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Available in 18 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-18" aria-hidden="true" > 18 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Belarusian" lang="be" hreflang="be" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Catalan" lang="ca" hreflang="ca" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Czech" lang="cs" hreflang="cs" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Promptuarium_Iconum_Insigniorum" title="Promptuarium Iconum Insigniorum – German" lang="de" hreflang="de" data-title="Promptuarium Iconum Insigniorum" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Greek" lang="el" hreflang="el" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Spanish" lang="es" hreflang="es" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Promptuarium_iconum_insigniorum" title="Promptuarium iconum insigniorum – French" lang="fr" hreflang="fr" data-title="Promptuarium iconum insigniorum" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Italian" lang="it" hreflang="it" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A4%D7%A8%D7%95%D7%9E%D7%A4%D7%98%D7%95%D7%90%D7%A8%D7%99%D7%95%D7%9D_%D7%90%D7%99%D7%A7%D7%95%D7%A0%D7%95%D7%9D_%D7%90%D7%99%D7%A0%D7%A1%D7%99%D7%92%D7%A0%D7%99%D7%90%D7%95%D7%A8%D7%95%D7%9D" title="פרומפטואריום איקונום אינסיגניאורום – Hebrew" lang="he" hreflang="he" data-title="פרומפטואריום איקונום אינסיגניאורום" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Promptuarium_iconum_(Rovillius)" title="Promptuarium iconum (Rovillius) – Latin" lang="la" hreflang="la" data-title="Promptuarium iconum (Rovillius)" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Dutch" lang="nl" hreflang="nl" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Polish" lang="pl" hreflang="pl" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Portuguese" lang="pt" hreflang="pt" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/Promptuarium_iconum_insigniorum" title="Promptuarium iconum insigniorum – Russian" lang="ru" hreflang="ru" data-title="Promptuarium iconum insigniorum" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Slovenian" lang="sl" hreflang="sl" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-tl mw-list-item"><a href="https://tl.wikipedia.org/wiki/Promptuarii_Iconum_Insigniorum" title="Promptuarii Iconum Insigniorum – Tagalog" lang="tl" hreflang="tl" data-title="Promptuarii Iconum Insigniorum" data-language-autonym="Tagalog" data-language-local-name="Tagalog" class="interlanguage-link-target">Tagalog</a></li><li class="interlanguage-link interwiki-th mw-list-item"><a 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.infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><caption class="infobox-title" style="font-size:125%; font-style:italic; padding-bottom:0.2em;">Promptuarium Iconum Insigniorum <span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%3Cspan+title%3D%22Latin-language+text%22%3E%3Ci+lang%3D%22la%22%3EPromptuarium+Iconum+Insigniorum%3C%2Fi%3E%3C%2Fspan%3E%5B%5BCategory%3AArticles+containing+Latin-language+text%5D%5D&rft.author=%5B%5BGuillaume+Rouill%C3%A9%5D%5D+%28debated%29%3Csup+class%3D%22reference+nowrap%22%3E%3Cspan+title%3D%22Pages%3A+208%E2%80%93209%22%3E%26%2358%3B%26hairsp%3B208%E2%80%93209%26hairsp%3B%3C%2Fspan%3E%3C%2Fsup%3E&rft.date=1553&rft.pub=Guillaume+Rouill%C3%A9&rft.place=%5B%5BKingdom+of+France%5D%5D&rft.pages=%3Cdiv+class%3D%22hlist%22%3E%3Cul%3E%3Cli%3E172+%27%27%28part+I%29%27%27%3C%2Fli%3E%3Cli%3E247+%27%27%28part+II%29%27%27%3C%2Fli%3E%3C%2Ful%3E%3C%2Fdiv%3E&rft_id=info:oclcnum/716696497"></caption><tbody><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Promptuarii.jpg" class="mw-file-description" title="Title page of the book, showing an engraved image of an eagle poised atop a globe flanked by two serpents and the Latin motto, "In virtute, et fortuna""><img alt="Title page of the book, showing an engraved image of an eagle poised atop a globe flanked by two serpents and the Latin motto, "In virtute, et fortuna"" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e8/Promptuarii.jpg/220px-Promptuarii.jpg" decoding="async" width="220" height="325" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e8/Promptuarii.jpg/330px-Promptuarii.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e8/Promptuarii.jpg/440px-Promptuarii.jpg 2x" data-file-width="681" data-file-height="1007" /></a><div class="infobox-caption">Title page of the first <a href="/wiki/Latin" title="Latin">Latin</a> edition, bearing Rouillé's <a href="/wiki/Emblem" title="Emblem">emblem</a><a href="#cite_note-2">[a]</a> and <a href="/wiki/Motto" title="Motto">motto</a>.<a href="#cite_note-3">[b]</a> "D.MEM.S." is an abbreviation for Dis Memoribus Sacrum.<a href="#cite_note-Dubu-4">[2]</a>: 189 <a href="#cite_note-5">[c]</a></div></td></tr><tr><th scope="row" class="infobox-label">Author</th><td class="infobox-data"><a href="/wiki/Guillaume_Rouill%C3%A9" title="Guillaume Rouillé">Guillaume Rouillé</a> (debated)<a href="#cite_note-Dubu-4">[2]</a>: 208–209 </td></tr><tr><th scope="row" class="infobox-label">Illustrator</th><td class="infobox-data">Georges Reverdy<a href="#cite_note-Baudrier_p207-6">[3]</a></td></tr><tr><th scope="row" class="infobox-label">Language</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li>Latin</li><li>French</li><li>Italian (1553)</li></ul></div> Spanish (1561)</td></tr><tr><th scope="row" class="infobox-label">Subject</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li><a href="/wiki/Iconography" title="Iconography">Iconography</a></li><li><a href="/wiki/Biography" title="Biography">Biography</a></li><li><a href="/wiki/Historicity_of_the_Bible" title="Historicity of the Bible">Historicity of the Bible</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Publisher</th><td class="infobox-data">Guillaume Rouillé</td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Publication date</div></th><td class="infobox-data">1553</td></tr><tr><th scope="row" class="infobox-label">Publication place</th><td class="infobox-data"><a href="/wiki/Kingdom_of_France" title="Kingdom of France">Kingdom of France</a></td></tr><tr><th scope="row" class="infobox-label">Media type</th><td class="infobox-data">Print</td></tr><tr><th scope="row" class="infobox-label">Pages</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li>172 (part I)</li><li>247 (part II)</li></ul></div></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)"><abbr title="Online Computer Library Center number">OCLC</abbr></a></th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/716696497">716696497</a></td></tr><tr><th scope="row" class="infobox-label">Text</th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://archive.org/details/bub_gb_f5FDAAAAcAAJ">Promptuarium Iconum Insigniorum</a> at <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></td></tr></tbody></table> Prima [et Secunda] pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis.<a href="#cite_note-9">[d]</a> (<a href="/wiki/Latin_language" class="mw-redirect" title="Latin language">Latin</a> for 'The First [and Second] Part of the Storehouse of Images of the More Notable Men from the Beginning of Time, with Their Biographies Subjoined, Taken in Abbreviated Form from the Most Approved Authors.'), often abbreviated as Promptuarium Iconum Insigniorum or Promptuarium Iconum,<a href="#cite_note-13">[e]</a> is an <a href="/wiki/Iconography" title="Iconography">iconographic</a> compilation of <a href="/wiki/Woodcut" title="Woodcut">woodcut</a> portraits published in 1553 by <a href="/wiki/Guillaume_Rouill%C3%A9" title="Guillaume Rouillé">Guillaume Rouillé</a>, a French merchant-publisher active in early modern <a href="/wiki/Lyon" title="Lyon">Lyon</a>'s book trade. Originally released in Latin, French, and Italian editions, the book features portrait engravings in a <a href="/wiki/Medallion" class="mw-redirect" title="Medallion">medallion</a> format, arranged in a primarily chronological order from <a href="/wiki/Old_Testament" title="Old Testament">Old Testament</a> figures and <a href="/wiki/Classical_mythology" title="Classical mythology">Greco-Roman deities</a> through mid-16th-century contemporaries. Many of these portraits are fictitious, relying on Rouillé's <a href="/wiki/Physiognomic" class="mw-redirect" title="Physiognomic">physiognomic</a> interpretations and the engraver's artistic license. While the engraver is unnamed in the text, bibliographer <a href="/wiki/Henri-Louis_Baudrier" title="Henri-Louis Baudrier">Henri-Louis Baudrier</a> later attributed the portraits to the artist <a href="/w/index.php?title=Georges_Reverdy&action=edit&redlink=1" class="new" title="Georges Reverdy (page does not exist)">Georges Reverdy</a> [<a href="https://fr.wikipedia.org/wiki/Georges_Reverdy" class="extiw" title="fr:Georges Reverdy">fr</a>]. The book is divided into two sections: Prima pars ('First Part'), covering figures predating <a href="/wiki/Christ" class="mw-redirect" title="Christ">Christ</a>, and Pars secunda ('Second Part'), documenting individuals from the <a href="/wiki/Christian_era" class="mw-redirect" title="Christian era">Christian era</a> onward. Published as a single volume, these sections maintain separate pagination systems. The first editions each contained 828 portraits