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<!DOCTYPE html> <html lang="en" class=" story nytapp-vi-article " xmlns:og="http://opengraphprotocol.org/schema/"> <head> <meta charset="utf-8" /> <title data-rh="true">The Artist Chase Hall Wrestles With ‘Hybridity’ - The New York Times</title> <meta data-rh="true" name="robots" content="noarchive, max-image-preview:large"/><meta data-rh="true" name="description" content="The artist, who is frank about the issues raised by his mixed race, has a solo show opening in Los Angeles."/><meta data-rh="true" property="twitter:url" content="https://www.nytimes.com/2024/10/22/arts/chase-hall-wrestles-with-hybridity.html"/><meta data-rh="true" property="twitter:title" content="Chase Hall Wrestles With ‘Hybridity’"/><meta data-rh="true" property="twitter:description" content="The artist, who is frank about the issues raised by his mixed race, has a solo show opening in Los Angeles."/><meta data-rh="true" property="twitter:image" content="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall1-klgq/27sp-finearts-chasehall1-klgq-videoSixteenByNine3000.jpg"/><meta data-rh="true" property="twitter:image:alt" content="The artist Chase Hall. 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There are two paintings behind him." class="css-mm25ji" src="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall1-klgq/27sp-finearts-chasehall1-klgq-articleLarge.jpg?quality=75&auto=webp&disable=upscale" srcSet="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall1-klgq/27sp-finearts-chasehall1-klgq-articleLarge.jpg?quality=75&auto=webp 600w,https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall1-klgq/27sp-finearts-chasehall1-klgq-jumbo.jpg?quality=75&auto=webp 1024w,https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall1-klgq/27sp-finearts-chasehall1-klgq-superJumbo.jpg?quality=75&auto=webp 2048w" sizes="100vw" decoding="async" width="600" height="400"/></picture></div><figcaption data-testid="photoviewer-children-ImageCaption" class="css-ktho12 e3rygrp0"><span class="css-jevhma e13ogyst0">The artist Chase Hall. He will have a solo show at David Kordansky Gallery in Los Angeles from Nov. 8 through Dec. 14.</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span aria-hidden="false">Arden Wray for The New York Times</span></span></span></figcaption></figure></div></div><div class="css-f0d7pp"><div><p class="css-1pjtgb9 e6idgb70"></p><div class="css-1vkm6nb ehdk2mb0"><h1 id="link-12e6e327" class="css-alalph e1h9rw200" data-testid="headline">Chase Hall Wrestles With ‘Hybridity’</h1></div><p class="css-178vgup e1wiw3jv0">The artist, who is frank about the issues raised by his mixed race, has a solo show opening in Los Angeles.</p></div></div></header><div class="css-yi0xdk e89cr9k0"><p class="css-a8rmpe" aria-hidden="true"><span class="css-1f1w20n arts">The artist Chase Hall. He will have a solo show at David Kordansky Gallery in Los Angeles from Nov. 8 through Dec. 14.</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span>Arden Wray for The New York Times</span></span></span></p></div><div id="sponsor-wrapper" class="css-1hyfx7x"><div id="sponsor-slug" class="css-twqvxd"><p>Supported by</p></div><a href="#after-sponsor" class="css-777zgl">SKIP ADVERTISEMENT</a><div class="ad sponsor-wrapper css-rfqw0c" id="sponsor"></div><div id="after-sponsor"></div></div><div class="css-141yyh8 e89cr9k1"><div class="css-1mc46rn"><div class="css-1von7hd"><audio preload="metadata" src="https://static.nytimes.com/narrated-articles/synthetic/article-c577fe97-5b42-5cb7-833b-065beb2f2646/job-1729627994233/article-c577fe97-5b42-5cb7-833b-065beb2f2646-job-1729627994233.mp3" type="audio/mpeg"></audio><div class="css-b8gc4a"><div class="css-79elbk"><button type="button" class="css-1xny6fl" aria-label="Listen to article"><svg 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src="https://static01.nyt.com/images/2019/09/15/arts/pogrebin-robin/pogrebin-robin-thumbLarge-v2.png" class="css-dc6zx6 ey68jwv2"/></a></div><div class="css-233int epjyd6m1"><p class="css-4anu6l e1jsehar1"><span class="byline-prefix">By </span><a href="https://www.nytimes.com/by/robin-pogrebin" class="last-byline css-ojhyzr e1jsehar0" itemProp="name">Robin Pogrebin</a></p><div class="css-gqryk5 epjyd6m0"><div id="enhanced-byline" class="css-8atqhb"><p class="css-1hyokyd e1wtpvyy0">Reporting from West Park, N.Y.</p></div></div></div></div><ul class="css-1cgskve epjyd6m4"><li class="css-ccw2r3 epjyd6m3"><time dateTime="2024-10-22T05:02:33-04:00" class="css-1gu861y e16638kd2"><span class="css-1sbuyqj e16638kd3">Oct. 22, 2024</span></time></li></ul></div></div></div><section name="articleBody" class="meteredContent css-1r7ky0e"><div class="css-s99gbd StoryBodyCompanionColumn" data-testid="companionColumn-0"><div class="css-53u6y8"><p class="css-798hid etfikam0">This article is part of the <a class="css-yywogo" href="https://www.nytimes.com/spotlight/fine-arts-special-section" title="">Fine Arts & Exhibits</a> special section on the art world stretching boundaries with new artists, new audiences and new technology.