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data-node-id="adnue"></div></div><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--display-hero" role="presentation" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--display-hero"></div><div class="journey-unit"></div></div></div><div class="SpaceHolder-oayp fXtswJ ad-height-hold"></div><main id="main-content" tabindex="-1" class="BasePageMainContent-kFvAuh ldxjwU page__main-content"><article class="article main-content" lang="en-US"><div class="ArticlePageLedeBackground-EufvU ittFsh"><header class="ContentHeaderWrapper-clujbs dfAjXy content-header article__content-header"><div data-testid="ContentHeaderContainer" class="ContentHeaderContainer-cGKRbE knDxNq"><div class="ContentHeaderHedAccreditationWrapper-GFiQf cDNVlV"><div data-testid="ContentHeaderTitleBlockWrapper" class="ContentHeaderTitleBlockWrapper-cjmSKp eKCYkz"><div data-testid="ContentHeaderRubric" class="ContentHeaderRubricBlock-LmpbT iaArlP"><div data-testid="ContentHeaderRubricDateBlock" class="ContentHeaderRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX cXTooZ rubric ContentHeaderRubricContainer-eTudtt iRsSlw"><a class="RubricLink-gRWSOU fgWnkQ rubric__link" href="/podcast/political-scene"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene Podcast</span></a></div></div></div><h1 data-testid="ContentHeaderHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHeaderHed-NCyCC iUEiRd kOQxwh hpJvIc">Why American Democracy Is in Danger, with Michael Beschloss</h1></div><div class="ContentHeaderAccreditation-lfctVB enhwXT content-header__accreditation" data-testid="ContentHeaderAccreditation"><div class="ContentHeaderDek-bIqFFZ cFMTQw">“This is an election of a kind we have never seen before in American history,” the historian said, at The New Yorker Festival on October 26th.</div><div class="ContentHeaderByline-kmPyCa gvUmxJ"><div class="ContentHeaderBylineContent-dpPmNn DRFq"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk jYjxgY bylines ContentHeaderBylines-cZqgyJ bHLeKI"><span class="BylineWrapper-jWHrLH fvlutP byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">With </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM BylineLink-gEnFiw iUEiRd dTCiYp bVAERN eErqIx byline__name-link button" href="/contributors/susan-b-glasser">Susan B. Glasser</a></span>, <span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM BylineLink-gEnFiw iUEiRd dTCiYp bVAERN eErqIx byline__name-link button" href="/contributors/jane-mayer">Jane Mayer</a></span>, and <span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM BylineLink-gEnFiw iUEiRd dTCiYp bVAERN eErqIx byline__name-link button" href="/contributors/evan-osnos">Evan Osnos</a></span></span></span></div><time data-testid="ContentHeaderPublishDate" dateTime="2024-11-01T14:25:56-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHeaderPublishDate-eIBicG iUEiRd hkjWCS fkIMhs">November 1, 2024</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHeaderLeadAsset-hGbumP iWPCcH lead-asset ContentHeaderLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallrule" data-testid="ContentHeaderLeadAsset"><figure class="ContentHeaderLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHeaderLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__content__photo"><span class="SpanWrapper-umhxW jvZaPI responsive-asset ContentHeaderResponsiveAsset-bREgIb khLUzS"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz iQZCGq"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO KhjZz ContentHeaderResponsiveAsset-bREgIb khLUzS responsive-image responsive-image--expandable"><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_120,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_240,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_320,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 320w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_640,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 640w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_960,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 960w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_120,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_240,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_320,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 320w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_640,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 640w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_960,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 960w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_1280,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 1280w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_1600,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 1600w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_1920,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 1920w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/master/w_2240,c_limit/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg 2240w" sizes="100vw"/><img alt="A banner that says “The New Yorker The Political Scene. 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He calls this election a “turning point” as monumental as the election of 1860—on the eve of the Civil War—and that of 1940, when the U.S. was deciding whether to adopt or fight Fascism. “I think Donald Trump meets most of the parts of the definition of the word ‘fascist,’ ” Beschloss says. “You go through all of American history, and you cannot find another major-party nominee who has promised to be dictator for a day, which we all know will not be only for a day.” But, if Trump does return to the White House, he adds, there is still hope that the rule of law, public protest, and the presence of state capitals free of federal domination will allow the U.S. to resist autocracy.</p><p class="paywall">This week’s reading:</p><ul class="paywall"><li>“<a href="https://www.newyorker.com/news/letter-from-bidens-washington/garbage-time-at-the-2024-finish-line">Garbage Time at the 2024 Finish Line</a>,” by Susan B. Glasser</li><li>“<a href="https://www.newyorker.com/news/the-political-scene/safeguarding-the-pennsylvania-election">Safeguarding the Pennsylvania Election</a>,” by Eliza Griswold</li><li>“<a href="https://www.newyorker.com/news/the-lede/the-fight-over-truth-in-a-blue-collar-pennsylvania-county">The Fight Over Truth in a Blue-Collar Pennsylvania County</a>,” by Clare Malone</li><li>“<a href="https://www.newyorker.com/magazine/2024/11/11/standing-up-to-trump">Standing Up to Trump</a>,” by David Remnick</li><li>“<a href="https://www.newyorker.com/news/the-lede/the-trump-show-comes-to-madison-square-garden">The Trump Show Comes to Madison Square Garden</a>,” by Andrew Marantz</li><li>“<a href="https://www.newyorker.com/news/the-lede/the-obamas-campaign-for-kamala-harris">The Obamas Campaign for Kamala Harris</a>,” by Emily Witt</li><li>“<a href="https://www.newyorker.com/magazine/2024/11/04/trumps-health-and-ours">Trump’s Health, and Ours</a>,” by Dhruv Khullar</li></ul><p class="paywall">Tune in <a data-offer-url="https://link.chtbl.com/p7tKbZe1" class="external-link" data-event-click="{"element":"ExternalLink","outgoingURL":"https://link.chtbl.com/p7tKbZe1"}" href="https://link.chtbl.com/p7tKbZe1" rel="nofollow noopener" target="_blank">wherever you get your podcasts</a>.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--item grid-layout__aside"><aside class="PersistentAsideWrapper-deVGrR daRVRt persistent-aside" style="top:9rem;margin-bottom:2.5rem;position:sticky;height:unset !important" data-testid="PersistentAsideWrapper"><div class="StickyBoxWrapper-jfYBuk fifekH sticky-box ArticlePageSplitAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplitAdRailContent-jsltpq iZDmmY split-ad-rail-content"><div class="ArticlePageSplitAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYBuk fifekH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div 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kgtXXB linkstack" data-testid="LinkStack"><div class="SectionTitleRoot-dBGvdq iDpOxJ LinkStackHeader-lKjbE eOIsXc link-stack--heading" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">New Yorker Favorites</h2></div><div class="LinkStackContent-jyKicS gAUAiC"><ul class="LinkStackList-gGcjdZ dnMwpz"><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>Little treats galore: a <a href="/culture/on-and-off-the-avenue/little-treats-galore-a-holiday-gift-guide" class="InternalLinkEmbedWrapper-fhjgJW cQLtaa">holiday gift guide</a>.</p></div></li><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>What happened when the Hallmark Channel “<a href="/magazine/2019/12/23/how-hallmark-took-over-cable-tv" class="InternalLinkEmbedWrapper-fhjgJW cQLtaa">leaned into Christmas</a>.”