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<!DOCTYPE html> <html > <head> <meta charset="utf-8"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <meta content="width=device-width, initial-scale=1" name="viewport"> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs"> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="VbBjBWwa6v7LDEIEbitq9FYUJgqXlYM87sRvX-rfZLFKht1yujK3s5oM3x53Gb2RVrY4ONwmWqgPYDAq1Mg0BA" /> <meta name="citation_title" content="Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism" /> <meta name="citation_publication_date" content="2015/01/01" /> <meta name="citation_journal_title" content="The Living Line: Modern Art and the Economy of Energy" /> <meta name="citation_author" content="Robin Veder" /> <meta name="twitter:card" content="summary" /> <meta name="twitter:url" content="https://www.academia.edu/11188149/Introduction_Body_Cultures_Physiological_Aesthetics_and_Kinaesthetic_Modernism" /> <meta name="twitter:title" content="Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism" /> <meta name="twitter:description" content="The Living Line is about kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to" /> <meta name="twitter:image" content="https://0.academia-photos.com/25418/8238/15892445/s200_robin.veder.png" /> <meta property="fb:app_id" content="2369844204" /> <meta property="og:type" content="article" /> <meta property="og:url" content="https://www.academia.edu/11188149/Introduction_Body_Cultures_Physiological_Aesthetics_and_Kinaesthetic_Modernism" /> <meta property="og:title" content="Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism" /> <meta property="og:image" content="http://a.academia-assets.com/images/open-graph-icons/fb-paper.gif" /> <meta property="og:description" content="The Living Line is about kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to" /> <meta property="article:author" content="https://si.academia.edu/RobinVeder" /> <meta name="description" content="The Living Line is about kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to" /> <title>(PDF) Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism</title> <link rel="canonical" href="https://www.academia.edu/11188149/Introduction_Body_Cultures_Physiological_Aesthetics_and_Kinaesthetic_Modernism" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = 'b092bf3a3df71cf13feee7c143e83a57eb6b94fb'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1739842868000); window.Aedu.timeDifference = new Date().getTime() - 1739842868000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"The Living Line is about kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to art was galvanized by theories of kinaesthetic bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, she contends that aesthetic modernism shared industrial modernity’s objective of efficiently managing neuromuscular energy. In a series of interconnected case studies, this book demonstrates that diverse modernists associated with the Armory Show, the Société Anonyme, the Stieglitz circle (especially O’Keeffe), and the Barnes Foundation participated in these discourses and practices and that “kin-aesthetic modernism” greatly influenced the formation of modern art in America and beyond.","author":[{"@context":"https://schema.org","@type":"Person","name":"Robin Veder","url":"https://si.academia.edu/RobinVeder"}],"contributor":[],"dateCreated":"2015-03-01","dateModified":"2019-02-16","datePublished":"2015-01-01","headline":"Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism","image":"https://attachments.academia-assets.com/36818044/thumbnails/1.jpg","inLanguage":"en","keywords":["Modernism (Art History)","Dance History","Modernism","Kinesthetic Empathy","Kinesthesia","History of the Body","Kinaesthesia","Physiological Aesthetics","Kinesthetic modernism","Kinaesthetic 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window.loswp.work = {"work":{"id":11188149,"created_at":"2015-03-01T13:34:03.643-08:00","from_world_paper_id":null,"updated_at":"2021-01-16T23:11:41.795-08:00","_data":{"abstract":"The Living Line is about kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to art was galvanized by theories of kinaesthetic bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, she contends that aesthetic modernism shared industrial modernity’s objective of efficiently managing neuromuscular energy. In a series of interconnected case studies, this book demonstrates that diverse modernists associated with the Armory Show, the Société Anonyme, the Stieglitz circle (especially O’Keeffe), and the Barnes Foundation participated in these discourses and practices and that “kin-aesthetic modernism” greatly influenced the formation of modern art in America and beyond.","publication_date":"2015,,","publication_name":"The Living Line: Modern Art and the Economy of Energy"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [25418]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":36818044,"attachmentType":"pdf"}"><img alt="First page of “Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/36818044/mini_magick20190306-1062-1h0gs5n.png?1551927227" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Introduction: Body Cultures, Physiological