-ri="537041" type="text/json">{"id":537041,"name":"Poesia portuguesa contemporânea","url":"https://www.academia.edu/Documents/in/Poesia_portuguesa_contemporanea?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="570362" href="https://www.academia.edu/Documents/in/Antero_de_Quental">Antero de Quental</a><script data-card-contents-for-ri="570362" type="text/json">{"id":570362,"name":"Antero de Quental","url":"https://www.academia.edu/Documents/in/Antero_de_Quental?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44409788]'), work: {"id":44409788,"title":"ANTERO DE QUENTAL E A NOVA POESIA PORTUGUESA/ ANTERO DE QUENTAL AND THE NEW PORTUGUESE POETRY","created_at":"2020-10-31T17:29:48.930-07:00","url":"https://www.academia.edu/44409788/ANTERO_DE_QUENTAL_E_A_NOVA_POESIA_PORTUGUESA_ANTERO_DE_QUENTAL_AND_THE_NEW_PORTUGUESE_POETRY?f_ri=12684","dom_id":"work_44409788","summary":"RESUMO: O presente estudo procura investigar a obra teórica de Fernando Pessoa, intitulada A Nova Poesia Portuguesa, a fim de verificar de que forma o escritor compara o novo movimento poético português, do qual Antero de Quental fora considerado o precursor, às magnas correntes literárias europeias. Na tentativa de observar o lugar de destaque de Quental dentro do movimento literário em Portugal, busca-se analisar, nas Odes Modernas, os elementos indicados por Pessoa na teorização que este empreende em sua referida obra, com o objetivo de confirmar a relevância de Antero de Quental no contexto literário chamado por Pessoa de “Nova Poesia Portuguesa”.\n\nPALAVRAS-CHAVE: A Nova Poesia Portuguesa; Fernando Pessoa; Odes Modernas; Antero de Quental.\n\nABSTRACT: This paper tries to investigate the theoretical work of Fernando Pessoa, titled A Nova Poesia Portuguesa, so that It may verify the way that the writer enrolls the new Portuguese poetic movement, which has Antero de Quental as the precursor, to the great European literary tendencies. In order to observe the prominence place of Antero de Quental within the literary movement in Portugal, this study intends to analyse in the Odes Modernas characteristic elements indicated by Pessoa, which confirm the relevance of Antero de Quental and his work inside the New Portuguese Poetry.\n\nKEYWORDS: The New Portuguese Poetry; Fernando Pessoa; Odes Modernas; Antero de Quental","downloadable_attachments":[{"id":64820599,"asset_id":44409788,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":166236757,"first_name":"Via","last_name":"Litterae (ISSN 2176-6800)","domain_name":"ueg","page_name":"ViaLitterae","display_name":"Via Litterae (ISSN 2176-6800)","profile_url":"https://ueg.academia.edu/ViaLitterae?f_ri=12684","photo":"https://0.academia-photos.com/166236757/46610603/35962653/s65_via.litterae.jpg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":537041,"name":"Poesia portuguesa contemporânea","url":"https://www.academia.edu/Documents/in/Poesia_portuguesa_contemporanea?f_ri=12684","nofollow":false},{"id":570362,"name":"Antero de Quental","url":"https://www.academia.edu/Documents/in/Antero_de_Quental?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23255602" data-work_id="23255602" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23255602/Notes_on_the_Modernist_Long_Poem_in_the_Writings_of_Fernando_Pessoas_Heteronym_%C3%81lvaro_de_Campos_and_T_S_Eliot">Notes on the Modernist Long Poem in the Writings of Fernando Pessoa's Heteronym Álvaro de Campos and T. S. Eliot</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Starting from Edgar Allan Poe’s assertion that there is no such thing as a long poem, several modernist poets discovered the lyrical potential of a new poetical form in which extension is possible if one follows an analogous principal to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23255602" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Starting from Edgar Allan Poe’s assertion that there is no such thing as a<br />long poem, several modernist poets discovered the lyrical potential of a new poetical<br />form in which extension is possible if one follows an analogous principal to that<br />in music: base the poem not on narration, but on a concert of images or emotions<br />that pursue a new language, a language we could say begins with Mallarmé and<br />resolves itself in modern poems of very diverse natures, such as T. S. Eliot’s The Waste<br />Land and Four Quartets, and Ode marítima by Fernando Pessoa’s heteronym Álvaro<br />de Campos.<br />The purpose of this reflection is to compare the way Eliot and Pessoa, representing<br />differing contemporary literary traditions, created, each in his own way, the<br />modernist long poem. The result, I hope, may enhance our understanding of this<br />poetic manifestation, not as a national but as a cosmopolitan phenomenon, which<br />may explain its success throughout the last century.<br />keywords: Álvaro de Campos, T. S. Eliot, Modernist Long Poem</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23255602" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e18f1c1442c912591ed1795e82fce2e7" rel="nofollow" data-download="{"attachment_id":43734492,"asset_id":23255602,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43734492/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="44006599" href="https://auabjo.academia.edu/paulyellenbothe">pauly ellen bothe</a><script data-card-contents-for-user="44006599" type="text/json">{"id":44006599,"first_name":"pauly ellen","last_name":"bothe","domain_name":"auabjo","page_name":"paulyellenbothe","display_name":"pauly ellen bothe","profile_url":"https://auabjo.academia.edu/paulyellenbothe?f_ri=12684","photo":"https://0.academia-photos.com/44006599/11735334/17294048/s65_pauly_ellen.bothe.jpg"}</script></span></span></li><li class="js-paper-rank-work_23255602 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23255602"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23255602, container: ".js-paper-rank-work_23255602", }); 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$(".js-view-count[data-work-id=23255602]").text(description); $(".js-view-count-work_23255602").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_23255602").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="23255602"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a>, <script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6579" href="https://www.academia.edu/Documents/in/Cosmopolitanism">Cosmopolitanism</a>, <script data-card-contents-for-ri="6579" type="text/json">{"id":6579,"name":"Cosmopolitanism","url":"https://www.academia.edu/Documents/in/Cosmopolitanism?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a><script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=23255602]'), work: {"id":23255602,"title":"Notes on the Modernist Long Poem in the Writings of Fernando Pessoa's Heteronym Álvaro de Campos and T. S. Eliot","created_at":"2016-03-14T20:48:55.908-07:00","url":"https://www.academia.edu/23255602/Notes_on_the_Modernist_Long_Poem_in_the_Writings_of_Fernando_Pessoas_Heteronym_%C3%81lvaro_de_Campos_and_T_S_Eliot?f_ri=12684","dom_id":"work_23255602","summary":"Starting from Edgar Allan Poe’s assertion that there is no such thing as a\nlong poem, several modernist poets discovered the lyrical potential of a new poetical\nform in which extension is possible if one follows an analogous principal to that\nin music: base the poem not on narration, but on a concert of images or emotions\nthat pursue a new language, a language we could say begins with Mallarmé and\nresolves itself in modern poems of very diverse natures, such as T. S. Eliot’s The Waste\nLand and Four Quartets, and Ode marítima by Fernando Pessoa’s heteronym Álvaro\nde Campos.\nThe purpose of this reflection is to compare the way Eliot and Pessoa, representing\ndiffering contemporary literary traditions, created, each in his own way, the\nmodernist long poem. The result, I hope, may enhance our understanding of this\npoetic manifestation, not as a national but as a cosmopolitan phenomenon, which\nmay explain its success throughout the last century.\nkeywords: Álvaro de Campos, T. S. Eliot, Modernist Long Poem","downloadable_attachments":[{"id":43734492,"asset_id":23255602,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44006599,"first_name":"pauly ellen","last_name":"bothe","domain_name":"auabjo","page_name":"paulyellenbothe","display_name":"pauly ellen bothe","profile_url":"https://auabjo.academia.edu/paulyellenbothe?f_ri=12684","photo":"https://0.academia-photos.com/44006599/11735334/17294048/s65_pauly_ellen.bothe.jpg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false},{"id":6579,"name":"Cosmopolitanism","url":"https://www.academia.edu/Documents/in/Cosmopolitanism?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":92613,"name":"Federico García Lorca","url":"https://www.academia.edu/Documents/in/Federico_Garc%C3%ADa_Lorca?f_ri=12684"},{"id":537041,"name":"Poesia portuguesa contemporânea","url":"https://www.academia.edu/Documents/in/Poesia_portuguesa_contemporanea?f_ri=12684"},{"id":1790941,"name":"Thomas Stearns Eliot","url":"https://www.academia.edu/Documents/in/Thomas_Stearns_Eliot?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12750332" data-work_id="12750332" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12750332/O_Livro_do_Desassossego_uma_prateleira_de_frascos_vazios">O "Livro do Desassossego": uma prateleira de frascos vazios</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12750332" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b9c9a5552b006320f34f7691f0486371" rel="nofollow" data-download="{"attachment_id":37804850,"asset_id":12750332,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37804850/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4324272" href="https://fflch.academia.edu/caiogagliardi">caio gagliardi</a><script data-card-contents-for-user="4324272" type="text/json">{"id":4324272,"first_name":"caio","last_name":"gagliardi","domain_name":"fflch","page_name":"caiogagliardi","display_name":"caio gagliardi","profile_url":"https://fflch.academia.edu/caiogagliardi?f_ri=12684","photo":"https://0.academia-photos.com/4324272/9427567/44299616/s65_caio.gagliardi.jpg"}</script></span></span></li><li class="js-paper-rank-work_12750332 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12750332"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12750332, container: ".js-paper-rank-work_12750332", }); });</script></li><li class="js-percentile-work_12750332 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12750332; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12750332"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12750332 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12750332"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12750332; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12750332]").text(description); $(".js-view-count-work_12750332").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12750332").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12750332"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10758" href="https://www.academia.edu/Documents/in/Modernity">Modernity</a>, <script data-card-contents-for-ri="10758" type="text/json">{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="572641" href="https://www.academia.edu/Documents/in/Livro_do_Desassossego">Livro do Desassossego</a><script data-card-contents-for-ri="572641" type="text/json">{"id":572641,"name":"Livro do Desassossego","url":"https://www.academia.edu/Documents/in/Livro_do_Desassossego?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12750332]'), work: {"id":12750332,"title":"O \"Livro do Desassossego\": uma prateleira de frascos vazios","created_at":"2015-06-02T07:24:39.934-07:00","url":"https://www.academia.edu/12750332/O_Livro_do_Desassossego_uma_prateleira_de_frascos_vazios?f_ri=12684","dom_id":"work_12750332","summary":null,"downloadable_attachments":[{"id":37804850,"asset_id":12750332,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4324272,"first_name":"caio","last_name":"gagliardi","domain_name":"fflch","page_name":"caiogagliardi","display_name":"caio gagliardi","profile_url":"https://fflch.academia.edu/caiogagliardi?f_ri=12684","photo":"https://0.academia-photos.com/4324272/9427567/44299616/s65_caio.gagliardi.jpg"}],"research_interests":[{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=12684","nofollow":false},{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":572641,"name":"Livro do Desassossego","url":"https://www.academia.edu/Documents/in/Livro_do_Desassossego?f_ri=12684","nofollow":false},{"id":911682,"name":"Bernardo Soares","url":"https://www.academia.edu/Documents/in/Bernardo_Soares?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40734939" data-work_id="40734939" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40734939/A_Melancholic_Exile_Emil_Cioran_and_the_Feeling_of_Nostalgia">A Melancholic Exile: Emil Cioran and the Feeling of Nostalgia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article aims to investigate the relationship between nostalgia, solitude, and skepticism in Emil Cioran’s thought. In the first place, we will examine how the concepts of Sehnsucht, saudade and dor are interpreted by Cioran as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40734939" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article aims to investigate the relationship between nostalgia, solitude, and skepticism in Emil Cioran’s thought. In the first place, we will examine how the concepts of Sehnsucht, saudade and dor are interpreted by Cioran as similar forms of radical nostalgia. In the second place, we will see how the skeptical attitude of doubting reality relates to the nostalgic impossibility of belonging to reality itself. Finally, we will suppose that the metaphysical feeling of being isolated and separated from the world implies a skeptical criticism of subjectivity itself and a humoristic interpretation of existence.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40734939" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="88f444fff5665326818d30026e52b00e" rel="nofollow" data-download="{"attachment_id":61019407,"asset_id":40734939,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61019407/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27266862" href="https://unitn.academia.edu/PaoloVanini">Paolo Vanini</a><script data-card-contents-for-user="27266862" type="text/json">{"id":27266862,"first_name":"Paolo","last_name":"Vanini","domain_name":"unitn","page_name":"PaoloVanini","display_name":"Paolo Vanini","profile_url":"https://unitn.academia.edu/PaoloVanini?f_ri=12684","photo":"https://0.academia-photos.com/27266862/8176189/9149606/s65_paolo.vanini.jpg_oh_178ea5e8bcce611a6a8742c07e12f358_oe_55a08acf___gda___1437712585_98e6ff4bababcd5e2dd0c3f78c5c1a62"}</script></span></span></li><li class="js-paper-rank-work_40734939 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40734939"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40734939, container: ".js-paper-rank-work_40734939", }); 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$(".js-view-count[data-work-id=40734939]").text(description); $(".js-view-count-work_40734939").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40734939").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40734939"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3041" href="https://www.academia.edu/Documents/in/Humor">Humor</a>, <script data-card-contents-for-ri="3041" type="text/json">{"id":3041,"name":"Humor","url":"https://www.academia.edu/Documents/in/Humor?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29711" href="https://www.academia.edu/Documents/in/Skepticism">Skepticism</a>, <script data-card-contents-for-ri="29711" type="text/json">{"id":29711,"name":"Skepticism","url":"https://www.academia.edu/Documents/in/Skepticism?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="42042" href="https://www.academia.edu/Documents/in/Nostalgia">Nostalgia</a><script data-card-contents-for-ri="42042" type="text/json">{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40734939]'), work: {"id":40734939,"title":"A Melancholic Exile: Emil Cioran and the Feeling of Nostalgia","created_at":"2019-10-25T12:35:00.784-07:00","url":"https://www.academia.edu/40734939/A_Melancholic_Exile_Emil_Cioran_and_the_Feeling_of_Nostalgia?f_ri=12684","dom_id":"work_40734939","summary":"This article aims to investigate the relationship between nostalgia, solitude, and skepticism in Emil Cioran’s thought. In the first place, we will examine how the concepts of Sehnsucht, saudade and dor are interpreted by Cioran as similar forms of radical nostalgia. In the second place, we will see how the skeptical attitude of doubting reality relates to the nostalgic impossibility of belonging to reality itself. Finally, we will suppose that the metaphysical feeling of being isolated and separated from the world implies a skeptical criticism of subjectivity itself and a humoristic interpretation of existence.","downloadable_attachments":[{"id":61019407,"asset_id":40734939,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27266862,"first_name":"Paolo","last_name":"Vanini","domain_name":"unitn","page_name":"PaoloVanini","display_name":"Paolo Vanini","profile_url":"https://unitn.academia.edu/PaoloVanini?f_ri=12684","photo":"https://0.academia-photos.com/27266862/8176189/9149606/s65_paolo.vanini.jpg_oh_178ea5e8bcce611a6a8742c07e12f358_oe_55a08acf___gda___1437712585_98e6ff4bababcd5e2dd0c3f78c5c1a62"}],"research_interests":[{"id":3041,"name":"Humor","url":"https://www.academia.edu/Documents/in/Humor?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":29711,"name":"Skepticism","url":"https://www.academia.edu/Documents/in/Skepticism?f_ri=12684","nofollow":false},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia?f_ri=12684","nofollow":false},{"id":98286,"name":"Emil Cioran","url":"https://www.academia.edu/Documents/in/Emil_Cioran?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43120634" data-work_id="43120634" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43120634/Guimar%C3%A3es_Pessoa_Editor_7_Os_Sonetos_Completos_de_Antero_de_Quental">Guimarães - Pessoa Editor. 7. Os Sonetos Completos de Antero de Quental</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">OS SONETOS COMPLETOS DE ANTERO DE QUENTAL PREFÁCIO: J. P. Oliveira Martins NOTA PRÉVIA , TRANSCRIÇÕES E POSFÁCIO: Patricio Ferrari CAPA: João Botelho REVISÃO: Susana Tavares Pedro Impresso na Guide para a Guimarães em Novembro de 2010... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43120634" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">OS SONETOS COMPLETOS DE ANTERO DE QUENTAL<br />PREFÁCIO: J. P. Oliveira Martins<br />NOTA PRÉVIA , TRANSCRIÇÕES E POSFÁCIO: Patricio Ferrari<br />CAPA: João Botelho<br />REVISÃO: Susana Tavares Pedro<br />Impresso na Guide para a Guimarães em Novembro de 2010<br />Lisboa: Guimarães [Babel], 2010. ISBN: 978-972-665-651-7</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43120634" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3e64c4e30a0820a4cea67583b04659aa" rel="nofollow" data-download="{"attachment_id":63377130,"asset_id":43120634,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63377130/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_43120634 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43120634"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43120634, container: ".js-paper-rank-work_43120634", }); 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It consists of a chronological and textual overview of these themes in the author's writing and intellectual course. Focusing primarily on... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27100224" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper introduces the presence of Islam and Islamic culture in the work of Fernando Pessoa. It consists of a chronological and textual overview of these themes in the author's writing and intellectual course. Focusing primarily on Pessoa's literary estate and private library, this paper points out and presents Pessoa's interests in Islam, Islamic Philosophy, Arabic literature, Omar Khayyām and al-Andalus. A hermeneutical, cultural and bio-bibliographical framework is proposed and further research possibilities are suggested. The paper is followed by a publication of twelve texts from the author's literary estate concerning these themes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27100224" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2d3325f59aca7f4fe397fda2882481df" rel="nofollow" data-download="{"attachment_id":47351576,"asset_id":27100224,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47351576/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2834757" href="https://lisboa.academia.edu/FabrizioBoscaglia">Fabrizio Boscaglia</a><script data-card-contents-for-user="2834757" type="text/json">{"id":2834757,"first_name":"Fabrizio","last_name":"Boscaglia","domain_name":"lisboa","page_name":"FabrizioBoscaglia","display_name":"Fabrizio Boscaglia","profile_url":"https://lisboa.academia.edu/FabrizioBoscaglia?f_ri=12684","photo":"https://0.academia-photos.com/2834757/931472/50391003/s65_fabrizio.boscaglia.jpg"}</script></span></span></li><li class="js-paper-rank-work_27100224 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27100224"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27100224, container: ".js-paper-rank-work_27100224", }); 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Em política, temos até um auto-retrato bastante completo, e a sucessão de textos que foi escrevendo,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1494326" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Um curioso aspecto do pensamento de Pessoa foi deixado por ele esparso, e o que parece totalmente ao acaso dos investigadores: o Direito. Em política, temos até um auto-retrato bastante completo, e a sucessão de textos que foi escrevendo, em prosa e em verso, facilmente nos permite reconstruir um percurso, a partir das suas bases ideológicas. Mas o que pensaria Pessoa do Direito? Neste caso, o “fingidor” não fingiu, não posou para a sua tão cuidadosamente preparada fama póstuma. Estamos, assim, perante um aspecto da sua vida mental que parece ter escapado à composição para um público (ainda que futuro), o que é, afinal de contas (sem fazer das fraquezas forças) uma situação apesar de tudo invejável... O presente artigo procura surpreender Pessoa a dialogar com um texto jurídico, elaborando um texto jurídico: um texto de resposta a um edital de um concurso para um lugar...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1494326" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2f163e623de5f71dda68059193723f8a" rel="nofollow" data-download="{"attachment_id":30995476,"asset_id":1494326,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30995476/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1399272" href="https://up-pt.academia.edu/PauloFerreiradaCunha">Paulo Ferreira da Cunha</a><script data-card-contents-for-user="1399272" type="text/json">{"id":1399272,"first_name":"Paulo","last_name":"Ferreira da Cunha","domain_name":"up-pt","page_name":"PauloFerreiradaCunha","display_name":"Paulo Ferreira da Cunha","profile_url":"https://up-pt.academia.edu/PauloFerreiradaCunha?f_ri=12684","photo":"https://0.academia-photos.com/1399272/506692/95433889/s65_paulo.ferreira_da_cunha.jpg"}</script></span></span></li><li class="js-paper-rank-work_1494326 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1494326"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1494326, container: ".js-paper-rank-work_1494326", }); 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$(".js-view-count[data-work-id=1494326]").text(description); $(".js-view-count-work_1494326").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1494326").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1494326"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="666" href="https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature">Portuguese and Brazilian Literature</a>, <script data-card-contents-for-ri="666" type="text/json">{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6728" href="https://www.academia.edu/Documents/in/Philosophy_Of_Law">Philosophy Of Law</a>, <script data-card-contents-for-ri="6728" type="text/json">{"id":6728,"name":"Philosophy Of Law","url":"https://www.academia.edu/Documents/in/Philosophy_Of_Law?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7724" href="https://www.academia.edu/Documents/in/Law_and_Literature">Law and Literature</a>, <script data-card-contents-for-ri="7724" type="text/json">{"id":7724,"name":"Law and Literature","url":"https://www.academia.edu/Documents/in/Law_and_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a><script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1494326]'), work: {"id":1494326,"title":"Fernando Pessoa, Hermenêutica e Retórica Jurídica","created_at":"2012-04-01T02:45:12.628-07:00","url":"https://www.academia.edu/1494326/Fernando_Pessoa_Hermen%C3%AAutica_e_Ret%C3%B3rica_Jur%C3%ADdica?f_ri=12684","dom_id":"work_1494326","summary":"Um curioso aspecto do pensamento de Pessoa foi deixado por ele esparso, e o que parece totalmente ao acaso dos investigadores: o Direito. Em política, temos até um auto-retrato bastante completo, e a sucessão de textos que foi escrevendo, em prosa e em verso, facilmente nos permite reconstruir um percurso, a partir das suas bases ideológicas. Mas o que pensaria Pessoa do Direito? Neste caso, o “fingidor” não fingiu, não posou para a sua tão cuidadosamente preparada fama póstuma. Estamos, assim, perante um aspecto da sua vida mental que parece ter escapado à composição para um público (ainda que futuro), o que é, afinal de contas (sem fazer das fraquezas forças) uma situação apesar de tudo invejável... 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Dita análise deriva do... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44334278" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Com o presente trabalho pretende-se apresentar, por um lado, a rede intertextual filosófica que nutre o Livro do Desassossego, e, por outro lado, enquadrar esse levantamento com a poíesis sensacionista pessoana. Dita análise deriva do trabalho realizado com as ferramentas de taxonomia e pesquisa que fornece o arquivo digital LdoD do Programa de Doutoramento «Estudos Avançados em Materialidades da Literatura» do Centro de Literatura Portuguesa da Universidade de Coimbra.