</p></div></li><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>An objectively objectionable <a href="/culture/annals-of-inquiry/the-objectively-objectionable-grammatical-pet-peeve" class="InternalLinkEmbedWrapper-fhjgJW cQLtaa">grammatical pet peeve</a>.</p></div></li><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>Two teens went to prison for murder. 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What Now?","index":0,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/political-scene/donald-trump-returns-what-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/donald-trump-returns-what-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-1" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump Returns. What Now?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-1" data-component-type="recirc-river" data-recirc-id="item-hed-1" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/political-scene/donald-trump-returns-what-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Donald Trump Returns. What Now?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/donald-trump-returns-what-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-1" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump Returns. What Now?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">“This is the pivotal four years,” Susan B. Glasser says. “We’re going to understand whether something like an American strongman can arise within our system right now or not.”</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Is the Backlash to a Racist Joke Trump’s October Surprise?","index":1,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/political-scene/is-the-backlash-to-a-racist-joke-trumps-october-surprise#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/is-the-backlash-to-a-racist-joke-trumps-october-surprise#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-2" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Is the Backlash to a Racist Joke Trump’s October Surprise?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-2" data-component-type="recirc-river" data-recirc-id="item-hed-2" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/political-scene/is-the-backlash-to-a-racist-joke-trumps-october-surprise#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Is the Backlash to a Racist Joke Trump’s October Surprise?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/is-the-backlash-to-a-racist-joke-trumps-october-surprise#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-2" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Is the Backlash to a Racist Joke Trump’s October Surprise?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">“It’s not just that the comments can change the minds of some Puerto Rican voters. It’s that it might also shape the ultimate decision of Latinos broadly,” the <em>New Yorker</em> contributing writer Geraldo Cadava says.</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"How Trump Took Back America","index":2,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/political-scene/how-trump-took-back-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/how-trump-took-back-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How Trump Took Back America" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-3" data-component-type="recirc-river" data-recirc-id="item-hed-3" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/political-scene/how-trump-took-back-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">How Trump Took Back America</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/how-trump-took-back-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How Trump Took Back America" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">“I don’t understand why the Democratic Party makes the decisions that it does,” <em>The New Yorker’s</em> Jay Caspian Kang says. “I find that the more reporting I do, it’s actually more confounding to me.”</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Donald Trump’s Reëlection, and America’s Future","index":3,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/donald-trumps-reelection-and-americas-future#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/donald-trumps-reelection-and-americas-future#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Reëlection, and America’s Future" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-4" data-component-type="recirc-river" data-recirc-id="item-hed-4" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/donald-trumps-reelection-and-americas-future#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Donald Trump’s Reëlection, and America’s Future</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/donald-trumps-reelection-and-americas-future#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Reëlection, and America’s Future" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672e321d09ddc01e85c67610/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">David Remnick joins Evan Osnos, Jane Mayer, and Susan Glasser to explain how Trump won the race, and what his rhetoric of vengeance and retribution portends for his return to power.</div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm eKCcVq ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="yfk2p2"></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"How to Prepare for Trump 2.0","index":4,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/political-scene/how-to-prepare-for-trump-2-point-oh#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/how-to-prepare-for-trump-2-point-oh#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How to Prepare for Trump 2.0" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-5" data-component-type="recirc-river" data-recirc-id="item-hed-5" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/political-scene/how-to-prepare-for-trump-2-point-oh#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">How to Prepare for Trump 2.0</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/how-to-prepare-for-trump-2-point-oh#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How to Prepare for Trump 2.0" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/63755311573147b2b8a3132b/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The Washington Roundtable speaks with David Cole, a former legal director of the A.C.L.U., about the civil and legal guardrails that could contain a second Trump Administration.</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"The Authors of “How Democracies Die” on the New Democratic Minority","index":5,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-authors-of-how-democracies-die-on-the-new-democratic-minority#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-authors-of-how-democracies-die-on-the-new-democratic-minority#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Authors of “How Democracies Die” on the New Democratic Minority" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-6" data-component-type="recirc-river" data-recirc-id="item-hed-6" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-authors-of-how-democracies-die-on-the-new-democratic-minority#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Authors of “How Democracies Die” on the New Democratic Minority</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-authors-of-how-democracies-die-on-the-new-democratic-minority#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Authors of “How Democracies Die” on the New Democratic Minority" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Two leading political scientists explain why voters failed to defend democracy: We never do.</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"What Is Donald Trump’s Cabinet Planning for America?","index":6,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/political-scene/what-is-donald-trumps-cabinet-planning-for-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/what-is-donald-trumps-cabinet-planning-for-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="What Is Donald Trump’s Cabinet Planning for America?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-7" data-component-type="recirc-river" data-recirc-id="item-hed-7" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/political-scene/what-is-donald-trumps-cabinet-planning-for-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">What Is Donald Trump’s Cabinet Planning for America?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/political-scene/what-is-donald-trumps-cabinet-planning-for-america#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="What Is Donald Trump’s Cabinet Planning for America?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Matt Gaetz has “gone to Washington to burn it down,” says the staff writer Dexter Filkins. “And he’s been remarkably successful.”