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<!DOCTYPE html><html lang="en-US"><head><title>The Improbable Rise of J. D. Vance | The New Yorker</title><meta charSet="utf-8"/><meta content="IE=edge" http-equiv="X-UA-Compatible"/><meta name="msapplication-tap-highlight" content="no"/><meta name="viewport" content="width=device-width, initial-scale=1"/><meta name="author" content="Benjamin Wallace-Wells"/><meta name="copyright" content="Copyright (c) Condé Nast 2024"/><meta name="description" content="Benjamin Wallace-Wells reports on the evolution of Donald Trump’s Vice-Presidential nominee as a U.S. Marine, a Yale law student, the author of “Hillbilly Elegy,” and an Ohio senator."/><meta name="id" content="6717aeb7bee9a4aa2eefb570"/><meta name="keywords" content="election 2024,j. d. vance,audio"/><meta name="news_keywords" content="election 2024,j. d. vance,audio"/><meta name="robots" content="index, follow, noarchive, max-image-preview:large"/><meta name="content-type" content="article"/><meta name="parsely-post-id" content="6717aeb7bee9a4aa2eefb570"/><meta name="parsely-metadata" content="{"description":"Benjamin Wallace-Wells reports on the evolution of Donald Trump’s Vice-Presidential nominee as a U.S. Marine, a Yale law student, the author of “Hillbilly Elegy,” and an Ohio senator.","image-16-9":"https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_1000,c_limit/r45163.jpg","image-1-1":"https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/1:1/w_1000,c_limit/r45163.jpg"}"/><meta property="og:description" content="“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the MAGA movement."/><meta property="og:image" content="https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_1280,c_limit/r45163.jpg"/><meta property="og:site_name" content="The New Yorker"/><meta property="og:title" content="The Improbable Rise of J. D. 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{"channel":"magazine","content":{"copyCount":8376,"imageCount":7,"embedCount":19,"ratio":322.15384615384613,"midContentCadence":900},"contentType":"article","experiments":{},"keywords":{"copilotid":["6717aeb7bee9a4aa2eefb570"],"platform":["verso"],"tags":["reporting","election-2024","j-d-vance","2024-11-04","magazine","profiles"]},"server":"production","slug":"j-d-vance-profile","subChannel":"profiles","subSubChannel":"","templateType":"mt_article"};</script><link rel="preconnect" href="https://ads-static.conde.digital"/><script id="ads-v6" src="https://ads-static.conde.digital/production/cns/builds/the-new-yorker/v6.js" async=""></script><script type="application/ld+json">{"@context":"http://schema.org","@type":"NewsArticle","articleBody":"Vance’s selection as Trump’s running mate had punctuated an astounding rise. Born in the small manufacturing city of Middletown, Ohio, he was raised by a drug-addicted mother and his beloved Appalachian-born grandmother, Mamaw. He worked his way up through storied American institutions: the Marine Corps, Yale Law School, Silicon Valley. “Hillbilly Elegy,” the best-selling memoir Vance published in 2016, made him famous, and his denunciations of Trump as “cultural heroin” for the white working class even more so. A few years later, he was a senator from Ohio, the Republican Party’s most effective spokesman for Trumpism as an ideology, and—both improbably and inevitably—the Vice-Presidential nominee. “If you think about where he came from and where he is, at forty years old,” the conservative analyst Yuval Levin, a Vance ally, said, “J.D. is the single most successful member of his generation in American politics.”\nAt Yale Law School, where the Vances met, Usha, who had been a Yale undergraduate, operated as an interpreter of Ivy League folkways for the rougher-hewn J.D. She kept a spreadsheet of things she thought he should try, a mutual friend of theirs recalled—“I remember one of them was Greek yogurt.” Vance talked with another friend about becoming a househusband; he had not had a father, and it was important to him to become a good one. (In an echo of Bill Clinton’s experience, Vance used the last name of a stepfather, Hamel, until after college.) But, as he began to consider a political career, it was Usha, a former clerk to two Supreme Court Justices, who moved to Ohio. When he joined Trump’s ticket, she left her job at a prestigious law firm. At this year’s Republican National Convention, Usha, the daughter of Indian immigrants, sat next to Trump as her husband said that “America is not just an idea” but a people bound by a “shared history.” The scene would have been unimaginable to many of her friends just a few months earlier. “I’m not sure what deal J.D. made with Usha,” a person close to the couple told me. “But it had to be something, because they make every decision together.”\nVance, too, had only recently made a full accommodation with Trump. A longtime political adviser to Vance told me, “The problem that J.D. had always been trying to solve is what to do about the decline of the Midwest.” Many of his prior solutions, the adviser went on, had simply not worked. “Hillbilly Elegy” had been, in part, an attempt to make liberal readers sensitive to the plight and the anger of rural whites. Vance’s subsequent efforts to establish an addiction-treatment nonprofit in Ohio and a heartland-focussed venture-capital fund were, in this view, intended to rebuild the Midwest from within. Vance’s partnership with Trump, whom he once derided, represented his shift to a more tribal politics. Remember, the adviser said, even in Vance’s Never Trump days he hadn’t really opposed Trump on policy: “His objection was that he thought Trump didn’t mean anything he said.”\nBut this theory is complicated by how perfectly Vance’s rightward turn has tracked the fixations of conservative activists and élites. His rise has been backed by the billionaire investor Peter Thiel, Elon Musk, and Donald Trump, Jr., whose complaints about woke politics and tech censorship Vance has amplified on the trail. In the view of one of his old friends, Vance, in becoming a national figure, has also become more thin-skinned, not unlike many of the tech titans who support him. Some commentary on Vance’s political transformation after the 2020 election identified the beard he had started to grow as a symbol of his newly bristling politics. But at least as noticeable is the weight he’s lost and the fitted suits he now wears. Such a change isn’t unusual for powerful people in the Ozempic era, but it also suggests the ways in which Vance, who positions himself as an enemy of the élite, is still a part of it.\nOn the tarmac, Vance let Usha board the plane first and then lumbered up the stairs, somewhat more in the manner of his dog than of his wife. He turned to the cameras and let his right hand vibrate in a quick tremor of a wave. He was making two stops that day, first in Grand Rapids, Michigan, a long-standing conservative bastion where Democrats had lately made inroads, and then in Eau Claire, Wisconsin. More than one of Vance’s advisers told me that his selection as the Vice-Presidential candidate had depended partly on poll numbers in July, which had suggested that Joe Biden posed a bigger threat in Pennsylvania, Michigan, and Wisconsin than in the Sun Belt states. Had the Democrats been stronger in Arizona, Georgia, and North Carolina, the advisers thought, the Florida senator Marco Rubio might have been the pick.\nBut, even if Vance was an emblem of the Midwest, he was also a drag on the ticket, significantly less popular than his Democratic counterpart, Tim Walz, the governor of Minnesota. The stances Vance had taken that endeared him to the conservative base—his support for a national abortion ban and his association with Project 2025, the think-tank initiative to weaponize the federal government for right-wing causes, which Vance had once termed “de-Baathification”—were so toxic to the general electorate that Trump had disavowed them, and then Vance had, too. The question of what kind of populism would follow Trump into office, should he win, was entangled with the question of what kind of populist his chosen political heir is: a tireless representative of the alienated Midwest, or—like Thiel and Musk, who urged Trump to pick Vance in the first place—a rich, very online man, motivated by a sweeping rejection of progressive culture? Vance disappeared through the door of Trump Force Two, and within a few minutes he was up and away, soaring high above Arlington National Cemetery. The Republican Vice-Presidential candidate was headed someplace like home.\nNot every student at Middletown High School was poor—some, especially those who lived closer to the interstate, had parents who worked in Cincinnati or Dayton—but many were, and Tape tended to be circumspect when he asked students about their future. But one day, during Vance’s senior year, Tape inquired about his star student’s post-graduation plans. “And J.D. says, ‘Oh, I’m going to the Marines,’ ” Tape told me. “I was, like, ‘Oh, R.O.T.C.?’ And he went, ‘No, I’m enlisting.’ And I was stunned. Like, dude, you can write your ticket. And he says—I’ll never forget this—‘I love this country. And I talk about it a lot. But, if I don’t do anything about it, it’s just talk.’ ”\nIn “Hillbilly Elegy,” Vance relays how he had emerged from a highly chaotic childhood—in one scene, a twelve-year-old Vance dashes out of a car on the shoulder of a highway after his mother threatens to kill them both in a crash—with a desire for order, which he found in the Marines. He was deployed to Anbar Province, Iraq, in 2005, where he worked in public affairs—shepherding visiting journalists and writing articles for the military press. “He wasn’t kicking down doors,” as the former congressman Adam Kinzinger, a Republican who supports Kamala Harris, said earlier this summer, but he was working in a very dangerous place. A senior officer in his division was killed by a roadside bomb in Ramadi, while escorting journalists from Newsweek. Cullen Tiernan, Vance’s best friend in the Corps, with whom he trained Stateside, recalled that Vance was more politically engaged than most marines. “When Dick Cheney visited,” Tiernan told me, “J.D. was the only person who was excited.” But he was also attuned to the darker aspects of the invasion. “There’s civilian contractors that are getting paid six times as much as you, just to supervise third-party nationals. Halliburton and KBR are having a feast of war,” Tiernan said. “Those were things we discussed and were disenchanting.”\nVance earned a degree from Ohio State University, then entered Yale Law School in the fall of 2010, the same year as the former Republican Presidential candidate Vivek Ramaswamy. If Yale offered an established track for ambitious young conservatives, it could also make a kid from the sticks feel less assured. Ninety-five per cent of the school’s student body at the time came from upper-middle-class backgrounds, and many were obviously wealthy. “Your classmates are the coddled children of hospital administrators and faculty members and corporate lawyers,” the longtime adviser, who finished Yale the same year as Vance, told me. “They ain’t like you, and there’s just whole swaths of existence that seem foreign to them.” Vance had “heard through the grapevine” that a professor who had criticized his work thought that the law school should only accept students from élite private institutions, because students from public schools needed “remedial education.” “I have never felt out of place in my entire life,” he wrote in “Hillbilly Elegy.” “But I did at Yale.”\nSuch alienation seems like one seed from which Vance’s politics eventually sprouted. But people who knew him then recall a boisterous, bighearted student at the center of Yale’s social life. “He was at every party,” a female classmate said. “He was the guy who, when you were going through a hard time, would be, like, ‘Oh, yeah, let’s just drink ourselves silly,’ and talk you through it.” During his first year, Vance met Usha and developed a close relationship with Amy Chua, a law professor and the author of the book “Battle Hymn of the Tiger Mother,” in whose class Vance would write the first draft of “Hillbilly Elegy.” (Chua later connected Vance with her literary agent.) When Thiel came to Yale to speak before the Federalist Society, the conservative legal group, of which Vance was a member, Vance seized the opportunity. “At the end of his talk, Peter said anyone should feel free to write him for career advice,” a law-school friend told me. “J.D. took that literally.”\nVance’s politics weren’t doctrinaire—a friend at the time remembers him as a devoted reader of The Dish, the blog of the iconoclastic gay conservative Andrew Sullivan—and he had a natural facility as a writer. “J.D. really was a maverick ideologically,” Josh McLaurin, a roommate of Vance’s at Yale, who is now a Democratic state senator in Georgia, said. “I was intimidated by his sensibility. He would go off and read something and study it and come back with a viewpoint that was uniquely his.” Some friends struggled to recall whether Vance was pro-life or pro-choice, but many of them described him as instinctively partisan. The friend remembered telling Vance about a breakup with a girlfriend: “J.D. said, ‘She’s dead to me.’ ” This same friend thought that Vance likely planned to vote for Hillary Clinton in 2016, until Clinton said that some portion of Trump’s supporters were in a “basket of deplorables.” Vance’s sister was planning to vote for Trump. In the end, he wrote in Evan McMullin, who campaigned as a Never Trump conservative. (A spokesperson for Vance said that he never considered voting for Clinton.)\nAfter law school, Vance and Usha moved to Washington, D.C., where Usha clerked for Brett Kavanaugh, who was then a judge on the D.C. Circuit Court of Appeals, and later for Chief Justice John Roberts of the Supreme Court. Vance spent the late Obama years as an unhappy junior associate at a Washington law firm, and then as a principal at a venture-capital fund co-founded by Thiel. But the project in the background was his book. “Hillbilly Elegy” was released in June, 2016, and was widely regarded as a key to understanding the experience of the Trump voter. Rod Dreher, a socially conservative writer who was then opposed to Trump, gave it an early rave review on his blog for The American Conservative. The book’s success, as with many up-from-poverty narratives, also drew on the tension between the harsh circumstances of the author’s upbringing and the erudition with which he recalled them. At a book party that Chua threw for “Hillbilly Elegy” in Manhattan, Vance’s old law-school classmates remembered him being a little astonished when Tom Brokaw walked into the room.\nVance and the élite—it wasn’t a seamless fit. He sometimes recounts an interaction he had at a Business Roundtable event, where the C.E.O. of a large hotel chain complained that Trump’s tightening of the border meant that his properties had to hire native-born workers who “just need to get off their asses, come to work, and do their job.” Sofia Nelson, a law-school friend of Vance’s, who has since broken with him politically, said, “He was hanging out with these people he found very vapid, and I was, like, ‘You know, you can just stop it—you don’t have to do this.’ I think he very much wanted to rise within that world, but he also kind of hated it.”\nIn 2018, Vance and Chua held a public discussion at the Aspen Ideas Festival titled “Can Americans Resist the Pull of Tribalism?” A friend brought him along to a private dinner at the lakeside château of Lynda Resnick, the billionaire owner of Fiji Water and a Democratic mega-donor. During a garden cocktail reception, Resnick told Vance that because he hadn’t been formally invited he needed to leave. (Only later did Resnick learn who Vance was.) Vance took it graciously, the friend said, and walked off down the home’s long, winding driveway. McLaurin, the Democratic state senator, said, “The way I think about it, it’s like a dial. If you’re a politician, you carry around all these personal grievances and memories of all the things that were done to you, and you get to decide whether to keep that dial turned down or to turn it up. And J.D. has turned it all the way up.”\nThe political group with which Vance was then associated—the wonkish Reformicons—had encouraged the Republican Party’s rhetorical turn toward a working-class conservatism, advocating for entitlements like pro-family tax credits and denouncing the donor class. But Trump put forward a “nightmare version” of that vision, as one leading Reformicon, the former George W. Bush speechwriter David Frum, said in 2016, with everything “horribly twisted and distorted.” At the same time, a generation of conservative dogma had suddenly been washed away. New think tanks and magazines explored the boundaries of what an America First conservatism might be: more combative about progressive values, more isolationist in foreign policy, more nationalist on immigration, and more open to government intervention to stem free trade. Some of these views weren’t all that dissimilar from what the Reformicons had offered, but there was an important distinction: members of the New Right, as the movement came to be known, were among Trump’s strongest supporters, echoing, often gleefully, his most outré and politically incorrect ideas.\nIn Washington, Democrats and investigative reporters were scrutinizing Trump’s career for evidence of Vladimir Putin’s influence over the election. For Vance, the fixation on Russia to explain Clinton’s defeat was drowning out the self-reflection that he had hoped to inspire among the liberal establishment with “Hillbilly Elegy.” Vance’s longtime adviser told me, “He was just, like, ‘This just seems like conspiracy theory.’ They lost and they were clinging to it.”\nIn 2018, Vance considered challenging Sherrod Brown, the incumbent Democratic senator from Ohio, “for about thirty-six hours,” the adviser said. Rebekah Mercer, who had been a prominent Trump donor, was enthusiastic about Vance’s potential, but the timing was wrong. Vance’s first child had been born less than a year earlier, and his network in Ohio was thin. (In law school, he had also told a friend that Brown, a progressive populist, was a Democrat he admired.) The following year, a whistle-blower revealed that Cambridge Analytica, a political-consulting firm in which Mercer and her father, Robert, were investors, had secretly harvested Facebook user data and then shared the analytics with the Trump campaign. Facebook eventually agreed to pay five billion dollars in fines for its role in the venture; Cambridge Analytica went bankrupt. Vance regarded the scandal as an extension of the Democrats’ Russia obsession—a way to deflect attention from the neoliberal policies that he believed had pushed working-class voters to Trump.\nThat fall, the Senate confirmation hearings for Brett Kavanaugh’s nomination to the Supreme Court turned on an accusation by Christine Blasey Ford, a California psychologist who said that Kavanaugh had sexually assaulted her decades earlier, during a high-school party. The Guardian and HuffPost reported that Chua had privately told a group of law students that it was “no accident” that Kavanaugh’s female law clerks all “looked like models,” and had offered to give them advice on how to dress if they wanted to work for him. Usha, whom Chua had recommended for the clerkship with Kavanaugh, sent a stiffly worded e-mail to her law-school class distancing herself from Chua’s reported comments and asserting that she knew, from her time interviewing candidates as a Kavanaugh clerk, that appearance was not a factor in who got hired. “Kind of a dork,” Vance said of Kavanaugh in an interview with Ross Douthat, of the Times, this past spring. “Never believed these stories.”\nAfter the Kavanaugh hearings, Vance began to contemplate a more thorough remaking of American institutions. An academic friend recalled that in 2019, while Vance was preparing to deliver a speech at the National Conservatism Conference, the defining New Right confab, in Washington, he wrote to ask “if I thought élite universities were beyond redemption.” Vance was also making a personal turn to Catholicism. Dreher, who was close with Vance at the time, introduced him to a group of Dominican friars in Washington. In August, 2019, Vance converted in a ceremony attended by, among others, his biological father. (Usha, who was raised Hindu, did not convert.) In an essay published in The Lamp, a Catholic magazine, Vance wrote that his conversion was the result of a search for a system of “duty and virtue,” in part so that he could become a better husband and father. But his essay also suggested that he was becoming a more stringent social conservative. He quoted at length from St. Augustine’s denunciation of Roman excess, of the “plentiful supply of public prostitutes for every one who wishes to use them.” This broadside from a fifth-century bishop, Vance wrote, was “the best criticism of our modern age I’d ever read.”\nVance’s past friendships with progressives began to inform the manner in which he fought the other side. During a podcast with American Moment, a young-conservative organization affiliated with the New Right, Vance said that, for his liberal classmates at Yale, “pursuing racial or gender equity is like the value system that gives their life meaning,” and that “they all find that that value system leads to misery.” Meanwhile, he went on, the masculinity of young boys was “suppressed.” Such views, one of Vance’s friends from the Reformicon movement told me, reflected Vance’s “reinvention as a public persona.” “Some of these currents, call them cultural currents, are very deep for him—what men need, what women need from men,” the friend said. But there was also, the friend went on, “a level of becoming the thing one needs there to be.”\nVance was building a political network of supporters and donors among anti-establishment conservatives, with whom he increasingly shared a tendency to accuse the left of operating with a might-makes-right moral authoritarianism. “The thing that I kept thinking about liberalism in 2019 and 2020 is that these guys have all read Carl Schmitt,” he told Douthat, referring to the Nazi legal theorist. “There’s no law, there’s just power. And the goal here is to get back in power.” In the wake of the COVID-19 shutdowns and the Black Lives Matter protests, Vance said on “The Federalist Radio Hour” that American conservatives “have lost every major powerful institution in the country except for maybe churches and religious institutions, which, of course, are weaker now than they’ve ever been. We’ve lost big business. We’ve lost finance. We’ve lost the culture.” No compromise was possible with the liberals in control, he added. “Unless we overthrow them in some way, we’re going to keep losing.”\nMark Munroe, the former chair of the Mahoning County G.O.P., is an amiable retired television executive. He remembers a time when he would press on reporters a sheet detailing the corruption of the mobbed-up Democratic Party in Youngstown, where the Republicans were heavily outnumbered. As Trump’s campaign gathered momentum, Munroe started hearing from residents who’d never been interested in his party before, but who saw the immigration issue primarily in terms of security, rather than of the economy. “For folks around here, it really is protecting the southern border from drugs,” Munroe said. “It’s about strength.” Munroe was sitting at the office of the election board on primary night, in March of 2016, when thousands of Mahoning residents requested, for the first time, a Republican ballot. “We doubled our registration in one night,” Munroe told me recently, still somewhat awestruck.\nThe bigger surprise was that the new voters stuck around. In 2020, Trump maintained an eight-point margin in the state. As an adviser to Vance who is based in Ohio described it, the new voters were among the most populist in the state—the most explicitly anti-Washington and anti-élite—so that not only did the state become more Republican but the Republicans became more aligned with Trump.\nThe word in conservative circles was that Vance, too, had become “thoroughly red-pilled.” Privately, he still had some reservations about Trump—as late as 2020, as messages published by the Washington Post this September showed, he told an acquaintance that the President had “thoroughly failed to deliver on his economic populism.” But in public Vance was an increasingly reliable Trump partisan, who dismissed concerns about the former President’s efforts to overturn the election. The following year, he joined the conservative anti-vaccine-mandate chorus. A friend asked him why he was on Twitter telling people not to get vaccinated when he himself was—people might die. In response, Vance raised some safety concerns, and then added that it didn’t help that Biden had insinuated that people like his father—who hadn’t gotten vaccinated—were “sewer rats.”\nThat summer, after the Ohio senator Rob Portman, a stalwart of the pre-Trump G.O.P., announced that he would retire, Vance decided to run. Someone who is close with both Vance and Donald Trump, Jr., called the former President’s son to get his opinion on Vance, who, he noted, “talked a lot of shit about your dad in 2016.” As the friend recalled, Don, Jr., said, “Honestly, dude, I fucking loved ‘Hillbilly Elegy’ back in 2016, and I fucking never understood why he wasn’t on our side.”\nThe 2022 Republican Senate primary attracted six well-funded contenders, all of whom promptly set about establishing their America First bona fides, in both substance and style. Candidates flew to Trump’s golf club in West Palm Beach to audition for an endorsement. Josh Mandel, Ohio’s former state treasurer, travelled to Arizona to observe an audit of contested ballots and proclaimed 2020 a “stolen” election. A wealthy investment banker named Mike Gibbons, during an exchange with Mandel on the debate stage, appeared to call him a “pussy.” Politico described it as “the dumbest Senate primary ever.”\nVance had laid the groundwork for his run by appearing on conservative podcasts and television shows, offering often extreme accounts of cultural conflict. “American history is a constant war between Northern Yankees and Southern Bourbons, where whichever side the hillbillies are on wins,” Vance told a YouTuber in the spring of 2021. The Northern Yankees, he went on, “are now the hyper-woke, sort of coastal élites,” the Bourbons are the “same old-school Southern folks,” and the hillbillies “have really started to migrate towards the Southern Bourbons.”\nThat July, a few weeks after he formally announced his candidacy, he appeared on Tucker Carlson’s Fox News show to discuss an idea he had been developing: that élites in the U.S. “have played their entire lives to win a status game,” and that more power should accrue to people who had children, and thus a “direct stake” in the future. “We are effectively run in this country, via the Democrats, via our corporate oligarchs, by a bunch of childless cat ladies who are miserable at their own lives and the choices that they’ve made,” Vance said. “And so they want to make the rest of the country miserable, too.”\nSuch arguments did little to help his cause. By the following spring, with the primary nearing its conclusion, Vance’s public image was still largely defined by the attack ads his rivals were running, highlighting his past anti-Trump comments. He was stuck at around ten per cent in the polls. It wasn’t until a Republican-primary debate in March that he found a way to stand out. The moderator asked the candidates whether they would support a no-fly zone in Ukraine. Only Vance was strongly opposed to the idea. Polls showed that a majority of Republicans supported aid to Ukraine. But Vance, like Trump, did not. Don, Jr., called the friend he shares with Vance: “He’s, like, ‘Dude, I saw this fucking clip on Ukraine. Fuck this shit. J.D. is the guy.’ ” The next day, Don, Jr., tweeted, “JD is 100% America First.”\nAt that point, a Vance adviser told me, the campaign figured it had “one bullet” left. Vance was convinced that what had particularly infuriated ordinary conservatives since the Obama Administration was the suggestion that any opposition to immigration was rooted in racism. In a campaign ad that appeared in early April, Vance spoke directly to the camera. “Are you a racist?” he asked. “Do you hate Mexicans?” The media thought so, he went on, simply because Ohio conservatives wanted to build Trump’s border wall. “This issue is personal,” he said. “I nearly lost my mother to the poison coming across our border.” The following week, Trump—egged on by his son—endorsed Vance, which effectively guaranteed him the nomination. “The whole team worked on that ad,” the adviser said. “But the first line was all J.D.”\nWhen I called the former Democratic congressman Tim Ryan, whom Vance went on to beat in the general election, to ask his opinion of Vance as a campaigner, he sounded distinctly unimpressed. “He was never on the trail,” Ryan said. Ryan would drive his son’s dog, Zoie, around the state during the campaign, a gimmick that eventually he started using as a talking point: “Zoie has been in Lima twice, and J. D. Vance never has.” But the most important question in the race was who could claim the MAGA mantle. Who brought a dog to Lima—that was campaigning for the twentieth century.\nMore than a year earlier, before Trump had even announced his candidacy, Vance had sent a note to Susie Wiles, one of the former President’s senior advisers, saying that he was prepared to endorse Trump anytime. But, according to Vance’s advisers, the prospect that Trump might pick him for the ticket emerged only around the time of the New Hampshire primary, in January, when word began leaking from operatives close to Mar-a-Lago. Relatively quickly, Vance decided that he wanted the job—with Biden faltering, the Republicans stood a good chance of winning. Vance’s circle also felt that some of the alternatives Trump was said to be considering, such as the South Carolina senator Tim Scott and the North Dakota governor Doug Burgum, might take the Party back toward what Vance, at the National Conservatism Conference, called the Wall Street Journal consensus.