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44334278" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="05865d1f647cb3770c67b28903f852de" rel="nofollow" data-download="{"attachment_id":64724315,"asset_id":44334278,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64724315/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9514598" href="https://coimbra.academia.edu/DiegoGim%C3%A9nez">Diego Giménez</a><script data-card-contents-for-user="9514598" type="text/json">{"id":9514598,"first_name":"Diego","last_name":"Giménez","domain_name":"coimbra","page_name":"DiegoGiménez","display_name":"Diego Giménez","profile_url":"https://coimbra.academia.edu/DiegoGim%C3%A9nez?f_ri=12684","photo":"https://0.academia-photos.com/9514598/3015629/12156775/s65_diego.gim_nez.jpg"}</script></span></span></li><li class="js-paper-rank-work_44334278 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44334278"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44334278, container: ".js-paper-rank-work_44334278", }); 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$(".js-view-count[data-work-id=44334278]").text(description); $(".js-view-count-work_44334278").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44334278").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44334278"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="7513" href="https://www.academia.edu/Documents/in/Archives">Archives</a>, <script data-card-contents-for-ri="7513" type="text/json">{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10232" href="https://www.academia.edu/Documents/in/Intertextuality">Intertextuality</a>, <script data-card-contents-for-ri="10232" type="text/json">{"id":10232,"name":"Intertextuality","url":"https://www.academia.edu/Documents/in/Intertextuality?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61251" href="https://www.academia.edu/Documents/in/Filosof%C3%ADa">Filosofía</a><script data-card-contents-for-ri="61251" type="text/json">{"id":61251,"name":"Filosofía","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44334278]'), work: {"id":44334278,"title":"Problemas de Intertextualidade Filosófica no Livro do Desassossego","created_at":"2020-10-20T04:37:06.271-07:00","url":"https://www.academia.edu/44334278/Problemas_de_Intertextualidade_Filos%C3%B3fica_no_Livro_do_Desassossego?f_ri=12684","dom_id":"work_44334278","summary":"Com o presente trabalho pretende-se apresentar, por um lado, a rede intertextual filosófica que nutre o Livro do Desassossego, e, por outro lado, enquadrar esse levantamento com a poíesis sensacionista pessoana. Dita análise deriva do trabalho realizado com as ferramentas de taxonomia e pesquisa que fornece o arquivo digital LdoD do Programa de Doutoramento «Estudos Avançados em Materialidades da Literatura» do Centro de Literatura Portuguesa da Universidade de Coimbra.","downloadable_attachments":[{"id":64724315,"asset_id":44334278,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9514598,"first_name":"Diego","last_name":"Giménez","domain_name":"coimbra","page_name":"DiegoGiménez","display_name":"Diego Giménez","profile_url":"https://coimbra.academia.edu/DiegoGim%C3%A9nez?f_ri=12684","photo":"https://0.academia-photos.com/9514598/3015629/12156775/s65_diego.gim_nez.jpg"}],"research_interests":[{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives?f_ri=12684","nofollow":false},{"id":10232,"name":"Intertextuality","url":"https://www.academia.edu/Documents/in/Intertextuality?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":61251,"name":"Filosofía","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa?f_ri=12684","nofollow":false},{"id":85131,"name":"Archivos","url":"https://www.academia.edu/Documents/in/Archivos?f_ri=12684"},{"id":199940,"name":"Intertextualidad","url":"https://www.academia.edu/Documents/in/Intertextualidad?f_ri=12684"},{"id":344368,"name":"Arquivo","url":"https://www.academia.edu/Documents/in/Arquivo?f_ri=12684"},{"id":572641,"name":"Livro do Desassossego","url":"https://www.academia.edu/Documents/in/Livro_do_Desassossego?f_ri=12684"},{"id":641577,"name":"Book of Disquiet","url":"https://www.academia.edu/Documents/in/Book_of_Disquiet?f_ri=12684"},{"id":1265049,"name":"Intertextualidade","url":"https://www.academia.edu/Documents/in/Intertextualidade?f_ri=12684"},{"id":1432511,"name":"El Libro Del Desasosiego","url":"https://www.academia.edu/Documents/in/El_Libro_Del_Desasosiego?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1790451" data-work_id="1790451" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1790451/Annotations_In_Fernando_Pessoas_Private_Library_">Annotations [In Fernando Pessoa's Private Library]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Marginalia examples in Fernando Pessoa's books.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1790451" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fa3e52b532edcdaae6d50eccc88df000" rel="nofollow" data-download="{"attachment_id":36915148,"asset_id":1790451,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36915148/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2128112" href="https://rutgers.academia.edu/PatricioFerrari">Patricio Ferrari</a><script data-card-contents-for-user="2128112" type="text/json">{"id":2128112,"first_name":"Patricio","last_name":"Ferrari","domain_name":"rutgers","page_name":"PatricioFerrari","display_name":"Patricio Ferrari","profile_url":"https://rutgers.academia.edu/PatricioFerrari?f_ri=12684","photo":"https://0.academia-photos.com/2128112/691070/16151708/s65_patricio.ferrari.png"}</script></span></span></li><li class="js-paper-rank-work_1790451 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1790451"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1790451, container: ".js-paper-rank-work_1790451", }); 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$(".js-view-count[data-work-id=1790451]").text(description); $(".js-view-count-work_1790451").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1790451").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1790451"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="666" href="https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature">Portuguese and Brazilian Literature</a>, <script data-card-contents-for-ri="666" type="text/json">{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1197" href="https://www.academia.edu/Documents/in/Digital_Humanities">Digital Humanities</a>, <script data-card-contents-for-ri="1197" type="text/json">{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a><script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1790451]'), work: {"id":1790451,"title":"Annotations [In Fernando Pessoa's Private Library]","created_at":"2012-07-17T07:53:44.686-07:00","url":"https://www.academia.edu/1790451/Annotations_In_Fernando_Pessoas_Private_Library_?f_ri=12684","dom_id":"work_1790451","summary":"Marginalia examples in Fernando Pessoa's books.","downloadable_attachments":[{"id":36915148,"asset_id":1790451,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2128112,"first_name":"Patricio","last_name":"Ferrari","domain_name":"rutgers","page_name":"PatricioFerrari","display_name":"Patricio Ferrari","profile_url":"https://rutgers.academia.edu/PatricioFerrari?f_ri=12684","photo":"https://0.academia-photos.com/2128112/691070/16151708/s65_patricio.ferrari.png"}],"research_interests":[{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false},{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":104308,"name":"Marginalia","url":"https://www.academia.edu/Documents/in/Marginalia?f_ri=12684"},{"id":541073,"name":"Pessoa","url":"https://www.academia.edu/Documents/in/Pessoa?f_ri=12684"},{"id":541074,"name":"Private Library","url":"https://www.academia.edu/Documents/in/Private_Library?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5658992" data-work_id="5658992" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5658992/Entrevista_2013_5_">Entrevista 2013 (5)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Fernando Pessoa Uma 'povoada' solidão <br />O poeta dos heterónimos e autor do Livro do Desassossego não para de atrair a atenção de estudiosos e criadores. O JL uma vez mais percorre os corredores do labirinto pessoano. <br />Novidades Literárias.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5658992" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b1df75e7f1494dc10e5fe5352823c679" rel="nofollow" data-download="{"attachment_id":32716649,"asset_id":5658992,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32716649/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_5658992 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5658992"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5658992, container: ".js-paper-rank-work_5658992", }); 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$(".js-view-count[data-work-id=5658992]").text(description); $(".js-view-count-work_5658992").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5658992").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5658992"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="666" href="https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature">Portuguese and Brazilian Literature</a>, <script data-card-contents-for-ri="666" type="text/json">{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a><script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5658992]'), work: {"id":5658992,"title":"Entrevista 2013 (5)","created_at":"2014-01-09T06:29:13.557-08:00","url":"https://www.academia.edu/5658992/Entrevista_2013_5_?f_ri=12684","dom_id":"work_5658992","summary":"Fernando Pessoa Uma 'povoada' solidão\r\nO poeta dos heterónimos e autor do Livro do Desassossego não para de atrair a atenção de estudiosos e criadores. O JL uma vez mais percorre os corredores do labirinto pessoano. \r\nNovidades Literárias.","downloadable_attachments":[{"id":32716649,"asset_id":5658992,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false},{"id":1131852,"name":"Casa Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Casa_Fernando_Pessoa?f_ri=12684"},{"id":1241765,"name":"Luís Ricardo Duarte","url":"https://www.academia.edu/Documents/in/Luis_Ricardo_Duarte?f_ri=12684"},{"id":1241766,"name":"Congresso Internacional Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Congresso_Internacional_Fernando_Pessoa?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45492452" data-work_id="45492452" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45492452/O_menino_que_era_muitos_poetas">O menino que era muitos poetas</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">BECHARA, Thiago Sogayar, "O menino que era muitos poetas" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 17, Spring, pp. 616-622. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.26300/f004-a326" rel="nofollow">https://doi.org/10.26300/f004-a326</a> Is... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45492452" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">BECHARA, Thiago Sogayar, "O menino que era muitos poetas" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 17, Spring, pp. 616-622. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.26300/f004-a326" rel="nofollow">https://doi.org/10.26300/f004-a326</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 17<br /><br />O menino que era muitos poetas <br />[Book review of José Jorge Letria, Fernando Pessoa,<br />o menino que era muitos poetas, 2014]<br /><br /><a href="https://doi.org/10.26300/f004-a326" rel="nofollow">https://doi.org/10.26300/f004-a326</a><br /><br />LETRIA, José Jorge (texto); FAZENDA, João (ilustrações). Fernando Pessoa: o menino que era muitos poetas. (Col. Grandes Vidas Portuguesas). Lisboa: Pato Lógico / Imprensa Nacional-Casa<br />da Moeda, 2.a ed. 2018. [1ª ed., 2014]. 40 pp. [ISBN: 978-972-27-2678-8].</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45492452" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b7a35d616dcd9199a7ff06e87167274a" rel="nofollow" data-download="{"attachment_id":65988259,"asset_id":45492452,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65988259/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45492452 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45492452"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45492452, container: ".js-paper-rank-work_45492452", }); 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Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 17, Spring, pp. 616-622. Brown Digital Repository. Brown University Library. https://doi.org/10.26300/f004-a326\n\nIs Part of:\n\nPessoa Plural―A Journal of Fernando Pessoa Studies, Issue 17\n\nO menino que era muitos poetas \n[Book review of José Jorge Letria, Fernando Pessoa,\no menino que era muitos poetas, 2014]\n\nhttps://doi.org/10.26300/f004-a326\n\nLETRIA, José Jorge (texto); FAZENDA, João (ilustrações). Fernando Pessoa: o menino que era muitos poetas. (Col. Grandes Vidas Portuguesas). Lisboa: Pato Lógico / Imprensa Nacional-Casa\nda Moeda, 2.a ed. 2018. [1ª ed., 2014]. 40 pp. [ISBN: 978-972-27-2678-8].","downloadable_attachments":[{"id":65988259,"asset_id":45492452,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=12684"},{"id":54339,"name":"Book Review","url":"https://www.academia.edu/Documents/in/Book_Review?f_ri=12684"},{"id":131443,"name":"Literatura Portuguesa","url":"https://www.academia.edu/Documents/in/Literatura_Portuguesa?f_ri=12684"},{"id":145956,"name":"Poesia","url":"https://www.academia.edu/Documents/in/Poesia?f_ri=12684"},{"id":227076,"name":"Resenha","url":"https://www.academia.edu/Documents/in/Resenha?f_ri=12684"},{"id":3279065,"name":"José Jorge Letria","url":"https://www.academia.edu/Documents/in/Jos%C3%A9_Jorge_Letria?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43570356" data-work_id="43570356" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43570356/Ib%C3%A9ria_Introdu%C3%A7%C3%A3o_a_um_imperialismo_futuro_2012">Ibéria. Introdução a um imperialismo futuro. 2012</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Fernando Pessoa IBÉRIA INTRODUÇÃO A UM IMPERIALISMO FUTURO Lisboa: Ática / Babel, 2012 Edição, introdução e notas de Jerónimo Pizarro e Pablo Javier Pérez López; posfácios de Humberto Brito e Antonio Sáez Delgado. Revisão: Ana Cunha... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43570356" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Fernando Pessoa<br />IBÉRIA<br />INTRODUÇÃO A UM IMPERIALISMO FUTURO <br />Lisboa: Ática / Babel, 2012<br />Edição, introdução e notas de Jerónimo Pizarro e Pablo Javier Pérez López; posfácios de Humberto Brito e Antonio Sáez Delgado.<br />Revisão: Ana Cunha<br />Design: lnês Sena<br />Impressão: Setembro de 2012<br />ISBN 978-972-617-248-2<br /><br />De todos los Fernando Pessoa posibles, el autor de los textos sobre Iberia es uno de los más desconocidos y más frecuentemente olvidados. Un Fernando Pessoa entrañado en la realidad de su tiempo, que participa activamente en el debate sobre la siempre candente cuestión peninsular no corresponde, sin duda, al paradigma tradicional que tantas veces se nos ha impuesto, y que dibujaba un retrato del poeta portugués como alguien recluido en sí mismo y distante con respecto a los movimientos sociales que le tocó vivir. Nada, probablemente, más lejos de la realidad. Pessoa no fue ajeno a ninguno de los grandes sucesos históricos, ni ahorró esfuerzos a la hora de escribir sobre los mismos. La “cuestión ibérica” es uno de ellos, un signo de los tiempos sobre el que el autor de Mensagem reflexionó y escribió, llegando a imaginar un libro titulado como éste que el lector tiene ahora entre sus manos, en el que hiciese su personal aportación a la rica y plural tradición iberista en la Península.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43570356" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a95e9735793ff4ecff10fc72d43beda6" rel="nofollow" data-download="{"attachment_id":63875957,"asset_id":43570356,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63875957/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_43570356 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43570356"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43570356, container: ".js-paper-rank-work_43570356", }); 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Introdução a um imperialismo futuro. 2012","created_at":"2020-07-09T12:16:58.584-07:00","url":"https://www.academia.edu/43570356/Ib%C3%A9ria_Introdu%C3%A7%C3%A3o_a_um_imperialismo_futuro_2012?f_ri=12684","dom_id":"work_43570356","summary":"Fernando Pessoa\nIBÉRIA\nINTRODUÇÃO A UM IMPERIALISMO FUTURO \nLisboa: Ática / Babel, 2012\nEdição, introdução e notas de Jerónimo Pizarro e Pablo Javier Pérez López; posfácios de Humberto Brito e Antonio Sáez Delgado.\nRevisão: Ana Cunha\nDesign: lnês Sena\nImpressão: Setembro de 2012\nISBN 978-972-617-248-2\n\nDe todos los Fernando Pessoa posibles, el autor de los textos sobre Iberia es uno de los más desconocidos y más frecuentemente olvidados. 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La “cuestión ibérica” es uno de ellos, un signo de los tiempos sobre el que el autor de Mensagem reflexionó y escribió, llegando a imaginar un libro titulado como éste que el lector tiene ahora entre sus manos, en el que hiciese su personal aportación a la rica y plural tradición iberista en la Península.","downloadable_attachments":[{"id":63875957,"asset_id":43570356,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=12684","nofollow":false},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology?f_ri=12684","nofollow":false},{"id":196,"name":"Future Studies","url":"https://www.academia.edu/Documents/in/Future_Studies?f_ri=12684","nofollow":false},{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684"},{"id":2861,"name":"Portuguese History","url":"https://www.academia.edu/Documents/in/Portuguese_History?f_ri=12684"},{"id":4154,"name":"Iberian Studies","url":"https://www.academia.edu/Documents/in/Iberian_Studies?f_ri=12684"},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism?f_ri=12684"},{"id":11215,"name":"Empires","url":"https://www.academia.edu/Documents/in/Empires?f_ri=12684"},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":40516,"name":"Spain","url":"https://www.academia.edu/Documents/in/Spain?f_ri=12684"},{"id":41608,"name":"Citizenship","url":"https://www.academia.edu/Documents/in/Citizenship?f_ri=12684"},{"id":44510,"name":"Portugal","url":"https://www.academia.edu/Documents/in/Portugal?f_ri=12684"},{"id":44861,"name":"Catalonia","url":"https://www.academia.edu/Documents/in/Catalonia?f_ri=12684"},{"id":56908,"name":"Imperialism","url":"https://www.academia.edu/Documents/in/Imperialism?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32782701 coauthored" data-work_id="32782701" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32782701/Pessoa_M%C3%BAltiple_Eduardo_Langagne_">Pessoa Múltiple (Eduardo Langagne)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Eduardo Langagne, «Pessoa múltiple. Antología bilingue de Jerónimo Pizarro y Nicolás Barbosa», Latin American Literature Today, No. 2, Abril 2017. En línea.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32782701" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Eduardo Langagne, «Pessoa múltiple. Antología bilingue de Jerónimo Pizarro y Nicolás Barbosa», Latin American Literature Today, No. 2, Abril 2017. En línea.<br /><a href="http://www.latinamericanliteraturetoday.org/es/2017/april/pessoa-múltiple-antolog%C3%ADa-bilingue-de-jerónimo-pizarro-y-nicolás-barbosa" rel="nofollow">http://www.latinamericanliteraturetoday.org/es/2017/april/pessoa-múltiple-antolog%C3%ADa-bilingue-de-jerónimo-pizarro-y-nicolás-barbosa</a><br />Reseña de: «Pessoa múltiple». Antología bilingüe. Edición, traducción, y notas de Jerónimo Pizarro y Nicolás Barbosa. Colombia: Fondo de Cultura Económica. 2016. 495 páginas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32782701" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b47a2bc5e36f2659d2b78eee4b1b9878" rel="nofollow" data-download="{"attachment_id":52935465,"asset_id":32782701,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52935465/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-32782701">+1</span><div class="hidden js-additional-users-32782701"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/EduardoLangagne">Eduardo Langagne</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-32782701'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-32782701').html(); 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Com esta citação como ponto de partida, pretendo, nesta comunicação, olhar para Fernando Pessoa como herdeiro de uma... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15522591" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Num texto pertencente ao espólio, Fernando Pessoa começa com a seguinte a frase: «O poeta é essencialmente um místico». Com esta citação como ponto de partida, pretendo, nesta comunicação, olhar para Fernando Pessoa como herdeiro de uma tradição, não só mística como também profética, considerando, em particular, a figura de William Blake. Para isso, e dado que um dos objectivos deste colóquio é a revisão do estado da arte dos estudos pessoanos, tenciono, primeiro, fazer o levantamento e análise da bibliografia que aproxima as obras de Blake e Pessoa e, depois, sugerir outras linhas de leitura a partir do exame do inédito mencionado anteriormente e dos sublinhados de Pessoa nas duas obras referentes a William Blake, que se encontram na sua biblioteca, a primeira, uma edição de Poems of William Blake e, a segunda, um volume, datado de 1906, da correspondência do poeta inglês. Deste modo, irei examinar de que forma é que Fernando Pessoa adoptou e adaptou alguns aspectos da mundividência de Blake, e da sua visão da poesia, para a sua obra, nomeadamente, para a criação de Alberto Caeiro.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15522591" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b3ea3593f642d3d01f8673331b4c79a3" rel="nofollow" data-download="{"attachment_id":38707480,"asset_id":15522591,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38707480/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29186503" href="https://fcsh-unl.academia.edu/MadalenaLoboAntunes">Madalena Lobo Antunes</a><script data-card-contents-for-user="29186503" type="text/json">{"id":29186503,"first_name":"Madalena","last_name":"Lobo Antunes","domain_name":"fcsh-unl","page_name":"MadalenaLoboAntunes","display_name":"Madalena Lobo Antunes","profile_url":"https://fcsh-unl.academia.edu/MadalenaLoboAntunes?f_ri=12684","photo":"https://0.academia-photos.com/29186503/8330390/36465852/s65_madalena.lobo_antunes.jpg"}</script></span></span></li><li class="js-paper-rank-work_15522591 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15522591"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15522591, container: ".js-paper-rank-work_15522591", }); 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$(".js-view-count[data-work-id=15522591]").text(description); $(".js-view-count-work_15522591").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15522591").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15522591"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1342" href="https://www.academia.edu/Documents/in/Modernism_Literature_">Modernism (Literature)</a>, <script data-card-contents-for-ri="1342" type="text/json">{"id":1342,"name":"Modernism (Literature)","url":"https://www.academia.edu/Documents/in/Modernism_Literature_?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7322" href="https://www.academia.edu/Documents/in/Mysticism">Mysticism</a>, <script data-card-contents-for-ri="7322" type="text/json">{"id":7322,"name":"Mysticism","url":"https://www.academia.edu/Documents/in/Mysticism?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7323" href="https://www.academia.edu/Documents/in/Visionary_Literature">Visionary Literature</a>, <script data-card-contents-for-ri="7323" type="text/json">{"id":7323,"name":"Visionary Literature","url":"https://www.academia.edu/Documents/in/Visionary_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a><script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15522591]'), work: {"id":15522591,"title":"Fernando Pessoa, William Blake e o poeta como «essencialmente um místico»","created_at":"2015-09-08T16:49:14.429-07:00","url":"https://www.academia.edu/15522591/Fernando_Pessoa_William_Blake_e_o_poeta_como_essencialmente_um_m%C3%ADstico_?f_ri=12684","dom_id":"work_15522591","summary":"Num texto pertencente ao espólio, Fernando Pessoa começa com a seguinte a frase: «O poeta é essencialmente um místico». Com esta citação como ponto de partida, pretendo, nesta comunicação, olhar para Fernando Pessoa como herdeiro de uma tradição, não só mística como também profética, considerando, em particular, a figura de William Blake. Para isso, e dado que um dos objectivos deste colóquio é a revisão do estado da arte dos estudos pessoanos, tenciono, primeiro, fazer o levantamento e análise da bibliografia que aproxima as obras de Blake e Pessoa e, depois, sugerir outras linhas de leitura a partir do exame do inédito mencionado anteriormente e dos sublinhados de Pessoa nas duas obras referentes a William Blake, que se encontram na sua biblioteca, a primeira, uma edição de Poems of William Blake e, a segunda, um volume, datado de 1906, da correspondência do poeta inglês. Deste modo, irei examinar de que forma é que Fernando Pessoa adoptou e adaptou alguns aspectos da mundividência de Blake, e da sua visão da poesia, para a sua obra, nomeadamente, para a criação de Alberto Caeiro.","downloadable_attachments":[{"id":38707480,"asset_id":15522591,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":29186503,"first_name":"Madalena","last_name":"Lobo Antunes","domain_name":"fcsh-unl","page_name":"MadalenaLoboAntunes","display_name":"Madalena Lobo Antunes","profile_url":"https://fcsh-unl.academia.edu/MadalenaLoboAntunes?f_ri=12684","photo":"https://0.academia-photos.com/29186503/8330390/36465852/s65_madalena.lobo_antunes.jpg"}],"research_interests":[{"id":1342,"name":"Modernism (Literature)","url":"https://www.academia.edu/Documents/in/Modernism_Literature_?f_ri=12684","nofollow":false},{"id":7322,"name":"Mysticism","url":"https://www.academia.edu/Documents/in/Mysticism?f_ri=12684","nofollow":false},{"id":7323,"name":"Visionary Literature","url":"https://www.academia.edu/Documents/in/Visionary_Literature?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":21097,"name":"William Blake","url":"https://www.academia.edu/Documents/in/William_Blake?f_ri=12684"},{"id":712399,"name":"Romantic English poetry","url":"https://www.academia.edu/Documents/in/Romantic_English_poetry?