</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Liz Cheney on Donald Trump, Mitch McConnell, and Jeff Bezos","index":7,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/liz-cheney-on-donald-trump-mitch-mcconnell-and-jeff-bezos#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/liz-cheney-on-donald-trump-mitch-mcconnell-and-jeff-bezos#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Liz Cheney on Donald Trump, Mitch McConnell, and Jeff Bezos" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-8" data-component-type="recirc-river" data-recirc-id="item-hed-8" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/liz-cheney-on-donald-trump-mitch-mcconnell-and-jeff-bezos#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Liz Cheney on Donald Trump, Mitch McConnell, and Jeff Bezos</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/liz-cheney-on-donald-trump-mitch-mcconnell-and-jeff-bezos#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Liz Cheney on Donald Trump, Mitch McConnell, and Jeff Bezos" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6724fcbc00dfff3032248284/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Once a top Republican in Congress, and now a supporter of Kamala Harris, Cheney cancelled her subscription to the Washington <em>Post</em> after Bezos blocked its endorsement: “It’s a disgrace.”</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Rachel Maddow on the Fascist Threat in America, Then and Now","index":8,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/rachel-maddow-on-the-fascist-threat-in-america-then-and-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/rachel-maddow-on-the-fascist-threat-in-america-then-and-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Rachel Maddow on the Fascist Threat in America, Then and Now" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-9" data-component-type="recirc-river" data-recirc-id="item-hed-9" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/rachel-maddow-on-the-fascist-threat-in-america-then-and-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Rachel Maddow on the Fascist Threat in America, Then and Now</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/rachel-maddow-on-the-fascist-threat-in-america-then-and-now#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Rachel Maddow on the Fascist Threat in America, Then and Now" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The MSNBC host says that Trump’s authoritarian message is timeless. “You can sell [it] to people who are in great need of relief,” she says. “But you can also sell it to billionaires.”</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Sarah McBride Wasn’t Looking for a Fight on Trans Rights","index":9,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/sarah-mcbride-wasnt-looking-for-a-fight-on-trans-rights#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/sarah-mcbride-wasnt-looking-for-a-fight-on-trans-rights#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Sarah McBride Wasn’t Looking for a Fight on Trans Rights" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-10" data-component-type="recirc-river" data-recirc-id="item-hed-10" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/sarah-mcbride-wasnt-looking-for-a-fight-on-trans-rights#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Sarah McBride Wasn’t Looking for a Fight on Trans Rights</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/sarah-mcbride-wasnt-looking-for-a-fight-on-trans-rights#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Sarah McBride Wasn’t Looking for a Fight on Trans Rights" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/674607a9f5f367966198ec9b/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The first transgender person elected to Congress discusses how to respond to a bathroom bill and transphobic attacks from other House members, including Speaker Mike Johnson.</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Ketanji Brown Jackson on Ethics, Trust, and Keeping It Collegial at the Supreme Court","index":10,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ketanji-brown-jackson-on-ethics-trust-and-keeping-it-collegial-at-the-supreme-court#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ketanji-brown-jackson-on-ethics-trust-and-keeping-it-collegial-at-the-supreme-court#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-11" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Ketanji Brown Jackson on Ethics, Trust, and Keeping It Collegial at the Supreme Court" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-11" data-component-type="recirc-river" data-recirc-id="item-hed-11" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ketanji-brown-jackson-on-ethics-trust-and-keeping-it-collegial-at-the-supreme-court#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Ketanji Brown Jackson on Ethics, Trust, and Keeping It Collegial at the Supreme Court</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ketanji-brown-jackson-on-ethics-trust-and-keeping-it-collegial-at-the-supreme-court#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-11" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Ketanji Brown Jackson on Ethics, Trust, and Keeping It Collegial at the Supreme Court" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6740ab0880a8d7e30150c825/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The Supreme Court Justice talks with David Remnick about the decline in public trust and questions about the Court’s ethics code, and how Justices get along in a very partisan era.</div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Danielle Deadwyler on August Wilson and Denzel Washington","index":11,"contentType":"venue","hotelLink":"https://www.newyorker.com/podcast/the-new-yorker-radio-hour/danielle-deadwyler-on-august-wilson-and-denzel-washington#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/danielle-deadwyler-on-august-wilson-and-denzel-washington#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Danielle Deadwyler on August Wilson and Denzel Washington" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Podcast</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-12" data-component-type="recirc-river" data-recirc-id="item-hed-12" data-recirc-pattern="summary-item" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/danielle-deadwyler-on-august-wilson-and-denzel-washington#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Danielle Deadwyler on August Wilson and Denzel Washington</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/danielle-deadwyler-on-august-wilson-and-denzel-washington#intcid=_the-new-yorker-article-bottom-recirc_31008cc9-831a-49d9-bd17-dc7559ac5964_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Danielle Deadwyler on August Wilson and Denzel Washington" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The actress discusses starring in the new film adaptation of “The Piano Lesson,” Wilson’s play about the Great Migration and a family torn apart by inheritance.</div></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div 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\u002Farticles\u002F673fa1af9d6278f15aa7c138]|||holiday gift guide|||.","embeds":[{"__typename":"Article","id":"673fa1af9d6278f15aa7c138","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a03e41c7a8e33fb390c05","url":"contributors\u002Frachel-syme","name":"Rachel Syme","title":"Rachel Syme is a staff writer at The New Yorker. She has covered Hollywood, style, and other cultural subjects since 2012. She is the author of “[Syme’s Letter Writer](https:\u002F\u002Fwww.amazon.com\u002FSymes-Letter-Writer-Correspondence-Imaginable\u002Fdp\u002F059323510X),” about the joys of handwritten correspondence. ","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"5e7bc3aeba0e6f0009421c5b","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2020\u002F03\u002F25\u002F5e7bc3aece97b85da38b2206_RachelSyme.png"}],"metadata":{"contentType":"photo"}},"bio":"Rachel Syme, a staff writer, has covered Hollywood, theatre, fashion, television, podcasts, style, and other cultural subjects for *The New Yorker* since 2012. Her recent work includes profiles of the actors [Natasha Lyonne](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F04\u002F11\u002Fin-russian-doll-natasha-lyonne-barrels-into-the-past) and [Sarah Jessica Parker](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F06\u002F26\u002Fsarah-jessica-parker-profile), the director [Sofia Coppola](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F29\u002Fsofia-coppola-profile), the Netflix television executive [Bela Bajaria](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F01\u002F16\u002Fhow-much-more-netflix-can-the-world-absorb-bela-bajaria), the theatre director [Rachel Chavkin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F06\u002F03\u002Fbehind-the-scenes-of-a-short-lived-broadway-musical), the [creators of “PEN15,”](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F12\u002F06\u002Fthe-women-behind-the-thirteen-year-olds-of-pen15) and