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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">German Romanticism</h1><div class="u-tcGrayDark">17,350 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>German Romanticism</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/German_Romanticism">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/German_Romanticism/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/German_Romanticism/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/German_Romanticism/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/German_Romanticism">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15762280" data-work_id="15762280" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15762280/Novalis_Mathematical_Fragments_1798_1800_">Novalis. Mathematical Fragments (1798-1800)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A selection of some of Novalis’s most important reflections on mathematics from the years 1798-1800. Introduced and translated into English by David W. Wood. In: Symphilosophie: International Journal of Philosophical Romanticism 3... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15762280" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A selection of some of Novalis’s most important reflections on mathematics from the years 1798-1800. Introduced and translated into English by David W. Wood. <br /> <br />In: Symphilosophie: International Journal of Philosophical Romanticism 3 (2021): 273-290 <br /><a href="https://symphilosophie.com/issue-4-2022/2/" rel="nofollow">https://symphilosophie.com/issue-4-2022/2/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15762280" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cc25c83284a42b3ce8ac63ffff4123e1" rel="nofollow" data-download="{"attachment_id":76906636,"asset_id":15762280,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76906636/download_file?st=MTc0MDU3MTU2OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12456201" href="https://uni-bonn.academia.edu/DavidWWood">David W. Wood</a><script data-card-contents-for-user="12456201" type="text/json">{"id":12456201,"first_name":"David W.","last_name":"Wood","domain_name":"uni-bonn","page_name":"DavidWWood","display_name":"David W. Wood","profile_url":"https://uni-bonn.academia.edu/DavidWWood?f_ri=6453","photo":"https://0.academia-photos.com/12456201/3561647/58828013/s65_david_w..wood.jpg"}</script></span></span></li><li class="js-paper-rank-work_15762280 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15762280"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15762280, container: ".js-paper-rank-work_15762280", }); });</script></li><li class="js-percentile-work_15762280 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15762280; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15762280"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15762280 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15762280"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15762280; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15762280]").text(description); $(".js-view-count-work_15762280").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15762280").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15762280"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="300" rel="nofollow" href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a>, <script data-card-contents-for-ri="300" type="text/json">{"id":300,"name":"Mathematics","url":"https://www.academia.edu/Documents/in/Mathematics?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1258" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a><script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15762280]'), work: {"id":15762280,"title":"Novalis. Mathematical Fragments (1798-1800)","created_at":"2015-09-16T06:15:48.331-07:00","url":"https://www.academia.edu/15762280/Novalis_Mathematical_Fragments_1798_1800_?f_ri=6453","dom_id":"work_15762280","summary":"A selection of some of Novalis’s most important reflections on mathematics from the years 1798-1800. Introduced and translated into English by David W. Wood. \r\n\r\nIn: Symphilosophie: International Journal of Philosophical Romanticism 3 (2021): 273-290\r\nhttps://symphilosophie.com/issue-4-2022/2/\r\n\r\n","downloadable_attachments":[{"id":76906636,"asset_id":15762280,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12456201,"first_name":"David W.","last_name":"Wood","domain_name":"uni-bonn","page_name":"DavidWWood","display_name":"David W. Wood","profile_url":"https://uni-bonn.academia.edu/DavidWWood?f_ri=6453","photo":"https://0.academia-photos.com/12456201/3561647/58828013/s65_david_w..wood.jpg"}],"research_interests":[{"id":300,"name":"Mathematics","url":"https://www.academia.edu/Documents/in/Mathematics?f_ri=6453","nofollow":true},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=6453","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":2084,"name":"History of Mathematics","url":"https://www.academia.edu/Documents/in/History_of_Mathematics?f_ri=6453"},{"id":2509,"name":"Philosophy Of Mathematics","url":"https://www.academia.edu/Documents/in/Philosophy_Of_Mathematics?f_ri=6453"},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453"},{"id":15622,"name":"German Literature and Culture","url":"https://www.academia.edu/Documents/in/German_Literature_and_Culture?f_ri=6453"},{"id":23519,"name":"19th-century German philosophy","url":"https://www.academia.edu/Documents/in/19th-century_German_philosophy?f_ri=6453"},{"id":31668,"name":"Friedrich von Hardenberg (Novalis)","url":"https://www.academia.edu/Documents/in/Friedrich_von_Hardenberg_Novalis_?f_ri=6453"},{"id":40167,"name":"Early German Romanticism","url":"https://www.academia.edu/Documents/in/Early_German_Romanticism?f_ri=6453"},{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453"},{"id":127827,"name":"German romanticism and idealism","url":"https://www.academia.edu/Documents/in/German_romanticism_and_idealism?f_ri=6453"},{"id":171312,"name":"Mathematics and literature","url":"https://www.academia.edu/Documents/in/Mathematics_and_literature?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36211810" data-work_id="36211810" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36211810/Michiel_Coxcies_Kopien_nach_dem_Genter_Altar_und_ihre_Reproduktion_in_der_fr%C3%BChen_Lithographie_durch_Johann_Nepomuk_Strixner_1820_1834_In_Stephan_Kemperdick_Johannes_R%C3%B6%C3%9Fler_Joris_Heyder_eds_The_Ghent_Altarpiece_Reproductions_Interpretations_Scholarly_Debates_Petersberg_2017_pp_26_33">Michiel Coxcies Kopien nach dem Genter Altar und ihre Reproduktion in der frühen Lithographie durch Johann Nepomuk Strixner (1820/1834). In: Stephan Kemperdick, Johannes Rößler, Joris Heyder (eds.), The Ghent Altarpiece – Reproductions, Interpretations, Scholarly Debates. Petersberg 2017, pp. 26-33.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36211810" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b051161ee791d062a002424a7a86e63b" rel="nofollow" data-download="{"attachment_id":56113525,"asset_id":36211810,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56113525/download_file?st=MTc0MDU3MTU2OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="56529348" href="https://uni-jena.academia.edu/JohannesRoessler">Johannes Roessler</a><script data-card-contents-for-user="56529348" type="text/json">{"id":56529348,"first_name":"Johannes","last_name":"Roessler","domain_name":"uni-jena","page_name":"JohannesRoessler","display_name":"Johannes Roessler","profile_url":"https://uni-jena.academia.edu/JohannesRoessler?f_ri=6453","photo":"https://0.academia-photos.com/56529348/30053234/27897954/s65_johannes.roessler.jpg"}</script></span></span></li><li class="js-paper-rank-work_36211810 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36211810"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36211810, container: ".js-paper-rank-work_36211810", }); 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In: Stephan Kemperdick, Johannes Rößler, Joris Heyder (eds.), The Ghent Altarpiece – Reproductions, Interpretations, Scholarly Debates. Petersberg 2017, pp. 26-33.","created_at":"2018-03-20T12:35:52.572-07:00","url":"https://www.academia.edu/36211810/Michiel_Coxcies_Kopien_nach_dem_Genter_Altar_und_ihre_Reproduktion_in_der_fr%C3%BChen_Lithographie_durch_Johann_Nepomuk_Strixner_1820_1834_In_Stephan_Kemperdick_Johannes_R%C3%B6%C3%9Fler_Joris_Heyder_eds_The_Ghent_Altarpiece_Reproductions_Interpretations_Scholarly_Debates_Petersberg_2017_pp_26_33?f_ri=6453","dom_id":"work_36211810","summary":null,"downloadable_attachments":[{"id":56113525,"asset_id":36211810,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":56529348,"first_name":"Johannes","last_name":"Roessler","domain_name":"uni-jena","page_name":"JohannesRoessler","display_name":"Johannes Roessler","profile_url":"https://uni-jena.academia.edu/JohannesRoessler?f_ri=6453","photo":"https://0.academia-photos.com/56529348/30053234/27897954/s65_johannes.roessler.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":17486,"name":"Printing History","url":"https://www.academia.edu/Documents/in/Printing_History?f_ri=6453","nofollow":true},{"id":42584,"name":"Early Netherlandish Painting","url":"https://www.academia.edu/Documents/in/Early_Netherlandish_Painting?f_ri=6453","nofollow":true},{"id":64619,"name":"Jan Van Eyck","url":"https://www.academia.edu/Documents/in/Jan_Van_Eyck?f_ri=6453","nofollow":true},{"id":159686,"name":"16th and 17th century Dutch and Flemish Art","url":"https://www.academia.edu/Documents/in/16th_and_17th_century_Dutch_and_Flemish_Art?f_ri=6453"},{"id":174649,"name":"Lithography","url":"https://www.academia.edu/Documents/in/Lithography?f_ri=6453"},{"id":963144,"name":"Ghent Altarpiece","url":"https://www.academia.edu/Documents/in/Ghent_Altarpiece?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7423401" data-work_id="7423401" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7423401/Specular_Visions_between_Reflection_and_Projection_Andrei_Tarkovsky_and_E_T_A_Hoffmann">Specular Visions between Reflection and Projection. Andrei Tarkovsky and E.T.A. Hoffmann</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In my talk I will focus on Andrei Tarkovskys unrealised film script “Hoffmanniana” as well as his mid-career masterpiece “Mirror", tracing the influence of German romantic Naturphilosophie and magic as found in E.T.A. Hoffmann’s writings... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7423401" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In my talk I will focus on Andrei Tarkovskys unrealised film script “Hoffmanniana” as well as his mid-career masterpiece “Mirror", tracing the influence of German romantic Naturphilosophie and magic as found in E.T.A. Hoffmann’s writings on Tarkovsky’s conception of film. Especially the central motive of the mirror will be inquired as a trigger for a reflexive function of the cinematic apparatus.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7423401" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="672bab5989faa31bdc9a64c5631db06b" rel="nofollow" data-download="{"attachment_id":37410390,"asset_id":7423401,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37410390/download_file?st=MTc0MDU3MTU2OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="859462" href="https://ulb.academia.edu/GawanFagard">Gawan Fagard</a><script data-card-contents-for-user="859462" type="text/json">{"id":859462,"first_name":"Gawan","last_name":"Fagard","domain_name":"ulb","page_name":"GawanFagard","display_name":"Gawan Fagard","profile_url":"https://ulb.academia.edu/GawanFagard?f_ri=6453","photo":"https://0.academia-photos.com/859462/307038/131229719/s65_gawan.fagard.png"}</script></span></span></li><li class="js-paper-rank-work_7423401 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7423401"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7423401, container: ".js-paper-rank-work_7423401", }); 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$(".js-view-count[data-work-id=7423401]").text(description); $(".js-view-count-work_7423401").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7423401").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7423401"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1555" rel="nofollow" href="https://www.academia.edu/Documents/in/Film_Studies">Film Studies</a>, <script data-card-contents-for-ri="1555" type="text/json">{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1568" rel="nofollow" href="https://www.academia.edu/Documents/in/Film_Theory">Film Theory</a>, <script data-card-contents-for-ri="1568" type="text/json">{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="28083" rel="nofollow" href="https://www.academia.edu/Documents/in/Andrei_Tarkovsky">Andrei Tarkovsky</a><script data-card-contents-for-ri="28083" type="text/json">{"id":28083,"name":"Andrei Tarkovsky","url":"https://www.academia.edu/Documents/in/Andrei_Tarkovsky?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7423401]'), work: {"id":7423401,"title":"Specular Visions between Reflection and Projection. Andrei Tarkovsky and E.T.A. Hoffmann","created_at":"2014-06-22T02:33:14.388-07:00","url":"https://www.academia.edu/7423401/Specular_Visions_between_Reflection_and_Projection_Andrei_Tarkovsky_and_E_T_A_Hoffmann?f_ri=6453","dom_id":"work_7423401","summary":"In my talk I will focus on Andrei Tarkovskys unrealised film script “Hoffmanniana” as well as his mid-career masterpiece “Mirror\", tracing the influence of German romantic Naturphilosophie and magic as found in E.T.A. Hoffmann’s writings on Tarkovsky’s conception of film. Especially the central motive of the mirror will be inquired as a trigger for a reflexive function of the cinematic apparatus.","downloadable_attachments":[{"id":37410390,"asset_id":7423401,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":859462,"first_name":"Gawan","last_name":"Fagard","domain_name":"ulb","page_name":"GawanFagard","display_name":"Gawan Fagard","profile_url":"https://ulb.academia.edu/GawanFagard?f_ri=6453","photo":"https://0.academia-photos.com/859462/307038/131229719/s65_gawan.fagard.png"}],"research_interests":[{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies?f_ri=6453","nofollow":true},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":28083,"name":"Andrei Tarkovsky","url":"https://www.academia.edu/Documents/in/Andrei_Tarkovsky?f_ri=6453","nofollow":true},{"id":98459,"name":"E.T.A. Hoffmann","url":"https://www.academia.edu/Documents/in/E.T.A._Hoffmann?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30515204" data-work_id="30515204" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30515204/Le_paysage_chez_Philippe_Jaccottet_comme_cahier_de_verdure_lieu_d_une_habitation_poetique_du_monde_et_de_la_langue">Le paysage chez Philippe Jaccottet comme « cahier de verdure », lieu d’une habitation poetique du monde et de la langue</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Paru aux é ditions Delarbre : <a href="http://www.marie-delarbre.fr/grignan.html" rel="nofollow">http://www.marie-delarbre.fr/grignan.html</a> - <a href="http://www.lelitteraire.com/?p=25909" rel="nofollow">http://www.lelitteraire.com/?p=25909</a> « Je dois avoir un ancêtre qui s’appelle Rousseau, j’ai voulu relire Les Rêveries d’un promeneur solitaire, livre admirable... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30515204" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Paru aux é ditions Delarbre : <a href="http://www.marie-delarbre.fr/grignan.html" rel="nofollow">http://www.marie-delarbre.fr/grignan.html</a> - <a href="http://www.lelitteraire.com/?p=25909" rel="nofollow">http://www.lelitteraire.com/?p=25909</a><br />« Je dois avoir un ancêtre qui s’appelle Rousseau, j’ai voulu relire Les Rêveries d’un promeneur solitaire, livre admirable mais dans lequel, au fond, Rousseau parle beaucoup de lui et très peu de la nature » déclarait Philippe Jaccottet en 1997. Malgré l’enracinement commun de leur écriture poétique et journalière au cœur de paysages naturels, la proportion des parts accordées au moi et à la nature les distingue très clairement. Le lecteur de Jaccottet le sait bien : le poète parle en ses recueils bien plus de la nature qu’il ne parle de lui-même, et aspire plus à faire parler la nature qu’il ne tente de parler lui-même. Sources, ruisseaux, rivières, montagnes, cerisiers, églantiers, cognassiers, pommiers, fleurs, cailloux, chats-huant, criquets, rossignols… la poésie de Jaccottet abrite un microcosme bruissant et animé, une nature loquace face à laquelle le « je » semble parfois demeurer taciturne ; l’élection qui l’attache à Grignan en 1953 fera de ces paysages qui s’offrent alors à lui le combustible essentiel à son écriture comme à sa vie poétique ; source d’inspiration, terre riche de fragments d’un âge d’or perdu, le paysage permet ainsi au poète d’éprouver son écriture par ses tentatives de (re)présentations, et son contact quotidien lui permet surtout de « vivre de telle manière que l’écrit naisse naturellement » (La Semaison) ; le paysage de Grignan, à la façon d’un attrape-rêve, filtrerait ainsi l’angoisse qui noue la gorge du poète pour lui permettre de s’abreuver enfin librement à la source de la Présence et de la vie. © Marie Delarbre Éditions Dépôt légal : octobre 2016 ISBN : 978-2-913351-33-2 ISSN collection : 1635-6373</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30515204" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5ae1532303d50bd0fa1d212228af88b8" rel="nofollow" data-download="{"attachment_id":50962313,"asset_id":30515204,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50962313/download_file?st=MTc0MDU3MTU2OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38610997" href="https://paris-sorbonne.academia.edu/Valentinemeyditgiannoni">Valentine L Meydit Giannoni</a><script data-card-contents-for-user="38610997" type="text/json">{"id":38610997,"first_name":"Valentine","last_name":"Meydit Giannoni","domain_name":"paris-sorbonne","page_name":"Valentinemeyditgiannoni","display_name":"Valentine L Meydit Giannoni","profile_url":"https://paris-sorbonne.academia.edu/Valentinemeyditgiannoni?f_ri=6453","photo":"https://0.academia-photos.com/38610997/14817714/17451519/s65_valentine.meydit_giannoni.jpg"}</script></span></span></li><li class="js-paper-rank-work_30515204 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30515204"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30515204, container: ".js-paper-rank-work_30515204", }); 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$(".js-view-count[data-work-id=30515204]").text(description); $(".js-view-count-work_30515204").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30515204").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30515204"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8444" rel="nofollow" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="12761" rel="nofollow" href="https://www.academia.edu/Documents/in/Modern_Poetry">Modern Poetry</a>, <script data-card-contents-for-ri="12761" type="text/json">{"id":12761,"name":"Modern Poetry","url":"https://www.academia.edu/Documents/in/Modern_Poetry?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15714" rel="nofollow" href="https://www.academia.edu/Documents/in/20th_Century_French_Literature">20th Century French Literature</a><script data-card-contents-for-ri="15714" type="text/json">{"id":15714,"name":"20th Century French Literature","url":"https://www.academia.edu/Documents/in/20th_Century_French_Literature?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30515204]'), work: {"id":30515204,"title":"Le paysage chez Philippe Jaccottet comme « cahier de verdure », lieu d’une habitation poetique du monde et de la langue","created_at":"2016-12-19T01:57:33.053-08:00","url":"https://www.academia.edu/30515204/Le_paysage_chez_Philippe_Jaccottet_comme_cahier_de_verdure_lieu_d_une_habitation_poetique_du_monde_et_de_la_langue?f_ri=6453","dom_id":"work_30515204","summary":"Paru aux é ditions Delarbre : http://www.marie-delarbre.fr/grignan.html - http://www.lelitteraire.com/?p=25909\n« Je dois avoir un ancêtre qui s’appelle Rousseau, j’ai voulu relire Les Rêveries d’un promeneur solitaire, livre admirable mais dans lequel, au fond, Rousseau parle beaucoup de lui et très peu de la nature » déclarait Philippe Jaccottet en 1997. Malgré l’enracinement commun de leur écriture poétique et journalière au cœur de paysages naturels, la proportion des parts accordées au moi et à la nature les distingue très clairement. Le lecteur de Jaccottet le sait bien : le poète parle en ses recueils bien plus de la nature qu’il ne parle de lui-même, et aspire plus à faire parler la nature qu’il ne tente de parler lui-même. Sources, ruisseaux, rivières, montagnes, cerisiers, églantiers, cognassiers, pommiers, fleurs, cailloux, chats-huant, criquets, rossignols… la poésie de Jaccottet abrite un microcosme bruissant et animé, une nature loquace face à laquelle le « je » semble parfois demeurer taciturne ; l’élection qui l’attache à Grignan en 1953 fera de ces paysages qui s’offrent alors à lui le combustible essentiel à son écriture comme à sa vie poétique ; source d’inspiration, terre riche de fragments d’un âge d’or perdu, le paysage permet ainsi au poète d’éprouver son écriture par ses tentatives de (re)présentations, et son contact quotidien lui permet surtout de « vivre de telle manière que l’écrit naisse naturellement » (La Semaison) ; le paysage de Grignan, à la façon d’un attrape-rêve, filtrerait ainsi l’angoisse qui noue la gorge du poète pour lui permettre de s’abreuver enfin librement à la source de la Présence et de la vie. © Marie Delarbre Éditions Dépôt légal : octobre 2016 ISBN : 978-2-913351-33-2 ISSN collection : 1635-6373","downloadable_attachments":[{"id":50962313,"asset_id":30515204,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38610997,"first_name":"Valentine","last_name":"Meydit Giannoni","domain_name":"paris-sorbonne","page_name":"Valentinemeyditgiannoni","display_name":"Valentine L Meydit Giannoni","profile_url":"https://paris-sorbonne.academia.edu/Valentinemeyditgiannoni?f_ri=6453","photo":"https://0.academia-photos.com/38610997/14817714/17451519/s65_valentine.meydit_giannoni.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=6453","nofollow":true},{"id":12761,"name":"Modern Poetry","url":"https://www.academia.edu/Documents/in/Modern_Poetry?f_ri=6453","nofollow":true},{"id":15714,"name":"20th Century French Literature","url":"https://www.academia.edu/Documents/in/20th_Century_French_Literature?f_ri=6453","nofollow":true},{"id":19471,"name":"Contemporary Poetry","url":"https://www.academia.edu/Documents/in/Contemporary_Poetry?f_ri=6453"},{"id":33319,"name":"Nature","url":"https://www.academia.edu/Documents/in/Nature?f_ri=6453"},{"id":40969,"name":"Philippe Jaccottet","url":"https://www.academia.edu/Documents/in/Philippe_Jaccottet?f_ri=6453"},{"id":117411,"name":"Absolute Idealism","url":"https://www.academia.edu/Documents/in/Absolute_Idealism?f_ri=6453"},{"id":651174,"name":"Locus Amoenus","url":"https://www.academia.edu/Documents/in/Locus_Amoenus?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28719801" data-work_id="28719801" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28719801/Vorwort_in_Helmina_von_Ch%C3%A9zy_Leben_und_Kunst_in_Paris_seit_Napoleon_I">Vorwort, in: Helmina von Chézy. Leben und Kunst in Paris seit Napoleon I.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28719801" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6dd18bb9430f4fc2cdcaacb70d368032" rel="nofollow" data-download="{"attachment_id":49126235,"asset_id":28719801,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49126235/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7440527" href="https://tu-berlin.academia.edu/benedictesavoy">benedicte savoy</a><script data-card-contents-for-user="7440527" type="text/json">{"id":7440527,"first_name":"benedicte","last_name":"savoy","domain_name":"tu-berlin","page_name":"benedictesavoy","display_name":"benedicte savoy","profile_url":"https://tu-berlin.academia.edu/benedictesavoy?f_ri=6453","photo":"https://0.academia-photos.com/7440527/30186619/28005173/s65_benedicte.savoy.jpg"}</script></span></span></li><li class="js-paper-rank-work_28719801 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28719801"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28719801, container: ".js-paper-rank-work_28719801", }); 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Kuzborska/A. Jachimowicz (Hg.), Anfang. 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Iannelli, A. P. Olivier, K. Vieweg), 2020, pp. 129-145</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The aim of the paper is to analyze the Hegelian interpretation of the notion of “irony” in the light of its evolution thorough the Berlin courses and in a comparison with the edition of the Ästhetik published by Hotho. The analysis of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44216375" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The aim of the paper is to analyze the Hegelian interpretation of the notion of “irony” in the light of its evolution thorough the Berlin courses and in a comparison with the edition of the Ästhetik published by Hotho. The analysis of the last course of the 1828-29 is of particular importance, because there the notion of irony, which traditionally appears to be harshly criticized by Hegel, is taken as a decisive moment for the very concept of art. In this course, Hegel explicitly distinguishes between a “practical irony”, which he continues to criticize, and an irony that we could define as “artistic” or “aesthetic”, which he instead assumes as a significant moment in the constitution of the ideal. The discussion of this course can lead to a redefinition of Hegel’s interpretation of irony as it has been established by much of the critical tradition.