\nThe plan was for Vance to appear relentlessly on TV, often in adversarial contexts, where he hoped to capture Trump’s attention by outwitting liberal pundits. Several key conservative figures lobbied Trump not to pick Vance, including the billionaire donor Ken Griffin, Rupert Murdoch, and Lindsey Graham, who made an appeal to the former President on Trump Force One on the way to the Republican National Convention, in Milwaukee. Elon Musk, Tucker Carlson, Don, Jr., and the tech investor David Sacks, a vociferous opponent of the war in Ukraine, pressed Trump on Vance’s behalf. The contrast between the two groups might have clarified the choice for the former President: Was he with the establishment Republicans or with the rising nationalists he’d brought into being?\nOn the morning of Saturday, July 13th, Vance met secretly with Trump at Mar-a-Lago; Trump did not offer him a spot on the ticket, but he intimated that he might. Early that evening, Trump was shot in the ear at a rally in Butler, Pennsylvania. Vance was among the first elected officials to politicize the event. Within hours, he tweeted, “The central premise of the Biden campaign is that President Donald Trump is an authoritarian fascist who must be stopped at all costs. That rhetoric led directly to President Trump’s attempted assassination.” (The motives of the shooter, a registered Republican who had donated to a Democratic turnout effort, remain unclear.) Vance did not speak with Trump again until the following Monday, at the start of the Convention, when the former President called to ask if he’d join the ticket. Half an hour later, Trump posted the news on Truth Social.\nTwo days later, Vance’s prime-time speech at the Convention elevated the experiences of the left-behind. In his telling, their endurance, rather than the fight of outside groups for rights and prosperity, was the central feature of the national story. If there was a discordant note, it was in how generically he described the working-class Republicans whose interests he was supposedly championing in a newly populist G.O.P.: “the factory worker in Wisconsin who makes things with their hands and is proud of American craftsmanship”; “the auto worker in Michigan wondering why out-of-touch politicians are destroying their jobs.” But Vance’s own story remained powerful. He invoked the family cemetery in eastern Kentucky where five generations of his forebears were buried. “People will not fight for abstractions, but they will fight for their home,” Vance said. “Our leaders have to remember that America is a nation, and its citizens deserve leaders who put its interests first.”\nOf course, Vance, in many ways, is a product of the media. That weekend, he had appeared on three separate Sunday shows. On X, he sometimes seems to be operating as a universal reply guy. “Hi Hannah,” Vance recently wrote, at the beginning of a multi-paragraph response to an author of Bible-study and self-help books, who had taken issue with his positions on child care. While on Trump Force Two, I idly looked at my phone and noticed that Vance was on X at that very moment, somewhat angrily tweeting at David Frum, who is now a staff writer at The Atlantic. Frum had tweeted that the difference between the Democratic and the Republican tickets was that “the upsetting things said by Trump and Vance are not true.” Vance, surrounded by his wife, his dog, and his advisers, had fired back, “I’d say the most important difference is that people on your team tried to kill Donald Trump twice.”\nSome conservatives suggested to me that one source of Vance’s combativeness is that the America First movement, though very much alive as an electoral prospect, is losing intellectual steam. Yuval Levin explained that, since 2000, he had been part of three waves of attempted conservative reforms, each of which had tried to turn the Party away from libertarianism and toward social conservatism, but that each had fizzled because “if you wake up any given Republican congressman in the middle of the night and ask him what he wants to do, he’s still going to say cut the marginal tax rate.” David French, the conservative Never Trump columnist at the Times, told me he thought the Republicans were making the same error that the Democrats had made a few years earlier: “They’re following their own Twitter activists off a cliff.” Conservatives often liked to say that every Republican activist under forty belonged to the New Right, French went on, but he had been watching students at the Christian colleges where he spoke and taught and doubted that this was the case. At present, French said, he had exactly one student who identified as New Right. “Nice guy,” French said, and you could sense the grin. “But, I mean, he wears an ascot.”\nIt’s perhaps unsurprising that, when Vance needed to connect with conservative voters, he returned to the subject of immigration. In July, Vance tried to draw the press’s attention to a situation unfolding in Springfield, Ohio: a city whose population had previously been less than sixty thousand was struggling to handle an influx of as many as twenty thousand legal Haitian immigrants, many of whom had been drawn from other parts of the United States by the promise of factory jobs. Early in September, Vance shared a story being passed around by conservative users on social media that “people have had their pets abducted and eaten by people who shouldn’t be in this country.” The next day, Trump repeated the claim during his Presidential debate with Kamala Harris, in a memorably ham-handed way. (“In Springfield, they are eating the dogs. The people that came in, they are eating the cats.”) There was no evidence that this was true—the Wall Street Journal, chasing down the rumor of an abducted feline, found her safe in her owner’s basement.\nIn the following days, a series of bomb threats closed schools in Springfield and spooked the local population. The city’s Republican mayor and the state’s Republican governor pleaded with Vance to stop repeating the claim, but he refused to do so. On September 15th, Vance told CNN’s Dana Bash, “The American media totally ignored this stuff until Donald Trump and I started talking about cat memes. If I have to create stories so that the American media actually pays attention to the suffering of the American people, then that’s what I’m going to do.”\nClips from the campaign trail have emphasized Vance’s awkwardness—there was the encounter at a doughnut shop in Valdosta, Georgia, where Vance, tall and slightly hunched, brightly greeted a clerk, who quickly said that she did not want to appear on camera. “She doesn’t want to be on film, guys,” Vance said loudly, “so just cut her out of anything.” He turned back to the shop worker, introduced himself, and said that he was running for Vice-President. “O.K.,” she said. The silence was faintly excruciating. Which doughnuts did he want, anyway? Vance indicated the glazed, the cinnamon rolls. “Some sprinkle stuff,” he said. “Whatever makes sense.”\nHe was better in more structured settings. Vance is an excellent debater, against both political opponents and the press, and even in hostile environments he maintains emotional control—when he’s angry, it’s because he wants to be. At the rally in Grand Rapids, held in a refurbished barn north of the city, he brought up the attempts on Trump’s life: “I think that it’s time to say to the Democrats, to the media, to everybody that has been attacking this man and trying to censor this man for going on ten years, cut it out or you’re going to get somebody killed.”\nAn hour later, back under a wing of Trump Force Two, Vance came over to take a few questions from the press. Bender, from the Times, asked him whether denouncing Democrats for inflammatory rhetoric while falsely accusing Haitian migrants of eating cats and dogs wasn’t a very narrow needle to thread. “I don’t think it’s a needle that we’re trying to thread,” Vance replied. “There’s a massive highway down which we can draw two very important distinctions, the first of which is Donald Trump has had two assassination attempts in the last couple of months. So, if you look at this, and you try to both‑sides it, the problem is only one candidate has actually suffered very serious attempts on his life, including him being literally shot in the head.”\nThe Senator kept his voice polite, but he was arguing a fundamental piece of his current politics—that the rupture in American life, which for a decade had been blamed on Trump, was, in fact, the fault of the Democrats and the media. Vance sounded a little exasperated; up close, I noticed for the first time the gray hairs in his beard. The second big difference, he said, was that conservatives did not call for censorship. “What is the point of the critics?” Vance added. “When you’re criticizing somebody’s rhetoric, when you’re criticizing what somebody said, are you trying to tone down the violence or are you trying to silence him?”\nThe conservative activist Christopher Rufo had offered a five-thousand-dollar reward to anyone who could find proof of people in Springfield eating cats. I expected to hear more stories of migrant misdeeds at the town hall. A woman said that her daughter had been chased by an “immigrant” wielding a machete. But that was the exception. Several people said that they had good personal relations with their Haitian neighbors. Some worried about the poisoned environment: one mixed-race man who had lived in Springfield his whole life said that he had been called the “N-word” twice in the past week, and that a friend had been heckled at a grocery store while holding a six-month-old baby and told to leave the country. There were murmurs of sympathy.\nBut the attendees mostly focussed on the stresses that the new arrivals had put on the city. A fifty-nine-year-old resident with a disability said that he was struggling to get appointments at the local hospital; he’d heard a since-debunked rumor that this was because so many Haitian migrants needed to be treated for H.I.V. A woman mentioned that an influx of foreign-born students had overwhelmed the schools, leaving native-born children disengaged “for eight hours.” A Navy veteran who was planning to vote for Trump for a third time noted that most of the Haitians were legal immigrants and asked why Republicans were focussing on deportation rather than on the drugs and homelessness that had been problems before they arrived. Listening to these complaints, I thought that the politicization of ordinary people in Springfield had at least been built on actual suffering. But their concerns weren’t about any strange cultural practices of the Haitian community. They were about policy.\nVance’s claims had started with something like that, too. In his Convention speech, he had insisted that the spike in housing prices nationally was due to an influx of undocumented immigrants. But, when the pressures on the housing market and institutions in a mid-sized Ohio city failed to make a dent in the national news, he tried to create a different narrative, about how foreign and culturally threatening the Haitian migrants were. Populist panics often bubble up from the grassroots, only to be refined by politicians. In this case, Vance had amplified the crudest version, ostensibly on behalf of Springfield’s residents.\nRamaswamy had offered to give me a ride back to Columbus, where I was staying. After he finished an appearance on Fox News, we set off contemplatively, in his chauffeured black S.U.V. Ramaswamy is an extreme figure himself—he built his Presidential stump speech around the argument that Trump’s revolution was equivalent in scope to the events of 1776. But he also seemed to think that Trump and Vance’s fabrications about the Haitians in Springfield were undermining what might have otherwise been a winning issue. “I had the feeling—just my intuition—that, if I had wanted to take the crowd in a hard anti-immigrant direction, I could have,” Ramaswamy said. “It wasn’t where they were going to go on their own. But that’s the point: leadership. People need to be led.”\nAs Vance has risen in prominence, some have speculated that much of his life, following a largely fatherless childhood, has been a search for a mentor who might fill a parental role: Mamaw, the Marines, Amy Chua, Peter Thiel, Donald Trump. One of Vance’s former professors said, “I think there might be something to that.”\nBut it’s also the case that Thiel and Chua are both serial mentors, and that Trump needed an heir—the scarce commodity in American conservatism isn’t fathers but sons. Along the way, Vance’s liberal friends seemed to think, he’d made elisions to his persona, pruning off the inconvenient biographical details so that what remained was as unnatural as a bonsai. This summer, shortly after Vance’s nomination for the Vice-Presidency, Charles Johnson, a far-right conspiracy theorist, gave the Washington Post a trove of text messages between himself and Vance, including an exchange in which Johnson had highlighted Vance’s relationship with Chua. Vance had replied dismissively. “Chua doesn’t tell me anything,” he wrote. “I am pretty sure I don’t even know another Chinese american.” It was this last beat that caught the attention of some of Vance’s former law-school friends, because a number of them are Chinese American.\nIn Eau Claire, when Vance turned his attention to the back of the room to take questions from the press, James Kelly, a reporter from a Wisconsin public-radio network, asked about the recent closure of two rural hospitals and several clinics in the Chippewa Valley. “I’m glad you mentioned providing actual concrete answers to questions,” he said. “What concrete plans would your Administration have to protect rural health-care access?”\nVance was quiet for a moment. At an earlier point in his public life, this would have been a perfect question for him. As a senator, he had said that he was open to the politics of the “Bernie bros,” had praised the Biden Administration’s aggressive antitrust regulator Lina Khan, and had walked a U.A.W. picket line in Ohio, where a veteran pro-labor Democratic House member had asked him, “First time here?” When it comes to rural health care, themes of fairness and economic populism naturally lie close to the surface. Instead, Vance said, “This goes back to the immigration issue.” He argued that the hospitals were under pressure because they were being forced to take care of migrants, adding, “Kick these illegal aliens out, focus on American citizens, and we will do a lot to make the business of rural health care much more affordable.”\nThe elisions were happening in real time now. At such moments, I had the sense of a mismatch between Vance’s talents and the timing of his trajectory. His sudden rise to power would not have been possible without the scorched-earth Trump wars that took out a whole generation of conservatives ahead of him. Vance and his allies in the New Right had spent years working out a theory of Trumpism—economic populism, an ideological makeover of the administrative state, a hard line on social-conservative issues like abortion—and then, when it was time to campaign, Trump had simply moved on.\nAn adviser to Vance told me that the transformations that had defined the conservative project since the 2016 election remained under way. “We’re in the third or fourth inning,” he said. The suggestion was that ambitious young right-wingers were still shaping the MAGA movement. But Vance, in coming so completely into alignment with Trump in this election, has helped usher in a similar change across his party. The conservative élites, like the rest of the G.O.P., are more fully Trumpist now. Vance may be playing in a much later inning.\nVance said he had time for one more question, and he awarded it to Bender, the Times reporter. The crowd bridled a bit, but Bender—acting politically for a second, too—quieted them by thanking the Senator for “inviting the tough questions.” What he wanted to know of Vance, Bender said, pivoting back to Springfield, was where his red line was: “What’s something you’re willing not to say in order to make a point that’s important to you?”\nVance cut him off. “The media always does this,” he grumbled. When he told CNN that he had been trying to “create a story” about what happened in Springfield, he’d meant only that he was trying to create a narrative, a “media story,” because people there were telling him that no one was taking their concerns seriously. The crowd was with him; he grew more self-assured. “I’m not making anything up,” Vance said. “I’m just telling you what my constituents are telling me.” ♦","isBasedOn":"","articleSection":"profiles","author":[{"@type":"Person","name":"Benjamin Wallace-Wells","sameAs":"https://www.newyorker.com/contributors/benjamin-wallace-wells"}],"dateModified":"2024-10-28T06:00:00.000-04:00","datePublished":"2024-10-28T06:00:00.000-04:00","headline":"The Improbable Rise of J. D. Vance","image":["https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_2560,h_1440,c_limit/r45163.jpg","https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/4:3/w_2276,h_1707,c_limit/r45163.jpg","https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/1:1/w_1707,h_1707,c_limit/r45163.jpg"],"keywords":["profiles","election 2024","j. d. vance","audio","textbelowcenterfullbleednocontributor","inverted","onecolumnnarrow","magazine"],"thumbnailUrl":"https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/2:3/w_1138,h_1707,c_limit/r45163.jpg","url":"https://www.newyorker.com/magazine/2024/11/04/j-d-vance-profile","isPartOf":{"@type":"CreativeWork","name":"The New Yorker"},"isAccessibleForFree":true,"alternativeHeadline":"Benjamin Wallace-Wells reports on the evolution of Donald Trump’s Vice-Presidential nominee as a U.S. Marine, a Yale law student, the author of “Hillbilly Elegy,” and an Ohio senator.","description":"Benjamin Wallace-Wells reports on the evolution of Donald Trump’s Vice-Presidential nominee as a U.S. Marine, a Yale law student, the author of “Hillbilly Elegy,” and an Ohio senator.","mainEntityOfPage":{"@type":"WebPage","@id":"https://www.newyorker.com/magazine/2024/11/04/j-d-vance-profile"},"publisher":{"@context":"https://schema.org","@type":"Organization","name":"The New Yorker","logo":{"@type":"ImageObject","url":"https://www.newyorker.com/verso/static/thenewyorker-us/assets/the-new-yorker-seo-logo.jpg","width":"1200px","height":"630px"},"url":"https://www.newyorker.com"}}</script><script type="application/ld+json">{"@context":"https://schema.org/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"name":"Magazine","item":"https://www.newyorker.com/magazine"},{"@type":"ListItem","position":2,"name":"Election 2024","item":"https://www.newyorker.com/tag/election-2024"},{"@type":"ListItem","position":3,"name":"The Improbable Rise of J. 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page__main-content"><article class="article main-content" lang="en-US"><div class="ArticlePageLedeBackground-EufvU ittFsh"><header class="ContentHeaderWrapper-clujbs ldzxDV content-header article__content-header"><div data-testid="ContentHeaderContainer" class="ContentHeaderContainer-cGKRbE gXTBMX"><div class="ContentHeaderHedAccreditationWrapper-GFiQf cDNVlV"><div data-testid="ContentHeaderTitleBlockWrapper" class="ContentHeaderTitleBlockWrapper-cjmSKp eKCYkz"><div data-testid="ContentHeaderRubric" class="ContentHeaderRubricBlock-LmpbT iaArlP"><div data-testid="ContentHeaderRubricDateBlock" class="ContentHeaderRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX cXTooZ rubric ContentHeaderRubricContainer-eTudtt iRsSlw"><a class="RubricLink-gRWSOU fgWnkQ rubric__link" href="/magazine/profiles"><span class="RubricName-fVtemz cLxcNi rubric__name">Profiles</span></a></div></div></div><h1 data-testid="ContentHeaderHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHeaderHed-NCyCC iUEiRd kOQxwh hpJvIc">The Improbable Rise of J. D. Vance</h1></div><div class="ContentHeaderAccreditation-lfctVB etVsnJ content-header__accreditation" data-testid="ContentHeaderAccreditation"><div class="ContentHeaderDek-bIqFFZ cFMTQw">“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the <em class="small">MAGA</em> movement.</div><div class="ContentHeaderByline-kmPyCa gvUmxJ"><div class="ContentHeaderBylineContent-dpPmNn DRFq"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk jYjxgY bylines ContentHeaderBylines-cZqgyJ bHLeKI"><span class="BylineWrapper-jWHrLH iBybbt byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn eJwCwq byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ uhfVi byline__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM BylineLink-gEnFiw iUEiRd dTCiYp bVAERN brYZgj byline__name-link button" href="/contributors/benjamin-wallace-wells">Benjamin Wallace-Wells</a></span></span></span></div><time data-testid="ContentHeaderPublishDate" dateTime="2024-10-28T06:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHeaderPublishDate-eIBicG iUEiRd hkjWCS iINaCX">October 28, 2024</time></div></div></div></div><div class="ContentHeaderLeadAsset-hGbumP kByCgj lead-asset ContentHeaderLeadAssetWrapper-hfXHEc frGrck lead-asset--width-fullbleed" data-testid="ContentHeaderLeadAsset"><figure class="ContentHeaderLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHeaderLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__content__photo"><span class="SpanWrapper-umhxW jvZaPI responsive-asset ContentHeaderResponsiveAsset-bREgIb hONbnm"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz ccdiSo"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa ContentHeaderResponsiveAsset-bREgIb hONbnm responsive-image"><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/2:2/w_120,c_limit/r45163.jpg 120w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/2:2/w_240,c_limit/r45163.jpg 240w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/2:2/w_320,c_limit/r45163.jpg 320w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/2:2/w_640,c_limit/r45163.jpg 640w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/2:2/w_960,c_limit/r45163.jpg 960w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_120,c_limit/r45163.jpg 120w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_240,c_limit/r45163.jpg 240w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_320,c_limit/r45163.jpg 320w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_640,c_limit/r45163.jpg 640w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_960,c_limit/r45163.jpg 960w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_1280,c_limit/r45163.jpg 1280w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_1600,c_limit/r45163.jpg 1600w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_1920,c_limit/r45163.jpg 1920w, https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_2240,c_limit/r45163.jpg 2240w" sizes="100vw"/><img alt="J. D. Vance speaks into a microphone photographed by Mark Peterson." class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67192b4ae0bb11c1d422f4ee/16:9/w_2560%2Cc_limit/r45163.jpg"/></picture></div></div></span></div></figure></div><div class="ContentHeaderLeadContentFullWidth-cvJzX hHaBOT"><figure class="ContentHeaderLeadContentCaptionCredit-hSIIqJ kQVfzg"><div class="CaptionWrapper-jSZdqE koIZQP caption ContentHeaderLeadAssetCaption-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">After the 2016 election, a friend recalled, Vance “thought that he wasn’t going to have a political future with Trump in charge.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionCredit-ejegDm iUEiRd bibEBd kboznU caption__credit">Photographs by Mark Peterson / Redux for The New Yorker</span></div></figure></div></div></header></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN bIesAh article-body__content"><div class="ActionBarWrapperContent-lasBkU jrRtuw"><div class="ActionBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monitor="" class="ActionBarWrapper-dhxmQh hDHofQ viewport-monitor-anchor"><button id="bookmark" aria-label="Save this story" class="ActionBarButton-dyFOZU hNBMHq bookmark large-screen"><span class="ActionBarSecondaryButtonPrimaryIcon-isbvyN cAwccV bookmark-button-icon"><svg class="icon icon-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg"><title>Save this story</title><path class="icon-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="icon-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActionBarButtonText-bYXYuh iUEiRd bYbRbe gkccfO">Save this story</span></button></div><div data-attr-viewport-monitor="" class="ActionBarWrapper-dhxmQh dupdPP viewport-monitor-anchor"><button id="bookmark" aria-label="Save this story" class="ActionBarButton-dyFOZU jbWTJi bookmark mobile"><span class="ActionBarSecondaryButtonPrimaryIcon-isbvyN cAwccV bookmark-button-icon"><svg class="icon icon-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg"><title>Save this story</title><path class="icon-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="icon-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActionBarButtonText-bYXYuh iUEiRd bYbRbe gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP imbgVA"><div data-testid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG lmuXQm"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><figure class="CneAudioEmbedFigure-bRoyFa cjLQOE"><div><div id="js-audioembed-9vnual"></div></div></figure><p class="has-dropcap has-dropcap__lead-standard-heading paywall">On a warm, gray morning in mid-September, a small group of reporters waited under the wing of a plane at a private terminal at Ronald Reagan National Airport, anticipating the arrival of the Vice-Presidential candidate J. D. Vance. Earlier in the week, a would-be assassin had tried to ambush Donald Trump on his golf course in West Palm Beach, the second attempt on Trump’s life this summer, and the apparatus accompanying Vance had the feel of an armed brigade. The travelling party included a dozen staffers and about the same number of Secret Service officers. When Vance’s motorcade pulled up to Trump Force Two—a Boeing 737 with the names of anonymous donors (Edward M., Victoria W.) painted on the tail fin—it contained twelve cars. In the only other political campaign that Vance had run, for the United States Senate, in 2022, he had ridden to events in an aide’s old Subaru. Now he and his wife, Usha, accompanied by their ten-month-old dog, Atlas, emerged from a long black Suburban, both trim and elegantly dressed for the campaign trail.</p><p class="paywall">Vance’s selection as Trump’s running mate had punctuated an astounding rise. Born in the small manufacturing city of Middletown, Ohio, he was raised by a drug-addicted mother and his beloved Appalachian-born grandmother, Mamaw. He worked his way up through storied American institutions: the Marine Corps, Yale Law School, Silicon Valley. “Hillbilly Elegy,” the best-selling memoir Vance published in 2016, made him famous, and his denunciations of Trump as “cultural heroin” for the white working class even more so. A few years later, he was a senator from Ohio, the Republican Party’s most effective spokesman for Trumpism as an ideology, and—both improbably and inevitably—the Vice-Presidential nominee. “If you think about where he came from and where he is, at forty years old,” the conservative analyst Yuval Levin, a Vance ally, said, “J.D. is the single most successful member of his generation in American politics.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kKwZhx responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><div data-attr-viewport-monitor="" class="ResponsiveCartoonWrapper-iTMMjI eXTYsS responsive-cartoon AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset viewport-monitor-anchor"><a class="external-link responsive-cartoon__image-link" 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1-.479-.236c-2.232-1.26-2.997-4.054-1.708-6.238l3.111-5.273c1.289-2.185 4.143-2.933 6.375-1.672s2.997 4.054 1.708 6.239l-1.944 3.295ZM9.126 18.33a.752.752 0 0 0-.284-1.04.787.787 0 0 0-1.063.28l-1.944 3.296c-1.719 2.912-.699 6.636 2.277 8.317 2.976 1.682 6.782.684 8.5-2.229l3.111-5.273c1.718-2.912.699-6.636-2.277-8.318a6.327 6.327 0 0 0-.9-.419.694.694 0 0 0-.833.312c-.256.434.007.99.476 1.19.162.069.322.147.479.236 2.232 1.26 2.997 4.054 1.708 6.238l-3.111 5.273c-1.289 2.184-4.143 2.933-6.375 1.672s-2.997-4.054-1.708-6.238l1.944-3.296Z" fill="#000"></path></g><defs><clipPath id="clip0_3732_178637"><rect width="32" height="32" fill="white"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="32" height="32" fill="white"></rect></clipPath></defs></svg></div></button><div class="AlertWrapper-gvFATk cuesfH ResponsiveCartoonLinkAlertPopup-BPAXn jeGqZC shopping-alert" role="dialog"><div aria-hidden="true" role="presentation" class="AlertArrow-daOgye AlLda alert-arrow"></div><div 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stroke-width="1.5"></circle></g><defs><clipPath id="clip0_3732_178638"><rect width="32" height="32" fill="white"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="32" height="32" fill="white"></rect></clipPath></defs></svg></div></button></div></div></div></span></div></figure><div></div><p class="paywall">At Yale Law School, where the Vances met, Usha, who had been a Yale undergraduate, operated as an interpreter of Ivy League folkways for the rougher-hewn J.D. She kept a spreadsheet of things she thought he should try, a mutual friend of theirs recalled—“I remember one of them was Greek yogurt.” Vance talked with another friend about becoming a househusband; he had not had a father, and it was important to him to become a good one. (In an echo of Bill Clinton’s experience, Vance used the last name of a stepfather, Hamel, until after college.) But, as he began to consider a political career, it was Usha, a former clerk to two Supreme Court Justices, who moved to Ohio. When he joined Trump’s ticket, she left her job at a prestigious law firm. At this year’s Republican National Convention, Usha, the daughter of Indian immigrants, sat next to Trump as her husband said that “America is not just an idea” but a people bound by a “shared history.” The scene would have been unimaginable to many of her friends just a few months earlier. “I’m not sure what deal J.D. made with Usha,” a person close to the couple told me. “But it had to be something, because they make every decision together.”</p><p class="paywall">Vance, too, had only recently made a full accommodation with Trump. A longtime political adviser to Vance told me, “The problem that J.D. had always been trying to solve is what to do about the decline of the Midwest.” Many of his prior solutions, the adviser went on, had simply not worked. “Hillbilly Elegy” had been, in part, an attempt to make liberal readers sensitive to the plight and the anger of rural whites. Vance’s subsequent efforts to establish an addiction-treatment nonprofit in Ohio and a heartland-focussed venture-capital fund were, in this view, intended to rebuild the Midwest from within. Vance’s partnership with Trump, whom he once derided, represented his shift to a more tribal politics. Remember, the adviser said, even in Vance’s Never Trump days he hadn’t really opposed Trump on policy: “His objection was that he thought Trump didn’t mean anything he said.”