Aesthetics, and Kinaesthetic Modernism</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="25418" href="https://si.academia.edu/RobinVeder"><img alt="Profile image of Robin Veder" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/25418/8238/15892445/s65_robin.veder.png" />Robin Veder</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2015, The Living Line: Modern Art and the Economy of Energy</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">40 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 11188149; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">The Living Line is about kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to art was galvanized by theories of kinaesthetic bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, she contends that aesthetic modernism shared industrial modernity’s objective of efficiently managing neuromuscular energy. In a series of interconnected case studies, this book demonstrates that diverse modernists associated with the Armory Show, the Société Anonyme, the Stieglitz circle (especially O’Keeffe), and the Barnes Foundation participated in these discourses and practices and that “kin-aesthetic modernism” greatly influenced the formation of modern art in America and beyond.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":36818044,"attachmentType":"pdf","workUrl":"https://www.academia.edu/11188149/Introduction_Body_Cultures_Physiological_Aesthetics_and_Kinaesthetic_Modernism"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":36818044,"attachmentType":"pdf","workUrl":"https://www.academia.edu/11188149/Introduction_Body_Cultures_Physiological_Aesthetics_and_Kinaesthetic_Modernism"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Davies and ‘Continuous Composition,’ and Efficient Aesthetics” catalog essay for Maier Museum, January 2013</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="25418" href="https://si.academia.edu/RobinVeder">Robin Veder</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Modern Movements: Arthur Bowen Davies Works on Paper from the Randolph College and Mac Cosgrove-Davies Collections, 2013</p><p class="ds-related-work--abstract ds2-5-body-sm">In this case study drawn from Veder's book, The Living Line: Modern Art and the Economy of Energy (2015), this catalogue essay profiles Arthur B. Davies's engagement with kinaesthetic modernism: the connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture. Veder argues that American modernism’s formalist approach to art was galvanized by theories of kinaesthetic bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, she contends that aesthetic modernism shared industrial modernity’s objective of efficiently managing neuromuscular energy. In a series of interconnected case studies, this book demonstrates that diverse modernists associated with the Armory Show, the Société Anonyme, the Stieglitz circle (especially O’Keeffe), and the Barnes Foundation participated in these discourses and practices and that “kin-aesthetic modernism” greatly influenced the formation of modern art in America and beyond.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Modern Motives: Arthur B. Davies and ‘Continuous Composition,’ and Efficient Aesthetics” catalog essay for Maier Museum, January 2013","attachmentId":31075833,"attachmentType":"pdf","work_url":"https://www.academia.edu/2916313/Modern_Motives_Arthur_B_Davies_and_Continuous_Composition_and_Efficient_Aesthetics_catalog_essay_for_Maier_Museum_January_2013","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/2916313/Modern_Motives_Arthur_B_Davies_and_Continuous_Composition_and_Efficient_Aesthetics_catalog_essay_for_Maier_Museum_January_2013"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="89350580" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/89350580/Historicizing_pose_the_body_in_the_modern_era_Review_of_Emmelyn_Butterfield_Rosen_Modern_Art_and_the_Remaking_of_Human_Disposition_Chicago_University_of_Chicago_Press_2021_352pp_55_00_hdbk_ISBN_9780226745046_54_99_pdf_and_epub_ISBN_9780226745183_">Historicizing pose: the body in the modern era [Review of Emmelyn Butterfield-Rosen, Modern Art & the Remaking of Human Disposition, Chicago: University of Chicago Press, 2021, 352pp., $55.00 hdbk, ISBN: 9780226745046, $54.99 pdf & epub, ISBN: 9780226745183]</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9410612" href="https://brr.academia.edu/ShanaCooperstein">Shana Cooperstein</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Art Historiography, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">By the end of the nineteenth century, artists across Europe revived archaic modes of posing the body. This review assesses recent scholarship by Emmelyn Butterfield-Rosen on the subject of posture and its relationship to psychology in European modernism.