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Click here for more information."><img alt="Featured article" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/20px-Cscr-featured.svg.png" decoding="async" width="20" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/30px-Cscr-featured.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/40px-Cscr-featured.svg.png 2x" data-file-width="466" data-file-height="443" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1986 song performed by Cui Jian</div> <style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="color: #202122;background-color: khaki; font-size: 125%;">"<span title="Chinese-language text"><span lang="zh">一无所有</span></span> (Nothing to My Name)"</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:CuiJian_blindfold.JPG" class="mw-file-description" title="Album cover with a black background; in the foreground is the face of a man whose eyes are covered by a red blindfold. Written vertically along the side of the image is the title of the song and the name of the artist: "一無所有--崔健""><img alt="Album cover with a black background; in the foreground is the face of a man whose eyes are covered by a red blindfold. Written vertically along the side of the image is the title of the song and the name of the artist: "一無所有--崔健"" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e8/CuiJian_blindfold.JPG/220px-CuiJian_blindfold.JPG" decoding="async" width="220" height="218" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/e/e8/CuiJian_blindfold.JPG 1.5x" data-file-width="317" data-file-height="314" /></a></span><div class="infobox-caption">Cover artwork from the overseas release of the album <i>Nothing to My Name</i></div></td></tr><tr class="description"><th colspan="2" class="infobox-header description" style="color: #202122;background-color: khaki;"><a href="/wiki/Single_(music)" title="Single (music)">Single</a> by <a href="/wiki/Cui_Jian" title="Cui Jian">Cui Jian</a></th></tr><tr class="description"><th colspan="2" class="infobox-header description" style="color: #202122;background-color: khaki;">from the album <i> <a href="/wiki/Rock_%27N%27_Roll_on_the_New_Long_March" class="mw-redirect" title="Rock 'N' Roll on the New Long March">Rock 'N' Roll on the New Long March</a> </i></th></tr><tr><th scope="row" class="infobox-label">Language</th><td class="infobox-data"><a href="/wiki/Mandarin_Chinese" title="Mandarin Chinese">Mandarin Chinese</a></td></tr><tr><th scope="row" class="infobox-label">Released</th><td class="infobox-data plainlist">1986<span style="display:none"> (<span class="bday dtstart published updated itvstart">1986</span>)</span></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Music_genre" title="Music genre">Genre</a></th><td class="infobox-data category hlist"><a href="/wiki/Rock_and_roll" title="Rock and roll">Rock and roll</a></td></tr><tr><th scope="row" class="infobox-label">Length</th><td class="infobox-data plainlist"><span class="duration"><span class="min">5</span>:<span class="s">35</span></span></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap"><a href="/wiki/Songwriter" title="Songwriter">Songwriter(s)</a></span></th><td class="infobox-data hlist">Cui Jian</td></tr><tr><td colspan="2" class="infobox-below"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><table class="infobox"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color:#b0c4de">Nothing to My Name</th></tr><tr style="display:none;"><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th scope="row" class="infobox-label" style="font-weight:normal;"><a href="/wiki/Traditional_Chinese_characters" title="Traditional Chinese characters">Traditional Chinese</a></th><td class="infobox-data"><span title="Chinese-language text"><span lang="zh-Hant" style="font-size: 1rem;">一無所有</span></span></td></tr><tr><th scope="row" class="infobox-label" style="font-weight:normal;"><a href="/wiki/Simplified_Chinese_characters" title="Simplified Chinese characters">Simplified Chinese</a></th><td class="infobox-data"><span title="Chinese-language text"><span lang="zh-Hans" style="font-size: 1rem;">一无所有</span></span></td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><table class="infobox-subbox mw-collapsible mw-collapsed" style="display:inline-table; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above" style="font-size: 100%; text-align: left;color: #202122; background-color: #f9ffbc;">Transcriptions</th></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #dcffc9;"><a href="/wiki/Standard_Chinese" title="Standard Chinese">Standard Mandarin</a></th></tr><tr><th scope="row" class="infobox-label" style="font-weight:normal;"><a href="/wiki/Hanyu_Pinyin" class="mw-redirect" title="Hanyu Pinyin">Hanyu Pinyin</a></th><td class="infobox-data"><span title="Chinese-language romanization"><span style="font-style: normal" lang="zh-Latn">Yī Wú Suǒyǒu</span></span></td></tr></tbody></table></td><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table></td></tr></tbody></table> <p>"<b>Nothing to My Name</b>"<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup> (<a