Calenda - Les R茅veill茅es : retours sur un demi-si猫cle d鈥檈thnographie musicale en France (1939-1984)

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href="search?primary=fsubject&fsubject=297">Approches de corpus, enqu锚tes, archives</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1012607">Les R茅veill茅es : retours sur un demi-si猫cle d鈥檈thnographie musicale en France (1939-1984)</a></h1> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le mercredi 24 ao没t 2022 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-1012607-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Les Réveillées reprennent la route cet automne 2022 pour un séminaire itinérant de sept journées d’études et conférences-concerts, à la (re)découverte du patrimoine sonore de la France rurale du XX<sup>e</sup> siècle. En hommage au travail pionnier de collectage réalisé sur près de 50 ans (1939-1984) sur le domaine français, rendu enfin accessible via le site éponyme, <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> (du nom des chansons entonnées par les enfants au matin du dimanche de Pâques) feront étape aux Archives nationales à Pierrefitte-sur-Seine, à Rennes, Carcasonne, en vallée d’Ossau, ainsi qu’à Bayonne, Lyon et Marseille, pour faire dialoguer chercheurs et artistes entre patrimoine culturel immatériel et musique vivante.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-1012607-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1>Présentation</h1> <p style="text-align: left;">Sur près de 50 ans, de la mission de folklore musical en Basse-Bretagne (1939) au carnaval de Basse-Terre (Guadeloupe, 1984), deux pionnières de l’ethnomusicologie du domaine français, Claudie Marcel-Dubois (1913-1989) et Maguy Pichonnet-Andral (1922-2004), ont rassemblé un corpus exceptionnel par sa couverture géographique et chronologique, qui retrace les pratiques musicales, voix et instruments, et autres productions sonores quotidiennes, laborieuses ou festives, de la France rurale des Trente Glorieuses, qui fut aussi celle de la « fin des paysans ».</p> <p style="text-align: left;">Classé et éditorialisé en 36 collections par Marie-Barbara Le Gonidec (CNRS UMR 9022 Héritages) et François Gasnault (CNRS UAR 3103 InVisu) comme autant d’enquêtes reconstituées, c’est ce fonds composé de 40 000 documents (enregistrements, carnets de terrain, photographies), pour la plupart inédits, qui est aujourd’hui « réveillé » et mis à la disposition des chercheurs, des musiciens, et du grand public, dans l’entrepôt de données <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et via le site <a href="https://les-reveillees.ehess.fr">Les Réveillées</a>.</p> <p style="text-align: left;">Ce séminaire itinérant veut réinscrire la démarche des enquêtrices dans le mouvement biséculaire de collectage et de légitimation des musiques de tradition orale, et de ses multiples revivals. Les sept séances programmées tour à tour à Pierrefitte-sur-Seine, Rennes, Carcassonne, Arudy, Bayonne, Lyon et Marseille, ont été conçues comme des temps de dialogue entre spécialistes du patrimoine culturel immatériel et musicien·nes, associant l’écoute commentée d’enregistrements historiques et une séquence musicale en live. Elles sont ouvertes à tous les publics intéressés.</p> <p style="text-align: left;">Avec le soutien du ministère de la Culture (direction générale des Patrimoines et de l’Architecture), du Réseau des ethnopôles et de la FAMDT.