</p><p class="paywall">But this theory is complicated by how perfectly Vance’s rightward turn has tracked the fixations of conservative activists and élites. His rise has been backed by the billionaire investor Peter Thiel, Elon Musk, and Donald Trump, Jr., whose complaints about woke politics and tech censorship Vance has amplified on the trail. In the view of one of his old friends, Vance, in becoming a national figure, has also become more thin-skinned, not unlike many of the tech titans who support him. Some commentary on Vance’s political transformation after the 2020 election identified the beard he had started to grow as a symbol of his newly bristling politics. But at least as noticeable is the weight he’s lost and the fitted suits he now wears. Such a change isn’t unusual for powerful people in the Ozempic era, but it also suggests the ways in which Vance, who positions himself as an enemy of the élite, is still a part of it.</p><p class="paywall">On the tarmac, Vance let Usha board the plane first and then lumbered up the stairs, somewhat more in the manner of his dog than of his wife. He turned to the cameras and let his right hand vibrate in a quick tremor of a wave. He was making two stops that day, first in Grand Rapids, Michigan, a long-standing conservative bastion where Democrats had lately made inroads, and then in Eau Claire, Wisconsin. More than one of Vance’s advisers told me that his selection as the Vice-Presidential candidate had depended partly on poll numbers in July, which had suggested that Joe Biden posed a bigger threat in Pennsylvania, Michigan, and Wisconsin than in the Sun Belt states. Had the Democrats been stronger in Arizona, Georgia, and North Carolina, the advisers thought, the Florida senator Marco Rubio might have been the pick.</p><div><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--article-mid-content" role="presentation" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--article-mid-content consumer-marketing-unit__slot--in-content"></div><div class="journey-unit"></div></div></div><p class="paywall">But, even if Vance was an emblem of the Midwest, he was also a drag on the ticket, significantly less popular than his Democratic counterpart, Tim Walz, the governor of Minnesota. The stances Vance had taken that endeared him to the conservative base—his support for a national abortion ban and his association with Project 2025, the think-tank initiative to weaponize the federal government for right-wing causes, which Vance had once termed “de-Baathification”—were so toxic to the general electorate that Trump had disavowed them, and then Vance had, too. The question of what kind of populism would follow Trump into office, should he win, was entangled with the question of what kind of populist his chosen political heir is: a tireless representative of the alienated Midwest, or—like Thiel and Musk, who urged Trump to pick Vance in the first place—a rich, very online man, motivated by a sweeping rejection of progressive culture? Vance disappeared through the door of Trump Force Two, and within a few minutes he was up and away, soaring high above Arlington National Cemetery. The Republican Vice-Presidential candidate was headed someplace like home.</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">On a Friday morning at the end of September, before the start of the school day, I drove to a slightly oversized house just outside Cincinnati to meet Vance’s old physics teacher, Christopher Tape. Of all the people I interviewed—Vance’s advisers, political allies, co-ideologues, and law-school friends among them—Tape had seemed the most eager to meet with me, perhaps because his enthusiasm for Vance runs the purest. “A phenomenal learner,” Tape said. “And always such a jovial, friendly kid.”</p><p class="paywall">Not every student at Middletown High School was poor—some, especially those who lived closer to the interstate, had parents who worked in Cincinnati or Dayton—but many were, and Tape tended to be circumspect when he asked students about their future. But one day, during Vance’s senior year, Tape inquired about his star student’s post-graduation plans. “And J.D. says, ‘Oh, I’m going to the Marines,’ ” Tape told me. “I was, like, ‘Oh, R.O.T.C.?’ And he went, ‘No, I’m enlisting.’ And I was stunned. Like, dude, you can write your ticket. And he says—I’ll never forget this—‘I love this country. And I talk about it a lot. But, if I don’t do anything about it, it’s just talk.’ ”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kKwZhx responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><div data-attr-viewport-monitor="" class="ResponsiveCartoonWrapper-iTMMjI eXTYsS responsive-cartoon AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset viewport-monitor-anchor"><a class="external-link responsive-cartoon__image-link" data-event-click="{"element":"ExternalLink","outgoingURL":"https://www.newyorker.com/cartoon/a60706"}" href="https://www.newyorker.com/cartoon/a60706" rel="nofollow noopener" target="_blank"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa ResponsiveCartoonImage-hzNqyc ikeCcH responsive-cartoon__image responsive-image"><noscript><img alt="Man holding ragged old umbrella over himself and a woman." class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_1600%2Cc_limit/a60706.jpg" srcSet="https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_120,c_limit/a60706.jpg 120w, https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_240,c_limit/a60706.jpg 240w, https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_320,c_limit/a60706.jpg 320w, https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_640,c_limit/a60706.jpg 640w, https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_960,c_limit/a60706.jpg 960w, https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_1280,c_limit/a60706.jpg 1280w, https://media.newyorker.com/cartoons/6717d617494feb62bae71999/master/w_1600,c_limit/a60706.jpg 1600w" sizes="100vw"/></noscript></picture></a><div class="CaptionWrapper-jSZdqE yJskm caption ResponsiveCartoonCaption-dokfdF cXfPNO responsive-cartoon__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq bsWloa caption__text">“I’m just trying to get through the rest of my life without buying another umbrella.”</span></div><div class="CaptionWrapper-jSZdqE koIZQP caption ResponsiveCartoonCredit-bKlQqO faLAFb responsive-cartoon__credit"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionCredit-ejegDm iUEiRd bibEBd bmQtfn caption__credit">Cartoon by P. C. Vey</span></div><div class="ResponsiveCartoonCTA-eiqqMB iDCQRs"><div class="ResponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="ResponsiveCartoonLinkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy link to cartoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv ldaQAm button button--primary-pair ResponsiveCartoonIconButton-hBCBMq iRLdPE" data-event-click="{"element":"Button"}" data-testid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy link to cartoon</span><div class="ButtonIconWrapper-gFdzAL bPDyTT button__icon-container"><svg class="icon icon-copylink" width="32" height="32" viewBox="0 0 32 32" fill="none" xmlns="http://www.w3.org/2000/svg"><title>Copy link to cartoon</title><g clip-path="url(#clip0_3732_178637)"><path d="M22.654 13.67a.752.752 0 0 0 .284 1.039.787.787 0 0 0 1.063-.279l1.944-3.295c1.718-2.913.699-6.637-2.277-8.318-2.976-1.682-6.782-.684-8.5 2.229l-3.111 5.273c-1.718 2.912-.699 6.636 2.277 8.318.293.165.594.304.9.418a.694.694 0 0 0 .833-.311c.256-.434-.006-.99-.476-1.19a4.745 4.745 0 0 1-.479-.236c-2.232-1.26-2.997-4.054-1.708-6.238l3.111-5.273c1.289-2.185 4.143-2.933 6.375-1.672s2.997 4.054 1.708 6.239l-1.944 3.295ZM9.126 18.33a.752.752 0 0 0-.284-1.04.787.787 0 0 0-1.063.28l-1.944 3.296c-1.719 2.912-.699 6.636 2.277 8.317 2.976 1.682 6.782.684 8.5-2.229l3.111-5.273c1.718-2.912.699-6.636-2.277-8.318a6.327 6.327 0 0 0-.9-.419.694.694 0 0 0-.833.312c-.256.434.007.99.476 1.19.162.069.322.147.479.236 2.232 1.26 2.997 4.054 1.708 6.238l-3.111 5.273c-1.289 2.184-4.143 2.933-6.375 1.672s-2.997-4.054-1.708-6.238l1.944-3.296Z" fill="#000"></path></g><defs><clipPath id="clip0_3732_178637"><rect width="32" height="32" fill="white"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="32" height="32" fill="white"></rect></clipPath></defs></svg></div></button><div class="AlertWrapper-gvFATk cuesfH ResponsiveCartoonLinkAlertPopup-BPAXn jeGqZC shopping-alert" role="dialog"><div aria-hidden="true" role="presentation" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMessage-jgAjgo bVCFRm iLIyQu jodGBg alert-message"><p aria-hidden="true">Link copied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv ldaQAm button button--primary-pair ResponsiveCartoonIconButton-hBCBMq iRLdPE" data-event-click="{"element":"Button"}" data-testid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonIconWrapper-gFdzAL bPDyTT button__icon-container"><svg class="icon icon-cart" width="32" height="32" viewBox="0 0 32 32" fill="none" xmlns="http://www.w3.org/2000/svg"><title>Shop</title><g clip-path="url(#clip0_3732_178638)"><path d="M2 3h4l4 17h15l4-13H14" stroke="#000" stroke-width="1.5" stroke-linejoin="round" style="fill:none"></path><circle cx="2" cy="2" r="2" transform="matrix(1 0 0 -1 11 29)" stroke="#000" stroke-width="1.5"></circle><circle cx="2" cy="2" r="2" transform="matrix(1 0 0 -1 20 29)" stroke="#000" stroke-width="1.5"></circle></g><defs><clipPath id="clip0_3732_178638"><rect width="32" height="32" fill="white"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="32" height="32" fill="white"></rect></clipPath></defs></svg></div></button></div></div></div></span></div></figure><p class="paywall">In “Hillbilly Elegy,” Vance relays how he had emerged from a highly chaotic childhood—in one scene, a twelve-year-old Vance dashes out of a car on the shoulder of a highway after his mother threatens to kill them both in a crash—with a desire for order, which he found in the Marines. He was deployed to Anbar Province, Iraq, in 2005, where he worked in public affairs—shepherding visiting journalists and writing articles for the military press. “He wasn’t kicking down doors,” as the former congressman Adam Kinzinger, a Republican who supports Kamala Harris, said earlier this summer, but he was working in a very dangerous place. A senior officer in his division was killed by a roadside bomb in Ramadi, while escorting journalists from <em>Newsweek</em>. Cullen Tiernan, Vance’s best friend in the Corps, with whom he trained Stateside, recalled that Vance was more politically engaged than most marines. “When Dick Cheney visited,” Tiernan told me, “J.D. was the only person who was excited.” But he was also attuned to the darker aspects of the invasion. “There’s civilian contractors that are getting paid six times as much as you, just to supervise third-party nationals. Halliburton and KBR are having a feast of war,” Tiernan said. “Those were things we discussed and were disenchanting.”</p><div class="Container-hnJNtl gxMaIG"></div><p class="paywall">Vance earned a degree from Ohio State University, then entered Yale Law School in the fall of 2010, the same year as the former Republican Presidential candidate Vivek Ramaswamy. If Yale offered an established track for ambitious young conservatives, it could also make a kid from the sticks feel less assured. Ninety-five per cent of the school’s student body at the time came from upper-middle-class backgrounds, and many were obviously wealthy. “Your classmates are the coddled children of hospital administrators and faculty members and corporate lawyers,” the longtime adviser, who finished Yale the same year as Vance, told me. “They ain’t like you, and there’s just whole swaths of existence that seem foreign to them.” Vance had “heard through the grapevine” that a professor who had criticized his work thought that the law school should only accept students from élite private institutions, because students from public schools needed “remedial education.” “I have never felt out of place in my entire life,” he wrote in “Hillbilly Elegy.” “But I did at Yale.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="orwqcr"></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">Such alienation seems like one seed from which Vance’s politics eventually sprouted. But people who knew him then recall a boisterous, bighearted student at the center of Yale’s social life. “He was at every party,” a female classmate said. “He was the guy who, when you were going through a hard time, would be, like, ‘Oh, yeah, let’s just drink ourselves silly,’ and talk you through it.” During his first year, Vance met Usha and developed a close relationship with Amy Chua, a law professor and the author of the book “Battle Hymn of the Tiger Mother,” in whose class Vance would write the first draft of “Hillbilly Elegy.” (Chua later connected Vance with her literary agent.) When Thiel came to Yale to speak before the Federalist Society, the conservative legal group, of which Vance was a member, Vance seized the opportunity. “At the end of his talk, Peter said anyone should feel free to write him for career advice,” a law-school friend told me. “J.D. took that literally.”</p><p class="paywall">Vance’s politics weren’t doctrinaire—a friend at the time remembers him as a devoted reader of The Dish, the blog of the iconoclastic gay conservative Andrew Sullivan—and he had a natural facility as a writer. “J.D. really was a maverick ideologically,” Josh McLaurin, a roommate of Vance’s at Yale, who is now a Democratic state senator in Georgia, said. “I was intimidated by his sensibility. He would go off and read something and study it and come back with a viewpoint that was uniquely his.” Some friends struggled to recall whether Vance was pro-life or pro-choice, but many of them described him as instinctively partisan. The friend remembered telling Vance about a breakup with a girlfriend: “J.D. said, ‘She’s dead to me.’ ” This same friend thought that Vance likely planned to vote for Hillary Clinton in 2016, until Clinton said that some portion of Trump’s supporters were in a “basket of deplorables.” Vance’s sister was planning to vote for Trump. In the end, he wrote in Evan McMullin, who campaigned as a Never Trump conservative. (A spokesperson for Vance said that he never considered voting for Clinton.)</p><p class="paywall">After law school, Vance and Usha moved to Washington, D.C., where Usha clerked for Brett Kavanaugh, who was then a judge on the D.C. Circuit Court of Appeals, and later for Chief Justice John Roberts of the Supreme Court. Vance spent the late Obama years as an unhappy junior associate at a Washington law firm, and then as a principal at a venture-capital fund co-founded by Thiel. But the project in the background was his book. “Hillbilly Elegy” was released in June, 2016, and was widely regarded as a key to understanding the experience of the Trump voter. Rod Dreher, a socially conservative writer who was then opposed to Trump, gave it an early rave review on his blog for <em>The American Conservative</em>. The book’s success, as with many up-from-poverty narratives, also drew on the tension between the harsh circumstances of the author’s upbringing and the erudition with which he recalled them. At a book party that Chua threw for “Hillbilly Elegy” in Manhattan, Vance’s old law-school classmates remembered him being a little astonished when Tom Brokaw walked into the room.</p><p class="paywall">Vance and the élite—it wasn’t a seamless fit. He sometimes recounts an interaction he had at a Business Roundtable event, where the C.E.O. of a large hotel chain complained that Trump’s tightening of the border meant that his properties had to hire native-born workers who “just need to get off their asses, come to work, and do their job.” Sofia Nelson, a law-school friend of Vance’s, who has since broken with him politically, said, “He was hanging out with these people he found very vapid, and I was, like, ‘You know, you can just stop it—you don’t have to do this.’ I think he very much wanted to rise within that world, but he also kind of hated it.”</p><p class="paywall">In 2018, Vance and Chua held a public discussion at the Aspen Ideas Festival titled “Can Americans Resist the Pull of Tribalism?” A friend brought him along to a private dinner at the lakeside château of Lynda Resnick, the billionaire owner of Fiji Water and a Democratic mega-donor. During a garden cocktail reception, Resnick told Vance that because he hadn’t been formally invited he needed to leave. (Only later did Resnick learn who Vance was.) Vance took it graciously, the friend said, and walked off down the home’s long, winding driveway. McLaurin, the Democratic state senator, said, “The way I think about it, it’s like a dial. If you’re a politician, you carry around all these personal grievances and memories of all the things that were done to you, and you get to decide whether to keep that dial turned down or to turn it up. And J.D. has turned it all the way up.”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">Vance spent Election Night in 2016 explaining on TV why Trump had won, a victory he hadn’t expected. A friend who spoke with him shortly afterward recalled that Vance was also vexed about his own career prospects. During the campaign, he had publicly said that he considered Trump “noxious” and “a total fraud,” which, he told the friend, had triggered “some really racist attacks from Trump supporters because of Usha’s race.” (In private, Vance had gone further, calling Trump “a moral disaster” and potentially “America’s Hitler.”) Even so, in the friend’s recollection, Vance was strategic about it. “He said, ‘The Trump people want me out.’ He thought that he wasn’t going to have a political future with Trump in charge.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="BodyWrapper-kufPGa jPSDmK body ArticlePageBodyGridContainer-jrMoA-d itxjuw body__grid-container" data-testid="BodyWrapper"><div class="GenericCalloutWrapper-tojWn efCprP callout--has-top-border" data-testid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Judah Friedlander Chuck Howley Person Reading Accessories Sunglasses Book Publication and Glasses" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_1600%2Cc_limit/r45180.jpg" srcSet="https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_120,c_limit/r45180.jpg 120w, https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_240,c_limit/r45180.jpg 240w, https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_320,c_limit/r45180.jpg 320w, https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_640,c_limit/r45180.jpg 640w, https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_960,c_limit/r45180.jpg 960w, https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_1280,c_limit/r45180.jpg 1280w, https://media.newyorker.com/photos/6717e18fd538de956f773b19/master/w_1600,c_limit/r45180.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">An attendee at a Vance rally in Leesport, Pennsylvania, reads “Hillbilly Elegy.”</span></div></figure></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">The political group with which Vance was then associated—the wonkish Reformicons—had encouraged the Republican Party’s rhetorical turn toward a working-class conservatism, advocating for entitlements like pro-family tax credits and denouncing the donor class. But Trump put forward a “nightmare version” of that vision, as one leading Reformicon, the former George W. Bush speechwriter David Frum, said in 2016, with everything “horribly twisted and distorted.” At the same time, a generation of conservative dogma had suddenly been washed away. New think tanks and magazines explored the boundaries of what an America First conservatism might be: more combative about progressive values, more isolationist in foreign policy, more nationalist on immigration, and more open to government intervention to stem free trade. Some of these views weren’t all that dissimilar from what the Reformicons had offered, but there was an important distinction: members of the New Right, as the movement came to be known, were among Trump’s strongest supporters, echoing, often gleefully, his most outré and politically incorrect ideas.</p><p class="paywall">In Washington, Democrats and investigative reporters were scrutinizing Trump’s career for evidence of Vladimir Putin’s influence over the election. For Vance, the fixation on Russia to explain Clinton’s defeat was drowning out the self-reflection that he had hoped to inspire among the liberal establishment with “Hillbilly Elegy.” Vance’s longtime adviser told me, “He was just, like, ‘This just seems like conspiracy theory.’ They lost and they were clinging to it.”</p><p class="paywall">In 2018, Vance considered challenging Sherrod Brown, the incumbent Democratic senator from Ohio, “for about thirty-six hours,” the adviser said. Rebekah Mercer, who had been a prominent Trump donor, was enthusiastic about Vance’s potential, but the timing was wrong. Vance’s first child had been born less than a year earlier, and his network in Ohio was thin. (In law school, he had also told a friend that Brown, a progressive populist, was a Democrat he admired.) The following year, a whistle-blower revealed that Cambridge Analytica, a political-consulting firm in which Mercer and her father, Robert, were investors, had secretly harvested Facebook user data and then shared the analytics with the Trump campaign. Facebook eventually agreed to pay five billion dollars in fines for its role in the venture; Cambridge Analytica went bankrupt. Vance regarded the scandal as an extension of the Democrats’ Russia obsession—a way to deflect attention from the neoliberal policies that he believed had pushed working-class voters to Trump.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="yfe7xi"></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">That fall, the Senate confirmation hearings for Brett Kavanaugh’s nomination to the Supreme Court turned on an accusation by Christine Blasey Ford, a California psychologist who said that Kavanaugh had sexually assaulted her decades earlier, during a high-school party. The <em>Guardian</em> and HuffPost reported that Chua had privately told a group of law students that it was “no accident” that Kavanaugh’s female law clerks all “looked like models,” and had offered to give them advice on how to dress if they wanted to work for him. Usha, whom Chua had recommended for the clerkship with Kavanaugh, sent a stiffly worded e-mail to her law-school class distancing herself from Chua’s reported comments and asserting that she knew, from her time interviewing candidates as a Kavanaugh clerk, that appearance was not a factor in who got hired. “Kind of a dork,” Vance said of Kavanaugh in an interview with Ross Douthat, of the <em>Times</em>, this past spring. “Never believed these stories.”</p><p class="paywall">After the Kavanaugh hearings, Vance began to contemplate a more thorough remaking of American institutions. An academic friend recalled that in 2019, while Vance was preparing to deliver a speech at the National Conservatism Conference, the defining New Right confab, in Washington, he wrote to ask “if I thought élite universities were beyond redemption.” Vance was also making a personal turn to Catholicism. Dreher, who was close with Vance at the time, introduced him to a group of Dominican friars in Washington. In August, 2019, Vance converted in a ceremony attended by, among others, his biological father. (Usha, who was raised Hindu, did not convert.) In an essay published in <em>The Lamp</em>, a Catholic magazine, Vance wrote that his conversion was the result of a search for a system of “duty and virtue,” in part so that he could become a better husband and father. But his essay also suggested that he was becoming a more stringent social conservative. He quoted at length from St. Augustine’s denunciation of Roman excess, of the “plentiful supply of public prostitutes for every one who wishes to use them.” This broadside from a fifth-century bishop, Vance wrote, was “the best criticism of our modern age I’d ever read.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="BodyWrapper-kufPGa jPSDmK body ArticlePageBodyGridContainer-jrMoA-d itxjuw body__grid-container" data-testid="BodyWrapper"><div class="GenericCalloutWrapper-tojWn efCprP callout--has-top-border" data-testid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Architecture Building Outdoors Shelter Person Countryside Hut Nature Rural Housing and House" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_1600%2Cc_limit/r45181.jpg" srcSet="https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_120,c_limit/r45181.jpg 120w, https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_240,c_limit/r45181.jpg 240w, https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_320,c_limit/r45181.jpg 320w, https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_640,c_limit/r45181.jpg 640w, https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_960,c_limit/r45181.jpg 960w, https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_1280,c_limit/r45181.jpg 1280w, https://media.newyorker.com/photos/6717e1907f4e48b78035f09e/master/w_1600,c_limit/r45181.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">Snipers keep watch during the Vance rally in Leesport.</span></div></figure></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">Vance’s past friendships with progressives began to inform the manner in which he fought the other side. During a podcast with American Moment, a young-conservative organization affiliated with the New Right, Vance said that, for his liberal classmates at Yale, “pursuing racial or gender equity is like the value system that gives their life meaning,” and that “they all find that that value system leads to misery.” Meanwhile, he went on, the masculinity of young boys was “suppressed.” Such views, one of Vance’s friends from the Reformicon movement told me, reflected Vance’s “reinvention as a public persona.” “Some of these currents, call them cultural currents, are very deep for him—what men need, what women need from men,” the friend said. But there was also, the friend went on, “a level of becoming the thing one needs there to be.”</p><p class="paywall">Vance was building a political network of supporters and donors among anti-establishment conservatives, with whom he increasingly shared a tendency to accuse the left of operating with a might-makes-right moral authoritarianism. “The thing that I kept thinking about liberalism in 2019 and 2020 is that these guys have all read Carl Schmitt,” he told Douthat, referring to the Nazi legal theorist. “There’s no law, there’s just power. And the goal here is to get back in power.” In the wake of the COVID-19 shutdowns and the Black Lives Matter protests, Vance said on “The Federalist Radio Hour” that American conservatives “have lost every major powerful institution in the country except for maybe churches and religious institutions, which, of course, are weaker now than they’ve ever been. We’ve lost big business. We’ve lost finance. We’ve lost the culture.” No compromise was possible with the liberals in control, he added. “Unless we overthrow them in some way, we’re going to keep losing.”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">Drive across Ohio, and it can be a little startling to remember that, just ten years ago, a near-empty factory parking lot with a union hall nearby was a signal that Democrats were irrefutably in charge. When Trump flipped the state, in 2016, he brought a wave of new voters into the Republican Party. The change was concentrated in the union towns of the Mahoning Valley and in the southeastern part of the state—“the pockets of Ohio,” as the former Republican state chair Jane Timken put it to me, “that were hit so hard by the opioid epidemic.” In these places, the turn was so sudden and abrupt that it could seem like a magic trick.</p><p class="paywall">Mark Munroe, the former chair of the Mahoning County G.O.P., is an amiable retired television executive. He remembers a time when he would press on reporters a sheet detailing the corruption of the mobbed-up Democratic Party in Youngstown, where the Republicans were heavily outnumbered. As Trump’s campaign gathered momentum, Munroe started hearing from residents who’d never been interested in his party before, but who saw the immigration issue primarily in terms of security, rather than of the economy. “For folks around here, it really is protecting the southern border from drugs,” Munroe said. “It’s about strength.” Munroe was sitting at the office of the election board on primary night, in March of 2016, when thousands of Mahoning residents requested, for the first time, a Republican ballot. “We doubled our registration in one night,” Munroe told me recently, still somewhat awestruck.</p><p class="paywall">The bigger surprise was that the new voters stuck around. In 2020, Trump maintained an eight-point margin in the state. As an adviser to Vance who is based in Ohio described it, the new voters were among the most populist in the state—the most explicitly anti-Washington and anti-élite—so that not only did the state become more Republican but the Republicans became more aligned with Trump.</p><p class="paywall">The word in conservative circles was that Vance, too, had become “thoroughly red-pilled.” Privately, he still had some reservations about Trump—as late as 2020, as messages published by the Washington <em>Post</em> this September showed, he told an acquaintance that the President had “thoroughly failed to deliver on his economic populism.” But in public Vance was an increasingly reliable Trump partisan, who dismissed concerns about the former President’s efforts to overturn the election. The following year, he joined the conservative anti-vaccine-mandate chorus. A friend asked him why he was on Twitter telling people not to get vaccinated when he himself was—people might die. In response, Vance raised some safety concerns, and then added that it didn’t help that Biden had insinuated that people like his father—who hadn’t gotten vaccinated—were “sewer rats.”</p><p class="paywall">That summer, after the Ohio senator Rob Portman, a stalwart of the pre-Trump G.O.P., announced that he would retire, Vance decided to run. Someone who is close with both Vance and Donald Trump, Jr., called the former President’s son to get his opinion on Vance, who, he noted, “talked a lot of shit about your dad in 2016.” As the friend recalled, Don, Jr., said, “Honestly, dude, I fucking loved ‘Hillbilly Elegy’ back in 2016, and I fucking never understood why he wasn’t on our side.”