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8587509" data-work_id="8587509" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8587509/Cartas_entre_Fernando_Pessoa_e_os_directores_da_Presen%C3%A7a">Cartas entre Fernando Pessoa e os directores da Presença</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Founded in Coimbra in March 1927, the literary and critical journal Presenca undertook the formidable task of recalling Portugal to the lessons and possibilities of modernism that emerged first with the publication of the two issues of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8587509" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Founded in Coimbra in March 1927, the literary and critical journal Presenca undertook the formidable task of recalling Portugal to the lessons and possibilities of modernism that emerged first with the publication of the two issues of Orpheu in 1915. Early on, the journal's young editors invited Fernando Pessoa, the most famous living poet associated with Orpheu, to help them in their task by contributing to its pages. The older poet agreed to do so. It is his correspondence with the various editors of Presenca, running through the last eight years of the poet's life, that is the subject and provides the substance of Enrico Martines's book. <br />Much of the primary matter in Cartas entre Fernando Pessoa e os directores da Presenca has appeared previously, some of it as long ago as 1957 in the case of the correspondence between Pessoa and the young Joao Gaspar Simoes, his first critic and, later, his first biographer. Yet there are over fifty previously unpublished letters here, and the conjoining in one place of the letters exchanged between the great modernist poet and the so-called "men of Presenca"-Jose Regio, Gaspar Simoes, Adolfo Casais Monteiro, and, in an appendix, Adolfo Rocha (Miguel Torga)-along with a few other documents, makes this a useful production for anyone interested in the literary history of the twentieth century in general or, more particularly, the role played by Presenca in championing the centrality of the poet the journal's editors themselves called the "Master" of modern Portuguese letters. <br />Of the "new" letters published here, those comprising the Regio-Pessoa correspondence are the most surprising, for their relative paucity and for the comparative brevity of the letters themselves. The editor speculates that Regio's interest in Pessoa cooled off somewhat after his and Simoes's meeting with the Master in Lisbon at the Cafe Montanha in June 1930, when "he" failed to show, sending in his stead the obstreperous heteronym, his "own engineer" Alvaro de Campos. They exchanged only two rather businesslike letters after this awkward and, to Regio apparently, unpleasant encounter, both in 1934. Even though Pessoa continued to send his regards to the older editor of Presenca in his far more frequent letters to Simoes, the latter's replies offer no indication that Regio was in any mood to reciprocate. <br />Of course, it was Simoes who maintained, until December 1934, Presenca's closest connection with Pessoa. Their correspondence came to a halt, however, when Simoes left Coimbra for Lisbon, a removal that also seems to have diminished his role in the journal's management. His function seems to have been assumed, to a lesser or greater extent, by Adolfo Casais Monteiro, the young poet who joined Presenca's editorial staff after the defection of Branquinho da Fonseca, the journal's third founding editor. It is to that change in management, incidentally, that is owed the fortuitous exchange of letters between Pessoa and Casais Monteiro which extracted from the poet of Orpheu the now-celebrated account of the genesis of his heteronyms and his explanation of their "personal" and intertextual relationships. Rereading that letter in the context of all the letters in this collection might even tempt one to think that in his last years the wily poet was improvising still another unfolding drama, this time involving the young men of Presenca. As he warned Casais Monteiro in the year of his death, "Behind the poet's involuntary masquerade as a reasoning being or what have you, what I am essentially is a dramatist." <br />In keeping with the rules laid down for the Critical Edition, Cartas entre Fernando Pessoa e os directores da Presenca, the second volume in that major edition's "Studies" series, is a full-scale performance. Among other matters, it includes, besides a substantial introduction, a record of variants and cancellations in the letters, the details of their prior publication, and ample annotations that serve to contextualize and to explain references. <br />Review by George Monteiro (Brown University)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8587509" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="10838cccc961daca8818ef181a9228f3" rel="nofollow" data-download="{"attachment_id":39460934,"asset_id":8587509,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39460934/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5591045" href="https://unipr.academia.edu/EMartines">Enrico Martines</a><script data-card-contents-for-user="5591045" type="text/json">{"id":5591045,"first_name":"Enrico","last_name":"Martines","domain_name":"unipr","page_name":"EMartines","display_name":"Enrico Martines","profile_url":"https://unipr.academia.edu/EMartines?f_ri=12684","photo":"https://0.academia-photos.com/5591045/2709219/30930336/s65_enrico.martines.jpg"}</script></span></span></li><li class="js-paper-rank-work_8587509 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8587509"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8587509, container: ".js-paper-rank-work_8587509", }); 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$(".js-view-count[data-work-id=8587509]").text(description); $(".js-view-count-work_8587509").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8587509").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8587509"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a>, <script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22951" href="https://www.academia.edu/Documents/in/Epistolography">Epistolography</a>, <script data-card-contents-for-ri="22951" type="text/json">{"id":22951,"name":"Epistolography","url":"https://www.academia.edu/Documents/in/Epistolography?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="204712" href="https://www.academia.edu/Documents/in/Portuguese_Modernism">Portuguese Modernism</a><script data-card-contents-for-ri="204712" type="text/json">{"id":204712,"name":"Portuguese Modernism","url":"https://www.academia.edu/Documents/in/Portuguese_Modernism?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8587509]'), work: {"id":8587509,"title":"Cartas entre Fernando Pessoa e os directores da Presença","created_at":"2014-10-01T05:59:28.983-07:00","url":"https://www.academia.edu/8587509/Cartas_entre_Fernando_Pessoa_e_os_directores_da_Presen%C3%A7a?f_ri=12684","dom_id":"work_8587509","summary":"Founded in Coimbra in March 1927, the literary and critical journal Presenca undertook the formidable task of recalling Portugal to the lessons and possibilities of modernism that emerged first with the publication of the two issues of Orpheu in 1915. Early on, the journal's young editors invited Fernando Pessoa, the most famous living poet associated with Orpheu, to help them in their task by contributing to its pages. The older poet agreed to do so. It is his correspondence with the various editors of Presenca, running through the last eight years of the poet's life, that is the subject and provides the substance of Enrico Martines's book. \r\nMuch of the primary matter in Cartas entre Fernando Pessoa e os directores da Presenca has appeared previously, some of it as long ago as 1957 in the case of the correspondence between Pessoa and the young Joao Gaspar Simoes, his first critic and, later, his first biographer. Yet there are over fifty previously unpublished letters here, and the conjoining in one place of the letters exchanged between the great modernist poet and the so-called \"men of Presenca\"-Jose Regio, Gaspar Simoes, Adolfo Casais Monteiro, and, in an appendix, Adolfo Rocha (Miguel Torga)-along with a few other documents, makes this a useful production for anyone interested in the literary history of the twentieth century in general or, more particularly, the role played by Presenca in championing the centrality of the poet the journal's editors themselves called the \"Master\" of modern Portuguese letters. \r\nOf the \"new\" letters published here, those comprising the Regio-Pessoa correspondence are the most surprising, for their relative paucity and for the comparative brevity of the letters themselves. The editor speculates that Regio's interest in Pessoa cooled off somewhat after his and Simoes's meeting with the Master in Lisbon at the Cafe Montanha in June 1930, when \"he\" failed to show, sending in his stead the obstreperous heteronym, his \"own engineer\" Alvaro de Campos. They exchanged only two rather businesslike letters after this awkward and, to Regio apparently, unpleasant encounter, both in 1934. Even though Pessoa continued to send his regards to the older editor of Presenca in his far more frequent letters to Simoes, the latter's replies offer no indication that Regio was in any mood to reciprocate. \r\nOf course, it was Simoes who maintained, until December 1934, Presenca's closest connection with Pessoa. Their correspondence came to a halt, however, when Simoes left Coimbra for Lisbon, a removal that also seems to have diminished his role in the journal's management. His function seems to have been assumed, to a lesser or greater extent, by Adolfo Casais Monteiro, the young poet who joined Presenca's editorial staff after the defection of Branquinho da Fonseca, the journal's third founding editor. It is to that change in management, incidentally, that is owed the fortuitous exchange of letters between Pessoa and Casais Monteiro which extracted from the poet of Orpheu the now-celebrated account of the genesis of his heteronyms and his explanation of their \"personal\" and intertextual relationships. Rereading that letter in the context of all the letters in this collection might even tempt one to think that in his last years the wily poet was improvising still another unfolding drama, this time involving the young men of Presenca. As he warned Casais Monteiro in the year of his death, \"Behind the poet's involuntary masquerade as a reasoning being or what have you, what I am essentially is a dramatist.\" \r\nIn keeping with the rules laid down for the Critical Edition, Cartas entre Fernando Pessoa e os directores da Presenca, the second volume in that major edition's \"Studies\" series, is a full-scale performance. Among other matters, it includes, besides a substantial introduction, a record of variants and cancellations in the letters, the details of their prior publication, and ample annotations that serve to contextualize and to explain references. \r\nReview by George Monteiro (Brown University)","downloadable_attachments":[{"id":39460934,"asset_id":8587509,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5591045,"first_name":"Enrico","last_name":"Martines","domain_name":"unipr","page_name":"EMartines","display_name":"Enrico Martines","profile_url":"https://unipr.academia.edu/EMartines?f_ri=12684","photo":"https://0.academia-photos.com/5591045/2709219/30930336/s65_enrico.martines.jpg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false},{"id":22951,"name":"Epistolography","url":"https://www.academia.edu/Documents/in/Epistolography?f_ri=12684","nofollow":false},{"id":204712,"name":"Portuguese Modernism","url":"https://www.academia.edu/Documents/in/Portuguese_Modernism?f_ri=12684","nofollow":false},{"id":742993,"name":"Critical Editing","url":"https://www.academia.edu/Documents/in/Critical_Editing?f_ri=12684"},{"id":1574216,"name":"Geração da \"Presença\"","url":"https://www.academia.edu/Documents/in/Geracao_da_Presenca_?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_81220905" data-work_id="81220905" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/81220905/O_esp%C3%B3lio_infinito_Sobre_as_novas_aquisi%C3%A7%C3%B5es_390_a_829">O espólio infinito: Sobre as novas aquisições, 390 a 829</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">SOUSA, Rui; PIZARRO, Jerónimo; FERNANDES, Manuel P. (2022). "O espólio infinito: Sobre as novas aquisições, 390 a 829". Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 21, Fall, pp. 239-471. Brown Digital Repository. Brown... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_81220905" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">SOUSA, Rui; PIZARRO, Jerónimo; FERNANDES, Manuel P. (2022). "O espólio infinito: Sobre as novas aquisições, 390 a 829". Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 21, Fall, pp. 239-471. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.26300/zg56-re52" rel="nofollow">https://doi.org/10.26300/zg56-re52</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 21<br /><br />O espólio infinito: Sobre as novas aquisições, 390 a 82<br />[The infinite estate: On the new acquisitions, 390 to 829] <br /><br /><a href="https://doi.org/10.26300/zg56-re52" rel="nofollow">https://doi.org/10.26300/zg56-re52</a><br /><br />RESUMO<br /><br />O espólio de Fernando Pessoa tem sido, desde a sua aquisição pelo Estado português, em 1979, um núcleo fundamental da cultura em língua portuguesa. Esse manancial, que esteve na génese das sucessivas edições da obra do poeta depois dos trabalhos pioneiros de chancelas como a Ática e a Aguilar, conheceram extensões relevantes desde 2008. Foi nesse ano que foram adquiridos pelo Estado português alguns documentos incluídos pelos sobrinhos de Pessoa, no quadro de um polémico leilão. Em 2020, um novo conjunto de autógrafos foi adquirido pela Biblioteca Nacional de Portugal através de um ajuste directo com os herdeiros de Pessoa, só recentemente disponibilizados para consulta na Sala dos Reservados da BNP. Este artigo conjuga uma descrição sumária do processo de novas aquisições, com a apresentação de um conjunto seleccionado de documentos, alguns dos quais inéditos, a que se somam alguns materiais que em 2008 foram digitalizados por uma equipa de investigadores que trabalharam em casa dos herdeiros de Pessoa e que não constam nem do conjunto leiloado em 2008, nem dos documentos adquiridos em 2020.<br /><br />ABSTRACT<br /><br />Fernando Pessoa’s estate has been, since its acquisition by the Portuguese State in 1979, a fundamental core of the Portuguese language culture. That plethora, which was in the genesis of the different editions of the poet’s work after the pioneering works of editorial stamps such as Ática and Aguilar, had a relevant extension since 2008. It was in that same year that the Portuguese State acquired some of the documents included by Pessoa’s nephews, in the framework of a controversial auction. In 2020, a new set of autograph documents was acquired by the National Library of Portugal through a direct settlement with the heirs of Pessoa, which was only recently made available for consultation at the Rare Books and Manuscripts Room of BNP. This article combines a summary description of the process of new acquisitions, presenting a selected set of documents (some of which unpublished) to which some materials that in 2008 were digitised by a team of researchers that worked at the home of the heirs of Pessoa are added. These are not included either in the set auctioned in 2008 or the documents acquired in 2020.<br /><br />BIBLIOGRAFIA<br /><br />ALCÂNTARA, Ana Ramos (2019). Espaços da Lisboa Operária: trabalho, habitação, associativismo e intervenção<br />operária na cidade na última década do século XIX. Tese de doutoramento em História<br />Contemporânea à Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa.<br />ANAHORY, Israel (1951). Gualdino Gomes. Lisboa: Seara Nova.<br />BARBOSA LÓPEZ, Nicolás (2016). “The Student of Salamanca: an English translation”. Pessoa Plural―A<br />Journal of Fernando Pessoa Studies, n.º 10 (special issue: Inside the Mask: The English Poetry of<br />Fernando Pessoa; guest editor, Patricio Ferrari), Outono, pp. 318-551. Brown Digital<br />Repository, Brown University Library. <a href="https://doi.org/10.7301/Z07P8WKJ" rel="nofollow">https://doi.org/10.7301/Z07P8WKJ</a><br />BARRETO, José (2017a). “A chamada 'nota autobiográfica' de Fernando Pessoa de 30 de Março de<br />1935”. Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 12 (special issue: New Insights<br />into Portuguese Modernisms from the Fernando Távora Collection; guest editor, Ricardo<br />Vasconcelos), Outono, pp. 502-520. Brown Digital Repository. Brown University Library.<br /><a href="https://doi.org/10.7301/Z0RV0KXN" rel="nofollow">https://doi.org/10.7301/Z0RV0KXN</a><br />_____ (2017b). “A última paixão de Fernando Pessoa”. Pessoa Plural―A Journal of Fernando Pessoa<br />Studies, n.º 12 (special issue: New Insights into Portuguese Modernisms from the Fernando Távora<br />Collection; guest editor, Ricardo Vasconcelos), Outono, pp. 596-641. Brown Digital<br />Repository, Brown University Library. <a href="https://doi.org/10.7301/Z0QJ7FJ9" rel="nofollow">https://doi.org/10.7301/Z0QJ7FJ9</a><br />_____ (2016). “Os destinatários dos panfletos pessoanos de 1923”. Pessoa Plural―A Journal of<br />Fernando Pessoa Studies, n.º 10 (special issue: Inside the Mask: The English Poetry of Fernando<br />Pessoa; guest editor, Patricio Ferrari), Outono, pp. 628-703. Brown Digital Repository, Brown<br />University Library. <a href="https://doi.org/10.7301/Z04X5600" rel="nofollow">https://doi.org/10.7301/Z04X5600</a><br />_____ (2013). “Mar Salgado: Fernando Pessoa perante uma acusação de plágio”. Pessoa Plural—A<br />Journal of Fernando Pessoa Studies, n.º 3, Primavera, pp. 46-55. Brown Digital Repository. Brown<br />University Library. <a href="https://doi.org/10.7301/Z0DB80BR" rel="nofollow">https://doi.org/10.7301/Z0DB80BR</a><br />_____ (2012a). “A publicação de ‘O Interregno’ no contexto político de 1927-1928”. Pessoa Plural―A<br />Journal of Fernando Pessoa Studies, n.º 2, Outono, pp. 174-207. Brown Digital Repository, Brown<br />University Library. <a href="https://doi.org/10.7301/Z0BC3X1Q" rel="nofollow">https://doi.org/10.7301/Z0BC3X1Q</a><br />_____ (2012b). “Mussolini é um louco: uma entrevista desconhecida de Fernando Pessoa com um<br />antifascista italiano”. Pessoa Plural―A Journal of Fernando Pessoa Studies, n.º 1, Primavera, pp.<br />225-252. Brown Digital Repository, Brown University Library. <a href="https://doi.org/10.7301/Z0ZW1J4H" rel="nofollow">https://doi.org/10.7301/Z0ZW1J4H</a><br />_____ (2012c). “O mago e o louco: Fernando Pessoa e Alberto da Cunha Dias”. Pessoa Plural—A<br />Journal of Fernando Pessoa Studies, n.º 1, Primavera, pp. 70-138. Brown Digital Repository.<br />Brown University Library. <a href="https://doi.org/10.7301/Z0FX77NG" rel="nofollow">https://doi.org/10.7301/Z0FX77NG</a><br />BIDDLE-PERRY, Geraldine (2014). “The Rise of ‘The World's Largest Sport and Athletic Outfitter’: A<br />Study of Gamage's of Holborn, 1878–1913”. Sport in History, vol. 34, n.º 2, pp. 295-317. DOI:<br />10.1080/17460263.2014.924667<br />BOTTO, António (2010). Canções. Tradução de Fernando Pessoa. Edição de Jerónimo Pizarro e Nuno<br />Ribeiro. Lisboa: Guimarães.<br />BRANDÃO, Raúl (1988). Memórias. Edição de José Carlos Seabra Pereira. Lisboa: Relógio d’Água.<br />CAETANO, Maria João (2008). “Estado português tem 8 dias para dizer o que quer comprar”. Diário de<br />Notícias, Lisboa, p. 47, 13 de Novembro.<br />CAIZERGUES, Pierre (2018). “Apollinaire et l’avant-garde catalane (1912-1918)”. Apollinaire & Cie :<br />Anthologie critique [em linha]. Montpellier: Presses universitaires de la Méditerranée. DOI:<br /><a href="https://doi.org/10.4000/books.pulm.16635" rel="nofollow">https://doi.org/10.4000/books.pulm.16635</a><br />CASTRO, Ivo (2021). “Recordação de minha Mestra Galhoz”, Congresso Internacional Fernando Pessoa.<br /><a href="https://www.casafernandopessoa.pt/application/files/3716/4988/2886/Actas_Congresso_2021.pdf" rel="nofollow">https://www.casafernandopessoa.pt/application/files/3716/4988/2886/Actas_Congresso_2021.pdf</a><br />CEBOLA, Luís (1957). Memórias de Este e do Outro Mundo. Lisboa: [s. l.].</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/81220905" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ac513b034bb92121a63aa4c7723912b1" rel="nofollow" data-download="{"attachment_id":87341472,"asset_id":81220905,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/87341472/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_81220905 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="81220905"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 81220905, container: ".js-paper-rank-work_81220905", }); 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$(".js-view-count[data-work-id=81220905]").text(description); $(".js-view-count-work_81220905").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_81220905").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="81220905"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="546008" href="https://www.academia.edu/Documents/in/Espolio">Espólio</a>, <script data-card-contents-for-ri="546008" type="text/json">{"id":546008,"name":"Espólio","url":"https://www.academia.edu/Documents/in/Espolio?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2551299" href="https://www.academia.edu/Documents/in/Biblioteca_Nacional_de_Portugal">Biblioteca Nacional de Portugal</a>, <script data-card-contents-for-ri="2551299" type="text/json">{"id":2551299,"name":"Biblioteca Nacional de Portugal","url":"https://www.academia.edu/Documents/in/Biblioteca_Nacional_de_Portugal?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3965579" href="https://www.academia.edu/Documents/in/Leil%C3%A3o">Leilão</a><script data-card-contents-for-ri="3965579" type="text/json">{"id":3965579,"name":"Leilão","url":"https://www.academia.edu/Documents/in/Leil%C3%A3o?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=81220905]'), work: {"id":81220905,"title":"O espólio infinito: Sobre as novas aquisições, 390 a 829","created_at":"2022-06-11T02:43:54.297-07:00","url":"https://www.academia.edu/81220905/O_esp%C3%B3lio_infinito_Sobre_as_novas_aquisi%C3%A7%C3%B5es_390_a_829?f_ri=12684","dom_id":"work_81220905","summary":"SOUSA, Rui; PIZARRO, Jerónimo; FERNANDES, Manuel P. (2022). \"O espólio infinito: Sobre as novas aquisições, 390 a 829\". Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 21, Fall, pp. 239-471. Brown Digital Repository. Brown University Library. https://doi.org/10.26300/zg56-re52\n\nIs Part of:\n\nPessoa Plural―A Journal of Fernando Pessoa Studies, Issue 21\n\nO espólio infinito: Sobre as novas aquisições, 390 a 82\n[The infinite estate: On the new acquisitions, 390 to 829] \n\nhttps://doi.org/10.26300/zg56-re52\n\nRESUMO\n\nO espólio de Fernando Pessoa tem sido, desde a sua aquisição pelo Estado português, em 1979, um núcleo fundamental da cultura em língua portuguesa. Esse manancial, que esteve na génese das sucessivas edições da obra do poeta depois dos trabalhos pioneiros de chancelas como a Ática e a Aguilar, conheceram extensões relevantes desde 2008. Foi nesse ano que foram adquiridos pelo Estado português alguns documentos incluídos pelos sobrinhos de Pessoa, no quadro de um polémico leilão. Em 2020, um novo conjunto de autógrafos foi adquirido pela Biblioteca Nacional de Portugal através de um ajuste directo com os herdeiros de Pessoa, só recentemente disponibilizados para consulta na Sala dos Reservados da BNP. Este artigo conjuga uma descrição sumária do processo de novas aquisições, com a apresentação de um conjunto seleccionado de documentos, alguns dos quais inéditos, a que se somam alguns materiais que em 2008 foram digitalizados por uma equipa de investigadores que trabalharam em casa dos herdeiros de Pessoa e que não constam nem do conjunto leiloado em 2008, nem dos documentos adquiridos em 2020.\n\nABSTRACT\n\nFernando Pessoa’s estate has been, since its acquisition by the Portuguese State in 1979, a fundamental core of the Portuguese language culture. That plethora, which was in the genesis of the different editions of the poet’s work after the pioneering works of editorial stamps such as Ática and Aguilar, had a relevant extension since 2008. It was in that same year that the Portuguese State acquired some of the documents included by Pessoa’s nephews, in the framework of a controversial auction. In 2020, a new set of autograph documents was acquired by the National Library of Portugal through a direct settlement with the heirs of Pessoa, which was only recently made available for consultation at the Rare Books and Manuscripts Room of BNP. This article combines a summary description of the process of new acquisitions, presenting a selected set of documents (some of which unpublished) to which some materials that in 2008 were digitised by a team of researchers that worked at the home of the heirs of Pessoa are added. These are not included either in the set auctioned in 2008 or the documents acquired in 2020.\n\nBIBLIOGRAFIA\n\nALCÂNTARA, Ana Ramos (2019). Espaços da Lisboa Operária: trabalho, habitação, associativismo e intervenção\noperária na cidade na última década do século XIX. Tese de doutoramento em História\nContemporânea à Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa.\nANAHORY, Israel (1951). Gualdino Gomes. Lisboa: Seara Nova.\nBARBOSA LÓPEZ, Nicolás (2016). “The Student of Salamanca: an English translation”. Pessoa Plural―A\nJournal of Fernando Pessoa Studies, n.º 10 (special issue: Inside the Mask: The English Poetry of\nFernando Pessoa; guest editor, Patricio Ferrari), Outono, pp. 318-551. Brown Digital\nRepository, Brown University Library. https://doi.org/10.7301/Z07P8WKJ\nBARRETO, José (2017a). “A chamada 'nota autobiográfica' de Fernando Pessoa de 30 de Março de\n1935”. Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 12 (special issue: New Insights\ninto Portuguese Modernisms from the Fernando Távora Collection; guest editor, Ricardo\nVasconcelos), Outono, pp. 502-520. Brown Digital Repository. Brown University Library.\nhttps://doi.org/10.7301/Z0RV0KXN\n_____ (2017b). “A última paixão de Fernando Pessoa”. Pessoa Plural―A Journal of Fernando Pessoa\nStudies, n.º 12 (special issue: New Insights into Portuguese Modernisms from the Fernando Távora\nCollection; guest editor, Ricardo Vasconcelos), Outono, pp. 596-641. Brown Digital\nRepository, Brown University Library. https://doi.org/10.7301/Z0QJ7FJ9\n_____ (2016). “Os destinatários dos panfletos pessoanos de 1923”. Pessoa Plural―A Journal of\nFernando Pessoa Studies, n.º 10 (special issue: Inside the Mask: The English Poetry of Fernando\nPessoa; guest editor, Patricio Ferrari), Outono, pp. 628-703. Brown Digital Repository, Brown\nUniversity Library. https://doi.org/10.7301/Z04X5600\n_____ (2013). “Mar Salgado: Fernando Pessoa perante uma acusação de plágio”. Pessoa Plural—A\nJournal of Fernando Pessoa Studies, n.º 3, Primavera, pp. 46-55. Brown Digital Repository. Brown\nUniversity Library. https://doi.org/10.7301/Z0DB80BR\n_____ (2012a). “A publicação de ‘O Interregno’ no contexto político de 1927-1928”. Pessoa Plural―A\nJournal of Fernando Pessoa Studies, n.