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Historicizing pose: the body in the modern era [Review of Emmelyn Butterfield-Rosen, Modern Art \u0026 the Remaking of Human Disposition, Chicago: University of Chicago Press, 2021, 352pp., $55.00 hdbk, ISBN: 9780226745046, $54.99 pdf \u0026 epub, ISBN: 9780226745183]","attachmentId":93165562,"attachmentType":"pdf","work_url":"https://www.academia.edu/89350580/Historicizing_pose_the_body_in_the_modern_era_Review_of_Emmelyn_Butterfield_Rosen_Modern_Art_and_the_Remaking_of_Human_Disposition_Chicago_University_of_Chicago_Press_2021_352pp_55_00_hdbk_ISBN_9780226745046_54_99_pdf_and_epub_ISBN_9780226745183_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/89350580/Historicizing_pose_the_body_in_the_modern_era_Review_of_Emmelyn_Butterfield_Rosen_Modern_Art_and_the_Remaking_of_Human_Disposition_Chicago_University_of_Chicago_Press_2021_352pp_55_00_hdbk_ISBN_9780226745046_54_99_pdf_and_epub_ISBN_9780226745183_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="31151911" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/31151911/Movement_for_Movement_s_Sake_On_the_Relationship_Between_Kinaesthesia_and_Aesthetics">Movement for Movement' s Sake? On the Relationship Between Kinaesthesia and Aesthetics</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="76801" href="https://pitt.academia.edu/MarkPaterson">Mark Paterson</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Movement and, more particularly, kinesthesia as a modality and as a metaphor has become of interest at the intersection of phenomenology and cognitive science. In this paper I wish to combine three historically related strands, aisthêsis, kinesthesis and aesthetics, to advance an argument concerning the aesthetic value of certain somatic sensations. Firstly, by capitalizing on a recent regard for somatic or inner bodily senses, including kinesthesia, proprioception and the vestibular system by drawing lines of historical continuity from earlier philosophical investigations on bodily background experience, initially from aisthêsis, Aristotle’s concept of the sensory faculty. Secondly, concepts of the sensate body are advanced through discoveries in the nervous system and related discussions of the ‘inner’ senses such as Charles Bell’s ‘muscle sense’ (1826), and what Charles Sherrington later termed ‘proprio-ception’ (1906). irdly, we consider the possibility of aesthetic status for those inner senses, where recently aesthetic arguments by Montero (2006) and Cole and Montero (2007) seek to determine aesthetic criteria for proprioception, and similarly in dance theory the aesthetic status of kinesthesia has been questioned (e.g. Foster 2011). Finally we consider whether previous exposure to a ‘grammar’ of movement is a factor in determining the relative aesthetic value.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Movement for Movement' s Sake? On the Relationship Between Kinaesthesia and Aesthetics","attachmentId":51586748,"attachmentType":"pdf","work_url":"https://www.academia.edu/31151911/Movement_for_Movement_s_Sake_On_the_Relationship_Between_Kinaesthesia_and_Aesthetics","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/31151911/Movement_for_Movement_s_Sake_On_the_Relationship_Between_Kinaesthesia_and_Aesthetics"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="66139531" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/66139531/Review_of_Kinaesthetic_Knowing_Aesthetics_Epistemology_Modern_Design_by_Zeynep_%C3%87elik_Alexander">Review of Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design, by Zeynep Çelik Alexander</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="333828" href="https://umn-morris.academia.edu/PriyankaBasu">Priyanka Basu</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal18: A Journal of Eighteenth-Century Art and Culture, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Zeynep Çelik Alexander's Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design offers a new account of German modernism told through the history of its preoccupation with bodily experience from the mid-nineteenth to the early twentieth centuries. The resulting work speaks to interrelated histories of German-speaking intellectual history, art history, architecture, applied arts, and art and design education, holding interest for scholars working in any of these areas and beyond. The book, broadly considered, emerges out of an interest in art history's intellectual and institutional foundations that was energized in the early 1990s,</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review of Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design, by Zeynep Çelik Alexander","attachmentId":97061981,"attachmentType":"pdf","work_url":"https://www.academia.edu/66139531/Review_of_Kinaesthetic_Knowing_Aesthetics_Epistemology_Modern_Design_by_Zeynep_%C3%87elik_Alexander","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/66139531/Review_of_Kinaesthetic_Knowing_Aesthetics_Epistemology_Modern_Design_by_Zeynep_%C3%87elik_Alexander"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="5282152" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/5282152/Surviving_at_the_crossroads_production_and_performance_of_a_dancer_s_body_pg_9_">Surviving at the crossroads: production and performance of a dancer’s body (pg 9)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="386238" href="https://independent.academia.edu/ShrutiGhosh3">Shruti Ghosh</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Dance House Diary, Issue 5, 