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The Italian Presence in American Art, 1860-1920 - Google Books
<!DOCTYPE html><html><head><title>The Italian Presence in American Art, 1860-1920 - Google Books</title><link rel="stylesheet" href="/books/css/_286fa9cd3598c4b0d5ddca165b805d15/kl_about_this_book_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/atb_286fa9cd3598c4b0d5ddca165b805d15__en.js"></script><link rel="canonical" href="https://books.google.com/books/about/The_Italian_Presence_in_American_Art_186.html?id=aY8OIa6NIPAC"/><meta property="og:url" content="https://books.google.com/books/about/The_Italian_Presence_in_American_Art_186.html?id=aY8OIa6NIPAC"/><meta name="title" content="The Italian Presence in American Art, 1860-1920"/><meta name="description" content="Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between ideaand image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse."/><meta property="og:title" content="The Italian Presence in American Art, 1860-1920"/><meta property="og:type" content="book"/><meta property="og:site_name" content="Google Books"/><meta property="og:image" content="https://books.google.com.sg/books/content?id=aY8OIa6NIPAC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE71MtPFUuwFh0RTfjU4hiE7HHzizWAZ_bNQ4ZhoB7xN9_K8GKID_hgxuxNi_YJF_KkcopulFuSqxNo2epjTonYlakB-x0uSLt34rCzPJUv72LW9xs2wbTtPLQEo4-XwsomXXmntc"/><link rel="image_src" href="https://books.google.com.sg/books/content?id=aY8OIa6NIPAC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE71MtPFUuwFh0RTfjU4hiE7HHzizWAZ_bNQ4ZhoB7xN9_K8GKID_hgxuxNi_YJF_KkcopulFuSqxNo2epjTonYlakB-x0uSLt34rCzPJUv72LW9xs2wbTtPLQEo4-XwsomXXmntc"/><script></script><style>#gbar,#guser{font-size:13px;padding-top:1px !important;}#gbar{height:22px}#guser{padding-bottom:7px !important;text-align:right}.gbh,.gbd{border-top:1px solid #c9d7f1;font-size:1px}.gbh{height:0;position:absolute;top:24px;width:100%}@media all{.gb1{height:22px;margin-right:.5em;vertical-align:top}#gbar{float:left}}a.gb1,a.gb4{text-decoration:underline !important}a.gb1,a.gb4{color:#00c !important}.gbi .gb4{color:#dd8e27 !important}.gbf .gb4{color:#900 !important} #gbar { padding:.3em .6em !important;}</style></head><body class=""><div id=gbar><nobr><a target=_blank class=gb1 href="https://www.google.com.sg/search?tab=pw">Search</a> <a target=_blank class=gb1 href="https://www.google.com.sg/imghp?hl=en&tab=pi">Images</a> <a target=_blank class=gb1 href="https://maps.google.com.sg/maps?hl=en&tab=pl">Maps</a> <a target=_blank class=gb1 href="https://play.google.com/?hl=en&tab=p8">Play</a> <a target=_blank class=gb1 href="https://www.youtube.com/?tab=p1">YouTube</a> <a target=_blank class=gb1 href="https://news.google.com/?tab=pn">News</a> <a target=_blank class=gb1 href="https://mail.google.com/mail/?tab=pm">Gmail</a> <a target=_blank class=gb1 href="https://drive.google.com/?tab=po">Drive</a> <a target=_blank class=gb1 style="text-decoration:none" href="https://www.google.com.sg/intl/en/about/products?tab=ph"><u>More</u> »</a></nobr></div><div id=guser width=100%><nobr><span id=gbn class=gbi></span><span id=gbf class=gbf></span><span id=gbe></span><a target=_top id=gb_70 href="https://www.google.com/accounts/Login?service=print&continue=https://books.google.com.sg/books%3Fid%3DaY8OIa6NIPAC%26redir_esc%3Dy%26hl%3Den&hl=en&ec=GAZACg" class=gb4>Sign in</a></nobr></div><div class=gbh style=left:0></div><div class=gbh style=right:0></div><div role="alert" style="position: absolute; left: 0; right: 0;"><a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&redir_esc=y&hl=en&output=html_text" title="Screen reader users: click this link for accessible mode. 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Jaffe</span></div><div><span dir=ltr>Fordham Univ Press</span>, 1992 - <a class="secondary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art%22&source=gbs_ge_summary_r&cad=0"><span dir=ltr>Art</span></a> - <span dir=ltr>265 pages</span></div></div><div id=synopsis><div id=synopsis-window><div id=synopsistext dir=ltr class="sa">Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between ideaand image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse.</div></div></div><div class="search_box_wrapper"><form action=/books id=search_form style="margin:0px;padding:0px;" method=get> <input type=hidden name="redir_esc" value="y"><input type=hidden name="id" value="aY8OIa6NIPAC"><table cellpadding=0 cellspacing=0 class="swv-table"><tr><td class="swv-td-search"><span><input id=search_form_input type=text maxlength=1024 class="text_flat swv-input-search" aria-label="Search in this book" name=q value="" title="Search inside" accesskey=i></span></td><td class="swv-td-space"><div> </div></td><td><input type=submit value="Search inside"></td></tr></table><script type="text/javascript">if (window['_OC_autoDir']) {_OC_autoDir('search_form_input');}</script></form><div id="preview-link"><a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&printsec=frontcover" class="primary"><span dir=ltr>Preview this book</span> »</a></div></div></td> </tr></table><div id="summary-second-column"></div></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="selected_pages_anchor"></a>Selected pages</h3><div id=selected_pages class=about_content><div id=selected_pages_v><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&pg=PR3&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=aY8OIa6NIPAC&pg=PR3&img=1&zoom=1&sig=ACfU3U1PksCccUhHrnP_qO5qOGZ3JugxBQ" alt="Title Page" title="Title Page" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&pg=PR3&source=gbs_selected_pages&cad=1" >Title Page</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&pg=PR5&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=aY8OIa6NIPAC&pg=PR5&img=1&zoom=1&sig=ACfU3U0rWnfJRzRFkT0BDJ5uTDDIXHLBTA" alt="Table of Contents" title="Table of Contents" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&pg=PR5&source=gbs_selected_pages&cad=1" >Table of Contents</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&pg=PR14&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=aY8OIa6NIPAC&pg=PR14&img=1&zoom=1&sig=ACfU3U3C3MpBGKtcuN3ruzZ2dRb03JveFg" alt="Index" title="Index" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&pg=PR14&source=gbs_selected_pages&cad=1" >Index</a></div><div style="clear:both;"></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="toc_anchor"></a>Contents</h3><div id=toc class=about_content><div id=toc_v><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Carr 2 Frederic Edwin Church and Italy </span></span></div></td><td class="toc_number" align=right>23</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Nicolai Cikovsky Jr 3 Inness and Italy </span></span></div></td><td class="toc_number" align=right>43</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>OConnor 5 The Murals by Constantino Brumidi </span></span></div></td><td class="toc_number" align=right>81</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Robert O Jones 6 Italian Inspiration in Maitland </span></span></div></td><td class="toc_number" align=right>97</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>William H Gerdts 9 American Memorial Sculpture and the Protestant </span></span></div></td><td