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<div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Collections</span> </div> </a> <ul id="toc-Collections-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Bibliography</span> </div> </a> <button aria-controls="toc-Bibliography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Bibliography subsection</span> </button> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> <li id="toc-Published_works_by_Herbert_Ward" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Published_works_by_Herbert_Ward"> <div class="vector-toc-text"> <span class="vector-toc-numb">9.1</span> <span>Published works by Herbert Ward</span> </div> </a> <ul id="toc-Published_works_by_Herbert_Ward-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Publications_about_or_featuring_Herbert_Ward" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Publications_about_or_featuring_Herbert_Ward"> <div class="vector-toc-text"> <span class="vector-toc-numb">9.2</span> <span>Publications about or featuring Herbert Ward</span> </div> </a> <ul id="toc-Publications_about_or_featuring_Herbert_Ward-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" 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class="mw-file-element" data-file-width="200" data-file-height="200" /></a><figcaption>Herbert Ward, <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1889</span></figcaption></figure> <p><b>Herbert Ward</b> (11 January 1863, <a href="/wiki/London" title="London">London</a> – 5 August 1919, <a href="/wiki/Neuilly-sur-Seine" title="Neuilly-sur-Seine">Neuilly-sur-Seine</a>) was a British sculptor, illustrator, writer, and explorer in Africa. He was a member of <a href="/wiki/Henry_Morton_Stanley" title="Henry Morton Stanley">Henry Morton Stanley</a>'s <a href="/wiki/Emin_Pasha_Relief_Expedition" title="Emin Pasha Relief Expedition">Emin Pasha Relief Expedition</a> and became a close friend of <a href="/wiki/Roger_Casement" title="Roger Casement">Roger Casement</a> while they were working in the <a href="/wiki/Congo_Free_State" title="Congo Free State">Congo Free State</a>. Ward later became a sculptor and lived in France. He was awarded the <i><a href="/wiki/Croix_de_Guerre" title="Croix de Guerre">Croix de Guerre</a></i>,<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> was twice mentioned in dispatches in World War I, was an officer of the <i><a href="/wiki/L%C3%A9gion_d%27Honneur" class="mw-redirect" title="Légion d'Honneur">Légion d'Honneur</a></i><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and a member of the <a href="/wiki/Royal_Society_of_British_Sculptors" class="mw-redirect" title="Royal Society of British Sculptors">Royal Society of British Sculptors</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=1" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Ward left <a href="/wiki/Mill_Hill_School" title="Mill Hill School">Mill Hill School</a> at the age of 15 and travelled to <a href="/wiki/New_Zealand" title="New Zealand">New Zealand</a>, spending the next three years in New Zealand and <a href="/wiki/Australia" title="Australia">Australia</a>. He was "in turn kauri-gum digger, coal and gold miner, stock-rider, circus performer and sail-maker".<sup id="cite_ref-ReferenceA_4-0" class="reference"><a href="#cite_note-ReferenceA-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> He spent a year as a cadet with the <a href="/wiki/British_North_Borneo_Company" class="mw-redirect" title="British North Borneo Company">British North Borneo Company</a>, but a bout of malaria forced him to return to England. </p> <div class="mw-heading mw-heading2"><h2 id="In_the_Congo">In the Congo</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=2" title="Edit section: In the Congo"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ward_in_the_congo.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Ward_in_the_congo.jpg/250px-Ward_in_the_congo.jpg" decoding="async" width="250" height="214" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Ward_in_the_congo.jpg/375px-Ward_in_the_congo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Ward_in_the_congo.jpg/500px-Ward_in_the_congo.jpg 2x" data-file-width="561" data-file-height="480" /></a><figcaption>Ward in the Congo, <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1886</span></figcaption></figure> <p>In 1884, Ward met <a href="/wiki/Henry_Morton_Stanley" title="Henry Morton Stanley">Henry Morton Stanley</a> in London, when he was interviewed for a post as an officer in the new <a href="/wiki/Congo_Free_State" title="Congo Free State">Congo Free State</a>, effectively a private colony of King Leopold of Belgium. Stanley recommended Ward for a position, and he worked for the next two years along the upper and lower Congo River, where he first met <a href="/wiki/Roger_Casement" title="Roger Casement">Roger Casement</a>. The latter was working on construction of a railroad to bypass the cataracts of the lower river. After being replaced by a Belgian officer, Ward joined the Sanford Exploring Company. </p><p>In March 1887, having left the Sanford Company, Ward was returning to England when he again encountered Stanley, who was assembling the <a href="/wiki/Emin_Pasha_Relief_Expedition" title="Emin Pasha Relief Expedition">Emin Pasha Relief Expedition</a>. Stanley appointed Ward as a lieutenant and placed him under the command of Major <a href="/wiki/Edmund_Musgrave_Barttelot" title="Edmund Musgrave Barttelot">Edmund Barttelot</a> in the expedition's rear column. Stanley left the rear column, consisting of 250 porters and five officers, in June 1887, saying "I shall find you here in October when I return." Because of Stanley's delays, the rear column remained at <a href="/wiki/Yambuya" title="Yambuya">Yambuya</a> by the <a href="/wiki/Aruwimi_River" title="Aruwimi River">Aruwimi River</a> for the next fourteen months, rather than four. By that time, more than 100 of its porters had died, and two of its officers died soon after.<sup id="cite_ref-ReferenceA_4-1" class="reference"><a href="#cite_note-ReferenceA-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>When Ward was in the Congo, <a href="/wiki/Human_cannibalism" title="Human cannibalism">cannibalism</a> was still widespread in some regions, and it is frequently mentioned in his works, including in the title of his first book, <i>Five Years with the Congo Cannibals</i>.