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(2012)</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by P. Ozcáriz Gil</h3></div><div class="js-work-strip profile--work_container" data-work-id="122295753"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/122295753/Los_grafitos_hist%C3%B3ricos_como_voz_de_los_desfavorecidos_dossier_The_historical_graffiti_as_the_voice_of_the_disadvantaged_special_issue_"><img alt="Research paper thumbnail of Los grafitos históricos como voz de los desfavorecidos (dossier) / The historical graffiti as the voice of the disadvantaged (special issue)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/122295753/Los_grafitos_hist%C3%B3ricos_como_voz_de_los_desfavorecidos_dossier_The_historical_graffiti_as_the_voice_of_the_disadvantaged_special_issue_">Los grafitos históricos como voz de los desfavorecidos (dossier) / The historical graffiti as the voice of the disadvantaged (special issue)</a></div><div class="wp-workCard_item"><span>Huarte de San Juan. Geografía e Historia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> El dossier monográfico incluye once trabajos que comparten el uso de los grafitos históricos com...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El dossier monográfico incluye once trabajos que comparten el uso de los grafitos históricos como fuente para el estudio de los grupos desfavorecidos / The special issue includes 11 papers that share a common focus on using historical graffiti as a source for studying disadvantaged groups</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122295753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122295753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122295753; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122295753]").text(description); $(".js-view-count[data-work-id=122295753]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122295753; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122295753']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122295753, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=122295753]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122295753,"title":"Los grafitos históricos como voz de los desfavorecidos (dossier) / The historical graffiti as the voice of the disadvantaged (special issue)","translated_title":"","metadata":{"abstract":"\nEl dossier monográfico incluye once trabajos que comparten el uso de los grafitos históricos como fuente para el estudio de los grupos desfavorecidos / The special issue includes 11 papers that share a common focus on using historical graffiti as a source for studying disadvantaged groups","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Huarte de San Juan. 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Epigrafia e Antichità (Universitá di Bologna) nº 43, Fratelli Lega Editori, Faenza 2019" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/41716702/Roman_graffiti_from_the_city_of_Santa_Criz_Grafitos_romanos_de_la_ciudad_de_Santa_Criz_from_the_book_Andreu_J_Ozc%C3%A1riz_P_Mateo_Tx_Epigraf%C3%ADa_romana_de_Santa_Criz_de_Eslava_Navarra_Epigrafia_e_Antichit%C3%A0_Universit%C3%A1_di_Bologna_no_43_Fratelli_Lega_Editori_Faenza_2019">Roman graffiti from the city of Santa Criz / Grafitos romanos de la ciudad de Santa Criz (from the book Andreu, J.; Ozcáriz, P.; Mateo, Tx., Epigrafía romana de Santa Criz de Eslava (Navarra). Epigrafia e Antichità (Universitá di Bologna) nº 43, Fratelli Lega Editori, Faenza 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://urjc.academia.edu/PabloOzcariz">P. Ozcáriz Gil</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/txaromateo">txaro mateo</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the Roman city of Santa Criz, several thousand fragments of parietal painting were found. Doze...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the Roman city of Santa Criz, several thousand fragments of parietal painting were found. Dozens of epigraphic and figurative graffiti were found there. <br />En la ciudad romana de Santa Criz se localizaron varios miles de fragmentos de pintura parietal en los que se encontraron decenas de grafitos epigráficos y figurativos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41716702"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41716702"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41716702; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41716702]").text(description); $(".js-view-count[data-work-id=41716702]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41716702; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41716702']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41716702, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=41716702]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41716702,"title":"Roman graffiti from the city of Santa Criz / Grafitos romanos de la ciudad de Santa Criz (from the book Andreu, J.; Ozcáriz, P.; Mateo, Tx., Epigrafía romana de Santa Criz de Eslava (Navarra). 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Grafías pre e históricas / Graffiti pre and historical" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/39518566/_coords_Graf%C3%ADas_pre_e_hist%C3%B3ricas_Graffiti_pre_and_historical">(coords.) Grafías pre e históricas / Graffiti pre and historical</a></div><div class="wp-workCard_item"><span>Otarq 3</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">(link to full text: http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc) Este...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">(link to full text: <a href="http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc" rel="nofollow">http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc</a>) Este monográfico está planteado bajo el título específico de “Grafías Pre e Históricas”, con una clara intención. El objeto de análisis que sirve de marco de referencia a la convocatoria de este dossier es el estudio de los grafitos históricos, por lo que, a primera vista, hubiera resultado más idóneo encabezarlo bajo ese nombre. Las razones que nos han conducido a optar por la denominación final son dos: la primera es la dificultad de definir, y por tanto de encontrar una definición completa y comúnmente aceptada de lo que es o se entiende por grafito; y la segunda es la mayor amplitud epistemológica y cronológica que engloba el término “grafía”. Somos conscientes de que esta decisión, puede suscitar alguna controversia o disparidad de criterio entre los especialistas y colegas, pero hemos considerado viable esta elección pues puede servir para fomentar los debates en el ámbito de nuestro deseo de conocimiento sobre las diversas formas de comunicación y expresión humanas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39518566"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39518566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39518566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39518566]").text(description); $(".js-view-count[data-work-id=39518566]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39518566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39518566']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39518566, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=39518566]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39518566,"title":"(coords.) 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Somos conscientes de que esta decisión, puede suscitar alguna controversia o disparidad de criterio entre los especialistas y colegas, pero hemos considerado viable esta elección pues puede servir para fomentar los debates en el ámbito de nuestro deseo de conocimiento sobre las diversas formas de comunicación y expresión humanas.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Otarq 3"},"translated_abstract":"(link to full text: http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc) Este monográfico está planteado bajo el título específico de “Grafías Pre e Históricas”, con una clara intención. El objeto de análisis que sirve de marco de referencia a la convocatoria de este dossier es el estudio de los grafitos históricos, por lo que, a primera vista, hubiera resultado más idóneo encabezarlo bajo ese nombre. 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Organización territorial, cargos administrativos y fiscalidad." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/6695331/La_administraci%C3%B3n_de_la_provincia_Hispania_Citerior_durante_el_alto_Imperio_romano_Organizaci%C3%B3n_territorial_cargos_administrativos_y_fiscalidad">La administración de la provincia Hispania Citerior durante el alto Imperio romano. Organización territorial, cargos administrativos y fiscalidad.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente trabajo trata de analizar diferentes aspectos de la administración de la provincia Hi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente trabajo trata de analizar diferentes aspectos de la administración de la provincia Hispania citerior durante el Alto Imperio desde un punto de vista global. La mayoría de trabajos que se han hecho de esta provincia son, o bien de partes de ella (la costa, el valle del Ebro, Galicia, etc.) o bien sobre aspectos particulares. El libro aborda temas como la organización territorial, la división conventual, las figuras del gobernador y el jurídico, la fiscalidad y los procuradores de la provincia, así como el resto de cargos administrativos en toda la escala, desde cargos senatoriales hasta los esclavos y libertos imperiales. Finalmente, se dedica un capítulo al análisis de las relaciones y las coincidencias en la sucesión de cargos de los diferentes miembros de la administración. 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La Memoria en la Piedra. Estudios sobre Grafitos Históricos" class="work-thumbnail" src="https://attachments.academia-assets.com/30330843/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2281144/_Coord_La_Memoria_en_la_Piedra_Estudios_sobre_Grafitos_Hist%C3%B3ricos">(Coord.) La Memoria en la Piedra. Estudios sobre Grafitos Históricos</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Aunque el fenómeno del "graffiti" se suele asociar con la sociedad urbana actual, ya desde los co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Aunque el fenómeno del "graffiti" se suele asociar con la sociedad urbana actual, ya desde los comienzos de la Historia el hombre ha escrito y dibujado sobre los muros que se encontraban a su alcance. La mayoría de estos testimonios, llamados grafitos históricos, han desaparecido debido a la limpieza de las paredes o a agresivas restauraciones. Pero muchos otros han permanecido en templos, casas, castillos o tumbas, de forma muy discreta aunque a la vez a la vista de todos. La cantidad de información que proporcionan a los historiadores es incalculable, ya que ofrecen una visión espontánea de unos grupos sociales que, por lo general, no suelen ser protagonistas de los libros de Historia. En este volumen se presentan 18 estudios que permiten hacerse una idea de la riqueza de esta nueva disciplina. <br /> <br />Abarcan un amplio abanico geográfico tanto nacional (Navarra, Granada, Soria, Alicante, Burgos o Segovia) como internacional (Egipto, Italia, México o Paraguay), así como todas las épocas históricas, desde el antiguo Imperio romano, pasando por la cultura maya, la Edad Media, el México colonial, hasta la España moderna y contemporánea.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bd37bcdc082a63a4c02771fbb901d14a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":30330843,"asset_id":2281144,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/30330843/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2281144"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2281144"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2281144; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2281144]").text(description); $(".js-view-count[data-work-id=2281144]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2281144; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2281144']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2281144, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bd37bcdc082a63a4c02771fbb901d14a" } } $('.js-work-strip[data-work-id=2281144]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2281144,"title":"(Coord.) 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Ozcáriz Gil</h3></div><div class="js-work-strip profile--work_container" data-work-id="122432181"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122432181/Grafitos_hist%C3%B3ricos_en_contextos_militares_el_caso_del_Fort%C3%ADn_de_San_Bartolom%C3%A9_Pamplona_Navarra_"><img alt="Research paper thumbnail of Grafitos históricos en contextos militares: el caso del Fortín de San Bartolomé (Pamplona, Navarra)" class="work-thumbnail" src="https://attachments.academia-assets.com/117096391/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122432181/Grafitos_hist%C3%B3ricos_en_contextos_militares_el_caso_del_Fort%C3%ADn_de_San_Bartolom%C3%A9_Pamplona_Navarra_">Grafitos históricos en contextos militares: el caso del Fortín de San Bartolomé (Pamplona, Navarra)</a></div><div class="wp-workCard_item"><span>Soldados, Armas y Batallas en los grafitos históricos</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado en el siglo XVIII, en sus cinco casernas se han identificado 55 grafitos realizados por los soldados que allí se albergaban. La mayoría de los trazos pueden datarse en el s. XIX, cuando cumplió su función defensiva. Destacan inscripciones que mencionan a soldados de infantería, rúbricas, varios dibujos arquitectónicos, dibujos de aves, toros, cruces, motivos vegetales, un cañón disparando y varias escenas de ahorcamientos en cadalsos / The Fort of San Bartolomé belongs to the defensive system of the city of Pamplona. Erected in the 18th century, 55 graffiti made by the soldiers who were housed there have been identified on its five barracks. Most of the traces can be dated to the 19th century, when it fulfilled its defensive function. The most important inscriptions mention infantrymen, rubrics, several architectural drawings, drawings of birds, bulls, crosses, vegetal motifs, a cannon firing and several scenes of hangings on scaffolds.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ad64c6fb2243c6f9cc85feb4b953d26" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117096391,"asset_id":122432181,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117096391/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122432181"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122432181"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122432181; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122432181]").text(description); $(".js-view-count[data-work-id=122432181]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122432181; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122432181']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122432181, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9ad64c6fb2243c6f9cc85feb4b953d26" } } $('.js-work-strip[data-work-id=122432181]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122432181,"title":"Grafitos históricos en contextos militares: el caso del Fortín de San Bartolomé (Pamplona, Navarra)","translated_title":"","metadata":{"abstract":"El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado en el siglo XVIII, en sus cinco casernas se han identificado 55 grafitos realizados por los soldados que allí se albergaban. La mayoría de los trazos pueden datarse en el s. XIX, cuando cumplió su función defensiva. Destacan inscripciones que mencionan a soldados de infantería, rúbricas, varios dibujos arquitectónicos, dibujos de aves, toros, cruces, motivos vegetales, un cañón disparando y varias escenas de ahorcamientos en cadalsos / The Fort of San Bartolomé belongs to the defensive system of the city of Pamplona. Erected in the 18th century, 55 graffiti made by the soldiers who were housed there have been identified on its five barracks. Most of the traces can be dated to the 19th century, when it fulfilled its defensive function. The most important inscriptions mention infantrymen, rubrics, several architectural drawings, drawings of birds, bulls, crosses, vegetal motifs, a cannon firing and several scenes of hangings on scaffolds.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Soldados, Armas y Batallas en los grafitos históricos"},"translated_abstract":"El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado en el siglo XVIII, en sus cinco casernas se han identificado 55 grafitos realizados por los soldados que allí se albergaban. La mayoría de los trazos pueden datarse en el s. XIX, cuando cumplió su función defensiva. Destacan inscripciones que mencionan a soldados de infantería, rúbricas, varios dibujos arquitectónicos, dibujos de aves, toros, cruces, motivos vegetales, un cañón disparando y varias escenas de ahorcamientos en cadalsos / The Fort of San Bartolomé belongs to the defensive system of the city of Pamplona. Erected in the 18th century, 55 graffiti made by the soldiers who were housed there have been identified on its five barracks. Most of the traces can be dated to the 19th century, when it fulfilled its defensive function. The most important inscriptions mention infantrymen, rubrics, several architectural drawings, drawings of birds, bulls, crosses, vegetal motifs, a cannon firing and several scenes of hangings on scaffolds.","internal_url":"https://www.academia.edu/122432181/Grafitos_hist%C3%B3ricos_en_contextos_militares_el_caso_del_Fort%C3%ADn_de_San_Bartolom%C3%A9_Pamplona_Navarra_","translated_internal_url":"","created_at":"2024-07-29T07:59:21.367-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117096391,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117096391/thumbnails/1.jpg","file_name":"2023_Grafitos_historicos_en_contextos_militares.pdf","download_url":"https://www.academia.edu/attachments/117096391/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Grafitos_historicos_en_contextos_militar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117096391/2023_Grafitos_historicos_en_contextos_militares-libre.pdf?1722266375=\u0026response-content-disposition=attachment%3B+filename%3DGrafitos_historicos_en_contextos_militar.pdf\u0026Expires=1732547871\u0026Signature=gCw5yGbKy6XdWhG31TwInKYo63KnWCoXiihHf7~yvHEeSHH~-ca1Mjr6wBWlR83umTaa5oT1c826Kqe7Vyq~7AMtPTi67pVKX0kbcJilVJG7gC3SWsMk3P2GSkd7sm5RYgok-zQq4SyrHgHAViR3P3hVaXeuyq4NNpt7y5PC5yIMFca3ggamyLd2qEEjTnU4XICWJzBR64gDpT0EOoYkHhUXgZsmLQTLT~9tbu0hCtUwV-e-LDPs3R5X4jRRtdacbJgxbAslApNSnB5NqeAv5a9pYgSRRZeicVZhs20iO-wklugDOYCTvavgmqIMO4ePzmhx~WmzMJTgB6QBoi1kbg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Grafitos_históricos_en_contextos_militares_el_caso_del_Fortín_de_San_Bartolomé_Pamplona_Navarra_","translated_slug":"","page_count":19,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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Lovecraft / Vascones, Pompelo and Calagurris in the three Versions of The Very Old Folk, by H.P. Lovecraft" class="work-thumbnail" src="https://attachments.academia-assets.com/119230881/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122326484/Vascones_Pompelo_y_Calagurris_en_las_tres_versiones_de_The_Very_Old_Folk_de_H_P_Lovecraft_Vascones_Pompelo_and_Calagurris_in_the_three_Versions_of_The_Very_Old_Folk_by_H_P_Lovecraft">Vascones, Pompelo y Calagurris en las tres versiones de "The Very Old Folk" de H.P. Lovecraft / Vascones, Pompelo and Calagurris in the three Versions of The Very Old Folk, by H.P. Lovecraft</a></div><div class="wp-workCard_item"><span>Recepciones de la Antigüedad vascona y aquitana</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">H.P. Lovecraft is one of the most influential horror literature authors. Few are aware that he ha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">H.P. Lovecraft is one of the most influential horror literature authors. Few are aware that he had a special oneiric connection with the ancient Vascones and Pompelonenses, stemming from a strange dream he had on November 1, 1927. This dream had a profound impact on him, and he mentioned it to some of his friends in his letters. It is a particularly significant account, as it contains a wealth of hidden information about Lovecraft's deep knowledge of antiquity, as well as the ancient Vascones, their geography, and the cities of Pompelo and Calagurris. One of these letters was included in the repertoires as a short story and continues to be regarded as such today. The story was reproduced by some of his followers and has gained some recognition among modern horror literature enthusiasts. / H.P. Lovecraft es uno de los autores de literatura de terror más influyentes de la actualidad. Pocos conocen que tuvo una especial relación onírica con los antiguos vascones y pompelonenses, a raíz de un extraño sueño que tuvo el 1 de noviembre del año 1927. Éste le marcó de manera especial, y así se lo hizo saber a algunos de sus amigos en sus cartas. Se trata de un relato de especial importancia, ya que contiene muchísima información soterrada sobre el profundo conocimiento que Lovecraft tenía de la Antigüedad, así como de los antiguos vascones, su geografía y de las ciudades de Pompelo y Calagurris. Una de estas cartas fue incluida en los repertorios como un relato breve y así se sigue considerando en la actualidad. La historia fue reproducida por alguno de sus seguidores y ha tenido cierta repercusión entre los amantes de la moderna literatura de terror.