</p><hr class="css-7ad88g e1mu4ftr0"/><p class="css-at9mc1 evys1bk0">It isn’t hard to get Chase Hall talking. Having grown up with a mother in and out of rehab and a father in and out of jail; attended eight schools before the age of 16; and achieved an enviable degree of fame for an untrained 31-year-old artist, Hall has a lot to say.</p><p class="css-at9mc1 evys1bk0">He is generally expressing himself through his paintings, several of which will be on view in his solo show at David Kordansky Gallery in Los Angeles, which opens Nov. 8 and runs through Dec. 14.</p><p class="css-at9mc1 evys1bk0">But in a recent lengthy conversation at his studio in upstate New York, Hall also posed some of the complex questions that clearly — and consistently — consume him.</p><p class="css-at9mc1 evys1bk0">“How do things that define you, but don’t end you, actually make you better instead of paralyze you?”</p></div><aside class="css-ew4tgv" aria-label="companion column"></aside></div><div data-testid="Dropzone-1"></div><div class="css-s99gbd StoryBodyCompanionColumn" data-testid="companionColumn-1"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">“What does rap music teach you? What do Blaxploitation films teach you? What do you see when you live in low income? And then what do you see when you’re in high income?”</p><p class="css-at9mc1 evys1bk0">“Who’s talking about what it’s like to be Black and white at the same time?”</p></div><aside class="css-ew4tgv" aria-label="companion column"></aside></div><div data-testid="ImageBlock-3"><div data-testid="imageblock-wrapper"><figure class="img-sz-full css-1kwayi3 e1g7ppur0" aria-label="media" role="group"><div class="css-1xdhyk6 erfvjey0" data-testid="photoviewer-children-figure"><span class="css-1ly73wi e1tej78p0">Image</span><picture><source media="(max-width: 599px) and (min-device-pixel-ratio: 3),(max-width: 599px) and (min-resolution: 3dppx),(max-width: 599px) and (min-resolution: 288dpi)" srcSet="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-mobileMasterAt3x.jpg?quality=75&auto=webp&disable=upscale&width=1800"/><source media="(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)" srcSet="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-mobileMasterAt3x.jpg?quality=75&auto=webp&disable=upscale&width=1200"/><source media="(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)" srcSet="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-mobileMasterAt3x.jpg?quality=75&auto=webp&disable=upscale&width=600"/><img alt="An artist works on a mural on the right, with other paintings on the wall behind him." class="css-r3fift" src="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-articleLarge.jpg?quality=75&auto=webp&disable=upscale" srcSet="https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-articleLarge.jpg?quality=75&auto=webp 600w,https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-jumbo.jpg?quality=75&auto=webp 1024w,https://static01.nyt.com/images/2024/10/27/multimedia/27sp-finearts-chasehall-02-cjzb/27sp-finearts-chasehall-02-cjzb-superJumbo.jpg?quality=75&auto=webp 2048w" sizes="100vw" uri="nyt://image/e4ee9314-13ff-5bf9-8ae7-d6ed7098a832" decoding="async" width="600" height="407"/></picture></div><figcaption data-testid="photoviewer-children-caption" class="css-o5l7z4 ewdxa0s0"><span class="css-jevhma e13ogyst0">Hall working on “The Future and The Past (God is Us)” in September. Many of the paintings in his studio depict surfers, equestrians and football players rendered in bold lines and vibrant color.</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span aria-hidden="false">Arden Wray for The New York Times</span></span></span></figcaption></figure></div></div><div data-testid="Optimistic-4"><div class="css-1336jj"><div class="css-121kum4"><div class="css-171quhb"></div><div class="css-asuuk5"><noscript><div class="css-7axq9l" data-testid="optimistic-truncator-noscript"><svg width="24" height="24" viewBox="0 0 24 24" aria-hidden="true" class="css-1b5b8u1"><path fill="currentColor" fill-rule="evenodd" d="M2.5 12a9.5 9.5 0 1 1 19 0 9.5 9.5 0 0 1-19 0Zm8.5 1.75v-7.5h2v7.5h-2Zm0 2v2h2v-2h-2Z" clip-rule="evenodd"></path></svg><div data-testid="optimistic-truncator-noscript-message" class="css-6yo1no"><p class="css-3kpklk">We are having trouble retrieving the article content.</p><p class="css-3kpklk">Please enable JavaScript in your browser settings.