<sup id="cite_ref-FOOTNOTEWard1891a_5-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891a-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> He reported that once, while he was camping, human flesh was being cooked all around his tent, and that he had seen it being roasted also on other occasions.<sup id="cite_ref-FOOTNOTEWard1910309,_316_6-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910309,_316-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Like other observers, he states that both killed or captured enemies as well as purchased slaves were consumed.<sup id="cite_ref-FOOTNOTEWard1891a132_8-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891a132-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes202292_9-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes202292-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> More than once, Ward saw how slaves intended for consumption were being transported along or exposed on markets where they were slaughtered, in some cases, right after sale.<sup id="cite_ref-FOOTNOTEWard1910310–312_10-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910310–312-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes202262–63,_120–121_11-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes202262–63,_120–121-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> He also saw captives being prepared for consumption and, another time, how the flesh of a freshly butchered victim was distributed.<sup id="cite_ref-FOOTNOTEWard1891b162_12-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891b162-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEWard1910315_13-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910315-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes202276,_117_14-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes202276,_117-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>Ward found that the eating of human flesh was considered a self-evident and natural custom. Slaves were often cheap – "two ordinary women may be purchased for the price of one pig" – and people did not find their consumption more troubling than that of animals, arguing that both were "property".<sup id="cite_ref-FOOTNOTEWard1910293_15-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910293-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes202296,_122_16-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes202296,_122-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Repeatedly he was invited to meals of human flesh by well-intended hosts who were surprised when they learned that he did not eat it.<sup id="cite_ref-FOOTNOTEWard1910309,_316_6-1" class="reference"><a href="#cite_note-FOOTNOTEWard1910309,_316-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes202299_17-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes202299-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Once he talked with a young <a href="/wiki/Bangala_language" title="Bangala language">Bangala</a> man who enthused how "very good eating" a recently slaughtered slave boy had made ("he was nice and fat"), and he also heard from other cannibals how "good" it was to eat human flesh.<sup id="cite_ref-FOOTNOTEWard1891a133–134_18-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891a133–134-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEWard1910307_19-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910307-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes2022102,_136_20-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes2022102,_136-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Indeed he stated that around <a href="/wiki/Bangala_Station" class="mw-redirect" title="Bangala Station">Bangala Station</a>, "the pot" was the usual destination of any slave who annoyed or disappointed their owner, and "light repast[s] off the limbs of some unfortunate slave, slain for refractory behavior", were served in the area on a fairly regular basis.<sup id="cite_ref-FOOTNOTEWard1891a132–133_21-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891a132–133-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p>He noticed that cannibalism was also a matter of prestige, since "a chief's position is esteemed according to the number of slaves he is able to kill" for regaling his followers.<sup id="cite_ref-FOOTNOTEWard1891a119_22-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891a119-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESiefkes202294_23-0" class="reference"><a href="#cite_note-FOOTNOTESiefkes202294-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Despite these customs, Ward liked the character of the people he met, noting that they were very cordial in their family relationships and towards friends<sup id="cite_ref-FOOTNOTEWard1891a139_24-0" class="reference"><a href="#cite_note-FOOTNOTEWard1891a139-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> and "possess[ed] so much taste for form and decoration".<sup id="cite_ref-FOOTNOTEWard1910308_25-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910308-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Though killing slaves and enemies without hesitation, they were "not mean". He found them to be "sympathetic" as well as "enlightened and enterprising" and concluded that "in direct opposition to all natural conjectures, they are among the best types of men".<sup id="cite_ref-FOOTNOTEWard1910308_25-1" class="reference"><a href="#cite_note-FOOTNOTEWard1910308-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Cannibalism_in_Africa#Congo_Basin" title="Cannibalism in Africa">Cannibalism in Africa § Congo Basin</a>, and <a href="/wiki/Child_cannibalism#Congo_Basin" title="Child cannibalism">Child cannibalism § Congo Basin</a></div> <p>An accomplished big game hunter, Ward was known in Bangala as <i>Nkumbe</i>, "the black hawk." He was also referred to as <i>Mayala Mbemba</i>, "the wings of an eagle", a tribute to a 40-mile trek he had accomplished in a single day on atrocious roads from Kimpete to Lukungu, Congo.