the [makeup artist Mario Dedivanovic](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2020\u002F09\u002F07\u002Fback-to-school-with-mario-dedivanovic); an homage to the food writer [Laurie Colwin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F10\u002F18\u002Flaurie-colwins-recipe-for-being-yourself-in-the-kitchen); a look into [Nora Ephron](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F08\u002F22\u002Fthe-nora-ephron-we-forget)’s verbal prowess; an essay on the rise of [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F11\u002F27\u002Fmy-name-is-barbra-streisand-memoir-review); an exploration of “[bathfluencers](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fon-and-off-the-avenue\u002Fthe-age-of-bathfluence)”; an interactive feature on [the art of the Hollywood memoir](https:\u002F\u002Fwww.newyorker.com\u002Fbooks\u002Fpage-turner\u002Fcelebrity-memoirs-book-reviews); conversations with [Lena Dunham](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Flena-dunhams-change-of-pace), [Jamie Lee Curtis](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fjamie-lee-curtis-has-never-worked-hard-a-day-in-her-life), [Rick Steves](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Frick-steves-says-hold-on-to-your-travel-dreams), [Kate Berlant](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fkate-berlant-has-nothing-to-confess), [Parker Posey](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fparker-posey-is-dead-serious), [Patti LuPone](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fpatti-lupone-live-from-her-basement), [Mandy Patinkin](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fmandy-patinkin-is-still-singing), and [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fbarbra-streisand-can-hear-herself-again); and short profiles of [Kirsten Dunst](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fkirsten-dunsts-feminine-urges), [Cynthia Nixon](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fcynthia-nixons-emily-thing), and [Anna Deavere Smith](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fanna-deavere-smith-contains-multitudes).\n\nHer cultural criticism and reported features—which focus primarily on the intersections of women’s lives, artistic production, history, and fame—have also appeared in the *Times Magazine*, *New York*, *Vogue*, *Rolling Stone*, and *Vanity Fair*, among other publications. 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Levy won a National Magazine Award in 2014 for her essay “[Thanksgiving in Mongolia](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia).”\n\nShe is the author of the New York *Times* best-seller “[The Rules Do Not Apply](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0812996933\u002F?ots=1&slotNum=0&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Her first book was “[Female Chauvinist Pigs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1531807437\u002F?ots=1&slotNum=1&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Before joining *The New Yorker*, she was a contributing editor at *New York* magazine.","socialMedia":[{"handle":"avlskies","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"Thanksgiving in Mongolia","dek":"Adventure and heartbreak at the edge of the earth.","promoHed":"Thanksgiving in Mongolia","promoDek":"Adventure and heartbreak at the edge of the earth.","url":"magazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}}]},{"content":"What happened when the Hallmark Channel “![#article: \u002Farticles\u002F5df02bc3297f3d0008d7008a]|||leaned into Christmas|||.”","embeds":[{"__typename":"Article","id":"673fa1af9d6278f15aa7c138","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a03e41c7a8e33fb390c05","url":"contributors\u002Frachel-syme","name":"Rachel Syme","title":"Rachel Syme is a staff writer at The New Yorker. 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Levy won a National Magazine Award in 2014 for her essay “[Thanksgiving in Mongolia](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia).”\n\nShe is the author of the New York *Times* best-seller “[The Rules Do Not Apply](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0812996933\u002F?ots=1&slotNum=0&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Her first book was “[Female Chauvinist Pigs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1531807437\u002F?ots=1&slotNum=1&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Before joining *The New Yorker*, she was a contributing editor at *New York* magazine.","socialMedia":[{"handle":"avlskies","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"Thanksgiving in Mongolia","dek":"Adventure and heartbreak at the edge of the earth.","promoHed":"Thanksgiving in Mongolia","promoDek":"Adventure and heartbreak at the edge of the earth.","url":"magazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}}]},{"content":"An objectively objectionable ![#article: \u002Farticles\u002F6397c0c84d4403fc45f91eec]|||grammatical pet peeve|||.","embeds":[{"__typename":"Article","id":"673fa1af9d6278f15aa7c138","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a03e41c7a8e33fb390c05","url":"contributors\u002Frachel-syme","name":"Rachel Syme","title":"Rachel Syme is a staff writer at The New Yorker. 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Her recent work includes profiles of the actors [Natasha Lyonne](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F04\u002F11\u002Fin-russian-doll-natasha-lyonne-barrels-into-the-past) and [Sarah Jessica Parker](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F06\u002F26\u002Fsarah-jessica-parker-profile), the director [Sofia Coppola](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F29\u002Fsofia-coppola-profile), the Netflix television executive [Bela Bajaria](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F01\u002F16\u002Fhow-much-more-netflix-can-the-world-absorb-bela-bajaria), the theatre director [Rachel Chavkin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F06\u002F03\u002Fbehind-the-scenes-of-a-short-lived-broadway-musical), the [creators of “PEN15,”](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F12\u002F06\u002Fthe-women-behind-the-thirteen-year-olds-of-pen15) and the [makeup artist Mario Dedivanovic](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2020\u002F09\u002F07\u002Fback-to-school-with-mario-dedivanovic); an homage to the food writer [Laurie Colwin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F10\u002F18\u002Flaurie-colwins-recipe-for-being-yourself-in-the-kitchen); a look into [Nora Ephron](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F08\u002F22\u002Fthe-nora-ephron-we-forget)’s verbal prowess; an essay on the rise of [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F11\u002F27\u002Fmy-name-is-barbra-streisand-memoir-review); an exploration of “[bathfluencers](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fon-and-off-the-avenue\u002Fthe-age-of-bathfluence)”; an interactive feature on [the art of the Hollywood memoir](https:\u002F\u002Fwww.newyorker.com\u002Fbooks\u002Fpage-turner\u002Fcelebrity-memoirs-book-reviews); conversations with [Lena Dunham](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Flena-dunhams-change-of-pace), [Jamie Lee Curtis](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fjamie-lee-curtis-has-never-worked-hard-a-day-in-her-life), [Rick Steves](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Frick-steves-says-hold-on-to-your-travel-dreams), [Kate Berlant](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fkate-berlant-has-nothing-to-confess), [Parker Posey](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fparker-posey-is-dead-serious), [Patti LuPone](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fpatti-lupone-live-from-her-basement), [Mandy Patinkin](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fmandy-patinkin-is-still-singing), and [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fbarbra-streisand-can-hear-herself-again); and short profiles of [Kirsten Dunst](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fkirsten-dunsts-feminine-urges), [Cynthia Nixon](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fcynthia-nixons-emily-thing), and [Anna Deavere Smith](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fanna-deavere-smith-contains-multitudes).\n\nHer cultural criticism and reported features—which focus primarily on the intersections of women’s lives, artistic production, history, and fame—have also appeared in the *Times Magazine*, *New York*, *Vogue*, *Rolling Stone*, and *Vanity Fair*, among other publications. 