</p><p class="paywall">The 2022 Republican Senate primary attracted six well-funded contenders, all of whom promptly set about establishing their America First bona fides, in both substance and style. Candidates flew to Trump’s golf club in West Palm Beach to audition for an endorsement. Josh Mandel, Ohio’s former state treasurer, travelled to Arizona to observe an audit of contested ballots and proclaimed 2020 a “stolen” election. A wealthy investment banker named Mike Gibbons, during an exchange with Mandel on the debate stage, appeared to call him a “pussy.” Politico described it as “the dumbest Senate primary ever.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="tidol7"></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">Vance had laid the groundwork for his run by appearing on conservative podcasts and television shows, offering often extreme accounts of cultural conflict. “American history is a constant war between Northern Yankees and Southern Bourbons, where whichever side the hillbillies are on wins,” Vance told a YouTuber in the spring of 2021. The Northern Yankees, he went on, “are now the hyper-woke, sort of coastal élites,” the Bourbons are the “same old-school Southern folks,” and the hillbillies “have really started to migrate towards the Southern Bourbons.”</p><p class="paywall">That July, a few weeks after he formally announced his candidacy, he appeared on Tucker Carlson’s Fox News show to discuss an idea he had been developing: that élites in the U.S. “have played their entire lives to win a status game,” and that more power should accrue to people who had children, and thus a “direct stake” in the future. “We are effectively run in this country, via the Democrats, via our corporate oligarchs, by a bunch of childless cat ladies who are miserable at their own lives and the choices that they’ve made,” Vance said. “And so they want to make the rest of the country miserable, too.”</p><p class="paywall">Such arguments did little to help his cause. By the following spring, with the primary nearing its conclusion, Vance’s public image was still largely defined by the attack ads his rivals were running, highlighting his past anti-Trump comments. He was stuck at around ten per cent in the polls. It wasn’t until a Republican-primary debate in March that he found a way to stand out. The moderator asked the candidates whether they would support a no-fly zone in Ukraine. Only Vance was strongly opposed to the idea. Polls showed that a majority of Republicans supported aid to Ukraine. But Vance, like Trump, did not. Don, Jr., called the friend he shares with Vance: “He’s, like, ‘Dude, I saw this fucking clip on Ukraine. Fuck this shit. J.D. is the guy.’ ” The next day, Don, Jr., tweeted, “JD is 100% America First.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="BodyWrapper-kufPGa jPSDmK body ArticlePageBodyGridContainer-jrMoA-d itxjuw body__grid-container" data-testid="BodyWrapper"><div data-testid="feature-large-callout" class="CalloutFeatureLargeWrapper-cGjDsT NdRGS"><div class="GroupCalloutWrapper-bPWknp cIoSON callout callout--group callout--group-2" data-testid="GroupCalloutWrapper"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed callout--group-item callout--group-item-1"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Lighting Adult Person Architecture Building Factory Manufacturing Electronics Speaker and Concert" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_1600%2Cc_limit/r45182.jpg" srcSet="https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_120,c_limit/r45182.jpg 120w, https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_240,c_limit/r45182.jpg 240w, https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_320,c_limit/r45182.jpg 320w, https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_640,c_limit/r45182.jpg 640w, https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_960,c_limit/r45182.jpg 960w, https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_1280,c_limit/r45182.jpg 1280w, https://media.newyorker.com/photos/6717e194494feb62bae719a3/master/w_1600,c_limit/r45182.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">Vance often enlists the press in the theatrics of his rallies, spending the last portion taking questions from reporters.</span></div></figure><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed callout--group-item callout--group-item-2"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Helen Reddy Audley Shaw Kermit Love Pär Lagerkvist Kate Beaton Photography Clothing Hat and People" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_1600%2Cc_limit/r45183.jpg" srcSet="https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_120,c_limit/r45183.jpg 120w, https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_240,c_limit/r45183.jpg 240w, https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_320,c_limit/r45183.jpg 320w, https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_640,c_limit/r45183.jpg 640w, https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_960,c_limit/r45183.jpg 960w, https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_1280,c_limit/r45183.jpg 1280w, https://media.newyorker.com/photos/6717e193f692592dcdc821a2/master/w_1600,c_limit/r45183.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">Attendees at the Vance rally in Leesport.</span></div></figure></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="BodyWrapper-kufPGa jPSDmK body ArticlePageBodyGridContainer-jrMoA-d itxjuw body__grid-container" data-testid="BodyWrapper"><div data-testid="feature-large-callout" class="CalloutFeatureLargeWrapper-cGjDsT NdRGS"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Kate Beaton Freddie Williams II Eddie Hall Concert Crowd Person Urban People Adult and Clothing" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_1600%2Cc_limit/r45184.jpg" srcSet="https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_120,c_limit/r45184.jpg 120w, https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_240,c_limit/r45184.jpg 240w, https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_320,c_limit/r45184.jpg 320w, https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_640,c_limit/r45184.jpg 640w, https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_960,c_limit/r45184.jpg 960w, https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_1280,c_limit/r45184.jpg 1280w, https://media.newyorker.com/photos/6717e194e7a17cdbda687d9c/master/w_1600,c_limit/r45184.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">Clips from the campaign trail have emphasized Vance’s awkwardness, but he is better in more structured settings—when he’s angry, it’s because he wants to be.</span></div></figure></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">At that point, a Vance adviser told me, the campaign figured it had “one bullet” left. Vance was convinced that what had particularly infuriated ordinary conservatives since the Obama Administration was the suggestion that any opposition to immigration was rooted in racism. In a campaign ad that appeared in early April, Vance spoke directly to the camera. “Are you a racist?” he asked. “Do you hate Mexicans?” The media thought so, he went on, simply because Ohio conservatives wanted to build Trump’s border wall. “This issue is personal,” he said. “I nearly lost my mother to the poison coming across our border.” The following week, Trump—egged on by his son—endorsed Vance, which effectively guaranteed him the nomination. “The whole team worked on that ad,” the adviser said. “But the first line was all J.D.”</p><p class="paywall">When I called the former Democratic congressman Tim Ryan, whom Vance went on to beat in the general election, to ask his opinion of Vance as a campaigner, he sounded distinctly unimpressed. “He was never on the trail,” Ryan said. Ryan would drive his son’s dog, Zoie, around the state during the campaign, a gimmick that eventually he started using as a talking point: “Zoie has been in Lima twice, and J. D. Vance never has.” But the most important question in the race was who could claim the <em class="small">MAGA</em> mantle. Who brought a dog to Lima—that was campaigning for the twentieth century.</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">This past July, a week or so before the Republican National Convention, Vance delivered a speech before a V.I.P. audience at the National Conservatism Conference. It had been five years since he’d first appeared there, as a clean-shaven young man with a pointy-headed presentation on moving right-wing politics beyond libertarianism. Now he spoke with the exaggerated disdain of New Right activists—“I remember getting in some argument with some loser on Twitter a year or so ago,” he said—and he delivered a status update on the movement. As a basic matter, Vance said, the old conservatism of expansive overseas involvements and élites who “flooded the zone with non-stop cheap labor” no longer had a political foothold. Trump was not a threat to democracy, he told the crowd: “The real threat to democracy is that American voters keep on voting for less immigration, and our politicians keep rewarding us with more.”</p><p class="paywall">More than a year earlier, before Trump had even announced his candidacy, Vance had sent a note to Susie Wiles, one of the former President’s senior advisers, saying that he was prepared to endorse Trump anytime. But, according to Vance’s advisers, the prospect that Trump might pick him for the ticket emerged only around the time of the New Hampshire primary, in January, when word began leaking from operatives close to Mar-a-Lago. Relatively quickly, Vance decided that he wanted the job—with Biden faltering, the Republicans stood a good chance of winning. Vance’s circle also felt that some of the alternatives Trump was said to be considering, such as the South Carolina senator Tim Scott and the North Dakota governor Doug Burgum, might take the Party back toward what Vance, at the National Conservatism Conference, called the <em>Wall Street Journal</em> consensus.</p><p class="paywall">The plan was for Vance to appear relentlessly on TV, often in adversarial contexts, where he hoped to capture Trump’s attention by outwitting liberal pundits. Several key conservative figures lobbied Trump not to pick Vance, including the billionaire donor Ken Griffin, Rupert Murdoch, and Lindsey Graham, who made an appeal to the former President on Trump Force One on the way to the Republican National Convention, in Milwaukee. Elon Musk, Tucker Carlson, Don, Jr., and the tech investor David Sacks, a vociferous opponent of the war in Ukraine, pressed Trump on Vance’s behalf. The contrast between the two groups might have clarified the choice for the former President: Was he with the establishment Republicans or with the rising nationalists he’d brought into being?</p><p class="paywall">On the morning of Saturday, July 13th, Vance met secretly with Trump at Mar-a-Lago; Trump did not offer him a spot on the ticket, but he intimated that he might. Early that evening, Trump was shot in the ear at a rally in Butler, Pennsylvania. Vance was among the first elected officials to politicize the event. Within hours, he tweeted, “The central premise of the Biden campaign is that President Donald Trump is an authoritarian fascist who must be stopped at all costs. That rhetoric led directly to President Trump’s attempted assassination.” (The motives of the shooter, a registered Republican who had donated to a Democratic turnout effort, remain unclear.) Vance did not speak with Trump again until the following Monday, at the start of the Convention, when the former President called to ask if he’d join the ticket. Half an hour later, Trump posted the news on Truth Social.</p><p class="paywall">Two days later, Vance’s prime-time speech at the Convention elevated the experiences of the left-behind. In his telling, their endurance, rather than the fight of outside groups for rights and prosperity, was the central feature of the national story. If there was a discordant note, it was in how generically he described the working-class Republicans whose interests he was supposedly championing in a newly populist G.O.P.: “the factory worker in Wisconsin who makes things with their hands and is proud of American craftsmanship”; “the auto worker in Michigan wondering why out-of-touch politicians are destroying their jobs.” But Vance’s own story remained powerful. He invoked the family cemetery in eastern Kentucky where five generations of his forebears were buried. “People will not fight for abstractions, but they will fight for their home,” Vance said. “Our leaders have to remember that America is a nation, and its citizens deserve leaders who put its interests first.”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">A press seat on the plane of a modern Presidential campaign costs about as much as a spot on a chartered jet. Embeds from the major networks, along with Michael Bender, of the <em>Times</em>, are constant presences on Trump Force Two. For most of the rest of us, the trip from D.C. to Grand Rapids and Eau Claire represented something closer to a onetime splurge. Vance often enlists the press in the theatrics of his rallies, spending the last portion taking questions from reporters. Even so, there was an observable irony in how small that day’s press pool was and how central the media has become in the conservative political imagination.</p><p class="paywall">Of course, Vance, in many ways, is a product of the media. That weekend, he had appeared on three separate Sunday shows. On X, he sometimes seems to be operating as a universal reply guy. “Hi Hannah,” Vance recently wrote, at the beginning of a multi-paragraph response to an author of Bible-study and self-help books, who had taken issue with his positions on child care. While on Trump Force Two, I idly looked at my phone and noticed that Vance was on X at that very moment, somewhat angrily tweeting at David Frum, who is now a staff writer at <em>The Atlantic.</em> Frum had tweeted that the difference between the Democratic and the Republican tickets was that “the upsetting things said by Trump and Vance are not true.” Vance, surrounded by his wife, his dog, and his advisers, had fired back, “I’d say the most important difference is that people on your team tried to kill Donald Trump twice.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="BodyWrapper-kufPGa jPSDmK body ArticlePageBodyGridContainer-jrMoA-d itxjuw body__grid-container" data-testid="BodyWrapper"><div class="GenericCalloutWrapper-tojWn efCprP callout--has-top-border" data-testid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Body Part Finger Hand Person Adult Photography Baseball Cap Cap Clothing and Hat" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_1600%2Cc_limit/r45188.jpg" srcSet="https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_120,c_limit/r45188.jpg 120w, https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_240,c_limit/r45188.jpg 240w, https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_320,c_limit/r45188.jpg 320w, https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_640,c_limit/r45188.jpg 640w, https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_960,c_limit/r45188.jpg 960w, https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_1280,c_limit/r45188.jpg 1280w, https://media.newyorker.com/photos/67192b61050ad12b5e3e273d/master/w_1600,c_limit/r45188.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">An attendee at the Vance rally in Leesport.</span></div></figure></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">Some conservatives suggested to me that one source of Vance’s combativeness is that the America First movement, though very much alive as an electoral prospect, is losing intellectual steam. Yuval Levin explained that, since 2000, he had been part of three waves of attempted conservative reforms, each of which had tried to turn the Party away from libertarianism and toward social conservatism, but that each had fizzled because “if you wake up any given Republican congressman in the middle of the night and ask him what he wants to do, he’s still going to say cut the marginal tax rate.” David French, the conservative Never Trump columnist at the <em>Times</em>, told me he thought the Republicans were making the same error that the Democrats had made a few years earlier: “They’re following their own Twitter activists off a cliff.” Conservatives often liked to say that every Republican activist under forty belonged to the New Right, French went on, but he had been watching students at the Christian colleges where he spoke and taught and doubted that this was the case. At present, French said, he had exactly one student who identified as New Right. “Nice guy,” French said, and you could sense the grin. “But, I mean, he wears an ascot.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="3tgyrs"></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">It’s perhaps unsurprising that, when Vance needed to connect with conservative voters, he returned to the subject of immigration. In July, Vance tried to draw the press’s attention to a situation unfolding in Springfield, Ohio: a city whose population had previously been less than sixty thousand was struggling to handle an influx of as many as twenty thousand legal Haitian immigrants, many of whom had been drawn from other parts of the United States by the promise of factory jobs. Early in September, Vance shared a story being passed around by conservative users on social media that “people have had their pets abducted and eaten by people who shouldn’t be in this country.” The next day, Trump repeated the claim during his Presidential debate with Kamala Harris, in a memorably ham-handed way. (“In Springfield, they are eating the dogs. The people that came in, they are eating the cats.”) There was no evidence that this was true—the <em>Wall Street Journal</em>, chasing down the rumor of an abducted feline, found her safe in her owner’s basement.</p><p class="paywall">In the following days, a series of bomb threats closed schools in Springfield and spooked the local population. The city’s Republican mayor and the state’s Republican governor pleaded with Vance to stop repeating the claim, but he refused to do so. On September 15th, Vance told CNN’s Dana Bash, “The American media totally ignored this stuff until Donald Trump and I started talking about cat memes. If I have to create stories so that the American media actually pays attention to the suffering of the American people, then that’s what I’m going to do.”</p><p class="paywall">Clips from the campaign trail have emphasized Vance’s awkwardness—there was the encounter at a doughnut shop in Valdosta, Georgia, where Vance, tall and slightly hunched, brightly greeted a clerk, who quickly said that she did not want to appear on camera. “She doesn’t want to be on film, guys,” Vance said loudly, “so just cut her out of anything.” He turned back to the shop worker, introduced himself, and said that he was running for Vice-President. “O.K.,” she said. The silence was faintly excruciating. Which doughnuts did he want, anyway? Vance indicated the glazed, the cinnamon rolls. “Some sprinkle stuff,” he said. “Whatever makes sense.”</p><p class="paywall">He was better in more structured settings. Vance is an excellent debater, against both political opponents and the press, and even in hostile environments he maintains emotional control—when he’s angry, it’s because he wants to be. At the rally in Grand Rapids, held in a refurbished barn north of the city, he brought up the attempts on Trump’s life: “I think that it’s time to say to the Democrats, to the media, to everybody that has been attacking this man and trying to censor this man for going on ten years, cut it out or you’re going to get somebody killed.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="BodyWrapper-kufPGa jPSDmK body ArticlePageBodyGridContainer-jrMoA-d itxjuw body__grid-container" data-testid="BodyWrapper"><div data-testid="feature-large-callout" class="CalloutFeatureLargeWrapper-cGjDsT NdRGS"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><picture class="ResponsiveImagePicture-cWuUZO KhjZz AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image responsive-image--expandable"><noscript><img alt="Image may contain Clothing Hat Adult Person Helmet Sun Hat Accessories Glasses Body Part Finger and Hand" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_1600%2Cc_limit/r45186.jpg" srcSet="https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_120,c_limit/r45186.jpg 120w, https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_240,c_limit/r45186.jpg 240w, https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_320,c_limit/r45186.jpg 320w, https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_640,c_limit/r45186.jpg 640w, https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_960,c_limit/r45186.jpg 960w, https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_1280,c_limit/r45186.jpg 1280w, https://media.newyorker.com/photos/6717e1932f755fee809fa2f9/master/w_1600,c_limit/r45186.jpg 1600w" sizes="100vw"/></noscript></picture></span></div><div class="CaptionWrapper-jSZdqE koIZQP caption AssetEmbedCaption-fNQBPI fmQnYP asset-embed__caption"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionText-bHjzlu iUEiRd xOinq iXWezO caption__text">At the Vance rally in Leesport, an attendee’s jacket depicts the scene of the first assassination attempt against Donald Trump. “I think that it’s time to say to the Democrats, to the media, to everybody that has been attacking this man and trying to censor this man for going on ten years,” Vance has said, “cut it out or you’re going to get somebody killed.”</span></div></figure></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">An hour later, back under a wing of Trump Force Two, Vance came over to take a few questions from the press. Bender, from the <em>Times</em>, asked him whether denouncing Democrats for inflammatory rhetoric while falsely accusing Haitian migrants of eating cats and dogs wasn’t a very narrow needle to thread. “I don’t think it’s a needle that we’re trying to thread,” Vance replied. “There’s a massive highway down which we can draw two very important distinctions, the first of which is Donald Trump has had two assassination attempts in the last couple of months. So, if you look at this, and you try to both‑sides it, the problem is only one candidate has actually suffered very serious attempts on his life, including him being literally shot in the head.”</p><p class="paywall">The Senator kept his voice polite, but he was arguing a fundamental piece of his current politics—that the rupture in American life, which for a decade had been blamed on Trump, was, in fact, the fault of the Democrats and the media. Vance sounded a little exasperated; up close, I noticed for the first time the gray hairs in his beard. The second big difference, he said, was that conservatives did not call for censorship. “What is the point of the critics?” Vance added. “When you’re criticizing somebody’s rhetoric, when you’re criticizing what somebody said, are you trying to tone down the violence or are you trying to silence him?”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">The following Thursday evening, I paid a visit to Springfield, where the conservative firebrand Vivek Ramaswamy, whose hard-line populism in the Republican primaries drew Trump’s praise, had organized a town hall. Earlier that day, he had met with representatives of the Haitian community, but none had come to the town hall, and neither had the mayor or any members of the city council. Outside, conservative influencers conducted video interviews with locals on their iPhones. <em class="small">MAGA</em> gear abounded.</p><p class="paywall">The conservative activist Christopher Rufo had offered a five-thousand-dollar reward to anyone who could find proof of people in Springfield eating cats. I expected to hear more stories of migrant misdeeds at the town hall. A woman said that her daughter had been chased by an “immigrant” wielding a machete. But that was the exception. Several people said that they had good personal relations with their Haitian neighbors. Some worried about the poisoned environment: one mixed-race man who had lived in Springfield his whole life said that he had been called the “N-word” twice in the past week, and that a friend had been heckled at a grocery store while holding a six-month-old baby and told to leave the country. There were murmurs of sympathy.</p><p class="paywall">But the attendees mostly focussed on the stresses that the new arrivals had put on the city. A fifty-nine-year-old resident with a disability said that he was struggling to get appointments at the local hospital; he’d heard a since-debunked rumor that this was because so many Haitian migrants needed to be treated for H.I.V. A woman mentioned that an influx of foreign-born students had overwhelmed the schools, leaving native-born children disengaged “for eight hours.” A Navy veteran who was planning to vote for Trump for a third time noted that most of the Haitians were legal immigrants and asked why Republicans were focussing on deportation rather than on the drugs and homelessness that had been problems before they arrived. Listening to these complaints, I thought that the politicization of ordinary people in Springfield had at least been built on actual suffering. But their concerns weren’t about any strange cultural practices of the Haitian community. They were about policy.</p><p class="paywall">Vance’s claims had started with something like that, too. In his Convention speech, he had insisted that the spike in housing prices nationally was due to an influx of undocumented immigrants. But, when the pressures on the housing market and institutions in a mid-sized Ohio city failed to make a dent in the national news, he tried to create a different narrative, about how foreign and culturally threatening the Haitian migrants were. Populist panics often bubble up from the grassroots, only to be refined by politicians. In this case, Vance had amplified the crudest version, ostensibly on behalf of Springfield’s residents.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="hs3tkt"></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa eunGjt body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">Ramaswamy had offered to give me a ride back to Columbus, where I was staying. After he finished an appearance on Fox News, we set off contemplatively, in his chauffeured black S.U.V. Ramaswamy is an extreme figure himself—he built his Presidential stump speech around the argument that Trump’s revolution was equivalent in scope to the events of 1776. But he also seemed to think that Trump and Vance’s fabrications about the Haitians in Springfield were undermining what might have otherwise been a winning issue. “I had the feeling—just my intuition—that, if I had wanted to take the crowd in a hard anti-immigrant direction, I could have,” Ramaswamy said. “It wasn’t where they were going to go on their own. But that’s the point: leadership. People need to be led.”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">At the campaign event in Eau Claire, the crowd was bigger, a little rowdier. Derrick Van Orden, a white-bearded Republican House member, gave a warmup speech that dwelled on a violent crime allegedly committed by a Venezuelan migrant in his home town of Prairie du Chien. Only Trump, he said, could make Wisconsinites feel “comfortable walking the streets.” The response of the crowd seemed to energize Vance. Onstage, he inveighed against the Democrats. “If you’re willing to throw a person in jail because you disagree with what they say,” he said, “then you’re going to be willing to put a bullet in their head, too.” Something a little dangerous was happening—Vance was accusing his opponents of wanting to kill Trump, in the guise of telling them to chill out. He addressed the Democrats directly: “Stop trying to silence people you disagree with.”</p><p class="paywall">As Vance has risen in prominence, some have speculated that much of his life, following a largely fatherless childhood, has been a search for a mentor who might fill a parental role: Mamaw, the Marines, Amy Chua, Peter Thiel, Donald Trump. One of Vance’s former professors said, “I think there might be something to that.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container"><span class="SpanWrapper-umhxW kKwZhx responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset"><div data-attr-viewport-monitor="" class="ResponsiveCartoonWrapper-iTMMjI eXTYsS responsive-cartoon AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset viewport-monitor-anchor"><a class="external-link responsive-cartoon__image-link" data-event-click="{"element":"ExternalLink","outgoingURL":"https://www.newyorker.com/cartoon/a27946"}" href="https://www.newyorker.com/cartoon/a27946" rel="nofollow noopener" target="_blank"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa ResponsiveCartoonImage-hzNqyc ikeCcH responsive-cartoon__image responsive-image"><noscript><img alt="King Kong trying to catch a plane with a cup and a 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xmlns="http://www.w3.org/2000/svg"><title>Shop</title><g clip-path="url(#clip0_3732_178638)"><path d="M2 3h4l4 17h15l4-13H14" stroke="#000" stroke-width="1.5" stroke-linejoin="round" style="fill:none"></path><circle cx="2" cy="2" r="2" transform="matrix(1 0 0 -1 11 29)" stroke="#000" stroke-width="1.5"></circle><circle cx="2" cy="2" r="2" transform="matrix(1 0 0 -1 20 29)" stroke="#000" stroke-width="1.5"></circle></g><defs><clipPath id="clip0_3732_178638"><rect width="32" height="32" fill="white"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="32" height="32" fill="white"></rect></clipPath></defs></svg></div></button></div></div></div></span></div></figure><p class="paywall">But it’s also the case that Thiel and Chua are both serial mentors, and that Trump needed an heir—the scarce commodity in American conservatism isn’t fathers but sons. Along the way, Vance’s liberal friends seemed to think, he’d made elisions to his persona, pruning off the inconvenient biographical details so that what remained was as unnatural as a bonsai. This summer, shortly after Vance’s nomination for the Vice-Presidency, Charles Johnson, a far-right conspiracy theorist, gave the Washington <em>Post</em> a trove of text messages between himself and Vance, including an exchange in which Johnson had highlighted Vance’s relationship with Chua. Vance had replied dismissively. “Chua doesn’t tell me anything,” he wrote. “I am pretty sure I don’t even know another Chinese american.” It was this last beat that caught the attention of some of Vance’s former law-school friends, because a number of them are Chinese American.