</p> <h1>Organisation</h1> <ul> <li>Marie-Barbara Le Gonidec (CNRS Héritages)</li> <li>François Gasnault (CNRS InVisu)</li> </ul> <h1>Programme</h1> <ul> <li><a href="https://invisu.cnrs.fr/seminaires-et-conferences/les-reveillees-seminaire-2022/">programme complet en ligne</a></li> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/les-reveillees-programme-complet-2022.pdf">programme prévisionnel PDF</a></li> </ul> <h2>Séance#1 - Vendredi 16 septembre</h2> <p style="text-align: left;">Archives nationales (Pierrefitte/Seine)</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV1.pdf">programme PDF</a></li> </ul> <p style="text-align: left;">9:30 - Accueil par <strong>Bruno Ricard</strong>, directeur des Archives nationales</p> <ul> <li>9:45 - Introduction générale du séminaire et présentation des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a>, par <strong>Marie-Barbara Le Gonidec</strong> (CNRS Héritages) et <strong>François Gasnault</strong> (CNRS InVisu)</li> </ul> <h3>10:15 – 12:30 - Catégoriser, classifier et inventorier les collectes chansonnières : le fichier Coirault, le catalogue Laforte, les « cadres classificatoires » Marcel-Dubois</h3> <p style="text-align: left;">Modération : <strong>Françoise Lemaire-Thabouillot</strong> (Archives nationales)</p> <ul> <li><strong>Marlène Belly</strong> (U-Poitiers, CRIHAM) : Répertorier et indexer les collectes chansonnières, regard critique sur les différents systèmes classificatoires</li> <li><strong>Bénédicte Bonnemason</strong> (EHESS, Catalogue du conte populaire français, U-Toulouse, LISST) : Classer les catégories de la littérature orale : retour d'expérience et réflexions actuelles sur les outils spécifiques au classement de la littérature orale narrative</li> <li><strong>Jeanine Gaillard</strong> (Archives nationales) : Les pratiques de l’archiviste, du pas de côté au cap commun</li> </ul> <h3>14:15 – 17:15 – Accueillir, répertorier et valoriser les collectes chansonnières : échanges de bonnes pratiques entre centres de ressources publiques et associatifs, français et étrangers</h3> <p style="text-align: left;">Modération : <strong>Manuel Charpy</strong> (CNRS InVisu)</p> <ul> <li>Table ronde avec : <strong>Yvon Davy</strong> (La Loure, FAMDT) ; <strong>André Le Meut</strong> (Archives départementales du Morbihan) ; <strong>Pascal Riviale</strong> (Archives nationales) ; <strong>Martine Sin-Blima Barru</strong> (Archives nationales)</li> <li><strong>Camille Moreddu</strong> et <strong>Yves Dorémieux</strong> : Du bricolage des collecteurs à l'ontologie institutionnelle, organiser et présenter les archives de folk music à la Bibliothèque du Congrès</li> </ul> <p style="text-align: left;">17:30 – 18:30 – « Oh Phrasie, faut nous dire une chanson », performance chantée et dansée du trio Euphrasie (<strong>Solange Panis, Margaux Pasquet, Élodie Suarez</strong>)</p> <h2>Séance#2 - Jeudi 13 octobre</h2> <p style="text-align: left;">Ferme des Gallets (Rennes)</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV2.pdf">programme PDF</a></li> <li>9:30 - Accueil par <strong>Nicolas Rozé</strong>, président de l’association La Bouèze, et <strong>Gaëtan Crespel</strong>, directeur de l’association Dastum</li> <li>9:50 - Présentation du projet et des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> par <strong>Marie-Barbara Le Gonidec</strong> (CNSR Héritages) et <strong>François Gasnault</strong> (CNSR InVisu)</li> </ul> <p style="text-align: left;">Modération : Christine Laurière (CNRS Héritages)</p> <h3>10:20 – 12:30 - La Bretagne, terrain précoce et permanent des ethnographies musicales</h3> <ul> <li><strong>Fañch Postic</strong> (U-Bretagne occidentale) : sur les collectes en Bretagne au XIX<sup>e</sup> et au début du XX<sup>e</sup> siècle, titre en attente</li> <li><strong>Marie-Barbara Le Gonidec</strong> (CNRS Héritages) : Les enquêtes bretonnes de Claudie Marcel-Dubois et Maguy Pichonnet-Andral (1939 – 1979)</li> <li><strong>Vincent Morel</strong> (Dastum) : Les collectes associatives en Haute et Basse-Bretagne à partir de 1945, leur centralisation et leur mise en valeur par l’association Dastum</li> </ul> <h3>14:15 – 17:15 - Mettre en scène la tradition et le patrimoine culturel immatériel : le cas de la Bretagne, l’expérience de la Maison des cultures du monde, promotrice de l’ethnoscénologie</h3> <ul> <li><strong>Marc Clérivet</strong> (Spectacle vivant Bretagne-Pays-de-Loire) : Des fêtes folkloriques à "Heritaj", positionnements et rôles du mouvement des cercles celtiques dans le revival des musiques et danses traditionnelles bretonnes</li> <li><strong>Julie Léonard</strong> (PCI, Bretagne Culture Diversité) : 2012-2022, retour sur la patrimonialisation du fest-noz, 10 ans après son inscription sur la liste représentative de l’Unesco</li> <li><strong>Lily Martinet</strong> (Centre français du patrimoine culturel immatériel) et <strong>Nolwenn Blanchard</strong> (Maison des cultures du monde) : De la prospection ethnographique à la mise en spectacle du patrimoine vivant, 40 ans d’expérience à la Maison des cultures du monde</li> <li><strong>Patricia Heiniger-Castéret</strong> (U-Pau-Pays-de-l’Adour) : titre en attente</li> </ul> <p style="text-align: left;">18:00 – 19:00 – « Sourcellerie : fonds de collectage et interprétation artistique » par <strong>Emmanuelle Bouthillier</strong> et <strong>Marthe Vassallo</strong> (chant a capella de Haute et Basse Bretagne)</p> <h2>Séance#3 - Lundi 7 novembre</h2> <p style="text-align: left;">Maison des mémoires, GARAE (Carcassonne)</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV3.pdf">programme PDF</a></li> </ul> <p style="text-align: left;">9:30 - Accueil par <strong>Sylvie Sagnes</strong> (CNRS Héritages), présidente du GARAE</p> <p style="text-align: left;">9:45 - Présentation du projet et des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> par <strong>Marie-Barbara Le Gonidec</strong> (CNSR Héritages) et <strong>François Gasnault</strong> (CNSR InVisu)</p> <h3>10:15 – 12:30 – Les recherches organologiques des ethnomusicologues du Centre d’ethnologie française (1<sup>ère</sup> approche) : cornemuses et épinettes des Vosges</h3> <p style="text-align: left;">Modération : <strong>Sylvie Sagnes</strong> (CNRS Héritages), présidente du GARAE</p> <ul> <li><strong>Florence Gétreau</strong> (CNRS Iremus) : Les travaux d’organologie de Claudie Marcel-Dubois et les développements de cette discipline au XX<sup>e</sup> siècle, Old vs New Organology ?</li> <li><strong>Éric Montbel</strong> (U-Aix-Marseille) : Cornemuse Inv. 1943.140.1. Surprises dans les réserves du MNATP !</li> <li>Table ronde "De l’enquête de terrain à la facture revivaliste", avec <strong>Pierre Laurence</strong> (patrimoine, département de l’Hérault) ; <strong>Sophie Jacques Serano</strong> (musicienne et factrice d'instruments) ; <strong>Christophe Toussaint</strong> (luthier et professeur d’épinettes des Vosges) (en visio conférence)</li> </ul> <p style="text-align: left;">12:30 – 13:00 – Joute de maîtres-sonneurs <strong>Sophie Jacques Serano</strong> (bodèga) et <strong>Éric Montbel</strong> (chabrette)</p> <h3>14:15 – 18:15 – L’observation des fêtes patronales et calendaires : l’approche des anthropologues, l’écoute des ethnomusicologues, le regard des documentaristes</h3> <p style="text-align: left;">Modération : <strong>Carole Renard</strong> (Archives départementales de l’Aude)</p> <ul> <li><strong>François Gasnault</strong> (CNRS InVisu) : Barjols 1954, Limoux 1968, de la fête des tripettes aux bandes de fecos, deux observations sans participation du tandem Marcel-Dubois Pichonnet-Andral ;</li> <li><strong>Danièle Dossetto</strong> (U-Nice-Côte-d'Azur, LAPCOS) : Des cantiques pour saint Marcel à Barjols (Var). Des postures de recherche, une entrée dans le changement des pratiques festives ;</li> <li><strong>Sophie Jacques Serano</strong> : sur ses vingt ans de participation musicale au carnaval de Limoux, titre en