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="22a20a26688f8cec0ef2e5f33225e42e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119230881,"asset_id":122326484,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119230881/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122326484"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122326484"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122326484; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122326484]").text(description); $(".js-view-count[data-work-id=122326484]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122326484; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122326484']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122326484, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "22a20a26688f8cec0ef2e5f33225e42e" } } $('.js-work-strip[data-work-id=122326484]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122326484,"title":"Vascones, Pompelo y Calagurris en las tres versiones de \"The Very Old Folk\" de H.P. Lovecraft / Vascones, Pompelo and Calagurris in the three Versions of The Very Old Folk, by H.P. Lovecraft","translated_title":"","metadata":{"abstract":"H.P. Lovecraft is one of the most influential horror literature authors. Few are aware that he had a special oneiric connection with the ancient Vascones and Pompelonenses, stemming from a strange dream he had on November 1, 1927. This dream had a profound impact on him, and he mentioned it to some of his friends in his letters. It is a particularly significant account, as it contains a wealth of hidden information about Lovecraft's deep knowledge of antiquity, as well as the ancient Vascones, their geography, and the cities of Pompelo and Calagurris. One of these letters was included in the repertoires as a short story and continues to be regarded as such today. The story was reproduced by some of his followers and has gained some recognition among modern horror literature enthusiasts. / H.P. Lovecraft es uno de los autores de literatura de terror más influyentes de la actualidad. Pocos conocen que tuvo una especial relación onírica con los antiguos vascones y pompelonenses, a raíz de un extraño sueño que tuvo el 1 de noviembre del año 1927. Éste le marcó de manera especial, y así se lo hizo saber a algunos de sus amigos en sus cartas. Se trata de un relato de especial importancia, ya que contiene muchísima información soterrada sobre el profundo conocimiento que Lovecraft tenía de la Antigüedad, así como de los antiguos vascones, su geografía y de las ciudades de Pompelo y Calagurris. Una de estas cartas fue incluida en los repertorios como un relato breve y así se sigue considerando en la actualidad. La historia fue reproducida por alguno de sus seguidores y ha tenido cierta repercusión entre los amantes de la moderna literatura de terror.","more_info":"El archivo pdf corresponde a la última versión de pruebas, con lo que puede contener errores menores corregidos en la versión publicada en papel","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Recepciones de la Antigüedad vascona y aquitana"},"translated_abstract":"H.P. Lovecraft is one of the most influential horror literature authors. Few are aware that he had a special oneiric connection with the ancient Vascones and Pompelonenses, stemming from a strange dream he had on November 1, 1927. This dream had a profound impact on him, and he mentioned it to some of his friends in his letters. It is a particularly significant account, as it contains a wealth of hidden information about Lovecraft's deep knowledge of antiquity, as well as the ancient Vascones, their geography, and the cities of Pompelo and Calagurris. One of these letters was included in the repertoires as a short story and continues to be regarded as such today. The story was reproduced by some of his followers and has gained some recognition among modern horror literature enthusiasts. / H.P. Lovecraft es uno de los autores de literatura de terror más influyentes de la actualidad. Pocos conocen que tuvo una especial relación onírica con los antiguos vascones y pompelonenses, a raíz de un extraño sueño que tuvo el 1 de noviembre del año 1927. Éste le marcó de manera especial, y así se lo hizo saber a algunos de sus amigos en sus cartas. Se trata de un relato de especial importancia, ya que contiene muchísima información soterrada sobre el profundo conocimiento que Lovecraft tenía de la Antigüedad, así como de los antiguos vascones, su geografía y de las ciudades de Pompelo y Calagurris. Una de estas cartas fue incluida en los repertorios como un relato breve y así se sigue considerando en la actualidad. La historia fue reproducida por alguno de sus seguidores y ha tenido cierta repercusión entre los amantes de la moderna literatura de terror.","internal_url":"https://www.academia.edu/122326484/Vascones_Pompelo_y_Calagurris_en_las_tres_versiones_de_The_Very_Old_Folk_de_H_P_Lovecraft_Vascones_Pompelo_and_Calagurris_in_the_three_Versions_of_The_Very_Old_Folk_by_H_P_Lovecraft","translated_internal_url":"","created_at":"2024-07-24T14:34:48.795-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":119230881,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119230881/thumbnails/1.jpg","file_name":"9.Ozcariz_Lovecraft_prepublicacion.pdf","download_url":"https://www.academia.edu/attachments/119230881/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Vascones_Pompelo_y_Calagurris_en_las_tre.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119230881/9.Ozcariz_Lovecraft_prepublicacion-libre.pdf?1730206211=\u0026response-content-disposition=attachment%3B+filename%3DVascones_Pompelo_y_Calagurris_en_las_tre.pdf\u0026Expires=1732529295\u0026Signature=PXHQQUifcTuSmZrdLk7kE85Qa6baJYQ0qMppOLpToNOs3JBfvYq2qRJmCf4Fc3Uo1MaFwCSzwYBOY7W-98aJAP671wzNILN9FjzvydMUCKbOdEFRv~ClvZgJfmPvyLh-5jdRRW12XQ2oAvI8Erork3GykWc3rQOT5BoCI0f~8hFlcjANQzwQEFuz8JguqKyV071oP-AyXVcq90w25hOf5SHiE2LyeLNEDQUPm-gWVD76pybDLU6--EZULcp9IywBGvEiH2vPGH1UYgCSJZwnuAVTMKVigdMXeuKs6uqs4N~fcytyRABwAQUyFQeXAzIGyq8l0Vs8rwX0hEt8QylABw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Vascones_Pompelo_y_Calagurris_en_las_tres_versiones_de_The_Very_Old_Folk_de_H_P_Lovecraft_Vascones_Pompelo_and_Calagurris_in_the_three_Versions_of_The_Very_Old_Folk_by_H_P_Lovecraft","translated_slug":"","page_count":26,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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Una parte significativa de éstos exhibe temáticas militares, vinculándolos directamente con la tercera guerra carlista. Se incluyen representaciones de soldados y armas, pero destaca particularmente una inscripción atribuida a un músico del primer batallón del tercer regimiento de la Infantería de Marina, quien el 15 de agosto de 1874 acaba de regresar de la batalla de Oteiza. Este descubrimiento proporciona un detalle adicional en el entendimiento de la participación de dicho regimiento en la batalla / This study documents a set of historical graffiti in the church of the Recoletas convent in Tafalla (Navarra, Spain), dated in the 19th century. A significant portion of these exhibit military themes, linking them directly to the Third Carlist War. It includes depictions of soldiers and weapons, but notably an inscription attributed to a musician from the first battalion of the third Marine Infantry Regiment, who on August 15, 1874, had just returned from the Battle of Oteiza. This discovery provides additional detail in understanding the participation of this regiment in the battle.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f50f1db2d607a39fc3a849b6c09e860a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117095164,"asset_id":122430679,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117095164/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122430679"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122430679"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122430679; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122430679]").text(description); $(".js-view-count[data-work-id=122430679]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122430679; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122430679']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122430679, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f50f1db2d607a39fc3a849b6c09e860a" } } $('.js-work-strip[data-work-id=122430679]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122430679,"title":"Grafitos de la tercera guerra carlista en el sepulcro de los Mencos del convento de las Recoletas (Tafalla, Navarra)","translated_title":"","metadata":{"doi":"10.51349/veg.2024.2.33","abstract":"Este estudio documenta un conjunto de grafitos históricos en la iglesia del convento de las Recoletas en Tafalla (Navarra, España), fechados en el siglo xix. Una parte significativa de éstos exhibe temáticas militares, vinculándolos directamente con la tercera guerra carlista. Se incluyen representaciones de soldados y armas, pero destaca particularmente una inscripción atribuida a un músico del primer batallón del tercer regimiento de la Infantería de Marina, quien el 15 de agosto de 1874 acaba de regresar de la batalla de Oteiza. Este descubrimiento proporciona un detalle adicional en el entendimiento de la participación de dicho regimiento en la batalla / This study documents a set of historical graffiti in the church of the Recoletas convent in Tafalla (Navarra, Spain), dated in the 19th century. A significant portion of these exhibit military themes, linking them directly to the Third Carlist War. It includes depictions of soldiers and weapons, but notably an inscription attributed to a musician from the first battalion of the third Marine Infantry Regiment, who on August 15, 1874, had just returned from the Battle of Oteiza. 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Este descubrimiento proporciona un detalle adicional en el entendimiento de la participación de dicho regimiento en la batalla / This study documents a set of historical graffiti in the church of the Recoletas convent in Tafalla (Navarra, Spain), dated in the 19th century. A significant portion of these exhibit military themes, linking them directly to the Third Carlist War. It includes depictions of soldiers and weapons, but notably an inscription attributed to a musician from the first battalion of the third Marine Infantry Regiment, who on August 15, 1874, had just returned from the Battle of Oteiza. 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Propuesta de sistematización para la elaboración de un corpus" class="work-thumbnail" src="https://attachments.academia-assets.com/117098538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122321711/Los_grafitos_ante_cocturam_de_las_%C3%A1nforas_Dressel_20_Propuesta_de_sistematizaci%C3%B3n_para_la_elaboraci%C3%B3n_de_un_corpus">Los grafitos “ante cocturam” de las ánforas Dressel 20. Propuesta de sistematización para la elaboración de un corpus</a></div><div class="wp-workCard_item"><span>Archaeology and Economy in the Ancient World 54</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La elaboración de un corpus informático supone organizar y estructurar la información extraíble d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La elaboración de un corpus informático supone organizar y estructurar la información extraíble de unas inscripciones cuyos parámetros organizativos y reglamentarios se escapan a nuestro conocimiento. Esta perspectiva obliga al investigador a un replanteamiento de la forma de sistematizar la información y a establecer nuevas formas de análisis que, de otra forma, no llegarían a desarrollarse.<br />La división entre grafitos con escritura y los de tipo figurativo/marcas, la utilización del concepto de codex, la división neta de los grafitos en las dos partes del ánfora, o la introducción de la visión diacrónica permitirán analizar estos trazos desde una nueva perspectiva, conllevando ello un significativo avance en el conocimiento y comprensión de los mismos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e5c99bec065924385806230c54fbeca" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117098538,"asset_id":122321711,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117098538/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122321711"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122321711"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122321711; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122321711]").text(description); $(".js-view-count[data-work-id=122321711]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122321711; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122321711']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122321711, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e5c99bec065924385806230c54fbeca" } } $('.js-work-strip[data-work-id=122321711]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122321711,"title":"Los grafitos “ante cocturam” de las ánforas Dressel 20. 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La onomástica en los grafitos sobre cerámica romana del territorio navarro (Hispania citerior) / Greek Names in the Territory of the Vascones: Reflection of a Social Group? Onomastics in Graffiti on Roman Pottery from the Region of" class="work-thumbnail" src="https://attachments.academia-assets.com/116990588/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122294937/Nombres_griegos_en_territorio_vasc%C3%B3n_reflejo_de_un_grupo_social_La_onom%C3%A1stica_en_los_grafitos_sobre_cer%C3%A1mica_romana_del_territorio_navarro_Hispania_citerior_Greek_Names_in_the_Territory_of_the_Vascones_Reflection_of_a_Social_Group_Onomastics_in_Graffiti_on_Roman_Pottery_from_the_Region_of">Nombres griegos en territorio vascón, ¿reflejo de un grupo social? La onomástica en los grafitos sobre cerámica romana del territorio navarro (Hispania citerior) / Greek Names in the Territory of the Vascones: Reflection of a Social Group? Onomastics in Graffiti on Roman Pottery from the Region of</a></div><div class="wp-workCard_item"><span>Huarte de San Juan. Geografía e Historia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El creciente conjunto de grafitos sobre cerámica en el territorio central y occidental de los vas...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El creciente conjunto de grafitos sobre cerámica en el territorio central y occidental de los vascones está ofreciendo un interesante conjunto onomástico, con un alto número de cognomina de origen griego. Este artículo analiza ese grupo, lo compara con los nombres de origen latino y los de las inscripciones lapidarias, encontrando grandes diferencias en la composición social de ambos conjuntos epigráficos. Concluye que los grafitos sobre cerámica de mesa son una fuente histórica en la que los esclavos y libertos de época imperial están representados en mucha mayor proporción que en la epigrafía lapidaria.<br /><br />The growing collection of graffiti on ceramics in the central and western territory of the Vascones is providing an intriguing onomastic collection, with a high number of cognomina of Greek origin. This article analyses this group, compares it to names of Latin origin and those from lapidary inscriptions, finding significant differences in the social composition of both epigraphic sets. It concludes that graffiti on pottery constitute a historical source in which slaves and freedmen from the Imperial period are represented in a much higher proportion than in lapidary epigraphy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="04b0bac43e4b4e4e6aa58a2d37859d83" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116990588,"asset_id":122294937,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116990588/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122294937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122294937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122294937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122294937]").text(description); $(".js-view-count[data-work-id=122294937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122294937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122294937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122294937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "04b0bac43e4b4e4e6aa58a2d37859d83" } } $('.js-work-strip[data-work-id=122294937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122294937,"title":"Nombres griegos en territorio vascón, ¿reflejo de un grupo social? 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Concluye que los grafitos sobre cerámica de mesa son una fuente histórica en la que los esclavos y libertos de época imperial están representados en mucha mayor proporción que en la epigrafía lapidaria.\n\nThe growing collection of graffiti on ceramics in the central and western territory of the Vascones is providing an intriguing onomastic collection, with a high number of cognomina of Greek origin. This article analyses this group, compares it to names of Latin origin and those from lapidary inscriptions, finding significant differences in the social composition of both epigraphic sets. It concludes that graffiti on pottery constitute a historical source in which slaves and freedmen from the Imperial period are represented in a much higher proportion than in lapidary epigraphy.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Huarte de San Juan. 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Estudios en homenaje a Mercedes Unzu Urmeneta</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La may...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La mayoría suelen aparecer sobre cerámica sigillata y sobre cerámica de almacenaje. Sin embargo, también se encuentran en otros soportes como la llamada cerámica pigmentada o engobada. En este trabajo analizaremos qué tipologías de grafitos se representan en este soporte y qué coincidencias y diferencias se encuentran respecto al resto de tipologías, a partir del material recogido en el territorio de la actual Navarra. Las conclusiones presentan un hábito de marcado con semejanzas con otros tipos como la cerámica sigillata, pero también diferencias significativas, como la presencia de una mayor proporción de grafitos no textuales que textuales. Esto podría reflejar una composición diferente del perfil de usuario entre un tipo y otro y/o de la percepción que los usuarios tenían de unas piezas u otras.<br /><br />Graffiti on tableware ceramics has a long historiographical tradition. They are mostly found on sigillata ceramics and storage ceramics. However, they are also present on other mediums such as pigmented or engobed ceramics. In this study, we will analyze the typologies of graffiti represented on this medium and explore the similarities and differences compared to other typologies, based on the material collected in the territory of present-day Navarre. The findings reveal a distinctive pattern with similarities to other types, such as sigillata ceramics, but also significant differences, including a higher proportion of non-textual graffiti compared to textual ones. This may reflect a different user profile and/or the perception that users had of different types of pottery.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b0e345c1b36ea828630886fba5e081a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113853179,"asset_id":118162379,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113853179/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118162379"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118162379"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118162379; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118162379]").text(description); $(".js-view-count[data-work-id=118162379]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118162379; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118162379']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118162379, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b0e345c1b36ea828630886fba5e081a" } } $('.js-work-strip[data-work-id=118162379]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118162379,"title":"Grafitos sobre cerámica pigmentada en Navarra","translated_title":"","metadata":{"abstract":"Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La mayoría suelen aparecer sobre cerámica sigillata y sobre cerámica de almacenaje. Sin embargo, también se encuentran en otros soportes como la llamada cerámica pigmentada o engobada. En este trabajo analizaremos qué tipologías de grafitos se representan en este soporte y qué coincidencias y diferencias se encuentran respecto al resto de tipologías, a partir del material recogido en el territorio de la actual Navarra. Las conclusiones presentan un hábito de marcado con semejanzas con otros tipos como la cerámica sigillata, pero también diferencias significativas, como la presencia de una mayor proporción de grafitos no textuales que textuales. Esto podría reflejar una composición diferente del perfil de usuario entre un tipo y otro y/o de la percepción que los usuarios tenían de unas piezas u otras.\n\nGraffiti on tableware ceramics has a long historiographical tradition. They are mostly found on sigillata ceramics and storage ceramics. 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La mayoría suelen aparecer sobre cerámica sigillata y sobre cerámica de almacenaje. Sin embargo, también se encuentran en otros soportes como la llamada cerámica pigmentada o engobada. En este trabajo analizaremos qué tipologías de grafitos se representan en este soporte y qué coincidencias y diferencias se encuentran respecto al resto de tipologías, a partir del material recogido en el territorio de la actual Navarra. Las conclusiones presentan un hábito de marcado con semejanzas con otros tipos como la cerámica sigillata, pero también diferencias significativas, como la presencia de una mayor proporción de grafitos no textuales que textuales. Esto podría reflejar una composición diferente del perfil de usuario entre un tipo y otro y/o de la percepción que los usuarios tenían de unas piezas u otras.\n\nGraffiti on tableware ceramics has a long historiographical tradition. They are mostly found on sigillata ceramics and storage ceramics. 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Un grafito con mención a Mitrh- en la ciudad romana de Cara (Santacara, Navarra, Hispania citerior). Divine or human? A graffito with mention of Mitrh- in the roman city of Cara (Santacara, Navarre, Hispania citerior)" class="work-thumbnail" src="https://attachments.academia-assets.com/96463663/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/93836789/_Divino_o_humano_Un_grafito_con_menci%C3%B3n_a_Mitrh_en_la_ciudad_romana_de_Cara_Santacara_Navarra_Hispania_citerior_Divine_or_human_A_graffito_with_mention_of_Mitrh_in_the_roman_city_of_Cara_Santacara_Navarre_Hispania_citerior_">¿Divino o humano? Un grafito con mención a Mitrh- en la ciudad romana de Cara (Santacara, Navarra, Hispania citerior). Divine or human? A graffito with mention of Mitrh- in the roman city of Cara (Santacara, Navarre, Hispania citerior)</a></div><div class="wp-workCard_item"><span>Sylloge Epigraphica Barcinonensis</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Resumen: Presentamos un grafito inédito procedente de las excavaciones en la ciudad romana de Car...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Resumen: Presentamos un grafito inédito procedente de las excavaciones en la ciudad romana de Cara (Santacara, Navarra) cuya lectura se inicia con los caracteres Mitrh-. Su reconstrucción tiene algún tipo de relación con el nombre del dios Mitra, y se proponen dos explicaciones de carácter muy diferente. Podría tratarse de una referencia directa al dios, al igual que ocurre en otros grafitos sobre cerámica localizados en Forum Claudii Vallensium (Martigny, Suiza) y Iulomagus (Angers). Una segunda opción es que se trate de un antropónimo de tipo teofórico de origen iranio, desconocido hasta ahora en la península ibérica.<br />Abstract: We present an unpublished graffito from the excavations in the roman city of Cara (Santacara, Navarre) which begins with the text Mitrh-. Its reconstruction has relationship with the name of the god Mithra, and we propose two different explanations. It could be a direct reference to the god, as occurs in other graffiti on pottery located in Forum Claudii Vallensium (Martigny, Switzerland) and Iulomagus (Angers). A second option is that it is an anthroponym of theophoric type, of Iranian origin, unknown until now in the Iberian Peninsula.