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Ward left the Congo in early 1889. He never returned but "the enchantment of Africa held him nevertheless, dominating his future, shaping and colouring his life's work – the imprint of those five years was indelible".<sup id="cite_ref-ReferenceB_27-0" class="reference"><a href="#cite_note-ReferenceB-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Roger_Casement">Roger Casement</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=3" title="Edit section: Roger Casement"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Herbert_ward_and_roger_casement.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f1/Herbert_ward_and_roger_casement.jpg/220px-Herbert_ward_and_roger_casement.jpg" decoding="async" width="220" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/f/f1/Herbert_ward_and_roger_casement.jpg 1.5x" data-file-width="313" data-file-height="312" /></a><figcaption>Herbert Ward (left) and <a href="/wiki/Roger_Casement" title="Roger Casement">Roger Casement</a>, <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1886</span></figcaption></figure> <p>Ward first met Roger Casement in the Congo in 1884. They became close friends, a friendship which lasted 30 years, and he asked Casement to be the godfather of his youngest son. Writing in 1910, Ward says: </p> <blockquote><p>Imagine a tall, handsome man, of fine bearing; thin, mere muscle and bone, a sun-tanned face, blue eyes and black curly hair. A pure Irishman he is, with a captivating voice and singular charm of manner. A man of distinction and great refinement, high-minded and courteous, impulsive and poetical. Quixotic perhaps some would say, and with a certain truth, for few men have shown themselves so regardless of personal advancement.<sup id="cite_ref-FOOTNOTEWard1910233_28-0" class="reference"><a href="#cite_note-FOOTNOTEWard1910233-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Ward helped finance <a href="/wiki/E._D._Morel" title="E. D. Morel">Edmund Morel</a>'s pamphlet <i>The Congo Slave State</i> (1903) and introduced him to Casement.<sup id="cite_ref-ReferenceA_4-2" class="reference"><a href="#cite_note-ReferenceA-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Describing Casement to Morel, Ward wrote: "No man walks this earth at the moment who is more absolutely good and honest and noble-minded".<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Ward subscribed as a supporter of the <a href="/wiki/Congo_Reform_Association" title="Congo Reform Association">Congo Reform Association</a>, which was founded by Casement and Morel.<sup id="cite_ref-ReferenceB_27-1" class="reference"><a href="#cite_note-ReferenceB-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p><p>Ward fell out with Casement because of his activities at the start of World War I. Casement travelled to Berlin to solicit German help for an armed Irish uprising for independence, at a time when the British government would be immersed in war. Ward wrote "the enormity of his action is beyond exaggeration. He is a traitor pure and simple ... I have made up my mind to turn him down forever".<sup id="cite_ref-ReferenceB_27-2" class="reference"><a href="#cite_note-ReferenceB-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> He fulfilled his threat, refusing to sign the petition for clemency that was organised in 1916 by writer <a href="/wiki/Arthur_Conan-Doyle" class="mw-redirect" title="Arthur Conan-Doyle">Arthur Conan-Doyle</a> after Casement was condemned to death for treason. <a href="/wiki/Joseph_Conrad" title="Joseph Conrad">Joseph Conrad</a>, a fellow officer with Ward of the Sanford Exploring Company<sup id="cite_ref-Biographie-Coloniale-Belge_30-0" class="reference"><a href="#cite_note-Biographie-Coloniale-Belge-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> and then a friend of Casement, also refused to sign. Ward arranged for the name of his youngest son (Casement's godson) to be changed by deed poll from Roger Casement Ward to Rodney Sanford Ward.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_artist">The artist</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=4" title="Edit section: The artist"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg/190px-Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg" decoding="async" width="190" height="285" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg/285px-Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/64/Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg/380px-Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Chief_Of_The_Tribe_2.jpg 2x" data-file-width="2592" data-file-height="3888" /></a><figcaption><i>Le Chef de Tribu</i>, Ward's Salon gold medal-winning sculpture of 1908, in the <a href="/wiki/Royal_Museum_for_Central_Africa" title="Royal Museum for Central Africa">Royal Museum for Central Africa</a>, Tervuren</figcaption></figure> <p>On his return to England in 1889, Ward at first made a living on the lecture circuit. As a result of his childhood friendship with <a href="/wiki/Alfred_Harmsworth" class="mw-redirect" title="Alfred Harmsworth">Alfred Harmsworth</a>, he also worked as a journalist. He travelled with and reported on Fridtjoft <a href="/wiki/Nansen%27s_Fram_expedition" title="Nansen's Fram expedition">Nansen's Fram expedition</a><sup id="cite_ref-Biographie-Coloniale-Belge_30-1" class="reference"><a href="#cite_note-Biographie-Coloniale-Belge-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> and the <a href="/wiki/Jackson%E2%80%93Harmsworth_expedition" title="Jackson–Harmsworth expedition">Jackson–Harmsworth expedition</a>. </p><p>His main ambition was to become an artist: he had already published many of the drawings and water-colours he made in Africa in <i>Five Years with the Congo Cannibals</i>.