</p><p class="paywall">In Eau Claire, when Vance turned his attention to the back of the room to take questions from the press, James Kelly, a reporter from a Wisconsin public-radio network, asked about the recent closure of two rural hospitals and several clinics in the Chippewa Valley. “I’m glad you mentioned providing actual concrete answers to questions,” he said. “What concrete plans would your Administration have to protect rural health-care access?”</p><p class="paywall">Vance was quiet for a moment. At an earlier point in his public life, this would have been a perfect question for him. As a senator, he had said that he was open to the politics of the “Bernie bros,” had praised the Biden Administration’s aggressive antitrust regulator Lina Khan, and had walked a U.A.W. picket line in Ohio, where a veteran pro-labor Democratic House member had asked him, “First time here?” When it comes to rural health care, themes of fairness and economic populism naturally lie close to the surface. Instead, Vance said, “This goes back to the immigration issue.” He argued that the hospitals were under pressure because they were being forced to take care of migrants, adding, “Kick these illegal aliens out, focus on American citizens, and we will do a lot to make the business of rural health care much more affordable.”</p><p class="paywall">The elisions were happening in real time now. At such moments, I had the sense of a mismatch between Vance’s talents and the timing of his trajectory. His sudden rise to power would not have been possible without the scorched-earth Trump wars that took out a whole generation of conservatives ahead of him. Vance and his allies in the New Right had spent years working out a theory of Trumpism—economic populism, an ideological makeover of the administrative state, a hard line on social-conservative issues like abortion—and then, when it was time to campaign, Trump had simply moved on.</p><p class="paywall">An adviser to Vance told me that the transformations that had defined the conservative project since the 2016 election remained under way. “We’re in the third or fourth inning,” he said. The suggestion was that ambitious young right-wingers were still shaping the <em class="small">MAGA</em> movement. But Vance, in coming so completely into alignment with Trump in this election, has helped usher in a similar change across his party. The conservative élites, like the rest of the G.O.P., are more fully Trumpist now. Vance may be playing in a much later inning.</p><p class="paywall">Vance said he had time for one more question, and he awarded it to Bender, the <em>Times</em> reporter. The crowd bridled a bit, but Bender—acting politically for a second, too—quieted them by thanking the Senator for “inviting the tough questions.” What he wanted to know of Vance, Bender said, pivoting back to Springfield, was where his red line was: “What’s something you’re willing not to say in order to make a point that’s important to you?”</p><p class="paywall">Vance cut him off. “The media always does this,” he grumbled. When he told CNN that he had been trying to “create a story” about what happened in Springfield, he’d meant only that he was trying to create a narrative, a “media story,” because people there were telling him that no one was taking their concerns seriously. The crowd was with him; he grew more self-assured. “I’m not making anything up,” Vance said. “I’m just telling you what my constituents are telling me.” ♦</p></div></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 PaywallInlineBarrierWithWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--item"><div class="body body__inline-barrier article__body article__body--grid-margins"><div class="container container--body"><div class="container--body-inner"><aside class="PaywallInlineBarrierWrapper-iBnuqk lfXXa-D" data-testid="PaywallInlineBarrierWrapper"><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--paywall-inline-barrier" role="presentation" aria-live="polite" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--paywall-inline-barrier"></div><div class="journey-unit"></div></div></aside></div></div></div></div></div></div></div><div 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He writes about American politics and society.</div><div class="ContributorBioFooter-brqDlv dMbIUd"></div></div></div></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0"><div class="GridItem-buujkM kHPPIF grid--item"><div data-testid="TagCloudWrapper" class="TagCloudWrapper-gGgndx guyhEV ContentFooterTagCloud-krQmRG esZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectionHeader-cOforY iUEiRd jEHmrR kQQRmu">More:</span><a href="/tag/election-2024" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM TagCloudLink-kvjZFu iUEiRd dTCiYp gFobuk ldGMWn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd kQrSNW bUkXwu">Election 2024</span></a><a href="/tag/j-d-vance" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM TagCloudLink-kvjZFu iUEiRd dTCiYp gFobuk ldGMWn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd kQrSNW bUkXwu">J. 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sizes="100vw"/><img alt="The New Pro-Life Playbook" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-1" data-component-type="recirc-river" data-recirc-id="item-hed-1" data-recirc-pattern="summary-item" href="https://www.newyorker.com/magazine/2024/11/18/the-pro-life-movements-new-playbook#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The New Pro-Life Playbook</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/18/the-pro-life-movements-new-playbook#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-1" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The New Pro-Life Playbook" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672bbfc990febb9e8110133e/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Under Trump, a new vision of conservative family policy is ascendant.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Emma Green</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"The Tucker Carlson Road Show","index":1,"contentType":"venue","hotelLink":"https://www.newyorker.com/magazine/2024/11/11/the-tucker-carlson-road-show#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/11/the-tucker-carlson-road-show#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-2" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Tucker Carlson Road Show" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-2" data-component-type="recirc-river" data-recirc-id="item-hed-2" data-recirc-pattern="summary-item" href="https://www.newyorker.com/magazine/2024/11/11/the-tucker-carlson-road-show#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Tucker Carlson Road Show</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/11/the-tucker-carlson-road-show#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-2" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Tucker Carlson Road Show" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6720f25129c9433b6c4d5454/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">After his Fox show was cancelled, Carlson spent a year in the wilderness, honing his vision of what the future of Trumpism might look like. This fall, he took his act on tour.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Andrew Marantz</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Donald Trump’s Revenge","index":2,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/donald-trump-wins-a-second-term#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/donald-trump-wins-a-second-term#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Revenge" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-3" data-component-type="recirc-river" data-recirc-id="item-hed-3" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/donald-trump-wins-a-second-term#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Donald Trump’s Revenge</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/donald-trump-wins-a-second-term#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Revenge" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672ac8f4a7569dc7a53f3bf8/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The former President will return to the White House older, less inhibited, and far more dangerous than ever before.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Susan B. Glasser</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"The Americans Prepping for a Second Civil War","index":3,"contentType":"venue","hotelLink":"https://www.newyorker.com/magazine/2024/11/11/among-the-civil-war-preppers#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/11/among-the-civil-war-preppers#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Americans Prepping for a Second Civil War" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">American Chronicles</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-4" data-component-type="recirc-river" data-recirc-id="item-hed-4" data-recirc-pattern="summary-item" href="https://www.newyorker.com/magazine/2024/11/11/among-the-civil-war-preppers#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Americans Prepping for a Second Civil War</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/11/among-the-civil-war-preppers#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Americans Prepping for a Second Civil War" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6721228efab88ef251e1c179/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Many now believe that the U.S. could descend into political violence. Some are joining survivalist communities, canning food—and buying guns.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Charles Bethea</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm eKCcVq ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="8ayu2l"></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Will Laken Riley’s Murder Tip Georgia?","index":4,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/will-laken-rileys-murder-tip-georgia#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/will-laken-rileys-murder-tip-georgia#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Will Laken Riley’s Murder Tip Georgia?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-5" data-component-type="recirc-river" data-recirc-id="item-hed-5" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/will-laken-rileys-murder-tip-georgia#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Will Laken Riley’s Murder Tip Georgia?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/will-laken-rileys-murder-tip-georgia#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Will Laken Riley’s Murder Tip Georgia?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6720054a11705b18c01cbbc7/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Native-born American women are almost never killed by illegal migrants. So why has Riley become a morbid icon of Trump’s campaign?</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>David D. Kirkpatrick</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"The Radio Station That Latino Voters Trust","index":5,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-political-scene/the-radio-station-that-latino-voters-trust#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/the-radio-station-that-latino-voters-trust#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Radio Station That Latino Voters Trust" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-6" data-component-type="recirc-river" data-recirc-id="item-hed-6" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-political-scene/the-radio-station-that-latino-voters-trust#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Radio Station That Latino Voters Trust</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/the-radio-station-that-latino-voters-trust#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Radio Station That Latino Voters Trust" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">With Arizona in the balance, a critical political conversation is taking place on the air.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Stephania Taladrid</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"How Pro-Trump Activists Hijacked Georgia’s Election Board","index":6,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-political-scene/how-pro-trump-activists-hijacked-georgias-election-board#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/how-pro-trump-activists-hijacked-georgias-election-board#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How Pro-Trump Activists Hijacked Georgia’s Election Board" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-7" data-component-type="recirc-river" data-recirc-id="item-hed-7" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-political-scene/how-pro-trump-activists-hijacked-georgias-election-board#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">How Pro-Trump Activists Hijacked Georgia’s Election Board</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/how-pro-trump-activists-hijacked-georgias-election-board#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How Pro-Trump Activists Hijacked Georgia’s Election Board" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67210f35e1f15c2c0f91d2e1/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Since the 2020 race, the state has been at the center of a national movement to contest elections. Now a group of unelected officials is sowing suspicions about the 2024 results.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Jonathan Blitzer</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"The End of Kamala Harris’s Campaign","index":7,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/dispatch/the-end-of-kamala-harriss-campaign#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/dispatch/the-end-of-kamala-harriss-campaign#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The End of Kamala Harris’s Campaign" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Dispatch</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-8" data-component-type="recirc-river" data-recirc-id="item-hed-8" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/dispatch/the-end-of-kamala-harriss-campaign#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The End of Kamala Harris’s Campaign</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/dispatch/the-end-of-kamala-harriss-campaign#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The End of Kamala Harris’s Campaign" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">At Howard University, a sombre crowd came out to support their candidate and witness history.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Emily Witt</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Is the Labor Movement Screwed No Matter Who Wins the Election?","index":8,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/is-the-labor-movement-screwed-no-matter-who-wins-the-election#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/is-the-labor-movement-screwed-no-matter-who-wins-the-election#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Is the Labor Movement Screwed No Matter Who Wins the Election?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-9" data-component-type="recirc-river" data-recirc-id="item-hed-9" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/is-the-labor-movement-screwed-no-matter-who-wins-the-election#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Is the Labor Movement Screwed No Matter Who Wins the Election?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/is-the-labor-movement-screwed-no-matter-who-wins-the-election#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Is the Labor Movement Screwed No Matter Who Wins the Election?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67227d6f5cb9fadb34086673/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">A series of legal challenges could radically disempower the National Labor Relations Board—and other administrative agencies—regardless of who controls Congress or the White House.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>E. Tammy Kim</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"The Most Extreme Cabinet Ever","index":9,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/letter-from-trumps-washington/the-most-extreme-cabinet-ever#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/letter-from-trumps-washington/the-most-extreme-cabinet-ever#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Most Extreme Cabinet Ever" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Letter from Trump’s Washington</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-10" data-component-type="recirc-river" data-recirc-id="item-hed-10" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/letter-from-trumps-washington/the-most-extreme-cabinet-ever#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Most Extreme Cabinet Ever</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/letter-from-trumps-washington/the-most-extreme-cabinet-ever#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Most Extreme Cabinet Ever" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67364326913fa044a2466389/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Trump’s “God-tier level trolling” of America has already begun.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Susan B. Glasser</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"What Is Cornel West Thinking?","index":10,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-political-scene/what-is-cornel-west-thinking#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/what-is-cornel-west-thinking#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-11" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="What Is Cornel West Thinking?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-11" data-component-type="recirc-river" data-recirc-id="item-hed-11" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-political-scene/what-is-cornel-west-thinking#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">What Is Cornel West Thinking?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/what-is-cornel-west-thinking#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-11" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="What Is Cornel West Thinking?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672564773d0a13d0c3ed931d/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The public intellectual’s Presidential campaign could ease Donald Trump’s path to the White House. Why won’t he drop out?</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Andrew Marantz</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm eKCcVq" data-item="{"dangerousHed":"Bidenomics Is Starting to Transform America. Why Has No One Noticed?","index":11,"contentType":"venue","hotelLink":"https://www.newyorker.com/magazine/2024/11/04/bidenomics-is-starting-to-transform-america-why-has-no-one-noticed#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/04/bidenomics-is-starting-to-transform-america-why-has-no-one-noticed#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Bidenomics Is Starting to Transform America. Why Has No One Noticed?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-12" data-component-type="recirc-river" data-recirc-id="item-hed-12" data-recirc-pattern="summary-item" href="https://www.newyorker.com/magazine/2024/11/04/bidenomics-is-starting-to-transform-america-why-has-no-one-noticed#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Bidenomics Is Starting to Transform America. Why Has No One Noticed?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2024/11/04/bidenomics-is-starting-to-transform-america-why-has-no-one-noticed#intcid=_the-new-yorker-article-bottom-recirc_6954e807-c064-4895-ac20-291a3f78c75d_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Bidenomics Is Starting to Transform America. Why Has No One Noticed?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67192b4951217d35efcee7aa/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The full effects of the President’s economic policies won’t be felt for years. That might be too late for Kamala Harris and other Democrats.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Nicholas Lemann</span></span></span></div></div></div></div></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg 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D. Vance | The New Yorker","tenant":"the-new-yorker","head.social.title":"The Improbable Rise of J. D. Vance","head.social.description":"“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the MAGA movement.","head.promo.dek":"“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the MAGA movement.","head.social.opinion":"false","head.jsonld":[{"@context":"http:\u002F\u002Fschema.org","@type":"NewsArticle","articleBody":"Vance’s selection as Trump’s running mate had punctuated an astounding rise. Born in the small manufacturing city of Middletown, Ohio, he was raised by a drug-addicted mother and his beloved Appalachian-born grandmother, Mamaw. He worked his way up through storied American institutions: the Marine Corps, Yale Law School, Silicon Valley. “Hillbilly Elegy,” the best-selling memoir Vance published in 2016, made him famous, and his denunciations of Trump as “cultural heroin” for the white working class even more so. A few years later, he was a senator from Ohio, the Republican Party’s most effective spokesman for Trumpism as an ideology, and—both improbably and inevitably—the Vice-Presidential nominee. “If you think about where he came from and where he is, at forty years old,” the conservative analyst Yuval Levin, a Vance ally, said, “J.D. is the single most successful member of his generation in American politics.”\nAt Yale Law School, where the Vances met, Usha, who had been a Yale undergraduate, operated as an interpreter of Ivy League folkways for the rougher-hewn J.D. She kept a spreadsheet of things she thought he should try, a mutual friend of theirs recalled—“I remember one of them was Greek yogurt.” Vance talked with another friend about becoming a househusband; he had not had a father, and it was important to him to become a good one. (In an echo of Bill Clinton’s experience, Vance used the last name of a stepfather, Hamel, until after college.) But, as he began to consider a political career, it was Usha, a former clerk to two Supreme Court Justices, who moved to Ohio. When he joined Trump’s ticket, she left her job at a prestigious law firm. At this year’s Republican National Convention, Usha, the daughter of Indian immigrants, sat next to Trump as her husband said that “America is not just an idea” but a people bound by a “shared history.” The scene would have been unimaginable to many of her friends just a few months earlier. “I’m not sure what deal J.D. made with Usha,” a person close to the couple told me. “But it had to be something, because they make every decision together.”\nVance, too, had only recently made a full accommodation with Trump. A longtime political adviser to Vance told me, “The problem that J.D. had always been trying to solve is what to do about the decline of the Midwest.” Many of his prior solutions, the adviser went on, had simply not worked. “Hillbilly Elegy” had been, in part, an attempt to make liberal readers sensitive to the plight and the anger of rural whites. Vance’s subsequent efforts to establish an addiction-treatment nonprofit in Ohio and a heartland-focussed venture-capital fund were, in this view, intended to rebuild the Midwest from within. Vance’s partnership with Trump, whom he once derided, represented his shift to a more tribal politics. Remember, the adviser said, even in Vance’s Never Trump days he hadn’t really opposed Trump on policy: “His objection was that he thought Trump didn’t mean anything he said.”\nBut this theory is complicated by how perfectly Vance’s rightward turn has tracked the fixations of conservative activists and élites. His rise has been backed by the billionaire investor Peter Thiel, Elon Musk, and Donald Trump, Jr., whose complaints about woke politics and tech censorship Vance has amplified on the trail. In the view of one of his old friends, Vance, in becoming a national figure, has also become more thin-skinned, not unlike many of the tech titans who support him. Some commentary on Vance’s political transformation after the 2020 election identified the beard he had started to grow as a symbol of his newly bristling politics. But at least as noticeable is the weight he’s lost and the fitted suits he now wears. Such a change isn’t unusual for powerful people in the Ozempic era, but it also suggests the ways in which Vance, who positions himself as an enemy of the élite, is still a part of it.\nOn the tarmac, Vance let Usha board the plane first and then lumbered up the stairs, somewhat more in the manner of his dog than of his wife. He turned to the cameras and let his right hand vibrate in a quick tremor of a wave. He was making two stops that day, first in Grand Rapids, Michigan, a long-standing conservative bastion where Democrats had lately made inroads, and then in Eau Claire, Wisconsin. More than one of Vance’s advisers told me that his selection as the Vice-Presidential candidate had depended partly on poll numbers in July, which had suggested that Joe Biden posed a bigger threat in Pennsylvania, Michigan, and Wisconsin than in the Sun Belt states. Had the Democrats been stronger in Arizona, Georgia, and North Carolina, the advisers thought, the Florida senator Marco Rubio might have been the pick.\nBut, even if Vance was an emblem of the Midwest, he was also a drag on the ticket, significantly less popular than his Democratic counterpart, Tim Walz, the governor of Minnesota. The stances Vance had taken that endeared him to the conservative base—his support for a national abortion ban and his association with Project 2025, the think-tank initiative to weaponize the federal government for right-wing causes, which Vance had once termed “de-Baathification”—were so toxic to the general electorate that Trump had disavowed them, and then Vance had, too. The question of what kind of populism would follow Trump into office, should he win, was entangled with the question of what kind of populist his chosen political heir is: a tireless representative of the alienated Midwest, or—like Thiel and Musk, who urged Trump to pick Vance in the first place—a rich, very online man, motivated by a sweeping rejection of progressive culture? Vance disappeared through the door of Trump Force Two, and within a few minutes he was up and away, soaring high above Arlington National Cemetery. The Republican Vice-Presidential candidate was headed someplace like home.\nNot every student at Middletown High School was poor—some, especially those who lived closer to the interstate, had parents who worked in Cincinnati or Dayton—but many were, and Tape tended to be circumspect when he asked students about their future. But one day, during Vance’s senior year, Tape inquired about his star student’s post-graduation plans. “And J.D. says, ‘Oh, I’m going to the Marines,’ ” Tape told me. “I was, like, ‘Oh, R.O.T.C.?’ And he went, ‘No, I’m enlisting.’ And I was stunned. Like, dude, you can write your ticket. And he says—I’ll never forget this—‘I love this country. And I talk about it a lot. But, if I don’t do anything about it, it’s just talk.’ ”\nIn “Hillbilly Elegy,” Vance relays how he had emerged from a highly chaotic childhood—in one scene, a twelve-year-old Vance dashes out of a car on the shoulder of a highway after his mother threatens to kill them both in a crash—with a desire for order, which he found in the Marines. He was deployed to Anbar Province, Iraq, in 2005, where he worked in public affairs—shepherding visiting journalists and writing articles for the military press. “He wasn’t kicking down doors,” as the former congressman Adam Kinzinger, a Republican who supports Kamala Harris, said earlier this summer, but he was working in a very dangerous place. A senior officer in his division was killed by a roadside bomb in Ramadi, while escorting journalists from Newsweek. Cullen Tiernan, Vance’s best friend in the Corps, with whom he trained Stateside, recalled that Vance was more politically engaged than most marines. “When Dick Cheney visited,” Tiernan told me, “J.D. was the only person who was excited.” But he was also attuned to the darker aspects of the invasion. “There’s civilian contractors that are getting paid six times as much as you, just to supervise third-party nationals. Halliburton and KBR are having a feast of war,” Tiernan said. “Those were things we discussed and were disenchanting.”\nVance earned a degree from Ohio State University, then entered Yale Law School in the fall of 2010, the same year as the former Republican Presidential candidate Vivek Ramaswamy. If Yale offered an established track for ambitious young conservatives, it could also make a kid from the sticks feel less assured. Ninety-five per cent of the school’s student body at the time came from upper-middle-class backgrounds, and many were obviously wealthy. “Your classmates are the coddled children of hospital administrators and faculty members and corporate lawyers,” the longtime adviser, who finished Yale the same year as Vance, told me. “They ain’t like you, and there’s just whole swaths of existence that seem foreign to them.” Vance had “heard through the grapevine” that a professor who had criticized his work thought that the law school should only accept students from élite private institutions, because students from public schools needed “remedial education.” “I have never felt out of place in my entire life,” he wrote in “Hillbilly Elegy.” “But I did at Yale.”\nSuch alienation seems like one seed from which Vance’s politics eventually sprouted. But people who knew him then recall a boisterous, bighearted student at the center of Yale’s social life. “He was at every party,” a female classmate said. “He was the guy who, when you were going through a hard time, would be, like, ‘Oh, yeah, let’s just drink ourselves silly,’ and talk you through it.” During his first year, Vance met Usha and developed a close relationship with Amy Chua, a law professor and the author of the book “Battle Hymn of the Tiger Mother,” in whose class Vance would write the first draft of “Hillbilly Elegy.” (Chua later connected Vance with her literary agent.) When Thiel came to Yale to speak before the Federalist Society, the conservative legal group, of which Vance was a member, Vance seized the opportunity. “At the end of his talk, Peter said anyone should feel free to write him for career advice,” a law-school friend told me. “J.D. took that literally.”