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class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87457309/On_The_Early_German_Romantics_Attitudes_Regarding_to_The_Enlightenment">On The Early German Romantics' Attitudes Regarding to The Enlightenment</a></div><div class="wp-workCard_item"><span>Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this study, Romantics&#39; perceptions of nature, philosophical background of romanticism and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this study, Romantics&#39; perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. Furthermore, by briefly describing the dominant philosophy of the period of the Enlightenment, whether Romanticism is an opposite idea for the Enlightenment will be investigated. In this context, the study tries to highlight how Romantics criticised and/or confirmed principles of the Enlightenment. Finally, Romantics&#39; stress upon the art as an affirmative and constructive force will be emphasized.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457309"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457309"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457309; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457309]").text(description); $(".js-view-count[data-work-id=87457309]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457309; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457309']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457309, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87457309]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457309,"title":"On The Early German Romantics' Attitudes Regarding to The Enlightenment","translated_title":"","metadata":{"abstract":"In this study, Romantics\u0026#39; perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. 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Ayrica kararverilemezligin actigi duzlemde sekillenen sorumluluk anlayisinin acmazlarina yer verilerek, bu acmazlarin etik anlamda nasil bir donusum gerceklestirdigi uzerinde durulacak, boylece Derridaci olanaksizligin olanakliligi ifadesinin onemine vurgu yapilacaktir</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457308"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457308"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457308; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457308]").text(description); $(".js-view-count[data-work-id=87457308]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457308; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457308']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457308, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87457308]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457308,"title":"Derrida’Da Kararveri̇lemezli̇k Ve Sorumluluk İli̇şki̇si̇","translated_title":"","metadata":{"abstract":"Bu calismada, Derrida tarafindan ortaya konulan ve gunumuz etik ve politik hayati acisindan son derece onemli olan yeni bakis acilari, kararverilemezlik ve sorumluluk kavramlari dolayiminda aciklanmaya calisilacaktir. Ayrica kararverilemezligin actigi duzlemde sekillenen sorumluluk anlayisinin acmazlarina yer verilerek, bu acmazlarin etik anlamda nasil bir donusum gerceklestirdigi uzerinde durulacak, boylece Derridaci olanaksizligin olanakliligi ifadesinin onemine vurgu yapilacaktir","publication_date":{"day":null,"month":null,"year":2014,"errors":{}}},"translated_abstract":"Bu calismada, Derrida tarafindan ortaya konulan ve gunumuz etik ve politik hayati acisindan son derece onemli olan yeni bakis acilari, kararverilemezlik ve sorumluluk kavramlari dolayiminda aciklanmaya calisilacaktir. 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Bu makalede Schelling’in doga felsefesi, sanat hakkindaki gorusleri ile iliskilendirilerek ele alinacak ve bu baglamda romantik akim ile baglantili olan dusunceleri aciklanmaya calisilacaktir. Schelling’in temel amaci Descartes ile baslayip, Kant ve Fichte ile daha da belirginlesen ozne - nesne, real - ideal ve insan – doga dualizmine bir son vermektir. Bu amac dogrultusunda ozdeslik felsefesinden ve Mutlak birlik dusuncesinden faydalanan Schelling, butun ayrimlarin ancak estetik etkinlik araciligiyla sanat eserlerinde ortadan kalktigini dusunur. O, teorik ve pratik bilincin yani sira ucuncu bir bilinc olarak estetik bilincten soz ederek, sanatsal etkinligin onemini vurgulamistir. Ona gore, sanat, felsefenin tek gercek ve sonsuz aracidir. Bu yuzden felsefenin nihai amaci sanat f...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5cfe62428a289827fbb077bf5330006a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91660055,"asset_id":87457307,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91660055/download_file?st=MTczMjYyNzM1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457307]").text(description); $(".js-view-count[data-work-id=87457307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457307, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5cfe62428a289827fbb077bf5330006a" } } $('.js-work-strip[data-work-id=87457307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457307,"title":"Schelling Felsefesi̇nde Romanti̇zm Ve Doğa-Sanat İli̇şki̇si̇","translated_title":"","metadata":{"abstract":"Schelling, Alman idealist geleneginin onemli bir filozofu olmasinin yani sira doga felsefesi, ozdeslik felsefesi ve sanat felsefesi ile Alman Romantizmi uzerinde onemli etkileri olan romantik bir dusunurdur. Bu makalede Schelling’in doga felsefesi, sanat hakkindaki gorusleri ile iliskilendirilerek ele alinacak ve bu baglamda romantik akim ile baglantili olan dusunceleri aciklanmaya calisilacaktir. Schelling’in temel amaci Descartes ile baslayip, Kant ve Fichte ile daha da belirginlesen ozne - nesne, real - ideal ve insan – doga dualizmine bir son vermektir. Bu amac dogrultusunda ozdeslik felsefesinden ve Mutlak birlik dusuncesinden faydalanan Schelling, butun ayrimlarin ancak estetik etkinlik araciligiyla sanat eserlerinde ortadan kalktigini dusunur. O, teorik ve pratik bilincin yani sira ucuncu bir bilinc olarak estetik bilincten soz ederek, sanatsal etkinligin onemini vurgulamistir. Ona gore, sanat, felsefenin tek gercek ve sonsuz aracidir. 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O, teorik ve pratik bilincin yani sira ucuncu bir bilinc olarak estetik bilincten soz ederek, sanatsal etkinligin onemini vurgulamistir. Ona gore, sanat, felsefenin tek gercek ve sonsuz aracidir. 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Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="10696ed14cf1d9e35823800b2d94d5c7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91660056,"asset_id":87457306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91660056/download_file?st=MTczMjYyNzM1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457306; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457306]").text(description); $(".js-view-count[data-work-id=87457306]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457306']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457306, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "10696ed14cf1d9e35823800b2d94d5c7" } } $('.js-work-strip[data-work-id=87457306]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457306,"title":"Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış","translated_title":"","metadata":{"publisher":"Kaygi","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Kaygı. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="87457289"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/87457289/Tragedy_And_Art_As_The_Affirmation_Of_Existence_In_Nietzsche"><img alt="Research paper thumbnail of Tragedy And Art As The Affirmation Of Existence In Nietzsche" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87457289/Tragedy_And_Art_As_The_Affirmation_Of_Existence_In_Nietzsche">Tragedy And Art As The Affirmation Of Existence In Nietzsche</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argüm...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argümanları, Tragedyanın Doğuşu adlı eserindeki düşünceleri vurgulanarak ele alınacaktır. Bu bağlamda Nietzsche’nin estetik ve sanat felsefesine ilişkin düşünceleri, varoluşçuluk akımı ile bağlantılı olarak ortaya konulacaktır. Nietzsche bu eserinde Apollon - Dionysos karşıtlığını ve tragedyanın nasıl doğduğunu inceler. O, kendi dönemini Apolloncu olanı daha çok önemseyip, Dionysosçu olanı ya da duyguları ihmal etmesi sebebiyle eleştirmiştir. Onun için, ikisini dengelemek önemlidir. Sanatın yaratılmasında hem Apolloncu hem de Dionysosçu olan gereklidir. Nietzsche, Euripides’i sanatın katili olarak görür, çünkü o Sokrates’i takip ederek sadece bilgiye ve bireye odaklanmış ve Dionysosçu deneyim için çok önemli olan unsurları ortadan kaldırmıştır. Böylece Euripides, Dionysos’u trajediden çıkarmış ve Dionysos ile Apollon arasındaki dengeyi bozmuştur. Nietzsche’ye göre, yaşamın içinde ve varoluşun...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457289"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457289"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457289; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457289]").text(description); $(".js-view-count[data-work-id=87457289]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457289; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457289']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457289, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87457289]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457289,"title":"Tragedy And Art As The Affirmation Of Existence In Nietzsche","translated_title":"","metadata":{"abstract":"Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argümanları, Tragedyanın Doğuşu adlı eserindeki düşünceleri vurgulanarak ele alınacaktır. Bu bağlamda Nietzsche’nin estetik ve sanat felsefesine ilişkin düşünceleri, varoluşçuluk akımı ile bağlantılı olarak ortaya konulacaktır. Nietzsche bu eserinde Apollon - Dionysos karşıtlığını ve tragedyanın nasıl doğduğunu inceler. O, kendi dönemini Apolloncu olanı daha çok önemseyip, Dionysosçu olanı ya da duyguları ihmal etmesi sebebiyle eleştirmiştir. Onun için, ikisini dengelemek önemlidir. Sanatın yaratılmasında hem Apolloncu hem de Dionysosçu olan gereklidir. Nietzsche, Euripides’i sanatın katili olarak görür, çünkü o Sokrates’i takip ederek sadece bilgiye ve bireye odaklanmış ve Dionysosçu deneyim için çok önemli olan unsurları ortadan kaldırmıştır. Böylece Euripides, Dionysos’u trajediden çıkarmış ve Dionysos ile Apollon arasındaki dengeyi bozmuştur. Nietzsche’ye göre, yaşamın içinde ve varoluşun...","publication_date":{"day":null,"month":null,"year":2019,"errors":{}}},"translated_abstract":"Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argümanları, Tragedyanın Doğuşu adlı eserindeki düşünceleri vurgulanarak ele alınacaktır. Bu bağlamda Nietzsche’nin estetik ve sanat felsefesine ilişkin düşünceleri, varoluşçuluk akımı ile bağlantılı olarak ortaya konulacaktır. Nietzsche bu eserinde Apollon - Dionysos karşıtlığını ve tragedyanın nasıl doğduğunu inceler. O, kendi dönemini Apolloncu olanı daha çok önemseyip, Dionysosçu olanı ya da duyguları ihmal etmesi sebebiyle eleştirmiştir. Onun için, ikisini dengelemek önemlidir. Sanatın yaratılmasında hem Apolloncu hem de Dionysosçu olan gereklidir. Nietzsche, Euripides’i sanatın katili olarak görür, çünkü o Sokrates’i takip ederek sadece bilgiye ve bireye odaklanmış ve Dionysosçu deneyim için çok önemli olan unsurları ortadan kaldırmıştır. Böylece Euripides, Dionysos’u trajediden çıkarmış ve Dionysos ile Apollon arasındaki dengeyi bozmuştur. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40545367"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40545367/THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY"><img alt="Research paper thumbnail of THE POSSIBILITY OF JUSTICE: LAW, OTHERNESS AND HOSPITALITY" class="work-thumbnail" src="https://attachments.academia-assets.com/60821430/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40545367/THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY">THE POSSIBILITY OF JUSTICE: LAW, OTHERNESS AND HOSPITALITY</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoug...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoughts of ethical relation, law, equality and hospitality. Since the ethical relationship is related to otherness, justice is described by ethical relation. Derrida has developed an ethics of responsibility oriented toward the other. In Derrida, we witness a questioning of the traditional superiority of sameness over difference. What matters for him is the difference of and making room for the other in the same way. Responsibility first occurs in relation to the other and the individual is originally responsible for the other. A responsible decision should always aim for the singularity of the other. Since there are infinite others that one should be responsible for, Derrida thinks that ethical and political responsibility always need to invent a new rule with reference to law and equality. Also it is proposed that political thinking which was reshaped by the philosopher's notions such as "nation state, foreignness, hostipitality, democracy to come, justice, border and forgiveness" will contribute to developing solutions to migrant problems, which are among the most important problems of today's world. From this point of view, in the present research questions relating to democracy's origin and nature, and how we should understand the relation between democracy and current political problems by means of aporias in politics, will be examined. Derrida creates new concepts to explain his own philosophy. In the scope of the present paper undecidability, hostipitality and democracy to come are the most important of these concepts. Derrida describes these notions in relation to the law, justice and equality. According to Derrida, the point of Ethics is to experience the impossible, to meet with it and to sustain its aporias. If a decision is based only on knowledge, this means that it is taken under control by the discourse of knowledge and rule. Yet, the condition of a decision is the experience of indecision. If we apply it to reveal the paradox assosciated with hospitality, we see that, the conditions of its possibility are at the same time the conditions of its impossibility. Thus, it is undecidable whether hospitality is either possible or impossible.