º 2, Outono, pp. 174-207. Brown Digital Repository, Brown\nUniversity Library. https://doi.org/10.7301/Z0BC3X1Q\n_____ (2012b). “Mussolini é um louco: uma entrevista desconhecida de Fernando Pessoa com um\nantifascista italiano”. Pessoa Plural―A Journal of Fernando Pessoa Studies, n.º 1, Primavera, pp.\n225-252. Brown Digital Repository, Brown University Library. https://doi.org/10.7301/Z0ZW1J4H\n_____ (2012c). “O mago e o louco: Fernando Pessoa e Alberto da Cunha Dias”. Pessoa Plural—A\nJournal of Fernando Pessoa Studies, n.º 1, Primavera, pp. 70-138. Brown Digital Repository.\nBrown University Library. https://doi.org/10.7301/Z0FX77NG\nBIDDLE-PERRY, Geraldine (2014). “The Rise of ‘The World's Largest Sport and Athletic Outfitter’: A\nStudy of Gamage's of Holborn, 1878–1913”. Sport in History, vol. 34, n.º 2, pp. 295-317. DOI:\n10.1080/17460263.2014.924667\nBOTTO, António (2010). Canções. Tradução de Fernando Pessoa. Edição de Jerónimo Pizarro e Nuno\nRibeiro. Lisboa: Guimarães.\nBRANDÃO, Raúl (1988). Memórias. Edição de José Carlos Seabra Pereira. Lisboa: Relógio d’Água.\nCAETANO, Maria João (2008). “Estado português tem 8 dias para dizer o que quer comprar”. Diário de\nNotícias, Lisboa, p. 47, 13 de Novembro.\nCAIZERGUES, Pierre (2018). “Apollinaire et l’avant-garde catalane (1912-1918)”. Apollinaire \u0026 Cie :\nAnthologie critique [em linha]. Montpellier: Presses universitaires de la Méditerranée. DOI:\nhttps://doi.org/10.4000/books.pulm.16635\nCASTRO, Ivo (2021). “Recordação de minha Mestra Galhoz”, Congresso Internacional Fernando Pessoa.\nhttps://www.casafernandopessoa.pt/application/files/3716/4988/2886/Actas_Congresso_2021.pdf\nCEBOLA, Luís (1957). Memórias de Este e do Outro Mundo. Lisboa: [s. l.].","downloadable_attachments":[{"id":87341472,"asset_id":81220905,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":546008,"name":"Espólio","url":"https://www.academia.edu/Documents/in/Espolio?f_ri=12684","nofollow":false},{"id":2551299,"name":"Biblioteca Nacional de Portugal","url":"https://www.academia.edu/Documents/in/Biblioteca_Nacional_de_Portugal?f_ri=12684","nofollow":false},{"id":3965579,"name":"Leilão","url":"https://www.academia.edu/Documents/in/Leil%C3%A3o?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43431830" data-work_id="43431830" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43431830/O_ideal_Caeiro">O ideal Caeiro</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Revista Estranhar Pessoa. N.º 5</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43431830" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4e79d1a8373b34e6437692d23181ab50" rel="nofollow" data-download="{"attachment_id":63741014,"asset_id":43431830,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63741014/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1604031" href="https://fcsh-unl.academia.edu/PedroSep%C3%BAlveda">Pedro Sepúlveda</a><script data-card-contents-for-user="1604031" type="text/json">{"id":1604031,"first_name":"Pedro","last_name":"Sepúlveda","domain_name":"fcsh-unl","page_name":"PedroSepúlveda","display_name":"Pedro Sepúlveda","profile_url":"https://fcsh-unl.academia.edu/PedroSep%C3%BAlveda?f_ri=12684","photo":"https://0.academia-photos.com/1604031/864632/121501429/s65_pedro.sep_lveda.jpg"}</script></span></span></li><li class="js-paper-rank-work_43431830 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43431830"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43431830, container: ".js-paper-rank-work_43431830", }); 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$(".js-view-count[data-work-id=43431830]").text(description); $(".js-view-count-work_43431830").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43431830").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43431830"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="666" href="https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature">Portuguese and Brazilian Literature</a>, <script data-card-contents-for-ri="666" type="text/json">{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a><script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43431830]'), work: {"id":43431830,"title":"O ideal Caeiro","created_at":"2020-06-25T01:54:34.360-07:00","url":"https://www.academia.edu/43431830/O_ideal_Caeiro?f_ri=12684","dom_id":"work_43431830","summary":"Revista Estranhar Pessoa. N.º 5\n","downloadable_attachments":[{"id":63741014,"asset_id":43431830,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1604031,"first_name":"Pedro","last_name":"Sepúlveda","domain_name":"fcsh-unl","page_name":"PedroSepúlveda","display_name":"Pedro Sepúlveda","profile_url":"https://fcsh-unl.academia.edu/PedroSep%C3%BAlveda?f_ri=12684","photo":"https://0.academia-photos.com/1604031/864632/121501429/s65_pedro.sep_lveda.jpg"}],"research_interests":[{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false},{"id":204712,"name":"Portuguese Modernism","url":"https://www.academia.edu/Documents/in/Portuguese_Modernism?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6941907" data-work_id="6941907" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6941907/Na_retaguarda_da_vanguarda_Fernando_Pessoa_e_a_tradi%C3%A7%C3%A3o">Na retaguarda da vanguarda: Fernando Pessoa e a tradição</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm 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Barthes</a>, <script data-card-contents-for-ri="8491" type="text/json">{"id":8491,"name":"Roland Barthes","url":"https://www.academia.edu/Documents/in/Roland_Barthes?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a>, <script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31319" href="https://www.academia.edu/Documents/in/20th_century_Avant-Garde">20th century Avant-Garde</a><script data-card-contents-for-ri="31319" type="text/json">{"id":31319,"name":"20th century Avant-Garde","url":"https://www.academia.edu/Documents/in/20th_century_Avant-Garde?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6941907]'), work: {"id":6941907,"title":"Na retaguarda da vanguarda: Fernando Pessoa e a tradição","created_at":"2014-05-02T09:21:14.753-07:00","url":"https://www.academia.edu/6941907/Na_retaguarda_da_vanguarda_Fernando_Pessoa_e_a_tradi%C3%A7%C3%A3o?f_ri=12684","dom_id":"work_6941907","summary":null,"downloadable_attachments":[{"id":33612602,"asset_id":6941907,"asset_type":"Work","always_allow_download":false},{"id":33612604,"asset_id":6941907,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4039084,"first_name":"Rodrigo 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25295735" data-work_id="25295735" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25295735/_Chegam_sempre_as_cartas_a_quem_Apresenta%C3%A7%C3%A3o_de_Cartas_Reencontradas_de_Pedro_Eiras">«Chegam sempre as cartas a quem […]»: Apresentação de «Cartas Reencontradas...» de Pedro Eiras</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Uma apresentação de «Cartas Reencontradas de Fernando Pessoa a Mário de Sá-Carneiro», de Pedro Eiras (Assírio & Alvim, 2016), no dia 26 de Abril de 2016, no Teatro do Bolhão (Porto).</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div 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data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6902598" href="https://flup.academia.edu/pedrosobrado">Pedro Sobrado</a><script data-card-contents-for-user="6902598" type="text/json">{"id":6902598,"first_name":"Pedro","last_name":"Sobrado","domain_name":"flup","page_name":"pedrosobrado","display_name":"Pedro Sobrado","profile_url":"https://flup.academia.edu/pedrosobrado?f_ri=12684","photo":"https://0.academia-photos.com/6902598/3260324/18966306/s65_pedro.sobrado.jpg"}</script></span></span></li><li class="js-paper-rank-work_25295735 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25295735"><i 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href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="245556" href="https://www.academia.edu/Documents/in/Mario_de_Sa-Carneiro">Mário de Sá-Carneiro</a>, <script data-card-contents-for-ri="245556" type="text/json">{"id":245556,"name":"Mário de Sá-Carneiro","url":"https://www.academia.edu/Documents/in/Mario_de_Sa-Carneiro?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="354790" href="https://www.academia.edu/Documents/in/Literatura_portuguesa_contemporanea">Literatura portuguesa contemporânea</a>, <script data-card-contents-for-ri="354790" type="text/json">{"id":354790,"name":"Literatura portuguesa contemporânea","url":"https://www.academia.edu/Documents/in/Literatura_portuguesa_contemporanea?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1156486" href="https://www.academia.edu/Documents/in/Pedro_Eiras">Pedro Eiras</a><script data-card-contents-for-ri="1156486" type="text/json">{"id":1156486,"name":"Pedro Eiras","url":"https://www.academia.edu/Documents/in/Pedro_Eiras?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25295735]'), work: {"id":25295735,"title":"«Chegam sempre as cartas a quem […]»: Apresentação de «Cartas Reencontradas...» de Pedro Eiras","created_at":"2016-05-13T03:58:02.679-07:00","url":"https://www.academia.edu/25295735/_Chegam_sempre_as_cartas_a_quem_Apresenta%C3%A7%C3%A3o_de_Cartas_Reencontradas_de_Pedro_Eiras?f_ri=12684","dom_id":"work_25295735","summary":"Uma apresentação de «Cartas Reencontradas de Fernando 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contemporânea","url":"https://www.academia.edu/Documents/in/Literatura_portuguesa_contemporanea?f_ri=12684","nofollow":false},{"id":1156486,"name":"Pedro Eiras","url":"https://www.academia.edu/Documents/in/Pedro_Eiras?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_50053148" data-work_id="50053148" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/50053148/Introduction_Fernando_Pessoa_and_translation">Introduction: Fernando Pessoa and translation</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Jerónimo Pizarro & Paulo de Medeiros (2020) Introduction: Fernando Pessoa and translation, The Translator, 26:4, 317-323, DOI: 10.1080/13556509.2021.1882087 <a href="https://doi.org/10.1080/13556509.2021.1882087" rel="nofollow">https://doi.org/10.1080/13556509.2021.1882087</a> Introduction to an special issue... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_50053148" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Jerónimo Pizarro & Paulo de Medeiros (2020) Introduction: Fernando Pessoa and translation, <br />The Translator, 26:4, 317-323, <br />DOI: 10.1080/13556509.2021.1882087<br /><a href="https://doi.org/10.1080/13556509.2021.1882087" rel="nofollow">https://doi.org/10.1080/13556509.2021.1882087</a><br />Introduction to an special issue | Published online: 13 Jul 2021<br /><br />This special issue of The Translator focuses on Fernando Pessoa, one of the greatest Modernist writers. Initially celebrated as a poet, the posthumous publication of his prose masterpiece, Livro do Desassossego [The Book of Disquiet], has greatly contributed to his name being safely inscribed in the canon of world literature. Pessoa wrote in many genres in English and French, besides Portuguese. And he was also deeply engaged with questions of translation. This is an area that calls for much critical reflection and this issue aims at presenting a more systematic approach to Pessoa and questions of translation. In doing so, it also offers a significant example of the multiple ways in which the study of translation and translational approaches can be applied to and illuminate the work of an author whose profile and reception are at once part of a national canon and profoundly transnational. Just as studying Pessoa’s texts from the perspective of translation studies can yield significant new insights into is practice, so too, reflecting on Pessoa’s multiplicity can hopefully open up some avenues for further enriching the varied approaches to research on translation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/50053148" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="78be28db04e59d6b4e8f549db21e8207" rel="nofollow" data-download="{"attachment_id":68180450,"asset_id":50053148,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68180450/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_50053148 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="50053148"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 50053148, container: ".js-paper-rank-work_50053148", }); 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$(".js-view-count[data-work-id=50053148]").text(description); $(".js-view-count-work_50053148").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_50053148").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="50053148"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a><script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=50053148]'), work: {"id":50053148,"title":"Introduction: Fernando Pessoa and translation","created_at":"2021-07-18T12:22:28.700-07:00","url":"https://www.academia.edu/50053148/Introduction_Fernando_Pessoa_and_translation?f_ri=12684","dom_id":"work_50053148","summary":"Jerónimo Pizarro \u0026 Paulo de Medeiros (2020) Introduction: Fernando Pessoa and translation, \nThe Translator, 26:4, 317-323, \nDOI: 10.1080/13556509.2021.1882087\nhttps://doi.org/10.1080/13556509.2021.1882087\nIntroduction to an special issue | Published online: 13 Jul 2021\n\nThis special issue of The Translator focuses on Fernando Pessoa, one of the greatest Modernist writers. Initially celebrated as a poet, the posthumous publication of his prose masterpiece, Livro do Desassossego [The Book of Disquiet], has greatly contributed to his name being safely inscribed in the canon of world literature. Pessoa wrote in many genres in English and French, besides Portuguese. And he was also deeply engaged with questions of translation. This is an area that calls for much critical reflection and this issue aims at presenting a more systematic approach to Pessoa and questions of translation. In doing so, it also offers a significant example of the multiple ways in which the study of translation and translational approaches can be applied to and illuminate the work of an author whose profile and reception are at once part of a national canon and profoundly transnational. Just as studying Pessoa’s texts from the perspective of translation studies can yield significant new insights into is practice, so too, reflecting on Pessoa’s multiplicity can hopefully open up some avenues for further enriching the varied approaches to research on translation.","downloadable_attachments":[{"id":68180450,"asset_id":50053148,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false},{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684"},{"id":3655,"name":"Scholarly Editing","url":"https://www.academia.edu/Documents/in/Scholarly_Editing?f_ri=12684"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=12684"},{"id":4954,"name":"Translation theory","url":"https://www.academia.edu/Documents/in/Translation_theory?f_ri=12684"},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=12684"},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":23760,"name":"Translation and literature","url":"https://www.academia.edu/Documents/in/Translation_and_literature?f_ri=12684"},{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=12684"},{"id":50804,"name":"Literary translation","url":"https://www.academia.edu/Documents/in/Literary_translation?f_ri=12684"},{"id":62083,"name":"Textual Criticism and Editing","url":"https://www.academia.edu/Documents/in/Textual_Criticism_and_Editing?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36022127 coauthored" data-work_id="36022127" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36022127/Teatro_est%C3%A1tico_ext%C3%A1tico_excrito_o_mito_de_Salom%C3%A9">Teatro estático – extático – excrito: o mito de Salomé</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Palavras-‐‑ chave Fernando Pessoa, teatro estático, Salomé, mito, corpo. Resumo Dentre os catorze textos recentemente publicados na edição Teatro Estático (PESSOA, 2017), centrar-‐‑ se-‐‑ á a nossa análise sobretudo no drama " Salomé "... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36022127" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Palavras-‐‑ chave Fernando Pessoa, teatro estático, Salomé, mito, corpo. Resumo Dentre os catorze textos recentemente publicados na edição Teatro Estático (PESSOA, 2017), centrar-‐‑ se-‐‑ á a nossa análise sobretudo no drama " Salomé " , que reúne cinco fragmentos e que constitui uma recriação do mito homónimo. Em articulação com " Outros fragmentos de Salomé " , datados de 1915 e de 1926, e ainda com outras peças desta obra, perspectivar-‐‑ se-‐‑ á o supramencionado texto na sua relação com o mito bíblico e com as recriações do mesmo mito levadas a cabo por outros autores, aferindo do seu interesse para a compreensão do conceito de " teatro estático " , tal como Fernando Pessoa o definiu em 1914. Abstract From the fourteen texts recently published in the Teatro Estático edition (PESSOA, 2017), this analysis will especially focus on the drama " Salomé, " which is a recreation of the homonymous myth. In articulation with " Outros fragmentos de Salomé, " dated from 1915 and 1916, and other plays from this work, the aforementioned text will be put into perspective in relation to the biblical myth and its recreations by other authors, while assessing the degree to which they may be relevant to the understanding of the concept of " static theatre, " as Fernando Pessoa defined it.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36022127" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0ad03d141cc394c4bf9683f5bc378f63" rel="nofollow" data-download="{"attachment_id":55908883,"asset_id":36022127,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55908883/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4145144" href="https://ucsb.academia.edu/MartaBraga">Marta Braga</a><script data-card-contents-for-user="4145144" type="text/json">{"id":4145144,"first_name":"Marta","last_name":"Braga","domain_name":"ucsb","page_name":"MartaBraga","display_name":"Marta Braga","profile_url":"https://ucsb.academia.edu/MartaBraga?f_ri=12684","photo":"https://0.academia-photos.com/4145144/1612390/2980439/s65_marta.braga.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-36022127">+1</span><div class="hidden js-additional-users-36022127"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/MartaMendesBraga">Marta Mendes Braga</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-36022127'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-36022127').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_36022127 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36022127"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36022127, container: ".js-paper-rank-work_36022127", }); });</script></li><li class="js-percentile-work_36022127 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36022127; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36022127"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36022127 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36022127"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36022127; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36022127]").text(description); $(".js-view-count-work_36022127").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36022127").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36022127"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a><script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36022127]'), work: {"id":36022127,"title":"Teatro estático – extático – excrito: o mito de Salomé","created_at":"2018-02-26T11:19:14.211-08:00","url":"https://www.academia.edu/36022127/Teatro_est%C3%A1tico_ext%C3%A1tico_excrito_o_mito_de_Salom%C3%A9?f_ri=12684","dom_id":"work_36022127","summary":"Palavras-‐‑ chave Fernando Pessoa, teatro estático, Salomé, mito, corpo. Resumo Dentre os catorze textos recentemente publicados na edição Teatro Estático (PESSOA, 2017), centrar-‐‑ se-‐‑ á a nossa análise sobretudo no drama \" Salomé \" , que reúne cinco fragmentos e que constitui uma recriação do mito homónimo. Em articulação com \" Outros fragmentos de Salomé \" , datados de 1915 e de 1926, e ainda com outras peças desta obra, perspectivar-‐‑ se-‐‑ á o supramencionado texto na sua relação com o mito bíblico e com as recriações do mesmo mito levadas a cabo por outros autores, aferindo do seu interesse para a compreensão do conceito de \" teatro estático \" , tal como Fernando Pessoa o definiu em 1914. Abstract From the fourteen texts recently published in the Teatro Estático edition (PESSOA, 2017), this analysis will especially focus on the drama \" Salomé, \" which is a recreation of the homonymous myth. In articulation with \" Outros fragmentos de Salomé, \" dated from 1915 and 1916, and other plays from this work, the aforementioned text will be put into perspective in relation to the biblical myth and its recreations by other authors, while assessing the degree to which they may be relevant to the understanding of the concept of \" static theatre, \" as Fernando Pessoa defined it.","downloadable_attachments":[{"id":55908883,"asset_id":36022127,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4145144,"first_name":"Marta","last_name":"Braga","domain_name":"ucsb","page_name":"MartaBraga","display_name":"Marta Braga","profile_url":"https://ucsb.academia.edu/MartaBraga?f_ri=12684","photo":"https://0.academia-photos.com/4145144/1612390/2980439/s65_marta.braga.jpg"},{"id":76819281,"first_name":"Marta","last_name":"Mendes Braga","domain_name":"independent","page_name":"MartaMendesBraga","display_name":"Marta Mendes Braga","profile_url":"https://independent.academia.edu/MartaMendesBraga?f_ri=12684","photo":"https://0.academia-photos.com/76819281/24322853/23252115/s65_marta.mendes_braga.jpg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32358530" data-work_id="32358530" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32358530/Faust_Fragments_Penser_les_th%C3%A9%C3%A2tres_de_Pessoa_avec_le_comparatisme">Faust Fragments. 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A Demonstração do Indemonstrável</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">«Para que a sofística seja realmente interessante tem de supor‑se, claro, que seja exposta a mentes realmente inteligentes e resista ao exame de pessoas realmente perspicazes. Não há nenhum mérito em demonstrar algo absurdo a um tolo. Os... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1948328" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">«Para que a sofística seja realmente interessante tem de supor‑se, claro, que seja exposta a mentes realmente inteligentes e resista ao exame de pessoas realmente perspicazes. Não há nenhum mérito em demonstrar algo absurdo a um tolo. Os grandes sofistas são portanto os que não só demonstram o “indemonstrável”, mas o fazem de tal modo que a refutação poderá ser impossível excepto desviando‑se da linha da argumentação ou expondo os factos de outro modo, o que, claro, não é, de modo algum, uma refutação, mas uma contra‑demonstração, o que é bastante diferente.»</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1948328" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9194a64dc88ad237b9540f561d0b88a4" rel="nofollow" data-download="{"attachment_id":40668367,"asset_id":1948328,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40668367/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1617408" href="https://eafit.academia.edu/JorgeUribe">Jorge Uribe</a><script data-card-contents-for-user="1617408" type="text/json">{"id":1617408,"first_name":"Jorge","last_name":"Uribe","domain_name":"eafit","page_name":"JorgeUribe","display_name":"Jorge Uribe","profile_url":"https://eafit.academia.edu/JorgeUribe?f_ri=12684","photo":"https://0.academia-photos.com/1617408/564174/743321/s65_jorge.uribe.jpg"}</script></span></span></li><li class="js-paper-rank-work_1948328 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1948328"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1948328, container: ".js-paper-rank-work_1948328", }); });</script></li><li class="js-percentile-work_1948328 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1948328; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1948328"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1948328 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1948328"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1948328; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1948328]").text(description); $(".js-view-count-work_1948328").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1948328").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1948328"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a><script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1948328]'), work: {"id":1948328,"title":"Fernando Pessoa. A Demonstração do Indemonstrável","created_at":"2012-09-18T20:56:23.512-07:00","url":"https://www.academia.edu/1948328/Fernando_Pessoa_A_Demonstra%C3%A7%C3%A3o_do_Indemonstr%C3%A1vel?f_ri=12684","dom_id":"work_1948328","summary":"«Para que a sofística seja realmente interessante tem de supor‑se, claro, que seja exposta a mentes realmente inteligentes e resista ao exame de pessoas realmente perspicazes. Não há nenhum mérito em demonstrar algo absurdo a um tolo. Os grandes sofistas são portanto os que não só demonstram o “indemonstrável”, mas o fazem de tal modo que a refutação poderá ser impossível excepto desviando‑se da linha da argumentação ou expondo os factos de outro modo, o que, claro, não é, de modo algum, uma refutação, mas uma contra‑demonstração, o que é bastante diferente.»","downloadable_attachments":[{"id":40668367,"asset_id":1948328,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1617408,"first_name":"Jorge","last_name":"Uribe","domain_name":"eafit","page_name":"JorgeUribe","display_name":"Jorge Uribe","profile_url":"https://eafit.academia.edu/JorgeUribe?f_ri=12684","photo":"https://0.academia-photos.com/1617408/564174/743321/s65_jorge.uribe.jpg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45477373" data-work_id="45477373" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45477373/Prov%C3%A9rbios_Portugueses_numa_edi%C3%A7%C3%A3o_tril%C3%ADngue">Provérbios Portugueses numa edição trilíngue</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">MIRAGLIA, Gianluca "Provérbios Portugueses numa edição trilíngue" (2019). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 16, Fall, pp. 454-458. Brown Digital Repository. Brown University Library.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45477373" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">MIRAGLIA, Gianluca "Provérbios Portugueses numa edição trilíngue" (2019). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 16, Fall, pp. 454-458. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.26300/why4-w960" rel="nofollow">https://doi.org/10.26300/why4-w960</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 16<br /><br />Provérbios Portugueses numa edição trilíngue <br />[Portuguese Proverbs in Trilingual Edition]<br /><br /><a href="https://doi.org/10.26300/why4-w960" rel="nofollow">https://doi.org/10.26300/why4-w960</a><br /><br />PESSOA, Fernando (2019). Proverbios Portugueses. Edición de Jerónimo Pizarro y Patricio Ferrari; traducción de Diego Cepeda y Andrea Sánchez; ilustraciones de José Arboleda. Medellín: Tragaluz editores, 175 p. [ISBN: 978-958-5463-22-6]</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45477373" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ff7fed2a6cbba5cc8252fc11dd684a4f" rel="nofollow" data-download="{"attachment_id":65978090,"asset_id":45477373,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65978090/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45477373 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45477373"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45477373, container: ".js-paper-rank-work_45477373", }); 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$(".js-view-count[data-work-id=45477373]").text(description); $(".js-view-count-work_45477373").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45477373").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45477373"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a>, <script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a><script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45477373]'), work: {"id":45477373,"title":"Provérbios Portugueses numa edição trilíngue","created_at":"2021-03-11T16:00:14.314-08:00","url":"https://www.academia.edu/45477373/Prov%C3%A9rbios_Portugueses_numa_edi%C3%A7%C3%A3o_tril%C3%ADngue?f_ri=12684","dom_id":"work_45477373","summary":"MIRAGLIA, Gianluca \"Provérbios Portugueses numa edição trilíngue\" (2019). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 16, Fall, pp. 454-458. Brown Digital Repository. Brown University Library. https://doi.org/10.26300/why4-w960\n\nIs Part of:\n\nPessoa Plural―A Journal of Fernando Pessoa Studies, Issue 16\n\nProvérbios Portugueses numa edição trilíngue \n[Portuguese Proverbs in Trilingual Edition]\n\nhttps://doi.org/10.26300/why4-w960\n\nPESSOA, Fernando (2019). Proverbios Portugueses. Edición de Jerónimo Pizarro y Patricio Ferrari; traducción de Diego Cepeda y Andrea Sánchez; ilustraciones de José Arboleda. Medellín: Tragaluz editores, 175 p. 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Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 9, Spring, pp. 260-269. Brown Digital Repository. Brown University.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45384735" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ATAY, Hakan, "Waiting for Pessoa: The Works of Fernando Pessoa in Turkish" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 9, Spring, pp. 260-269. Brown Digital Repository. Brown University. <a href="https://doi.org/10.7301/Z08G8HXQ" rel="nofollow">https://doi.org/10.7301/Z08G8HXQ</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 9<br /><br />Waiting for Pessoa: The Works of Fernando Pessoa in Turkish <br />À espera de Pessoa: as obras de Fernando Pessoa em Turco] <br /><br /><a href="https://doi.org/10.7301/Z08G8HXQ" rel="nofollow">https://doi.org/10.7301/Z08G8HXQ</a><br /><br />PESSOA, Fernando (2015b). Hiçbir Şey İstememenin Mutluluğu: Aforizmalar. Translated by Hakan Akdoğan. Istanbul: Zeplin Kitap. PESSOA, Fernando (2015a). Başıboş Bir Yolculuktan Notlar. Translated by Işık Ergüden. Istanbul: Kırmızı Kedi Yayınevi."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45384735" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3c4f6a69f66d1d1a465104159196d180" rel="nofollow" data-download="{"attachment_id":65909795,"asset_id":45384735,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65909795/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45384735 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45384735"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45384735, container: ".js-paper-rank-work_45384735", }); 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Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 9, Spring, pp. 260-269. Brown Digital Repository. Brown University. https://doi.org/10.7301/Z08G8HXQ\n\nIs Part of:\n\nPessoa Plural―A Journal of Fernando Pessoa Studies, Issue 9\n\nWaiting for Pessoa: The Works of Fernando Pessoa in Turkish \nÀ espera de Pessoa: as obras de Fernando Pessoa em Turco] \n\nhttps://doi.org/10.7301/Z08G8HXQ\n\nPESSOA, Fernando (2015b). Hiçbir Şey İstememenin Mutluluğu: Aforizmalar. Translated by Hakan Akdoğan. Istanbul: Zeplin Kitap. PESSOA, Fernando (2015a). Başıboş Bir Yolculuktan Notlar. Translated by Işık Ergüden. 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Por sus páginas, con una clara vocación de diálogo ibérico, desfilan muchos de los... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44015834" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El pintor y escritor Gabriel García Maroto coordinó la publicación del Almanaque de las artes y las letras para 1928, que se editó ese mismo año en Madrid. Por sus páginas, con una clara vocación de diálogo ibérico, desfilan muchos de los escritores y artistas plásticos más importantes de los diferentes espacios culturales de la península ibérica, en diálogo con voces destacadas del panorama internacional.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44015834" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cb7d04a8daea4a8de50e2924cbe3071f" rel="nofollow" data-download="{"attachment_id":64350768,"asset_id":44015834,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64350768/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5703588" href="https://uevora.academia.edu/AntonioS%C3%A1ezDelgado">Antonio Sáez Delgado</a><script data-card-contents-for-user="5703588" type="text/json">{"id":5703588,"first_name":"Antonio","last_name":"Sáez Delgado","domain_name":"uevora","page_name":"AntonioSáezDelgado","display_name":"Antonio Sáez Delgado","profile_url":"https://uevora.academia.edu/AntonioS%C3%A1ezDelgado?f_ri=12684","photo":"https://0.academia-photos.com/5703588/2473493/2873755/s65_antonio.s_ez_delgado.jpg"}</script></span></span></li><li class="js-paper-rank-work_44015834 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44015834"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44015834, container: ".js-paper-rank-work_44015834", }); 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FLUL</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12693888" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d4bdd0521cd084efb7a8be22f22361fc" rel="nofollow" data-download="{"attachment_id":37783929,"asset_id":12693888,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37783929/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20731008" href="https://flul.academia.edu/M%C2%AAdoRos%C3%A1rioRochadaSilva">Mª do Rosário F . R . Rocha da Silva</a><script data-card-contents-for-user="20731008" type="text/json">{"id":20731008,"first_name":"Mª do Rosário","last_name":"Rocha da Silva","domain_name":"flul","page_name":"MªdoRosárioRochadaSilva","display_name":"Mª do Rosário F . R . 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D., "Pessoa's Antinous" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 106-119. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.7301/Z0319T31" rel="nofollow">https://doi.org/10.7301/Z0319T31</a> Is Part of: Pessoa Plural―A... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45417102" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">REED, J. D., "Pessoa's Antinous"  (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 106-119. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.7301/Z0319T31" rel="nofollow">https://doi.org/10.7301/Z0319T31</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10<br /><br />Pessoa's Antinous<br />[O Antínoo de Pessoa]<br /><a href="https://doi.org/10.7301/Z0319T31" rel="nofollow">https://doi.org/10.7301/Z0319T31</a><br /><br />ABSTRACT<br /><br />Pessoa's Antinous follows a tradition of poems on mythological dying-god figures mourned by their divine lovers, transferring the tropes of that tradition to the Roman emperor Hadrian and his lover, who had been appropriated by fin-de-siècle literary homoeroticism. <br /><br />RESUMO<br /><br />O Antinous (Antínoo) de Fernando Pessoa segue uma tradição de poemas sobre deuses mitológicos moribundos sendo lamentados por seus amantes divinos. Pessoa transfere os artifícios dessa tradição para duas personagens, o imperados romano Adriano e seu amante, o qual tinha sido apropriado pelo homoerotismo literário do fim do século XIX.<br /><br />BIBLIOGRAPHY<br /><br />ACTON, Harold (1925). An Indian Ass. London: Duckworth.<br />ALDRICH, Robert (1993). The Seduction of the Mediterranean. London: Routledge.<br />CADARIO, Matteo (2012). “Le molteplici e mutevoli immagini di Antinoo.” Antinoo. Il fascino della<br />bellezza. Edited by Marina Sapelli Ragni. Milan: Soprintendenza per i beni artistici e storici<br />del Lazio, pp. 64-77.<br />DOVER, Kenneth J. (1989). Greek Homosexuality. Cambridge, Mass.: Harvard University Press, 2nd<br />edition. [1st edition 1978].<br />DU PLESSIS, Michael (2002). “Unspeakable Writing: Jean Lorrain’s Monsieur de Phocas.” French Forum,<br />27, 2, pp. 65-98.<br />ELLIS, Havelock (1915). Affirmations. Boston: Houghton Mifflin Company, 2nd edition [1st edition<br />1898].<br />FERRARI, Patricio and Jerónimo PIZARRO (guest eds.) (2015). Portuguese Literary & Cultural Studies,<br />n.º 28 (Fernando Pessoa as English Reader and Writer). North Dartmouth: Tagus Press at<br />UMass Dartmouth.<br />FRAZER, James (1914). The Golden Bough. Pt. 4: “Adonis Attis Osiris.” vol. 1. London. Macmillan. 3rd<br />edition. [1st edition 1906].<br />GOSSE, Edmund (1912). Portraits and Sketches. London: William Heinemann.<br />HALPERIN, David M. (2006). “The Best Lover.” B. Dufallo and P. McCracken, eds., Dead Lovers: Erotic<br />Bonds and the Study of Premodern Europe. Ann Arbor. University of Michigan Press, pp. 8-21.<br />INGLEHEART, Jennifer (2015). “Putting the Roman back into Romance: The Subversive Case of the<br />Anonymous Teleny.” Ancient Rome and the Construction of Modern Homosexual Identities.<br />Oxford: Oxford University Press, pp. 144-75.<br />JONES, Christopher (2010). New Heroes in Antiquity: From Achilles to Antinoos. Cambridge: Harvard<br />University Press.<br />KLOBUCKA, Anna M. (2013). “Fernando Pessoa ativista queer: Uma releitura do ‘Antinous.’”<br />Unpublished paper. Web: <a href="http://www.academia.edu/5592763/Fernando_Pessoa_ativista_queer" rel="nofollow">www.academia.edu/5592763/Fernando_Pessoa_ativista_queer</a><br />_Uma_releitura_de_Antinous_ (accessed 18 November 2016).<br />KOPELSON, Kevin. 1994. Love’s Litany: The Writing of Modern Homoeroticism. Stanford: Stanford<br />University Press.<br />LAMBERT, Royston (1984). Beloved and God: the Story of Hadrian and Antinous. New York: Viking.<br />LIVREA, Enrico (1999). “Chi è l’autore di P. Oxy. 4352?” Zeitschrift für Papyrologie und Epigraphik, 125,<br />pp. 69-73.<br />MADER, D. H. (2005). “The Greek Mirror: The Uranians and Their Use of Greece.” Journal of<br />Homosexuality, 49, 3-4, pp. 377-420.<br />MEYER, Hugo (1991). Antinoos: Die archaologischen Denkmaler unter Einbeziehung des numismatischen<br />und epigraphischen Materials sowie der literarischen Nachrichten. Munich: W. Fink.<br />MONTEIRO, George (2007). “Fernando Pessoa, He Had His Nerve.” Embodying Pessoa: Corporeality,<br />Gender, Sexuality. Edited by Anne M. Klobucka and Mark Sabine. Toronto: University of<br />Toronto Press, pp. 125-148.<br />PESSOA, Fernando (2014). Poèmes français. Edition established and annotated by Patricio Ferrari in<br />collaboration with Patrick Quillier. Preface by Patrick Quillier. Paris: Éditions de la<br />Différence.<br />____ (1999). Fernando Pessoa: Correspondência 1905-1922. Edited by Manuela Parreira da Silva.<br />Lisbon: Assírio & Alvim.<br />____ (1993). Poemas Ingleses. Antinous, Inscriptions, Epitalamium, 35 Sonnets. Edited by João<br />Dionísio. Lisbon: Imprensa Nacional-Casa da Moeda. Critical Edition of Fernando Pessoa.<br />Major Series, vol. V, tome I.<br />____ (1974). Obras completas de Fernando Pessoa. Poemas Ingleses. Edited by Jorge de Sena. Lisbon:<br />Edições Ática. vol. 11.<br />RAYNAUD, Ernest (1888). Chairs profanes. Paris: Léon Vanier.<br />REED, J. D. (2000). “Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism.” Transactions of the<br />American Philological Association, 130, pp. 319-351.<br />____ (2006). “Wilfred Owen’s Adonis.” Basil Dufallo and Peggy McCracken, eds., Dead Lovers:<br />Erotic Bonds and the Study of Premodern Europe. Ann Arbor: University of Michigan Press, pp.<br />39-56.<br />____ (1997). Bion of Smyrna: The Fragments and the Adonis. Cambridge: Cambridge University<br />Press.<br />RENBERG, Gil H. (2010). “Hadrian and the Oracles of Antinous (SHA Hadr. 14.7); with an Appendix<br />on the So-Called Antinoeion at Hadrian’s Villa and Rome’s Monte Pincio Obelisk.” Memoirs<br />of the American Academy in Rome, 55, pp. 159-98.<br />RODITI, Edouard (1962). “Fernando Pessoa, Outsider Among English Poets.” The Literary Review, 6,<br />pp. 372-85.<br />SABINE, Mark (2007). “‘Ever-Repositioned Mysteries’: Homosexuality and Heteronymity in<br />‘Antinous.’” Embodying Pessoa: Corporeality, Gender, Sexuality. Edited by Anne M. Klobucka<br />and Mark Sabine. Toronto: University of Toronto Press, pp. 149-77.<br />SAPELLI RAGNI, Marina, ed. (2012). Antinoo. Il fascino della bellezza. Milan: Soprintendenza per i beni<br />artistici e storici del Lazio.<br />SHEPHERD, Reginald (1996). Angel, Interrupted. Pittsburgh: University of Pittsburgh Press.<br />VOUT, Carolyn (2007). Power and Eroticism in Imperial Rome. Cambridge: Cambridge University<br />Press.<br />WATERS, Sarah (1995). “‘The Most Famous Fairy in History’: Antinous and Homosexual Fantasy.”<br />Journal of the History of Sexuality, 6, pp. 194-230.<br />WILDE, Oscar (1989). Oscar Wilde. Edited by Isobel Murray. Oxford: Oxford University Press.<br />WEIR, David (1996). Decadence and the Making of Modernism. Amherst: University of Massachussetts<br />Press.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45417102" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5ea7445b8598d9c7b223fe40fbcc48bf" rel="nofollow" data-download="{"attachment_id":65931381,"asset_id":45417102,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65931381/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45417102 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45417102"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45417102, container: ".js-paper-rank-work_45417102", }); 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D., \"Pessoa's Antinous\" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 106-119. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0319T31\n\nIs Part of:\n\nPessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10\n\nPessoa's Antinous\n[O Antínoo de Pessoa]\nhttps://doi.org/10.7301/Z0319T31\n\nABSTRACT\n\nPessoa's Antinous follows a tradition of poems on mythological dying-god figures mourned by their divine lovers, transferring the tropes of that tradition to the Roman emperor Hadrian and his lover, who had been appropriated by fin-de-siècle literary homoeroticism. \n\nRESUMO\n\nO Antinous (Antínoo) de Fernando Pessoa segue uma tradição de poemas sobre deuses mitológicos moribundos sendo lamentados por seus amantes divinos. Pessoa transfere os artifícios dessa tradição para duas personagens, o imperados romano Adriano e seu amante, o qual tinha sido apropriado pelo homoerotismo literário do fim do século XIX.\n\nBIBLIOGRAPHY\n\nACTON, Harold (1925). An Indian Ass. London: Duckworth.\nALDRICH, Robert (1993). The Seduction of the Mediterranean. London: Routledge.\nCADARIO, Matteo (2012). “Le molteplici e mutevoli immagini di Antinoo.” Antinoo. Il fascino della\nbellezza. Edited by Marina Sapelli Ragni. Milan: Soprintendenza per i beni artistici e storici\ndel Lazio, pp. 64-77.\nDOVER, Kenneth J. (1989). Greek Homosexuality. Cambridge, Mass.: Harvard University Press, 2nd\nedition. [1st edition 1978].\nDU PLESSIS, Michael (2002). “Unspeakable Writing: Jean Lorrain’s Monsieur de Phocas.” French Forum,\n27, 2, pp. 65-98.\nELLIS, Havelock (1915). Affirmations. Boston: Houghton Mifflin Company, 2nd edition [1st edition\n1898].\nFERRARI, Patricio and Jerónimo PIZARRO (guest eds.) (2015). Portuguese Literary \u0026 Cultural Studies,\nn.º 28 (Fernando Pessoa as English Reader and Writer). North Dartmouth: Tagus Press at\nUMass Dartmouth.\nFRAZER, James (1914). The Golden Bough. Pt. 4: “Adonis Attis Osiris.” vol. 1. London. Macmillan. 3rd\nedition. [1st edition 1906].\nGOSSE, Edmund (1912). Portraits and Sketches. London: William Heinemann.\nHALPERIN, David M. (2006). “The Best Lover.” B. Dufallo and P. McCracken, eds., Dead Lovers: Erotic\nBonds and the Study of Premodern Europe. Ann Arbor. University of Michigan Press, pp. 8-21.\nINGLEHEART, Jennifer (2015). “Putting the Roman back into Romance: The Subversive Case of the\nAnonymous Teleny.” Ancient Rome and the Construction of Modern Homosexual Identities.\nOxford: Oxford University Press, pp. 144-75.\nJONES, Christopher (2010). New Heroes in Antiquity: From Achilles to Antinoos. Cambridge: Harvard\nUniversity Press.\nKLOBUCKA, Anna M. (2013). “Fernando Pessoa ativista queer: Uma releitura do ‘Antinous.’”\nUnpublished paper. Web: www.academia.edu/5592763/Fernando_Pessoa_ativista_queer\n_Uma_releitura_de_Antinous_ (accessed 18 November 2016).\nKOPELSON, Kevin. 1994. Love’s Litany: The Writing of Modern Homoeroticism. Stanford: Stanford\nUniversity Press.\nLAMBERT, Royston (1984). Beloved and God: the Story of Hadrian and Antinous. New York: Viking.\nLIVREA, Enrico (1999). “Chi è l’autore di P. Oxy. 4352?” Zeitschrift für Papyrologie und Epigraphik, 125,\npp. 69-73.\nMADER, D. H. (2005). “The Greek Mirror: The Uranians and Their Use of Greece.” Journal of\nHomosexuality, 49, 3-4, pp. 377-420.\nMEYER, Hugo (1991). Antinoos: Die archaologischen Denkmaler unter Einbeziehung des numismatischen\nund epigraphischen Materials sowie der literarischen Nachrichten. Munich: W. Fink.\nMONTEIRO, George (2007). “Fernando Pessoa, He Had His Nerve.” Embodying Pessoa: Corporeality,\nGender, Sexuality. Edited by Anne M. Klobucka and Mark Sabine. Toronto: University of\nToronto Press, pp. 125-148.\nPESSOA, Fernando (2014). Poèmes français. Edition established and annotated by Patricio Ferrari in\ncollaboration with Patrick Quillier. Preface by Patrick Quillier. Paris: Éditions de la\nDifférence.\n____ (1999). Fernando Pessoa: Correspondência 1905-1922. Edited by Manuela Parreira da Silva.\nLisbon: Assírio \u0026 Alvim.\n____ (1993). Poemas Ingleses. Antinous, Inscriptions, Epitalamium, 35 Sonnets. Edited by João\nDionísio. Lisbon: Imprensa Nacional-Casa da Moeda. Critical Edition of Fernando Pessoa.\nMajor Series, vol. V, tome I.\n____ (1974). Obras completas de Fernando Pessoa. Poemas Ingleses. Edited by Jorge de Sena. Lisbon:\nEdições Ática. vol. 11.\nRAYNAUD, Ernest (1888). Chairs profanes. Paris: Léon Vanier.\nREED, J. D. (2000). “Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism.” Transactions of the\nAmerican Philological Association, 130, pp. 319-351.\n____ (2006). “Wilfred Owen’s Adonis.” Basil Dufallo and Peggy McCracken, eds., Dead Lovers:\nErotic Bonds and the Study of Premodern Europe. Ann Arbor: University of Michigan Press, pp.\n39-56.\n____ (1997). Bion of Smyrna: The Fragments and the Adonis. Cambridge: Cambridge University\nPress.\nRENBERG, Gil H. (2010). “Hadrian and the Oracles of Antinous (SHA Hadr. 14.7); with an Appendix\non the So-Called Antinoeion at Hadrian’s Villa and Rome’s Monte Pincio Obelisk.” Memoirs\nof the American Academy in Rome, 55, pp. 159-98.\nRODITI, Edouard (1962). “Fernando Pessoa, Outsider Among English Poets.” The Literary Review, 6,\npp. 372-85.\nSABINE, Mark (2007). “‘Ever-Repositioned Mysteries’: Homosexuality and Heteronymity in\n‘Antinous.’” Embodying Pessoa: Corporeality, Gender, Sexuality. Edited by Anne M. Klobucka\nand Mark Sabine. Toronto: University of Toronto Press, pp. 149-77.\nSAPELLI RAGNI, Marina, ed. (2012). Antinoo. Il fascino della bellezza. Milan: Soprintendenza per i beni\nartistici e storici del Lazio.\nSHEPHERD, Reginald (1996). Angel, Interrupted. Pittsburgh: University of Pittsburgh Press.\nVOUT, Carolyn (2007). Power and Eroticism in Imperial Rome. Cambridge: Cambridge University\nPress.\nWATERS, Sarah (1995). “‘The Most Famous Fairy in History’: Antinous and Homosexual Fantasy.”\nJournal of the History of Sexuality, 6, pp. 194-230.\nWILDE, Oscar (1989). Oscar Wilde. Edited by Isobel Murray. Oxford: Oxford University Press.\nWEIR, David (1996). Decadence and the Making of Modernism. Amherst: University of Massachussetts\nPress.","downloadable_attachments":[{"id":65931381,"asset_id":45417102,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false},{"id":47991,"name":"English Poetry","url":"https://www.academia.edu/Documents/in/English_Poetry?f_ri=12684"},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=12684"},{"id":78758,"name":"Antinous","url":"https://www.academia.edu/Documents/in/Antinous?f_ri=12684"},{"id":93478,"name":"Modernismo","url":"https://www.academia.edu/Documents/in/Modernismo?f_ri=12684"},{"id":131443,"name":"Literatura Portuguesa","url":"https://www.academia.edu/Documents/in/Literatura_Portuguesa?f_ri=12684"},{"id":799763,"name":"Decadentismo","url":"https://www.academia.edu/Documents/in/Decadentismo?f_ri=12684"},{"id":1362758,"name":"Decadent Poetry","url":"https://www.academia.edu/Documents/in/Decadent_Poetry?f_ri=12684"},{"id":3912031,"name":"Poesia inglesa","url":"https://www.academia.edu/Documents/in/Poesia_inglesa?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32436191 coauthored" data-work_id="32436191" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32436191/Os_guias_de_viagens_de_Fernando_Pessoa_e_de_Manuel_Bandeira_uma_leitura_comparada">Os guias de viagens de Fernando Pessoa e de Manuel Bandeira: uma leitura comparada</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMO. Este artigo apresenta uma leitura comparatista dos guias de viagem Lisboa: o que o turista deve ver (1925), de Fernando Pessoa, e Guia de Ouro Prêto (1938), de Manuel Bandeira, sob o prisma dos estudos em literatura e turismo. A... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32436191" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMO. Este artigo apresenta uma leitura comparatista dos guias de viagem Lisboa: o que o turista deve ver (1925), de Fernando Pessoa, e Guia de Ouro Prêto (1938), de Manuel Bandeira, sob o prisma dos estudos em literatura e turismo. A leitura destaca a intenção autoral de cada um dos textos, associando-os ao contexto histórico e cultural no qual surgiram e às manifestações políticas pretendidas – visto serem esses guias não são só obras do modernismo, mas também expressões nacionalistas em busca da afirmação da identidade nacional. Adicionalmente, o artigo situa os guias de Pessoa e de Bandeira no panorama da historiografia do turismo e da literatura, quer em Portugal quer no Brasil, e sublinha o facto de haver em ambas perspetivas uma releitura das cidades, uma criação de mitos e um estímulo a um olhar atento – entre o plano da ficção e o do real – sobre os espaços citadinos de Lisboa e Ouro Preto. Palavras-chave: Lisboa: o que o turista deve ver, Guia de Ouro Prêto, literatura e turismo, modernismo, nacionalismo, identidade nacional. Travel guides by Fernando Pessoa and Manuel Bandeira: a compared reading ABSTRACT. The aim of this paper is to present a compared reading of the travel guides Lisboa: o que o turista deve ver (1925), by Fernando Pessoa and Guia de Ouro Prêto (1938), by Manuel Bandeira, in the scope of the studies in literature and tourism. The reading highlights the authorial intent in each text, the historical and cultural context in which they arose, and the political changes – considering that these guides are not only works of the Modernist movement, but also nationalist expressions in search of reclaiming the national identity. Additionally, the article places the guides by Pessoa and Bandeira in the historiography of tourism and literature, both in Portugal and in Brazil, and focuses on the fact that both texts reinterpret the cities, create myths and encourage a close look – that shifts between fiction and reality – on the city spaces in Lisbon and Ouro Preto. Keywords: Lisboa: o que o turista deve ver, Guia de Ouro Preto, literature and tourism, modernism, nacionalism, national identity.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32436191" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="573cffeeabf34c4f8c0ff1281a574f38" rel="nofollow" data-download="{"attachment_id":52629168,"asset_id":32436191,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52629168/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="50473114" href="https://ualg.academia.edu/S%C3%ADlviaQuinteiro">Sílvia Quinteiro</a><script data-card-contents-for-user="50473114" type="text/json">{"id":50473114,"first_name":"Sílvia","last_name":"Quinteiro","domain_name":"ualg","page_name":"SílviaQuinteiro","display_name":"Sílvia Quinteiro","profile_url":"https://ualg.academia.edu/S%C3%ADlviaQuinteiro?f_ri=12684","photo":"https://0.academia-photos.com/50473114/13302933/93217375/s65_s_lvia.quinteiro.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-32436191">+1</span><div class="hidden js-additional-users-32436191"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/DanielleAlves10">Danielle Alves</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-32436191'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-32436191').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_32436191 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32436191"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32436191, container: ".js-paper-rank-work_32436191", }); });</script></li><li class="js-percentile-work_32436191 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32436191; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_32436191"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_32436191 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="32436191"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32436191; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32436191]").text(description); $(".js-view-count-work_32436191").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_32436191").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="32436191"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="650778" href="https://www.academia.edu/Documents/in/Manuel_Bandeira">Manuel Bandeira</a>, <script data-card-contents-for-ri="650778" type="text/json">{"id":650778,"name":"Manuel Bandeira","url":"https://www.academia.edu/Documents/in/Manuel_Bandeira?