<sup id="cite_ref-FOOTNOTEWard1891a_5-1" class="reference"><a href="#cite_note-FOOTNOTEWard1891a-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> He became a pupil successively of <a href="/wiki/Jules_Lefebvre" class="mw-redirect" title="Jules Lefebvre">Jules Lefebvre</a> and of <a href="/wiki/Seymour_Lucas" class="mw-redirect" title="Seymour Lucas">Seymour Lucas</a> RA. In the 1890s he exhibited six times at the <a href="/wiki/Royal_Academy_summer_exhibition" class="mw-redirect" title="Royal Academy summer exhibition">Royal Academy summer exhibition</a>. </p><p>In 1899, deciding that sculpture was where his real talents lay, he apprenticed to <a href="/wiki/Goscombe_John" title="Goscombe John">Goscombe John</a> RA before moving permanently to work in France. He received a <i>mention honourable</i> in 1901 at the <a href="/wiki/Salon_des_Artistes_Fran%C3%A7ais" class="mw-redirect" title="Salon des Artistes Français">Salon des Artistes Français</a> for his first sculpture, <i>An Aruwimi Type</i>; in 1908 he won the salon's gold medal for <i>Le Chef de Tribu.</i><sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> He won another gold medal in 1910. </p><p><a href="/wiki/Theodore_Roosevelt" title="Theodore Roosevelt">Theodore Roosevelt</a> wrote of him: "There is in Paris no more interesting character than Herbert Ward ... All the mystery and the savagery and the suffering and the ugliness and the harsh beauty of the African forest come out in Mr Ward's works. Only an artist could have done what he has done, and no artist could have done it had there not lain within him the soul of a great man, a man both strong and pitiful."<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> </p><p>Ward's auction record is £50,000, set at Bonham's auction house, London, on 30 January 2019, for <i>An Aruwimi Type</i>, of c1901.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="War_service">War service</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=5" title="Edit section: War service"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Herbert_ward_in_uniform,_c1916.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Herbert_ward_in_uniform%2C_c1916.jpg/190px-Herbert_ward_in_uniform%2C_c1916.jpg" decoding="async" width="190" height="286" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Herbert_ward_in_uniform%2C_c1916.jpg/285px-Herbert_ward_in_uniform%2C_c1916.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Herbert_ward_in_uniform%2C_c1916.jpg/380px-Herbert_ward_in_uniform%2C_c1916.jpg 2x" data-file-width="638" data-file-height="960" /></a><figcaption>Herbert Ward in uniform wearing the <i>Croix de Guerre</i>, <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1916</span></figcaption></figure> <p>By the time World War I broke out, Ward was too old to enlist in the army. He converted his family home at <a href="/wiki/Rolleboise" title="Rolleboise">Rolleboise</a>, <a href="/wiki/Seine-et-Oise" title="Seine-et-Oise">Seine-et-Oise</a>, into a field hospital, with 20 beds. He served as a lieutenant with the No 3 convoy of the British Ambulance Committee, which operated under the French army at <a href="/wiki/G%C3%A9rardmer" title="Gérardmer">Gérardmer</a> in the <a href="/wiki/Vosges" title="Vosges">Vosges</a>. He was wounded at the front and mentioned in dispatches in 1915; he was awarded the <i>Croix de Guerre</i> by France for his work removing wounded soldiers whilst under bombardment. He died, partly as a result of his injuries, in August 1919.<sup id="cite_ref-ReferenceA_4-3" class="reference"><a href="#cite_note-ReferenceA-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Family">Family</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=6" title="Edit section: Family"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Ward's father was Edwin Ward, a taxidermist. Edwin's brother was noted taxidermist <a href="/wiki/Rowland_Ward" title="Rowland Ward">Rowland Ward</a>. Herbert's grandfather, Henry Ward, travelled with <a href="/wiki/John_James_Audubon" title="John James Audubon">John James Audubon</a> on his 1831–32 collecting visit to South Carolina and Florida in the southern United States.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p><p>After returning to England from the Congo, in 1890 Ward married an American, Sarita Sanford (1860–1944). She was the daughter of Charles Henry Sanford (1840–1928), a wealthy financier and his wife. </p><p>The Wards had five children: </p> <ul><li>Sarita Enriqueta (1891–1985), who married 1) Sir <a href="/wiki/Colville_Barclay_(diplomat)" title="Colville Barclay (diplomat)">Colville Barclay</a> and 2) <a href="/wiki/Robert_Vansittart,_1st_Baron_Vansittart" title="Robert Vansittart, 1st Baron Vansittart">Robert Vansittart, 1st Baron Vansittart</a>.</li> <li>Frances (1893–1988), wife of Sir <a href="/wiki/Eric_Phipps" title="Eric Phipps">Eric Phipps</a>.</li> <li>Charles Sanford (1896–1916), killed on the Western Front at Neuve Chapelle while serving as a lieutenant with the Royal Warwickshire Regiment.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup></li> <li>Herbert Sanford (1898–1987), he had joined the <a href="/wiki/Royal_Flying_Corps" title="Royal Flying Corps">Royal Flying Corps</a> aged 17<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> and was shot down over the western front, later escaping to Switzerland. <sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (April 2020)">citation needed</span></a></i>]</sup> He later became a clergyman and minister,</li> <li>Rodney Sanford (né Roger Casement) (1901–1922). Ward had named this son after his friend <a href="/wiki/Roger_Casement" title="Roger Casement">Roger Casement</a> but had his name officially changed after Casement's conviction and execution as a traitor because of activities with Irish Republicans against the UK.</li></ul> <p>Ward is buried in the <a href="/wiki/P%C3%A8re-Lachaise" class="mw-redirect" title="Père-Lachaise">Père-Lachaise</a> cemetery in Paris.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Representation_in_other_media">Representation in other media</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=7" title="Edit section: Representation in other media"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Ward also features as a character in <a href="/wiki/Simon_Gray" title="Simon Gray">Simon Gray</a>'s play <i><a href="/wiki/The_Rear_Column" title="The Rear Column">The Rear Column</a></i> (1978), and in a film version of the play directed by <a href="/wiki/Harold_Pinter" title="Harold Pinter">Harold Pinter</a> in 1980.