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Literary Adaptations in Spanish Cinema - Sally Faulkner - Google Books
<!DOCTYPE html><html><head><title>Literary Adaptations in Spanish Cinema - Sally Faulkner - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_about_this_book_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/atb_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><link rel="canonical" href="https://books.google.com/books/about/Literary_Adaptations_in_Spanish_Cinema.html?id=yeMgJsea3-8C"/><meta property="og:url" content="https://books.google.com/books/about/Literary_Adaptations_in_Spanish_Cinema.html?id=yeMgJsea3-8C"/><meta name="title" content="Literary Adaptations in Spanish Cinema"/><meta name="description" content="New readings of 20th-century literary cinematic texts are presented here in historical context, informed by cultural theory. New readings of literary and cinematic texts are presented here in historical context, informed by cultural theory. In her survey of the history of Spanish cinema in the dictatorship and democratic periods, the author argues thatstudies of adaptations must simultaneously address questions of 'text' - formal issues central to the study of film and literature - and 'context' - ideological concerns crucial to late twentieth-century Spain. She examines threethemes of particular importance to contemporary Spanish culture - the recuperation of history, the negotiation of the rural and the urban, and the representation of gender - and considers the related stylistic issues of the affinities between cinematic expression and nostalgia, the city and phallocentrism. The study concludes with an analysis of the formal question of the narrator in film and literature, through an assessment of Bu帽uel's previously unacknowledged stylistic debt to Gald贸s as manifested in his adaptations of Nazar铆n and Tristana. SALLY FAULKNER is Lecturer in Hispanic Studies at the University of Exeter."/><meta property="og:title" content="Literary Adaptations in Spanish Cinema"/><meta property="og:type" content="book"/><meta property="og:site_name" content="Google Books"/><meta property="og:image" content="https://books.google.com.sg/books/content?id=yeMgJsea3-8C&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE72VtUQdVK5avpow7Hjh5gM7hDLRwhOrSJ8NLegedYBMB31O_BGDQ7cE521-DwarqPyvqdgSs2lAYfyhzmh_aLA2z0VKEruA1eg1VBCIh2tCPEW3-SstRVGyDEfTS7zv_bfUxUjd"/><link rel="image_src" href="https://books.google.com.sg/books/content?id=yeMgJsea3-8C&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE72VtUQdVK5avpow7Hjh5gM7hDLRwhOrSJ8NLegedYBMB31O_BGDQ7cE521-DwarqPyvqdgSs2lAYfyhzmh_aLA2z0VKEruA1eg1VBCIh2tCPEW3-SstRVGyDEfTS7zv_bfUxUjd"/><script></script><style>#gbar,#guser{font-size:13px;padding-top:1px !important;}#gbar{height:22px}#guser{padding-bottom:7px !important;text-align:right}.gbh,.gbd{border-top:1px solid #c9d7f1;font-size:1px}.gbh{height:0;position:absolute;top:24px;width:100%}@media all{.gb1{height:22px;margin-right:.5em;vertical-align:top}#gbar{float:left}}a.gb1,a.gb4{text-decoration:underline !important}a.gb1,a.gb4{color:#00c !important}.gbi .gb4{color:#dd8e27 !important}.gbf .gb4{color:#900 !important} #gbar { padding:.3em .6em !important;}</style></head><body class=""><div id=gbar><nobr><a target=_blank class=gb1 href="https://www.google.com.sg/search?tab=pw">Search</a> <a target=_blank class=gb1 href="https://www.google.com.sg/imghp?hl=en&tab=pi">Images</a> <a target=_blank class=gb1 href="https://maps.google.com.sg/maps?hl=en&tab=pl">Maps</a> <a target=_blank class=gb1 href="https://play.google.com/?hl=en&tab=p8">Play</a> <a target=_blank class=gb1 href="https://www.youtube.com/?tab=p1">YouTube</a> <a target=_blank class=gb1 href="https://news.google.com/?tab=pn">News</a> <a target=_blank class=gb1 href="https://mail.google.com/mail/?tab=pm">Gmail</a> <a target=_blank class=gb1 href="https://drive.google.com/?tab=po">Drive</a> <a target=_blank class=gb1 style="text-decoration:none" href="https://www.google.com.sg/intl/en/about/products?tab=ph"><u>More</u> »</a></nobr></div><div id=guser width=100%><nobr><span id=gbn class=gbi></span><span id=gbf class=gbf></span><span id=gbe></span><a target=_top id=gb_70 href="https://www.google.com/accounts/Login?service=print&continue=https://books.google.com.sg/books%3Fid%3DyeMgJsea3-8C%26redir_esc%3Dy%26hl%3Den&hl=en&ec=GAZACg" class=gb4>Sign in</a></nobr></div><div class=gbh style=left:0></div><div class=gbh style=right:0></div><div role="alert" style="position: absolute; left: 0; right: 0;"><a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&redir_esc=y&hl=en&output=html_text" title="Screen reader users: click this link for accessible mode. 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In her survey of the history of Spanish cinema in the dictatorship and democratic periods, the author argues thatstudies of adaptations must simultaneously address questions of 'text' - formal issues central to the study of film and literature - and 'context' - ideological concerns crucial to late twentieth-century Spain. She examines threethemes of particular importance to contemporary Spanish culture - the recuperation of history, the negotiation of the rural and the urban, and the representation of gender - and considers the related stylistic issues of the affinities between cinematic expression and nostalgia, the city and phallocentrism. The study concludes with an analysis of the formal question of the narrator in film and literature, through an assessment of Bu帽uel's previously unacknowledged stylistic debt to Gald贸s as manifested in his adaptations of Nazar铆n and Tristana.<br> SALLY FAULKNER is Lecturer in Hispanic Studies at the University of Exeter.