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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/126941056/_iconografia_del_Crocifisso_dopo_Francesco"><img alt="Research paper thumbnail of ’iconografia del Crocifisso dopo Francesco" class="work-thumbnail" src="https://attachments.academia-assets.com/120746827/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126941056/_iconografia_del_Crocifisso_dopo_Francesco">’iconografia del Crocifisso dopo Francesco</a></div><div class="wp-workCard_item"><span> in La croce nel primo secolo francescano scrittura immagini modelli, a cura di A. Bartolomei Romagnoli, R. Di Muro e M. Vedova, CISAM, Spoleto 2024, pp. 369-382</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Né Francesco nei suoi scritti, né Tommaso da Celano nella Vita prima fanno cenno alla presenza di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Né Francesco nei suoi scritti, né Tommaso da Celano nella Vita prima fanno cenno alla presenza di dipinti o sculture all'interno di edifici frequentati dal santo nel corso della sua esistenza. Quando Francesco scrisse la «Preghiera davanti al Crocifisso», cosa aveva davanti agli occhi? E le comunità di frati ai quali era idealmente rivolta la preghiera, la recitavano a memoria, o davanti a una semplice croce, o davanti a un Crocifisso in pittura o in rilievo? E quando Tommaso da Celano, nella Vita prima, riferì i lavori compiuti da Francesco in San Damiano e alla Porziuncola, perché non segnalò la presenza di un Crocifisso all'interno delle due chiese? E perché lo stesso Tommaso, tornando vent'anni più tardi sull'argomento, si sentì quasi in obbligo di spiegare che la conversione del giovane Francesco era avvenuta di fronte a un Crocifisso nella chiesa di San Damiano? Cosa sappiamo della croce posta sopra l'altare della Porziuncola, presso la quale i visitatori erano soliti lasciare offerte in denaro? Cosa era esposto sopra l'altare della Madonna all'interno della stessa chiesa? Di essa si ha notizia nella Vita di santa Chiara, quando Francesco le tagliò i capelli davanti all'altare della Madonna. Quale aspetto aveva il Crocifisso sopra l'ingresso del coro di una chiesa nei dintorni di Trevi? Al suo interno Francesco si era ritirato *Con minime varianti e poche indispensabili note, con una bibliografia che rimanda a miei precedenti studi, si pubblica il testo come è stato letto nel corso del convegno che si è tenuto il 23 e 24 febbraio 2023 presso la Pontificia Facoltà Teologica San Bonaventura di Roma.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cc21bd3ee6abd6d9facc2acabe07566" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120746827,"asset_id":126941056,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120746827/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126941056"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126941056"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126941056; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=120870001]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":120870001,"title":"Il Signore ti dia pace","internal_url":"https://www.academia.edu/120870001/Il_Signore_ti_dia_pace","owner_id":7626107,"coauthors_can_edit":true,"owner":{"id":7626107,"first_name":"elvio","middle_initials":null,"last_name":"lunghi","page_name":"elviolunghi","domain_name":"unistrapg","created_at":"2013-12-16T01:46:21.172-08:00","display_name":"elvio lunghi","url":"https://unistrapg.academia.edu/elviolunghi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104430985"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/104430985/The_Basilica_of_St_Francis_in_Assisi"><img alt="Research paper thumbnail of The Basilica of St. Francis in Assisi" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/104430985/The_Basilica_of_St_Francis_in_Assisi">The Basilica of St. Francis in Assisi</a></div><div class="wp-workCard_item"><span>Choice Reviews Online</span><span>, Feb 24, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Founded in 1228, the Basilica of St Francis in Assisi is the burial place of the well-known saint...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Founded in 1228, the Basilica of St Francis in Assisi is the burial place of the well-known saint and the mother church of the Franciscan order of monks. It is also a treasure house of art, decorated with monumental frescoes by some of the greatest painters of the 13th and 14th centuries. The Upper Church is perhaps most famed for its sequence of frescoes that celebrate the life and teachings of St Francis, attributed to Giotto and his workshop, while Cimabue and his followers were responsible for a series of dramatic scenes from the Old and New Testaments. The Lower Church, meanwhile, has been expanded through the addition of several magnificent chapels; their titular saints are commemorated with great imagination and immediacy in works by artists including Simone Martini and Pietro Lorenzetti. This book takes its readers on a guided tour of this magnificent complex, aided by a wealth of beautiful photographs.