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44216375" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ac7e972842e7ca98013fd4c34f0ba009" rel="nofollow" data-download="{"attachment_id":64582723,"asset_id":44216375,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64582723/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30275218" href="https://unipd.academia.edu/FrancescoCampana">Francesco Campana</a><script data-card-contents-for-user="30275218" type="text/json">{"id":30275218,"first_name":"Francesco","last_name":"Campana","domain_name":"unipd","page_name":"FrancescoCampana","display_name":"Francesco Campana","profile_url":"https://unipd.academia.edu/FrancescoCampana?f_ri=6453","photo":"https://0.academia-photos.com/30275218/10494100/11709277/s65_francesco.campana.png"}</script></span></span></li><li class="js-paper-rank-work_44216375 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44216375"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44216375, container: ".js-paper-rank-work_44216375", }); 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Iannelli, A. P. Olivier, K. Vieweg), 2020, pp. 129-145","created_at":"2020-10-02T10:43:53.405-07:00","url":"https://www.academia.edu/44216375/_La_concezione_hegeliana_dell_ironia_e_il_corso_berlinese_del_1828_29_Studi_di_estetica_16_monographic_section_Rethinking_Hegels_Aesthetics_ed_by_F_Iannelli_A_P_Olivier_K_Vieweg_2020_pp_129_145?f_ri=6453","dom_id":"work_44216375","summary":"The aim of the paper is to analyze the Hegelian interpretation of the notion of “irony” in the light of its evolution thorough the Berlin courses and in a comparison with the edition of the Ästhetik published by Hotho. The analysis of the last course of the 1828-29 is of particular importance, because there the notion of irony, which traditionally appears to be harshly criticized by Hegel, is taken as a decisive moment for the very concept of art. In this course, Hegel explicitly distinguishes between a “practical irony”, which he continues to criticize, and an irony that we could define as “artistic” or “aesthetic”, which he instead assumes as a significant moment in the constitution of the ideal. The discussion of this course can lead to a redefinition of Hegel’s interpretation of irony as it has been established by much of the critical tradition.","downloadable_attachments":[{"id":64582723,"asset_id":44216375,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30275218,"first_name":"Francesco","last_name":"Campana","domain_name":"unipd","page_name":"FrancescoCampana","display_name":"Francesco Campana","profile_url":"https://unipd.academia.edu/FrancescoCampana?f_ri=6453","photo":"https://0.academia-photos.com/30275218/10494100/11709277/s65_francesco.campana.png"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art?f_ri=6453","nofollow":true},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453"},{"id":7942,"name":"Hegel","url":"https://www.academia.edu/Documents/in/Hegel?f_ri=6453"},{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity?f_ri=6453"},{"id":18108,"name":"G.W.F. Hegel","url":"https://www.academia.edu/Documents/in/G.W.F._Hegel?f_ri=6453"},{"id":40167,"name":"Early German Romanticism","url":"https://www.academia.edu/Documents/in/Early_German_Romanticism?f_ri=6453"},{"id":54659,"name":"Subjectivity","url":"https://www.academia.edu/Documents/in/Subjectivity?f_ri=6453"},{"id":107623,"name":"Romantic Irony","url":"https://www.academia.edu/Documents/in/Romantic_Irony?f_ri=6453"},{"id":110988,"name":"Irony","url":"https://www.academia.edu/Documents/in/Irony?f_ri=6453"},{"id":127827,"name":"German romanticism and idealism","url":"https://www.academia.edu/Documents/in/German_romanticism_and_idealism?f_ri=6453"},{"id":480954,"name":"Classical German Philosophy","url":"https://www.academia.edu/Documents/in/Classical_German_Philosophy?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44674598" data-work_id="44674598" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44674598/O_Cavaleiro_Azul">O Cavaleiro Azul</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44674598" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be1166ead3665cb9551ddd8fc11b6ffc" rel="nofollow" data-download="{"attachment_id":65147540,"asset_id":44674598,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65147540/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1248778" href="https://unb.academia.edu/LennonNoleto">Lennon Noleto</a><script data-card-contents-for-user="1248778" type="text/json">{"id":1248778,"first_name":"Lennon","last_name":"Noleto","domain_name":"unb","page_name":"LennonNoleto","display_name":"Lennon Noleto","profile_url":"https://unb.academia.edu/LennonNoleto?f_ri=6453","photo":"https://0.academia-photos.com/1248778/886308/132504514/s65_lennon.noleto.jpg"}</script></span></span></li><li class="js-paper-rank-work_44674598 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44674598"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44674598, container: ".js-paper-rank-work_44674598", }); 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С. 183–190</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article contains details on the origins and history of the publication of Arthur Schopenhauer’s Manuscript remains. In addition to that, an analysis of his youth notes up to 1812 is provided as well as a brief description... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28500857" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This  article  contains  details  on  the  origins  and history  of  the publication  of Arthur <br />Schopenhauer’s Manuscript remains. In addition to that, an analysis of his youth notes up to <br />1812 is provided as well as a brief description of the context they appeared in, which facilitates <br />further studies on the development of his philosophy.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28500857" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="54173e2d02da2a36b18ec374235a62e2" rel="nofollow" data-download="{"attachment_id":48849384,"asset_id":28500857,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48849384/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4592166" href="https://hu-berlin.academia.edu/AlexanderSattar">Alexander Sattar</a><script data-card-contents-for-user="4592166" type="text/json">{"id":4592166,"first_name":"Alexander","last_name":"Sattar","domain_name":"hu-berlin","page_name":"AlexanderSattar","display_name":"Alexander Sattar","profile_url":"https://hu-berlin.academia.edu/AlexanderSattar?f_ri=6453","photo":"https://0.academia-photos.com/4592166/1912841/30050337/s65_alexander.sattar.jpg"}</script></span></span></li><li class="js-paper-rank-work_28500857 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28500857"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28500857, container: ".js-paper-rank-work_28500857", }); 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$(".js-view-count[data-work-id=28500857]").text(description); $(".js-view-count-work_28500857").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28500857").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28500857"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="9006" rel="nofollow" href="https://www.academia.edu/Documents/in/Schopenhauer">Schopenhauer</a>, <script data-card-contents-for-ri="9006" type="text/json">{"id":9006,"name":"Schopenhauer","url":"https://www.academia.edu/Documents/in/Schopenhauer?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="23519" rel="nofollow" href="https://www.academia.edu/Documents/in/19th-century_German_philosophy">19th-century German philosophy</a>, <script data-card-contents-for-ri="23519" type="text/json">{"id":23519,"name":"19th-century German philosophy","url":"https://www.academia.edu/Documents/in/19th-century_German_philosophy?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="480954" rel="nofollow" href="https://www.academia.edu/Documents/in/Classical_German_Philosophy">Classical German Philosophy</a><script data-card-contents-for-ri="480954" type="text/json">{"id":480954,"name":"Classical German Philosophy","url":"https://www.academia.edu/Documents/in/Classical_German_Philosophy?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28500857]'), work: {"id":28500857,"title":"Рукописное наследие Артура Шопенгауэра и его ранние философские заметки // Вопросы философии. 2016. № 5. С. 183–190","created_at":"2016-09-15T00:23:57.897-07:00","url":"https://www.academia.edu/28500857/%D0%A0%D1%83%D0%BA%D0%BE%D0%BF%D0%B8%D1%81%D0%BD%D0%BE%D0%B5_%D0%BD%D0%B0%D1%81%D0%BB%D0%B5%D0%B4%D0%B8%D0%B5_%D0%90%D1%80%D1%82%D1%83%D1%80%D0%B0_%D0%A8%D0%BE%D0%BF%D0%B5%D0%BD%D0%B3%D0%B0%D1%83%D1%8D%D1%80%D0%B0_%D0%B8_%D0%B5%D0%B3%D0%BE_%D1%80%D0%B0%D0%BD%D0%BD%D0%B8%D0%B5_%D1%84%D0%B8%D0%BB%D0%BE%D1%81%D0%BE%D1%84%D1%81%D0%BA%D0%B8%D0%B5_%D0%B7%D0%B0%D0%BC%D0%B5%D1%82%D0%BA%D0%B8_%D0%92%D0%BE%D0%BF%D1%80%D0%BE%D1%81%D1%8B_%D1%84%D0%B8%D0%BB%D0%BE%D1%81%D0%BE%D1%84%D0%B8%D0%B8_2016_5_%D0%A1_183_190?f_ri=6453","dom_id":"work_28500857","summary":"This article contains details on the origins and history of the publication of Arthur \nSchopenhauer’s Manuscript remains. In addition to that, an analysis of his youth notes up to \n1812 is provided as well as a brief description of the context they appeared in, which facilitates \nfurther studies on the development of his philosophy.","downloadable_attachments":[{"id":48849384,"asset_id":28500857,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4592166,"first_name":"Alexander","last_name":"Sattar","domain_name":"hu-berlin","page_name":"AlexanderSattar","display_name":"Alexander Sattar","profile_url":"https://hu-berlin.academia.edu/AlexanderSattar?f_ri=6453","photo":"https://0.academia-photos.com/4592166/1912841/30050337/s65_alexander.sattar.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":9006,"name":"Schopenhauer","url":"https://www.academia.edu/Documents/in/Schopenhauer?f_ri=6453","nofollow":true},{"id":23519,"name":"19th-century German philosophy","url":"https://www.academia.edu/Documents/in/19th-century_German_philosophy?f_ri=6453","nofollow":true},{"id":480954,"name":"Classical German Philosophy","url":"https://www.academia.edu/Documents/in/Classical_German_Philosophy?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_61345255" data-work_id="61345255" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/61345255/Fran%C3%A7ois_Hemsterhuis_Early_Writings_1762_73">François Hemsterhuis, Early Writings, 1762-73</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Co-edited and translated with Jacob van Sluis. Vol 1 of the Edinburgh Edition of the Philosophical Works of François Hemsterhuis The first ever English translation of François Hemsterhuis’ early series of philosophical letters published... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_61345255" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Co-edited and translated with Jacob van Sluis.<br /><br />Vol 1 of the Edinburgh Edition of the Philosophical Works of François Hemsterhuis<br /><br />The first ever English translation of François Hemsterhuis’ early series of philosophical letters published during the 1760s and 1770s<br /><br />This complete edition publishes Hemsterhuis’ 'Letter on an Antique Gemstone', 'Letter on Sculpture', 'Letter on Desires', 'Letter on Man and his Relations' and 'Philosophical Description of the Character of the Late Mr. F. Fagel' chronologically to gradually reveal Hemsterhuis’ complete systematic vision.<br /><br />These letters are supplemented by three introductions. The first by Peter Sonderen pinpoints the significance of Hemsterhuis’ remarkably influential aesthetics. The second by Jacob van Sluis provides the context to 'Letter on Man and his Relations'. And the third by Gabriel Trop focuses on the importance of these writings in the history of ideas, especially Herder’s translation and ‘Postscript’ to the 'Letter on Desires', Diderot’s commentary on the 'Letter on Man and his Relations' and Goethe’s incorporation of Hemsterhuis’ definition of beauty into his aesthetic reflections.<br /><br />The book is available here for purchase: <a href="https://edinburghuniversitypress.com/book-the-early-writings-of-francois-hemsterhuis-1762-1773.html" rel="nofollow">https://edinburghuniversitypress.com/book-the-early-writings-of-francois-hemsterhuis-1762-1773.html</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/61345255" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e2b1545d85cff644981cdee4b6a3e701" rel="nofollow" data-download="{"attachment_id":74402283,"asset_id":61345255,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74402283/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14251343" href="https://royalholloway.academia.edu/DanielWhistler">Daniel Whistler</a><script data-card-contents-for-user="14251343" type="text/json">{"id":14251343,"first_name":"Daniel","last_name":"Whistler","domain_name":"royalholloway","page_name":"DanielWhistler","display_name":"Daniel Whistler","profile_url":"https://royalholloway.academia.edu/DanielWhistler?f_ri=6453","photo":"https://0.academia-photos.com/14251343/3906070/4567653/s65_daniel.whistler.jpg"}</script></span></span></li><li class="js-paper-rank-work_61345255 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="61345255"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 61345255, container: ".js-paper-rank-work_61345255", }); 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$(".js-view-count[data-work-id=61345255]").text(description); $(".js-view-count-work_61345255").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_61345255").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="61345255"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="135" rel="nofollow" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="804" rel="nofollow" href="https://www.academia.edu/Documents/in/Metaphysics">Metaphysics</a>, <script data-card-contents-for-ri="804" type="text/json">{"id":804,"name":"Metaphysics","url":"https://www.academia.edu/Documents/in/Metaphysics?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="808" rel="nofollow" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a>, <script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1258" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a><script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=61345255]'), work: {"id":61345255,"title":"François Hemsterhuis, Early Writings, 1762-73","created_at":"2021-11-08T12:16:56.044-08:00","url":"https://www.academia.edu/61345255/Fran%C3%A7ois_Hemsterhuis_Early_Writings_1762_73?f_ri=6453","dom_id":"work_61345255","summary":"Co-edited and translated with Jacob van Sluis.\n\nVol 1 of the Edinburgh Edition of the Philosophical Works of François Hemsterhuis\n\nThe first ever English translation of François Hemsterhuis’ early series of philosophical letters published during the 1760s and 1770s\n\nThis complete edition publishes Hemsterhuis’ 'Letter on an Antique Gemstone', 'Letter on Sculpture', 'Letter on Desires', 'Letter on Man and his Relations' and 'Philosophical Description of the Character of the Late Mr. F. Fagel' chronologically to gradually reveal Hemsterhuis’ complete systematic vision.\n\nThese letters are supplemented by three introductions. The first by Peter Sonderen pinpoints the significance of Hemsterhuis’ remarkably influential aesthetics. The second by Jacob van Sluis provides the context to 'Letter on Man and his Relations'. And the third by Gabriel Trop focuses on the importance of these writings in the history of ideas, especially Herder’s translation and ‘Postscript’ to the 'Letter on Desires', Diderot’s commentary on the 'Letter on Man and his Relations' and Goethe’s incorporation of Hemsterhuis’ definition of beauty into his aesthetic reflections.\n\nThe book is available here for purchase: https://edinburghuniversitypress.com/book-the-early-writings-of-francois-hemsterhuis-1762-1773.html","downloadable_attachments":[{"id":74402283,"asset_id":61345255,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14251343,"first_name":"Daniel","last_name":"Whistler","domain_name":"royalholloway","page_name":"DanielWhistler","display_name":"Daniel Whistler","profile_url":"https://royalholloway.academia.edu/DanielWhistler?f_ri=6453","photo":"https://0.academia-photos.com/14251343/3906070/4567653/s65_daniel.whistler.jpg"}],"research_interests":[{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=6453","nofollow":true},{"id":804,"name":"Metaphysics","url":"https://www.academia.edu/Documents/in/Metaphysics?f_ri=6453","nofollow":true},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment?f_ri=6453"},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453"},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453"},{"id":9690,"name":"Intellectual History of Enlightenment","url":"https://www.academia.edu/Documents/in/Intellectual_History_of_Enlightenment?f_ri=6453"},{"id":12677,"name":"Desire","url":"https://www.academia.edu/Documents/in/Desire?f_ri=6453"},{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=6453"},{"id":19940,"name":"History Of Modern Philosophy","url":"https://www.academia.edu/Documents/in/History_Of_Modern_Philosophy?f_ri=6453"},{"id":38772,"name":"Early Modern Philosophy","url":"https://www.academia.edu/Documents/in/Early_Modern_Philosophy?f_ri=6453"},{"id":114939,"name":"DIDEROT","url":"https://www.academia.edu/Documents/in/DIDEROT?f_ri=6453"},{"id":470810,"name":"Hemsterhuis","url":"https://www.academia.edu/Documents/in/Hemsterhuis?f_ri=6453"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42145743" data-work_id="42145743" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42145743/Introduction_Dissertation_Occasions_of_Underground_Northwestern_University_2020_">Introduction (Dissertation: "Occasions of Underground"; Northwestern University, 2020)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Introduction chapter to my dissertation "Occasions of Underground<br />German Miners and Moles on the Essence of Ground (1780–1920)"</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42145743" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ddc899298bb837ced563b29274c071e1" rel="nofollow" data-download="{"attachment_id":62284174,"asset_id":42145743,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62284174/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11119162" href="https://independent.academia.edu/NadavAvruch">Nadav Avruch</a><script data-card-contents-for-user="11119162" type="text/json">{"id":11119162,"first_name":"Nadav","last_name":"Avruch","domain_name":"independent","page_name":"NadavAvruch","display_name":"Nadav Avruch","profile_url":"https://independent.academia.edu/NadavAvruch?f_ri=6453","photo":"https://0.academia-photos.com/11119162/5741264/6527832/s65_nadav.avruch.jpg_oh_de20cda2a1a39a05543222477011d010_oe_54f86bcf___gda___1424585332_6b018f1dce1001972c768bd30cd27a86"}</script></span></span></li><li class="js-paper-rank-work_42145743 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42145743"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42145743, container: ".js-paper-rank-work_42145743", }); 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$(".js-view-count[data-work-id=42145743]").text(description); $(".js-view-count-work_42145743").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42145743").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42145743"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6202" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Idealism">German Idealism</a>, <script data-card-contents-for-ri="6202" type="text/json">{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8446" rel="nofollow" href="https://www.academia.edu/Documents/in/Franz_Kafka">Franz Kafka</a>, <script data-card-contents-for-ri="8446" type="text/json">{"id":8446,"name":"Franz Kafka","url":"https://www.academia.edu/Documents/in/Franz_Kafka?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="9846" rel="nofollow" href="https://www.academia.edu/Documents/in/Ecology">Ecology</a><script data-card-contents-for-ri="9846" type="text/json">{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42145743]'), work: {"id":42145743,"title":"Introduction (Dissertation: \"Occasions of Underground\"; 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Contemporary debate in literature, philosophy, and politics has yet to fully acknowledge... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36953153" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The work of French writer and essayist Maurice Blanchot (1907-2003) is without doubt among the most challenging the twentieth century has to offer. Contemporary debate in literature, philosophy, and politics has yet to fully acknowledge its discreet but enduring impact. Arising from a conference that took place in Oxford in 2009, this book sets itself a simple, if daunting, task: that of measuring the impact and responding to the challenge of Blanchot’s work by addressing its engagement with the Romantic legacy, in particular (but not only) that of the Jena Romantics. Drawing upon a wide range of philosophers and poets associated directly or indirectly with German Romanticism (Kant, Fichte, Goethe, Jean Paul, Novalis, the Schlegels, Hölderlin), the authors of this volume explore how Blanchot’s fictional, critical, and fragmentary texts rewrite and rethink the Romantic demand in relation to questions of criticism and reflexivity, irony and subjectivity, narrative and genre, the sublime and the neutre, the Work and the fragment, quotation and translation. Reading Blanchot with or against key twentieth-century thinkers (Benjamin, Foucault, de Man), they also examine Romantic and post-Romantic notions of history, imagination, literary theory, melancholy, affect, love, revolution, community, and other central themes that Blanchot’s writings deploy across the century. This book contains contributions in both English and French.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36953153" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1985e5166fa4e34898872b68bd221bce" rel="nofollow" data-download="{"attachment_id":56904188,"asset_id":36953153,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56904188/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16867328" href="https://tcd.academia.edu/HannesOpelz">Hannes Opelz</a><script data-card-contents-for-user="16867328" type="text/json">{"id":16867328,"first_name":"Hannes","last_name":"Opelz","domain_name":"tcd","page_name":"HannesOpelz","display_name":"Hannes Opelz","profile_url":"https://tcd.academia.edu/HannesOpelz?f_ri=6453","photo":"https://0.academia-photos.com/16867328/19986186/19789215/s65_hannes.opelz.jpg"}</script></span></span></li><li class="js-paper-rank-work_36953153 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36953153"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36953153, container: ".js-paper-rank-work_36953153", }); 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$(".js-view-count[data-work-id=36953153]").text(description); $(".js-view-count-work_36953153").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36953153").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36953153"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1258" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a>, <script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8453" rel="nofollow" href="https://www.academia.edu/Documents/in/Maurice_Blanchot">Maurice Blanchot</a>, <script data-card-contents-for-ri="8453" type="text/json">{"id":8453,"name":"Maurice Blanchot","url":"https://www.academia.edu/Documents/in/Maurice_Blanchot?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="99793" rel="nofollow" href="https://www.academia.edu/Documents/in/French_Romanticism">French Romanticism</a><script data-card-contents-for-ri="99793" type="text/json">{"id":99793,"name":"French Romanticism","url":"https://www.academia.edu/Documents/in/French_Romanticism?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36953153]'), work: {"id":36953153,"title":"Blanchot Romantique","created_at":"2018-07-01T09:45:33.203-07:00","url":"https://www.academia.edu/36953153/Blanchot_Romantique?f_ri=6453","dom_id":"work_36953153","summary":"The work of French writer and essayist Maurice Blanchot (1907-2003) is without doubt among the most challenging the twentieth century has to offer. 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Reading Blanchot with or against key twentieth-century thinkers (Benjamin, Foucault, de Man), they also examine Romantic and post-Romantic notions of history, imagination, literary theory, melancholy, affect, love, revolution, community, and other central themes that Blanchot’s writings deploy across the century. 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Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12977943" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="43d58a3af2afd6968b0c31ade6f99111" rel="nofollow" data-download="{"attachment_id":60151838,"asset_id":12977943,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60151838/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="32184495" href="https://emory.academia.edu/KevinKarnes">Kevin Karnes</a><script data-card-contents-for-user="32184495" type="text/json">{"id":32184495,"first_name":"Kevin","last_name":"Karnes","domain_name":"emory","page_name":"KevinKarnes","display_name":"Kevin Karnes","profile_url":"https://emory.academia.edu/KevinKarnes?f_ri=6453","photo":"https://0.academia-photos.com/32184495/9617227/27844905/s65_kevin.karnes.png"}</script></span></span></li><li class="js-paper-rank-work_12977943 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12977943"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12977943, container: ".js-paper-rank-work_12977943", }); 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$(".js-view-count[data-work-id=12977943]").text(description); $(".js-view-count-work_12977943").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12977943").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12977943"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">28</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="671" rel="nofollow" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="685" rel="nofollow" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="687" rel="nofollow" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12977943]'), work: {"id":12977943,"title":"Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna","created_at":"2015-06-14T11:33:07.545-07:00","url":"https://www.academia.edu/12977943/Music_Criticism_and_the_Challenge_of_History_Shaping_Modern_Musical_Thought_in_Late_Nineteenth_Century_Vienna?f_ri=6453","dom_id":"work_12977943","summary":"More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. 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Temporalité, imagination, utopie" (Centre Prospéro, Université Saint-Louis - Bruxelles/ESPHIN, UNamur), 7 déc. 2018</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37941100" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="77af32011ee8a52cfdde68e97b821148" rel="nofollow" data-download="{"attachment_id":58214830,"asset_id":37941100,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58214830/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38974086" href="https://uni-bonn.academia.edu/LaureCahenMaurel">Laure Cahen-Maurel</a><script data-card-contents-for-user="38974086" type="text/json">{"id":38974086,"first_name":"Laure","last_name":"Cahen-Maurel","domain_name":"uni-bonn","page_name":"LaureCahenMaurel","display_name":"Laure Cahen-Maurel","profile_url":"https://uni-bonn.academia.edu/LaureCahenMaurel?f_ri=6453","photo":"https://0.academia-photos.com/38974086/10782586/41707742/s65_laure.cahen-maurel.jpg"}</script></span></span></li><li class="js-paper-rank-work_37941100 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37941100"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37941100, container: ".js-paper-rank-work_37941100", }); 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$(".js-view-count[data-work-id=37941100]").text(description); $(".js-view-count-work_37941100").