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fdebe551f9de01b5353b1cd74d1ba0d7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96463663,"asset_id":93836789,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96463663/download_file?st=MTczMjU1NzMyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93836789"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93836789"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93836789; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93836789]").text(description); $(".js-view-count[data-work-id=93836789]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93836789; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93836789']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93836789, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fdebe551f9de01b5353b1cd74d1ba0d7" } } $('.js-work-strip[data-work-id=93836789]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93836789,"title":"¿Divino o humano? Un grafito con mención a Mitrh- en la ciudad romana de Cara (Santacara, Navarra, Hispania citerior). Divine or human? A graffito with mention of Mitrh- in the roman city of Cara (Santacara, Navarre, Hispania citerior)","translated_title":"","metadata":{"abstract":"Resumen: Presentamos un grafito inédito procedente de las excavaciones en la ciudad romana de Cara (Santacara, Navarra) cuya lectura se inicia con los caracteres Mitrh-. Su reconstrucción tiene algún tipo de relación con el nombre del dios Mitra, y se proponen dos explicaciones de carácter muy diferente. Podría tratarse de una referencia directa al dios, al igual que ocurre en otros grafitos sobre cerámica localizados en Forum Claudii Vallensium (Martigny, Suiza) y Iulomagus (Angers). Una segunda opción es que se trate de un antropónimo de tipo teofórico de origen iranio, desconocido hasta ahora en la península ibérica.\nAbstract: We present an unpublished graffito from the excavations in the roman city of Cara (Santacara, Navarre) which begins with the text Mitrh-. Its reconstruction has relationship with the name of the god Mithra, and we propose two different explanations. It could be a direct reference to the god, as occurs in other graffiti on pottery located in Forum Claudii Vallensium (Martigny, Switzerland) and Iulomagus (Angers). 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Una segunda opción es que se trate de un antropónimo de tipo teofórico de origen iranio, desconocido hasta ahora en la península ibérica.\nAbstract: We present an unpublished graffito from the excavations in the roman city of Cara (Santacara, Navarre) which begins with the text Mitrh-. Its reconstruction has relationship with the name of the god Mithra, and we propose two different explanations. It could be a direct reference to the god, as occurs in other graffiti on pottery located in Forum Claudii Vallensium (Martigny, Switzerland) and Iulomagus (Angers). 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Geografía e Historia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> El dossier monográfico incluye once trabajos que comparten el uso de los grafitos históricos com...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El dossier monográfico incluye once trabajos que comparten el uso de los grafitos históricos como fuente para el estudio de los grupos desfavorecidos / The special issue includes 11 papers that share a common focus on using historical graffiti as a source for studying disadvantaged groups</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122295753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122295753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122295753; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122295753]").text(description); $(".js-view-count[data-work-id=122295753]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122295753; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122295753']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122295753, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=122295753]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122295753,"title":"Los grafitos históricos como voz de los desfavorecidos (dossier) / The historical graffiti as the voice of the disadvantaged (special issue)","translated_title":"","metadata":{"abstract":"\nEl dossier monográfico incluye once trabajos que comparten el uso de los grafitos históricos como fuente para el estudio de los grupos desfavorecidos / The special issue includes 11 papers that share a common focus on using historical graffiti as a source for studying disadvantaged groups","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Huarte de San Juan. 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Epigrafia e Antichità (Universitá di Bologna) nº 43, Fratelli Lega Editori, Faenza 2019" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/41716702/Roman_graffiti_from_the_city_of_Santa_Criz_Grafitos_romanos_de_la_ciudad_de_Santa_Criz_from_the_book_Andreu_J_Ozc%C3%A1riz_P_Mateo_Tx_Epigraf%C3%ADa_romana_de_Santa_Criz_de_Eslava_Navarra_Epigrafia_e_Antichit%C3%A0_Universit%C3%A1_di_Bologna_no_43_Fratelli_Lega_Editori_Faenza_2019">Roman graffiti from the city of Santa Criz / Grafitos romanos de la ciudad de Santa Criz (from the book Andreu, J.; Ozcáriz, P.; Mateo, Tx., Epigrafía romana de Santa Criz de Eslava (Navarra). Epigrafia e Antichità (Universitá di Bologna) nº 43, Fratelli Lega Editori, Faenza 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://urjc.academia.edu/PabloOzcariz">P. Ozcáriz Gil</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/txaromateo">txaro mateo</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the Roman city of Santa Criz, several thousand fragments of parietal painting were found. Doze...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the Roman city of Santa Criz, several thousand fragments of parietal painting were found. Dozens of epigraphic and figurative graffiti were found there. <br />En la ciudad romana de Santa Criz se localizaron varios miles de fragmentos de pintura parietal en los que se encontraron decenas de grafitos epigráficos y figurativos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41716702"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41716702"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41716702; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41716702]").text(description); $(".js-view-count[data-work-id=41716702]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41716702; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41716702']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41716702, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=41716702]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41716702,"title":"Roman graffiti from the city of Santa Criz / Grafitos romanos de la ciudad de Santa Criz (from the book Andreu, J.; Ozcáriz, P.; Mateo, Tx., Epigrafía romana de Santa Criz de Eslava (Navarra). 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Grafías pre e históricas / Graffiti pre and historical" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/39518566/_coords_Graf%C3%ADas_pre_e_hist%C3%B3ricas_Graffiti_pre_and_historical">(coords.) Grafías pre e históricas / Graffiti pre and historical</a></div><div class="wp-workCard_item"><span>Otarq 3</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">(link to full text: http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc) Este...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">(link to full text: <a href="http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc" rel="nofollow">http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc</a>) Este monográfico está planteado bajo el título específico de “Grafías Pre e Históricas”, con una clara intención. El objeto de análisis que sirve de marco de referencia a la convocatoria de este dossier es el estudio de los grafitos históricos, por lo que, a primera vista, hubiera resultado más idóneo encabezarlo bajo ese nombre. Las razones que nos han conducido a optar por la denominación final son dos: la primera es la dificultad de definir, y por tanto de encontrar una definición completa y comúnmente aceptada de lo que es o se entiende por grafito; y la segunda es la mayor amplitud epistemológica y cronológica que engloba el término “grafía”. Somos conscientes de que esta decisión, puede suscitar alguna controversia o disparidad de criterio entre los especialistas y colegas, pero hemos considerado viable esta elección pues puede servir para fomentar los debates en el ámbito de nuestro deseo de conocimiento sobre las diversas formas de comunicación y expresión humanas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39518566"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39518566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39518566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39518566]").text(description); $(".js-view-count[data-work-id=39518566]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39518566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39518566']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39518566, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=39518566]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39518566,"title":"(coords.) Grafías pre e históricas / Graffiti pre and historical","translated_title":"","metadata":{"doi":"10.23914/otarq.v0i3.242","abstract":"(link to full text: http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc) Este monográfico está planteado bajo el título específico de “Grafías Pre e Históricas”, con una clara intención. El objeto de análisis que sirve de marco de referencia a la convocatoria de este dossier es el estudio de los grafitos históricos, por lo que, a primera vista, hubiera resultado más idóneo encabezarlo bajo ese nombre. Las razones que nos han conducido a optar por la denominación final son dos: la primera es la dificultad de definir, y por tanto de encontrar una definición completa y comúnmente aceptada de lo que es o se entiende por grafito; y la segunda es la mayor amplitud epistemológica y cronológica que engloba el término “grafía”. Somos conscientes de que esta decisión, puede suscitar alguna controversia o disparidad de criterio entre los especialistas y colegas, pero hemos considerado viable esta elección pues puede servir para fomentar los debates en el ámbito de nuestro deseo de conocimiento sobre las diversas formas de comunicación y expresión humanas.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Otarq 3"},"translated_abstract":"(link to full text: http://revistas.jasarqueologia.es/index.php/otarq/issue/view/16/showToc) Este monográfico está planteado bajo el título específico de “Grafías Pre e Históricas”, con una clara intención. El objeto de análisis que sirve de marco de referencia a la convocatoria de este dossier es el estudio de los grafitos históricos, por lo que, a primera vista, hubiera resultado más idóneo encabezarlo bajo ese nombre. Las razones que nos han conducido a optar por la denominación final son dos: la primera es la dificultad de definir, y por tanto de encontrar una definición completa y comúnmente aceptada de lo que es o se entiende por grafito; y la segunda es la mayor amplitud epistemológica y cronológica que engloba el término “grafía”. 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Organización territorial, cargos administrativos y fiscalidad." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/6695331/La_administraci%C3%B3n_de_la_provincia_Hispania_Citerior_durante_el_alto_Imperio_romano_Organizaci%C3%B3n_territorial_cargos_administrativos_y_fiscalidad">La administración de la provincia Hispania Citerior durante el alto Imperio romano. Organización territorial, cargos administrativos y fiscalidad.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente trabajo trata de analizar diferentes aspectos de la administración de la provincia Hi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente trabajo trata de analizar diferentes aspectos de la administración de la provincia Hispania citerior durante el Alto Imperio desde un punto de vista global. La mayoría de trabajos que se han hecho de esta provincia son, o bien de partes de ella (la costa, el valle del Ebro, Galicia, etc.) o bien sobre aspectos particulares. El libro aborda temas como la organización territorial, la división conventual, las figuras del gobernador y el jurídico, la fiscalidad y los procuradores de la provincia, así como el resto de cargos administrativos en toda la escala, desde cargos senatoriales hasta los esclavos y libertos imperiales. Finalmente, se dedica un capítulo al análisis de las relaciones y las coincidencias en la sucesión de cargos de los diferentes miembros de la administración. En definitiva, se trata de una síntesis global de la administración de la provincia, que permite ver qué lugar ocupaba en el contexto del Imperio romano.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="6695331"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="6695331"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6695331; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6695331]").text(description); $(".js-view-count[data-work-id=6695331]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6695331; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='6695331']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 6695331, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=6695331]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":6695331,"title":"La administración de la provincia Hispania Citerior durante el alto Imperio romano. 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La Memoria en la Piedra. Estudios sobre Grafitos Históricos" class="work-thumbnail" src="https://attachments.academia-assets.com/30330843/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2281144/_Coord_La_Memoria_en_la_Piedra_Estudios_sobre_Grafitos_Hist%C3%B3ricos">(Coord.) La Memoria en la Piedra. Estudios sobre Grafitos Históricos</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Aunque el fenómeno del "graffiti" se suele asociar con la sociedad urbana actual, ya desde los co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Aunque el fenómeno del "graffiti" se suele asociar con la sociedad urbana actual, ya desde los comienzos de la Historia el hombre ha escrito y dibujado sobre los muros que se encontraban a su alcance. La mayoría de estos testimonios, llamados grafitos históricos, han desaparecido debido a la limpieza de las paredes o a agresivas restauraciones. Pero muchos otros han permanecido en templos, casas, castillos o tumbas, de forma muy discreta aunque a la vez a la vista de todos. La cantidad de información que proporcionan a los historiadores es incalculable, ya que ofrecen una visión espontánea de unos grupos sociales que, por lo general, no suelen ser protagonistas de los libros de Historia. En este volumen se presentan 18 estudios que permiten hacerse una idea de la riqueza de esta nueva disciplina. <br /> <br />Abarcan un amplio abanico geográfico tanto nacional (Navarra, Granada, Soria, Alicante, Burgos o Segovia) como internacional (Egipto, Italia, México o Paraguay), así como todas las épocas históricas, desde el antiguo Imperio romano, pasando por la cultura maya, la Edad Media, el México colonial, hasta la España moderna y contemporánea.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bd37bcdc082a63a4c02771fbb901d14a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":30330843,"asset_id":2281144,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/30330843/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2281144"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2281144"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2281144; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2281144]").text(description); $(".js-view-count[data-work-id=2281144]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2281144; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2281144']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2281144, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bd37bcdc082a63a4c02771fbb901d14a" } } $('.js-work-strip[data-work-id=2281144]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2281144,"title":"(Coord.) 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Levantado ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado en el siglo XVIII, en sus cinco casernas se han identificado 55 grafitos realizados por los soldados que allí se albergaban. La mayoría de los trazos pueden datarse en el s. XIX, cuando cumplió su función defensiva. Destacan inscripciones que mencionan a soldados de infantería, rúbricas, varios dibujos arquitectónicos, dibujos de aves, toros, cruces, motivos vegetales, un cañón disparando y varias escenas de ahorcamientos en cadalsos / The Fort of San Bartolomé belongs to the defensive system of the city of Pamplona. Erected in the 18th century, 55 graffiti made by the soldiers who were housed there have been identified on its five barracks. Most of the traces can be dated to the 19th century, when it fulfilled its defensive function. The most important inscriptions mention infantrymen, rubrics, several architectural drawings, drawings of birds, bulls, crosses, vegetal motifs, a cannon firing and several scenes of hangings on scaffolds.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ad64c6fb2243c6f9cc85feb4b953d26" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117096391,"asset_id":122432181,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117096391/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122432181"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122432181"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122432181; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122432181]").text(description); $(".js-view-count[data-work-id=122432181]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122432181; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122432181']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122432181, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9ad64c6fb2243c6f9cc85feb4b953d26" } } $('.js-work-strip[data-work-id=122432181]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122432181,"title":"Grafitos históricos en contextos militares: el caso del Fortín de San Bartolomé (Pamplona, Navarra)","translated_title":"","metadata":{"abstract":"El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado en el siglo XVIII, en sus cinco casernas se han identificado 55 grafitos realizados por los soldados que allí se albergaban. La mayoría de los trazos pueden datarse en el s. XIX, cuando cumplió su función defensiva. Destacan inscripciones que mencionan a soldados de infantería, rúbricas, varios dibujos arquitectónicos, dibujos de aves, toros, cruces, motivos vegetales, un cañón disparando y varias escenas de ahorcamientos en cadalsos / The Fort of San Bartolomé belongs to the defensive system of the city of Pamplona. Erected in the 18th century, 55 graffiti made by the soldiers who were housed there have been identified on its five barracks. Most of the traces can be dated to the 19th century, when it fulfilled its defensive function. The most important inscriptions mention infantrymen, rubrics, several architectural drawings, drawings of birds, bulls, crosses, vegetal motifs, a cannon firing and several scenes of hangings on scaffolds.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Soldados, Armas y Batallas en los grafitos históricos"},"translated_abstract":"El Fortín de San Bartolomé forma parte del sistema defensivo de la ciudad de Pamplona. Levantado en el siglo XVIII, en sus cinco casernas se han identificado 55 grafitos realizados por los soldados que allí se albergaban. La mayoría de los trazos pueden datarse en el s. XIX, cuando cumplió su función defensiva. Destacan inscripciones que mencionan a soldados de infantería, rúbricas, varios dibujos arquitectónicos, dibujos de aves, toros, cruces, motivos vegetales, un cañón disparando y varias escenas de ahorcamientos en cadalsos / The Fort of San Bartolomé belongs to the defensive system of the city of Pamplona. Erected in the 18th century, 55 graffiti made by the soldiers who were housed there have been identified on its five barracks. Most of the traces can be dated to the 19th century, when it fulfilled its defensive function. The most important inscriptions mention infantrymen, rubrics, several architectural drawings, drawings of birds, bulls, crosses, vegetal motifs, a cannon firing and several scenes of hangings on scaffolds.","internal_url":"https://www.academia.edu/122432181/Grafitos_hist%C3%B3ricos_en_contextos_militares_el_caso_del_Fort%C3%ADn_de_San_Bartolom%C3%A9_Pamplona_Navarra_","translated_internal_url":"","created_at":"2024-07-29T07:59:21.367-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117096391,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117096391/thumbnails/1.jpg","file_name":"2023_Grafitos_historicos_en_contextos_militares.pdf","download_url":"https://www.academia.edu/attachments/117096391/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Grafitos_historicos_en_contextos_militar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117096391/2023_Grafitos_historicos_en_contextos_militares-libre.pdf?1722266375=\u0026response-content-disposition=attachment%3B+filename%3DGrafitos_historicos_en_contextos_militar.pdf\u0026Expires=1732547871\u0026Signature=gCw5yGbKy6XdWhG31TwInKYo63KnWCoXiihHf7~yvHEeSHH~-ca1Mjr6wBWlR83umTaa5oT1c826Kqe7Vyq~7AMtPTi67pVKX0kbcJilVJG7gC3SWsMk3P2GSkd7sm5RYgok-zQq4SyrHgHAViR3P3hVaXeuyq4NNpt7y5PC5yIMFca3ggamyLd2qEEjTnU4XICWJzBR64gDpT0EOoYkHhUXgZsmLQTLT~9tbu0hCtUwV-e-LDPs3R5X4jRRtdacbJgxbAslApNSnB5NqeAv5a9pYgSRRZeicVZhs20iO-wklugDOYCTvavgmqIMO4ePzmhx~WmzMJTgB6QBoi1kbg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Grafitos_históricos_en_contextos_militares_el_caso_del_Fortín_de_San_Bartolomé_Pamplona_Navarra_","translated_slug":"","page_count":19,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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Lovecraft / Vascones, Pompelo and Calagurris in the three Versions of The Very Old Folk, by H.P. Lovecraft" class="work-thumbnail" src="https://attachments.academia-assets.com/119230881/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122326484/Vascones_Pompelo_y_Calagurris_en_las_tres_versiones_de_The_Very_Old_Folk_de_H_P_Lovecraft_Vascones_Pompelo_and_Calagurris_in_the_three_Versions_of_The_Very_Old_Folk_by_H_P_Lovecraft">Vascones, Pompelo y Calagurris en las tres versiones de "The Very Old Folk" de H.P. Lovecraft / Vascones, Pompelo and Calagurris in the three Versions of The Very Old Folk, by H.P. Lovecraft</a></div><div class="wp-workCard_item"><span>Recepciones de la Antigüedad vascona y aquitana</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">H.P. Lovecraft is one of the most influential horror literature authors. Few are aware that he ha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">H.P. Lovecraft is one of the most influential horror literature authors. Few are aware that he had a special oneiric connection with the ancient Vascones and Pompelonenses, stemming from a strange dream he had on November 1, 1927. This dream had a profound impact on him, and he mentioned it to some of his friends in his letters. It is a particularly significant account, as it contains a wealth of hidden information about Lovecraft's deep knowledge of antiquity, as well as the ancient Vascones, their geography, and the cities of Pompelo and Calagurris. One of these letters was included in the repertoires as a short story and continues to be regarded as such today. The story was reproduced by some of his followers and has gained some recognition among modern horror literature enthusiasts. / H.P. Lovecraft es uno de los autores de literatura de terror más influyentes de la actualidad. Pocos conocen que tuvo una especial relación onírica con los antiguos vascones y pompelonenses, a raíz de un extraño sueño que tuvo el 1 de noviembre del año 1927. Éste le marcó de manera especial, y así se lo hizo saber a algunos de sus amigos en sus cartas. Se trata de un relato de especial importancia, ya que contiene muchísima información soterrada sobre el profundo conocimiento que Lovecraft tenía de la Antigüedad, así como de los antiguos vascones, su geografía y de las ciudades de Pompelo y Calagurris. Una de estas cartas fue incluida en los repertorios como un relato breve y así se sigue considerando en la actualidad. La historia fue reproducida por alguno de sus seguidores y ha tenido cierta repercusión entre los amantes de la moderna literatura de terror.