2013</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Surviving at the crossroads: production and performance of a dancer’s body (pg 9)","attachmentId":32455577,"attachmentType":"pdf","work_url":"https://www.academia.edu/5282152/Surviving_at_the_crossroads_production_and_performance_of_a_dancer_s_body_pg_9_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/5282152/Surviving_at_the_crossroads_production_and_performance_of_a_dancer_s_body_pg_9_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="104660804" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/104660804/The_Violent_Aesthetic_A_Reconsideration_of_Transgressive_Body_Art">The Violent Aesthetic: A Reconsideration of Transgressive Body Art</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="263417300" href="https://independent.academia.edu/ThomasAlexander69">Thomas Alexander</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Journal of Speculative Philosophy, 2006</p><p class="ds-related-work--abstract ds2-5-body-sm">Developing John Dewey's thought regarding the unity of body and mind and his criticism of traditional notions of aesthetic experience, Richard Shusterman has proposed a discipline of aesthetics (somaesthetics), the purpose of which is to foster inquiry into the aesthetic dimensions of the human body.1 These agreements aside, Shusterman is critical of Dewey's emphasis on the consummatory phase of aesthetic experience, that is, the phase in which the elements of an experience culminate in a fulfilling and organic moment that punctuates the flow of everyday life. Martin Jay too develops this line of criticism by arguing that aesthetic experi ence need not be consummatory in nature and that, with regard to somaesthetic experience, there are a wide array of "transgressive body techniques" that are just as aesthetically valuable as the kinds of experiences advocated by Dewey. Further, Jay argues that these techniques also perform an important political function since they draw attention to the violence that underlies the democratic process, reveal that there are alternatives to a rather homogenous public sphere, and illustrate the need for political criticism.2 Since Dewey held that aesthetic experience is essential for a democratic culture, it seems, then, that he would indeed espouse the work of transgressive body artists since such work can be seen as contributing to the pursuit of a democratic culture. For these reasons, Jay concludes that even though they are blatantly nonconsummatory in nature, transgressive body techniques have both aesthetic and political value and should not be dismissed outright. In this essay I will address Jay's argument first by assessing the aesthetic value of transgressive body techniques and then will go on to say something about their political efficacy. Taking the work of Orlan as my example, I will argue that such techniques have minimal aesthetic value and that what aesthetic value they do have is mitigated by their primarily critical aims. I will also suggest that traditional performance arts such as dance and theatre also utilize the body, but do so in a manner that is more conducive to the realization of a democratic culture.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Violent Aesthetic: A Reconsideration of Transgressive Body Art","attachmentId":104329751,"attachmentType":"pdf","work_url":"https://www.academia.edu/104660804/The_Violent_Aesthetic_A_Reconsideration_of_Transgressive_Body_Art","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/104660804/The_Violent_Aesthetic_A_Reconsideration_of_Transgressive_Body_Art"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="208986" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/208986/Kinaesthesia_Synaesthesia_and_Le_Sacre_du_Printemps_Responses_to_Dance_uncorrected_proof_">Kinaesthesia, Synaesthesia and Le Sacre du Printemps: Responses to Dance (uncorrected proof)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="117507" href="https://teak.academia.edu/HannaJ%C3%A4rvinen">Hanna Järvinen</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Kinaesthesia, Synaesthesia and Le Sacre du Printemps: Responses to Dance (uncorrected proof)","attachmentId":39007928,"attachmentType":"pdf","work_url":"https://www.academia.edu/208986/Kinaesthesia_Synaesthesia_and_Le_Sacre_du_Printemps_Responses_to_Dance_uncorrected_proof_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/208986/Kinaesthesia_Synaesthesia_and_Le_Sacre_du_Printemps_Responses_to_Dance_uncorrected_proof_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="64880170" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/64880170/Modern_Bodies_Dance_and_American_Modernism_from_Martha_Graham_to_Alvin_Ailey_By_Julia_L_Foulkes_Chapel_Hill_University_of_North_Carolina_Press_2002_xiv_">Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. By Julia L. Foulkes.(Chapel Hill: University of North Carolina Press, 2002. xiv, …</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="14434274" href="https://newschool.academia.edu/JuliaFoulkes">Julia Foulkes</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Journal of American History, 2004</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. By Julia L. Foulkes.