href="/wiki/Simplified_Chinese_characters" title="Simplified Chinese characters">Chinese</a>: <span lang="zh-Hans">一无所有</span>; <a href="/wiki/Pinyin" title="Pinyin">pinyin</a>: <i><span lang="zh-Latn">Yīwúsuǒyǒu</span></i>) is a 1986 <a href="/wiki/Standard_Chinese" title="Standard Chinese">Mandarin</a>-language <a href="/wiki/Rock_music" title="Rock music">rock</a> song by <a href="/wiki/Cui_Jian" title="Cui Jian">Cui Jian</a>. It is widely considered Cui's most famous and most important work, and one of the most influential songs in the history of the <a href="/wiki/People%27s_Republic_of_China" class="mw-redirect" title="People's Republic of China">People's Republic of China</a>, both as a seminal point in the development of <a href="/wiki/Chinese_rock" title="Chinese rock">Chinese rock</a> music and as a political sensation. The song was an unofficial anthem for Chinese youth and activists during the <a href="/wiki/1989_Tiananmen_Square_protests_and_massacre" title="1989 Tiananmen Square protests and massacre">1989 Tiananmen Square protests and massacre</a>. </p><p>Both in its lyrics and instruments, the song mixes <a href="/wiki/Music_of_China#Traditional_music" title="Music of China">traditional Chinese styles</a> with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Historical_context">Historical context</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=1" title="Edit section: Historical context"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Chinese_rock" title="Chinese rock">Chinese rock</a> and <a href="/wiki/1989_Tiananmen_Square_protests_and_massacre" title="1989 Tiananmen Square protests and massacre">1989 Tiananmen Square protests and massacre</a></div> <p>By the late 1970s, Western rock music was gaining popularity in <a href="/wiki/Mainland_China" title="Mainland China">mainland China</a>. After the <a href="/wiki/Cultural_Revolution" title="Cultural Revolution">Cultural Revolution</a> ended in the mid-1970s and the government began a period of <a href="/wiki/Chinese_economic_reform" title="Chinese economic reform">economic reform</a>, many students and businessmen went abroad and brought back Western music. Chinese singers began performing covers of popular Western rock songs.<sup id="cite_ref-BF119_2-0" class="reference"><a href="#cite_note-BF119-2"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>At the same time, Chinese society and the Chinese government were quickly abandoning <a href="/wiki/Maoism" title="Maoism">Maoism</a>, and promoting economic policies that had a more <a href="/wiki/Capitalism" title="Capitalism">capitalist</a> orientation. Many Chinese teens and students were becoming disillusioned with their government, which they felt had abandoned its ideals. Because of the rapid economic changes, many of them felt that they had no opportunities and no individual freedom.<sup id="cite_ref-Calhoun95_3-0" class="reference"><a href="#cite_note-Calhoun95-3"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> These developments formed the background against which "Nothing to My Name" appeared in 1986. </p> <div class="mw-heading mw-heading2"><h2 id="Music_and_lyrics">Music and lyrics</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=2" title="Edit section: Music and lyrics"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Musical_style">Musical style</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=3" title="Edit section: Musical style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cui Jian was heavily influenced by Western artists such as <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>, <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>, <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">the Rolling Stones</a>, and <a href="/wiki/Talking_Heads" title="Talking Heads">Talking Heads</a>;<sup id="cite_ref-words_4-0" class="reference"><a href="#cite_note-words-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> in the late 1980s he even performed with a hair style modeled on that of <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>. In "Nothing to My Name" and other songs, he intentionally altered the sounds of <a href="/wiki/List_of_traditional_Chinese_musical_instruments" class="mw-redirect" title="List of traditional Chinese musical instruments">traditional Chinese musical instruments</a> by mixing them with elements of rock music, especially the arrangement of the <i><a href="/wiki/Suona" title="Suona">suona</a></i> solo—rather than <a href="/wiki/Electric_guitar" title="Electric guitar">electric guitar</a>—in the ritornello played by Liu Yuan.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> He also purposely divorced his musical style from that of the <a href="/wiki/Revolutionary_song" title="Revolutionary song">revolutionary songs</a> and proletarian operas that were common under Chairman <a href="/wiki/Mao_Zedong" title="Mao Zedong">Mao Zedong</a> during the <a href="/wiki/Cultural_Revolution" title="Cultural Revolution">Cultural Revolution</a>—for example, he performed his music very loud, as high as 150 decibels, just because Mao had considered loud music disruptive to the social order. </p><p>In genre, the song is often called the first work of <i><a href="/wiki/Northwest_Wind" title="Northwest Wind">Xibeifeng</a></i>, a 1980s music style originating from <a href="/wiki/Northwest_China" class="mw-redirect" title="Northwest China">Northwest China</a>, based on traditional <a href="/wiki/Northern_Shaanxi" title="Northern Shaanxi">Shaanbei</a> folk music.