with accompanying biographical summaries, though the textual authorship remains debated. The book's commercial success led to subsequent editions in multiple languages, which included a Spanish edition in 1561. The 1577 French edition expanded the collection with approximately 100 additional engravings, placing greater emphasis on <a href="/wiki/Renaissance_humanist" class="mw-redirect" title="Renaissance humanist">Renaissance humanist</a> scholars. The portraits overall emulate ancient coinage designs, yet they lack the <a href="/wiki/Numismatic" class="mw-redirect" title="Numismatic">numismatic</a> detail required for scholarly reference. Rouillé's aim was to distill complex histories into standardized imagery and concise narratives, so that the past was made accessible for a general audience. The compilation influenced European iconographic collections over the following decades, shaping their portrayal of historical figures from the latter half of the 16th century well into the 17th. <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Contents">Contents</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=1" title="Edit section: Contents">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg" class="mw-file-description"><img alt="Woodcut portraits of Paris and Helen of Troy, in a round format with the names in circular inscriptions inside the portrait edge. There is a biographical text in Latin below them." src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f9/Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg/310px-Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg" decoding="async" width="310" height="326" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f9/Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg/465px-Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f9/Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg/620px-Portraits_of_Paris_and_Helen_of_Troy_from_the_Latin_edition_of_Promptuarium_Iconum_Insigniorum.jpg 2x" data-file-width="1536" data-file-height="1614" /></a><figcaption><a href="/wiki/Paris_(mythology)" title="Paris (mythology)">Paris</a> (left) and <a href="/wiki/Helen_of_Troy" title="Helen of Troy">Helen of Troy</a>, with biographical text in <a href="/wiki/Latin" title="Latin">Latin</a> below, on page 48 of the Prima pars ('First Part') of Promptuarium Iconum Insigniorum. The text dates Helen's abduction to <a href="/wiki/Anno_Mundi" title="Anno Mundi">Anno Mundi</a> 2768 and <a href="/wiki/Ante_Christum_natum" title="Ante Christum natum">Ante Christum natum</a> 1194.<a href="#cite_note-14">[f]</a> </figcaption></figure> The book features 828 portraits in its earliest editions.<a href="#cite_note-Kluczek-15">[9]</a>: 366 <a href="#cite_note-Andreoli-16">[10]</a>: 237  The portraits follow a standardized <a href="/wiki/Medallion" class="mw-redirect" title="Medallion">medallion</a> format, each encircled by a decorative border with the subject's name inscribed curvilinearly along its inner edge. Most portraits are arranged in pairs per page, accompanied by concise biographical summaries below. Many of these paired portraits depict individuals in relationships, regardless of marital status or the legitimacy of their union.<a href="#cite_note-Cunnally-8">[5]</a>: 99–101 <a href="#cite_note-Dubu-4">[2]</a>: 191  In cases of remarriage, subjects occasionally appear multiple times, portrayed alongside different spouses.<a href="#cite_note-Dubu-4">[2]</a>: 191  In one instance, a same-sex relationship is implicitly indicated between the paired individuals.<a href="#cite_note-Dubu-4">[2]</a>: 192  An alphabetical index makes the volume function as a <a href="/wiki/Biographical_dictionary" title="Biographical dictionary">biographical dictionary</a>.<a href="#cite_note-Cunnally-8">[5]</a>: 102  The title page displays Rouillé's printer's mark, which depicts an eagle standing on a globe with serpents on either side.<a href="#cite_note-Dubu-4">[2]</a>: 189  This iconography adapts a pre-classical <a href="/wiki/Emblem" title="Emblem">emblem</a> that medieval Christians interpreted as representing <a href="/wiki/Christ" class="mw-redirect" title="Christ">Christ</a>'s victory over <a href="/wiki/Satan" title="Satan">Satan</a>.<a href="#cite_note-Davis-1">[1]</a>: 94–95  In Rouillé's version, the eagle's position atop the terrestrial sphere suggests worldly, rather than spiritual, dominion.<a href="#cite_note-Davis-1">[1]</a>: 95  This symbolic representation is flanked by his Latin <a href="/wiki/Motto" title="Motto">motto</a>, In virtute, et fortuna ('In virtue, and [good] fortune'), adapted from <a href="/wiki/Sebastian_Gryphius" title="Sebastian Gryphius">Sebastian Gryphius</a>'s Virtute duce, comite Fortuna ('With Virtue as guide, <a href="/wiki/Fortuna" title="Fortuna">Fortuna</a> as companion'), which, in turn, derives from <a href="/wiki/Cicero" title="Cicero">Cicero</a>'s letter to <a href="/wiki/Lucius_Munatius_Plancus" title="Lucius Munatius Plancus">Lucius Munatius Plancus</a>. Above the book's title, an ornate <a href="/wiki/Cartouche_(design)" title="Cartouche (design)">cartouche</a> bears the inscription "D. MEM. S.", abbreviating the Latin phrase Dis Memoribus Sacrum ('Sacred to the Revered Memories').<a href="#cite_note-Dubu-4">[2]</a>: 189  The work comprises two chronological sections: Prima pars ('First Part') and Pars secunda ('Second Part'). Though maintaining separate pagination, these sections typically appear bound as a single volume.<a href="#cite_note-Cunnally-8">[5]</a>: 99  <a href="/wiki/Birth_of_Christ" class="mw-redirect" title="Birth of Christ">Christ's birth</a>, dated to the year 3962 after the <a href="/wiki/Genesis_creation_narrative" title="Genesis creation narrative">biblical world creation</a>, serves as the dividing point.<a href="#cite_note-17">[11]</a> The Prima pars catalogs figures from the pre-Christian era, documenting their major biographical events through dual dating systems: <a href="/wiki/Anno_Mundi" title="Anno Mundi">Anno Mundi</a> ('in the year of the world'), derived from <a href="/wiki/Book_of_Genesis" title="Book of Genesis">Genesis</a>'s creation narrative, and <a href="/wiki/Ante_Christum_natum" title="Ante Christum natum">Ante Christum natum</a> ('before Christ [was] born'), equivalent to the <a href="/wiki/Anno_Domini" title="Anno Domini">BC</a> designation.<a href="#cite_note-Andreoli-16">[10]</a>: 238 <a href="#cite_note-18">[12]</a><a href="#cite_note-19">[13]</a> Opening with a portrayal of <a href="/wiki/Adam_and_Eve" title="Adam and Eve">Adam and Eve</a> as elderly figures,<a href="#cite_note-Dubu-4">[2]</a>: <span title="Page: 190
Quotation: "Adam n'en apparaît pas moins, noble vieillard, chauve & barbu ... Eve est une vieille femme, maigre & ridée ..."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">190  the Prima pars documents <a href="/wiki/Old_Testament" title="Old Testament">Old Testament</a> personalities, including patriarchs, prophets, and monarchs such as <a href="/wiki/Abraham" title="Abraham">Abraham</a>, <a href="/wiki/Noah" title="Noah">Noah</a>, <a href="/wiki/Jeremiah" title="Jeremiah">Jeremiah</a>, <a href="/wiki/Nimrod" title="Nimrod">Nimrod</a>, and <a href="/wiki/Ahab" title="Ahab">Ahab</a>. The section incorporates various <a href="/wiki/Pagan" class="mw-redirect" title="Pagan">pagan</a> deities and mythological figures—among them <a href="/wiki/Janus" title="Janus">Janus</a>, <a href="/wiki/Osiris" title="Osiris">Osiris</a>, <a href="/wiki/Theseus" title="Theseus">Theseus</a>, the <a href="/wiki/Minotaur" title="Minotaur">Minotaur</a>, the <a href="/wiki/Amazons" title="Amazons">Amazonian</a> Queens, <a href="/wiki/Vesta_(mythology)" title="Vesta (mythology)">Vesta</a>, <a href="/wiki/Romulus" title="Romulus">Romulus</a>, and <a href="/wiki/Helen_of_Troy" title="Helen of Troy">Helen of Troy</a>—demonstrating the <a href="/wiki/Renaissance_humanist" class="mw-redirect" title="Renaissance humanist">Renaissance humanist</a> integration of classical and Judaic traditions.<a href="#cite_note-Davis-1">[1]</a>: 95  Historical figures from pre-Christian civilizations—such as <a href="/wiki/Zoroaster" title="Zoroaster">Zoroaster</a>, <a href="/wiki/Pythagoras" title="Pythagoras">Pythagoras</a>, <a href="/wiki/Thales_of_Miletus" title="Thales of Miletus">Thales of Miletus</a>, <a href="/wiki/Sappho" title="Sappho">Sappho</a>, <a href="/wiki/Julius_Caesar" title="Julius Caesar">Julius Caesar</a>, and <a href="/wiki/Pericles" title="Pericles">Pericles</a>—are interspersed throughout.<a href="#cite_note-Cunnally-8">[5]</a>: 101 <a href="#cite_note-Andreoli-16">[10]</a>: 238 <a href="#cite_note-Dubu-4">[2]</a>: 197  The Pars secunda covers figures from the Christian era through the mid-16th century, spanning the post-Christ <a href="/wiki/Roman_Empire" title="Roman Empire">Roman Empire</a>, the <a href="/wiki/Middle_Ages" title="Middle Ages">Middle Ages</a>, and Rouillé's contemporary period. The first Latin edition's Pars secunda is titled Promptuarii iconum pars secunda incipit à Christo nato, perpetuam ducens seriem ad usque Christianissimũ Francorum regem Henricum hoc nomine secundum, hodie feliciter regnantem.