(Chapel Hill: University of North Carolina Press, 2002. xiv, …","attachmentId":76708568,"attachmentType":"pdf","work_url":"https://www.academia.edu/64880170/Modern_Bodies_Dance_and_American_Modernism_from_Martha_Graham_to_Alvin_Ailey_By_Julia_L_Foulkes_Chapel_Hill_University_of_North_Carolina_Press_2002_xiv_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/64880170/Modern_Bodies_Dance_and_American_Modernism_from_Martha_Graham_to_Alvin_Ailey_By_Julia_L_Foulkes_Chapel_Hill_University_of_North_Carolina_Press_2002_xiv_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="14390432" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/14390432/THE_KINESTHETIC_CITIZEN_DANCE_AND_CRITICAL_ART_PRACTICES">THE KINESTHETIC CITIZEN: DANCE AND CRITICAL ART PRACTICES</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="23875373" href="https://usc.academia.edu/MeganSteinman">Megan Steinman</a></div><p class="ds-related-work--abstract ds2-5-body-sm">When we watch a dance performance, we become aware not only of the dancer’s movements, but of our own corporeal capacity for movement. Thus, dance in exhibition spaces posits spectatorship as a physical act. It also provides an embodied understanding of our relationship to social spaces. How might this kinesthetic awareness be mobilized as a political gesture? My thesis examines the work of six contemporary artists - Jérôme Bel, Trisha Brown, Felix Gonzalez-Torres, Joachim Koester, Ralph Lemon, and Rashaad Newsome - whose multi-disciplinary practices utilize two central tenets of the postmodern dance genre: the incorporation of everyday movement within choreography and a rejection of the archetypal dancer. I examine the kinesthetic experience of their dance events through the lens of political and spatial theories proposed by Ernesto Laclau, Chantal Mouffe, and Doreen Massey in order to locate political empathy in everyday movement, social encounters and lived experiences.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"THE KINESTHETIC CITIZEN: DANCE AND CRITICAL ART PRACTICES","attachmentId":38292372,"attachmentType":"pdf","work_url":"https://www.academia.edu/14390432/THE_KINESTHETIC_CITIZEN_DANCE_AND_CRITICAL_ART_PRACTICES","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/14390432/THE_KINESTHETIC_CITIZEN_DANCE_AND_CRITICAL_ART_PRACTICES"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="1489997" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/1489997/_The_Theatre_of_the_Athletic_Nude_The_Teaching_and_Study_of_Anatomy_at_the_%C3%89cole_des_Beaux_Arts_Paris_1873_1940_">“The Theatre of the Athletic Nude: The Teaching and Study of Anatomy at the École des Beaux-Arts, Paris, 1873-1940,” </a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1279347" href="https://edithcowan.academia.edu/JonathanWMarshall">Jonathan W. Marshall</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“The Theatre of the Athletic Nude: The Teaching and Study of Anatomy at the École des Beaux-Arts, Paris, 1873-1940,” ","attachmentId":11656059,"attachmentType":"pdf","work_url":"https://www.academia.edu/1489997/_The_Theatre_of_the_Athletic_Nude_The_Teaching_and_Study_of_Anatomy_at_the_%C3%89cole_des_Beaux_Arts_Paris_1873_1940_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/1489997/_The_Theatre_of_the_Athletic_Nude_The_Teaching_and_Study_of_Anatomy_at_the_%C3%89cole_des_Beaux_Arts_Paris_1873_1940_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":36818044,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":36818044,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_36818044" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="113284332" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/113284332/Kinaesthetic_Knowing_Aesthetics_Epistemology_Modern_Design_by_Zeynep_%C3%87elik_Alexander">Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design, by Zeynep Çelik Alexander</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="45681537" href="https://emory.academia.edu/TCronan">Todd Cronan</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Art Bulletin, 2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design, by Zeynep Çelik Alexander","attachmentId":110283368,"attachmentType":"pdf","work_url":"https://www.academia.edu/113284332/Kinaesthetic_Knowing_Aesthetics_Epistemology_Modern_Design_by_Zeynep_%C3%87elik_Alexander","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/113284332/Kinaesthetic_Knowing_Aesthetics_Epistemology_Modern_Design_by_Zeynep_%C3%87elik_Alexander"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" 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data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/70895247/CHAPTER_4_The_Arts_are_More_than_Aesthetics_Neuroaesthetics_as_Narrow_Aesthetics">CHAPTER 4 The Arts are More than Aesthetics: Neuroaesthetics as Narrow Aesthetics</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8317786" href="https://washington.academia.edu/EllenDissanayake">Ellen Dissanayake</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2014</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CHAPTER 4 The Arts are More than Aesthetics: Neuroaesthetics as Narrow 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