Calenda - Des v茅cus aux r茅cits de la postmigration

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class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2025&fmonth=04&fday=15">15</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2025&fmonth=04">avr</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2025">2025</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=220">Migrations, immigrations, minorit茅s</a></li> <li><a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=269">Litt茅ratures</a></li> <li><a href="search?primary=fsubject&fsubject=285">Sciences de l'茅ducation</a></li> <li><a href="search?primary=fsubject&fsubject=300">Sociologie des religions</a></li> <li><a href="search?primary=fsubject&fsubject=281">Identit茅s culturelles</a></li> <li><a href="search?primary=fsubject&fsubject=211">Sociologie de la culture</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1248891">Des v茅cus aux r茅cits de la postmigration</a></h1> <p class="origd">R茅inventer la narration de soi et du monde dans les soci茅t茅s europ茅ennes pluralistes</p> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le vendredi 04 avril 2025 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-1248891-fr" class="tabContent" lang="fr" xml:lang="fr"> <p class="MsoNormal" style="text-align: left;">Ce colloque interdisciplinaire entend susciter le dialogue entre tous les arts et toutes les disciplines qui, d’une façon ou d’une autre, s’attachent à raconter ou à faire parler les traces et histoires que la migration laisse dans les différentes strates des sociétés européennes contemporaines. Pensé dans un esprit comparatiste, il encourage aussi la rencontre d’études menées sur les récits de la postmigration dans différents contextes culturels et linguistiques européens (Allemagne, Belgique, France, Italie, Espagne, Scandinavie, Royaume-Uni, etc.).</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1248891-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#annonce-1248891-en" hreflang="en">English</a> </div> <div id="annonce-1248891-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;"><span lang="FR">Le colloque se tiendra à l’Université catholique de Louvain (Louvain-la-Neuve, Belgique) du 17 au 19 septembre 2025.</span></p> <h1>Argumentaire</h1> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Développée et portée par le monde universitaire germanophone, régulièrement mobilisée par la critique anglophone et scandinave, encore peu utilisée dans les études francophones et italophones, la postmigration se présente comme un tournant dans les discours sur la migration, qui, en abolissant l’opposition binaire entre migrants et non-migrants, permet d’envisager l’immigration comme une composante intrinsèque des sociétés européennes. Le colloque « Des vécus aux récits de la postmigration » s’inscrit dans le cadre de ce tournant épistémologique et analytique en cours. Il cherche à voir comment la postmigration amène à retravailler, voire à redéfinir les récits que l’on peut écrire, raconter ou reconstituer à partir des vécus et des expériences en lien avec la migration. Il s’intéresse aux postures, stratégies, dispositifs et contenus narratifs qui peuvent émerger des épreuves, des négociations, des conflits ou des alliances survenant au sein des sociétés européennes confrontées à la diversité impliquée par la migration.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Conscient des différents sens qui peuvent être prêtés à la postmigration, le colloque fait volontairement le choix d’entendre celle-ci dans son acception la plus large. Il invite ainsi à réfléchir sur les récits de personnes postmigrantes, entendus comme des descendants d’immigrés qui n’ont pas connu directement l’expérience migratoire. Mais il encourage aussi l’étude de récits consacrés aux sociétés postmigrantes définies comme des sociétés transformées par l’immigration. Enfin, il peut aussi être le lieu d’une perspective postmigrante sur le récit saisi comme pratique elle-même restructurée par l’immigration.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Résolument pluraliste, le colloque entend susciter le dialogue entre tous les arts et toutes les disciplines qui, d’une façon ou d’une autre, s’attachent à raconter ou à faire parler les traces et histoires que la migration laisse dans les différentes strates des sociétés européennes contemporaines. Pensé dans un esprit comparatiste, il encourage aussi la rencontre d’études menées sur les récits de la postmigration dans différents contextes culturels et linguistiques européens (Allemagne, Belgique, France, Italie, Espagne, Scandinavie, Royaume-Uni, etc.).