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He is the author of more than a dozen books, including “[Where the Water Goes: Life and Death Along the Colorado River](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594633770),” which grew out of a [magazine piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2015\u002F05\u002F25\u002Fthe-disappearing-river) published in 2015; “[High School](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0670371491),” about the four months he spent pretending to be a high-school student; “[None of the Above: The Truth Behind the SATs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0847695077),” an exposé of the standardized-testing industry; “[Green Metropolis: Why Living Smaller, Living Closer, and Driving Less Are the Keys to Sustainability](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594484848)”; “[The Conundrum: How Scientific Innovation, Increased Efficiency, and Good Intentions Can Make Our Energy and Climate Problems Worse](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594485615)”; and “[Volume Control: Hearing in a Deafening World](https:\u002F\u002Fwww.amazon.com\u002FControl-Hearing-Deafening-World\u002Fdp\u002F0525534229).”\n\nPreviously, Owen was a contributing editor at *The Atlantic* and a senior writer at *Harper’s*. 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Her first piece for the magazine, “[Before the Law](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2014\u002F10\u002F06\u002Fbefore-the-law),” documented the story of Kalief Browder, a teen-ager who spent three years on Rikers Island without being convicted of a crime. The story was a finalist for the 2015 Pulitzer Prize in feature writing. Gonnerman has also written for the magazine about the Philadelphia district attorney’s struggle to remake his office; the efforts of a jailhouse lawyer in New York to free innocent people from prison; and the impact of corrupt police officers on the residents of a housing project in Chicago. She has received numerous honors for her work, including the Livingston Award for Young Journalists, the Meyer Berger Award, from the Columbia University Graduate School of Journalism, and the John Jay College\u002FH. F. Guggenheim Award for Excellence in Criminal Justice Reporting. 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Her stage adaptation, with John Turturro, of “Sabbath’s Theater” opens Off Broad- way this fall.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b81c14b3c606c10946c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b81c14b3c606c10946b_levy-ariel.png"}],"metadata":{"contentType":"photo"}},"bio":"Ariel Levy joined *The New Yorker* as a staff writer in 2008. Her subjects for the magazine have included the South African runner Caster Semenya, the artist Catherine Opie, the swimmer Diana Nyad, and Edith Windsor, the plaintiff in the Supreme Court case that brought down the Defense of Marriage Act. Levy won a National Magazine Award in 2014 for her essay “[Thanksgiving in Mongolia](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia).”\n\nShe is the author of the New York *Times* best-seller “[The Rules Do Not Apply](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0812996933\u002F?ots=1&slotNum=0&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Her first book was “[Female Chauvinist Pigs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1531807437\u002F?ots=1&slotNum=1&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Before joining *The New Yorker*, she was a contributing editor at *New York* magazine.","socialMedia":[{"handle":"avlskies","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"Thanksgiving in Mongolia","dek":"Adventure and heartbreak at the edge of the earth.","promoHed":"Thanksgiving in Mongolia","promoDek":"Adventure and heartbreak at the edge of the earth.","url":"magazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}}]},{"content":"Two teens went to prison for murder. Decades later, a juror learned she ![#article: \u002Farticles\u002F64f9f9e0b730ab45d9bc7562]|||got it wrong|||.","embeds":[{"__typename":"Article","id":"673fa1af9d6278f15aa7c138","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a03e41c7a8e33fb390c05","url":"contributors\u002Frachel-syme","name":"Rachel Syme","title":"Rachel Syme is a staff writer at The New Yorker. She has covered Hollywood, style, and other cultural subjects since 2012. She is the author of “[Syme’s Letter Writer](https:\u002F\u002Fwww.amazon.com\u002FSymes-Letter-Writer-Correspondence-Imaginable\u002Fdp\u002F059323510X),” about the joys of handwritten correspondence. ","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"5e7bc3aeba0e6f0009421c5b","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2020\u002F03\u002F25\u002F5e7bc3aece97b85da38b2206_RachelSyme.png"}],"metadata":{"contentType":"photo"}},"bio":"Rachel Syme, a staff writer, has covered Hollywood, theatre, fashion, television, podcasts, style, and other cultural subjects for *The New Yorker* since 2012. Her recent work includes profiles of the actors [Natasha Lyonne](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F04\u002F11\u002Fin-russian-doll-natasha-lyonne-barrels-into-the-past) and [Sarah Jessica Parker](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F06\u002F26\u002Fsarah-jessica-parker-profile), the director [Sofia Coppola](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F29\u002Fsofia-coppola-profile), the Netflix television executive [Bela Bajaria](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F01\u002F16\u002Fhow-much-more-netflix-can-the-world-absorb-bela-bajaria), the theatre director [Rachel Chavkin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F06\u002F03\u002Fbehind-the-scenes-of-a-short-lived-broadway-musical), the [creators of “PEN15,”](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F12\u002F06\u002Fthe-women-behind-the-thirteen-year-olds-of-pen15) and the [makeup artist Mario Dedivanovic](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2020\u002F09\u002F07\u002Fback-to-school-with-mario-dedivanovic); an homage to the food writer [Laurie Colwin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F10\u002F18\u002Flaurie-colwins-recipe-for-being-yourself-in-the-kitchen); a look into [Nora Ephron](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F08\u002F22\u002Fthe-nora-ephron-we-forget)’s verbal prowess; an essay on the rise of [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F11\u002F27\u002Fmy-name-is-barbra-streisand-memoir-review); an exploration of “[bathfluencers](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fon-and-off-the-avenue\u002Fthe-age-of-bathfluence)”; an interactive feature on [the art of the Hollywood memoir](https:\u002F\u002Fwww.newyorker.com\u002Fbooks\u002Fpage-turner\u002Fcelebrity-memoirs-book-reviews); conversations with [Lena Dunham](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Flena-dunhams-change-of-pace), [Jamie Lee Curtis](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fjamie-lee-curtis-has-never-worked-hard-a-day-in-her-life), [Rick Steves](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Frick-steves-says-hold-on-to-your-travel-dreams), [Kate Berlant](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fkate-berlant-has-nothing-to-confess), [Parker Posey](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fparker-posey-is-dead-serious), [Patti LuPone](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fpatti-lupone-live-from-her-basement), [Mandy Patinkin](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fmandy-patinkin-is-still-singing), and [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fbarbra-streisand-can-hear-herself-again); and short profiles of [Kirsten Dunst](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fkirsten-dunsts-feminine-urges), [Cynthia Nixon](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fcynthia-nixons-emily-thing), and [Anna Deavere Smith](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fanna-deavere-smith-contains-multitudes).\n\nHer cultural criticism and reported features—which focus primarily on the intersections of women’s lives, artistic production, history, and fame—have also appeared in the *Times Magazine*, *New York*, *Vogue*, *Rolling Stone*, and *Vanity Fair*, among other publications. 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He is the author of “[Volume Control: Hearing in a Deafening World](https:\u002F\u002Fwww.amazon.com\u002FControl-Hearing-Deafening-World\u002Fdp\u002F0525534229).