<sup id="cite_ref-Brace152_6-0" class="reference"><a href="#cite_note-Brace152-6"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Cui himself, however, considers the song pure rock and roll.<sup id="cite_ref-Brace165_7-0" class="reference"><a href="#cite_note-Brace165-7"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-shanbei_8-0" class="reference"><a href="#cite_note-shanbei-8"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Lyrics_and_meaning">Lyrics and meaning</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=4" title="Edit section: Lyrics and meaning"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/50px-Gnome-mime-sound-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/100px-Gnome-mime-sound-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:YiWuSuoYou_sample.ogg" title="File:YiWuSuoYou sample.ogg">"Nothing to My Name"</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="25" data-mwtitle="YiWuSuoYou_sample.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/e/e3/YiWuSuoYou_sample.ogg" type="audio/ogg; codecs="vorbis"" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/e/e3/YiWuSuoYou_sample.ogg/YiWuSuoYou_sample.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0" /></audio></span></span></div> <div class="description">Sample of the first verse and chorus of "Nothing to My Name", demonstrating the lyrics and the mixing of traditional Chinese instruments with rock elements.</div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>Interpretations of the song's meaning vary from one listener to the next; some people view it as a song about love and desire, while others understand it as a political metaphor, the lyrics being addressed as much to the Chinese nation as to a girlfriend.<sup id="cite_ref-independent_9-0" class="reference"><a href="#cite_note-independent-9"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Blum_2002_301_10-0" class="reference"><a href="#cite_note-Blum_2002_301-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Calhoun94_11-0" class="reference"><a href="#cite_note-Calhoun94-11"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Ethnomusicologist Timothy Brace has described this common analysis of the song lyrics as "recast[ing] the setting of this piece from that of a boy talking to his girlfriend to that of a youthful generation talking to the nation as a whole." The ambiguity is heightened by the structure of the title <span title="Chinese-language text"><span lang="zh-Hans">一无所有</span></span> (<i>yī wú suŏ yŏu</i>), an idiomatic <i><a href="/wiki/Chengyu" title="Chengyu">chengyu</a></i>. It literally means "to have nothing" and has no grammatical <a href="/wiki/Subject_(grammar)" title="Subject (grammar)">subject</a>. Therefore, it can be interpreted as meaning "<i>I</i> have nothing" (implying that it is a song about two people), or "<i>we</i> have nothing" (understanding it as social commentary).<sup id="cite_ref-BF121_12-0" class="reference"><a href="#cite_note-BF121-12"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Moreover, the first person pronoun <span title="Chinese-language text"><span lang="zh-Hans">我</span></span>, as used in the lyrics, can refer to either "I" or "we".<sup id="cite_ref-Blum_2002_301_10-1" class="reference"><a href="#cite_note-Blum_2002_301-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>The narrator of the song worries that the girl he is addressing will ignore him because he has nothing to give her; likewise, the song's audience in the 1980s—young students and workers—were also suffering from not having resources to marry, to be with their girlfriends and boyfriends, or to attract members of the opposite sex.<sup id="cite_ref-Calhoun95_3-1" class="reference"><a href="#cite_note-Calhoun95-3"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The lyrics also express Western concepts of <a href="/wiki/Individualism" title="Individualism">individualism</a>, and were some of the first popular song lyrics in China to promote self-expression and self-empowerment. This put the song in stark contrast with older music, which had emphasized conformity and obedience. As the narrator, later on in the song, confidently proclaims to the girl that he will "grab her hands" ("<span title="Chinese-language text"><span lang="zh-Hans">我要抓起你的双手</span></span>") and then she will go with him ("<span title="Chinese-language text"><span lang="zh-Hans">你这就跟我走</span></span>"), he suggests in the end that she can love the fact that he has nothing ("<span title="Chinese-language text"><span lang="zh-Hans">莫非你是正在告诉我/你爱我一无所有</span></span>"). On one level, this suggests that the song is about "love conquering all",<sup id="cite_ref-pbs_14-0" class="reference"><a href="#cite_note-pbs-14"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> but the line has also been interpreted as threatening, and suggestive of an unorthodox and "<a href="/wiki/Dionysus" title="Dionysus">Dionysian</a>" mix of love and aggression.