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class="vector-toc-numb">3.1</span> <span>Painting and its Laws</span> </div> </a> <ul id="toc-Painting_and_its_Laws-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1920s–1930s" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1920s–1930s"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>1920s–1930s</span> </div> </a> <ul id="toc-1920s–1930s-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Religious_Influence" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Religious_Influence"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Religious Influence</span> </div> </a> <ul id="toc-Religious_Influence-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-World_War_II_and_after" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#World_War_II_and_after"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.4</span> <span>World War II and after</span> </div> </a> <ul id="toc-World_War_II_and_after-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Art_market" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Art_market"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Art market</span> </div> </a> <ul id="toc-Art_market-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Legacy</span> </div> </a> <ul id="toc-Legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Commemoration" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Commemoration"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Commemoration</span> </div> </a> <ul id="toc-Commemoration-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Gallery" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Gallery"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Gallery</span> </div> </a> <ul id="toc-Gallery-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Press_articles" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Press_articles"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Press articles</span> </div> </a> <ul id="toc-Press_articles-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Writings" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Writings"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Writings</span> </div> </a> <button aria-controls="toc-Writings-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Writings subsection</span> </button> <ul id="toc-Writings-sublist" class="vector-toc-list"> <li id="toc-Books" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Books"> <div class="vector-toc-text"> <span class="vector-toc-numb">9.1</span> <span>Books</span> </div> </a> <ul id="toc-Books-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Articles" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Articles"> <div class="vector-toc-text"> <span class="vector-toc-numb">9.2</span> <span>Articles</span> </div> </a> <ul id="toc-Articles-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Museum_collections" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Museum_collections"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Museum collections</span> </div> </a> <ul id="toc-Museum_collections-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References_and_sources" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References_and_sources"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>References and sources</span> </div> </a> <ul id="toc-References_and_sources-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" 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Available in 27 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-27" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">27 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A3%D9%84%D8%A8%D8%B1%D8%AA_%D8%BA%D9%84%D9%8A%D8%B2%D8%B3" title="ألبرت غليزس – Arabic" lang="ar" hreflang="ar" data-title="ألبرت غليزس" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Alber_Qlez" title="Alber Qlez – Azerbaijani" lang="az" hreflang="az" data-title="Alber Qlez" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%90%D0%BB%D1%8C%D0%B1%D0%B5%D1%80_%D0%93%D0%BB%D0%B5%D0%B7" title="Альбер Глез – Belarusian" lang="be" hreflang="be" data-title="Альбер Глез" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Catalan" lang="ca" hreflang="ca" data-title="Albert Gleizes" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Czech" lang="cs" hreflang="cs" data-title="Albert Gleizes" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Danish" lang="da" hreflang="da" data-title="Albert Gleizes" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – German" lang="de" hreflang="de" data-title="Albert Gleizes" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Spanish" lang="es" hreflang="es" data-title="Albert Gleizes" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Esperanto" lang="eo" hreflang="eo" data-title="Albert Gleizes" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Basque" lang="eu" hreflang="eu" data-title="Albert Gleizes" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A2%D9%84%D8%A8%D8%B1_%DA%AF%D9%84%D8%B2" title="آلبر گلز – Persian" lang="fa" hreflang="fa" data-title="آلبر گلز" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – French" lang="fr" hreflang="fr" data-title="Albert Gleizes" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Italian" lang="it" hreflang="it" data-title="Albert Gleizes" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Albertus_Gleizes" title="Albertus Gleizes – Latin" lang="la" hreflang="la" data-title="Albertus Gleizes" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Hungarian" lang="hu" hreflang="hu" data-title="Albert Gleizes" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D8%A8%D8%B1%D8%AA_%D8%AC%D9%84%D9%8A%D8%B2%D8%B3" title="البرت جليزس – Egyptian Arabic" lang="arz" hreflang="arz" data-title="البرت جليزس" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Dutch" lang="nl" hreflang="nl" data-title="Albert Gleizes" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A2%E3%83%AB%E3%83%99%E3%83%BC%E3%83%AB%E3%83%BB%E3%82%B0%E3%83%AC%E3%83%BC%E3%82%BA" title="アルベール・グレーズ – Japanese" lang="ja" hreflang="ja" data-title="アルベール・グレーズ" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Albert Gleizes" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Albert Gleizes" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target"><span>Norsk nynorsk</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Polish" lang="pl" hreflang="pl" data-title="Albert Gleizes" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Portuguese" lang="pt" hreflang="pt" data-title="Albert Gleizes" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%93%D0%BB%D0%B5%D0%B7,_%D0%90%D0%BB%D1%8C%D0%B1%D0%B5%D1%80" title="Глез, Альбер – Russian" lang="ru" hreflang="ru" data-title="Глез, Альбер" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Simple English" lang="en-simple" hreflang="en-simple" data-title="Albert Gleizes" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Swedish" lang="sv" hreflang="sv" data-title="Albert Gleizes" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Albert_Gleizes" title="Albert Gleizes – Turkish" lang="tr" hreflang="tr" data-title="Albert Gleizes" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E9%98%BF%E5%B0%94%E4%BC%AF%E7%89%B9%C2%B7%E6%A0%BC%E5%88%97%E5%85%B9" title="阿尔伯特·格列兹 – Chinese" lang="zh" hreflang="zh" data-title="阿尔伯特·格列兹" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target"><span>中文</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a 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id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">French painter (1881-1953)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"Gleizes" redirects here. For the French writer, see <a href="/wiki/Jean-Antoine_Gleizes" title="Jean-Antoine Gleizes">Jean-Antoine Gleizes</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Albert Gleizes</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Albert_Gleizes,_c.1920,_photograph_by_Pierre_Choumoff..jpg" class="mw-file-description"><img alt="An image of Albert Gleizes in circa 1920. It is a black and white image." src="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Albert_Gleizes%2C_c.1920%2C_photograph_by_Pierre_Choumoff..jpg/220px-Albert_Gleizes%2C_c.1920%2C_photograph_by_Pierre_Choumoff..jpg" decoding="async" width="220" height="297" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Albert_Gleizes%2C_c.1920%2C_photograph_by_Pierre_Choumoff..jpg/330px-Albert_Gleizes%2C_c.1920%2C_photograph_by_Pierre_Choumoff..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/69/Albert_Gleizes%2C_c.1920%2C_photograph_by_Pierre_Choumoff..jpg/440px-Albert_Gleizes%2C_c.1920%2C_photograph_by_Pierre_Choumoff..jpg 2x" data-file-width="534" data-file-height="720" /></a></span><div class="infobox-caption">Albert Gleizes, <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1920</span></div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Albert Léon Gleizes</div><br /><span style="display:none">(<span class="bday">1881-12-08</span>)</span>8 December 1881<br /><div style="display:inline" class="birthplace"><a href="/wiki/Paris" title="Paris">Paris</a>, France</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">23 June 1953<span style="display:none">(1953-06-23)</span> (aged 71)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Saint-R%C3%A9my-de-Provence" title="Saint-Rémy-de-Provence">Saint-Rémy-de-Provence</a>, France</div></td></tr><tr><th scope="row" class="infobox-label">Known for</th><td class="infobox-data">Painting, writing</td></tr><tr><th scope="row" class="infobox-label"><span style="white-space:nowrap;">Notable work</span></th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist nowrap"><ul><li><i><a href="/wiki/Le_Chemin,_Paysage_%C3%A0_Meudon" title="Le Chemin, Paysage à Meudon">Le Chemin, Paysage à Meudon</a></i> (1911)</li><li><i><a href="/wiki/Harvest_Threshing" title="Harvest Threshing">Harvest Threshing</a></i> (1912)</li><li><i><a href="/wiki/Les_Baigneuses_(Gleizes)" class="mw-redirect" title="Les Baigneuses (Gleizes)">Les Baigneuses</a></i> (1912)</li><li><i><a href="/wiki/Les_Joueurs_de_football" class="mw-redirect" title="Les Joueurs de football">Les Joueurs de football</a></i> (1912–13)</li><li><i><a href="/wiki/Man_in_a_Hammock" title="Man in a Hammock">Man in a Hammock</a></i> (1913)</li><li><i><a href="/wiki/Portrait_of_an_Army_Doctor" title="Portrait of an Army Doctor">Portrait of an Army Doctor</a></i> (1914–15)</li><li><i><a href="/wiki/Woman_with_Black_Glove" title="Woman with Black Glove">Woman with Black Glove</a></i> (1920)</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Movement</th><td class="infobox-data category"><a href="/wiki/Cubism" title="Cubism">Cubism</a>, <a href="/wiki/Abstract_art" title="Abstract art">Abstract art</a>, <a href="/wiki/Abstraction-Cr%C3%A9ation" title="Abstraction-Création">Abstraction-Création</a></td></tr><tr><th scope="row" class="infobox-label">Spouse</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;"><a href="/wiki/Juliette_Roche" title="Juliette Roche">Juliette Roche</a></div> <div style="display:inline-block;"></div>(<abbr title="married">m.</abbr> 1915⁠–⁠1953)<wbr /></div></td></tr></tbody></table> <p><b>Albert Gleizes</b> (<style data-mw-deduplicate="TemplateStyles:r1177148991">.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}</style><span class="IPA-label IPA-label-small">French:</span> <span class="IPA nowrap" lang="fr-Latn-fonipa"><a href="/wiki/Help:IPA/French" title="Help:IPA/French">[albɛʁ<span class="wrap"> </span>ɡlɛz]</a></span>; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of <a href="/wiki/Cubism" title="Cubism">Cubism</a> and an influence on the <a href="/wiki/School_of_Paris" title="School of Paris">School of Paris</a>. Albert Gleizes and <a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a> wrote the first major treatise on Cubism, <i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i>, 1912. Gleizes was a founding member of the <a href="/wiki/Section_d%27Or" title="Section d'Or">Section d'Or</a> group of artists. He was also a member of <i><a href="/wiki/Der_Sturm" title="Der Sturm">Der Sturm</a></i>, and his many theoretical writings were originally most appreciated in Germany, where especially at the <a href="/wiki/Bauhaus" title="Bauhaus">Bauhaus</a> his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of <a href="/wiki/Modern_art" title="Modern art">modern art</a>. He was a member of the <a href="/wiki/Society_of_Independent_Artists" title="Society of Independent Artists">Society of Independent Artists</a>, founder of the Ernest-Renan Association, and both a founder and participant in the <a href="/wiki/Abbaye_de_Cr%C3%A9teil" title="Abbaye de Créteil">Abbaye de Créteil</a>.<sup id="cite_ref-Daniel_Robbins_1-0" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Gleizes exhibited regularly at <a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a>'s <i>Galerie de l’Effort Moderne</i> in Paris; he was also a founder, organizer and director of <a href="/wiki/Abstraction-Cr%C3%A9ation" title="Abstraction-Création">Abstraction-Création</a>. From the mid-1920s to the late 1930s much of his energy went into writing, e.g., <i><a href="/wiki/Crystal_Cubism#Painting_and_its_Laws" title="Crystal Cubism">La Peinture et ses lois</a></i> (Paris, 1923), <i>Vers une conscience plastique: La Forme et l’histoire</i> (Paris, 1932) and <i>Homocentrisme</i> (Sablons, 1937).<sup id="cite_ref-MoMA,_Daniel_Robbins_2-0" class="reference"><a href="#cite_note-MoMA,_Daniel_Robbins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=1" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1909,_Bords_de_la_Marne,_oil_on_canvas,_54_x_65_cm,_Mus%C3%A9e_des_Beaux-Arts,_Lyon..jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Albert_Gleizes%2C_1909%2C_Bords_de_la_Marne%2C_oil_on_canvas%2C_54_x_65_cm%2C_Mus%C3%A9e_des_Beaux-Arts%2C_Lyon..jpg/290px-Albert_Gleizes%2C_1909%2C_Bords_de_la_Marne%2C_oil_on_canvas%2C_54_x_65_cm%2C_Mus%C3%A9e_des_Beaux-Arts%2C_Lyon..jpg" decoding="async" width="290" height="240" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Albert_Gleizes%2C_1909%2C_Bords_de_la_Marne%2C_oil_on_canvas%2C_54_x_65_cm%2C_Mus%C3%A9e_des_Beaux-Arts%2C_Lyon..jpg/435px-Albert_Gleizes%2C_1909%2C_Bords_de_la_Marne%2C_oil_on_canvas%2C_54_x_65_cm%2C_Mus%C3%A9e_des_Beaux-Arts%2C_Lyon..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Albert_Gleizes%2C_1909%2C_Bords_de_la_Marne%2C_oil_on_canvas%2C_54_x_65_cm%2C_Mus%C3%A9e_des_Beaux-Arts%2C_Lyon..jpg/580px-Albert_Gleizes%2C_1909%2C_Bords_de_la_Marne%2C_oil_on_canvas%2C_54_x_65_cm%2C_Mus%C3%A9e_des_Beaux-Arts%2C_Lyon..jpg 2x" data-file-width="800" data-file-height="663" /></a><figcaption>Albert Gleizes, 1909, <i><a href="/wiki/Bords_de_la_Marne_(Gleizes)" class="mw-redirect" title="Bords de la Marne (Gleizes)">Bords de la Marne</a></i>, oil on canvas, 54 x 65 cm, <a href="/wiki/Museum_of_Fine_Arts_of_Lyon" title="Museum of Fine Arts of Lyon">Musée des Beaux Arts de Lyon</a></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1910,_Femme_aux_Phlox,_oil_on_canvas,_81_x_100_cm,_exhibited_Armory_Show,_New_York,_1913,_The_Museum_of_Fine_Arts,_Houston..jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a0/Albert_Gleizes%2C_1910%2C_Femme_aux_Phlox%2C_oil_on_canvas%2C_81_x_100_cm%2C_exhibited_Armory_Show%2C_New_York%2C_1913%2C_The_Museum_of_Fine_Arts%2C_Houston..jpg/290px-Albert_Gleizes%2C_1910%2C_Femme_aux_Phlox%2C_oil_on_canvas%2C_81_x_100_cm%2C_exhibited_Armory_Show%2C_New_York%2C_1913%2C_The_Museum_of_Fine_Arts%2C_Houston..jpg" decoding="async" width="290" height="232" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a0/Albert_Gleizes%2C_1910%2C_Femme_aux_Phlox%2C_oil_on_canvas%2C_81_x_100_cm%2C_exhibited_Armory_Show%2C_New_York%2C_1913%2C_The_Museum_of_Fine_Arts%2C_Houston..jpg/435px-Albert_Gleizes%2C_1910%2C_Femme_aux_Phlox%2C_oil_on_canvas%2C_81_x_100_cm%2C_exhibited_Armory_Show%2C_New_York%2C_1913%2C_The_Museum_of_Fine_Arts%2C_Houston..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a0/Albert_Gleizes%2C_1910%2C_Femme_aux_Phlox%2C_oil_on_canvas%2C_81_x_100_cm%2C_exhibited_Armory_Show%2C_New_York%2C_1913%2C_The_Museum_of_Fine_Arts%2C_Houston..jpg/580px-Albert_Gleizes%2C_1910%2C_Femme_aux_Phlox%2C_oil_on_canvas%2C_81_x_100_cm%2C_exhibited_Armory_Show%2C_New_York%2C_1913%2C_The_Museum_of_Fine_Arts%2C_Houston..jpg 2x" data-file-width="1351" data-file-height="1083" /></a><figcaption>Albert Gleizes, 1910, <i><a href="/wiki/La_Femme_aux_Phlox_(Gleizes)" class="mw-redirect" title="La Femme aux Phlox (Gleizes)">La Femme aux Phlox (Woman with Phlox)</a></i>, oil on canvas, 81 x 100 cm, exhibited <a href="/wiki/Armory_Show" title="Armory Show">Armory Show</a>, New York, 1913, <a href="/wiki/Museum_of_Fine_Arts,_Houston" title="Museum of Fine Arts, Houston">Museum of Fine Arts, Houston</a></figcaption></figure> <p>Born Albert Léon Gleizes and raised in <a href="/wiki/Paris,_France" class="mw-redirect" title="Paris, France">Paris</a>, he was the son of a fabric designer who ran a large industrial design workshop. He was also the nephew of <a href="/wiki/L%C3%A9on_Comerre" title="Léon Comerre">Léon Comerre</a>, a successful portrait painter who won the 1875 <a href="/wiki/Prix_de_Rome" title="Prix de Rome">Prix de Rome</a>. The young Albert Gleizes did not like school and often skipped classes to idle away the time writing poetry and wandering through the nearby <a href="/wiki/Cimeti%C3%A8re_de_Montmartre" class="mw-redirect" title="Cimetière de Montmartre">Montmartre cemetery</a>. Finally, after completing his secondary schooling, Gleizes spent four years in the 72nd Infantry Regiment of the French army (Abbeville, Picardie) then began pursuing a career as a painter. Gleizes began to paint self-taught around 1901 in the <a href="/wiki/Impressionism" title="Impressionism">Impressionist</a> tradition. His first landscapes from around <a href="/wiki/Courbevoie" title="Courbevoie">Courbevoie</a> appear particularly inspired by <a href="/wiki/Alfred_Sisley" title="Alfred Sisley">Alfred Sisley</a> or <a href="/wiki/Camille_Pissarro" title="Camille Pissarro">Camille Pissarro</a>.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-0" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Although clearly related to Pissarro in technique, Gleizes' particular view-points as well as the composition and conception of early works represent a clear departure from the style of late Impressionism. The density with which these works are painted and their solid framework suggest affinities with Divisionism which were often noted by early critics.<sup id="cite_ref-Daniel_Robbins_1-1" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes was only twenty-one years of age when his work titled <i>La Seine à Asnières</i> was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year Gleizes exhibited two paintings at the Salon d'Automne. In 1905 Gleizes was among the founders of <i>l'Association Ernest-Renan</i>, a union of students opposed to military propaganda. Gleizes was in charge of the <i>Section littéraire et artistique</i>, organizing theater productions and poetry readings. At the Musée des Beaux-Arts de Lyon (Salon de la Société Nationale des Beaux-Arts, 1906), Gleizes exhibited <i>Jour de marché en banlieue</i>. Tending towards 1907 his work evolved into a <a href="/wiki/Post-Impressionism" title="Post-Impressionism">Post-Impressionist</a> style with strong <a href="/wiki/Naturalism_(visual_art)" class="mw-redirect" title="Naturalism (visual art)">Naturalist</a> and <a href="/wiki/Symbolism_(arts)" class="mw-redirect" title="Symbolism (arts)">Symbolist</a> components.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-1" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes and others decided to create an <i>association fraternelle d'artistes</i> and rent a large house in Créteil. The <a href="/wiki/Abbaye_de_Cr%C3%A9teil" title="Abbaye de Créteil">Abbaye de Créteil</a> was a self-supporting community of artists that aimed to develop their art free of any commercial concerns. For nearly a year, Gleizes along with other painters, poets, musicians and writers, gathered to create. A lack of income forced them to give up their cherished Abbaye de Créteil in early 1908 and Gleizes moved to 7 rue du Delta near <a href="/wiki/Montmartre" title="Montmartre">Montmartre</a>, Paris, with artists <a href="/wiki/Amedeo_Modigliani" title="Amedeo Modigliani">Amedeo Modigliani</a>, <a href="/wiki/Henri_Doucet" class="mw-redirect" title="Henri Doucet">Henri Doucet</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Henri_Doucet" class="extiw" title="fr:Henri Doucet">fr</a>]</span>, Maurice Drouart and Geo Printemps.<sup id="cite_ref-Brooke,_2001_4-0" class="reference"><a href="#cite_note-Brooke,_2001-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>In 1908 Gleizes exhibited at the <i>Toison d'Or</i> in <a href="/wiki/Moscow" title="Moscow">Moscow</a>. The same year, showing a great interest in color and reflecting the transient influence of <a href="/wiki/Fauvism" title="Fauvism">Fauvism</a>, the work of Gleizes became more synthetic with a <a href="/wiki/Proto-Cubism" title="Proto-Cubism">proto-Cubist</a> component.<sup id="cite_ref-Peter_Brooke_5-0" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Fondation_Gleizes_6-0" class="reference"><a href="#cite_note-Fondation_Gleizes-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1911,_Portrait_de_Jacques_Nayral,_oil_on_canvas,_161.9_x_114_cm,_Tate_Modern,_London.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Albert_Gleizes%2C_1911%2C_Portrait_de_Jacques_Nayral%2C_oil_on_canvas%2C_161.9_x_114_cm%2C_Tate_Modern%2C_London.jpg/260px-Albert_Gleizes%2C_1911%2C_Portrait_de_Jacques_Nayral%2C_oil_on_canvas%2C_161.9_x_114_cm%2C_Tate_Modern%2C_London.jpg" decoding="async" width="260" height="368" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Albert_Gleizes%2C_1911%2C_Portrait_de_Jacques_Nayral%2C_oil_on_canvas%2C_161.9_x_114_cm%2C_Tate_Modern%2C_London.jpg/390px-Albert_Gleizes%2C_1911%2C_Portrait_de_Jacques_Nayral%2C_oil_on_canvas%2C_161.9_x_114_cm%2C_Tate_Modern%2C_London.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/30/Albert_Gleizes%2C_1911%2C_Portrait_de_Jacques_Nayral%2C_oil_on_canvas%2C_161.9_x_114_cm%2C_Tate_Modern%2C_London.jpg/520px-Albert_Gleizes%2C_1911%2C_Portrait_de_Jacques_Nayral%2C_oil_on_canvas%2C_161.9_x_114_cm%2C_Tate_Modern%2C_London.jpg 2x" data-file-width="1085" data-file-height="1536" /></a><figcaption>Albert Gleizes, 1911, <i><a href="/wiki/Portrait_of_Jacques_Nayral_(Gleizes)" class="mw-redirect" title="Portrait of Jacques Nayral (Gleizes)">Portrait de Jacques Nayral</a></i>, oil on canvas, 161.9 x 114 cm, Tate Modern, London. This painting was reproduced in <i>Fantasio</i>: published 15 October 1911, for the occasion of the <i>Salon d'Automne</i> where it was exhibited the same year.</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1911,_Stilleben,_Nature_Morte,_Der_Sturm_postcard,_Sammlung_Walden,_Berlin._Collection_Paul_Citroen,_sold_1928_to_Kunstausstellung_Der_Sturm,_requisition_by_the_Nazis_in_1937,_and_missing_since.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/Albert_Gleizes%2C_1911%2C_Stilleben%2C_Nature_Morte%2C_Der_Sturm_postcard%2C_Sammlung_Walden%2C_Berlin._Collection_Paul_Citroen%2C_sold_1928_to_Kunstausstellung_Der_Sturm%2C_requisition_by_the_Nazis_in_1937%2C_and_missing_since.jpg/300px-thumbnail.jpg" decoding="async" width="300" height="244" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/Albert_Gleizes%2C_1911%2C_Stilleben%2C_Nature_Morte%2C_Der_Sturm_postcard%2C_Sammlung_Walden%2C_Berlin._Collection_Paul_Citroen%2C_sold_1928_to_Kunstausstellung_Der_Sturm%2C_requisition_by_the_Nazis_in_1937%2C_and_missing_since.jpg/450px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/Albert_Gleizes%2C_1911%2C_Stilleben%2C_Nature_Morte%2C_Der_Sturm_postcard%2C_Sammlung_Walden%2C_Berlin._Collection_Paul_Citroen%2C_sold_1928_to_Kunstausstellung_Der_Sturm%2C_requisition_by_the_Nazis_in_1937%2C_and_missing_since.jpg/600px-thumbnail.jpg 2x" data-file-width="725" data-file-height="590" /></a><figcaption>Albert Gleizes, 1911, <i>Stilleben, Nature Morte</i>, Der Sturm postcard, Sammlung Walden, Berlin. Collection <a href="/wiki/Paul_Citroen" title="Paul Citroen">Paul Citroen</a>, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1912,_Landschaft_bei_Paris,_Paysage_pr%C3%A8s_de_paris,_Paysage_de_Courbevoie,_oil_on_canvas,_72.8_x_87.1_cm,_missing_from_Hannover_since_1937.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg/300px-Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg" decoding="async" width="300" height="231" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg/450px-Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/94/Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg/600px-Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg 2x" data-file-width="738" data-file-height="568" /></a><figcaption>Albert Gleizes, 1912, <i>Landschaft bei Paris, Paysage près de Paris, Paysage de Courbevoie</i>, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937</figcaption></figure> <p>Gleizes' Fauve-like period was very brief, lasting several months, and even when his paint was thickest and color brightest, his concern for structural rhythms and simplification was dominant. His geometric simplifications at this time were more akin to <a href="/wiki/Pont-Aven_School" title="Pont-Aven School">Pont-Aven School</a> and <a href="/wiki/Les_Nabis" class="mw-redirect" title="Les Nabis">Les Nabis</a> principles than to <a href="/wiki/Paul_C%C3%A9zanne" title="Paul Cézanne">Paul Cézanne</a>. His landscapes of 1909 are characterized by the reducing of forms of nature to primary shapes.<sup id="cite_ref-Daniel_Robbins_1-2" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>During the summer of the same year his style became linear and stripped, broken down into multiple forms and facets with attenuated colors, close to that of the painter <a href="/wiki/Henri_Le_Fauconnier" title="Henri Le Fauconnier">Henri Le Fauconnier</a>. In 1910 a group began to form which included Gleizes, Metzinger, <a href="/wiki/Fernand_L%C3%A9ger" title="Fernand Léger">Fernand Léger</a> and <a href="/wiki/Robert_Delaunay" title="Robert Delaunay">Robert Delaunay</a>. They met regularly at Henri le Fauconnier's studio on rue Notre-Dame-des-Champs, near the Boulevard de Montparnasse. These soirées would often included writers such as <a href="/wiki/Guillaume_Apollinaire" title="Guillaume Apollinaire">Guillaume Apollinaire</a>, <a href="/w/index.php?title=Roger_Allard&action=edit&redlink=1" class="new" title="Roger Allard (page does not exist)">Roger Allard</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Roger_Allard" class="extiw" title="fr:Roger Allard">fr</a>]</span>, <a href="/w/index.php?title=Ren%C3%A9_Arcos&action=edit&redlink=1" class="new" title="René Arcos (page does not exist)">René Arcos</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Ren%C3%A9_Arcos" class="extiw" title="fr:René Arcos">fr</a>]</span>, <a href="/wiki/Paul_Fort" title="Paul Fort">Paul Fort</a>, <a href="/wiki/Pierre-Jean_Jouve" class="mw-redirect" title="Pierre-Jean Jouve">Pierre-Jean Jouve</a>, <a href="/wiki/Alexandre_Mercereau" title="Alexandre Mercereau">Alexandre Mercereau</a>, <a href="/wiki/Jules_Romains" title="Jules Romains">Jules Romains</a> and <a href="/wiki/Andr%C3%A9_Salmon" title="André Salmon">André Salmon</a>.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-2" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Together with other young painters, the group wanted to emphasise a research into form, in opposition to the Neo-Impressionist emphasis on color. From 1910 onwards, Albert Gleizes was directly involved with Cubism, both as an artist and a principal theorist of the movement.<sup id="cite_ref-Peter_Brooke_5-1" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Fondation_Gleizes_6-1" class="reference"><a href="#cite_note-Fondation_Gleizes-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Cubism">Cubism</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=2" title="Edit section: Cubism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="The_crucial_years">The crucial years</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=3" title="Edit section: The crucial years"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Gleizes' involvement in Cubism saw him exhibit at the twenty-sixth <a href="/wiki/Salon_des_Ind%C3%A9pendants" class="mw-redirect" title="Salon des Indépendants">Salon des Indépendants</a> in 1910. He showed his <i>Portrait de René Arcos</i> and <i><a href="/wiki/L%27Arbre,_The_Tree_(Gleizes)" class="mw-redirect" title="L'Arbre, The Tree (Gleizes)">L'Arbre</a></i>, two paintings in which the emphasis on simplified form had already begun to overwhelm the representational interest of the paintings. The same tendency is evident in Jean Metzinger's <i>Portrait of Apollinaire</i> in the same Salon.<sup id="cite_ref-Peter_Brooke_5-2" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> When <a href="/wiki/Louis_Vauxcelles" title="Louis Vauxcelles">Louis Vauxcelles</a> wrote his initial review of the Salon, he made a passing and imprecise reference to Gleizes, <a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a>, Robert Delaunay, Fernand Léger and <a href="/wiki/Henri_le_Fauconnier" class="mw-redirect" title="Henri le Fauconnier">Henri le Fauconnier</a>, as "ignorant geometers, reducing the human body, the site, to pallid cubes."<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Guillaume_Apollinaire" title="Guillaume Apollinaire">Guillaume Apollinaire</a>, in his account of the same salon at the <a href="/wiki/Grand_Palais" title="Grand Palais">Grand Palais</a> (in <i>L'Intransigeant</i>, 18 March 1910)<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> remarked "with joy" that the general sense of the exhibition signifies "<i>La déroute de l'impressionnisme,</i>" in reference to the works of a conspicuous group of artists (Gleizes, Delaunay, Le Fauconnier, Metzinger, <a href="/wiki/Andr%C3%A9_Lhote" title="André Lhote">André Lhote</a> and <a href="/wiki/Marie_Laurencin" title="Marie Laurencin">Marie Laurencin</a>).<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> In Gleizes' paintings of the crucial year 1910, writes <a href="/wiki/Daniel_Robbins_(art_historian)" title="Daniel Robbins (art historian)">Daniel Robbins</a>, "we see the artist's volumetric approach to Cubism and his successful union of a broad field of vision with a flat picture plane. [...] The effort to grasp the intricate rhythms of a panorama resulted in a comprehensive geometry of intersecting and overlapping forms which created a new and more dynamic quality of movement.