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104430985"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104430985"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104430985; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104430985]").text(description); 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I testi inseriti nella sezione Comunicazioni, al contrario, non possiedono i medesimi requisiti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a307959cbdef7677598a682dbb9db48" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":99772303,"asset_id":98414095,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/99772303/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="98414095"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="98414095"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 98414095; 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Assisi (Italy); Buildings, structures, etc.; ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">SUBJECT (S): San Francesco (Church: Assisi, Italy); Assisi (Italy); Buildings, structures, etc.; Mural painting and decoration, Renaissance; Mural painting and decoration, Italian; Church decoration and ornament; Italy; Assisi; Giotto; Francis; Criticism and interpretation; Art</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93835606"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93835606"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93835606; 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frati Minori di Cortona, pp. 121, 130; Andrea Cova, p. 280 la PassionE dEgli umbri Crocifissi di legno tra Medioevo e Rinascimento Nuova edizione riveduta e ampliata Edizioni Orfini Numeister Elvio lunghi Con la nuova edizione riveduta ed ampliata de La Passione degli Umbri. Crocifissi di legno tra Medioevo e Rinascimento di Elvio Lunghi, l'Associazione Orfini Numeister pubblica il suo sessantunesimo volume. Ci è sembrato importante segnare questo "giro di boa" riproponendo un tema caro all'Autore, ma anche particolarmente apprezzato dai nostri lettori, in una nuova veste grafica e tipografica che valorizzasse ancor più la suggestione del tema con le sue immagini-già in bianco e nero-e che volutamente si è scelto di lasciare così come erano state realizzate da Lunghi senza aggiornarle con nuovi scatti, proprio per rafforzarne l'efficace drammaticità dei volti e dei corpi emaciati e contorti dalla Passione. I fili della memoria e della ricerca si dipanano e si intrecciano in questo volume. Nella Premessa alla prima edizione, anno 2000, l'autore ne ricorda la genesi. Gli studi sull' editio princeps della Divina Commedia, stampata a Foligno nel 1472, avevano evidenziato la presenza nel territorio, nel tardo Quattrocento, di tipografi tedeschi, Johann Numeister e soci a Foligno, Johann Reinhard a Trevi, di un libraio, Enrico di Giovanni da Costanza sempre a Foligno. In campo artistico, nello stesso periodo, scultori tedeschi itineranti avevano lasciato in Umbria una produzione di crocifissi lignei identificati con la tipologia di "crocifisso gotico doloroso", che il nostro Autore aveva fatto oggetto di ricerca e di una sistematica campagna fotografica estese per tutto il territorio umbro. Suo intento era di allestire una mostra che affiancasse le annuali celebrazioni dantesche folignati. La mostra non venne realizzata, al suo posto vide la luce il volume che raccoglieva la ricerca effettuata su tutto il territorio regionale e che nel titolo ha voluto riprendere la celebre definizione di Roberto Longhi: La Passione degli Umbri. E quali fossero gli ambiti dell'edizione li chiariva nella Premessa della prima edizione: "Il libro [...] non vuole essere una analisi territoriale, né un repertorio di sculture corredate da sintetiche notizie sugli autori, né tantomeno</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ae29e216b26cd50bc36735897ae53a1a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80058834,"asset_id":70223572,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80058834/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70223572"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70223572"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70223572; 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Santucci, 101 edizioni,</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Decorazione della chiesa di Colderba nei dintorni di Assisi</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e2b261288e0d46359ba603e8c0edebf2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62158058,"asset_id":42031777,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62158058/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42031777"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42031777"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42031777; 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Angelucci, Segni di civiltà: Quaderni della Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">San Giovanni Battista di Pieve di Campo è una chiesa "Leonina" nei dintorni di Perugia, che conse...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">San Giovanni Battista di Pieve di Campo è una chiesa "Leonina" nei dintorni di Perugia, che conserva al suo interno alcuni dipinti e un gruppo scultoreo dei secoli XVI e XVII.