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> Ward's character was played by <a href="/wiki/Simon_Ward" title="Simon Ward">Simon Ward</a> in the stage and film versions. </p> <div class="mw-heading mw-heading2"><h2 id="Collections">Collections</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=8" title="Edit section: Collections"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg/190px-Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg" decoding="async" width="190" height="285" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg/285px-Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg/380px-Royal_Museum_for_Central_Africa_Hall_Herbert_Ward_Sculpture_The_Idol_Maker_1.jpg 2x" data-file-width="2592" data-file-height="3888" /></a><figcaption><i>The Idol Maker</i> in the Royal Museum for Central Africa</figcaption></figure> <p>Ward's works can be found in public collections including the following: </p> <ul><li>The <a href="/wiki/Smithsonian_Institution" title="Smithsonian Institution">Smithsonian Institution</a><sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup></li> <li>The <a href="/wiki/National_Museum_Wales" class="mw-redirect" title="National Museum Wales">National Museum of Wales</a><sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li>The <a href="/wiki/Royal_Museum_for_Central_Africa" title="Royal Museum for Central Africa">Royal Museum for Central Africa</a>, Tervuren, Belgium<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/Mill_Hill_School" title="Mill Hill School">Mill Hill School</a>, London – <i>Grief</i>, given by the artist</li> <li>The <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a><sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup></li> <li>Le <a href="/wiki/Mus%C3%A9e_des_Beaux-Arts_de_Nantes" class="mw-redirect" title="Musée des Beaux-Arts de Nantes">Musée des Beaux-Arts de Nantes</a><sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup></li> <li>The <a href="/wiki/Johannesburg_Art_Gallery" title="Johannesburg Art Gallery">Johannesburg Art Gallery</a></li> <li>Le <a href="/wiki/Mus%C3%A9e_du_Luxembourg" title="Musée du Luxembourg">Musée du Luxembourg</a>, Paris</li> <li>Le <a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a>, Paris<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=9" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:A_voice_from_the_Congo_-_comprising_stories,_anecdotes,_and_descriptive_notes_(1910)_(14803504493).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/A_voice_from_the_Congo_-_comprising_stories%2C_anecdotes%2C_and_descriptive_notes_%281910%29_%2814803504493%29.jpg/250px-A_voice_from_the_Congo_-_comprising_stories%2C_anecdotes%2C_and_descriptive_notes_%281910%29_%2814803504493%29.jpg" decoding="async" width="250" height="177" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/A_voice_from_the_Congo_-_comprising_stories%2C_anecdotes%2C_and_descriptive_notes_%281910%29_%2814803504493%29.jpg/375px-A_voice_from_the_Congo_-_comprising_stories%2C_anecdotes%2C_and_descriptive_notes_%281910%29_%2814803504493%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/df/A_voice_from_the_Congo_-_comprising_stories%2C_anecdotes%2C_and_descriptive_notes_%281910%29_%2814803504493%29.jpg/500px-A_voice_from_the_Congo_-_comprising_stories%2C_anecdotes%2C_and_descriptive_notes_%281910%29_%2814803504493%29.jpg 2x" data-file-width="3298" data-file-height="2336" /></a><figcaption><a href="/wiki/Edward_James_Glave" title="Edward James Glave">Edward J. Glave</a>, W. G. Parminter, Herbert Ward and <a href="/wiki/Roger_Casement" title="Roger Casement">Roger Casement</a> (from left to right) – photograph by <a href="/wiki/Henry_Van_der_Weyde" title="Henry Van der Weyde">Henry Van der Weyde</a> from <i>A Voice from the Congo</i> (1910)</figcaption></figure> <div class="mw-heading mw-heading3"><h3 id="Published_works_by_Herbert_Ward">Published works by Herbert Ward</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=10" title="Edit section: Published works by Herbert Ward"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFWard1891a" class="citation book cs1">Ward, Herbert (1891a). <a rel="nofollow" class="external text" href="https://archive.org/details/fiveyearswithcon00wardrich"><i>Five Years with the Congo Cannibals</i></a>. London: Chatto & Windus.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Five+Years+with+the+Congo+Cannibals&rft.place=London&rft.pub=Chatto+%26+Windus&rft.date=1891&rft.aulast=Ward&rft.aufirst=Herbert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffiveyearswithcon00wardrich&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWard1891b" class="citation book cs1">Ward, Herbert (1891b). <a rel="nofollow" class="external text" href="https://archive.org/details/mylifewithstanle01ward"><i>My Life with Stanley's Rear Guard</i></a>. New York: Charles L. Webster.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=My+Life+with+Stanley%27s+Rear+Guard&rft.place=New+York&rft.pub=Charles+L.+Webster&rft.date=1891&rft.aulast=Ward&rft.aufirst=Herbert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmylifewithstanle01ward&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWard1910" class="citation book cs1">Ward, Herbert (1910). <a rel="nofollow" class="external text" href="https://archive.org/details/voicefromcongoco00ward"><i>A Voice from the Congo</i></a>. New York: Charles Scribner's Sons.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Voice+from+the+Congo&rft.place=New+York&rft.pub=Charles+Scribner%27s+Sons&rft.date=1910&rft.aulast=Ward&rft.aufirst=Herbert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fvoicefromcongoco00ward&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWard1916" class="citation book cs1">Ward, Herbert (1916). <i>Mr Poilu: Notes and Sketches with the Fighting French</i>. London: <a href="/wiki/Hodder_%26_Stoughton" title="Hodder & Stoughton">Hodder & Stoughton</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mr+Poilu%3A+Notes+and+Sketches+with+the+Fighting+French&rft.place=London&rft.pub=Hodder+%26+Stoughton&rft.date=1916&rft.aulast=Ward&rft.aufirst=Herbert&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading3"><h3 id="Publications_about_or_featuring_Herbert_Ward">Publications about or featuring Herbert Ward</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=11" title="Edit section: Publications about or featuring Herbert Ward"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>North Borneo: Explorations and Adventures on the Equator</i>, Frank & <a href="/wiki/Joseph_Hatton" title="Joseph Hatton">Joseph Hatton</a>, 1886.