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77c14b3c606c10945a","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77c14b3c606c109459_owen-david.png"}],"metadata":{"contentType":"photo"}},"bio":"David Owen has been a staff writer at *The New Yorker* since 1991. He is the author of more than a dozen books, including “[Where the Water Goes: Life and Death Along the Colorado River](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594633770),” which grew out of a [magazine piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2015\u002F05\u002F25\u002Fthe-disappearing-river) published in 2015; “[High School](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0670371491),” about the four months he spent pretending to be a high-school student; “[None of the Above: The Truth Behind the SATs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0847695077),” an exposé of the standardized-testing industry; “[Green Metropolis: Why Living Smaller, Living Closer, and Driving Less Are the Keys to Sustainability](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594484848)”; “[The Conundrum: How Scientific Innovation, Increased Efficiency, and Good Intentions Can Make Our Energy and Climate Problems Worse](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594485615)”; and “[Volume Control: Hearing in a Deafening World](https:\u002F\u002Fwww.amazon.com\u002FControl-Hearing-Deafening-World\u002Fdp\u002F0525534229).”\n\nPreviously, Owen was a contributing editor at *The Atlantic* and a senior writer at *Harper’s*. 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Her stage adaptation, with John Turturro, of “Sabbath’s Theater” opens Off Broad- way this fall.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b81c14b3c606c10946c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b81c14b3c606c10946b_levy-ariel.png"}],"metadata":{"contentType":"photo"}},"bio":"Ariel Levy joined *The New Yorker* as a staff writer in 2008. Her subjects for the magazine have included the South African runner Caster Semenya, the artist Catherine Opie, the swimmer Diana Nyad, and Edith Windsor, the plaintiff in the Supreme Court case that brought down the Defense of Marriage Act. Levy won a National Magazine Award in 2014 for her essay “[Thanksgiving in Mongolia](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia).”\n\nShe is the author of the New York *Times* best-seller “[The Rules Do Not Apply](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0812996933\u002F?ots=1&slotNum=0&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Her first book was “[Female Chauvinist Pigs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1531807437\u002F?ots=1&slotNum=1&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Before joining *The New Yorker*, she was a contributing editor at *New York* magazine.","socialMedia":[{"handle":"avlskies","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"Thanksgiving in Mongolia","dek":"Adventure and heartbreak at the edge of the earth.","promoHed":"Thanksgiving in Mongolia","promoDek":"Adventure and heartbreak at the edge of the earth.","url":"magazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}}]},{"content":"How Maria Callas ![#article: \u002Farticles\u002F5911302bf8fa3e67faf0d2e9]|||lost her voice|||.","embeds":[{"__typename":"Article","id":"673fa1af9d6278f15aa7c138","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a03e41c7a8e33fb390c05","url":"contributors\u002Frachel-syme","name":"Rachel Syme","title":"Rachel Syme is a staff writer at The New Yorker. 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Her recent work includes profiles of the actors [Natasha Lyonne](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F04\u002F11\u002Fin-russian-doll-natasha-lyonne-barrels-into-the-past) and [Sarah Jessica Parker](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F06\u002F26\u002Fsarah-jessica-parker-profile), the director [Sofia Coppola](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F29\u002Fsofia-coppola-profile), the Netflix television executive [Bela Bajaria](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F01\u002F16\u002Fhow-much-more-netflix-can-the-world-absorb-bela-bajaria), the theatre director [Rachel Chavkin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F06\u002F03\u002Fbehind-the-scenes-of-a-short-lived-broadway-musical), the [creators of “PEN15,”](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F12\u002F06\u002Fthe-women-behind-the-thirteen-year-olds-of-pen15) and the [makeup artist Mario Dedivanovic](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2020\u002F09\u002F07\u002Fback-to-school-with-mario-dedivanovic); an homage to the food writer [Laurie Colwin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F10\u002F18\u002Flaurie-colwins-recipe-for-being-yourself-in-the-kitchen); a look into [Nora Ephron](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F08\u002F22\u002Fthe-nora-ephron-we-forget)’s verbal prowess; an essay on the rise of [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F11\u002F27\u002Fmy-name-is-barbra-streisand-memoir-review); an exploration of “[bathfluencers](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fon-and-off-the-avenue\u002Fthe-age-of-bathfluence)”; an interactive feature on [the art of the Hollywood memoir](https:\u002F\u002Fwww.newyorker.com\u002Fbooks\u002Fpage-turner\u002Fcelebrity-memoirs-book-reviews); conversations with [Lena Dunham](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Flena-dunhams-change-of-pace), [Jamie Lee Curtis](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fjamie-lee-curtis-has-never-worked-hard-a-day-in-her-life), [Rick Steves](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Frick-steves-says-hold-on-to-your-travel-dreams), [Kate Berlant](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fkate-berlant-has-nothing-to-confess), [Parker Posey](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fparker-posey-is-dead-serious), [Patti LuPone](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fpatti-lupone-live-from-her-basement), [Mandy Patinkin](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fmandy-patinkin-is-still-singing), and [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fbarbra-streisand-can-hear-herself-again); and short profiles of [Kirsten Dunst](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fkirsten-dunsts-feminine-urges), [Cynthia Nixon](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fcynthia-nixons-emily-thing), and [Anna Deavere Smith](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fanna-deavere-smith-contains-multitudes).\n\nHer cultural criticism and reported features—which focus primarily on the intersections of women’s lives, artistic production, history, and fame—have also appeared in the *Times Magazine*, *New York*, *Vogue*, *Rolling Stone*, and *Vanity Fair*, among other publications. 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He is the author of more than a dozen books, including “[Where the Water Goes: Life and Death Along the Colorado River](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594633770),” which grew out of a [magazine piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2015\u002F05\u002F25\u002Fthe-disappearing-river) published in 2015; “[High School](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0670371491),” about the four months he spent pretending to be a high-school student; “[None of the Above: The Truth Behind the SATs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0847695077),” an exposé of the standardized-testing industry; “[Green Metropolis: Why Living Smaller, Living Closer, and Driving Less Are the Keys to Sustainability](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594484848)”; “[The Conundrum: How Scientific Innovation, Increased Efficiency, and Good Intentions Can Make Our Energy and Climate Problems Worse](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594485615)”; and “[Volume Control: Hearing in a Deafening World](https:\u002F\u002Fwww.amazon.com\u002FControl-Hearing-Deafening-World\u002Fdp\u002F0525534229).”\n\nPreviously, Owen was a contributing editor at *The Atlantic* and a senior writer at *Harper’s*. 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Her first piece for the magazine, “[Before the Law](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2014\u002F10\u002F06\u002Fbefore-the-law),” documented the story of Kalief Browder, a teen-ager who spent three years on Rikers Island without being convicted of a crime. The story was a finalist for the 2015 Pulitzer Prize in feature writing. Gonnerman has also written for the magazine about the Philadelphia district attorney’s struggle to remake his office; the efforts of a jailhouse lawyer in New York to free innocent people from prison; and the impact of corrupt police officers on the residents of a housing project in Chicago. She has received numerous honors for her work, including the Livingston Award for Young Journalists, the Meyer Berger Award, from the Columbia University Graduate School of Journalism, and the John Jay College\u002FH. F. Guggenheim Award for Excellence in Criminal Justice Reporting. 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In 2021, Gonnerman received the National Magazine Award for profile writing for her article “[Survival Story](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2020\u002F08\u002F31\u002Fa-transit-workers-survival-story),” about a New York City bus operator during the pandemic and protests of 2020.