<sup id="cite_ref-Daniel_Robbins_1-3" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes exhibited at the 1910 <a href="/wiki/Salon_d%27Automne" title="Salon d'Automne">Salon d'Automne</a> with the same artists, followed by the first organized group showing by Cubists, in <i>Salle 41</i> of the 1911 <a href="/wiki/Salon_des_Ind%C3%A9pendants" class="mw-redirect" title="Salon des Indépendants">Salon des Indépendants</a> (<i><a href="/wiki/La_Femme_aux_Phlox_(Gleizes)" class="mw-redirect" title="La Femme aux Phlox (Gleizes)">La Femme aux Phlox (Woman with Phlox)</a></i>) together with Metzinger, Delaunay, Le Fauconnier and Léger. The result was a public scandal which brought Cubism for the first time to the attention of the general public (in contrast, <a href="/wiki/Picasso" class="mw-redirect" title="Picasso">Picasso</a> and <a href="/wiki/Braque" class="mw-redirect" title="Braque">Braque</a> were exhibiting in a private gallery and selling to a small circle of connoisseurs). In a review of the 1911 Indépendants published in Le Petit Parisien (23 April 1911), critic Jean Claude writes: </p> <dl><dd>Then there is Le Fauconnier, who, jealous of the Cubist Metzinger, became trapezoid… and painted something of the sort he titled, I think, <i>L’Abondance</i>… Metzinger himself painted nudes thatlook like puzzles, the pieces of which are cubes of various sizes; F. Léger lacking originality, adopted stove pipes [tuyau de poêle] as a means of reproduction of the human figure… The other, which I have never been able to guess the name, uses small checkerboards, gray and white, white and black, gray and brown, pink and black, and painted an Eiffel Tower flanked on the ground undoubtedly to crush houses, which, while dancing the cancan, stuffed their chimneys through the windows. A talented artist, Albert Gleizes, also allowed himself to try a trianguliste representation of the human figure. This is sad, deeply.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></dd></dl> <p>At the 1911 Salon d'Automne (room 8), Gleizes exhibited his <i><a href="/wiki/Portrait_of_Jacques_Nayral_(Gleizes)" class="mw-redirect" title="Portrait of Jacques Nayral (Gleizes)">Portrait de Jacques Nayral</a></i> and <i><a href="/wiki/La_Chasse,_The_Hunt_(Gleizes)" class="mw-redirect" title="La Chasse, The Hunt (Gleizes)">La Chasse (The Hunt)</a></i>, with, in addition to the group of <i>Salle 41</i>, <a href="/wiki/Andr%C3%A9_Lhote" title="André Lhote">André Lhote</a>, <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a>, <a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a>, <a href="/wiki/Roger_de_La_Fresnaye" title="Roger de La Fresnaye">Roger de La Fresnaye</a> and <a href="/wiki/Andr%C3%A9_Dunoyer_de_Segonzac" title="André Dunoyer de Segonzac">André Dunoyer de Segonzac</a>. In the fall of that year, though the intermediary of Apollinaire, he met <a href="/wiki/Pablo_Picasso" title="Pablo Picasso">Pablo Picasso</a> for the first time and joined the <a href="/wiki/Puteaux_Group" class="mw-redirect" title="Puteaux Group">Puteaux Group</a> which held meetings in the studio of <a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a> (Gaston Duchamp) and also included Villon's brothers, <a href="/wiki/Raymond_Duchamp-Villon" title="Raymond Duchamp-Villon">Raymond Duchamp-Villon</a> and <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a>, amongst others. Many of these artists also frequented the cafés Le Dôme, La Closerie des Lilas, La Rotonde, Le Select, and La Coupole in Montparnasse.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-3" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <blockquote><p><i>People crowded into our room, they shouted, they laughed, they got worked up, they protested, they luxuriated in all kinds of utterances</i>. (Albert Gleizes, on the Salon d'Automne exhibition of 1911)<sup id="cite_ref-Ganteführer_12-0" class="reference"><a href="#cite_note-Ganteführer-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup></p></blockquote> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1912,_Les_Baigneuses,_oil_on_canvas,_105_x_171_cm,_Paris,_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg/350px-Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg" decoding="async" width="350" height="217" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg/525px-Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/69/Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg/700px-Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg 2x" data-file-width="2056" data-file-height="1277" /></a><figcaption>Albert Gleizes, 1912, <i><a href="/wiki/Les_Baigneuses_(Gleizes)" class="mw-redirect" title="Les Baigneuses (Gleizes)">Les Baigneuses (The Bathers)</a></i>, oil on canvas, 105 x 171 cm, <a href="/wiki/Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris" class="mw-redirect" title="Musée d'Art Moderne de la Ville de Paris">Musée d'Art Moderne de la Ville de Paris</a></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_Exposici%C3%B3_d%27Art_Cubista,_Galeries_Dalmau,_1912.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Albert_Gleizes%2C_Exposici%C3%B3_d%27Art_Cubista%2C_Galeries_Dalmau%2C_1912.jpg/290px-Albert_Gleizes%2C_Exposici%C3%B3_d%27Art_Cubista%2C_Galeries_Dalmau%2C_1912.jpg" decoding="async" width="290" height="385" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Albert_Gleizes%2C_Exposici%C3%B3_d%27Art_Cubista%2C_Galeries_Dalmau%2C_1912.jpg/435px-Albert_Gleizes%2C_Exposici%C3%B3_d%27Art_Cubista%2C_Galeries_Dalmau%2C_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/56/Albert_Gleizes%2C_Exposici%C3%B3_d%27Art_Cubista%2C_Galeries_Dalmau%2C_1912.jpg/580px-Albert_Gleizes%2C_Exposici%C3%B3_d%27Art_Cubista%2C_Galeries_Dalmau%2C_1912.jpg 2x" data-file-width="1901" data-file-height="2523" /></a><figcaption>Albert Gleizes, <i>Les Maison, Landscape</i> (1910-11), Exposició d'Art Cubista, <a href="/wiki/Galeries_Dalmau" title="Galeries Dalmau">Galeries Dalmau</a>, 1912, catalogue entry</figcaption></figure> <p>Gleizes exhibited his <i><a href="/wiki/Les_Baigneuses_(Gleizes)" class="mw-redirect" title="Les Baigneuses (Gleizes)">Les Baigneuses (The Bathers)</a></i> at the 1912 Salon des Indépendants; a show marked by Marcel Duchamp's <i><a href="/wiki/Nude_Descending_a_Staircase,_No._2" title="Nude Descending a Staircase, No. 2">Nude Descending a Staircase, No. 2</a></i>, which itself caused a scandal even amongst the Cubists (Duchamp removed the painting before the opening of the exhibition). This was followed by a group show at the <a href="/wiki/Galeries_Dalmau" title="Galeries Dalmau">Galeries Dalmau</a> in <a href="/wiki/Barcelona" title="Barcelona">Barcelona</a>, the first exhibition of Cubism in Spain,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> another exhibit in Moscow (Valet de Carreau), the <a href="/wiki/Soci%C3%A9t%C3%A9_Normande_de_Peinture_Moderne" title="Société Normande de Peinture Moderne">Salon de la Société Normande</a> in Rouen, and the Salon de la Section d'Or, October 1912 at the Galerie de la Boétie in Paris.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-4" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>From 1911 through 1912, drawing to some extent on theories of <a href="/wiki/Henri_Poincar%C3%A9" title="Henri Poincaré">Henri Poincaré</a>, <a href="/wiki/Ernst_Mach" title="Ernst Mach">Ernst Mach</a>, <a href="/wiki/Charles_Henry_(librarian)" title="Charles Henry (librarian)">Charles Henry</a> and <a href="/wiki/Henri_Bergson" title="Henri Bergson">Henri Bergson</a>, Gleizes began to represent <i>the object, no longer considered from a specific point of view, but rebuilt following a selection of successive viewpoints</i> (i.e., as if viewed simultaneously from numerous viewpoints, and in four-dimensions). This technique of <a href="/wiki/Relative_motion" class="mw-redirect" title="Relative motion">relative motion</a> is pushed to its highest degree of complexity in the monumental <i><a href="/wiki/Harvest_Threshing" title="Harvest Threshing">Le Dépiquage des Moissons (Harvest Threshing)</a></i> (1912). This ambitious work, with Delaunay's <i>La Ville de Paris</i> (<i>City of Paris</i>), is one of the largest paintings in the history of Cubism. </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_l%27Homme_au_Balcon,_1912,_oil_on_canvas,_195.6_x_114.9_cm,_Philadelphia_Museum_of_Art.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/82/Albert_Gleizes%2C_l%27Homme_au_Balcon%2C_1912%2C_oil_on_canvas%2C_195.6_x_114.9_cm%2C_Philadelphia_Museum_of_Art.jpg/220px-Albert_Gleizes%2C_l%27Homme_au_Balcon%2C_1912%2C_oil_on_canvas%2C_195.6_x_114.9_cm%2C_Philadelphia_Museum_of_Art.jpg" decoding="async" width="220" height="378" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/82/Albert_Gleizes%2C_l%27Homme_au_Balcon%2C_1912%2C_oil_on_canvas%2C_195.6_x_114.9_cm%2C_Philadelphia_Museum_of_Art.jpg/330px-Albert_Gleizes%2C_l%27Homme_au_Balcon%2C_1912%2C_oil_on_canvas%2C_195.6_x_114.9_cm%2C_Philadelphia_Museum_of_Art.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/82/Albert_Gleizes%2C_l%27Homme_au_Balcon%2C_1912%2C_oil_on_canvas%2C_195.6_x_114.9_cm%2C_Philadelphia_Museum_of_Art.jpg/440px-Albert_Gleizes%2C_l%27Homme_au_Balcon%2C_1912%2C_oil_on_canvas%2C_195.6_x_114.9_cm%2C_Philadelphia_Museum_of_Art.jpg 2x" data-file-width="840" data-file-height="1442" /></a><figcaption>Albert Gleizes, 1912, <i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud)</a></i>, oil on canvas, 195.6 x 114.9 cm (77 x 45 1/4 in.), Philadelphia Museum of Art. Exhibited at Salon d'Automne, Paris, 1912, <a href="/wiki/Armory_show" class="mw-redirect" title="Armory show">Armory show</a>, New York, Chicago, Boston, 1913. Purchased from the Armory Show by <a href="/wiki/Arthur_Jerome_Eddy" title="Arthur Jerome Eddy">Arthur Jerome Eddy</a></figcaption></figure> <p>At the Salon d'Automne of 1912 Gleizes exhibited <i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">L'Homme au Balcon (Man on a Balcony)</a></i>, now at the Philadelphia Museum of Art.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> The Cubist contribution to the 1912 Salon d'Automne created a controversy in the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such barbaric art. The Cubists were defended by the Socialist deputy, Marcel Sembat.<sup id="cite_ref-Peter_Brooke_5-3" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Albert Gleizes and Jean Metzinger, in preparation for the Salon de la Section d'Or, published a major defence of Cubism, resulting in the first theoretical essay on the new movement, entitled <i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i> (published by Eugène Figuière in 1912, translated to English and Russian in 1913).<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Theory">Theory</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=4" title="Edit section: Theory"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1912-13,_Les_Joueurs_de_football_(Football_Players),_oil_on_canvas,_225.4_x_183_cm,_National_Gallery_of_Art.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/32/Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg/290px-Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg" decoding="async" width="290" height="357" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/32/Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg/435px-Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/32/Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg/580px-Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg 2x" data-file-width="1727" data-file-height="2126" /></a><figcaption>Albert Gleizes, 1912–13, <i><a href="/wiki/Les_Joueurs_de_football" class="mw-redirect" title="Les Joueurs de football">Les Joueurs de football (Football Players)</a></i>, oil on canvas, 225.4 cm × 183 cm (88.7 in × 72.0 in), <a href="/wiki/National_Gallery_of_Art" title="National Gallery of Art">National Gallery of Art</a>, Washington D.C.</figcaption></figure> <p>In <i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i> Gleizes and Metzinger wrote: "If we wished to relate the space of the [Cubist] painters to geometry, we should have to refer it to the non-Euclidean mathematicians; we should have to study, at some length, certain of <a href="/wiki/Bernhard_Riemann" title="Bernhard Riemann">Riemann's theorems</a>." Cubism itself, then, was not based on any geometrical theory, but corresponded better to <a href="/wiki/Non-Euclidean_geometry" title="Non-Euclidean geometry">non-Euclidean geometry</a> than classical or <a href="/wiki/Euclidean_geometry" title="Euclidean geometry">Euclidean geometry</a>. The essential was in the understanding of space other than by the classical method of perspective; an understanding that would include and integrate the fourth dimension.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Cubism, with its new geometry, its dynamism and multiple view-point perspective, not only represented a departure from Euclid's model, but it achieved, according to Gleizes and Metzinger, a better representation of the real world: one that was mobile and changing in time. For Gleizes, Cubism represented a "<i>normal evolution of an art that was mobile like life itself</i>."<sup id="cite_ref-Peter_Brooke_5-4" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In contrast to Picasso and Braque, Gleizes' intent was not to analyze and describe visual reality. Gleizes had argued that we cannot know the external world, we can only know our <i>sensations</i>.<sup id="cite_ref-Peter_Brooke_5-5" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Objects from daily life⎯guitar, pipe or bowl of fruit⎯ did not satisfy his complex idealistic concepts of the physical world. His subjects were of vast scale and of provocative social and cultural meaning. Gleizes' iconography (as of Delaunay, Le Fauconnier and Léger) helps to explain why there is no period in his work corresponding to analytic Cubism, and how it was possible for Gleizes to become an abstract painter, more theoretically in tune with Kandinsky and Mondrian than Picasso and Braque, who remained associated with visual reality.<sup id="cite_ref-Daniel_Robbins_1-4" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes' intent was to reconstitute and synthesize the real world according to his individual consciousness (<i>sensations</i>), through the use of volumes to convey the solidity and structure of objects. Their weight, placement and effects upon each other, and the inseparability of form and color, was one of the principal lessons of Cézanne. Forms were simplified and distorted, each shape and color modified by another, rather than splintered. His concern was to establish weight, density and volumetric relationships among sections of a broad subject. Gleizes himself characterized the 1910–11 phase of his work as an "analysis of volume relationships," though it bears little relation to the traditional use of the word "analytical" in our understanding of Cubism.<sup id="cite_ref-Daniel_Robbins_1-5" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <blockquote><p>"We laugh out loud when we think of all the novices who expiate their literal understanding of the remarks of a cubist and their faith in absolute truth by laboriously placing side by side the six faces of a cube and both ears of a model seen in profile." (Albert Gleizes, Jean Metzinger)<sup id="cite_ref-Ganteführer_12-1" class="reference"><a href="#cite_note-Ganteführer-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup></p></blockquote> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1913,_L%27Homme_au_hamac,_oil_on_canvas,_130_x_155.5_cm._Albright-Knox_Art_Gallery,_Buffalo,_New_York.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Albert_Gleizes%2C_1913%2C_L%27Homme_au_hamac%2C_oil_on_canvas%2C_130_x_155.5_cm._Albright-Knox_Art_Gallery%2C_Buffalo%2C_New_York.jpg/290px-Albert_Gleizes%2C_1913%2C_L%27Homme_au_hamac%2C_oil_on_canvas%2C_130_x_155.5_cm._Albright-Knox_Art_Gallery%2C_Buffalo%2C_New_York.jpg" decoding="async" width="290" height="241" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Albert_Gleizes%2C_1913%2C_L%27Homme_au_hamac%2C_oil_on_canvas%2C_130_x_155.5_cm._Albright-Knox_Art_Gallery%2C_Buffalo%2C_New_York.jpg/435px-Albert_Gleizes%2C_1913%2C_L%27Homme_au_hamac%2C_oil_on_canvas%2C_130_x_155.5_cm._Albright-Knox_Art_Gallery%2C_Buffalo%2C_New_York.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Albert_Gleizes%2C_1913%2C_L%27Homme_au_hamac%2C_oil_on_canvas%2C_130_x_155.5_cm._Albright-Knox_Art_Gallery%2C_Buffalo%2C_New_York.jpg/580px-Albert_Gleizes%2C_1913%2C_L%27Homme_au_hamac%2C_oil_on_canvas%2C_130_x_155.5_cm._Albright-Knox_Art_Gallery%2C_Buffalo%2C_New_York.jpg 2x" data-file-width="2401" data-file-height="1996" /></a><figcaption>Albert Gleizes, 1913, <i><a href="/wiki/Man_in_a_Hammock" title="Man in a Hammock">L'Homme au Hamac (Man in a Hammock)</a></i>, oil on canvas, 130 x 155.5 cm, <a href="/wiki/Albright-Knox_Art_Gallery" class="mw-redirect" title="Albright-Knox Art Gallery">Albright-Knox Art Gallery</a>, Buffalo, New York</figcaption></figure> <p>A central theme of <i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i> was that access to the true essence of the world could be gained by <i>sensations</i> alone. The sensation offered by classical painting was very limited: to only one point of view, from a single point in space and frozen in time. But the real world is mobile, both spatially and temporally. Classical perspective and the formulations of Euclidean geometry were only <i>conventions</i> (to use Poincaré's term) that distance us from the truth of our sensations, from the truth of our own human nature. Man sees the world of natural phenomena from a multitude of angles that form a continuum of sensations in perpetual and continuous change. The Cubists' aim was to completely eschew absolute space and time in favor of relative motion, to grasp through sensory appearances and translate onto a flat canvas the dynamical properties of the <a href="/wiki/4-manifold" title="4-manifold">four-dimensional manifold</a> (the natural world). Only then could one achieve a better representation of the mobile reality of our living experience. If Gleizes and Metzinger write in Du "Cubisme" that we can only know our sensations, it is not because they wish to disregard them, but, on the contrary, to understand them more deeply as the primary source for their own work. In reasoning this way, Gleizes and Metzinger demonstrate that they are successors to Cézanne, who insists that everything must be learnt from nature: "<i>Nature seen and nature felt... both of which must unite in order to endure.</i>"<sup id="cite_ref-Peter_Brooke_5-6" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1913–1918"><span id="1913.E2.80.931918"></span>1913–1918</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=5" title="Edit section: 1913–1918"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1913,_Portrait_de_l%E2%80%99%C3%A9diteur_Eug%C3%A8ne_Figui%C3%A8re_(The_Publisher_Eugene_Figuiere),_oil_on_canvas,_143.5_x_101.5_cm,_Mus%C3%A9e_des_Beaux-Arts_de_Lyon.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Albert_Gleizes%2C_1913%2C_Portrait_de_l%E2%80%99%C3%A9diteur_Eug%C3%A8ne_Figui%C3%A8re_%28The_Publisher_Eugene_Figuiere%29%2C_oil_on_canvas%2C_143.5_x_101.5_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Lyon.jpg/220px-thumbnail.jpg" decoding="async" width="220" height="309" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Albert_Gleizes%2C_1913%2C_Portrait_de_l%E2%80%99%C3%A9diteur_Eug%C3%A8ne_Figui%C3%A8re_%28The_Publisher_Eugene_Figuiere%29%2C_oil_on_canvas%2C_143.5_x_101.5_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Lyon.jpg/330px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Albert_Gleizes%2C_1913%2C_Portrait_de_l%E2%80%99%C3%A9diteur_Eug%C3%A8ne_Figui%C3%A8re_%28The_Publisher_Eugene_Figuiere%29%2C_oil_on_canvas%2C_143.5_x_101.5_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Lyon.jpg/440px-thumbnail.jpg 2x" data-file-width="1878" data-file-height="2638" /></a><figcaption>Albert Gleizes, 1913, <i><a href="/wiki/Portrait_de_l%E2%80%99%C3%A9diteur_Eug%C3%A8ne_Figui%C3%A8re_(Gleizes)" class="mw-redirect" title="Portrait de l’éditeur Eugène Figuière (Gleizes)">Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere)</a></i>, oil on canvas, 143.5 x 101.5 cm, <a href="/wiki/Museum_of_Fine_Arts_of_Lyon" title="Museum of Fine Arts of Lyon">Musée des Beaux-Arts de Lyon</a></figcaption></figure> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1914,_Woman_with_Animals,_oil_on_canvas,_196.4_x_114.1_cm,_Peggy_Guggenheim_Collection.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Albert_Gleizes%2C_1914%2C_Woman_with_Animals%2C_oil_on_canvas%2C_196.4_x_114.1_cm%2C_Peggy_Guggenheim_Collection.jpg/220px-Albert_Gleizes%2C_1914%2C_Woman_with_Animals%2C_oil_on_canvas%2C_196.4_x_114.1_cm%2C_Peggy_Guggenheim_Collection.jpg" decoding="async" width="220" height="378" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Albert_Gleizes%2C_1914%2C_Woman_with_Animals%2C_oil_on_canvas%2C_196.4_x_114.1_cm%2C_Peggy_Guggenheim_Collection.jpg/330px-Albert_Gleizes%2C_1914%2C_Woman_with_Animals%2C_oil_on_canvas%2C_196.4_x_114.1_cm%2C_Peggy_Guggenheim_Collection.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/61/Albert_Gleizes%2C_1914%2C_Woman_with_Animals%2C_oil_on_canvas%2C_196.4_x_114.1_cm%2C_Peggy_Guggenheim_Collection.jpg/440px-Albert_Gleizes%2C_1914%2C_Woman_with_Animals%2C_oil_on_canvas%2C_196.4_x_114.1_cm%2C_Peggy_Guggenheim_Collection.jpg 2x" data-file-width="2385" data-file-height="4096" /></a><figcaption>Albert Gleizes, 1914, <i><a href="/wiki/Woman_with_Animals" title="Woman with Animals">Woman with animals (La dame aux bêtes) Madame Raymond Duchamp-Villon</a></i>, oil on canvas, 77 5/16 x 45 15/16 inches (196.4 x 114.1 cm). The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1914,_Paysage_Cubiste,_oil_on_canvas,_97_x_130_cm,_published_in_Der_Sturm,_5_October_1920.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Albert_Gleizes%2C_1914%2C_Paysage_Cubiste%2C_oil_on_canvas%2C_97_x_130_cm%2C_published_in_Der_Sturm%2C_5_October_1920.jpg/290px-Albert_Gleizes%2C_1914%2C_Paysage_Cubiste%2C_oil_on_canvas%2C_97_x_130_cm%2C_published_in_Der_Sturm%2C_5_October_1920.jpg" decoding="async" width="290" height="217" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Albert_Gleizes%2C_1914%2C_Paysage_Cubiste%2C_oil_on_canvas%2C_97_x_130_cm%2C_published_in_Der_Sturm%2C_5_October_1920.jpg/435px-Albert_Gleizes%2C_1914%2C_Paysage_Cubiste%2C_oil_on_canvas%2C_97_x_130_cm%2C_published_in_Der_Sturm%2C_5_October_1920.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Albert_Gleizes%2C_1914%2C_Paysage_Cubiste%2C_oil_on_canvas%2C_97_x_130_cm%2C_published_in_Der_Sturm%2C_5_October_1920.jpg/580px-Albert_Gleizes%2C_1914%2C_Paysage_Cubiste%2C_oil_on_canvas%2C_97_x_130_cm%2C_published_in_Der_Sturm%2C_5_October_1920.jpg 2x" data-file-width="1920" data-file-height="1436" /></a><figcaption>Albert Gleizes, 1914, <i><a href="/wiki/Cubist_Landscape" title="Cubist Landscape">Paysage cubiste, Arbre et fleuve (Cubist Landscape)</a></i>, oil on canvas, 97 x 130 cm, published in <i><a href="/wiki/Der_Sturm" title="Der Sturm">Der Sturm</a></i>, 5 October 1920</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1914-15,_Portrait_of_an_Army_Doctor_(Portrait_d%27un_m%C3%A9decin_militaire),_oil_on_canvas,_119.8_x_95.1_cm,_Solomon_R._Guggenheim_Museum.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Albert_Gleizes%2C_1914-15%2C_Portrait_of_an_Army_Doctor_%28Portrait_d%27un_m%C3%A9decin_militaire%29%2C_oil_on_canvas%2C_119.8_x_95.1_cm%2C_Solomon_R._Guggenheim_Museum.jpg/220px-Albert_Gleizes%2C_1914-15%2C_Portrait_of_an_Army_Doctor_%28Portrait_d%27un_m%C3%A9decin_militaire%29%2C_oil_on_canvas%2C_119.8_x_95.1_cm%2C_Solomon_R._Guggenheim_Museum.jpg" decoding="async" width="220" height="277" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Albert_Gleizes%2C_1914-15%2C_Portrait_of_an_Army_Doctor_%28Portrait_d%27un_m%C3%A9decin_militaire%29%2C_oil_on_canvas%2C_119.8_x_95.1_cm%2C_Solomon_R._Guggenheim_Museum.jpg/330px-Albert_Gleizes%2C_1914-15%2C_Portrait_of_an_Army_Doctor_%28Portrait_d%27un_m%C3%A9decin_militaire%29%2C_oil_on_canvas%2C_119.8_x_95.1_cm%2C_Solomon_R._Guggenheim_Museum.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Albert_Gleizes%2C_1914-15%2C_Portrait_of_an_Army_Doctor_%28Portrait_d%27un_m%C3%A9decin_militaire%29%2C_oil_on_canvas%2C_119.8_x_95.1_cm%2C_Solomon_R._Guggenheim_Museum.jpg/440px-Albert_Gleizes%2C_1914-15%2C_Portrait_of_an_Army_Doctor_%28Portrait_d%27un_m%C3%A9decin_militaire%29%2C_oil_on_canvas%2C_119.8_x_95.1_cm%2C_Solomon_R._Guggenheim_Museum.jpg 2x" data-file-width="766" data-file-height="964" /></a><figcaption>Albert Gleizes, 1914–15, <i><a href="/wiki/Portrait_of_an_Army_Doctor" title="Portrait of an Army Doctor">Portrait of an Army Doctor (Portrait d'un médecin militaire)</a></i>, oil on canvas, 119.8 x 95.1 cm, <a href="/wiki/Solomon_R._Guggenheim_Museum" title="Solomon R. Guggenheim Museum">Solomon R. Guggenheim Museum</a></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1915,_Chal_Post,_oil_and_gouache_on_board,_101.8_x_76.5_cm,_Solomon_R._Guggenheim_Museum.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Albert_Gleizes%2C_1915%2C_Chal_Post%2C_oil_and_gouache_on_board%2C_101.8_x_76.5_cm%2C_Solomon_R._Guggenheim_Museum.jpg/220px-Albert_Gleizes%2C_1915%2C_Chal_Post%2C_oil_and_gouache_on_board%2C_101.8_x_76.5_cm%2C_Solomon_R._Guggenheim_Museum.jpg" decoding="async" width="220" height="291" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Albert_Gleizes%2C_1915%2C_Chal_Post%2C_oil_and_gouache_on_board%2C_101.8_x_76.5_cm%2C_Solomon_R._Guggenheim_Museum.jpg/330px-Albert_Gleizes%2C_1915%2C_Chal_Post%2C_oil_and_gouache_on_board%2C_101.8_x_76.5_cm%2C_Solomon_R._Guggenheim_Museum.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Albert_Gleizes%2C_1915%2C_Chal_Post%2C_oil_and_gouache_on_board%2C_101.8_x_76.5_cm%2C_Solomon_R._Guggenheim_Museum.jpg/440px-Albert_Gleizes%2C_1915%2C_Chal_Post%2C_oil_and_gouache_on_board%2C_101.8_x_76.5_cm%2C_Solomon_R._Guggenheim_Museum.jpg 2x" data-file-width="681" data-file-height="902" /></a><figcaption>Albert Gleizes, 1915, <i>Chal Post</i>, oil and gouache on board, 101.8 x 76.5 cm, <a href="/wiki/Solomon_R._Guggenheim_Museum" title="Solomon R. Guggenheim Museum">Solomon R. Guggenheim Museum</a>, New York</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1915,_Composition_pour_Jazz,_oil_on_cardboard,_73_x_73_cm,_Solomon_R._Guggenheim_Museum,_New_York.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/03/Albert_Gleizes%2C_1915%2C_Composition_pour_Jazz%2C_oil_on_cardboard%2C_73_x_73_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg/240px-Albert_Gleizes%2C_1915%2C_Composition_pour_Jazz%2C_oil_on_cardboard%2C_73_x_73_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg" decoding="async" width="240" height="240" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/03/Albert_Gleizes%2C_1915%2C_Composition_pour_Jazz%2C_oil_on_cardboard%2C_73_x_73_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg/360px-Albert_Gleizes%2C_1915%2C_Composition_pour_Jazz%2C_oil_on_cardboard%2C_73_x_73_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/03/Albert_Gleizes%2C_1915%2C_Composition_pour_Jazz%2C_oil_on_cardboard%2C_73_x_73_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg/480px-Albert_Gleizes%2C_1915%2C_Composition_pour_Jazz%2C_oil_on_cardboard%2C_73_x_73_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg 2x" data-file-width="3993" data-file-height="3999" /></a><figcaption>Albert Gleizes, 1915, <i><a href="/wiki/Composition_for_%22Jazz%22" title="Composition for "Jazz"">Composition for "Jazz"</a></i>, oil on cardboard, 73 x 73 cm, <a href="/wiki/Solomon_R._Guggenheim_Museum" title="Solomon R. Guggenheim Museum">Solomon R. Guggenheim Museum</a>, New York</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1915,_Brooklyn_Bridge,_oil_and_gouache_on_canvas,_102_x_102_cm,_Solomon_R._Guggenheim_Museum,_New_York.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Albert_Gleizes%2C_1915%2C_Brooklyn_Bridge%2C_oil_and_gouache_on_canvas%2C_102_x_102_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg/240px-Albert_Gleizes%2C_1915%2C_Brooklyn_Bridge%2C_oil_and_gouache_on_canvas%2C_102_x_102_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg" decoding="async" width="240" height="246" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Albert_Gleizes%2C_1915%2C_Brooklyn_Bridge%2C_oil_and_gouache_on_canvas%2C_102_x_102_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg/360px-Albert_Gleizes%2C_1915%2C_Brooklyn_Bridge%2C_oil_and_gouache_on_canvas%2C_102_x_102_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Albert_Gleizes%2C_1915%2C_Brooklyn_Bridge%2C_oil_and_gouache_on_canvas%2C_102_x_102_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg/480px-Albert_Gleizes%2C_1915%2C_Brooklyn_Bridge%2C_oil_and_gouache_on_canvas%2C_102_x_102_cm%2C_Solomon_R._Guggenheim_Museum%2C_New_York.jpg 2x" data-file-width="2885" data-file-height="2963" /></a><figcaption>Albert Gleizes, 1915, <i><a href="/wiki/Brooklyn_Bridge_(Gleizes)" title="Brooklyn Bridge (Gleizes)">Brooklyn Bridge (Pont de Brooklyn)</a></i>, oil and gouache on canvas, 102 x 102 cm, <a href="/wiki/Solomon_R._Guggenheim_Museum" title="Solomon R. Guggenheim Museum">Solomon R. Guggenheim Museum</a>, New York</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1920,_Femme_au_gant_noir_(Woman_with_Black_Glove),_oil_on_canvas,_126_x_100_cm._Private_collection.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/00/Albert_Gleizes%2C_1920%2C_Femme_au_gant_noir_%28Woman_with_Black_Glove%29%2C_oil_on_canvas%2C_126_x_100_cm._Private_collection.jpg/220px-Albert_Gleizes%2C_1920%2C_Femme_au_gant_noir_%28Woman_with_Black_Glove%29%2C_oil_on_canvas%2C_126_x_100_cm._Private_collection.jpg" decoding="async" width="220" height="277" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/00/Albert_Gleizes%2C_1920%2C_Femme_au_gant_noir_%28Woman_with_Black_Glove%29%2C_oil_on_canvas%2C_126_x_100_cm._Private_collection.jpg/330px-Albert_Gleizes%2C_1920%2C_Femme_au_gant_noir_%28Woman_with_Black_Glove%29%2C_oil_on_canvas%2C_126_x_100_cm._Private_collection.