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>Understood as social commentary, the substitution of "we" along with the replacement of every "you" with the Communist Party, means the song becomes an ironic response to the Chinese lyrics of "<a href="/wiki/The_Internationale" title="The Internationale">The Internationale</a>":<sup id="cite_ref-Blum_2002_301_10-2" class="reference"><a href="#cite_note-Blum_2002_301-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>Slaves rise up, rise up! </p><p>We cannot say that we have nothing [<span lang="zh-Hans">一无所有</span>; <i><span lang="zh-Latn">yīwúsuŏyŏu</span></i>] </p><p> We will be masters of all under heavens.</p><div class="templatequotecite">— <cite><a href="/wiki/The_Internationale" title="The Internationale">The Internationale</a></cite></div></blockquote> <div class="mw-heading mw-heading2"><h2 id="Release_and_impact">Release and impact</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=5" title="Edit section: Release and impact"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:CuiJian1_2007_Hohaiyan.jpg" class="mw-file-description"><img alt="Close-up of a man onstage with a guitar wearing jeans and a baggy shirt. His head is lowered and his face is obscured by a white hat with a red star on it. In the background is musical equipment." src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/CuiJian1_2007_Hohaiyan.jpg/170px-CuiJian1_2007_Hohaiyan.jpg" decoding="async" width="170" height="227" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/CuiJian1_2007_Hohaiyan.jpg/255px-CuiJian1_2007_Hohaiyan.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/CuiJian1_2007_Hohaiyan.jpg/340px-CuiJian1_2007_Hohaiyan.jpg 2x" data-file-width="2304" data-file-height="3072" /></a><figcaption>Cui Jian</figcaption></figure> <p>Cui wrote "Nothing to My Name" himself<sup id="cite_ref-Brace152_6-1" class="reference"><a href="#cite_note-Brace152-6"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> and first performed it on a televised music competition in May 1986, with his band <a href="/wiki/ADO_(band)" title="ADO (band)">ADO</a>.<sup id="cite_ref-words_4-1" class="reference"><a href="#cite_note-words-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-independent_9-1" class="reference"><a href="#cite_note-independent-9"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-pbs_14-1" class="reference"><a href="#cite_note-pbs-14"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The song was an instant success, creating a "sensation" and turning Cui into a cult figure among urban youth.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Donald107_17-0" class="reference"><a href="#cite_note-Donald107-17"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> It was one of the first examples of Chinese, as opposed to imported, rock and roll music to gain popularity in China.<sup id="cite_ref-Steen_18-0" class="reference"><a href="#cite_note-Steen-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> The newspaper of the <a href="/wiki/Central_Committee_of_the_Chinese_Communist_Party" title="Central Committee of the Chinese Communist Party">Central Committee of the Chinese Communist Party</a>, <i><a href="/wiki/People%27s_Daily" title="People's Daily">People's Daily</a></i>, gave the song a positive review, despite its politically sensitive message.<sup id="cite_ref-Zhou2008_19-0" class="reference"><a href="#cite_note-Zhou2008-19"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> The song was included on Cui's 1989 album <i><a href="/wiki/Rock_%27n%27_Roll_on_the_New_Long_March" title="Rock 'n' Roll on the New Long March">Rock 'n' Roll on the New Long March</a></i>, released by the China Tourism Sound and Video Publishing Company. (The version of the album released overseas was called <i>Nothing to My Name</i>.<sup id="cite_ref-Chong58_20-0" class="reference"><a href="#cite_note-Chong58-20"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup>) By 1989, it had become a "battle song"<sup id="cite_ref-words_4-2" class="reference"><a href="#cite_note-words-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> or "anthem"<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> among the youth movement.<sup id="cite_ref-independent_9-2" class="reference"><a href="#cite_note-independent-9"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>Cui performed the song live at the Tiananmen Square protests of 1989.<sup id="cite_ref-words_4-3" class="reference"><a href="#cite_note-words-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-blumjensen_22-0" class="reference"><a href="#cite_note-blumjensen-22"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> The performances by Cui and other rock artists during the protests have been described as "a revolutionary few days that rocked a nation," and many protesters sang "Nothing to My Name" to give voice to their rebellion against the government, and their desire for personal freedom and self-expression.