</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Issues de diverses disciplines, portant sur différents arts et cultures, les communications auront pour point commun d’explorer les récits postmigrants de soi et du monde. Ces récits pourront être abordés à travers toutes les dimensions du vécu individuel et collectif susceptibles de donner lieu à une forme de narration. Identité, hybridité, traumatisme ou épreuve sont quelques mots-clés qui pourront guider le récit du rapport à soi. Histoire connectée, mémoire et postmémoire sont autant de concepts qui pourront être mobilisés pour le récit du rapport au temps. Quant au rapport à l’espace, il pourra être saisi à travers les récits de lieux privés et publics qui portent des traces de la migration. Une attention particulière sera également prêtée à la dimension religieuse entendue comme composante qui structure autant le rapport à soi que le rapport au monde. À côté des pistes fournies ici à titre indicatif, de nombreuses autres dimensions pourront être envisagées.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Tout en pouvant aborder un vaste éventail de récits à partir de dimensions variées, les communications devront répondre à l’un des axes suivants.</span></p> <h3><span lang="FR">1) Récits littéraires de la postmigration.</span> </h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Cet axe s’intéressera aux formes et aux contenus qui définissent le récit de la postmigration depuis les genres canoniques (roman, autofiction, autobiographie, etc.) jusqu’aux genres à la reconnaissance plus récente (rap, slam, etc.). Il s’agira d’explorer les ressources thématiques, sémiotiques, pragmatiques, linguistiques et narratives dont chaque genre dispose pour raconter et interroger les vécus propres aux individus ou aux sociétés postmigrantes. Les récits littéraires pourront aussi être envisagés comme des laboratoires de l’imaginaire qui permettent d’expérimenter de nouvelles configurations de l’identité, de la mémoire et de l’espace, qui restent largement à construire dans les sociétés pluralistes contemporaines. Les récits littéraires pourront enfin être étudiés des outils de reconnaissance qui font entendre les voix usuellement dominées et qui &oelig;uvrent ainsi à l’établissement d’une nouvelle communauté imaginée.</span></p> <h3><span lang="FR">2) Récits visuels de la postmigration</span><span lang="FR">. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Les réflexions porteront ici sur les productions artistiques, culturelles et médiatiques qui donnent une place centrale à l’image dans le récit de la postmigration (cinéma, documentaire, récit photographique, etc.). L’enjeu sera de mettre en évidence comment l’image offre des ressources spécifiques pour raconter et transmettre des vécus individuels et collectifs transformés par l’immigration. On pourra aussi interroger toutes les techniques (de composition, de montage) par lesquelles une image est amenée à narrer l’histoire des individus ou des sociétés postmigrantes en Europe. Dans cette optique, on pourra être particulièrement attentif aux récits qui rendent visibles les traces de la migration dans l’espace urbain et qui conduisent ainsi les lieux à raconter l’histoire, souvent silenciée, qu’ils conservent de l’immigration en Europe.</span></p> <h3><span lang="FR">3) Récits postmigrants des études de terrain en sciences sociales. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Cet axe portera sur les modes d’enquête qui, en anthropologie et en sociologie, permettent d’amener les populations immigrées et leurs descendants à se raconter selon une perspective « démigrantisée ». Il sera possible de réfléchir aux formes de récit qui permettent de rendre compte de l’expérience des personnes interrogées comme d’une composante intrinsèque aux sociétés européennes. Dans cette optique, on pourra être particulièrement attentif aux récits scientifiques qui, à partir de trajectoires de vie concrètes, redéfinissent les histoires et les identités européennes par l’intégration de référents culturels, tels que l’islam, dans un horizon pluraliste où ils cessent d’être tenus pour étrangers.</span></p> <h3><span lang="FR">4) Récits historiques de la postmigration. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Il s’agira ici d’analyser et d’illustrer comment la postmigration permet de produire un contre-discours aux formes dominantes de l’histoire nationale. Dans cette optique, notamment dans le prolongement des travaux de Duncan S.A. Bell sur le « mythscape » (2003), on pourra s’intéresser aux conditions d’écriture et de réception d’une historiographie transnationale et connectée permettant de rendre compte de la formation et de l’évolution des sociétés européennes postmigrantes.</span></p> <h3><span lang="FR">5) Récits postmigrants et éducation. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Cet axe s’intéressera à la manière dont l’usage du récit peut contribuer à affronter les défis pédagogiques que suppose le multiculturalisme en classe dans les sociétés européennes de la postmigration. Il s’agira également d’explorer et de détailler des activités et des dispositifs pédagogiques novateurs à travers lesquels les élèves et les étudiants peuvent partager des histoires personnelles profondément liées à l’immigration et à la diversité des héritages culturels et religieux.</span></p> <h3><span lang="FR">6) Récits postmigrants et engagement.