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37941100").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37941100"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27783" rel="nofollow" href="https://www.academia.edu/Documents/in/Ernst_Bloch">Ernst Bloch</a>, <script data-card-contents-for-ri="27783" type="text/json">{"id":27783,"name":"Ernst Bloch","url":"https://www.academia.edu/Documents/in/Ernst_Bloch?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="40167" rel="nofollow" href="https://www.academia.edu/Documents/in/Early_German_Romanticism">Early German Romanticism</a>, <script data-card-contents-for-ri="40167" type="text/json">{"id":40167,"name":"Early German Romanticism","url":"https://www.academia.edu/Documents/in/Early_German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86646" rel="nofollow" href="https://www.academia.edu/Documents/in/Novalis">Novalis</a><script data-card-contents-for-ri="86646" type="text/json">{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37941100]'), work: {"id":37941100,"title":"L'utopie au prisme des archétypes, symboles et allégories : lecture du \"Principe Espérance\" d'Ernst Bloch (7 décembre 2018, Université Saint-Louis - Bruxelles, Belgique)","created_at":"2018-12-09T01:53:59.772-08:00","url":"https://www.academia.edu/37941100/Lutopie_au_prisme_des_arch%C3%A9types_symboles_et_all%C3%A9gories_lecture_du_Principe_Esp%C3%A9rance_dErnst_Bloch_7_d%C3%A9cembre_2018_Universit%C3%A9_Saint_Louis_Bruxelles_Belgique_?f_ri=6453","dom_id":"work_37941100","summary":"Séminaire ARC \"Philosophies critiques de l'à-venir. Temporalité, imagination, utopie\" (Centre Prospéro, Université Saint-Louis - Bruxelles/ESPHIN, UNamur), 7 déc. 2018","downloadable_attachments":[{"id":58214830,"asset_id":37941100,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38974086,"first_name":"Laure","last_name":"Cahen-Maurel","domain_name":"uni-bonn","page_name":"LaureCahenMaurel","display_name":"Laure Cahen-Maurel","profile_url":"https://uni-bonn.academia.edu/LaureCahenMaurel?f_ri=6453","photo":"https://0.academia-photos.com/38974086/10782586/41707742/s65_laure.cahen-maurel.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":27783,"name":"Ernst Bloch","url":"https://www.academia.edu/Documents/in/Ernst_Bloch?f_ri=6453","nofollow":true},{"id":40167,"name":"Early German Romanticism","url":"https://www.academia.edu/Documents/in/Early_German_Romanticism?f_ri=6453","nofollow":true},{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453","nofollow":true},{"id":215415,"name":"Utopie","url":"https://www.academia.edu/Documents/in/Utopie?f_ri=6453"},{"id":1623149,"name":"Friedrich Creuzer","url":"https://www.academia.edu/Documents/in/Friedrich_Creuzer?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30681246" data-work_id="30681246" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30681246/Noting_Images_Understanding_the_Illustrated_Manuscripts_of_Mendelssohns_Schilflied">Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn's Schilflied</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Felix Mendelssohn and Paul Hindemith, composing about one hundred years apart, integrated visual elements, including drawings and illustrated notations, into musical manuscripts they designed as gifts for women they admired. The two... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30681246" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Felix Mendelssohn and Paul Hindemith, composing about one hundred years apart, integrated visual elements, including drawings and illustrated notations, into musical manuscripts they designed as gifts for women they admired. The two documents, illustrating Mendelssohn’s Schilflied (1842) and Hindemith’s Ludus Tonalis (1942), are strong declarations of compositional and artistic ideology. This article examines the scores as reflecting, respectively, aspects of nineteenth-century and early twentieth-century conceptions of musical composition and form, and their relation to visual media.<br /><br />NB: Translated by Farshad Moshfeghi for Iran's Music Report Magazine (2012)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30681246" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fd23a3b4145354351c14c75f01a96543" rel="nofollow" data-download="{"attachment_id":51122280,"asset_id":30681246,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51122280/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24888759" href="https://yale.academia.edu/DanielWalden">Daniel K . 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class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Advances a novel theory of how paradoxes evident in Wackenroder's essay on instrumental music evoke specific religious dichotomies and that these in turn propose an aesthetic interpretation of autonomous instrumental music concordant with... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26697206" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Advances a novel theory of how paradoxes evident in Wackenroder's essay on instrumental music evoke specific religious dichotomies and that these in turn propose an aesthetic interpretation of autonomous instrumental music concordant with the importance attached to religion in early German Romantic thought.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a><script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26697206]'), work: {"id":26697206,"title":"Wackenroder and the Doctrine of the Soul","created_at":"2016-07-03T09:00:47.761-07:00","url":"https://www.academia.edu/26697206/Wackenroder_and_the_Doctrine_of_the_Soul?f_ri=6453","dom_id":"work_26697206","summary":"Advances a novel theory of how paradoxes evident in Wackenroder's essay on instrumental music evoke specific religious dichotomies and that these in turn propose an aesthetic interpretation of autonomous instrumental music concordant with the importance attached to religion in early German Romantic thought.","downloadable_attachments":[{"id":46979043,"asset_id":26697206,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1912517,"first_name":"Kevin","last_name":"O'Regan","domain_name":"eastanglia","page_name":"KevinORegan","display_name":"Kevin O'Regan","profile_url":"https://eastanglia.academia.edu/KevinORegan?f_ri=6453","photo":"https://0.academia-photos.com/1912517/646926/13385822/s65_kevin.o_regan.jpg"}],"research_interests":[{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=6453","nofollow":true},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=6453","nofollow":true},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":6453,"name":"German 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Hoffmann</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41152625" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6cbcf80596da4985dd8c65caca49dbb6" rel="nofollow" data-download="{"attachment_id":61396413,"asset_id":41152625,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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(Novalis)","url":"https://www.academia.edu/Documents/in/Friedrich_von_Hardenberg_Novalis_?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86646" rel="nofollow" href="https://www.academia.edu/Documents/in/Novalis">Novalis</a>, <script data-card-contents-for-ri="86646" type="text/json">{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="98459" rel="nofollow" href="https://www.academia.edu/Documents/in/E.T.A._Hoffmann">E.T.A. 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Hoffmann","url":"https://www.academia.edu/Documents/in/E.T.A._Hoffmann?f_ri=6453","nofollow":true},{"id":131485,"name":"Mines","url":"https://www.academia.edu/Documents/in/Mines?f_ri=6453"},{"id":2583895,"name":"Falun","url":"https://www.academia.edu/Documents/in/Falun?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_67699056" data-work_id="67699056" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/67699056/Deformed_Beauty_Narrative_and_Musical_Form_in_Mendelssohns_Overture_to_the_Beautiful_Melusina_Op_32">Deformed Beauty? Narrative and Musical Form in Mendelssohn's "Overture to the Beautiful Melusina," Op. 32</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The last of Felix Mendelssohn’s series of popular and influential concert overtures, the Overture to the Tale of the Fair Melusina of 1835 remains the least familiar of these works. It is also the most unusual with regard to formal design... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_67699056" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The last of Felix Mendelssohn’s series of popular and influential concert overtures, the Overture to the Tale of the Fair Melusina of 1835 remains the least familiar of these works. It is also the most unusual with regard to formal design in its purposeful confounding of introduction and sonata-form elements alongside the dialogic relation of clearly gendered thematic materials. Such calculated ‘deformation’ of classic and early Romantic sonata form has been understood as a means of generating a kind of musical-narrative content, though the precise relation of formal experiment to such narrative content has remained elusive. This chapter reconsiders the problematic relation of experimental formal procedure to the narrative dimension and the role this may have played in the composer’s subsequent abandonment of the quasi-programmatic concert overture genre, despite his unparalleled artistic success in the field<br />Keywords: Felix Mendelssohn, Die schöne Melusine, sonata form, Sonata Theory, musical narrative, programme music, deformation</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/67699056" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="774b3b0844aca9e4801bd51b38bf6550" rel="nofollow" data-download="{"attachment_id":78427582,"asset_id":67699056,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/78427582/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10045125" href="https://stanford.academia.edu/TomGrey">Thomas Grey</a><script data-card-contents-for-user="10045125" type="text/json">{"id":10045125,"first_name":"Thomas","last_name":"Grey","domain_name":"stanford","page_name":"TomGrey","display_name":"Thomas Grey","profile_url":"https://stanford.academia.edu/TomGrey?f_ri=6453","photo":"https://0.academia-photos.com/10045125/3179846/3742904/s65_tom.grey.jpg"}</script></span></span></li><li class="js-paper-rank-work_67699056 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="67699056"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 67699056, container: ".js-paper-rank-work_67699056", }); 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Narrative and Musical Form in Mendelssohn's \"Overture to the Beautiful Melusina,\" Op. 32","created_at":"2022-01-09T13:08:31.896-08:00","url":"https://www.academia.edu/67699056/Deformed_Beauty_Narrative_and_Musical_Form_in_Mendelssohns_Overture_to_the_Beautiful_Melusina_Op_32?f_ri=6453","dom_id":"work_67699056","summary":"The last of Felix Mendelssohn’s series of popular and influential concert overtures, the Overture to the Tale of the Fair Melusina of 1835 remains the least familiar of these works. It is also the most unusual with regard to formal design in its purposeful confounding of introduction and sonata-form elements alongside the dialogic relation of clearly gendered thematic materials. Such calculated ‘deformation’ of classic and early Romantic sonata form has been understood as a means of generating a kind of musical-narrative content, though the precise relation of formal experiment to such narrative content has remained elusive. This chapter reconsiders the problematic relation of experimental formal procedure to the narrative dimension and the role this may have played in the composer’s subsequent abandonment of the quasi-programmatic concert overture genre, despite his unparalleled artistic success in the field\nKeywords: Felix Mendelssohn, Die schöne Melusine, sonata form, Sonata Theory, musical narrative, programme music, deformation\n\n","downloadable_attachments":[{"id":78427582,"asset_id":67699056,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10045125,"first_name":"Thomas","last_name":"Grey","domain_name":"stanford","page_name":"TomGrey","display_name":"Thomas Grey","profile_url":"https://stanford.academia.edu/TomGrey?f_ri=6453","photo":"https://0.academia-photos.com/10045125/3179846/3742904/s65_tom.grey.jpg"}],"research_interests":[{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":9911,"name":"Nineteenth-Century Music","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Music?f_ri=6453","nofollow":true},{"id":10553,"name":"Narrative and Music","url":"https://www.academia.edu/Documents/in/Narrative_and_Music?f_ri=6453","nofollow":true},{"id":25136,"name":"Felix Mendelssohn-Bartholdy","url":"https://www.academia.edu/Documents/in/Felix_Mendelssohn-Bartholdy?f_ri=6453"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=6453"},{"id":59389,"name":"Program Music","url":"https://www.academia.edu/Documents/in/Program_Music?f_ri=6453"},{"id":724128,"name":"Sonata Theory","url":"https://www.academia.edu/Documents/in/Sonata_Theory?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38947624" data-work_id="38947624" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38947624/A_nyelvileg_felfogott_kiv%C3%A1l%C3%B3s%C3%A1g_Friedrich_Schlegel_%C3%A9s_Friedrich_Nietzsche_%C3%A1rja_elm%C3%A9lete">A nyelvileg felfogott kiválóság: Friedrich Schlegel és Friedrich Nietzsche "árja"-elmélete</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Friedrich Schlegel hosszas kutatást követően 1808-ban megjelentette az Ueber die Sprache und Weisheit der Indier című nyelvfilozófiai művét, amellyel jelentősen hozzájárult az indoeurópai nyelvelmélet megalapozásához. Schlegel nagy... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38947624" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Friedrich Schlegel hosszas kutatást követően 1808-ban megjelentette az Ueber die Sprache und Weisheit der Indier című nyelvfilozófiai művét, amellyel jelentősen hozzájárult az indoeurópai nyelvelmélet megalapozásához. Schlegel nagy újítása az volt, hogy a kortárs Blumenbach összehasonlító anatómiai módszerét átalakította egy nyelvtörténeti vizsgálatra is alkalmas metódussá, s ezen alapuló etimológiai kutatással a német nyelv indiai eredetét kívánta alátámasztani. Az eredeti metódus szomatikus relevanciáját nyelvi érvényességgel bíró megközelítéssel váltotta fel. Koncepciójának egyik központi eleme később az „árja” kifejezés etimológiája lett: a nemesség és kiválóság nyelvi formulája révén kívánt kapcsolatot teremteni a német valamint az indiai nyelv és kultúra között. Ezt a nyelvi relevanciájú koncepciót „re-szomatizálták” aztán egyes követői, és látták el antiszemita mellékzöngékkel.<br /> Nietzsche az Adalék a morál genealógiájához című írásában szintén jelentős szerepet szán az árja kifejezés etimológiai dimenzióinak: a nemes és alantas eredeti kettősségének egyik támasztékát látja a nyelvtörténeti mozzanatban. Nietzsche a szőke árják történeti nemességéből kiindulva vázolja fel a végül bukásra ítélt, „etikai” kiválóság kontúrjait. Az ehhez hasonló meglátások, kiegészülve például az Antikrisztus „szőke bestiára” vonatkozó megállapításaival, a „Redlichkeit” nietzschei erényének gyakorlásában nem jeleskedő náci interpretátorok hivatkozási alapjai lettek.<br /> A két szóban forgó „történeti” témájú munka (a nyilvánvaló különbségek ellenére) egyaránt egy erősen problematizált eredet-fogalommal dolgozik. Mind Schlegel értekezése, mind Nietzsche írása számol a származás, a történeti elsőség gondolatának alapvetően impertinens jellegével, amelyről a biológiai-faji érvényesség igényével fellépő értelmezők nem vettek tudomást. A tanulmányban a két szerző eredet-felfogását a közös, nyelvi megalapozottságú, árjaságra vonatkozó meglátásaik révén kívánom bemutatni. Mindkét esetben értéktételező gesztus is áll a nyelvi árja-koncepció mögött: a szövegek egy általuk elismert értéknek állítanak fel történeti narratívát, az adott gondolat vagy erény genealógiáját hozzák létre. A rasszista indíttatású ideológiák ezt a sajátos megközelítést redukálják konkrét, histografikus koncepcióvá. A szövegben arra vagyok kíváncsi, hogy mennyiben tekinthető a két szerző árja-koncepciója egyazon filozófiai problémára (honnan származik a szellemi nagyság?) adott, némileg eltérő történeti válaszként; tehát mennyiben beszélhetünk ebben az esetben a filozófiai kiválóság-genealógia történeti variációiról. Mindenekelőtt az a kérdés érdekel, hogy Schlegel és Nietzsche miért nyúlt az árjaság fogalmához érték-történeti koncepciójuk megalapozásakor.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38947624" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="93e68ffdf495b686cb7928ba6187949a" rel="nofollow" data-download="{"attachment_id":59049804,"asset_id":38947624,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59049804/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="63289664" href="https://unideb.academia.edu/P%C3%A9terT%C3%A1nczos">Péter Tánczos</a><script data-card-contents-for-user="63289664" type="text/json">{"id":63289664,"first_name":"Péter","last_name":"Tánczos","domain_name":"unideb","page_name":"PéterTánczos","display_name":"Péter Tánczos","profile_url":"https://unideb.academia.edu/P%C3%A9terT%C3%A1nczos?f_ri=6453","photo":"https://0.academia-photos.com/63289664/16512245/16850396/s65_p_ter.t_nczos.jpg"}</script></span></span></li><li class="js-paper-rank-work_38947624 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38947624"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38947624, container: ".js-paper-rank-work_38947624", }); 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Schlegel nagy újítása az volt, hogy a kortárs Blumenbach összehasonlító anatómiai módszerét átalakította egy nyelvtörténeti vizsgálatra is alkalmas metódussá, s ezen alapuló etimológiai kutatással a német nyelv indiai eredetét kívánta alátámasztani. Az eredeti metódus szomatikus relevanciáját nyelvi érvényességgel bíró megközelítéssel váltotta fel. Koncepciójának egyik központi eleme később az „árja” kifejezés etimológiája lett: a nemesség és kiválóság nyelvi formulája révén kívánt kapcsolatot teremteni a német valamint az indiai nyelv és kultúra között. Ezt a nyelvi relevanciájú koncepciót „re-szomatizálták” aztán egyes követői, és látták el antiszemita mellékzöngékkel.\n\tNietzsche az Adalék a morál genealógiájához című írásában szintén jelentős szerepet szán az árja kifejezés etimológiai dimenzióinak: a nemes és alantas eredeti kettősségének egyik támasztékát látja a nyelvtörténeti mozzanatban. Nietzsche a szőke árják történeti nemességéből kiindulva vázolja fel a végül bukásra ítélt, „etikai” kiválóság kontúrjait. Az ehhez hasonló meglátások, kiegészülve például az Antikrisztus „szőke bestiára” vonatkozó megállapításaival, a „Redlichkeit” nietzschei erényének gyakorlásában nem jeleskedő náci interpretátorok hivatkozási alapjai lettek.\n\tA két szóban forgó „történeti” témájú munka (a nyilvánvaló különbségek ellenére) egyaránt egy erősen problematizált eredet-fogalommal dolgozik. Mind Schlegel értekezése, mind Nietzsche írása számol a származás, a történeti elsőség gondolatának alapvetően impertinens jellegével, amelyről a biológiai-faji érvényesség igényével fellépő értelmezők nem vettek tudomást. A tanulmányban a két szerző eredet-felfogását a közös, nyelvi megalapozottságú, árjaságra vonatkozó meglátásaik révén kívánom bemutatni. Mindkét esetben értéktételező gesztus is áll a nyelvi árja-koncepció mögött: a szövegek egy általuk elismert értéknek állítanak fel történeti narratívát, az adott gondolat vagy erény genealógiáját hozzák létre. A rasszista indíttatású ideológiák ezt a sajátos megközelítést redukálják konkrét, histografikus koncepcióvá. A szövegben arra vagyok kíváncsi, hogy mennyiben tekinthető a két szerző árja-koncepciója egyazon filozófiai problémára (honnan származik a szellemi nagyság?) adott, némileg eltérő történeti válaszként; tehát mennyiben beszélhetünk ebben az esetben a filozófiai kiválóság-genealógia történeti variációiról. Mindenekelőtt az a kérdés érdekel, hogy Schlegel és Nietzsche miért nyúlt az árjaság fogalmához érték-történeti koncepciójuk megalapozásakor.","downloadable_attachments":[{"id":59049804,"asset_id":38947624,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":63289664,"first_name":"Péter","last_name":"Tánczos","domain_name":"unideb","page_name":"PéterTánczos","display_name":"Péter Tánczos","profile_url":"https://unideb.academia.edu/P%C3%A9terT%C3%A1nczos?f_ri=6453","photo":"https://0.academia-photos.com/63289664/16512245/16850396/s65_p_ter.t_nczos.jpg"}],"research_interests":[{"id":95,"name":"History of Linguistics","url":"https://www.academia.edu/Documents/in/History_of_Linguistics?f_ri=6453","nofollow":true},{"id":807,"name":"Philosophy Of Language","url":"https://www.academia.edu/Documents/in/Philosophy_Of_Language?f_ri=6453","nofollow":true},{"id":6453,"name":"German 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4947352" href="https://hu-berlin.academia.edu/JoergTrempler">Joerg Trempler</a><script data-card-contents-for-user="4947352" type="text/json">{"id":4947352,"first_name":"Joerg","last_name":"Trempler","domain_name":"hu-berlin","page_name":"JoergTrempler","display_name":"Joerg Trempler","profile_url":"https://hu-berlin.academia.edu/JoergTrempler?f_ri=6453","photo":"https://0.academia-photos.com/4947352/2140346/2512433/s65_joerg.trempler.jpg"}</script></span></span></li><li class="js-paper-rank-work_4100438 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4100438"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4100438, container: ".js-paper-rank-work_4100438", }); });</script></li><li class="js-percentile-work_4100438 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Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" rel="nofollow" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="473865" rel="nofollow" href="https://www.academia.edu/Documents/in/Karl_Friedrich_Schinkel">Karl Friedrich Schinkel</a><script data-card-contents-for-ri="473865" type="text/json">{"id":473865,"name":"Karl Friedrich Schinkel","url":"https://www.academia.edu/Documents/in/Karl_Friedrich_Schinkel?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4100438]'), work: {"id":4100438,"title":"„Schinkel, Karl Friedrich“ in: Encyclopedia of Aesthetics","created_at":"2013-07-24T19:59:14.701-07:00","url":"https://www.academia.edu/4100438/_Schinkel_Karl_Friedrich_in_Encyclopedia_of_Aesthetics?f_ri=6453","dom_id":"work_4100438","summary":null,"downloadable_attachments":[{"id":31622849,"asset_id":4100438,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4947352,"first_name":"Joerg","last_name":"Trempler","domain_name":"hu-berlin","page_name":"JoergTrempler","display_name":"Joerg Trempler","profile_url":"https://hu-berlin.academia.edu/JoergTrempler?f_ri=6453","photo":"https://0.academia-photos.com/4947352/2140346/2512433/s65_joerg.trempler.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=6453","nofollow":true},{"id":473865,"name":"Karl Friedrich Schinkel","url":"https://www.academia.edu/Documents/in/Karl_Friedrich_Schinkel?