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(PDF) Human Redemption with Nature in Nietzsche's Birth of Tragedy
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{"work":{"id":37823119,"created_at":"2018-11-21T10:47:37.477-08:00","from_world_paper_id":null,"updated_at":"2024-11-29T22:15:45.982-08:00","_data":{"ai_title_tag":"Dionysian Drive: Nature and Artistic Imitation in Nietzsche","grobid_abstract":"If the Dionysian drive is embodied in the human feeling and apprehension of aesthetic phenomena, to what extents can it be truly considered a natural human drive, and not a human drive that merely alludes to an idea of the natural, but nevertheless remains an imitation that is artificial? If the Dionysian drive is accounted as a human artistic movement that embodies the Platonic and Aristotelian notion of mimesis -art that imitates nature-then to what extents can this imitation be considered a transparent mirror of nature, and to what extents can it be denounced as artificial?","publication_date":"2018,,","grobid_abstract_attachment_id":"57825903"},"document_type":"draft","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Human Redemption with Nature in Nietzsche's Birth of Tragedy","broadcastable":true,"draft":true,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [63170731]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card ds-work-card--no-bottom-spacing"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":57825903,"attachmentType":"pdf"}"><img alt="First page of “Human Redemption with Nature in Nietzsche's Birth of Tragedy”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/57825903/mini_magick20190110-15402-borsku.png?1547135182" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Human Redemption with Nature in Nietzsche's Birth of Tragedy</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="63170731" href="https://nssr.academia.edu/MichaelBraverman"><img alt="Profile image of Michael Braverman" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/63170731/17788047/20157899/s65_michael.braverman.jpg" />Michael Braverman</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2018</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">7 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 37823119; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=37823119"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">If the Dionysian drive is embodied in the human feeling and apprehension of aesthetic phenomena, to what extents can it be truly considered a natural human drive, and not a human drive that merely alludes to an idea of the natural, but nevertheless remains an imitation that is artificial? If the Dionysian drive is accounted as a human artistic movement that embodies the Platonic and Aristotelian notion of mimesis -art that imitates nature-then to what extents can this imitation be considered a transparent mirror of nature, and to what extents can it be denounced as artificial?</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":57825903,"attachmentType":"pdf","workUrl":"https://www.academia.edu/37823119/Human_Redemption_with_Nature_in_Nietzsches_Birth_of_Tragedy"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":57825903,"attachmentType":"pdf","workUrl":"https://www.academia.edu/37823119/Human_Redemption_with_Nature_in_Nietzsches_Birth_of_Tragedy"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="24" data-entity-id="92679475" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/92679475/_The_Dionysian_and_the_Aesthetics_of_the_Impossible_Contributions_of_the_Young_Nietzsche_to_the_Modern_Fantastic_Canadian_Review_of_Comparative_Literature_Revue_Canadienne_de_Litt%C3%A9rature_Compar%C3%A9e">"The Dionysian and the Aesthetics of the Impossible: Contributions of the Young Nietzsche to the Modern Fantastic", Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10576682" href="https://uab.academia.edu/GarciaPatricia">Patricia Garcia</a></div><p class="ds-related-work--metadata 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