</span> </h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Cet axe se demandera comment le récit peut fonctionner comme une forme d’engagement face aux enjeux sociétaux liés à la pluralité des héritages culturels et religieux. Il s’agira notamment d’explorer si, pour faire valoir leur point de vue spécifique à travers le récit, les individus investissent en particulier certains domaines du vécu personnel ou collectif (développement personnel, questions relatives au corps, prises de position politique, etc.). Il faudra aussi s’interroger sur les modalités par lesquelles les récits traduisent l’engagement de leur auteur. Il sera également intéressant d’étudier les valeurs qui sous-tendent l’engagement et qui se trouvent exprimées dans le récit.</span></p> <h3><span lang="FR">7) Récits postmigrants et réception. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Cet axe s’intéressera à la façon dont les récits de la postmigration préparent leur propre réception. On pourra notamment étudier comment les récits jouent avec l’horizon d’attente du récepteur suivant l’usage qu’ils font des stéréotypes et des conventions génériques. Il s’agira également de voir comment le récit, en tant qu’acte communicationnel, est construit afin de transmettre un message tenant compte du contexte pluraliste dans lequel il est émis. On pourra enfin envisager l’image du récepteur que construit le récit et, en lien avec l’axe précédent, le type d’engagement qu’il cherche à susciter auprès de son destinataire implicite.</span></p> <h1 class="MsoNormal">Modalités de contribution</h1> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Les communications pourront être réalisées en anglais, en français, en allemand ou en italien. Les propositions, consistant en un titre, un abstract (environ 300 mots) et une brève notice bio-bibliographique, sont à envoyer à Amaury Dehoux (</span><strong><span lang="FR">amaury.dehoux@uclouvain.be</span></strong><span lang="FR">), Hubert Roland (</span><strong><span lang="FR">hubert.roland@uclouvain.be</span></strong><span lang="FR">) et Letizia Sassi (</span><strong><span lang="FR">letizia.sassi@uclouvain.be</span></strong><span lang="FR">), </span></p> <h3 class="MsoNormal"><span lang="FR">pour le 30 avril 2025 au plus tard.</span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Des panels peuvent également être proposés. Nous demandons à l’organisateur/organisatrice du panel de nous envoyer un document reprenant le titre et le programme du panel, avec un abstract de chaque communication (environ 300 mots) et une présentation bio-bibliographique de chaque intervenant. Dans ce cas aussi, les propositions sont à envoyer à Amaury Dehoux (</span><strong><span lang="FR">amaury.dehoux@uclouvain.be</span></strong><span lang="FR">), Hubert Roland (</span><strong><span lang="FR">hubert.roland@uclouvain.be</span></strong><span lang="FR">) et Letizia Sassi (</span><strong><span lang="FR">letizia.sassi@uclouvain.be</span></strong><span lang="FR">), </span></p> <h3 class="MsoNormal"><span lang="FR">pour le 15 avril 2025 au plus tard. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="FR">Les réponses à toutes les propositions seront communiquées le 15 mai 2025 au plus tard.</span></p> <h1><span lang="FR-BE">Comité organisateur</span></h1> <ul> <li class="MsoNormal"><span lang="FR-BE">Amaury Dehoux (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Gloria Coscia (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Serena Finotello (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Costantino Maeder (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Brigitte Maréchal (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Helga Mitterbauer (ULB)</span></li> <li class="MsoNormal"><span lang="FR-BE">Hubert Roland (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Letizia Sassi (UCLouvain)</span></li> </ul> <h1><span lang="FR-BE">Comité scientifique</span></h1> <p style="text-align: left;"><span lang="FR-BE">(en charge de l’évaluation)</span></p> <ul> <li class="MsoNormal"><span lang="FR-BE">Michel Agier (École des Hautes Études en Sciences Sociales)</span></li> <li class="MsoNormal"><span lang="FR-BE">Marion Coste (Sorbonne Université)</span></li> <li class="MsoNormal"><span lang="FR-BE">Hamza Esmili (FNRS/ULB)</span></li> <li class="MsoNormal"><span lang="FR-BE">Jacopo Ferrari (Università degli Studi du Milano)*</span></li> <li class="MsoNormal"><span lang="FR-BE">Romuald Fonkoua (Sorbonne Université)</span></li> <li class="MsoNormal"><span lang="EN-US">Myriam Geiser (Université Grenoble Alpes)</span></li> <li class="MsoNormal"><span lang="NL-BE">Kathleen Gyssels (Universiteit Antwerpen)</span></li> <li class="MsoNormal"><span lang="NL-BE">Marc Hill (Universität Innsbruck)*</span></li> <li class="MsoNormal"><span lang="NL-BE">Massime Leone </span><span lang="FR-BE">(Università di Torino)</span></li> <li class="MsoNormal"><span lang="EN-US">Walter Lesch (UCLouvain)</span></li> <li class="MsoNormal"><span lang="NL-BE">Katrien Lievois (Universiteit Antwerpen)</span></li> <li class="MsoNormal"><span lang="FR-BE">Gabriele Marino (Università di Torino)</span></li> <li class="MsoNormal"><span lang="FR-BE">Marco Martiniello (FNRS/Université de Liège)</span></li> <li class="MsoNormal"><span lang="EN-US">Jacinthe Mazzocchetti (UCLouvain)</span></li> <li class="MsoNormal"><span lang="EN-US">Anne Ring Petersen (University of Copenhagen)</span></li> <li class="MsoNormal"><span lang="NL-BE">Tiziana de Rogatis (Università per Stranieri di Siena)</span></li> <li class="MsoNormal"><span lang="NL-BE">Moritz Schramm (University of Southern Denmark)</span></li> <li class="MsoNormal"><span lang="NL-BE">Wiebke Sievers (Österreichische Akademie der Wissenschaften)</span></li> </ul> </div> <div id="annonce-1248891-en" class="tabContent hidden" lang="en" xml:lang="en"> <p style="text-align: left;"><span lang="EN-US">The conference will be held at Université catholique de Louvain (Louvain-la-Neuve, Belgium), from September 17 to 19, 2025.