attente</li> </ul> <p style="text-align: left;">Projections commentées d’extraits des films :</p> <ul> <li>Fecas Godilhs Carnaval (<strong>Pèire Brun</strong>)</li> <li>Le Bufoli de Ladern (<strong>François Verlet</strong>)</li> </ul> <p style="text-align: left;">20:30 - Conférence chantée de <strong>Laurent Cavalié</strong> autour du projet du collectif Lo Bramàs sur la mémoire chantée de l’Aude, du collectage à la transmission</p> <h2>Séance#4 Mardi 8 novembre</h2> <p style="text-align: left;">Musée d’Ossau (Arudy)</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV4.pdf">programme PDF</a></li> </ul> <p style="text-align: left;">14:30 - Accueil par <strong>Mathilde Esquer</strong>, conservatrice du musée d’Ossau, et <strong>Jean-Jacques Castéret</strong>, directeur de l’ethnopôle Institut occitan de cultura (CIRDOC)</p> <p style="text-align: left;">14:50 - Présentation du projet et des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> par <strong>Marie-Barbara Le Gonidec</strong> (CNSR Héritages) et <strong>François Gasnault</strong> (CNSR InVisu) avec un focus sur les terrains pyrénéens de Claudie Marcel-Dubois et Maguy Pichonnet-Andral</p> <p style="text-align: left;">Modération : <strong>Florence Gétreau</strong> (CNRS Iremus)</p> <h3>15:30 - 17:15 - Les recherches organologiques des ethnomusicologues du Centre d’ethnologie française (2e approche) : sonnailles et conditionnement sonore des animaux</h3> <ul> <li><strong>Marie-Barbara Le Gonidec</strong> (CNRS Héritages) : Présentation des recherches de Claudie Marcel-Dubois et Maguy Pichonnet-Andral sur les sonnailles et sur le conditionnement sonore des animaux</li> <li>Témoignage de <strong>Maurice et Nicolas Daban</strong>, gérants de la Sarl Les sonnailles Daban (sous réserve)</li> <li>Visite commentée de l’exposition TRUCS par <strong>Rémy Berdou</strong> (Institut occitan de cultura, CIRDOC)</li> </ul> <h3>17:30 - 18:45 - Patrimoine sonore et linguistique : transmission de l’occitan et résurrection du langage sifflé</h3> <ul> <li><strong>Philippe Biu</strong> (U-Pau-Pays-de-l’Adour, Alter) : Siffleurs et langage sifflé en vallée d’Ossau</li> <li><strong>Hervé Couture</strong> et <strong>Nina Roth</strong> (Centre d’animacion pedagogica en occitan CAP’OC) : Patrimoine sonore et transmission de l'occitan</li> </ul> <p style="text-align: left;">19:00 – Création musicale TRUCS par la Companhia Hart Brut</p> <h2>Séance#5 - Jeudi 10 novembre</h2> <p style="text-align: left;">Musée Basque (Bayonne)</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV5.pdf">programme PDF</a></li> </ul> <p style="text-align: left;">14:15 - Accueil par <strong>Sabine Cazenave</strong>, directrice du Musée Basque, et <strong>Johañe Etchebest</strong>, directeur de l’Institut culturel basque</p> <p style="text-align: left;">14:35 - Présentation du projet et des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> par <strong>Marie-Barbara Le Gonidec</strong> (CNSR Héritages) et <strong>François Gasnault</strong> (CNSR InVisu)</p> <h3>15:25 - 17:15 - Autour des enquêtes des ethnomusicologues du Centre d’ethnologie française sur le domaine basque (1947-1973) : l’amont, l’apport et l’aval (XIXe-XXIe siècles)</h3> <p style="text-align: left;">Modération : <strong>Jon Bagüés</strong> (Archives musicales basques Eresbil)</p> <ul> <li><strong>Xabier Itçaina</strong> (Centre Émile Durckheim, Bordeaux) : Avant le MNATP, portée et limites des premières investigations sur la musique à danser en Pays Basque nord</li> <li><strong>François Gasnault</strong> (CNRS InVisu) : Présentation documentaire des archives constituées par les ethnomusicologues du Centre d’ethnologie française au fil de leurs quatre enquêtes auprès de chanteurs et de musiciens basques (1947, 1953, 1958, 1973)</li> <li><strong>Thierry