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-local-correspondents","name":"Our Local Correspondents"},"channels":[{"name":"Our Local Correspondents"}],"hed":"The Haunted Juror","dek":"In 1987, two innocent teen-agers went to prison for murder. Thirty-seven years later, a juror learned she got it wrong.","promoHed":"The Haunted Juror","promoDek":"In 1987, two innocent teen-agers went to prison for murder. 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Her stage adaptation, with John Turturro, of “Sabbath’s Theater” opens Off Broad- way this fall.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b81c14b3c606c10946c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b81c14b3c606c10946b_levy-ariel.png"}],"metadata":{"contentType":"photo"}},"bio":"Ariel Levy joined *The New Yorker* as a staff writer in 2008. Her subjects for the magazine have included the South African runner Caster Semenya, the artist Catherine Opie, the swimmer Diana Nyad, and Edith Windsor, the plaintiff in the Supreme Court case that brought down the Defense of Marriage Act. Levy won a National Magazine Award in 2014 for her essay “[Thanksgiving in Mongolia](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia).”\n\nShe is the author of the New York *Times* best-seller “[The Rules Do Not Apply](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0812996933\u002F?ots=1&slotNum=0&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Her first book was “[Female Chauvinist Pigs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1531807437\u002F?ots=1&slotNum=1&imprToken=04bfaaf6-29a6-e9e0-b42&tag=thneyo0f-20).” Before joining *The New Yorker*, she was a contributing editor at *New York* magazine.","socialMedia":[{"handle":"avlskies","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"Thanksgiving in Mongolia","dek":"Adventure and heartbreak at the edge of the earth.","promoHed":"Thanksgiving in Mongolia","promoDek":"Adventure and heartbreak at the edge of the earth.","url":"magazine\u002F2013\u002F11\u002F18\u002Fthanksgiving-in-mongolia","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fda019dfc3494e9fd8f\u002Fmaster\u002Fpass\u002F131118_r24292.jpg","altText":"An illustration of a backpacker walking between two mountains by bridge ","aspectRatios":[{"name":"2:1","url":null,"width":2149,"height":1074,"format":null,"modifications":{"crop":{"height":1074,"width":2149,"x":0,"y":916}}},{"name":"2:2","url":null,"width":971,"height":971,"format":null,"modifications":{"crop":{"height":971,"width":971,"x":600,"y":1016}}},{"name":"16:9","url":null,"width":2141,"height":1204,"format":null,"modifications":{"crop":{"height":1204,"width":2141,"x":8,"y":877}}},{"name":"4:3","url":null,"width":2146,"height":1610,"format":null,"modifications":{"crop":{"height":1610,"width":2146,"x":3,"y":631}}},{"name":"1:1","url":null,"width":1917,"height":1917,"format":null,"modifications":{"crop":{"height":1917,"width":1917,"x":111,"y":221}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fda019dfc3494e9fd8d_131118_r24292.jpg","width":2150,"height":2560,"format":"JPEG","modifications":null}],"caption":"","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Jeffrey Decoster","filename":"131118_r24292.jpg","id":"59095fda019dfc3494e9fd8f","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}}]},{"content":"Personal History: ![#article: \u002Farticles\u002F5911cfeee168895225c1e5b6]|||Thanksgiving in Mongolia|||.","embeds":[{"__typename":"Article","id":"673fa1af9d6278f15aa7c138","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a03e41c7a8e33fb390c05","url":"contributors\u002Frachel-syme","name":"Rachel Syme","title":"Rachel Syme is a staff writer at The New Yorker. She has covered Hollywood, style, and other cultural subjects since 2012. She is the author of “[Syme’s Letter Writer](https:\u002F\u002Fwww.amazon.com\u002FSymes-Letter-Writer-Correspondence-Imaginable\u002Fdp\u002F059323510X),” about the joys of handwritten correspondence. ","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"5e7bc3aeba0e6f0009421c5b","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2020\u002F03\u002F25\u002F5e7bc3aece97b85da38b2206_RachelSyme.png"}],"metadata":{"contentType":"photo"}},"bio":"Rachel Syme, a staff writer, has covered Hollywood, theatre, fashion, television, podcasts, style, and other cultural subjects for *The New Yorker* since 2012. Her recent work includes profiles of the actors [Natasha Lyonne](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F04\u002F11\u002Fin-russian-doll-natasha-lyonne-barrels-into-the-past) and [Sarah Jessica Parker](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F06\u002F26\u002Fsarah-jessica-parker-profile), the director [Sofia Coppola](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F29\u002Fsofia-coppola-profile), the Netflix television executive [Bela Bajaria](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F01\u002F16\u002Fhow-much-more-netflix-can-the-world-absorb-bela-bajaria), the theatre director [Rachel Chavkin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F06\u002F03\u002Fbehind-the-scenes-of-a-short-lived-broadway-musical), the [creators of “PEN15,”](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F12\u002F06\u002Fthe-women-behind-the-thirteen-year-olds-of-pen15) and the [makeup artist Mario Dedivanovic](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2020\u002F09\u002F07\u002Fback-to-school-with-mario-dedivanovic); an homage to the food writer [Laurie Colwin](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2021\u002F10\u002F18\u002Flaurie-colwins-recipe-for-being-yourself-in-the-kitchen); a look into [Nora Ephron](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F08\u002F22\u002Fthe-nora-ephron-we-forget)’s verbal prowess; an essay on the rise of [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F11\u002F27\u002Fmy-name-is-barbra-streisand-memoir-review); an exploration of “[bathfluencers](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fon-and-off-the-avenue\u002Fthe-age-of-bathfluence)”; an interactive feature on [the art of the Hollywood memoir](https:\u002F\u002Fwww.newyorker.com\u002Fbooks\u002Fpage-turner\u002Fcelebrity-memoirs-book-reviews); conversations with [Lena Dunham](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Flena-dunhams-change-of-pace), [Jamie Lee Curtis](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fjamie-lee-curtis-has-never-worked-hard-a-day-in-her-life), [Rick Steves](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Frick-steves-says-hold-on-to-your-travel-dreams), [Kate Berlant](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fkate-berlant-has-nothing-to-confess), [Parker Posey](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fparker-posey-is-dead-serious), [Patti LuPone](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fpatti-lupone-live-from-her-basement), [Mandy Patinkin](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fmandy-patinkin-is-still-singing), and [Barbra Streisand](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-new-yorker-interview\u002Fbarbra-streisand-can-hear-herself-again); and short profiles of [Kirsten Dunst](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fkirsten-dunsts-feminine-urges), [Cynthia Nixon](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fcynthia-nixons-emily-thing), and [Anna Deavere Smith](https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fpersons-of-interest\u002Fanna-deavere-smith-contains-multitudes).\n\nHer cultural criticism and reported features—which focus primarily on the intersections of women’s lives, artistic production, history, and fame—have also appeared in the *Times Magazine*, *New York*, *Vogue*, *Rolling Stone*, and *Vanity Fair*, among other publications. 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He is the author of more than a dozen books, including “[Where the Water Goes: Life and Death Along the Colorado River](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594633770),” which grew out of a [magazine piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2015\u002F05\u002F25\u002Fthe-disappearing-river) published in 2015; “[High School](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0670371491),” about the four months he spent pretending to be a high-school student; “[None of the Above: The Truth Behind the SATs](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0847695077),” an exposé of the standardized-testing industry; “[Green Metropolis: Why Living Smaller, Living Closer, and Driving Less Are the Keys to Sustainability](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594484848)”; “[The Conundrum: How Scientific Innovation, Increased Efficiency, and Good Intentions Can Make Our Energy and Climate Problems Worse](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1594485615)”; and “[Volume Control: Hearing in a Deafening World](https:\u002F\u002Fwww.amazon.com\u002FControl-Hearing-Deafening-World\u002Fdp\u002F0525534229).”