</span></p> <h1>Argument</h1> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">Developed and promoted by the German-speaking academic community, frequently mobilized by Anglophone and Scandinavian scholars, yet less used in Francophone and Italophone research, the concept of <em>postmigration</em> marks a significant shift in migration discourses. By dissolving the binary opposition between migrants and non-migrants, it allows immigration to be regarded as an intrinsic component of European societies. The conference “From Experiences to Storytelling of Postmigration”<strong> </strong>aligns with this ongoing epistemological and analytical transformation. It aims to explore how postmigration thinking is reshaping the narratives that can be written, spoken, or reconstructed from migration-related experiences. The conference will examine the stances, strategies, frameworks, and narrative content which emerge from the challenges, negotiations, conflicts, and alliances arising within European societies facing the diversity implied by migration.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">Recognizing the diverse interpretations of <em>postmigration</em>, the conference deliberately embraces the term in its broadest sense. It invites exploration of the narratives of postmigrant individuals—descendants of immigrants who have not directly experienced migration. It also encourages the study of narratives about postmigrant societies, understood as societies transformed by immigration. Finally, the conference offers a space for considering a postmigrant perspective on storytelling as a practice reshaped by the dynamics of migration.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">Resolutely pluralistic, the conference seeks to foster dialogues across the arts and disciplines which, in various ways, aim to express or give voice to the traces and stories left by migration within contemporary European societies. Designed with a comparative approach, it also promotes the exchange of studies on postmigration narratives across different European cultural and linguistic contexts (Germany, Belgium, France, Italy, Spain, Scandinavia, the United Kingdom, and more).</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">Drawing on a range of disciplines, arts, and cultures, the papers will explore postmigrant narratives of the self and the world. These narratives will be examined through various dimensions of individual and collective experience likely to result in a form of storytelling. Key themes such as identity, hybridity, trauma, and struggle will guide the exploration of the narratives of the self. Concepts like connected history, memory, and postmemory could be employed to narrate the postmigrant relationship with time. The postmigrant connection to space will be approached through narratives of private and public spaces that bear the marks of migration. Special attention will also be given to the religious dimension, understood as a factor which shapes both the relationship to the self and to the world. Beyond these indicative themes, many other dimensions of postmigrant experience may also be considered.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">While a broad spectrum of narratives can be covered from various perspectives, proposals should focus on one of the following themes.</span></p> <h3><span lang="EN-US">1) Literary Narratives of Postmigration. </span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">This theme will examine the forms and content that characterize postmigration narratives, ranging from traditional genres (novel, autofiction, autobiography, etc.) to more recent forms (rap, slam, podcast, etc.). The objective is to explore the thematic, semiotic, pragmatic, linguistic, and narrative strategies employed by each genre to recount and interrogate the experiences of postmigrant individuals and societies. Literary narratives can also be addressed as laboratories for the imagination, offering spaces to experiment with new configurations of identity, memory, and space—elements still to be actively (re)constructed in today’s pluralistic societies. Finally, literary works can be studied as tools of recognition, giving a voice to those often marginalized, and contributing to the creation of a new imagined community.</span></p> <h3><span lang="EN-US">2) Visual Narratives of Postmigration.