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/00/Albert_Gleizes%2C_1920%2C_Femme_au_gant_noir_%28Woman_with_Black_Glove%29%2C_oil_on_canvas%2C_126_x_100_cm._Private_collection.jpg/440px-Albert_Gleizes%2C_1920%2C_Femme_au_gant_noir_%28Woman_with_Black_Glove%29%2C_oil_on_canvas%2C_126_x_100_cm._Private_collection.jpg 2x" data-file-width="1145" data-file-height="1440" /></a><figcaption>Albert Gleizes, 1920, <i><a href="/wiki/Woman_with_Black_Glove" title="Woman with Black Glove">Femme au gant noir (Woman with Black Glove)</a></i>, oil on canvas, 126 x 100 cm, <a href="/wiki/National_Gallery_of_Australia" title="National Gallery of Australia">National Gallery of Australia</a></figcaption></figure> <p>In February 1913, Gleizes and other artists introduced the new style of European modern art to an American audience at the <a href="/wiki/Armory_Show" title="Armory Show">Armory Show</a> (International Exhibition of Modern Art) in <a href="/wiki/New_York_City" title="New York City">New York City</a>, <a href="/wiki/Chicago" title="Chicago">Chicago</a> and <a href="/wiki/Boston" title="Boston">Boston</a>. In addition to <i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">Man on a balcony (l'Homme au Balcon)</a></i> no. 196, Gleizes exhibited at the Armory Show his 1910 <i><a href="/wiki/La_Femme_aux_Phlox_(Gleizes)" class="mw-redirect" title="La Femme aux Phlox (Gleizes)">Femme aux Phlox (Woman with Phlox)</a></i>, Museum of Fine Arts, Houston.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes published an article in <a href="/wiki/Ricciotto_Canudo" title="Ricciotto Canudo">Ricciotto Canudo</a>'s <i>Montjoie!</i> entitled "Cubisme et la tradition". It was through the intermediary of Canudo that Gleizes would meet the artist <a href="/wiki/Juliette_Roche" title="Juliette Roche">Juliette Roche</a>; a childhood friend of <a href="/wiki/Jean_Cocteau" title="Jean Cocteau">Jean Cocteau</a> and daughter of <a href="/wiki/Jules_Roche" title="Jules Roche">Jules Roche</a>, an influential politician of the 3rd Republic.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-5" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>With the outbreak of <a href="/wiki/World_War_I" title="World War I">World War I</a>, Albert Gleizes re-enlisted in the French army. He was put in charge of organizing entertainment for the troops and as a result was approached by Jean Cocteau to design the set and costumes for the <a href="/wiki/William_Shakespeare" title="William Shakespeare">William Shakespeare</a> play, <i><a href="/wiki/A_Midsummer_Night%27s_Dream" title="A Midsummer Night's Dream">A Midsummer Night's Dream</a></i>, along with <a href="/wiki/Georges_Valmier" title="Georges Valmier">Georges Valmier</a>.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-6" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>Discharged from the military in the fall of 1915, Gleizes and his new wife, Juliette Roche, moved to New York, where they would meet regularly with <a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a>, <a href="/wiki/Man_Ray" title="Man Ray">Man Ray</a>, Marcel Duchamp and <a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a> (who would eventually marry <a href="/wiki/Suzanne_Duchamp" title="Suzanne Duchamp">Suzanne Duchamp</a>). It is at this time that Gleizes witnessed, with a critical eye, the <a href="/wiki/Readymades_of_Marcel_Duchamp" title="Readymades of Marcel Duchamp">readymades of Marcel Duchamp</a>. After a short stay at the Albemarle Hotel Gleizes and his wife settled at 103 West Street, where Gleizes painted a series of works inspired by jazz music, skyscrapers, luminous signs and the <a href="/wiki/Brooklyn_Bridge" title="Brooklyn Bridge">Brooklyn Bridge</a>. Here Gleizes met <a href="/wiki/Stuart_Davis_(painter)" title="Stuart Davis (painter)">Stuart Davis</a>, <a href="/wiki/Max_Weber" title="Max Weber">Max Weber</a>, <a href="/wiki/Joseph_Stella" title="Joseph Stella">Joseph Stella</a>, and participated in a show at Montross Gallery with Duchamp, Crotti and Metzinger (who remained in Paris)<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-7" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>From New York City, the couple sailed to <a href="/wiki/Barcelona,_Spain" class="mw-redirect" title="Barcelona, Spain">Barcelona</a> where they were joined by <a href="/wiki/Marie_Laurencin" title="Marie Laurencin">Marie Laurencin</a>, <a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a> and his wife. The group spent the summer painting at the resort area of <a href="/wiki/Tossa_de_Mar" title="Tossa de Mar">Tossa de Mar</a> and in November Gleizes opened his first <a href="/wiki/Solo_exhibition" title="Solo exhibition">solo exhibition</a>, at the <a href="/wiki/Galeries_Dalmau" title="Galeries Dalmau">Galeries Dalmau</a> in Barcelona, 29 November – 12 December 1916.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Returning to New York city in 1917, Gleizes began writing poetic sketches in verse and in prose, some of which were published in Picabia's <a href="/wiki/Dada" title="Dada">Dada</a> periodical <a href="/wiki/391_(magazine)" title="391 (magazine)">391</a>. Both Gleizes and his wife traveled from New York to <a href="/wiki/Bermuda" title="Bermuda">Bermuda</a> in September 1917,<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> where he painted a number of landscapes. When the war in Europe ended they returned to France where his career evolved more towards teaching through writing and he became involved with the committee of the <i>Unions Intellectuelles Françaises</i>.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-8" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Peter_Brooke_5-7" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>During the winter of 1918 at the Gleizes' rented house in Pelham New York, writes Daniel Robbins, Albert Gleizes came to his wife and said, "A terrible thing has happened to me: I believe I am finding God." This new religious conviction resulted not from any mystical visions but instead from Gleizes' rational confrontation of three urgent problems: collective order, individual differences and the painter's role. Although Gleizes did not join the Church until 1941, his next twenty-five years were spent in a logical effort not only to find God but also to have faith.<sup id="cite_ref-Daniel_Robbins_1-6" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>From 1914 and extending to the end of the New York period, Gleizes' nonrepresentational paintings and those with an apparent visual basis existed side by side, differing only, writes Daniel Robbins, in "the degree of abstraction hidden by the uniformity with which they were painted and by the constant effort to tie the plastic realization of the painting to a specific, even unique, experience."<sup id="cite_ref-Daniel_Robbins_1-7" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Gleizes approached abstraction conceptually rather than visually and in 1924 his intricate dialectic caused him to produce two amusing paintings which departed from his usual subject matter: the Imaginary Still Lifes, Blue and Green. In effect, writes Robbins, "Gleizes would have inverted Courbet's "Show me an angel and I will paint you an angel" to be "As long as an angel remains an unembodied ideal and cannot be shown to me, I'll paint it."<sup id="cite_ref-Daniel_Robbins_1-8" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Interwar_period">Interwar period</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=6" title="Edit section: Interwar period"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_1920-23,_Ecuy%C3%A8re,_oil_on_canvas,_130_x_93_cm,_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Albert_Gleizes%2C_1920-23%2C_Ecuy%C3%A8re%2C_oil_on_canvas%2C_130_x_93_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg/220px-Albert_Gleizes%2C_1920-23%2C_Ecuy%C3%A8re%2C_oil_on_canvas%2C_130_x_93_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg" decoding="async" width="220" height="304" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Albert_Gleizes%2C_1920-23%2C_Ecuy%C3%A8re%2C_oil_on_canvas%2C_130_x_93_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg/330px-Albert_Gleizes%2C_1920-23%2C_Ecuy%C3%A8re%2C_oil_on_canvas%2C_130_x_93_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Albert_Gleizes%2C_1920-23%2C_Ecuy%C3%A8re%2C_oil_on_canvas%2C_130_x_93_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg/440px-Albert_Gleizes%2C_1920-23%2C_Ecuy%C3%A8re%2C_oil_on_canvas%2C_130_x_93_cm%2C_Mus%C3%A9e_des_Beaux-Arts_de_Rouen.jpg 2x" data-file-width="453" data-file-height="626" /></a><figcaption>Albert Gleizes, 1920–23, <i>Ecuyère</i> (<i>Horsewoman</i>), oil on canvas, 130 x 93 cm, <a href="/wiki/Mus%C3%A9e_des_Beaux-Arts_de_Rouen" title="Musée des Beaux-Arts de Rouen">Musée des Beaux-Arts de Rouen</a>. (Purchased from the artist in 1951. Dépôt du <a href="/wiki/Centre_Pompidou" title="Centre Pompidou">Centre Pompidou</a>, 1998). This 1920 painting was reworked in 1923</figcaption></figure> <p>By 1919 the pre-war sense of the Cubist movement had been virtually shattered. Paris was overshadowed by a strong reaction against those visions of common effort and revolutionary construction which Gleizes continued to embrace, while the avant-garde was characterized by the anarchic and, to him, destructive spirit of Dada. Neither alternative held any appeal for him and, with the Salons dominated by a return to classicism, his old hostility to Paris was constantly nourished. Gleizes' attempt to resuscitate the spirit of the Section d'Or was met with great difficulty, despite support by <a href="/wiki/Alexander_Archipenko" title="Alexander Archipenko">Alexander Archipenko</a>, <a href="/wiki/Georges_Braque" title="Georges Braque">Georges Braque</a> and <a href="/wiki/L%C3%A9opold_Survage" title="Léopold Survage">Léopold Survage</a>.<sup id="cite_ref-Daniel_Robbins_1-9" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> His own organizational efforts were directed towards the re-establishment of a European-wide movement of abstract artists in the form of a large travelling exhibition, the <i>Exposition de la Section d’Or</i>, in 1920; it was not the success he had hoped for. Cubism was passé for younger artists, although Gleizes, on the contrary, felt that only its preliminary phase had been investigated.<sup id="cite_ref-MoMA,_Daniel_Robbins_2-1" class="reference"><a href="#cite_note-MoMA,_Daniel_Robbins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>It was the revival of the Section d'Or which ensured that Cubism in general and Gleizes in particular would become Dada's preferred target.<sup id="cite_ref-Christopher_Green,_1987_25-0" class="reference"><a href="#cite_note-Christopher_Green,_1987-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Similarly, an effort to organize an artists' cooperative received the support of Robert Delaunay, but of no other major artists.<sup id="cite_ref-Daniel_Robbins_1-10" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The polemic resulted in the publication of <i>Du cubisme et des moyens de le comprendre</i> by Albert Gleizes, followed in 1922 by <i>Painting and its Laws (La Peinture et ses lois)</i>, within which appear the notion of <i>translation</i> and <i>rotation</i> that would ultimately characterize both the pictorial and theoretical aspects of Gleizes' art.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-9" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> His post-Cubist style of the twenties—flat, forthright, uncompromising—is virtually <a href="/wiki/Blaise_Pascal" title="Blaise Pascal">Blaise Pascal</a>'s "Spirit of Geometry."<sup id="cite_ref-Daniel_Robbins_1-11" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes was in nearly every sense a maverick Cubist, perhaps the most unyielding of them all; both in his paintings and writings (which had a big impact on the image of Cubism in Europe and the United States). He developed a single-minded, thoroughly uncompromising Cubism without the diversion of a classical alternative. During the 1920s Gleizes worked on a highly abstract brand of Cubism. In addition to his shows at <a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a>'s L'Effort Moderne, the dealer-publisher Povolozky printed his writings. His art was indeed backed by a prodigious theoretical effluence, most notably in <i>La Peinture et ses lois</i> (first published in <i>La Vie des Lettres</i>, October 1922). Gleizes fused aesthetic, metaphysical, moral and social priorities to describe the status and function of art.<sup id="cite_ref-Christopher_Green,_1987_25-1" class="reference"><a href="#cite_note-Christopher_Green,_1987-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Painting_and_its_Laws">Painting and its Laws</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=7" title="Edit section: Painting and its Laws"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In <i>La Peinture et ses lois</i> writes Robbins, "Gleizes deduced the rules of painting from the picture plane, its proportions, the movement of the human eye and the laws of the universe. This theory, later referred to as <i>translation-rotation</i>, ranks with the writings of Mondrian and Malevich as one of the most thorough expositions of the principles of abstract art, which in his case entailed the rejection not only of representation but also of geometric forms."<sup id="cite_ref-MoMA,_Daniel_Robbins_2-2" class="reference"><a href="#cite_note-MoMA,_Daniel_Robbins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Flat planes were set in motion simultaneously to evoke space by shifting across one another, as if rotating and tilting on oblique axes. Diagrams entitled "<i>Simultaneous movements of rotation and shifting of the plane on its axis</i>" were published to illustrate the concept. </p><p>Gleizes undertook the task of writing the characterizations of these principles in <i>Painting and its Laws</i> (<i>La Peinture et ses lois</i>), published by gallery owner Jacques Povolozky in the journal <i>La Vie des lettres et des arts</i>, 1922–23, as a book in 1924,<sup id="cite_ref-Brooke,_2001_4-1" class="reference"><a href="#cite_note-Brooke,_2001-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Alibert_27-0" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> and reproduced in <a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a>'s <i>Bulletin de l'Effort moderne</i>, no. 13, March 1925, no. 14, April 1925.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p><p>One of Gleizes's primary objectives was to answer the questions: How will the planar surface be animated, and by what logical method, independent of the artists <i>fantaisie</i>, can it be attained?<sup id="cite_ref-La_Peinture_et_ses_lois_29-0" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p><b>The approach:</b><br /> Gleizes bases these laws both on truisms inherent throughout the history of art, and especially on his own experience since 1912, such as: <i>The primary goal of art has never been exterior imitation</i> (p. 31); <i>Artworks come from emotion... the product of individual sensibility and taste</i> (p. 42); <i>The artist is always in a state of emotion, sentimental exaltation [ivresse]</i> (p. 43); <i>The painting in which the idea of abstract creation is realized is no longer an anecdote, but a concrete fact</i> (p. 56); <i>Creating a painted artwork is not the emission of an opinion</i> (p. 59); <i>The plastic dynamism will be born out of rhythmic relations between objects... establishing novel plastic liaisons between purely objective elements that compose the painting</i> (p. 22).<sup id="cite_ref-Alibert_27-1" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> </p><p>Continuing, Gleizes states that the 'reality' of a painting is not that of a mirror, but of the object... issue of imminent logic (p. 62). 'The subject-pretext tending toward numeration, inscribed following the nature of the plane, attains a tangent intersections between known images of the natural world and unknown images that reside within intuition' (p. 63).<sup id="cite_ref-Alibert_27-2" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-1" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p><b>Defining the laws:</b><br /> Rhythm and space are for Gleizes the two vital conditions. Rhythm is a consequence of the continuity of certain phenomena, variable or invariable, following from mathematical relations. Space is a conception of the human psyche that follows from quantitative comparisons (pp. 35, 38, 51). This mechanism is the foundation for artistic expression. It is therefore both a philosophical and scientific synthesis. For Gleizes, Cubism was a means to arrive not only at a new mode of expression but above all a new way of thinking. This was, according to art historian <a href="/w/index.php?title=Pierre_Alibert_(historian)&action=edit&redlink=1" class="new" title="Pierre Alibert (historian) (page does not exist)">Pierre Alibert</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Pierre_Alibert" class="extiw" title="fr:Pierre Alibert">fr</a>]</span>, the foundation of both a new species of painting and an alternative relationship with the world; hence another principle of civilization.<sup id="cite_ref-Alibert_27-3" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-2" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>The problem set out by Gleizes was to replace <i>anecdote</i> as a starting point for the work of art, by the sole means of using the elements of the painting itself: line, form and color.<sup id="cite_ref-Alibert_27-4" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-3" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>Beginning with a central rectangle, taken as an example of elementary form, Gleizes points out two mechanical ways of juxtaposing form to create a painting: (1) either by reproducing the initial form (employing various <a href="/wiki/Symmetry_(geometry)" title="Symmetry (geometry)">symmetries</a> such as reflectional, rotational or translational), or by modifying (or not) its dimensions.<sup id="cite_ref-Alibert_27-5" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> (2) By displacement of the initial form; pivoting around an imaginary axis in one direction or another.<sup id="cite_ref-Alibert_27-6" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-4" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>The choice of position (through translation and/or rotation), though based on the inspiration of the artist, is no longer attributed to the anecdotal. An objective and rigorous method, independent of the painter, replaces emotion or sensibility in the determination the placement of form, that is through <i>translation</i> and <i>rotation</i>.<sup id="cite_ref-Alibert_27-7" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-5" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p><b>Schematic illustrations:</b><br /> </p> <figure class="mw-default-size mw-halign-center" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes_(after)_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c5/Albert_Gleizes_%28after%29_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg/640px-Albert_Gleizes_%28after%29_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg" decoding="async" width="640" height="300" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c5/Albert_Gleizes_%28after%29_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg/960px-Albert_Gleizes_%28after%29_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c5/Albert_Gleizes_%28after%29_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg/1280px-Albert_Gleizes_%28after%29_1._Mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg 2x" data-file-width="4320" data-file-height="2028" /></a><figcaption><div align="center">1. Movements of translation of the plane to one side</div></figcaption></figure> <p>Space and rhythm, according to Gleizes, are perceptible by the extent of movement (displacement) of planar surfaces. These elemental transformations modify the position and importance of the initial plane, whether they converge or diverge ('recede' or 'advance') from the eye, creating a series of new and separate spatial planes appreciable physiologically by the observer.<sup id="cite_ref-Alibert_27-8" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-6" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-center" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes_(after)_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Albert_Gleizes_%28after%29_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg/640px-Albert_Gleizes_%28after%29_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg" decoding="async" width="640" height="309" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Albert_Gleizes_%28after%29_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg/960px-Albert_Gleizes_%28after%29_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/95/Albert_Gleizes_%28after%29_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg/1280px-Albert_Gleizes_%28after%29_2._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan.jpg 2x" data-file-width="4250" data-file-height="2052" /></a><figcaption><div align="center">2. Simultaneous movements of rotation and translation of the plane</div></figcaption></figure> <p>Another movement is added to the first movement of translation of the plane to one side: Rotation of the plane. Fig. I shows the resulting formation that follows from simultaneous movements of rotation and translation of the initial plane produced on the axis. Fig II and Fig. III represent the simultaneous movements of rotation and translation of the rectangle, inclined to the right and to the left. The axis point at which movement is realized is established by the observer. Fig. IV represents the simultaneous movements of rotation and translation of the rectangle plane, with the position of the eye of the observed displaced left of the axis. Displacement toward the right (though not represented) is straightforward enough to imagine.<sup id="cite_ref-Alibert_27-9" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-7" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-center" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes_(after)_3._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_aboutissant_%C3%A0_la_cr%C3%A9ation_d%27un_organisme_plastique_spatial_et_rythmique.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Albert_Gleizes_%28after%29_3._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_aboutissant_%C3%A0_la_cr%C3%A9ation_d%27un_organisme_plastique_spatial_et_rythmique.jpg/640px-thumbnail.jpg" decoding="async" width="640" height="536" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Albert_Gleizes_%28after%29_3._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_aboutissant_%C3%A0_la_cr%C3%A9ation_d%27un_organisme_plastique_spatial_et_rythmique.jpg/960px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/64/Albert_Gleizes_%28after%29_3._Mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_aboutissant_%C3%A0_la_cr%C3%A9ation_d%27un_organisme_plastique_spatial_et_rythmique.jpg/1280px-thumbnail.jpg 2x" data-file-width="4400" data-file-height="3682" /></a><figcaption><div align="center">3. Simultaneous movements of rotation and translation of the plane resulting in the creation of a spatial and rhythmic plastic organism</div></figcaption></figure> <p>With these figures Gleizes attempts to present, under the most simple conditions possible (simultaneous movements of rotation and translation of the plane), the creation of a spatial and rhythmic organism (Fig. VIII), with practically no initiative taken on the part of the artist who controls the evolutionary process. The planar surfaces of Fig. VIII are filled with hatching espousing the 'direction' of the planes. What emerges in the inert plane, according to Gleizes, through the movement followed by the eye of the observer, is "a visible imprint of successive stages of which the initial rhythmic cadence coordinated a succession of differing states". These successive stages permit the perception of space. The initial state, by consequence of the transformation, has become a spatial and rhythmic organism.<sup id="cite_ref-Alibert_27-10" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-8" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-center" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes_(after)_4._Syst%C3%A9me_plastique_spatial_et_rythmique_obtenue_par_la_conjugaison_des_mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_et_des_mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Albert_Gleizes_%28after%29_4._Syst%C3%A9me_plastique_spatial_et_rythmique_obtenue_par_la_conjugaison_des_mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_et_des_mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg/550px-thumbnail.jpg" decoding="async" width="550" height="487" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Albert_Gleizes_%28after%29_4._Syst%C3%A9me_plastique_spatial_et_rythmique_obtenue_par_la_conjugaison_des_mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_et_des_mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg/825px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Albert_Gleizes_%28after%29_4._Syst%C3%A9me_plastique_spatial_et_rythmique_obtenue_par_la_conjugaison_des_mouvements_simultan%C3%A9s_de_rotation_et_de_translation_du_plan_et_des_mouvements_de_translation_du_plan_sur_un_c%C3%B4t%C3%A9.jpg/1100px-thumbnail.jpg 2x" data-file-width="2214" data-file-height="1962" /></a><figcaption><div align="center">4. Plastic spatial and rhythmic system obtained by the conjugation of simultaneous movements of rotation and translation of the plane and from the movements of translation of the plane to one side</div></figcaption></figure> <p>Fig. I and Fig. II obtain mechanically, Gleizes writes, with minimal personal initiative, a "plastic spatial and rhythmic system", by the conjugation of simultaneous movements of rotation and translation of the plane and from the movements of translation of the plane to one side. The result is a spatial and rhythmic organism more <i>complex</i> than shown in Fig. VIII; demonstrating through mechanical, purely plastic means, the realization of a material universe independent of intentional intervention by the artist. This is sufficient to demonstrate, according to Gleizes, the <i>possibilities of the plane</i> to serve spatially and rhythmically by its own power.<sup id="cite_ref-Alibert_27-11" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-9" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> [<i>L'exposé hâtif de cette mécanique purement plastique aboutissant à la réalisation d'un univers matériel en dehors de l'intervention particulière intentionnelle, suffit à démontrer la </i>possibilité du plan<i> de signifier spatialement et rythmiquement par sa seule puissance</i>].<sup id="cite_ref-Alibert_27-12" class="reference"><a href="#cite_note-Alibert-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-La_Peinture_et_ses_lois_29-10" class="reference"><a href="#cite_note-La_Peinture_et_ses_lois-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes' painting of 1920–1922, submitted to the same rigor, were not Cubist in any conventional sense; but they <i>were</i> Cubist in their concern with <a href="/wiki/Planimetrics" title="Planimetrics">planimetric</a> space, and in their relationship (synthesis) with subject-matter. Indeed, the abstract appearance of these compositions is misleading. Gleizes had always remained committed to synthesis. He described how artists had freed themselves from the 'subject-image' as a pretext to work from the 'subjectless-image' (nebulous forms) until they came together. The images known from the natural world combined with those nebulous forms were made 'spiritually human'. Though Gleizes considered his works as initially nonrepresentational and only afterwards as denotational.<sup id="cite_ref-Christopher_Green,_1987_25-2" class="reference"><a href="#cite_note-Christopher_Green,_1987-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p><p>Before World War I, Gleizes had always been identified as a Cubist avant-garde. And during the twenties he continued to hold a prominent position, but he was no longer identified with the avant-garde since Cubism had been superseded by Dada and <a href="/wiki/Surrealism" title="Surrealism">Surrealism</a>. Even after historians began their attempts to analyze the vital role played by Cubism, the name of Albert Gleizes was always mentioned because of his early and important participation in the movement. Gleizes had never ceased to call himself a Cubist and theoretically a Cubist he remained. In many ways his theories were close to those developed by Mondrian, though his paintings never submitted to the discipline of primary colors and the right angle; they were not Neo-Plastic (or <a href="/wiki/De_Stijl" title="De Stijl">De Stijl</a>) in character. In fact, his works from the late 1920s through the 1940s looked like nothing else that was being done, and indeed, they were rarely seen in the art world because Gleizes deliberately distanced himself from extensive participation in the Parisian scene.<sup id="cite_ref-MoMA,_Daniel_Robbins_2-3" class="reference"><a href="#cite_note-MoMA,_Daniel_Robbins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>Gleizes realized that his evolution towards 'purity' carried with it the risk of alienation from the 'mentality of the milieu', but he saw it as the sole means of arriving at a new type of art that could reach a mass audience (just as the French murals of the 11th and 12th centuries). In <i>Du Cubisme et les moyens de comprendre</i> (1920), Gleizes went so far as to envisage the mass-production of painting; as a means of undermining the market system and thus the status of artworks as commodities. 'The multiplication of pictures,' Gleizes wrote, 'strikes at the heart of the understanding and the economic notions of the bourgeois.'<sup id="cite_ref-Christopher_Green,_1987_25-3" class="reference"><a href="#cite_note-Christopher_Green,_1987-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1920s–1930s"><span id="1920s.E2.80.931930s"></span>1920s–1930s</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=8" title="Edit section: 1920s–1930s"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:La_Section_d%27Or_exhibition,_1925,_Galerie_Vavin-Raspail,_Paris.