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1315881" href="https://www.academia.edu/Documents/in/Literature_and_Tourism_Literary_Tourism_">Literature and Tourism (Literary Tourism)</a><script data-card-contents-for-ri="1315881" type="text/json">{"id":1315881,"name":"Literature and Tourism (Literary Tourism)","url":"https://www.academia.edu/Documents/in/Literature_and_Tourism_Literary_Tourism_?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32436191]'), work: {"id":32436191,"title":"Os guias de viagens de Fernando Pessoa e de Manuel Bandeira: uma leitura comparada","created_at":"2017-04-15T07:27:29.156-07:00","url":"https://www.academia.edu/32436191/Os_guias_de_viagens_de_Fernando_Pessoa_e_de_Manuel_Bandeira_uma_leitura_comparada?f_ri=12684","dom_id":"work_32436191","summary":"RESUMO. Este artigo apresenta uma leitura comparatista dos guias de viagem Lisboa: o que o turista deve ver (1925), de Fernando Pessoa, e Guia de Ouro Prêto (1938), de Manuel Bandeira, sob o prisma dos estudos em literatura e turismo. A leitura destaca a intenção autoral de cada um dos textos, associando-os ao contexto histórico e cultural no qual surgiram e às manifestações políticas pretendidas – visto serem esses guias não são só obras do modernismo, mas também expressões nacionalistas em busca da afirmação da identidade nacional. Adicionalmente, o artigo situa os guias de Pessoa e de Bandeira no panorama da historiografia do turismo e da literatura, quer em Portugal quer no Brasil, e sublinha o facto de haver em ambas perspetivas uma releitura das cidades, uma criação de mitos e um estímulo a um olhar atento – entre o plano da ficção e o do real – sobre os espaços citadinos de Lisboa e Ouro Preto. Palavras-chave: Lisboa: o que o turista deve ver, Guia de Ouro Prêto, literatura e turismo, modernismo, nacionalismo, identidade nacional. Travel guides by Fernando Pessoa and Manuel Bandeira: a compared reading ABSTRACT. The aim of this paper is to present a compared reading of the travel guides Lisboa: o que o turista deve ver (1925), by Fernando Pessoa and Guia de Ouro Prêto (1938), by Manuel Bandeira, in the scope of the studies in literature and tourism. The reading highlights the authorial intent in each text, the historical and cultural context in which they arose, and the political changes – considering that these guides are not only works of the Modernist movement, but also nationalist expressions in search of reclaiming the national identity. Additionally, the article places the guides by Pessoa and Bandeira in the historiography of tourism and literature, both in Portugal and in Brazil, and focuses on the fact that both texts reinterpret the cities, create myths and encourage a close look – that shifts between fiction and reality – on the city spaces in Lisbon and Ouro Preto. Keywords: Lisboa: o que o turista deve ver, Guia de Ouro Preto, literature and tourism, modernism, nacionalism, national identity.","downloadable_attachments":[{"id":52629168,"asset_id":32436191,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":50473114,"first_name":"Sílvia","last_name":"Quinteiro","domain_name":"ualg","page_name":"SílviaQuinteiro","display_name":"Sílvia Quinteiro","profile_url":"https://ualg.academia.edu/S%C3%ADlviaQuinteiro?f_ri=12684","photo":"https://0.academia-photos.com/50473114/13302933/93217375/s65_s_lvia.quinteiro.jpg"},{"id":48043680,"first_name":"Danielle","last_name":"Alves","domain_name":"independent","page_name":"DanielleAlves10","display_name":"Danielle Alves","profile_url":"https://independent.academia.edu/DanielleAlves10?f_ri=12684","photo":"https://0.academia-photos.com/48043680/16570182/16891965/s65_danielle.alves.jpg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":650778,"name":"Manuel Bandeira","url":"https://www.academia.edu/Documents/in/Manuel_Bandeira?f_ri=12684","nofollow":false},{"id":1315881,"name":"Literature and Tourism (Literary Tourism)","url":"https://www.academia.edu/Documents/in/Literature_and_Tourism_Literary_Tourism_?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40651094" data-work_id="40651094" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40651094/TRANSMISS%C3%83O_DE_TEXTO_O_CASO_PESSOA_TEXT_TRANSMISSION_THE_CASE_PESSOA">TRANSMISSÃO DE TEXTO: O CASO PESSOA / TEXT TRANSMISSION: THE CASE PESSOA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Resumo: O levantamento de variantes ou alterações ou modificações surgidas no processo de transmissão de um texto literário é, na execução de uma edição crítico-genética, por exemplo, a etapa que exige atenção especial do editor. Esse... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40651094" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Resumo: O levantamento de variantes ou alterações ou modificações surgidas no processo de transmissão de um texto literário é, na execução de uma edição crítico-genética, por exemplo, a etapa que exige atenção especial do editor. Esse cuidado é necessário porque é desse levantamento que se busca eleger, dentre as variantes, as que são autorais em detrimento das não autorais no momento da composição do texto final. Para tratar dessa linha de investigação e mostrar sua importância para os estudos literários, destacamos, neste texto, o caso da transmissão do primeiro poema de O guardador de rebanhos de Alberto Caeiro (Fernando Pessoa). Palavras-Chave: Transmissão de texto. Crítica textual e genética. O guardador de rebanhos. Fernando Pessoa. Abstract: The survey variants or changes or modifications arising in a process of a text transmission is the execution of a critical gene-editing, for example, the step that requires special attention from the editor. This precaution is necessary because it is this survey that seeks to be elected from among the variants, which are copyright to the detriment of non-authorship at the time of the final text composition. To address this line of research and show its importance to literary studies, we highlight in this text, the case of transmission of the first poem The keeper of sheep of Alberto Caeiro (Fernando Pessoa).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40651094" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="55701f013d3dff0af87710448767d486" rel="nofollow" data-download="{"attachment_id":60933589,"asset_id":40651094,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60933589/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="113164865" href="https://usp-br.academia.edu/ManoelMourivaldoSantiagoAlmeida">Manoel Mourivaldo Santiago-Almeida</a><script data-card-contents-for-user="113164865" type="text/json">{"id":113164865,"first_name":"Manoel Mourivaldo","last_name":"Santiago-Almeida","domain_name":"usp-br","page_name":"ManoelMourivaldoSantiagoAlmeida","display_name":"Manoel Mourivaldo Santiago-Almeida","profile_url":"https://usp-br.academia.edu/ManoelMourivaldoSantiagoAlmeida?f_ri=12684","photo":"https://0.academia-photos.com/113164865/33290465/99849583/s65_manoel_mourivaldo.santiago-almeida.jpeg"}</script></span></span></li><li class="js-paper-rank-work_40651094 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40651094"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40651094, container: ".js-paper-rank-work_40651094", }); });</script></li><li class="js-percentile-work_40651094 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40651094; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_40651094"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_40651094 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="40651094"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40651094; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40651094]").text(description); $(".js-view-count-work_40651094").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40651094").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40651094"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="140913" href="https://www.academia.edu/Documents/in/Critica_textual">Crítica textual</a>, <script data-card-contents-for-ri="140913" type="text/json">{"id":140913,"name":"Crítica textual","url":"https://www.academia.edu/Documents/in/Critica_textual?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="291485" href="https://www.academia.edu/Documents/in/Cr%C3%ADtica_Gen%C3%A9tica">Crítica Genética</a><script data-card-contents-for-ri="291485" type="text/json">{"id":291485,"name":"Crítica Genética","url":"https://www.academia.edu/Documents/in/Cr%C3%ADtica_Gen%C3%A9tica?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40651094]'), work: {"id":40651094,"title":"TRANSMISSÃO DE TEXTO: O CASO PESSOA / TEXT TRANSMISSION: THE CASE PESSOA","created_at":"2019-10-17T07:29:24.882-07:00","url":"https://www.academia.edu/40651094/TRANSMISS%C3%83O_DE_TEXTO_O_CASO_PESSOA_TEXT_TRANSMISSION_THE_CASE_PESSOA?f_ri=12684","dom_id":"work_40651094","summary":"Resumo: O levantamento de variantes ou alterações ou modificações surgidas no processo de transmissão de um texto literário é, na execução de uma edição crítico-genética, por exemplo, a etapa que exige atenção especial do editor. Esse cuidado é necessário porque é desse levantamento que se busca eleger, dentre as variantes, as que são autorais em detrimento das não autorais no momento da composição do texto final. Para tratar dessa linha de investigação e mostrar sua importância para os estudos literários, destacamos, neste texto, o caso da transmissão do primeiro poema de O guardador de rebanhos de Alberto Caeiro (Fernando Pessoa). Palavras-Chave: Transmissão de texto. Crítica textual e genética. O guardador de rebanhos. Fernando Pessoa. Abstract: The survey variants or changes or modifications arising in a process of a text transmission is the execution of a critical gene-editing, for example, the step that requires special attention from the editor. This precaution is necessary because it is this survey that seeks to be elected from among the variants, which are copyright to the detriment of non-authorship at the time of the final text composition. To address this line of research and show its importance to literary studies, we highlight in this text, the case of transmission of the first poem The keeper of sheep of Alberto Caeiro (Fernando Pessoa).","downloadable_attachments":[{"id":60933589,"asset_id":40651094,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":113164865,"first_name":"Manoel Mourivaldo","last_name":"Santiago-Almeida","domain_name":"usp-br","page_name":"ManoelMourivaldoSantiagoAlmeida","display_name":"Manoel Mourivaldo Santiago-Almeida","profile_url":"https://usp-br.academia.edu/ManoelMourivaldoSantiagoAlmeida?f_ri=12684","photo":"https://0.academia-photos.com/113164865/33290465/99849583/s65_manoel_mourivaldo.santiago-almeida.jpeg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":140913,"name":"Crítica textual","url":"https://www.academia.edu/Documents/in/Critica_textual?f_ri=12684","nofollow":false},{"id":291485,"name":"Crítica Genética","url":"https://www.academia.edu/Documents/in/Cr%C3%ADtica_Gen%C3%A9tica?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41675484" data-work_id="41675484" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41675484/Obra_Completa_de_%C3%81lvaro_de_Campos_paperback_">Obra Completa de Álvaro de Campos [paperback]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O presente volume reúne toda a poesia e prosa de Campos, agora com ortografia actualizada, incluindo a «Ode Triunfal», a «Tabacaria» e a hagiografia laica de Caeiro. Campos escreveu ainda cartas e avisos incendiários, deu entrevistas e... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41675484" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O presente volume reúne toda a poesia e prosa de Campos, agora com ortografia actualizada, incluindo a «Ode Triunfal», a «Tabacaria» e a hagiografia laica de Caeiro. Campos escreveu ainda cartas e avisos incendiários, deu entrevistas e respondeu a inquéritos, e infiltrou‑se na vida e na obra de Pessoa. É como se tivesse surgido para cumprir um desígnio que Fernando Pessoa anunciara em 1915: «Portugal precisa dum indisciplinador.» Este livro integra uma trilogia que dá a ler, pela primeira vez, as obras completas de Caeiro, Campos e Reis. <br /><br />OBRA COMPLETA DE ÁLVARO DE CAMPOS (bolso)<br />Fernando Pessoa | Jerónimo Pizarro (ed.) | Antonio Cardiello (ed.)<br />NOVEMBRO DE 2019  |    640 PÁGINAS  |    18.5x13 CM  |    ISBN: 978-989-671-505-2    |  PREF. Jerónimo Pizarro e Antonio Cardiello<br /><a href="http://www.tintadachina.pt/book.php?code=4979c071217788280b14628b0cea21fe" rel="nofollow">http://www.tintadachina.pt/book.php?code=4979c071217788280b14628b0cea21fe</a><br /><br />Outro pdf:<br /><a href="http://www.tintadachina.pt/pdfs/4979c071217788280b14628b0cea21fe-inside.pdf" rel="nofollow">http://www.tintadachina.pt/pdfs/4979c071217788280b14628b0cea21fe-inside.pdf</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41675484" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7b28b0dabc26b1969fa659baa889805d" rel="nofollow" data-download="{"attachment_id":61830860,"asset_id":41675484,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61830860/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_41675484 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41675484"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41675484, container: ".js-paper-rank-work_41675484", }); 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$(".js-view-count[data-work-id=41675484]").text(description); $(".js-view-count-work_41675484").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41675484").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41675484"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="666" href="https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature">Portuguese and Brazilian Literature</a>, <script data-card-contents-for-ri="666" type="text/json">{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a><script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41675484]'), work: {"id":41675484,"title":"Obra Completa de Álvaro de Campos [paperback]","created_at":"2020-01-19T12:55:20.187-08:00","url":"https://www.academia.edu/41675484/Obra_Completa_de_%C3%81lvaro_de_Campos_paperback_?f_ri=12684","dom_id":"work_41675484","summary":"O presente volume reúne toda a poesia e prosa de Campos, agora com ortografia actualizada, incluindo a «Ode Triunfal», a «Tabacaria» e a hagiografia laica de Caeiro. Campos escreveu ainda cartas e avisos incendiários, deu entrevistas e respondeu a inquéritos, e infiltrou‑se na vida e na obra de Pessoa. É como se tivesse surgido para cumprir um desígnio que Fernando Pessoa anunciara em 1915: «Portugal precisa dum indisciplinador.» Este livro integra uma trilogia que dá a ler, pela primeira vez, as obras completas de Caeiro, Campos e Reis. \n\nOBRA COMPLETA DE ÁLVARO DE CAMPOS (bolso)\nFernando Pessoa | Jerónimo Pizarro (ed.) | Antonio Cardiello (ed.)\nNOVEMBRO DE 2019 | 640 PÁGINAS | 18.5x13 CM | ISBN: 978-989-671-505-2 | PREF. Jerónimo Pizarro e Antonio Cardiello\nhttp://www.tintadachina.pt/book.php?code=4979c071217788280b14628b0cea21fe\n\nOutro pdf:\nhttp://www.tintadachina.pt/pdfs/4979c071217788280b14628b0cea21fe-inside.pdf","downloadable_attachments":[{"id":61830860,"asset_id":41675484,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false},{"id":3655,"name":"Scholarly Editing","url":"https://www.academia.edu/Documents/in/Scholarly_Editing?f_ri=12684"},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism?f_ri=12684"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=12684"},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":12761,"name":"Modern Poetry","url":"https://www.academia.edu/Documents/in/Modern_Poetry?f_ri=12684"},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=12684"},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684"},{"id":31319,"name":"20th century Avant-Garde","url":"https://www.academia.edu/Documents/in/20th_century_Avant-Garde?f_ri=12684"},{"id":62083,"name":"Textual Criticism and Editing","url":"https://www.academia.edu/Documents/in/Textual_Criticism_and_Editing?f_ri=12684"},{"id":75187,"name":"Fragments and Aphorisms","url":"https://www.academia.edu/Documents/in/Fragments_and_Aphorisms?f_ri=12684"},{"id":83861,"name":"Letters","url":"https://www.academia.edu/Documents/in/Letters?f_ri=12684"},{"id":92033,"name":"Editing","url":"https://www.academia.edu/Documents/in/Editing?f_ri=12684"},{"id":518951,"name":"Álvaro de Campos","url":"https://www.academia.edu/Documents/in/%C3%81lvaro_de_Campos?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37265228" data-work_id="37265228" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37265228/2016_11_Como_Fernando_Pessoa_Pode_Mudar_a_Sua_Vida_Ed_Brasileira_">2016.11 Como Fernando Pessoa Pode Mudar a Sua Vida (Ed. Brasileira)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">PITTELLA, Carlos & PIZARRO, Jerónimo (2016). Como Fernando Pessoa Pode Mudar a Sua Vida. Rio de Janeiro: Tinta-da-china Brasil. ISBN: 978-85-65500-26-5 "Da obra genial de Fernando Pessoa, centenas de páginas ainda estão inéditas. Com... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37265228" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">PITTELLA, Carlos & PIZARRO, Jerónimo (2016). Como Fernando Pessoa Pode Mudar a Sua Vida. Rio de Janeiro: Tinta-da-china Brasil. ISBN: 978-85-65500-26-5<br />"Da obra genial de Fernando Pessoa, centenas de páginas ainda estão inéditas. Com investigação meticulosa, Carlos Pittella e Jerónimo Pizarro resgatam da obscuridade textos — poemas, cartas, anotações, listas, artigos de imprensa — e desenhos — esquemas, caricaturas, cartas astrológicas — que dão testemunho de como a poesia pode mudar as nossas vidas." / "Contrariando a imagem cristalizada de um homem fantasmagórico que se isolava de todos para criar um universo interior, esta edição nos ajuda a conhecer melhor Pessoa." <br /><a href="http://www.tintadachina.pt/brasil/book.php?code=2815e18bfe3e2461cca2b464f3686f14" rel="nofollow">http://www.tintadachina.pt/brasil/book.php?code=2815e18bfe3e2461cca2b464f3686f14</a> <br />© Carlos Pittella e Jerónimo Pizarro, 2016 <br />1.a edição: novembro de 2016 <br />Coordenador da coleção: Jerónimo Pizarro <br />Edição: Tinta‐da‐china Brasil <br />Revisão: Paulo Werneck <br />Capa e projeto gráfico: Tinta‐da‐china Brasil<br />More Info: <br /><a href="http://www.tintadachina.pt/brasil/book.php?code=2815e18bfe3e2461cca2b464f3686f14" rel="nofollow">http://www.tintadachina.pt/brasil/book.php?code=2815e18bfe3e2461cca2b464f3686f14</a><br /><a href="http://www.revistas.fflch.usp.br/manuscritica/article/viewFile/2813/2391" rel="nofollow">http://www.revistas.fflch.usp.br/manuscritica/article/viewFile/2813/2391</a><br />1.ª edição: novembro de 2016<br />n.º de páginas: 296<br />tipo de capa: Brochura com orelhas<br />formato: 13x18.5 cm<br />isbn: 978-85-65500-26-5</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37265228" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7b4ac8c4b553a05192e160dfcaf9b90a" rel="nofollow" data-download="{"attachment_id":57219125,"asset_id":37265228,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57219125/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_37265228 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37265228"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37265228, container: ".js-paper-rank-work_37265228", }); 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Com investigação meticulosa, Carlos Pittella e Jerónimo Pizarro resgatam da obscuridade textos — poemas, cartas, anotações, listas, artigos de imprensa — e desenhos — esquemas, caricaturas, cartas astrológicas — que dão testemunho de como a poesia pode mudar as nossas vidas.\" / \"Contrariando a imagem cristalizada de um homem fantasmagórico que se isolava de todos para criar um universo interior, esta edição nos ajuda a conhecer melhor Pessoa.\" \nhttp://www.tintadachina.pt/brasil/book.php?code=2815e18bfe3e2461cca2b464f3686f14 \n© Carlos Pittella e Jerónimo Pizarro, 2016 \n1.a edição: novembro de 2016 \nCoordenador da coleção: Jerónimo Pizarro \nEdição: Tinta‐da‐china Brasil \nRevisão: Paulo Werneck \nCapa e projeto gráfico: Tinta‐da‐china Brasil\nMore Info: \nhttp://www.tintadachina.pt/brasil/book.php?code=2815e18bfe3e2461cca2b464f3686f14\nhttp://www.revistas.fflch.usp.br/manuscritica/article/viewFile/2813/2391\n1.ª edição: novembro de 2016\nn.º de páginas: 296\ntipo de capa: 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class="u-tcGrayDark u-fw700" data-has-card-for-user="5703588" href="https://uevora.academia.edu/AntonioS%C3%A1ezDelgado">Antonio Sáez Delgado</a><script data-card-contents-for-user="5703588" type="text/json">{"id":5703588,"first_name":"Antonio","last_name":"Sáez Delgado","domain_name":"uevora","page_name":"AntonioSáezDelgado","display_name":"Antonio Sáez Delgado","profile_url":"https://uevora.academia.edu/AntonioS%C3%A1ezDelgado?f_ri=12684","photo":"https://0.academia-photos.com/5703588/2473493/2873755/s65_antonio.s_ez_delgado.jpg"}</script></span></span></li><li class="js-paper-rank-work_6383858 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6383858"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6383858, container: ".js-paper-rank-work_6383858", }); });</script></li><li class="js-percentile-work_6383858 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u-tcGrayDark u-linkUnstyled" data-container=".work_1937998" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este volume recolhe textos reelaborados de oito comunicações proferidas no ciclo de Conferências O Guardador de Papeis, no âmbito das celebrações dos 120 anos do nascimento de Fernando Pessoa (1888-2008) que tiveram lugar na Casa Fernando Pessoa. Os textos vêm acompanhados de imagens e todas as transcrições de autógrafos pessoanos foram revistos de forma a permitir ao leitor uma aproximação ao aspecto gráfico e à heterogeneidade dos originais, e com o propósito de corrigir leituras erradas, não permitindo lacunas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1937998" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e2a4c4062fe6b2f1bd8fff2d3748f68d" rel="nofollow" data-download="{"attachment_id":27905201,"asset_id":1937998,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/27905201/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_1937998 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1937998"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1937998, container: ".js-paper-rank-work_1937998", }); 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$(".js-view-count[data-work-id=1937998]").text(description); $(".js-view-count-work_1937998").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1937998").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1937998"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="666" href="https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature">Portuguese and Brazilian Literature</a>, <script data-card-contents-for-ri="666" type="text/json">{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3146" href="https://www.academia.edu/Documents/in/Shakespeare">Shakespeare</a>, <script data-card-contents-for-ri="3146" type="text/json">{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5408" href="https://www.academia.edu/Documents/in/Magic">Magic</a><script data-card-contents-for-ri="5408" type="text/json">{"id":5408,"name":"Magic","url":"https://www.academia.edu/Documents/in/Magic?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1937998]'), work: {"id":1937998,"title":"Fernando Pessoa: o guardador de papéis","created_at":"2012-09-15T04:11:51.809-07:00","url":"https://www.academia.edu/1937998/Fernando_Pessoa_o_guardador_de_pap%C3%A9is?f_ri=12684","dom_id":"work_1937998","summary":"Este volume recolhe textos reelaborados de oito comunicações proferidas no ciclo de Conferências O Guardador de Papeis, no âmbito das celebrações dos 120 anos do nascimento de Fernando Pessoa (1888-2008) que tiveram lugar na Casa Fernando Pessoa. Os textos vêm acompanhados de imagens e todas as transcrições de autógrafos pessoanos foram revistos de forma a permitir ao leitor uma aproximação ao aspecto gráfico e à heterogeneidade dos originais, e com o propósito de corrigir leituras erradas, não permitindo lacunas.","downloadable_attachments":[{"id":27905201,"asset_id":1937998,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":666,"name":"Portuguese and Brazilian Literature","url":"https://www.academia.edu/Documents/in/Portuguese_and_Brazilian_Literature?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=12684","nofollow":false},{"id":5408,"name":"Magic","url":"https://www.academia.edu/Documents/in/Magic?f_ri=12684","nofollow":false},{"id":7093,"name":"New Religions","url":"https://www.academia.edu/Documents/in/New_Religions?f_ri=12684"},{"id":7322,"name":"Mysticism","url":"https://www.academia.edu/Documents/in/Mysticism?f_ri=12684"},{"id":8303,"name":"Friedrich Nietzsche","url":"https://www.academia.edu/Documents/in/Friedrich_Nietzsche?f_ri=12684"},{"id":12060,"name":"Detective Fiction","url":"https://www.academia.edu/Documents/in/Detective_Fiction?f_ri=12684"},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684"},{"id":23096,"name":"Thelema","url":"https://www.academia.edu/Documents/in/Thelema?f_ri=12684"},{"id":24149,"name":"Occultism","url":"https://www.academia.edu/Documents/in/Occultism?f_ri=12684"},{"id":159589,"name":"Aleister Crowley","url":"https://www.academia.edu/Documents/in/Aleister_Crowley?f_ri=12684"},{"id":595522,"name":"Diabo Azul","url":"https://www.academia.edu/Documents/in/Diabo_Azul?f_ri=12684"},{"id":595525,"name":"Personal Library","url":"https://www.academia.edu/Documents/in/Personal_Library?f_ri=12684"},{"id":595526,"name":"Biblioteca Particular","url":"https://www.academia.edu/Documents/in/Biblioteca_Particular?f_ri=12684"},{"id":595527,"name":"Fátima","url":"https://www.academia.edu/Documents/in/F%C3%A1tima?f_ri=12684"},{"id":595529,"name":"José de Almada Negreiros","url":"https://www.academia.edu/Documents/in/Jose_de_Almada_Negreiros?f_ri=12684"},{"id":595531,"name":"Associações Secretas","url":"https://www.academia.edu/Documents/in/Associacoes_Secretas?f_ri=12684"},{"id":1285992,"name":"Esoteric Movements","url":"https://www.academia.edu/Documents/in/Esoteric_Movements?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43294058" data-work_id="43294058" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43294058/Sobre_o_Livro_do_Desassossego_de_Fernando_Pessoa">Sobre o "Livro do Desassossego" de Fernando Pessoa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O "Livro do Desassossego" é uma das produções literárias mais famosas de Fernando Pessoa, é uma das suas reflexões mais importantes, e é considerado o seu melhor trabalho enquanto escritor. Esses textos metem o seu coração a nu,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43294058" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O "Livro do Desassossego" é uma das produções literárias mais famosas de Fernando Pessoa, é uma das suas reflexões mais importantes, e é considerado o seu melhor trabalho enquanto escritor. Esses textos metem o seu coração a nu,  constituem o que há de mais profundo e sentido no seu autor, a sua “autobiografia sem factos”, e são considerados como aquilo que melhor retrata a profundidade psicológica de Fernando Pessoa, que muito se identificava com o seu heterónimo Bernardo Soares.