Truffaut</strong> (ethnopôle basque) : Carlito Oyarzun, témoin de la vie et des traditions bayonnaises au prisme de l’enquête ATP 1947</li> <li><strong>Terexa Lekumberri</strong> (ethnopôle basque, Institut culturel basque) : Le programme Eleketa, collecte contemporaine de la mémoire orale en Pays Basque</li> <li>Témoignages de bertsulari, anciens informateurs des enquêtrices du MNATP (à confirmer)</li> </ul> <p style="text-align: left;">18:00 - Conférence de <strong>Marie Bidart-Etchegoyen</strong> (musicienne et chanteuse, conservatoire Maurice Ravel Pays Basque) : Le regard et l’écoute d’une musicologue sur les archives sonores et visuelles réunies par le CNRS pour le MNATP (1947-1973)</p> <h2>Séance#6 - Mardi 13 décembre</h2> <p style="text-align: left;">Archives municipales de Lyon</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV6.pdf">programme PDF</a></li> </ul> <p style="text-align: left;">10:00 - Accueil par <strong>Louis Faivre d’Arcier</strong>, directeur des Archives municipales de Lyon, et par un membre du <span id="page4R_mcid158" class="markedContent"><span dir="ltr" role="presentation">CMTRA (ethnopôle Musiques, territoires, interculturalités)</span></span></p> <p style="text-align: left;">10:20 - Présentation du projet et des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> par <strong>Marie-Barbara Le Gonidec</strong> (CNSR Héritages) et <strong>François Gasnault</strong> (CNSR InVisu)</p> <h3>11:00 – 12:30 - Les enquêtes ultramarines des ethnomusicologues du Centre d’ethnologie française (1971-1984) ou la découverte des processus d’hybridation culturelle</h3> <p style="text-align: left;">Modération : <strong>Thomas Mouzard</strong>, chargé de mission Ethnologie et Patrimoine culturel immatériel, ministère de la Culture (DGPA-DIRI)</p> <ul> <li><strong>Dominique Cyrille</strong> (direction de la Culture, de la Jeunesse et des Sports de la Guyane) : <span id="page4R_mcid137" class="markedContent"><span dir="ltr" role="presentation">Les voix (voies ?) du patrimoine, impact </span></span><span id="page4R_mcid138" class="markedContent"><span dir="ltr" role="presentation">de Claudie Marcel-Dubois et de Maguy </span></span><span id="page4R_mcid139" class="markedContent"><span dir="ltr" role="presentation">Pichonnet-Andral sur les actions de sau</span></span><span id="page4R_mcid141" class="markedContent"><span dir="ltr" role="presentation">vegarde du PCI en Guadeloupe</span></span></li> <li><strong>Guillaume Samson</strong> (PRMA Réunion) : L’enquête du MNATP à La Réunion en 1978, une cartographie musicale incomplète ?</li> </ul> <h3>14:30 - 17:00 - <span id="page6R_mcid181" class="markedContent"><span dir="ltr" role="presentation">Expérimenter et vivre l’intercul</span></span><span id="page6R_mcid182" class="markedContent"></span><span id="page6R_mcid183" class="markedContent"><span dir="ltr" role="presentation">turalité musicale dans la métro</span></span><span id="page6R_mcid184" class="markedContent"></span><span id="page6R_mcid185" class="markedContent"><span dir="ltr" role="presentation">pole lyonnaise</span></span></h3> <p style="text-align: left;">Modération : <strong>Vincent Veschambre</strong> (directeur du Rize)</p> <ul> <li><strong>Jean Blanchard</strong> (Centre des Musiques traditionnelles Rhône-Alpes) : Prise en compte par le CMTRA, dès les années 1990, du patrimoine musical interculturel de la région Rhône-Alpes</li> <li><strong>Martial Pardo</strong> (conservatoire de Villeurbanne) : Un cheminement interculturel de l’Algérie coloniale à la Cité-Monde actuelle, de la pratique du jazz à la recherche sur la perception des musiques de l’altérité via la direction d’un conservatoire « pas comme les autres »</li> <li><strong>Xavier de la Selle</strong> (musées Gadagne, musées d’Histoires et de Sociétés de