</p></div></div></noscript><div class="css-1dv1kvn" id="optimistic-truncator-a11y" tabindex="-1"><hr/><p>Thank you for your patience while we verify access. 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And he says he has increasingly made peace with his past and with his parents."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":true,"adsMobileHoldout":true,"bad":false,"index":19},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“My mom is three years sober, and my dad is rehabilitating himself,” Hall said. “Through holding people accountable and thinking more deeply, I was able to have these constructive and intense conversations with both my mom and dad over the last five, 10 years that have allowed us to all start healing and grieving and thinking about the next chapter of our lives with the baby."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":true,"adsDesktopHoldout":true,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":20},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“It came to a point now where I had to create, lead by example,” he continued. “I didn’t want to keep pointing the fingers like, ‘How could you put me through that crap?’ Or, ‘Where were you?’”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":true,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":21},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"Born in Saint Paul, Minn., to a white mother and a Black father, Hall said he grew up being called names like “piss-colored” and “yellow boy.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":true,"bad":false,"index":22},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"Hall initially wanted to be a photojournalist — “think Gordon Parks slash Langston Hughes” — but, after being moved to tears in front of a Henry Taylor painting at MoMA, ultimately realized art was his calling. He did a residency at Skowhegan in Maine. He studied under Catherine Opie at a residency in Florida."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":true,"adsMobileHoldout":false,"bad":true,"index":23},{"__typename":"ImageBlock","media":{"__typename":"Image","altText":"A horizontal painting of a crowd of Black people.","caption":{"__typename":"TextOnlyDocumentBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“The Future and The Past (God is Us),” made this year by Chase Hall."}]}],"text":"“The Future and The Past (God is Us),” made this year by Chase Hall."},"credit":"David Kordansky Gallery. Photo Christopher Stach","crops":[{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":246,"name":"articleLarge","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-articleLarge.jpg","width":600},{"__typename":"ImageRendition","height":267,"name":"popup","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-popup.jpg","width":650},{"__typename":"ImageRendition","height":420,"name":"jumbo","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-jumbo.jpg","width":1024},{"__typename":"ImageRendition","height":841,"name":"superJumbo","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-superJumbo.jpg","width":2048}]},{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":150,"name":"thumbLarge","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-thumbLarge.jpg","width":150}]},{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":78,"name":"articleInline","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-articleInline.jpg","width":190}]},{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":739,"name":"mobileMasterAt3x","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg\u002F27sp-finearts-chasehall-mfbg-mobileMasterAt3x.jpg","width":1800}]}],"id":"SW1hZ2U6bnl0Oi8vaW1hZ2UvZWFmMWQ2YWItOWYxYS01Zjg1LTgzYjktYjFjNGJkMGYyNDY4","imageType":"photo","legacyHtmlCaption":"“The Future and The Past (God is Us),” made this year by Chase Hall.","timesTags":[],"uri":"nyt:\u002F\u002Fimage\u002Feaf1d6ab-9f1a-5f85-83b9-b1c4bd0f2468","url":"\u002Fimagepages\u002F2024\u002F10\u002F22\u002Fmultimedia\u002F27sp-finearts-chasehall-mfbg.html"},"size":"FULL"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":true,"index":24},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“I had found painting, I had found other artists, I had found critical thinking,” he said. “All of these things came at a time when my life was completely falling apart. So it was this beautiful infrastructure for me."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":25},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“Oftentimes we speak about the art world as this kind of cherry on top, but it really wasn’t that for me,” he continued. “It was a substance. It was a lifeline. It was a community.