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/09/La_Section_d%27Or_exhibition%2C_1925%2C_Galerie_Vavin-Raspail%2C_Paris.jpg/350px-La_Section_d%27Or_exhibition%2C_1925%2C_Galerie_Vavin-Raspail%2C_Paris.jpg" decoding="async" width="350" height="259" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/09/La_Section_d%27Or_exhibition%2C_1925%2C_Galerie_Vavin-Raspail%2C_Paris.jpg/525px-La_Section_d%27Or_exhibition%2C_1925%2C_Galerie_Vavin-Raspail%2C_Paris.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/09/La_Section_d%27Or_exhibition%2C_1925%2C_Galerie_Vavin-Raspail%2C_Paris.jpg/700px-La_Section_d%27Or_exhibition%2C_1925%2C_Galerie_Vavin-Raspail%2C_Paris.jpg 2x" data-file-width="1886" data-file-height="1395" /></a><figcaption>La <a href="/wiki/Section_d%27Or" title="Section d'Or">Section d'Or</a> exhibition, 1925, Galerie Vavin-Raspail, Paris. Albert Gleizes, <i><a href="/wiki/Portrait_de_l%E2%80%99%C3%A9diteur_Eug%C3%A8ne_Figui%C3%A8re_(Gleizes)" class="mw-redirect" title="Portrait de l’éditeur Eugène Figuière (Gleizes)">Portrait de Eugène Figuière</a></i>, <i><a href="/wiki/La_Chasse_(painting)" class="mw-redirect" title="La Chasse (painting)">La Chasse (The Hunt)</a></i>, and <i><a href="/wiki/Les_Baigneuses_(Gleizes)" class="mw-redirect" title="Les Baigneuses (Gleizes)">Les Baigneuses (The Bathers)</a></i> are seen towards the center. Works by <a href="/wiki/Robert_Delaunay" title="Robert Delaunay">Robert Delaunay</a> and <a href="/wiki/Andr%C3%A9_Lhote" title="André Lhote">André Lhote</a> are seen to the left and right respectively, amidst works by others</figcaption></figure> <p>After World War I, with the support given by the dealer <a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a>, Cubism returned as a central issue for artists. With the Salons dominated by a return to classicism, Gleizes attempted to resuscitate the spirit of the <a href="/wiki/Section_d%27Or" title="Section d'Or">Section d'Or</a> in 1920 but was met with great difficulty, despite support by <a href="/wiki/Fernand_L%C3%A9ger" title="Fernand Léger">Fernand Léger</a>, <a href="/wiki/Alexander_Archipenko" title="Alexander Archipenko">Alexander Archipenko</a>, <a href="/wiki/Georges_Braque" title="Georges Braque">Georges Braque</a>, <a href="/wiki/Constantin_Br%C3%A2ncu%C8%99i" title="Constantin Brâncuși">Constantin Brâncuși</a>, <a href="/wiki/Henri_Laurens" title="Henri Laurens">Henri Laurens</a>, <a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a>, <a href="/wiki/Raymond_Duchamp-Villon" title="Raymond Duchamp-Villon">Raymond Duchamp-Villon</a>, <a href="/wiki/Louis_Marcoussis" title="Louis Marcoussis">Louis Marcoussis</a> and <a href="/wiki/L%C3%A9opold_Survage" title="Léopold Survage">Léopold Survage</a>.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> Gleizes' organizational efforts were directed towards the establishment of a European-wide movement of Cubist and <a href="/wiki/Abstract_art" title="Abstract art">abstract art</a> in the form of a large traveling exhibition; the <i>Exposition de la Section d’Or</i>. The idea was to bring together a collection of works that revealed the complete process of transformation and renewal that had taken place.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> It was not the success he had hoped for. Cubism was seen as passé for emerging artists and other established artists such as Marcel Duchamp and Picabia, although Gleizes, on the contrary, felt that only its preliminary phase had been investigated.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>In addition to Cubists works (which already represented a wide variety of styles), the second edition of the Section d'Or held at the Galerie La Boétie from 5 March 1920 included <a href="/wiki/De_Stijl" title="De Stijl">De Stijl</a>, <a href="/wiki/Bauhaus" title="Bauhaus">Bauhaus</a>, <a href="/wiki/Constructivism_(art)" title="Constructivism (art)">Constructivism</a> and <a href="/wiki/Futurism" title="Futurism">Futurism</a>.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> It was the revival of the Section d'Or which ensured that Cubism in general would become <a href="/wiki/Dadaism" class="mw-redirect" title="Dadaism">Dada</a>'s preferred target.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> The new polemic resulted in the publication of <i>Du cubisme et des moyens de le comprendre</i> by Gleizes, followed in 1922 by <i>La Peinture et ses lois</i>.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p><p>Following the death of Jules Roche, the Gleizes' had enough independent income and real estate to pursue their goals without bowing to material considerations, unlike many other artists. The Gleizes' spent more and more time at the family home in Serrières, in Cavalaire, and an even quieter location on the <a href="/wiki/French_Riviera" title="French Riviera">French Riviera</a>, both associating with people more sympathetic to their social ideas. Gleizes became active in the <i>Union Intellectuelle</i> and lectured extensively in France, Germany, Poland and England, while continuing to write. In 1924–25 the Bauhaus (where certain ideals analogous to his own were practiced) requested a new book on Cubism (as part of a series which included <a href="/wiki/Wassily_Kandinsky" title="Wassily Kandinsky">Wassily Kandinsky</a>'s <i>Point and Line to Plane</i>, Paul Klee's <i>Pedagogical Notebooks</i>, and <a href="/wiki/Kasimir_Malevich" class="mw-redirect" title="Kasimir Malevich">Kasimir Malevich</a>'s <i>The Non-Objective World</i><sup id="cite_ref-Peter_Brooke_5-8" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>). Gleizes, in response, would write <i>Kubismus</i> (published in 1928) for the collection of Bauhausbücher 13, Munich. The publication of Kubismus in French the following year would bring Gleizes closer to Delaunay.<sup id="cite_ref-Daniel_Robbins_1-12" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-10" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> In 1924 Gleizes, Léger and <a href="/wiki/Am%C3%A9d%C3%A9e_Ozenfant" title="Amédée Ozenfant">Amédée Ozenfant</a> opened <i><a href="/wiki/Acad%C3%A9mie_Moderne" title="Académie Moderne">Académie Moderne</a></i>.<sup id="cite_ref-Peter_Brooke_5-9" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>In 1927, still dreaming of the communal days at the Abbaye de Créteil, Gleizes founded an artist's colony at a rented house called the <i><a href="/w/index.php?title=Moly-Sabata&action=edit&redlink=1" class="new" title="Moly-Sabata (page does not exist)">Moly-Sabata</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Moly-Sabata" class="extiw" title="fr:Moly-Sabata">fr</a>]</span></i> in <a href="/wiki/Sablons,_Is%C3%A8re" title="Sablons, Isère">Sablons</a> near his wife's family home in Serrières in the <a href="/wiki/Ard%C3%A8che" title="Ardèche">Ardèche</a> département in the Rhône Valley.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-11" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Peter_Brooke_5-10" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a>, in 1929, commissioned Gleizes (replacing <a href="/wiki/Gino_Severini" title="Gino Severini">Gino Severini</a>) to paint decorative panels for his Parisian residence, which would be installed in 1931. The same year Gleizes was part of the committee of Abstraction-Création (founded by <a href="/wiki/Theo_van_Doesburg" title="Theo van Doesburg">Theo van Doesburg</a>, <a href="/wiki/Auguste_Herbin" title="Auguste Herbin">Auguste Herbin</a>, <a href="/wiki/Jean_H%C3%A9lion" title="Jean Hélion">Jean Hélion</a> and <a href="/wiki/Georges_Vantongerloo" title="Georges Vantongerloo">Georges Vantongerloo</a>) that acted as a forum for international <a href="/wiki/Abstract_art" title="Abstract art">non-representational art</a>, and counteracted the influence of the <a href="/wiki/Surrealist" class="mw-redirect" title="Surrealist">Surrealist</a> group led by <a href="/wiki/Andr%C3%A9_Breton" title="André Breton">André Breton</a>. By this time, his work reflected the strengthening of his religious convictions and his 1932 book, <i>Vers une conscience plastique, La Forme et l’histoire</i> examines <a href="/wiki/Celtic_art" title="Celtic art">Celtic</a>, <a href="/wiki/Romanesque_art" title="Romanesque art">Romanesque</a>, and <a href="/wiki/Orient" title="Orient">Oriental</a> art. On tour in <a href="/wiki/Poland" title="Poland">Poland</a> and <a href="/wiki/Germany" title="Germany">Germany</a>, he gave lectures titled <i>Art et Religion, Art et Production</i> and <i>Art et Science</i> and wrote a book on Robert Delaunay but it was never published.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-12" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Peter_Brooke_5-11" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Armory_Show,_1913,_the_Cubist_room,_Raymond_Duchamp-Villon,_Albert_Gleizes,_Marcel_Duchamp,_Alexander_Archipenko,_New_York_Tribune,_17_February_1913,_p._7.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/58/Armory_Show%2C_1913%2C_the_Cubist_room%2C_Raymond_Duchamp-Villon%2C_Albert_Gleizes%2C_Marcel_Duchamp%2C_Alexander_Archipenko%2C_New_York_Tribune%2C_17_February_1913%2C_p._7.jpg/420px-Armory_Show%2C_1913%2C_the_Cubist_room%2C_Raymond_Duchamp-Villon%2C_Albert_Gleizes%2C_Marcel_Duchamp%2C_Alexander_Archipenko%2C_New_York_Tribune%2C_17_February_1913%2C_p._7.jpg" decoding="async" width="420" height="255" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/58/Armory_Show%2C_1913%2C_the_Cubist_room%2C_Raymond_Duchamp-Villon%2C_Albert_Gleizes%2C_Marcel_Duchamp%2C_Alexander_Archipenko%2C_New_York_Tribune%2C_17_February_1913%2C_p._7.jpg/630px-Armory_Show%2C_1913%2C_the_Cubist_room%2C_Raymond_Duchamp-Villon%2C_Albert_Gleizes%2C_Marcel_Duchamp%2C_Alexander_Archipenko%2C_New_York_Tribune%2C_17_February_1913%2C_p._7.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/58/Armory_Show%2C_1913%2C_the_Cubist_room%2C_Raymond_Duchamp-Villon%2C_Albert_Gleizes%2C_Marcel_Duchamp%2C_Alexander_Archipenko%2C_New_York_Tribune%2C_17_February_1913%2C_p._7.jpg/840px-Armory_Show%2C_1913%2C_the_Cubist_room%2C_Raymond_Duchamp-Villon%2C_Albert_Gleizes%2C_Marcel_Duchamp%2C_Alexander_Archipenko%2C_New_York_Tribune%2C_17_February_1913%2C_p._7.jpg 2x" data-file-width="2018" data-file-height="1226" /></a><figcaption>Installation shot of the Cubist room, 1913 Armory Show, published in the <i>New York Tribune</i>, February 17, 1913 (p. 7). Left to right: <a href="/wiki/Raymond_Duchamp-Villon" title="Raymond Duchamp-Villon">Raymond Duchamp-Villon</a>, <i>La Maison Cubiste (Projet d'Hotel), Cubist House</i>; <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a> <i>Nude (Study), Sad Young Man on a Train (Nu [esquisse], jeune homme triste dans un train)</i> 1911-12 (<a href="/wiki/The_Solomon_R._Guggenheim_Foundation" class="mw-redirect" title="The Solomon R. Guggenheim Foundation">The Solomon R. Guggenheim Foundation</a>, <a href="/wiki/Peggy_Guggenheim_Collection" title="Peggy Guggenheim Collection">Peggy Guggenheim Collection</a>, Venice); Albert Gleizes, <i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">L'Homme au Balcon (Man on a Balcony)</a></i>, 1912 (<a href="/wiki/Philadelphia_Museum_of_Art" title="Philadelphia Museum of Art">Philadelphia Museum of Art</a>); Marcel Duchamp, <i><a href="/wiki/Nude_Descending_a_Staircase,_No._2" title="Nude Descending a Staircase, No. 2">Nude Descending a Staircase, No. 2</a></i>; <a href="/wiki/Alexander_Archipenko" title="Alexander Archipenko">Alexander Archipenko</a>, <i>La Vie Familiale, Family Life</i> (destroyed)</figcaption></figure> <p>In 1934 Gleizes began a series of paintings that would continue for several years, in which three levels are identified: <i>static translation</i>, corresponding to his researches of the 1920s; <i>mobile rotation</i>, corresponding to his researches into coloured cadences of the late 1920s and early 1930s; and <i>simple grey arcs</i> which, Gleizes argues, gives the 'form' or unifying 'rhythm' of the painting. The level of 'translation' is generally a geometrical figure evoking a representational image, unlike the work of the early 1930s. These works no longer articulate the strict non-representation of <i>Abstraction Création</i>. <a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a>—who had already published Gleizes extensively in his <i>Bulletin de l'Effort Moderne</i>, but had not previously shown much enthusiasm for his painting—was deeply impressed by Gleizes' paintings (which followed from his 1934 research) at the Salon d'Automne. This was the beginning of a close relationship with Gleizes, which continued through the 1930s and is reflected in a stream of correspondence.<sup id="cite_ref-Peter_Brooke_5-12" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>In 1937, Gleizes was commissioned to paint murals for the <a href="/wiki/Exposition_Internationale_des_Arts_et_Techniques_dans_la_Vie_Moderne_(1937)" class="mw-redirect" title="Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937)">Exposition Internationale des Arts et Techniques dans la Vie Moderne</a> at the Paris World's Fair. He collaborated with the Delaunays in the <i>Pavillon de l'Air</i> and with <a href="/wiki/L%C3%A9opold_Survage" title="Léopold Survage">Léopold Survage</a> and Fernand Léger for the <i>Pavillon de l'Union des Artistes Modernes</i>. At the end of 1938, Gleizes volunteered to participate in the free seminars and discussion groups for young painters set up by Robert Delaunay at his Paris studio.<sup id="cite_ref-Fondation_Gleizes,_Chronologie_3-13" class="reference"><a href="#cite_note-Fondation_Gleizes,_Chronologie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Peter_Brooke_5-13" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Then Gleizes, in collaboration with <a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a>, conceived the idea of executing a mural for the auditorium of the École des Arts et Métiers; the latter was rejected by the school authorities as too abstract, but immense panels by Gleizes survive as <i>Four Legendary Figures of the Sky</i> (San Antonio, TX, McNay A. Inst.). Other examples of this ambitious public style include <i>The Transfiguration</i> (1939–41; Lyon, Mus. B.-A.). </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Recoveredgleizes.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Recoveredgleizes.jpg/220px-Recoveredgleizes.jpg" decoding="async" width="220" height="279" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Recoveredgleizes.jpg/330px-Recoveredgleizes.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/73/Recoveredgleizes.jpg/440px-Recoveredgleizes.jpg 2x" data-file-width="808" data-file-height="1024" /></a><figcaption>Albert Gleizes, 1911, <i><a href="/wiki/Le_Chemin,_Paysage_%C3%A0_Meudon_(Gleizes)" class="mw-redirect" title="Le Chemin, Paysage à Meudon (Gleizes)">Le Chemin, Paysage à Meudon</a></i>, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911, Salon des Indépendants, Bruxelles, 1911, Galeries J. Dalmau, Barcelona, 1912, Galerie La Boétie, Salon de La Section d'Or, 1912, stolen by Nazi occupiers from the home of collector Alphonse Kann during World War II, returned to its rightful owners in 1997<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>In the late 1930s, the wealthy American art connoisseur <a href="/wiki/Peggy_Guggenheim" title="Peggy Guggenheim">Peggy Guggenheim</a> purchased a great deal of the new art in Paris including works by Albert Gleizes. She brought these works to the United States which today form part of the <a href="/wiki/Peggy_Guggenheim_Collection" title="Peggy Guggenheim Collection">Peggy Guggenheim Collection</a>. </p> <div class="mw-heading mw-heading3"><h3 id="Religious_Influence">Religious Influence</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=9" title="Edit section: Religious Influence"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><span class="citation-needed-content" style="padding-left:0.1em; padding-right:0.1em; color:var(--color-subtle, #54595d); border:1px solid var(--border-color-subtle, #c8ccd1);">Albert Gleizes did believe in the Roman catholic church and even considered himself a catholic dating back to the 1920s.</span><sup class="noprint Inline-Template Template-Fact" style="margin-left:0.1em; white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (May 2023)">citation needed</span></a></i>]</sup> Despite his admiration for the Western Christian tradition and the early medieval church, Gleizes did not join the Roman Catholic Church until 1941.<sup id="cite_ref-Peter_Brooke_5-14" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Gleizes believed that the church had lost its "spirit" since the rise of scholastic philosophy and representational art in the thirteenth century. However, in 1941, he soon came to believe that the sacraments were still true and effective, despite some intellectual deviations.<sup id="cite_ref-Peter_Brooke_5-15" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <span class="citation-needed-content" style="padding-left:0.1em; padding-right:0.1em; color:var(--color-subtle, #54595d); border:1px solid var(--border-color-subtle, #c8ccd1);">In 1942, he was formally confirmed into the Roman Catholic Church and received his First Communion. After joining the Church, Gleizes would write memoirs and series that talked about meditation such as "Supports de contemplation" and "Souvenirs: Le Cubisme" adding on Large Triptychs. A retrospective of Gleizes'artwork was held at the Chapelle du Lycée Ampère in Lyon in 1947, marking the end of his career. Gleizes' last creations include a set of 57 illustrations for Blaise Pascal's Pensées, and a fresco called The Eucharist which was located in a chapel at a new Jesuit seminary in the Fontaines community in Chantilly.</span><sup class="noprint Inline-Template Template-Fact" style="margin-left:0.1em; white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (May 2023)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading3"><h3 id="World_War_II_and_after">World War II and after</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=10" title="Edit section: World War II and after"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>During <a href="/wiki/World_War_II" title="World War II">World War II</a>, Gleizes and his wife remained in France under the German occupation. In 1942 Gleizes began the series of <i>Supports de Contemplation</i>, large scale, entirely non-representational paintings that are both very complex and very serene.<sup id="cite_ref-Peter_Brooke_5-16" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Materials being difficult to obtain during the war, Gleizes painted on burlap, sizing the porous material with a mixture of glue and paint. He had used burlap in some of his earliest paintings and now found it favorable to his vigorous touch, for it took the most powerful strokes even while preserving the matte surface he so valued. In 1952, Gleizes realized his last major work, a fresco titled <i>Eucharist</i> that he painted for a <a href="/wiki/Society_of_Jesus" class="mw-redirect" title="Society of Jesus">Jesuit</a> chapel in <a href="/wiki/Chantilly,_Oise" title="Chantilly, Oise">Chantilly</a>.<sup id="cite_ref-Peter_Brooke_5-17" class="reference"><a href="#cite_note-Peter_Brooke-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>Albert Gleizes died in <a href="/wiki/Avignon" title="Avignon">Avignon</a> in the <a href="/wiki/Vaucluse" title="Vaucluse">Vaucluse</a> département on 23 June 1953 and was interred in his wife's family mausoleum in the cemetery at Serrières. </p> <div class="mw-heading mw-heading2"><h2 id="Art_market">Art market</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=11" title="Edit section: Art market"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2010, <i><a href="/wiki/Le_Chemin,_Paysage_%C3%A0_Meudon_(Gleizes)" class="mw-redirect" title="Le Chemin, Paysage à Meudon (Gleizes)">Le Chemin (Paysage à Meudon)</a></i> (1911), oil on canvas, 146.4 x 114.4 cm, sold for 1,833,250 GBP ($2,683,878, or 2,198,983 Euros) at Christie's, London.<sup id="cite_ref-Christie's_2010_40-0" class="reference"><a href="#cite_note-Christie's_2010-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=12" title="Edit section: Legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <blockquote><p>"Gleizes' individual development, his unique struggle to reconcile forces," writes Daniel Robbins, "made him one of the few painters to come out of Cubism with a wholly individual style, undeflected by later artistic movements. Although he occasionally returned to earlier subjects... these later works were treated anew, on the basis of fresh insights. He never repeated his earlier styles, never remained stationary, but always grew more intense, more passionate. [...] His life ended in 1953 but his paintings remain to testify to his willingness to struggle for final answers. His is an abstract art of deep significance and meaning, paradoxically human even in his very search for absolute order and truth." (Daniel Robbins, 1964)<sup id="cite_ref-Daniel_Robbins_1-13" class="reference"><a href="#cite_note-Daniel_Robbins-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading2"><h2 id="Commemoration">Commemoration</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=13" title="Edit section: Commemoration"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In celebration of the 100th anniversary of the publication of <i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i> by Albert Gleizes and Jean Metzinger, the <a href="/wiki/Mus%C3%A9e_de_La_Poste" title="Musée de La Poste">Musée de La Poste</a> in Paris presented a show entitled <i>Gleizes – Metzinger. Du cubisme et après</i>, from 9 May to 22 September 2012. Over 80 paintings and drawings, along with documents, films and 15 works by other members of the Section d'Or group (Villon, Duchamp-Villon, Kupka, Le Fauconnier, Lhote, La Fresnaye, Survage, Herbin, Marcoussis, Archipenko...) were included in the show. A catalogue in French and English was published for the event. A French postage stamp is issued representing works by Gleizes (<i>Le Chant de Guerre</i>, 1915) and Metzinger (<i>L'Oiseau Bleu</i>, 1913). This is the first time that a museum has organized an exhibit showcasing both Gleizes and Metzinger together.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Gallery">Gallery</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=14" title="Edit section: Gallery"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/List_of_works_by_Albert_Gleizes" title="List of works by Albert Gleizes">List of works by Albert Gleizes</a></div> <ul class="gallery mw-gallery-traditional"> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1910,_L%27Arbre_(The_Tree),_oil_on_canvas,_92_x_73.2_cm,_private_collection.jpg" class="mw-file-description" title="Albert Gleizes, 1910, L'Arbre (The Tree), oil on canvas, 92 x 73.2 cm, private collection. Exhibited Salon des Indépendants, 1910; Salon de la Section d'Or, Galerie La Boétie, 1912; Manes Moderni Umeni, S.V.U., Vystava, Prague, 1914"><img alt="Albert Gleizes, 1910, L'Arbre (The Tree), oil on canvas, 92 x 73.2 cm, private collection. Exhibited Salon des Indépendants, 1910; Salon de la Section d'Or, Galerie La Boétie, 1912; Manes Moderni Umeni, S.V.U., Vystava, Prague, 1914" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Albert_Gleizes%2C_1910%2C_L%27Arbre_%28The_Tree%29%2C_oil_on_canvas%2C_92_x_73.2_cm%2C_private_collection.jpg/150px-Albert_Gleizes%2C_1910%2C_L%27Arbre_%28The_Tree%29%2C_oil_on_canvas%2C_92_x_73.2_cm%2C_private_collection.jpg" decoding="async" width="150" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Albert_Gleizes%2C_1910%2C_L%27Arbre_%28The_Tree%29%2C_oil_on_canvas%2C_92_x_73.2_cm%2C_private_collection.jpg/225px-Albert_Gleizes%2C_1910%2C_L%27Arbre_%28The_Tree%29%2C_oil_on_canvas%2C_92_x_73.2_cm%2C_private_collection.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Albert_Gleizes%2C_1910%2C_L%27Arbre_%28The_Tree%29%2C_oil_on_canvas%2C_92_x_73.2_cm%2C_private_collection.jpg/300px-Albert_Gleizes%2C_1910%2C_L%27Arbre_%28The_Tree%29%2C_oil_on_canvas%2C_92_x_73.2_cm%2C_private_collection.jpg 2x" data-file-width="512" data-file-height="649" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1910, <i><a href="/wiki/L%27Arbre,_The_Tree_(Gleizes)" class="mw-redirect" title="L'Arbre, The Tree (Gleizes)">L'Arbre (The Tree)</a></i>, oil on canvas, 92 x 73.2 cm, private collection. Exhibited Salon des Indépendants, 1910; Salon de la Section d'Or, Galerie La Boétie, 1912; Manes Moderni Umeni, S.V.U., Vystava, Prague, 1914</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_La_Chasse,_1911,_oil_on_canvas,_123.2_x_99_cm.jpg" class="mw-file-description" title="Albert Gleizes, 1911, La Chasse (The Hunt), oil on canvas, 123.2 x 99 cm. Published in L'Intransigeant, 10 October 1911, "Les Peintres Cubistes" 1913, by G. Apollinaire, and Au Salon d'Automne, Revue d'Europe et d'Amerique, Paris, October 1911"><img alt="Albert Gleizes, 1911, La Chasse (The Hunt), oil on canvas, 123.2 x 99 cm. Published in L'Intransigeant, 10 October 1911, "Les Peintres Cubistes" 1913, by G. Apollinaire, and Au Salon d'Automne, Revue d'Europe et d'Amerique, Paris, October 1911" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Albert_Gleizes%2C_La_Chasse%2C_1911%2C_oil_on_canvas%2C_123.2_x_99_cm.jpg/151px-Albert_Gleizes%2C_La_Chasse%2C_1911%2C_oil_on_canvas%2C_123.2_x_99_cm.jpg" decoding="async" width="151" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Albert_Gleizes%2C_La_Chasse%2C_1911%2C_oil_on_canvas%2C_123.2_x_99_cm.jpg/227px-Albert_Gleizes%2C_La_Chasse%2C_1911%2C_oil_on_canvas%2C_123.2_x_99_cm.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Albert_Gleizes%2C_La_Chasse%2C_1911%2C_oil_on_canvas%2C_123.2_x_99_cm.jpg/302px-Albert_Gleizes%2C_La_Chasse%2C_1911%2C_oil_on_canvas%2C_123.2_x_99_cm.jpg 2x" data-file-width="768" data-file-height="965" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1911, <i><a href="/wiki/La_Chasse_(painting)" class="mw-redirect" title="La Chasse (painting)">La Chasse (The Hunt)</a></i>, oil on canvas, 123.2 x 99 cm. Published in <i> L'Intransigeant</i>, 10 October 1911, "<a href="/wiki/The_Cubist_Painters,_Aesthetic_Meditations" title="The Cubist Painters, Aesthetic Meditations">Les Peintres Cubistes</a>" 1913, by G. Apollinaire, and <i>Au Salon d'Automne, Revue d'Europe et d'Amerique</i>, Paris, October 1911</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1910-12,_Les_Arbres,_oil_on_canvas,_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22,_1912.jpg" class="mw-file-description" title="Albert Gleizes, 1910–12, Les Arbres (The Trees), oil on canvas, 41 x 27 cm. Reproduced in Du "Cubisme", 1912"><img alt="Albert Gleizes, 1910–12, Les Arbres (The Trees), oil on canvas, 41 x 27 cm. Reproduced in Du "Cubisme", 1912" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Albert_Gleizes%2C_1910-12%2C_Les_Arbres%2C_oil_on_canvas%2C_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22%2C_1912.jpg/125px-Albert_Gleizes%2C_1910-12%2C_Les_Arbres%2C_oil_on_canvas%2C_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22%2C_1912.jpg" decoding="async" width="125" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Albert_Gleizes%2C_1910-12%2C_Les_Arbres%2C_oil_on_canvas%2C_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22%2C_1912.jpg/187px-Albert_Gleizes%2C_1910-12%2C_Les_Arbres%2C_oil_on_canvas%2C_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22%2C_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Albert_Gleizes%2C_1910-12%2C_Les_Arbres%2C_oil_on_canvas%2C_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22%2C_1912.jpg/250px-Albert_Gleizes%2C_1910-12%2C_Les_Arbres%2C_oil_on_canvas%2C_41_x_27_cm._Reproduced_in_Du_%22Cubisme%22%2C_1912.jpg 2x" data-file-width="789" data-file-height="1200" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1910–12, <i>Les Arbres (The Trees)</i>, oil on canvas, 41 x 27 cm. Reproduced in <i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i>, 1912</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1911,_Paysage_(Landscape),_oil_on_canvas,_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau,_Barcelona,_1912.jpg" class="mw-file-description" title="Albert Gleizes, 1911, Paysage (Landscape, Les Maison), oil on canvas, 71 x 91.5 cm. Reproduced frontispiece catalogue Galeries Dalmau, Barcelona, 1912"><img alt="Albert Gleizes, 1911, Paysage (Landscape, Les Maison), oil on canvas, 71 x 91.5 cm. Reproduced frontispiece catalogue Galeries Dalmau, Barcelona, 1912" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/20/Albert_Gleizes%2C_1911%2C_Paysage_%28Landscape%29%2C_oil_on_canvas%2C_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau%2C_Barcelona%2C_1912.jpg/170px-Albert_Gleizes%2C_1911%2C_Paysage_%28Landscape%29%2C_oil_on_canvas%2C_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau%2C_Barcelona%2C_1912.jpg" decoding="async" width="170" height="132" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/20/Albert_Gleizes%2C_1911%2C_Paysage_%28Landscape%29%2C_oil_on_canvas%2C_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau%2C_Barcelona%2C_1912.jpg/255px-Albert_Gleizes%2C_1911%2C_Paysage_%28Landscape%29%2C_oil_on_canvas%2C_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau%2C_Barcelona%2C_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/20/Albert_Gleizes%2C_1911%2C_Paysage_%28Landscape%29%2C_oil_on_canvas%2C_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau%2C_Barcelona%2C_1912.jpg/340px-Albert_Gleizes%2C_1911%2C_Paysage_%28Landscape%29%2C_oil_on_canvas%2C_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau%2C_Barcelona%2C_1912.jpg 2x" data-file-width="1160" data-file-height="901" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1911, <i>Paysage (Landscape, Les Maison)</i>, oil on canvas, 71 x 91.5 cm. Reproduced frontispiece catalogue Galeries Dalmau, Barcelona, 1912</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1911,_Stilleben,_Nature_Morte,_Der_Sturm_postcard,_Sammlung_Walden,_Berlin._Collection_Paul_Citroen,_sold_1928_to_Kunstausstellung_Der_Sturm,_requisition_by_the_Nazis_in_1937,_and_missing_since.jpg" class="mw-file-description" title="Albert Gleizes, 1911, Stilleben, Nature Morte, Der Sturm postcard, Sammlung Walden, Berlin. Collection Paul Citroen, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since"><img alt="Albert Gleizes, 1911, Stilleben, Nature Morte, Der Sturm postcard, Sammlung Walden, Berlin. Collection Paul Citroen, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/Albert_Gleizes%2C_1911%2C_Stilleben%2C_Nature_Morte%2C_Der_Sturm_postcard%2C_Sammlung_Walden%2C_Berlin._Collection_Paul_Citroen%2C_sold_1928_to_Kunstausstellung_Der_Sturm%2C_requisition_by_the_Nazis_in_1937%2C_and_missing_since.jpg/170px-thumbnail.jpg" decoding="async" width="170" height="138" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/Albert_Gleizes%2C_1911%2C_Stilleben%2C_Nature_Morte%2C_Der_Sturm_postcard%2C_Sammlung_Walden%2C_Berlin._Collection_Paul_Citroen%2C_sold_1928_to_Kunstausstellung_Der_Sturm%2C_requisition_by_the_Nazis_in_1937%2C_and_missing_since.jpg/255px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/Albert_Gleizes%2C_1911%2C_Stilleben%2C_Nature_Morte%2C_Der_Sturm_postcard%2C_Sammlung_Walden%2C_Berlin._Collection_Paul_Citroen%2C_sold_1928_to_Kunstausstellung_Der_Sturm%2C_requisition_by_the_Nazis_in_1937%2C_and_missing_since.jpg/340px-thumbnail.jpg 2x" data-file-width="725" data-file-height="590" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1911, <i>Stilleben, Nature Morte</i>, Der Sturm postcard, Sammlung Walden, Berlin. Collection <a href="/wiki/Paul_Citroen" title="Paul Citroen">Paul Citroen</a>, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1912,_Dessin_pour_L%27Homme_au_balcon,_Salon_des_Ind%C3%A9pendants_1912,_published_in_Du_%22Cubisme%22,_1912.jpg" class="mw-file-description" title="Albert Gleizes, 1912 (spring), Dessin pour L'Homme au balcon, exhibited Salon des Indépendants 1912"><img alt="Albert Gleizes, 1912 (spring), Dessin pour L'Homme au balcon, exhibited Salon des Indépendants 1912" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Albert_Gleizes%2C_1912%2C_Dessin_pour_L%27Homme_au_balcon%2C_Salon_des_Ind%C3%A9pendants_1912%2C_published_in_Du_%22Cubisme%22%2C_1912.jpg/136px-Albert_Gleizes%2C_1912%2C_Dessin_pour_L%27Homme_au_balcon%2C_Salon_des_Ind%C3%A9pendants_1912%2C_published_in_Du_%22Cubisme%22%2C_1912.jpg" decoding="async" width="136" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Albert_Gleizes%2C_1912%2C_Dessin_pour_L%27Homme_au_balcon%2C_Salon_des_Ind%C3%A9pendants_1912%2C_published_in_Du_%22Cubisme%22%2C_1912.jpg/204px-Albert_Gleizes%2C_1912%2C_Dessin_pour_L%27Homme_au_balcon%2C_Salon_des_Ind%C3%A9pendants_1912%2C_published_in_Du_%22Cubisme%22%2C_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/Albert_Gleizes%2C_1912%2C_Dessin_pour_L%27Homme_au_balcon%2C_Salon_des_Ind%C3%A9pendants_1912%2C_published_in_Du_%22Cubisme%22%2C_1912.jpg/272px-Albert_Gleizes%2C_1912%2C_Dessin_pour_L%27Homme_au_balcon%2C_Salon_des_Ind%C3%A9pendants_1912%2C_published_in_Du_%22Cubisme%22%2C_1912.jpg 2x" data-file-width="1430" data-file-height="2000" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1912 (spring), <i>Dessin pour L'Homme au balcon</i>, exhibited <a href="/wiki/Salon_des_Ind%C3%A9pendants" class="mw-redirect" title="Salon des Indépendants">Salon des Indépendants</a> 1912</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1912,_Les_ponts_de_Paris_(Passy),_The_Bridges_of_Paris,_oil_on_canvas,_60.5_x_73.2_cm,_Museum_Moderner_Kunst_(mumok),_Vienna..jpg" class="mw-file-description" title="Albert Gleizes, 1912, Les ponts de Paris (Passy), The Bridges of Paris (Passy), oil on canvas, 60.5 x 73.2 cm, Museum Moderner Kunst (mumok), Vienna. Published in Du "Cubisme", 1912"><img alt="Albert Gleizes, 1912, Les ponts de Paris (Passy), The Bridges of Paris (Passy), oil on canvas, 60.5 x 73.2 cm, Museum Moderner Kunst (mumok), Vienna. Published in Du "Cubisme", 1912" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/Albert_Gleizes%2C_1912%2C_Les_ponts_de_Paris_%28Passy%29%2C_The_Bridges_of_Paris%2C_oil_on_canvas%2C_60.5_x_73.2_cm%2C_Museum_Moderner_Kunst_%28mumok%29%2C_Vienna..jpg/170px-Albert_Gleizes%2C_1912%2C_Les_ponts_de_Paris_%28Passy%29%2C_The_Bridges_of_Paris%2C_oil_on_canvas%2C_60.5_x_73.2_cm%2C_Museum_Moderner_Kunst_%28mumok%29%2C_Vienna..jpg" decoding="async" width="170" height="139" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/Albert_Gleizes%2C_1912%2C_Les_ponts_de_Paris_%28Passy%29%2C_The_Bridges_of_Paris%2C_oil_on_canvas%2C_60.5_x_73.2_cm%2C_Museum_Moderner_Kunst_%28mumok%29%2C_Vienna..jpg/255px-Albert_Gleizes%2C_1912%2C_Les_ponts_de_Paris_%28Passy%29%2C_The_Bridges_of_Paris%2C_oil_on_canvas%2C_60.5_x_73.2_cm%2C_Museum_Moderner_Kunst_%28mumok%29%2C_Vienna..