Lyon) : Mettre en musiques les mémoires urbaines, le laboratoire villeurbannais</li> </ul> <p style="text-align: left;">17:30 - 18:30 - Chansons du Maghreb, l'épopée des K7 arabo-lyonnaises, raï, chaoui et staifi à Lyon-city, conférence musicale et sonore de <strong>Péroline Barbet-Adda</strong></p> <h2>Séance#7 - Jeudi 15 décembre</h2> <p style="text-align: left;">Mucem-CCR (Marseille)</p> <ul> <li><a href="https://invisu.cnrs.fr/wp-content/uploads/2022/08/LREV7.pdf">programme PDF</a></li> </ul> <p style="text-align: left;">9:30 - Accueil par <span id="page4R_mcid146" class="markedContent"></span><strong><span id="page4R_mcid147" class="markedContent"> <span dir="ltr" role="presentation">Émilie Girard</span></span></strong><span id="page4R_mcid148" class="markedContent"><span dir="ltr" role="presentation">, directrice </span></span><span id="page4R_mcid149" class="markedContent"><span dir="ltr" role="presentation">scientifique et des collections du Mucem, et par</span></span><strong><span id="page4R_mcid150" class="markedContent"> <span dir="ltr" role="presentation">Aude Fanlo</span></span></strong><span id="page4R_mcid151" class="markedContent"><span dir="ltr" role="presentation">, </span></span><span id="page4R_mcid152" class="markedContent"><span dir="ltr" role="presentation">cheffe du département Recherche et enseignement, </span></span><span id="page4R_mcid153" class="markedContent"><span dir="ltr" role="presentation">responsable du MucemLab</span></span></p> <p style="text-align: left;">9:50 - Présentation du projet et des sites <a href="https://didomena.ehess.fr/collections/2z10wq61n">Didómena</a> et <a href="https://les-reveillees.ehess.fr/">Les Réveillées</a> par <strong>Marie-Barbara Le Gonidec</strong> (CNSR Héritages) et <strong>François Gasnault</strong> (CNSR InVisu)</p> <p style="text-align: left;">Modération : <strong>Cyril Isnart</strong> (IDEMEC, CNRS-AMU)</p> <h3>10:30 – 12:30 – Ethnomusicologues en contexte muséal</h3> <ul> <li><strong>Marie-Barbara Le Gonidec</strong> (CNRS Héritages) :  Une discipline mise en vitrine, les galeries dédiées à la musique dans l’exposition permanente du MNATP</li> <li><strong>Marie-Charlotte Calafat</strong> (Mucem) : Hériter, gérer et valoriser au Mucem le fonds d'ethnomusicologie du MNATP</li> <li><strong>Marie-Claire Lory-Delavallée</strong> (MUPOP, Montluçon) : titre en attente</li> </ul> <h3>14:30 – 17:00 – Les recherches organologiques des ethnomusicologues du Centre d’ethnologie française (3<sup>e</sup> approche) : Marius Fabre et le couple instrumental flûte à trois trous – tambourin</h3> <ul> <li><strong>François Gasnault</strong> : Marius Fabre, informateur au long cours pour Claudie Marcel-Dubois et Maguy Pichonnet-Andral</li> <li><strong>Miqueù Montanaro</strong> (Chantier Correns) et André Fabre : Marius Fabre, tradition, renouveau et ouverture</li> <li><strong>Aurélie Samson</strong> (Museon Arlaten) (à confirmer) : sur les collections d’instruments provençaux et les relations de l’établissement avec Marius Fabre, titre en attente</li> <li><strong>Jean-Jacques Castéret</strong> : Béarn et Gascogne, l’autre pays du couple instrumental flûte-tambourin</li> </ul> <p style="text-align: left;">Cette dernière séance du séminaire sera précédée d’un concert prévu le mercredi 14 décembre à 20:30, à la Cité de la musique de Marseille : programme et distribution en cours</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=302">P茅riodes</a> > <a href="search?primary=fsubject&fsubject=317">脡poque contemporaine</a> > <a href="search?primary=fsubject&fsubject=319">XXe si猫cle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=279">Patrimoine</a></li> <li><a href="search?primary=fsubject&fsubject=327">Espaces</a> > <a href="search?primary=fsubject&fsubject=354">Europe</a> > <a