</span> </h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">This theme will focus on artistic, cultural, and media productions which place the image at the heart of postmigration narratives (such as cinema, documentary, photography, etc.). The aim is to explore how visual media provide unique resources for representing and conveying the individual and collective experiences reshaped by immigration. It will also be possible to analyze the techniques—such as composition and editing—applied to make the image tell the stories of postmigrant individuals and societies in Europe. Particular attention will be given to narratives that reveal the traces of migration within urban spaces, as public places often silently bear witness to the history of immigration to Europe.</span></p> <h3><span lang="EN-US">3) Postmigrant Narratives in Social Science Fieldwork.</span></h3> <p class="MsoNormal" style="text-align: left;"><em><span lang="EN-US"> </span></em><span lang="EN-US">This theme will focus on the methods of inquiry employed in anthropology and sociology to enable immigrant populations and their descendants to tell their own stories from a “demigrantized” perspective. It will explore the forms of narrative that allow for the experience of interviewees to be understood as an integral part of European societies. Special attention will be given to scholarly narratives that, grounded in real-life trajectories, redefine European histories and identities by incorporating cultural references, such as Islam, into a pluralistic framework where they are no longer considered foreign.</span></p> <h3><span lang="EN-US">4) Historical Narratives of Postmigration.</span> </h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">This theme aims to analyze and demonstrate how postmigration can generate a counter-discourse to dominant national histories. Drawing on Duncan S.A. Bell’s concept of the “mythscape” (2003), it will examine the conditions under which transnational and connected historiographies are written and received so as to offer an account of the formation and evolution of postmigrant European societies, challenging conventional narratives and highlighting the diverse histories that shape contemporary Europe.</span></p> <h3><span lang="EN-US">5) Postmigrant Narratives and Education.</span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US"> This theme will explore how narrative can address the pedagogical challenges of multiculturalism in classrooms within postmigrant European societies. It will also examine innovative educational practices and strategies that enable students to share personal stories deeply connected to immigration, and the diversity of cultural and religious heritages.</span></p> <h3><span lang="EN-US">6) Postmigrant Narratives and Commitment.</span> </h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">This theme will examine how storytelling functions as a form of engagement with the diversity of cultural and religious heritages. More specifically, it will explore whether individuals, in asserting their unique perspectives through narrative, draw upon specific aspects of personal or collective experience—such as personal development, issues related to the body, or political stances. Additionally, the theme will investigate how stories reflect the commitment of their authors, as well as the values underlying this commitment, which are often embedded in the narrative itself.</span></p> <h3><span lang="EN-US">7) Postmigrant Narratives and Reception.</span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US"> This theme will explore how postmigration narratives actively shape their own reception. In particular, it will examine how these narratives engage with the audience’s expectations, often playing with stereotypes and genre conventions. The focus will also extend to how the narrative, as a communicative act, is crafted to convey a message that takes into account the pluralistic context in which it is shared. Lastly, the theme will consider the image of the audience constructed by the narrative, and, in relation to the previous theme, explore the type of commitment the narrative seeks to inspire in its implicit audience.</span></p> <h1 class="MsoNormal"><span lang="EN-US">Submission guidelines <br></span></h1> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">Papers may be presented in English, French, German or Italian. Proposals, including a title, an abstract (approximately 300 words) and a brief bio-bibliographical note, should be sent to Amaury Dehoux (</span><strong><span lang="EN-US">amaury.dehoux@uclouvain.be</span></strong><span lang="EN-US">), Hubert Roland (</span><strong><span lang="EN-US">hubert.roland@uclouvain.be</span></strong><span lang="EN-US">) and Letizia Sassi (</span><strong><span lang="EN-US">letizia.sassi@uclouvain.be</span></strong><span lang="EN-US">)</span></p> <h3 class="MsoNormal"><span lang="EN-US">before April 30, 2025.