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="03ea2e5531c077a15920db868bca15ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60821430,"asset_id":40545367,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60821430/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40545367"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40545367"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40545367; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40545367]").text(description); $(".js-view-count[data-work-id=40545367]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40545367; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40545367']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40545367, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "03ea2e5531c077a15920db868bca15ea" } } $('.js-work-strip[data-work-id=40545367]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40545367,"title":"THE POSSIBILITY OF JUSTICE: LAW, OTHERNESS AND HOSPITALITY","translated_title":"","metadata":{"abstract":"In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoughts of ethical relation, law, equality and hospitality. Since the ethical relationship is related to otherness, justice is described by ethical relation. Derrida has developed an ethics of responsibility oriented toward the other. In Derrida, we witness a questioning of the traditional superiority of sameness over difference. What matters for him is the difference of and making room for the other in the same way. Responsibility first occurs in relation to the other and the individual is originally responsible for the other. A responsible decision should always aim for the singularity of the other. Since there are infinite others that one should be responsible for, Derrida thinks that ethical and political responsibility always need to invent a new rule with reference to law and equality. Also it is proposed that political thinking which was reshaped by the philosopher's notions such as \"nation state, foreignness, hostipitality, democracy to come, justice, border and forgiveness\" will contribute to developing solutions to migrant problems, which are among the most important problems of today's world. From this point of view, in the present research questions relating to democracy's origin and nature, and how we should understand the relation between democracy and current political problems by means of aporias in politics, will be examined. Derrida creates new concepts to explain his own philosophy. In the scope of the present paper undecidability, hostipitality and democracy to come are the most important of these concepts. Derrida describes these notions in relation to the law, justice and equality. According to Derrida, the point of Ethics is to experience the impossible, to meet with it and to sustain its aporias. If a decision is based only on knowledge, this means that it is taken under control by the discourse of knowledge and rule. Yet, the condition of a decision is the experience of indecision. If we apply it to reveal the paradox assosciated with hospitality, we see that, the conditions of its possibility are at the same time the conditions of its impossibility. Thus, it is undecidable whether hospitality is either possible or impossible."},"translated_abstract":"In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoughts of ethical relation, law, equality and hospitality. Since the ethical relationship is related to otherness, justice is described by ethical relation. Derrida has developed an ethics of responsibility oriented toward the other. In Derrida, we witness a questioning of the traditional superiority of sameness over difference. What matters for him is the difference of and making room for the other in the same way. Responsibility first occurs in relation to the other and the individual is originally responsible for the other. A responsible decision should always aim for the singularity of the other. Since there are infinite others that one should be responsible for, Derrida thinks that ethical and political responsibility always need to invent a new rule with reference to law and equality. Also it is proposed that political thinking which was reshaped by the philosopher's notions such as \"nation state, foreignness, hostipitality, democracy to come, justice, border and forgiveness\" will contribute to developing solutions to migrant problems, which are among the most important problems of today's world. From this point of view, in the present research questions relating to democracy's origin and nature, and how we should understand the relation between democracy and current political problems by means of aporias in politics, will be examined. Derrida creates new concepts to explain his own philosophy. In the scope of the present paper undecidability, hostipitality and democracy to come are the most important of these concepts. Derrida describes these notions in relation to the law, justice and equality. According to Derrida, the point of Ethics is to experience the impossible, to meet with it and to sustain its aporias. If a decision is based only on knowledge, this means that it is taken under control by the discourse of knowledge and rule. Yet, the condition of a decision is the experience of indecision. If we apply it to reveal the paradox assosciated with hospitality, we see that, the conditions of its possibility are at the same time the conditions of its impossibility. Thus, it is undecidable whether hospitality is either possible or impossible.","internal_url":"https://www.academia.edu/40545367/THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY","translated_internal_url":"","created_at":"2019-10-07T02:22:16.707-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1200890,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":60821430,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821430/thumbnails/1.jpg","file_name":"the_possibility20191007-90005-18ibnee.pdf","download_url":"https://www.academia.edu/attachments/60821430/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821430/the_possibility20191007-90005-18ibnee-libre.pdf?1570440558=\u0026response-content-disposition=attachment%3B+filename%3DTHE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf\u0026Expires=1732630957\u0026Signature=c7AZUzMBdxTuEFnyvoOwkGtQnHdVDe1YF3ISwQ~DDiqvYMexS1~w2F~9jK3~103x4C3OREQDqTUTsPQ6Ho1xIZUly9xr502hxHLEsspQjURg2Yx3yL7gOULFGwv9qFpSdZFJKI4nNTZOqubz9aXSqGBeObbADn-sckEv1j1Q6lBrE3qHrW3Z79MgCX~3F~LcDloGnrF9cuFiHvQ6TzCtyCRAqjOSbW1MApFKNzBr2X7gPZE~BZ2hwkHZcZqx7q2b-NIg1C-FLOddgPsAYrSkwH9xtDgQBgTDf5cap6kKsQXqUdTEZagP78GTQC-WMEVrsVyjc4W7n9HBa4xjVK0chA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY","translated_slug":"","page_count":4,"language":"en","content_type":"Work","owner":{"id":1200890,"first_name":"Banu","middle_initials":null,"last_name":"Alan Sümer","page_name":"BanuAlanSümer","domain_name":"idu-tr","created_at":"2012-02-12T00:05:14.482-08:00","display_name":"Banu Alan Sümer","url":"https://idu-tr.academia.edu/BanuAlanS%C3%BCmer"},"attachments":[{"id":60821430,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821430/thumbnails/1.jpg","file_name":"the_possibility20191007-90005-18ibnee.pdf","download_url":"https://www.academia.edu/attachments/60821430/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821430/the_possibility20191007-90005-18ibnee-libre.pdf?1570440558=\u0026response-content-disposition=attachment%3B+filename%3DTHE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf\u0026Expires=1732630957\u0026Signature=c7AZUzMBdxTuEFnyvoOwkGtQnHdVDe1YF3ISwQ~DDiqvYMexS1~w2F~9jK3~103x4C3OREQDqTUTsPQ6Ho1xIZUly9xr502hxHLEsspQjURg2Yx3yL7gOULFGwv9qFpSdZFJKI4nNTZOqubz9aXSqGBeObbADn-sckEv1j1Q6lBrE3qHrW3Z79MgCX~3F~LcDloGnrF9cuFiHvQ6TzCtyCRAqjOSbW1MApFKNzBr2X7gPZE~BZ2hwkHZcZqx7q2b-NIg1C-FLOddgPsAYrSkwH9xtDgQBgTDf5cap6kKsQXqUdTEZagP78GTQC-WMEVrsVyjc4W7n9HBa4xjVK0chA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":30965,"name":"Jacques Derrida \u0026 Deconstruction","url":"https://www.academia.edu/Documents/in/Jacques_Derrida_and_Deconstruction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40545336"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40545336/SCHELLING_FELSEFES%C4%B0NDE_ROMANT%C4%B0ZM_VE_DO%C4%9EA_SANAT_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy"><img alt="Research paper thumbnail of SCHELLING FELSEFESİNDE ROMANTİZM VE DOĞA-SANAT İLİŞKİSİ- Romanticism and the Nature-Art Relation in Schelling's Philosophy" class="work-thumbnail" src="https://attachments.academia-assets.com/60821389/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40545336/SCHELLING_FELSEFES%C4%B0NDE_ROMANT%C4%B0ZM_VE_DO%C4%9EA_SANAT_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy">SCHELLING FELSEFESİNDE ROMANTİZM VE DOĞA-SANAT İLİŞKİSİ- Romanticism and the Nature-Art Relation in Schelling's Philosophy</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In addition to being an important philosopher of the German idealist tradition, Schelling is a ro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In addition to being an important philosopher of the German idealist tradition, Schelling is a romantic thinker who has significant influences on German Romanticism with his philosophy of nature, philosophy of identity and philosophy of art. In this article, Schelling's philosophy of nature will be dealt with in relation to his views on art and in this context, his thoughts related to romantic movement will be tried to explain. The main objective of Schelling is to put an end to the subject-object, real-ideal and human-nature dualism, which begins with Descartes and becomes more evident with Kant and Fichte. In accordance with this purpose, Schelling, who benefits from the philosophy of identity and the idea of the Absolute unity, thinks that all the distinctions have disappeared in the works of art only through aesthetic activity. He emphasized the importance of artistic activity by talking about aesthetic consciousness as a third consciousness besides theoretical and practical consciousness. According to him, art is the only true and eternal organ of philosophy. Therefore, the ultimate goal of philosophy should be the philosophy of art. Throughout the article, the ideas that Schelling has developed for this goal will be explained in detail.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7102ab229a0845aa1ac9a07ce2507e49" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60821389,"asset_id":40545336,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60821389/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40545336"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40545336"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40545336; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40545336]").text(description); $(".js-view-count[data-work-id=40545336]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40545336; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40545336']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40545336, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7102ab229a0845aa1ac9a07ce2507e49" } } $('.js-work-strip[data-work-id=40545336]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40545336,"title":"SCHELLING FELSEFESİNDE ROMANTİZM VE DOĞA-SANAT İLİŞKİSİ- Romanticism and the Nature-Art Relation in Schelling's Philosophy","translated_title":"","metadata":{"abstract":"In addition to being an important philosopher of the German idealist tradition, Schelling is a romantic thinker who has significant influences on German Romanticism with his philosophy of nature, philosophy of identity and philosophy of art. In this article, Schelling's philosophy of nature will be dealt with in relation to his views on art and in this context, his thoughts related to romantic movement will be tried to explain. The main objective of Schelling is to put an end to the subject-object, real-ideal and human-nature dualism, which begins with Descartes and becomes more evident with Kant and Fichte. In accordance with this purpose, Schelling, who benefits from the philosophy of identity and the idea of the Absolute unity, thinks that all the distinctions have disappeared in the works of art only through aesthetic activity. He emphasized the importance of artistic activity by talking about aesthetic consciousness as a third consciousness besides theoretical and practical consciousness. According to him, art is the only true and eternal organ of philosophy. Therefore, the ultimate goal of philosophy should be the philosophy of art. Throughout the article, the ideas that Schelling has developed for this goal will be explained in detail."