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3acc51500eb813b28b90082c6b2e249d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62158010,"asset_id":42031737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62158010/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42031737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42031737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42031737; 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Bartolomei Romagnoli, R. Di Muro e M. Vedova, CISAM, Spoleto 2024, pp. 369-382</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Né Francesco nei suoi scritti, né Tommaso da Celano nella Vita prima fanno cenno alla presenza di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Né Francesco nei suoi scritti, né Tommaso da Celano nella Vita prima fanno cenno alla presenza di dipinti o sculture all'interno di edifici frequentati dal santo nel corso della sua esistenza. Quando Francesco scrisse la «Preghiera davanti al Crocifisso», cosa aveva davanti agli occhi? E le comunità di frati ai quali era idealmente rivolta la preghiera, la recitavano a memoria, o davanti a una semplice croce, o davanti a un Crocifisso in pittura o in rilievo? E quando Tommaso da Celano, nella Vita prima, riferì i lavori compiuti da Francesco in San Damiano e alla Porziuncola, perché non segnalò la presenza di un Crocifisso all'interno delle due chiese? E perché lo stesso Tommaso, tornando vent'anni più tardi sull'argomento, si sentì quasi in obbligo di spiegare che la conversione del giovane Francesco era avvenuta di fronte a un Crocifisso nella chiesa di San Damiano? Cosa sappiamo della croce posta sopra l'altare della Porziuncola, presso la quale i visitatori erano soliti lasciare offerte in denaro? Cosa era esposto sopra l'altare della Madonna all'interno della stessa chiesa? Di essa si ha notizia nella Vita di santa Chiara, quando Francesco le tagliò i capelli davanti all'altare della Madonna. Quale aspetto aveva il Crocifisso sopra l'ingresso del coro di una chiesa nei dintorni di Trevi? Al suo interno Francesco si era ritirato *Con minime varianti e poche indispensabili note, con una bibliografia che rimanda a miei precedenti studi, si pubblica il testo come è stato letto nel corso del convegno che si è tenuto il 23 e 24 febbraio 2023 presso la Pontificia Facoltà Teologica San Bonaventura di Roma.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cc21bd3ee6abd6d9facc2acabe07566" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120746827,"asset_id":126941056,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120746827/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126941056"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126941056"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126941056; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=120870001]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":120870001,"title":"Il Signore ti dia pace","internal_url":"https://www.academia.edu/120870001/Il_Signore_ti_dia_pace","owner_id":7626107,"coauthors_can_edit":true,"owner":{"id":7626107,"first_name":"elvio","middle_initials":null,"last_name":"lunghi","page_name":"elviolunghi","domain_name":"unistrapg","created_at":"2013-12-16T01:46:21.172-08:00","display_name":"elvio lunghi","url":"https://unistrapg.academia.edu/elviolunghi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104430985"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/104430985/The_Basilica_of_St_Francis_in_Assisi"><img alt="Research paper thumbnail of The Basilica of St. Francis in Assisi" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/104430985/The_Basilica_of_St_Francis_in_Assisi">The Basilica of St. Francis in Assisi</a></div><div class="wp-workCard_item"><span>Choice Reviews Online</span><span>, Feb 24, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Founded in 1228, the Basilica of St Francis in Assisi is the burial place of the well-known saint...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Founded in 1228, the Basilica of St Francis in Assisi is the burial place of the well-known saint and the mother church of the Franciscan order of monks. It is also a treasure house of art, decorated with monumental frescoes by some of the greatest painters of the 13th and 14th centuries. The Upper Church is perhaps most famed for its sequence of frescoes that celebrate the life and teachings of St Francis, attributed to Giotto and his workshop, while Cimabue and his followers were responsible for a series of dramatic scenes from the Old and New Testaments. The Lower Church, meanwhile, has been expanded through the addition of several magnificent chapels; their titular saints are commemorated with great imagination and immediacy in works by artists including Simone Martini and Pietro Lorenzetti. This book takes its readers on a guided tour of this magnificent complex, aided by a wealth of beautiful photographs.