<a href="#cite_note-20">[g]</a><a href="#cite_note-Andreoli-16">[10]</a>: 236  This section opens with a title page depicting the <a href="/wiki/Nativity_of_Jesus" title="Nativity of Jesus">Nativity of Jesus</a>. The work then presents Christ in an enlarged medallion distinguished by a cross-shaped <a href="/wiki/Halo_(religious_iconography)" title="Halo (religious iconography)">halo</a>, incorporating both <a href="/wiki/Hebrew" class="mw-redirect" title="Hebrew">Hebrew</a> text and the Latin inscription Christus Rex Venit in Pace, Deus homo Factus est ('Christ the King came in peace, God became man').<a href="#cite_note-Dubu-4">[2]</a>: 196  The biographical scope includes <a href="/wiki/Judas_Iscariot" title="Judas Iscariot">Judas Iscariot</a>, <a href="/wiki/Pontius_Pilate" title="Pontius Pilate">Pontius Pilate</a>, most Roman emperors, <a href="/wiki/Attila" title="Attila">Attila the Hun</a>, the Islamic prophet <a href="/wiki/Muhammad" title="Muhammad">Muhammad</a>, the early <a href="/wiki/Ottoman_sultans" class="mw-redirect" title="Ottoman sultans">Ottoman sultans</a>, and post-classical literary figures such as <a href="/wiki/Dante_Alighieri" title="Dante Alighieri">Dante Alighieri</a>. Holy Roman Emperors from <a href="/wiki/Charlemagne" title="Charlemagne">Charlemagne</a> through <a href="/wiki/Charles_V,_Holy_Roman_Emperor" title="Charles V, Holy Roman Emperor">Charles V</a> are represented, alongside contemporary royals including <a href="/wiki/Edward_VI" title="Edward VI">Edward VI</a> of England, <a href="/wiki/Margaret_of_Valois,_Duchess_of_Berry" title="Margaret of Valois, Duchess of Berry">Margaret of Valois</a>, and <a href="/wiki/Catherine_de%27_Medici" title="Catherine de' Medici">Catherine de' Medici</a>.<a href="#cite_note-Andreoli-16">[10]</a>: 238 <a href="#cite_note-21">[14]</a> Notable among the section's portraits is a rare triple arrangement depicting Emperor <a href="/wiki/Hadrian" title="Hadrian">Hadrian</a>, his wife <a href="/wiki/Vibia_Sabina" title="Vibia Sabina">Vibia Sabina</a>, and his companion <a href="/wiki/Antinous" title="Antinous">Antinous</a>.<a href="#cite_note-Dubu-4">[2]</a>: 192  Another distinctive example shows <a href="/wiki/Anne_of_Brittany" title="Anne of Brittany">Anne of Brittany</a> twice: first with her initial husband <a href="/wiki/Charles_VIII_of_France" title="Charles VIII of France">Charles VIII of France</a>, wearing a ceremonial <a href="/wiki/Wreath" title="Wreath">wreath</a>, then with her second husband <a href="/wiki/Louis_XII" title="Louis XII">Louis XII</a>, attired in the <a href="/wiki/French_hood" title="French hood">French hood</a>.<a href="#cite_note-Dubu-4">[2]</a>: 191  <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading2"><h2 id="Iconographic_bases_and_authorship">Iconographic bases and authorship</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=2" title="Edit section: Iconographic bases and authorship">edit</a>]</div> Portrait books—collections of <a href="/wiki/Woodcut" title="Woodcut">woodcut</a> engravings featuring both authentic and imagined portraits of notable figures from diverse historical periods and regions—achieved widespread circulation in 16th-century Europe.<a href="#cite_note-Cunnally-8">[5]</a>: 95  <a href="/wiki/Guillaume_Rouill%C3%A9" title="Guillaume Rouillé">Guillaume Rouillé</a>, a prominent merchant-publisher in <a href="/wiki/Lyon" title="Lyon">Lyon</a>'s book trade by the mid-16th century,<a href="#cite_note-Davis-1">[1]</a>: 72  recognized and capitalized upon the portrait book genre's commercial viability, as did many other publishers of the period.<a href="#cite_note-Cunnally-8">[5]</a>: 98 <a href="#cite_note-Andreoli-16">[10]</a>: <span title="Page: 235
Quotation: "Rouillé, uomo di mondo e dagli svariati contatti internazionali, ... si lanciò in prima persona nel circo letterario, confezionando quello che divenne un vero e proprio best seller dell'epoca: il Promptuaire des medailles."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">235  Merchant-publishers of this era operated without owning <a href="/wiki/Printing_press" title="Printing press">printing presses</a>; however, they maintained proprietary collections of printing materials and, for those engaged in illustrated book production, extensive holdings of plates and woodcuts.<a href="#cite_note-Davis-1">[1]</a>: 73  Rouillé's adoption of the <a href="/wiki/Medallion" class="mw-redirect" title="Medallion">medallion</a> portrait format derived from the 1517 publication <a href="/w/index.php?title=Illustrium_imagines&action=edit&redlink=1" class="new" title="Illustrium imagines (page does not exist)">Illustrium imagines</a> ('Images of the famous') by Italian <a href="/wiki/Renaissance" title="Renaissance">Renaissance</a> humanist <a href="/wiki/Andrea_Fulvio" title="Andrea Fulvio">Andrea Fulvio</a>, which presented 204 busts of historical figures engraved in the style of ancient coins.<a href="#cite_note-Perkinson-22">[15]</a>: 700,702  In the preface of Promptuarium Iconum Insigniorum, Rouillé acknowledges including fictitious images of individuals said to have lived before the <a href="/wiki/Genesis_flood_narrative" title="Genesis flood narrative">biblical Flood</a> or prior to the invention of painting and engraving, wryly noting that this choice helped him avoid accusations of circulating <a href="/wiki/Counterfeit_currency" class="mw-redirect" title="Counterfeit currency">counterfeit currency</a>. He admits to exercising artistic license in creating these portraits, while emphasizing that they were based on <a href="/wiki/Physiognomy" title="Physiognomy">physiognomic</a> interpretations of the subjects' deeds, customs, personalities, and presumed geographical origins.<a href="#cite_note-Rouillé_preface-23">[16]</a> Physiognomy, the study of facial features and their relationship to character and personality, was an established scholarly discipline in Rouillé's time.<a href="#cite_note-24">[17]</a> This approach extended to the book's portraits of historical figures lacking credible iconographic references.<a href="#cite_note-Rouillé_preface-23">[16]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8b/Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg/180px-Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg" decoding="async" width="180" height="181" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8b/Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg/270px-Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8b/Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg/360px-Alexander_the_Great_from_Promptuarium_Iconum_Insigniorum.jpg 2x" data-file-width="3736" data-file-height="3752" /></a><figcaption>Rouillé and the engraver erroneously based the portrait of <a href="/wiki/Alexander_the_Great" title="Alexander the Great">Alexander the Great</a> (pictured) on a depiction of <a href="/wiki/Athena" title="Athena">Athena</a> from a Macedonian gold <a href="/wiki/Stater" title="Stater">stater</a> coin.<a href="#cite_note-Chatzidakis-25">[18]</a></figcaption></figure> The remaining portraits in the book were derived from a diverse array of source materials. Rouillé and the engraver responsible drew upon paintings,<a href="#cite_note-Baudrier_p207-6">[3]</a> earlier published portrait books,<a href="#cite_note-Cunnally-8">[5]</a>: 99  as well as select <a href="/wiki/Numismatics" title="Numismatics">numismatic</a>, <a href="/wiki/Sigillography" title="Sigillography">sigillographic</a>, and <a href="/wiki/Intaglio_(printmaking)" title="Intaglio (printmaking)">intaglio</a> collections available to them.<a href="#cite_note-Andreoli-16">[10]</a>: 259  Their interpretation of numismatic imagery led to several documented errors. For example, they based the portrait of <a href="/wiki/Alexander_the_Great" title="Alexander the Great">Alexander the Great</a> on the obverse of a <a href="/wiki/Macedonia_(ancient_kingdom)" title="Macedonia (ancient kingdom)">Macedonian</a> gold <a href="/wiki/Stater" title="Stater">stater</a> depicting the goddess <a href="/wiki/Athena" title="Athena">Athena</a>, mistakenly identifying her depiction as that of the Macedonian ruler.<a href="#cite_note-Chatzidakis-25">[18]</a> Another misattribution involved identifying <a href="/wiki/Rhodian" class="mw-redirect" title="Rhodian">Rhodian</a> silver <a href="/wiki/Didrachms" class="mw-redirect" title="Didrachms">didrachms</a> as the <a href="/wiki/Thirty_pieces_of_silver" title="Thirty pieces of silver">thirty pieces of silver</a> given to <a href="/wiki/Judas_Iscariot" title="Judas Iscariot">Judas Iscariot</a> for his betrayal of Christ,<a href="#cite_note-27">[h]</a> reflecting a widespread medieval belief. Conversely, Rouillé and the engraver accurately employed numismatic imagery for the portrayals of <a href="/wiki/Demetrius_I_Poliorcetes" title="Demetrius I Poliorcetes">Demetrius I Poliorcetes</a> and <a href="/wiki/Mithridates_VI_Eupator" title="Mithridates VI Eupator">Mithridates VI Eupator</a>.