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/22/Albert_Gleizes%2C_1912%2C_Les_ponts_de_Paris_%28Passy%29%2C_The_Bridges_of_Paris%2C_oil_on_canvas%2C_60.5_x_73.2_cm%2C_Museum_Moderner_Kunst_%28mumok%29%2C_Vienna..jpg/340px-Albert_Gleizes%2C_1912%2C_Les_ponts_de_Paris_%28Passy%29%2C_The_Bridges_of_Paris%2C_oil_on_canvas%2C_60.5_x_73.2_cm%2C_Museum_Moderner_Kunst_%28mumok%29%2C_Vienna..jpg 2x" data-file-width="762" data-file-height="624" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1912, <i><a href="/wiki/Passy,_Bridges_of_Paris_(Gleizes)" class="mw-redirect" title="Passy, Bridges of Paris (Gleizes)">Les ponts de Paris (Passy), The Bridges of Paris (Passy)</a></i>, oil on canvas, 60.5 x 73.2 cm, Museum Moderner Kunst (<a href="/wiki/Mumok" title="Mumok">mumok</a>), Vienna. Published in <i>Du "Cubisme"</i>, 1912</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1912,_Landschaft_bei_Paris,_Paysage_pr%C3%A8s_de_paris,_Paysage_de_Courbevoie,_oil_on_canvas,_72.8_x_87.1_cm,_missing_from_Hannover_since_1937.jpg" class="mw-file-description" title="Albert Gleizes, 1912, Landschaft bei Paris, Paysage près de Paris, Paysage de Courbevoie, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937"><img alt="Albert Gleizes, 1912, Landschaft bei Paris, Paysage près de Paris, Paysage de Courbevoie, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg/170px-Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg" decoding="async" width="170" height="131" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg/255px-Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/94/Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg/340px-Albert_Gleizes%2C_1912%2C_Landschaft_bei_Paris%2C_Paysage_pr%C3%A8s_de_paris%2C_Paysage_de_Courbevoie%2C_oil_on_canvas%2C_72.8_x_87.1_cm%2C_missing_from_Hannover_since_1937.jpg 2x" data-file-width="738" data-file-height="568" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1912, <i>Landschaft bei Paris, Paysage près de Paris, Paysage de Courbevoie</i>, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1913,_Les_Bateaux_de_p%C3%AAche_(Fischerboote),_oil_on_canvas,_165_x_111_cm,_exhibited_Salon_d%27Automne,_Paris,_1913-14,_no._770,_Manes_Moderni_Umeni,_Vystava,_Prague,_1914,_no._44.jpg" class="mw-file-description" title="Albert Gleizes, 1913, Les Bateaux de pêche (Fischerboote), oil on canvas, 165 x 111 cm, exhibited Salon d'Automne, Paris, 1913–14, no. 770, Manes Moderni Umeni, Vystava, Prague, 1914, no. 44, Tel Aviv Museum of Art"><img alt="Albert Gleizes, 1913, Les Bateaux de pêche (Fischerboote), oil on canvas, 165 x 111 cm, exhibited Salon d'Automne, Paris, 1913–14, no. 770, Manes Moderni Umeni, Vystava, Prague, 1914, no. 44, Tel Aviv Museum of Art" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Albert_Gleizes%2C_1913%2C_Les_Bateaux_de_p%C3%AAche_%28Fischerboote%29%2C_oil_on_canvas%2C_165_x_111_cm%2C_exhibited_Salon_d%27Automne%2C_Paris%2C_1913-14%2C_no._770%2C_Manes_Moderni_Umeni%2C_Vystava%2C_Prague%2C_1914%2C_no._44.jpg/129px-thumbnail.jpg" decoding="async" width="129" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Albert_Gleizes%2C_1913%2C_Les_Bateaux_de_p%C3%AAche_%28Fischerboote%29%2C_oil_on_canvas%2C_165_x_111_cm%2C_exhibited_Salon_d%27Automne%2C_Paris%2C_1913-14%2C_no._770%2C_Manes_Moderni_Umeni%2C_Vystava%2C_Prague%2C_1914%2C_no._44.jpg/194px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Albert_Gleizes%2C_1913%2C_Les_Bateaux_de_p%C3%AAche_%28Fischerboote%29%2C_oil_on_canvas%2C_165_x_111_cm%2C_exhibited_Salon_d%27Automne%2C_Paris%2C_1913-14%2C_no._770%2C_Manes_Moderni_Umeni%2C_Vystava%2C_Prague%2C_1914%2C_no._44.jpg/258px-thumbnail.jpg 2x" data-file-width="703" data-file-height="1034" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1913, <i>Les Bateaux de pêche (Fischerboote)</i>, oil on canvas, 165 x 111 cm, exhibited <a href="/wiki/Salon_d%27Automne" title="Salon d'Automne">Salon d'Automne</a>, Paris, 1913–14, no. 770, Manes Moderni Umeni, Vystava, Prague, 1914, no. 44, <a href="/wiki/Tel_Aviv_Museum_of_Art" title="Tel Aviv Museum of Art">Tel Aviv Museum of Art</a></div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1914,_Paysage_avec_un_arbre_(Landscape_with_Tree),_oil_on_canvas,_100_x_81_cm,_private_collection.jpg" class="mw-file-description" title="Albert Gleizes, 1914, Paysage avec un arbre (Landscape with Tree), oil on canvas, 100 x 81 cm, private collection"><img alt="Albert Gleizes, 1914, Paysage avec un arbre (Landscape with Tree), oil on canvas, 100 x 81 cm, private collection" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Albert_Gleizes%2C_1914%2C_Paysage_avec_un_arbre_%28Landscape_with_Tree%29%2C_oil_on_canvas%2C_100_x_81_cm%2C_private_collection.jpg/152px-Albert_Gleizes%2C_1914%2C_Paysage_avec_un_arbre_%28Landscape_with_Tree%29%2C_oil_on_canvas%2C_100_x_81_cm%2C_private_collection.jpg" decoding="async" width="152" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Albert_Gleizes%2C_1914%2C_Paysage_avec_un_arbre_%28Landscape_with_Tree%29%2C_oil_on_canvas%2C_100_x_81_cm%2C_private_collection.jpg/227px-Albert_Gleizes%2C_1914%2C_Paysage_avec_un_arbre_%28Landscape_with_Tree%29%2C_oil_on_canvas%2C_100_x_81_cm%2C_private_collection.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Albert_Gleizes%2C_1914%2C_Paysage_avec_un_arbre_%28Landscape_with_Tree%29%2C_oil_on_canvas%2C_100_x_81_cm%2C_private_collection.jpg/303px-Albert_Gleizes%2C_1914%2C_Paysage_avec_un_arbre_%28Landscape_with_Tree%29%2C_oil_on_canvas%2C_100_x_81_cm%2C_private_collection.jpg 2x" data-file-width="719" data-file-height="901" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1914, <i>Paysage avec un arbre</i> (<i>Landscape with Tree</i>), oil on canvas, 100 x 81 cm, private collection</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_c.1914,_Dessin_pour_le_Portrait_de_Stravinsky,_published_in_Montjoie,_April-June_1914.jpg" class="mw-file-description" title="Albert Gleizes, c.1914, Dessin pour le Portrait de Stravinsky, published in Montjoie!, April–June 1914"><img alt="Albert Gleizes, c.1914, Dessin pour le Portrait de Stravinsky, published in Montjoie!, April–June 1914" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Albert_Gleizes%2C_c.1914%2C_Dessin_pour_le_Portrait_de_Stravinsky%2C_published_in_Montjoie%2C_April-June_1914.jpg/130px-Albert_Gleizes%2C_c.1914%2C_Dessin_pour_le_Portrait_de_Stravinsky%2C_published_in_Montjoie%2C_April-June_1914.jpg" decoding="async" width="130" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Albert_Gleizes%2C_c.1914%2C_Dessin_pour_le_Portrait_de_Stravinsky%2C_published_in_Montjoie%2C_April-June_1914.jpg/195px-Albert_Gleizes%2C_c.1914%2C_Dessin_pour_le_Portrait_de_Stravinsky%2C_published_in_Montjoie%2C_April-June_1914.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Albert_Gleizes%2C_c.1914%2C_Dessin_pour_le_Portrait_de_Stravinsky%2C_published_in_Montjoie%2C_April-June_1914.jpg/261px-Albert_Gleizes%2C_c.1914%2C_Dessin_pour_le_Portrait_de_Stravinsky%2C_published_in_Montjoie%2C_April-June_1914.jpg 2x" data-file-width="1210" data-file-height="1764" /></a></span></div> <div class="gallerytext">Albert Gleizes, c.1914, <i>Dessin pour le Portrait de Stravinsky</i>, published in <i>Montjoie!</i>, April–June 1914</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1914-15,_Portrait_de_Florent_Schmitt_(Le_Pianiste),_pastel,_36_x_27_cm.jpg" class="mw-file-description" title="Albert Gleizes, 1914–15, Portrait de Florent Schmitt (Le Pianiste), pastel, 36 x 27 cm. This is a study for an oil on canvas titled Portrait de Florent Schmitt, 1914–15, 200 cm × 152 cm (78.5 in × 60 in)"><img alt="Albert Gleizes, 1914–15, Portrait de Florent Schmitt (Le Pianiste), pastel, 36 x 27 cm. This is a study for an oil on canvas titled Portrait de Florent Schmitt, 1914–15, 200 cm × 152 cm (78.5 in × 60 in)" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Albert_Gleizes%2C_1914-15%2C_Portrait_de_Florent_Schmitt_%28Le_Pianiste%29%2C_pastel%2C_36_x_27_cm.jpg/146px-Albert_Gleizes%2C_1914-15%2C_Portrait_de_Florent_Schmitt_%28Le_Pianiste%29%2C_pastel%2C_36_x_27_cm.jpg" decoding="async" width="146" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Albert_Gleizes%2C_1914-15%2C_Portrait_de_Florent_Schmitt_%28Le_Pianiste%29%2C_pastel%2C_36_x_27_cm.jpg/218px-Albert_Gleizes%2C_1914-15%2C_Portrait_de_Florent_Schmitt_%28Le_Pianiste%29%2C_pastel%2C_36_x_27_cm.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Albert_Gleizes%2C_1914-15%2C_Portrait_de_Florent_Schmitt_%28Le_Pianiste%29%2C_pastel%2C_36_x_27_cm.jpg/291px-Albert_Gleizes%2C_1914-15%2C_Portrait_de_Florent_Schmitt_%28Le_Pianiste%29%2C_pastel%2C_36_x_27_cm.jpg 2x" data-file-width="1814" data-file-height="2366" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1914–15, <i>Portrait de <a href="/wiki/Florent_Schmitt" title="Florent Schmitt">Florent Schmitt</a></i> (<i>Le Pianiste</i>), pastel, 36 x 27 cm. This is a study for an oil on canvas titled <i>Portrait de <a href="/wiki/Florent_Schmitt" title="Florent Schmitt">Florent Schmitt</a></i>, 1914–15, 200 cm × 152 cm (78.5 in × 60 in)</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1915,_Retour,_published_in_Le_Mot,_n._20,_1_July_1915.jpg" class="mw-file-description" title="Albert Gleizes, 1915, Retour de Bois-le-Prêtre, wood engraving, 39 x 50 cm, published in Le mot, n. 20, 1 July 1915"><img alt="Albert Gleizes, 1915, Retour de Bois-le-Prêtre, wood engraving, 39 x 50 cm, published in Le mot, n. 20, 1 July 1915" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/Albert_Gleizes%2C_1915%2C_Retour%2C_published_in_Le_Mot%2C_n._20%2C_1_July_1915.jpg/170px-Albert_Gleizes%2C_1915%2C_Retour%2C_published_in_Le_Mot%2C_n._20%2C_1_July_1915.jpg" decoding="async" width="170" height="126" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/Albert_Gleizes%2C_1915%2C_Retour%2C_published_in_Le_Mot%2C_n._20%2C_1_July_1915.jpg/255px-Albert_Gleizes%2C_1915%2C_Retour%2C_published_in_Le_Mot%2C_n._20%2C_1_July_1915.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/36/Albert_Gleizes%2C_1915%2C_Retour%2C_published_in_Le_Mot%2C_n._20%2C_1_July_1915.jpg/340px-Albert_Gleizes%2C_1915%2C_Retour%2C_published_in_Le_Mot%2C_n._20%2C_1_July_1915.jpg 2x" data-file-width="1359" data-file-height="1011" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1915, <i>Retour de Bois-le-Prêtre</i>, wood engraving, 39 x 50 cm, published in <i>Le mot</i>, n. 20, 1 July 1915</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1915,_Composition,_For_%22Jazz%22,_Pour_%22Jazz%22,_oil_on_board,_73_x_73_cm,_first_published_in_the_Xeic_York_Herald,_and_The_Literary_Digest,_Oct._27,_1915.jpg" class="mw-file-description" title="Albert Gleizes, 1915, Composition, For "Jazz", Pour "Jazz", oil on board, 73 x 73 cm. In a photograph first published in the Xeic York Herald, later reprinted in The Literary Digest, 27 October 1915, Gleizes can be seen at work on this painting"><img alt="Albert Gleizes, 1915, Composition, For "Jazz", Pour "Jazz", oil on board, 73 x 73 cm. In a photograph first published in the Xeic York Herald, later reprinted in The Literary Digest, 27 October 1915, Gleizes can be seen at work on this painting" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/Albert_Gleizes%2C_1915%2C_Composition%2C_For_%22Jazz%22%2C_Pour_%22Jazz%22%2C_oil_on_board%2C_73_x_73_cm%2C_first_published_in_the_Xeic_York_Herald%2C_and_The_Literary_Digest%2C_Oct._27%2C_1915.jpg/170px-thumbnail.jpg" decoding="async" width="170" height="174" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/Albert_Gleizes%2C_1915%2C_Composition%2C_For_%22Jazz%22%2C_Pour_%22Jazz%22%2C_oil_on_board%2C_73_x_73_cm%2C_first_published_in_the_Xeic_York_Herald%2C_and_The_Literary_Digest%2C_Oct._27%2C_1915.jpg/255px-thumbnail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/16/Albert_Gleizes%2C_1915%2C_Composition%2C_For_%22Jazz%22%2C_Pour_%22Jazz%22%2C_oil_on_board%2C_73_x_73_cm%2C_first_published_in_the_Xeic_York_Herald%2C_and_The_Literary_Digest%2C_Oct._27%2C_1915.jpg/340px-thumbnail.jpg 2x" data-file-width="622" data-file-height="635" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1915, <i>Composition, For "Jazz", Pour "Jazz"</i>, oil on board, 73 x 73 cm. In a photograph first published in the <i>Xeic York Herald</i>, later reprinted in <i>The Literary Digest</i>, 27 October 1915, Gleizes can be seen at work on this painting</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1915,_Broadway,_oil_on_board,_98.5_x_76_cm,_private_collection.jpg" class="mw-file-description" title="Albert Gleizes, 1915, Broadway, oil on board, 98.5 x 76 cm, private collection"><img alt="Albert Gleizes, 1915, Broadway, oil on board, 98.5 x 76 cm, private collection" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5b/Albert_Gleizes%2C_1915%2C_Broadway%2C_oil_on_board%2C_98.5_x_76_cm%2C_private_collection.jpg/142px-Albert_Gleizes%2C_1915%2C_Broadway%2C_oil_on_board%2C_98.5_x_76_cm%2C_private_collection.jpg" decoding="async" width="142" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5b/Albert_Gleizes%2C_1915%2C_Broadway%2C_oil_on_board%2C_98.5_x_76_cm%2C_private_collection.jpg/214px-Albert_Gleizes%2C_1915%2C_Broadway%2C_oil_on_board%2C_98.5_x_76_cm%2C_private_collection.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5b/Albert_Gleizes%2C_1915%2C_Broadway%2C_oil_on_board%2C_98.5_x_76_cm%2C_private_collection.jpg/285px-Albert_Gleizes%2C_1915%2C_Broadway%2C_oil_on_board%2C_98.5_x_76_cm%2C_private_collection.jpg 2x" data-file-width="1072" data-file-height="1430" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1915, <i>Broadway</i>, oil on board, 98.5 x 76 cm, private collection</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1915,_Le_Chant_de_guerre,_portrait_de_Florent_Schmitt,_carnet_Du_cubisme,_La_Poste,_France,_2012.jpg" class="mw-file-description" title="Albert Gleizes, 1915, Le Chant de guerre (Portrait de Florent Schmitt), postage stamp, carnet Du cubisme, La Poste, France, 2012"><img alt="Albert Gleizes, 1915, Le Chant de guerre (Portrait de Florent Schmitt), postage stamp, carnet Du cubisme, La Poste, France, 2012" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Albert_Gleizes%2C_1915%2C_Le_Chant_de_guerre%2C_portrait_de_Florent_Schmitt%2C_carnet_Du_cubisme%2C_La_Poste%2C_France%2C_2012.jpg/122px-Albert_Gleizes%2C_1915%2C_Le_Chant_de_guerre%2C_portrait_de_Florent_Schmitt%2C_carnet_Du_cubisme%2C_La_Poste%2C_France%2C_2012.jpg" decoding="async" width="122" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Albert_Gleizes%2C_1915%2C_Le_Chant_de_guerre%2C_portrait_de_Florent_Schmitt%2C_carnet_Du_cubisme%2C_La_Poste%2C_France%2C_2012.jpg/182px-Albert_Gleizes%2C_1915%2C_Le_Chant_de_guerre%2C_portrait_de_Florent_Schmitt%2C_carnet_Du_cubisme%2C_La_Poste%2C_France%2C_2012.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/65/Albert_Gleizes%2C_1915%2C_Le_Chant_de_guerre%2C_portrait_de_Florent_Schmitt%2C_carnet_Du_cubisme%2C_La_Poste%2C_France%2C_2012.jpg/243px-Albert_Gleizes%2C_1915%2C_Le_Chant_de_guerre%2C_portrait_de_Florent_Schmitt%2C_carnet_Du_cubisme%2C_La_Poste%2C_France%2C_2012.jpg 2x" data-file-width="1173" data-file-height="1831" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1915, <i>Le Chant de guerre (Portrait de <a href="/wiki/Florent_Schmitt" title="Florent Schmitt">Florent Schmitt</a>)</i>, postage stamp, carnet Du cubisme, La Poste, France, 2012</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1915-16,_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg" class="mw-file-description" title="Albert Gleizes, 1915–16, Esquisse pour le portrait de Jean Cocteau"><img alt="Albert Gleizes, 1915–16, Esquisse pour le portrait de Jean Cocteau" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/59/Albert_Gleizes%2C_1915-16%2C_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg/158px-Albert_Gleizes%2C_1915-16%2C_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg" decoding="async" width="158" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/59/Albert_Gleizes%2C_1915-16%2C_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg/237px-Albert_Gleizes%2C_1915-16%2C_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/59/Albert_Gleizes%2C_1915-16%2C_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg/317px-Albert_Gleizes%2C_1915-16%2C_Esquisse_pour_le_portrait_de_Jean_Cocteau.jpg 2x" data-file-width="1072" data-file-height="1286" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1915–16, <i>Esquisse pour le portrait de Jean Cocteau</i></div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_Action,_Cahiers_Individualistes_de_philosophie_et_d%27art,_Volume_1,_No._1,_February_1920.jpg" class="mw-file-description" title="Albert Gleizes, Action, Cahiers Individualistes de philosophie et d'art, Volume 1, No. 1, February 1920"><img alt="Albert Gleizes, Action, Cahiers Individualistes de philosophie et d'art, Volume 1, No. 1, February 1920" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Albert_Gleizes%2C_Action%2C_Cahiers_Individualistes_de_philosophie_et_d%27art%2C_Volume_1%2C_No._1%2C_February_1920.jpg/158px-Albert_Gleizes%2C_Action%2C_Cahiers_Individualistes_de_philosophie_et_d%27art%2C_Volume_1%2C_No._1%2C_February_1920.jpg" decoding="async" width="158" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Albert_Gleizes%2C_Action%2C_Cahiers_Individualistes_de_philosophie_et_d%27art%2C_Volume_1%2C_No._1%2C_February_1920.jpg/237px-Albert_Gleizes%2C_Action%2C_Cahiers_Individualistes_de_philosophie_et_d%27art%2C_Volume_1%2C_No._1%2C_February_1920.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Albert_Gleizes%2C_Action%2C_Cahiers_Individualistes_de_philosophie_et_d%27art%2C_Volume_1%2C_No._1%2C_February_1920.jpg/315px-Albert_Gleizes%2C_Action%2C_Cahiers_Individualistes_de_philosophie_et_d%27art%2C_Volume_1%2C_No._1%2C_February_1920.jpg 2x" data-file-width="5641" data-file-height="6795" /></a></span></div> <div class="gallerytext">Albert Gleizes, <i>Action, Cahiers Individualistes de philosophie et d'art</i>, Volume 1, No. 1, February 1920</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_c.1920,_Figures_planes,_dimensions_approximately_126_x_100_cm,_location_unknown..jpg" class="mw-file-description" title="Albert Gleizes, c. 1920, Figures planes (Trois personages assis), dimensions approximately 126 x 100 cm, location unknown. Exhibited Der Sturm, Berlin, 1921 (no. 927) and reproduced in Gleizes 1927, p. 97"><img alt="Albert Gleizes, c. 1920, Figures planes (Trois personages assis), dimensions approximately 126 x 100 cm, location unknown. Exhibited Der Sturm, Berlin, 1921 (no. 927) and reproduced in Gleizes 1927, p. 97" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/05/Albert_Gleizes%2C_c.1920%2C_Figures_planes%2C_dimensions_approximately_126_x_100_cm%2C_location_unknown..jpg/152px-Albert_Gleizes%2C_c.1920%2C_Figures_planes%2C_dimensions_approximately_126_x_100_cm%2C_location_unknown..jpg" decoding="async" width="152" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/05/Albert_Gleizes%2C_c.1920%2C_Figures_planes%2C_dimensions_approximately_126_x_100_cm%2C_location_unknown..jpg/227px-Albert_Gleizes%2C_c.1920%2C_Figures_planes%2C_dimensions_approximately_126_x_100_cm%2C_location_unknown..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/05/Albert_Gleizes%2C_c.1920%2C_Figures_planes%2C_dimensions_approximately_126_x_100_cm%2C_location_unknown..jpg/303px-Albert_Gleizes%2C_c.1920%2C_Figures_planes%2C_dimensions_approximately_126_x_100_cm%2C_location_unknown..jpg 2x" data-file-width="960" data-file-height="1203" /></a></span></div> <div class="gallerytext">Albert Gleizes, <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1920</span>, <i>Figures planes (Trois personages assis)</i>, dimensions approximately 126 x 100 cm, location unknown. Exhibited <i><a href="/wiki/Der_Sturm" title="Der Sturm">Der Sturm</a></i>, Berlin, 1921 (no. 927) and reproduced in Gleizes 1927, p. 97</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_Broom,_An_International_Magazine_Of_The_Arts,_November_1921.jpg" class="mw-file-description" title="Albert Gleizes, 1920, Ecuyère, oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen. Published in Broom, An International Magazine of the Arts, November 1921"><img alt="Albert Gleizes, 1920, Ecuyère, oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen. Published in Broom, An International Magazine of the Arts, November 1921" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Albert_Gleizes%2C_Broom%2C_An_International_Magazine_Of_The_Arts%2C_November_1921.jpg/136px-Albert_Gleizes%2C_Broom%2C_An_International_Magazine_Of_The_Arts%2C_November_1921.jpg" decoding="async" width="136" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Albert_Gleizes%2C_Broom%2C_An_International_Magazine_Of_The_Arts%2C_November_1921.jpg/204px-Albert_Gleizes%2C_Broom%2C_An_International_Magazine_Of_The_Arts%2C_November_1921.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/72/Albert_Gleizes%2C_Broom%2C_An_International_Magazine_Of_The_Arts%2C_November_1921.jpg/272px-Albert_Gleizes%2C_Broom%2C_An_International_Magazine_Of_The_Arts%2C_November_1921.jpg 2x" data-file-width="1033" data-file-height="1444" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1920, <i>Ecuyère</i>, oil on canvas, 130 x 93 cm, <a href="/wiki/Mus%C3%A9e_des_Beaux-Arts_de_Rouen" title="Musée des Beaux-Arts de Rouen">Musée des Beaux-Arts de Rouen</a>. Published in <i>Broom, An International Magazine of the Arts</i>, November 1921</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1920,_Femme_et_enfant_(Woman_and_child).jpg" class="mw-file-description" title="Albert Gleizes, Woman and child (Femme et enfant, Frau und Kind), Der Sturm, 5 October 1921"><img alt="Albert Gleizes, Woman and child (Femme et enfant, Frau und Kind), Der Sturm, 5 October 1921" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Albert_Gleizes%2C_1920%2C_Femme_et_enfant_%28Woman_and_child%29.jpg/146px-Albert_Gleizes%2C_1920%2C_Femme_et_enfant_%28Woman_and_child%29.jpg" decoding="async" width="146" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Albert_Gleizes%2C_1920%2C_Femme_et_enfant_%28Woman_and_child%29.jpg/219px-Albert_Gleizes%2C_1920%2C_Femme_et_enfant_%28Woman_and_child%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Albert_Gleizes%2C_1920%2C_Femme_et_enfant_%28Woman_and_child%29.jpg/293px-Albert_Gleizes%2C_1920%2C_Femme_et_enfant_%28Woman_and_child%29.jpg 2x" data-file-width="1109" data-file-height="1440" /></a></span></div> <div class="gallerytext">Albert Gleizes, <i>Woman and child</i> (<i>Femme et enfant, Frau und Kind</i>), <i><a href="/wiki/Der_Sturm" title="Der Sturm">Der Sturm</a></i>, 5 October 1921</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_drawing_(zeichnung),_Der_Sturm,_5_June_1920.jpg" class="mw-file-description" title="Albert Gleizes, study for Femme au gants noirs, drawing (zeichnung), published on the cover of Der Sturm, 5 June 1920"><img alt="Albert Gleizes, study for Femme au gants noirs, drawing (zeichnung), published on the cover of Der Sturm, 5 June 1920" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Albert_Gleizes%2C_drawing_%28zeichnung%29%2C_Der_Sturm%2C_5_June_1920.jpg/123px-Albert_Gleizes%2C_drawing_%28zeichnung%29%2C_Der_Sturm%2C_5_June_1920.jpg" decoding="async" width="123" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Albert_Gleizes%2C_drawing_%28zeichnung%29%2C_Der_Sturm%2C_5_June_1920.jpg/184px-Albert_Gleizes%2C_drawing_%28zeichnung%29%2C_Der_Sturm%2C_5_June_1920.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Albert_Gleizes%2C_drawing_%28zeichnung%29%2C_Der_Sturm%2C_5_June_1920.jpg/246px-Albert_Gleizes%2C_drawing_%28zeichnung%29%2C_Der_Sturm%2C_5_June_1920.jpg 2x" data-file-width="1131" data-file-height="1746" /></a></span></div> <div class="gallerytext">Albert Gleizes, study for <i>Femme au gants noirs</i>, drawing (zeichnung), published on the cover of <i><a href="/wiki/Der_Sturm" title="Der Sturm">Der Sturm</a></i>, 5 June 1920</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_Zeichnung,_Der_Sturm,_5_June_1920..jpg" class="mw-file-description" title="Albert Gleizes, untitled, drawing (zeichnung), published in the cover of Der Sturm, 5 June 1920"><img alt="Albert Gleizes, untitled, drawing (zeichnung), published in the cover of Der Sturm, 5 June 1920" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Albert_Gleizes%2C_Zeichnung%2C_Der_Sturm%2C_5_June_1920..jpg/123px-Albert_Gleizes%2C_Zeichnung%2C_Der_Sturm%2C_5_June_1920..jpg" decoding="async" width="123" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Albert_Gleizes%2C_Zeichnung%2C_Der_Sturm%2C_5_June_1920..jpg/185px-Albert_Gleizes%2C_Zeichnung%2C_Der_Sturm%2C_5_June_1920..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Albert_Gleizes%2C_Zeichnung%2C_Der_Sturm%2C_5_June_1920..jpg/247px-Albert_Gleizes%2C_Zeichnung%2C_Der_Sturm%2C_5_June_1920..jpg 2x" data-file-width="1066" data-file-height="1641" /></a></span></div> <div class="gallerytext">Albert Gleizes, untitled, drawing (zeichnung), published in the cover of <i><a href="/wiki/Der_Sturm" title="Der Sturm">Der Sturm</a></i>, 5 June 1920</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_c.1920,_L%27Homme_dans_les_maisons,_La_Vie_des_Lettres_(cover_illustration),_Jacques_Povolozky_%26_Cie,_Paris,_1920.jpg" class="mw-file-description" title="Albert Gleizes, c.1920, L'Homme dans les maisons, cover illustration of La Vie des Lettres et des Arts, Jacques Povolozky & Cie, Paris, 1920"><img alt="Albert Gleizes, c.1920, L'Homme dans les maisons, cover illustration of La Vie des Lettres et des Arts, Jacques Povolozky & Cie, Paris, 1920" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_%28cover_illustration%29%2C_Jacques_Povolozky_%26_Cie%2C_Paris%2C_1920.jpg/129px-Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_%28cover_illustration%29%2C_Jacques_Povolozky_%26_Cie%2C_Paris%2C_1920.jpg" decoding="async" width="129" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_%28cover_illustration%29%2C_Jacques_Povolozky_%26_Cie%2C_Paris%2C_1920.jpg/193px-Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_%28cover_illustration%29%2C_Jacques_Povolozky_%26_Cie%2C_Paris%2C_1920.