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42001252" data-work_id="42001252" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42001252/Review_Robert_Caner_Liese_El_primer_Romanticisme_alemany_Friedrich_Schlegel_i_Novalis">Review: Robert Caner-Liese, El primer Romanticisme alemany. Friedrich Schlegel i Novalis</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El Prof. Dr. Caner-Liese nos ofrece un estudio monográfico sobre la filosofía del Romanticismo temprano a partir de sus dos figuras clave: Friedrich Schlegel y Novalis; un tema de especial problemática tanto por lo que hace a la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42001252" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El Prof. Dr. Caner-Liese nos ofrece un estudio monográfico sobre la filosofía del Romanticismo temprano a partir de sus dos figuras clave: Friedrich Schlegel y Novalis; un tema de especial problemática tanto por lo que hace a la dificultad en sí de su objeto como por la forma académica de abordarlo. Ambos aspectos convergen en la forma asistemática y fragmentaria del pensamiento de ambos autores, dificultando cualquier tipo de exposición sistemática. No obstante, el autor ha sabido resolver estos problemas de forma excelente. Por lo que hace a la perspectiva disciplinar, las intenciones filosóficas de ambos autores han quedado enterradas en la historia de este país, pues, si bien disponemos de algunas traducciones, carecemos de estudios que vayan más allá de sus aspectos literarios. Respecto a la esfera desde que el tema se aborda -la filosofíapodríamos distinguir una mixtura hermenéutica, pues el autor se centra tanto en subrayar la cercanía entre idealismo y romanticismo -línea de lectura donde destacaría Frederik Beiser -como sus respectivas distancias -posición hermenéutica en la que resalta Manfred Frank. Desde la perspectiva de la carrera del autor, este escrito parece que haya surgido con la máxima naturalidad posible, pues, con un espíritu particularmente romántico, siempre se ha mantenido allí donde la filosofía y la literatura han entrado en contacto -lugares, cabe decir, donde la estética ha cobrado una importancia decisiva para el desarrollo del pensamiento humano. Esa proyección se hace patente no sólo en su trabajo como traductor y editor, sino también como escritor; entre ambas dimensiones cabe destacar, respectivamente, las Notas de literatura de Adorno, los Estudios sobre Fichte y los Fragmentos de Novalis; y Gadamer, lector de Celan, además de numerosos artículos en revistas académicas. La solicitud del análisis del Prof. Caner-Liese lleva a dividir el libro en dos grandes partes, encargadas de analizar individualmente el pensamiento filosófico de Schlegel y Novalis. Esta división es representativa del estilo pedagógico de esta monografía, pues permite fácilmente discernir no sólo sus similitudes, sino también sus diferentes propuestas filosóficas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42001252" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="37f3211d2778c4c600f35804cbbe4c56" rel="nofollow" data-download="{"attachment_id":62125498,"asset_id":42001252,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62125498/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="51033125" href="https://wipcad-potsdam.academia.edu/PabloGenazzano">Pablo Genazzano</a><script data-card-contents-for-user="51033125" type="text/json">{"id":51033125,"first_name":"Pablo","last_name":"Genazzano","domain_name":"wipcad-potsdam","page_name":"PabloGenazzano","display_name":"Pablo Genazzano","profile_url":"https://wipcad-potsdam.academia.edu/PabloGenazzano?f_ri=6453","photo":"https://0.academia-photos.com/51033125/15236714/15909926/s65_pablo_adrian.genazzano_mompo.jpg"}</script></span></span></li><li class="js-paper-rank-work_42001252 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42001252"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42001252, container: ".js-paper-rank-work_42001252", }); 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Friedrich Schlegel i Novalis","created_at":"2020-02-17T11:27:24.157-08:00","url":"https://www.academia.edu/42001252/Review_Robert_Caner_Liese_El_primer_Romanticisme_alemany_Friedrich_Schlegel_i_Novalis?f_ri=6453","dom_id":"work_42001252","summary":"El Prof. Dr. Caner-Liese nos ofrece un estudio monográfico sobre la filosofía del Romanticismo temprano a partir de sus dos figuras clave: Friedrich Schlegel y Novalis; un tema de especial problemática tanto por lo que hace a la dificultad en sí de su objeto como por la forma académica de abordarlo. Ambos aspectos convergen en la forma asistemática y fragmentaria del pensamiento de ambos autores, dificultando cualquier tipo de exposición sistemática. No obstante, el autor ha sabido resolver estos problemas de forma excelente. Por lo que hace a la perspectiva disciplinar, las intenciones filosóficas de ambos autores han quedado enterradas en la historia de este país, pues, si bien disponemos de algunas traducciones, carecemos de estudios que vayan más allá de sus aspectos literarios. Respecto a la esfera desde que el tema se aborda -la filosofíapodríamos distinguir una mixtura hermenéutica, pues el autor se centra tanto en subrayar la cercanía entre idealismo y romanticismo -línea de lectura donde destacaría Frederik Beiser -como sus respectivas distancias -posición hermenéutica en la que resalta Manfred Frank. Desde la perspectiva de la carrera del autor, este escrito parece que haya surgido con la máxima naturalidad posible, pues, con un espíritu particularmente romántico, siempre se ha mantenido allí donde la filosofía y la literatura han entrado en contacto -lugares, cabe decir, donde la estética ha cobrado una importancia decisiva para el desarrollo del pensamiento humano. Esa proyección se hace patente no sólo en su trabajo como traductor y editor, sino también como escritor; entre ambas dimensiones cabe destacar, respectivamente, las Notas de literatura de Adorno, los Estudios sobre Fichte y los Fragmentos de Novalis; y Gadamer, lector de Celan, además de numerosos artículos en revistas académicas. La solicitud del análisis del Prof. Caner-Liese lleva a dividir el libro en dos grandes partes, encargadas de analizar individualmente el pensamiento filosófico de Schlegel y Novalis. Esta división es representativa del estilo pedagógico de esta monografía, pues permite fácilmente discernir no sólo sus similitudes, sino también sus diferentes propuestas filosóficas.","downloadable_attachments":[{"id":62125498,"asset_id":42001252,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":51033125,"first_name":"Pablo","last_name":"Genazzano","domain_name":"wipcad-potsdam","page_name":"PabloGenazzano","display_name":"Pablo Genazzano","profile_url":"https://wipcad-potsdam.academia.edu/PabloGenazzano?f_ri=6453","photo":"https://0.academia-photos.com/51033125/15236714/15909926/s65_pablo_adrian.genazzano_mompo.jpg"}],"research_interests":[{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":10270,"name":"Johann Gottlieb Fichte","url":"https://www.academia.edu/Documents/in/Johann_Gottlieb_Fichte?f_ri=6453","nofollow":true},{"id":40167,"name":"Early German Romanticism","url":"https://www.academia.edu/Documents/in/Early_German_Romanticism?f_ri=6453","nofollow":true},{"id":43649,"name":"Friedrich Heinrich Jacobi","url":"https://www.academia.edu/Documents/in/Friedrich_Heinrich_Jacobi?f_ri=6453"},{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453"},{"id":197036,"name":"Friedrich Schlegel","url":"https://www.academia.edu/Documents/in/Friedrich_Schlegel?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38934572" data-work_id="38934572" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38934572/Az_ir%C3%B3nia_mint_kl%C3%ADma_%C3%A9s_mint_a_vil%C3%A1g_arkhim%C3%A9d%C3%A9szi_pontja">Az irónia mint klíma és mint a világ arkhimédészi pontja</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Soren Kierkegaard Lucinda-kritikájának elemzéséből kiindulva azt vizsgálom meg, hogy miben különbözött Schlegel és Kierkegaard iróniával kapcsolatos trópus-használata, milyen metaforák mentén határolódott el a dán filozófus német... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38934572" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Soren Kierkegaard Lucinda-kritikájának elemzéséből kiindulva azt vizsgálom meg, hogy miben különbözött Schlegel és Kierkegaard iróniával kapcsolatos trópus-használata, milyen metaforák mentén határolódott el a dán filozófus német elődjétől. A hegeli bírálati pontok számbavételével igyekszem árnyalni a Paul de Man-féle interpretációt is. Kierkegaard és Schlegel összehasonlítása során külön hangsúlyt fektetek az éghajlat, a meztelenség, és a restség alakzataira, illetve azok revelációval és szubverzióval kapcsolatos szerepére.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38934572" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="885ca9f67db7f825a512fd31d23f92ee" rel="nofollow" data-download="{"attachment_id":59036597,"asset_id":38934572,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59036597/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="63289664" href="https://unideb.academia.edu/P%C3%A9terT%C3%A1nczos">Péter Tánczos</a><script data-card-contents-for-user="63289664" type="text/json">{"id":63289664,"first_name":"Péter","last_name":"Tánczos","domain_name":"unideb","page_name":"PéterTánczos","display_name":"Péter Tánczos","profile_url":"https://unideb.academia.edu/P%C3%A9terT%C3%A1nczos?f_ri=6453","photo":"https://0.academia-photos.com/63289664/16512245/16850396/s65_p_ter.t_nczos.jpg"}</script></span></span></li><li class="js-paper-rank-work_38934572 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38934572"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38934572, container: ".js-paper-rank-work_38934572", }); 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A hegeli bírálati pontok számbavételével igyekszem árnyalni a Paul de Man-féle interpretációt is. Kierkegaard és Schlegel összehasonlítása során külön hangsúlyt fektetek az éghajlat, a meztelenség, és a restség alakzataira, illetve azok revelációval és szubverzióval kapcsolatos szerepére.","downloadable_attachments":[{"id":59036597,"asset_id":38934572,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":63289664,"first_name":"Péter","last_name":"Tánczos","domain_name":"unideb","page_name":"PéterTánczos","display_name":"Péter Tánczos","profile_url":"https://unideb.academia.edu/P%C3%A9terT%C3%A1nczos?f_ri=6453","photo":"https://0.academia-photos.com/63289664/16512245/16850396/s65_p_ter.t_nczos.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":7942,"name":"Hegel","url":"https://www.academia.edu/Documents/in/Hegel?f_ri=6453","nofollow":true},{"id":10942,"name":"Revelation","url":"https://www.academia.edu/Documents/in/Revelation?f_ri=6453","nofollow":true},{"id":19940,"name":"History Of Modern Philosophy","url":"https://www.academia.edu/Documents/in/History_Of_Modern_Philosophy?f_ri=6453","nofollow":true},{"id":34386,"name":"Boredom","url":"https://www.academia.edu/Documents/in/Boredom?f_ri=6453"},{"id":48890,"name":"Soren Kierkegaard","url":"https://www.academia.edu/Documents/in/Soren_Kierkegaard?f_ri=6453"},{"id":87837,"name":"Paul de Man","url":"https://www.academia.edu/Documents/in/Paul_de_Man?f_ri=6453"},{"id":96684,"name":"Archimedes","url":"https://www.academia.edu/Documents/in/Archimedes?f_ri=6453"},{"id":110988,"name":"Irony","url":"https://www.academia.edu/Documents/in/Irony?f_ri=6453"},{"id":127827,"name":"German romanticism and idealism","url":"https://www.academia.edu/Documents/in/German_romanticism_and_idealism?f_ri=6453"},{"id":197036,"name":"Friedrich Schlegel","url":"https://www.academia.edu/Documents/in/Friedrich_Schlegel?f_ri=6453"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23309426" data-work_id="23309426" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23309426/Der_Briefwechsel_Goethe_Tieck_ein_Anti_Faust">Der Briefwechsel Goethe-Tieck: ein Anti-Faust</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Der Briefwechsel zwischen Goethe und Tieck beginnt im Jahr 1798 und endet am 24. September 1829. In diesen 31 Jahren ist aber die Beziehung zwischen den beiden Dichtern voller Spannungen und Missverständnissen. Man kann nicht einen... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23309426" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Der Briefwechsel zwischen Goethe und Tieck beginnt im Jahr 1798 und endet am 24. September 1829.  In diesen 31 Jahren ist aber die Beziehung zwischen den beiden Dichtern voller Spannungen und Missverständnissen. Man kann nicht einen Diskurs über Ludwig Tieck beginnen, ohne auf das Verhältnis der Haßliebe zwischen dem romantischen Geist Tieck's und dem olympischen Goethe zu stoßen. Es wird tatsächlich sofort ein Zweifel ausgeraumt, der viel zu lange die Gelehrten geprägt hatte: Der goetische Faust und die zwei Teile des Gestiefelten Katers (der zweite Teil, also Prinz Zerbino, wurde bisher zugunsten des ersten vernachlaßigt) sind zueinander antithetisch zu sehen, wenn auch in gewisser Weise-parallel.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23309426" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8884f038bf85b7d580e9d6e51d943a35" rel="nofollow" data-download="{"attachment_id":43771226,"asset_id":23309426,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43771226/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10543738" href="https://middlebury.academia.edu/EnricoBernard">Enrico Bernard</a><script data-card-contents-for-user="10543738" type="text/json">{"id":10543738,"first_name":"Enrico","last_name":"Bernard","domain_name":"middlebury","page_name":"EnricoBernard","display_name":"Enrico Bernard","profile_url":"https://middlebury.academia.edu/EnricoBernard?f_ri=6453","photo":"https://0.academia-photos.com/10543738/3226735/3797374/s65_enrico.bernard.jpg"}</script></span></span></li><li class="js-paper-rank-work_23309426 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23309426"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23309426, container: ".js-paper-rank-work_23309426", }); 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September 1829. In diesen 31 Jahren ist aber die Beziehung zwischen den beiden Dichtern voller Spannungen und Missverständnissen. Man kann nicht einen Diskurs über Ludwig Tieck beginnen, ohne auf das Verhältnis der Haßliebe zwischen dem romantischen Geist Tieck's und dem olympischen Goethe zu stoßen. Es wird tatsächlich sofort ein Zweifel ausgeraumt, der viel zu lange die Gelehrten geprägt hatte: Der goetische Faust und die zwei Teile des Gestiefelten Katers (der zweite Teil, also Prinz Zerbino, wurde bisher zugunsten des ersten vernachlaßigt) sind zueinander antithetisch zu sehen, wenn auch in gewisser Weise-parallel. ","downloadable_attachments":[{"id":43771226,"asset_id":23309426,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10543738,"first_name":"Enrico","last_name":"Bernard","domain_name":"middlebury","page_name":"EnricoBernard","display_name":"Enrico Bernard","profile_url":"https://middlebury.academia.edu/EnricoBernard?f_ri=6453","photo":"https://0.academia-photos.com/10543738/3226735/3797374/s65_enrico.bernard.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=6453","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":1729,"name":"German 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class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8732949/Revolu%C5%A3ia_Conservatoare_german%C4%83_%C5%9Fi_mo%C5%9Ftenirea_sa">Revoluţia Conservatoare germană şi moştenirea sa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ESTICA: Editoriale culturale, politice, recenzii (7 Octombrie 2014) <a href="http://www.estica.eu/article/revolutia-conservatoare-germana-si-mostenirea-sa/" rel="nofollow">http://www.estica.eu/article/revolutia-conservatoare-germana-si-mostenirea-sa/</a> În perioada dintre Primul război mondial şi stabilirea celui de-al Treilea Reich, criza... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8732949" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ESTICA: Editoriale culturale, politice, recenzii (7 Octombrie 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Godard, Trailers and Godard Trailers.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">It is a truth not yet universally acknowledged, but rather obvious, that Godard films are, in fact, a lot like trailers.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44463632" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f5599b69875cdc9b07e7ef8d454c5dce" rel="nofollow" data-download="{"attachment_id":64890212,"asset_id":44463632,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64890212/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2024198" href="https://uni-frankfurt.academia.edu/VinzenzHediger">Vinzenz Hediger</a><script data-card-contents-for-user="2024198" type="text/json">{"id":2024198,"first_name":"Vinzenz","last_name":"Hediger","domain_name":"uni-frankfurt","page_name":"VinzenzHediger","display_name":"Vinzenz Hediger","profile_url":"https://uni-frankfurt.academia.edu/VinzenzHediger?f_ri=6453","photo":"https://0.academia-photos.com/2024198/1216162/1521544/s65_vinzenz.hediger.jpg"}</script></span></span></li><li class="js-paper-rank-work_44463632 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44463632"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44463632, container: ".js-paper-rank-work_44463632", }); 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Godard, Trailers and Godard Trailers.","created_at":"2020-11-09T11:24:45.041-08:00","url":"https://www.academia.edu/44463632/A_Cinema_of_Memory_in_the_Future_Tense_Godard_Trailers_and_Godard_Trailers?f_ri=6453","dom_id":"work_44463632","summary":"It is a truth not yet universally acknowledged, but rather obvious, that Godard films are, in fact, a lot like trailers.","downloadable_attachments":[{"id":64890212,"asset_id":44463632,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2024198,"first_name":"Vinzenz","last_name":"Hediger","domain_name":"uni-frankfurt","page_name":"VinzenzHediger","display_name":"Vinzenz Hediger","profile_url":"https://uni-frankfurt.academia.edu/VinzenzHediger?f_ri=6453","photo":"https://0.academia-photos.com/2024198/1216162/1521544/s65_vinzenz.hediger.jpg"}],"research_interests":[{"id":39,"name":"Marketing","url":"https://www.academia.edu/Documents/in/Marketing?f_ri=6453","nofollow":true},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=6453","nofollow":true},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies?f_ri=6453","nofollow":true},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory?f_ri=6453"},{"id":3637,"name":"Advertising","url":"https://www.academia.edu/Documents/in/Advertising?f_ri=6453"},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453"},{"id":12444,"name":"Film History","url":"https://www.academia.edu/Documents/in/Film_History?f_ri=6453"},{"id":14546,"name":"Modernism (Art History)","url":"https://www.academia.edu/Documents/in/Modernism_Art_History_?f_ri=6453"},{"id":17438,"name":"Auteur Theory","url":"https://www.academia.edu/Documents/in/Auteur_Theory?f_ri=6453"},{"id":44257,"name":"Nouvelle Vague","url":"https://www.academia.edu/Documents/in/Nouvelle_Vague?f_ri=6453"},{"id":47854,"name":"Jean-Luc Godard","url":"https://www.academia.edu/Documents/in/Jean-Luc_Godard?f_ri=6453"},{"id":51922,"name":"Film Criticism","url":"https://www.academia.edu/Documents/in/Film_Criticism?f_ri=6453"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies?f_ri=6453"},{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453"},{"id":152388,"name":"Art Theory and Criticism","url":"https://www.academia.edu/Documents/in/Art_Theory_and_Criticism?f_ri=6453"},{"id":580614,"name":"Trailers","url":"https://www.academia.edu/Documents/in/Trailers?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49174245" data-work_id="49174245" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49174245/Die_Ohnmacht_des_Spekulativen_Elemente_einer_Poetik_von_Hegels_Ph%C3%A4nomenologie_des_Geistes_">Die Ohnmacht des Spekulativen: Elemente einer Poetik von Hegels "Phänomenologie des Geistes"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In diesem Buch wird Hegels Phänomenologie des Geistes als ein literarischer Text gedeutet, der seine Überzeugungskraft aus der Lektüre anderer Texte schöpft. Untersucht werden die politischen und ästhetischen Konsequenzen dieser... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49174245" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In diesem Buch wird Hegels Phänomenologie des Geistes als ein literarischer Text gedeutet, der seine Überzeugungskraft aus der Lektüre anderer Texte schöpft. Untersucht werden die politischen und ästhetischen Konsequenzen dieser Interpretation. Das dialektische Philosophieren ist ein Bedürfnis, die vergangenen Gedankensysteme – die Texte – in ihrer eigenen Logik als mangelhafte aufzuweisen und zu überwinden, um dadurch die letzte spekulative Synthese zu etablieren. Aber dieselbe Operation macht – so die Hauptthese des Buches – das Spekulative selbst verwundbar, das damit in seiner unselbständigen Verfassung und in seinem Scheitern aufgewiesen wird. Die im Buch dargestellten Gesten des Anleihens und der Affinität sind nicht nur für Hegels Stil prägend. Sie können auch das Dialektische selber neu bestimmen – als eine verschwindende, fast unmögliche Stimme, eine Bemühung, aus der Verschränkung unvereinbarer, konfligierender Diskurse einen Sinn zu gewinnen.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49174245" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="178062ab37b3df92dc722301dde6e05e" rel="nofollow" data-download="{"attachment_id":67560215,"asset_id":49174245,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67560215/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2566981" href="https://radboud.academia.edu/IvanBoldyrev">Ivan Boldyrev</a><script data-card-contents-for-user="2566981" type="text/json">{"id":2566981,"first_name":"Ivan","last_name":"Boldyrev","domain_name":"radboud","page_name":"IvanBoldyrev","display_name":"Ivan Boldyrev","profile_url":"https://radboud.academia.edu/IvanBoldyrev?f_ri=6453","photo":"https://0.academia-photos.com/2566981/802864/45300934/s65_ivan.boldyrev.jpg"}</script></span></span></li><li class="js-paper-rank-work_49174245 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49174245"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49174245, container: ".js-paper-rank-work_49174245", }); 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$(".js-view-count[data-work-id=49174245]").text(description); $(".js-view-count-work_49174245").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49174245").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49174245"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="4868" rel="nofollow" href="https://www.academia.edu/Documents/in/Deconstruction">Deconstruction</a>, <script data-card-contents-for-ri="4868" type="text/json">{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6922" rel="nofollow" href="https://www.academia.edu/Documents/in/Poetics">Poetics</a>, <script data-card-contents-for-ri="6922" type="text/json">{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="7888" rel="nofollow" href="https://www.academia.edu/Documents/in/Literary_Theory">Literary Theory</a><script data-card-contents-for-ri="7888" type="text/json">{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49174245]'), work: {"id":49174245,"title":"Die Ohnmacht des Spekulativen: Elemente einer Poetik von Hegels \"Phänomenologie des Geistes\"","created_at":"2021-06-08T11:23:38.329-07:00","url":"https://www.academia.edu/49174245/Die_Ohnmacht_des_Spekulativen_Elemente_einer_Poetik_von_Hegels_Ph%C3%A4nomenologie_des_Geistes_?f_ri=6453","dom_id":"work_49174245","summary":"In diesem Buch wird Hegels Phänomenologie des Geistes als ein literarischer Text gedeutet, der seine Überzeugungskraft aus der Lektüre anderer Texte schöpft. Untersucht werden die politischen und ästhetischen Konsequenzen dieser Interpretation. Das dialektische Philosophieren ist ein Bedürfnis, die vergangenen Gedankensysteme – die Texte – in ihrer eigenen Logik als mangelhafte aufzuweisen und zu überwinden, um dadurch die letzte spekulative Synthese zu etablieren. Aber dieselbe Operation macht – so die Hauptthese des Buches – das Spekulative selbst verwundbar, das damit in seiner unselbständigen Verfassung und in seinem Scheitern aufgewiesen wird. Die im Buch dargestellten Gesten des Anleihens und der Affinität sind nicht nur für Hegels Stil prägend. Sie können auch das Dialektische selber neu bestimmen – als eine verschwindende, fast unmögliche Stimme, eine Bemühung, aus der Verschränkung unvereinbarer, konfligierender Diskurse einen Sinn zu gewinnen. \n","downloadable_attachments":[{"id":67560215,"asset_id":49174245,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2566981,"first_name":"Ivan","last_name":"Boldyrev","domain_name":"radboud","page_name":"IvanBoldyrev","display_name":"Ivan Boldyrev","profile_url":"https://radboud.academia.edu/IvanBoldyrev?f_ri=6453","photo":"https://0.academia-photos.com/2566981/802864/45300934/s65_ivan.boldyrev.jpg"}],"research_interests":[{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=6453","nofollow":true},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=6453","nofollow":true},{"id":7942,"name":"Hegel","url":"https://www.academia.edu/Documents/in/Hegel?f_ri=6453"},{"id":9465,"name":"Philosophy of History","url":"https://www.academia.edu/Documents/in/Philosophy_of_History?f_ri=6453"},{"id":9535,"name":"Giorgio Agamben","url":"https://www.academia.edu/Documents/in/Giorgio_Agamben?f_ri=6453"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida?f_ri=6453"},{"id":15859,"name":"Richard Rorty","url":"https://www.academia.edu/Documents/in/Richard_Rorty?f_ri=6453"},{"id":19820,"name":"Literature and Philosophy","url":"https://www.academia.edu/Documents/in/Literature_and_Philosophy-20?f_ri=6453"},{"id":22079,"name":"Messianism","url":"https://www.academia.edu/Documents/in/Messianism?f_ri=6453"},{"id":26012,"name":"Phenomenology of Spirit","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Spirit?f_ri=6453"},{"id":33398,"name":"Friedrich Schiller","url":"https://www.academia.edu/Documents/in/Friedrich_Schiller?f_ri=6453"},{"id":43649,"name":"Friedrich Heinrich Jacobi","url":"https://www.academia.edu/Documents/in/Friedrich_Heinrich_Jacobi?f_ri=6453"},{"id":107623,"name":"Romantic Irony","url":"https://www.academia.edu/Documents/in/Romantic_Irony?f_ri=6453"},{"id":114939,"name":"DIDEROT","url":"https://www.academia.edu/Documents/in/DIDEROT?f_ri=6453"},{"id":127827,"name":"German romanticism and idealism","url":"https://www.academia.edu/Documents/in/German_romanticism_and_idealism?f_ri=6453"},{"id":197036,"name":"Friedrich Schlegel","url":"https://www.academia.edu/Documents/in/Friedrich_Schlegel?f_ri=6453"},{"id":1001470,"name":"Werner Hamacher","url":"https://www.academia.edu/Documents/in/Werner_Hamacher?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34329548" data-work_id="34329548" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34329548/A_dimensao_da_noite_em_Novalis_e_Trakl">A dimensao da noite em Novalis e Trakl</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Resumo: Mediante uma leitura comparativa do primeiro dos Hinos à Noite de Novalis e dos poemas " Ocaso " , " Cântico da Noite XII " e " A melancolia " de Trakl, buscamos destacar os diferentes tratamentos da noite elaborados por esses... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34329548" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Resumo: Mediante uma leitura comparativa do primeiro dos Hinos à Noite de Novalis e dos poemas " Ocaso " , " Cântico da Noite XII " e " A melancolia " de Trakl, buscamos destacar os diferentes tratamentos da noite elaborados por esses autores. Nossa percepção fundamental é a de que, enquanto para Novalis a noite compõe uma dimensão espiritual que favorece ao homem uma união mística com o universo e revela a morte como passagem a uma vida superior, em Trakl ouvimos o lamento pela perda dessa dimensão, que será suplantada por uma negatividade ora vazia da morte como fim, ora maligna, como uma espécie de triunfo do mal. Palavras-chave: ascensão, queda, união mística, disjunção mística. Abstract: By a comparative reading of Novalis' first " Hymn to the Night " and Trakl's poems " Decline " , " Canticle to the night XII " , and " Melancholy " , we seek to explore the different treatments that each of these authors give to the motif of the night. Our fundamental view is that whereas Novalis considers the night as a spiritual dimension which favors to man a suffering but positive path towards a mystical union with the universe and discloses death as a crossing way into a superior life, Trakl's verse would, otherwise, express the lament over the loss of that superior spiritual dimension, which will then give way to negative forces: an encompassing negativity that signals either emptiness or malevolence, as in a kind of triumph of evil.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34329548" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="61440d3ea0810909d27fa279f990deb8" rel="nofollow" data-download="{"attachment_id":54225939,"asset_id":34329548,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54225939/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13621075" href="https://fflch.academia.edu/LauraMoosburger">Laura B Moosburger</a><script data-card-contents-for-user="13621075" type="text/json">{"id":13621075,"first_name":"Laura","last_name":"Moosburger","domain_name":"fflch","page_name":"LauraMoosburger","display_name":"Laura B Moosburger","profile_url":"https://fflch.academia.edu/LauraMoosburger?f_ri=6453","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_34329548 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34329548"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34329548, container: ".js-paper-rank-work_34329548", }); 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$(".js-view-count[data-work-id=34329548]").text(description); $(".js-view-count-work_34329548").