</div></div></div><div class="search_box_wrapper"><form action=/books id=search_form style="margin:0px;padding:0px;" method=get> <input type=hidden name="redir_esc" value="y"><input type=hidden name="id" value="yeMgJsea3-8C"><table cellpadding=0 cellspacing=0 class="swv-table"><tr><td class="swv-td-search"><span><input id=search_form_input type=text maxlength=1024 class="text_flat swv-input-search" aria-label="Search in this book" name=q value="" title="Search inside" accesskey=i></span></td><td class="swv-td-space"><div> </div></td><td><input type=submit value="Search inside"></td></tr></table><script type="text/javascript">if (window['_OC_autoDir']) {_OC_autoDir('search_form_input');}</script></form><div id="preview-link"><a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&printsec=frontcover" class="primary"><span dir=ltr>Preview this book</span> »</a></div></div></td> </tr></table><div id="summary-second-column"></div></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="toc_anchor"></a>Contents</h3><div id=toc class=about_content><div id=toc_v><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Texts and Contexts</span></span></div></td><td class="toc_number" align=right>1</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Aesthetics and History</span></span></div></td><td class="toc_number" align=right>15</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>In Search of Authenticity</span></span></div></td><td class="toc_number" align=right>24</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Tiempo de silencio Aranda 1986</span></span></div></td><td class="toc_number" align=right>33</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Violence and Nostalgia in the Country and the City</span></span></div></td><td class="toc_number" align=right>47</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Rural Space </span></span></div></td><td class="toc_number" align=right>53</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Violence in Absolute Space</span></span></div></td><td class="toc_number" align=right>54</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Nostalgia for Absolute Space</span></span></div></td><td class="toc_number" align=right>60</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Fortunata y Jacinta Fons 1970</span></span></div></td><td class="toc_number" align=right>89</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Fortunata y Jacinta Camus 1980</span></span></div></td><td class="toc_number" align=right>97</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Film and Television Adaptations of La Regenta</span></span></div></td><td class="toc_number" align=right>108</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>La Regenta Gonzalo Su谩rez 1974</span></span></div></td><td class="toc_number" align=right>110</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>La Regenta M茅ndez Leite 1995 </span></span></div></td><td class="toc_number" align=right>115</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Bu帽uels Debt to Gald贸s</span></span></div></td><td class="toc_number" align=right>126</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>From Uncertainty to Censure</span></span></div></td><td class="toc_number" align=right>136</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>From Ambiguity to Sabotage</span></span></div></td><td class="toc_number" align=right>148</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/></div><span onclick="_OC_setListSectionVisible('toc_h', 1)" class=morelesslink id=toc_hc0 style="display:none"><br>More</span><div id=toc_hd1><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Urban Space</span></span></div></td><td class="toc_number" align=right>66</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Violence in Abstract Space</span></span></div></td><td class="toc_number" align=right>67</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Beyond Abstract Space </span></span></div></td><td class="toc_number" align=right>72</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Gender and the Adaptations of Fortunata y Jacinta and La Regenta</span></span></div></td><td class="toc_number" align=right>79</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Film and Television Adaptations of Fortunata y Jacinta</span></span></div></td><td class="toc_number" align=right>88</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Cinema and History </span></span></div></td><td class="toc_number" align=right>163</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>FILMOGRAPHY</span></span></div></td><td class="toc_number" align=right>167</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>BIBLIOGRAPHY</span></span></div></td><td class="toc_number" align=right>171</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=yeMgJsea3-8C&pg=PA189&source=gbs_toc_r&cad=1" ><span title="INDEX" style="white-space:nowrap"><span dir=ltr>INDEX</span></span></a></div></td><td class="toc_number" align=right>189</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=yeMgJsea3-8C&printsec=copyright" ><span title="Copyright" style="white-space:nowrap"><span dir=ltr>Copyright</span></span></a></div></td><td class="toc_number" align=right></td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/><span onclick="_OC_setListSectionVisible('toc_h', 0)" class=morelesslink id=toc_hc1 style="display:none"><br>Less</span></div><script type="text/javascript">if (window['_OC_setListSectionVisible']) {_OC_setListSectionVisible('toc_h', 0);}</script></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="book_other_versions_anchor"></a>Other editions - <a href='https://books.google.com.sg/books?q=editions:ISBN1855660989&id=yeMgJsea3-8C'>View all</a></h3><div id=book_other_versions class=about_content><div id=book_other_versions_v><div class="one-third-column"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=fWOwfr0LWYoC&source=gbs_book_other_versions_r&cad=2" ><img alt="" class="coverthumb hover-card-attach-point" 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hover-card-attach-point" src="https://books.google.com.sg/books/content?id=n66WvucCmmkC&printsec=frontcover&img=1&zoom=5" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=n66WvucCmmkC&source=gbs_book_other_versions_r&cad=2"><span dir=ltr>Literary Adaptations in Spanish Cinema</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Sally+Faulkner%22" class="secondary"><span dir=ltr>Sally Faulkner</span></a></span><br/><span><span style="color:#999">No preview available</span> - 2004</span><br/></span></div></td><td align=right></td></tr></table></div></div><script>(function () {var fn = window['_OC_WSBookList'] || window['_OC_BookList'];fn && fn('book_other_versions', [{"title":"Literary Adaptations in Spanish Cinema","authors":"Sally Faulkner","bib_key":"ISBN:9781855660984","pub_date":"2004","snippet":"In this survey of 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phrases</h3><div id=word_cloud class=about_content><div id=word_cloud_v><style type="text/css">.cloud9 {color: #7777cc;font-size: 10px;}.cloud8 {color: #6963CC;font-size: 10.5px;}.cloud7 {color: #6057CC;font-size: 11px;}.cloud6 {color: #574BCC;font-size: 11.5px;}.cloud5 {color: #4E3DCC;font-size: 12px;}.cloud4 {color: #4632CC;font-size: 