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_%28cover_illustration%29%2C_Jacques_Povolozky_%26_Cie%2C_Paris%2C_1920.jpg/258px-Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_%28cover_illustration%29%2C_Jacques_Povolozky_%26_Cie%2C_Paris%2C_1920.jpg 2x" data-file-width="537" data-file-height="791" /></a></span></div> <div class="gallerytext">Albert Gleizes, c.1920, <i>L'Homme dans les maisons</i>, cover illustration of <i>La Vie des Lettres et des Arts</i>, Jacques Povolozky & Cie, Paris, 1920</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_c.1920,_L%27Homme_dans_les_maisons,_La_Vie_des_Lettres_et_des_Arts_(cover_illustration),_1920.jpg" class="mw-file-description" title="Albert Gleizes, c.1920, L'Homme dans les maisons. Cover illustration La Vie des Lettres et des Arts, 1920, reproduced in The Little Review, A Magazine of the Arts, Vol. 7, No. 4, 1921"><img alt="Albert Gleizes, c.1920, L'Homme dans les maisons. Cover illustration La Vie des Lettres et des Arts, 1920, reproduced in The Little Review, A Magazine of the Arts, Vol. 7, No. 4, 1921" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_et_des_Arts_%28cover_illustration%29%2C_1920.jpg/170px-Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_et_des_Arts_%28cover_illustration%29%2C_1920.jpg" decoding="async" width="170" height="121" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_et_des_Arts_%28cover_illustration%29%2C_1920.jpg/255px-Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_et_des_Arts_%28cover_illustration%29%2C_1920.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_et_des_Arts_%28cover_illustration%29%2C_1920.jpg/340px-Albert_Gleizes%2C_c.1920%2C_L%27Homme_dans_les_maisons%2C_La_Vie_des_Lettres_et_des_Arts_%28cover_illustration%29%2C_1920.jpg 2x" data-file-width="2104" data-file-height="1500" /></a></span></div> <div class="gallerytext">Albert Gleizes, c.1920, <i>L'Homme dans les maisons</i>. Cover illustration <i>La Vie des Lettres et des Arts</i>, 1920, reproduced in <i>The Little Review</i>, A Magazine of the Arts, Vol. 7, No. 4, 1921</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1920,_Femme_portant_un_enfant,_Exposition_Internationale_d%27Art_Moderne,_Geneva,_26_December_1920_-_25_January_1921,_No._185.jpg" class="mw-file-description" title="Albert Gleizes, 1920, Femme portant un enfant, Exposition Internationale d'Art Moderne, Geneva, 26 December 1920 - 25 January 1921, No. 185 (black and white photographic reproduction). Dimensions and whereabouts unknown. Cat. rais. no. 918, p. 316, 317"><img alt="Albert Gleizes, 1920, Femme portant un enfant, Exposition Internationale d'Art Moderne, Geneva, 26 December 1920 - 25 January 1921, No. 185 (black and white photographic reproduction). Dimensions and whereabouts unknown. Cat. rais. no. 918, p. 316, 317" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Albert_Gleizes%2C_1920%2C_Femme_portant_un_enfant%2C_Exposition_Internationale_d%27Art_Moderne%2C_Geneva%2C_26_December_1920_-_25_January_1921%2C_No._185.jpg/127px-Albert_Gleizes%2C_1920%2C_Femme_portant_un_enfant%2C_Exposition_Internationale_d%27Art_Moderne%2C_Geneva%2C_26_December_1920_-_25_January_1921%2C_No._185.jpg" decoding="async" width="127" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Albert_Gleizes%2C_1920%2C_Femme_portant_un_enfant%2C_Exposition_Internationale_d%27Art_Moderne%2C_Geneva%2C_26_December_1920_-_25_January_1921%2C_No._185.jpg/191px-Albert_Gleizes%2C_1920%2C_Femme_portant_un_enfant%2C_Exposition_Internationale_d%27Art_Moderne%2C_Geneva%2C_26_December_1920_-_25_January_1921%2C_No._185.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Albert_Gleizes%2C_1920%2C_Femme_portant_un_enfant%2C_Exposition_Internationale_d%27Art_Moderne%2C_Geneva%2C_26_December_1920_-_25_January_1921%2C_No._185.jpg/255px-Albert_Gleizes%2C_1920%2C_Femme_portant_un_enfant%2C_Exposition_Internationale_d%27Art_Moderne%2C_Geneva%2C_26_December_1920_-_25_January_1921%2C_No._185.jpg 2x" data-file-width="1331" data-file-height="1984" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1920, <i>Femme portant un enfant</i>, Exposition Internationale d'Art Moderne, Geneva, 26 December 1920 - 25 January 1921, No. 185 (black and white photographic reproduction). Dimensions and whereabouts unknown. Cat. rais. no. 918, p. 316, 317</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_1921,_Composition_bleu_et_jaune_(Composition_jaune),_oil_on_canvas,_200.5_x_110_cm_DSC00547.jpg" class="mw-file-description" title="Albert Gleizes, 1921, Composition bleu et jaune (Composition jaune), oil on canvas, 200.5 x 110 cm"><img alt="Albert Gleizes, 1921, Composition bleu et jaune (Composition jaune), oil on canvas, 200.5 x 110 cm" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Albert_Gleizes%2C_1921%2C_Composition_bleu_et_jaune_%28Composition_jaune%29%2C_oil_on_canvas%2C_200.5_x_110_cm_DSC00547.jpg/101px-Albert_Gleizes%2C_1921%2C_Composition_bleu_et_jaune_%28Composition_jaune%29%2C_oil_on_canvas%2C_200.5_x_110_cm_DSC00547.jpg" decoding="async" width="101" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Albert_Gleizes%2C_1921%2C_Composition_bleu_et_jaune_%28Composition_jaune%29%2C_oil_on_canvas%2C_200.5_x_110_cm_DSC00547.jpg/152px-Albert_Gleizes%2C_1921%2C_Composition_bleu_et_jaune_%28Composition_jaune%29%2C_oil_on_canvas%2C_200.5_x_110_cm_DSC00547.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Albert_Gleizes%2C_1921%2C_Composition_bleu_et_jaune_%28Composition_jaune%29%2C_oil_on_canvas%2C_200.5_x_110_cm_DSC00547.jpg/202px-Albert_Gleizes%2C_1921%2C_Composition_bleu_et_jaune_%28Composition_jaune%29%2C_oil_on_canvas%2C_200.5_x_110_cm_DSC00547.jpg 2x" data-file-width="529" data-file-height="992" /></a></span></div> <div class="gallerytext">Albert Gleizes, 1921, <i>Composition bleu et jaune (Composition jaune)</i>, oil on canvas, 200.5 x 110 cm</div> </li> <li class="gallerybox" style="width: 205px"> <div class="thumb" style="width: 200px; height: 220px;"><span typeof="mw:File"><a href="/wiki/File:Armory_Show,_International_Exhibition_of_Modern_Art,_Chicago,_1913._The_Cubist_room.jpg" class="mw-file-description" title="Armory Show, International Exhibition of Modern Art, Chicago, 1913. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913. Gleizes' Man on a Balcony is exhibited to the right"><img alt="Armory Show, International Exhibition of Modern Art, Chicago, 1913. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913. Gleizes' Man on a Balcony is exhibited to the right" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Armory_Show%2C_International_Exhibition_of_Modern_Art%2C_Chicago%2C_1913._The_Cubist_room.jpg/170px-Armory_Show%2C_International_Exhibition_of_Modern_Art%2C_Chicago%2C_1913._The_Cubist_room.jpg" decoding="async" width="170" height="118" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Armory_Show%2C_International_Exhibition_of_Modern_Art%2C_Chicago%2C_1913._The_Cubist_room.jpg/255px-Armory_Show%2C_International_Exhibition_of_Modern_Art%2C_Chicago%2C_1913._The_Cubist_room.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/72/Armory_Show%2C_International_Exhibition_of_Modern_Art%2C_Chicago%2C_1913._The_Cubist_room.jpg/340px-Armory_Show%2C_International_Exhibition_of_Modern_Art%2C_Chicago%2C_1913._The_Cubist_room.jpg 2x" data-file-width="5652" data-file-height="3923" /></a></span></div> <div class="gallerytext"><a href="/wiki/Armory_Show" title="Armory Show">Armory Show</a>, International Exhibition of Modern Art, Chicago, 1913. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913. Gleizes' <i><a href="/wiki/Man_on_a_Balcony_(Gleizes)" class="mw-redirect" title="Man on a Balcony (Gleizes)">Man on a Balcony</a></i> is exhibited to the right</div> </li> </ul> <div class="mw-heading mw-heading2"><h2 id="Press_articles">Press articles</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=15" title="Edit section: Press articles"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Albert_Gleizes,_Marcel_Duchamp,_Jean_Crotti,_The_Literary_Digest,_27_November_1915.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/a/a5/Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_The_Literary_Digest%2C_27_November_1915.jpg/550px-Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_The_Literary_Digest%2C_27_November_1915.jpg" decoding="async" width="550" height="207" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/a/a5/Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_The_Literary_Digest%2C_27_November_1915.jpg/825px-Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_The_Literary_Digest%2C_27_November_1915.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/a/a5/Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_The_Literary_Digest%2C_27_November_1915.jpg/1100px-Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_The_Literary_Digest%2C_27_November_1915.jpg 2x" data-file-width="4495" data-file-height="1691" /></a><figcaption>Albert Gleizes, <i>Broadway</i> (1915), Gleizes in his New York studio with <i>Jazz</i> (1915); <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a>'s <i><a href="/wiki/Nude_Descending_a_Staircase,_No._2" title="Nude Descending a Staircase, No. 2">Nude Descending a Staircase, No. 2</a></i>; <a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a> in his studio. "The European Art-Invasion, The Mob as Art Critic", <i>The Literary Digest</i>, Letters and Art, 27 November 1915. pp. 1224-1227</figcaption></figure> <ul class="gallery mw-gallery-traditional"> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Fantasio,_15_October_1911,_Albert_Gleizes,_Portrait_of_Jacques_Nayral,_Jean_Metzinger,_Le_Gouter,_Tea_Time,_1911...jpg" class="mw-file-description" title="Albert Gleizes, Portrait de Jacques Nayral (1911) and Jean Metzinger Le goûter (Tea Time) (1911), Fantasio, 15 October 1911"><img alt="Albert Gleizes, Portrait de Jacques Nayral (1911) and Jean Metzinger Le goûter (Tea Time) (1911), Fantasio, 15 October 1911" src="//upload.wikimedia.org/wikipedia/en/thumb/7/7d/Fantasio%2C_15_October_1911%2C_Albert_Gleizes%2C_Portrait_of_Jacques_Nayral%2C_Jean_Metzinger%2C_Le_Gouter%2C_Tea_Time%2C_1911...jpg/150px-Fantasio%2C_15_October_1911%2C_Albert_Gleizes%2C_Portrait_of_Jacques_Nayral%2C_Jean_Metzinger%2C_Le_Gouter%2C_Tea_Time%2C_1911...jpg" decoding="async" width="150" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/7/7d/Fantasio%2C_15_October_1911%2C_Albert_Gleizes%2C_Portrait_of_Jacques_Nayral%2C_Jean_Metzinger%2C_Le_Gouter%2C_Tea_Time%2C_1911...jpg/225px-Fantasio%2C_15_October_1911%2C_Albert_Gleizes%2C_Portrait_of_Jacques_Nayral%2C_Jean_Metzinger%2C_Le_Gouter%2C_Tea_Time%2C_1911...jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/7/7d/Fantasio%2C_15_October_1911%2C_Albert_Gleizes%2C_Portrait_of_Jacques_Nayral%2C_Jean_Metzinger%2C_Le_Gouter%2C_Tea_Time%2C_1911...jpg/300px-Fantasio%2C_15_October_1911%2C_Albert_Gleizes%2C_Portrait_of_Jacques_Nayral%2C_Jean_Metzinger%2C_Le_Gouter%2C_Tea_Time%2C_1911...jpg 2x" data-file-width="1359" data-file-height="1984" /></a></span></div> <div class="gallerytext">Albert Gleizes, <i><a href="/wiki/Portrait_of_Jacques_Nayral_(Gleizes)" class="mw-redirect" title="Portrait of Jacques Nayral (Gleizes)">Portrait de Jacques Nayral</a></i> (1911) and <a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a> <i><a href="/wiki/Le_go%C3%BBter_(Tea_Time)" class="mw-redirect" title="Le goûter (Tea Time)">Le goûter (Tea Time)</a></i> (1911), <i>Fantasio</i>, 15 October 1911</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_Juan_Gris,_Jean_Metzinger,_El_Correo_Catal%C3%A1n,_25_April_1912.jpg" class="mw-file-description" title="Paintings by Albert Gleizes, 1910–11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. Front page of El Correo Catalán, 25 April 1912"><img alt="Paintings by Albert Gleizes, 1910–11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. Front page of El Correo Catalán, 25 April 1912" src="//upload.wikimedia.org/wikipedia/en/thumb/d/d5/Albert_Gleizes%2C_Juan_Gris%2C_Jean_Metzinger%2C_El_Correo_Catal%C3%A1n%2C_25_April_1912.jpg/150px-Albert_Gleizes%2C_Juan_Gris%2C_Jean_Metzinger%2C_El_Correo_Catal%C3%A1n%2C_25_April_1912.jpg" decoding="async" width="150" height="209" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/d/d5/Albert_Gleizes%2C_Juan_Gris%2C_Jean_Metzinger%2C_El_Correo_Catal%C3%A1n%2C_25_April_1912.jpg/225px-Albert_Gleizes%2C_Juan_Gris%2C_Jean_Metzinger%2C_El_Correo_Catal%C3%A1n%2C_25_April_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/d/d5/Albert_Gleizes%2C_Juan_Gris%2C_Jean_Metzinger%2C_El_Correo_Catal%C3%A1n%2C_25_April_1912.jpg/300px-Albert_Gleizes%2C_Juan_Gris%2C_Jean_Metzinger%2C_El_Correo_Catal%C3%A1n%2C_25_April_1912.jpg 2x" data-file-width="1943" data-file-height="2705" /></a></span></div> <div class="gallerytext">Paintings by Albert Gleizes, 1910–11, <i>Paysage, Landscape</i>; <a href="/wiki/Juan_Gris" title="Juan Gris">Juan Gris</a> (drawing); <a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a>, c.1911, <i><a href="/wiki/Nature_morte_(Metzinger)" title="Nature morte (Metzinger)">Nature morte, Compotier et cruche décorée de cerfs</a></i>. Front page of <i>El Correo Catalán</i>, 25 April 1912</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Juan_Gris,_August_Agero,_Jean_Metzinger,_Marie_Laurencin,_Albert_Gleizes,_La_Publicidad,_26_April_1912.jpg" class="mw-file-description" title="Paintings by Juan Gris, Bodegón; August Agero (sculpture); Jean Metzinger, 1910–11, Deux Nus, Two Nudes, Gothenburg Museum of Art; Marie Laurencin (acrylic); Albert Gleizes, 1911, Paysage, Landscape. La Publicidad, 26 April 1912"><img alt="Paintings by Juan Gris, Bodegón; August Agero (sculpture); Jean Metzinger, 1910–11, Deux Nus, Two Nudes, Gothenburg Museum of Art; Marie Laurencin (acrylic); Albert Gleizes, 1911, Paysage, Landscape. La Publicidad, 26 April 1912" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4f/Juan_Gris%2C_August_Agero%2C_Jean_Metzinger%2C_Marie_Laurencin%2C_Albert_Gleizes%2C_La_Publicidad%2C_26_April_1912.jpg/138px-Juan_Gris%2C_August_Agero%2C_Jean_Metzinger%2C_Marie_Laurencin%2C_Albert_Gleizes%2C_La_Publicidad%2C_26_April_1912.jpg" decoding="async" width="138" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4f/Juan_Gris%2C_August_Agero%2C_Jean_Metzinger%2C_Marie_Laurencin%2C_Albert_Gleizes%2C_La_Publicidad%2C_26_April_1912.jpg/207px-Juan_Gris%2C_August_Agero%2C_Jean_Metzinger%2C_Marie_Laurencin%2C_Albert_Gleizes%2C_La_Publicidad%2C_26_April_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4f/Juan_Gris%2C_August_Agero%2C_Jean_Metzinger%2C_Marie_Laurencin%2C_Albert_Gleizes%2C_La_Publicidad%2C_26_April_1912.jpg/276px-Juan_Gris%2C_August_Agero%2C_Jean_Metzinger%2C_Marie_Laurencin%2C_Albert_Gleizes%2C_La_Publicidad%2C_26_April_1912.jpg 2x" data-file-width="3771" data-file-height="6000" /></a></span></div> <div class="gallerytext">Paintings by <a href="/wiki/Juan_Gris" title="Juan Gris">Juan Gris</a>, <i>Bodegón</i>; August Agero (sculpture); <a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a>, 1910–11, <i><a href="/wiki/Deux_Nus" class="mw-redirect" title="Deux Nus">Deux Nus, Two Nudes</a></i>, Gothenburg Museum of Art; <a href="/wiki/Marie_Laurencin" title="Marie Laurencin">Marie Laurencin</a> (acrylic); Albert Gleizes, 1911, <i><a href="/wiki/File:Albert_Gleizes,_1911,_Paysage_(Landscape),_oil_on_canvas,_71_x_91.5_cm._Reproduced_frontispiece_catalogue_Galeries_Dalmau,_Barcelona,_1912.jpg" title="File:Albert Gleizes, 1911, Paysage (Landscape), oil on canvas, 71 x 91.5 cm. Reproduced frontispiece catalogue Galeries Dalmau, Barcelona, 1912.jpg">Paysage, Landscape</a></i>. La Publicidad, 26 April 1912</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Jean_Metzinger,_Gino_Severini,_Albert_Gleizes,_Les_Annales_politiques_et_litt%C3%A9raires,_Sommaire_du_n._1536,_d%C3%A9cembre_1912.jpg" class="mw-file-description" title="Jean Metzinger, 1910–11, Paysage (whereabouts unknown); Gino Severini, 1911, La danseuse obsedante; Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud). Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912"><img alt="Jean Metzinger, 1910–11, Paysage (whereabouts unknown); Gino Severini, 1911, La danseuse obsedante; Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud). Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912" src="//upload.wikimedia.org/wikipedia/en/thumb/2/22/Jean_Metzinger%2C_Gino_Severini%2C_Albert_Gleizes%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_Sommaire_du_n._1536%2C_d%C3%A9cembre_1912.jpg/141px-Jean_Metzinger%2C_Gino_Severini%2C_Albert_Gleizes%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_Sommaire_du_n._1536%2C_d%C3%A9cembre_1912.jpg" decoding="async" width="141" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/2/22/Jean_Metzinger%2C_Gino_Severini%2C_Albert_Gleizes%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_Sommaire_du_n._1536%2C_d%C3%A9cembre_1912.jpg/211px-Jean_Metzinger%2C_Gino_Severini%2C_Albert_Gleizes%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_Sommaire_du_n._1536%2C_d%C3%A9cembre_1912.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/2/22/Jean_Metzinger%2C_Gino_Severini%2C_Albert_Gleizes%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_Sommaire_du_n._1536%2C_d%C3%A9cembre_1912.jpg/281px-Jean_Metzinger%2C_Gino_Severini%2C_Albert_Gleizes%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_Sommaire_du_n._1536%2C_d%C3%A9cembre_1912.jpg 2x" data-file-width="1896" data-file-height="2964" /></a></span></div> <div class="gallerytext"><a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a>, 1910–11, <i>Paysage</i> (whereabouts unknown); <a href="/wiki/Gino_Severini" title="Gino Severini">Gino Severini</a>, 1911, <i>La danseuse obsedante</i>; Albert Gleizes, 1912, <i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud)</a></i>. Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes_and_Juliette_Roche_Gleizes,_New_York_Tribune,_9_October_1915.jpg" class="mw-file-description" title="Albert Gleizes and his wife Juliette Roche-Gleizes, New York Tribune, New York, 9 October 1915"><img alt="Albert Gleizes and his wife Juliette Roche-Gleizes, New York Tribune, New York, 9 October 1915" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Albert_Gleizes_and_Juliette_Roche_Gleizes%2C_New_York_Tribune%2C_9_October_1915.jpg/149px-Albert_Gleizes_and_Juliette_Roche_Gleizes%2C_New_York_Tribune%2C_9_October_1915.jpg" decoding="async" width="149" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Albert_Gleizes_and_Juliette_Roche_Gleizes%2C_New_York_Tribune%2C_9_October_1915.jpg/224px-Albert_Gleizes_and_Juliette_Roche_Gleizes%2C_New_York_Tribune%2C_9_October_1915.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Albert_Gleizes_and_Juliette_Roche_Gleizes%2C_New_York_Tribune%2C_9_October_1915.jpg/299px-Albert_Gleizes_and_Juliette_Roche_Gleizes%2C_New_York_Tribune%2C_9_October_1915.jpg 2x" data-file-width="6251" data-file-height="9200" /></a></span></div> <div class="gallerytext">Albert Gleizes and his wife Juliette Roche-Gleizes, <i>New York Tribune</i>, New York, 9 October 1915</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_Jean_Crotti,_Marcel_Duchamp,_The_Sun,_New_York,_2_January_1916.jpg" class="mw-file-description" title="Albert Gleizes, (left) in front of his painting Jazz; Jean Crotti (center) studying his Femme à la toque rouge; Marcel Duchamp (right) at his drawing board, in front of Jacques Villon's Portrait de M. J. B. peintre, The Sun, New York, 2 January 1916"><img alt="Albert Gleizes, (left) in front of his painting Jazz; Jean Crotti (center) studying his Femme à la toque rouge; Marcel Duchamp (right) at his drawing board, in front of Jacques Villon's Portrait de M. J. B. peintre, The Sun, New York, 2 January 1916" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/42/Albert_Gleizes%2C_Jean_Crotti%2C_Marcel_Duchamp%2C_The_Sun%2C_New_York%2C_2_January_1916.jpg/150px-Albert_Gleizes%2C_Jean_Crotti%2C_Marcel_Duchamp%2C_The_Sun%2C_New_York%2C_2_January_1916.jpg" decoding="async" width="150" height="198" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/42/Albert_Gleizes%2C_Jean_Crotti%2C_Marcel_Duchamp%2C_The_Sun%2C_New_York%2C_2_January_1916.jpg/225px-Albert_Gleizes%2C_Jean_Crotti%2C_Marcel_Duchamp%2C_The_Sun%2C_New_York%2C_2_January_1916.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/42/Albert_Gleizes%2C_Jean_Crotti%2C_Marcel_Duchamp%2C_The_Sun%2C_New_York%2C_2_January_1916.jpg/300px-Albert_Gleizes%2C_Jean_Crotti%2C_Marcel_Duchamp%2C_The_Sun%2C_New_York%2C_2_January_1916.jpg 2x" data-file-width="5364" data-file-height="7080" /></a></span></div> <div class="gallerytext">Albert Gleizes, (left) in front of his painting <i>Jazz</i>; <a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a> (center) studying his <i>Femme à la toque rouge</i>; <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a> (right) at his drawing board, in front of <a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a>'s <i>Portrait de M. J. B. peintre</i>, <i>The Sun</i>, New York, 2 January 1916</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_Marcel_Duchamp,_Jean_Crotti,_Hugo_Robus,_Stanton_MacDonald-Wright,_Frances_Simpson_Stevens,_Every_Week,_No._14,_April_2,_1917.jpg" class="mw-file-description" title="Albert Gleizes (with Chal Post, 1915); Marcel Duchamp (with his brother Jacques Villon's Portrait de M. J. B. peintre (Jacques Bon) 1914); Jean Crotti; Hugo Robus; Stanton Macdonald-Wright; and Frances Simpson Stevens (center), Sometimes we dread the future, Every Week, Vol. 4, No. 14, April 2, 1917, p. 14"><img alt="Albert Gleizes (with Chal Post, 1915); Marcel Duchamp (with his brother Jacques Villon's Portrait de M. J. B. peintre (Jacques Bon) 1914); Jean Crotti; Hugo Robus; Stanton Macdonald-Wright; and Frances Simpson Stevens (center), Sometimes we dread the future, Every Week, Vol. 4, No. 14, April 2, 1917, p. 14" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_Hugo_Robus%2C_Stanton_MacDonald-Wright%2C_Frances_Simpson_Stevens%2C_Every_Week%2C_No._14%2C_April_2%2C_1917.jpg/147px-Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_Hugo_Robus%2C_Stanton_MacDonald-Wright%2C_Frances_Simpson_Stevens%2C_Every_Week%2C_No._14%2C_April_2%2C_1917.jpg" decoding="async" width="147" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_Hugo_Robus%2C_Stanton_MacDonald-Wright%2C_Frances_Simpson_Stevens%2C_Every_Week%2C_No._14%2C_April_2%2C_1917.jpg/220px-Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_Hugo_Robus%2C_Stanton_MacDonald-Wright%2C_Frances_Simpson_Stevens%2C_Every_Week%2C_No._14%2C_April_2%2C_1917.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_Hugo_Robus%2C_Stanton_MacDonald-Wright%2C_Frances_Simpson_Stevens%2C_Every_Week%2C_No._14%2C_April_2%2C_1917.jpg/294px-Albert_Gleizes%2C_Marcel_Duchamp%2C_Jean_Crotti%2C_Hugo_Robus%2C_Stanton_MacDonald-Wright%2C_Frances_Simpson_Stevens%2C_Every_Week%2C_No._14%2C_April_2%2C_1917.jpg 2x" data-file-width="2403" data-file-height="3597" /></a></span></div> <div class="gallerytext">Albert Gleizes (with <i>Chal Post</i>, 1915); <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a> (with his brother <a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a>'s <i>Portrait de M. J. B. peintre (Jacques Bon)</i> 1914); <a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a>; Hugo Robus; <a href="/wiki/Stanton_Macdonald-Wright" title="Stanton Macdonald-Wright">Stanton Macdonald-Wright</a>; and <a href="/wiki/Frances_Simpson_Stevens" title="Frances Simpson Stevens">Frances Simpson Stevens</a> (center), <i>Sometimes we dread the future</i>, <i>Every Week</i>, Vol. 4, No. 14, April 2, 1917, p. 14</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 250px;"><span typeof="mw:File"><a href="/wiki/File:Gino_Severini,_Albert_Gleizes,_Luigi_Russolo,_Les_Annales_politiques_et_litt%C3%A9raires,_n._1916,_14_March_1920.jpg" class="mw-file-description" title="Paintings by Gino Severini, 1911, Souvenirs de Voyage; Albert Gleizes, 1912, Man on a Balcony, L’Homme au balcon; Severini, 1912–13, Portrait de Mlle Jeanne Paul-Fort; Luigi Russolo, 1911–12, La Révolte, Les Annales politiques et littéraires, Le Paradoxe Cubiste, n. 1916, 14 March 1920"><img alt="Paintings by Gino Severini, 1911, Souvenirs de Voyage; Albert Gleizes, 1912, Man on a Balcony, L’Homme au balcon; Severini, 1912–13, Portrait de Mlle Jeanne Paul-Fort; Luigi Russolo, 1911–12, La Révolte, Les Annales politiques et littéraires, Le Paradoxe Cubiste, n. 1916, 14 March 1920" src="//upload.wikimedia.org/wikipedia/en/thumb/6/6c/Gino_Severini%2C_Albert_Gleizes%2C_Luigi_Russolo%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_n._1916%2C_14_March_1920.jpg/128px-Gino_Severini%2C_Albert_Gleizes%2C_Luigi_Russolo%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_n._1916%2C_14_March_1920.jpg" decoding="async" width="128" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/6c/Gino_Severini%2C_Albert_Gleizes%2C_Luigi_Russolo%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_n._1916%2C_14_March_1920.jpg/192px-Gino_Severini%2C_Albert_Gleizes%2C_Luigi_Russolo%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_n._1916%2C_14_March_1920.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/6c/Gino_Severini%2C_Albert_Gleizes%2C_Luigi_Russolo%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_n._1916%2C_14_March_1920.jpg/256px-Gino_Severini%2C_Albert_Gleizes%2C_Luigi_Russolo%2C_Les_Annales_politiques_et_litt%C3%A9raires%2C_n._1916%2C_14_March_1920.jpg 2x" data-file-width="2081" data-file-height="3575" /></a></span></div> <div class="gallerytext">Paintings by <a href="/wiki/Gino_Severini" title="Gino Severini">Gino Severini</a>, 1911, <i>Souvenirs de Voyage</i>; Albert Gleizes, 1912, <i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">Man on a Balcony, L’Homme au balcon</a></i>; Severini, 1912–13, <i>Portrait de Mlle Jeanne Paul-Fort</i>; <a href="/wiki/Luigi_Russolo" title="Luigi Russolo">Luigi Russolo</a>, 1911–12, <i>La Révolte</i>, Les Annales politiques et littéraires, <i>Le Paradoxe Cubiste</i>, n. 1916, 14 March 1920</div> </li> </ul> <div class="mw-heading mw-heading2"><h2 id="Writings">Writings</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=16" title="Edit section: Writings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Books">Books</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=17" title="Edit section: Books"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i>, Albert Gleizes and Jean Metzinger, Paris, Figuière, 1912 (published in English and Russian in 1913, a new edition was published in 1947)</li> <li><i>Du Cubisme et des moyens de le comprendre</i>, Paris, La Cible, Povolozky, 1920 (published in German in 1922).</li> <li><i>La Mission créatrice de l’Homme dans le domaine plastique</i>, Paris, La Cible, Povolozky, 1921 (published in Polish in 1927).</li> <li><i>La Peinture et ses lois, ce qui devait sortir du Cubisme</i>, Paris, 1924 (published in English in 2000)</li> <li><i>Tradition et Cubisme. Vers une conscience plastique. Articles et Conférences 1912–1924</i>, Paris, La Cible, Povolozky, 1927</li> <li><i>Peinture et Perspective descriptive</i>, conference at the Carnegie Foundation for l’Union Intellectuelle française, Paris, 22 March 1927. Sablons, Moly-Sabata, 1927</li> <li>Kubismus, Bauhausbücher 13, Munich, Albert Langen Verlag, 1928 (re-edited by Florian Kupferberg Verlag in 1980).</li> <li>Vie et Mort de l’Occident Chrétien, Sablons, Moly-Sabata, 1930 (published in English in 1947)</li> <li><i>Vers une Conscience plastique : La Forme et l’Histoire</i>, Paris, Povolozky, 1932</li> <li><i>Art et Science</i>, Sablons, Moly-Sabata, 1933. 2ème édition, Aix-en-Provence, 1961. Conference at Lodz, Poland, 28 April 1932, and Stuttgart, 6 Mai 1932.</li> <li>Homocentrisme; Le retour de l’Homme chrétien; Le Rythme dans les Arts plastiques, Sablons, Moly-Sabata, 1937</li> <li>La Signification Humaine du Cubisme, Lecture by Albert Gleizes at the Petit Palais, Paris, 18 July 1938, Sablons, Moly-Sabata, 1938</li> <li><i>Du Cubisme</i>, Albert Gleizes and Jean Metzinger, Paris, Compagnie Française des Arts Graphiques, 1947 (re-edition of the 1912 book with slight modifications and a new Preface by Albert Gleizes).</li> <li><i>Souvenirs, le Cubisme 1908–1914</i>, Lyon, Cahiers Albert Gleizes, L’Association des Amis d’Albert Gleizes, 1957</li> <li><i>Puissances du Cubisme</i>, Chambéry, éditions Présence, 1969. Collection of articles published between 1925 and 1946</li> <li><i>Art et religion, Art et science, Art et production</i>, Chambéry, éditions Présence, 1970 (published in English in 2000)</li> <li><i>L'Homme devenu peintre</i>, Paris, Fondation Albert Gleizes and Somogy éditions d'Art, 1998</li></ul> <div class="mw-heading mw-heading3"><h3 id="Articles">Articles</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=18" title="Edit section: Articles"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>L'Art et ses représentants. Jean Metzinger, <i>Revue Indépendante</i>, Paris, September 1911, pp. 161–172</li> <li>Le Fauconnier et son oeuvre, <i>Revue Indépendante</i>, Paris, October 1911 Unlocated article listed in Le Fauconnier bibliographies</li> <li>Les Beaux Arts. A propos du Salon d'Automne, <i>Les Bandeaux d'Or</i>, séries 4, no. 13, 1911–1912, pp. 42–51</li> <li>Cubisme devant les Artistes, <i>Les Annales politiques et littéraires</i>, Paris, December 1912, pp. 473–475. A response to an inquiry</li> <li>Le Cubisme et la Tradition, <i>Montjoie!</i>, Paris, 10 February 1913, p. 4. Reprinted in Tradition et Cubisme, Paris, 1927</li> <li>[Extracts from O Kubisme], Soyuz Molodezhi, Sbornik, St. Petersburg, no. 3, 1913. With commentary. Reference from gray, Camilla. <i>The Great Experiment: Russian Art, 1893–1922</i>, New York, Abrams, 1962, p. 308</li> <li>Opinions (Mes Tableaux), <i>Montjoie!</i>, Paris, nos. 11–12, November–December 1913, p. 14</li> <li>C’est en allant se jeter à la mer que le fleuve reste fidèle à sa source, <i>Le Mot</i>, Paris, vol. I, no. 17, 1 Mai 1915</li> <li>French Artists Spur on American Art, <i>New York Herald</i>, 24 October 1915, pp. 2–3. An interview</li> <li>Interview with Gleizes (Duchamp, Picabia and Crotti), <i>The Literary Digest</i>, New York, 27 November 1915, pp. 1224–1225</li> <li>"La Peinture Moderne", 391, New York, no. 5, June 1917, pp. 6–7</li> <li><i>The Abbey of Créteil, A Communistic Experiment</i>, The Modern School, Stelton, New Jersey, October 1918. Edited by Carl Zigrosser</li> <li>"The Impersonality of American Art", <i>Playboy</i>, New York, nos. 4 and 5, 1919, pp. 25–26. Translated by Stephen Bourgeois.