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Brace describes how, during Cui's Tiananmen performance, students "jumped to their feet and began to sing," a practice that had rarely happened at music performances in China before then.<sup id="cite_ref-BF122_24-0" class="reference"><a href="#cite_note-BF122-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Not long after Tiananmen, Cui was restricted to playing in small venues; he did not play before a large audience in Beijing again until 2005.<sup id="cite_ref-independent_9-3" class="reference"><a href="#cite_note-independent-9"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>An English-language translation of the song was included in the 2016 anthology <i><a href="/wiki/The_Big_Red_Book_of_Modern_Chinese_Literature" title="The Big Red Book of Modern Chinese Literature">The Big Red Book of Modern Chinese Literature</a></i> alongside contemporary poetry and short stories by prominent Chinese authors.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p><p>Cui has become known as the "Father of Chinese Rock",<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> and "Nothing to My Name" has become his most famous song.<sup id="cite_ref-pbs_14-2" class="reference"><a href="#cite_note-pbs-14"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-BF120_27-0" class="reference"><a href="#cite_note-BF120-27"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> It has been described as "the biggest hit in Chinese history"<sup id="cite_ref-words_4-4" class="reference"><a href="#cite_note-words-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> and the beginning of Chinese rock.<sup id="cite_ref-Steen_18-1" class="reference"><a href="#cite_note-Steen-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=6" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">also referred to as "<b>I Have Nothing</b>" in English, among other translations</span> </li> </ol></div></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-BF119-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-BF119_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBraceFriedlander1992">Brace & Friedlander 1992</a>, p. 119</span> </li> <li id="cite_note-Calhoun95-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Calhoun95_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Calhoun95_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCalhoun1994">Calhoun 1994</a>, p. 95</span> </li> <li id="cite_note-words-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-words_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-words_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-words_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-words_4-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-words_4-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFDeWoskin" class="citation web cs1">DeWoskin, Rachel. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20040625031901/http://www.wordswithoutborders.org/article.php?lab=Cui">"Power of the Powerless"</a>. <i><a href="/wiki/Words_Without_Borders" title="Words Without Borders">Words Without Borders</a></i>. Archived from <a rel="nofollow" class="external text" href="http://www.wordswithoutborders.org/article.php?lab=Cui">the original</a> on 25 June 2004<span class="reference-accessdate">. Retrieved <span class="nowrap">28 February</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Words+Without+Borders&rft.atitle=Power+of+the+Powerless&rft.aulast=DeWoskin&rft.aufirst=Rachel&rft_id=http%3A%2F%2Fwww.wordswithoutborders.org%2Farticle.php%3Flab%3DCui&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://m.jiemian.com/article/673887.html">"从《百鸟朝凤》顺道聊聊唢呐与国摇的那些事"</a>. 界面新闻. 30 May 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%E4%BB%8E%E3%80%8A%E7%99%BE%E9%B8%9F%E6%9C%9D%E5%87%A4%E3%80%8B%E9%A1%BA%E9%81%93%E8%81%8A%E8%81%8A%E5%94%A2%E5%91%90%E4%B8%8E%E5%9B%BD%E6%91%87%E7%9A%84%E9%82%A3%E4%BA%9B%E4%BA%8B&rft.date=2016-05-30&rft_id=https%3A%2F%2Fm.jiemian.com%2Farticle%2F673887.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-Brace152-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Brace152_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Brace152_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBrace1992">Brace 1992</a>, p. 152</span> </li> <li id="cite_note-Brace165-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-Brace165_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrace1992">Brace 1992</a>, p. 165</span> </li> <li id="cite_note-shanbei-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-shanbei_8-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREF陈晨2022" class="citation journal cs1">陈晨 (2022). <a rel="nofollow" class="external text" href="https://www.xuekanba.com/lunwen/yishu/10-1171.html">"探析陕北民歌的传承与发展"</a>. <i>艺术评鉴</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=%E8%89%BA%E6%9C%AF%E8%AF%84%E9%89%B4&rft.atitle=%E6%8E%A2%E6%9E%90%E9%99%95%E5%8C%97%E6%B0%91%E6%AD%8C%E7%9A%84%E4%BC%A0%E6%89%BF%E4%B8%8E%E5%8F%91%E5%B1%95&rft.date=2022&rft.au=%E9%99%88%E6%99%A8&rft_id=https%3A%2F%2Fwww.xuekanba.com%2Flunwen%2Fyishu%2F10-1171.