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Cherry Blossoms Against Spring Freshet Yale University Art Gallery
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class="js-collection-object hidden" data-artwork-title="Cherry Blossoms Against Spring Freshet" data-artwork-creator="Maker: John La Farge (American, 1835–1910, M.A. (Hon.) 1896)" data-artwork-availability="On view, 1st floor, American Decorative Arts before 1900" data-artwork-classification="Stained Glass" data-artwork-culture="American" data-artwork-department="American Decorative Arts" data-artwork-geography="Made in New York, New York" ></div> <div class="bgc-gray pt-60 pt-70-s pb-70"> <div class="core grid g-af-row"> <div class="gc-full gc-sidebar-right-m mb-10 m-0-m" data-collection-object-header> <h1 class="h4 ui-reset"> Cherry Blossoms Against Spring Freshet </h1> <p class="d-b mt-00 mt-30-m text-s"> <a href="/collection?f%5B0%5D=creator%3AMaker%3A%20John%20La%20Farge%20%28American%2C%201835%E2%80%931910%2C%20M.A.%20%28Hon.%29%201896%29">Maker: John La Farge (American, 1835–1910, M.A. (Hon.) 1896)</a><br /> </p> </div> <noscript> <img src="https://media.collections.yale.edu/thumbnail/yuag/b2891417-5d9f-4f60-a142-78162ff2a91d" alt="John La Farge, Cherry Blossoms Against Spring Freshet, 1882–83" /> </noscript> <div id="image-viewer" class="image-viewer gc-full gc-content-left-m mb-50 m-0-m ui-green ui-inverse text-s"> </div> <div class="gc-full gc-sidebar-right-m mt-50-m ui-green-aa"> <div class="object-primary-details mb-50 text-s"> <p class="m-0">1882–83</p> <p class="m-0"><a href="/collection?f%5B0%5D=department%3AAmerican%20Decorative%20Arts">American Decorative Arts</a></p> <div class="label-tag bgc-white ui-reset mt-50 mb-50"><a href="/collection?f%5B0%5D=on_view%3AOn%20view%2C%201st%20floor%2C%20American%20Decorative%20Arts%20before%201900">On view, 1st floor, American Decorative Arts before 1900</a></div> <div> <p><span class="lux_data">Stained-glass windows became popular elements in domestic architecture during the 1870s and 1880s. John La Farge and his rival Louis Comfort Tiffany were the leading artists in this medium, with La Farge demonstrating extraordinary inventiveness in his manipulation of glass. He introduced opalescent glass to windows and also experimented with other techniques: plating multiple layers of glass to achieve tonal variation and shading; embedding bits of broken glass within opalescent glass to create what he called "broken jewels"; rolling glass to give it a rippled surface; and faceting cabochons to insert brilliant accents. Made for the Michael Jenkins House in Baltimore, this window is a striking example of Japonisme in later nineteenth-century American art. The composition is derived from late sixteenth-century Japanese screens depicting springtime scenes of cherry trees in flower against streams of water resulting from melting snow. La Farge's fascination with Japanese art is also reflected in the flattened perspective he used in this window, suspending the branches of the tree and the rocks, water, and mist in an ambiguous spatial relationship.</span></p> </div> </div> <dl class="structured-list text-s"> <div class="medium multiple structured-list__item"> <dt class="h5 field__label">Medium</dt> <dd> <div class="structured-list__item-content"> <p>Pressed, stained, and opalescent glass with lead cames</p> </div> </dd> </div> <div class="dimensions multiple structured-list__item"> <dt class="h5 field__label">Dimensions</dt> <dd> <div class="structured-list__item-content"> <p>30 1/2 × 60 in. (77.47 × 152.4 cm)</p> </div> </dd> </div> <div class="credit multiple structured-list__item"> <dt class="h5 field__label">Credit Line</dt> <dd> <div class="structured-list__item-content"> <p>Purchased with gifts from: Friends of American Arts at Yale; Mr. and Mrs. James E. Duffy, B.S. 1951; the family, colleagues, and friends of Katherine Atwater Folds in her memory; and friends of E.B. Smith, Jr., Class of 1966. Purchased with funds established by: Iola S. Haverstick; Peter B. Cooper, B.A. 1960, LL.B. 1964, M.U.S. 1965, and Field C. McIntyre; Mr. and Mrs. Frank J. Coyle, LL.B. 1943; and Leonard C. Hanna, Jr., B.A. 1913. Purchased by exchange from art donated by: Doris M. Brixley and Nathalie Penrose Swetland; J. Davenport Wheeler, B.A. 1858; Edith Malvina K. Wetmore; Mrs. Harvey K. Smith; Loomis Havermeyer, PH.B. 1910; Mrs. Robert R. French; Olive Louise Dann; Mr. and Mrs. Sidney W. Peloubet; Mrs Paul Moore; Charles Stetson, B.A. 1900; Mrs. Thomas Walter Swann; Misses Emilie L. and Olga V. Loebig; Mrs. Norman Williams; Daniel Merriman; John Barclay, B.A. 1936, in memory of Benjamin R. Sturgis, B.A. 1931, LL.B. 1934; Kathryn E. Pennicuik in memory of James E.G. Fravell, Class of 1919; and the Katharine Ordway and Mabel Brady Garvan Collections</p> </div> </dd> </div> <div class="accession-number multiple structured-list__item"> <dt class="h5 field__label">Accession Number</dt> <dd> <div