class="toc_number" align=right>133</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Osborne 13 Lizzie Boott at Bellosguardo </span></span></div></td><td class="toc_number" align=right>188</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Margherita Azzi Visentini 17 The Italian Garden </span></span></div></td><td class="toc_number" align=right>240</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&printsec=copyright" ><span title="Copyright" style="white-space:nowrap"><span dir=ltr>Copyright</span></span></a></div></td><td class="toc_number" align=right></td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/></div><div style="clear:left; height:1em"></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="word_cloud_anchor"></a>Common terms and phrases</h3><div id=word_cloud class=about_content><div id=word_cloud_v><style type="text/css">.cloud9 {color: #7777cc;font-size: 10px;}.cloud8 {color: #6963CC;font-size: 10.5px;}.cloud7 {color: #6057CC;font-size: 11px;}.cloud6 {color: #574BCC;font-size: 11.5px;}.cloud5 {color: #4E3DCC;font-size: 12px;}.cloud4 {color: #4632CC;font-size: 14px;}.cloud3 {color: #3D26CC;font-size: 16px;}.cloud2 {color: #341ACC;font-size: 18px;}.cloud1 {color: #2B0DCC;font-size: 20px;}.cloud0 {color: #2200CC;font-size: 22px;}.cloud {margin-top: 4px;line-height: 24px;}.cloud a {margin-right: 6px;text-decoration: none;}.cloud a:hover {text-decoration: underline;}</style><div class=cloud><a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Academy+in+Rome&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Academy in Rome</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Academy%27s&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Academy's</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=aissance&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>aissance</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Ameri&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Ameri</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=American+Academy&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>American Academy</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=American+Art&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>American Art</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=American+artists&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>American artists</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=American+Renaissance&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>American Renaissance</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Arch&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Arch</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=architect&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>architect</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=architecture&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>architecture</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Archives+of+American&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Archives of American</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Armstrong&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Armstrong</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Berenson&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Berenson</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Boston&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Boston</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Brumidi&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Brumidi</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Capitol&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Capitol</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Cass+Gilbert&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Cass Gilbert</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=century&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>century</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Charles&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Charles</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Charles+Follen+McKim&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Charles Follen McKim</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=classical&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>classical</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=collection&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>collection</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Color&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Color</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=commission&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>commission</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Cooper-Hewitt&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Cooper-Hewitt</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=decorative&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>decorative</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=depicted&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>depicted</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=dome&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>dome</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Dumbarton+Oaks&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Dumbarton Oaks</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=early&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>early</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Elihu+Vedder&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Elihu Vedder</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Elizabeth+Boott+Duveneck&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Elizabeth Boott Duveneck</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Exhibition+Catalogue&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Exhibition Catalogue</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Farge&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Farge</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=figures&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>figures</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Florence&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>Florence</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Frank+Duveneck&source=gbs_word_cloud_r&cad=3" class="cloud0"><span dir=ltr>Frank Duveneck</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Frederic+Edwin+Church&source=gbs_word_cloud_r&cad=3" class="cloud0"><span dir=ltr>Frederic Edwin Church</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=French&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>French</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=fresco&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>fresco</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=frieze&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>frieze</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Gallery&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Gallery</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=George&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>George</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Gifford&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Gifford</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Gilbert&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Gilbert</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Henry+James&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Henry