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":true,"adsDesktopHoldout":true,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":true,"bad":false,"index":26},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"Hall uses coffee as a pigment and cotton canvas — well aware that coffee and cotton were slave crops. “I use the coffee as a representation of Blackness, and I utilize the cotton as a representation of whiteness,” he said."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":true,"adsMobile":true,"adsMobileHoldout":false,"bad":false,"index":27},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"Akili Tommasino. an associate curator at the Met, said Hall “thinks of the material itself as a metaphor for the exploitation of people of African descent through the trans-Atlantic slave trade and generational enslavement,” calling the Met’s recent acquisition “one of Chase’s most developed works in terms of featuring the range of conceptual and aesthetic innovations that he’s been working on.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":28},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"Hall’s first solo gallery show opened at the Monique Meloche Gallery in Chicago in 2020, followed by one at the Clearing gallery in Brooklyn in 2021 and at Eva Presenhuber in Zurich in 2022."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":29},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"He recently moved his home and studio to a remote part of upstate New York in part to get some distance from the frenzy of the art world and to establish an oasis of his own. Hall always yearned for that country house ideal, he said — “throw the ball with your brothers and sisters, run around with the dog, go fishing. These leisure moments or opportunities to relax and exist and be together.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":true,"bad":false,"index":30},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"The artist said he now tried to take those contemplative moments with his new family, though this had been a radical adjustment from his former life of working day and night and going to gallery openings."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":true,"adsDesktopHoldout":true,"adsHybrid":false,"adsMobile":true,"adsMobileHoldout":false,"bad":false,"index":31},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"But despite his current more tranquil and bucolic existence, Hall clearly continues to grapple with the thorny issues of identity raised by his mixed race, using terms like “hybridity,” “duality.” and “palindromic.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":true,"index":32},{"__typename":"ImageBlock","media":{"__typename":"Image","altText":"A man stands outside a brick building with another building, which looks like a barn, off to the right.","caption":{"__typename":"TextOnlyDocumentBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"Hall stood near his studio in West Park, N.Y."}]}],"text":"Hall stood near his studio in West Park, N.Y."},"credit":"Arden Wray for The New York Times","crops":[{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":400,"name":"articleLarge","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-articleLarge.jpg","width":600},{"__typename":"ImageRendition","height":433,"name":"popup","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-popup.jpg","width":650},{"__typename":"ImageRendition","height":683,"name":"jumbo","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-jumbo.jpg","width":1024},{"__typename":"ImageRendition","height":1365,"name":"superJumbo","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-superJumbo.jpg","width":2048}]},{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":150,"name":"thumbLarge","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-thumbLarge.jpg","width":150}]},{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":127,"name":"articleInline","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-articleInline.jpg","width":190}]},{"__typename":"ImageCrop","renditions":[{"__typename":"ImageRendition","height":1200,"name":"mobileMasterAt3x","url":"https:\u002F\u002Fstatic01.nyt.com\u002Fimages\u002F2024\u002F10\u002F27\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb\u002F27sp-finearts-chasehall-04-cjzb-mobileMasterAt3x.jpg","width":1800}]}],"id":"SW1hZ2U6bnl0Oi8vaW1hZ2UvNGY1NTUxZDUtOTY0Mi01NTc0LWJiODAtNGIzZjFlNGE0ZjVk","imageType":"photo","legacyHtmlCaption":"Hall stood near his studio in West Park, N.Y.","timesTags":[],"uri":"nyt:\u002F\u002Fimage\u002F4f5551d5-9642-5574-bb80-4b3f1e4a4f5d","url":"\u002Fimagepages\u002F2024\u002F10\u002F22\u002Fmultimedia\u002F27sp-finearts-chasehall-04-cjzb.html"},"size":"LARGE"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":true,"index":33},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“You’re still marginalized because you’re not 100 percent white, and you’re still vilified — and not getting the complete love of what it would be to be completely Black, without a colonial genetic history,” he said. “I am emboldening that confusion instead of running from it.