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-independent-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-independent_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-independent_9-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-independent_9-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-independent_9-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.independent.co.uk/arts-entertainment/music/features/cui-jian-the-man-who-rocks-china-515208.html">"Cui Jian: The man who rocks China"</a></span>. <i><a href="/wiki/The_Independent" title="The Independent">The Independent</a></i>. 14 November 2005. <a rel="nofollow" class="external text" href="https://ghostarchive.org/archive/20220621/https://www.independent.co.uk/arts-entertainment/music/features/cui-jian-the-man-who-rocks-china-515208.html">Archived</a> from the original on 21 June 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">28 February</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Independent&rft.atitle=Cui+Jian%3A+The+man+who+rocks+China&rft.date=2005-11-14&rft_id=https%3A%2F%2Fwww.independent.co.uk%2Farts-entertainment%2Fmusic%2Ffeatures%2Fcui-jian-the-man-who-rocks-china-515208.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-Blum_2002_301-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-Blum_2002_301_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Blum_2002_301_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Blum_2002_301_10-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlumJensen2002">Blum & Jensen 2002</a>, p. 301</span> </li> <li id="cite_note-Calhoun94-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-Calhoun94_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCalhoun1994">Calhoun 1994</a>, p. 94</span> </li> <li id="cite_note-BF121-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-BF121_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBraceFriedlander1992">Brace & Friedlander 1992</a>, p. 121</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrace1992">Brace 1992</a>, p. 154</span> </li> <li id="cite_note-pbs-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-pbs_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-pbs_14-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-pbs_14-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClark2003" class="citation web cs1">Clark, Matthew Corbin (13 February 2003). <a rel="nofollow" class="external text" href="https://www.pbs.org/wgbh/pages/frontline/shows/red/sonic/">"Birth of a Beijing Music Scene"</a>. <i><a href="/wiki/PBS_Frontline" class="mw-redirect" title="PBS Frontline">PBS Frontline</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">28 February</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=PBS+Frontline&rft.atitle=Birth+of+a+Beijing+Music+Scene&rft.date=2003-02-13&rft.aulast=Clark&rft.aufirst=Matthew+Corbin&rft_id=https%3A%2F%2Fwww.pbs.org%2Fwgbh%2Fpages%2Ffrontline%2Fshows%2Fred%2Fsonic%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a href="#CITEREFChong1991">Chong 1991</a>, p. 72</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrace1992">Brace 1992</a>, p. 164</span> </li> <li id="cite_note-Donald107-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-Donald107_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDonald2000">Donald 2000</a>, p. 107</span> </li> <li id="cite_note-Steen-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-Steen_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Steen_18-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSteen2000">Steen 2000</a>. "China's rock music history began in 1986, when Cui Jian's now-famous song "Nothing to My Name" (Yi Wu Suo You) appeared in public for the first time."</span> </li> <li id="cite_note-Zhou2008-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-Zhou2008_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFZhou2008">Zhou 2008</a>, p. 116</span> </li> <li id="cite_note-Chong58-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-Chong58_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFChong1991">Chong 1991</a>, p. 58</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.today/20120915101533/http://www.timeout.com/film/features/show-feature/5974/">"Time Out Heroes Beijing"</a>. <a href="/wiki/Time_Out_(company)" class="mw-redirect" title="Time Out (company)">Time Out Beijing</a>. Archived from <a rel="nofollow" class="external text" href="https://www.timeout.com/film/features/show-feature/5974/">the original</a> on 15 September 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">3 March</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Time+Out+Heroes+Beijing&rft.pub=Time+Out+Beijing&rft_id=https%3A%2F%2Fwww.timeout.com%2Ffilm%2Ffeatures%2Fshow-feature%2F5974%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-blumjensen-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-blumjensen_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlumJensen2002">Blum & Jensen 2002</a>, pp. 292, 299</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><a href="#CITEREFChong1991">Chong 1991</a>, p. 55</span> </li> <li id="cite_note-BF122-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-BF122_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBraceFriedlander1992">Brace & Friedlander 1992</a>, p. 122</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLovell2016" class="citation news cs1">Lovell, Julia (5 February 2016). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2016/02/07/books/review/the-big-red-book-of-modern-chinese-literature-edited-by-yunte-huang.html">"<span class="cs1-kern-left"></span>'The Big Red Book of Modern Chinese Literature,' Edited by Yunte Huang"</a>. <i>The New York Times</i>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0362-4331">0362-4331</a><span class="reference-accessdate">. Retrieved <span class="nowrap">17 June</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=%E2%80%98The+Big+Red+Book+of+Modern+Chinese+Literature%2C%E2%80%99+Edited+by+Yunte+Huang&rft.date=2016-02-05&rft.issn=0362-4331&rft.aulast=Lovell&rft.aufirst=Julia&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2016%2F02%2F07%2Fbooks%2Freview%2Fthe-big-red-book-of-modern-chinese-literature-edited-by-yunte-huang.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.cqvip.com/qk/97994x/2005007/15816091.html">"崔健老师：我只想给你一点颜色看看"</a> [Professor Cui Jian, I just want to give you a little something to look at]. <i>医学美学美容 [Medical, Aesthetics, and Cosmetology]</i> (in Japanese). No. 7. 2006. <q>[崔健]是被大家称之为"摇滚之父"的歌手。。。</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=%E5%8C%BB%E5%AD%A6%E7%BE%8E%E5%AD%A6%E7%BE%8E%E5%AE%B9+%5BMedical%2C+Aesthetics%2C+and+Cosmetology%5D&rft.atitle=%E5%B4%94%E5%81%A5%E8%80%81%E5%B8%88%EF%BC%9A%E6%88%91%E5%8F%AA%E6%83%B3%E7%BB%99%E4%BD%A0%E4%B8%80%E7%82%B9%E9%A2%9C%E8%89%B2%E7%9C%8B%E7%9C%8B&rft.issue=7&rft.date=2006&rft_id=http%3A%2F%2Fwww.cqvip.com%2Fqk%2F97994x%2F2005007%2F15816091.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> <li id="cite_note-BF120-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-BF120_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBraceFriedlander1992">Brace & Friedlander 1992</a>, p. 120</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRea2006" class="citation web cs1"><a href="/wiki/Dennis_Rea" title="Dennis Rea">Rea, Dennis</a> (2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080607053549/http://www.dennisrea.com/chinatour.html">"The LAND Tour and the Rise of Jazz in China"</a>. <i>Live at the Forbidden City: Musical Encounters in China and Taiwan</i>. Archived from <a rel="nofollow" class="external text" href="http://www.dennisrea.com/chinatour.html">the original</a> on 7 June 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">28 February</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Live+at+the+Forbidden+City%3A+Musical+Encounters+in+China+and+Taiwan&rft.atitle=The+LAND+Tour+and+the+Rise+of+Jazz+in+China&rft.date=2006&rft.aulast=Rea&rft.aufirst=Dennis&rft_id=http%3A%2F%2Fwww.dennisrea.com%2Fchinatour.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nothing_to_My_Name&action=edit&section=7" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlumJensen2002" class="citation book cs1">Blum, Susan Debra; Jensen, Lionel M (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=pA_MP4Q11qgC"><i>China Off Center: Mapping the Margins of the Middle Kingdom</i></a>. University of Hawaii Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8248-2577-2" title="Special:BookSources/0-8248-2577-2"><bdi>0-8248-2577-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=China+Off+Center%3A+Mapping+the+Margins+of+the+Middle+Kingdom&rft.pub=University+of+Hawaii+Press&rft.date=2002&rft.isbn=0-8248-2577-2&rft.aulast=Blum&rft.aufirst=Susan+Debra&rft.au=Jensen%2C+Lionel+M&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DpA_MP4Q11qgC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrace1992" class="citation thesis cs1">Brace, Timothy Lane (1992). <a rel="nofollow" class="external text" href="http://magnoliaarts.com/brace.pdf"><i>Modernity and Music in Contemporary China: Crisis, Identity, and the Politics of Style</i></a> <span class="cs1-format">(PDF)</span> (Ph.D. dissertation). <a href="/wiki/University_of_Texas_at_Austin" title="University of Texas at Austin">University of Texas at Austin</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adissertation&rft.title=Modernity+and+Music+in+Contemporary+China%3A+Crisis%2C+Identity%2C+and+the+Politics+of+Style&rft.inst=University+of+Texas+at+Austin&rft.date=1992&rft.aulast=Brace&rft.aufirst=Timothy+Lane&rft_id=http%3A%2F%2Fmagnoliaarts.com%2Fbrace.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBraceFriedlander1992" class="citation book cs1">Brace, Timothy Lane; Friedlander, Paul (1992). "Rock and Roll on the New Long March: Popular Music, Cultural Identity, and Political Opposition in the People's Republic of China". In Rebee Garofalo (ed.). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/rockinboatmassmu00garo"><i>Rockin' the Boat: Mass Music and Mass Movements</i></a></span>. South End Press. p. <a rel="nofollow" class="external text" href="https://archive.org/details/rockinboatmassmu00garo/page/120">120</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-89608-427-2" title="Special:BookSources/0-89608-427-2"><bdi>0-89608-427-2</bdi></a>. <q>cui jian yi wu suo you.