</li> <li>"Herbert Ward et l'âme de la race noire", <a href="/wiki/Francis_de_Miomandre" title="Francis de Miomandre">Francis de Miomandre</a>, in <i>L'Art et les artistes</i>, Paris, 1912.</li> <li><i>The Arm-chair at the Inn</i>, <a href="/wiki/Francis_Hopkinson_Smith" title="Francis Hopkinson Smith">Francis Hopkinson Smith</a>, Scribner & Sons, 1912.</li> <li><i>A Valiant Gentleman; Being the Biography of Herbert Ward, Artist and Man of Action</i>, Sarita Ward, Chapman & Hall, 1927. (French translation: <i>Herbert Ward: artiste et homme d'action</i>, Sarita Ward, <i>La Revue Mondiale,</i> Paris, 1931.)</li> <li><i>Herbert Ward</i>, <a href="/wiki/Armand_Dayot" title="Armand Dayot">Armand Dayot</a>, in the <i>Dictionnaire biographique des artistes contemporains</i>, Vol. 3, Paris, 1934.</li> <li><i>In Limbo: The Story of Stanley's Rear Column</i>, Tony Gould, Hamish Hamilton, 1979.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBreedon2010" class="citation journal cs1">Breedon, Kirsty (2 July 2010). <a rel="nofollow" class="external text" href="https://www.tandfonline.com/doi/abs/10.1080/14714781003785196">"Herbert Ward: Sculpture in the Circum-Atlantic World"</a>. <i>Visual Culture in Britain</i>. <b>11</b> (2): 265–283. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F14714781003785196">10.1080/14714781003785196</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1471-4787">1471-4787</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Visual+Culture+in+Britain&rft.atitle=Herbert+Ward%3A+Sculpture+in+the+Circum-Atlantic+World&rft.volume=11&rft.issue=2&rft.pages=265-283&rft.date=2010-07-02&rft_id=info%3Adoi%2F10.1080%2F14714781003785196&rft.issn=1471-4787&rft.aulast=Breedon&rft.aufirst=Kirsty&rft_id=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Fabs%2F10.1080%2F14714781003785196&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></li> <li><i>Valiant Gentlemen</i>, historical novel by <a href="/wiki/Sabina_Murray" title="Sabina Murray">Sabina Murray</a>, Grove/Atlantic, 2016.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=12" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/James_Sligo_Jameson" title="James Sligo Jameson">James Sligo Jameson</a>, another European member of the rear column</li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=13" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 25em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://eresources.nlb.gov.sg/newspapers/Digitised/Article/straitstimes19190811.2.34.aspx"><i>The Straits Times</i> 11 August, 1919</a></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a class="external text" href="https://commons.wikimedia.org/wiki/File:Herbert_Ward_Legion_D%27Honneur_certificate_1911.JPG">"Ward's Légion d'Honneur award certificate"</a>. 4 May 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Ward%27s+L%C3%A9gion+d%27Honneur+award+certificate&rft.date=2015-05-04&rft_id=https%3A%2F%2Fcommons.wikimedia.org%2Fwiki%2FFile%3AHerbert_Ward_Legion_D%2527Honneur_certificate_1911.JPG&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://sculpture.gla.ac.uk/mapping/public/view/person.php?id=msib2_1220040989">Herbert William Ward at <i>Mapping of Sculpture</i></a>.</span> </li> <li id="cite_note-ReferenceA-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceA_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceA_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ReferenceA_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-ReferenceA_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Tony Gould: <i>In Limbo</i>.</span> </li> <li id="cite_note-FOOTNOTEWard1891a-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWard1891a_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWard1891a_5-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWard1891a">Ward 1891a</a>.</span> </li> <li id="cite_note-FOOTNOTEWard1910309,_316-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWard1910309,_316_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWard1910309,_316_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, pp. 309, 316.</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSiefkes2022" class="citation book cs1">Siefkes, Christian (2022). <a rel="nofollow" class="external text" href="https://www.berghahnbooks.com/title/SiefkesEdible"><i>Edible People: The Historical Consumption of Slaves and Foreigners and the Cannibalistic Trade in Human Flesh</i></a>. New York: Berghahn. pp. 76, 92. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-80073-613-9" title="Special:BookSources/978-1-80073-613-9"><bdi>978-1-80073-613-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Edible+People%3A+The+Historical+Consumption+of+Slaves+and+Foreigners+and+the+Cannibalistic+Trade+in+Human+Flesh&rft.place=New+York&rft.pages=76%2C+92&rft.pub=Berghahn&rft.date=2022&rft.isbn=978-1-80073-613-9&rft.aulast=Siefkes&rft.aufirst=Christian&rft_id=https%3A%2F%2Fwww.berghahnbooks.com%2Ftitle%2FSiefkesEdible&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEWard1891a132-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1891a132_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1891a">Ward 1891a</a>, p. 132.</span> </li> <li id="cite_note-FOOTNOTESiefkes202292-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes202292_9-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, p. 92.</span> </li> <li id="cite_note-FOOTNOTEWard1910310–312-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1910310–312_10-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, pp. 310–312.</span> </li> <li id="cite_note-FOOTNOTESiefkes202262–63,_120–121-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes202262–63,_120–121_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, pp. 62–63, 120–121.</span> </li> <li id="cite_note-FOOTNOTEWard1891b162-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1891b162_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1891b">Ward 1891b</a>, p. 162.