<a href="#cite_note-Cunnally-8">[5]</a>: 101  The portraits of French monarchs were reproduced from two sources: <a href="/w/index.php?title=Les_Anciennes_et_modernes_genealogies_des_Roys_de_France&action=edit&redlink=1" class="new" title="Les Anciennes et modernes genealogies des Roys de France (page does not exist)">Les Anciennes et modernes genealogies des Roys de France</a> ('The ancient and modern genealogies of the Kings of France'), a 1528 work by French poet and historian <a href="/w/index.php?title=Jean_Bouchet&action=edit&redlink=1" class="new" title="Jean Bouchet (page does not exist)">Jean Bouchet</a> [<a href="https://fr.wikipedia.org/wiki/Jean_Bouchet" class="extiw" title="fr:Jean Bouchet">fr</a>],<a href="#cite_note-Perkinson-22">[15]</a>: 704–705  and <a href="/w/index.php?title=Epitome_gestorum_LVIII_regum_Franciae&action=edit&redlink=1" class="new" title="Epitome gestorum LVIII regum Franciae (page does not exist)">Epitome gestorum LVIII regum Franciae</a> ('Epitome of the deeds of the 58 kings of France'), published in 1546 by Lyonnais bookseller <a href="/w/index.php?title=Balthazar_Arnoullet&action=edit&redlink=1" class="new" title="Balthazar Arnoullet (page does not exist)">Balthazar Arnoullet</a> [<a href="https://fr.wikipedia.org/wiki/Balthazar_Arnoullet" class="extiw" title="fr:Balthazar Arnoullet">fr</a>; <a href="https://it.wikipedia.org/wiki/Balthazar_Arnoullet" class="extiw" title="it:Balthazar Arnoullet">it</a>].<a href="#cite_note-Cunnally-8">[5]</a>: 99  Most of the early <a href="/wiki/Caesar_(title)" title="Caesar (title)">Caesars</a>' portraits were sourced from <a href="/w/index.php?title=Imperatorum_et_Caesarum_vitae&action=edit&redlink=1" class="new" title="Imperatorum et Caesarum vitae (page does not exist)">Imperatorum et Caesarum vitae</a> ('Lives of Emperors and Caesars'), a 1534 work by German historian <a href="/w/index.php?title=Johannes_Huttich&action=edit&redlink=1" class="new" title="Johannes Huttich (page does not exist)">Johannes Huttich</a> [<a href="https://de.wikipedia.org/wiki/Johannes_Huttich" class="extiw" title="de:Johannes Huttich">de</a>].<a href="#cite_note-Cunnally-8">[5]</a>: 101  The portrait engraver remains unnamed in the text. In the 19th century, Lyonnais <a href="/wiki/Bibliographer" class="mw-redirect" title="Bibliographer">bibliographer</a> and jurist <a href="/wiki/Henri-Louis_Baudrier" title="Henri-Louis Baudrier">Henri-Louis Baudrier</a> attributed the engravings to Georges Reverdy, noting the technical excellence of their execution.<a href="#cite_note-Baudrier_p207-6">[3]</a> At the time of the book's creation, Reverdy worked in Lyon and had established a reputation comparable to that of <a href="/wiki/Hans_Holbein_the_Younger" title="Hans Holbein the Younger">Hans Holbein the Younger</a>.<a href="#cite_note-Perkinson-22">[15]</a>: 700  Some of the engravings appear to have been either modeled after or created in collaboration with the Dutch painter <a href="/wiki/Corneille_de_Lyon" title="Corneille de Lyon">Corneille de Lyon</a>, as evidenced by stylistic similarities in certain contemporary portraits, such as that of <a href="/wiki/Margaret_of_Valois,_Duchess_of_Berry" title="Margaret of Valois, Duchess of Berry">Margaret of Valois, Duchess of Berry</a>.<a href="#cite_note-Cunnally-8">[5]</a>: 99 <a href="#cite_note-Dubois_de_Groër_p46-28">[20]</a> The authorship of the book's textual content remains debated. Rouillé did not explicitly claim authorship, and the dedication to Margaret of Valois in the first French edition bears only the initials "G.R.", which could refer to either Rouillé or Reverdy. An alternative hypothesis suggests that <a href="/w/index.php?title=Charles_Fontaine&action=edit&redlink=1" class="new" title="Charles Fontaine (page does not exist)">Charles Fontaine</a> [<a href="https://fr.wikipedia.org/wiki/Charles_Fontaine_(1514)" class="extiw" title="fr:Charles Fontaine (1514)">fr</a>], a 16th-century French poet and translator, either authored or translated into French the textual content from the first Latin edition of Promptuarium Iconum Insigniorum.<a href="#cite_note-Dubu-4">[2]</a>: 208  <div class="mw-heading mw-heading2"><h2 id="Publication_history">Publication history</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=3" title="Edit section: Publication history">edit</a>]</div> <a href="/wiki/Guillaume_Rouill%C3%A9" title="Guillaume Rouillé">Guillaume Rouillé</a> frequently published multilingual editions of works he deemed to have international appeal, distributing them across Europe through a network of familial connections.<a href="#cite_note-Cunnally-8">[5]</a>: 98  Promptuarium Iconum Insigniorum was first published in <a href="/wiki/Lyon" title="Lyon">Lyon</a> in 1553 in three languages: Latin, French (titled La première [et seconde] partie du promptuaire des médailles des plus renommées personnes qui ont été depuis le commencement du monde: avec brieve description de leurs vies et faicts, recueillie des bons auteurs.<a href="#cite_note-29">[i]</a>), and Italian (titled Prima parte [& parte seconda] del Prontuario de le Medaglie de più illustri, & fulgenti huomini & donne, dal principio del Mondo infino al presente tempo, con le lor vite in compendio raccolte.<a href="#cite_note-30">[j]</a>). The French and Italian editions became known by their shortened titles, Promptuaire des medalles and Prontuario de le medaglie, respectively.<a href="#cite_note-Kluczek-15">[9]</a>: 365  Each edition carried a dedication: the Latin edition to <a href="/wiki/Henry_II_of_France" title="Henry II of France">Henry II of France</a>, the Italian to Queen <a href="/wiki/Catherine_de%27_Medici" title="Catherine de' Medici">Catherine de' Medici</a>, and the French to <a href="/wiki/Margaret_of_Valois,_Duchess_of_Berry" title="Margaret of Valois, Duchess of Berry">Margaret of Valois, Duchess of Berry</a>.<a href="#cite_note-Davis-1">[1]</a>: 89  These strategic royal dedications served as a promotional mechanism for the publication.<a href="#cite_note-Andreoli-16">[10]</a>: <span title="Pages: 235
Quotation: "Il tutto accompagnato da scaltre 'tecniche pubblicitarie' basate sulle richieste di privilegi e dediche a personaggi famosi."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">235  Subsequent editions were released over the following years: the second, third, and fourth French editions in 1576–1581, 1577, and 1581; the second and third Latin editions in 1578 and 1581; and the second Italian edition in 1577–1578.<a href="#cite_note-Kluczek-15">[9]</a>: 365  The 1577 French edition demonstrates a historiographical shift through its expanded inclusion of <a href="/wiki/Renaissance_humanist" class="mw-redirect" title="Renaissance humanist">Renaissance humanist</a> scholars, with an emphasis on legal and medical theorists such as <a href="/wiki/Fran%C3%A7ois_Douaren" title="François Douaren">François Douaren</a> and <a href="/wiki/Andreas_Vesalius" title="Andreas Vesalius">Andreas Vesalius</a>.<a href="#cite_note-Rajchenbach-Teller-31">[21]</a> This revised publication incorporated approximately 100 new portraits, focusing predominantly on Rouillé's contemporaneous intellectuals.<a href="#cite_note-Cunnally-8">[5]</a>: 101  Among the supplementary material in the appendix were portraits of foundational medical authorities <a href="/wiki/Hippocrates" title="Hippocrates">Hippocrates</a> and <a href="/wiki/Galen" title="Galen">Galen</a>.<a href="#cite_note-Rajchenbach-Teller-31">[21]</a> A Spanish translation, titled Promptuario de las medallas de todos las más insignes varones que ha habido desde el principio del mundo, was undertaken by the <a href="/wiki/Valencia" title="Valencia">Valencian</a> theologian and translator <a href="/w/index.php?title=Joan_Mart%C3%AD_Cordero&action=edit&redlink=1" class="new" title="Joan Martí Cordero (page does not exist)">Joan Martí Cordero</a> [<a href="https://ca.wikipedia.org/wiki/Joan_Mart%C3%AD_Cordero_i_Oliver" class="extiw" title="ca:Joan Martí Cordero i Oliver">ca</a>].<a href="#cite_note-Lluís_Martos_p87-32">[22]</a> The dedication, dated September 8, 1558, was composed at the <a href="/wiki/Universit%C3%A9_catholique_de_Louvain" class="mw-redirect" title="Université catholique de Louvain">Université catholique de Louvain</a> during Cordero's tenure as a student. It was addressed "[...] al muy alto y muy poderoso señor don Carlos, por la gracia de Dios, Príncipe de las Españas ('[...] to the very high and very powerful lord Don Carlos, by the grace of God, Prince of the Spains')", referring to <a href="/wiki/Carlos,_Prince_of_Asturias" title="Carlos, Prince of Asturias">Prince Carlos of Asturias</a>, the <a href="/wiki/Heir_apparent" title="Heir apparent">heir apparent</a> of King <a href="/wiki/Philip_II_of_Spain" title="Philip II of Spain">Philip II of Spain</a>.<a href="#cite_note-Lluís_Martos_p87-32">[22]</a> Rouillé published this Spanish edition in 1561.<a href="#cite_note-Kluczek-15">[9]</a>: 365 <a href="#cite_note-Cunnally-8">[5]</a>: 206  <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=4" title="Edit section: Reception">edit</a>]</div> Promptuarium Iconum Insigniorum achieved commercial success during its publication period.<a href="#cite_note-Andreoli-16">[10]</a>: <span title="Page: 235
Quotation: "Rouillé, uomo di mondo e dagli svariati contatti internazionali, ... si lanciò in prima persona nel circo letterario, confezionando quello che divenne un vero e proprio best seller dell'epoca: il Promptuaire des medailles."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">235  The work became one of the most frequently documented <a href="/wiki/Numismatic" class="mw-redirect" title="Numismatic">numismatic</a> texts in library inventories of Spanish artists and collectors in the 16th and 17th centuries.<a href="#cite_note-Andreoli-16">[10]</a>: <span title="Page: 265