},"translated_abstract":"In addition to being an important philosopher of the German idealist tradition, Schelling is a romantic thinker who has significant influences on German Romanticism with his philosophy of nature, philosophy of identity and philosophy of art. In this article, Schelling's philosophy of nature will be dealt with in relation to his views on art and in this context, his thoughts related to romantic movement will be tried to explain. The main objective of Schelling is to put an end to the subject-object, real-ideal and human-nature dualism, which begins with Descartes and becomes more evident with Kant and Fichte. In accordance with this purpose, Schelling, who benefits from the philosophy of identity and the idea of the Absolute unity, thinks that all the distinctions have disappeared in the works of art only through aesthetic activity. He emphasized the importance of artistic activity by talking about aesthetic consciousness as a third consciousness besides theoretical and practical consciousness. According to him, art is the only true and eternal organ of philosophy. Therefore, the ultimate goal of philosophy should be the philosophy of art. Throughout the article, the ideas that Schelling has developed for this goal will be explained in detail.","internal_url":"https://www.academia.edu/40545336/SCHELLING_FELSEFES%C4%B0NDE_ROMANT%C4%B0ZM_VE_DO%C4%9EA_SANAT_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy","translated_internal_url":"","created_at":"2019-10-07T02:20:08.840-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1200890,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":60821389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821389/thumbnails/1.jpg","file_name":"schelling-flsf20191007-66239-1wr7inj.pdf","download_url":"https://www.academia.edu/attachments/60821389/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"SCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821389/schelling-flsf20191007-66239-1wr7inj-libre.pdf?1570440561=\u0026response-content-disposition=attachment%3B+filename%3DSCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf\u0026Expires=1732630957\u0026Signature=YRrP9ZFMc-zBpiqB1SsPZn~2fE3JOGnpzi4NG0OGrAcuX8mGifLevbcjB5rGNs0sSfKkdRo4xD~1b~dJSuFNnqnuXytWg6IVGfBpGmkE1wiffjWTVR4~uZpoz0znwCkTkn8PZorGmu-NV9He6PftKdoz0dLrOqARpFzDKBwsExsiFCmrQsgIETEY5BG3d5N7XrUKh22~xGeb8T61eolusJtwNWJM1N5GVOWMhc1OTFxO6MFm9XLGhSNYXlXDJKW72Ci38utoUSnx13Moxqk7t-nNsDooT7At4lPOp8HoiOJhqY2fDoT07Je563fYfP3c-0t5kayYefApsMrm8xu7gQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"SCHELLING_FELSEFESİNDE_ROMANTİZM_VE_DOĞA_SANAT_İLİŞKİSİ_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy","translated_slug":"","page_count":18,"language":"tr","content_type":"Work","owner":{"id":1200890,"first_name":"Banu","middle_initials":null,"last_name":"Alan Sümer","page_name":"BanuAlanSümer","domain_name":"idu-tr","created_at":"2012-02-12T00:05:14.482-08:00","display_name":"Banu Alan Sümer","url":"https://idu-tr.academia.edu/BanuAlanS%C3%BCmer"},"attachments":[{"id":60821389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821389/thumbnails/1.jpg","file_name":"schelling-flsf20191007-66239-1wr7inj.pdf","download_url":"https://www.academia.edu/attachments/60821389/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"SCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821389/schelling-flsf20191007-66239-1wr7inj-libre.pdf?1570440561=\u0026response-content-disposition=attachment%3B+filename%3DSCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf\u0026Expires=1732630957\u0026Signature=YRrP9ZFMc-zBpiqB1SsPZn~2fE3JOGnpzi4NG0OGrAcuX8mGifLevbcjB5rGNs0sSfKkdRo4xD~1b~dJSuFNnqnuXytWg6IVGfBpGmkE1wiffjWTVR4~uZpoz0znwCkTkn8PZorGmu-NV9He6PftKdoz0dLrOqARpFzDKBwsExsiFCmrQsgIETEY5BG3d5N7XrUKh22~xGeb8T61eolusJtwNWJM1N5GVOWMhc1OTFxO6MFm9XLGhSNYXlXDJKW72Ci38utoUSnx13Moxqk7t-nNsDooT7At4lPOp8HoiOJhqY2fDoT07Je563fYfP3c-0t5kayYefApsMrm8xu7gQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":26994,"name":"Schelling","url":"https://www.academia.edu/Documents/in/Schelling"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40545306"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40545306/Modern_ve_Postmodern_Sanat_Anlay%C4%B1%C5%9Flar%C4%B1na_Sanat%C3%A7%C4%B1n%C4%B1n_Yeri_Ba%C4%9Flam%C4%B1nda_Bir_Bak%C4%B1%C5%9F"><img alt="Research paper thumbnail of Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış" class="work-thumbnail" src="https://attachments.academia-assets.com/60821354/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40545306/Modern_ve_Postmodern_Sanat_Anlay%C4%B1%C5%9Flar%C4%B1na_Sanat%C3%A7%C4%B1n%C4%B1n_Yeri_Ba%C4%9Flam%C4%B1nda_Bir_Bak%C4%B1%C5%9F">Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. Modernizm ile post...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. Modernizm ile postmodernizm iki farklı düşünce sistemi olduğundan, onların sanat hakkındaki düşünceleri de farklıdır. Sanata olan bu farklı anlayış biçimleri, sanatçı hakkında da farklı görüşlere sahip olmalarına neden olmuştur. Makalede öncelikle modern düşüncedeki sanat algısına kaynaklık etmesi bakımından Platon ve Aristoteles'in sanat felsefesine ilişkin temel söylemlerine yer verilecektir. Daha sonra modern sanatın oluşumunda en büyük katkıyı yapan filozof olarak Kant'ın Yargıgücünün Eleştirisi adlı eserinde incelemiş olduğu deha konusu ele alınacaktır. Son olarak da postmodern sanatta ve edebiyat kuramlarında sıklıkla karşımıza çıkan bir konu olarak yazarın kim olduğuna, yazar-okur ilişkisine, yazarın ölümüne ve yazarın işlevine ilişkin tartışmalar, Foucault ve Barthes bağlamında ele alınacaktır.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d0a94ef7415f97ecc52ee8f38c1f8c71" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60821354,"asset_id":40545306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60821354/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40545306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40545306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40545306; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40545306]").text(description); $(".js-view-count[data-work-id=40545306]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40545306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40545306']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40545306, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d0a94ef7415f97ecc52ee8f38c1f8c71" } } $('.js-work-strip[data-work-id=40545306]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40545306,"title":"Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış","translated_title":"","metadata":{"abstract":"Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. Modernizm ile postmodernizm iki farklı düşünce sistemi olduğundan, onların sanat hakkındaki düşünceleri de farklıdır. Sanata olan bu farklı anlayış biçimleri, sanatçı hakkında da farklı görüşlere sahip olmalarına neden olmuştur. Makalede öncelikle modern düşüncedeki sanat algısına kaynaklık etmesi bakımından Platon ve Aristoteles'in sanat felsefesine ilişkin temel söylemlerine yer verilecektir. Daha sonra modern sanatın oluşumunda en büyük katkıyı yapan filozof olarak Kant'ın Yargıgücünün Eleştirisi adlı eserinde incelemiş olduğu deha konusu ele alınacaktır. Son olarak da postmodern sanatta ve edebiyat kuramlarında sıklıkla karşımıza çıkan bir konu olarak yazarın kim olduğuna, yazar-okur ilişkisine, yazarın ölümüne ve yazarın işlevine ilişkin tartışmalar, Foucault ve Barthes bağlamında ele alınacaktır."},"translated_abstract":"Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. 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' ÇAĞDAŞ FRANSIZ FELSEFESİNDE ETİK Editör: Veli Orhan i Bir insan kendiyle ne zam an ilgilenm iş olur? K endim izin ne olduğunu bilm ezsek, k endim izi d ah a İyi kılabilir miyiz? in sa n , bedeninden başka bir şeydir. Kendinin ne olduğunu bilm ek bilge olm aktır. B ilge ve iyi olm adıkça kim se m esut olam az. Micbel Foucauit Kendini sürdürm e, kişinin sah ip olduğu ve başkalarının bu kişiye güvenm elerini sağlayan davranış tarzıdır. Birisi bana güvendiği için, ben eylem lerim den bir başkası önünde sorum luyum dur. 'Sorum luluk' terim i iki anlam ı birleştirir:'güvenm e' ve sorum lu o lm a. Paul Ricoeur B ir kararın adil ve sorum lu olm ası İçin, onun kendi m om entinde -eğer böyle bir m om ent varsa-hem kurallı hem de kuralsız olm ası gerekecektir. H em yasayı m uhafaza edici, koruyucu olm alı, hem de onu her durum da yeniden icat etm ek, yeniden haklılaştırm a ödeviyle yüküm lü olm ak için, onu dekonstrüksivona tabi tutm alı ve askıya almalıdır. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38692624"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38692624/ERKEN_ALMAN_ROMANT%C4%B0KLER%C4%B0N%C4%B0N_AYDINLANMAYA_%C4%B0L%C4%B0%C5%9EK%C4%B0N_TUTUMLARI_%C3%9CZER%C4%B0NE"><img alt="Research paper thumbnail of ERKEN ALMAN ROMANTİKLERİNİN AYDINLANMA'YA İLİŞKİN TUTUMLARI ÜZERİNE" class="work-thumbnail" src="https://attachments.academia-assets.com/58774886/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38692624/ERKEN_ALMAN_ROMANT%C4%B0KLER%C4%B0N%C4%B0N_AYDINLANMAYA_%C4%B0L%C4%B0%C5%9EK%C4%B0N_TUTUMLARI_%C3%9CZER%C4%B0NE">ERKEN ALMAN ROMANTİKLERİNİN AYDINLANMA'YA İLİŞKİN TUTUMLARI ÜZERİNE</a></div><div class="wp-workCard_item"><span>Ankara Üniversitesi, Dil ve Tarih-Coğrafya Fakültesi Dergisi, Cilt: 52, sayı: 1</span><span>, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">On The Early German Romantics' Attitudes Regarding To The Enlightenment In this study, Romantics'...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">On The Early German Romantics' Attitudes Regarding To The Enlightenment In this study, Romantics' perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. Furthermore, by briefly describing the dominant philosophy of the period of the Enlightenment, whether Romanticism is an opposite idea for the Enlightenment will be investigated. In this context, the study tries to highlight how Romantics criticised and/or confirmed principles of the Enlightenment. Finally, Romantics' stress upon the art as an affirmative and constructive force will be emphasized.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9b7c36213169f1bd8ba84346302e6346" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774886,"asset_id":38692624,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774886/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692624"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692624"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692624; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692624]").text(description); $(".js-view-count[data-work-id=38692624]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692624; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692624']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38692624, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9b7c36213169f1bd8ba84346302e6346" } } $('.js-work-strip[data-work-id=38692624]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692624,"title":"ERKEN ALMAN ROMANTİKLERİNİN AYDINLANMA'YA İLİŞKİN TUTUMLARI ÜZERİNE","translated_title":"","metadata":{"abstract":"On The Early German Romantics' Attitudes Regarding To The Enlightenment In this study, Romantics' perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. 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In this context, the study tries to highlight how Romantics criticised and/or confirmed principles of the Enlightenment. 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Ayrıca kararverilemezliğin açtığı düzlemde şekillenen sorumluluk anlayışının açmazlarına yer verilerek, bu açmazların etik anlamda nasıl bir dönüşüm gerçekleştirdiği üzerinde durulacak, böylece Derridacı olanaksızlığın olanaklılığı ifadesinin önemine vurgu yapılacaktır. <br />ABSTRACT<br /> In this paper, new perspectives which are crucial from the point of today's ethics and politics as revealed by Derrida, are tried to be clarified in the context of notions of undecidebility and responsibility. Besides, by stressing upon the aporias of responsibility, shaped together with undecidebility, the question of how these aporias convert sense of ethics is discussed. By doing so, the importance of expressions of Derridean possibility of impossibility is emphasized.