James</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=historical&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>historical</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Ibid&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Ibid</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=inspiration&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>inspiration</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Italian+gardens&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Italian gardens</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Italian+Renaissance&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Italian Renaissance</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Italy&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Italy</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=John+Henry+Twachtman&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>John Henry Twachtman</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=landscape&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>landscape</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=later&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>later</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=letter&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>letter</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Library&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Library</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Lizzie+Boott&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Lizzie Boott</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Lizzie%27s&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Lizzie's</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=London&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>London</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=McEntee&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>McEntee</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=McKim&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>McKim</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Mead+%26+White&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Mead & White</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=ment&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>ment</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=monument&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>monument</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Morgan&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Morgan</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Munich&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Munich</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=mural&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>mural</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Museum+of+Art&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Museum of Art</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Oil+on+canvas&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Oil on canvas</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Olana&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Olana</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=painter&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>painter</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=paintings&source=gbs_word_cloud_r&cad=3" class="cloud0"><span dir=ltr>paintings</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Paris&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Paris</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=photographs&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>photographs</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Plate&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Plate</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Platt&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Platt</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Renais&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Renais</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Roman&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Roman</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Rome&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Rome</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=rotunda&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>rotunda</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Sandro+Botticelli&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Sandro Botticelli</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=scenes&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>scenes</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Siddons+Mowbray&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Siddons Mowbray</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=sketches&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>sketches</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Smithsonian+Institution&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Smithsonian Institution</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Stanford+White&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Stanford White</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=style&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>style</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=taste&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>taste</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Tenth+Street&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Tenth Street</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=tion&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>tion</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=tradition&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>tradition</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=trip&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>trip</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=ture&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>ture</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=U.+S.