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="22a20a26688f8cec0ef2e5f33225e42e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119230881,"asset_id":122326484,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119230881/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122326484"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122326484"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122326484; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122326484]").text(description); $(".js-view-count[data-work-id=122326484]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122326484; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122326484']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122326484, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "22a20a26688f8cec0ef2e5f33225e42e" } } $('.js-work-strip[data-work-id=122326484]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122326484,"title":"Vascones, Pompelo y Calagurris en las tres versiones de \"The Very Old Folk\" de H.P. 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Lovecraft es uno de los autores de literatura de terror más influyentes de la actualidad. Pocos conocen que tuvo una especial relación onírica con los antiguos vascones y pompelonenses, a raíz de un extraño sueño que tuvo el 1 de noviembre del año 1927. Éste le marcó de manera especial, y así se lo hizo saber a algunos de sus amigos en sus cartas. Se trata de un relato de especial importancia, ya que contiene muchísima información soterrada sobre el profundo conocimiento que Lovecraft tenía de la Antigüedad, así como de los antiguos vascones, su geografía y de las ciudades de Pompelo y Calagurris. Una de estas cartas fue incluida en los repertorios como un relato breve y así se sigue considerando en la actualidad. 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Una parte significativa de éstos exhibe temáticas militares, vinculándolos directamente con la tercera guerra carlista. Se incluyen representaciones de soldados y armas, pero destaca particularmente una inscripción atribuida a un músico del primer batallón del tercer regimiento de la Infantería de Marina, quien el 15 de agosto de 1874 acaba de regresar de la batalla de Oteiza. Este descubrimiento proporciona un detalle adicional en el entendimiento de la participación de dicho regimiento en la batalla / This study documents a set of historical graffiti in the church of the Recoletas convent in Tafalla (Navarra, Spain), dated in the 19th century. A significant portion of these exhibit military themes, linking them directly to the Third Carlist War. It includes depictions of soldiers and weapons, but notably an inscription attributed to a musician from the first battalion of the third Marine Infantry Regiment, who on August 15, 1874, had just returned from the Battle of Oteiza. This discovery provides additional detail in understanding the participation of this regiment in the battle.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f50f1db2d607a39fc3a849b6c09e860a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117095164,"asset_id":122430679,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117095164/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122430679"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122430679"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122430679; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122430679]").text(description); $(".js-view-count[data-work-id=122430679]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122430679; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122430679']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122430679, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f50f1db2d607a39fc3a849b6c09e860a" } } $('.js-work-strip[data-work-id=122430679]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122430679,"title":"Grafitos de la tercera guerra carlista en el sepulcro de los Mencos del convento de las Recoletas (Tafalla, Navarra)","translated_title":"","metadata":{"doi":"10.51349/veg.2024.2.33","abstract":"Este estudio documenta un conjunto de grafitos históricos en la iglesia del convento de las Recoletas en Tafalla (Navarra, España), fechados en el siglo xix. Una parte significativa de éstos exhibe temáticas militares, vinculándolos directamente con la tercera guerra carlista. Se incluyen representaciones de soldados y armas, pero destaca particularmente una inscripción atribuida a un músico del primer batallón del tercer regimiento de la Infantería de Marina, quien el 15 de agosto de 1874 acaba de regresar de la batalla de Oteiza. Este descubrimiento proporciona un detalle adicional en el entendimiento de la participación de dicho regimiento en la batalla / This study documents a set of historical graffiti in the church of the Recoletas convent in Tafalla (Navarra, Spain), dated in the 19th century. A significant portion of these exhibit military themes, linking them directly to the Third Carlist War. It includes depictions of soldiers and weapons, but notably an inscription attributed to a musician from the first battalion of the third Marine Infantry Regiment, who on August 15, 1874, had just returned from the Battle of Oteiza. 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Este descubrimiento proporciona un detalle adicional en el entendimiento de la participación de dicho regimiento en la batalla / This study documents a set of historical graffiti in the church of the Recoletas convent in Tafalla (Navarra, Spain), dated in the 19th century. A significant portion of these exhibit military themes, linking them directly to the Third Carlist War. It includes depictions of soldiers and weapons, but notably an inscription attributed to a musician from the first battalion of the third Marine Infantry Regiment, who on August 15, 1874, had just returned from the Battle of Oteiza. 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Propuesta de sistematización para la elaboración de un corpus" class="work-thumbnail" src="https://attachments.academia-assets.com/117098538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122321711/Los_grafitos_ante_cocturam_de_las_%C3%A1nforas_Dressel_20_Propuesta_de_sistematizaci%C3%B3n_para_la_elaboraci%C3%B3n_de_un_corpus">Los grafitos “ante cocturam” de las ánforas Dressel 20. Propuesta de sistematización para la elaboración de un corpus</a></div><div class="wp-workCard_item"><span>Archaeology and Economy in the Ancient World 54</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La elaboración de un corpus informático supone organizar y estructurar la información extraíble d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La elaboración de un corpus informático supone organizar y estructurar la información extraíble de unas inscripciones cuyos parámetros organizativos y reglamentarios se escapan a nuestro conocimiento. Esta perspectiva obliga al investigador a un replanteamiento de la forma de sistematizar la información y a establecer nuevas formas de análisis que, de otra forma, no llegarían a desarrollarse.<br />La división entre grafitos con escritura y los de tipo figurativo/marcas, la utilización del concepto de codex, la división neta de los grafitos en las dos partes del ánfora, o la introducción de la visión diacrónica permitirán analizar estos trazos desde una nueva perspectiva, conllevando ello un significativo avance en el conocimiento y comprensión de los mismos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e5c99bec065924385806230c54fbeca" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117098538,"asset_id":122321711,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117098538/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122321711"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122321711"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122321711; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122321711]").text(description); $(".js-view-count[data-work-id=122321711]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122321711; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122321711']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122321711, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e5c99bec065924385806230c54fbeca" } } $('.js-work-strip[data-work-id=122321711]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122321711,"title":"Los grafitos “ante cocturam” de las ánforas Dressel 20. 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Esta perspectiva obliga al investigador a un replanteamiento de la forma de sistematizar la información y a establecer nuevas formas de análisis que, de otra forma, no llegarían a desarrollarse.\nLa división entre grafitos con escritura y los de tipo figurativo/marcas, la utilización del concepto de codex, la división neta de los grafitos en las dos partes del ánfora, o la introducción de la visión diacrónica permitirán analizar estos trazos desde una nueva perspectiva, conllevando ello un significativo avance en el conocimiento y comprensión de los mismos.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Archaeology and Economy in the Ancient World 54"},"translated_abstract":"La elaboración de un corpus informático supone organizar y estructurar la información extraíble de unas inscripciones cuyos parámetros organizativos y reglamentarios se escapan a nuestro conocimiento. Esta perspectiva obliga al investigador a un replanteamiento de la forma de sistematizar la información y a establecer nuevas formas de análisis que, de otra forma, no llegarían a desarrollarse.\nLa división entre grafitos con escritura y los de tipo figurativo/marcas, la utilización del concepto de codex, la división neta de los grafitos en las dos partes del ánfora, o la introducción de la visión diacrónica permitirán analizar estos trazos desde una nueva perspectiva, conllevando ello un significativo avance en el conocimiento y comprensión de los mismos.","internal_url":"https://www.academia.edu/122321711/Los_grafitos_ante_cocturam_de_las_%C3%A1nforas_Dressel_20_Propuesta_de_sistematizaci%C3%B3n_para_la_elaboraci%C3%B3n_de_un_corpus","translated_internal_url":"","created_at":"2024-07-24T10:31:29.362-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117098538,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117098538/thumbnails/1.jpg","file_name":"2023_Base_de_datos_grafitos_CEIPAC_AIAC.pdf","download_url":"https://www.academia.edu/attachments/117098538/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Los_grafitos_ante_cocturam_de_las_anfora.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117098538/2023_Base_de_datos_grafitos_CEIPAC_AIAC-libre.pdf?1722274086=\u0026response-content-disposition=attachment%3B+filename%3DLos_grafitos_ante_cocturam_de_las_anfora.pdf\u0026Expires=1732529296\u0026Signature=dxFNHT5q0ib4G4h5Tyd4hmuEDHBJ63jXuJjRXrkn5Mwcn7Ka9nI~rO0KsSz0ewzlx9TT1JVuaHJZDF-7Qo2OQCteQ7zonTnnoYxGdBpnaphjFI8QA1GLB5eO32VQcL4zsE6-X9jyuSJFZeGNCWhOijEGS1u8pmEu04kRFatx81JSPxNUCy5BLdI1IRcsoG9l88x7Md4j5AQCGTMRxc7vTc9R60VYBoMSaUh38mAPb72VYRIhSpmlgBWMMejSdbOjMGj3bxixZmNChPR7rJkJoez366IWD--9krJKPUXWYbzSRDhTH5FB4YHqlNpww-e8G68ynQd5DnR3n143J16vMw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Los_grafitos_ante_cocturam_de_las_ánforas_Dressel_20_Propuesta_de_sistematización_para_la_elaboración_de_un_corpus","translated_slug":"","page_count":19,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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Towards a Better Integration of ‘Rock Art’ and ‘Graffiti’ Studies in Egypt and Sudan</span><span>, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6ec077e627cfb96efcebd069f859ea9b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117010412,"asset_id":122321215,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117010412/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122321215"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122321215"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122321215; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122321215]").text(description); $(".js-view-count[data-work-id=122321215]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122321215; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122321215']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122321215, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6ec077e627cfb96efcebd069f859ea9b" } } $('.js-work-strip[data-work-id=122321215]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122321215,"title":"Spanish Roman Figurative Graffiti and their Parallels in the Eastern Roman Empire: The Case of Santa Criz (Eslava, Navarre)","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Stone Canvas. 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Geografía e Historia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Introducción al monográfico "Los grafitos históricos como voz de los desfavorecidos" publicado en...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Introducción al monográfico "Los grafitos históricos como voz<br />de los desfavorecidos" publicado en la revista Huarte de San Juan. Geografía e Historia</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="30c79fe38bcf239e3dc39a3e97707fb1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116990959,"asset_id":122295454,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116990959/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122295454"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122295454"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122295454; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122295454]").text(description); $(".js-view-count[data-work-id=122295454]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122295454; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122295454']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122295454, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "30c79fe38bcf239e3dc39a3e97707fb1" } } $('.js-work-strip[data-work-id=122295454]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122295454,"title":"Los grafitos históricos como voz de los desfavorecidos (introducción) / The historical graffiti as the voice of the disadvantaged (introduction)","translated_title":"","metadata":{"doi":"10.48035/rhsj-gh.31.1","abstract":"Introducción al monográfico \"Los grafitos históricos como voz\nde los desfavorecidos\" publicado en la revista Huarte de San Juan. 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La onomástica en los grafitos sobre cerámica romana del territorio navarro (Hispania citerior) / Greek Names in the Territory of the Vascones: Reflection of a Social Group? Onomastics in Graffiti on Roman Pottery from the Region of" class="work-thumbnail" src="https://attachments.academia-assets.com/116990588/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122294937/Nombres_griegos_en_territorio_vasc%C3%B3n_reflejo_de_un_grupo_social_La_onom%C3%A1stica_en_los_grafitos_sobre_cer%C3%A1mica_romana_del_territorio_navarro_Hispania_citerior_Greek_Names_in_the_Territory_of_the_Vascones_Reflection_of_a_Social_Group_Onomastics_in_Graffiti_on_Roman_Pottery_from_the_Region_of">Nombres griegos en territorio vascón, ¿reflejo de un grupo social? La onomástica en los grafitos sobre cerámica romana del territorio navarro (Hispania citerior) / Greek Names in the Territory of the Vascones: Reflection of a Social Group? Onomastics in Graffiti on Roman Pottery from the Region of</a></div><div class="wp-workCard_item"><span>Huarte de San Juan. Geografía e Historia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El creciente conjunto de grafitos sobre cerámica en el territorio central y occidental de los vas...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El creciente conjunto de grafitos sobre cerámica en el territorio central y occidental de los vascones está ofreciendo un interesante conjunto onomástico, con un alto número de cognomina de origen griego. Este artículo analiza ese grupo, lo compara con los nombres de origen latino y los de las inscripciones lapidarias, encontrando grandes diferencias en la composición social de ambos conjuntos epigráficos. Concluye que los grafitos sobre cerámica de mesa son una fuente histórica en la que los esclavos y libertos de época imperial están representados en mucha mayor proporción que en la epigrafía lapidaria.<br /><br />The growing collection of graffiti on ceramics in the central and western territory of the Vascones is providing an intriguing onomastic collection, with a high number of cognomina of Greek origin. This article analyses this group, compares it to names of Latin origin and those from lapidary inscriptions, finding significant differences in the social composition of both epigraphic sets. It concludes that graffiti on pottery constitute a historical source in which slaves and freedmen from the Imperial period are represented in a much higher proportion than in lapidary epigraphy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="04b0bac43e4b4e4e6aa58a2d37859d83" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116990588,"asset_id":122294937,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116990588/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122294937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122294937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122294937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122294937]").text(description); $(".js-view-count[data-work-id=122294937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122294937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122294937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122294937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "04b0bac43e4b4e4e6aa58a2d37859d83" } } $('.js-work-strip[data-work-id=122294937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122294937,"title":"Nombres griegos en territorio vascón, ¿reflejo de un grupo social? 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Concluye que los grafitos sobre cerámica de mesa son una fuente histórica en la que los esclavos y libertos de época imperial están representados en mucha mayor proporción que en la epigrafía lapidaria.\n\nThe growing collection of graffiti on ceramics in the central and western territory of the Vascones is providing an intriguing onomastic collection, with a high number of cognomina of Greek origin. This article analyses this group, compares it to names of Latin origin and those from lapidary inscriptions, finding significant differences in the social composition of both epigraphic sets. It concludes that graffiti on pottery constitute a historical source in which slaves and freedmen from the Imperial period are represented in a much higher proportion than in lapidary epigraphy.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Huarte de San Juan. Geografía e Historia"},"translated_abstract":"El creciente conjunto de grafitos sobre cerámica en el territorio central y occidental de los vascones está ofreciendo un interesante conjunto onomástico, con un alto número de cognomina de origen griego. Este artículo analiza ese grupo, lo compara con los nombres de origen latino y los de las inscripciones lapidarias, encontrando grandes diferencias en la composición social de ambos conjuntos epigráficos. Concluye que los grafitos sobre cerámica de mesa son una fuente histórica en la que los esclavos y libertos de época imperial están representados en mucha mayor proporción que en la epigrafía lapidaria.\n\nThe growing collection of graffiti on ceramics in the central and western territory of the Vascones is providing an intriguing onomastic collection, with a high number of cognomina of Greek origin. This article analyses this group, compares it to names of Latin origin and those from lapidary inscriptions, finding significant differences in the social composition of both epigraphic sets. It concludes that graffiti on pottery constitute a historical source in which slaves and freedmen from the Imperial period are represented in a much higher proportion than in lapidary epigraphy.","internal_url":"https://www.academia.edu/122294937/Nombres_griegos_en_territorio_vasc%C3%B3n_reflejo_de_un_grupo_social_La_onom%C3%A1stica_en_los_grafitos_sobre_cer%C3%A1mica_romana_del_territorio_navarro_Hispania_citerior_Greek_Names_in_the_Territory_of_the_Vascones_Reflection_of_a_Social_Group_Onomastics_in_Graffiti_on_Roman_Pottery_from_the_Region_of","translated_internal_url":"","created_at":"2024-07-23T10:43:51.495-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":116990588,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/116990588/thumbnails/1.jpg","file_name":"2024_Nombres_griegos_en_grafitos_vascones_HSJ.pdf","download_url":"https://www.academia.edu/attachments/116990588/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nombres_griegos_en_territorio_vascon_ref.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/116990588/2024_Nombres_griegos_en_grafitos_vascones_HSJ-libre.pdf?1721759213=\u0026response-content-disposition=attachment%3B+filename%3DNombres_griegos_en_territorio_vascon_ref.pdf\u0026Expires=1732470446\u0026Signature=G56HkyO9hWzmN9g8EAEXBVFSD3vS0j0QzRN8PcBq-mCfLfvYIWqlZZI14sjW04edfsLkc4p3ZhSj2p2mV7TPkep08pSwqSwQy-kV22SwusNGtmsTHAeUu~7TOBZRVM-YfKOQE7X0oc1iZCjzVY8bFs1~4l1g1RbUAydRIsgVTC1OsZU5zUrTPXCzseVkRsefCZItltar6YVv55BnCu~YT2xVkds5ZWydxU5eFabYXvuicUfQsmtbfZ7ImCEBkMOtzfHOb1RFF3JLG5ps5lMHYfXUZ4jj~kUqc8q7M6WZTvL1azMTcL2-UaoN3IQ1BMeN6V5O3iK7C1~XUAc5XBJ17w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nombres_griegos_en_territorio_vascón_reflejo_de_un_grupo_social_La_onomástica_en_los_grafitos_sobre_cerámica_romana_del_territorio_navarro_Hispania_citerior_Greek_Names_in_the_Territory_of_the_Vascones_Reflection_of_a_Social_Group_Onomastics_in_Graffiti_on_Roman_Pottery_from_the_Region_of","translated_slug":"","page_count":34,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. Ozcáriz Gil","url":"https://urjc.academia.edu/PabloOzcariz"},"attachments":[{"id":116990588,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/116990588/thumbnails/1.jpg","file_name":"2024_Nombres_griegos_en_grafitos_vascones_HSJ.pdf","download_url":"https://www.academia.edu/attachments/116990588/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nombres_griegos_en_territorio_vascon_ref.