14px;}.cloud3 {color: #3D26CC;font-size: 16px;}.cloud2 {color: #341ACC;font-size: 18px;}.cloud1 {color: #2B0DCC;font-size: 20px;}.cloud0 {color: #2200CC;font-size: 22px;}.cloud {margin-top: 4px;line-height: 24px;}.cloud a {margin-right: 6px;text-decoration: none;}.cloud a:hover {text-decoration: underline;}</style><div class=cloud><a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=1980s+literary+adaptation&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>1980s literary adaptation</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=abstract&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>abstract</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Alas%27s&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Alas's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Ana%27s&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Ana's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=%C3%A1ngel+del+hogar&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>谩ngel del hogar</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Aranda&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Aranda</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=argues&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>argues</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Armend%C3%A1riz%27s&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Armend谩riz's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Azar%C3%ADas&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Azar铆as</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=bourgeois&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>bourgeois</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=camera&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>camera</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Camus%27s&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Camus's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Car%C3%ADcies&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Car铆cies</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Cela%27s&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Cela's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=chapter&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>chapter</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=characters&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>characters</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=cinematic+narrator&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>cinematic narrator</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=colmena&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>colmena</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=contemporary&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>contemporary</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=context&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>context</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=conveys&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>conveys</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=cultural&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>cultural</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=director&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>director</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=discussed&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>discussed</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=espa%C3%B1ol&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>espa帽ol</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=female&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>female</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=feminist&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>feminist</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Ferm%C3%ADn&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Ferm铆n</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=fictional&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>fictional</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Fidelity+Criticism&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Fidelity Criticism</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=film+adaptation&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>film adaptation</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=film%27s&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>film's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=filmic&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>filmic</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Fons&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Fons</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Fons%27s&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Fons's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Fortunata+y+Jacinta&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Fortunata y Jacinta</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Franco&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Franco</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Francoist&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>Francoist</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Gald%C3%B3s%27s+novel&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Gald贸s's novel</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=gaze&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>gaze</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=gender&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>gender</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Gonzalo+Su%C3%A1rez&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Gonzalo Su谩rez</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=hapticality&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>hapticality</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Historias+del+Kronen&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Historias del Kronen</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Hopewell&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Hopewell</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=ideology&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>ideology</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=interpretation&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>interpretation</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Jordan+and+Morgan-Tamosunas&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Jordan