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Rock+and+Roll+on+the+New+Long+March%3A+Popular+Music%2C+Cultural+Identity%2C+and+Political+Opposition+in+the+People%27s+Republic+of+China&rft.btitle=Rockin%27+the+Boat%3A+Mass+Music+and+Mass+Movements&rft.pages=120&rft.pub=South+End+Press&rft.date=1992&rft.isbn=0-89608-427-2&rft.aulast=Brace&rft.aufirst=Timothy+Lane&rft.au=Friedlander%2C+Paul&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frockinboatmassmu00garo&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCalhoun1994" class="citation book cs1">Calhoun, Craig C (1994). "Science, Democracy, and the Politics of Identity". In Jeffrey N Wasserstrom and Elizabeth J. Perry (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qcJi6kk70cwC"><i>Popular Protest and Political Culture in Modern China: learning from 1989</i></a>. Westview Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8133-2043-7" title="Special:BookSources/0-8133-2043-7"><bdi>0-8133-2043-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Science%2C+Democracy%2C+and+the+Politics+of+Identity&rft.btitle=Popular+Protest+and+Political+Culture+in+Modern+China%3A+learning+from+1989&rft.pub=Westview+Press&rft.date=1994&rft.isbn=0-8133-2043-7&rft.aulast=Calhoun&rft.aufirst=Craig+C&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqcJi6kk70cwC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span><sup class="noprint Inline-Template"><span style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title=" Dead link tagged August 2023">permanent dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">‍</span>]</span></sup></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChong1991" class="citation journal cs1">Chong, Woei Lin (1991). "Young China's voice of the 1980s: rock star Cui Jian". <i>China Information</i>. <b>6</b> (1): 55–74. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1177%2F0920203X9100600106">10.1177/0920203X9100600106</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:143536737">143536737</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=China+Information&rft.atitle=Young+China%27s+voice+of+the+1980s%3A+rock+star+Cui+Jian&rft.volume=6&rft.issue=1&rft.pages=55-74&rft.date=1991&rft_id=info%3Adoi%2F10.1177%2F0920203X9100600106&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A143536737%23id-name%3DS2CID&rft.aulast=Chong&rft.aufirst=Woei+Lin&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDonald2000" class="citation book cs1">Donald, Stephanie (2000). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=AyzRzIZ-DxsC&q=cui+jian+%22nothing+to+my+name%22&pg=PA107"><i>Public Secrets, Public Spaces: Cinema and Civility in China</i></a>. Rowman & Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8476-9877-7" title="Special:BookSources/0-8476-9877-7"><bdi>0-8476-9877-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Public+Secrets%2C+Public+Spaces%3A+Cinema+and+Civility+in+China&rft.pub=Rowman+%26+Littlefield&rft.date=2000&rft.isbn=0-8476-9877-7&rft.aulast=Donald&rft.aufirst=Stephanie&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DAyzRzIZ-DxsC%26q%3Dcui%2Bjian%2B%2522nothing%2Bto%2Bmy%2Bname%2522%26pg%3DPA107&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSteen2000" class="citation journal cs1">Steen, Andreas (2000). "Sound, Protest and Business. Modern Sky Co. and the New Ideology of Chinese Rock". <i>Berliner China-Hefte</i> (19).</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Berliner+China-Hefte&rft.atitle=Sound%2C+Protest+and+Business.+Modern+Sky+Co.+and+the+New+Ideology+of+Chinese+Rock&rft.issue=19&rft.date=2000&rft.aulast=Steen&rft.aufirst=Andreas&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZhou2008" class="citation book cs1">Zhou, Xuelin (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XEK0CrCwc_EC"><i>Young Rebels in Contemporary Chinese Cinema</i></a>. Hong Kong University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-962-209-849-7" title="Special:BookSources/978-962-209-849-7"><bdi>978-962-209-849-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Young+Rebels+in+Contemporary+Chinese+Cinema&rft.pub=Hong+Kong+University+Press&rft.date=2008&rft.isbn=978-962-209-849-7&rft.aulast=Zhou&rft.aufirst=Xuelin&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXEK0CrCwc_EC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ANothing+to+My+Name" class="Z3988"></span></li></ul> </div> <p class="mw-empty-elt"> </p> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox-title{background-color:#ccf}.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox authority-control" aria-label="Navbox" style="padding:3px"><table class="nowraplinks hlist navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q7062891#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/work/05fc0007-c8ee-454e-bca3-a4003135eb31">MusicBrainz work</a></span></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; 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