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34329548").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34329548"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1824167" rel="nofollow" href="https://www.academia.edu/Documents/in/German_20the_century_Poetry">German 20the century Poetry</a><script data-card-contents-for-ri="1824167" type="text/json">{"id":1824167,"name":"German 20the century Poetry","url":"https://www.academia.edu/Documents/in/German_20the_century_Poetry?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34329548]'), work: {"id":34329548,"title":"A dimensao da noite em Novalis e Trakl","created_at":"2017-08-23T14:05:07.396-07:00","url":"https://www.academia.edu/34329548/A_dimensao_da_noite_em_Novalis_e_Trakl?f_ri=6453","dom_id":"work_34329548","summary":"Resumo: Mediante uma leitura comparativa do primeiro dos Hinos à Noite de Novalis e dos poemas \" Ocaso \" , \" Cântico da Noite XII \" e \" A melancolia \" de Trakl, buscamos destacar os diferentes tratamentos da noite elaborados por esses autores. Nossa percepção fundamental é a de que, enquanto para Novalis a noite compõe uma dimensão espiritual que favorece ao homem uma união mística com o universo e revela a morte como passagem a uma vida superior, em Trakl ouvimos o lamento pela perda dessa dimensão, que será suplantada por uma negatividade ora vazia da morte como fim, ora maligna, como uma espécie de triunfo do mal. Palavras-chave: ascensão, queda, união mística, disjunção mística. Abstract: By a comparative reading of Novalis' first \" Hymn to the Night \" and Trakl's poems \" Decline \" , \" Canticle to the night XII \" , and \" Melancholy \" , we seek to explore the different treatments that each of these authors give to the motif of the night. Our fundamental view is that whereas Novalis considers the night as a spiritual dimension which favors to man a suffering but positive path towards a mystical union with the universe and discloses death as a crossing way into a superior life, Trakl's verse would, otherwise, express the lament over the loss of that superior spiritual dimension, which will then give way to negative forces: an encompassing negativity that signals either emptiness or malevolence, as in a kind of triumph of evil.","downloadable_attachments":[{"id":54225939,"asset_id":34329548,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13621075,"first_name":"Laura","last_name":"Moosburger","domain_name":"fflch","page_name":"LauraMoosburger","display_name":"Laura B Moosburger","profile_url":"https://fflch.academia.edu/LauraMoosburger?f_ri=6453","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":1824167,"name":"German 20the century Poetry","url":"https://www.academia.edu/Documents/in/German_20the_century_Poetry?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44146169" data-work_id="44146169" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44146169/%D0%9F%D0%9E%D0%AD%D0%A2%D0%98%D0%A7%D0%95%D0%A1%D0%9A%D0%9E%D0%95_%D0%A4%D0%98%D0%9B%D0%9E%D0%A1%D0%9E%D0%A4%D0%A1%D0%A2%D0%92%D0%9E%D0%92%D0%90%D0%9D%D0%98%D0%95_%D0%A4%D0%A0%D0%98%D0%94%D0%A0%D0%98%D0%A5%D0%90_%D0%93%D0%81%D0%9B%D0%AC%D0%94%D0%95%D0%A0%D0%9B%D0%98%D0%9D%D0%90">ПОЭТИЧЕСКОЕ ФИЛОСОФСТВОВАНИЕ ФРИДРИХА ГЁЛЬДЕРЛИНА</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44146169" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fac81a44eef6035650f162f9f04c9700" rel="nofollow" data-download="{"attachment_id":64500511,"asset_id":44146169,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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Филиппович","profile_url":"https://kursk-uni.academia.edu/khrno?f_ri=6453","photo":"https://0.academia-photos.com/63649393/16523517/16858311/s65__._.jpg"}</script></span></span></li><li class="js-paper-rank-work_44146169 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44146169"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44146169, container: ".js-paper-rank-work_44146169", }); });</script></li><li class="js-percentile-work_44146169 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44146169; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = 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style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44146169"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="803" rel="nofollow" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1258" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a>, <script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="31670" rel="nofollow" href="https://www.academia.edu/Documents/in/Friedrich_H%C3%B6lderlin">Friedrich Hölderlin</a><script data-card-contents-for-ri="31670" type="text/json">{"id":31670,"name":"Friedrich Hölderlin","url":"https://www.academia.edu/Documents/in/Friedrich_H%C3%B6lderlin?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44146169]'), work: {"id":44146169,"title":"ПОЭТИЧЕСКОЕ ФИЛОСОФСТВОВАНИЕ ФРИДРИХА ГЁЛЬДЕРЛИНА","created_at":"2020-09-23T01:56:37.645-07:00","url":"https://www.academia.edu/44146169/%D0%9F%D0%9E%D0%AD%D0%A2%D0%98%D0%A7%D0%95%D0%A1%D0%9A%D0%9E%D0%95_%D0%A4%D0%98%D0%9B%D0%9E%D0%A1%D0%9E%D0%A4%D0%A1%D0%A2%D0%92%D0%9E%D0%92%D0%90%D0%9D%D0%98%D0%95_%D0%A4%D0%A0%D0%98%D0%94%D0%A0%D0%98%D0%A5%D0%90_%D0%93%D0%81%D0%9B%D0%AC%D0%94%D0%95%D0%A0%D0%9B%D0%98%D0%9D%D0%90?f_ri=6453","dom_id":"work_44146169","summary":null,"downloadable_attachments":[{"id":64500511,"asset_id":44146169,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":63649393,"first_name":"Мария","last_name":"Филиппович","domain_name":"kursk-uni","page_name":"khrno","display_name":"Мария Филиппович","profile_url":"https://kursk-uni.academia.edu/khrno?f_ri=6453","photo":"https://0.academia-photos.com/63649393/16523517/16858311/s65__._.jpg"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":31670,"name":"Friedrich Hölderlin","url":"https://www.academia.edu/Documents/in/Friedrich_H%C3%B6lderlin?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40947731" data-work_id="40947731" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40947731/Rese%C3%B1a_de_Las_desventuras_del_joven_Werther_de_Goethe_2013_">Reseña de "Las desventuras del joven Werther", de Goethe (2013)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40947731" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="870f7ed641949f872e5e59f0807a93c5" rel="nofollow" data-download="{"attachment_id":61235755,"asset_id":40947731,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61235755/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2221223" href="https://uned.academia.edu/%C3%81lvaroMorenoVallori">Álvaro Moreno Vallori</a><script data-card-contents-for-user="2221223" type="text/json">{"id":2221223,"first_name":"Álvaro","last_name":"Moreno Vallori","domain_name":"uned","page_name":"ÁlvaroMorenoVallori","display_name":"Álvaro Moreno Vallori","profile_url":"https://uned.academia.edu/%C3%81lvaroMorenoVallori?f_ri=6453","photo":"https://0.academia-photos.com/2221223/710383/145374708/s65__lvaro.moreno_vallori.png"}</script></span></span></li><li class="js-paper-rank-work_40947731 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40947731"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40947731, container: ".js-paper-rank-work_40947731", }); });</script></li><li class="js-percentile-work_40947731 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8761" rel="nofollow" href="https://www.academia.edu/Documents/in/Johann_Wolfgang_von_Goethe">Johann Wolfgang von Goethe</a><script data-card-contents-for-ri="8761" type="text/json">{"id":8761,"name":"Johann Wolfgang von Goethe","url":"https://www.academia.edu/Documents/in/Johann_Wolfgang_von_Goethe?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: 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hypertext.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26514905" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a2d5345486b5f9f271dadeed0a48c748" rel="nofollow" data-download="{"attachment_id":61050030,"asset_id":26514905,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61050030/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down 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u-positionRelative">35</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="122" rel="nofollow" href="https://www.academia.edu/Documents/in/Comparative_Religion">Comparative Religion</a>, <script data-card-contents-for-ri="122" type="text/json">{"id":122,"name":"Comparative Religion","url":"https://www.academia.edu/Documents/in/Comparative_Religion?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8491" rel="nofollow" href="https://www.academia.edu/Documents/in/Roland_Barthes">Roland Barthes</a>, <script 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Roland Barthes,","url":"https://www.academia.edu/Documents/in/Roland_Barthes_Mythologies_-_Roland_Barthes_?f_ri=6453"},{"id":1558954,"name":"Presocratic Philosophy Pythagoreanism Ancient Greek Philosophy History of Philosophy Early Academy Plato Aristotle Neopythagoreanism","url":"https://www.academia.edu/Documents/in/Presocratic_Philosophy_Pythagoreanism_Ancient_Greek_Philosophy_History_of_Philosophy_Early_Academy_P?f_ri=6453"},{"id":2001746,"name":"Leibniz Monadology","url":"https://www.academia.edu/Documents/in/Leibniz_Monadology?f_ri=6453"},{"id":2011228,"name":"Hyperboreans","url":"https://www.academia.edu/Documents/in/Hyperboreans?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33999225" data-work_id="33999225" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33999225/Das_intellektuelle_Treibgut_des_Klassizismus_Winckelmanns_Erbe_von_Franz_Xaver_Messerschmidt_bis_zur_klassischen_Moderne_in_Elisabeth_D%C3%A9cultot_Martin_D%C3%B6nike_Wolfgang_Holler_eds_Winckelmann_Moderne_Antike_Exhib_Cat_Klassik_Stiftung_Weimar_M%C3%BCnchen_Hirmer_2017_p_82_95">Das intellektuelle Treibgut des Klassizismus. Winckelmanns Erbe von Franz Xaver Messerschmidt bis zur klassischen Moderne, in: Elisabeth Décultot, Martin Dönike, Wolfgang Holler (eds.), Winckelmann. Moderne Antike, Exhib. Cat. Klassik Stiftung Weimar, München: Hirmer, 2017, p. 82-95</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">zur kl assischen Moderne J o h a n n e s R ö ß l e r</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33999225" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="34397bbe647ddf62b277c2beb3a2eb96" rel="nofollow" data-download="{"attachment_id":53947400,"asset_id":33999225,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53947400/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="56529348" href="https://uni-jena.academia.edu/JohannesRoessler">Johannes Roessler</a><script data-card-contents-for-user="56529348" type="text/json">{"id":56529348,"first_name":"Johannes","last_name":"Roessler","domain_name":"uni-jena","page_name":"JohannesRoessler","display_name":"Johannes Roessler","profile_url":"https://uni-jena.academia.edu/JohannesRoessler?f_ri=6453","photo":"https://0.academia-photos.com/56529348/30053234/27897954/s65_johannes.roessler.jpg"}</script></span></span></li><li class="js-paper-rank-work_33999225 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33999225"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33999225, container: ".js-paper-rank-work_33999225", }); 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$(".js-view-count[data-work-id=33999225]").text(description); $(".js-view-count-work_33999225").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33999225").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33999225"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1386" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_Theory">Art Theory</a>, <script data-card-contents-for-ri="1386" type="text/json">{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6027" rel="nofollow" href="https://www.academia.edu/Documents/in/Enlightenment">Enlightenment</a>, <script data-card-contents-for-ri="6027" type="text/json">{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15352" rel="nofollow" href="https://www.academia.edu/Documents/in/Historiography_in_Art_History_">Historiography (in Art History)</a><script data-card-contents-for-ri="15352" type="text/json">{"id":15352,"name":"Historiography (in Art History)","url":"https://www.academia.edu/Documents/in/Historiography_in_Art_History_?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33999225]'), work: {"id":33999225,"title":"Das intellektuelle Treibgut des Klassizismus. 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Klassik Stiftung Weimar, München: Hirmer, 2017, p. 82-95","created_at":"2017-07-22T12:52:42.887-07:00","url":"https://www.academia.edu/33999225/Das_intellektuelle_Treibgut_des_Klassizismus_Winckelmanns_Erbe_von_Franz_Xaver_Messerschmidt_bis_zur_klassischen_Moderne_in_Elisabeth_D%C3%A9cultot_Martin_D%C3%B6nike_Wolfgang_Holler_eds_Winckelmann_Moderne_Antike_Exhib_Cat_Klassik_Stiftung_Weimar_M%C3%BCnchen_Hirmer_2017_p_82_95?f_ri=6453","dom_id":"work_33999225","summary":"zur kl assischen Moderne J o h a n n e s R ö ß l e r","downloadable_attachments":[{"id":53947400,"asset_id":33999225,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":56529348,"first_name":"Johannes","last_name":"Roessler","domain_name":"uni-jena","page_name":"JohannesRoessler","display_name":"Johannes Roessler","profile_url":"https://uni-jena.academia.edu/JohannesRoessler?f_ri=6453","photo":"https://0.academia-photos.com/56529348/30053234/27897954/s65_johannes.roessler.jpg"}],"research_interests":[{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=6453","nofollow":true},{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":15352,"name":"Historiography (in Art History)","url":"https://www.academia.edu/Documents/in/Historiography_in_Art_History_?f_ri=6453","nofollow":true},{"id":29686,"name":"Winckelmann","url":"https://www.academia.edu/Documents/in/Winckelmann?f_ri=6453"},{"id":39073,"name":"Reception of Antiquity","url":"https://www.academia.edu/Documents/in/Reception_of_Antiquity?f_ri=6453"},{"id":82903,"name":"Neoclassicism","url":"https://www.academia.edu/Documents/in/Neoclassicism?f_ri=6453"},{"id":140436,"name":"Johann Joachim Winckelmann","url":"https://www.academia.edu/Documents/in/Johann_Joachim_Winckelmann?f_ri=6453"},{"id":341889,"name":"Winckelmann Aesthetics History of Archaeology","url":"https://www.academia.edu/Documents/in/Winckelmann_Aesthetics_History_of_Archaeology?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31013200" data-work_id="31013200" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31013200/Die_Fr%C3%BChzeit_der_Indologie_in_Berlin_2013_Die_indische_Geheimschrift_von_Friedrich_Wilhelm_IV">Die Frühzeit der Indologie in Berlin - (2013) Die indische Geheimschrift von Friedrich Wilhelm IV</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Two papers, in German, a) dealing with the installation of Indology in Berlin, leading to a non-romantic, fact-oriented philology; b) dealing with the role of King Friedrich Wilhelm IV and  his Nagari-based cryptography.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31013200" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="76372f1cca289a97603dd44934aac962" rel="nofollow" data-download="{"attachment_id":51447087,"asset_id":31013200,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51447087/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2162359" href="https://fu-berlin.academia.edu/HarryFalk">Harry Falk</a><script data-card-contents-for-user="2162359" type="text/json">{"id":2162359,"first_name":"Harry","last_name":"Falk","domain_name":"fu-berlin","page_name":"HarryFalk","display_name":"Harry Falk","profile_url":"https://fu-berlin.academia.edu/HarryFalk?f_ri=6453","photo":"https://0.academia-photos.com/2162359/4276582/4973356/s65_harry.falk.jpg"}</script></span></span></li><li class="js-paper-rank-work_31013200 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31013200"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31013200, container: ".js-paper-rank-work_31013200", }); 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$(".js-view-count[data-work-id=31013200]").text(description); $(".js-view-count-work_31013200").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31013200").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31013200"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3723" rel="nofollow" href="https://www.academia.edu/Documents/in/History_of_Science">History of Science</a>, <script data-card-contents-for-ri="3723" type="text/json">{"id":3723,"name":"History of Science","url":"https://www.academia.edu/Documents/in/History_of_Science?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="16542" rel="nofollow" href="https://www.academia.edu/Documents/in/Cryptography">Cryptography</a>, <script data-card-contents-for-ri="16542" type="text/json">{"id":16542,"name":"Cryptography","url":"https://www.academia.edu/Documents/in/Cryptography?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="94916" rel="nofollow" href="https://www.academia.edu/Documents/in/Indology">Indology</a><script data-card-contents-for-ri="94916" type="text/json">{"id":94916,"name":"Indology","url":"https://www.academia.edu/Documents/in/Indology?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31013200]'), work: {"id":31013200,"title":"Die Frühzeit der Indologie in Berlin - (2013) Die indische Geheimschrift von Friedrich Wilhelm IV","created_at":"2017-01-20T12:04:56.031-08:00","url":"https://www.academia.edu/31013200/Die_Fr%C3%BChzeit_der_Indologie_in_Berlin_2013_Die_indische_Geheimschrift_von_Friedrich_Wilhelm_IV?f_ri=6453","dom_id":"work_31013200","summary":"Two papers, in German, a) dealing with the installation of Indology in Berlin, leading to a non-romantic, fact-oriented philology; b) dealing with the role of King Friedrich Wilhelm IV and his Nagari-based cryptography. ","downloadable_attachments":[{"id":51447087,"asset_id":31013200,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2162359,"first_name":"Harry","last_name":"Falk","domain_name":"fu-berlin","page_name":"HarryFalk","display_name":"Harry Falk","profile_url":"https://fu-berlin.academia.edu/HarryFalk?f_ri=6453","photo":"https://0.academia-photos.com/2162359/4276582/4973356/s65_harry.falk.jpg"}],"research_interests":[{"id":3723,"name":"History of Science","url":"https://www.academia.edu/Documents/in/History_of_Science?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":16542,"name":"Cryptography","url":"https://www.academia.edu/Documents/in/Cryptography?f_ri=6453","nofollow":true},{"id":94916,"name":"Indology","url":"https://www.academia.edu/Documents/in/Indology?f_ri=6453","nofollow":true},{"id":622114,"name":"Berlin history in 19th and 20th century","url":"https://www.academia.edu/Documents/in/Berlin_history_in_19th_and_20th_century?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2946931" data-work_id="2946931" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2946931/Unheimliche_Bilder_Die_Nachtseiten_der_bildenden_Kunst_um_1800">Unheimliche Bilder. Die »Nachtseiten« der bildenden Kunst um 1800</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Durch ein bedauerliches Versehen wurde die Abbildung 6 (Th. Géricault) zu stark beschnitten, so dass am linken Rand des Bildes ausgerechnet jenes Detail fehlt, das im Aufsatz näher beschrieben und analysiert wird.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2946931" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="87e04dacf92b66f6d2070877768483d1" rel="nofollow" data-download="{"attachment_id":30902574,"asset_id":2946931,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30902574/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3451803" href="https://uni-jena.academia.edu/JohannesGrave">Johannes Grave</a><script data-card-contents-for-user="3451803" type="text/json">{"id":3451803,"first_name":"Johannes","last_name":"Grave","domain_name":"uni-jena","page_name":"JohannesGrave","display_name":"Johannes Grave","profile_url":"https://uni-jena.academia.edu/JohannesGrave?f_ri=6453","photo":"https://0.academia-photos.com/3451803/6529518/7382966/s65_johannes.grave.jpg"}</script></span></span></li><li class="js-paper-rank-work_2946931 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2946931"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2946931, container: ".js-paper-rank-work_2946931", }); 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$(".js-view-count[data-work-id=2946931]").text(description); $(".js-view-count-work_2946931").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2946931").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2946931"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="30027" rel="nofollow" href="https://www.academia.edu/Documents/in/The_uncanny">The uncanny</a>, <script data-card-contents-for-ri="30027" type="text/json">{"id":30027,"name":"The uncanny","url":"https://www.academia.edu/Documents/in/The_uncanny?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="40927" rel="nofollow" href="https://www.academia.edu/Documents/in/Theodore_Gericault">Theodore Gericault</a>, <script data-card-contents-for-ri="40927" type="text/json">{"id":40927,"name":"Theodore Gericault","url":"https://www.academia.edu/Documents/in/Theodore_Gericault?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="90478" rel="nofollow" href="https://www.academia.edu/Documents/in/European_Romanticism">European Romanticism</a><script data-card-contents-for-ri="90478" type="text/json">{"id":90478,"name":"European Romanticism","url":"https://www.academia.edu/Documents/in/European_Romanticism?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2946931]'), work: {"id":2946931,"title":"Unheimliche Bilder. Die »Nachtseiten« der bildenden Kunst um 1800","created_at":"2013-03-10T07:33:14.006-07:00","url":"https://www.academia.edu/2946931/Unheimliche_Bilder_Die_Nachtseiten_der_bildenden_Kunst_um_1800?f_ri=6453","dom_id":"work_2946931","summary":"Durch ein bedauerliches Versehen wurde die Abbildung 6 (Th. Géricault) zu stark beschnitten, so dass am linken Rand des Bildes ausgerechnet jenes Detail fehlt, das im Aufsatz näher beschrieben und analysiert wird.","downloadable_attachments":[{"id":30902574,"asset_id":2946931,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3451803,"first_name":"Johannes","last_name":"Grave","domain_name":"uni-jena","page_name":"JohannesGrave","display_name":"Johannes Grave","profile_url":"https://uni-jena.academia.edu/JohannesGrave?f_ri=6453","photo":"https://0.academia-photos.com/3451803/6529518/7382966/s65_johannes.grave.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":30027,"name":"The uncanny","url":"https://www.academia.edu/Documents/in/The_uncanny?f_ri=6453","nofollow":true},{"id":40927,"name":"Theodore Gericault","url":"https://www.academia.edu/Documents/in/Theodore_Gericault?f_ri=6453","nofollow":true},{"id":90478,"name":"European Romanticism","url":"https://www.academia.edu/Documents/in/European_Romanticism?f_ri=6453","nofollow":true},{"id":112904,"name":"Caspar David Friedrich","url":"https://www.academia.edu/Documents/in/Caspar_David_Friedrich?f_ri=6453"},{"id":185881,"name":"19th-Century Art","url":"https://www.academia.edu/Documents/in/19th-Century_Art?f_ri=6453"},{"id":204899,"name":"Goya","url":"https://www.academia.edu/Documents/in/Goya?f_ri=6453"},{"id":421577,"name":"Henry Fuseli","url":"https://www.academia.edu/Documents/in/Henry_Fuseli?f_ri=6453"},{"id":671584,"name":"Dark Romanticism","url":"https://www.academia.edu/Documents/in/Dark_Romanticism?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8421507" data-work_id="8421507" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8421507/Fausto_ensayo">Fausto, ensayo.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">¿Qué se puede esperar de la humanidad? ¿Qué mayor tragedia que la idolatría total hacia la razón? La idea que se sobrepone a los sentidos, al ser mismo de los humanos, el dudar por completo de uno mismo por creer que tales sentidos son... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8421507" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">¿Qué se puede esperar de la humanidad? ¿Qué mayor tragedia que la idolatría total hacia la razón? La idea que se sobrepone a los sentidos, al ser mismo de los humanos, el dudar por completo de uno mismo por creer que tales sentidos son como un velo de maya que impide comprender el mundo racionalmente. Cuando la razón pasa a ser una divinidad, mucho de lo que hace a los humanos ser tales se desvanece, el ignorar por completo lo que uno siente por considerarlo irracional hace que los seres humanos vayan perdiendo su esencia, el desapego a los sentidos y por tanto a la naturaleza es sin duda una de las mayores tragedias que la humanidad pudiera sufrir.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8421507" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ff86951d2f907315dadad0c9ff1fd1f2" rel="nofollow" data-download="{"attachment_id":34813218,"asset_id":8421507,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34813218/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17064048" href="https://independent.academia.edu/GamboaAdolfo">Adolfo Gamboa</a><script data-card-contents-for-user="17064048" type="text/json">{"id":17064048,"first_name":"Adolfo","last_name":"Gamboa","domain_name":"independent","page_name":"GamboaAdolfo","display_name":"Adolfo Gamboa","profile_url":"https://independent.academia.edu/GamboaAdolfo?f_ri=6453","photo":"https://0.academia-photos.com/17064048/4687238/5410095/s65_adolfo.gamboa.jpg_oh_f83bb84421762f1c0d7bee625afa38f1_oe_5484481e___gda___1422186079_0cbffe031a0a631b18c238735f8fcef0"}</script></span></span></li><li class="js-paper-rank-work_8421507 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8421507"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8421507, container: ".js-paper-rank-work_8421507", }); 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La idea que se sobrepone a los sentidos, al ser mismo de los humanos, el dudar por completo de uno mismo por creer que tales sentidos son como un velo de maya que impide comprender el mundo racionalmente. Cuando la razón pasa a ser una divinidad, mucho de lo que hace a los humanos ser tales se desvanece, el ignorar por completo lo que uno siente por considerarlo irracional hace que los seres humanos vayan perdiendo su esencia, el desapego a los sentidos y por tanto a la naturaleza es sin duda una de las mayores tragedias que la humanidad pudiera sufrir.","downloadable_attachments":[{"id":34813218,"asset_id":8421507,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17064048,"first_name":"Adolfo","last_name":"Gamboa","domain_name":"independent","page_name":"GamboaAdolfo","display_name":"Adolfo Gamboa","profile_url":"https://independent.academia.edu/GamboaAdolfo?f_ri=6453","photo":"https://0.academia-photos.com/17064048/4687238/5410095/s65_adolfo.gamboa.jpg_oh_f83bb84421762f1c0d7bee625afa38f1_oe_5484481e___gda___1422186079_0cbffe031a0a631b18c238735f8fcef0"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=6453","nofollow":true},{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":8761,"name":"Johann Wolfgang von Goethe","url":"https://www.academia.edu/Documents/in/Johann_Wolfgang_von_Goethe?f_ri=6453","nofollow":true},{"id":10187,"name":"Love","url":"https://www.academia.edu/Documents/in/Love?f_ri=6453"},{"id":404941,"name":"Literatura alemana","url":"https://www.academia.edu/Documents/in/Literatura_alemana?