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/116990588/2024_Nombres_griegos_en_grafitos_vascones_HSJ-libre.pdf?1721759213=\u0026response-content-disposition=attachment%3B+filename%3DNombres_griegos_en_territorio_vascon_ref.pdf\u0026Expires=1732470446\u0026Signature=G56HkyO9hWzmN9g8EAEXBVFSD3vS0j0QzRN8PcBq-mCfLfvYIWqlZZI14sjW04edfsLkc4p3ZhSj2p2mV7TPkep08pSwqSwQy-kV22SwusNGtmsTHAeUu~7TOBZRVM-YfKOQE7X0oc1iZCjzVY8bFs1~4l1g1RbUAydRIsgVTC1OsZU5zUrTPXCzseVkRsefCZItltar6YVv55BnCu~YT2xVkds5ZWydxU5eFabYXvuicUfQsmtbfZ7ImCEBkMOtzfHOb1RFF3JLG5ps5lMHYfXUZ4jj~kUqc8q7M6WZTvL1azMTcL2-UaoN3IQ1BMeN6V5O3iK7C1~XUAc5XBJ17w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3904,"name":"Onomastics","url":"https://www.academia.edu/Documents/in/Onomastics"},{"id":6283,"name":"History of Slavery","url":"https://www.academia.edu/Documents/in/History_of_Slavery"},{"id":18139,"name":"Graffiti in history","url":"https://www.academia.edu/Documents/in/Graffiti_in_history"},{"id":20728,"name":"Roman Pottery","url":"https://www.academia.edu/Documents/in/Roman_Pottery"},{"id":28335,"name":"Terra Sigillata Hispánica","url":"https://www.academia.edu/Documents/in/Terra_Sigillata_Hispanica"},{"id":28337,"name":"Terra Sigillata","url":"https://www.academia.edu/Documents/in/Terra_Sigillata"},{"id":31375,"name":"Ancient Graffiti (Archaeology)","url":"https://www.academia.edu/Documents/in/Ancient_Graffiti_Archaeology_"},{"id":48520,"name":"Roman Onomastics","url":"https://www.academia.edu/Documents/in/Roman_Onomastics"},{"id":110672,"name":"Ancient Slavery","url":"https://www.academia.edu/Documents/in/Ancient_Slavery"},{"id":127637,"name":"History of slavery in the Mediterrenean","url":"https://www.academia.edu/Documents/in/History_of_slavery_in_the_Mediterrenean"},{"id":127638,"name":"History of graffiti and wall-writing","url":"https://www.academia.edu/Documents/in/History_of_graffiti_and_wall-writing"},{"id":138301,"name":"Latin Onomastics","url":"https://www.academia.edu/Documents/in/Latin_Onomastics"},{"id":164741,"name":"Ancient Graffiti","url":"https://www.academia.edu/Documents/in/Ancient_Graffiti"},{"id":293161,"name":"Vascones","url":"https://www.academia.edu/Documents/in/Vascones"},{"id":340437,"name":"Cerámica Romana","url":"https://www.academia.edu/Documents/in/Cer%C3%A1mica_Romana"},{"id":355365,"name":"Roman Slavery","url":"https://www.academia.edu/Documents/in/Roman_Slavery"},{"id":519352,"name":"Navarra","url":"https://www.academia.edu/Documents/in/Navarra"},{"id":569465,"name":"Ancient Greek Onomastics","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Onomastics"},{"id":699095,"name":"Grafitos Históricos","url":"https://www.academia.edu/Documents/in/Grafitos_Hist%C3%B3ricos"},{"id":822582,"name":"Roman graffiti","url":"https://www.academia.edu/Documents/in/Roman_graffiti"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="118162379"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118162379/Grafitos_sobre_cer%C3%A1mica_pigmentada_en_Navarra"><img alt="Research paper thumbnail of Grafitos sobre cerámica pigmentada en Navarra" class="work-thumbnail" src="https://attachments.academia-assets.com/113853179/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118162379/Grafitos_sobre_cer%C3%A1mica_pigmentada_en_Navarra">Grafitos sobre cerámica pigmentada en Navarra</a></div><div class="wp-workCard_item"><span>(artículo bajo embargo) Del registro arqueológico al museo: el camino de la Historia. Estudios en homenaje a Mercedes Unzu Urmeneta</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La may...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La mayoría suelen aparecer sobre cerámica sigillata y sobre cerámica de almacenaje. Sin embargo, también se encuentran en otros soportes como la llamada cerámica pigmentada o engobada. En este trabajo analizaremos qué tipologías de grafitos se representan en este soporte y qué coincidencias y diferencias se encuentran respecto al resto de tipologías, a partir del material recogido en el territorio de la actual Navarra. Las conclusiones presentan un hábito de marcado con semejanzas con otros tipos como la cerámica sigillata, pero también diferencias significativas, como la presencia de una mayor proporción de grafitos no textuales que textuales. Esto podría reflejar una composición diferente del perfil de usuario entre un tipo y otro y/o de la percepción que los usuarios tenían de unas piezas u otras.<br /><br />Graffiti on tableware ceramics has a long historiographical tradition. They are mostly found on sigillata ceramics and storage ceramics. However, they are also present on other mediums such as pigmented or engobed ceramics. In this study, we will analyze the typologies of graffiti represented on this medium and explore the similarities and differences compared to other typologies, based on the material collected in the territory of present-day Navarre. The findings reveal a distinctive pattern with similarities to other types, such as sigillata ceramics, but also significant differences, including a higher proportion of non-textual graffiti compared to textual ones. This may reflect a different user profile and/or the perception that users had of different types of pottery.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b0e345c1b36ea828630886fba5e081a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113853179,"asset_id":118162379,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113853179/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118162379"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118162379"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118162379; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118162379]").text(description); $(".js-view-count[data-work-id=118162379]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118162379; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118162379']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118162379, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b0e345c1b36ea828630886fba5e081a" } } $('.js-work-strip[data-work-id=118162379]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118162379,"title":"Grafitos sobre cerámica pigmentada en Navarra","translated_title":"","metadata":{"abstract":"Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La mayoría suelen aparecer sobre cerámica sigillata y sobre cerámica de almacenaje. Sin embargo, también se encuentran en otros soportes como la llamada cerámica pigmentada o engobada. En este trabajo analizaremos qué tipologías de grafitos se representan en este soporte y qué coincidencias y diferencias se encuentran respecto al resto de tipologías, a partir del material recogido en el territorio de la actual Navarra. Las conclusiones presentan un hábito de marcado con semejanzas con otros tipos como la cerámica sigillata, pero también diferencias significativas, como la presencia de una mayor proporción de grafitos no textuales que textuales. Esto podría reflejar una composición diferente del perfil de usuario entre un tipo y otro y/o de la percepción que los usuarios tenían de unas piezas u otras.\n\nGraffiti on tableware ceramics has a long historiographical tradition. They are mostly found on sigillata ceramics and storage ceramics. However, they are also present on other mediums such as pigmented or engobed ceramics. In this study, we will analyze the typologies of graffiti represented on this medium and explore the similarities and differences compared to other typologies, based on the material collected in the territory of present-day Navarre. The findings reveal a distinctive pattern with similarities to other types, such as sigillata ceramics, but also significant differences, including a higher proportion of non-textual graffiti compared to textual ones. This may reflect a different user profile and/or the perception that users had of different types of pottery.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"(artículo bajo embargo) Del registro arqueológico al museo: el camino de la Historia. Estudios en homenaje a Mercedes Unzu Urmeneta"},"translated_abstract":"Los grafitos sobre cerámica de mesa cuentan ya con una dilatada tradición historiográfica. La mayoría suelen aparecer sobre cerámica sigillata y sobre cerámica de almacenaje. Sin embargo, también se encuentran en otros soportes como la llamada cerámica pigmentada o engobada. En este trabajo analizaremos qué tipologías de grafitos se representan en este soporte y qué coincidencias y diferencias se encuentran respecto al resto de tipologías, a partir del material recogido en el territorio de la actual Navarra. Las conclusiones presentan un hábito de marcado con semejanzas con otros tipos como la cerámica sigillata, pero también diferencias significativas, como la presencia de una mayor proporción de grafitos no textuales que textuales. Esto podría reflejar una composición diferente del perfil de usuario entre un tipo y otro y/o de la percepción que los usuarios tenían de unas piezas u otras.\n\nGraffiti on tableware ceramics has a long historiographical tradition. They are mostly found on sigillata ceramics and storage ceramics. However, they are also present on other mediums such as pigmented or engobed ceramics. In this study, we will analyze the typologies of graffiti represented on this medium and explore the similarities and differences compared to other typologies, based on the material collected in the territory of present-day Navarre. The findings reveal a distinctive pattern with similarities to other types, such as sigillata ceramics, but also significant differences, including a higher proportion of non-textual graffiti compared to textual ones. 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Un grafito con mención a Mitrh- en la ciudad romana de Cara (Santacara, Navarra, Hispania citerior). Divine or human? A graffito with mention of Mitrh- in the roman city of Cara (Santacara, Navarre, Hispania citerior)" class="work-thumbnail" src="https://attachments.academia-assets.com/96463663/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/93836789/_Divino_o_humano_Un_grafito_con_menci%C3%B3n_a_Mitrh_en_la_ciudad_romana_de_Cara_Santacara_Navarra_Hispania_citerior_Divine_or_human_A_graffito_with_mention_of_Mitrh_in_the_roman_city_of_Cara_Santacara_Navarre_Hispania_citerior_">¿Divino o humano? Un grafito con mención a Mitrh- en la ciudad romana de Cara (Santacara, Navarra, Hispania citerior). Divine or human? A graffito with mention of Mitrh- in the roman city of Cara (Santacara, Navarre, Hispania citerior)</a></div><div class="wp-workCard_item"><span>Sylloge Epigraphica Barcinonensis</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Resumen: Presentamos un grafito inédito procedente de las excavaciones en la ciudad romana de Car...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Resumen: Presentamos un grafito inédito procedente de las excavaciones en la ciudad romana de Cara (Santacara, Navarra) cuya lectura se inicia con los caracteres Mitrh-. Su reconstrucción tiene algún tipo de relación con el nombre del dios Mitra, y se proponen dos explicaciones de carácter muy diferente. Podría tratarse de una referencia directa al dios, al igual que ocurre en otros grafitos sobre cerámica localizados en Forum Claudii Vallensium (Martigny, Suiza) y Iulomagus (Angers). Una segunda opción es que se trate de un antropónimo de tipo teofórico de origen iranio, desconocido hasta ahora en la península ibérica.<br />Abstract: We present an unpublished graffito from the excavations in the roman city of Cara (Santacara, Navarre) which begins with the text Mitrh-. Its reconstruction has relationship with the name of the god Mithra, and we propose two different explanations. It could be a direct reference to the god, as occurs in other graffiti on pottery located in Forum Claudii Vallensium (Martigny, Switzerland) and Iulomagus (Angers). A second option is that it is an anthroponym of theophoric type, of Iranian origin, unknown until now in the Iberian Peninsula.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fdebe551f9de01b5353b1cd74d1ba0d7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96463663,"asset_id":93836789,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96463663/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93836789"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93836789"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93836789; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93836789]").text(description); $(".js-view-count[data-work-id=93836789]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93836789; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93836789']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93836789, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fdebe551f9de01b5353b1cd74d1ba0d7" } } $('.js-work-strip[data-work-id=93836789]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93836789,"title":"¿Divino o humano? Un grafito con mención a Mitrh- en la ciudad romana de Cara (Santacara, Navarra, Hispania citerior). Divine or human? A graffito with mention of Mitrh- in the roman city of Cara (Santacara, Navarre, Hispania citerior)","translated_title":"","metadata":{"abstract":"Resumen: Presentamos un grafito inédito procedente de las excavaciones en la ciudad romana de Cara (Santacara, Navarra) cuya lectura se inicia con los caracteres Mitrh-. Su reconstrucción tiene algún tipo de relación con el nombre del dios Mitra, y se proponen dos explicaciones de carácter muy diferente. Podría tratarse de una referencia directa al dios, al igual que ocurre en otros grafitos sobre cerámica localizados en Forum Claudii Vallensium (Martigny, Suiza) y Iulomagus (Angers). Una segunda opción es que se trate de un antropónimo de tipo teofórico de origen iranio, desconocido hasta ahora en la península ibérica.\nAbstract: We present an unpublished graffito from the excavations in the roman city of Cara (Santacara, Navarre) which begins with the text Mitrh-. Its reconstruction has relationship with the name of the god Mithra, and we propose two different explanations. It could be a direct reference to the god, as occurs in other graffiti on pottery located in Forum Claudii Vallensium (Martigny, Switzerland) and Iulomagus (Angers). 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Una segunda opción es que se trate de un antropónimo de tipo teofórico de origen iranio, desconocido hasta ahora en la península ibérica.\nAbstract: We present an unpublished graffito from the excavations in the roman city of Cara (Santacara, Navarre) which begins with the text Mitrh-. Its reconstruction has relationship with the name of the god Mithra, and we propose two different explanations. It could be a direct reference to the god, as occurs in other graffiti on pottery located in Forum Claudii Vallensium (Martigny, Switzerland) and Iulomagus (Angers). 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La gran mayoría de los ejemplares publicados son de tipo epigráfico, generalmente sobre cerámica de mesa. Sin embargo, existe un conjunto no desdeñable de grafitos figurativos, sobre diferentes soportes, que merece ser recogido y analizado. El objetivo de este artículo es estudiar los dibujos de tipo zoomorfo para determinar el papel que juegan los animales en estas representaciones. La base del estudio ha sido una búsqueda bibliográfica que ha recuperado 47 grafitos, más dos que permanecían inéditos hasta ahora. Las principales conclusiones obtenidas han sido las siguientes: Aparecen diseminados por ciudades de las tres provincias hispanas, destacando los conjuntos de Santa Criz, Baelo Claudia, Emerita Augusta, Italica o Tarraco. La mayoría se ha localizado en contextos domésticos y funerarios, y sólo en un caso en un edificio pú...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce6e3b8c7108e4fdeb7435b08e8be500" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92224964,"asset_id":88207786,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92224964/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88207786"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88207786"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88207786; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88207786]").text(description); $(".js-view-count[data-work-id=88207786]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88207786; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88207786']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 88207786, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce6e3b8c7108e4fdeb7435b08e8be500" } } $('.js-work-strip[data-work-id=88207786]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88207786,"title":"Grafitos figurativos zoomorfos de época romana en la península ibérica","translated_title":"","metadata":{"abstract":"Los grafitos realizados en época romana en la península ibérica son un interesante campo de estudio, que no ha sido abordado desde una perspectiva global. 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Graffiti as Speech-Act and Cultural Discourse","url":"https://www.academia.edu/Documents/in/Texting_Rome._Graffiti_as_Speech-Act_and_Cultural_Discourse"},{"id":394028,"name":"Cultural history of animals","url":"https://www.academia.edu/Documents/in/Cultural_history_of_animals"},{"id":822582,"name":"Roman graffiti","url":"https://www.academia.edu/Documents/in/Roman_graffiti"},{"id":966944,"name":"Animals In Art and History","url":"https://www.academia.edu/Documents/in/Animals_In_Art_and_History"},{"id":1292190,"name":"Pompeiian Graffiti","url":"https://www.academia.edu/Documents/in/Pompeiian_Graffiti"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="60984540"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/60984540/La_iconograf%C3%ADa_de_la_victoria_Nikoma_chos_en_un_entalle_romano_procedente_de_la_ciudad_de_Magdala_Migdal_Iudaea_Syria_Palaestina_"><img alt="Research paper thumbnail of La iconografía de la victoria: Nikoma(chos) en un entalle romano procedente de la ciudad de Magdala (Migdal, Iudaea/Syria Palaestina)" class="work-thumbnail" src="https://attachments.academia-assets.com/74189246/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/60984540/La_iconograf%C3%ADa_de_la_victoria_Nikoma_chos_en_un_entalle_romano_procedente_de_la_ciudad_de_Magdala_Migdal_Iudaea_Syria_Palaestina_">La iconografía de la victoria: Nikoma(chos) en un entalle romano procedente de la ciudad de Magdala (Migdal, Iudaea/Syria Palaestina)</a></div><div class="wp-workCard_item"><span>Espacio, Tiempo y Forma. Serie VII (n. época) 9, pp. </span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article analyses the iconography of a piece found at the Magdala excavation site (Migdal, Ga...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article analyses the iconography of a piece found at the Magdala excavation site (Migdal, Galilee, Israel). It is made of stone and depicts a winged Victory on a chariot, using a whip to initiate the march, a type of scene of great significance in the history of art. Above the image of the Victory is the inscription Nikoma(chou), which most likely refers to the name of the owner of the intaglio. The style, the iconography of the piece and the chronology of the archaeological context suggest a chronology of the 1st century AD or somewhat later. This is an exceptional piece, based on the combination of epigraphy and iconography on the same surface, as in this case text and image are related, and complement each other. For this reason, the iconographic study of the carving is crucial to understanding the artistic value of this tiny work of art.<br /><br />En este artículo se analiza la iconografía de una pieza hallada en la excavación de Magdala (Migdal, Galilea, Israel). Está realizada en piedra y cuenta con el dibujo de una Victoria alada sobre una biga, con el látigo al viento para iniciar la marcha, una tipología de escena con gran trascendencia en la Historia del Arte. Sobre la imagen de la Victoria se encuentra la inscripción Nikoma(chou), que muy posiblemente hace referencia al nombre del dueño del entalle. El estilo, la iconografía de la pieza y la cronología del contexto arqueológico remiten a una cronología del s. I d.C. o algo posterior. Se trata de una pieza excepcional, en base a la combinación de epigrafía e iconografía en la misma pieza, pues en este caso texto e imagen se relacionan, se complementan y se retroalimentan. Por ello el estudio iconográfico del entalle es determinante para comprender el valor artístico de esta diminuta obra de arte.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="95882f2636777d5d0c40cb0591c35a28" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":74189246,"asset_id":60984540,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/74189246/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="60984540"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="60984540"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 60984540; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=60984540]").text(description); $(".js-view-count[data-work-id=60984540]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 60984540; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='60984540']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 60984540, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "95882f2636777d5d0c40cb0591c35a28" } } $('.js-work-strip[data-work-id=60984540]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":60984540,"title":"La iconografía de la victoria: Nikoma(chos) en un entalle romano procedente de la ciudad de Magdala (Migdal, Iudaea/Syria Palaestina)","translated_title":"","metadata":{"doi":"10.5944/etfvii.2021.30359","abstract":"This article analyses the iconography of a piece found at the Magdala excavation site (Migdal, Galilee, Israel). 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For this reason, the iconographic study of the carving is crucial to understanding the artistic value of this tiny work of art.\n\nEn este artículo se analiza la iconografía de una pieza hallada en la excavación de Magdala (Migdal, Galilea, Israel). Está realizada en piedra y cuenta con el dibujo de una Victoria alada sobre una biga, con el látigo al viento para iniciar la marcha, una tipología de escena con gran trascendencia en la Historia del Arte. Sobre la imagen de la Victoria se encuentra la inscripción Nikoma(chou), que muy posiblemente hace referencia al nombre del dueño del entalle. El estilo, la iconografía de la pieza y la cronología del contexto arqueológico remiten a una cronología del s. I d.C. o algo posterior. Se trata de una pieza excepcional, en base a la combinación de epigrafía e iconografía en la misma pieza, pues en este caso texto e imagen se relacionan, se complementan y se retroalimentan. 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A partir de la PABLO OZCÁRIZ GIL 532 © UNED. ... Wiesbaden 1969. ALFÖLDY, G., Zur Geschichte ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... A partir de la PABLO OZCÁRIZ GIL 532 © UNED. ... Wiesbaden 1969. ALFÖLDY, G., Zur Geschichte von Asturia et Gallaecia. Bemerkungen zu A. Tranoy, La Ga-lice romain. Germania 61, 1983 pp. 511-528. ALFÖLDY, G., Provincia Hispania superior. 