+Capitol&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>U. S. Capitol</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Vedder&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Vedder</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Venetian&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Venetian</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Venice&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Venice</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=Washington&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Washington</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=William&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>William</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=wrote&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>wrote</span></a> <a href="https://books.google.com.sg/books?id=aY8OIa6NIPAC&q=York&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>York</span></a></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="citations_module_anchor"></a>References to this book</h3><div id=citations_module class=about_content><div id=citations_module_v><div class="left-column-outer"><div class="left-column-inner"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=U221-wFHuQcC&source=gbs_citations_module_r&cad=4" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=U221-wFHuQcC&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=U221-wFHuQcC&printsec=frontcover&vq=%22The+Italian+Presence+in+American+Art,+1860-1920%22&source=gbs_citations_module_r&cad=4"><span dir=ltr>Florenz 1900: die Suche nach Arkadien</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Bernd+Roeck%22" class="secondary"><span dir=ltr>Bernd Roeck</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 2001</span><br/></span></div></td><td align=right></td></tr></table></div><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=EQIduknzlRwC&source=gbs_citations_module_r&cad=4" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=EQIduknzlRwC&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=EQIduknzlRwC&printsec=frontcover&vq=%22The+Italian+Presence+in+American+Art,+1860-1920%22&source=gbs_citations_module_r&cad=4"><span dir=ltr>The Virgin & the Dynamo: Public Murals in American Architecture, 1893-1917</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Bailey+Van+Hook%22" class="secondary"><span dir=ltr>Bailey Van Hook</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 2003</span><br/></span></div></td><td align=right></td></tr></table></div><a class="secondary" href="https://books.google.com.sg/books?q=cites:ISBN0823213420&id=aY8OIa6NIPAC&source=gbs_citations_module_r&cad=4"><span dir=ltr>All Book Search results &raquo;</span></a></div></div><div style="clear:both"></div> </div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="about_author_anchor"></a>About the author <span style="color:#666; font-weight:normal">(1992)</span></h3><div id=about_author class=about_content><div id=about_author_v><div class=textmodulecontent>IRMA B. JAFFE's books include Joseph Stella; Baroque Art and the Jesuit Contribution; The Italian Presence in American Art; Shining Eyes, Cruel Fortune: The Lives and Loves of Italian Renaissance Women Poets; and Giuseppe Betussi and Eleanora Falletti, Polygraph and Poet at the Dawn of Popular Literature. The recipient of many awards and grants, she founded the department of Art and Music at Fordham University, where she is Professor Emerita of Art History. </div></div></div></div><div class=vertical_module_list_row><h3 class="about_title">Bibliographic information</h3><div class="about_content" id="metadata_content" style="padding-bottom:.3em"><div class="metadata_sectionwrap"><table id="metadata_content_table"><tr class="metadata_row"><td class="metadata_label">Title</td><td class="metadata_value"><span dir=ltr>The Italian Presence in American Art, 1860-1920</span><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Online+access:+EBSCO+Art+%26+Architecture+Complete%22&source=gbs_metadata_r&cad=6"><i><span dir=ltr>Online access: EBSCO Art & Architecture Complete</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22The+Italian+Presence+in+American+Art%22&source=gbs_metadata_r&cad=6"><i><span dir=ltr>Volume 2 of The Italian Presence in American Art</span></i></a>, <a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Irma+B.+Jaffe%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Irma B. Jaffe</span></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Editor</span></td><td class="metadata_value"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Irma+B.+Jaffe%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Irma B. Jaffe</span></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Edition</span></td><td class="metadata_value"><span dir=ltr>illustrated</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Publisher</span></td><td class="metadata_value"><span dir=ltr>Fordham Univ Press, 1992</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>ISBN</span></td><td class="metadata_value"><span dir=ltr>0823213420, 9780823213429</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Length</span></td><td class="metadata_value"><span dir=ltr>265 pages</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Subjects</span></td><td class="metadata_value"><div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art%22" itemprop="url" dir=ltr><span itemprop="title">Art</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+History%22" itemprop="url" dir=ltr><span itemprop="title">History</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+History+General%22" itemprop="url" dir=ltr><span itemprop="title">General</span></a></div><br><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+American+/+General%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / American / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+European%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / European</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+General%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+History+/+General%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / History / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Social+Science+/+Regional+Studies%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Social Science / Regional Studies</span></a></td></tr><tr class="metadata_row"><td> </td><td> </td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Export Citation</span></td><td class="metadata_value"><a class="gb-button " href="https://books.google.com.sg/books/download/The_Italian_Presence_in_American_Art_186.bibtex?id=aY8OIa6NIPAC&output=bibtex"><span dir=ltr>BiBTeX</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/The_Italian_Presence_in_American_Art_186.enw?id=aY8OIa6NIPAC&output=enw"><span dir=ltr>EndNote</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/The_Italian_Presence_in_American_Art_186.ris?id=aY8OIa6NIPAC&output=ris"><span dir=ltr>RefMan</span></a></td></tr></table></div><div style="clear:both"></div></div></div><script>_OC_addFlags({Host:"https://books.google.com.sg/", IsBooksUnifiedLeftNavEnabled:1, IsZipitFolderCollectionEnabled:1, IsBrowsingHistoryEnabled:1, IsBooksRentalEnabled:1});_OC_Run({"is_cobrand":false,"sign_in_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fid%3DaY8OIa6NIPAC%26redir_esc%3Dy%26hl%3Den\u0026hl=en"}, {"volume_id":"aY8OIa6NIPAC","is_ebook":false,"volumeresult":{"has_flowing_text":false,"has_scanned_text":true,"can_download_pdf":false,"can_download_epub":false,"is_pdf_drm_enabled":false,"is_epub_drm_enabled":false},"sample_url":"https://play.google.com/books/reader?id=aY8OIa6NIPAC\u0026source=gbs_atb_hover","is_browsable":true,"is_public_domain":false}, {});</script><div id="footer_table" style="font-size:83%;text-align:center;position:relative;top:20px;height:4.5em;margin-top:2em"><div style="margin-bottom:8px"><a href="/intl/en/googlebooks/about.html"><nobr><nobr>About Google Books</nobr></nobr></a> - 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