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43883895" data-work_id="43883895" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43883895/Earth_Spirit_Humanity_Community_and_the_Nonhuman_in_Karoline_von_G%C3%BCnderrode_s_Idea_of_the_Earth">Earth, Spirit, Humanity: Community and the Nonhuman in Karoline von Günderrode’s ‘Idea of the Earth'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper explores Karoline von Günderrode’s metaphysics and argues that the place Günderrode assigns human beings in her cosmology requires a reconceptualisation of the relationship between human beings and the nonhuman world and the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43883895" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper explores Karoline von Günderrode’s metaphysics and argues that the place Günderrode assigns human beings in her cosmology requires a reconceptualisation of the relationship between human beings and the nonhuman world and the development of communities that include the nonhuman. First, analysis of Günderrode's pieces “Idea of the Earth” and “Letters of Two Friends” shows that she presents human beings as embedded in, and the same in kind as, the nonhuman. Part two uses the philosophical dialogue “Story of a Brahmin” to argue that, consistently with this metaphysical picture, Günderrode denies that human beings are justified in adopting a dominating relationship to nature or the nonhuman (or each other). The third part of the paper explores Günderrode’s claim that human beings live in three ways—as animal, as human, and spiritually—and considers how these relate to Günderrode’s concept of earth. Finally, the paper explores how Günderrode’s account translates into concrete ideas about community. I argue that Günderrode’s normative restraint, ideal of harmony, and view of human beings as part of and the same in kind as the rest of nature contribute to a vision of community in which genuine connections can flourish between human beings at the same time as connections to what is beyond the human. Rather than providing a program for ideal social relations or attitudes towards the natural world, Günderrode describes conditions for the emergence of small communities of friends in harmony with nature. On Günderrode’s model, these could potentially grow and eventually, perhaps, enable the emergence of the single, perfect organism she calls the “realised idea of the earth.”</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43883895" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="838334b40e278465649c8cd0a29ac78d" rel="nofollow" data-download="{"attachment_id":65624436,"asset_id":43883895,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65624436/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2766004" href="https://york.academia.edu/AnnaEzekiel">Anna Ezekiel</a><script data-card-contents-for-user="2766004" type="text/json">{"id":2766004,"first_name":"Anna","last_name":"Ezekiel","domain_name":"york","page_name":"AnnaEzekiel","display_name":"Anna Ezekiel","profile_url":"https://york.academia.edu/AnnaEzekiel?f_ri=6453","photo":"https://0.academia-photos.com/2766004/900070/24368423/s65_anna.ezekiel.jpg"}</script></span></span></li><li class="js-paper-rank-work_43883895 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43883895"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43883895, container: ".js-paper-rank-work_43883895", }); 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$(".js-view-count[data-work-id=43883895]").text(description); $(".js-view-count-work_43883895").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43883895").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43883895"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3126" rel="nofollow" href="https://www.academia.edu/Documents/in/Political_Ecology">Political Ecology</a>, <script data-card-contents-for-ri="3126" type="text/json">{"id":3126,"name":"Political Ecology","url":"https://www.academia.edu/Documents/in/Political_Ecology?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6020" rel="nofollow" href="https://www.academia.edu/Documents/in/Earth">Earth</a>, <script data-card-contents-for-ri="6020" type="text/json">{"id":6020,"name":"Earth","url":"https://www.academia.edu/Documents/in/Earth?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17656" rel="nofollow" href="https://www.academia.edu/Documents/in/Community">Community</a><script data-card-contents-for-ri="17656" type="text/json">{"id":17656,"name":"Community","url":"https://www.academia.edu/Documents/in/Community?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43883895]'), work: {"id":43883895,"title":"Earth, Spirit, Humanity: Community and the Nonhuman in Karoline von Günderrode’s ‘Idea of the Earth'","created_at":"2020-08-17T19:47:28.023-07:00","url":"https://www.academia.edu/43883895/Earth_Spirit_Humanity_Community_and_the_Nonhuman_in_Karoline_von_G%C3%BCnderrode_s_Idea_of_the_Earth?f_ri=6453","dom_id":"work_43883895","summary":"This paper explores Karoline von Günderrode’s metaphysics and argues that the place Günderrode assigns human beings in her cosmology requires a reconceptualisation of the relationship between human beings and the nonhuman world and the development of communities that include the nonhuman. First, analysis of Günderrode's pieces “Idea of the Earth” and “Letters of Two Friends” shows that she presents human beings as embedded in, and the same in kind as, the nonhuman. Part two uses the philosophical dialogue “Story of a Brahmin” to argue that, consistently with this metaphysical picture, Günderrode denies that human beings are justified in adopting a dominating relationship to nature or the nonhuman (or each other). The third part of the paper explores Günderrode’s claim that human beings live in three ways—as animal, as human, and spiritually—and considers how these relate to Günderrode’s concept of earth. Finally, the paper explores how Günderrode’s account translates into concrete ideas about community. I argue that Günderrode’s normative restraint, ideal of harmony, and view of human beings as part of and the same in kind as the rest of nature contribute to a vision of community in which genuine connections can flourish between human beings at the same time as connections to what is beyond the human. Rather than providing a program for ideal social relations or attitudes towards the natural world, Günderrode describes conditions for the emergence of small communities of friends in harmony with nature. On Günderrode’s model, these could potentially grow and eventually, perhaps, enable the emergence of the single, perfect organism she calls the “realised idea of the earth.”","downloadable_attachments":[{"id":65624436,"asset_id":43883895,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2766004,"first_name":"Anna","last_name":"Ezekiel","domain_name":"york","page_name":"AnnaEzekiel","display_name":"Anna Ezekiel","profile_url":"https://york.academia.edu/AnnaEzekiel?f_ri=6453","photo":"https://0.academia-photos.com/2766004/900070/24368423/s65_anna.ezekiel.jpg"}],"research_interests":[{"id":3126,"name":"Political Ecology","url":"https://www.academia.edu/Documents/in/Political_Ecology?f_ri=6453","nofollow":true},{"id":6020,"name":"Earth","url":"https://www.academia.edu/Documents/in/Earth?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":17656,"name":"Community","url":"https://www.academia.edu/Documents/in/Community?f_ri=6453","nofollow":true},{"id":33319,"name":"Nature","url":"https://www.academia.edu/Documents/in/Nature?f_ri=6453"},{"id":118249,"name":"Harmony","url":"https://www.academia.edu/Documents/in/Harmony?f_ri=6453"},{"id":398155,"name":"Human Beings","url":"https://www.academia.edu/Documents/in/Human_Beings?f_ri=6453"},{"id":2028461,"name":"Karoline von Günderrode","url":"https://www.academia.edu/Documents/in/Karoline_von_G%C3%BCnderrode?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43603540" data-work_id="43603540" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43603540/Sympathy_for_Animals_and_Savages_in_Herders_Treatise_on_the_Origin_of_Language">Sympathy for Animals and Savages in Herder's Treatise on the Origin of Language</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized"><a href="https://brill.com/view/title/57200" rel="nofollow">https://brill.com/view/title/57200</a> This chapter proposes a new reading of Herder’s Treatise on the Origin of Language that concentrates on human sympathy for animals. The ostensible aim of the Treatise is to shed light on the unique human... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43603540" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden"><a href="https://brill.com/view/title/57200" rel="nofollow">https://brill.com/view/title/57200</a><br />This chapter proposes a new reading of Herder’s Treatise on the Origin of Language that concentrates on human sympathy for animals. The ostensible aim of the Treatise is to shed light on the unique human traits which lead to the creation of human language. According to Herder, sympathy denotes the uniqueness of humans’ orientation in the world; it manifests their non-instrumental relationship to their surroundings. However, at the same time as he presents sympathy as a sentiment that marks the singularity of humans, Herder portrays sympathy as an illustration for the proximity between humans and animals. This proximity is elucidated in uses of sounds that precede developed human language, such as the expression of pain. Herder’s explanation of the rudimentary use of sounds through the prism of anthropological relativism reveals his refusal to describe humans as superior to animals. This chapter argues that Herder’s cultural pluralism accommodates the positioning of human language in a system of other creaturely languages. Sympathy makes palpable a secondary thread in the Treatise, a line of argumentation that parallels animals with humans and that demonstrates performatively the possibility that humans could engage with animal communities.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43603540" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bc70399fd84c110360911ec8407396b6" rel="nofollow" data-download="{"attachment_id":63906796,"asset_id":43603540,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63906796/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25975232" href="https://durham.academia.edu/YaelAlmog">Yael Almog</a><script data-card-contents-for-user="25975232" type="text/json">{"id":25975232,"first_name":"Yael","last_name":"Almog","domain_name":"durham","page_name":"YaelAlmog","display_name":"Yael Almog","profile_url":"https://durham.academia.edu/YaelAlmog?f_ri=6453","photo":"https://0.academia-photos.com/25975232/7120319/42669985/s65_yael.almog.jpg"}</script></span></span></li><li class="js-paper-rank-work_43603540 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43603540"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43603540, container: ".js-paper-rank-work_43603540", }); 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The ostensible aim of the Treatise is to shed light on the unique human traits which lead to the creation of human language. According to Herder, sympathy denotes the uniqueness of humans’ orientation in the world; it manifests their non-instrumental relationship to their surroundings. However, at the same time as he presents sympathy as a sentiment that marks the singularity of humans, Herder portrays sympathy as an illustration for the proximity between humans and animals. This proximity is elucidated in uses of sounds that precede developed human language, such as the expression of pain. Herder’s explanation of the rudimentary use of sounds through the prism of anthropological relativism reveals his refusal to describe humans as superior to animals. This chapter argues that Herder’s cultural pluralism accommodates the positioning of human language in a system of other creaturely languages. Sympathy makes palpable a secondary thread in the Treatise, a line of argumentation that parallels animals with humans and that demonstrates performatively the possibility that humans could engage with animal communities. ","downloadable_attachments":[{"id":63906796,"asset_id":43603540,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25975232,"first_name":"Yael","last_name":"Almog","domain_name":"durham","page_name":"YaelAlmog","display_name":"Yael Almog","profile_url":"https://durham.academia.edu/YaelAlmog?f_ri=6453","photo":"https://0.academia-photos.com/25975232/7120319/42669985/s65_yael.almog.jpg"}],"research_interests":[{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=6453","nofollow":true},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=6453","nofollow":true},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=6453","nofollow":true},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=6453","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=6453"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=6453"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=6453"},{"id":1302,"name":"Theology","url":"https://www.academia.edu/Documents/in/Theology?f_ri=6453"},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=6453"},{"id":2280,"name":"Historical Theology","url":"https://www.academia.edu/Documents/in/Historical_Theology?f_ri=6453"},{"id":5453,"name":"Race and Ethnicity","url":"https://www.academia.edu/Documents/in/Race_and_Ethnicity?f_ri=6453"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy?f_ri=6453"},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453"},{"id":13965,"name":"18th \u0026 19th Centuries","url":"https://www.academia.edu/Documents/in/18th_and_19th_Centuries?f_ri=6453"},{"id":27831,"name":"18th Century","url":"https://www.academia.edu/Documents/in/18th_Century?f_ri=6453"},{"id":31672,"name":"Johann Gottfried Herder","url":"https://www.academia.edu/Documents/in/Johann_Gottfried_Herder?f_ri=6453"},{"id":32175,"name":"German","url":"https://www.academia.edu/Documents/in/German?f_ri=6453"},{"id":33535,"name":"Modern German History","url":"https://www.academia.edu/Documents/in/Modern_German_History?f_ri=6453"},{"id":44886,"name":"Empathy","url":"https://www.academia.edu/Documents/in/Empathy?f_ri=6453"},{"id":60366,"name":"Sympathy","url":"https://www.academia.edu/Documents/in/Sympathy?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_604848" data-work_id="604848" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/604848/The_Immanent_Word_The_Turn_to_Language_in_German_Philosophy_1759_1801_New_York_Routledge_2007">The Immanent Word: The Turn to Language in German Philosophy 1759-1801. New York: Routledge, 2007.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Immanent Word establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_604848" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Immanent Word establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the "expressive" appropriation of Hamann and Herder by Christina Lafont and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy’s uncritical championing of Schlegel’s ideological position.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/604848" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="75bec54ecadb9b984920408efabdd052" rel="nofollow" data-download="{"attachment_id":47058167,"asset_id":604848,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47058167/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="335407" href="https://rit.academia.edu/KatieTerezakis">Katie Terezakis</a><script data-card-contents-for-user="335407" type="text/json">{"id":335407,"first_name":"Katie","last_name":"Terezakis","domain_name":"rit","page_name":"KatieTerezakis","display_name":"Katie Terezakis","profile_url":"https://rit.academia.edu/KatieTerezakis?f_ri=6453","photo":"https://0.academia-photos.com/335407/145175/14604294/s65_katie.terezakis.jpg"}</script></span></span></li><li class="js-paper-rank-work_604848 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="604848"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 604848, container: ".js-paper-rank-work_604848", }); 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New York: Routledge, 2007.","created_at":"2011-05-22T04:24:48.479-07:00","url":"https://www.academia.edu/604848/The_Immanent_Word_The_Turn_to_Language_in_German_Philosophy_1759_1801_New_York_Routledge_2007?f_ri=6453","dom_id":"work_604848","summary":"The Immanent Word establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the \"expressive\" appropriation of Hamann and Herder by Christina Lafont and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy’s uncritical championing of Schlegel’s ideological position.","downloadable_attachments":[{"id":47058167,"asset_id":604848,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":335407,"first_name":"Katie","last_name":"Terezakis","domain_name":"rit","page_name":"KatieTerezakis","display_name":"Katie Terezakis","profile_url":"https://rit.academia.edu/KatieTerezakis?f_ri=6453","photo":"https://0.academia-photos.com/335407/145175/14604294/s65_katie.terezakis.jpg"}],"research_interests":[{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics?f_ri=6453","nofollow":true},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics?f_ri=6453","nofollow":true},{"id":16031,"name":"Immanuel Kant","url":"https://www.academia.edu/Documents/in/Immanuel_Kant?f_ri=6453"},{"id":22208,"name":"Johann G Hamann","url":"https://www.academia.edu/Documents/in/Johann_G_Hamann?f_ri=6453"},{"id":31672,"name":"Johann Gottfried Herder","url":"https://www.academia.edu/Documents/in/Johann_Gottfried_Herder?f_ri=6453"},{"id":32176,"name":"Gotthold Ephraim Lessing","url":"https://www.academia.edu/Documents/in/Gotthold_Ephraim_Lessing?f_ri=6453"},{"id":157338,"name":"Logology","url":"https://www.academia.edu/Documents/in/Logology?f_ri=6453"},{"id":197036,"name":"Friedrich Schlegel","url":"https://www.academia.edu/Documents/in/Friedrich_Schlegel?f_ri=6453"},{"id":499866,"name":"August Wilhelm Schlegel","url":"https://www.academia.edu/Documents/in/August_Wilhelm_Schlegel?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38500126" data-work_id="38500126" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38500126/Narrative_Variation_and_the_Mood_of_Freedom_in_Fear_and_Trembling">Narrative Variation and the Mood of Freedom in Fear and Trembling</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">One of the most distinctive features of Fear and Trembling is Kierkegaard’s use of narrative variations in order to isolate, develop, and highlight the relevant features of his principal theme, the story of Abraham and Isaac, especially... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38500126" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">One of the most distinctive features of Fear and Trembling is Kierkegaard’s use of narrative variations in order to isolate, develop, and highlight the relevant features of his principal theme, the story of Abraham and Isaac, especially Abraham’s final test of faith. The book begins with a preface and ends with an epilogue; immediately within these, Kierkegaard has his pseudonym, Johannes de Silentio, provide such variations in the “Attunement” or Stemning, just following the Preface, and in Problema III, just before the Epilogue. What is the purpose of these narrative variations? How are they intended to prepare the reader to understand Abraham? How, in short, do they clarify the nature and difficulty of faith? I argue, on the basis of the account of "mood" given in Concept of Anxiety, that the variations of the Attunement function to modulate the "mood" of the work by converting a fixed narrative into a possibility field, thereby giving the work a mood of anguish or anxiety rather than a detached or scholarly mood, while the variations of Problema III function to callapse this mood into interested admiration. I conclude with some remarks about what this suggests for a reader that wishes to "go further" than Johannes de Silentio.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38500126" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5a46287d0b6bf67333ea53067fb77335" rel="nofollow" data-download="{"attachment_id":58567155,"asset_id":38500126,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58567155/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="951016" href="https://nd.academia.edu/AlexanderJech">Alexander Jech</a><script data-card-contents-for-user="951016" type="text/json">{"id":951016,"first_name":"Alexander","last_name":"Jech","domain_name":"nd","page_name":"AlexanderJech","display_name":"Alexander Jech","profile_url":"https://nd.academia.edu/AlexanderJech?f_ri=6453","photo":"https://0.academia-photos.com/951016/352115/2964346/s65_alexander.jech.jpg"}</script></span></span></li><li class="js-paper-rank-work_38500126 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38500126"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38500126, container: ".js-paper-rank-work_38500126", }); });</script></li><li class="js-percentile-work_38500126 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38500126; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38500126"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38500126 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38500126"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38500126; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38500126]").text(description); $(".js-view-count-work_38500126").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38500126").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38500126"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14945" rel="nofollow" href="https://www.academia.edu/Documents/in/Kierkegaard">Kierkegaard</a>, <script data-card-contents-for-ri="14945" type="text/json">{"id":14945,"name":"Kierkegaard","url":"https://www.academia.edu/Documents/in/Kierkegaard?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19820" rel="nofollow" href="https://www.academia.edu/Documents/in/Literature_and_Philosophy-20">Literature and Philosophy</a><script data-card-contents-for-ri="19820" type="text/json">{"id":19820,"name":"Literature and Philosophy","url":"https://www.academia.edu/Documents/in/Literature_and_Philosophy-20?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38500126]'), work: {"id":38500126,"title":"Narrative Variation and the Mood of Freedom in Fear and Trembling","created_at":"2019-03-06T06:23:20.646-08:00","url":"https://www.academia.edu/38500126/Narrative_Variation_and_the_Mood_of_Freedom_in_Fear_and_Trembling?f_ri=6453","dom_id":"work_38500126","summary":"One of the most distinctive features of Fear and Trembling is Kierkegaard’s use of narrative variations in order to isolate, develop, and highlight the relevant features of his principal theme, the story of Abraham and Isaac, especially Abraham’s final test of faith. The book begins with a preface and ends with an epilogue; immediately within these, Kierkegaard has his pseudonym, Johannes de Silentio, provide such variations in the “Attunement” or Stemning, just following the Preface, and in Problema III, just before the Epilogue. What is the purpose of these narrative variations? How are they intended to prepare the reader to understand Abraham? How, in short, do they clarify the nature and difficulty of faith? I argue, on the basis of the account of \"mood\" given in Concept of Anxiety, that the variations of the Attunement function to modulate the \"mood\" of the work by converting a fixed narrative into a possibility field, thereby giving the work a mood of anguish or anxiety rather than a detached or scholarly mood, while the variations of Problema III function to callapse this mood into interested admiration. I conclude with some remarks about what this suggests for a reader that wishes to \"go further\" than Johannes de Silentio. ","downloadable_attachments":[{"id":58567155,"asset_id":38500126,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":951016,"first_name":"Alexander","last_name":"Jech","domain_name":"nd","page_name":"AlexanderJech","display_name":"Alexander Jech","profile_url":"https://nd.academia.edu/AlexanderJech?f_ri=6453","photo":"https://0.academia-photos.com/951016/352115/2964346/s65_alexander.jech.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":14945,"name":"Kierkegaard","url":"https://www.academia.edu/Documents/in/Kierkegaard?f_ri=6453","nofollow":true},{"id":19820,"name":"Literature and Philosophy","url":"https://www.academia.edu/Documents/in/Literature_and_Philosophy-20?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32063792" data-work_id="32063792" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32063792/Caspar_David_Friedrich_et_le_romantisme_allemand_Colloque_international_dhistoire_de_lart_et_desth%C3%A9tique_Marseille_23_24_mai_2014_">Caspar David Friedrich et le romantisme allemand. Colloque international d'histoire de l'art et d'esthétique (Marseille, 23-24 mai 2014)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Direction scientifique Jean-Noël Bret et Laure Cahen-Maurel, 23-24 mai 2014, Bibliothèque Départementale des Bouches-du-Rhône, Marseille (France) Participants : Maria Teresa Caracciolo, Danièle Cohn, Augustin Dumont, Marc Jimenez, Isis... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32063792" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Direction scientifique Jean-Noël Bret et Laure Cahen-Maurel, 23-24 mai 2014, Bibliothèque Départementale des Bouches-du-Rhône, Marseille (France)<br /><br />Participants : Maria Teresa Caracciolo, Danièle Cohn, Augustin Dumont, Marc Jimenez, Isis von Plato, Julie Ramos, Olivier Schefer, David W. Wood et Laure Cahen-Maurel</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32063792" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b44296969df55d596b9788525515ac5b" rel="nofollow" data-download="{"attachment_id":52322555,"asset_id":32063792,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52322555/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38974086" href="https://uni-bonn.academia.edu/LaureCahenMaurel">Laure Cahen-Maurel</a><script data-card-contents-for-user="38974086" type="text/json">{"id":38974086,"first_name":"Laure","last_name":"Cahen-Maurel","domain_name":"uni-bonn","page_name":"LaureCahenMaurel","display_name":"Laure Cahen-Maurel","profile_url":"https://uni-bonn.academia.edu/LaureCahenMaurel?f_ri=6453","photo":"https://0.academia-photos.com/38974086/10782586/41707742/s65_laure.cahen-maurel.jpg"}</script></span></span></li><li class="js-paper-rank-work_32063792 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32063792"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32063792, container: ".js-paper-rank-work_32063792", }); });</script></li><li class="js-percentile-work_32063792 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32063792; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_32063792"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_32063792 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="32063792"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32063792; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32063792]").text(description); $(".js-view-count-work_32063792").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_32063792").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="32063792"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="26422" rel="nofollow" href="https://www.academia.edu/Documents/in/19th_C._Landscape_Painting">19th C. Landscape Painting</a>, <script data-card-contents-for-ri="26422" type="text/json">{"id":26422,"name":"19th C. Landscape Painting","url":"https://www.academia.edu/Documents/in/19th_C._Landscape_Painting?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="40167" rel="nofollow" href="https://www.academia.edu/Documents/in/Early_German_Romanticism">Early German Romanticism</a>, <script data-card-contents-for-ri="40167" type="text/json">{"id":40167,"name":"Early German Romanticism","url":"https://www.academia.edu/Documents/in/Early_German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="112904" rel="nofollow" href="https://www.academia.edu/Documents/in/Caspar_David_Friedrich">Caspar David Friedrich</a><script data-card-contents-for-ri="112904" type="text/json">{"id":112904,"name":"Caspar David Friedrich","url":"https://www.academia.edu/Documents/in/Caspar_David_Friedrich?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32063792]'), work: {"id":32063792,"title":"Caspar David Friedrich et le romantisme allemand. Colloque international d'histoire de l'art et d'esthétique (Marseille, 23-24 mai 2014)","created_at":"2017-03-27T02:42:03.712-07:00","url":"https://www.academia.edu/32063792/Caspar_David_Friedrich_et_le_romantisme_allemand_Colloque_international_dhistoire_de_lart_et_desth%C3%A9tique_Marseille_23_24_mai_2014_?f_ri=6453","dom_id":"work_32063792","summary":"Direction scientifique Jean-Noël Bret et Laure Cahen-Maurel, 23-24 mai 2014, Bibliothèque Départementale des Bouches-du-Rhône, Marseille (France)\n\nParticipants : Maria Teresa Caracciolo, Danièle Cohn, Augustin Dumont, Marc Jimenez, Isis von Plato, Julie Ramos, Olivier Schefer, David W. Wood et Laure Cahen-Maurel","downloadable_attachments":[{"id":52322555,"asset_id":32063792,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38974086,"first_name":"Laure","last_name":"Cahen-Maurel","domain_name":"uni-bonn","page_name":"LaureCahenMaurel","display_name":"Laure Cahen-Maurel","profile_url":"https://uni-bonn.academia.edu/LaureCahenMaurel?f_ri=6453","photo":"https://0.academia-photos.com/38974086/10782586/41707742/s65_laure.cahen-maurel.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":26422,"name":"19th C. 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Schiller and Philosophy (comp.) (co-edited with Jeffrey Powell)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This book seeks to draw attention to Friedrich Schiller (1759–1805) as a philosophical thinker in his own right. For too long, his philosophical contribution has been neglected in favor of his much-deserved reputation as a political... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36299682" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This book seeks to draw attention to Friedrich Schiller (1759–1805) as a philosophical thinker in his own right. For too long, his philosophical contribution has been neglected in favor of his much-deserved reputation as a political playwright. The essays in this collection make two arguments. First, Schiller presents a robust philosophical program that can be favorably compared to those of his age, including Rousseau, Kant, Schelling, and Hegel, and he proves to be their equal in his thinking on morality, aesthetics, and politics. Second, Schiller can also guide us in our more contemporary philosophical concerns and approaches, such as phenomenology, hermeneutics, aesthetics, and politics. Here, Schiller instructs us in our engagement with figures such as Walter Benjamin, Michel Foucault, Jacques Rancière, Roberto Esposito, and others. <br /> <br />As a philosopher and an artist, Schiller has a privileged insight into the possible connections between these two fields. He is usually well known for his writings on the aesthetic education, but what this book makes clear is the relevance of this concept for our contemporary condition. With Schiller, this book helps us reflect on what role art plays and ought to play in our way of being in the world, with others, and how art prepares us to be and think ethically and to reshape our political realm.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36299682" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2c8c717c27995d28d17c2e58514d5e0c" rel="nofollow" data-download="{"attachment_id":56206273,"asset_id":36299682,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56206273/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="286823" href="https://ucriverside.academia.edu/MariadelRosarioAcosta">Maria del Rosario Acosta López</a><script data-card-contents-for-user="286823" type="text/json">{"id":286823,"first_name":"Maria del Rosario","last_name":"Acosta López","domain_name":"ucriverside","page_name":"MariadelRosarioAcosta","display_name":"Maria del Rosario Acosta López","profile_url":"https://ucriverside.academia.edu/MariadelRosarioAcosta?f_ri=6453","photo":"https://0.academia-photos.com/286823/58445/58295992/s65_maria_del_rosario.acosta.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-36299682">+1</span><div class="hidden js-additional-users-36299682"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://marshall.academia.edu/JeffreyPowell">Jeffrey Powell</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-36299682'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-36299682').html(); 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Here, Schiller instructs us in our engagement with figures such as Walter Benjamin, Michel Foucault, Jacques Rancière, Roberto Esposito, and others.\r\n\r\nAs a philosopher and an artist, Schiller has a privileged insight into the possible connections between these two fields. He is usually well known for his writings on the aesthetic education, but what this book makes clear is the relevance of this concept for our contemporary condition. With Schiller, this book helps us reflect on what role art plays and ought to play in our way of being in the world, with others, and how art prepares us to be and think ethically and to reshape our political realm.","downloadable_attachments":[{"id":56206273,"asset_id":36299682,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":286823,"first_name":"Maria del Rosario","last_name":"Acosta López","domain_name":"ucriverside","page_name":"MariadelRosarioAcosta","display_name":"Maria del Rosario Acosta López","profile_url":"https://ucriverside.academia.edu/MariadelRosarioAcosta?f_ri=6453","photo":"https://0.academia-photos.com/286823/58445/58295992/s65_maria_del_rosario.acosta.jpg"},{"id":37365768,"first_name":"Jeffrey","last_name":"Powell","domain_name":"marshall","page_name":"JeffreyPowell","display_name":"Jeffrey Powell","profile_url":"https://marshall.academia.edu/JeffreyPowell?f_ri=6453","photo":"https://0.academia-photos.com/37365768/25863209/24526323/s65_jeffrey.powell.jpg"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":33398,"name":"Friedrich Schiller","url":"https://www.academia.edu/Documents/in/Friedrich_Schiller?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41129454" data-work_id="41129454" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41129454/%CE%A5%CF%80%CE%BF_%CF%81%CE%BF%CE%BC%CE%B1%CE%BD%CF%84%CE%B9%CE%BA%CE%AE_%CE%BF%CF%80%CF%84%CE%B9%CE%BA%CE%AE_%CE%B3%CF%89%CE%BD%CE%AF%CE%B1_%CE%93%CE%B5%CF%81%CE%BC%CE%B1%CE%BD%CE%B9%CE%BA%CF%8C%CF%82_%CE%A1%CE%BF%CE%BC%CE%B1%CE%BD%CF%84%CE%B9%CF%83%CE%BC%CF%8C%CF%82_%CE%BA%CE%B1%CE%B9_%CE%93%CE%B5%CF%8E%CF%81%CE%B3%CE%B9%CE%BF%CF%82_%CE%92%CE%B9%CE%B6%CF%85%CE%B7%CE%BD%CF%8C%CF%82_%CE%95%CE%B9%CF%83%CE%B1%CE%B3%CF%89%CE%B3%CE%AE">Υπο ρομαντική οπτική γωνία: Γερμανικός Ρομαντισμός και Γεώργιος Βιζυηνός.Εισαγωγή</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">H παρούσα μελέτη παρουσιάζει την βαθιά καινοτόμα ρομαντική οπτική γωνία στον κόσμο και τα πράγματα. Ειδικότερα εισάγει τον έλληνα αναγνώστη στις θεωρητικές αρχές και τους φιλοσοφικούς/ ποιητολογικούς προβληματισμούς καθώς και τις βασικές... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41129454" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">H παρούσα μελέτη παρουσιάζει την βαθιά καινοτόμα ρομαντική οπτική γωνία στον κόσμο και τα πράγματα. Ειδικότερα εισάγει τον έλληνα αναγνώστη στις θεωρητικές αρχές και τους φιλοσοφικούς/ ποιητολογικούς προβληματισμούς καθώς και τις βασικές θεματικές και τους τρόπους γραφής των γερμανών ρομαντικών. Η μελέτη εντάσσει τον γερμανικό ρομαντισμό στο ιστορικό και φιλοσοφικό-ιδεολογικό πλαίσιο της εποχής του και αναστοχάζεται πάνω στην «κληρονομιά» του προς τα μεταγενέστερα αισθητικά κινήματα. <br />Ως ένα παράδειγμα της διαχρονικότητας του ρομαντισμού προτείνεται  μια θεώρηση των κειμένων του Γεώργιου Βιζυηνού «υπό ρομαντική οπτική γωνία», η σκιαγράφηση μιας εκλεκτικής συγγένειας. Η γοητεία του θαυμαστού, τα απραγματοποίητα ταξίδια και οι ανεκπλήρωτοι έρωτες, η αρχή της υπέρβασης και της ερμηνείας που απαντούν στα κείμενα του Βιζυηνού συνθέτουν το καθοριστικό για το έργο του σχήμα της διαρκούς εναλλαγής μεταξύ προσδοκίας και απογοήτευσης – την αέναη κίνηση του εκκρεμούς της ρομαντικής ειρωνείας.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41129454" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ea0553974aa73a26f2f546cd57080525" rel="nofollow" data-download="{"attachment_id":61380770,"asset_id":41129454,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61380770/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="66154078" href="https://auth.academia.edu/AlexandraRassidakis">Alexandra Rassidakis</a><script data-card-contents-for-user="66154078" type="text/json">{"id":66154078,"first_name":"Alexandra","last_name":"Rassidakis","domain_name":"auth","page_name":"AlexandraRassidakis","display_name":"Alexandra Rassidakis","profile_url":"https://auth.academia.edu/AlexandraRassidakis?f_ri=6453","photo":"https://0.academia-photos.com/66154078/17236083/17362130/s65_alexandra.rassidakis.jpg"}</script></span></span></li><li class="js-paper-rank-work_41129454 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41129454"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41129454, container: ".js-paper-rank-work_41129454", }); 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$(".js-view-count[data-work-id=41129454]").text(description); $(".js-view-count-work_41129454").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41129454").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41129454"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6453" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Romanticism">German Romanticism</a>, <script data-card-contents-for-ri="6453" type="text/json">{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6461" rel="nofollow" href="https://www.academia.edu/Documents/in/Heinrich_von_Kleist">Heinrich von Kleist</a>, <script data-card-contents-for-ri="6461" type="text/json">{"id":6461,"name":"Heinrich von Kleist","url":"https://www.academia.edu/Documents/in/Heinrich_von_Kleist?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="45465" rel="nofollow" href="https://www.academia.edu/Documents/in/Ludwig_Tieck">Ludwig Tieck</a>, <script data-card-contents-for-ri="45465" type="text/json">{"id":45465,"name":"Ludwig Tieck","url":"https://www.academia.edu/Documents/in/Ludwig_Tieck?f_ri=6453","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="89679" rel="nofollow" href="https://www.academia.edu/Documents/in/Joseph_von_Eichendorff">Joseph von Eichendorff</a><script data-card-contents-for-ri="89679" type="text/json">{"id":89679,"name":"Joseph von Eichendorff","url":"https://www.academia.edu/Documents/in/Joseph_von_Eichendorff?f_ri=6453","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41129454]'), work: {"id":41129454,"title":"Υπο ρομαντική οπτική γωνία: Γερμανικός Ρομαντισμός και Γεώργιος Βιζυηνός.Εισαγωγή","created_at":"2019-11-30T02:07:19.469-08:00","url":"https://www.academia.edu/41129454/%CE%A5%CF%80%CE%BF_%CF%81%CE%BF%CE%BC%CE%B1%CE%BD%CF%84%CE%B9%CE%BA%CE%AE_%CE%BF%CF%80%CF%84%CE%B9%CE%BA%CE%AE_%CE%B3%CF%89%CE%BD%CE%AF%CE%B1_%CE%93%CE%B5%CF%81%CE%BC%CE%B1%CE%BD%CE%B9%CE%BA%CF%8C%CF%82_%CE%A1%CE%BF%CE%BC%CE%B1%CE%BD%CF%84%CE%B9%CF%83%CE%BC%CF%8C%CF%82_%CE%BA%CE%B1%CE%B9_%CE%93%CE%B5%CF%8E%CF%81%CE%B3%CE%B9%CE%BF%CF%82_%CE%92%CE%B9%CE%B6%CF%85%CE%B7%CE%BD%CF%8C%CF%82_%CE%95%CE%B9%CF%83%CE%B1%CE%B3%CF%89%CE%B3%CE%AE?f_ri=6453","dom_id":"work_41129454","summary":"H παρούσα μελέτη παρουσιάζει την βαθιά καινοτόμα ρομαντική οπτική γωνία στον κόσμο και τα πράγματα. Ειδικότερα εισάγει τον έλληνα αναγνώστη στις θεωρητικές αρχές και τους φιλοσοφικούς/ ποιητολογικούς προβληματισμούς καθώς και τις βασικές θεματικές και τους τρόπους γραφής των γερμανών ρομαντικών. Η μελέτη εντάσσει τον γερμανικό ρομαντισμό στο ιστορικό και φιλοσοφικό-ιδεολογικό πλαίσιο της εποχής του και αναστοχάζεται πάνω στην «κληρονομιά» του προς τα μεταγενέστερα αισθητικά κινήματα. \nΩς ένα παράδειγμα της διαχρονικότητας του ρομαντισμού προτείνεται μια θεώρηση των κειμένων του Γεώργιου Βιζυηνού «υπό ρομαντική οπτική γωνία», η σκιαγράφηση μιας εκλεκτικής συγγένειας. Η γοητεία του θαυμαστού, τα απραγματοποίητα ταξίδια και οι ανεκπλήρωτοι έρωτες, η αρχή της υπέρβασης και της ερμηνείας που απαντούν στα κείμενα του Βιζυηνού συνθέτουν το καθοριστικό για το έργο του σχήμα της διαρκούς εναλλαγής μεταξύ προσδοκίας και απογοήτευσης – την αέναη κίνηση του εκκρεμούς της ρομαντικής ειρωνείας. \n","downloadable_attachments":[{"id":61380770,"asset_id":41129454,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":66154078,"first_name":"Alexandra","last_name":"Rassidakis","domain_name":"auth","page_name":"AlexandraRassidakis","display_name":"Alexandra Rassidakis","profile_url":"https://auth.academia.edu/AlexandraRassidakis?f_ri=6453","photo":"https://0.academia-photos.com/66154078/17236083/17362130/s65_alexandra.rassidakis.jpg"}],"research_interests":[{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":6461,"name":"Heinrich von Kleist","url":"https://www.academia.edu/Documents/in/Heinrich_von_Kleist?f_ri=6453","nofollow":true},{"id":45465,"name":"Ludwig Tieck","url":"https://www.academia.edu/Documents/in/Ludwig_Tieck?f_ri=6453","nofollow":true},{"id":89679,"name":"Joseph von Eichendorff","url":"https://www.academia.edu/Documents/in/Joseph_von_Eichendorff?f_ri=6453","nofollow":true},{"id":98459,"name":"E.T.A. Hoffmann","url":"https://www.academia.edu/Documents/in/E.T.A._Hoffmann?f_ri=6453"},{"id":107623,"name":"Romantic Irony","url":"https://www.academia.edu/Documents/in/Romantic_Irony?f_ri=6453"},{"id":986358,"name":"Vizyenos","url":"https://www.academia.edu/Documents/in/Vizyenos?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19012683" data-work_id="19012683" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19012683/Laure_Cahen_Maurel_L_art_de_romantiser_le_monde_La_peinture_de_Caspar_David_Friedrich_et_la_philosophie_romantique_de_Novalis_">Laure Cahen-Maurel. "L’art de romantiser le monde. La peinture de Caspar David Friedrich et la philosophie romantique de Novalis"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Cet ouvrage oriente la réflexion philosophique sur le romantisme allemand dans une voie nouvelle ayant pour point de départ la singularité des paysages peints par Caspar David Friedrich, et pour concept opératoire majeur la romantisation... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_19012683" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Cet ouvrage oriente la réflexion philosophique sur le romantisme allemand dans une voie nouvelle ayant pour point de départ la singularité des paysages peints par Caspar David Friedrich, et pour concept opératoire majeur la romantisation du monde, dont Novalis a fait le programme d’une philosophie spécifique. Analyser la critique par Hegel du style de Friedrich ; étudier l’invention par Novalis, dans le prolongement de Herder, de quelque chose comme un paysage-corps ; suivre au-delà de Kant le destin du concept de sublime : tels sont les moments principaux d’un parcours qui permet de mettre au jour les liens existant entre la peinture de Friedrich et la problématique de la « révélation » énoncée par Novalis dans ses fragments sur la philosophie romantique. <br /> <br /> <br />Laure Cahen-Maurel. L'art de romantiser le monde. La peinture de Caspar David Friedrich et la philosophie romantique de Novalis (Münster/Berlin, LIT-Verlag, 339 pages, 2017), coll. "Ideal & Real. Aspekte und Perspektiven des Deutschen Idealismus", dirigée par Mildred Galland-Szymkowiak et Augustin Dumont.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19012683" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0dd392c6379517831a3d0997b9c60ae3" rel="nofollow" data-download="{"attachment_id":51676259,"asset_id":19012683,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51676259/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38974086" href="https://uni-bonn.academia.edu/LaureCahenMaurel">Laure Cahen-Maurel</a><script data-card-contents-for-user="38974086" type="text/json">{"id":38974086,"first_name":"Laure","last_name":"Cahen-Maurel","domain_name":"uni-bonn","page_name":"LaureCahenMaurel","display_name":"Laure Cahen-Maurel","profile_url":"https://uni-bonn.academia.edu/LaureCahenMaurel?f_ri=6453","photo":"https://0.academia-photos.com/38974086/10782586/41707742/s65_laure.cahen-maurel.jpg"}</script></span></span></li><li class="js-paper-rank-work_19012683 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19012683"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19012683, container: ".js-paper-rank-work_19012683", }); 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La peinture de Caspar David Friedrich et la philosophie romantique de Novalis\"","created_at":"2015-11-25T14:01:12.145-08:00","url":"https://www.academia.edu/19012683/Laure_Cahen_Maurel_L_art_de_romantiser_le_monde_La_peinture_de_Caspar_David_Friedrich_et_la_philosophie_romantique_de_Novalis_?f_ri=6453","dom_id":"work_19012683","summary":"Cet ouvrage oriente la réflexion philosophique sur le romantisme allemand dans une voie nouvelle ayant pour point de départ la singularité des paysages peints par Caspar David Friedrich, et pour concept opératoire majeur la romantisation du monde, dont Novalis a fait le programme d’une philosophie spécifique. Analyser la critique par Hegel du style de Friedrich ; étudier l’invention par Novalis, dans le prolongement de Herder, de quelque chose comme un paysage-corps ; suivre au-delà de Kant le destin du concept de sublime : tels sont les moments principaux d’un parcours qui permet de mettre au jour les liens existant entre la peinture de Friedrich et la problématique de la « révélation » énoncée par Novalis dans ses fragments sur la philosophie romantique.\r\n\r\n\r\nLaure Cahen-Maurel. L'art de romantiser le monde. La peinture de Caspar David Friedrich et la philosophie romantique de Novalis (Münster/Berlin, LIT-Verlag, 339 pages, 2017), coll. \"Ideal \u0026 Real. Aspekte und Perspektiven des Deutschen Idealismus\", dirigée par Mildred Galland-Szymkowiak et Augustin Dumont.","downloadable_attachments":[{"id":51676259,"asset_id":19012683,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38974086,"first_name":"Laure","last_name":"Cahen-Maurel","domain_name":"uni-bonn","page_name":"LaureCahenMaurel","display_name":"Laure Cahen-Maurel","profile_url":"https://uni-bonn.academia.edu/LaureCahenMaurel?f_ri=6453","photo":"https://0.academia-photos.com/38974086/10782586/41707742/s65_laure.cahen-maurel.jpg"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=6453","nofollow":true},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art?f_ri=6453","nofollow":true},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy?f_ri=6453","nofollow":true},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=6453"},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453"},{"id":7942,"name":"Hegel","url":"https://www.academia.edu/Documents/in/Hegel?f_ri=6453"},{"id":8761,"name":"Johann Wolfgang von Goethe","url":"https://www.academia.edu/Documents/in/Johann_Wolfgang_von_Goethe?f_ri=6453"},{"id":10270,"name":"Johann Gottlieb Fichte","url":"https://www.academia.edu/Documents/in/Johann_Gottlieb_Fichte?f_ri=6453"},{"id":15622,"name":"German Literature and Culture","url":"https://www.academia.edu/Documents/in/German_Literature_and_Culture?f_ri=6453"},{"id":16031,"name":"Immanuel Kant","url":"https://www.academia.edu/Documents/in/Immanuel_Kant?f_ri=6453"},{"id":23519,"name":"19th-century German philosophy","url":"https://www.academia.edu/Documents/in/19th-century_German_philosophy?f_ri=6453"},{"id":31672,"name":"Johann Gottfried Herder","url":"https://www.academia.edu/Documents/in/Johann_Gottfried_Herder?f_ri=6453"},{"id":86646,"name":"Novalis","url":"https://www.academia.edu/Documents/in/Novalis?f_ri=6453"},{"id":112904,"name":"Caspar David Friedrich","url":"https://www.academia.edu/Documents/in/Caspar_David_Friedrich?f_ri=6453"},{"id":164473,"name":"German landscape painting","url":"https://www.academia.edu/Documents/in/German_landscape_painting?f_ri=6453"},{"id":197036,"name":"Friedrich Schlegel","url":"https://www.academia.edu/Documents/in/Friedrich_Schlegel?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37197697" data-work_id="37197697" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37197697/A_Darwin_Blog_The_Making_of_Charles_Darwins_Debt_to_the_Romantics">A Darwin Blog: The Making of 'Charles Darwin's Debt to the Romantics'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">To most, Charles Darwin's story is simply the birth of the Theory of Evolution. In reality, the story of how Darwin came to this theory, and the many people who would shape his destiny, is itself a story that needs to be told. Like many... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37197697" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">To most, Charles Darwin's story is simply the birth of the Theory of Evolution. In reality, the story of how Darwin came to this theory, and the many people who would shape his destiny, is itself a story that needs to be told. Like many superhero movies of the 21st century, Darwin has a " back story " , the tale of how Darwin became Darwin. Darwin's story can appeal to many readers on different levels. On the purely academic level the work traces the influence of Alexander von Humboldt, Goethe and Wordsworth, in addition to Erasmus Darwin, on the development of Charles Darwin's theory of natural and sexual selection. On another level is the story of the development of Darwin's imagination and how this enabled his theories to evolve during the Victorian era when it was difficult to express them, yet at the same time in an era which encouraged them. This was a very contradictory time in history indeed. Charles Darwin's Debt to the Romantics is an attempt to mirror Darwin's own narrative, in which, through his imagination, he engages in conversation with the reader on a journey to discover the laws behind the process in which life evolves. These traces in time, moving both backwards into the past and forwards into the future, are like footprints in the sand, some of which get washed away never to be seen again. What drew me to this research was the Romantic notion of the imagination in which the self is so very much a part of Nature. We try very hard to observe nature objectively, but we can never get away from being subjectively part of it at the same time, just through the very act of observing it through our senses or through the act of remembering what we have seen, or think we have seen. And these footprints, or recreated memories of our past, are there for us to see today in fossils or archaeological remains — a mental map of our descent. What makes all of this so Romantic is the almost terrifying or sublime notion that mind has come from matter — that mind evolved and originated from that which was not mind. This is surely one of the greatest mysteries of our very existence — that science, poetry, literature, language, thought and culture have all ultimately evolved from inorganic nature (and this, of course, is only part of the story, as inorganic nature evolved before this).