</span> </li> <li id="cite_note-FOOTNOTEWard1910315-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1910315_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, p. 315.</span> </li> <li id="cite_note-FOOTNOTESiefkes202276,_117-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes202276,_117_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, pp. 76, 117.</span> </li> <li id="cite_note-FOOTNOTEWard1910293-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1910293_15-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, p. 293.</span> </li> <li id="cite_note-FOOTNOTESiefkes202296,_122-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes202296,_122_16-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, pp. 96, 122.</span> </li> <li id="cite_note-FOOTNOTESiefkes202299-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes202299_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, p. 99.</span> </li> <li id="cite_note-FOOTNOTEWard1891a133–134-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1891a133–134_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1891a">Ward 1891a</a>, pp. 133–134.</span> </li> <li id="cite_note-FOOTNOTEWard1910307-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1910307_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, p. 307.</span> </li> <li id="cite_note-FOOTNOTESiefkes2022102,_136-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes2022102,_136_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, pp. 102, 136.</span> </li> <li id="cite_note-FOOTNOTEWard1891a132–133-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1891a132–133_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1891a">Ward 1891a</a>, pp. 132–133.</span> </li> <li id="cite_note-FOOTNOTEWard1891a119-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1891a119_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1891a">Ward 1891a</a>, p. 119.</span> </li> <li id="cite_note-FOOTNOTESiefkes202294-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESiefkes202294_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSiefkes2022">Siefkes 2022</a>, p. 94.</span> </li> <li id="cite_note-FOOTNOTEWard1891a139-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1891a139_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1891a">Ward 1891a</a>, p. 139.</span> </li> <li id="cite_note-FOOTNOTEWard1910308-25"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWard1910308_25-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWard1910308_25-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, p. 308.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><a href="/wiki/Frank_McLynn" title="Frank McLynn">Frank McLynn</a> (1992). <i>Hearts of Darkness: the European Exploration of Africa.</i> Hutchinson. p. 330.</span> </li> <li id="cite_note-ReferenceB-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceB_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceB_27-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ReferenceB_27-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Sarita Ward, <i>A Valiant Gentleman</i>.</span> </li> <li id="cite_note-FOOTNOTEWard1910233-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard1910233_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard1910">Ward 1910</a>, p. 233.</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=C3suCpMEC4UC&dq=%22Herbert+Ward%22+Morel+casement&pg=PA185">Martial Frindéthié: <i>Francophone African Cinema: History, Culture, Politics and Theory</i></a>.</span> </li> <li id="cite_note-Biographie-Coloniale-Belge-30"><span class="mw-cite-backlink">^ <a href="#cite_ref-Biographie-Coloniale-Belge_30-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Biographie-Coloniale-Belge_30-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.kaowarsom.be/documents/BIOGRAPHIE%20COLONIALE%20BELGE%20-%20BELGISCHE%20KOLONIALE%20BIOGRAFIE/TOME%20I/TOME%20I.pdf"><i>Biographie Coloniale Belge</i>, vol. 1, col. 958</a>.</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.london-gazette.co.uk/issues/29831/pages/11345"><i>The London Gazette,</i> 21 November 1916</a>.</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParsons1912" class="citation book cs1">Parsons, E. Bryham (1912). <a rel="nofollow" class="external text" href="https://archive.org/details/potpourriparisie00pars"><i>Pot-Pourri Parisien</i></a>. New York: Broadway Publishing Co. Ch. 18.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pot-Pourri+Parisien&rft.place=New+York&rft.pages=Ch.-18&rft.pub=Broadway+Publishing+Co.&rft.date=1912&rft.aulast=Parsons&rft.aufirst=E.+Bryham&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fpotpourriparisie00pars&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.theodore-roosevelt.com/images/research/treditorials/o141.pdf">Theodore Roosevelt on Herbert Ward</a>, <i>Theodore Roosevelt</i> website.</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.bonhams.com/auctions/25163/lot/596/">Herbert Ward sale at Bonham's, London, January 2019</a>.</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRhodes2004" class="citation book cs1">Rhodes, Richard (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=IWJ2uq2Lu1oC"><i>John James Audubon: The Making of an American</i></a>. Knopf Doubleday. p. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=IWJ2uq2Lu1oC&dq=%22Henry+Ward%22+Audubon&pg=PA355">349</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4000-4377-4" title="Special:BookSources/978-1-4000-4377-4"><bdi>978-1-4000-4377-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=John+James+Audubon%3A+The+Making+of+an+American&rft.pages=349&rft.pub=Knopf+Doubleday&rft.date=2004&rft.isbn=978-1-4000-4377-4&rft.aulast=Rhodes&rft.aufirst=Richard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DIWJ2uq2Lu1oC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.cwgc.org/find-war-dead/casualty/736607/WARD,%20CHARLES%20SANFORD">Charles Ward on the Loos Memorial</a>.</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.chch.ox.ac.uk/cathedral/memorials/WW1/Charles-Ward">Alumni of Christchurch, Oxford</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120824002658/http://www.chch.ox.ac.uk/cathedral/memorials/WW1/Charles-Ward">Archived</a> 24 August 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>.