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":true,"bad":false,"index":34},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“Just as much as I am Black, I am white,” Hall continued. “Until we tackle that mixedness that’s only becoming more common around the world, we will always stay in the vacuums of these identities and races.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":true,"adsMobileHoldout":false,"bad":false,"index":35},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"To be sure, Hall realizes that he will never be completely free of his troubled history (he said his uncle was killed by police and his aunt was murdered in a drug deal gone wrong). But he has tried to learn from it rather than repeat it. “Between my mom and dad, I had a lot of great examples of what not to do,” he said."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":36},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"The artist has also developed an inner resilience that has enabled him to persevere and succeed. And, after so many years of having to fudge the facts about what his parents did, he said he’s grown committed to truth-telling."}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":37},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"“How do I flip myself inside out and still stand tall and look you in the eyes and keep my chin up?” he said. “That’s what my work is. It’s not easy. It’s damaging, it’s burning a candle at both ends and it’s the rage and the grin-and-bear-it that many of us deal with.”"}],"textAlign":"LEFT"},{"__typename":"Dropzone","adsDesktop":false,"adsDesktopHoldout":false,"adsHybrid":false,"adsMobile":false,"adsMobileHoldout":false,"bad":false,"index":38},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[],"text":"So while some young artists might struggle in the glare of art world fame, Hall said that pressure was a “piece of cake,” given that he’s sat in front of district attorneys watching his mother cry in handcuffs. “What is it like to be in the art world?” he said. “It’s nothing compared to the real world.”"}],"textAlign":"LEFT"}]},"storyFormat":"Article","storylines":[{"__typename":"AssociatedStoryline","ruleName":"styln-art-nyc","storyline":{"__typename":"Storyline","context":null,"displayName":"N.Y.C. Art and Museums","experimentalJsonBlob":"{\"data\":[{\"version\":1,\"type\":\"experimentalJsonBlob\",\"data\":[{\"version\":1,\"type\":\"guide\",\"data\":{\"title\":\"Art and Museums in New York City\",\"leadIn\":\"A guide to the shows, exhibitions and artists shaping the city’s cultural landscape.\",\"sections\":[{\"section\":[{\"type\":\"bulletedList\",\"value\":[\"\u003Cstrong\u003EIn the Footsteps of the Enslaved:\u003C\u002Fstrong\u003E In “Stony the Road,” at Sean Kelly Gallery, the photographer Dawoud Bey offers a \u003Ca href=\\\"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F01\u002F30\u002Farts\u002Fdesign\u002Fdawoud-bey-sean-kelly.html\\\"\u003Ecaptive’s-eye view of the Richmond Slave Trail\u003C\u002Fa\u003E.\",\"\u003Cstrong\u003EJudith Bernstein at 82:\u003C\u002Fstrong\u003E The artist who made a name for herself with huge drawings of hairy phallic screws presents \u003Ca href=\\\"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F01\u002F30\u002Farts\u002Fdesign\u002Fjudith-bernstein-artist-kasmin-gallery.html\\\"\u003Ea world of work with exuberant energy over 60 years\u003C\u002Fa\u003E.\",\"\u003Cstrong\u003EFrom Crime Scenes to Hollywood Stars:\u003C\u002Fstrong\u003E ICP offers a rare display of late-career portraits of celebrities alongside the classic New York photos that the photographer Arthur Fellig, better known as Weegee, is celebrated for. \u003Ca href=\\\"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F02\u002F06\u002Farts\u002Fdesign\u002Fweegee-icp-crime-scenes-photography.html\\\"\u003EHow did he go wrong\u003C\u002Fa\u003E?\",\"\u003Cstrong\u003EAnne Frank’s Secret Annex:\u003C\u002Fstrong\u003E For the first time outside of Amsterdam, an exhibition at the Center for Jewish History \u003Ca href=\\\"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F01\u002F22\u002Farts\u002Fdesign\u002Fanne-frank-annex-new-york.html\\\"\u003Ereconstructs the Frank family’s hiding place\u003C\u002Fa\u003E during the devastation of the Holocaust.\",\"\u003Cstrong\u003ELooking for More Art?:\u003C\u002Fstrong\u003E Here are the gallery shows \u003Ca href=\\\"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F02\u002F06\u002Farts\u002Fart-galleries-nyc-february.html\\\"\u003Enot to miss in February\u003C\u002Fa\u003E.