class="structured-list__item-content"> <p>2003.61.1</p> </div> </dd> </div> <div class="geography multiple structured-list__item"> <dt class="h5 field__label">Geography</dt> <dd> <div class="structured-list__item-content"> <p><a href="/collection?f%5B0%5D=geography%3AMade%20in%20New%20York%2C%20New%20York">Made in New York, New York</a></p> </div> </dd> </div> <div class="culture multiple structured-list__item"> <dt class="h5 field__label">Culture</dt> <dd> <div class="structured-list__item-content"> <p><a href="/collection?f%5B0%5D=culture%3AAmerican">American</a></p> </div> </dd> </div> <div class="period multiple structured-list__item"> <dt class="h5 field__label">Period</dt> <dd> <div class="structured-list__item-content"> <p>19th century</p> </div> </dd> </div> <div class="classification multiple structured-list__item"> <dt class="h5 field__label">Classification</dt> <dd> <div class="structured-list__item-content"> <p><a href="/collection?f%5B0%5D=classification%3AStained%20Glass">Stained Glass</a></p> </div> </dd> </div> <div class="structures-list__item"> <dt class="h5 field__label">Disclaimer</dt> <dd> <div class="structured-list__item-content"> <p>Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.</p> </div> </dd> </div> </dl> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Provenance <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="provenance gc-full mb-30"> <h2 class="field__label visually-hidden h5 m-0 mb-10">Provenance</h2> La Farge was commissioned in 1881 to provide stained-glass windows for the Michael Jenkins House in Baltimore, Maryland, where this window remained until the house was demolished in 1951. A preparatory drawing for this window, was given to the Museum of Fine Arts, Boston, in 1911. It was owned in 1953 by the Connecticut dealer Robert Koch and was purchased in the late 1960s by Kay Leroy as part of the decorative scheme for Maxwell's Plum restaurtant in New York City. Subsequently it was used as part of the interior decor of Tavern on the Green. It is still owned by the partners of Maxwell's Plum Restaurant. </div> </div> </div> </details> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Bibliography <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="gc-full mb-30"> <ul> <li><span class="lux_data"><em>American Art: Selections from the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 2023), 166–67, no. 73, ill.</span></li> </ul> <ul> <li><span class="lux_data">John Stuart Gordon, <em>American Glass: The Collections at Yale</em> (New Haven, Conn.: Yale University Art Gallery, 2018), 182–83, no. 96, fig. 96A (detail)</span></li> </ul> <ul> <li><span class="lux_data">Elisabeth Hodermarsky et al., <em>John La Farge's Second Paradise: Voyages in the South Seas, 1890–1891</em>, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2010), 148-49, fig. 108</span></li> </ul> <ul> <li><span class="lux_data"><em>Art for Yale: Collecting for a New Century</em>, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2007), 46–47, pl. 20</span></li> </ul> <ul> <li><span class="lux_data">"Acquisitions 2003," <em>Yale University Art Gallery Bulletin</em> (2004), 124–27, ill.</span></li> </ul> <ul> <li><span class="lux_data">John Stuart Gordon, "Time in a Bottle," <em>Antiques</em> 185, no. 5 (September/October 2018), 94–95, ill.</span></li> </ul> </div> </div> </div> </details> <details class="disclosure text-caption mt-50"> <summary class="disclosure__summary">Object copyright <svg class="disclosure__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/details-plus.svg#icon" /> </svg> </summary> <div class="disclosure__content"> <div class="disclosure__content__inner"> <div class="copyright-link gc-full mb-30"> <a href="https://creativecommons.org/publicdomain/zero/1.0/">No Copyright - United States</a> </div> </div> </div> </details> </div> </div> <div class="core grid mt-100 ui-green-aa" id="technical-metadata"> <h2 class="h4 gc-content-left m-0 mb-70">Technical metadata and APIs</h2> <dl class="structured-list grid gc-full text-s"> <div class="gc-full gc-t-m structured-list__item"> <dt class="h5">IIIF</dt> <dd> <div class="structured-list__item-content"> <p> <a href="https://view.collections.yale.edu/m3/?manifest=https://manifests.collections.yale.edu/yuag/obj/94141" class="link--icon"> <svg class="link__icon" viewBox="0 0 60 55" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/mirador.svg#icon" /> </svg>Open in Mirador <svg class="link__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/arrow-ne.svg#icon" /> </svg> </a> </p> <p> <a href="https://manifests.collections.yale.edu/yuag/obj/94141" class="link--icon"> <svg class="link__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/iiif-logo.svg#icon" /> </svg>View IIIF manifest <svg class="link__icon" viewBox="0 0 24 24" aria-hidden="true"> <use href="/themes/custom/yuag/assets/dist/images/arrow-ne.svg#icon" /> </svg> </a> </p> <p>The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. 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