\nVance’s politics weren’t doctrinaire—a friend at the time remembers him as a devoted reader of The Dish, the blog of the iconoclastic gay conservative Andrew Sullivan—and he had a natural facility as a writer. “J.D. really was a maverick ideologically,” Josh McLaurin, a roommate of Vance’s at Yale, who is now a Democratic state senator in Georgia, said. “I was intimidated by his sensibility. He would go off and read something and study it and come back with a viewpoint that was uniquely his.” Some friends struggled to recall whether Vance was pro-life or pro-choice, but many of them described him as instinctively partisan. The friend remembered telling Vance about a breakup with a girlfriend: “J.D. said, ‘She’s dead to me.’ ” This same friend thought that Vance likely planned to vote for Hillary Clinton in 2016, until Clinton said that some portion of Trump’s supporters were in a “basket of deplorables.” Vance’s sister was planning to vote for Trump. In the end, he wrote in Evan McMullin, who campaigned as a Never Trump conservative. (A spokesperson for Vance said that he never considered voting for Clinton.)\nAfter law school, Vance and Usha moved to Washington, D.C., where Usha clerked for Brett Kavanaugh, who was then a judge on the D.C. Circuit Court of Appeals, and later for Chief Justice John Roberts of the Supreme Court. Vance spent the late Obama years as an unhappy junior associate at a Washington law firm, and then as a principal at a venture-capital fund co-founded by Thiel. But the project in the background was his book. “Hillbilly Elegy” was released in June, 2016, and was widely regarded as a key to understanding the experience of the Trump voter. Rod Dreher, a socially conservative writer who was then opposed to Trump, gave it an early rave review on his blog for The American Conservative. The book’s success, as with many up-from-poverty narratives, also drew on the tension between the harsh circumstances of the author’s upbringing and the erudition with which he recalled them. At a book party that Chua threw for “Hillbilly Elegy” in Manhattan, Vance’s old law-school classmates remembered him being a little astonished when Tom Brokaw walked into the room.\nVance and the élite—it wasn’t a seamless fit. He sometimes recounts an interaction he had at a Business Roundtable event, where the C.E.O. of a large hotel chain complained that Trump’s tightening of the border meant that his properties had to hire native-born workers who “just need to get off their asses, come to work, and do their job.” Sofia Nelson, a law-school friend of Vance’s, who has since broken with him politically, said, “He was hanging out with these people he found very vapid, and I was, like, ‘You know, you can just stop it—you don’t have to do this.’ I think he very much wanted to rise within that world, but he also kind of hated it.”\nIn 2018, Vance and Chua held a public discussion at the Aspen Ideas Festival titled “Can Americans Resist the Pull of Tribalism?” A friend brought him along to a private dinner at the lakeside château of Lynda Resnick, the billionaire owner of Fiji Water and a Democratic mega-donor. During a garden cocktail reception, Resnick told Vance that because he hadn’t been formally invited he needed to leave. (Only later did Resnick learn who Vance was.) Vance took it graciously, the friend said, and walked off down the home’s long, winding driveway. McLaurin, the Democratic state senator, said, “The way I think about it, it’s like a dial. If you’re a politician, you carry around all these personal grievances and memories of all the things that were done to you, and you get to decide whether to keep that dial turned down or to turn it up. And J.D. has turned it all the way up.”\nThe political group with which Vance was then associated—the wonkish Reformicons—had encouraged the Republican Party’s rhetorical turn toward a working-class conservatism, advocating for entitlements like pro-family tax credits and denouncing the donor class. But Trump put forward a “nightmare version” of that vision, as one leading Reformicon, the former George W. Bush speechwriter David Frum, said in 2016, with everything “horribly twisted and distorted.” At the same time, a generation of conservative dogma had suddenly been washed away. New think tanks and magazines explored the boundaries of what an America First conservatism might be: more combative about progressive values, more isolationist in foreign policy, more nationalist on immigration, and more open to government intervention to stem free trade. Some of these views weren’t all that dissimilar from what the Reformicons had offered, but there was an important distinction: members of the New Right, as the movement came to be known, were among Trump’s strongest supporters, echoing, often gleefully, his most outré and politically incorrect ideas.\nIn Washington, Democrats and investigative reporters were scrutinizing Trump’s career for evidence of Vladimir Putin’s influence over the election. For Vance, the fixation on Russia to explain Clinton’s defeat was drowning out the self-reflection that he had hoped to inspire among the liberal establishment with “Hillbilly Elegy.” Vance’s longtime adviser told me, “He was just, like, ‘This just seems like conspiracy theory.’ They lost and they were clinging to it.”\nIn 2018, Vance considered challenging Sherrod Brown, the incumbent Democratic senator from Ohio, “for about thirty-six hours,” the adviser said. Rebekah Mercer, who had been a prominent Trump donor, was enthusiastic about Vance’s potential, but the timing was wrong. Vance’s first child had been born less than a year earlier, and his network in Ohio was thin. (In law school, he had also told a friend that Brown, a progressive populist, was a Democrat he admired.) The following year, a whistle-blower revealed that Cambridge Analytica, a political-consulting firm in which Mercer and her father, Robert, were investors, had secretly harvested Facebook user data and then shared the analytics with the Trump campaign. Facebook eventually agreed to pay five billion dollars in fines for its role in the venture; Cambridge Analytica went bankrupt. Vance regarded the scandal as an extension of the Democrats’ Russia obsession—a way to deflect attention from the neoliberal policies that he believed had pushed working-class voters to Trump.\nThat fall, the Senate confirmation hearings for Brett Kavanaugh’s nomination to the Supreme Court turned on an accusation by Christine Blasey Ford, a California psychologist who said that Kavanaugh had sexually assaulted her decades earlier, during a high-school party. The Guardian and HuffPost reported that Chua had privately told a group of law students that it was “no accident” that Kavanaugh’s female law clerks all “looked like models,” and had offered to give them advice on how to dress if they wanted to work for him. Usha, whom Chua had recommended for the clerkship with Kavanaugh, sent a stiffly worded e-mail to her law-school class distancing herself from Chua’s reported comments and asserting that she knew, from her time interviewing candidates as a Kavanaugh clerk, that appearance was not a factor in who got hired. “Kind of a dork,” Vance said of Kavanaugh in an interview with Ross Douthat, of the Times, this past spring. “Never believed these stories.”\nAfter the Kavanaugh hearings, Vance began to contemplate a more thorough remaking of American institutions. An academic friend recalled that in 2019, while Vance was preparing to deliver a speech at the National Conservatism Conference, the defining New Right confab, in Washington, he wrote to ask “if I thought élite universities were beyond redemption.” Vance was also making a personal turn to Catholicism. Dreher, who was close with Vance at the time, introduced him to a group of Dominican friars in Washington. In August, 2019, Vance converted in a ceremony attended by, among others, his biological father. (Usha, who was raised Hindu, did not convert.) In an essay published in The Lamp, a Catholic magazine, Vance wrote that his conversion was the result of a search for a system of “duty and virtue,” in part so that he could become a better husband and father. But his essay also suggested that he was becoming a more stringent social conservative. He quoted at length from St. Augustine’s denunciation of Roman excess, of the “plentiful supply of public prostitutes for every one who wishes to use them.” This broadside from a fifth-century bishop, Vance wrote, was “the best criticism of our modern age I’d ever read.”\nVance’s past friendships with progressives began to inform the manner in which he fought the other side. During a podcast with American Moment, a young-conservative organization affiliated with the New Right, Vance said that, for his liberal classmates at Yale, “pursuing racial or gender equity is like the value system that gives their life meaning,” and that “they all find that that value system leads to misery.” Meanwhile, he went on, the masculinity of young boys was “suppressed.” Such views, one of Vance’s friends from the Reformicon movement told me, reflected Vance’s “reinvention as a public persona.” “Some of these currents, call them cultural currents, are very deep for him—what men need, what women need from men,” the friend said. But there was also, the friend went on, “a level of becoming the thing one needs there to be.”\nVance was building a political network of supporters and donors among anti-establishment conservatives, with whom he increasingly shared a tendency to accuse the left of operating with a might-makes-right moral authoritarianism. “The thing that I kept thinking about liberalism in 2019 and 2020 is that these guys have all read Carl Schmitt,” he told Douthat, referring to the Nazi legal theorist. “There’s no law, there’s just power. And the goal here is to get back in power.” In the wake of the COVID-19 shutdowns and the Black Lives Matter protests, Vance said on “The Federalist Radio Hour” that American conservatives “have lost every major powerful institution in the country except for maybe churches and religious institutions, which, of course, are weaker now than they’ve ever been. We’ve lost big business. We’ve lost finance. We’ve lost the culture.” No compromise was possible with the liberals in control, he added. “Unless we overthrow them in some way, we’re going to keep losing.”\nMark Munroe, the former chair of the Mahoning County G.O.P., is an amiable retired television executive. He remembers a time when he would press on reporters a sheet detailing the corruption of the mobbed-up Democratic Party in Youngstown, where the Republicans were heavily outnumbered. As Trump’s campaign gathered momentum, Munroe started hearing from residents who’d never been interested in his party before, but who saw the immigration issue primarily in terms of security, rather than of the economy. “For folks around here, it really is protecting the southern border from drugs,” Munroe said. “It’s about strength.” Munroe was sitting at the office of the election board on primary night, in March of 2016, when thousands of Mahoning residents requested, for the first time, a Republican ballot. “We doubled our registration in one night,” Munroe told me recently, still somewhat awestruck.\nThe bigger surprise was that the new voters stuck around. In 2020, Trump maintained an eight-point margin in the state. As an adviser to Vance who is based in Ohio described it, the new voters were among the most populist in the state—the most explicitly anti-Washington and anti-élite—so that not only did the state become more Republican but the Republicans became more aligned with Trump.\nThe word in conservative circles was that Vance, too, had become “thoroughly red-pilled.” Privately, he still had some reservations about Trump—as late as 2020, as messages published by the Washington Post this September showed, he told an acquaintance that the President had “thoroughly failed to deliver on his economic populism.” But in public Vance was an increasingly reliable Trump partisan, who dismissed concerns about the former President’s efforts to overturn the election. The following year, he joined the conservative anti-vaccine-mandate chorus. A friend asked him why he was on Twitter telling people not to get vaccinated when he himself was—people might die. In response, Vance raised some safety concerns, and then added that it didn’t help that Biden had insinuated that people like his father—who hadn’t gotten vaccinated—were “sewer rats.”\nThat summer, after the Ohio senator Rob Portman, a stalwart of the pre-Trump G.O.P., announced that he would retire, Vance decided to run. Someone who is close with both Vance and Donald Trump, Jr., called the former President’s son to get his opinion on Vance, who, he noted, “talked a lot of shit about your dad in 2016.” As the friend recalled, Don, Jr., said, “Honestly, dude, I fucking loved ‘Hillbilly Elegy’ back in 2016, and I fucking never understood why he wasn’t on our side.”\nThe 2022 Republican Senate primary attracted six well-funded contenders, all of whom promptly set about establishing their America First bona fides, in both substance and style. Candidates flew to Trump’s golf club in West Palm Beach to audition for an endorsement. Josh Mandel, Ohio’s former state treasurer, travelled to Arizona to observe an audit of contested ballots and proclaimed 2020 a “stolen” election. A wealthy investment banker named Mike Gibbons, during an exchange with Mandel on the debate stage, appeared to call him a “pussy.” Politico described it as “the dumbest Senate primary ever.”\nVance had laid the groundwork for his run by appearing on conservative podcasts and television shows, offering often extreme accounts of cultural conflict. “American history is a constant war between Northern Yankees and Southern Bourbons, where whichever side the hillbillies are on wins,” Vance told a YouTuber in the spring of 2021. The Northern Yankees, he went on, “are now the hyper-woke, sort of coastal élites,” the Bourbons are the “same old-school Southern folks,” and the hillbillies “have really started to migrate towards the Southern Bourbons.”\nThat July, a few weeks after he formally announced his candidacy, he appeared on Tucker Carlson’s Fox News show to discuss an idea he had been developing: that élites in the U.S. “have played their entire lives to win a status game,” and that more power should accrue to people who had children, and thus a “direct stake” in the future. “We are effectively run in this country, via the Democrats, via our corporate oligarchs, by a bunch of childless cat ladies who are miserable at their own lives and the choices that they’ve made,” Vance said. “And so they want to make the rest of the country miserable, too.”\nSuch arguments did little to help his cause. By the following spring, with the primary nearing its conclusion, Vance’s public image was still largely defined by the attack ads his rivals were running, highlighting his past anti-Trump comments. He was stuck at around ten per cent in the polls. It wasn’t until a Republican-primary debate in March that he found a way to stand out. The moderator asked the candidates whether they would support a no-fly zone in Ukraine. Only Vance was strongly opposed to the idea. Polls showed that a majority of Republicans supported aid to Ukraine. But Vance, like Trump, did not. Don, Jr., called the friend he shares with Vance: “He’s, like, ‘Dude, I saw this fucking clip on Ukraine. Fuck this shit. J.D. is the guy.’ ” The next day, Don, Jr., tweeted, “JD is 100% America First.”\nAt that point, a Vance adviser told me, the campaign figured it had “one bullet” left. Vance was convinced that what had particularly infuriated ordinary conservatives since the Obama Administration was the suggestion that any opposition to immigration was rooted in racism. In a campaign ad that appeared in early April, Vance spoke directly to the camera. “Are you a racist?” he asked. “Do you hate Mexicans?” The media thought so, he went on, simply because Ohio conservatives wanted to build Trump’s border wall. “This issue is personal,” he said. “I nearly lost my mother to the poison coming across our border.” The following week, Trump—egged on by his son—endorsed Vance, which effectively guaranteed him the nomination. “The whole team worked on that ad,” the adviser said. “But the first line was all J.D.”\nWhen I called the former Democratic congressman Tim Ryan, whom Vance went on to beat in the general election, to ask his opinion of Vance as a campaigner, he sounded distinctly unimpressed. “He was never on the trail,” Ryan said. Ryan would drive his son’s dog, Zoie, around the state during the campaign, a gimmick that eventually he started using as a talking point: “Zoie has been in Lima twice, and J. D. Vance never has.” But the most important question in the race was who could claim the MAGA mantle. Who brought a dog to Lima—that was campaigning for the twentieth century.\nMore than a year earlier, before Trump had even announced his candidacy, Vance had sent a note to Susie Wiles, one of the former President’s senior advisers, saying that he was prepared to endorse Trump anytime. But, according to Vance’s advisers, the prospect that Trump might pick him for the ticket emerged only around the time of the New Hampshire primary, in January, when word began leaking from operatives close to Mar-a-Lago. Relatively quickly, Vance decided that he wanted the job—with Biden faltering, the Republicans stood a good chance of winning. Vance’s circle also felt that some of the alternatives Trump was said to be considering, such as the South Carolina senator Tim Scott and the North Dakota governor Doug Burgum, might take the Party back toward what Vance, at the National Conservatism Conference, called the Wall Street Journal consensus.\nThe plan was for Vance to appear relentlessly on TV, often in adversarial contexts, where he hoped to capture Trump’s attention by outwitting liberal pundits. Several key conservative figures lobbied Trump not to pick Vance, including the billionaire donor Ken Griffin, Rupert Murdoch, and Lindsey Graham, who made an appeal to the former President on Trump Force One on the way to the Republican National Convention, in Milwaukee. Elon Musk, Tucker Carlson, Don, Jr., and the tech investor David Sacks, a vociferous opponent of the war in Ukraine, pressed Trump on Vance’s behalf. The contrast between the two groups might have clarified the choice for the former President: Was he with the establishment Republicans or with the rising nationalists he’d brought into being?\nOn the morning of Saturday, July 13th, Vance met secretly with Trump at Mar-a-Lago; Trump did not offer him a spot on the ticket, but he intimated that he might. Early that evening, Trump was shot in the ear at a rally in Butler, Pennsylvania. Vance was among the first elected officials to politicize the event. Within hours, he tweeted, “The central premise of the Biden campaign is that President Donald Trump is an authoritarian fascist who must be stopped at all costs. That rhetoric led directly to President Trump’s attempted assassination.” (The motives of the shooter, a registered Republican who had donated to a Democratic turnout effort, remain unclear.) Vance did not speak with Trump again until the following Monday, at the start of the Convention, when the former President called to ask if he’d join the ticket. Half an hour later, Trump posted the news on Truth Social.\nTwo days later, Vance’s prime-time speech at the Convention elevated the experiences of the left-behind. In his telling, their endurance, rather than the fight of outside groups for rights and prosperity, was the central feature of the national story. If there was a discordant note, it was in how generically he described the working-class Republicans whose interests he was supposedly championing in a newly populist G.O.P.: “the factory worker in Wisconsin who makes things with their hands and is proud of American craftsmanship”; “the auto worker in Michigan wondering why out-of-touch politicians are destroying their jobs.” But Vance’s own story remained powerful. He invoked the family cemetery in eastern Kentucky where five generations of his forebears were buried. “People will not fight for abstractions, but they will fight for their home,” Vance said. “Our leaders have to remember that America is a nation, and its citizens deserve leaders who put its interests first.”\nOf course, Vance, in many ways, is a product of the media. That weekend, he had appeared on three separate Sunday shows. On X, he sometimes seems to be operating as a universal reply guy. “Hi Hannah,” Vance recently wrote, at the beginning of a multi-paragraph response to an author of Bible-study and self-help books, who had taken issue with his positions on child care. While on Trump Force Two, I idly looked at my phone and noticed that Vance was on X at that very moment, somewhat angrily tweeting at David Frum, who is now a staff writer at The Atlantic. Frum had tweeted that the difference between the Democratic and the Republican tickets was that “the upsetting things said by Trump and Vance are not true.” Vance, surrounded by his wife, his dog, and his advisers, had fired back, “I’d say the most important difference is that people on your team tried to kill Donald Trump twice.”\nSome conservatives suggested to me that one source of Vance’s combativeness is that the America First movement, though very much alive as an electoral prospect, is losing intellectual steam. Yuval Levin explained that, since 2000, he had been part of three waves of attempted conservative reforms, each of which had tried to turn the Party away from libertarianism and toward social conservatism, but that each had fizzled because “if you wake up any given Republican congressman in the middle of the night and ask him what he wants to do, he’s still going to say cut the marginal tax rate.” David French, the conservative Never Trump columnist at the Times, told me he thought the Republicans were making the same error that the Democrats had made a few years earlier: “They’re following their own Twitter activists off a cliff.” Conservatives often liked to say that every Republican activist under forty belonged to the New Right, French went on, but he had been watching students at the Christian colleges where he spoke and taught and doubted that this was the case. At present, French said, he had exactly one student who identified as New Right. “Nice guy,” French said, and you could sense the grin. “But, I mean, he wears an ascot.”\nIt’s perhaps unsurprising that, when Vance needed to connect with conservative voters, he returned to the subject of immigration. In July, Vance tried to draw the press’s attention to a situation unfolding in Springfield, Ohio: a city whose population had previously been less than sixty thousand was struggling to handle an influx of as many as twenty thousand legal Haitian immigrants, many of whom had been drawn from other parts of the United States by the promise of factory jobs. Early in September, Vance shared a story being passed around by conservative users on social media that “people have had their pets abducted and eaten by people who shouldn’t be in this country.” The next day, Trump repeated the claim during his Presidential debate with Kamala Harris, in a memorably ham-handed way. (“In Springfield, they are eating the dogs. The people that came in, they are eating the cats.”) There was no evidence that this was true—the Wall Street Journal, chasing down the rumor of an abducted feline, found her safe in her owner’s basement.\nIn the following days, a series of bomb threats closed schools in Springfield and spooked the local population. The city’s Republican mayor and the state’s Republican governor pleaded with Vance to stop repeating the claim, but he refused to do so. On September 15th, Vance told CNN’s Dana Bash, “The American media totally ignored this stuff until Donald Trump and I started talking about cat memes. If I have to create stories so that the American media actually pays attention to the suffering of the American people, then that’s what I’m going to do.”\nClips from the campaign trail have emphasized Vance’s awkwardness—there was the encounter at a doughnut shop in Valdosta, Georgia, where Vance, tall and slightly hunched, brightly greeted a clerk, who quickly said that she did not want to appear on camera. “She doesn’t want to be on film, guys,” Vance said loudly, “so just cut her out of anything.” He turned back to the shop worker, introduced himself, and said that he was running for Vice-President. “O.K.,” she said. The silence was faintly excruciating. Which doughnuts did he want, anyway? Vance indicated the glazed, the cinnamon rolls. “Some sprinkle stuff,” he said. “Whatever makes sense.”\nHe was better in more structured settings. Vance is an excellent debater, against both political opponents and the press, and even in hostile environments he maintains emotional control—when he’s angry, it’s because he wants to be. At the rally in Grand Rapids, held in a refurbished barn north of the city, he brought up the attempts on Trump’s life: “I think that it’s time to say to the Democrats, to the media, to everybody that has been attacking this man and trying to censor this man for going on ten years, cut it out or you’re going to get somebody killed.”\nAn hour later, back under a wing of Trump Force Two, Vance came over to take a few questions from the press. Bender, from the Times, asked him whether denouncing Democrats for inflammatory rhetoric while falsely accusing Haitian migrants of eating cats and dogs wasn’t a very narrow needle to thread. “I don’t think it’s a needle that we’re trying to thread,” Vance replied. “There’s a massive highway down which we can draw two very important distinctions, the first of which is Donald Trump has had two assassination attempts in the last couple of months. So, if you look at this, and you try to both‑sides it, the problem is only one candidate has actually suffered very serious attempts on his life, including him being literally shot in the head.”\nThe Senator kept his voice polite, but he was arguing a fundamental piece of his current politics—that the rupture in American life, which for a decade had been blamed on Trump, was, in fact, the fault of the Democrats and the media. Vance sounded a little exasperated; up close, I noticed for the first time the gray hairs in his beard. The second big difference, he said, was that conservatives did not call for censorship. “What is the point of the critics?” Vance added. “When you’re criticizing somebody’s rhetoric, when you’re criticizing what somebody said, are you trying to tone down the violence or are you trying to silence him?”\nThe conservative activist Christopher Rufo had offered a five-thousand-dollar reward to anyone who could find proof of people in Springfield eating cats. I expected to hear more stories of migrant misdeeds at the town hall. A woman said that her daughter had been chased by an “immigrant” wielding a machete. But that was the exception. Several people said that they had good personal relations with their Haitian neighbors. Some worried about the poisoned environment: one mixed-race man who had lived in Springfield his whole life said that he had been called the “N-word” twice in the past week, and that a friend had been heckled at a grocery store while holding a six-month-old baby and told to leave the country. There were murmurs of sympathy.\nBut the attendees mostly focussed on the stresses that the new arrivals had put on the city. A fifty-nine-year-old resident with a disability said that he was struggling to get appointments at the local hospital; he’d heard a since-debunked rumor that this was because so many Haitian migrants needed to be treated for H.I.V. A woman mentioned that an influx of foreign-born students had overwhelmed the schools, leaving native-born children disengaged “for eight hours.” A Navy veteran who was planning to vote for Trump for a third time noted that most of the Haitians were legal immigrants and asked why Republicans were focussing on deportation rather than on the drugs and homelessness that had been problems before they arrived. Listening to these complaints, I thought that the politicization of ordinary people in Springfield had at least been built on actual suffering. But their concerns weren’t about any strange cultural practices of the Haitian community. They were about policy.\nVance’s claims had started with something like that, too. In his Convention speech, he had insisted that the spike in housing prices nationally was due to an influx of undocumented immigrants. But, when the pressures on the housing market and institutions in a mid-sized Ohio city failed to make a dent in the national news, he tried to create a different narrative, about how foreign and culturally threatening the Haitian migrants were. Populist panics often bubble up from the grassroots, only to be refined by politicians. In this case, Vance had amplified the crudest version, ostensibly on behalf of Springfield’s residents.\nRamaswamy had offered to give me a ride back to Columbus, where I was staying. After he finished an appearance on Fox News, we set off contemplatively, in his chauffeured black S.U.V. Ramaswamy is an extreme figure himself—he built his Presidential stump speech around the argument that Trump’s revolution was equivalent in scope to the events of 1776. But he also seemed to think that Trump and Vance’s fabrications about the Haitians in Springfield were undermining what might have otherwise been a winning issue. “I had the feeling—just my intuition—that, if I had wanted to take the crowd in a hard anti-immigrant direction, I could have,” Ramaswamy said. “It wasn’t where they were going to go on their own. But that’s the point: leadership. People need to be led.”\nAs Vance has risen in prominence, some have speculated that much of his life, following a largely fatherless childhood, has been a search for a mentor who might fill a parental role: Mamaw, the Marines, Amy Chua, Peter Thiel, Donald Trump. One of Vance’s former professors said, “I think there might be something to that.”