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="98deaee179dd331eac941b21a32c3329" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774861,"asset_id":38692595,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774861/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692595"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692595"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692595; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692595]").text(description); $(".js-view-count[data-work-id=38692595]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692595; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692595']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38692595, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "98deaee179dd331eac941b21a32c3329" } } $('.js-work-strip[data-work-id=38692595]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692595,"title":"DERRIDA'DA KARARVERİLEMEZLİK VE SORUMLULUK İLİŞKİSİ","translated_title":"","metadata":{"abstract":"ÖZET \nBu çalışmada, Derrida tarafından ortaya konulan ve günümüz etik ve politik hayatı açısından son derece önemli olan yeni bakış açıları, kararverilemezlik ve sorumluluk kavramları dolayımında açıklanmaya çalışılacaktır. Ayrıca kararverilemezliğin açtığı düzlemde şekillenen sorumluluk anlayışının açmazlarına yer verilerek, bu açmazların etik anlamda nasıl bir dönüşüm gerçekleştirdiği üzerinde durulacak, böylece Derridacı olanaksızlığın olanaklılığı ifadesinin önemine vurgu yapılacaktır. \nABSTRACT\n In this paper, new perspectives which are crucial from the point of today's ethics and politics as revealed by Derrida, are tried to be clarified in the context of notions of undecidebility and responsibility. Besides, by stressing upon the aporias of responsibility, shaped together with undecidebility, the question of how these aporias convert sense of ethics is discussed. By doing so, the importance of expressions of Derridean possibility of impossibility is emphasized."},"translated_abstract":"ÖZET \nBu çalışmada, Derrida tarafından ortaya konulan ve günümüz etik ve politik hayatı açısından son derece önemli olan yeni bakış açıları, kararverilemezlik ve sorumluluk kavramları dolayımında açıklanmaya çalışılacaktır. Ayrıca kararverilemezliğin açtığı düzlemde şekillenen sorumluluk anlayışının açmazlarına yer verilerek, bu açmazların etik anlamda nasıl bir dönüşüm gerçekleştirdiği üzerinde durulacak, böylece Derridacı olanaksızlığın olanaklılığı ifadesinin önemine vurgu yapılacaktır. \nABSTRACT\n In this paper, new perspectives which are crucial from the point of today's ethics and politics as revealed by Derrida, are tried to be clarified in the context of notions of undecidebility and responsibility. Besides, by stressing upon the aporias of responsibility, shaped together with undecidebility, the question of how these aporias convert sense of ethics is discussed. By doing so, the importance of expressions of Derridean possibility of impossibility is emphasized.","internal_url":"https://www.academia.edu/38692595/DERRIDADA_KARARVER%C4%B0LEMEZL%C4%B0K_VE_SORUMLULUK_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0","translated_internal_url":"","created_at":"2019-04-02T03:52:25.162-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1200890,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":58774861,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58774861/thumbnails/1.jpg","file_name":"31-44.pdf","download_url":"https://www.academia.edu/attachments/58774861/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"DERRIDADA_KARARVERILEMEZLIK_VE_SORUMLULU.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58774861/31-44.pdf?1554202341=\u0026response-content-disposition=attachment%3B+filename%3DDERRIDADA_KARARVERILEMEZLIK_VE_SORUMLULU.pdf\u0026Expires=1732630957\u0026Signature=eny553KE3Itsu8an3c3pPtgPS-1exixJayWt-RlE1JF01SjWKHsGpyWxFRNUD945Jkbw6l7jQLwPLeSVsV2V6JgLeFCxZkVBiOY1A4RKOF9aMtnK2G9AMYGotuCwjbhCZaR1lNhnI9PXVVZkcobQfZnM6mjSZ2DZQ2f7sxSM~lrJG8spFPPUUwOOT6uAeahIOHSjHaq2bbrW4fCQIW4BLFl7XHc2R8K0f70kNR9H81iOt6JDVMmCNJXe6zPdNaEO7VjyGdp1OQsR-Z8KxXlLxbiFlMXzy0cxdnVT0IlHv-RfrArPiZDW8PPGLhCkoLfDuUzOximm57e9Be~P1BHlMQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"DERRIDADA_KARARVERİLEMEZLİK_VE_SORUMLULUK_İLİŞKİSİ","translated_slug":"","page_count":14,"language":"tr","content_type":"Work","owner":{"id":1200890,"first_name":"Banu","middle_initials":null,"last_name":"Alan Sümer","page_name":"BanuAlanSümer","domain_name":"idu-tr","created_at":"2012-02-12T00:05:14.482-08:00","display_name":"Banu Alan Sümer","url":"https://idu-tr.academia.edu/BanuAlanS%C3%BCmer"},"attachments":[{"id":58774861,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58774861/thumbnails/1.jpg","file_name":"31-44.pdf","download_url":"https://www.academia.edu/attachments/58774861/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"DERRIDADA_KARARVERILEMEZLIK_VE_SORUMLULU.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58774861/31-44.pdf?1554202341=\u0026response-content-disposition=attachment%3B+filename%3DDERRIDADA_KARARVERILEMEZLIK_VE_SORUMLULU.pdf\u0026Expires=1732630957\u0026Signature=eny553KE3Itsu8an3c3pPtgPS-1exixJayWt-RlE1JF01SjWKHsGpyWxFRNUD945Jkbw6l7jQLwPLeSVsV2V6JgLeFCxZkVBiOY1A4RKOF9aMtnK2G9AMYGotuCwjbhCZaR1lNhnI9PXVVZkcobQfZnM6mjSZ2DZQ2f7sxSM~lrJG8spFPPUUwOOT6uAeahIOHSjHaq2bbrW4fCQIW4BLFl7XHc2R8K0f70kNR9H81iOt6JDVMmCNJXe6zPdNaEO7VjyGdp1OQsR-Z8KxXlLxbiFlMXzy0cxdnVT0IlHv-RfrArPiZDW8PPGLhCkoLfDuUzOximm57e9Be~P1BHlMQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38692568"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38692568/NIETZSCHE_FELSEFES%C4%B0NDE_B%C4%B0R_%C4%B0DEAL_OLARAK_%C3%9CST%C4%B0NSAN"><img alt="Research paper thumbnail of NIETZSCHE FELSEFESİNDE BİR İDEAL OLARAK ÜSTİNSAN" class="work-thumbnail" src="https://attachments.academia-assets.com/58774824/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38692568/NIETZSCHE_FELSEFES%C4%B0NDE_B%C4%B0R_%C4%B0DEAL_OLARAK_%C3%9CST%C4%B0NSAN">NIETZSCHE FELSEFESİNDE BİR İDEAL OLARAK ÜSTİNSAN</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Öz Bu makalede Nietzsche felsefesinde bir amaç olarak görülen üstinsan kavramı, daha çok onun Böy...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Öz Bu makalede Nietzsche felsefesinde bir amaç olarak görülen üstinsan kavramı, daha çok onun Böyle Buyurdu Zerdüşt adlı eserindeki görüşleri bağlamında ele alınmakta-dır. Nietzsche, üstinsan düşüncesini Tanrının ölümü, nihilizm ve güç istenci düşün-celeri ile bağlantılı olarak anlatmaktadır. Tanrı öldüğü için, üstinsanın ortaya çıkması gerektiğini düşünen Nietzsche, üstinsanı aynı zamanda nihilizme bir cevap olarak görmektedir. Bu nihilizm, Tanrının öldüğüne dair bir kabulle sonuçlanacak olan tüm dini ve ahlaki ilkelerin reddedilmesiyle ilgilidir. Ayrıca üstinsan kavramının güç istenci ile ilişkisi Nietzsche'nin eserlerinde sık sık vurgulanır. O, tüm insan davranışlarının güç istenci ile motive olduğunu iddia eder. Güç istenci yalnızca başkaları üzerindeki bir güç olmayıp, yaratıcılık için gerekli olan, kişinin kendisi üzerindeki güçtür; bir anlam-da kendini aşma ile ilgilidir. Üstinsan güç istencini önemli bir yaratıcılığa dönüştüren insandır. O, her gününü, yaşamın değer ve anlam dolu olduğunu bilerek, güzellikler yaratarak geçirir. Zerdüşt'ün de ifade ettiği gibi üstinsan yeryüzünün anlamı olacak-tır. Anahtar Kelimeler: Nietzsche, Üstinsan, Nihilizm, Güç İstenci <br />OVERMAN (UBERMENSCH) AS AN IDEAL IN THE PHILOSOPHY OF NIETZSCHE Abstract In this article the concept of "the overman" (Übermensch) that is seen as an ideal in the philosophy of Nietzsche is mostly discussed in the context of his thoughts in his work named Thus Spoke Zarathustra. He explains the idea of the overman in relation to the death of God, nihilism and the will to power. Since God is dead Neitzsche thinks the necessity for the emergence of the overman, and sees him as an answer to nihilism. This nihilism is about a rejection of all religious and moral principles that would be consequent on an acceptance that God is dead. Also the relation between the concept of the overman and the will to power is often emphasized in Nietzsche's books. He maintains that all human behavior is motivated by the will to power. The will to power is not simply power over others, but the power over oneself that is necessary for creativity; in a sense, it is about self-overcoming. Overman is the one who turns the will to power into a momentous creativity. He spends each day of his life creating beauty by knowing that his life has values and meanings. As Zarathustra expressed that the overman will be the meaning of the earth.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ce57862af869080382923247a7ca94c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774824,"asset_id":38692568,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774824/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692568"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692568"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692568; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692568]").text(description); $(".js-view-count[data-work-id=38692568]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692568; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692568']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38692568, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9ce57862af869080382923247a7ca94c" } } $('.js-work-strip[data-work-id=38692568]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692568,"title":"NIETZSCHE FELSEFESİNDE BİR İDEAL OLARAK ÜSTİNSAN","translated_title":"","metadata":{"abstract":"Öz Bu makalede Nietzsche felsefesinde bir amaç olarak görülen üstinsan kavramı, daha çok onun Böyle Buyurdu Zerdüşt adlı eserindeki görüşleri bağlamında ele alınmakta-dır. Nietzsche, üstinsan düşüncesini Tanrının ölümü, nihilizm ve güç istenci düşün-celeri ile bağlantılı olarak anlatmaktadır. Tanrı öldüğü için, üstinsanın ortaya çıkması gerektiğini düşünen Nietzsche, üstinsanı aynı zamanda nihilizme bir cevap olarak görmektedir. Bu nihilizm, Tanrının öldüğüne dair bir kabulle sonuçlanacak olan tüm dini ve ahlaki ilkelerin reddedilmesiyle ilgilidir. Ayrıca üstinsan kavramının güç istenci ile ilişkisi Nietzsche'nin eserlerinde sık sık vurgulanır. O, tüm insan davranışlarının güç istenci ile motive olduğunu iddia eder. Güç istenci yalnızca başkaları üzerindeki bir güç olmayıp, yaratıcılık için gerekli olan, kişinin kendisi üzerindeki güçtür; bir anlam-da kendini aşma ile ilgilidir. Üstinsan güç istencini önemli bir yaratıcılığa dönüştüren insandır. O, her gününü, yaşamın değer ve anlam dolu olduğunu bilerek, güzellikler yaratarak geçirir. Zerdüşt'ün de ifade ettiği gibi üstinsan yeryüzünün anlamı olacak-tır. Anahtar Kelimeler: Nietzsche, Üstinsan, Nihilizm, Güç İstenci \nOVERMAN (UBERMENSCH) AS AN IDEAL IN THE PHILOSOPHY OF NIETZSCHE Abstract In this article the concept of \"the overman\" (Übermensch) that is seen as an ideal in the philosophy of Nietzsche is mostly discussed in the context of his thoughts in his work named Thus Spoke Zarathustra. He explains the idea of the overman in relation to the death of God, nihilism and the will to power. Since God is dead Neitzsche thinks the necessity for the emergence of the overman, and sees him as an answer to nihilism. This nihilism is about a rejection of all religious and moral principles that would be consequent on an acceptance that God is dead. Also the relation between the concept of the overman and the will to power is often emphasized in Nietzsche's books. He maintains that all human behavior is motivated by the will to power. The will to power is not simply power over others, but the power over oneself that is necessary for creativity; in a sense, it is about self-overcoming. Overman is the one who turns the will to power into a momentous creativity. He spends each day of his life creating beauty by knowing that his life has values and meanings. As Zarathustra expressed that the overman will be the meaning of the earth."},"translated_abstract":"Öz Bu makalede Nietzsche felsefesinde bir amaç olarak görülen üstinsan kavramı, daha çok onun Böyle Buyurdu Zerdüşt adlı eserindeki görüşleri bağlamında ele alınmakta-dır. Nietzsche, üstinsan düşüncesini Tanrının ölümü, nihilizm ve güç istenci düşün-celeri ile bağlantılı olarak anlatmaktadır. Tanrı öldüğü için, üstinsanın ortaya çıkması gerektiğini düşünen Nietzsche, üstinsanı aynı zamanda nihilizme bir cevap olarak görmektedir. Bu nihilizm, Tanrının öldüğüne dair bir kabulle sonuçlanacak olan tüm dini ve ahlaki ilkelerin reddedilmesiyle ilgilidir. Ayrıca üstinsan kavramının güç istenci ile ilişkisi Nietzsche'nin eserlerinde sık sık vurgulanır. O, tüm insan davranışlarının güç istenci ile motive olduğunu iddia eder. Güç istenci yalnızca başkaları üzerindeki bir güç olmayıp, yaratıcılık için gerekli olan, kişinin kendisi üzerindeki güçtür; bir anlam-da kendini aşma ile ilgilidir. Üstinsan güç istencini önemli bir yaratıcılığa dönüştüren insandır. O, her gününü, yaşamın değer ve anlam dolu olduğunu bilerek, güzellikler yaratarak geçirir. Zerdüşt'ün de ifade ettiği gibi üstinsan yeryüzünün anlamı olacak-tır. Anahtar Kelimeler: Nietzsche, Üstinsan, Nihilizm, Güç İstenci \nOVERMAN (UBERMENSCH) AS AN IDEAL IN THE PHILOSOPHY OF NIETZSCHE Abstract In this article the concept of \"the overman\" (Übermensch) that is seen as an ideal in the philosophy of Nietzsche is mostly discussed in the context of his thoughts in his work named Thus Spoke Zarathustra. He explains the idea of the overman in relation to the death of God, nihilism and the will to power. Since God is dead Neitzsche thinks the necessity for the emergence of the overman, and sees him as an answer to nihilism. This nihilism is about a rejection of all religious and moral principles that would be consequent on an acceptance that God is dead. Also the relation between the concept of the overman and the will to power is often emphasized in Nietzsche's books. He maintains that all human behavior is motivated by the will to power. The will to power is not simply power over others, but the power over oneself that is necessary for creativity; in a sense, it is about self-overcoming. Overman is the one who turns the will to power into a momentous creativity. He spends each day of his life creating beauty by knowing that his life has values and meanings. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="87457309"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/87457309/On_The_Early_German_Romantics_Attitudes_Regarding_to_The_Enlightenment"><img alt="Research paper thumbnail of On The Early German Romantics' Attitudes Regarding to The Enlightenment" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87457309/On_The_Early_German_Romantics_Attitudes_Regarding_to_The_Enlightenment">On The Early German Romantics' Attitudes Regarding to The Enlightenment</a></div><div class="wp-workCard_item"><span>Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this study, Romantics&#39; perceptions of nature, philosophical background of romanticism and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this study, Romantics&#39; perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. Furthermore, by briefly describing the dominant philosophy of the period of the Enlightenment, whether Romanticism is an opposite idea for the Enlightenment will be investigated. In this context, the study tries to highlight how Romantics criticised and/or confirmed principles of the Enlightenment. Finally, Romantics&#39; stress upon the art as an affirmative and constructive force will be emphasized.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457309"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457309"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457309; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457309]").text(description); $(".js-view-count[data-work-id=87457309]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457309; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457309']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457309, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87457309]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457309,"title":"On The Early German Romantics' Attitudes Regarding to The Enlightenment","translated_title":"","metadata":{"abstract":"In this study, Romantics\u0026#39; perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. 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Ayrica kararverilemezligin actigi duzlemde sekillenen sorumluluk anlayisinin acmazlarina yer verilerek, bu acmazlarin etik anlamda nasil bir donusum gerceklestirdigi uzerinde durulacak, boylece Derridaci olanaksizligin olanakliligi ifadesinin onemine vurgu yapilacaktir</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457308"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457308"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457308; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457308]").text(description); $(".js-view-count[data-work-id=87457308]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457308; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457308']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457308, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87457308]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457308,"title":"Derrida’Da Kararveri̇lemezli̇k Ve Sorumluluk İli̇şki̇si̇","translated_title":"","metadata":{"abstract":"Bu calismada, Derrida tarafindan ortaya konulan ve gunumuz etik ve politik hayati acisindan son derece onemli olan yeni bakis acilari, kararverilemezlik ve sorumluluk kavramlari dolayiminda aciklanmaya calisilacaktir. Ayrica kararverilemezligin actigi duzlemde sekillenen sorumluluk anlayisinin acmazlarina yer verilerek, bu acmazlarin etik anlamda nasil bir donusum gerceklestirdigi uzerinde durulacak, boylece Derridaci olanaksizligin olanakliligi ifadesinin onemine vurgu yapilacaktir","publication_date":{"day":null,"month":null,"year":2014,"errors":{}}},"translated_abstract":"Bu calismada, Derrida tarafindan ortaya konulan ve gunumuz etik ve politik hayati acisindan son derece onemli olan yeni bakis acilari, kararverilemezlik ve sorumluluk kavramlari dolayiminda aciklanmaya calisilacaktir. 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Bu makalede Schelling’in doga felsefesi, sanat hakkindaki gorusleri ile iliskilendirilerek ele alinacak ve bu baglamda romantik akim ile baglantili olan dusunceleri aciklanmaya calisilacaktir. Schelling’in temel amaci Descartes ile baslayip, Kant ve Fichte ile daha da belirginlesen ozne - nesne, real - ideal ve insan – doga dualizmine bir son vermektir. Bu amac dogrultusunda ozdeslik felsefesinden ve Mutlak birlik dusuncesinden faydalanan Schelling, butun ayrimlarin ancak estetik etkinlik araciligiyla sanat eserlerinde ortadan kalktigini dusunur. O, teorik ve pratik bilincin yani sira ucuncu bir bilinc olarak estetik bilincten soz ederek, sanatsal etkinligin onemini vurgulamistir. Ona gore, sanat, felsefenin tek gercek ve sonsuz aracidir. Bu yuzden felsefenin nihai amaci sanat f...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5cfe62428a289827fbb077bf5330006a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91660055,"asset_id":87457307,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91660055/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457307]").text(description); $(".js-view-count[data-work-id=87457307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457307, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5cfe62428a289827fbb077bf5330006a" } } $('.js-work-strip[data-work-id=87457307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457307,"title":"Schelling Felsefesi̇nde Romanti̇zm Ve Doğa-Sanat İli̇şki̇si̇","translated_title":"","metadata":{"abstract":"Schelling, Alman idealist geleneginin onemli bir filozofu olmasinin yani sira doga felsefesi, ozdeslik felsefesi ve sanat felsefesi ile Alman Romantizmi uzerinde onemli etkileri olan romantik bir dusunurdur. 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Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="10696ed14cf1d9e35823800b2d94d5c7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91660056,"asset_id":87457306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91660056/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457306; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457306]").text(description); $(".js-view-count[data-work-id=87457306]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457306']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457306, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "10696ed14cf1d9e35823800b2d94d5c7" } } $('.js-work-strip[data-work-id=87457306]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457306,"title":"Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış","translated_title":"","metadata":{"publisher":"Kaygi","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Kaygı. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="87457289"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/87457289/Tragedy_And_Art_As_The_Affirmation_Of_Existence_In_Nietzsche"><img alt="Research paper thumbnail of Tragedy And Art As The Affirmation Of Existence In Nietzsche" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87457289/Tragedy_And_Art_As_The_Affirmation_Of_Existence_In_Nietzsche">Tragedy And Art As The Affirmation Of Existence In Nietzsche</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argüm...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argümanları, Tragedyanın Doğuşu adlı eserindeki düşünceleri vurgulanarak ele alınacaktır. Bu bağlamda Nietzsche’nin estetik ve sanat felsefesine ilişkin düşünceleri, varoluşçuluk akımı ile bağlantılı olarak ortaya konulacaktır. Nietzsche bu eserinde Apollon - Dionysos karşıtlığını ve tragedyanın nasıl doğduğunu inceler. O, kendi dönemini Apolloncu olanı daha çok önemseyip, Dionysosçu olanı ya da duyguları ihmal etmesi sebebiyle eleştirmiştir. Onun için, ikisini dengelemek önemlidir. Sanatın yaratılmasında hem Apolloncu hem de Dionysosçu olan gereklidir. Nietzsche, Euripides’i sanatın katili olarak görür, çünkü o Sokrates’i takip ederek sadece bilgiye ve bireye odaklanmış ve Dionysosçu deneyim için çok önemli olan unsurları ortadan kaldırmıştır. Böylece Euripides, Dionysos’u trajediden çıkarmış ve Dionysos ile Apollon arasındaki dengeyi bozmuştur. Nietzsche’ye göre, yaşamın içinde ve varoluşun...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87457289"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87457289"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87457289; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87457289]").text(description); $(".js-view-count[data-work-id=87457289]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87457289; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87457289']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87457289, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87457289]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87457289,"title":"Tragedy And Art As The Affirmation Of Existence In Nietzsche","translated_title":"","metadata":{"abstract":"Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argümanları, Tragedyanın Doğuşu adlı eserindeki düşünceleri vurgulanarak ele alınacaktır. Bu bağlamda Nietzsche’nin estetik ve sanat felsefesine ilişkin düşünceleri, varoluşçuluk akımı ile bağlantılı olarak ortaya konulacaktır. Nietzsche bu eserinde Apollon - Dionysos karşıtlığını ve tragedyanın nasıl doğduğunu inceler. O, kendi dönemini Apolloncu olanı daha çok önemseyip, Dionysosçu olanı ya da duyguları ihmal etmesi sebebiyle eleştirmiştir. Onun için, ikisini dengelemek önemlidir. Sanatın yaratılmasında hem Apolloncu hem de Dionysosçu olan gereklidir. Nietzsche, Euripides’i sanatın katili olarak görür, çünkü o Sokrates’i takip ederek sadece bilgiye ve bireye odaklanmış ve Dionysosçu deneyim için çok önemli olan unsurları ortadan kaldırmıştır. Böylece Euripides, Dionysos’u trajediden çıkarmış ve Dionysos ile Apollon arasındaki dengeyi bozmuştur. Nietzsche’ye göre, yaşamın içinde ve varoluşun...","publication_date":{"day":null,"month":null,"year":2019,"errors":{}}},"translated_abstract":"Bu çalışmada Friedrich Nietzsche’nin sanat, tragedya ve varoluşu onaylama konusundaki temel argümanları, Tragedyanın Doğuşu adlı eserindeki düşünceleri vurgulanarak ele alınacaktır. Bu bağlamda Nietzsche’nin estetik ve sanat felsefesine ilişkin düşünceleri, varoluşçuluk akımı ile bağlantılı olarak ortaya konulacaktır. Nietzsche bu eserinde Apollon - Dionysos karşıtlığını ve tragedyanın nasıl doğduğunu inceler. O, kendi dönemini Apolloncu olanı daha çok önemseyip, Dionysosçu olanı ya da duyguları ihmal etmesi sebebiyle eleştirmiştir. Onun için, ikisini dengelemek önemlidir. Sanatın yaratılmasında hem Apolloncu hem de Dionysosçu olan gereklidir. Nietzsche, Euripides’i sanatın katili olarak görür, çünkü o Sokrates’i takip ederek sadece bilgiye ve bireye odaklanmış ve Dionysosçu deneyim için çok önemli olan unsurları ortadan kaldırmıştır. Böylece Euripides, Dionysos’u trajediden çıkarmış ve Dionysos ile Apollon arasındaki dengeyi bozmuştur. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40545367"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40545367/THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY"><img alt="Research paper thumbnail of THE POSSIBILITY OF JUSTICE: LAW, OTHERNESS AND HOSPITALITY" class="work-thumbnail" src="https://attachments.academia-assets.com/60821430/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40545367/THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY">THE POSSIBILITY OF JUSTICE: LAW, OTHERNESS AND HOSPITALITY</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoug...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoughts of ethical relation, law, equality and hospitality. Since the ethical relationship is related to otherness, justice is described by ethical relation. Derrida has developed an ethics of responsibility oriented toward the other. In Derrida, we witness a questioning of the traditional superiority of sameness over difference. What matters for him is the difference of and making room for the other in the same way. Responsibility first occurs in relation to the other and the individual is originally responsible for the other. A responsible decision should always aim for the singularity of the other. Since there are infinite others that one should be responsible for, Derrida thinks that ethical and political responsibility always need to invent a new rule with reference to law and equality. Also it is proposed that political thinking which was reshaped by the philosopher's notions such as "nation state, foreignness, hostipitality, democracy to come, justice, border and forgiveness" will contribute to developing solutions to migrant problems, which are among the most important problems of today's world. From this point of view, in the present research questions relating to democracy's origin and nature, and how we should understand the relation between democracy and current political problems by means of aporias in politics, will be examined. Derrida creates new concepts to explain his own philosophy. In the scope of the present paper undecidability, hostipitality and democracy to come are the most important of these concepts. Derrida describes these notions in relation to the law, justice and equality. According to Derrida, the point of Ethics is to experience the impossible, to meet with it and to sustain its aporias. If a decision is based only on knowledge, this means that it is taken under control by the discourse of knowledge and rule. Yet, the condition of a decision is the experience of indecision. If we apply it to reveal the paradox assosciated with hospitality, we see that, the conditions of its possibility are at the same time the conditions of its impossibility. Thus, it is undecidable whether hospitality is either possible or impossible.