</span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">We also welcome panel proposals. The organizer is asked to send the title and program of the panel, including an abstract for each paper (approximately 300 words), and a brief bio-bibliographical note for each speaker. Proposals should also be sent to Amaury Dehoux (</span><strong><span lang="EN-US">amaury.dehoux@uclouvain.be</span></strong><span lang="EN-US">), Hubert Roland (</span><strong><span lang="EN-US">hubert.roland@uclouvain.be</span></strong><span lang="EN-US">) and Letizia Sassi (</span><strong><span lang="EN-US">letizia.sassi@uclouvain.be</span></strong><span lang="EN-US">) </span></p> <h3 class="MsoNormal"><span lang="EN-US">before April 15, 2025.</span></h3> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">All submitters will be notified of the outcome of their proposal </span><span lang="EN-US">by May 15, 2025 at the latest.</span></p> <h1><span lang="FR-BE">Comité organisateur</span></h1> <ul> <li class="MsoNormal"><span lang="FR-BE">Amaury Dehoux (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Gloria Coscia (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Serena Finotello (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Costantino Maeder (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Brigitte Maréchal (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Helga Mitterbauer (ULB)</span></li> <li class="MsoNormal"><span lang="FR-BE">Hubert Roland (UCLouvain)</span></li> <li class="MsoNormal"><span lang="FR-BE">Letizia Sassi (UCLouvain)</span></li> </ul> <h1><span lang="FR-BE">Comité scientifique </span></h1> <ul> <li><span lang="FR-BE">(en charge de l’évaluation)</span></li> <li class="MsoNormal"><span lang="FR-BE">Michel Agier (École des Hautes Études en Sciences Sociales)</span></li> <li class="MsoNormal"><span lang="FR-BE">Marion Coste (Sorbonne Université)</span></li> <li class="MsoNormal"><span lang="FR-BE">Hamza Esmili (FNRS/ULB)</span></li> <li class="MsoNormal"><span lang="FR-BE">Jacopo Ferrari (Università degli Studi du Milano)*</span></li> <li class="MsoNormal"><span lang="FR-BE">Romuald Fonkoua (Sorbonne Université)</span></li> <li class="MsoNormal"><span lang="EN-US">Myriam Geiser (Université Grenoble Alpes)</span></li> <li class="MsoNormal"><span lang="NL-BE">Kathleen Gyssels (Universiteit Antwerpen)</span></li> <li class="MsoNormal"><span lang="NL-BE">Marc Hill (Universität Innsbruck)*</span></li> <li class="MsoNormal"><span lang="NL-BE">Massime Leone </span><span lang="FR-BE">(Università di Torino)</span></li> <li class="MsoNormal"><span lang="EN-US">Walter Lesch (UCLouvain)</span></li> <li class="MsoNormal"><span lang="NL-BE">Katrien Lievois (Universiteit Antwerpen)</span></li> <li class="MsoNormal"><span lang="FR-BE">Gabriele Marino (Università di Torino)</span></li> <li class="MsoNormal"><span lang="FR-BE">Marco Martiniello (FNRS/Université de Liège)</span></li> <li class="MsoNormal"><span lang="EN-US">Jacinthe Mazzocchetti (UCLouvain)</span></li> <li class="MsoNormal"><span lang="EN-US">Anne Ring Petersen (University of Copenhagen)</span></li> <li class="MsoNormal"><span lang="NL-BE">Tiziana de Rogatis (Università per Stranieri di Siena)</span></li> <li class="MsoNormal"><span lang="NL-BE">Moritz Schramm (University of Southern Denmark)</span></li> <li class="MsoNormal"><span lang="NL-BE">Wiebke Sievers (Österreichische Akademie der Wissenschaften)</span></li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=201">Sociologie</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=218">G茅ographie</a> > <a href="search?primary=fsubject&fsubject=220">Migrations, immigrations, minorit茅s</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=267">Langage</a> > <a href="search?primary=fsubject&fsubject=269">Litt茅ratures</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=283">脡ducation</a> > <a href="search?primary=fsubject&fsubject=285">Sciences de l'茅ducation</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=299">Religions</a> > <a href="search?primary=fsubject&fsubject=300">Sociologie des religions</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=281">Identit茅s culturelles</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=201">Sociologie</a> > <a href="search?primary=fsubject&fsubject=211">Sociologie de la culture</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Louvain-la-Neuve, Belgique (1348) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement uniquement sur site</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>mercredi 30 avril 2025</li> <li>mardi 15 avril 2025</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Amaury Dehoux<br/><em>courriel :</em> amaury [dot] dehoux [at] uclouvain [dot] be<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://sites.uclouvain.be/narramuse/">NarraMuse</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Amaury Dehoux<br/><em>courriel :</em> amaury [dot] dehoux [at] uclouvain [dot] be</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Des v茅cus aux r茅cits de la postmigration 禄, <span class="category">Appel 脿 contribution</span>, <em>Calenda</em>, Publi茅 le vendredi 04 avril 2025, <a class="url" href="https://doi.org/10.58079/13ong">https://doi.org/10.58079/13ong</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1248891?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1248891?formatage=print">Imprimer</a> <a id="signaler" 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