and Morgan-Tamosunas</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Jos%C3%A9&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Jos茅</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Juanito&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Juanito</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=La+colmena&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>La colmena</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=La+Regenta&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>La Regenta</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Labanyi&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Labanyi</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Lefebvre&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Lefebvre</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Lefebvre%27s&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>Lefebvre's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=literary+adaptations&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>literary adaptations</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=literature&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>literature</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Lope&source=gbs_word_cloud_r&cad=3" class="cloud9"><span dir=ltr>Lope</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Lope%27s&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Lope's</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Los+santos+inocentes&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Los santos inocentes</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Luis+Bu%C3%B1uel&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Luis Bu帽uel</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Madrid&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>Madrid</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=male&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>male</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Ma%C3%B1as&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Ma帽as</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Mario+Camus&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Mario Camus</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Mart%C3%ADn-Santos&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Mart铆n-Santos</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=M%C3%A9ndez+Leite&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>M茅ndez Leite</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=mindscreen&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>mindscreen</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=narrative&source=gbs_word_cloud_r&cad=3" class="cloud4"><span dir=ltr>narrative</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Nazar%C3%ADn&source=gbs_word_cloud_r&cad=3" class="cloud0"><span dir=ltr>Nazar铆n</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=nineteenth-century&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>nineteenth-century</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=nostalgia&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>nostalgia</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=nostalgic&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>nostalgic</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Pascual+Duarte&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Pascual Duarte</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Pedro&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Pedro</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=pel%C3%ADcula&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>pel铆cula</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Penella&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Penella</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=P%C3%A9rez+Gald%C3%B3s+1982&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>P茅rez Gald贸s 1982</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=period&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>period</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=perspective&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>perspective</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=point+of+view&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>point of view</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=portrayal&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>portrayal</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=post-Franco&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>post-Franco</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=postmodern&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>postmodern</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=produced&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>produced</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=question&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>question</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=reading&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>reading</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Regenta&source=gbs_word_cloud_r&cad=3" class="cloud3"><span dir=ltr>Regenta</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=representation&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>representation</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=reveals&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>reveals</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=rural+space&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>rural space</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=santos+inocentes&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>santos inocentes</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=scene&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>scene</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Scriptwriters&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Scriptwriters</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=sequence&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>sequence</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Spain&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>Spain</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Spanish+cinema&source=gbs_word_cloud_r&cad=3" class="cloud2"><span