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="03ea2e5531c077a15920db868bca15ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60821430,"asset_id":40545367,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60821430/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40545367"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40545367"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40545367; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40545367]").text(description); $(".js-view-count[data-work-id=40545367]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40545367; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40545367']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40545367, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "03ea2e5531c077a15920db868bca15ea" } } $('.js-work-strip[data-work-id=40545367]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40545367,"title":"THE POSSIBILITY OF JUSTICE: LAW, OTHERNESS AND HOSPITALITY","translated_title":"","metadata":{"abstract":"In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoughts of ethical relation, law, equality and hospitality. Since the ethical relationship is related to otherness, justice is described by ethical relation. Derrida has developed an ethics of responsibility oriented toward the other. In Derrida, we witness a questioning of the traditional superiority of sameness over difference. What matters for him is the difference of and making room for the other in the same way. Responsibility first occurs in relation to the other and the individual is originally responsible for the other. A responsible decision should always aim for the singularity of the other. Since there are infinite others that one should be responsible for, Derrida thinks that ethical and political responsibility always need to invent a new rule with reference to law and equality. Also it is proposed that political thinking which was reshaped by the philosopher's notions such as \"nation state, foreignness, hostipitality, democracy to come, justice, border and forgiveness\" will contribute to developing solutions to migrant problems, which are among the most important problems of today's world. From this point of view, in the present research questions relating to democracy's origin and nature, and how we should understand the relation between democracy and current political problems by means of aporias in politics, will be examined. Derrida creates new concepts to explain his own philosophy. In the scope of the present paper undecidability, hostipitality and democracy to come are the most important of these concepts. Derrida describes these notions in relation to the law, justice and equality. According to Derrida, the point of Ethics is to experience the impossible, to meet with it and to sustain its aporias. If a decision is based only on knowledge, this means that it is taken under control by the discourse of knowledge and rule. Yet, the condition of a decision is the experience of indecision. If we apply it to reveal the paradox assosciated with hospitality, we see that, the conditions of its possibility are at the same time the conditions of its impossibility. Thus, it is undecidable whether hospitality is either possible or impossible."},"translated_abstract":"In the present study, Jacques Derrida's remarks on justice is analyzed in the contex of his thoughts of ethical relation, law, equality and hospitality. Since the ethical relationship is related to otherness, justice is described by ethical relation. Derrida has developed an ethics of responsibility oriented toward the other. In Derrida, we witness a questioning of the traditional superiority of sameness over difference. What matters for him is the difference of and making room for the other in the same way. Responsibility first occurs in relation to the other and the individual is originally responsible for the other. A responsible decision should always aim for the singularity of the other. Since there are infinite others that one should be responsible for, Derrida thinks that ethical and political responsibility always need to invent a new rule with reference to law and equality. Also it is proposed that political thinking which was reshaped by the philosopher's notions such as \"nation state, foreignness, hostipitality, democracy to come, justice, border and forgiveness\" will contribute to developing solutions to migrant problems, which are among the most important problems of today's world. From this point of view, in the present research questions relating to democracy's origin and nature, and how we should understand the relation between democracy and current political problems by means of aporias in politics, will be examined. Derrida creates new concepts to explain his own philosophy. In the scope of the present paper undecidability, hostipitality and democracy to come are the most important of these concepts. Derrida describes these notions in relation to the law, justice and equality. According to Derrida, the point of Ethics is to experience the impossible, to meet with it and to sustain its aporias. If a decision is based only on knowledge, this means that it is taken under control by the discourse of knowledge and rule. Yet, the condition of a decision is the experience of indecision. If we apply it to reveal the paradox assosciated with hospitality, we see that, the conditions of its possibility are at the same time the conditions of its impossibility. Thus, it is undecidable whether hospitality is either possible or impossible.","internal_url":"https://www.academia.edu/40545367/THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY","translated_internal_url":"","created_at":"2019-10-07T02:22:16.707-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1200890,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":60821430,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821430/thumbnails/1.jpg","file_name":"the_possibility20191007-90005-18ibnee.pdf","download_url":"https://www.academia.edu/attachments/60821430/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821430/the_possibility20191007-90005-18ibnee-libre.pdf?1570440558=\u0026response-content-disposition=attachment%3B+filename%3DTHE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf\u0026Expires=1732630957\u0026Signature=c7AZUzMBdxTuEFnyvoOwkGtQnHdVDe1YF3ISwQ~DDiqvYMexS1~w2F~9jK3~103x4C3OREQDqTUTsPQ6Ho1xIZUly9xr502hxHLEsspQjURg2Yx3yL7gOULFGwv9qFpSdZFJKI4nNTZOqubz9aXSqGBeObbADn-sckEv1j1Q6lBrE3qHrW3Z79MgCX~3F~LcDloGnrF9cuFiHvQ6TzCtyCRAqjOSbW1MApFKNzBr2X7gPZE~BZ2hwkHZcZqx7q2b-NIg1C-FLOddgPsAYrSkwH9xtDgQBgTDf5cap6kKsQXqUdTEZagP78GTQC-WMEVrsVyjc4W7n9HBa4xjVK0chA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS_AND_HOSPITALITY","translated_slug":"","page_count":4,"language":"en","content_type":"Work","owner":{"id":1200890,"first_name":"Banu","middle_initials":null,"last_name":"Alan Sümer","page_name":"BanuAlanSümer","domain_name":"idu-tr","created_at":"2012-02-12T00:05:14.482-08:00","display_name":"Banu Alan Sümer","url":"https://idu-tr.academia.edu/BanuAlanS%C3%BCmer"},"attachments":[{"id":60821430,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821430/thumbnails/1.jpg","file_name":"the_possibility20191007-90005-18ibnee.pdf","download_url":"https://www.academia.edu/attachments/60821430/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"THE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821430/the_possibility20191007-90005-18ibnee-libre.pdf?1570440558=\u0026response-content-disposition=attachment%3B+filename%3DTHE_POSSIBILITY_OF_JUSTICE_LAW_OTHERNESS.pdf\u0026Expires=1732630957\u0026Signature=c7AZUzMBdxTuEFnyvoOwkGtQnHdVDe1YF3ISwQ~DDiqvYMexS1~w2F~9jK3~103x4C3OREQDqTUTsPQ6Ho1xIZUly9xr502hxHLEsspQjURg2Yx3yL7gOULFGwv9qFpSdZFJKI4nNTZOqubz9aXSqGBeObbADn-sckEv1j1Q6lBrE3qHrW3Z79MgCX~3F~LcDloGnrF9cuFiHvQ6TzCtyCRAqjOSbW1MApFKNzBr2X7gPZE~BZ2hwkHZcZqx7q2b-NIg1C-FLOddgPsAYrSkwH9xtDgQBgTDf5cap6kKsQXqUdTEZagP78GTQC-WMEVrsVyjc4W7n9HBa4xjVK0chA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":30965,"name":"Jacques Derrida \u0026 Deconstruction","url":"https://www.academia.edu/Documents/in/Jacques_Derrida_and_Deconstruction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40545336"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40545336/SCHELLING_FELSEFES%C4%B0NDE_ROMANT%C4%B0ZM_VE_DO%C4%9EA_SANAT_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy"><img alt="Research paper thumbnail of SCHELLING FELSEFESİNDE ROMANTİZM VE DOĞA-SANAT İLİŞKİSİ- Romanticism and the Nature-Art Relation in Schelling's Philosophy" class="work-thumbnail" src="https://attachments.academia-assets.com/60821389/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40545336/SCHELLING_FELSEFES%C4%B0NDE_ROMANT%C4%B0ZM_VE_DO%C4%9EA_SANAT_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy">SCHELLING FELSEFESİNDE ROMANTİZM VE DOĞA-SANAT İLİŞKİSİ- Romanticism and the Nature-Art Relation in Schelling's Philosophy</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In addition to being an important philosopher of the German idealist tradition, Schelling is a ro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In addition to being an important philosopher of the German idealist tradition, Schelling is a romantic thinker who has significant influences on German Romanticism with his philosophy of nature, philosophy of identity and philosophy of art. In this article, Schelling's philosophy of nature will be dealt with in relation to his views on art and in this context, his thoughts related to romantic movement will be tried to explain. The main objective of Schelling is to put an end to the subject-object, real-ideal and human-nature dualism, which begins with Descartes and becomes more evident with Kant and Fichte. In accordance with this purpose, Schelling, who benefits from the philosophy of identity and the idea of the Absolute unity, thinks that all the distinctions have disappeared in the works of art only through aesthetic activity. He emphasized the importance of artistic activity by talking about aesthetic consciousness as a third consciousness besides theoretical and practical consciousness. According to him, art is the only true and eternal organ of philosophy. Therefore, the ultimate goal of philosophy should be the philosophy of art. Throughout the article, the ideas that Schelling has developed for this goal will be explained in detail.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7102ab229a0845aa1ac9a07ce2507e49" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60821389,"asset_id":40545336,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60821389/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40545336"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40545336"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40545336; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40545336]").text(description); $(".js-view-count[data-work-id=40545336]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40545336; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40545336']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40545336, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7102ab229a0845aa1ac9a07ce2507e49" } } $('.js-work-strip[data-work-id=40545336]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40545336,"title":"SCHELLING FELSEFESİNDE ROMANTİZM VE DOĞA-SANAT İLİŞKİSİ- Romanticism and the Nature-Art Relation in Schelling's Philosophy","translated_title":"","metadata":{"abstract":"In addition to being an important philosopher of the German idealist tradition, Schelling is a romantic thinker who has significant influences on German Romanticism with his philosophy of nature, philosophy of identity and philosophy of art. In this article, Schelling's philosophy of nature will be dealt with in relation to his views on art and in this context, his thoughts related to romantic movement will be tried to explain. The main objective of Schelling is to put an end to the subject-object, real-ideal and human-nature dualism, which begins with Descartes and becomes more evident with Kant and Fichte. In accordance with this purpose, Schelling, who benefits from the philosophy of identity and the idea of the Absolute unity, thinks that all the distinctions have disappeared in the works of art only through aesthetic activity. He emphasized the importance of artistic activity by talking about aesthetic consciousness as a third consciousness besides theoretical and practical consciousness. According to him, art is the only true and eternal organ of philosophy. Therefore, the ultimate goal of philosophy should be the philosophy of art. Throughout the article, the ideas that Schelling has developed for this goal will be explained in detail."