Quotation: "Il Promptuario è fra i testi numismatici più ricorrenti negl'inventari delle biblioteche di artisti e collezionisti spagnoli del Cinque e Seicento."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">265  However, despite incorporating many coin-derived portraits and adhering to numismatic artistic conventions, the book did not conform to rigorous academic or numismatic reference standards, as evidenced by its omission of critical numismatic details, notably the reverse sides of the source coins.<a href="#cite_note-Perkinson-22">[15]</a>: 722  The work instead prioritized general accessibility, presenting historical narratives and distinctive visual contents for a non-specialist readership.<a href="#cite_note-Cunnally-8">[5]</a>: 101  Multiple iconographic collections produced in Europe throughout the latter half of the 16th century and into the 17th century drew upon and replicated elements from Promptuarium Iconum Insigniorum. Its influence stemmed partly from Rouillé's skillful integration of heterogeneous source materials and his selection of portrait subjects that departed from established iconographic conventions of the period.<a href="#cite_note-Andreoli-16">[10]</a>: <span title="Pages: 263–264
Quotation: "E ciò soprattutto grazie al fatto che si era basato su diversi tipi di testimonianze e aveva scelto i personaggi in base a criteri più audaci di quelli allora generalmente adottati, ..."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">263–264  <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Insignium_aliquot_virorum_icones_p99.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/04/Insignium_aliquot_virorum_icones_p99.jpg/260px-Insignium_aliquot_virorum_icones_p99.jpg" decoding="async" width="260" height="315" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/04/Insignium_aliquot_virorum_icones_p99.jpg/390px-Insignium_aliquot_virorum_icones_p99.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/04/Insignium_aliquot_virorum_icones_p99.jpg/520px-Insignium_aliquot_virorum_icones_p99.jpg 2x" data-file-width="1032" data-file-height="1250" /></a><figcaption>Portrait of <a href="/wiki/Aristotle" title="Aristotle">Aristotle</a> from Insignium aliquot virorum icones (1559), <a href="/wiki/Jean_de_Tournes" title="Jean de Tournes">Jean de Tournes</a>'s derivative work of Promptuarium Iconum Insigniorum</figcaption></figure> A contemporary response from within the Lyonnais publishing industry to Promptuarium Iconum Insigniorum emerged in 1559 with <a href="/wiki/Jean_de_Tournes" title="Jean de Tournes">Jean de Tournes</a>'s Insignium aliquot virorum icones ('Images of Some Notable Men'), a derivative work using a nearly identical medallion portrait format. De Tournes, a leading figure in the regional publishing scene alongside Rouillé, introduced this publication at a reduced price point, offering a more limited selection of biographical portraits than Promptuarium Iconum Insigniorum. Lacking commercial impact comparable to that of its predecessor, this work did not proceed beyond its first edition.<a href="#cite_note-Cunnally-8">[5]</a>: 174  The French physician and numismatist <a href="/w/index.php?title=Antoine_Le_Pois&action=edit&redlink=1" class="new" title="Antoine Le Pois (page does not exist)">Antoine Le Pois</a> [<a href="https://la.wikipedia.org/wiki/Antonius_Piso" class="extiw" title="la:Antonius Piso">la</a>] provided an early scholarly assessment of Promptuarium Iconum Insigniorum in his posthumously published 1579 work <a href="/w/index.php?title=Discours_sur_les_m%C3%A9dailles_et_gravures_antiques&action=edit&redlink=1" class="new" title="Discours sur les médailles et gravures antiques (page does not exist)">Discours sur les médailles et gravures antiques</a> ('Discourse on Antique Medals and Engravings'). Le Pois's analysis emphasized the value of the work's historical abridgements while expressing reservations regarding its fictitious portraits.<a href="#cite_note-Cunnally-8">[5]</a>: 93  Julian Sharman, the 19th-century author of The Library of Mary Queen of Scots, described Rouillé's work as "not one of much numismatic interest"; however he added that the portrait book had been "pronounced to be one of the marvels of early wood-engraving".<a href="#cite_note-Sharman-33">[23]</a> In her 2006 essay, art historian Ilaria Andreoli commented on Promptuarium Iconum Insigniorum: "Rouillé's ambition is [...] to speak to the eyes [...] thanks to which the reader will be able to peer into the features and hear them speak, as if they were actors' masks".<a href="#cite_note-Andreoli-16">[10]</a>: <span title="Page: 264
Quotation: "... l'ambizione di Rouillé è ... di parlare agl'occhi ... grazie ai quali il lettore potrà scrutare i tratti e sentir parlare, come se fossero maschere d'attori, ..."" class="tooltip tooltip-dashed" style="border-bottom: 1px dashed;">264  <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=5" title="Edit section: See also">edit</a>]</div> <ul><li><a href="/wiki/Roman_currency" title="Roman currency">Roman currency</a> – In the <a href="/wiki/Roman_Empire" title="Roman Empire">Roman Empire</a>, coins served as an important medium for disseminating imperial portraits.<a href="#cite_note-34">[24]</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=6" title="Edit section: Notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-2"><a href="#cite_ref-2">^</a> An eagle poised atop a globe flanked by two serpents, symbolizing worldly triumph<a href="#cite_note-Davis-1">[1]</a>: 94–95  </li> <li id="cite_note-3"><a href="#cite_ref-3">^</a> In virtute, et fortuna (<a href="/wiki/Latin_language" class="mw-redirect" title="Latin language">Latin</a> for 'In virtue, and [good] fortune')<a href="#cite_note-Davis-1">[1]</a>: 95  </li> <li id="cite_note-5"><a href="#cite_ref-5">^</a> <abbr title="translation">transl.</abbr> 'Sacred to the Revered Memories' </li> <li id="cite_note-9"><a href="#cite_ref-9">^</a> Prima pars Promptuarii [...] is the title of the book's first part, so the inclusion of the second part has been indicated by adding et Secunda ('and second'), as practiced by—for example—the <a href="/wiki/Skinner,_Inc." title="Skinner, Inc.">Bonhams Skinner</a> auction house.<a href="#cite_note-7">[4]</a> The two parts are typically bound into a single volume, although they maintain separate pagination.<a href="#cite_note-Cunnally-8">[5]</a>: 99  </li> <li id="cite_note-13"><a href="#cite_ref-13">^</a> 19th-century <a href="/wiki/Lyon" title="Lyon">Lyonnais</a> bibliographer <a href="/wiki/Henri-Louis_Baudrier" title="Henri-Louis Baudrier">Henri-Louis Baudrier</a> abbreviated the Latin edition title as Promptuarium iconum,<a href="#cite_note-Baudrier_p204-10">[6]</a> while Italian painter and antiquarian <a href="/wiki/Riccardo_Nobili" title="Riccardo Nobili">Riccardo Nobili</a> shortened it as Promptuarium iconum insigniorum a seculo hominum in his 1922 text.<a href="#cite_note-11">[7]</a> The noun <a href="https://en.wiktionary.org/wiki/promptuarium" class="extiw" title="wikt:promptuarium">promptuarium</a> (<a href="/wiki/Latin_language" class="mw-redirect" title="Latin language">Latin</a> for 'storehouse' / 'repository') was a term medieval authors often used to name their lexicographical works.<a href="#cite_note-12">[8]</a> Art historian <a href="/w/index.php?title=John_Cunnally&action=edit&redlink=1" class="new" title="John Cunnally (page does not exist)">John Cunnally</a> [<a href="https://www.wikidata.org/wiki/Q18674503" class="extiw" title="wikidata:Q18674503">wikidata</a>] speculated that Rouillé picked such a term because <a href="https://en.wiktionary.org/wiki/thesaurus" class="extiw" title="wikt:thesaurus">thesaurus</a>, which would have been a more common term for a portrait book, had been used by <a href="/wiki/Jean_de_Tournes" title="Jean de Tournes">Jean de Tournes</a>—who was Rouillé's primary rival in the Lyonnais publishing business—for another portrait book's title.<a href="#cite_note-Cunnally-8">[5]</a>: 98  </li> <li id="cite_note-14"><a href="#cite_ref-14">^</a> <img alt="Public Domain" src="//upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/12px-PD-icon.svg.png" decoding="async" width="12" height="12" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/18px-PD-icon.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/24px-PD-icon.svg.png 2x" data-file-width="196" data-file-height="196" /> This article incorporates text from this source, which is in the <a href="/wiki/Public_domain" title="Public domain">public domain</a>: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><abbr title="translation">transl.