\"]}]}]}}]}]}","guide":{"__typename":"StorylineGuide","displayName":"Art and Museums in New York City","leadIn":"A guide to the shows, exhibitions and artists shaping the city’s cultural landscape.","sections":[{"__typename":"StorylineGuideSection","items":[{"__typename":"StorylineGuideItem","content":{"__typename":"ListBlock","content":[{"__typename":"ListItemBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[{"__typename":"BoldFormat"}],"text":"In the Footsteps of the Enslaved:"},{"__typename":"TextInline","formats":[],"text":" In “Stony the Road,” at Sean Kelly Gallery, the photographer Dawoud Bey offers a "},{"__typename":"TextInline","formats":[{"__typename":"LinkFormat","uri":"nyt:\u002F\u002Farticle\u002Fc09463c7-1e10-51a5-a5a1-a77fb9b369e3","url":"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F01\u002F30\u002Farts\u002Fdesign\u002Fdawoud-bey-sean-kelly.html"}],"text":"captive’s-eye view of the Richmond Slave Trail"},{"__typename":"TextInline","formats":[],"text":"."}]}]},{"__typename":"ListItemBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[{"__typename":"BoldFormat"}],"text":"Judith Bernstein at 82:"},{"__typename":"TextInline","formats":[],"text":" The artist who made a name for herself with huge drawings of hairy phallic screws presents "},{"__typename":"TextInline","formats":[{"__typename":"LinkFormat","uri":"nyt:\u002F\u002Farticle\u002F0dd4e6f9-5520-52e5-a9e4-1ccd925b0cd6","url":"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F01\u002F30\u002Farts\u002Fdesign\u002Fjudith-bernstein-artist-kasmin-gallery.html"}],"text":"a world of work with exuberant energy over 60 years"},{"__typename":"TextInline","formats":[],"text":"."}]}]},{"__typename":"ListItemBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[{"__typename":"BoldFormat"}],"text":"From Crime Scenes to Hollywood Stars:"},{"__typename":"TextInline","formats":[],"text":" ICP offers a rare display of late-career portraits of celebrities alongside the classic New York photos that the photographer Arthur Fellig, better known as Weegee, is celebrated for. "},{"__typename":"TextInline","formats":[{"__typename":"LinkFormat","uri":"nyt:\u002F\u002Farticle\u002F58699a85-7329-5972-a875-8a3780a9dbc3","url":"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F02\u002F06\u002Farts\u002Fdesign\u002Fweegee-icp-crime-scenes-photography.html"}],"text":"How did he go wrong"},{"__typename":"TextInline","formats":[],"text":"?"}]}]},{"__typename":"ListItemBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[{"__typename":"BoldFormat"}],"text":"Anne Frank’s Secret Annex:"},{"__typename":"TextInline","formats":[],"text":" For the first time outside of Amsterdam, an exhibition at the Center for Jewish History "},{"__typename":"TextInline","formats":[{"__typename":"LinkFormat","uri":"nyt:\u002F\u002Farticle\u002F44e68e5e-ac6b-53d8-a46b-dcd5fa9bba52","url":"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F01\u002F22\u002Farts\u002Fdesign\u002Fanne-frank-annex-new-york.html"}],"text":"reconstructs the Frank family’s hiding place"},{"__typename":"TextInline","formats":[],"text":" during the devastation of the Holocaust."}]}]},{"__typename":"ListItemBlock","content":[{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[{"__typename":"BoldFormat"}],"text":"Looking for More Art?:"},{"__typename":"TextInline","formats":[],"text":" Here are the gallery shows "},{"__typename":"TextInline","formats":[{"__typename":"LinkFormat","uri":"nyt:\u002F\u002Farticle\u002F093c1b85-0d54-5107-947b-5dcc4ecd5d99","url":"https:\u002F\u002Fwww.nytimes.com\u002F2025\u002F02\u002F06\u002Farts\u002Fart-galleries-nyc-february.html"}],"text":"not to miss in February"},{"__typename":"TextInline","formats":[],"text":"."}]}]}]}}]}]},"hubAssets":[],"primaryAssets":[],"promotedLiveAssets":[],"tone":"FEATURE","topLinks":null,"uri":"nyt:\u002F\u002Fstoryline\u002Ffaa39fec-a588-4028-8cd9-0ea087ea7642","url":"https:\u002F\u002Fwww.nytimes.com\u002Fstoryline\u002Ffaa39fec-a588-4028-8cd9-0ea087ea7642"},"testName":""},{"__typename":"AssociatedStoryline","ruleName":"styln-special-fine-arts","storyline":{"__typename":"Storyline","context":null,"displayName":"Fine Arts & Exhibits","experimentalJsonBlob":"{\"data\":[{\"version\":1,\"type\":\"experimentalJsonBlob\",\"data\":[{\"version\":1,\"type\":\"topLinks\",\"data\":{\"title\":\"The Fine Arts & Exhibits Special Section\",\"imageUrl\":\"\",\"leadIn\":\"\",\"bulletedList\":[\"\u003Cstrong\u003EGiant-Sized Exhibits\u003C\u002Fstrong\u003E\u003Cstrong\u003E: \u003C\u002Fstrong\u003EA free museum near Route 66 celebrates \u003Ca 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