},"translated_abstract":"In addition to being an important philosopher of the German idealist tradition, Schelling is a romantic thinker who has significant influences on German Romanticism with his philosophy of nature, philosophy of identity and philosophy of art. In this article, Schelling's philosophy of nature will be dealt with in relation to his views on art and in this context, his thoughts related to romantic movement will be tried to explain. The main objective of Schelling is to put an end to the subject-object, real-ideal and human-nature dualism, which begins with Descartes and becomes more evident with Kant and Fichte. In accordance with this purpose, Schelling, who benefits from the philosophy of identity and the idea of the Absolute unity, thinks that all the distinctions have disappeared in the works of art only through aesthetic activity. He emphasized the importance of artistic activity by talking about aesthetic consciousness as a third consciousness besides theoretical and practical consciousness. According to him, art is the only true and eternal organ of philosophy. Therefore, the ultimate goal of philosophy should be the philosophy of art. Throughout the article, the ideas that Schelling has developed for this goal will be explained in detail.","internal_url":"https://www.academia.edu/40545336/SCHELLING_FELSEFES%C4%B0NDE_ROMANT%C4%B0ZM_VE_DO%C4%9EA_SANAT_%C4%B0L%C4%B0%C5%9EK%C4%B0S%C4%B0_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy","translated_internal_url":"","created_at":"2019-10-07T02:20:08.840-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1200890,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":60821389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821389/thumbnails/1.jpg","file_name":"schelling-flsf20191007-66239-1wr7inj.pdf","download_url":"https://www.academia.edu/attachments/60821389/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"SCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821389/schelling-flsf20191007-66239-1wr7inj-libre.pdf?1570440561=\u0026response-content-disposition=attachment%3B+filename%3DSCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf\u0026Expires=1732630957\u0026Signature=YRrP9ZFMc-zBpiqB1SsPZn~2fE3JOGnpzi4NG0OGrAcuX8mGifLevbcjB5rGNs0sSfKkdRo4xD~1b~dJSuFNnqnuXytWg6IVGfBpGmkE1wiffjWTVR4~uZpoz0znwCkTkn8PZorGmu-NV9He6PftKdoz0dLrOqARpFzDKBwsExsiFCmrQsgIETEY5BG3d5N7XrUKh22~xGeb8T61eolusJtwNWJM1N5GVOWMhc1OTFxO6MFm9XLGhSNYXlXDJKW72Ci38utoUSnx13Moxqk7t-nNsDooT7At4lPOp8HoiOJhqY2fDoT07Je563fYfP3c-0t5kayYefApsMrm8xu7gQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"SCHELLING_FELSEFESİNDE_ROMANTİZM_VE_DOĞA_SANAT_İLİŞKİSİ_Romanticism_and_the_Nature_Art_Relation_in_Schellings_Philosophy","translated_slug":"","page_count":18,"language":"tr","content_type":"Work","owner":{"id":1200890,"first_name":"Banu","middle_initials":null,"last_name":"Alan Sümer","page_name":"BanuAlanSümer","domain_name":"idu-tr","created_at":"2012-02-12T00:05:14.482-08:00","display_name":"Banu Alan Sümer","url":"https://idu-tr.academia.edu/BanuAlanS%C3%BCmer"},"attachments":[{"id":60821389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821389/thumbnails/1.jpg","file_name":"schelling-flsf20191007-66239-1wr7inj.pdf","download_url":"https://www.academia.edu/attachments/60821389/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"SCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821389/schelling-flsf20191007-66239-1wr7inj-libre.pdf?1570440561=\u0026response-content-disposition=attachment%3B+filename%3DSCHELLING_FELSEFESINDE_ROMANTIZM_VE_DOGA.pdf\u0026Expires=1732630957\u0026Signature=YRrP9ZFMc-zBpiqB1SsPZn~2fE3JOGnpzi4NG0OGrAcuX8mGifLevbcjB5rGNs0sSfKkdRo4xD~1b~dJSuFNnqnuXytWg6IVGfBpGmkE1wiffjWTVR4~uZpoz0znwCkTkn8PZorGmu-NV9He6PftKdoz0dLrOqARpFzDKBwsExsiFCmrQsgIETEY5BG3d5N7XrUKh22~xGeb8T61eolusJtwNWJM1N5GVOWMhc1OTFxO6MFm9XLGhSNYXlXDJKW72Ci38utoUSnx13Moxqk7t-nNsDooT7At4lPOp8HoiOJhqY2fDoT07Je563fYfP3c-0t5kayYefApsMrm8xu7gQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":26994,"name":"Schelling","url":"https://www.academia.edu/Documents/in/Schelling"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40545306"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40545306/Modern_ve_Postmodern_Sanat_Anlay%C4%B1%C5%9Flar%C4%B1na_Sanat%C3%A7%C4%B1n%C4%B1n_Yeri_Ba%C4%9Flam%C4%B1nda_Bir_Bak%C4%B1%C5%9F"><img alt="Research paper thumbnail of Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış" class="work-thumbnail" src="https://attachments.academia-assets.com/60821354/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40545306/Modern_ve_Postmodern_Sanat_Anlay%C4%B1%C5%9Flar%C4%B1na_Sanat%C3%A7%C4%B1n%C4%B1n_Yeri_Ba%C4%9Flam%C4%B1nda_Bir_Bak%C4%B1%C5%9F">Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. Modernizm ile post...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. Modernizm ile postmodernizm iki farklı düşünce sistemi olduğundan, onların sanat hakkındaki düşünceleri de farklıdır. Sanata olan bu farklı anlayış biçimleri, sanatçı hakkında da farklı görüşlere sahip olmalarına neden olmuştur. Makalede öncelikle modern düşüncedeki sanat algısına kaynaklık etmesi bakımından Platon ve Aristoteles'in sanat felsefesine ilişkin temel söylemlerine yer verilecektir. Daha sonra modern sanatın oluşumunda en büyük katkıyı yapan filozof olarak Kant'ın Yargıgücünün Eleştirisi adlı eserinde incelemiş olduğu deha konusu ele alınacaktır. Son olarak da postmodern sanatta ve edebiyat kuramlarında sıklıkla karşımıza çıkan bir konu olarak yazarın kim olduğuna, yazar-okur ilişkisine, yazarın ölümüne ve yazarın işlevine ilişkin tartışmalar, Foucault ve Barthes bağlamında ele alınacaktır.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d0a94ef7415f97ecc52ee8f38c1f8c71" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60821354,"asset_id":40545306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60821354/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40545306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40545306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40545306; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40545306]").text(description); $(".js-view-count[data-work-id=40545306]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40545306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40545306']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40545306, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d0a94ef7415f97ecc52ee8f38c1f8c71" } } $('.js-work-strip[data-work-id=40545306]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40545306,"title":"Modern ve Postmodern Sanat Anlayışlarına Sanatçının Yeri Bağlamında Bir Bakış","translated_title":"","metadata":{"abstract":"Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. Modernizm ile postmodernizm iki farklı düşünce sistemi olduğundan, onların sanat hakkındaki düşünceleri de farklıdır. Sanata olan bu farklı anlayış biçimleri, sanatçı hakkında da farklı görüşlere sahip olmalarına neden olmuştur. Makalede öncelikle modern düşüncedeki sanat algısına kaynaklık etmesi bakımından Platon ve Aristoteles'in sanat felsefesine ilişkin temel söylemlerine yer verilecektir. Daha sonra modern sanatın oluşumunda en büyük katkıyı yapan filozof olarak Kant'ın Yargıgücünün Eleştirisi adlı eserinde incelemiş olduğu deha konusu ele alınacaktır. Son olarak da postmodern sanatta ve edebiyat kuramlarında sıklıkla karşımıza çıkan bir konu olarak yazarın kim olduğuna, yazar-okur ilişkisine, yazarın ölümüne ve yazarın işlevine ilişkin tartışmalar, Foucault ve Barthes bağlamında ele alınacaktır."},"translated_abstract":"Bu makalede modern ve postmodern düşüncede sanatçının konumu ele alınmaktadır. 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' ÇAĞDAŞ FRANSIZ FELSEFESİNDE ETİK Editör: Veli Orhan i Bir insan kendiyle ne zam an ilgilenm iş olur? K endim izin ne olduğunu bilm ezsek, k endim izi d ah a İyi kılabilir miyiz? in sa n , bedeninden başka bir şeydir. Kendinin ne olduğunu bilm ek bilge olm aktır. B ilge ve iyi olm adıkça kim se m esut olam az. Micbel Foucauit Kendini sürdürm e, kişinin sah ip olduğu ve başkalarının bu kişiye güvenm elerini sağlayan davranış tarzıdır. Birisi bana güvendiği için, ben eylem lerim den bir başkası önünde sorum luyum dur. 'Sorum luluk' terim i iki anlam ı birleştirir:'güvenm e' ve sorum lu o lm a. Paul Ricoeur B ir kararın adil ve sorum lu olm ası İçin, onun kendi m om entinde -eğer böyle bir m om ent varsa-hem kurallı hem de kuralsız olm ası gerekecektir. H em yasayı m uhafaza edici, koruyucu olm alı, hem de onu her durum da yeniden icat etm ek, yeniden haklılaştırm a ödeviyle yüküm lü olm ak için, onu dekonstrüksivona tabi tutm alı ve askıya almalıdır. Jacgues Derrida E ro s ne bir m ücadele, ne bir kaynaşım ne de bir bilgidir. O n un ilişkiler arasındaki istisnai yerini teslim etm ek gerekir. O başkalıkla, gizem le, yani gelecekle ilişkidir; o her şeyin orada olduğu bir dünyada hiçbir zam an orada olm ayan şeyle, herşey oradayken orad a olm ayabilen şeyle ilişkidir\" .","grobid_abstract_attachment_id":60821230},"translated_abstract":null,"internal_url":"https://www.academia.edu/40545215/%C3%87A%C4%9EDA%C5%9E_FRANSIZ_FELSEFES%C4%B0NDE_ET%C4%B0K_Jacques_Derrida","translated_internal_url":"","created_at":"2019-10-07T02:09:06.813-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1200890,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":60821230,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821230/thumbnails/1.jpg","file_name":"kitap_bolumu-cag.fr.fel.Etik20191007-86420-xafsds.pdf","download_url":"https://www.academia.edu/attachments/60821230/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"CAGDAS_FRANSIZ_FELSEFESINDE_ETIK_Jacques.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821230/kitap_bolumu-cag.fr.fel.Etik20191007-86420-xafsds-libre.pdf?1570440079=\u0026response-content-disposition=attachment%3B+filename%3DCAGDAS_FRANSIZ_FELSEFESINDE_ETIK_Jacques.pdf\u0026Expires=1732630957\u0026Signature=NhxnIYpXn15rS3Qt72Xx55yHyKcF8k99YD4cjEl~ZR4bk491gMibZDeXoqPlH8S6VPd~Dpw~tFIjfzgX0K2TPtmcxHZP~OvqQVAAzNYxRZMEZ-0NtPUn24~wFib0j5VdYKyx3InDwe3~0~QWZMTtLo4t5ddmUH4ofqKiOuErQJMscHUIBEstpvM7BC5BzmLnWO~Iq0DQYbDyzleWx0AXhNWEpuG4qRCRTWLDv9EOCFZFqYJ9F7aIsut4uoTaeXifmRR3GYDN0-IqB9yFnxUrLVJJSRnzm~u4HET8son96XcLRDzFA2arB6pEhwABQPcrHzNLSU14RDYNCAFDDLWhNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"ÇAĞDAŞ_FRANSIZ_FELSEFESİNDE_ETİK_Jacques_Derrida","translated_slug":"","page_count":39,"language":"tr","content_type":"Work","owner":{"id":1200890,"first_name":"Banu","middle_initials":null,"last_name":"Alan Sümer","page_name":"BanuAlanSümer","domain_name":"idu-tr","created_at":"2012-02-12T00:05:14.482-08:00","display_name":"Banu Alan Sümer","url":"https://idu-tr.academia.edu/BanuAlanS%C3%BCmer"},"attachments":[{"id":60821230,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60821230/thumbnails/1.jpg","file_name":"kitap_bolumu-cag.fr.fel.Etik20191007-86420-xafsds.pdf","download_url":"https://www.academia.edu/attachments/60821230/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"CAGDAS_FRANSIZ_FELSEFESINDE_ETIK_Jacques.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60821230/kitap_bolumu-cag.fr.fel.Etik20191007-86420-xafsds-libre.pdf?1570440079=\u0026response-content-disposition=attachment%3B+filename%3DCAGDAS_FRANSIZ_FELSEFESINDE_ETIK_Jacques.pdf\u0026Expires=1732630957\u0026Signature=NhxnIYpXn15rS3Qt72Xx55yHyKcF8k99YD4cjEl~ZR4bk491gMibZDeXoqPlH8S6VPd~Dpw~tFIjfzgX0K2TPtmcxHZP~OvqQVAAzNYxRZMEZ-0NtPUn24~wFib0j5VdYKyx3InDwe3~0~QWZMTtLo4t5ddmUH4ofqKiOuErQJMscHUIBEstpvM7BC5BzmLnWO~Iq0DQYbDyzleWx0AXhNWEpuG4qRCRTWLDv9EOCFZFqYJ9F7aIsut4uoTaeXifmRR3GYDN0-IqB9yFnxUrLVJJSRnzm~u4HET8son96XcLRDzFA2arB6pEhwABQPcrHzNLSU14RDYNCAFDDLWhNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":814,"name":"Ethics","url":"https://www.academia.edu/Documents/in/Ethics"}],"urls":[]}, dispatcherData: dispatcherData }); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38692624"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38692624/ERKEN_ALMAN_ROMANT%C4%B0KLER%C4%B0N%C4%B0N_AYDINLANMAYA_%C4%B0L%C4%B0%C5%9EK%C4%B0N_TUTUMLARI_%C3%9CZER%C4%B0NE"><img alt="Research paper thumbnail of ERKEN ALMAN ROMANTİKLERİNİN AYDINLANMA'YA İLİŞKİN TUTUMLARI ÜZERİNE" class="work-thumbnail" src="https://attachments.academia-assets.com/58774886/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38692624/ERKEN_ALMAN_ROMANT%C4%B0KLER%C4%B0N%C4%B0N_AYDINLANMAYA_%C4%B0L%C4%B0%C5%9EK%C4%B0N_TUTUMLARI_%C3%9CZER%C4%B0NE">ERKEN ALMAN ROMANTİKLERİNİN AYDINLANMA'YA İLİŞKİN TUTUMLARI ÜZERİNE</a></div><div class="wp-workCard_item"><span>Ankara Üniversitesi, Dil ve Tarih-Coğrafya Fakültesi Dergisi, Cilt: 52, sayı: 1</span><span>, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">On The Early German Romantics' Attitudes Regarding To The Enlightenment In this study, Romantics'...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">On The Early German Romantics' Attitudes Regarding To The Enlightenment In this study, Romantics' perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. Furthermore, by briefly describing the dominant philosophy of the period of the Enlightenment, whether Romanticism is an opposite idea for the Enlightenment will be investigated. In this context, the study tries to highlight how Romantics criticised and/or confirmed principles of the Enlightenment. Finally, Romantics' stress upon the art as an affirmative and constructive force will be emphasized.