href="search?primary=fsubject&fsubject=358">France</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=286">脡pist茅mologie et m茅thodes</a> > <a href="search?primary=fsubject&fsubject=297">Approches de corpus, enqu锚tes, archives</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Archives nationales, 59 rue Guynemer <br/> Pierrefitte-sur-Seine, France (93) </li> <li class="location"> Ferme et Caf茅 associatif des Gallets (quartier des Longchamps) - Ferme des Gallets, 26 avenue Pierre Donzelot <br/> Rennes, France (35) </li> <li class="location"> Groupe audois de recherche et d鈥檃nimation ethnographique (ethnop么le GARAE) - Maison des m茅moires, 53 rue de Verdun <br/> Carcassonne, France (11) </li> <li class="location"> Mus茅e d'Ossau - Mus茅e d'Ossau, 4 place de l鈥櫭塯lise <br/> Arudy, France (64) </li> <li class="location"> Mus茅e Basque - Mus茅e Basque, 37 quai des Corsaires <br/> Bayonne, France (64) </li> <li class="location"> Archives municipales de Lyon - Archives municipales de Lyon, 1 place des Archives <br/> Lyon, France (69) </li> <li class="location"> Mucem, CCR centre de conservation et de recherche - Mucem, 1 rue Clovis Hugues <br/> Marseille, France (13) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement uniquement sur site</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>vendredi 16 septembre 2022</li> <li>jeudi 13 octobre 2022</li> <li>lundi 07 novembre 2022</li> <li>mardi 08 novembre 2022</li> <li>jeudi 10 novembre 2022</li> <li>mardi 13 d茅cembre 2022</li> <li>jeudi 15 d茅cembre 2022</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="1012635?file=1" target="_blank">les-reveillees-programme-complet-2022.pdf</a></li> <li><a href="1012637?file=1" target="_blank">les-reveillees-seminaire-2-Rennes.pdf</a></li> <li><a href="1012639?file=1" target="_blank">les-reveillees-seminaire-5-Bayonne.pdf</a></li> <li><a href="1012640?file=1" target="_blank">les-reveillees-seminaire-6-Lyon.pdf</a></li> <li><a href="1012642?file=1" target="_blank">les-reveillees-seminaire-1-Pierrefitte.pdf</a></li> <li><a href="1012644?file=1" target="_blank">les-reveillees-seminaire-4-Ossau-Arudy.pdf</a></li> <li><a href="1012645?file=1" target="_blank">les-reveillees-seminaire-3-Carcassonne.pdf</a></li> <li><a href="1012647?file=1" target="_blank">les-reveillees-seminaire-7-Marseille.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>musique, tradition orale, chanson traditionnelle, musicien routinier, organologie, facture instrumentale, fanfare, f锚te calendaire, f锚te patronale</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Fran莽ois Gasnault<br/><em>courriel :</em> francois [dot] gasnault [at] inha [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://invisu.cnrs.fr/seminaires-et-conferences/les-reveillees-seminaire-2022/">INVISU L'information visuelle et textuelle en histoire de l'art : nouveaux terrains, corpus, outils</a></li> <li><a href="https://les-reveillees.ehess.fr">Les R茅veill茅es</a></li> <li><a href="https://didomena.ehess.fr/collections/2z10wq61n">Did贸mena (collection Les R茅veill茅es)</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Sandra Doucet<br/><em>courriel :</em> sdoucet [at] inha [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Les R茅veill茅es : retours sur un demi-si猫cle d鈥檈thnographie musicale en France (1939-1984) 禄, <span class="category">S茅minaire</span>, <em>Calenda</em>, Publi茅 le mercredi 24 ao没t 2022, <a class="url" href="https://doi.org/10.58079/19dv">https://doi.org/10.58079/19dv</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1012607?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1012607?formatage=print">Imprimer</a> <a id="signaler" 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Calenda - Les R茅veill茅es : retours sur un demi-si猫cle d鈥檈thnographie musicale en France (1939-1984)