\n\nPreviously, Owen was a contributing editor at *The Atlantic* and a senior writer at *Harper’s*. 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",["a",{"href":"https:\u002F\u002Fpod.link\u002FEAxjj.google?pdst_key=df1e65c3eb684bbabcda953605e811ee&pdst_group=83a946fcfb264355b29c24a0dd34adf2&pdst_label=bj0vajYd","rel":"nofollow noopener","attributes":{"data-offer-url":"https:\u002F\u002Fpod.link\u002FEAxjj.google?pdst_key=df1e65c3eb684bbabcda953605e811ee&pdst_group=83a946fcfb264355b29c24a0dd34adf2&pdst_label=bj0vajYd"},"isExternal":true},"Google"]," | ",["a",{"href":"https:\u002F\u002Flink.chtbl.com\u002FIDDfK8Wb","rel":"nofollow noopener","attributes":{"data-offer-url":"https:\u002F\u002Flink.chtbl.com\u002FIDDfK8Wb"},"isExternal":true},"Wherever You Listen"]],["cm-unit"],["p",{"class":"paywall"},["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fnewsletter\u002Fnews-politics","isExternal":false},["em","Sign up"]]," ",["em","to receive our twice-weekly News & Politics newsletter."]],["hr",{"class":"paywall"}],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"The Washington Roundtable discusses the 2024 election with the historian Michael Beschloss, before a live audience at The New Yorker Festival, on October 26th. He calls this election a “turning point” as monumental as the election of 1860—on the eve of the Civil War—and that of 1940, when the U.S. was deciding whether to adopt or fight Fascism. “I think Donald Trump meets most of the parts of the definition of the word ‘fascist,’ ” Beschloss says. “You go through all of American history, and you cannot find another major-party nominee who has promised to be dictator for a day, which we all know will not be only for a day.” But, if Trump does return to the White House, he adds, there is still hope that the rule of law, public protest, and the presence of state capitals free of federal domination will allow the U.S. to resist autocracy."]],["p",{"class":"paywall"},"This week’s reading:"],["ul",{"class":"paywall"},["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fletter-from-bidens-washington\u002Fgarbage-time-at-the-2024-finish-line","isExternal":false},"Garbage Time at the 2024 Finish Line"],",” by Susan B. Glasser"],["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fthe-political-scene\u002Fsafeguarding-the-pennsylvania-election","isExternal":false},"Safeguarding the Pennsylvania Election"],",” by Eliza Griswold"],["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fthe-lede\u002Fthe-fight-over-truth-in-a-blue-collar-pennsylvania-county","isExternal":false},"The Fight Over Truth in a Blue-Collar Pennsylvania County"],",” by Clare Malone"],["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F11\u002F11\u002Fstanding-up-to-trump","isExternal":false},"Standing Up to Trump"],",” by David Remnick"],["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fthe-lede\u002Fthe-trump-show-comes-to-madison-square-garden","isExternal":false},"The Trump Show Comes to Madison Square Garden"],",” by Andrew Marantz"],["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fthe-lede\u002Fthe-obamas-campaign-for-kamala-harris","isExternal":false},"The Obamas Campaign for Kamala Harris"],",” by Emily Witt"],["li","“",["a",{"href":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F11\u002F04\u002Ftrumps-health-and-ours","isExternal":false},"Trump’s Health, and Ours"],",” by Dhruv Khullar"]],["p",{"class":"paywall"},"Tune in ",["a",{"href":"https:\u002F\u002Flink.chtbl.com\u002Fp7tKbZe1","rel":"nofollow noopener","attributes":{"data-offer-url":"https:\u002F\u002Flink.chtbl.com\u002Fp7tKbZe1"},"isExternal":true},"wherever you get your podcasts"],"."]],"pageStructure":[["inline-embed",200,"iframe"],["p",20],["cm-unit",0],["p",12],["hr",0],["inline-embed",298,"callout"],["p",3],["ul",156],["p",9]],"hasAffiliateLinks":false,"affiliateLinksCount":0,"isCommerceContent":false,"contributorSpotLightProps":{"header":{"name":"Susan B. Glasser","title":"Susan B. Glasser, a staff writer at *The New Yorker*, has a [weekly column on life in Washington](https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fletter-from-bidens-washington) and is a host of the [Political Scene podcast](https:\u002F\u002Flink.chtbl.com\u002Fthepoliticalscene). She is also a co-author of “[The Divider: Trump in the White House, 2017-2021](https:\u002F\u002Fwww.amazon.com\u002FDivider-Trump-White-House-2017-2021\u002Fdp\u002F038554653X\u002F).” ","url":"\u002Fcontributors\u002Fsusan-b-glasser","image":{"altText":"","sources":{"sm":{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"md":{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"lg":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"xl":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"xxl":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}},"segmentedSources":{"sm":[{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}],"lg":[{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59e12fa4dee52728165932e8\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}]}},"dangerousBio":"\u003Ca href=\"\u002Fcontributors\u002Fsusan-b-glasser\"\u003ESusan B. 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Glasser\u003C\u002Fa\u003E, a staff writer at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E based in Washington, D.C., writes a \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fletter-from-bidens-washington\"\u003Eweekly column on life in Washington\u003C\u002Fa\u003E and is a host of the \u003Ca href=\"https:\u002F\u002Flink.chtbl.com\u002Fthepoliticalscene\"\u003EPolitical Scene podcast\u003C\u002Fa\u003E.\nGlasser has served as the top editor of several Washington publications, including Politico, where she founded the award-winning \u003Cem\u003EPolitico Magazine\u003C\u002Fem\u003E,... \u003Ca href=\"\u002Fcontributors\u002Fsusan-b-glasser\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Fsusan-b-glasser\"\u003ESusan B. Glasser\u003C\u002Fa\u003E, a staff writer at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E, has a \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fletter-from-bidens-washington\"\u003Eweekly column on life in Washington\u003C\u002Fa\u003E and is a host of the \u003Ca href=\"https:\u002F\u002Flink.chtbl.com\u002Fthepoliticalscene\"\u003EPolitical Scene podcast\u003C\u002Fa\u003E. She is also a co-author of “\u003Ca href=\"https:\u002F\u002Fwww.amazon.com\u002FDivider-Trump-White-House-2017-2021\u002Fdp\u002F038554653X\u002F\"\u003EThe Divider: Trump in the White House, 2017-2021\u003C\u002Fa\u003E.”","name":"Susan B. 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The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the \u003Cem\u003EWall Street Journal\u003C\u002Fem\u003E, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the... \u003Ca href=\"\u002Fcontributors\u002Fjane-mayer\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Fjane-mayer\"\u003EJane Mayer\u003C\u002Fa\u003E, The New Yorker’s chief Washington correspondent, is the author of “\u003Ca href=\"https:\u002F\u002Fwww.amazon.com\u002FDark-Money-History-Billionaires-Radical\u002Fdp\u002F0307947904\"\u003EDark Money\u003C\u002Fa\u003E” and the winner of Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.”","name":"Jane Mayer","photo":{"altText":"","sources":{"sm":{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"md":{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"lg":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"xl":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"xxl":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}},"segmentedSources":{"sm":[{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}],"lg":[{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097b74ebe912338a378654\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}]}},"socialMedia":[],"url":"\u002Fcontributors\u002Fjane-mayer"},{"dangerousBio":"\u003Ca href=\"\u002Fcontributors\u002Fevan-osnos\"\u003EEvan Osnos\u003C\u002Fa\u003E joined \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E as a staff writer in 2008. His coverage ranges from politics and foreign affairs to white-collar crime and espionage. He has written Profiles of Joe Biden and Xi Jinping, visited North Korea during the nuclear crisis of 2017, and reported from the siege at... \u003Ca href=\"\u002Fcontributors\u002Fevan-osnos\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Fevan-osnos\"\u003EEvan Osnos\u003C\u002Fa\u003E is a staff writer at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E covering politics and foreign affairs. 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