dir=ltr>Spanish cinema</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Spanish+film&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>Spanish film</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=symbolic&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>symbolic</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=television&source=gbs_word_cloud_r&cad=3" class="cloud5"><span dir=ltr>television</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Tiempo+de+silencio&source=gbs_word_cloud_r&cad=3" class="cloud1"><span dir=ltr>Tiempo de silencio</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=tion&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>tion</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=Tristana&source=gbs_word_cloud_r&cad=3" class="cloud0"><span dir=ltr>Tristana</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=urban+space&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>urban space</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=view+shot&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>view shot</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=viewer&source=gbs_word_cloud_r&cad=3" class="cloud8"><span dir=ltr>viewer</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=violence&source=gbs_word_cloud_r&cad=3" class="cloud7"><span dir=ltr>violence</span></a> <a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&q=visual&source=gbs_word_cloud_r&cad=3" class="cloud6"><span dir=ltr>visual</span></a></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="about_author_anchor"></a>About the author <span style="color:#666; font-weight:normal">(2004)</span></h3><div id=about_author class=about_content><div id=about_author_v><div class=textmodulecontent>SALLY FAULKNER is Professor of Spanish at the University of Cambridge. </div></div></div></div><div class=vertical_module_list_row><h3 class="about_title">Bibliographic information</h3><div class="about_content" id="metadata_content" style="padding-bottom:.3em"><div class="metadata_sectionwrap"><table id="metadata_content_table"><tr class="metadata_row"><td class="metadata_label">Title</td><td class="metadata_value"><span dir=ltr>Literary Adaptations in Spanish Cinema, Volume 202</span><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Colecci%C3%B3n+T%C3%A1mesis%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Colecci贸n T谩mesis</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Colecci%C3%B3n+T%C3%A1mesis:+Monograf%C3%ADas%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Volume 202 of Colecci贸n T谩mesis: Monograf铆as</span></i></a>, <span dir=ltr>ISSN</span> <span dir=ltr>0587-9914</span><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Colecci%C3%B3n+T%C3%A1mesis:+Serie+A%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Volume 202 of Colecci贸n T谩mesis: Serie A</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Issn+Series%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Volume 202 of Issn Series</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Literary+Adaptations+in+Spanish+Cinema%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Literary Adaptations in Spanish Cinema</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Monograf%C3%ADas+a%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Volume 202 of Monograf铆as a</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22T%C3%A1mesis:+Serie+A,+Monograf%C3%ADas%22&source=gbs_metadata_r&cad=5"><i><span dir=ltr>Volume 202 of T谩mesis: Serie A, Monograf铆as</span></i></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Author</span></td><td class="metadata_value"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Sally+Faulkner%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Sally Faulkner</span></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Publisher</span></td><td class="metadata_value"><span dir=ltr>Tamesis, 2004</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>ISBN</span></td><td class="metadata_value"><span dir=ltr>1855660989, 9781855660984</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Length</span></td><td class="metadata_value"><span dir=ltr>198 pages</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Subjects</span></td><td class="metadata_value"><div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Collections%22" itemprop="url" dir=ltr><span itemprop="title">Literary Collections</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Collections+European%22" itemprop="url" dir=ltr><span itemprop="title">European</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Collections+European+Spanish+%26+Portuguese%22" itemprop="url" dir=ltr><span itemprop="title">Spanish & Portuguese</span></a></div><br><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Collections+/+European+/+Spanish+%26+Portuguese%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Literary Collections / European / Spanish & Portuguese</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Criticism+/+European+/+Spanish+%26+Portuguese%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Literary Criticism / European / Spanish & Portuguese</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Criticism+/+General%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Literary Criticism / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+/+Film+/+General%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Performing Arts / Film / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+/+Film+/+History+%26+Criticism%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Performing Arts / Film / History & Criticism</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+/+Film+/+Regional+%26+National%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Performing Arts / Film / Regional & National</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+/+General%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Performing Arts / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+/+Radio+/+General%22&source=gbs_metadata_r&cad=5"><span dir=ltr>Performing Arts / Radio / General</span></a></td></tr><tr class="metadata_row"><td> </td><td> </td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Export Citation</span></td><td class="metadata_value"><a class="gb-button " href="https://books.google.com.sg/books/download/Literary_Adaptations_in_Spanish_Cinema.bibtex?id=yeMgJsea3-8C&output=bibtex"><span dir=ltr>BiBTeX</span></a> <a 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