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On the Identification of the "Hispani" in the Roman Empire" class="work-thumbnail" src="https://attachments.academia-assets.com/86013345/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/50197043/_Natione_Hispanus_Sobre_la_identificaci%C3%B3n_de_los_hispanos_en_el_Imperio_romano_Natione_Hispanus_On_the_Identification_of_the_Hispani_in_the_Roman_Empire">"Natione Hispanus". Sobre la identificación de los hispanos en el Imperio romano. / "Natione Hispanus". On the Identification of the "Hispani" in the Roman Empire</a></div><div class="wp-workCard_item"><span>Araucaria. Revista Iberoamericana de Filosofía, Política, Humanidades y Relaciones Internacionales, nº 47, pp. 21-45</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El objetivo de este artículo es poner de relieve que fue Roma la responsable de denominar Hispani...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El objetivo de este artículo es poner de relieve que fue Roma la responsable de denominar Hispania al espacio geográfico que cuenta con los Pirineos y las costas mediterránea, atlántica y cantábrica como fronteras naturales. También de dotar a la palabra de una identidad propia. Este es el mismo término que a lo largo del tiempo evolucionó en tantos y tantos contextos históricos, administrativos, políticos y culturales y que terminó denominando a la España actual. El término fue asimilado por sus habitantes ya desde cronología republicana, independientemente de si eran nacidos en Corduba, en Emerita Augusta, en Lucus Augusti, en Tarraco, o cualquier otra pequeña localidad de sus respectivas provincias. Esta asimilación no fue idéntica en todas las escalas sociales, y evolucionó a lo largo del tiempo. Finalmente, se entra en detalle en la utilización de la fórmula natione Hispanus/a presente en la epigrafía romana</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4ee95ed68d5b9462e3ca30ba32785d60" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86013345,"asset_id":50197043,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86013345/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50197043"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50197043"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50197043; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50197043]").text(description); $(".js-view-count[data-work-id=50197043]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50197043; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50197043']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 50197043, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4ee95ed68d5b9462e3ca30ba32785d60" } } $('.js-work-strip[data-work-id=50197043]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50197043,"title":"\"Natione Hispanus\". 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The Use of Numerals in the Organizational Systems of Ceramic Productions" class="work-thumbnail" src="https://attachments.academia-assets.com/65776540/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45188667/The_Logistics_of_Marking_in_the_Baetic_Amphoras_The_Use_of_Numerals_in_the_Organizational_Systems_of_Ceramic_Productions">The Logistics of Marking in the Baetic Amphoras. The Use of Numerals in the Organizational Systems of Ceramic Productions</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://urjc.academia.edu/PabloOzcariz">P. Ozcáriz Gil</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uah-es.academia.edu/JordiP%C3%A9rezGonz%C3%A1lez">Jordi Pérez González</a></span></div><div class="wp-workCard_item"><span>Studia Antiqua et Archaeologica 26(2), pp. 231-247</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The objective of this study is to identify, by means of the analysis of the graffiti ante coctura...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The objective of this study is to identify, by means of the analysis of the graffiti ante cocturam on the Roman amphoras, the different processes of production which are registered in the amphorae workshops. The olive oil produced in the Baetica served massively to nourish the western provinces of Roman Empire for more than 300 years. The standardization of the selected amphoric type, which extended over more than one hundred amphora workshops, allows us to observe certain patterns of similarity in the amphoric productions, at either a typological or epigraphic level, that allow us to understand the production organization of these amphoras. We apply here a development of the categorization of graffiti ante cocturam on these olive oil amphoras (i.e. Dressel 20) that allows us to analyze the set of the epigraphs which have been published so far from a new point of view. Our work focuses on the analysis of graffiti belonging to thirteen different archaeological surveys conducted on the surface of Monte Testaccio (Rome, years 1989 to 2000 and 2005). Before now the graffiti found in the different excavations of Monte Testaccio have been studied and published independently, and only through a global analysis can we present a joint vision of graffiti for more than a century, appreciating certain patterns or key trends which are important for understanding the different processes of production of the Dressel 20 amphorae in the production areas. The results suggest that the presence of numerals responds to a clear will on the part of the artisan collective who was dedicated to the manufacture of these amphoras to quantify the lots produced in any of the various phases of a production system. The fact that one is a part of a complex system of artisanal ceramic manufacturing at industrial levels necessitated a strict organizational control of all the productive phases. The continuity over time and the dispersion of the marking method in the territory makes us think of possible well-defined standardization processes, with learning processes common to the ceramic artisan communities and their possible mobility through the different workshops that produced the same type of amphora. The same results could be understood as part of the internal control of the contracted productions, as well as constituting a log of the internal logistics of the baking phase or for its control, when storing them in one of the first phases of formation of the amphora. Rezumat. Obiectivul acestui studiu este de a identifica, prin analiza de graffiti ante cocturam de pe amforele romane, diferitele procese de producție care sunt înregistrate în atelierele de amfore. Uleiul de măsline produs în Baetica a avut un rol important în alimentația provinciilor occidentale ale Imperiului Roman vreme de mai bine de 300 de ani. Standardizarea tipului de amforă selectat, care a fost produs de peste o sută ateliere ceramice, ne permite observăm anumite similitudini în producția de amfore, la nivel tipologic sau epigrafic, care ne permit să înțelegem modul de organizare a producerii acestor amfore. Aplicăm aici o evoluție a clasificării privitoare la graffiti ante cocturam de pe aceste amfore de ulei de măsline (adică Dressel 20) care ne permite să analizăm setul de epigrafe publicate până acum dintr-o nouă perspectivă. Activitatea noastră se concentrează pe analiza de graffiti întâlnite în treisprezece cercetări arheologice diferite efectuate pe suprafața Monte Testaccio (Roma, anii 1989-2000 și 2005). Până acum graffiti găsite cu ocazia diferitelor săpături de la Monte Testaccio au fost studiate și publicate în mod independent, și numai printr-o analiză globală putem prezenta o perspectivă de ansamblu referitoare la aceste graffiti pentru mai mult de un secol, analizând anumite tipare sau tendințe importante pentru înțelegerea diferitelor procese de fabricare ale amforelor de tip Dressel 20 în zonele de producție. Rezultatele sugerează că prezența cifrelor corespunde intenției clare din partea meșteșugarilor implicați în fabricarea acestor amfore de a ține evidența loturilor realizate în fiecare dintre diferitele faze ale procesului de producție. Apartenența la un sistem complex de fabricare a ceramicii artizanale de nivel industrial necesita un control organizațional strict al tuturor fazelor de producție. Permanența în timp și răspândirea metodei de marcare la nivel teritorial ne face să ne gândim la posibile procese de standardizare bine definite, presupunând forme de învățare comune variatelor comunități de artizani și posibila lor mobilitate în rândul diferitelor ateliere care produceau același tip de amfore. Aceleași rezultate ar putea fi interpretate prin prisma controlului intern al producției contractate, dar și ce privește evidența coordonării interne din faza de ardere sau a controlului acesteia, atunci când amforele erau depozitate într-una dintre primele faze ale procesului de producție.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb0ab4c601a3cb061da797b818686c42" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65776540,"asset_id":45188667,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65776540/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45188667"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45188667"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45188667; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45188667]").text(description); $(".js-view-count[data-work-id=45188667]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45188667; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45188667']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45188667, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb0ab4c601a3cb061da797b818686c42" } } $('.js-work-strip[data-work-id=45188667]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45188667,"title":"The Logistics of Marking in the Baetic Amphoras. 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We apply here a development of the categorization of graffiti ante cocturam on these olive oil amphoras (i.e. Dressel 20) that allows us to analyze the set of the epigraphs which have been published so far from a new point of view. Our work focuses on the analysis of graffiti belonging to thirteen different archaeological surveys conducted on the surface of Monte Testaccio (Rome, years 1989 to 2000 and 2005). Before now the graffiti found in the different excavations of Monte Testaccio have been studied and published independently, and only through a global analysis can we present a joint vision of graffiti for more than a century, appreciating certain patterns or key trends which are important for understanding the different processes of production of the Dressel 20 amphorae in the production areas. 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The same results could be understood as part of the internal control of the contracted productions, as well as constituting a log of the internal logistics of the baking phase or for its control, when storing them in one of the first phases of formation of the amphora. Rezumat. Obiectivul acestui studiu este de a identifica, prin analiza de graffiti ante cocturam de pe amforele romane, diferitele procese de producție care sunt înregistrate în atelierele de amfore. Uleiul de măsline produs în Baetica a avut un rol important în alimentația provinciilor occidentale ale Imperiului Roman vreme de mai bine de 300 de ani. Standardizarea tipului de amforă selectat, care a fost produs de peste o sută ateliere ceramice, ne permite observăm anumite similitudini în producția de amfore, la nivel tipologic sau epigrafic, care ne permit să înțelegem modul de organizare a producerii acestor amfore. Aplicăm aici o evoluție a clasificării privitoare la graffiti ante cocturam de pe aceste amfore de ulei de măsline (adică Dressel 20) care ne permite să analizăm setul de epigrafe publicate până acum dintr-o nouă perspectivă. Activitatea noastră se concentrează pe analiza de graffiti întâlnite în treisprezece cercetări arheologice diferite efectuate pe suprafața Monte Testaccio (Roma, anii 1989-2000 și 2005). Până acum graffiti găsite cu ocazia diferitelor săpături de la Monte Testaccio au fost studiate și publicate în mod independent, și numai printr-o analiză globală putem prezenta o perspectivă de ansamblu referitoare la aceste graffiti pentru mai mult de un secol, analizând anumite tipare sau tendințe importante pentru înțelegerea diferitelor procese de fabricare ale amforelor de tip Dressel 20 în zonele de producție. Rezultatele sugerează că prezența cifrelor corespunde intenției clare din partea meșteșugarilor implicați în fabricarea acestor amfore de a ține evidența loturilor realizate în fiecare dintre diferitele faze ale procesului de producție. Apartenența la un sistem complex de fabricare a ceramicii artizanale de nivel industrial necesita un control organizațional strict al tuturor fazelor de producție. Permanența în timp și răspândirea metodei de marcare la nivel teritorial ne face să ne gândim la posibile procese de standardizare bine definite, presupunând forme de învățare comune variatelor comunități de artizani și posibila lor mobilitate în rândul diferitelor ateliere care produceau același tip de amfore. Aceleași rezultate ar putea fi interpretate prin prisma controlului intern al producției contractate, dar și ce privește evidența coordonării interne din faza de ardere sau a controlului acesteia, atunci când amforele erau depozitate într-una dintre primele faze ale procesului de producție.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Studia Antiqua et Archaeologica 26(2), pp. 231-247"},"translated_abstract":"The objective of this study is to identify, by means of the analysis of the graffiti ante cocturam on the Roman amphoras, the different processes of production which are registered in the amphorae workshops. The olive oil produced in the Baetica served massively to nourish the western provinces of Roman Empire for more than 300 years. The standardization of the selected amphoric type, which extended over more than one hundred amphora workshops, allows us to observe certain patterns of similarity in the amphoric productions, at either a typological or epigraphic level, that allow us to understand the production organization of these amphoras. We apply here a development of the categorization of graffiti ante cocturam on these olive oil amphoras (i.e. Dressel 20) that allows us to analyze the set of the epigraphs which have been published so far from a new point of view. Our work focuses on the analysis of graffiti belonging to thirteen different archaeological surveys conducted on the surface of Monte Testaccio (Rome, years 1989 to 2000 and 2005). Before now the graffiti found in the different excavations of Monte Testaccio have been studied and published independently, and only through a global analysis can we present a joint vision of graffiti for more than a century, appreciating certain patterns or key trends which are important for understanding the different processes of production of the Dressel 20 amphorae in the production areas. The results suggest that the presence of numerals responds to a clear will on the part of the artisan collective who was dedicated to the manufacture of these amphoras to quantify the lots produced in any of the various phases of a production system. The fact that one is a part of a complex system of artisanal ceramic manufacturing at industrial levels necessitated a strict organizational control of all the productive phases. The continuity over time and the dispersion of the marking method in the territory makes us think of possible well-defined standardization processes, with learning processes common to the ceramic artisan communities and their possible mobility through the different workshops that produced the same type of amphora. The same results could be understood as part of the internal control of the contracted productions, as well as constituting a log of the internal logistics of the baking phase or for its control, when storing them in one of the first phases of formation of the amphora. Rezumat. Obiectivul acestui studiu este de a identifica, prin analiza de graffiti ante cocturam de pe amforele romane, diferitele procese de producție care sunt înregistrate în atelierele de amfore. Uleiul de măsline produs în Baetica a avut un rol important în alimentația provinciilor occidentale ale Imperiului Roman vreme de mai bine de 300 de ani. Standardizarea tipului de amforă selectat, care a fost produs de peste o sută ateliere ceramice, ne permite observăm anumite similitudini în producția de amfore, la nivel tipologic sau epigrafic, care ne permit să înțelegem modul de organizare a producerii acestor amfore. Aplicăm aici o evoluție a clasificării privitoare la graffiti ante cocturam de pe aceste amfore de ulei de măsline (adică Dressel 20) care ne permite să analizăm setul de epigrafe publicate până acum dintr-o nouă perspectivă. Activitatea noastră se concentrează pe analiza de graffiti întâlnite în treisprezece cercetări arheologice diferite efectuate pe suprafața Monte Testaccio (Roma, anii 1989-2000 și 2005). Până acum graffiti găsite cu ocazia diferitelor săpături de la Monte Testaccio au fost studiate și publicate în mod independent, și numai printr-o analiză globală putem prezenta o perspectivă de ansamblu referitoare la aceste graffiti pentru mai mult de un secol, analizând anumite tipare sau tendințe importante pentru înțelegerea diferitelor procese de fabricare ale amforelor de tip Dressel 20 în zonele de producție. Rezultatele sugerează că prezența cifrelor corespunde intenției clare din partea meșteșugarilor implicați în fabricarea acestor amfore de a ține evidența loturilor realizate în fiecare dintre diferitele faze ale procesului de producție. Apartenența la un sistem complex de fabricare a ceramicii artizanale de nivel industrial necesita un control organizațional strict al tuturor fazelor de producție. Permanența în timp și răspândirea metodei de marcare la nivel teritorial ne face să ne gândim la posibile procese de standardizare bine definite, presupunând forme de învățare comune variatelor comunități de artizani și posibila lor mobilitate în rândul diferitelor ateliere care produceau același tip de amfore. 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Estudios sobre economía, sociedad e instituciones de la Antigüedad. Homenaje al profesor José Remesal Rodríguez</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El artículo presenta el conjunto inédito de epigrafía sobre instrumentum domesticum hallado en la...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El artículo presenta el conjunto inédito de epigrafía sobre instrumentum domesticum hallado en la ciudad romana de Cara (Hispania Citerior).<br />This paper presents the unpublished epigraphy on instrumentum domesticum from the roman city of Cara (Hispania Citerior)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e4de25ff6c01c2b9c7cf9362c13e4689" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65162942,"asset_id":44688578,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65162942/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44688578"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44688578"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44688578; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44688578]").text(description); $(".js-view-count[data-work-id=44688578]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44688578; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44688578']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44688578, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e4de25ff6c01c2b9c7cf9362c13e4689" } } $('.js-work-strip[data-work-id=44688578]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44688578,"title":"Sellos, tituli picti y graﬁtos sobre instrumentum procedentes de la ciudad de Cara (Navarra)","translated_title":"","metadata":{"abstract":"El artículo presenta el conjunto inédito de epigrafía sobre instrumentum domesticum hallado en la ciudad romana de Cara (Hispania Citerior).\nThis paper presents the unpublished epigraphy on instrumentum domesticum from the roman city of Cara (Hispania Citerior)","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Ex Baetica Romam. 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Roman Provincial Administration, Vascones, and Epigraphy in H. P. Lovecraft The Very Old Folk. Administração provincial romana, Vascones e epigrafia em H. P. Lovecraft" class="work-thumbnail" src="https://attachments.academia-assets.com/58762764/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38681394/The_Very_Old_Folk_Roman_Provincial_Administration_Vascones_and_Epigraphy_in_H_P_Lovecraft_The_Very_Old_Folk_Administra%C3%A7%C3%A3o_provincial_romana_Vascones_e_epigrafia_em_H_P_Lovecraft">The Very Old Folk. Roman Provincial Administration, Vascones, and Epigraphy in H. P. Lovecraft The Very Old Folk. Administração provincial romana, Vascones e epigrafia em H. P. Lovecraft</a></div><div class="wp-workCard_item"><span>Ágora. Estudos Clássicos em Debate</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">On November 3, 1927, H. P. Lovecraft sent a letter to his friend Wandrei. He related a dream that...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">On November 3, 1927, H. P. Lovecraft sent a letter to his friend Wandrei. He related a dream that had impressed him with its vivacity, about a threat haunting the mountains of the Vascones. Lovecraft as a quaestor, the provincial officials and a cohort of the Twelfth Legion were in the city of Pompelo to face it. The story allows an interesting analysis from multiple points of view: the choice of the names for the characters, the chosen date, the description of the celestial vault, the peculiarities of the Vascones or a real ancient inscription that could be behind the whole plot of the dream.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="919ebb08bd33006950e5794257996455" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58762764,"asset_id":38681394,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58762764/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38681394"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38681394"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38681394; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38681394]").text(description); $(".js-view-count[data-work-id=38681394]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38681394; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38681394']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38681394, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "919ebb08bd33006950e5794257996455" } } $('.js-work-strip[data-work-id=38681394]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38681394,"title":"The Very Old Folk. 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Asinius Gallus. Latomus 76.4, 2017 pp. 1017-1030" class="work-thumbnail" src="https://attachments.academia-assets.com/56202924/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36296151/La_dataci%C3%B3n_del_gobierno_hispano_de_C_Asinius_Gallus_Latomus_76_4_2017_pp_1017_1030">La datación del gobierno hispano de C. Asinius Gallus. Latomus 76.4, 2017 pp. 1017-1030</a></div><div class="wp-workCard_item"><span>Latomus</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Senator C. Asinius Gallus appears in the well known tabula Lougeiorum. Several authors have defen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Senator C. Asinius Gallus appears in the well known tabula Lougeiorum. Several authors have defended that his presence in the inscription is due to his condition of governor of the Hispania citerior. In this article I explain that it is not possible to place Gallus as governor of the Citerior between the years 7-4 BC, as part of the current researchers defend. More reasonably he occupied the position at the time of the dating of the table, possibly between years 1 BC - 3 AD<br /><br />El senador C. Asinio Galo aparece mencionado en la conocida tabula Lougeiorum. Varios autores han defendido que su presencia en la inscripción se debería a su condición de gobernador de la Hispania citerior. En este artículo defendemos que no es posible que Galo fuese gobernador de la Citerior entre los años 7-4 a.C., como defiende gran parte de la historiografía actual, sino que habría ocupado el cargo en el momento de la datación de la tabula, probablemente entre los años 1 a.C. - 3 d.C.