</li> <li>Preface to the catalogue of Annual Exhibition of Modern Art at the Bourgeois Galleries, New York, 1919<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li>Vers une époque de bâtisseurs", <i>Clarté (Bulletin Français)</i>, Paris, 1920, no. 13, 14, 15, 32</li> <li>Letter to Herwarth Walden, 30 April 1920], <i>Der Sturm</i>, Berlin, Nationalgalerie, September 1961, p. 46</li> <li>L’Affaire dada. <i>Action</i>, Paris, no. 3, April 1920, pp. 26–32. Re-printed in English in Motherwell, Robert, ed. <i>Dada Painters and Poets</i>, New York, 1951, pp. 298–302</li> <li>Dieu Nouveau, <i>La Vie des Lettres</i>, Paris, October 1920, p. 178</li> <li>Réhabilitation des Arts Plastiques, <i>La Vie des Lettres et des Arts</i>, Paris, series 2, no. 4, April 1921, pp. 411–122. Reprinted in <i>Tradition et Cubisme</i>, Paris, 1927</li> <li>L'Etat du Cubisme aujourd'hui, <i>La Vie des Lettres et des Arts</i>, Paris, series 2, no. 15, 1922, pp. 13–17</li> <li>Tradition und Freiheit, <i>Das Kunstblatt</i>, Berlin, vol. 6, no. 1, 1922, pp. 26–32</li> <li>Ein Neuer Naturalismus? Eine Rundfrage des Kunstblatts, <i>Das Kunstblatt</i>, Berlin, vol. 6, no. 9, 1922, pp. 387–389</li> <li>Perle, <i>La Bataille Littéraire</i>, Brussels, vol. 4, no. 2, 25 February 1922, pp. 35–36 [A poem, New York, 1916]</li> <li>La Peinture et ses Lois : Ce qui devait sortir du Cubisme, <i>La Vie des Lettres et des Arts, Paris</i>, series 2, no. 12, March 1923, pp. 26–73</li> <li><a href="/wiki/Jean_Lur%C3%A7at" title="Jean Lurçat">Jean Lurçat</a>, <i>Das Kunstblatt</i>, vol. 7, no. 8, 1923, pp. 225–228</li> <li>L’Art moderne et la Société nouvelle, <i>Moniteur de l’Académie Socialiste</i>, Moscou, 1923. Reprinted in <i>Tradition et Cubisme</i>, Paris, 1927, pp. 149–161</li> <li>Où va la peinture moderne? <i>Bulletin de l’Effort Moderne</i>, Paris, no. 5, May 1924, p. 14. Response to an inquiry</li> <li>La Renaissance et la peinture d'aujourd'hui, <i>La Vie des Lettres et des Arts</i>, Paris, décembre 1924 (repris dans Tradition et Cubisme, Paris, 1927, p. 179–191)</li> <li>La Peinture et ses Lois, <i>Bulletin de l’Effort Moderne</i>, Paris, no. 5, May 1924, p. 4–9, no. 13, March 1925, p. 1–4</li> <li>A propos de la Section d'Or de 1912, <i>Les Arts Plastiques</i>, Paris, no. 1, January,1925, pp. 5–7</li> <li>Chez les Cubistes: une enquête, <i>Bulletin de la Vie Artistique</i>, Paris, vol. 6, no. 1, January 1925, pp. 15–19. Response to an inquiry</li> <li>L’inquiétude, Crise plastique, <i>La Vie des Lettres et des Arts</i>, Paris, series 2, no. 20, May 1925, pp. 38–52</li> <li>A l'Exposition, que pensez-vous du... Pavilion de Russie, <i>Bulletin de la Vie Artistique</i>, vol. 6, no. 11, 1 June 1925, pp. 235–237. Response to an inquiry</li> <li>"Cubisme", <i>La Vie des Lettres et des Arts</i>, Paris, series 2, no. 21, 1926, pp. 51–65. Announced as French text of Kubismus, Bauhausbücher 13, Munich, 1928, written in September 1925, at Serrières</li> <li>Cubisme (Vers une conscience plastique). <i>Bulletin de l'Effort Moderne</i>, Paris, No. 22, February 1926; No. 23, March 1926; No. 24, April 1926; no. 25, May 1926; No. 26, June 1926; no. 27, July 1926; no. 28, October 1926; no. 29, November 1926; no. 30, December 1926; no. 31, January 1927; no. 32, February 1927. Extracts, announced as partial contents of Kubismus, Bauhausbücher 13, 1928</li> <li>L’Epopée. De la Forme immobile à la Forme mobile, Le Rouge et le Noir, Paris, October 1929, pp. 57–99. The final French text of Kubismus, Bauhausbücher 13, Munich, Albert Langen Verlag, 1928 (re-edited by Florian Kupferberg Verlag in 1980).</li> <li>Charles Henry et le Vitalisme, <i>Cahiers de l'Etoile</i>, Paris, no. 13, January–February 1930, pp. 112–128. [Preface to La Forme et l'Histoire], l'Alliance Universelle, Paris, 30 April 1930</li> <li>Les Attitudes Fondamentales de l'Esprit Moderne, <i>Bulletin de la VIIème Congrès de la Fédération Internationale des Unions Intellectuelles</i>, Cracow, October 1930. [Preface to an Exhibition of Paintings by Gottfried Graf, Berlin, 1931]. Quoted in Chevalier, Le Dénouement traditionnel du Cubisme, 2, Confluences, Lyon, no. 8, February 1942, p. 193</li> <li>Civilization et Propositions, <i>La Semaine Egyptienne</i>, Alexandria, 31 October 1932, p. 5</li> <li>Moly-Sabata ou le Retour des Artistes au Village, <i>Sud Magazine</i>, Marseilles, no. 1021, 1 June 1932. [Statement], Abstraction-Creation, Art Non-Figuratif, Paris, no. 1, 1932, pp. 15–16</li> <li>La Grande Ville et Ses Signes, <i>La Liberté</i>, Paris, 7 May 1933, p. 2</li> <li>Vers la régénération intellectuelle, Naturisme du corps: naturisme de l'esprit, Régénération, Paris, new series, no. 46, July–August 1933, pp. 117–119. [Statement], Abstraction-Creation, Art Non-Figuratif, Paris, no. 2, 1933, p. 18</li> <li>Vers une conscience plastique, La Forme et l'Histoire, <i>Sud</i>, magazine méditerranéen, no. 104, 1–16 July 1933, p. 20–21</li> <li>Propos de peintre, Almanach Vivarois 1933, Sous le signe de July 1933, p. 30–34. May 2007</li> <li>Le Retour de l’Homme à sa Vie, Jeunesse, and Jeunesse (suite), <i>Régénération</i>, Paris, no. 49, 50, 53, 1934. [Expose] Abstraction-Création, Art Non Figuratif, Paris, no. 3, 1934, p. 18</li> <li>Agriculture et Machinisme, <i>Regeneration</i>, Paris, no. 53, August–September 1934, pp. 11–14. Enlarged version of article originally published in <i>Lyon Républicain</i>, 1 January 1932</li> <li>Le Groupe de l'Abbaye. La Nouvelle Abbaye de Moly-Sabata, <i>Cahiers Américains</i>, Paris, New York, no. 6, Winter 1934, pp. 253–259</li> <li>Le Retour à la Terre, <i>Beaux-Arts</i>, Paris, 14 December 1934, p. 2</li> <li>Peinture et Peinture, <i>Sud Magazine</i>, Marseilles, no. 8, August 1935. Offprint. (In Puissances du Cubisme, 1969, pp. 185–199)</li> <li>Retour à l’Homme. Mais à quel Homme?, December 1935. Offprint, <i>Sud Magazine</i>, Marseilles. (In Puissances du Cubisme, 1969, pp. 201–218)</li> <li>Arabesques, <i><a href="/wiki/Cahiers_du_Sud" class="mw-redirect" title="Cahiers du Sud">Cahiers du Sud</a></i>, (special edition), <i>L’Islam et l’Occident</i>, vol. 22, no. 175, August–September 1935, pp. 101–106. (In Puissances du Cubisme, 1969, pp. 169–175)</li> <li>Article dated Serrières d'Ardèche, November 1934. [Statement], <i>Abstraction-Creation, Art Non-Figuratif</i>, Paris, no. 5, 1936, pp. 7–8</li> <li>La Question de Métier, <i>Beaux-Arts</i>, Paris, 9 October 1936, p. 1</li> <li>Art Régional, Tous les Arts à Paris, Paris, 15 December 1936</li> <li>Le Problème de la Lumière, <i>Cahiers du Sud</i>, vol. 24, no. 192, March 1937, pp. 190–207. (From d'Homocentrisme, also in Puissance du cubisme, 1969, pp. 245–267)</li> <li>Cubisme et Surréalisme: Deux Tentatives Pour Redécouvrir l'Homme, Deuxième Congrés international d'esthétique et de science de l'art, Paris, 1937, II p. 337. (In Puissances du cubisme, 1969, p. 269–282)</li> <li>Tradition et Modernisme, <i>l'Art et les Artistes</i>, Paris, no. 37, January 1939, pp. 109–115</li> <li>L'Oeuvre de Maurice Garnier, <i>Sud Magazine</i>, Marseille, mars-avril 1939, p. 15–17</li> <li>Artistes et Artisans, <i>L’Opinion</i>, Cannes, 31 May 1941</li> <li>Spiritualité, Rythme, Forme, Confluences: Les Problèmes de la Peinture, Lyon, 1945, section 6. Special edition, edited by Gaston Diehl. (In Puissance du cubisme, 1969, p. 315–344)</li> <li>Apollinaire, la Justice et Moi, Guillaume Apollinaire, Souvenirs et Témoignages, Paris, Editions de la Tête Noire, 1946, pp. 53–65. Edited by Marcel Adema</li> <li>L’Arc en Ciel, clé de l’Art chrétien médiéval, Les Etudes Philosophiques, new series, no. 2, April–June 1946. [Statement], <i>Réalités Nouvelles</i>, Paris, no. 1, 1947, pp. 34–35 (In Puissances du cubisme, 1969, p. 345–357)</li> <li><i>Réalités Nouvelles</i>, Paris, no. 1, 1947, p. 34–35. Préliminaires à une étude sur les variations iconographiques de la Croix, Témoignages, Cahiers de la Pierre-qui-Vire, no. 15, October 1947</li> <li><i>Life and Death of the Christian West</i>, Londres, Dennis Dobson Ltd., 1947. Preface by H. J. Massingham, translation by Aristide Messinesi</li> <li>Y a-t-il un Art Traditionnel Chrétien ?, Témoignages, Cahiers de la Pierre-qui-Vire, July 1948</li> <li>L’Art Sacré est Théologique et Symbolique, Arts, Paris, no. 148, 9 January 1948, p. 8</li> <li>Active Tradition of the East and West, Art and Thought, Londres, February 1948, p. 244–251 (Ananda K. Coomaraswamy, homage)</li> <li>Pourquoi j'illustre Les Pensées de Pascal, Arts, 24 March 1950, p. 1–2</li> <li>Introduction au catalogue de l'exposition Les Pensées de Pascal, Chapelle de l’Oratoire, Avignon, 22 July – 31 August 1950</li> <li>Peinture d’Opinion et Peinture de Métier, <i>L’Atelier de la Rose</i>, Lyon, June 1951</li> <li>Réflexions sur l’Art dit Abstrait et du Caractère de l’Image dans la Non-Figuration, I, <i>L’Atelier de la Rose</i>, Lyon, October 1951</li> <li>Réflexions sur l’Art dit Abstrait et du Caractère de l’Image dans la Non-Figuration, II, <i>L’Atelier de la Rose</i>, Lyon, January 1952</li> <li>L’Esprit fondamental de l’Art roman, <i>L’Atelier de la Rose</i>, Lyon, September 1952</li> <li>Mentalité Renouvelée, I, <i>L’Atelier de la Rose</i>, Lyon, December 1952</li> <li>Présence d’Albert Gleizes, Zodiaque, Saint-Léger-Vauban, no. 6–7, January 1952</li> <li>L’Esprit de ma fresque : L’Eucharistie, <i>L’Atelier de la Rose</i>, Lyon, March 1953.</li> <li>Mentalité Renouvelée, Il, <i>L’Atelier de la Rose</i>, Lyon, June 1953, pp. 452–460.</li> <li>Conformisme, Réforme et Révolution, Correspondences, Tunis, no. 2, 1954, p. 39–45. (With a biographical note by Jean Cathelin)</li> <li>Un potier [sur <a href="/wiki/Anne_Dangar" title="Anne Dangar">Anne Dangar</a> ], La belle Journée est passée, Zodiaque, Saint-Léger-Vauban, no. 25, April 1955.</li> <li>Caractères de l’Art Celtique, Actualité de l’Art Celtique, Cahiers d’Histoire et de Folklore, Lyon, 1956, pp. 55–97 (extraits de La Forme et l’Histoire, 1932)</li> <li><i>Souvenirs, le Cubisme 1908–1914</i>, Lyon, Cahiers Albert Gleizes, L’Association des Amis d’Albert Gleizes, 1957 (from <i>Souvenirs</i>, manuscript conserved at the Kandinsky Library / Centre Pompidou, Paris)</li> <li>Introduction à Mainie Jellett, <i>The Artists’ Vision</i>, Dundalk, Dundalgan Press, 1958, pp. 25–45 (written in 1948)</li> <li>Puissances du Cubisme, Chambéry, éditions Présence, 1969 (articles published between 1925 and 1946)</li> <li>Art et religion, Art et science, Art et production, Chambéry, éditions Présence, 1970. (English edition by Peter Brooke, 1999)</li> <li>Fragments de notes inédites (1946), Zodiaque, n° 100, April 1974, pp. 39–74</li> <li>Du Cubisme, Jean Metzinger, Aubard (éditions Présence), 1980 (re-edition of the 1947 version with an introduction by Daniel Robbins)</li> <li>Albert Gleizes en 1934, Ampuis, Association des Amis d'Albert Gleizes, 1991. (from <i>Souvenirs</i>, manuscript conserved at the Kandinsky Library / Centre Pompidou, Paris)</li> <li>Sujet et objet, deux lettres adressées à André Lhote, Ampuis, Association des Amis d’Albert Gleizes, 1996</li></ul> <div class="mw-heading mw-heading2"><h2 id="Museum_collections">Museum collections</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=19" title="Edit section: Museum collections"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 30em;"> <ul><li><a rel="nofollow" class="external text" href="http://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-dc5f943b271697a3ae8cd29a32cd49&param.idSource=FR_P-dc5f943b271697a3ae8cd29a32cd49">Centre Pompidou – Musée National d'Art Moderne, Paris</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190820175154/http://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-dc5f943b271697a3ae8cd29a32cd49&param.idSource=FR_P-dc5f943b271697a3ae8cd29a32cd49">Archived</a> 2019-08-20 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://www.artic.edu/aic/collections/artwork/117406?search_id=1">Art Institute of Chicago</a></li> <li><a rel="nofollow" class="external text" href="http://dallasmuseumofart.org:9090/emuseum/view/objects/asitem/search$0040/0?t:state:flow=e473a8ed-ecd7-4d37-b779-e819f067ebb8">Dallas Museum of Art, Texas</a><sup class="noprint Inline-Template"><span style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title=" Dead link tagged September 2017">permanent dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">‍</span>]</span></sup></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20150103095600/http://www.guggenheim.org/new-york/collections/collection-online/artists/545">Guggenheim Museum, New York City, Collection online, Albert Gleizes</a></li> <li><a rel="nofollow" class="external text" href="http://www.guggenheim-venice.it/inglese/collections/artisti/dettagli/pop_up_opera2.php?id_opera=149&page=">Peggy Guggenheim Collection, Venice</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190306014901/http://www.guggenheim-venice.it/inglese/collections/artisti/dettagli/pop_up_opera2.php?id_opera=149&page=">Archived</a> 2019-03-06 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://www.metmuseum.org/search-results?ft=albert+gleizes&x=0&y=0">Metropolitan Museum of Art, New York City</a></li> <li><a rel="nofollow" class="external text" href="http://www.moma.org/collection/artist.php?artist_id=2191">Museum of Modern Art, New York City</a></li> <li><a rel="nofollow" class="external text" href="http://www.albrightknox.org/collection/search/piece:442/">Albright-Knox Art Gallery, Buffalo, New york</a></li> <li><a rel="nofollow" class="external text" href="http://www.artgallery.nsw.gov.au/work/187.1980/">Art Gallery of New South Wales, Sydney, Australia</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200527113920/http://www.artgallery.nsw.gov.au/work/187.1980/">Archived</a> 2020-05-27 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://embarkkiosk.chazen.wisc.edu/Obj4078?sid=1468&x=582193">Chazen Museum of Art at the University of Wisconsin</a></li> <li><a rel="nofollow" class="external text" href="http://www.clevelandart.org/art/1941.275">Cleveland Museum of Art, Ohio</a></li> <li><a rel="nofollow" class="external text" href="https://www.indiana.edu/~iuam/provenance/search.php?a=Gleizes%2CAlbert">Indiana University Art Museum, Bloomington – Provenance Research Project</a></li> <li><a rel="nofollow" class="external text" href="http://www.imamuseum.org/art/collections/artwork/printure-à-troil-éléments-painting-three-elements-gleizes-albert">Indianapolis Museum of Art, Indiana</a></li> <li><a rel="nofollow" class="external text" href="http://collections.lacma.org/node/164623">Los Angeles County Museum of Art Database (LACMA)</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110912042502/http://www.bc.edu/bc_org/avp/cas/artmuseum/exhibitions/archive/perfect/perfect.html">McMullen Museum of Art at Boston College, Massachusetts</a></li> <li><a rel="nofollow" class="external text" href="https://archive.today/20130414070542/http://www.artsmia.org/search/index.php?term=gleizes">Minneapolis Institute of Arts, Minnesota</a></li> <li><a rel="nofollow" class="external text" href="http://www.ngv.vic.gov.au/col/work/74673">National Gallery of Victoria, Melbourne, Australia</a></li> <li><a rel="nofollow" class="external text" href="http://collection.nmwa.go.jp/en/P.2004-0001.html">National Museum of Western Art, Tokyo</a></li> <li><a rel="nofollow" class="external text" href="http://www.philamuseum.org/collections/results.html?searchTxt=&bSuggest=1&searchNameID=15540">Philadelphia Museum of Art</a></li> <li><a rel="nofollow" class="external text" href="http://www.portail-menton.com/slides/albert-gleizes.html">Musée Carnolès, Menton</a></li> <li><a rel="nofollow" class="external text" href="http://artdone.wordpress.com/2013/02/07/mumok1/albert-gleizes-les-ponts-de-paris-passy-1912-mumok/">Museum Moderner Kunst Stiftung Ludwig (mumok), Vienna</a></li> <li><a rel="nofollow" class="external text" href="http://www.imj.org.il/imagine/collections/item.asp?itemNum=292036">Israël Museum, Jerusalem, Landscape: Pyrénées</a> and <a rel="nofollow" class="external text" href="http://www.imj.org.il/imagine/collections/item.asp?itemNum=193116">Seated Woman</a></li> <li><a rel="nofollow" class="external text" href="http://www.museoreinasofia.es/coleccion/autores-obras.html?id=214">Reina Sofía National Museum, Madrid (in Spanish)</a></li> <li><a rel="nofollow" class="external text" href="http://www.musee-calvet.org/beaux-arts-archeologie/fr/oeuvre/maternite">Musée Calvet, Musée des Beaux-Arts et d'Archéologie d'Avignon</a></li> <li><a rel="nofollow" class="external text" href="http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=1178">Tate Gallery, London, UK</a></li> <li><a rel="nofollow" class="external text" href="http://www.museothyssen.org/thyssen/ficha_obra/392">Thyssen-Bornemisza Museum, Madrid</a></li> <li><a rel="nofollow" class="external text" href="http://digital.lib.uiowa.edu/cdm4/item_viewer.php?CISOROOT=/uima&CISOPTR=22978&CISOBOX=1&REC=1">University of Iowa Museum of Art, Iowa City</a><sup class="noprint Inline-Template"><span style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title=" Dead link tagged June 2020">permanent dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">‍</span>]</span></sup></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=20" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a href="/wiki/The_Cubist_Painters,_Aesthetic_Meditations" title="The Cubist Painters, Aesthetic Meditations">The Cubist Painters, Aesthetic Meditations</a></i></li> <li><a href="/wiki/Crystal_Cubism" title="Crystal Cubism">Crystal Cubism</a></li> <li><a href="/wiki/Anne_Dangar" title="Anne Dangar">Anne Dangar</a></li> <li><a href="/wiki/Mainie_Jellett" title="Mainie Jellett">Mainie Jellett</a></li> <li><a href="/wiki/Andr%C3%A9e_Le_Coultre" title="Andrée Le Coultre">Andrée Le Coultre</a></li> <li><a href="/wiki/Blanche_Lazzell" title="Blanche Lazzell">Blanche Lazzell</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References_and_sources">References and sources</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=21" title="Edit section: References and sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <dl><dt>References</dt></dl> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-Daniel_Robbins-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-Daniel_Robbins_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-Daniel_Robbins_1-13"><sup><i><b>n</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://archive.org/stream/albertgleizes1881robb#page/n3/mode/2up">Daniel Robbins, 1964, <i>Albert Gleizes 1881 – 1953, A Retrospective Exhibition</i>, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund.</a></span> </li> <li id="cite_note-MoMA,_Daniel_Robbins-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-MoMA,_Daniel_Robbins_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-MoMA,_Daniel_Robbins_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-MoMA,_Daniel_Robbins_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-MoMA,_Daniel_Robbins_2-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.moma.org/collection/artist.php?artist_id=2191">Museum of Modern Art, New York, MoMA, Albert Gleizes, Daniel Robbins, Grove Art Online, 2009 Oxford University Press</a></span> </li> <li id="cite_note-Fondation_Gleizes,_Chronologie-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes,_Chronologie_3-13"><sup><i><b>n</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.fondationgleizes.fr/pdf/fag-chronologie-gleizes.pdf">Fondation Gleizes, Chronologie</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081112092816/http://fondationgleizes.fr/pdf/fag-chronologie-gleizes.pdf">Archived</a> 2008-11-12 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-Brooke,_2001-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Brooke,_2001_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Brooke,_2001_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=QG9wNyIlEAgC&dq=gleizes%2C+%22simultaneous+movements+of+translation%22&pg=PA96">Peter Brooke, <i>Albert Gleizes: For and Against the Twentieth Century</i>, Yale University Press, 2001</a>, <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0300089643" title="Special:BookSources/0300089643">0300089643</a></span> </li> <li id="cite_note-Peter_Brooke-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-Peter_Brooke_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-Peter_Brooke_5-17"><sup><i><b>r</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.peterbrooke.org.uk/a%26r/chronology">Peter Brooke, <i>Albert Gleizes, Chronology of his life, 1881–1953</i></a></span> </li> <li id="cite_note-Fondation_Gleizes-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Fondation_Gleizes_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Fondation_Gleizes_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.fondationgleizes.fr/albert-gleizes-vie.html">Fondation Gleizes, Sa Vie</a> <a rel="nofollow" class="external text" href="https://archive.today/20071012171915/http://www.fondationgleizes.fr/albert-gleizes-vie.html">Archived</a> 2007-10-12 at <a href="/wiki/Archive.today" title="Archive.today">archive.today</a></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k7527626n/f1.item">Louis Vauxcelles, <i>A travers les salons: promenades aux « Indépendants »</i>, Gil Blas, 18 March 1910</a></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k7855479/f1.image">Guillaume Apollinaire, in <i>L'Intransigeant</i>, 18 March 1910, <i>Prenez garde à la peinture! Le Salon des artistes indépendants. Six mille toiles sont exposées</i> (Editions Bibliopolis, 1998)</a></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Daniel Robbins, 1985, <i>Jean Metzinger: At the Center of Cubism</i>, from <i>Jean Metzinger in Retrospect</i>, The University of Iowa Museum of Art (J. Paul Getty Trust, University of Washington Press)</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190806164822/http://www.serdar-hizli-art.com/art_history/abstract_art/history_and_chronology_of_cubism_page_2.htm">"The History and Chronology of Cubism, The Cubist Painters, p. 2"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.serdar-hizli-art.com/art_history/abstract_art/history_and_chronology_of_cubism_page_2.htm">the original</a> on 2019-08-06<span class="reference-accessdate">. Retrieved <span class="nowrap">2012-03-28</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+History+and+Chronology+of+Cubism%2C+The+Cubist+Painters%2C+p.+2&rft_id=http%3A%2F%2Fwww.serdar-hizli-art.com%2Fart_history%2Fabstract_art%2Fhistory_and_chronology_of_cubism_page_2.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlbert+Gleizes" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k563950s/f5.image">Le Petit Parisien, review of the 1911 Salon des Indépendants, 4 April 1911. Gallica, Bibliothèque nationale de France</a></span> </li> <li id="cite_note-Ganteführer-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-Ganteführer_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Ganteführer_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=TEM5BoZQjl0C&dq=%22Acad%C3%A9mie+de+La+Palette%22&pg=PA58">Anne Ganteführer-Trier, <i>Cubism</i>, Taschen, 2004</a></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://pandora.girona.cat/viewer.vm?id=2933958&view=dalmau&lang=en">Exposició de Arte Cubista, Galeries Dalmau, Barcelona, 20 April – 10 May 1912</a></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=qrP60BqU634C&dq=cubisme+en+espana%2C+galeries+dalmau&pg=PA76">Carol A. Hess, <i>Manuel de Falla and Modernism in Spain, 1898-1936</i></a>, University of Chicago Press, 2001, p. 76, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0226330389" title="Special:BookSources/0226330389">0226330389</a></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.kubisme.info/kt324.html">Salon d'Automne, Kubisme</a></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Patrick F. Barrer: <i>Quand l'art du XXe siècle était conçu par les inconnus</i>, pp. 93–101, gives an account of the debate</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070918235710/http://www.fondationgleizes.fr/albert-gleizes-oeuvre.html">Fondation Gleizes, Son Oeuvre</a></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Linda Henderson, 1983, The Fourth Dimension and NonEuclidean geometry in Modern Art</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=CKu9jzTIM-8C&q=both+of+which+must+unite+in+order+to+endure&pg=PA107">Conversations with Cézanne, by Paul Cézanne, P. Michael Dora, p. 111</a></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Joachim Gasquet, quoted in <i>Joachim Gasquet's Cézanne: a Memoir with Conversations</i>, Thames and Hudson, London 1991 p. 150</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.aaa.si.edu/collections/images/detail/armory-show-entry-form-albert-gleizes-painting-la-femme-aux-phlox-14516">Armory Show entry, Albert Gleizes' painting <i>La Femme aux Phlox</i>, 1910, Walt Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution</a></span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://archive.org/details/catalogueofinter00asso">Catalogue of International Exhibition of Modern Art</a>, Exhibition held at the Armory of the 69th Infantry, New York, from Feb. 15 to March 15, 1913</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://pandora.girona.cat/viewer.vm?id=2934322&view=dalmau&lang=en">Exposició Albert Gleizes, 29 November – 12 December 1916, Galeries Dalmau, Barcelona (catalogue)</a></span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://bnl.contentdm.oclc.org/cdm/compoundobject/collection/BermudaNP02/id/42856/rec/1">The Royal Gazette, Bermuda Commercial and General Advertizer and Recorder, No. 115, 27 September 1917, p. 2</a>. Bermuda National Library, Digital Collection</span> </li> <li id="cite_note-Christopher_Green,_1987-25"><span class="mw-cite-backlink">^ <a href="#cite_ref-Christopher_Green,_1987_25-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Christopher_Green,_1987_25-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Christopher_Green,_1987_25-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Christopher_Green,_1987_25-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Christopher Green, 1987, Cubism and its Enemies: Modern Movements and Reaction in French Art, 1916–1928. Yale University Press</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.peterbrooke.org/form-and-history/poznanski/painting-and-its-laws.html">Albert Gleizes, <i>Painting and Its Laws</i>, summary by Peter Brooke</a></span> </li> <li id="cite_note-Alibert-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-Alibert_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Alibert_27-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Alibert_27-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Alibert_27-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Alibert_27-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Alibert_27-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Alibert_27-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Alibert_27-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Alibert_27-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Alibert_27-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Alibert_27-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Alibert_27-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Alibert_27-12"><sup><i><b>m</b></i></sup></a></span> <span class="reference-text">Pierre Alibert, <i>Gleizes, Naissance et avenir du cubisme</i>, Aubin-Visconti, Edition Dumas, Saint-Etienne, October 1982, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/2-85529-000-7" title="Special:BookSources/2-85529-000-7">2-85529-000-7</a></span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text">Albert Gleizes, <i>La Peinture et ses lois, Ce qui devait sortir du Cubisme</i>, Bulletin de l'Effort moderne, no. 13, March 1925, no. 14, April 1925</span> </li> <li id="cite_note-La_Peinture_et_ses_lois-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-La_Peinture_et_ses_lois_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-La_Peinture_et_ses_lois_29-10"><sup><i><b>k</b></i></sup></a></span> <span class="reference-text">Albert Gleizes, <i>La Peinture et ses lois, Ce qui devait sortir du cubisme</i>, La Vie des lettres et des arts, 1922-3, 1924 in book form</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">Albert Gleizes, <i>Le Cubisme et la Tradition</i>, Montjoie!, Paris, 10 February 1913, p. 4. Reprinted as <i>A Propos du Salon d'Automne</i>, in <i>Tradition et Cubisme</i>, Paris, 1927. Gleizes outlines what he perceives as the 'decadence' inherent in the modern art.</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://archive.org/stream/albertgleizes1881robb#page/n3/mode/2up">Daniel Robbins, 1964, <i>Albert Gleizes 1881 - 1953, A Retrospective Exhibition</i>, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund.</a></span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190809203153/http://www.rij-rousseau.de/golden_section/golden_section.html">"Section d'Or (Golden Section), 1920"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.rij-rousseau.de/golden_section/golden_section.html">the original</a> on 2019-08-09<span class="reference-accessdate">. Retrieved <span class="nowrap">2015-10-06</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Section+d%27Or+%28Golden+Section%29%2C+1920&rft_id=http%3A%2F%2Fwww.rij-rousseau.de%2Fgolden_section%2Fgolden_section.