</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWard1988" class="citation book cs1">Ward, Herbert (1988). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=TAa8AAAACAAJ"><i>An Erratic Odyssey: The Early Life of the Rev. Herbert Ward</i></a>. Odyssey. pp. 10–12. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9513163-0-6" title="Special:BookSources/978-0-9513163-0-6"><bdi>978-0-9513163-0-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=An+Erratic+Odyssey%3A+The+Early+Life+of+the+Rev.+Herbert+Ward&rft.pages=10-12&rft.pub=Odyssey&rft.date=1988&rft.isbn=978-0-9513163-0-6&rft.aulast=Ward&rft.aufirst=Herbert&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DTAa8AAAACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text">"Funeral of Mr Herbert Ward", <i>The Times,</i> 11 August 1919, p. 9.</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://simongray.org.uk/plays/the-rear-column/">Simon Gray's <i>The Rear Column</i></a>.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://siarchives.si.edu/collections/siris_sic_432">Herbert Ward collection catalogued</a>.</span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.museumwales.ac.uk/art/online/?action=show_item&item=1910&display_mode=mobile"><i>The Idol Maker</i> by Herbert Ward</a>.</span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20161020093250/http://www.panoramio.com/photo/66831906">"Herbert Ward's <i>Making Fire</i> in the Royal Museum of Central Africa"</a>. Archived from <a rel="nofollow" class="external text" href="https://www.panoramio.com/photo/66831906">the original</a> on 20 October 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">2 November</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Herbert+Ward%27s+Making+Fire+in+the+Royal+Museum+of+Central+Africa&rft_id=https%3A%2F%2Fwww.panoramio.com%2Fphoto%2F66831906&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.loc.gov/pictures/item/npc2008003224/"><i>The Forest Lovers</i> in the Library of Congress</a>.</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://musee.louvre.fr/bases/doutremanche/notice.php?lng=0&idOeuvre=2779&f=2200">Herbert Ward's <i>Le Sorcier</i> in the Musée des Beaux Arts of Nantes</a>.</span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160406031336/http://www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres/resultat-collection.html?no_cache=1&zsz=1&zs_r_2_z=3&zs_r_2_w=Ward%2C%20Herbert&zs_ah=oeuvre&zs_rf=mos_a&zs_mf=21&zs_sf=0&zs_send_x=1&zs_liste_only=1">"Herbert Ward in the Musée d'Orsay, Paris"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres/resultat-collection.html?no_cache=1&zsz=1&zs_r_2_z=3&zs_r_2_w=Ward%2C%20Herbert&zs_ah=oeuvre&zs_rf=mos_a&zs_mf=21&zs_sf=0&zs_send_x=1&zs_liste_only=1">the original</a> on 6 April 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">13 July</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Herbert+Ward+in+the+Mus%C3%A9e+d%27Orsay%2C+Paris&rft_id=http%3A%2F%2Fwww.musee-orsay.fr%2Ffr%2Fcollections%2Fcatalogue-des-oeuvres%2Fresultat-collection.html%3Fno_cache%3D1%26zsz%3D1%26zs_r_2_z%3D3%26zs_r_2_w%3DWard%252C%2520Herbert%26zs_ah%3Doeuvre%26zs_rf%3Dmos_a%26zs_mf%3D21%26zs_sf%3D0%26zs_send_x%3D1%26zs_liste_only%3D1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AHerbert+Ward+%28sculptor%29" class="Z3988"></span></span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text">"<a rel="nofollow" class="external text" href="https://www.washingtonpost.com/entertainment/books/-gentlemen-a-superb-novel-about-irish-patriot-roger-casement/2016/10/27/e2932aa6-9473-11e6-bc79-af1cd3d2984b_story.html">Review of <i>Valiant Gentlemen</i></a>", <i>Washington Post</i>, October 2016.</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Herbert_Ward_(sculptor)&action=edit&section=14" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/12px-Commons-logo.svg.png" decoding="async" width="12" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/18px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/24px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></span> Media related to <a href="https://commons.wikimedia.org/wiki/Category:Herbert_Ward_(sculptor)" class="extiw" title="commons:Category:Herbert Ward (sculptor)">Herbert Ward (sculptor)</a> at Wikimedia Commons</li> <li><a rel="nofollow" class="external text" href="https://archive.org/search.php?query=%22Ward%2C+Herbert%2C+1863-1919%22">Works by or about Herbert Ward</a> at the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></li> <li><a rel="nofollow" class="external text" href="https://sculpture.gla.ac.uk/mapping/public/view/person.php?id=msib2_1220040989">Brief biography of Ward on the <i>Mapping of Sculpture</i> website</a></li> <li><a rel="nofollow" class="external text" href="https://archives.africamuseum.be/agents/people/786">Archive Herbert Ward</a>, Royal Museum for Central Africa</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist 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style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/142496634">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n87806820">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13763183j">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13763183j">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX823823">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p307216454">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007272244405171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/14374524">Belgium</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500054653">ULAN</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://rkd.nl/en/explore/artists/421253">RKD Artists</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.musee-orsay.fr/en/ressources/repertoire-artistes-personnalites/36131">Musée d'Orsay</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1006607">Trove</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/066938643">IdRef</a></span></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: 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