</abbr> Paris, also called Alexander, was the son of Priam and Hecuba. His father ordered him to be exposed because his mother, while pregnant, had dreamed that she had given birth to a burning torch. However, Hecuba, moved by maternal affection, ensured that he was raised by shepherds on <a href="/wiki/Mount_Ida" title="Mount Ida">Mount Ida</a>. As a young man, he loved <a href="/wiki/Oenone" title="Oenone">Oenone</a>, by whom he fathered Idaios and Daphnis. Finally recognized and accepted by his parents, [Paris] undertook a mission to Greece to demand the return of <a href="/wiki/Hesione" title="Hesione">Hesione</a>, where he abducted Helen and brought her to Troy in the year 2768 of the world, 1194 years before the birth of Christ, during the first year of <a href="/wiki/Agamemnon" title="Agamemnon">Agamemnon</a>'s reign. As a result, the war between the Greeks and the Trojans broke out. <a href="/wiki/Herodotus" title="Herodotus">Herodotus</a> writes that [Paris] abducted her despite resistance, and conquered <a href="/wiki/Sparta" title="Sparta">Sparta</a>, thereby deserving to receive her from her husband. Paris killed <a href="/wiki/Achilles" title="Achilles">Achilles</a> with an arrow but was himself killed in turn by <a href="/wiki/Neoptolemus" title="Neoptolemus">Pyrrhus</a>, the son of Achilles. Herodotus, Book 2. <a href="/wiki/Dares_Phrygius" title="Dares Phrygius">Dares</a> and <a href="/wiki/Dictys_Cretensis" title="Dictys Cretensis">Dictys Cretensis</a>.</blockquote><div style="float: right;">— Page 48 of Promptuarium Iconum Insigniorum, Latin edition (1553)</div><div style="clear:both;" class=""></div> </li> <li id="cite_note-20"><a href="#cite_ref-20">^</a> <abbr title="translation">transl.</abbr> The Second Part of the Storehouse of Images begins from the Nativity of Christ, continuing the unbroken sequence up to the Most Christian King of France, <a href="/wiki/Henry_II_of_France" title="Henry II of France">Henry II</a>, who now reigns prosperously. </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> According to an account in the <a href="/wiki/Gospel_of_Matthew" title="Gospel of Matthew">Gospel of Matthew</a> 26:15 in the <a href="/wiki/New_Testament" title="New Testament">New Testament</a>.<a href="#cite_note-26">[19]</a> </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> <abbr title="translation">transl.</abbr> The First [and Second] Part of the Storehouse of Medals of the Most Renowned People Who Have Lived Since the Beginning of the World: with a Brief Account of Their Lives and Deeds, Compiled from Esteemed Authors. </li> <li id="cite_note-30"><a href="#cite_ref-30">^</a> <abbr title="translation">transl.</abbr> The First Part [& Second Part] of the Handbook of Medals of the Most Illustrious and Eminent Men and Women, from the Beginning of the World to the Present Time, with a Concise Account of Their Lives Compiled. </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=7" title="Edit section: References">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-Davis-1">^ <a href="#cite_ref-Davis_1-0">a</a> <a href="#cite_ref-Davis_1-1">b</a> <a href="#cite_ref-Davis_1-2">c</a> <a href="#cite_ref-Davis_1-3">d</a> <a href="#cite_ref-Davis_1-4">e</a> <a href="#cite_ref-Davis_1-5">f</a> <a href="#cite_ref-Davis_1-6">g</a> <a href="#cite_ref-Davis_1-7">h</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFDavis1966" class="citation book cs1"><a href="/wiki/Natalie_Zemon_Davis" title="Natalie Zemon Davis">Davis, Natalie Zemon</a> (1966). "Publisher Guillaume Rouillé, Businessman and Humanist". In Schoeck, Richard J. (ed.). <a rel="nofollow" class="external text" href="https://www.academia.edu/37216827">Editing Sixteenth-Century Texts: Papers Given at the Editorial Conference, University of Toronto October 1965</a>. Toronto: <a href="/wiki/University_of_Toronto_Press" title="University of Toronto Press">University of Toronto Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781487582128" title="Special:BookSources/9781487582128"><bdi>9781487582128</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230101224923/https://www.academia.edu/37216827">Archived</a> from the original on January 1, 2023. Retrieved October 29, 2024 – via <a href="/wiki/Academia.edu" title="Academia.edu">Academia.edu</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Publisher+Guillaume+Rouill%C3%A9%2C+Businessman+and+Humanist&rft.btitle=Editing+Sixteenth-Century+Texts%3A+Papers+Given+at+the+Editorial+Conference%2C+University+of+Toronto+October+1965&rft.place=Toronto&rft.pub=University+of+Toronto+Press&rft.date=1966&rft.isbn=9781487582128&rft.aulast=Davis&rft.aufirst=Natalie+Zemon&rft_id=https%3A%2F%2Fwww.academia.edu%2F37216827&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Dubu-4">^ <a href="#cite_ref-Dubu_4-0">a</a> <a href="#cite_ref-Dubu_4-1">b</a> <a href="#cite_ref-Dubu_4-2">c</a> <a href="#cite_ref-Dubu_4-3">d</a> <a href="#cite_ref-Dubu_4-4">e</a> <a href="#cite_ref-Dubu_4-5">f</a> <a href="#cite_ref-Dubu_4-6">g</a> <a href="#cite_ref-Dubu_4-7">h</a> <a href="#cite_ref-Dubu_4-8">i</a> <a href="#cite_ref-Dubu_4-9">j</a> <a href="#cite_ref-Dubu_4-10">k</a> <a href="#cite_ref-Dubu_4-11">l</a> <a href="#cite_ref-Dubu_4-12">m</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDubu1988" class="citation book cs1 cs1-prop-foreign-lang-source cs1-prop-foreign-lang-source">Dubu, Jean (1988). "Le Promptuaire des medalles de Gvillavme Roville". In Possenti, Antonio; Mastrangelo, Giulia (eds.). Il Rinascimento a Lione: atti del congresso internazionale (Macerato, 6–11 Maggio 1985) [The Renaissance in Lyon: Proceedings of the International Congress (Macerata, May 6–11, 1985)] (in French and Italian). Edizioni dell'Ateneo. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/24229343">24229343</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Le+Promptuaire+des+medalles+de+Gvillavme+Roville&rft.btitle=Il+Rinascimento+a+Lione%3A+atti+del+congresso+internazionale+%28Macerato%2C+6%E2%80%9311+Maggio+1985%29&rft.pub=Edizioni+dell%27Ateneo&rft.date=1988&rft_id=info%3Aoclcnum%2F24229343&rft.aulast=Dubu&rft.aufirst=Jean&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Baudrier_p207-6">^ <a href="#cite_ref-Baudrier_p207_6-0">a</a> <a href="#cite_ref-Baudrier_p207_6-1">b</a> <a href="#cite_ref-Baudrier_p207_6-2">c</a> <img alt="Public Domain" src="//upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/12px-PD-icon.svg.png" decoding="async" width="12" height="12" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/18px-PD-icon.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/24px-PD-icon.svg.png 2x" data-file-width="196" data-file-height="196" /> This article incorporates text from this source, which is in the <a href="/wiki/Public_domain" title="Public domain">public domain</a>: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBaudrierBaudrierTricou1912" class="citation book cs1 cs1-prop-foreign-lang-source">Baudrier, Henri-Louis; Baudrier, Julien; Tricou, Georges (1912) [1895]. <a rel="nofollow" class="external text" href="https://archive.org/details/labibliographielyonnaisebau9">Bibliographie lyonnaise: recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle par le Président Baudrier, publiées et continuées par J. Baudrier</a> [Bibliography of Lyon: Research on the printers, booksellers, bookbinders, and founders of letters in Lyon in the 16th century by President Baudrier, published and continued by J. Baudrier] (in French). Vol. 9. Lyon: Librairie ancienne d'Auguste Brun. p. 207. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/6966263">6966263</a>. Retrieved December 29, 2022 – via <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bibliographie+lyonnaise%3A+recherches+sur+les+imprimeurs%2C+libraires%2C+relieurs+et+fondeurs+de+lettres+de+Lyon+au+XVIe+si%C3%A8cle+par+le+Pr%C3%A9sident+Baudrier%2C+publi%C3%A9es+et+continu%C3%A9es+par+J.+Baudrier.&rft.place=Lyon&rft.pages=207&rft.pub=Librairie+ancienne+d%27Auguste+Brun&rft.date=1912&rft_id=info%3Aoclcnum%2F6966263&rft.aulast=Baudrier&rft.aufirst=Henri-Louis&rft.au=Baudrier%2C+Julien&rft.au=Tricou%2C+Georges&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flabibliographielyonnaisebau9&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-7"><a href="#cite_ref-7">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.skinnerinc.com/auctions/2730B/lots/269">"Fine Books & Manuscripts – 2730B: 269. Rouillé, Guillaume (c. 1518–1589) Prima [et Secunda] Pars Promptuarii Iconum Insigniorum a Seculo Hominum"</a>. <a href="/wiki/Skinner,_Inc." title="Skinner, Inc.">Bonhams Skinner</a>. May 31, 2014. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240919162702/https://www.skinnerinc.com/auctions/2730B/lots/269">Archived</a> from the original on September 19, 2024. Retrieved September 19, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Fine+Books+%26+Manuscripts+%E2%80%93+2730B%3A+269.+Rouill%C3%A9%2C+Guillaume+%28c.+1518%E2%80%931589%29+Prima+%5Bet+Secunda%5D+Pars+Promptuarii+Iconum+Insigniorum+a+Seculo+Hominum&rft.pub=Bonhams+Skinner&rft.date=2014-05-31&rft_id=https%3A%2F%2Fwww.skinnerinc.com%2Fauctions%2F2730B%2Flots%2F269&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Cunnally-8">^ <a href="#cite_ref-Cunnally_8-0">a</a> <a href="#cite_ref-Cunnally_8-1">b</a> <a href="#cite_ref-Cunnally_8-2">c</a> <a href="#cite_ref-Cunnally_8-3">d</a> <a href="#cite_ref-Cunnally_8-4">e</a> <a href="#cite_ref-Cunnally_8-5">f</a> <a href="#cite_ref-Cunnally_8-6">g</a> <a href="#cite_ref-Cunnally_8-7">h</a> <a href="#cite_ref-Cunnally_8-8">i</a> <a href="#cite_ref-Cunnally_8-9">j</a> <a href="#cite_ref-Cunnally_8-10">k</a> <a href="#cite_ref-Cunnally_8-11">l</a> <a href="#cite_ref-Cunnally_8-12">m</a> <a href="#cite_ref-Cunnally_8-13">n</a> <a href="#cite_ref-Cunnally_8-14">o</a> <a href="#cite_ref-Cunnally_8-15">p</a> <a href="#cite_ref-Cunnally_8-16">q</a> <a href="#cite_ref-Cunnally_8-17">r</a> <a href="#cite_ref-Cunnally_8-18">s</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCunnally1999" class="citation book cs1">Cunnally, John (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/imagesofillustri0000cunn">Images of the Illustrious: the Numismatic Presence in the Renaissance</a>. <a href="/wiki/Princeton_University_Press" title="Princeton University Press">Princeton University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780691016689" title="Special:BookSources/9780691016689"><bdi>9780691016689</bdi></a>. 