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b6569ffea268ff48e0761cdc016b796a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56202924,"asset_id":36296151,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56202924/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36296151"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36296151"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36296151; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36296151]").text(description); $(".js-view-count[data-work-id=36296151]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36296151; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36296151']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36296151, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b6569ffea268ff48e0761cdc016b796a" } } $('.js-work-strip[data-work-id=36296151]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36296151,"title":"La datación del gobierno hispano de C. 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En este artículo defendemos que no es posible que Galo fuese gobernador de la Citerior entre los años 7-4 a.C., como defiende gran parte de la historiografía actual, sino que habría ocupado el cargo en el momento de la datación de la tabula, probablemente entre los años 1 a.C. - 3 d.C.","page_numbers":"1017-1030","publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"Latomus"},"translated_abstract":"Senator C. Asinius Gallus appears in the well known tabula Lougeiorum. Several authors have defended that his presence in the inscription is due to his condition of governor of the Hispania citerior. In this article I explain that it is not possible to place Gallus as governor of the Citerior between the years 7-4 BC, as part of the current researchers defend. More reasonably he occupied the position at the time of the dating of the table, possibly between years 1 BC - 3 AD\n\nEl senador C. Asinio Galo aparece mencionado en la conocida tabula Lougeiorum. 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En este artículo defendemos que no es posible que Galo fuese gobernador de la Citerior entre los años 7-4 a.C., como defiende gran parte de la historiografía actual, sino que habría ocupado el cargo en el momento de la datación de la tabula, probablemente entre los años 1 a.C. - 3 d.C.","internal_url":"https://www.academia.edu/36296151/La_dataci%C3%B3n_del_gobierno_hispano_de_C_Asinius_Gallus_Latomus_76_4_2017_pp_1017_1030","translated_internal_url":"","created_at":"2018-03-31T05:05:21.415-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":56202924,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56202924/thumbnails/1.jpg","file_name":"Ozcariz_2017_Datacion_de_Asinio_Galo.pdf","download_url":"https://www.academia.edu/attachments/56202924/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"La_datacion_del_gobierno_hispano_de_C_As.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56202924/Ozcariz_2017_Datacion_de_Asinio_Galo-libre.pdf?1522498358=\u0026response-content-disposition=attachment%3B+filename%3DLa_datacion_del_gobierno_hispano_de_C_As.pdf\u0026Expires=1732529296\u0026Signature=B-zZzkyO1T-pE4N-vJI7LnoFY-7Vb4XVNlrOf4x0XwG0RnbNA-c9hwSdn4rftvVi5yVTnMweYl78Odsp-P2C3NCqxoJh1QhLi3se-vZc6qCtN8r1Hd9O7MOK9O9nMN9lXV-9-m4quJoRNYcmggbkzvMa~9Nc4DO5o4mcXROFR6WYv2noPLONpIWDh9eZ4ST2zw7XaUxmspcX5~BY478Xx~FiPOrH3JZBeCpF8EwVoMQCI~N59SjFwWSeU1X7mfHJAFenhno-3-ykaMZzP8qrOjHKKkKaBhFwB-UIJrEMZczpyFUtZU2SzgEvd2RXsGax4Klhv26nOG8Q3QY2FsuVDA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"La_datación_del_gobierno_hispano_de_C_Asinius_Gallus_Latomus_76_4_2017_pp_1017_1030","translated_slug":"","page_count":14,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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A propósito de Tac. Ann. 1, 12-13. "Rivista Storica dell'Antichità" XLV, 2016 pp. 101-136" class="work-thumbnail" src="https://attachments.academia-assets.com/51988797/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31323464/_Capaces_imperii_y_gobernadores_de_la_Hispania_citerior_A_prop%C3%B3sito_de_Tac_Ann_1_12_13_Rivista_Storica_dellAntichit%C3%A0_XLV_2016_pp_101_136">"Capaces imperii" y gobernadores de la Hispania citerior. A propósito de Tac. Ann. 1, 12-13. "Rivista Storica dell'Antichità" XLV, 2016 pp. 101-136</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tacitus explains that Augustus, at the end of his live, talked about who could be worthy for his ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tacitus explains that Augustus, at the end of his live, talked about who could be worthy for his position and who would try to reach it if the chance was given. Four senators were mentioned in that conversation: Marcus Lepidus, Asinius Gallus, Lucius Arruntius and Cnaeus Piso. Not long ago, their cursus honorum had only one post that linked them all, the ordinarius consulate. Now, it is possible to add a second one, the governorship of the Hispania citerior. In this article we look at the cursus of this four senators and judge the prestige this governorship had in the Julio-Claudian period.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a53973bf9b409d52abb7800b7fb553b5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51988797,"asset_id":31323464,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51988797/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31323464"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31323464"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31323464; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31323464]").text(description); $(".js-view-count[data-work-id=31323464]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31323464; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31323464']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 31323464, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a53973bf9b409d52abb7800b7fb553b5" } } $('.js-work-strip[data-work-id=31323464]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31323464,"title":"\"Capaces imperii\" y gobernadores de la Hispania citerior. A propósito de Tac. Ann. 1, 12-13. \"Rivista Storica dell'Antichità\" XLV, 2016 pp. 101-136","translated_title":"","metadata":{"abstract":"Tacitus explains that Augustus, at the end of his live, talked about who could be worthy for his position and who would try to reach it if the chance was given. Four senators were mentioned in that conversation: Marcus Lepidus, Asinius Gallus, Lucius Arruntius and Cnaeus Piso. Not long ago, their cursus honorum had only one post that linked them all, the ordinarius consulate. Now, it is possible to add a second one, the governorship of the Hispania citerior. In this article we look at the cursus of this four senators and judge the prestige this governorship had in the Julio-Claudian period."},"translated_abstract":"Tacitus explains that Augustus, at the end of his live, talked about who could be worthy for his position and who would try to reach it if the chance was given. Four senators were mentioned in that conversation: Marcus Lepidus, Asinius Gallus, Lucius Arruntius and Cnaeus Piso. Not long ago, their cursus honorum had only one post that linked them all, the ordinarius consulate. Now, it is possible to add a second one, the governorship of the Hispania citerior. In this article we look at the cursus of this four senators and judge the prestige this governorship had in the Julio-Claudian period.","internal_url":"https://www.academia.edu/31323464/_Capaces_imperii_y_gobernadores_de_la_Hispania_citerior_A_prop%C3%B3sito_de_Tac_Ann_1_12_13_Rivista_Storica_dellAntichit%C3%A0_XLV_2016_pp_101_136","translated_internal_url":"","created_at":"2017-02-09T02:51:15.987-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":51988797,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/51988797/thumbnails/1.jpg","file_name":"Ozcariz_2016_Capaces_imperii.pdf","download_url":"https://www.academia.edu/attachments/51988797/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Capaces_imperii_y_gobernadores_de_la_Hi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/51988797/Ozcariz_2016_Capaces_imperii-libre.pdf?1488399077=\u0026response-content-disposition=attachment%3B+filename%3DCapaces_imperii_y_gobernadores_de_la_Hi.pdf\u0026Expires=1732470446\u0026Signature=HY-e00eeB31uvWJA3aVrT18bBVhyuQfufaQditqnhwFOEQZ6pldXksr25GcexdRGPHoTOdp8wMopryXB12YTN52sIPaSISbVaw9f9kY7x3xbybp2oElZXp4OjasG9rzh-4kqt5P74~o~N~2L5QK88r0-sC2SmY12bOSO81nqTMf2EJGOy2-1BdnE9v0blzjS9rLGrWgSQk1rn6fkZ2ZyL50tDmpyZzQ6EtMj8U5-M6LfogO9pligbwgjMZ4kPUCcIVKqrRGyeGnyQcp9w00K~ndcpct0bw0ScjzRh3XfToc40EDOmajNlvy5uut8-6qiN8GP0EPJXr8AYkKrnokomQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Capaces_imperii_y_gobernadores_de_la_Hispania_citerior_A_propósito_de_Tac_Ann_1_12_13_Rivista_Storica_dellAntichità_XLV_2016_pp_101_136","translated_slug":"","page_count":37,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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Ozcáriz Gil</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unav.academia.edu/Mar%C3%ADaGarc%C3%ADaBarberena">María García-Barberena</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="62d86c596d472adc80396af3fb274f95" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35800674,"asset_id":9589425,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35800674/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9589425"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9589425"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9589425; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9589425]").text(description); $(".js-view-count[data-work-id=9589425]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9589425; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9589425']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 9589425, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "62d86c596d472adc80396af3fb274f95" } } $('.js-work-strip[data-work-id=9589425]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9589425,"title":"Una ciudad de los \"Vascones\" en el yacimiento de Campo Real/Fillera (Sos del Rey Católico-Sangüesa)","translated_title":"","metadata":{"journal_name":"Archivo Español de Arqueología (81, 2008)","grobid_abstract":"El presente trabajo aborda el estudio detallado y preliminar del yacimiento arqueológico de Campo Real/Fillera (Sos del Rey Católico/Sangüesa, en el límite entre las actuales provincias de Zaragoza y Navarra) con especial atención a su etapa romana. 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Ozcáriz Gil</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">June 9, 2016 the Japanese audiovisual production company TBS VISION has recorded the CEIPAC team ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">June 9, 2016 the Japanese audiovisual production company TBS VISION has recorded the CEIPAC team Documentary video at the frame of the Campaign of material study at Monte Testaccio spring 2016.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="12d4cb5d39f0248aa65d048f7cdaeda5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51295626,"asset_id":30869299,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51295626/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30869299"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30869299"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30869299; 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El Monte de las ánforas.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://barcelona.academia.edu/Jos%C3%A9RemesalRodr%C3%ADguez">José Remesal Rodríguez</a>, <a class="" data-click-track="profile-work-strip-authors" rel="nofollow" href="https://ub.academia.edu/AntonioAguileraMartin">Antonio Aguilera Martin</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/VictorRevilla">Victor Revilla Calvo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/LuisPonsPujol">Lluís Pons Pujol</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://barcelona.academia.edu/ManelGarcia">Manel García Sánchez</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ugr.academia.edu/DanielMart%C3%ADnArroyo">Daniel Martín-Arroyo</a>, <a class="" data-click-track="profile-work-strip-authors" rel="nofollow" href="https://barcelona.academia.edu/luisamelavalverde">luis amela valverde</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uah-es.academia.edu/JordiP%C3%A9rezGonz%C3%A1lez">Jordi Pérez González</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/RuthAyll%C3%B3n">Ruth Ayllón</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/CarlosPalacinCopado">Carlos Palacín</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/AntoniMart%C3%ADniOliveras">Antoni Martín i Oliveras</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://urjc.academia.edu/PabloOzcariz">P. Ozcáriz Gil</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uca-es.academia.edu/L%C3%A1zaroLag%C3%B3stenaBarrios">Lázaro Lagóstena</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://fls.academia.edu/TarekMANI">Tarek Mani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unicamp.academia.edu/PedroPauloAFunari">Pedro Paulo A. Funari</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://sas.academia.edu/RosarioRoviraGuardiola">Rosario Rovira Guardiola</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/ManuelaMongardi">Manuela Mongardi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Documental by Agustín Remesal. 25th CEIPAC Anniversary 1990 – 2015. 26 archaeological campaigns...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Documental by Agustín Remesal.<br /><br />25th CEIPAC Anniversary 1990 – 2015.<br /><br />26 archaeological campaigns in the Monte Testaccio (Roma).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d5225063406f86d925cf686a29700a3f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40632538,"asset_id":19459462,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40632538/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19459462"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19459462"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19459462; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19459462]").text(description); $(".js-view-count[data-work-id=19459462]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19459462; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19459462']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19459462, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d5225063406f86d925cf686a29700a3f" } } $('.js-work-strip[data-work-id=19459462]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19459462,"title":"Testaccio. 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VI JORNADAS FORTUNA REDUX DE INVESTIGACIÓN EN HISTORIA ANTIGUA" class="work-thumbnail" src="https://attachments.academia-assets.com/107432198/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109250655/NUEVAS_Y_VIEJAS_TECNOLOG%C3%8DAS_APLICADAS_AL_ESTUDIO_DE_LA_EPIGRAF%C3%8DA_ANF%C3%93RICA_Y_LOS_GRAFITOS_HIST%C3%93RICOS_VI_JORNADAS_FORTUNA_REDUX_DE_INVESTIGACI%C3%93N_EN_HISTORIA_ANTIGUA">NUEVAS (Y VIEJAS) TECNOLOGÍAS APLICADAS AL ESTUDIO DE LA EPIGRAFÍA ANFÓRICA Y LOS GRAFITOS HISTÓRICOS. VI JORNADAS FORTUNA REDUX DE INVESTIGACIÓN EN HISTORIA ANTIGUA</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La actividad supone la VI edición de las jornadas “Fortuna Redux” de investigación en Historia An...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La actividad supone la VI edición de las jornadas “Fortuna Redux” de investigación en Historia Antigua que se celebran de forma periódica en la URJC. En ellas se presentarán las últimas investigaciones relacionadas con la forma de documentar, registrar e incorporar a bases de datos dos tipos de registros epigráficos muy particulares: los grafitos históricos y la epigrafía sobre ánforas de época romana.<br />  <br />Esperamos que la actividad tenga especial repercusión entre los alumnos del grado en Historia y entre los investigadores especializados en el instrumentum domesticum (principalmente ánforas, cerámica y objetos de la vida cotidiana de época romana) y los grafitos históricos de las Universidades de la Comunidad de Madrid.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="93b335fe68e7406de8ce0ae56f102d2c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107432198,"asset_id":109250655,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107432198/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109250655"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109250655"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109250655; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109250655]").text(description); $(".js-view-count[data-work-id=109250655]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109250655; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109250655']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109250655, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "93b335fe68e7406de8ce0ae56f102d2c" } } $('.js-work-strip[data-work-id=109250655]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109250655,"title":"NUEVAS (Y VIEJAS) TECNOLOGÍAS APLICADAS AL ESTUDIO DE LA EPIGRAFÍA ANFÓRICA Y LOS GRAFITOS HISTÓRICOS. 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Although we count on a lot of information about these collectives, in most of the cases historical sources which mention them do so in the third person. Graffiti are one of the few sources through which - under specific circumstances – a direct message from the past has managed to make it to us. And, when it comes to indirect mentions, it has reached us from a context much closer to them. In all cases both the message and the analysis of the context in which they happened is highly relevant, for the perception of the disadvantaged varies depending on the historical and geographic context. <br /><br />The “disadvantaged” may be so due to a variety of reasons, the most common one being that related to poverty. However, other kinds of articles that may fit would be those on historical graffiti linked to deprivation of liberty, invisibility, marginality, minorities of any kind, intolerance, misogyny, diseases, gender, sexual practices, etc. Each historian may identify them within the period they are specialised in. Not meaning to be thorough, this concept would include papers on graffiti related to the poor, prisoners, slaves, indentured labourers, the elderly, women, homosexuals, prostitutes, religious minorities, etc. <br /><br />El planteamiento del monográfico parte de tomar en consideración la existencia, o la posibilidad de la existencia, de clases, gentes, colectivos, grupos desfavorecidos que han podido ser autores o receptores de grafitos históricos. Si bien contamos con mucha información sobre estos colectivos, en la mayoría de las ocasiones las fuentes históricas que hablan de ellos lo hacen en tercera persona. Los grafitos son una de las pocas fuentes por las que, en determinadas circunstancias, han podido enviarnos un mensaje directo desde el pasado. Y cuando se trata de menciones indirectas, nos han llegado desde un contexto mucho más cercano a ellos. En todos los casos será muy relevante tanto el mensaje como el análisis del contexto en el que se realizaron, puesto que la percepción del desfavorecido es distinta en cada contexto histórico y geográfico. <br /><br />El “desfavorecido” puede serlo por muchos motivos, siendo el más habitual el relacionado por la pobreza. Pero también podrían tener cabida artículos que giren en torno a grafitos históricos vinculados a privación de libertad, invisibilidad, marginalidad, minorías de cualquier tipo, intolerancia, misoginia, enfermedad, género, prácticas sexuales, etc. Cada historiador podrá identificarlos en el período de su especialización. Sin pretender ser exhaustivos, en este concepto entrarían trabajos sobre grafitos relacionados con pobres, presos, esclavos, trabajadores forzados, ancianos, mujeres, homosexuales, prostitutas, minorías religiosas, etc.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="060e9af6f145f721b4fde7061da2d714" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102680443,"asset_id":102399188,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102680443/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102399188"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102399188"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102399188; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102399188]").text(description); $(".js-view-count[data-work-id=102399188]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102399188; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102399188']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102399188, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "060e9af6f145f721b4fde7061da2d714" } } $('.js-work-strip[data-work-id=102399188]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102399188,"title":"Call for papers: \"Historical graffiti as the voice of the disadvantaged / Los grafitos históricos como voz de los desfavorecidos\"","translated_title":"","metadata":{"abstract":"The monograph approach is based on taking into consideration the existence - or possibility of existence - of classes, peoples, collectives, disadvantaged groups which may have been authors or recipients of historical graffiti. 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However, other kinds of articles that may fit would be those on historical graffiti linked to deprivation of liberty, invisibility, marginality, minorities of any kind, intolerance, misogyny, diseases, gender, sexual practices, etc. Each historian may identify them within the period they are specialised in. Not meaning to be thorough, this concept would include papers on graffiti related to the poor, prisoners, slaves, indentured labourers, the elderly, women, homosexuals, prostitutes, religious minorities, etc. \n\nEl planteamiento del monográfico parte de tomar en consideración la existencia, o la posibilidad de la existencia, de clases, gentes, colectivos, grupos desfavorecidos que han podido ser autores o receptores de grafitos históricos. Si bien contamos con mucha información sobre estos colectivos, en la mayoría de las ocasiones las fuentes históricas que hablan de ellos lo hacen en tercera persona. Los grafitos son una de las pocas fuentes por las que, en determinadas circunstancias, han podido enviarnos un mensaje directo desde el pasado. Y cuando se trata de menciones indirectas, nos han llegado desde un contexto mucho más cercano a ellos. En todos los casos será muy relevante tanto el mensaje como el análisis del contexto en el que se realizaron, puesto que la percepción del desfavorecido es distinta en cada contexto histórico y geográfico. \n\nEl “desfavorecido” puede serlo por muchos motivos, siendo el más habitual el relacionado por la pobreza. Pero también podrían tener cabida artículos que giren en torno a grafitos históricos vinculados a privación de libertad, invisibilidad, marginalidad, minorías de cualquier tipo, intolerancia, misoginia, enfermedad, género, prácticas sexuales, etc. Cada historiador podrá identificarlos en el período de su especialización. 