<br />Entre os vários temas do Livro do Desassossego, encontra-se também o da homossexualidade, que era uma das razões do desassossego de Fernando Pessoa. Alguns dos textos aqui selecionados são uma referência direta à homossexualidade, outros são uma referência indireta, e outros são o resultado de uma interpretação nossa. Junto da seleção e da organização dos textos por subtemas, encontram-se aqui explicações de modo a tornar mais acessível cada um desses textos, que são por vezes de difícil compreensão, devido ao seu carater enigmático, aos seus subentendidos, às suas máscaras.<br />Além dessas explicações, este estudo estabelece relações entre o Livro do Desassossego e a generalidade da obra literária de Fernando Pessoa, mostrando pontos de confluência e de complementaridade recíprocos : por um lado encarando-se o Livro do Desassossego como um complemento dos seus textos homoeróticos, e por outro lado encarando-se os seus textos homoeróticos como um complemento do Livro do Desassossego.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43294058" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6618b82e1466502e01c45b9b30a926d0" rel="nofollow" data-download="{"attachment_id":63571195,"asset_id":43294058,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63571195/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1838113" href="https://independent.academia.edu/CorreiaVictor">Victor Correia</a><script data-card-contents-for-user="1838113" type="text/json">{"id":1838113,"first_name":"Victor","last_name":"Correia","domain_name":"independent","page_name":"CorreiaVictor","display_name":"Victor Correia","profile_url":"https://independent.academia.edu/CorreiaVictor?f_ri=12684","photo":"https://0.academia-photos.com/1838113/3587520/34220140/s65_victor.correia.jpg"}</script></span></span></li><li class="js-paper-rank-work_43294058 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43294058"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43294058, container: ".js-paper-rank-work_43294058", }); });</script></li><li class="js-percentile-work_43294058 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43294058; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43294058"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43294058 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43294058"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43294058; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43294058]").text(description); $(".js-view-count-work_43294058").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43294058").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43294058"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16767" href="https://www.academia.edu/Documents/in/Modernism">Modernism</a>, <script data-card-contents-for-ri="16767" type="text/json">{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35090" href="https://www.academia.edu/Documents/in/Literatura_brasileira">Literatura brasileira</a><script data-card-contents-for-ri="35090" type="text/json">{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43294058]'), work: {"id":43294058,"title":"Sobre o \"Livro do Desassossego\" de Fernando Pessoa","created_at":"2020-06-09T00:30:52.062-07:00","url":"https://www.academia.edu/43294058/Sobre_o_Livro_do_Desassossego_de_Fernando_Pessoa?f_ri=12684","dom_id":"work_43294058","summary":"O \"Livro do Desassossego\" é uma das produções literárias mais famosas de Fernando Pessoa, é uma das suas reflexões mais importantes, e é considerado o seu melhor trabalho enquanto escritor. Esses textos metem o seu coração a nu, constituem o que há de mais profundo e sentido no seu autor, a sua “autobiografia sem factos”, e são considerados como aquilo que melhor retrata a profundidade psicológica de Fernando Pessoa, que muito se identificava com o seu heterónimo Bernardo Soares.\nEntre os vários temas do Livro do Desassossego, encontra-se também o da homossexualidade, que era uma das razões do desassossego de Fernando Pessoa. Alguns dos textos aqui selecionados são uma referência direta à homossexualidade, outros são uma referência indireta, e outros são o resultado de uma interpretação nossa. Junto da seleção e da organização dos textos por subtemas, encontram-se aqui explicações de modo a tornar mais acessível cada um desses textos, que são por vezes de difícil compreensão, devido ao seu carater enigmático, aos seus subentendidos, às suas máscaras.\nAlém dessas explicações, este estudo estabelece relações entre o Livro do Desassossego e a generalidade da obra literária de Fernando Pessoa, mostrando pontos de confluência e de complementaridade recíprocos : por um lado encarando-se o Livro do Desassossego como um complemento dos seus textos homoeróticos, e por outro lado encarando-se os seus textos homoeróticos como um complemento do Livro do Desassossego.\n","downloadable_attachments":[{"id":63571195,"asset_id":43294058,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1838113,"first_name":"Victor","last_name":"Correia","domain_name":"independent","page_name":"CorreiaVictor","display_name":"Victor Correia","profile_url":"https://independent.academia.edu/CorreiaVictor?f_ri=12684","photo":"https://0.academia-photos.com/1838113/3587520/34220140/s65_victor.correia.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=12684","nofollow":false},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=12684","nofollow":false},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=12684"},{"id":61251,"name":"Filosofía","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa?f_ri=12684"},{"id":67135,"name":"Psicología","url":"https://www.academia.edu/Documents/in/Psicolog%C3%ADa?f_ri=12684"},{"id":74014,"name":"Poesía","url":"https://www.academia.edu/Documents/in/Poes%C3%ADa?f_ri=12684"},{"id":93478,"name":"Modernismo","url":"https://www.academia.edu/Documents/in/Modernismo?f_ri=12684"},{"id":131443,"name":"Literatura Portuguesa","url":"https://www.academia.edu/Documents/in/Literatura_Portuguesa?f_ri=12684"},{"id":548366,"name":"Literatura Brasileira Contemporânea","url":"https://www.academia.edu/Documents/in/Literatura_Brasileira_Contemporanea?f_ri=12684"},{"id":776380,"name":"Letras (Língua Portuguesa e Literatura Brasileira)","url":"https://www.academia.edu/Documents/in/Letras_Lingua_Portuguesa_e_Literatura_Brasileira_?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43120692" data-work_id="43120692" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43120692/Guimar%C3%A3es_Pessoa_Editor_8_Can%C3%A7%C3%B5es_Ant%C3%B3nio_Botto">Guimarães - Pessoa Editor. 8. Canções, António Botto</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">CANÇÕES, ANTÓNIO BOTTO TRADUÇÃO PARA O INGLÊS: Fernando Pessoa EDIÇÃO, PREFÁCIO E NOTAS: Jerónimo Pizarro e Nuno Ribeiro CAPA: João Botelho REVISÃO: Susana Tavares Pedro Impresso na Guide para a Guimarães em Novembro de 2010 Lisboa:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43120692" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">CANÇÕES, ANTÓNIO BOTTO <br />TRADUÇÃO PARA O INGLÊS: Fernando Pessoa <br />EDIÇÃO, PREFÁCIO E NOTAS: Jerónimo Pizarro e Nuno Ribeiro <br />CAPA: João Botelho <br />REVISÃO: Susana Tavares Pedro <br />Impresso na Guide para a Guimarães em Novembro de 2010 <br />Lisboa: Guimarães [Babel], 2010. <br />ISBN: 978-972-665-654-8 <br /> <br />ERRATA: «Na verdade, esse texto, “António Botto e o sentido íntimo do ritmo”, é da autoria de Raul Leal (Henoch), que primeiramente o publicou (logo no início da famosa contenda), a 16 de Novembro de 1922, no jornal O Dia, republicando-o, logo em seguida, como apêndice a “Sodoma divinizada. Leves reflexões teometafísicas sobre um artigo” – opúsculo editado, como bem sabe, por Fernando Pessoa, em 1923, na Olisipo.» (Zetho Gonçalves)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43120692" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e597c4582fa966ec75c3638f3e58ca29" rel="nofollow" data-download="{"attachment_id":63377240,"asset_id":43120692,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63377240/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_43120692 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43120692"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43120692, container: ".js-paper-rank-work_43120692", }); });</script></li><li class="js-percentile-work_43120692 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43120692; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43120692"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43120692 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43120692"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43120692; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43120692]").text(description); $(".js-view-count-work_43120692").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43120692").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43120692"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="658" href="https://www.academia.edu/Documents/in/World_Literatures">World Literatures</a>, <script data-card-contents-for-ri="658" type="text/json">{"id":658,"name":"World Literatures","url":"https://www.academia.edu/Documents/in/World_Literatures?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a><script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43120692]'), work: {"id":43120692,"title":"Guimarães - Pessoa Editor. 8. Canções, António Botto","created_at":"2020-05-20T16:54:54.720-07:00","url":"https://www.academia.edu/43120692/Guimar%C3%A3es_Pessoa_Editor_8_Can%C3%A7%C3%B5es_Ant%C3%B3nio_Botto?f_ri=12684","dom_id":"work_43120692","summary":"CANÇÕES, ANTÓNIO BOTTO\r\nTRADUÇÃO PARA O INGLÊS: Fernando Pessoa\r\nEDIÇÃO, PREFÁCIO E NOTAS: Jerónimo Pizarro e Nuno Ribeiro\r\nCAPA: João Botelho\r\nREVISÃO: Susana Tavares Pedro\r\nImpresso na Guide para a Guimarães em Novembro de 2010\r\nLisboa: Guimarães [Babel], 2010. \r\nISBN: 978-972-665-654-8\r\n\r\nERRATA: «Na verdade, esse texto, “António Botto e o sentido íntimo do ritmo”, é da autoria de Raul Leal (Henoch), que primeiramente o publicou (logo no início da famosa contenda), a 16 de Novembro de 1922, no jornal O Dia, republicando-o, logo em seguida, como apêndice a “Sodoma divinizada. Leves reflexões teometafísicas sobre um artigo” – opúsculo editado, como bem sabe, por Fernando Pessoa, em 1923, na Olisipo.» (Zetho Gonçalves)","downloadable_attachments":[{"id":63377240,"asset_id":43120692,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":658,"name":"World Literatures","url":"https://www.academia.edu/Documents/in/World_Literatures?f_ri=12684","nofollow":false},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=12684","nofollow":false},{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=12684","nofollow":false},{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=12684","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684"},{"id":3655,"name":"Scholarly Editing","url":"https://www.academia.edu/Documents/in/Scholarly_Editing?f_ri=12684"},{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=12684"},{"id":4954,"name":"Translation theory","url":"https://www.academia.edu/Documents/in/Translation_theory?f_ri=12684"},{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=12684"},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":62083,"name":"Textual Criticism and Editing","url":"https://www.academia.edu/Documents/in/Textual_Criticism_and_Editing?f_ri=12684"},{"id":145956,"name":"Poesia","url":"https://www.academia.edu/Documents/in/Poesia?f_ri=12684"},{"id":184999,"name":"Metrics and Prosody","url":"https://www.academia.edu/Documents/in/Metrics_and_Prosody?f_ri=12684"},{"id":432726,"name":"Antonio Botto","url":"https://www.academia.edu/Documents/in/Antonio_Botto?f_ri=12684"},{"id":595596,"name":"António Botto","url":"https://www.academia.edu/Documents/in/Ant%C3%B3nio_Botto?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42920344" data-work_id="42920344" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42920344/O_Livro_do_Desassossego_e_o_Romantismo_Alem%C3%A3o">O Livro do Desassossego e o Romantismo Alemão</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este ensaio pretende revelar a potência do pensamento dos primeiros românticos alemães, que romperam com a ideia de uma razão triunfal e iluminaram outras perspectivas do ser humano, como a valorização do sonho, da ironia, do mito, da... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42920344" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este ensaio pretende revelar a potência do pensamento dos primeiros românticos alemães, que romperam com a ideia de uma razão triunfal e iluminaram outras perspectivas do ser humano, como a valorização do sonho, da ironia, do mito, da poesia – de uma ampla poética existencial. Analisamos neste ensaio o projeto do Livro do Desassossego a partir de uma perspectiva romântica. A questão do fragmento se traduz em um primeiro elo entre a filosofia do primeiro romantismo alemão – marcada pelo fragmento – e o projeto do Desassossego, escrito através de fragmentos. No que toca ao projeto do Desassossego o fragmento também é parte da própria noção de autor. Trata-se de um livro em busca de um autor.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42920344" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6853e8e0ceb659878637d34ec37bca24" rel="nofollow" data-download="{"attachment_id":63171312,"asset_id":42920344,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63171312/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="73967495" href="https://flul.academia.edu/Cl%C3%A1udiaSouza">Cláudia Souza</a><script data-card-contents-for-user="73967495" type="text/json">{"id":73967495,"first_name":"Cláudia","last_name":"Souza","domain_name":"flul","page_name":"CláudiaSouza","display_name":"Cláudia Souza","profile_url":"https://flul.academia.edu/Cl%C3%A1udiaSouza?f_ri=12684","photo":"https://0.academia-photos.com/73967495/39701542/32765315/s65_cl_udia.souza.jpg"}</script></span></span></li><li class="js-paper-rank-work_42920344 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42920344"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42920344, container: ".js-paper-rank-work_42920344", }); 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$(".js-view-count[data-work-id=42920344]").text(description); $(".js-view-count-work_42920344").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42920344").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42920344"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="210717" href="https://www.academia.edu/Documents/in/Teoria_poetica">Teoría poética</a>, <script data-card-contents-for-ri="210717" type="text/json">{"id":210717,"name":"Teoría poética","url":"https://www.academia.edu/Documents/in/Teoria_poetica?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="572641" href="https://www.academia.edu/Documents/in/Livro_do_Desassossego">Livro do Desassossego</a>, <script data-card-contents-for-ri="572641" type="text/json">{"id":572641,"name":"Livro do Desassossego","url":"https://www.academia.edu/Documents/in/Livro_do_Desassossego?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="596392" href="https://www.academia.edu/Documents/in/Sonho">Sonho</a><script data-card-contents-for-ri="596392" type="text/json">{"id":596392,"name":"Sonho","url":"https://www.academia.edu/Documents/in/Sonho?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42920344]'), work: {"id":42920344,"title":"O Livro do Desassossego e o Romantismo Alemão","created_at":"2020-05-02T05:01:08.760-07:00","url":"https://www.academia.edu/42920344/O_Livro_do_Desassossego_e_o_Romantismo_Alem%C3%A3o?f_ri=12684","dom_id":"work_42920344","summary":"Este ensaio pretende revelar a potência do pensamento dos primeiros românticos alemães, que romperam com a ideia de uma razão triunfal e iluminaram outras perspectivas do ser humano, como a valorização do sonho, da ironia, do mito, da poesia – de uma ampla poética existencial. Analisamos neste ensaio o projeto do Livro do Desassossego a partir de uma perspectiva romântica. A questão do fragmento se traduz em um primeiro elo entre a filosofia do primeiro romantismo alemão – marcada pelo fragmento – e o projeto do Desassossego, escrito através de fragmentos. No que toca ao projeto do Desassossego o fragmento também é parte da própria noção de autor. Trata-se de um livro em busca de um autor.","downloadable_attachments":[{"id":63171312,"asset_id":42920344,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":73967495,"first_name":"Cláudia","last_name":"Souza","domain_name":"flul","page_name":"CláudiaSouza","display_name":"Cláudia Souza","profile_url":"https://flul.academia.edu/Cl%C3%A1udiaSouza?f_ri=12684","photo":"https://0.academia-photos.com/73967495/39701542/32765315/s65_cl_udia.souza.jpg"}],"research_interests":[{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":210717,"name":"Teoría poética","url":"https://www.academia.edu/Documents/in/Teoria_poetica?f_ri=12684","nofollow":false},{"id":572641,"name":"Livro do Desassossego","url":"https://www.academia.edu/Documents/in/Livro_do_Desassossego?f_ri=12684","nofollow":false},{"id":596392,"name":"Sonho","url":"https://www.academia.edu/Documents/in/Sonho?f_ri=12684","nofollow":false},{"id":1142701,"name":"Fragmento","url":"https://www.academia.edu/Documents/in/Fragmento?f_ri=12684"},{"id":1353431,"name":"Romantismo Filosofico","url":"https://www.academia.edu/Documents/in/Romantismo_Filosofico?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24691995" data-work_id="24691995" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24691995/O_devir_pag%C3%A3o_e_o_regresso_aos_deuses">O devir-pagão e o regresso aos deuses</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Neste texto  explora-se o projecto filosófico e espiritual inacabado de Pessoa, isto é o neopaganismo enquanto «regresso dos deuses» na sua relação fascinante com Nietzsche e o seu ataque ao cristianismo.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24691995" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="19a452f5e0b4bed529c88676e51d31e3" rel="nofollow" data-download="{"attachment_id":45021823,"asset_id":24691995,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45021823/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3441501" href="https://fcsh.academia.edu/AntonioCardiello">Antonio Cardiello</a><script data-card-contents-for-user="3441501" type="text/json">{"id":3441501,"first_name":"Antonio","last_name":"Cardiello","domain_name":"fcsh","page_name":"AntonioCardiello","display_name":"Antonio Cardiello","profile_url":"https://fcsh.academia.edu/AntonioCardiello?f_ri=12684","photo":"https://0.academia-photos.com/3441501/1168554/38118505/s65_antonio.cardiello.jpg"}</script></span></span></li><li class="js-paper-rank-work_24691995 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24691995"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24691995, container: ".js-paper-rank-work_24691995", }); 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$(".js-view-count[data-work-id=24691995]").text(description); $(".js-view-count-work_24691995").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24691995").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24691995"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="808" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a>, <script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8303" href="https://www.academia.edu/Documents/in/Friedrich_Nietzsche">Friedrich Nietzsche</a>, <script data-card-contents-for-ri="8303" type="text/json">{"id":8303,"name":"Friedrich Nietzsche","url":"https://www.academia.edu/Documents/in/Friedrich_Nietzsche?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35728" href="https://www.academia.edu/Documents/in/Neopaganism">Neopaganism</a><script data-card-contents-for-ri="35728" type="text/json">{"id":35728,"name":"Neopaganism","url":"https://www.academia.edu/Documents/in/Neopaganism?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24691995]'), work: {"id":24691995,"title":"O devir-pagão e o regresso aos deuses","created_at":"2016-04-23T11:33:22.595-07:00","url":"https://www.academia.edu/24691995/O_devir_pag%C3%A3o_e_o_regresso_aos_deuses?f_ri=12684","dom_id":"work_24691995","summary":"Neste texto explora-se o projecto filosófico e espiritual inacabado de Pessoa, isto é o neopaganismo enquanto «regresso dos deuses» na sua relação fascinante com Nietzsche e o seu ataque ao cristianismo.","downloadable_attachments":[{"id":45021823,"asset_id":24691995,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3441501,"first_name":"Antonio","last_name":"Cardiello","domain_name":"fcsh","page_name":"AntonioCardiello","display_name":"Antonio Cardiello","profile_url":"https://fcsh.academia.edu/AntonioCardiello?f_ri=12684","photo":"https://0.academia-photos.com/3441501/1168554/38118505/s65_antonio.cardiello.jpg"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=12684","nofollow":false},{"id":8303,"name":"Friedrich Nietzsche","url":"https://www.academia.edu/Documents/in/Friedrich_Nietzsche?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":35728,"name":"Neopaganism","url":"https://www.academia.edu/Documents/in/Neopaganism?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39170950" data-work_id="39170950" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39170950/Lusitania_18_Proverbios_portugueses_">Lusitania 18 (Proverbios portugueses)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Autor: Fernando Pessoa Edición: Jerónimo Pizarro y Patricio Ferrari Traducción: Diego Cepeda y Andrea Sánchez Ilustración: Jose Arboleda Descripción De los proverbios que Fernando Pessoa compiló y tradujo para el editor inglés Frank... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39170950" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Autor: Fernando Pessoa<br />Edición: Jerónimo Pizarro y Patricio Ferrari<br />Traducción: Diego Cepeda y Andrea Sánchez<br />Ilustración: Jose Arboleda<br /><br />Descripción<br />De los proverbios que Fernando Pessoa compiló y tradujo para el editor inglés Frank Palmer entre 1913 y 1914 se conservan –en un conjunto de doce hojas de papel de máquina– 300 proverbios portugueses dactilografiados. De estos, 241 fueron traducidos al inglés y ahora aparecen por primera vez en español. Entre la traducción y la investigación, esta edición reúne los equivalentes y variantes en español de los proverbios portugueses seleccionados por Pessoa. Los ecos o correspondencias sugieren cercanías y distanciamentos interesantes en la tradición oral de ambas lenguas, e ineludiblemente interrogan la idiosincrasia de los proverbios.<br /><br />Información adicional<br />Peso: 0.250 kg / Dimensiones: 15.5 x 22.5 cm / Encuadernación: Tapa rústica / Páginas: 180 / Fecha de Publicación: Abril de 2019 / ISBN: 978-958-5463-22-6<br /><br />Nº 18 Colección Lusitania<br /><a href="https://www.tragaluzeditores.com/libros/proverbios-portugueses/" rel="nofollow">https://www.tragaluzeditores.com/libros/proverbios-portugueses/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39170950" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5b1e3eef85d7832bae03fa4997731c67" rel="nofollow" data-download="{"attachment_id":59296635,"asset_id":39170950,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59296635/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_39170950 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39170950"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39170950, container: ".js-paper-rank-work_39170950", }); 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$(".js-view-count[data-work-id=39170950]").text(description); $(".js-view-count-work_39170950").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39170950").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39170950"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="885" href="https://www.academia.edu/Documents/in/English_Literature">English Literature</a>, <script data-card-contents-for-ri="885" type="text/json">{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1456" href="https://www.academia.edu/Documents/in/Portuguese">Portuguese</a>, <script data-card-contents-for-ri="1456" type="text/json">{"id":1456,"name":"Portuguese","url":"https://www.academia.edu/Documents/in/Portuguese?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a><script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39170950]'), work: {"id":39170950,"title":"Lusitania 18 (Proverbios portugueses)","created_at":"2019-05-17T22:42:11.161-07:00","url":"https://www.academia.edu/39170950/Lusitania_18_Proverbios_portugueses_?f_ri=12684","dom_id":"work_39170950","summary":"Autor: Fernando Pessoa\nEdición: Jerónimo Pizarro y Patricio Ferrari\nTraducción: Diego Cepeda y Andrea Sánchez\nIlustración: Jose Arboleda\n\nDescripción\nDe los proverbios que Fernando Pessoa compiló y tradujo para el editor inglés Frank Palmer entre 1913 y 1914 se conservan –en un conjunto de doce hojas de papel de máquina– 300 proverbios portugueses dactilografiados. De estos, 241 fueron traducidos al inglés y ahora aparecen por primera vez en español. Entre la traducción y la investigación, esta edición reúne los equivalentes y variantes en español de los proverbios portugueses seleccionados por Pessoa. Los ecos o correspondencias sugieren cercanías y distanciamentos interesantes en la tradición oral de ambas lenguas, e ineludiblemente interrogan la idiosincrasia de los proverbios.\n\nInformación adicional\nPeso: 0.250 kg / Dimensiones: 15.5 x 22.5 cm / Encuadernación: Tapa rústica / Páginas: 180 / Fecha de Publicación: Abril de 2019 / ISBN: 978-958-5463-22-6\n\nNº 18 Colección Lusitania\nhttps://www.tragaluzeditores.com/libros/proverbios-portugueses/","downloadable_attachments":[{"id":59296635,"asset_id":39170950,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=12684","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=12684","nofollow":false},{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=12684","nofollow":false},{"id":1456,"name":"Portuguese","url":"https://www.academia.edu/Documents/in/Portuguese?f_ri=12684","nofollow":false},{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684"},{"id":3655,"name":"Scholarly Editing","url":"https://www.academia.edu/Documents/in/Scholarly_Editing?f_ri=12684"},{"id":3732,"name":"Proverbs","url":"https://www.academia.edu/Documents/in/Proverbs?f_ri=12684"},{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism?f_ri=12684"},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684"},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684"},{"id":25262,"name":"Paremiology","url":"https://www.academia.edu/Documents/in/Paremiology?f_ri=12684"},{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=12684"},{"id":62083,"name":"Textual Criticism and Editing","url":"https://www.academia.edu/Documents/in/Textual_Criticism_and_Editing?f_ri=12684"},{"id":135082,"name":"Translation of proverbs and sayings","url":"https://www.academia.edu/Documents/in/Translation_of_proverbs_and_sayings?f_ri=12684"},{"id":671382,"name":"Paremiología","url":"https://www.academia.edu/Documents/in/Paremiolog%C3%ADa?