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Baudrier</a> [Bibliography of Lyon: Research on the printers, booksellers, bookbinders, and founders of letters in Lyon in the 16th century by President Baudrier, published and continued by J. Baudrier] (in French). Vol. 9. Lyon: Librairie ancienne d'Auguste Brun. p. 204. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/6966263">6966263</a>. 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Literacki portret patrycjuszki, Wydawnictwo KUL, Lublin 2016, ss. 320"</a> [Clodia Metelli in the Roman Literary Tradition and Modern Numismatic Tradition, i.e. Remarks Based on Agnieszka Dziuba's Book "Klodia Metelli. Literacki portret patrycjuszki", KUL Publishing House, Lublin 2016, pp. 320]. <a href="/wiki/Res_Historica" class="mw-redirect" title="Res Historica">Res Historica</a> (in Polish). 45. Lublin: <a href="/wiki/Maria_Curie-Sk%C5%82odowska_University" title="Maria Curie-Skłodowska University">Maria Curie-Skłodowska University</a>: 359–371. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.17951%2Frh.2018.45.359-371">10.17951/rh.2018.45.359-371</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/2082-6060">2082-6060</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:240165655">240165655</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230620010439/https://journals.umcs.pl/rh/article/download/7382/5182">Archived</a> from the original on June 20, 2023. Retrieved October 25, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Res+Historica&rft.atitle=Klodia+Metelli+w+rzymskiej+tradycji+literackiej+i+nowo%C5%BCytnej+tradycji+numizmatycznej%2C+czyli+uwagi+na+kanwie+ksi%C4%85%C5%BCki+Agnieszki+Dziuby+Klodia+Metelli.+Literacki+portret+patrycjuszki%2C+Wydawnictwo+KUL%2C+Lublin+2016%2C+ss.+320&rft.volume=45&rft.pages=359-371&rft.date=2018&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A240165655%23id-name%3DS2CID&rft.issn=2082-6060&rft_id=info%3Adoi%2F10.17951%2Frh.2018.45.359-371&rft.aulast=Kluczek&rft.aufirst=Agata+A.&rft_id=https%3A%2F%2Fjournals.umcs.pl%2Frh%2Farticle%2Fdownload%2F7382%2F5182&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Andreoli-16">^ <a href="#cite_ref-Andreoli_16-0">a</a> <a href="#cite_ref-Andreoli_16-1">b</a> <a href="#cite_ref-Andreoli_16-2">c</a> <a href="#cite_ref-Andreoli_16-3">d</a> <a href="#cite_ref-Andreoli_16-4">e</a> <a href="#cite_ref-Andreoli_16-5">f</a> <a href="#cite_ref-Andreoli_16-6">g</a> <a href="#cite_ref-Andreoli_16-7">h</a> <a href="#cite_ref-Andreoli_16-8">i</a> <a href="#cite_ref-Andreoli_16-9">j</a> <a href="#cite_ref-Andreoli_16-10">k</a> <a href="#cite_ref-Andreoli_16-11">l</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAndreoli2006" class="citation book cs1 cs1-prop-foreign-lang-source">Andreoli, Ilaria (2006). <a rel="nofollow" class="external text" href="https://www.academia.edu/4769520">"La storia 'in soldoni': il Promptuaire des medalles di Guillaume Rouillé"</a> [History 'in a nutshell': Guillaume Rouillé's Promptuaire des medalles]. 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Lyon: Guillaume Rouillé. p. 3. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1050826580">1050826580</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230819195050/https://dlc.mpg.de/fullscreen/khi_tn_bd3610345bm/3/LOG_0002/">Archived</a> from the original on August 19, 2023. 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Prima pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis [The first part of the storehouse of images of the more notable men from the beginning of time, with their biographies subjoined, taken in abbreviated form from the most approved authors.] (in Latin and Ancient Greek). Lyon: Guillaume Rouillé. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/716696497">716696497</a>. Retrieved August 25, 2023 – via <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>. <q>Cæterùm ne quis lege Cornelia nos falsi arguat, quod commentitias, seu factitias quasdam figuras velut adulterina numismata in publicum sparserimus: concedatur confessioni venia: εις το γαρ αδυνατον ουτις αναρτωται. Priscorum enim hominum qui ante diluvium, & ante inventas pingendi, & scalpendi artes vixisse memorantur. Ut Adæ, Abrahæ, & Patriarcharum εικωνας non negamus à nobis fuisse per imaginationem effictas: & cum nullum haberemus Prototypum ex descripta eorum Natura, moribus, ætate, regione & rebus gestis φανταστικως fuisse conformatas.</q> [However, lest anyone accuse us of falsification according to the Lex Cornelia—that we have scattered false or invented images like counterfeit coins among the public: let pardon be granted to our confession (for no one is bound to do the impossible). For in the case of the men of ancient times who are said to have lived before the Flood and before the invention of the arts of painting and carving, for example Adam, Abraham, and the Patriarchs, their images we do not deny have been created by us imaginatively: and since we had no model, the images have been shaped from the description of their nature, from their manners, age, region, and deeds, by imagination.]</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Gulielmus+Rovillius+lectori&rft.btitle=Prima+pars+Promptuarii+iconum+insigniorum+%C3%A0+seculo+hominum%2C+subiectis+eorum+vitis%2C+per+compendium+ex+probatissimis+autoribus+desumptis.&rft.place=Lyon&rft.pub=Guillaume+Rouill%C3%A9&rft.date=1553&rft_id=info%3Aoclcnum%2F716696497&rft.aulast=Rouill%C3%A9&rft.aufirst=Guillaume&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbub_gb_f5FDAAAAcAAJ%2Fpage%2Fn12&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMartinBragagnolo2024" class="citation journal cs1">Martin, John Jeffries; Bragagnolo, Manuela (2024). <a rel="nofollow" class="external text" href="https://doi.org/10.1215/10829636-10948440">"Physiognomy and Visual Judgment in Medieval and Early Modern Europe"</a>. Journal of Medieval and Early Modern Studies. 54: 1–7. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1215%2F10829636-10948440">10.1215/10829636-10948440</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+Medieval+and+Early+Modern+Studies&rft.atitle=Physiognomy+and+Visual+Judgment+in+Medieval+and+Early+Modern+Europe&rft.volume=54&rft.pages=1-7&rft.date=2024&rft_id=info%3Adoi%2F10.1215%2F10829636-10948440&rft.aulast=Martin&rft.aufirst=John+Jeffries&rft.au=Bragagnolo%2C+Manuela&rft_id=https%3A%2F%2Fdoi.org%2F10.1215%2F10829636-10948440&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Chatzidakis-25">^ <a href="#cite_ref-Chatzidakis_25-0">a</a> <a href="#cite_ref-Chatzidakis_25-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChatzidakis2010" class="citation journal cs1 cs1-prop-foreign-lang-source">Chatzidakis, Michail (2010). "Ciriacos Numismata und Gemmae. Die Bedeutung der Münz- und Gemmenkunde für die Altertumsforschungen des Ciriaco d'Ancona" [Ciriaco's Numismata and Gemmae. The Importance of Numismatics and Gemology for the Archeology of Ciriaco d'Ancona]. Mitteilungen des Kunsthistorischen Institutes in Florenz (in German). 54 (1). <a href="/wiki/Kunsthistorisches_Institut_in_Florenz" title="Kunsthistorisches Institut in Florenz">Kunsthistorisches Institut in Florenz</a>: 40. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0342-1201">0342-1201</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/41414764">41414764</a>. <q>[...] eben ein solches Bild der behelmten Athena von einer mazedonischen Goldmünze als Vorlage für sein Alexanderporträt [...]</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Mitteilungen+des+Kunsthistorischen+Institutes+in+Florenz&rft.atitle=Ciriacos+Numismata+und+Gemmae.+Die+Bedeutung+der+M%C3%BCnz-+und+Gemmenkunde+f%C3%BCr+die+Altertumsforschungen+des+Ciriaco+d%27Ancona&rft.volume=54&rft.issue=1&rft.pages=40&rft.date=2010&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F41414764%23id-name%3DJSTOR&rft.issn=0342-1201&rft.aulast=Chatzidakis&rft.aufirst=Michail&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-26"><a href="#cite_ref-26">^</a> <a rel="nofollow" class="external text" href="https://www.biblica.com/bible/?osis=niv:Matthew%2026:15">Matthew 26:15</a> </li> <li id="cite_note-Dubois_de_Groër_p46-28"><a href="#cite_ref-Dubois_de_Groër_p46_28-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDubois_de_Groër1996" class="citation book cs1 cs1-prop-foreign-lang-source">Dubois de Groër, Anne (1996). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=th3rAAAAMAAJ&q=Reverdy">Corneille de La Haye, dit Corneille de Lyon (1500/1510–1575)</a> [Corneille de La Haye, known as Corneille de Lyon (1500/1510–1575)] (in French). Paris: <a href="/wiki/Arthena" title="Arthena">Arthena</a>. p. 47. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/2-903239-21-5" title="Special:BookSources/2-903239-21-5"><bdi>2-903239-21-5</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230708180853/https://books.google.com/books?id=th3rAAAAMAAJ&q=Reverdy">Archived</a> from the original on July 8, 2023. Retrieved December 31, 2022 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>. <q>[...] Georges Reverdy [...] n'en était pas l'unique auteur mais que Corneille en avait exécuté un certain nombre.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Corneille+de+La+Haye%2C+dit+Corneille+de+Lyon+%281500%2F1510%E2%80%931575%29&rft.place=Paris&rft.pages=47&rft.pub=Arthena&rft.date=1996&rft.isbn=2-903239-21-5&rft.aulast=Dubois+de+Gro%C3%ABr&rft.aufirst=Anne&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dth3rAAAAMAAJ%26q%3DReverdy&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Rajchenbach-Teller-31">^ <a href="#cite_ref-Rajchenbach-Teller_31-0">a</a> <a href="#cite_ref-Rajchenbach-Teller_31-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRajchenbach-Teller2012" class="citation book cs1 cs1-prop-foreign-lang-source">Rajchenbach-Teller, Élise (2012). <a rel="nofollow" class="external text" href="https://books.openedition.org/enc/533">"De «ceux qui de leur pouvoir aydent et favorisent au publiq» Guillaume Rouillé, libraire à Lyon"</a> [Of 'those who use their power to help and encourage the public': Guillaume Rouillé, bookseller in Lyon]. In Bénévent, Christine; Charon, Anne; Diu, Isabelle; Vène, Magali (eds.). Passeurs de textes: Imprimeurs et libraires à l'âge de l'humanisme [Couriers of Texts: Printers and Booksellers in the Age of Humanism] (in French). Paris: <a href="/wiki/%C3%89cole_Nationale_des_Chartes" title="École Nationale des Chartes">École Nationale des Chartes</a>. pp. 99–116. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.4000%2Fbooks.enc.533">10.4000/books.enc.533</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9782357231108" title="Special:BookSources/9782357231108"><bdi>9782357231108</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230227171422/https://books.openedition.org/enc/533">Archived</a> from the original on February 27, 2023. Retrieved August 16, 2023 – via <a href="/wiki/OpenEdition_Books" class="mw-redirect" title="OpenEdition Books">OpenEdition Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=De+%C2%ABceux+qui+de+leur+pouvoir+aydent+et+favorisent+au+publiq%C2%BB+Guillaume+Rouill%C3%A9%2C+libraire+%C3%A0+Lyon&rft.btitle=Passeurs+de+textes%3A+Imprimeurs+et+libraires+%C3%A0+l%27%C3%A2ge+de+l%27humanisme&rft.place=Paris&rft.pages=99-116&rft.pub=%C3%89cole+Nationale+des+Chartes&rft.date=2012&rft_id=info%3Adoi%2F10.4000%2Fbooks.enc.533&rft.isbn=9782357231108&rft.aulast=Rajchenbach-Teller&rft.aufirst=%C3%89lise&rft_id=https%3A%2F%2Fbooks.openedition.org%2Fenc%2F533&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Lluís_Martos_p87-32">^ <a href="#cite_ref-Lluís_Martos_p87_32-0">a</a> <a href="#cite_ref-Lluís_Martos_p87_32-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLluís_Martos2015" class="citation journal cs1 cs1-prop-foreign-lang-source">Lluís Martos, Josep (January–June 2015). <a rel="nofollow" class="external text" href="https://doi.org/10.3989%2Frfe.2015.04">"Juan Martín Cordero en Flandes: Humanismo, mecenazgo e imprenta"</a> [Juan Martín Cordero in Flanders: Humanism, patronage and printing]. <a href="/wiki/Revista_de_Filolog%C3%ADa_Espa%C3%B1ola" title="Revista de Filología Española">Revista de Filología Española</a> (in Spanish). 95 (1). Madrid: <a href="/wiki/Spanish_National_Research_Council" title="Spanish National Research Council">Spanish National Research Council</a>: 85–87. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.3989%2Frfe.2015.04">10.3989/rfe.2015.04</a>. <a href="/wiki/Hdl_(identifier)" class="mw-redirect" title="Hdl (identifier)">hdl</a>:<a rel="nofollow" class="external text" href="https://hdl.handle.net/10045%2F48808">10045/48808</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0210-9174">0210-9174</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Revista+de+Filolog%C3%ADa+Espa%C3%B1ola&rft.atitle=Juan+Mart%C3%ADn+Cordero+en+Flandes%3A+Humanismo%2C+mecenazgo+e+imprenta&rft.volume=95&rft.issue=1&rft.pages=85-87&rft.date=2015-01%2F2015-06&rft_id=info%3Ahdl%2F10045%2F48808&rft.issn=0210-9174&rft_id=info%3Adoi%2F10.3989%2Frfe.2015.04&rft.aulast=Llu%C3%ADs+Martos&rft.aufirst=Josep&rft_id=https%3A%2F%2Fdoi.org%2F10.3989%252Frfe.2015.04&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-Sharman-33"><a href="#cite_ref-Sharman_33-0">^</a> <img alt="Public Domain" src="//upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/12px-PD-icon.svg.png" decoding="async" width="12" height="12" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/18px-PD-icon.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/62/PD-icon.svg/24px-PD-icon.svg.png 2x" data-file-width="196" data-file-height="196" /> This article incorporates text from this source, which is in the <a href="/wiki/Public_domain" title="Public domain">public domain</a>: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSharman1889" class="citation book cs1">Sharman, Julian (1889). <a rel="nofollow" class="external text" href="https://catalog.hathitrust.org/Record/006648895">The Library of Mary Queen of Scots, with an historical introduction and a rare portrait of the queen</a>. London: <a href="/wiki/Elliot_Stock" title="Elliot Stock">Elliot Stock</a>. pp. 152–153. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/4700578">4700578</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230819195554/https://catalog.hathitrust.org/Record/006648895">Archived</a> from the original on August 19, 2023. Retrieved December 29, 2022 – via <a href="/wiki/HathiTrust" title="HathiTrust">HathiTrust Digital Library</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Library+of+Mary+Queen+of+Scots%2C+with+an+historical+introduction+and+a+rare+portrait+of+the+queen.&rft.place=London&rft.pages=152-153&rft.pub=Elliot+Stock&rft.date=1889&rft_id=info%3Aoclcnum%2F4700578&rft.aulast=Sharman&rft.aufirst=Julian&rft_id=https%3A%2F%2Fcatalog.hathitrust.org%2FRecord%2F006648895&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> <li id="cite_note-34"><a href="#cite_ref-34">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTrentinella2003" class="citation web cs1">Trentinella, Rosemarie (October 2003). <a rel="nofollow" class="external text" href="https://www.metmuseum.org/toah/hd/ropo/hd_ropo.htm">"Roman Portrait Sculpture: Republican through Constantinian"</a>. Heilbrunn Timeline of Art History. New York: <a href="/wiki/Metropolitan_Museum_of_Art" title="Metropolitan Museum of Art">Metropolitan Museum of Art</a>. Retrieved October 27, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Heilbrunn+Timeline+of+Art+History&rft.atitle=Roman+Portrait+Sculpture%3A+Republican+through+Constantinian&rft.date=2003-10&rft.aulast=Trentinella&rft.aufirst=Rosemarie&rft_id=https%3A%2F%2Fwww.metmuseum.org%2Ftoah%2Fhd%2Fropo%2Fhd_ropo.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APromptuarium+Iconum+Insigniorum" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Promptuarium_Iconum_Insigniorum&action=edit&section=8" title="Edit section: External links">edit</a>]</div> <ul><li><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/12px-Commons-logo.svg.png" decoding="async" width="12" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/18px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/24px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a> Media related to <a href="https://commons.wikimedia.org/wiki/Category:Promptuarii_Iconum_Insigniorum" class="extiw" title="commons:Category:Promptuarii Iconum Insigniorum">Promptuarii Iconum Insigniorum</a> at Wikimedia Commons</li> <li><a rel="nofollow" class="external text" href="https://archive.org/details/bub_gb_f5FDAAAAcAAJ">Latin edition, Promptuarium iconum insigniorum a seculo hominum (1533)</a> via <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></li> <li><a rel="nofollow" class="external text" href="https://gallica.bnf.fr/ark:/12148/bpt6k79290x.image">French edition, Promptuaire des médailles des personnages les plus renommés... (1533)</a> via <a href="/wiki/Gallica" class="mw-redirect" title="Gallica">Gallica</a>, the digital library of the <a href="/wiki/Biblioth%C3%A8que_nationale_de_France" title="Bibliothèque nationale de France">Bibliothèque nationale de France</a> and its partners</li> <li><a rel="nofollow" class="external text" href="https://books.google.com/books?id=_QmKmsbFFIQC">Spanish edition, Promptuario de las medallas de todos las más insignes varones... (1561)</a> via <a href="/wiki/Google_Books" title="Google Books">Google Books</a></li> <li><a rel="nofollow" class="external text" href="https://st-takla.org/Gallery/Books/from-books/general/promptuarii.html">Portraits of Promptuarium Iconum Insigniorum (1553)</a> via St-Takla.org</li></ul>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Promptuarium_Iconum_Insigniorum&oldid=1257387932">https://en.wikipedia.org/w/index.php?title=Promptuarium_Iconum_Insigniorum&oldid=1257387932</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1553_books" 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