\nBut it’s also the case that Thiel and Chua are both serial mentors, and that Trump needed an heir—the scarce commodity in American conservatism isn’t fathers but sons. Along the way, Vance’s liberal friends seemed to think, he’d made elisions to his persona, pruning off the inconvenient biographical details so that what remained was as unnatural as a bonsai. This summer, shortly after Vance’s nomination for the Vice-Presidency, Charles Johnson, a far-right conspiracy theorist, gave the Washington Post a trove of text messages between himself and Vance, including an exchange in which Johnson had highlighted Vance’s relationship with Chua. Vance had replied dismissively. “Chua doesn’t tell me anything,” he wrote. “I am pretty sure I don’t even know another Chinese american.” It was this last beat that caught the attention of some of Vance’s former law-school friends, because a number of them are Chinese American.\nIn Eau Claire, when Vance turned his attention to the back of the room to take questions from the press, James Kelly, a reporter from a Wisconsin public-radio network, asked about the recent closure of two rural hospitals and several clinics in the Chippewa Valley. “I’m glad you mentioned providing actual concrete answers to questions,” he said. “What concrete plans would your Administration have to protect rural health-care access?”\nVance was quiet for a moment. At an earlier point in his public life, this would have been a perfect question for him. As a senator, he had said that he was open to the politics of the “Bernie bros,” had praised the Biden Administration’s aggressive antitrust regulator Lina Khan, and had walked a U.A.W. picket line in Ohio, where a veteran pro-labor Democratic House member had asked him, “First time here?” When it comes to rural health care, themes of fairness and economic populism naturally lie close to the surface. Instead, Vance said, “This goes back to the immigration issue.” He argued that the hospitals were under pressure because they were being forced to take care of migrants, adding, “Kick these illegal aliens out, focus on American citizens, and we will do a lot to make the business of rural health care much more affordable.”\nThe elisions were happening in real time now. At such moments, I had the sense of a mismatch between Vance’s talents and the timing of his trajectory. His sudden rise to power would not have been possible without the scorched-earth Trump wars that took out a whole generation of conservatives ahead of him. Vance and his allies in the New Right had spent years working out a theory of Trumpism—economic populism, an ideological makeover of the administrative state, a hard line on social-conservative issues like abortion—and then, when it was time to campaign, Trump had simply moved on.\nAn adviser to Vance told me that the transformations that had defined the conservative project since the 2016 election remained under way. “We’re in the third or fourth inning,” he said. The suggestion was that ambitious young right-wingers were still shaping the MAGA movement. But Vance, in coming so completely into alignment with Trump in this election, has helped usher in a similar change across his party. The conservative élites, like the rest of the G.O.P., are more fully Trumpist now. Vance may be playing in a much later inning.\nVance said he had time for one more question, and he awarded it to Bender, the Times reporter. The crowd bridled a bit, but Bender—acting politically for a second, too—quieted them by thanking the Senator for “inviting the tough questions.” What he wanted to know of Vance, Bender said, pivoting back to Springfield, was where his red line was: “What’s something you’re willing not to say in order to make a point that’s important to you?”\nVance cut him off. “The media always does this,” he grumbled. When he told CNN that he had been trying to “create a story” about what happened in Springfield, he’d meant only that he was trying to create a narrative, a “media story,” because people there were telling him that no one was taking their concerns seriously. The crowd was with him; he grew more self-assured. “I’m not making anything up,” Vance said. “I’m just telling you what my constituents are telling me.” ♦","isBasedOn":"","articleSection":"profiles","author":[{"@type":"Person","name":"Benjamin Wallace-Wells","sameAs":"https:\u002F\u002Fwww.newyorker.com\u002Fcontributors\u002Fbenjamin-wallace-wells"}],"dateModified":"2024-10-28T06:00:00.000-04:00","datePublished":"2024-10-28T06:00:00.000-04:00","headline":"The Improbable Rise of J. D. Vance","image":["https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F67192b4ae0bb11c1d422f4ee\u002F16:9\u002Fw_2560,h_1440,c_limit\u002Fr45163.jpg","https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F67192b4ae0bb11c1d422f4ee\u002F4:3\u002Fw_2276,h_1707,c_limit\u002Fr45163.jpg","https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F67192b4ae0bb11c1d422f4ee\u002F1:1\u002Fw_1707,h_1707,c_limit\u002Fr45163.jpg"],"keywords":["profiles","election 2024","j. d. vance","audio","textbelowcenterfullbleednocontributor","inverted","onecolumnnarrow","magazine"],"thumbnailUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F67192b4ae0bb11c1d422f4ee\u002F2:3\u002Fw_1138,h_1707,c_limit\u002Fr45163.jpg","url":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F11\u002F04\u002Fj-d-vance-profile","isPartOf":{"@type":"CreativeWork","name":"The New Yorker"},"isAccessibleForFree":true,"alternativeHeadline":"Benjamin Wallace-Wells reports on the evolution of Donald Trump’s Vice-Presidential nominee as a U.S. Marine, a Yale law student, the author of “Hillbilly Elegy,” and an Ohio senator.","description":"Benjamin Wallace-Wells reports on the evolution of Donald Trump’s Vice-Presidential nominee as a U.S. Marine, a Yale law student, the author of “Hillbilly Elegy,” and an Ohio senator.","mainEntityOfPage":{"@type":"WebPage","@id":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F11\u002F04\u002Fj-d-vance-profile"},"publisher":{"@context":"https:\u002F\u002Fschema.org","@type":"Organization","name":"The New Yorker","logo":{"@type":"ImageObject","url":"https:\u002F\u002Fwww.newyorker.com\u002Fverso\u002Fstatic\u002Fthenewyorker-us\u002Fassets\u002Fthe-new-yorker-seo-logo.jpg","width":"1200px","height":"630px"},"url":"https:\u002F\u002Fwww.newyorker.com"}},{"@context":"https:\u002F\u002Fschema.org\u002F","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"name":"Magazine","item":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine"},{"@type":"ListItem","position":2,"name":"Election 2024","item":"https:\u002F\u002Fwww.newyorker.com\u002Ftag\u002Felection-2024"},{"@type":"ListItem","position":3,"name":"The Improbable Rise of J. 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The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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His latest book “[Arthur Miller: American Witness](https:\u002F\u002Fwww.amazon.com\u002FArthur-Miller-American-Witness-Jewish\u002Fdp\u002F0300234929\u002Fref=sr_1_1?crid=3TZ8UQP894SN5&keywords=arthur+miller+american+witness&qid=1667786107&sprefix=arthur+miller+amer%2Caps%2C152&sr=8-1)” came out November, 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":null,"bio":"John Lahr is a staff writer and has been contributing to *The New Yorker* since 1991. A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. Lahr was the first drama critic to win a Tony Award.\n\nLahr is the son of the comedian Bert Lahr, whom he wrote about in his biography “[Notes on a Cowardly Lion](https:\u002F\u002Fwww.amazon.com\u002FNotes-Cowardly-Lion-Biography-Bert\u002Fdp\u002F1504048431).”","socialMedia":[{"handle":"johnlahrwriter","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"The Lion and Me","dek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","promoHed":"The Lion and Me","promoDek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","url":"magazine\u002F1998\u002F11\u002F16\u002Fthe-lion-and-me","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591143bcf8fa3e67faf0dbb8","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a05188b51cf59fc42471e","url":"contributors\u002Fjudith-thurman","name":"Judith Thurman","title":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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Unbearable Lightness of Being](https:\u002F\u002Fwww.amazon.com\u002FUnbearable-Lightness-Being-Perennial-Classics\u002Fdp\u002F0061148520).”","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"fiction","name":"Fiction"},"channels":[{"name":"Fiction"}],"hed":"The Unbearable Lightness of Being","dek":"","promoHed":"The Unbearable Lightness of Being","promoDek":"","url":"magazine\u002F1984\u002F03\u002F19\u002Fthe-unbearable-lightness-of-being","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6149eb1f94a4e0a6b875a84e\u002Fmaster\u002Fpass\u002FKundera-UnbearableLightness.jpg","altText":"An abstract space with a mirror showing a woman's reflection, and a curtain outlining a woman's 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Court.”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b74ebe912338a378654","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b74ebe912338a378653_mayer-jane.png"}],"metadata":{"contentType":"photo"}},"bio":"Jane Mayer has been a staff writer at *The New Yorker* since 1995. The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. Lahr was the first drama critic to win a Tony Award.\n\nLahr is the son of the comedian Bert Lahr, whom he wrote about in his biography “[Notes on a Cowardly Lion](https:\u002F\u002Fwww.amazon.com\u002FNotes-Cowardly-Lion-Biography-Bert\u002Fdp\u002F1504048431).”","socialMedia":[{"handle":"johnlahrwriter","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"The Lion and Me","dek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","promoHed":"The Lion and Me","promoDek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","url":"magazine\u002F1998\u002F11\u002F16\u002Fthe-lion-and-me","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591143bcf8fa3e67faf0dbb8","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a05188b51cf59fc42471e","url":"contributors\u002Fjudith-thurman","name":"Judith Thurman","title":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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Unbearable Lightness of Being](https:\u002F\u002Fwww.amazon.com\u002FUnbearable-Lightness-Being-Perennial-Classics\u002Fdp\u002F0061148520).”","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"fiction","name":"Fiction"},"channels":[{"name":"Fiction"}],"hed":"The Unbearable Lightness of Being","dek":"","promoHed":"The Unbearable Lightness of Being","promoDek":"","url":"magazine\u002F1984\u002F03\u002F19\u002Fthe-unbearable-lightness-of-being","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6149eb1f94a4e0a6b875a84e\u002Fmaster\u002Fpass\u002FKundera-UnbearableLightness.jpg","altText":"An abstract space with a mirror showing a woman's reflection, and a curtain outlining a woman's 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Court.”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b74ebe912338a378654","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b74ebe912338a378653_mayer-jane.png"}],"metadata":{"contentType":"photo"}},"bio":"Jane Mayer has been a staff writer at *The New Yorker* since 1995. The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. Lahr was the first drama critic to win a Tony Award.\n\nLahr is the son of the comedian Bert Lahr, whom he wrote about in his biography “[Notes on a Cowardly Lion](https:\u002F\u002Fwww.amazon.com\u002FNotes-Cowardly-Lion-Biography-Bert\u002Fdp\u002F1504048431).”","socialMedia":[{"handle":"johnlahrwriter","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"The Lion and Me","dek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","promoHed":"The Lion and Me","promoDek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","url":"magazine\u002F1998\u002F11\u002F16\u002Fthe-lion-and-me","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591143bcf8fa3e67faf0dbb8","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a05188b51cf59fc42471e","url":"contributors\u002Fjudith-thurman","name":"Judith Thurman","title":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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Unbearable Lightness of Being](https:\u002F\u002Fwww.amazon.com\u002FUnbearable-Lightness-Being-Perennial-Classics\u002Fdp\u002F0061148520).”","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"fiction","name":"Fiction"},"channels":[{"name":"Fiction"}],"hed":"The Unbearable Lightness of Being","dek":"","promoHed":"The Unbearable Lightness of Being","promoDek":"","url":"magazine\u002F1984\u002F03\u002F19\u002Fthe-unbearable-lightness-of-being","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6149eb1f94a4e0a6b875a84e\u002Fmaster\u002Fpass\u002FKundera-UnbearableLightness.jpg","altText":"An abstract space with a mirror showing a woman's reflection, and a curtain outlining a woman's 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Court.”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b74ebe912338a378654","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b74ebe912338a378653_mayer-jane.png"}],"metadata":{"contentType":"photo"}},"bio":"Jane Mayer has been a staff writer at *The New Yorker* since 1995. The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. Lahr was the first drama critic to win a Tony Award.\n\nLahr is the son of the comedian Bert Lahr, whom he wrote about in his biography “[Notes on a Cowardly Lion](https:\u002F\u002Fwww.amazon.com\u002FNotes-Cowardly-Lion-Biography-Bert\u002Fdp\u002F1504048431).”","socialMedia":[{"handle":"johnlahrwriter","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"The Lion and Me","dek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","promoHed":"The Lion and Me","promoDek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","url":"magazine\u002F1998\u002F11\u002F16\u002Fthe-lion-and-me","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591143bcf8fa3e67faf0dbb8","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a05188b51cf59fc42471e","url":"contributors\u002Fjudith-thurman","name":"Judith Thurman","title":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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Unbearable Lightness of Being](https:\u002F\u002Fwww.amazon.com\u002FUnbearable-Lightness-Being-Perennial-Classics\u002Fdp\u002F0061148520).”","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"fiction","name":"Fiction"},"channels":[{"name":"Fiction"}],"hed":"The Unbearable Lightness of Being","dek":"","promoHed":"The Unbearable Lightness of Being","promoDek":"","url":"magazine\u002F1984\u002F03\u002F19\u002Fthe-unbearable-lightness-of-being","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6149eb1f94a4e0a6b875a84e\u002Fmaster\u002Fpass\u002FKundera-UnbearableLightness.jpg","altText":"An abstract space with a mirror showing a woman's reflection, and a curtain outlining a woman's 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Court.”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b74ebe912338a378654","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b74ebe912338a378653_mayer-jane.png"}],"metadata":{"contentType":"photo"}},"bio":"Jane Mayer has been a staff writer at *The New Yorker* since 1995. The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. Lahr was the first drama critic to win a Tony Award.\n\nLahr is the son of the comedian Bert Lahr, whom he wrote about in his biography “[Notes on a Cowardly Lion](https:\u002F\u002Fwww.amazon.com\u002FNotes-Cowardly-Lion-Biography-Bert\u002Fdp\u002F1504048431).”","socialMedia":[{"handle":"johnlahrwriter","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"The Lion and Me","dek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","promoHed":"The Lion and Me","promoDek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","url":"magazine\u002F1998\u002F11\u002F16\u002Fthe-lion-and-me","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591143bcf8fa3e67faf0dbb8","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a05188b51cf59fc42471e","url":"contributors\u002Fjudith-thurman","name":"Judith Thurman","title":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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Unbearable Lightness of Being](https:\u002F\u002Fwww.amazon.com\u002FUnbearable-Lightness-Being-Perennial-Classics\u002Fdp\u002F0061148520).”","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"fiction","name":"Fiction"},"channels":[{"name":"Fiction"}],"hed":"The Unbearable Lightness of Being","dek":"","promoHed":"The Unbearable Lightness of Being","promoDek":"","url":"magazine\u002F1984\u002F03\u002F19\u002Fthe-unbearable-lightness-of-being","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6149eb1f94a4e0a6b875a84e\u002Fmaster\u002Fpass\u002FKundera-UnbearableLightness.jpg","altText":"An abstract space with a mirror showing a woman's reflection, and a curtain outlining a woman's 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Court.”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b74ebe912338a378654","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b74ebe912338a378653_mayer-jane.png"}],"metadata":{"contentType":"photo"}},"bio":"Jane Mayer has been a staff writer at *The New Yorker* since 1995. The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. Lahr was the first drama critic to win a Tony Award.\n\nLahr is the son of the comedian Bert Lahr, whom he wrote about in his biography “[Notes on a Cowardly Lion](https:\u002F\u002Fwww.amazon.com\u002FNotes-Cowardly-Lion-Biography-Bert\u002Fdp\u002F1504048431).”","socialMedia":[{"handle":"johnlahrwriter","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"personal-history","name":"Personal History"},"channels":[{"name":"Personal History"}],"hed":"The Lion and Me","dek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","promoHed":"The Lion and Me","promoDek":"The meaning of “The Wizard of Oz” and one of its enduring comic characters hits close to home.","url":"magazine\u002F1998\u002F11\u002F16\u002Fthe-lion-and-me","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F60cb9c2ee6b6c6e0e9b6bd34\u002Fmaster\u002Fpass\u002Fra903.jpg","altText":"The author and his father, Bert Lahr ","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":0}}},{"name":"2:2","url":null,"width":988,"height":988,"format":null,"modifications":{"crop":{"height":988,"width":988,"x":1246,"y":230}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":0}}},{"name":"4:3","url":null,"width":2560,"height":1920,"format":null,"modifications":{"crop":{"height":1920,"width":2560,"x":0,"y":0}}},{"name":"1:1","url":null,"width":2153,"height":2153,"format":null,"modifications":{"crop":{"height":2153,"width":2153,"x":203.5,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2021\u002F06\u002F17\u002F60cb9c2ee6b6c6e0e9b6bd33_ra903.jpg","width":2560,"height":2153,"format":"JPEG","modifications":null}],"caption":"The author and his father, Bert Lahr.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph from Getty","filename":"ra903.jpg","id":"60cb9c2ee6b6c6e0e9b6bd34","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591143bcf8fa3e67faf0dbb8","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a05188b51cf59fc42471e","url":"contributors\u002Fjudith-thurman","name":"Judith Thurman","title":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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Unbearable Lightness of Being](https:\u002F\u002Fwww.amazon.com\u002FUnbearable-Lightness-Being-Perennial-Classics\u002Fdp\u002F0061148520).”","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"fiction","name":"Fiction"},"channels":[{"name":"Fiction"}],"hed":"The Unbearable Lightness of Being","dek":"","promoHed":"The Unbearable Lightness of Being","promoDek":"","url":"magazine\u002F1984\u002F03\u002F19\u002Fthe-unbearable-lightness-of-being","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6149eb1f94a4e0a6b875a84e\u002Fmaster\u002Fpass\u002FKundera-UnbearableLightness.jpg","altText":"An abstract space with a mirror showing a woman's reflection, and a curtain outlining a woman's 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Court.”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b74ebe912338a378654","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b74ebe912338a378653_mayer-jane.png"}],"metadata":{"contentType":"photo"}},"bio":"Jane Mayer has been a staff writer at *The New Yorker* since 1995. The magazine’s chief Washington correspondent, she covers politics, culture, and national security. Previously, she worked at the *Wall Street Journal*, where she covered the bombing of the U.S. Marine barracks in Beirut, the Gulf War, and the fall of the Berlin Wall. In 1984, she became the paper’s first female White House correspondent. She received Peabody and Emmy awards for her reporting in Frontline’s 2023 documentary “Clarence and Ginni: Politics, Power and the Supreme Court.” Mayer is an author of best-selling books, including “[Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307947904\u002F?ots=1&slotNum=0&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” which the *Times* named as one of the ten best books of 2016, and which began as a [2010](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [*New Yorker*](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) [piece](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F08\u002F30\u002Fcovert-operations) about the Koch brothers’ deep influence on American politics. She also wrote the 2008 *Times* best-seller “[The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307456293\u002F?ots=1&slotNum=1&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” a finalist for the National Book Award, which was based on her *New Yorker* articles and was named one of the top ten works of journalism of the decade by N.Y.U.’s Arthur L. Carter Journalism Institute, and one of the ten best books of the year by the *Times*. She is a co-author, with Jill Abramson, of “[Strange Justice](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395633184\u002F?ots=1&slotNum=2&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20),” also a finalist for the National Book Award, and, with Doyle McManus, of “[Landslide: The Unmaking of the President, 1984-1988](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0395517575\u002F?ots=1&slotNum=3&imprToken=6eb8e67a-47b4-8e93-d1a&tag=thneyo0f-20).”\n\nIn 2009, Mayer was chosen as Princeton University’s Ferris Professor of Journalism. Her numerous honors include the George Polk Award, the John Chancellor Award, a Guggenheim Fellowship, the Goldsmith Book Prize, the Edward Weintal Prize, the Ridenhour Prize, two Helen Bernstein Book Awards for Excellence in Journalism, the J. Anthony Lukas Prize, the Hillman Prize, the Robert F. Kennedy Book Award, the James Aronson Award for social-justice journalism, the Toner Prize for political reporting, the I. F. Stone Medal for Journalistic Independence, the Frances Perkins Intelligence and Courage Award, the Nellie Bly Award for Investigative Reporting, the Mirror Award for the “single best article” on the media in 2020, and, most recently, the First Amendment Award from the Reporters Committee for Freedom of the Press.\n\nMayer has served as a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics, and Public Policy. In 2022, she was inducted into the Society of Professional Journalists’ Hall of Fame. She is also a member of the American Academy of Arts and Sciences and the American Philosophical Society.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"the-justice-file","name":"The Justice File"},"channels":[{"name":"The Justice File"},{"name":"New Yorker Favorites"}],"hed":"The Killer Who Got Into Harvard","dek":"A teen honors student was admitted to the freshman class. 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A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine’s drama coverage beyond Broadway to include the work of international theatre and regional companies.\n\nA former theatre critic at *The Nation*, the *Village Voice*, and British *Vogue*, among other publications, Lahr has published seventeen books on theatre and two novels, “[The Autograph Hound](https:\u002F\u002Fwww.amazon.com\u002Fautograph-hound-John-Lahr\u002Fdp\u002F0394480937)” and “[Hot to Trot](https:\u002F\u002Fwww.amazon.com\u002FHot-trot-John-Lahr\u002Fdp\u002F0394493524).” His book “[Dame Edna Everage and the Rise of Western Civilization](https:\u002F\u002Fwww.amazon.com\u002FDame-Edna-Everage-Western-Civilisation\u002Fdp\u002F0520223055)” won the 1992 Roger Machell Prize for best book on the performing arts. 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In 2001, he edited “[The Diaries of Kenneth Tynan](https:\u002F\u002Fwww.amazon.com\u002FDiaries-Kenneth-Tynan\u002Fdp\u002F1582342458).” His expanded *New Yorker* article on Frank Sinatra was made into a book with photographs, “[Frank Sinatra: The Artist and the Man](https:\u002F\u002Fwww.amazon.com\u002FSinatra-Artist-Man-John-Lahr\u002Fdp\u002F0375501444).” Lahr’s book “[Tennessee Williams: Mad Pilgrimage of the Flesh](https:\u002F\u002Fwww.amazon.com\u002FTennessee-Williams-Mad-Pilgrimage-Flesh\u002Fdp\u002F0393021246)” was a finalist for the National Book Award and the winner of the 2014 National Book Critics Circle Award for Biography.\n\nLahr served as literary adviser to the Tyrone Guthrie Theatre in Minneapolis in 1968, and as adviser to the Vivian Beaumont Theatre from 1969 to 1971. He was the co-producer of the 1987 film “Prick Up Your Ears,” based on his Joe Orton biography of the same title, and was the editor of “The Orton Diaries.” Lahr has also written numerous movie scripts. His short film “Sticky My Fingers . . . Fleet My Feet,” directed by John Hancock, was nominated for an Academy Award in 1971.\n\nLahr is a two-time winner of the George Jean Nathan Award for Dramatic Criticism. In 1968, he became the prize’s youngest recipient; he was honored again in 1993. Lahr has written many stage adaptations, which have been performed in England and the United States, including:“Accidental Death of an Anarchist,” “The Manchurian Candidate,” “The Bluebird of Unhappiness: A Woody Allen Revue,” and “Diary of a Somebody,” which began at the Royal National Theatre, played the West End, and later toured England. He co-created, with Elaine Strich, the Tony Award-winning “Elaine Stritch at Liberty,” which won the 2002 Drama Desk Award for outstanding book of a musical. 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A second volume of her essays for the magazine, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b77019dfc3494ea36db","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b77019dfc3494ea36da_thurman-judith.png"}],"metadata":{"contentType":"photo"}},"bio":"Judith Thurman began contributing to *The New Yorker* in 1987 and became a staff writer in 2000. She writes about books, culture, and fashion. Her story on [Yves Saint Laurent](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F03\u002F18\u002Fswann-song) was chosen for “The Best American Essays of 2003.” In addition to articles about the great couturiers of the twentieth century ([Chanel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F05\u002F23\u002Fscenes-from-a-marriage-2), [Balenciaga](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2006\u002F07\u002F03\u002Fthe-absolutist), [Schiaparelli](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F27\u002Fmother-of-invention)), and the avant-gardists of this one ([Rei Kawakubo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2005\u002F07\u002F04\u002Fthe-misfit-3), [Isabel Toledo](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F03\u002F10\u002Ftwo-for-one), [Alexander McQueen](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2011\u002F05\u002F16\u002Fdressed-to-thrill)), Thurman has written about performance art ([Marina Abramović](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2010\u002F03\u002F08\u002Fwalking-through-walls)) and photography ([Diane Arbus](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2003\u002F10\u002F13\u002Fexposure-time)). Much of her work focusses on the lives of writers, from [Flaubert](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2002\u002F05\u002F06\u002Fan-unsimple-heart) and [Margaret Fuller](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F04\u002F01\u002Fan-unfinished-woman) to the graphic memoirist [Alison Bechdel](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2012\u002F04\u002F23\u002Fdrawn-from-life). “[First Impressions](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2008\u002F06\u002F23\u002Ffirst-impressions),” her 2008 reportage about the world’s oldest art—the Paleolithic paintings at the Chauvet cave, in southern France—was the inspiration for Werner Herzog’s film “Cave of Forgotten Dreams.”\n\nShe is the author of “[Isak Dinesen: The Life of a Storyteller](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312135254\u002F?ots=1&tag=thneyo0f-20),” which won the 1983 National Book Award for Nonfiction and served as the basis for Sydney Pollack’s movie “Out of Africa,” and “[Secrets of the Flesh: A Life of Colette](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0345371038\u002F?ots=1&tag=thneyo0f-20),” the winner of the Los Angeles *Times* Book Prize for biography and the Salon Book Award for biography. A collection of her *New Yorker* essays, “[Cleopatra’s Nose: 39 Varieties of Desire](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0312427751\u002F?ots=1&tag=thneyo0f-20),” was published in 2007. She has received the Mary McCarthy Award for lifetime achievement; the Rungstedlund Prize, from the Royal Danish Academy; and the Harold D. Vursell Memorial Award for prose style, from the American Academy of Arts and Letters. She is also a chevalier of the French Ordre des Arts et des Lettres. A second volume of her *New Yorker* essays, “[A Left-Handed Woman](https:\u002F\u002Fwww.amazon.com\u002FLeft-Handed-Woman-Essays-Judith-Thurman\u002Fdp\u002F0374607168),” was published in 2022.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-critic-at-large","name":"A Critic at Large"},"channels":[{"name":"A Critic at Large"}],"hed":"Amelia Earhart’s Last Flight","dek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","promoHed":"Amelia Earhart’s Last Flight","promoDek":"The aviation pioneer was many things before—and after—her career as a pilot was cut short when her plane disappeared in the Pacific.","url":"magazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59097463019dfc3494ea28c9\u002Fmaster\u002Fpass\u002F090914_r18774_p646.jpg","altText":"Amelia Earhart","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097463019dfc3494ea28c8_090914_r18774_p646.jpg","width":646,"height":617,"format":"JPEG","modifications":null}],"caption":"Earhart in 1928, when she became famous as the first woman to fly across the Atlantic, even though, she protested, she was only a passenger. 