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104430985"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104430985"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104430985; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104430985]").text(description); 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I testi inseriti nella sezione Comunicazioni, al contrario, non possiedono i medesimi requisiti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a307959cbdef7677598a682dbb9db48" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":99772303,"asset_id":98414095,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/99772303/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="98414095"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="98414095"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 98414095; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70223572"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70223572/_La_Passione_degli_Umbri_Crocifissi_di_legno_tra_Medioevo_e_Rinascimento"><img alt="Research paper thumbnail of - La Passione degli Umbri: Crocifissi di legno tra Medioevo e Rinascimento" class="work-thumbnail" src="https://attachments.academia-assets.com/80058834/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70223572/_La_Passione_degli_Umbri_Crocifissi_di_legno_tra_Medioevo_e_Rinascimento">- La Passione degli Umbri: Crocifissi di legno tra Medioevo e Rinascimento</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Elvio lunghi la PassionE dEgli umbri Crocifissi di legno tra Medioevo e Rinascimento Nuova edizio...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Elvio lunghi la PassionE dEgli umbri Crocifissi di legno tra Medioevo e Rinascimento Nuova edizione riveduta e ampliata tutte le fotografie sono state eseguite o fornite da Elvio Lunghi altre referenze fotografiche: Carlo Fiorucci, p. 48; frati Minori di Cortona, pp. 121, 130; Andrea Cova, p. 280 la PassionE dEgli umbri Crocifissi di legno tra Medioevo e Rinascimento Nuova edizione riveduta e ampliata Edizioni Orfini Numeister Elvio lunghi Con la nuova edizione riveduta ed ampliata de La Passione degli Umbri. Crocifissi di legno tra Medioevo e Rinascimento di Elvio Lunghi, l'Associazione Orfini Numeister pubblica il suo sessantunesimo volume. Ci è sembrato importante segnare questo "giro di boa" riproponendo un tema caro all'Autore, ma anche particolarmente apprezzato dai nostri lettori, in una nuova veste grafica e tipografica che valorizzasse ancor più la suggestione del tema con le sue immagini-già in bianco e nero-e che volutamente si è scelto di lasciare così come erano state realizzate da Lunghi senza aggiornarle con nuovi scatti, proprio per rafforzarne l'efficace drammaticità dei volti e dei corpi emaciati e contorti dalla Passione. I fili della memoria e della ricerca si dipanano e si intrecciano in questo volume. Nella Premessa alla prima edizione, anno 2000, l'autore ne ricorda la genesi. Gli studi sull' editio princeps della Divina Commedia, stampata a Foligno nel 1472, avevano evidenziato la presenza nel territorio, nel tardo Quattrocento, di tipografi tedeschi, Johann Numeister e soci a Foligno, Johann Reinhard a Trevi, di un libraio, Enrico di Giovanni da Costanza sempre a Foligno. In campo artistico, nello stesso periodo, scultori tedeschi itineranti avevano lasciato in Umbria una produzione di crocifissi lignei identificati con la tipologia di "crocifisso gotico doloroso", che il nostro Autore aveva fatto oggetto di ricerca e di una sistematica campagna fotografica estese per tutto il territorio umbro. Suo intento era di allestire una mostra che affiancasse le annuali celebrazioni dantesche folignati. La mostra non venne realizzata, al suo posto vide la luce il volume che raccoglieva la ricerca effettuata su tutto il territorio regionale e che nel titolo ha voluto riprendere la celebre definizione di Roberto Longhi: La Passione degli Umbri. E quali fossero gli ambiti dell'edizione li chiariva nella Premessa della prima edizione: "Il libro [...] non vuole essere una analisi territoriale, né un repertorio di sculture corredate da sintetiche notizie sugli autori, né tantomeno</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ae29e216b26cd50bc36735897ae53a1a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80058834,"asset_id":70223572,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80058834/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70223572"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70223572"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70223572; 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Angelucci, Segni di civiltà: Quaderni della Soprintendenza archivistica e bibliografica dell’Umbria e delle Marche</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">San Giovanni Battista di Pieve di Campo è una chiesa "Leonina" nei dintorni di Perugia, che conse...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">San Giovanni Battista di Pieve di Campo è una chiesa "Leonina" nei dintorni di Perugia, che conserva al suo interno alcuni dipinti e un gruppo scultoreo dei secoli XVI e XVII.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3acc51500eb813b28b90082c6b2e249d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62158010,"asset_id":42031737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62158010/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42031737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42031737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42031737; 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Il significato delle immagini nelle chiese francescane di Assisi, degli Spirituali" class="work-thumbnail" src="https://attachments.academia-assets.com/62157961/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42031665/Immagini_degli_Spirituali_Il_significato_delle_immagini_nelle_chiese_francescane_di_Assisi_degli_Spirituali">Immagini degli Spirituali. 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