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And, when it comes to indirect mentions, it has reached us from a context much closer to them. In all cases both the message and the analysis of the context in which they happened is highly relevant, for the perception of the disadvantaged varies depending on the historical and geographic context. \n\nThe “disadvantaged” may be so due to a variety of reasons, the most common one being that related to poverty. However, other kinds of articles that may fit would be those on historical graffiti linked to deprivation of liberty, invisibility, marginality, minorities of any kind, intolerance, misogyny, diseases, gender, sexual practices, etc. Each historian may identify them within the period they are specialised in. Not meaning to be thorough, this concept would include papers on graffiti related to the poor, prisoners, slaves, indentured labourers, the elderly, women, homosexuals, prostitutes, religious minorities, etc. \n\nEl planteamiento del monográfico parte de tomar en consideración la existencia, o la posibilidad de la existencia, de clases, gentes, colectivos, grupos desfavorecidos que han podido ser autores o receptores de grafitos históricos. Si bien contamos con mucha información sobre estos colectivos, en la mayoría de las ocasiones las fuentes históricas que hablan de ellos lo hacen en tercera persona. Los grafitos son una de las pocas fuentes por las que, en determinadas circunstancias, han podido enviarnos un mensaje directo desde el pasado. Y cuando se trata de menciones indirectas, nos han llegado desde un contexto mucho más cercano a ellos. En todos los casos será muy relevante tanto el mensaje como el análisis del contexto en el que se realizaron, puesto que la percepción del desfavorecido es distinta en cada contexto histórico y geográfico. \n\nEl “desfavorecido” puede serlo por muchos motivos, siendo el más habitual el relacionado por la pobreza. Pero también podrían tener cabida artículos que giren en torno a grafitos históricos vinculados a privación de libertad, invisibilidad, marginalidad, minorías de cualquier tipo, intolerancia, misoginia, enfermedad, género, prácticas sexuales, etc. Cada historiador podrá identificarlos en el período de su especialización. 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THIRD FORTUNA REDUX INTERNATIONAL SEMINAR ON RESEARCH IN ANCIENT HISTORY"" class="work-thumbnail" src="https://attachments.academia-assets.com/57130595/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37179284/_EXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIENT_HISTORY_AND_ARCHAEOLOGY_OF_ISRAEL_THIRD_FORTUNA_REDUX_INTERNATIONAL_SEMINAR_ON_RESEARCH_IN_ANCIENT_HISTORY_">*EXTENDED DEADLINE* CALL FOR PAPERS "ANCIENT HISTORY AND ARCHAEOLOGY OF ISRAEL. THIRD FORTUNA REDUX INTERNATIONAL SEMINAR ON RESEARCH IN ANCIENT HISTORY"</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Within the research activity of the Fortuna Redux group, collaboration with the international res...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Within the research activity of the Fortuna Redux group, collaboration with the international research project "Magdala Archaeological Project" occupies a prominent place. The excavation of this site in northern Israel, led by the Anáhuac University (Mexico), is bringing very significant new insights into the religion, culture, society and economy of the cities of Galilee in the first century AD. On this occasion, we propose for the III International Research Seminar on Ancient History a day focused on the topic of Ancient History and Archaeology of Israel.<br />Proposals related to the Ancient History and Archaeology of this country are welcome. Those that are related to the Jewish world in other territories will also be studied. This seminar will be honored with a guest lecture by Marcela Zapata Meza, director of the excavations in the city of Magdala.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4beb51e8fd4de6d22c36109bb0929575" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57130595,"asset_id":37179284,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57130595/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37179284"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37179284"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37179284; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37179284]").text(description); $(".js-view-count[data-work-id=37179284]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37179284; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37179284']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37179284, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4beb51e8fd4de6d22c36109bb0929575" } } $('.js-work-strip[data-work-id=37179284]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37179284,"title":"*EXTENDED DEADLINE* CALL FOR PAPERS \"ANCIENT HISTORY AND ARCHAEOLOGY OF ISRAEL. 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This seminar will be honored with a guest lecture by Marcela Zapata Meza, director of the excavations in the city of Magdala."},"translated_abstract":"Within the research activity of the Fortuna Redux group, collaboration with the international research project \"Magdala Archaeological Project\" occupies a prominent place. The excavation of this site in northern Israel, led by the Anáhuac University (Mexico), is bringing very significant new insights into the religion, culture, society and economy of the cities of Galilee in the first century AD. On this occasion, we propose for the III International Research Seminar on Ancient History a day focused on the topic of Ancient History and Archaeology of Israel.\nProposals related to the Ancient History and Archaeology of this country are welcome. Those that are related to the Jewish world in other territories will also be studied. This seminar will be honored with a guest lecture by Marcela Zapata Meza, director of the excavations in the city of Magdala.","internal_url":"https://www.academia.edu/37179284/_EXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIENT_HISTORY_AND_ARCHAEOLOGY_OF_ISRAEL_THIRD_FORTUNA_REDUX_INTERNATIONAL_SEMINAR_ON_RESEARCH_IN_ANCIENT_HISTORY_","translated_internal_url":"","created_at":"2018-08-04T03:38:31.275-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"draft","co_author_tags":[],"downloadable_attachments":[{"id":57130595,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57130595/thumbnails/1.jpg","file_name":"Call_for_papers_EN.pdf","download_url":"https://www.academia.edu/attachments/57130595/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"EXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57130595/Call_for_papers_EN-libre.pdf?1533380796=\u0026response-content-disposition=attachment%3B+filename%3DEXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIE.pdf\u0026Expires=1732529296\u0026Signature=JyxirKy0~TEjIs1pw-9ijL1eaFK6PdWOsbjRmx7GEa-7uVXUVWme6O36hrUdodvaktsTo5oj1aZI1RLDY6I7l4j5OyR5VeNyXP34F43riYfgHvbUuAwpdnui4k8nq2MQ4ZtuWKZtKXFVhqUqudmMNf6CdQ2Xda0M34jOlVT0rxTxiBcVhUDx-nmFN01i4FOQ~XUim17lHTlFMY6dby-L2TCi~Ruw4821qKGKe08qzxb~6RjBeWNureG9Zxleop2Y0b7cr57ajB-REtcl2amYRtL8~RsnksPEoKpYbWINFOkGRapUfC3YNV5jl7VdaQL~ZxV3zZt~zYqq3EHqTHUluA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_EXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIENT_HISTORY_AND_ARCHAEOLOGY_OF_ISRAEL_THIRD_FORTUNA_REDUX_INTERNATIONAL_SEMINAR_ON_RESEARCH_IN_ANCIENT_HISTORY_","translated_slug":"","page_count":2,"language":"en","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. Ozcáriz Gil","url":"https://urjc.academia.edu/PabloOzcariz"},"attachments":[{"id":57130595,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57130595/thumbnails/1.jpg","file_name":"Call_for_papers_EN.pdf","download_url":"https://www.academia.edu/attachments/57130595/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"EXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57130595/Call_for_papers_EN-libre.pdf?1533380796=\u0026response-content-disposition=attachment%3B+filename%3DEXTENDED_DEADLINE_CALL_FOR_PAPERS_ANCIE.pdf\u0026Expires=1732529296\u0026Signature=JyxirKy0~TEjIs1pw-9ijL1eaFK6PdWOsbjRmx7GEa-7uVXUVWme6O36hrUdodvaktsTo5oj1aZI1RLDY6I7l4j5OyR5VeNyXP34F43riYfgHvbUuAwpdnui4k8nq2MQ4ZtuWKZtKXFVhqUqudmMNf6CdQ2Xda0M34jOlVT0rxTxiBcVhUDx-nmFN01i4FOQ~XUim17lHTlFMY6dby-L2TCi~Ruw4821qKGKe08qzxb~6RjBeWNureG9Zxleop2Y0b7cr57ajB-REtcl2amYRtL8~RsnksPEoKpYbWINFOkGRapUfC3YNV5jl7VdaQL~ZxV3zZt~zYqq3EHqTHUluA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History"},{"id":3786,"name":"Archaeology of Ancient Israel","url":"https://www.academia.edu/Documents/in/Archaeology_of_Ancient_Israel"},{"id":6184,"name":"Israel/Palestine","url":"https://www.academia.edu/Documents/in/Israel_Palestine"},{"id":6528,"name":"Biblical Studies","url":"https://www.academia.edu/Documents/in/Biblical_Studies"},{"id":16829,"name":"Biblical Archaeology","url":"https://www.academia.edu/Documents/in/Biblical_Archaeology"},{"id":369732,"name":"History of Ancient Israel","url":"https://www.academia.edu/Documents/in/History_of_Ancient_Israel"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37024550"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37024550/_AMPLIACI%C3%93N_DEL_PLAZO_DE_PRESENTACI%C3%93N_DE_PROPUESTAS_CALL_FOR_PAPERS_HISTORIA_ANTIGUA_Y_ARQUEOLOG%C3%8DA_DE_ISRAEL_III_SEMINARIO_INTERNACIONAL_FORTUNA_REDUX_DE_INVESTIGACI%C3%93N_EN_HISTORIA_ANTIGUA_"><img alt="Research paper thumbnail of *AMPLIACIÓN DEL PLAZO DE PRESENTACIÓN DE PROPUESTAS* CALL FOR PAPERS “HISTORIA ANTIGUA Y ARQUEOLOGÍA DE ISRAEL. III SEMINARIO INTERNACIONAL FORTUNA REDUX DE INVESTIGACIÓN EN HISTORIA ANTIGUA”" class="work-thumbnail" src="https://attachments.academia-assets.com/57130594/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37024550/_AMPLIACI%C3%93N_DEL_PLAZO_DE_PRESENTACI%C3%93N_DE_PROPUESTAS_CALL_FOR_PAPERS_HISTORIA_ANTIGUA_Y_ARQUEOLOG%C3%8DA_DE_ISRAEL_III_SEMINARIO_INTERNACIONAL_FORTUNA_REDUX_DE_INVESTIGACI%C3%93N_EN_HISTORIA_ANTIGUA_">*AMPLIACIÓN DEL PLAZO DE PRESENTACIÓN DE PROPUESTAS* CALL FOR PAPERS “HISTORIA ANTIGUA Y ARQUEOLOGÍA DE ISRAEL. III SEMINARIO INTERNACIONAL FORTUNA REDUX DE INVESTIGACIÓN EN HISTORIA ANTIGUA”</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dentro de la actividad investigadora del grupo Fortuna Redux, la colaboración con el proyecto de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dentro de la actividad investigadora del grupo Fortuna Redux, la colaboración con el proyecto de investigación internacional “Magdala Archaeological Project” ocupa un lugar destacado. La excavación de este yacimiento localizado en el norte de Israel, liderada por la Universidad Anáhuac (México), está aportando novedades muy significativas en el conocimiento de la religión, la cultura, la sociedad y la economía de las ciudades de Galilea del siglo I d.C. Con este motivo, proponemos para el III Seminario Internacional de investigación en Historia Antigua una jornada centrada en el tema de la Historia Antigua y Arqueología de Israel. <br />Serán bienvenidas propuestas que estén relacionadas con la Historia Antigua y la Arqueología de este país. También se estudiarán aquellas que tengan relación con el mundo judío en otros territorios. Este seminario tendrá el honor de contar con la ponencia invitada de Marcela Zapata Meza, directora de las excavaciones de Magdala. <br /> <br />¿Cuándo y dónde se celebrará? La tercera edición se llevará a cabo el 26 de septiembre en el Campus de Fuenlabrada de la Universidad Rey Juan Carlos. <br /> <br />¿Cómo participar? Las propuestas para esta sección pueden enviarse antes del 5 de septiembre de 2018 al correo electrónico <a href="mailto:fortunaredux.urjc@gmail.com" rel="nofollow">fortunaredux.urjc@gmail.com</a>. Para poder valorar las propuestas, solicitamos que se adjunte junto a un resumen de la comunicación, un currículum resumido o una dirección web en la que se encuentren sus publicaciones (academia.edu, researchgate.net, etc.). <br /> <br />¿Cómo son las intervenciones? Serán intervenciones de un máximo de 20 minutos. Los idiomas oficiales serán el español y el inglés. Contributions in english are welcome. <br /> <br />¿Quiénes pueden participar? Todos los miembros de la comunidad académica. <br /> <br />¿Se publicarán los trabajos presentados al Seminario? Sí, está prevista la publicación de los resultados del Seminario. <br /> <br />Todo aquel que desee acudir como público será bienvenido, la asistencia será libre hasta completar el aforo. El horario definitivo y las aulas se anunciarán en la web <a href="https://fortunareduxweb.wordpress.com/" rel="nofollow">https://fortunareduxweb.wordpress.com/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b6b81dad3cfadc5948c7266d63d6166b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57130594,"asset_id":37024550,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57130594/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37024550"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37024550"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37024550; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37024550]").text(description); $(".js-view-count[data-work-id=37024550]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37024550; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37024550']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37024550, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b6b81dad3cfadc5948c7266d63d6166b" } } $('.js-work-strip[data-work-id=37024550]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37024550,"title":"*AMPLIACIÓN DEL PLAZO DE PRESENTACIÓN DE PROPUESTAS* CALL FOR PAPERS “HISTORIA ANTIGUA Y ARQUEOLOGÍA DE ISRAEL. III SEMINARIO INTERNACIONAL FORTUNA REDUX DE INVESTIGACIÓN EN HISTORIA ANTIGUA”","translated_title":"","metadata":{"abstract":"Dentro de la actividad investigadora del grupo Fortuna Redux, la colaboración con el proyecto de investigación internacional “Magdala Archaeological Project” ocupa un lugar destacado. La excavación de este yacimiento localizado en el norte de Israel, liderada por la Universidad Anáhuac (México), está aportando novedades muy significativas en el conocimiento de la religión, la cultura, la sociedad y la economía de las ciudades de Galilea del siglo I d.C. Con este motivo, proponemos para el III Seminario Internacional de investigación en Historia Antigua una jornada centrada en el tema de la Historia Antigua y Arqueología de Israel. \r\nSerán bienvenidas propuestas que estén relacionadas con la Historia Antigua y la Arqueología de este país. También se estudiarán aquellas que tengan relación con el mundo judío en otros territorios. Este seminario tendrá el honor de contar con la ponencia invitada de Marcela Zapata Meza, directora de las excavaciones de Magdala.\r\n\r\n¿Cuándo y dónde se celebrará? La tercera edición se llevará a cabo el 26 de septiembre en el Campus de Fuenlabrada de la Universidad Rey Juan Carlos. \r\n\r\n¿Cómo participar? Las propuestas para esta sección pueden enviarse antes del 5 de septiembre de 2018 al correo electrónico fortunaredux.urjc@gmail.com. Para poder valorar las propuestas, solicitamos que se adjunte junto a un resumen de la comunicación, un currículum resumido o una dirección web en la que se encuentren sus publicaciones (academia.edu, researchgate.net, etc.).\r\n\r\n¿Cómo son las intervenciones? Serán intervenciones de un máximo de 20 minutos. Los idiomas oficiales serán el español y el inglés. Contributions in english are welcome.\r\n\r\n¿Quiénes pueden participar? Todos los miembros de la comunidad académica.\r\n\r\n¿Se publicarán los trabajos presentados al Seminario? Sí, está prevista la publicación de los resultados del Seminario.\r\n\r\nTodo aquel que desee acudir como público será bienvenido, la asistencia será libre hasta completar el aforo. El horario definitivo y las aulas se anunciarán en la web https://fortunareduxweb.wordpress.com/\r\n"},"translated_abstract":"Dentro de la actividad investigadora del grupo Fortuna Redux, la colaboración con el proyecto de investigación internacional “Magdala Archaeological Project” ocupa un lugar destacado. La excavación de este yacimiento localizado en el norte de Israel, liderada por la Universidad Anáhuac (México), está aportando novedades muy significativas en el conocimiento de la religión, la cultura, la sociedad y la economía de las ciudades de Galilea del siglo I d.C. Con este motivo, proponemos para el III Seminario Internacional de investigación en Historia Antigua una jornada centrada en el tema de la Historia Antigua y Arqueología de Israel. \r\nSerán bienvenidas propuestas que estén relacionadas con la Historia Antigua y la Arqueología de este país. También se estudiarán aquellas que tengan relación con el mundo judío en otros territorios. Este seminario tendrá el honor de contar con la ponencia invitada de Marcela Zapata Meza, directora de las excavaciones de Magdala.\r\n\r\n¿Cuándo y dónde se celebrará? La tercera edición se llevará a cabo el 26 de septiembre en el Campus de Fuenlabrada de la Universidad Rey Juan Carlos. \r\n\r\n¿Cómo participar? Las propuestas para esta sección pueden enviarse antes del 5 de septiembre de 2018 al correo electrónico fortunaredux.urjc@gmail.com. Para poder valorar las propuestas, solicitamos que se adjunte junto a un resumen de la comunicación, un currículum resumido o una dirección web en la que se encuentren sus publicaciones (academia.edu, researchgate.net, etc.).\r\n\r\n¿Cómo son las intervenciones? Serán intervenciones de un máximo de 20 minutos. Los idiomas oficiales serán el español y el inglés. Contributions in english are welcome.\r\n\r\n¿Quiénes pueden participar? Todos los miembros de la comunidad académica.\r\n\r\n¿Se publicarán los trabajos presentados al Seminario? Sí, está prevista la publicación de los resultados del Seminario.\r\n\r\nTodo aquel que desee acudir como público será bienvenido, la asistencia será libre hasta completar el aforo. El horario definitivo y las aulas se anunciarán en la web https://fortunareduxweb.wordpress.com/\r\n","internal_url":"https://www.academia.edu/37024550/_AMPLIACI%C3%93N_DEL_PLAZO_DE_PRESENTACI%C3%93N_DE_PROPUESTAS_CALL_FOR_PAPERS_HISTORIA_ANTIGUA_Y_ARQUEOLOG%C3%8DA_DE_ISRAEL_III_SEMINARIO_INTERNACIONAL_FORTUNA_REDUX_DE_INVESTIGACI%C3%93N_EN_HISTORIA_ANTIGUA_","translated_internal_url":"","created_at":"2018-07-11T02:53:28.039-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":90173,"coauthors_can_edit":true,"document_type":"conference_presentation","co_author_tags":[],"downloadable_attachments":[{"id":57130594,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57130594/thumbnails/1.jpg","file_name":"Call_for_papers.pdf","download_url":"https://www.academia.edu/attachments/57130594/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"AMPLIACION_DEL_PLAZO_DE_PRESENTACION_DE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57130594/Call_for_papers-libre.pdf?1533380796=\u0026response-content-disposition=attachment%3B+filename%3DAMPLIACION_DEL_PLAZO_DE_PRESENTACION_DE.pdf\u0026Expires=1732470447\u0026Signature=MmBs05kS0XvsLECtdt33H-cUb662Sc2~5AIHWvkIOzVT1jot5xzYF6m~BBSorARwxyy6YQBRPmSyLojjHvKAImuSGCjqbP8yRoRzOg203vfnj~dzM2xDPyJ0LZWSIU1HO8-4UK1DRL3X40Xhd1I0HBJ27oRMX1KWpYd52MkkXyizm13V3tQ6IU21oCdHBYkProy2X-j6ZNnwXiDa-kL4wzeZlQxIi1b6dl2PblmCrnhGFwJM2JWM4vwtht~bgFmZNYIxgipO8vD-8s~zO3AIGdCXLUZMmuNYKCZKilnHLHSxk4P2BZscx~jWEC6mxZlv1MgiI52Ur1Nh905nAd3bwg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_AMPLIACIÓN_DEL_PLAZO_DE_PRESENTACIÓN_DE_PROPUESTAS_CALL_FOR_PAPERS_HISTORIA_ANTIGUA_Y_ARQUEOLOGÍA_DE_ISRAEL_III_SEMINARIO_INTERNACIONAL_FORTUNA_REDUX_DE_INVESTIGACIÓN_EN_HISTORIA_ANTIGUA_","translated_slug":"","page_count":2,"language":"es","content_type":"Work","owner":{"id":90173,"first_name":"P.","middle_initials":null,"last_name":"Ozcáriz Gil","page_name":"PabloOzcariz","domain_name":"urjc","created_at":"2009-11-24T20:24:38.739-08:00","display_name":"P. 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Reflexiones en torno al estudio de la administración de las provincias romanas hispanas en el Alto Imperio" class="work-thumbnail" src="https://attachments.academia-assets.com/37425828/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/12112171/37_Reflexiones_en_torno_al_estudio_de_la_administraci%C3%B3n_de_las_provincias_romanas_hispanas_en_el_Alto_Imperio">37. Reflexiones en torno al estudio de la administración de las provincias romanas hispanas en el Alto Imperio</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucm.academia.edu/RevistaAntesteria">Revista Antesteria</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://urjc.academia.edu/PabloOzcariz">P. Ozcáriz Gil</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El presente trabajo presenta unas breves reflexiones sobre el estudio de la administración provin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El presente trabajo presenta unas breves reflexiones sobre el estudio de la administración provincial en la Hispania altoimperial. Se hace mención al proceso historiográfico del estudio de los gobernadores de las provincias hispanas, sobre la desproporción de los estudios de algunos temas, o la irregularidad de la aparición de nuevas fuentes epigráficas. También se hace mención a la aportación de algunos de<br />los trabajos presentados a la mesa “Entre el Estado y la ciudad: Las provincias y las unidades subprovinciales en la Antigüedad”.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27b927096c63a66159bfd9983f227283" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37425828,"asset_id":12112171,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37425828/download_file?st=MTczMjU1NzMyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="12112171"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="12112171"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12112171; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12112171]").text(description); $(".js-view-count[data-work-id=12112171]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12112171; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='12112171']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 12112171, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27b927096c63a66159bfd9983f227283" } } $('.js-work-strip[data-work-id=12112171]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":12112171,"title":"37.\tReflexiones en torno al estudio de la administración de las provincias romanas hispanas en el Alto Imperio","translated_title":"","metadata":{"abstract":"El presente trabajo presenta unas breves reflexiones sobre el estudio de la administración provincial en la Hispania altoimperial. 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