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlbert+Gleizes" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">Albert Gleizes, <i>The Epic, From immobile form to mobile form</i>, in <a rel="nofollow" class="external text" href="http://www.peterbrooke.org.uk/a%26r/gltexts/epic#anchor1066855">Peter Brooke, Texts by Gleizes</a></span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.moma.org/collection/artist.php?artist_id=2191">Daniel Robbins, Museum of Modern Art, New York, MoMA, Albert Gleizes, Grove Art Online, 2009 Oxford University Press</a></span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.kubisme.info/kt322.html">La Section d'Or, Kubisme.info</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151001140051/http://www.kubisme.info/kt322.html">Archived</a> 2015-10-01 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text">Christopher Green, 1987, Cubism and its Enemies: Modern Movements and Reaction in French Art, 1916-1928. Yale University Press</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text">Gino Severini, <i>From Cubism to Classicism</i>. Albert Gleizes, <i>Painting and its Laws</i>, Translation, introduction and notes by Peter Brooke, published by Francis Boutle, London, 2001, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978%2B1%2B903427%2B05%2B7" title="Special:BookSources/978+1+903427+05+7">978 1 903427 05 7</a></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.fondationgleizes.fr/pdf/fag-chronologie-gleizes.pdf">Fondation Gleizes, Chronologie (French)</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081112092816/http://fondationgleizes.fr/pdf/fag-chronologie-gleizes.pdf">Archived</a> 2008-11-12 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.culture.gouv.fr/public/mistral/mnrbis_fr?ACTION=CHERCHER&FIELD_1=REF&VALUE_1=MNAM0001">Site Rose-Valland, Musées Nationaux Récupération, Paysage (Meudon; paysage avec personnage), 1911</a></span> </li> <li id="cite_note-Christie's_2010-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-Christie's_2010_40-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.christies.com/lotfinder/paintings/albert-gleizes-le-chemin-5334975-details.aspx#top">Christie's, London, King Street, Impressionist, Modern Evening Sales, Sale 7857, Lot 38, 23 June 2010</a></span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text">Musée de La Poste, Galerie du Messager, Paris, France, <a rel="nofollow" class="external text" href="http://www.ladressemuseedelaposte.fr/Gleizes-Metzinger-Du-cubisme-et-1826"><i>Gleizes – Metzinger. Du Cubisme et après</i>, 9 May – 22 September 2012, Paris</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190820174911/http://www.ladressemuseedelaposte.fr/Gleizes-Metzinger-Du-cubisme-et-1826">Archived</a> 20 August 2019 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>. Exposition commemorating the 100th anniversary of the publication of Du "Cubisme"</span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://archive.org/details/bml-N1228_B66_1919">Annual Exhibition of Modern Art arranged by a group of European and American artists in New York, May 3 to May 24, 1919, at the Bourgeois Galleries, Essay by Albert Gleizes</a></span> </li> </ol></div> <dl><dt>Sources</dt></dl> <ul><li>Albert Gleizes and Jean Metzinger: <i>Du "Cubisme"</i>. An English translation is available, together with other writings of Gleizes from the pre-war period, in Mark Antliff and Patricia Leighten (ed): <i>A Cubism Reader – Documents and Criticism, 1906–1914</i>, University of Chicago Press, 2008.</li> <li>Hourcade, Olivier. Courrier des Arts. Paris-Journal. 10–30 Oct. 1912</li> <li>Les Beaux-Arts. August 1938</li> <li>Gray, Cleve. <i>Gleizes</i>. Magazine of Art. vol. 43, no. 6, October 1950</li> <li>Golding, John. Cubism: <i>A History and an Analysis 1907–1914</i>. New York/London, 1959</li> <li>Robbins, Daniel. <i>Albert Gleizes 1881 – 1953, A Retrospective Exhibition</i>, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund, 1964</li> <li>Kuh, Katharine. <i>Albert Gleizes: Underrated Cubist</i>. Saturday Review. 31 October 1964</li> <li>Robbins, Daniel. <i>Gleizes as a Way of Life</i>. Art News. No. 63, September 1964</li> <li>West, Richard V. <i>Painters of Section d'Or: The Alternatives to Cubism</i> (exh. cat.). Albright-Knox Art Gallery, Buffaro, 1967</li> <li>Golding, John. <i>Cubism: A History and an Analysis 1907–1914</i>. 2nd ed., London, 1968</li> <li>Cooper, Douglas. The Cubist Epoch. New York, 1970</li> <li>Robbins, Daniel. <i>The Formation and Maturity of Albert Gleizes, 1881 through 1920</i>. Dissertation, New York University, 1975</li> <li>Alexandrian, Sarane. <i>Panorama du Cubisme</i>. Paris, 1976</li> <li>Rudenstine, Angelica Zander. <i>The Guggenheim Museum Collection: paintings, 1880–1945</i>. vol. 1, New York, 1976</li> <li>Yaegashi, Haruki. Sekai no Bijutsu. Cubism. Vol. 63, Tokyo, Jun. 1979</li> <li>Yaegashi, Haruki. Kindai no Bijutsu. Cubism. Vol.56, Tokyo, 1980</li> <li>Daix, Pierre. Journal du Cubisme. Geneve, 1982</li> <li>Alibert, Pierre. <i>Albert Gleizes: Naissance et avenir du cubisme</i>. Saint-Étienne, 1982</li> <li>Cottington, David. <i>Cubism and the Politics of Culture in France 1905–1914</i>. Dissertation, Courtauld Institute of Art, University of London, 1985</li> <li>Green, Christopher. <i>Cubism and its Enemies: Modern Movements and Reaction in French Art, 1916–1928</i>. Yale University Press, 1987</li> <li>Golding, John. Cubism: <i>A History and an Analysis 1907–1914</i>. 3rd ed., Cambridge, MA, 1988</li> <li>Gersh-Nesic, Beth S. <i>The Early Criticism of André Salmon, A Study of His Thought on Cubism</i>. Dissertation, City University of New York, 1989</li> <li>Alibert, Pierre. <i>Gleizes</i>, galerie Michèle Heyraud, Paris, 1990</li> <li>Antliff, Mark. <i>Inventing Bergson: Cultural Politics and the Parisian Avant-Garde</i>. Princeton, 1993</li> <li>Franscina, Francis and Harrison, Charles. <i>Realism and Ideology: An Introduction to Semiotics and Cubism. Primitivism, Cubism, Abstraction: The Early Twentieth Century</i>. Chapter 2, New Haven/ London, 1993</li> <li>Gleizes, Albert. <i>L'Homme devenu peintre</i>, preface by Alain Tapié, Paris, SOMOGY éditions d'art/Fondation Albert Gleizes, 1998, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/2-85056-325-0" title="Special:BookSources/2-85056-325-0">2-85056-325-0</a>. Written in 1948, Gleizes's last book-length writing which may be read as his testament.</li> <li>Varichon, Anne. <i>Albert Gleizes – Catalogue Raisonné</i>, 2 vols, Paris, SOMOGY éditions d'art/Fondation Albert Gleizes, 1998, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/2-85056-286-6" title="Special:BookSources/2-85056-286-6">2-85056-286-6</a>. Indispensable work of reference.</li> <li>Massent, Michel. <i>Albert Gleizes</i>, Paris, SOMOGY éditions d'art/Fondation Albert Gleizes/Fondation Albert Gleizes, 1998, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/2-85056-341-2" title="Special:BookSources/2-85056-341-2">2-85056-341-2</a>. Personal reflections by a distinguished French writer and former President of the Fondation Albert Gleizes, Paris, 1998</li> <li>Cottington, David. <i>Cubism in the Shadow of War: The Avant-garde and Politics in Paris, 1905–1914</i>. New Haven/London, 1998</li> <li>Gleizes, Albert. <i>Art and Religion, Art and Science, Art and Production</i>, translation, introduction and notes by Peter Brooke, London, <a rel="nofollow" class="external text" href="http://www.francisboutle.co.uk/index.php?cPath=9">Francis Boutle publishers</a>, 1999, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-9532388-5-7" title="Special:BookSources/0-9532388-5-7">0-9532388-5-7</a>. Talks given in the 1930s reflecting Gleizes's mature views on the relations of Cubism to other aspects of our intellectual and moral life.</li> <li>Cox, Neil. <i>Cubism</i>. London, 2000</li> <li>Green, Christopher. <i>Art in France 1900–1940</i>. New Haven/ London, 2000</li> <li>Briend, Christian. <i>Albert Gleizes au Salon de la Section d'Or de 1912. La Section d'or 1912, 1920, 1925</i> (exh. cat.). Paris, 2000</li> <li>Hourcade, Olivier. Courrier des Arts (reprint). <i>La Section d'or 1912, 1920, 1925</i> (exh. cat.). Musées de Châteauroux/Musés Fabre, Montpellier, Édition Cercle d'Art, 2000–2001</li> <li>Antliff, Mark; Leighten, Patricia. Cubism and Culture. London/New York, 2001</li> <li>Brooke, Peter. <i>Albert Gleizes – For and Against the Twentieth Century</i>, New Haven and London, Yale University Press, 2001, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-300-08964-3" title="Special:BookSources/0-300-08964-3">0-300-08964-3</a></li> <li>Briend, Christian; Brooke, Peter et al. <i>Albert Gleizes: Le cubisme en majesté</i> (exh. cat.). Museu Picasso, Barcelona/Musée des Beaux-Arts, Lyon, 2001</li> <li>Gleizes, Albert. <i>Painting and its laws</i>, (with Gino Severini: <i>From Cubism to Classicism</i>), translation, introduction and notes by Peter Brooke, London, <a rel="nofollow" class="external text" href="http://www.francisboutle.co.uk/index.php?cPath=9">Francis Boutle publishers</a>, 2001, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-903427-05-3" title="Special:BookSources/1-903427-05-3">1-903427-05-3</a>. Originally published in 1923–4. The key text in which Gleizes formulated the technique of 'translation' and 'rotation' as the permanent acquisition of Cubism.</li> <li>Briend, Christian. <i>Between Tradition and Modernity: The Cubist Work of Albert Gleizes. Albert Gleizes: Cubism in Magesty</i> (exh. cat.). Centro Cultural de Belém, Lisbon, 2002–2003</li> <li>Cox, Neil. <i>Cubism</i>. Tokyo, 2003 (Japanese Translation.)</li> <li>Cottington, David. <i>Cubism and its Histories</i>. Manchester/ New York, 2004</li> <li>Annual bulletin of the National Museum of Western Art. No. 39 (Apr. 2004-Mar. 2005), 2006, Tanaka, Masayuki. New Acquisitions.</li> <li>Kuspit, Donald. <i>A Critical History of 20th-Century Art</i>, Chapter 2, Part 4 – The machine and spirituality in the avant-gardes, 2006</li> <li>Walter Robinson, Walter and Davis, Ben. <i>The 2008 Revue. "Fly high, fall hard," a motto for the times</i>, 2008</li> <li>Kuspit, Donald. <i>At the Philadelphia Museum, "Marc Chagall and His Circle"</i> raises questions of modernism, traditionalism and idealism in a harsh world, 2011</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Albert_Gleizes&action=edit&section=22" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 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href="https://archive.org/search.php?query=%28%28subject%3A%22Gleizes%2C%20Albert%22%20OR%20subject%3A%22Albert%20Gleizes%22%20OR%20creator%3A%22Gleizes%2C%20Albert%22%20OR%20creator%3A%22Albert%20Gleizes%22%20OR%20creator%3A%22Gleizes%2C%20A%2E%22%20OR%20title%3A%22Albert%20Gleizes%22%20OR%20description%3A%22Gleizes%2C%20Albert%22%20OR%20description%3A%22Albert%20Gleizes%22%29%20OR%20%28%221881-1953%22%20AND%20Gleizes%29%29%20AND%20%28-mediatype:software%29">Works by or about Albert Gleizes</a> at the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></li> <li><a rel="nofollow" class="external text" href="http://www.fondationgleizes.fr/fr/gleize/page/albert-gleizes/musees-de-france">Musées de France, Collections, Fondation Albert Gleizes</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20100509035809/http://www.fundaciontelefonica.cl/arte/cubismo/pdf/05catalogo.pdf">Telefónica Foundation Collections, Madrid (pdf in 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Watson Library, The Catalog of the Libraries of The Metropolitan Museum of Art</a></li> <li><a rel="nofollow" class="external text" href="http://www.photo.rmn.fr/C.aspx?VP3=SearchResult&VBID=2CO5PCE9GYPD&SMLS=1&RW=1085&RH=643">Réunion des Musées Nationaux, Grand Palais, Agence photographique</a></li> <li><a rel="nofollow" class="external text" href="http://bluemountain.princeton.edu/bluemtn/cgi-bin/bluemtn?a=q&hs=1&r=1&results=1&txq=gleizes&txf=txIN&ssnip=txt&o=20&dafdq=&dafmq=&dafyq=&datdq=&datmq=&datyq=&puq=&e=-------en-20--1--txt-txIN-man+ray-ILLUSTRATION-----">Princeton Blue Mountain collection, Historic Avant-Garde Periodicals for Digital Research, Princeton University Library</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist 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href="/wiki/Template:Albert_Gleizes" title="Template:Albert Gleizes"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Albert_Gleizes" title="Template talk:Albert Gleizes"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Albert_Gleizes" title="Special:EditPage/Template:Albert Gleizes"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Albert_Gleizes" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Albert Gleizes</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_works_by_Albert_Gleizes" title="List of works by Albert Gleizes">List of works</a></li> <li><i><a href="/wiki/The_Banks_of_the_Marne_(Gleizes)" title="The Banks of the Marne (Gleizes)">The Banks of the Marne</a></i> (1909)</li> <li><i><a href="/wiki/The_Tree_(Gleizes)" title="The Tree (Gleizes)">The Tree</a></i> (1910)</li> <li><i><a href="/wiki/Woman_with_Phlox" title="Woman with Phlox">Woman with Phlox</a></i> (1910)</li> <li><i><a href="/wiki/The_Hunt_(Gleizes)" title="The Hunt (Gleizes)">The Hunt</a></i> (1911)</li> <li><i><a href="/wiki/Portrait_of_Jacques_Nayral" title="Portrait of Jacques Nayral">Portrait of Jacques Nayral</a></i> (1911)</li> <li><i><a href="/wiki/Le_Chemin,_Paysage_%C3%A0_Meudon" title="Le Chemin, Paysage à Meudon">Le Chemin, Paysage à Meudon</a></i> (1911)</li> <li><i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">Man on a Balcony</a></i> (1912)</li> <li><i><a href="/wiki/The_Bathers_(Gleizes)" title="The Bathers (Gleizes)">The Bathers</a></i> (1912)</li> <li><i><a href="/wiki/Harvest_Threshing" title="Harvest Threshing">Harvest Threshing</a></i> (1912)</li> <li><i><a href="/wiki/Passy,_Bridges_of_Paris" title="Passy, Bridges of Paris">Passy, Bridges of Paris</a></i> (1912)</li> <li><i><a href="/wiki/Football_Players" title="Football Players">Football Players</a></i> (1912–13)</li> <li><i><a href="/wiki/Man_in_a_Hammock" title="Man in a Hammock">Man in a Hammock</a></i> (1913)</li> <li><i><a href="/wiki/The_Publisher_Eug%C3%A8ne_Figui%C3%A8re" title="The Publisher Eugène Figuière">The Publisher Eugène Figuière</a></i> (1913)</li> <li><i><a href="/wiki/Cubist_Landscape" title="Cubist Landscape">Cubist Landscape</a></i> (1914)</li> <li><i><a href="/wiki/Woman_with_Animals" title="Woman with Animals">Woman with Animals</a></i> (1914)</li> <li><i><a href="/wiki/Portrait_of_an_Army_Doctor" title="Portrait of an Army Doctor">Portrait of an Army Doctor</a></i> (1914–15)</li> <li><i><a href="/wiki/Composition_for_%22Jazz%22" title="Composition for "Jazz"">Composition for "Jazz"</a></i> (1915)</li> <li><i><a href="/wiki/Brooklyn_Bridge_(Gleizes)" title="Brooklyn Bridge (Gleizes)">Brooklyn Bridge</a></i> (1915)</li> <li><i><a href="/wiki/Woman_with_Black_Glove" title="Woman with Black Glove">Woman with Black Glove</a></i> (1920)</li></ul> </div></td><td class="noviewer navbox-image" rowspan="3" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Albert_Gleizes,_portrait_photograph,_published_in_Les_Peintres_Cubistes,_1913.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/75/Albert_Gleizes%2C_portrait_photograph%2C_published_in_Les_Peintres_Cubistes%2C_1913.jpg/100px-Albert_Gleizes%2C_portrait_photograph%2C_published_in_Les_Peintres_Cubistes%2C_1913.jpg" decoding="async" width="100" height="134" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/75/Albert_Gleizes%2C_portrait_photograph%2C_published_in_Les_Peintres_Cubistes%2C_1913.jpg/150px-Albert_Gleizes%2C_portrait_photograph%2C_published_in_Les_Peintres_Cubistes%2C_1913.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/75/Albert_Gleizes%2C_portrait_photograph%2C_published_in_Les_Peintres_Cubistes%2C_1913.jpg/200px-Albert_Gleizes%2C_portrait_photograph%2C_published_in_Les_Peintres_Cubistes%2C_1913.jpg 2x" data-file-width="2802" data-file-height="3744" /></a></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Books</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i> (1912)</li> <li><i><a href="/wiki/Painting_and_its_Laws" class="mw-redirect" title="Painting and its Laws">Painting and its Laws</a></i> (1924)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Juliette_Roche" title="Juliette Roche">Juliette Roche (wife)</a></li> <li><a href="/wiki/Cubism" title="Cubism">Cubism</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Cubism" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:Silver; color:black;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Cubism" title="Template:Cubism"><abbr title="View this template" style="color:black">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Cubism" title="Template talk:Cubism"><abbr title="Discuss this template" style="color:black">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Cubism" title="Special:EditPage/Template:Cubism"><abbr title="Edit this template" style="color:black">e</abbr></a></li></ul></div><div id="Cubism" style="font-size:114%;margin:0 4em"><a href="/wiki/Cubism" title="Cubism">Cubism</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Leaders</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pablo_Picasso" title="Pablo Picasso">Pablo Picasso</a></li> <li><a href="/wiki/Georges_Braque" title="Georges Braque">Georges Braque</a></li> <li><a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a></li> <li><a class="mw-selflink selflink">Albert Gleizes</a></li> <li><a href="/wiki/Robert_Delaunay" title="Robert Delaunay">Robert Delaunay</a></li> <li><a href="/wiki/Juan_Gris" title="Juan Gris">Juan Gris</a></li> <li><a href="/wiki/Fernand_L%C3%A9ger" title="Fernand Léger">Fernand Léger</a></li> <li><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a></li> <li><a href="/wiki/Henri_Le_Fauconnier" title="Henri Le Fauconnier">Henri Le Fauconnier</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%"><a href="/wiki/Section_d%27Or" title="Section d'Or">Section d'Or</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Alexander_Archipenko" title="Alexander Archipenko">Alexander Archipenko</a></li> <li><a href="/wiki/Mar%C3%ADa_Blanchard" title="María Blanchard">María Blanchard</a></li> <li><a href="/wiki/Constantin_Br%C3%A2ncu%C8%99i" title="Constantin Brâncuși">Constantin Brâncuși</a></li> <li><a href="/wiki/Joseph_Csaky" title="Joseph Csaky">Joseph Csaky</a></li> <li><a href="/wiki/Robert_Delaunay" title="Robert Delaunay">Robert Delaunay</a></li> <li><a href="/wiki/Sonia_Delaunay" title="Sonia Delaunay">Sonia Delaunay</a></li> <li><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a></li> <li><a href="/wiki/Pierre_Dumont_(painter)" title="Pierre Dumont (painter)">Pierre Dumont</a></li> <li><a href="/wiki/Raymond_Duchamp-Villon" title="Raymond Duchamp-Villon">Raymond Duchamp-Villon</a></li> <li><a href="/wiki/Aleksandra_Ekster" title="Aleksandra Ekster">Alexandra Exter</a></li> <li><a href="/wiki/Henri_Le_Fauconnier" title="Henri Le Fauconnier">Henri Le Fauconnier</a></li> <li><a href="/wiki/Roger_de_La_Fresnaye" title="Roger de La Fresnaye">Roger de La Fresnaye</a></li> <li><a class="mw-selflink selflink">Albert Gleizes</a></li> <li><a href="/wiki/Natalia_Goncharova" title="Natalia Goncharova">Natalia Goncharova</a></li> <li><a href="/wiki/Henri_Hayden" title="Henri Hayden">Henri Hayden</a></li> <li><a href="/wiki/Auguste_Herbin" title="Auguste Herbin">Auguste Herbin</a></li> <li><a href="/wiki/Franti%C5%A1ek_Kupka" title="František Kupka">František Kupka</a></li> <li><a href="/wiki/Jean_Lambert-Rucki" title="Jean Lambert-Rucki">Jean Lambert-Rucki</a></li> <li><a href="/wiki/Marie_Laurencin" title="Marie Laurencin">Marie Laurencin</a></li> <li><a href="/wiki/Henri_Laurens" title="Henri Laurens">Henri Laurens</a></li> <li><a href="/wiki/Fernand_L%C3%A9ger" title="Fernand Léger">Fernand Léger</a></li> <li><a href="/wiki/Jacques_Lipchitz" title="Jacques Lipchitz">Jacques Lipchitz</a></li> <li><a href="/wiki/Andr%C3%A9_Lhote" title="André Lhote">André Lhote</a></li> <li><a href="/wiki/Jean_Marchand_(painter)" title="Jean Marchand (painter)">Jean Marchand</a></li> <li><a href="/wiki/Louis_Marcoussis" title="Louis Marcoussis">Louis Marcoussis</a></li> <li><a href="/wiki/Jean_Metzinger" title="Jean Metzinger">Jean Metzinger</a></li> <li><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a></li> <li><a href="/wiki/Georges_Ribemont-Dessaignes" title="Georges Ribemont-Dessaignes">Georges Ribemont-Dessaignes</a></li> <li><a href="/wiki/Jeanne_Rij-Rousseau" title="Jeanne Rij-Rousseau">Jeanne Rij-Rousseau</a></li> <li><a href="/wiki/Diego_Rivera" title="Diego Rivera">Diego Rivera</a></li> <li><a href="/wiki/Gino_Severini" title="Gino Severini">Gino Severini</a></li> <li><a href="/wiki/L%C3%A9opold_Survage" title="Léopold Survage">Léopold Survage</a></li> <li><a href="/wiki/Tobeen" title="Tobeen">Tobeen</a></li> <li><a href="/w/index.php?title=Henry_Valensi&action=edit&redlink=1" class="new" title="Henry Valensi (page does not exist)">Henry Valensi</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Henry_Valensi" class="extiw" title="fr:Henry Valensi">fr</a>]</span></li> <li><a href="/wiki/Georges_Valmier" title="Georges Valmier">Georges Valmier</a></li> <li><a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Others</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Giacomo_Balla" title="Giacomo Balla">Giacomo Balla</a></li> <li><a href="/wiki/Alice_Bailly" title="Alice Bailly">Alice Bailly</a></li> <li><a href="/wiki/Patrick_Henry_Bruce" title="Patrick Henry Bruce">Patrick Henry Bruce</a></li> <li><a href="/wiki/Carlo_Carr%C3%A0" title="Carlo Carrà">Carlo Carrà</a></li> <li><a href="/wiki/Paul_Klee" title="Paul Klee">Paul Klee</a></li> <li><a href="/wiki/Lyonel_Feininger" title="Lyonel Feininger">Lyonel Feininger</a></li> <li><a href="/wiki/El_Lissitzky" title="El Lissitzky">El Lissitzky</a></li> <li><a href="/wiki/Stanton_Macdonald-Wright" title="Stanton Macdonald-Wright">Stanton Macdonald-Wright</a></li> <li><a href="/wiki/August_Macke" title="August Macke">August Macke</a></li> <li><a href="/wiki/Kazimir_Malevich" title="Kazimir Malevich">Kazimir Malevich</a></li> <li><a href="/wiki/Franz_Marc" title="Franz Marc">Franz Marc</a></li> <li><a href="/wiki/Lyubov_Popova" title="Lyubov Popova">Lyubov Popova</a></li> <li><a href="/wiki/Diego_Rivera" title="Diego Rivera">Diego Rivera</a></li> <li><a href="/wiki/Morgan_Russell" title="Morgan Russell">Morgan Russell</a></li> <li><a href="/wiki/Alexander_Rodchenko" title="Alexander Rodchenko">Alexander Rodchenko</a></li> <li><a href="/wiki/Nadezhda_Udaltsova" title="Nadezhda Udaltsova">Nadezhda Udaltsova</a></li> <li><a href="/wiki/Marie_Vassilieff" title="Marie Vassilieff">Marie Vassilieff</a></li> <li><a href="/wiki/Marie_Vorobieff" title="Marie Vorobieff">Marie Vorobieff</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Les_Demoiselles_d%27Avignon" title="Les Demoiselles d'Avignon">Les Demoiselles d'Avignon</a></i> (Picasso)</li> <li><i><a href="/wiki/Portrait_of_Ambroise_Vollard_(Picasso)" title="Portrait of Ambroise Vollard (Picasso)">Portrait of Ambroise Vollard</a></i> (Picasso)</li> <li><i><a href="/wiki/Daniel-Henry_Kahnweiler_(Picasso)" title="Daniel-Henry Kahnweiler (Picasso)">Portrait of Daniel-Henry Kahnweiler</a></i> (Picasso)</li> <li><i><a href="/wiki/The_Accordionist" title="The Accordionist">The Accordionist</a></i> (Picasso)</li> <li><i><a href="/wiki/Le_pigeon_aux_petits_pois" title="Le pigeon aux petits pois">Le pigeon aux petits pois</a></i> (Picasso)</li> <li><i><a href="/wiki/La_Coiffeuse" title="La Coiffeuse">La Coiffeuse</a></i> (Picasso)</li> <li><i><a href="/wiki/Le_go%C3%BBter" class="mw-redirect" title="Le goûter">Le goûter</a></i> (Metzinger)</li> <li><i><a href="/wiki/La_Femme_au_Cheval" class="mw-redirect" title="La Femme au Cheval">La Femme au Cheval</a></i> (Metzinger)</li> <li><i><a href="/wiki/Dancer_in_a_Caf%C3%A9" title="Dancer in a Café">Dancer in a café</a></i> (Metzinger)</li> <li><i><a href="/wiki/L%27Oiseau_bleu_(Metzinger)" class="mw-redirect" title="L'Oiseau bleu (Metzinger)">L'Oiseau bleu</a></i> (Metzinger)</li> <li><i><a href="/wiki/La_Femme_aux_Phlox" class="mw-redirect" title="La Femme aux Phlox">La Femme aux Phlox</a></i> (Gleizes)</li> <li><i><a href="/wiki/Portrait_of_Jacques_Nayral" title="Portrait of Jacques Nayral">Portrait of Jacques Nayral</a></i> (Gleizes)</li> <li><i><a href="/wiki/Man_on_a_Balcony" title="Man on a Balcony">Man on a Balcony</a></i> (Gleizes)</li> <li><i><a href="/wiki/Les_Baigneuses_(Gleizes)" class="mw-redirect" title="Les Baigneuses (Gleizes)">Les Baigneuses</a></i> (Gleizes)</li> <li><i><a href="/wiki/Les_Joueurs_de_football" class="mw-redirect" title="Les Joueurs de football">Les Joueurs de football</a></i> (Gleizes)</li> <li><i><a href="/wiki/Nude_Descending_a_Staircase,_No._2" title="Nude Descending a Staircase, No. 2">Nude Descending a Staircase, No. 2</a></i> (Duchamp)</li> <li><i><a href="/wiki/The_Cathedral_(Katedr%C3%A1la)" title="The Cathedral (Katedrála)">The Cathedral (Katedrála)</a></i> (Kupka)</li> <li><i><a href="/wiki/The_City_(L%C3%A9ger)" title="The City (Léger)">The City</a></i> (Léger)</li> <li><i><a href="/wiki/Still_Life_with_Candlestick" title="Still Life with Candlestick">Still Life with Candlestick</a></i> (Léger)</li> <li><i><a href="/wiki/Still_Life_with_Checked_Tablecloth" title="Still Life with Checked Tablecloth">Still Life with Checked Tablecloth</a></i> (Gris)</li> <li><i><a href="/wiki/Three_Musicians_(Picasso)" title="Three Musicians (Picasso)">Three Musicians</a></i> (Picasso)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Sculptures</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Groupe_de_femmes" title="Groupe de femmes">Groupe de femmes</a></i> (Csaky)</li> <li><i><a href="/wiki/Danseuse_(Csaky)" title="Danseuse (Csaky)">Danseuse</a></i> (Csaky)</li> <li><i><a href="/wiki/Head_(Csaky)" title="Head (Csaky)">Head</a></i> (Csaky)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Influences</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Paul_C%C3%A9zanne" title="Paul Cézanne">Paul Cézanne</a></li> <li><a href="/wiki/Paul_Gauguin" title="Paul Gauguin">Paul Gauguin</a></li> <li><a href="/wiki/Gustave_Courbet" title="Gustave Courbet">Gustave Courbet</a></li> <li><a href="/wiki/Georges_Seurat" title="Georges Seurat">Georges Seurat</a></li> <li><a href="/wiki/Paul_Signac" title="Paul Signac">Paul Signac</a></li> <li><a href="/wiki/Maurice_Princet" title="Maurice Princet">Maurice Princet</a></li> <li><a href="/wiki/Esprit_Jouffret" title="Esprit Jouffret">Esprit Jouffret</a></li> <li><a href="/wiki/Neo-Impressionism" title="Neo-Impressionism">Neo-impressionism</a></li> <li><a href="/wiki/Pointillism" title="Pointillism">Pointillism</a></li> <li><a href="/wiki/Divisionism" title="Divisionism">Divisionism</a></li> <li><a href="/wiki/Symbolism_(arts)" class="mw-redirect" title="Symbolism (arts)">Symbolism (arts)</a></li> <li><a href="/wiki/Fauvism" title="Fauvism">Fauvism</a></li> <li><a href="/wiki/Proto-Cubism" title="Proto-Cubism">Proto-Cubism</a></li> <li><a href="/wiki/Chronophotography" title="Chronophotography">Chronophotography</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Influenced</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Section_d%27Or" title="Section d'Or">Section d'Or</a></li> <li><a href="/wiki/Cubo-Futurism" title="Cubo-Futurism">Cubo-Futurism</a></li> <li><a href="/wiki/Cubist_sculpture" title="Cubist sculpture">Cubist sculpture</a></li> <li><a href="/wiki/Czech_Cubism" title="Czech Cubism">Czech Cubism</a> <ul><li><a href="/wiki/Rondocubism" title="Rondocubism">Rondocubism</a></li></ul></li> <li><a href="/wiki/Die_Br%C3%BCcke" title="Die Brücke">Die Brücke</a></li> <li><a href="/wiki/Orphism_(art)" title="Orphism (art)">Orphism (art)</a></li> <li><a href="/wiki/Abstract_art" title="Abstract art">Abstract art</a></li> <li><a href="/wiki/Synchromism" title="Synchromism">Synchromism</a></li> <li><a href="/wiki/Tubism" title="Tubism">Tubism</a></li> <li><a href="/wiki/Futurism" title="Futurism">Futurism</a></li> <li><a href="/wiki/Crystal_Cubism" title="Crystal Cubism">Crystal Cubism</a></li> <li><a href="/wiki/Purism" title="Purism">Purism</a></li> <li><a href="/wiki/Suprematism" title="Suprematism">Suprematism</a></li> <li><a href="/wiki/Dada" title="Dada">Dada</a></li> <li><a href="/wiki/Constructivism_(art)" title="Constructivism (art)">Constructivism</a></li> <li><a href="/wiki/De_Stijl" title="De Stijl">De Stijl</a></li> <li><a href="/wiki/Art_Deco" title="Art Deco">Art Deco</a></li> <li><a href="/wiki/Russian_Futurism" title="Russian Futurism">Russian Futurism</a></li> <li><a href="/wiki/Ego-Futurism" title="Ego-Futurism">Ego-Futurism</a></li> <li><a href="/wiki/Vorticism" title="Vorticism">Vorticism</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Du_%22Cubisme%22" title="Du "Cubisme"">Du "Cubisme"</a></i> (1912 book)</li> <li><i><a href="/wiki/The_Cubist_Painters,_Aesthetic_Meditations" title="The Cubist Painters, Aesthetic Meditations">The Cubist Painters, Aesthetic Meditations</a></i> (1913 book)</li> <li><i><a href="/wiki/La_Maison_Cubiste" title="La Maison Cubiste">La Maison Cubiste</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:Silver; color:black;;width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Louis_Vauxcelles" title="Louis Vauxcelles">Louis Vauxcelles</a> (critic)</li> <li><a href="/wiki/Guillaume_Apollinaire" title="Guillaume Apollinaire">Guillaume Apollinaire</a> (poet, critic)</li> <li><a href="/wiki/Andr%C3%A9_Salmon" title="André Salmon">André Salmon</a> (critic)</li> <li><a href="/wiki/Max_Jacob" title="Max Jacob">Max Jacob</a> (poet)</li> <li><a href="/wiki/Maurice_Raynal" title="Maurice Raynal">Maurice Raynal</a> (poet, critic)</li> <li><a href="/wiki/Daniel-Henry_Kahnweiler" title="Daniel-Henry Kahnweiler">Daniel-Henry Kahnweiler</a> (art dealer)</li> <li><a href="/wiki/L%C3%A9once_Rosenberg" title="Léonce Rosenberg">Léonce Rosenberg</a> (art dealer)</li> <li><a href="/wiki/Paul_Rosenberg_(art_dealer)" title="Paul Rosenberg (art dealer)">Paul Rosenberg (art dealer)</a></li> <li><a href="/wiki/Daniel_Robbins_(art_historian)" title="Daniel Robbins (art historian)">Daniel Robbins (art historian)</a></li> <li><a href="/wiki/Gertrude_Stein" title="Gertrude Stein">Gertrude Stein</a> (art collector)</li> <li><a href="/wiki/Berthe_Weill" title="Berthe Weill">Berthe Weill</a> (art dealer)</li> <li><a href="/wiki/Wilhelm_Uhde" title="Wilhelm Uhde">Wilhelm Uhde</a> (art collector)</li> <li><a href="/wiki/John_Quinn_(collector)" title="John Quinn (collector)">John Quinn (collector)</a></li> <li><a href="/wiki/Leonard_Lauder" title="Leonard Lauder">Leonard Lauder</a> (art collector)</li> <li><a href="/wiki/Douglas_Cooper_(art_historian)" title="Douglas Cooper (art historian)">Douglas Cooper (art historian)</a></li> <li><a href="/wiki/Arthur_Jerome_Eddy" title="Arthur Jerome Eddy">Arthur Jerome Eddy</a> (art collector)</li> <li><a href="/wiki/Pierre_Reverdy" title="Pierre Reverdy">Pierre Reverdy</a> (poet)</li> <li><a href="/wiki/Blaise_Cendrars" title="Blaise Cendrars">Blaise Cendrars</a> (poet)</li> <li><a href="/wiki/Armory_Show" title="Armory Show">Armory Show</a></li> <li><a href="/wiki/Fourth_dimension_in_art" title="Fourth dimension in art">Fourth dimension in art</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Related_navigational_templates" style="padding:3px"><table class="nowraplinks 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States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb119051726">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb119051726">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an36526003">Australia</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500001380">ULAN</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://rkd.nl/en/explore/artists/32116">RKD Artists</a></span></li><li><span class="uid"><a rel="nofollow" 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