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45417545" data-work_id="45417545" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45417545/Searching_for_the_Corpus_of_Alexander">Searching for the Corpus of Alexander</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">López, Nicolás Barbosa, "Searching for the Corpus of Alexander" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 552-557. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.7301/Z0CF9N8T" rel="nofollow">https://doi.org/10.7301/Z0CF9N8T</a>... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45417545" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">López, Nicolás Barbosa, "Searching for the Corpus of Alexander"  (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 552-557. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.7301/Z0CF9N8T" rel="nofollow">https://doi.org/10.7301/Z0CF9N8T</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10<br /><br />Searching for the Corpus of Alexander <br />[Em Busca do Corpus de Alexander]<br /><br /><a href="https://doi.org/10.7301/Z0CF9N8T" rel="nofollow">https://doi.org/10.7301/Z0CF9N8T</a><br /><br />PESSOA, Fernando (1997). Poemas Ingleses: Poemas de Alexander Search. Edited by João Dionísio. Lisbon: Imprensa Nacional–Casa da Moeda. Critical Edition of Fernando Pessoa, Major Series, Volume V, Tome II, 574 pp.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45417545" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="64888ec6dc588dc16b288ab19426d5ed" rel="nofollow" data-download="{"attachment_id":65931680,"asset_id":45417545,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65931680/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45417545 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45417545"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45417545, container: ".js-paper-rank-work_45417545", }); 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$(".js-view-count[data-work-id=45417545]").text(description); $(".js-view-count-work_45417545").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45417545").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45417545"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a>, <script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a><script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45417545]'), work: {"id":45417545,"title":"Searching for the Corpus of Alexander","created_at":"2021-03-07T16:21:15.430-08:00","url":"https://www.academia.edu/45417545/Searching_for_the_Corpus_of_Alexander?f_ri=12684","dom_id":"work_45417545","summary":"López, Nicolás Barbosa, \"Searching for the Corpus of Alexander\" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 552-557. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0CF9N8T\n\nIs Part of:\n\nPessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10\n\nSearching for the Corpus of Alexander \n[Em Busca do Corpus de Alexander]\n\nhttps://doi.org/10.7301/Z0CF9N8T\n\nPESSOA, Fernando (1997). Poemas Ingleses: Poemas de Alexander Search. Edited by João Dionísio. Lisbon: Imprensa Nacional–Casa da Moeda. Critical Edition of Fernando Pessoa, Major Series, Volume V, Tome II, 574 pp.\n","downloadable_attachments":[{"id":65931680,"asset_id":45417545,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=12684","nofollow":false},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=12684"},{"id":54339,"name":"Book Review","url":"https://www.academia.edu/Documents/in/Book_Review?f_ri=12684"},{"id":131443,"name":"Literatura Portuguesa","url":"https://www.academia.edu/Documents/in/Literatura_Portuguesa?f_ri=12684"},{"id":145956,"name":"Poesia","url":"https://www.academia.edu/Documents/in/Poesia?f_ri=12684"},{"id":227076,"name":"Resenha","url":"https://www.academia.edu/Documents/in/Resenha?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42677030" data-work_id="42677030" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42677030/Introduzione_a_Fernando_Pessoa_Sul_Portogallo_2014">Introduzione a Fernando Pessoa "Sul Portogallo" 2014</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42677030" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="16fbf740e4bfcb33e7df0d7f189a2eb7" rel="nofollow" data-download="{"attachment_id":62885590,"asset_id":42677030,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62885590/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10548261" href="https://unimi.academia.edu/vincenzinorusso">vincenzo russo</a><script data-card-contents-for-user="10548261" type="text/json">{"id":10548261,"first_name":"vincenzo","last_name":"russo","domain_name":"unimi","page_name":"vincenzinorusso","display_name":"vincenzo russo","profile_url":"https://unimi.academia.edu/vincenzinorusso?f_ri=12684","photo":"https://0.academia-photos.com/10548261/3209060/3776622/s65_vincenzino.russo.jpg"}</script></span></span></li><li class="js-paper-rank-work_42677030 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42677030"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42677030, container: ".js-paper-rank-work_42677030", }); 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$(".js-view-count[data-work-id=42677030]").text(description); $(".js-view-count-work_42677030").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42677030").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42677030"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2222" href="https://www.academia.edu/Documents/in/Portuguese_Studies">Portuguese Studies</a>, <script data-card-contents-for-ri="2222" type="text/json">{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5272" href="https://www.academia.edu/Documents/in/Identity_Culture_">Identity (Culture)</a>, <script data-card-contents-for-ri="5272" type="text/json">{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a><script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42677030]'), work: {"id":42677030,"title":"Introduzione a Fernando Pessoa \"Sul Portogallo\" 2014","created_at":"2020-04-09T03:21:44.127-07:00","url":"https://www.academia.edu/42677030/Introduzione_a_Fernando_Pessoa_Sul_Portogallo_2014?f_ri=12684","dom_id":"work_42677030","summary":null,"downloadable_attachments":[{"id":62885590,"asset_id":42677030,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10548261,"first_name":"vincenzo","last_name":"russo","domain_name":"unimi","page_name":"vincenzinorusso","display_name":"vincenzo russo","profile_url":"https://unimi.academia.edu/vincenzinorusso?f_ri=12684","photo":"https://0.academia-photos.com/10548261/3209060/3776622/s65_vincenzino.russo.jpg"}],"research_interests":[{"id":2222,"name":"Portuguese Studies","url":"https://www.academia.edu/Documents/in/Portuguese_Studies?f_ri=12684","nofollow":false},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36845562" data-work_id="36845562" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36845562/A_reinterpreta%C3%A7%C3%A3o_religiosa_e_pol%C3%ADtica_dos_santos_populares_lisboetas_na_Pra%C3%A7a_da_Figueira_de_Fernando_Pessoa">A reinterpretação religiosa e política dos santos populares lisboetas na "Praça da Figueira" de Fernando Pessoa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ABSTRACT: The author presents the triptych of poems “Santo António,” “S. Joao” and “S. Pedro,” which Fernando Pessoa wrote in June 1935, during the feasts of the three “popular saints” of Lisbon, and which he planned to publish under the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36845562" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ABSTRACT: The author presents the triptych of poems “Santo António,” “S. Joao” and “S. Pedro,” which Fernando Pessoa wrote in June 1935, during the feasts of the three “popular saints” of Lisbon, and which he planned to publish under the title Praça da Figueira but left unpublished. The triptych was first published in 1986, with an introductory study by Alfredo Margarido, which is discussed here. With Praça da Figueira, Fernando Pessoa intended to challenge the appropriation of the traditional popular festivities for the religious and political ends of the Catholic Church and its ally, Salazar’s Estado Novo. For this, the poet emphasizes the pagan and Dionysian imprint of the June festivals and associates St. John with Freemasonry, then the main enemy of the Salazar regime and the Church.<br />RESUMO: Apresenta-se o tríptico de poemas «Santo António», «S. João» e «S. Pedro», que Fernando Pessoa escreveu em Junho de 1935, durante as festas dos três «santos populares» de Lisboa, e que projectava publicar sob o título Praça da Figueira, mas deixou inéditos. O tríptico foi publicado pela primeira vez em 1986, com um estudo introdutório de Alfredo Margarido, que aqui é comentado. Com Praça da Figueira, Fernando Pessoa pretendia contestar a apropriação dos tradicionais festejos populares para os fins religiosos e políticos da Igreja católica e do seu aliado, o Estado Novo de Salazar. Para tal, o poeta enfatiza o cunho pagão e dionisíaco das festas juninas e associa provocatoriamente S. João à Maçonaria, então a inimiga principal do regime salazarista e da Igreja.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36845562" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6cd3a19675b805f85063e8088f9df6ee" rel="nofollow" data-download="{"attachment_id":56797916,"asset_id":36845562,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56797916/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="929039" href="https://lisboa.academia.edu/JoseBarreto">José Barreto</a><script data-card-contents-for-user="929039" type="text/json">{"id":929039,"first_name":"José","last_name":"Barreto","domain_name":"lisboa","page_name":"JoseBarreto","display_name":"José Barreto","profile_url":"https://lisboa.academia.edu/JoseBarreto?f_ri=12684","photo":"https://0.academia-photos.com/929039/2854019/15796158/s65_jose.barreto.jpg"}</script></span></span></li><li class="js-paper-rank-work_36845562 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36845562"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36845562, container: ".js-paper-rank-work_36845562", }); 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$(".js-view-count[data-work-id=36845562]").text(description); $(".js-view-count-work_36845562").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36845562").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36845562"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4915" href="https://www.academia.edu/Documents/in/Portuguese_Contemporary_History">Portuguese Contemporary History</a>, <script data-card-contents-for-ri="4915" type="text/json">{"id":4915,"name":"Portuguese Contemporary History","url":"https://www.academia.edu/Documents/in/Portuguese_Contemporary_History?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7256" href="https://www.academia.edu/Documents/in/Saints_Cults">Saints' Cults</a>, <script data-card-contents-for-ri="7256" type="text/json">{"id":7256,"name":"Saints' Cults","url":"https://www.academia.edu/Documents/in/Saints_Cults?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="40122" href="https://www.academia.edu/Documents/in/Roman_Catholicism">Roman Catholicism</a><script data-card-contents-for-ri="40122" type="text/json">{"id":40122,"name":"Roman Catholicism","url":"https://www.academia.edu/Documents/in/Roman_Catholicism?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36845562]'), work: {"id":36845562,"title":"A reinterpretação religiosa e política dos santos populares lisboetas na \"Praça da Figueira\" de Fernando Pessoa","created_at":"2018-06-14T14:33:47.926-07:00","url":"https://www.academia.edu/36845562/A_reinterpreta%C3%A7%C3%A3o_religiosa_e_pol%C3%ADtica_dos_santos_populares_lisboetas_na_Pra%C3%A7a_da_Figueira_de_Fernando_Pessoa?f_ri=12684","dom_id":"work_36845562","summary":"ABSTRACT: The author presents the triptych of poems “Santo António,” “S. Joao” and “S. Pedro,” which Fernando Pessoa wrote in June 1935, during the feasts of the three “popular saints” of Lisbon, and which he planned to publish under the title Praça da Figueira but left unpublished. The triptych was first published in 1986, with an introductory study by Alfredo Margarido, which is discussed here. With Praça da Figueira, Fernando Pessoa intended to challenge the appropriation of the traditional popular festivities for the religious and political ends of the Catholic Church and its ally, Salazar’s Estado Novo. For this, the poet emphasizes the pagan and Dionysian imprint of the June festivals and associates St. John with Freemasonry, then the main enemy of the Salazar regime and the Church.\nRESUMO: Apresenta-se o tríptico de poemas «Santo António», «S. João» e «S. Pedro», que Fernando Pessoa escreveu em Junho de 1935, durante as festas dos três «santos populares» de Lisboa, e que projectava publicar sob o título Praça da Figueira, mas deixou inéditos. O tríptico foi publicado pela primeira vez em 1986, com um estudo introdutório de Alfredo Margarido, que aqui é comentado. Com Praça da Figueira, Fernando Pessoa pretendia contestar a apropriação dos tradicionais festejos populares para os fins religiosos e políticos da Igreja católica e do seu aliado, o Estado Novo de Salazar. Para tal, o poeta enfatiza o cunho pagão e dionisíaco das festas juninas e associa provocatoriamente S. João à Maçonaria, então a inimiga principal do regime salazarista e da Igreja. ","downloadable_attachments":[{"id":56797916,"asset_id":36845562,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":929039,"first_name":"José","last_name":"Barreto","domain_name":"lisboa","page_name":"JoseBarreto","display_name":"José Barreto","profile_url":"https://lisboa.academia.edu/JoseBarreto?f_ri=12684","photo":"https://0.academia-photos.com/929039/2854019/15796158/s65_jose.barreto.jpg"}],"research_interests":[{"id":4915,"name":"Portuguese Contemporary History","url":"https://www.academia.edu/Documents/in/Portuguese_Contemporary_History?f_ri=12684","nofollow":false},{"id":7256,"name":"Saints' Cults","url":"https://www.academia.edu/Documents/in/Saints_Cults?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":40122,"name":"Roman Catholicism","url":"https://www.academia.edu/Documents/in/Roman_Catholicism?f_ri=12684","nofollow":false},{"id":116468,"name":"Church and State","url":"https://www.academia.edu/Documents/in/Church_and_State?f_ri=12684"},{"id":234925,"name":"Salazarism","url":"https://www.academia.edu/Documents/in/Salazarism?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43226597" data-work_id="43226597" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43226597/A_filosofia_da_Exist%C3%AAncia_Conceito_de_ang%C3%BAstia_existencial_em_Kierkegaard_e_Heidegger">A filosofia da Existência: Conceito de angústia existencial em Kierkegaard e Heidegger</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Philosophy of Existence: Concept of anguish existential in Kierkegaard and Heidegger. Resumo: Por meio da análise filosófica o artigo retrata o conceito de existencialismo e as suas influencias no mundo moderno e contemporâneo. A... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43226597" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Philosophy of Existence: Concept of anguish existential in Kierkegaard and Heidegger.<br /><br />Resumo: Por meio da análise filosófica o artigo retrata o conceito de existencialismo e as suas influencias no mundo moderno e contemporâneo.  A abordagem retrata a filosofia dos conceitos em perspectiva comparativa sobre o existencialismo na filosofia de Kierkegaard e Heidegger. Nessa perspectiva discute-se os idealismos, as angustias e as consciências transcendentais no pensamento dos sujeitos<br />Palavra-Chaves: Existencialismo, Kierkegaard, Heidegger<br /><br />Abstract:Through philosophical analysis the article portrays the concept of existentialism and its influences in the modern and contemporary world. The approach portrays the philosophy of concepts in a comparative perspective on existentialism in the philosophy of Kierkegaard and Heidegger. From this perspective, idealisms, anxieties and transcendental consciences are discussed in the subjects' thinking<br />Keywords: Existentialism, Kierkegaard, Heidegger<br /><br />Recebido em: 10/11/2019  – Aceito em 31/12/2019</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43226597" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b20f8214b0d85c14863702604fb03264" rel="nofollow" data-download="{"attachment_id":67982487,"asset_id":43226597,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67982487/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="23380693" href="https://unibh.academia.edu/revistasunibhbrindexphpdchlaindex">e-hum - Revista Científica das Áreas de Humanidades (ISSN 1984-767X)</a><script data-card-contents-for-user="23380693" type="text/json">{"id":23380693,"first_name":"e-hum -","last_name":"Revista Científica das Áreas de Humanidades (ISSN 1984-767X)","domain_name":"unibh","page_name":"revistasunibhbrindexphpdchlaindex","display_name":"e-hum - Revista Científica das Áreas de Humanidades (ISSN 1984-767X)","profile_url":"https://unibh.academia.edu/revistasunibhbrindexphpdchlaindex?f_ri=12684","photo":"https://0.academia-photos.com/23380693/6346224/11857526/s65_e-hum_-.revista_cient_fica_das_reas_de_humanidades_issn_1984-767x_.jpg"}</script></span></span></li><li class="js-paper-rank-work_43226597 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43226597"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43226597, container: ".js-paper-rank-work_43226597", }); 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$(".js-view-count[data-work-id=43226597]").text(description); $(".js-view-count-work_43226597").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43226597").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43226597"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5174" href="https://www.academia.edu/Documents/in/Existential_Psychology">Existential Psychology</a>, <script data-card-contents-for-ri="5174" type="text/json">{"id":5174,"name":"Existential Psychology","url":"https://www.academia.edu/Documents/in/Existential_Psychology?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8437" href="https://www.academia.edu/Documents/in/Martin_Heidegger">Martin Heidegger</a>, <script data-card-contents-for-ri="8437" type="text/json">{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12684" href="https://www.academia.edu/Documents/in/Fernando_Pessoa">Fernando Pessoa</a>, <script data-card-contents-for-ri="12684" type="text/json">{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14945" href="https://www.academia.edu/Documents/in/Kierkegaard">Kierkegaard</a><script data-card-contents-for-ri="14945" type="text/json">{"id":14945,"name":"Kierkegaard","url":"https://www.academia.edu/Documents/in/Kierkegaard?f_ri=12684","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43226597]'), work: {"id":43226597,"title":"A filosofia da Existência: Conceito de angústia existencial em Kierkegaard e Heidegger","created_at":"2020-06-01T14:45:54.315-07:00","url":"https://www.academia.edu/43226597/A_filosofia_da_Exist%C3%AAncia_Conceito_de_ang%C3%BAstia_existencial_em_Kierkegaard_e_Heidegger?f_ri=12684","dom_id":"work_43226597","summary":"The Philosophy of Existence: Concept of anguish existential in Kierkegaard and Heidegger.\n\nResumo: Por meio da análise filosófica o artigo retrata o conceito de existencialismo e as suas influencias no mundo moderno e contemporâneo. A abordagem retrata a filosofia dos conceitos em perspectiva comparativa sobre o existencialismo na filosofia de Kierkegaard e Heidegger. Nessa perspectiva discute-se os idealismos, as angustias e as consciências transcendentais no pensamento dos sujeitos\nPalavra-Chaves: Existencialismo, Kierkegaard, Heidegger\n\nAbstract:Through philosophical analysis the article portrays the concept of existentialism and its influences in the modern and contemporary world. The approach portrays the philosophy of concepts in a comparative perspective on existentialism in the philosophy of Kierkegaard and Heidegger. From this perspective, idealisms, anxieties and transcendental consciences are discussed in the subjects' thinking\nKeywords: Existentialism, Kierkegaard, Heidegger\n\nRecebido em: 10/11/2019 – Aceito em 31/12/2019","downloadable_attachments":[{"id":67982487,"asset_id":43226597,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":23380693,"first_name":"e-hum -","last_name":"Revista Científica das Áreas de Humanidades (ISSN 1984-767X)","domain_name":"unibh","page_name":"revistasunibhbrindexphpdchlaindex","display_name":"e-hum - Revista Científica das Áreas de Humanidades (ISSN 1984-767X)","profile_url":"https://unibh.academia.edu/revistasunibhbrindexphpdchlaindex?f_ri=12684","photo":"https://0.academia-photos.com/23380693/6346224/11857526/s65_e-hum_-.revista_cient_fica_das_reas_de_humanidades_issn_1984-767x_.jpg"}],"research_interests":[{"id":5174,"name":"Existential Psychology","url":"https://www.academia.edu/Documents/in/Existential_Psychology?f_ri=12684","nofollow":false},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":14945,"name":"Kierkegaard","url":"https://www.academia.edu/Documents/in/Kierkegaard?f_ri=12684","nofollow":false},{"id":18606,"name":"Heidegger","url":"https://www.academia.edu/Documents/in/Heidegger?f_ri=12684"},{"id":48890,"name":"Soren Kierkegaard","url":"https://www.academia.edu/Documents/in/Soren_Kierkegaard?f_ri=12684"},{"id":61251,"name":"Filosofía","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa?f_ri=12684"},{"id":67525,"name":"Existentialism","url":"https://www.academia.edu/Documents/in/Existentialism?f_ri=12684"},{"id":84734,"name":"Existence","url":"https://www.academia.edu/Documents/in/Existence?f_ri=12684"},{"id":140659,"name":"Existencialismo","url":"https://www.academia.edu/Documents/in/Existencialismo?f_ri=12684"},{"id":258470,"name":"Psicologia Humanista Existencial","url":"https://www.academia.edu/Documents/in/Psicologia_Humanista_Existencial?f_ri=12684"},{"id":302807,"name":"Heidgger","url":"https://www.academia.edu/Documents/in/Heidgger?f_ri=12684"},{"id":696434,"name":"Existensialism","url":"https://www.academia.edu/Documents/in/Existensialism?f_ri=12684"},{"id":715426,"name":"Fenomenología - Análisis Existencial - Logoterapia - Heidegger","url":"https://www.academia.edu/Documents/in/Fenomenologia_-_Analisis_Existencial_-_Logoterapia_-_Heidegger?f_ri=12684"},{"id":807717,"name":"Filosofia, Logica e Existencia","url":"https://www.academia.edu/Documents/in/Filosofia_Logica_e_Existencia?f_ri=12684"},{"id":974915,"name":"Filosofia Existencialista","url":"https://www.academia.edu/Documents/in/Filosofia_Existencialista?f_ri=12684"},{"id":1255806,"name":"Filosofía Existencial","url":"https://www.academia.edu/Documents/in/Filosofia_Existencial?f_ri=12684"},{"id":1932390,"name":"Filosofia da Existência","url":"https://www.academia.edu/Documents/in/Filosofia_da_Exist%C3%AAncia?f_ri=12684"},{"id":2962469,"name":"Filosofía de la existencia","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa_de_la_existencia?f_ri=12684"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45494151" data-work_id="45494151" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45494151/Armando_C%C3%B4rtes_Rodrigues_Vida_obra_e_alguns_problemas">Armando Côrtes Rodrigues: Vida, obra e alguns problemas</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">SARAIVA, Arnaldo, "Armando Côrtes Rodrigues: Vida, obra e alguns problemas" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 18, Fall, pp. 670-680. Brown Digital Repository. Brown University Library.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45494151" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">SARAIVA, Arnaldo, "Armando Côrtes Rodrigues: Vida, obra e alguns problemas" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 18, Fall, pp. 670-680. Brown Digital Repository. Brown University Library. <a href="https://doi.org/10.26300/abq3-5g91" rel="nofollow">https://doi.org/10.26300/abq3-5g91</a><br /><br />Is Part of:<br /><br />Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 18<br /><br />Armando Côrtes-Rodrigues: Vida, obra e alguns problemas<br />Resenha do livro de Anabela Almeida, Armando Côrtes-Rodrigues, Vida e obra do poeta açoriano de Orpheu, 2019<br /><br /><a href="https://doi.org/10.26300/abq3-5g91" rel="nofollow">https://doi.org/10.26300/abq3-5g91</a><br /><br />ALMEIDA, Anabela (2019). Armando Côrtes-Rodrigues. Vida e Obra do Poeta Açoriano do Orpheu. Prefácio de Teresa Rita Lopes. Vila Franca do Campo: Editorial Ilha Nova, 424 pp., il. [ISBN: 978-972-99565-1-5].</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45494151" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="41af1b7adec8ceb78d9bfd0ea852a413" rel="nofollow" data-download="{"attachment_id":65989551,"asset_id":45494151,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65989551/download_file?st=MTczMjUyNDEzOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="185861540" href="https://independent.academia.edu/PessoaPlural">Pessoa Plural―A Journal of Fernando Pessoa Studies</a><script data-card-contents-for-user="185861540" type="text/json">{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45494151 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45494151"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45494151, container: ".js-paper-rank-work_45494151", }); 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","downloadable_attachments":[{"id":65989551,"asset_id":45494151,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":185861540,"first_name":"Pessoa Plural―A","last_name":"Journal of Fernando Pessoa Studies","domain_name":"independent","page_name":"PessoaPlural","display_name":"Pessoa Plural―A Journal of Fernando Pessoa Studies","profile_url":"https://independent.academia.edu/PessoaPlural?f_ri=12684","photo":"https://0.academia-photos.com/185861540/51463391/39537599/s65_pessoa_plural_a.journal_of_fernando_pessoa_studies.jpeg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=12684","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=12684","nofollow":false},{"id":12684,"name":"Fernando Pessoa","url":"https://www.academia.edu/Documents/in/Fernando_Pessoa?f_ri=12684","nofollow":false},{"id":19457,"name":"Portuguese 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