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37197697" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0dee7d0b0502093eee4514fc42e9d46b" rel="nofollow" data-download="{"attachment_id":57148591,"asset_id":37197697,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57148591/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="321018" href="https://winchester.academia.edu/CharlesLansley">Charles M Lansley</a><script data-card-contents-for-user="321018" type="text/json">{"id":321018,"first_name":"Charles","last_name":"Lansley","domain_name":"winchester","page_name":"CharlesLansley","display_name":"Charles M Lansley","profile_url":"https://winchester.academia.edu/CharlesLansley?f_ri=6453","photo":"https://0.academia-photos.com/321018/92631/18518522/s65_charles.lansley.jpg"}</script></span></span></li><li class="js-paper-rank-work_37197697 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37197697"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37197697, container: ".js-paper-rank-work_37197697", }); 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In reality, the story of how Darwin came to this theory, and the many people who would shape his destiny, is itself a story that needs to be told. Like many superhero movies of the 21st century, Darwin has a \" back story \" , the tale of how Darwin became Darwin. Darwin's story can appeal to many readers on different levels. On the purely academic level the work traces the influence of Alexander von Humboldt, Goethe and Wordsworth, in addition to Erasmus Darwin, on the development of Charles Darwin's theory of natural and sexual selection. On another level is the story of the development of Darwin's imagination and how this enabled his theories to evolve during the Victorian era when it was difficult to express them, yet at the same time in an era which encouraged them. This was a very contradictory time in history indeed. Charles Darwin's Debt to the Romantics is an attempt to mirror Darwin's own narrative, in which, through his imagination, he engages in conversation with the reader on a journey to discover the laws behind the process in which life evolves. These traces in time, moving both backwards into the past and forwards into the future, are like footprints in the sand, some of which get washed away never to be seen again. What drew me to this research was the Romantic notion of the imagination in which the self is so very much a part of Nature. We try very hard to observe nature objectively, but we can never get away from being subjectively part of it at the same time, just through the very act of observing it through our senses or through the act of remembering what we have seen, or think we have seen. And these footprints, or recreated memories of our past, are there for us to see today in fossils or archaeological remains — a mental map of our descent. What makes all of this so Romantic is the almost terrifying or sublime notion that mind has come from matter — that mind evolved and originated from that which was not mind. This is surely one of the greatest mysteries of our very existence — that science, poetry, literature, language, thought and culture have all ultimately evolved from inorganic nature (and this, of course, is only part of the story, as inorganic nature evolved before this).","downloadable_attachments":[{"id":57148591,"asset_id":37197697,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":321018,"first_name":"Charles","last_name":"Lansley","domain_name":"winchester","page_name":"CharlesLansley","display_name":"Charles M Lansley","profile_url":"https://winchester.academia.edu/CharlesLansley?f_ri=6453","photo":"https://0.academia-photos.com/321018/92631/18518522/s65_charles.lansley.jpg"}],"research_interests":[{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=6453","nofollow":true},{"id":3723,"name":"History of Science","url":"https://www.academia.edu/Documents/in/History_of_Science?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=6453","nofollow":true},{"id":8173,"name":"British Romanticism","url":"https://www.academia.edu/Documents/in/British_Romanticism?f_ri=6453"},{"id":8761,"name":"Johann Wolfgang von Goethe","url":"https://www.academia.edu/Documents/in/Johann_Wolfgang_von_Goethe?f_ri=6453"},{"id":9588,"name":"Natural History","url":"https://www.academia.edu/Documents/in/Natural_History?f_ri=6453"},{"id":10882,"name":"Evolution","url":"https://www.academia.edu/Documents/in/Evolution?f_ri=6453"},{"id":11077,"name":"William Wordsworth","url":"https://www.academia.edu/Documents/in/William_Wordsworth?f_ri=6453"},{"id":13618,"name":"Victorian cultural studies","url":"https://www.academia.edu/Documents/in/Victorian_cultural_studies?f_ri=6453"},{"id":18884,"name":"Victorian poetry","url":"https://www.academia.edu/Documents/in/Victorian_poetry?f_ri=6453"},{"id":18987,"name":"Natural Science","url":"https://www.academia.edu/Documents/in/Natural_Science?f_ri=6453"},{"id":18991,"name":"Goethe","url":"https://www.academia.edu/Documents/in/Goethe?f_ri=6453"},{"id":19261,"name":"Coleridge","url":"https://www.academia.edu/Documents/in/Coleridge?f_ri=6453"},{"id":21095,"name":"English Romanticism","url":"https://www.academia.edu/Documents/in/English_Romanticism?f_ri=6453"},{"id":26256,"name":"Goethe and Phenomenology","url":"https://www.academia.edu/Documents/in/Goethe_and_Phenomenology?f_ri=6453"},{"id":27854,"name":"Darwin","url":"https://www.academia.edu/Documents/in/Darwin?f_ri=6453"},{"id":56380,"name":"Samuel Taylor Coleridge","url":"https://www.academia.edu/Documents/in/Samuel_Taylor_Coleridge?f_ri=6453"},{"id":240747,"name":"Romantic literature: William Blake, Wordsworth, S.T. Coleridge and De Quincey","url":"https://www.academia.edu/Documents/in/Romantic_literature_William_Blake_Wordsworth_S.T._Coleridge_and_De_Quincey?f_ri=6453"},{"id":391727,"name":"British Romantic Literature, Keats, Coleridge","url":"https://www.academia.edu/Documents/in/British_Romantic_Literature_Keats_Coleridge?f_ri=6453"},{"id":489710,"name":"alexander von Humboldt","url":"https://www.academia.edu/Documents/in/alexander_von_Humboldt?f_ri=6453"},{"id":1768294,"name":"Alexander von Humboldt-Stiftung","url":"https://www.academia.edu/Documents/in/Alexander_von_Humboldt-Stiftung?f_ri=6453"},{"id":2413314,"name":"Alexander von Humboldt Foundation","url":"https://www.academia.edu/Documents/in/Alexander_von_Humboldt_Foundation?f_ri=6453"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_913763 coauthored" data-work_id="913763" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/913763/Reshit_Hokhmah_An_Unknown_Anti_Hasidic_Manuscript_A_Critical_Edition_and_with_an_Introduction_by_Shmuel_Werses_and_Jonatan_Meir_Jerusalem_The_Mandel_Institute_of_Jewish_Studies_The_Hebrew_University_of_Jerusalem_Jerusalem_2011_20_95_pp_Hebrew_">Reshit Hokhmah: An Unknown Anti-Hasidic Manuscript, A Critical Edition and with an Introduction by Shmuel Werses & Jonatan Meir, Jerusalem: The Mandel Institute of Jewish Studies, The Hebrew University of Jerusalem: Jerusalem 2011, 20 + 95 pp. (Hebrew)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">FULL TEXT!! This volume publishes for the first time an untitled anti-Hasidic manuscript, which the editors have called Reshit Hokhmah (The Origin/Beginning of Wisdom), from the Joseph Perl Archive in Tarnopol. The manuscript was copied... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_913763" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">FULL TEXT!! This volume publishes for the first time an untitled anti-Hasidic manuscript, which the editors have called Reshit Hokhmah (The Origin/Beginning of Wisdom), from the Joseph Perl Archive in Tarnopol. The manuscript was copied in 1819, the year that Perl’s Megale Temirin was published. It is housed today in the National Library of Israel in Jerusalem. The identity of the author is unknown, but he probably came from Galicia and was associated with Mitnagdim and Maskilim. The book expresses harsh and detailed criticism of the hagiographic work, Shivhei ha-Besht (In Praise of the Baal Shem Tov, Kapost 1815), which is the first extensive engagement with this book. Moreover, the work is erudite and anticipates the views of Isaac Baer Levinson in his work Te‘udah be-Yisrael (A Warning to Israel, Vilna and Grodno 1828). The manuscript was read by many Maskilim in Galicia and it seems to have influenced both Joseph Perl and Isaac Baer Levinson. This work is therefore of great importance as an example of anti-Hasidic literature, which influenced nineteenth-century Haskalah literature. A transcription of the manuscript is presented in this volume, accompanied by explanatory notes, references to literature that influenced the author, references to anti-Hasidic literature, and an introduction that describes the character of the work and its reception. <br /> <br />Table of Contents <br /> <br />Early Manuscripts in Joseph Perl Archive / Jonatan Meir <br />Introduction / Shmuel Werses <br /> <br />Reshit Hokhmah (1819): Critical Edition <br />Introduction • The History of Heresy • In Praise of Wisdom and The Sages • On the Ways of the Fools • Hasidic Tales and their Secrets • On the Besht’s Path • The Besht’s Family • The Secret of Healing a Barren Woman • A Hasidic Sermon on Wine and Sons • Another Question and a Sermon on the Secrets • A Question and Sermon on Hasidic Tales • A Story about the Wonders of the great Tzaddik • On the Besht and a Priest who had an Accidental Emission • Another Story on the Besht and a Priest • The Besht and Wine • The Besht and Adultery • The Besht and the Messiah • Exaggerated Praise Concerning the Besht and the Origins of Praise • An Elegy on the Heretics, the Besht, and the Hasidim • A Reproach against the Besht’s Sayings Concerning the Messiah • Stories of False Tzaddikim • Two Types of Hasidic Rabbis • On the Tzaddikim and the Damage They Cause • Praising Wisdom and Work <br /> <br />Bibliography <br />Indexes</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/913763" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b1201163733eb5e0f3f23a463e1d0627" rel="nofollow" data-download="{"attachment_id":58066621,"asset_id":913763,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58066621/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="734141" href="https://bgu.academia.edu/JonatanMeir">Jonatan Meir</a><script data-card-contents-for-user="734141" type="text/json">{"id":734141,"first_name":"Jonatan","last_name":"Meir","domain_name":"bgu","page_name":"JonatanMeir","display_name":"Jonatan Meir","profile_url":"https://bgu.academia.edu/JonatanMeir?f_ri=6453","photo":"https://0.academia-photos.com/734141/250731/296342/s65_jonatan.meir.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-913763">+1</span><div class="hidden js-additional-users-913763"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://huji.academia.edu/ShmuelWerses19152010">Shmuel Werses (1915-2010)</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-913763'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-913763').html(); 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This volume publishes for the first time an untitled anti-Hasidic manuscript, which the editors have called Reshit Hokhmah (The Origin/Beginning of Wisdom), from the Joseph Perl Archive in Tarnopol. The manuscript was copied in 1819, the year that Perl’s Megale Temirin was published. It is housed today in the National Library of Israel in Jerusalem. The identity of the author is unknown, but he probably came from Galicia and was associated with Mitnagdim and Maskilim. The book expresses harsh and detailed criticism of the hagiographic work, Shivhei ha-Besht (In Praise of the Baal Shem Tov, Kapost 1815), which is the first extensive engagement with this book. Moreover, the work is erudite and anticipates the views of Isaac Baer Levinson in his work Te‘udah be-Yisrael (A Warning to Israel, Vilna and Grodno 1828). The manuscript was read by many Maskilim in Galicia and it seems to have influenced both Joseph Perl and Isaac Baer Levinson. This work is therefore of great importance as an example of anti-Hasidic literature, which influenced nineteenth-century Haskalah literature. A transcription of the manuscript is presented in this volume, accompanied by explanatory notes, references to literature that influenced the author, references to anti-Hasidic literature, and an introduction that describes the character of the work and its reception.\r\n\r\nTable of Contents\r\n\r\nEarly Manuscripts in Joseph Perl Archive / Jonatan Meir\r\nIntroduction / Shmuel Werses\r\n\r\nReshit Hokhmah (1819): Critical Edition\r\nIntroduction • The History of Heresy • In Praise of Wisdom and The Sages • On the Ways of the Fools • Hasidic Tales and their Secrets • On the Besht’s Path • The Besht’s Family • The Secret of Healing a Barren Woman • A Hasidic Sermon on Wine and Sons • Another Question and a Sermon on the Secrets • A Question and Sermon on Hasidic Tales • A Story about the Wonders of the great Tzaddik • On the Besht and a Priest who had an Accidental Emission • Another Story on the Besht and a Priest • The Besht and Wine • The Besht and Adultery • The Besht and the Messiah • Exaggerated Praise Concerning the Besht and the Origins of Praise • An Elegy on the Heretics, the Besht, and the Hasidim • A Reproach against the Besht’s Sayings Concerning the Messiah • Stories of False Tzaddikim • Two Types of Hasidic Rabbis • On the Tzaddikim and the Damage They Cause • Praising Wisdom and Work \r\n\r\nBibliography\r\nIndexes\r\n\r\n\r\n","downloadable_attachments":[{"id":58066621,"asset_id":913763,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":734141,"first_name":"Jonatan","last_name":"Meir","domain_name":"bgu","page_name":"JonatanMeir","display_name":"Jonatan Meir","profile_url":"https://bgu.academia.edu/JonatanMeir?f_ri=6453","photo":"https://0.academia-photos.com/734141/250731/296342/s65_jonatan.meir.jpg"},{"id":144704729,"first_name":"Shmuel","last_name":"Werses (1915-2010)","domain_name":"huji","page_name":"ShmuelWerses19152010","display_name":"Shmuel Werses 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class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/913763/Reshit_Hokhmah_An_Unknown_Anti_Hasidic_Manuscript_A_Critical_Edition_and_with_an_Introduction_by_Shmuel_Werses_and_Jonatan_Meir_Jerusalem_The_Mandel_Institute_of_Jewish_Studies_The_Hebrew_University_of_Jerusalem_Jerusalem_2011_20_95_pp_Hebrew_">Reshit Hokhmah: An Unknown Anti-Hasidic Manuscript, A Critical Edition and with an Introduction by Shmuel Werses & Jonatan Meir, Jerusalem: The Mandel Institute of Jewish Studies, The Hebrew University of Jerusalem: Jerusalem 2011, 20 + 95 pp. (Hebrew)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">FULL TEXT!! This volume publishes for the first time an untitled anti-Hasidic manuscript, which the editors have called Reshit Hokhmah (The Origin/Beginning of Wisdom), from the Joseph Perl Archive in Tarnopol. The manuscript was copied... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_913763" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">FULL TEXT!! This volume publishes for the first time an untitled anti-Hasidic manuscript, which the editors have called Reshit Hokhmah (The Origin/Beginning of Wisdom), from the Joseph Perl Archive in Tarnopol. The manuscript was copied in 1819, the year that Perl’s Megale Temirin was published. It is housed today in the National Library of Israel in Jerusalem. The identity of the author is unknown, but he probably came from Galicia and was associated with Mitnagdim and Maskilim. The book expresses harsh and detailed criticism of the hagiographic work, Shivhei ha-Besht (In Praise of the Baal Shem Tov, Kapost 1815), which is the first extensive engagement with this book. Moreover, the work is erudite and anticipates the views of Isaac Baer Levinson in his work Te‘udah be-Yisrael (A Warning to Israel, Vilna and Grodno 1828). The manuscript was read by many Maskilim in Galicia and it seems to have influenced both Joseph Perl and Isaac Baer Levinson. This work is therefore of great importance as an example of anti-Hasidic literature, which influenced nineteenth-century Haskalah literature. A transcription of the manuscript is presented in this volume, accompanied by explanatory notes, references to literature that influenced the author, references to anti-Hasidic literature, and an introduction that describes the character of the work and its reception. <br /> <br />Table of Contents <br /> <br />Early Manuscripts in Joseph Perl Archive / Jonatan Meir <br />Introduction / Shmuel Werses <br /> <br />Reshit Hokhmah (1819): Critical Edition <br />Introduction • The History of Heresy • In Praise of Wisdom and The Sages • On the Ways of the Fools • Hasidic Tales and their Secrets • On the Besht’s Path • The Besht’s Family • The Secret of Healing a Barren Woman • A Hasidic Sermon on Wine and Sons • Another Question and a Sermon on the Secrets • A Question and Sermon on Hasidic Tales • A Story about the Wonders of the great Tzaddik • On the Besht and a Priest who had an Accidental Emission • Another Story on the Besht and a Priest • The Besht and Wine • The Besht and Adultery • The Besht and the Messiah • Exaggerated Praise Concerning the Besht and the Origins of Praise • An Elegy on the Heretics, the Besht, and the Hasidim • A Reproach against the Besht’s Sayings Concerning the Messiah • Stories of False Tzaddikim • Two Types of Hasidic Rabbis • On the Tzaddikim and the Damage They Cause • Praising Wisdom and Work <br /> <br />Bibliography <br />Indexes</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/913763" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ef13796f2a64e9431905d62dabd46e8a" rel="nofollow" data-download="{"attachment_id":58066621,"asset_id":913763,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58066621/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="734141" href="https://bgu.academia.edu/JonatanMeir">Jonatan Meir</a><script data-card-contents-for-user="734141" type="text/json">{"id":734141,"first_name":"Jonatan","last_name":"Meir","domain_name":"bgu","page_name":"JonatanMeir","display_name":"Jonatan Meir","profile_url":"https://bgu.academia.edu/JonatanMeir?f_ri=6453","photo":"https://0.academia-photos.com/734141/250731/296342/s65_jonatan.meir.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-913763">+1</span><div class="hidden js-additional-users-913763"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://huji.academia.edu/ShmuelWerses19152010">Shmuel Werses (1915-2010)</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-913763'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-913763').html(); 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This volume publishes for the first time an untitled anti-Hasidic manuscript, which the editors have called Reshit Hokhmah (The Origin/Beginning of Wisdom), from the Joseph Perl Archive in Tarnopol. The manuscript was copied in 1819, the year that Perl’s Megale Temirin was published. It is housed today in the National Library of Israel in Jerusalem. The identity of the author is unknown, but he probably came from Galicia and was associated with Mitnagdim and Maskilim. The book expresses harsh and detailed criticism of the hagiographic work, Shivhei ha-Besht (In Praise of the Baal Shem Tov, Kapost 1815), which is the first extensive engagement with this book. Moreover, the work is erudite and anticipates the views of Isaac Baer Levinson in his work Te‘udah be-Yisrael (A Warning to Israel, Vilna and Grodno 1828). The manuscript was read by many Maskilim in Galicia and it seems to have influenced both Joseph Perl and Isaac Baer Levinson. This work is therefore of great importance as an example of anti-Hasidic literature, which influenced nineteenth-century Haskalah literature. A transcription of the manuscript is presented in this volume, accompanied by explanatory notes, references to literature that influenced the author, references to anti-Hasidic literature, and an introduction that describes the character of the work and its reception.\r\n\r\nTable of Contents\r\n\r\nEarly Manuscripts in Joseph Perl Archive / Jonatan Meir\r\nIntroduction / Shmuel Werses\r\n\r\nReshit Hokhmah (1819): Critical Edition\r\nIntroduction • The History of Heresy • In Praise of Wisdom and The Sages • On the Ways of the Fools • Hasidic Tales and their Secrets • On the Besht’s Path • The Besht’s Family • The Secret of Healing a Barren Woman • A Hasidic Sermon on Wine and Sons • Another Question and a Sermon on the Secrets • A Question and Sermon on Hasidic Tales • A Story about the Wonders of the great Tzaddik • On the Besht and a Priest who had an Accidental Emission • Another Story on the Besht and a Priest • The Besht and Wine • The Besht and Adultery • The Besht and the Messiah • Exaggerated Praise Concerning the Besht and the Origins of Praise • An Elegy on the Heretics, the Besht, and the Hasidim • A Reproach against the Besht’s Sayings Concerning the Messiah • Stories of False Tzaddikim • Two Types of Hasidic Rabbis • On the Tzaddikim and the Damage They Cause • Praising Wisdom and Work \r\n\r\nBibliography\r\nIndexes\r\n\r\n\r\n","downloadable_attachments":[{"id":58066621,"asset_id":913763,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":734141,"first_name":"Jonatan","last_name":"Meir","domain_name":"bgu","page_name":"JonatanMeir","display_name":"Jonatan Meir","profile_url":"https://bgu.academia.edu/JonatanMeir?f_ri=6453","photo":"https://0.academia-photos.com/734141/250731/296342/s65_jonatan.meir.jpg"},{"id":144704729,"first_name":"Shmuel","last_name":"Werses (1915-2010)","domain_name":"huji","page_name":"ShmuelWerses19152010","display_name":"Shmuel Werses 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class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12470097/Friedrich_Schlegel_and_the_Idea_of_Fragment_A_Contribution_to_Romantic_Aesthetics_2009_">Friedrich Schlegel and the Idea of Fragment: A Contribution to Romantic Aesthetics (2009)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die sich ihrer Modernität bewussten Frühromantiker, vor allem Fr. Schlegel, haben Fragmente mit Absicht verwendet, wie es sich aus einem Fragment von Fr. Schlegel ergibt: „Viele Werke der Alten sind Fragmente geworden. Viele Werke der... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12470097" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die sich ihrer Modernität bewussten Frühromantiker, vor allem Fr. Schlegel, haben Fragmente mit Absicht verwendet, wie es sich aus einem Fragment von Fr. Schlegel ergibt: „Viele Werke der Alten sind Fragmente geworden. Viele Werke der Neuern sind es gleich bei der Entstehung.“ Im vorliegenden Aufsatz versucht der Verfasser nicht, das Fragment als eine literarische Gattung zu behandeln, sondern es geht darum, zu zeigen, dass der Geist des Fragments dem Gedanken Schlegels zugrunde liegt. <br />Im Studium-Aufsatz von 1795 stellt Schlegel die vollendete Schönheit der alten Kunstwerke dem Fragmentarischen der modernen Kunstwerke gegenüber. Ab 1797 leugnet er einen solchen Dualismus. Schlegels neue Auffassung des Fragments lässt sich in seiner Behauptung erkennen, dass das „Reifste und Vollendetste“ „Bruchstücke von Bruchstücken“ seien. <br />Fragmente können „vollendet“ sein, sofern sie „Winke und Andeutungen“ sind. In diesem Sinne sind Fragmente Projekten gleichgesetzt. Und Fragmente als Winke und Andeutungen müssen mit der sie ergänzenden bzw. verwirklichenden „Kritik“, die selbst nicht anders als fragmentarisch sein kann, verbunden werden. Aufgrund einer solchen Ergänzung vermitteln die Fragmente das Einzelne mit dem Ganzen, das Endliche mit dem Unendlichen, die Wirklichkeit mit der Möglichkeit und die Gegenwart mit der Zukunft.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12470097" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5810c5c3cbb21c4fc18f54c2ab0321ac" rel="nofollow" data-download="{"attachment_id":37681600,"asset_id":12470097,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37681600/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9742507" href="https://u-tokyo.academia.edu/%E8%83%A4%E4%B9%85%E5%B0%8F%E7%94%B0%E9%83%A8">Tanehisa Otabe</a><script data-card-contents-for-user="9742507" type="text/json">{"id":9742507,"first_name":"Tanehisa","last_name":"Otabe","domain_name":"u-tokyo","page_name":"胤久小田部","display_name":"Tanehisa Otabe","profile_url":"https://u-tokyo.academia.edu/%E8%83%A4%E4%B9%85%E5%B0%8F%E7%94%B0%E9%83%A8?f_ri=6453","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_12470097 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12470097"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12470097, container: ".js-paper-rank-work_12470097", }); 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Schlegel, haben Fragmente mit Absicht verwendet, wie es sich aus einem Fragment von Fr. Schlegel ergibt: „Viele Werke der Alten sind Fragmente geworden. Viele Werke der Neuern sind es gleich bei der Entstehung.“ Im vorliegenden Aufsatz versucht der Verfasser nicht, das Fragment als eine literarische Gattung zu behandeln, sondern es geht darum, zu zeigen, dass der Geist des Fragments dem Gedanken Schlegels zugrunde liegt.\r\nIm Studium-Aufsatz von 1795 stellt Schlegel die vollendete Schönheit der alten Kunstwerke dem Fragmentarischen der modernen Kunstwerke gegenüber. Ab 1797 leugnet er einen solchen Dualismus. Schlegels neue Auffassung des Fragments lässt sich in seiner Behauptung erkennen, dass das „Reifste und Vollendetste“ „Bruchstücke von Bruchstücken“ seien.\r\nFragmente können „vollendet“ sein, sofern sie „Winke und Andeutungen“ sind. In diesem Sinne sind Fragmente Projekten gleichgesetzt. Und Fragmente als Winke und Andeutungen müssen mit der sie ergänzenden bzw. verwirklichenden „Kritik“, die selbst nicht anders als fragmentarisch sein kann, verbunden werden. Aufgrund einer solchen Ergänzung vermitteln die Fragmente das Einzelne mit dem Ganzen, das Endliche mit dem Unendlichen, die Wirklichkeit mit der Möglichkeit und die Gegenwart mit der Zukunft.","downloadable_attachments":[{"id":37681600,"asset_id":12470097,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9742507,"first_name":"Tanehisa","last_name":"Otabe","domain_name":"u-tokyo","page_name":"胤久小田部","display_name":"Tanehisa Otabe","profile_url":"https://u-tokyo.academia.edu/%E8%83%A4%E4%B9%85%E5%B0%8F%E7%94%B0%E9%83%A8?f_ri=6453","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=6453","nofollow":true},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=6453","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_79354579" data-work_id="79354579" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/79354579/Dances_of_the_Self_in_Heinrich_von_Kleist_E_T_A_Hoffmann_and_Heinrich_Heine">Dances of the Self in Heinrich von Kleist, E. T. A. Hoffmann and Heinrich Heine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_79354579" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/79354579" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0e89f974e33d239e26567b78db82dddb" rel="nofollow" data-download="{"attachment_id":86097612,"asset_id":79354579,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/86097612/download_file?st=MTc0MDU3MTU3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="67766940" href="https://fu-berlin.academia.edu/LuciaRuprecht">Lucia Ruprecht</a><script data-card-contents-for-user="67766940" type="text/json">{"id":67766940,"first_name":"Lucia","last_name":"Ruprecht","domain_name":"fu-berlin","page_name":"LuciaRuprecht","display_name":"Lucia Ruprecht","profile_url":"https://fu-berlin.academia.edu/LuciaRuprecht?f_ri=6453","photo":"https://0.academia-photos.com/67766940/19784613/81240813/s65_lucia.ruprecht.jpeg"}</script></span></span></li><li class="js-paper-rank-work_79354579 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="79354579"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 79354579, container: ".js-paper-rank-work_79354579", }); 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Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum. 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