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9b7c36213169f1bd8ba84346302e6346" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774886,"asset_id":38692624,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774886/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692624"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692624"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692624; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692624]").text(description); $(".js-view-count[data-work-id=38692624]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692624; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692624']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38692624, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9b7c36213169f1bd8ba84346302e6346" } } $('.js-work-strip[data-work-id=38692624]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692624,"title":"ERKEN ALMAN ROMANTİKLERİNİN AYDINLANMA'YA İLİŞKİN TUTUMLARI ÜZERİNE","translated_title":"","metadata":{"abstract":"On The Early German Romantics' Attitudes Regarding To The Enlightenment In this study, Romantics' perceptions of nature, philosophical background of romanticism and its relationship with the aesthetic have been mentioned. 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Ayrıca kararverilemezliğin açtığı düzlemde şekillenen sorumluluk anlayışının açmazlarına yer verilerek, bu açmazların etik anlamda nasıl bir dönüşüm gerçekleştirdiği üzerinde durulacak, böylece Derridacı olanaksızlığın olanaklılığı ifadesinin önemine vurgu yapılacaktır. <br />ABSTRACT<br /> In this paper, new perspectives which are crucial from the point of today's ethics and politics as revealed by Derrida, are tried to be clarified in the context of notions of undecidebility and responsibility. Besides, by stressing upon the aporias of responsibility, shaped together with undecidebility, the question of how these aporias convert sense of ethics is discussed. By doing so, the importance of expressions of Derridean possibility of impossibility is emphasized.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="98deaee179dd331eac941b21a32c3329" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774861,"asset_id":38692595,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774861/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692595"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692595"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692595; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692595]").text(description); $(".js-view-count[data-work-id=38692595]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692595; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692595']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38692595, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "98deaee179dd331eac941b21a32c3329" } } $('.js-work-strip[data-work-id=38692595]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692595,"title":"DERRIDA'DA KARARVERİLEMEZLİK VE SORUMLULUK İLİŞKİSİ","translated_title":"","metadata":{"abstract":"ÖZET \nBu çalışmada, Derrida tarafından ortaya konulan ve günümüz etik ve politik hayatı açısından son derece önemli olan yeni bakış açıları, kararverilemezlik ve sorumluluk kavramları dolayımında açıklanmaya çalışılacaktır. Ayrıca kararverilemezliğin açtığı düzlemde şekillenen sorumluluk anlayışının açmazlarına yer verilerek, bu açmazların etik anlamda nasıl bir dönüşüm gerçekleştirdiği üzerinde durulacak, böylece Derridacı olanaksızlığın olanaklılığı ifadesinin önemine vurgu yapılacaktır. \nABSTRACT\n In this paper, new perspectives which are crucial from the point of today's ethics and politics as revealed by Derrida, are tried to be clarified in the context of notions of undecidebility and responsibility. Besides, by stressing upon the aporias of responsibility, shaped together with undecidebility, the question of how these aporias convert sense of ethics is discussed. By doing so, the importance of expressions of Derridean possibility of impossibility is emphasized."},"translated_abstract":"ÖZET \nBu çalışmada, Derrida tarafından ortaya konulan ve günümüz etik ve politik hayatı açısından son derece önemli olan yeni bakış açıları, kararverilemezlik ve sorumluluk kavramları dolayımında açıklanmaya çalışılacaktır. Ayrıca kararverilemezliğin açtığı düzlemde şekillenen sorumluluk anlayışının açmazlarına yer verilerek, bu açmazların etik anlamda nasıl bir dönüşüm gerçekleştirdiği üzerinde durulacak, böylece Derridacı olanaksızlığın olanaklılığı ifadesinin önemine vurgu yapılacaktır. \nABSTRACT\n In this paper, new perspectives which are crucial from the point of today's ethics and politics as revealed by Derrida, are tried to be clarified in the context of notions of undecidebility and responsibility. Besides, by stressing upon the aporias of responsibility, shaped together with undecidebility, the question of how these aporias convert sense of ethics is discussed. 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Nietzsche, üstinsan düşüncesini Tanrının ölümü, nihilizm ve güç istenci düşün-celeri ile bağlantılı olarak anlatmaktadır. Tanrı öldüğü için, üstinsanın ortaya çıkması gerektiğini düşünen Nietzsche, üstinsanı aynı zamanda nihilizme bir cevap olarak görmektedir. Bu nihilizm, Tanrının öldüğüne dair bir kabulle sonuçlanacak olan tüm dini ve ahlaki ilkelerin reddedilmesiyle ilgilidir. Ayrıca üstinsan kavramının güç istenci ile ilişkisi Nietzsche'nin eserlerinde sık sık vurgulanır. O, tüm insan davranışlarının güç istenci ile motive olduğunu iddia eder. Güç istenci yalnızca başkaları üzerindeki bir güç olmayıp, yaratıcılık için gerekli olan, kişinin kendisi üzerindeki güçtür; bir anlam-da kendini aşma ile ilgilidir. Üstinsan güç istencini önemli bir yaratıcılığa dönüştüren insandır. O, her gününü, yaşamın değer ve anlam dolu olduğunu bilerek, güzellikler yaratarak geçirir. Zerdüşt'ün de ifade ettiği gibi üstinsan yeryüzünün anlamı olacak-tır. Anahtar Kelimeler: Nietzsche, Üstinsan, Nihilizm, Güç İstenci <br />OVERMAN (UBERMENSCH) AS AN IDEAL IN THE PHILOSOPHY OF NIETZSCHE Abstract In this article the concept of "the overman" (Übermensch) that is seen as an ideal in the philosophy of Nietzsche is mostly discussed in the context of his thoughts in his work named Thus Spoke Zarathustra. He explains the idea of the overman in relation to the death of God, nihilism and the will to power. Since God is dead Neitzsche thinks the necessity for the emergence of the overman, and sees him as an answer to nihilism. This nihilism is about a rejection of all religious and moral principles that would be consequent on an acceptance that God is dead. Also the relation between the concept of the overman and the will to power is often emphasized in Nietzsche's books. He maintains that all human behavior is motivated by the will to power. The will to power is not simply power over others, but the power over oneself that is necessary for creativity; in a sense, it is about self-overcoming. Overman is the one who turns the will to power into a momentous creativity. He spends each day of his life creating beauty by knowing that his life has values and meanings. As Zarathustra expressed that the overman will be the meaning of the earth.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ce57862af869080382923247a7ca94c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774824,"asset_id":38692568,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774824/download_file?st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&st=MTczMjYyNzM1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692568"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692568"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692568; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692568]").text(description); $(".js-view-count[data-work-id=38692568]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692568; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692568']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38692568, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9ce57862af869080382923247a7ca94c" } } $('.js-work-strip[data-work-id=38692568]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692568,"title":"NIETZSCHE FELSEFESİNDE BİR İDEAL OLARAK ÜSTİNSAN","translated_title":"","metadata":{"abstract":"Öz Bu makalede Nietzsche felsefesinde bir amaç olarak görülen üstinsan kavramı, daha çok onun Böyle Buyurdu Zerdüşt adlı eserindeki görüşleri bağlamında ele alınmakta-dır. Nietzsche, üstinsan düşüncesini Tanrının ölümü, nihilizm ve güç istenci düşün-celeri ile bağlantılı olarak anlatmaktadır. Tanrı öldüğü için, üstinsanın ortaya çıkması gerektiğini düşünen Nietzsche, üstinsanı aynı zamanda nihilizme bir cevap olarak görmektedir. Bu nihilizm, Tanrının öldüğüne dair bir kabulle sonuçlanacak olan tüm dini ve ahlaki ilkelerin reddedilmesiyle ilgilidir. Ayrıca üstinsan kavramının güç istenci ile ilişkisi Nietzsche'nin eserlerinde sık sık vurgulanır. O, tüm insan davranışlarının güç istenci ile motive olduğunu iddia eder. Güç istenci yalnızca başkaları üzerindeki bir güç olmayıp, yaratıcılık için gerekli olan, kişinin kendisi üzerindeki güçtür; bir anlam-da kendini aşma ile ilgilidir. Üstinsan güç istencini önemli bir yaratıcılığa dönüştüren insandır. O, her gününü, yaşamın değer ve anlam dolu olduğunu bilerek, güzellikler yaratarak geçirir. Zerdüşt'ün de ifade ettiği gibi üstinsan yeryüzünün anlamı olacak-tır. Anahtar Kelimeler: Nietzsche, Üstinsan, Nihilizm, Güç İstenci \nOVERMAN (UBERMENSCH) AS AN IDEAL IN THE PHILOSOPHY OF NIETZSCHE Abstract In this article the concept of \"the overman\" (Übermensch) that is seen as an ideal in the philosophy of Nietzsche is mostly discussed in the context of his thoughts in his work named Thus Spoke Zarathustra. He explains the idea of the overman in relation to the death of God, nihilism and the will to power. Since God is dead Neitzsche thinks the necessity for the emergence of the overman, and sees him as an answer to nihilism. This nihilism is about a rejection of all religious and moral principles that would be consequent on an acceptance that God is dead. Also the relation between the concept of the overman and the will to power is often emphasized in Nietzsche's books. He maintains that all human behavior is motivated by the will to power. The will to power is not simply power over others, but the power over oneself that is necessary for creativity; in a sense, it is about self-overcoming. Overman is the one who turns the will to power into a momentous creativity. He spends each day of his life creating beauty by knowing that his life has values and meanings. As Zarathustra expressed that the overman will be the meaning of the earth."},"translated_abstract":"Öz Bu makalede Nietzsche felsefesinde bir amaç olarak görülen üstinsan kavramı, daha çok onun Böyle Buyurdu Zerdüşt adlı eserindeki görüşleri bağlamında ele alınmakta-dır. Nietzsche, üstinsan düşüncesini Tanrının ölümü, nihilizm ve güç istenci düşün-celeri ile bağlantılı olarak anlatmaktadır. Tanrı öldüğü için, üstinsanın ortaya çıkması gerektiğini düşünen Nietzsche, üstinsanı aynı zamanda nihilizme bir cevap olarak görmektedir. Bu nihilizm, Tanrının öldüğüne dair bir kabulle sonuçlanacak olan tüm dini ve ahlaki ilkelerin reddedilmesiyle ilgilidir. Ayrıca üstinsan kavramının güç istenci ile ilişkisi Nietzsche'nin eserlerinde sık sık vurgulanır. O, tüm insan davranışlarının güç istenci ile motive olduğunu iddia eder. Güç istenci yalnızca başkaları üzerindeki bir güç olmayıp, yaratıcılık için gerekli olan, kişinin kendisi üzerindeki güçtür; bir anlam-da kendini aşma ile ilgilidir. Üstinsan güç istencini önemli bir yaratıcılığa dönüştüren insandır. O, her gününü, yaşamın değer ve anlam dolu olduğunu bilerek, güzellikler yaratarak geçirir. Zerdüşt'ün de ifade ettiği gibi üstinsan yeryüzünün anlamı olacak-tır. Anahtar Kelimeler: Nietzsche, Üstinsan, Nihilizm, Güç İstenci \nOVERMAN (UBERMENSCH) AS AN IDEAL IN THE PHILOSOPHY OF NIETZSCHE Abstract In this article the concept of \"the overman\" (Übermensch) that is seen as an ideal in the philosophy of Nietzsche is mostly discussed in the context of his thoughts in his work named Thus Spoke Zarathustra. He explains the idea of the overman in relation to the death of God, nihilism and the will to power. Since God is dead Neitzsche thinks the necessity for the emergence of the overman, and sees him as an answer to nihilism. This nihilism is about a rejection of all religious and moral principles that would be consequent on an acceptance that God is dead. Also the relation between the concept of the overman and the will to power is often emphasized in Nietzsche's books. He maintains that all human behavior is motivated by the will to power. The will to power is not simply power over others, but the power over oneself that is necessary for creativity; in a sense, it is about self-overcoming. Overman is the one who turns the will to power into a momentous creativity. He spends each day of his life creating beauty by knowing that his life has values and meanings. 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