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https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d61520e72d65bcf9559b\u002Fmaster\u002Fw_1600,c_limit\u002Fa60565.jpg 1600w","height":848}},"dangerousCaption":"“Children hate me.”","dangerousCredit":"Cartoon by Elisabeth McNair","links":[{"network":"facebook","behavior":"popup","url":"https:\u002F\u002Fwww.facebook.com\u002Fdialog\u002Ffeed?&display=popup&caption=&app_id=1147169538698836&link=https%3A%2F%2Fwww.newyorker.com%2Fcartoon%2Fa60565%3Futm_source%3Dfacebook%26utm_medium%3Dsocial%26utm_campaign%3Donsite-share%26utm_brand%3Dthe-new-yorker%26utm_social-type%3Dearned","label":"Share on Facebook"},{"network":"twitter","url":"https:\u002F\u002Ftwitter.com\u002Fintent\u002Ftweet\u002F?url=https%3A%2F%2Fwww.newyorker.com%2Fcartoon%2Fa60565%3Futm_source%3Dtwitter%26utm_medium%3Dsocial%26utm_campaign%3Donsite-share%26utm_brand%3Dthe-new-yorker%26utm_social-type%3Dearned&text=&via=NewYorker","label":"Share on X"},{"network":"email","url":"mailto:?subject=&body=https%3A%2F%2Fwww.newyorker.com%2Fcartoon%2Fa60565%3Futm_source%3Donsite-share%26utm_medium%3Demail%26utm_campaign%3Donsite-share%26utm_brand%3Dthe-new-yorker","label":"Share via Email"},{"network":"store","url":"https:\u002F\u002Fcondenaststore.com\u002Fconde-nast-brand\u002Fcartoons","label":"Get in store"},{"network":"canonical","url":"https:\u002F\u002Fwww.newyorker.com\u002Fcartoon\u002Fa60565","label":"A New Yorker Cartoon"}]}},"level":"block","ref":"6717d61520e72d65bcf9559b","type":"cartoon"}],["journey-inline-newsletter",{"newsletterType":"slim-newsletter","newsletters":[]}],["p",{"class":"paywall"},"At Yale Law School, where the Vances met, Usha, who had been a Yale undergraduate, operated as an interpreter of Ivy League folkways for the rougher-hewn J.D. She kept a spreadsheet of things she thought he should try, a mutual friend of theirs recalled—“I remember one of them was Greek yogurt.” Vance talked with another friend about becoming a househusband; he had not had a father, and it was important to him to become a good one. (In an echo of Bill Clinton’s experience, Vance used the last name of a stepfather, Hamel, until after college.) But, as he began to consider a political career, it was Usha, a former clerk to two Supreme Court Justices, who moved to Ohio. When he joined Trump’s ticket, she left her job at a prestigious law firm. At this year’s Republican National Convention, Usha, the daughter of Indian immigrants, sat next to Trump as her husband said that “America is not just an idea” but a people bound by a “shared history.” The scene would have been unimaginable to many of her friends just a few months earlier. “I’m not sure what deal J.D. made with Usha,” a person close to the couple told me. “But it had to be something, because they make every decision together.”"],["p",{"class":"paywall"},"Vance, too, had only recently made a full accommodation with Trump. A longtime political adviser to Vance told me, “The problem that J.D. had always been trying to solve is what to do about the decline of the Midwest.” Many of his prior solutions, the adviser went on, had simply not worked. “Hillbilly Elegy” had been, in part, an attempt to make liberal readers sensitive to the plight and the anger of rural whites. Vance’s subsequent efforts to establish an addiction-treatment nonprofit in Ohio and a heartland-focussed venture-capital fund were, in this view, intended to rebuild the Midwest from within. Vance’s partnership with Trump, whom he once derided, represented his shift to a more tribal politics. Remember, the adviser said, even in Vance’s Never Trump days he hadn’t really opposed Trump on policy: “His objection was that he thought Trump didn’t mean anything he said.”"],["p",{"class":"paywall"},"But this theory is complicated by how perfectly Vance’s rightward turn has tracked the fixations of conservative activists and élites. His rise has been backed by the billionaire investor Peter Thiel, Elon Musk, and Donald Trump, Jr., whose complaints about woke politics and tech censorship Vance has amplified on the trail. In the view of one of his old friends, Vance, in becoming a national figure, has also become more thin-skinned, not unlike many of the tech titans who support him. Some commentary on Vance’s political transformation after the 2020 election identified the beard he had started to grow as a symbol of his newly bristling politics. But at least as noticeable is the weight he’s lost and the fitted suits he now wears. Such a change isn’t unusual for powerful people in the Ozempic era, but it also suggests the ways in which Vance, who positions himself as an enemy of the élite, is still a part of it."],["p",{"class":"paywall"},"On the tarmac, Vance let Usha board the plane first and then lumbered up the stairs, somewhat more in the manner of his dog than of his wife. He turned to the cameras and let his right hand vibrate in a quick tremor of a wave. He was making two stops that day, first in Grand Rapids, Michigan, a long-standing conservative bastion where Democrats had lately made inroads, and then in Eau Claire, Wisconsin. More than one of Vance’s advisers told me that his selection as the Vice-Presidential candidate had depended partly on poll numbers in July, which had suggested that Joe Biden posed a bigger threat in Pennsylvania, Michigan, and Wisconsin than in the Sun Belt states. Had the Democrats been stronger in Arizona, Georgia, and North Carolina, the advisers thought, the Florida senator Marco Rubio might have been the pick."],["cm-unit"],["p",{"class":"paywall"},"But, even if Vance was an emblem of the Midwest, he was also a drag on the ticket, significantly less popular than his Democratic counterpart, Tim Walz, the governor of Minnesota. The stances Vance had taken that endeared him to the conservative base—his support for a national abortion ban and his association with Project 2025, the think-tank initiative to weaponize the federal government for right-wing causes, which Vance had once termed “de-Baathification”—were so toxic to the general electorate that Trump had disavowed them, and then Vance had, too. The question of what kind of populism would follow Trump into office, should he win, was entangled with the question of what kind of populist his chosen political heir is: a tireless representative of the alienated Midwest, or—like Thiel and Musk, who urged Trump to pick Vance in the first place—a rich, very online man, motivated by a sweeping rejection of progressive culture? Vance disappeared through the door of Trump Force Two, and within a few minutes he was up and away, soaring high above Arlington National Cemetery. The Republican Vice-Presidential candidate was headed someplace like home."],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"On a Friday morning at the end of September, before the start of the school day, I drove to a slightly oversized house just outside Cincinnati to meet Vance’s old physics teacher, Christopher Tape. Of all the people I interviewed—Vance’s advisers, political allies, co-ideologues, and law-school friends among them—Tape had seemed the most eager to meet with me, perhaps because his enthusiasm for Vance runs the purest. “A phenomenal learner,” Tape said. “And always such a jovial, friendly kid.”"]],["p",{"class":"paywall"},"Not every student at Middletown High School was poor—some, especially those who lived closer to the interstate, had parents who worked in Cincinnati or Dayton—but many were, and Tape tended to be circumspect when he asked students about their future. But one day, during Vance’s senior year, Tape inquired about his star student’s post-graduation plans. “And J.D. says, ‘Oh, I’m going to the Marines,’ ” Tape told me. “I was, like, ‘Oh, R.O.T.C.?’ And he went, ‘No, I’m enlisting.’ And I was stunned. Like, dude, you can write your ticket. And he says—I’ll never forget this—‘I love this country. And I talk about it a lot. But, if I don’t do anything about it, it’s just talk.’ ”"],["inline-embed",{"props":{"image":{"id":"6717d617494feb62bae71999","altText":"Man holding ragged old umbrella over himself and a woman.","contentType":"cartoon","sources":{"sm":{"width":640,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_640,c_limit\u002Fa60706.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_120,c_limit\u002Fa60706.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_240,c_limit\u002Fa60706.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_320,c_limit\u002Fa60706.jpg 320w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_640,c_limit\u002Fa60706.jpg 640w","height":493},"md":{"width":768,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_768,c_limit\u002Fa60706.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_120,c_limit\u002Fa60706.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_240,c_limit\u002Fa60706.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_320,c_limit\u002Fa60706.jpg 320w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_640,c_limit\u002Fa60706.jpg 640w","height":591},"lg":{"width":1024,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_1024,c_limit\u002Fa60706.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_120,c_limit\u002Fa60706.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_240,c_limit\u002Fa60706.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_320,c_limit\u002Fa60706.jpg 320w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_640,c_limit\u002Fa60706.jpg 640w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_960,c_limit\u002Fa60706.jpg 960w","height":788},"xl":{"width":1280,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_1280,c_limit\u002Fa60706.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_120,c_limit\u002Fa60706.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_240,c_limit\u002Fa60706.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_320,c_limit\u002Fa60706.jpg 320w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_640,c_limit\u002Fa60706.jpg 640w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_960,c_limit\u002Fa60706.jpg 960w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_1280,c_limit\u002Fa60706.jpg 1280w","height":985},"xxl":{"width":1600,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_1600,c_limit\u002Fa60706.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_120,c_limit\u002Fa60706.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_240,c_limit\u002Fa60706.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_320,c_limit\u002Fa60706.jpg 320w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_640,c_limit\u002Fa60706.jpg 640w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_960,c_limit\u002Fa60706.jpg 960w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_1280,c_limit\u002Fa60706.jpg 1280w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d617494feb62bae71999\u002Fmaster\u002Fw_1600,c_limit\u002Fa60706.jpg 1600w","height":1231}},"dangerousCaption":"“I’m just trying to get through the rest of my life without buying another umbrella.”","dangerousCredit":"Cartoon by P. C. Vey","links":[{"network":"facebook","behavior":"popup","url":"https:\u002F\u002Fwww.facebook.com\u002Fdialog\u002Ffeed?&display=popup&caption=&app_id=1147169538698836&link=https%3A%2F%2Fwww.newyorker.com%2Fcartoon%2Fa60706%3Futm_source%3Dfacebook%26utm_medium%3Dsocial%26utm_campaign%3Donsite-share%26utm_brand%3Dthe-new-yorker%26utm_social-type%3Dearned","label":"Share on Facebook"},{"network":"twitter","url":"https:\u002F\u002Ftwitter.com\u002Fintent\u002Ftweet\u002F?url=https%3A%2F%2Fwww.newyorker.com%2Fcartoon%2Fa60706%3Futm_source%3Dtwitter%26utm_medium%3Dsocial%26utm_campaign%3Donsite-share%26utm_brand%3Dthe-new-yorker%26utm_social-type%3Dearned&text=&via=NewYorker","label":"Share on X"},{"network":"email","url":"mailto:?subject=&body=https%3A%2F%2Fwww.newyorker.com%2Fcartoon%2Fa60706%3Futm_source%3Donsite-share%26utm_medium%3Demail%26utm_campaign%3Donsite-share%26utm_brand%3Dthe-new-yorker","label":"Share via Email"},{"network":"store","url":"https:\u002F\u002Fcondenaststore.com\u002Fconde-nast-brand\u002Fcartoons","label":"Get in store"},{"network":"canonical","url":"https:\u002F\u002Fwww.newyorker.com\u002Fcartoon\u002Fa60706","label":"A New Yorker Cartoon"}]}},"level":"block","ref":"6717d617494feb62bae71999","type":"cartoon"}],["p",{"class":"paywall"},"In “Hillbilly Elegy,” Vance relays how he had emerged from a highly chaotic childhood—in one scene, a twelve-year-old Vance dashes out of a car on the shoulder of a highway after his mother threatens to kill them both in a crash—with a desire for order, which he found in the Marines. He was deployed to Anbar Province, Iraq, in 2005, where he worked in public affairs—shepherding visiting journalists and writing articles for the military press. “He wasn’t kicking down doors,” as the former congressman Adam Kinzinger, a Republican who supports Kamala Harris, said earlier this summer, but he was working in a very dangerous place. A senior officer in his division was killed by a roadside bomb in Ramadi, while escorting journalists from ",["em","Newsweek"],". Cullen Tiernan, Vance’s best friend in the Corps, with whom he trained Stateside, recalled that Vance was more politically engaged than most marines. “When Dick Cheney visited,” Tiernan told me, “J.D. was the only person who was excited.” But he was also attuned to the darker aspects of the invasion. “There’s civilian contractors that are getting paid six times as much as you, just to supervise third-party nationals. Halliburton and KBR are having a feast of war,” Tiernan said. “Those were things we discussed and were disenchanting.”"],["inline-embed",{"type":"cneinterlude","props":{"brand":"newyorker","embeddedVideos":[],"hasExcludedEmbed":false,"playerBase":"https:\u002F\u002Fplayer.cnevids.com","isRightRail":false,"relatedVideo":{"showRelatedVideo":false,"brand":"newyorker","related":null,"pageSize":12}}}],["p",{"class":"paywall"},"Vance earned a degree from Ohio State University, then entered Yale Law School in the fall of 2010, the same year as the former Republican Presidential candidate Vivek Ramaswamy. If Yale offered an established track for ambitious young conservatives, it could also make a kid from the sticks feel less assured. Ninety-five per cent of the school’s student body at the time came from upper-middle-class backgrounds, and many were obviously wealthy. “Your classmates are the coddled children of hospital administrators and faculty members and corporate lawyers,” the longtime adviser, who finished Yale the same year as Vance, told me. “They ain’t like you, and there’s just whole swaths of existence that seem foreign to them.” Vance had “heard through the grapevine” that a professor who had criticized his work thought that the law school should only accept students from élite private institutions, because students from public schools needed “remedial education.” “I have never felt out of place in my entire life,” he wrote in “Hillbilly Elegy.” “But I did at Yale.”"],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"Such alienation seems like one seed from which Vance’s politics eventually sprouted. But people who knew him then recall a boisterous, bighearted student at the center of Yale’s social life. “He was at every party,” a female classmate said. “He was the guy who, when you were going through a hard time, would be, like, ‘Oh, yeah, let’s just drink ourselves silly,’ and talk you through it.” During his first year, Vance met Usha and developed a close relationship with Amy Chua, a law professor and the author of the book “Battle Hymn of the Tiger Mother,” in whose class Vance would write the first draft of “Hillbilly Elegy.” (Chua later connected Vance with her literary agent.) When Thiel came to Yale to speak before the Federalist Society, the conservative legal group, of which Vance was a member, Vance seized the opportunity. “At the end of his talk, Peter said anyone should feel free to write him for career advice,” a law-school friend told me. “J.D. took that literally.”"],["p",{"class":"paywall"},"Vance’s politics weren’t doctrinaire—a friend at the time remembers him as a devoted reader of The Dish, the blog of the iconoclastic gay conservative Andrew Sullivan—and he had a natural facility as a writer. “J.D. really was a maverick ideologically,” Josh McLaurin, a roommate of Vance’s at Yale, who is now a Democratic state senator in Georgia, said. “I was intimidated by his sensibility. He would go off and read something and study it and come back with a viewpoint that was uniquely his.” Some friends struggled to recall whether Vance was pro-life or pro-choice, but many of them described him as instinctively partisan. The friend remembered telling Vance about a breakup with a girlfriend: “J.D. said, ‘She’s dead to me.’ ” This same friend thought that Vance likely planned to vote for Hillary Clinton in 2016, until Clinton said that some portion of Trump’s supporters were in a “basket of deplorables.” Vance’s sister was planning to vote for Trump. In the end, he wrote in Evan McMullin, who campaigned as a Never Trump conservative. (A spokesperson for Vance said that he never considered voting for Clinton.)"],["p",{"class":"paywall"},"After law school, Vance and Usha moved to Washington, D.C., where Usha clerked for Brett Kavanaugh, who was then a judge on the D.C. Circuit Court of Appeals, and later for Chief Justice John Roberts of the Supreme Court. Vance spent the late Obama years as an unhappy junior associate at a Washington law firm, and then as a principal at a venture-capital fund co-founded by Thiel. But the project in the background was his book. “Hillbilly Elegy” was released in June, 2016, and was widely regarded as a key to understanding the experience of the Trump voter. Rod Dreher, a socially conservative writer who was then opposed to Trump, gave it an early rave review on his blog for ",["em","The American Conservative"],". The book’s success, as with many up-from-poverty narratives, also drew on the tension between the harsh circumstances of the author’s upbringing and the erudition with which he recalled them. At a book party that Chua threw for “Hillbilly Elegy” in Manhattan, Vance’s old law-school classmates remembered him being a little astonished when Tom Brokaw walked into the room."],["p",{"class":"paywall"},"Vance and the élite—it wasn’t a seamless fit. He sometimes recounts an interaction he had at a Business Roundtable event, where the C.E.O. of a large hotel chain complained that Trump’s tightening of the border meant that his properties had to hire native-born workers who “just need to get off their asses, come to work, and do their job.” Sofia Nelson, a law-school friend of Vance’s, who has since broken with him politically, said, “He was hanging out with these people he found very vapid, and I was, like, ‘You know, you can just stop it—you don’t have to do this.’ I think he very much wanted to rise within that world, but he also kind of hated it.”"],["p",{"class":"paywall"},"In 2018, Vance and Chua held a public discussion at the Aspen Ideas Festival titled “Can Americans Resist the Pull of Tribalism?” A friend brought him along to a private dinner at the lakeside château of Lynda Resnick, the billionaire owner of Fiji Water and a Democratic mega-donor. During a garden cocktail reception, Resnick told Vance that because he hadn’t been formally invited he needed to leave. (Only later did Resnick learn who Vance was.) Vance took it graciously, the friend said, and walked off down the home’s long, winding driveway. McLaurin, the Democratic state senator, said, “The way I think about it, it’s like a dial. If you’re a politician, you carry around all these personal grievances and memories of all the things that were done to you, and you get to decide whether to keep that dial turned down or to turn it up. And J.D. has turned it all the way up.”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"Vance spent Election Night in 2016 explaining on TV why Trump had won, a victory he hadn’t expected. A friend who spoke with him shortly afterward recalled that Vance was also vexed about his own career prospects. During the campaign, he had publicly said that he considered Trump “noxious” and “a total fraud,” which, he told the friend, had triggered “some really racist attacks from Trump supporters because of Usha’s race.” (In private, Vance had gone further, calling Trump “a moral disaster” and potentially “America’s Hitler.”) Even so, in the friend’s recollection, Vance was strategic about it. “He said, ‘The Trump people want me out.’ He thought that he wasn’t going to have a political future with Trump in charge.”"]],["inline-embed",{"props":{"name":"feature-medium","attrs":{},"childTypes":["image"]},"ref":"","type":"callout:feature-medium"},["inline-embed",{"props":{"dangerousCaption":"An attendee at a Vance rally in Leesport, Pennsylvania, reads “Hillbilly Elegy.”","dangerousCredit":"","image":{"id":"6717e18fd538de956f773b19","altText":"Image may contain Judah Friedlander Chuck Howley Person Reading Accessories Sunglasses Book Publication and 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But Trump put forward a “nightmare version” of that vision, as one leading Reformicon, the former George W. Bush speechwriter David Frum, said in 2016, with everything “horribly twisted and distorted.” At the same time, a generation of conservative dogma had suddenly been washed away. New think tanks and magazines explored the boundaries of what an America First conservatism might be: more combative about progressive values, more isolationist in foreign policy, more nationalist on immigration, and more open to government intervention to stem free trade. Some of these views weren’t all that dissimilar from what the Reformicons had offered, but there was an important distinction: members of the New Right, as the movement came to be known, were among Trump’s strongest supporters, echoing, often gleefully, his most outré and politically incorrect ideas."],["p",{"class":"paywall"},"In Washington, Democrats and investigative reporters were scrutinizing Trump’s career for evidence of Vladimir Putin’s influence over the election. For Vance, the fixation on Russia to explain Clinton’s defeat was drowning out the self-reflection that he had hoped to inspire among the liberal establishment with “Hillbilly Elegy.” Vance’s longtime adviser told me, “He was just, like, ‘This just seems like conspiracy theory.’ They lost and they were clinging to it.”"],["p",{"class":"paywall"},"In 2018, Vance considered challenging Sherrod Brown, the incumbent Democratic senator from Ohio, “for about thirty-six hours,” the adviser said. Rebekah Mercer, who had been a prominent Trump donor, was enthusiastic about Vance’s potential, but the timing was wrong. Vance’s first child had been born less than a year earlier, and his network in Ohio was thin. (In law school, he had also told a friend that Brown, a progressive populist, was a Democrat he admired.) The following year, a whistle-blower revealed that Cambridge Analytica, a political-consulting firm in which Mercer and her father, Robert, were investors, had secretly harvested Facebook user data and then shared the analytics with the Trump campaign. Facebook eventually agreed to pay five billion dollars in fines for its role in the venture; Cambridge Analytica went bankrupt. Vance regarded the scandal as an extension of the Democrats’ Russia obsession—a way to deflect attention from the neoliberal policies that he believed had pushed working-class voters to Trump."],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"That fall, the Senate confirmation hearings for Brett Kavanaugh’s nomination to the Supreme Court turned on an accusation by Christine Blasey Ford, a California psychologist who said that Kavanaugh had sexually assaulted her decades earlier, during a high-school party. The ",["em","Guardian"]," and HuffPost reported that Chua had privately told a group of law students that it was “no accident” that Kavanaugh’s female law clerks all “looked like models,” and had offered to give them advice on how to dress if they wanted to work for him. Usha, whom Chua had recommended for the clerkship with Kavanaugh, sent a stiffly worded e-mail to her law-school class distancing herself from Chua’s reported comments and asserting that she knew, from her time interviewing candidates as a Kavanaugh clerk, that appearance was not a factor in who got hired. “Kind of a dork,” Vance said of Kavanaugh in an interview with Ross Douthat, of the ",["em","Times"],", this past spring. “Never believed these stories.”"],["p",{"class":"paywall"},"After the Kavanaugh hearings, Vance began to contemplate a more thorough remaking of American institutions. An academic friend recalled that in 2019, while Vance was preparing to deliver a speech at the National Conservatism Conference, the defining New Right confab, in Washington, he wrote to ask “if I thought élite universities were beyond redemption.” Vance was also making a personal turn to Catholicism. Dreher, who was close with Vance at the time, introduced him to a group of Dominican friars in Washington. In August, 2019, Vance converted in a ceremony attended by, among others, his biological father. (Usha, who was raised Hindu, did not convert.) In an essay published in ",["em","The Lamp"],", a Catholic magazine, Vance wrote that his conversion was the result of a search for a system of “duty and virtue,” in part so that he could become a better husband and father. But his essay also suggested that he was becoming a more stringent social conservative. He quoted at length from St. Augustine’s denunciation of Roman excess, of the “plentiful supply of public prostitutes for every one who wishes to use them.” This broadside from a fifth-century bishop, Vance wrote, was “the best criticism of our modern age I’d ever read.”"],["inline-embed",{"props":{"name":"feature-medium","attrs":{},"childTypes":["image"]},"ref":"","type":"callout:feature-medium"},["inline-embed",{"props":{"dangerousCaption":"Snipers keep watch during the Vance rally in Leesport.","dangerousCredit":"","image":{"id":"6717e1907f4e48b78035f09e","altText":"Image may contain Architecture Building Outdoors Shelter Person Countryside Hut Nature Rural Housing and 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https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6717e1907f4e48b78035f09e\u002Fmaster\u002Fw_1600,c_limit\u002Fr45181.jpg 1600w","height":1067}}}},"level":"block","ref":"6717e1907f4e48b78035f09e","type":"image"}]],["p",{"class":"paywall"},"Vance’s past friendships with progressives began to inform the manner in which he fought the other side. During a podcast with American Moment, a young-conservative organization affiliated with the New Right, Vance said that, for his liberal classmates at Yale, “pursuing racial or gender equity is like the value system that gives their life meaning,” and that “they all find that that value system leads to misery.” Meanwhile, he went on, the masculinity of young boys was “suppressed.” Such views, one of Vance’s friends from the Reformicon movement told me, reflected Vance’s “reinvention as a public persona.” “Some of these currents, call them cultural currents, are very deep for him—what men need, what women need from men,” the friend said. But there was also, the friend went on, “a level of becoming the thing one needs there to be.”"],["p",{"class":"paywall"},"Vance was building a political network of supporters and donors among anti-establishment conservatives, with whom he increasingly shared a tendency to accuse the left of operating with a might-makes-right moral authoritarianism. “The thing that I kept thinking about liberalism in 2019 and 2020 is that these guys have all read Carl Schmitt,” he told Douthat, referring to the Nazi legal theorist. “There’s no law, there’s just power. And the goal here is to get back in power.” In the wake of the COVID-19 shutdowns and the Black Lives Matter protests, Vance said on “The Federalist Radio Hour” that American conservatives “have lost every major powerful institution in the country except for maybe churches and religious institutions, which, of course, are weaker now than they’ve ever been. We’ve lost big business. We’ve lost finance. We’ve lost the culture.” No compromise was possible with the liberals in control, he added. “Unless we overthrow them in some way, we’re going to keep losing.”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"Drive across Ohio, and it can be a little startling to remember that, just ten years ago, a near-empty factory parking lot with a union hall nearby was a signal that Democrats were irrefutably in charge. When Trump flipped the state, in 2016, he brought a wave of new voters into the Republican Party. The change was concentrated in the union towns of the Mahoning Valley and in the southeastern part of the state—“the pockets of Ohio,” as the former Republican state chair Jane Timken put it to me, “that were hit so hard by the opioid epidemic.” In these places, the turn was so sudden and abrupt that it could seem like a magic trick."]],["p",{"class":"paywall"},"Mark Munroe, the former chair of the Mahoning County G.O.P., is an amiable retired television executive. He remembers a time when he would press on reporters a sheet detailing the corruption of the mobbed-up Democratic Party in Youngstown, where the Republicans were heavily outnumbered. As Trump’s campaign gathered momentum, Munroe started hearing from residents who’d never been interested in his party before, but who saw the immigration issue primarily in terms of security, rather than of the economy. “For folks around here, it really is protecting the southern border from drugs,” Munroe said. “It’s about strength.” Munroe was sitting at the office of the election board on primary night, in March of 2016, when thousands of Mahoning residents requested, for the first time, a Republican ballot. “We doubled our registration in one night,” Munroe told me recently, still somewhat awestruck."],["p",{"class":"paywall"},"The bigger surprise was that the new voters stuck around. In 2020, Trump maintained an eight-point margin in the state. As an adviser to Vance who is based in Ohio described it, the new voters were among the most populist in the state—the most explicitly anti-Washington and anti-élite—so that not only did the state become more Republican but the Republicans became more aligned with Trump."],["p",{"class":"paywall"},"The word in conservative circles was that Vance, too, had become “thoroughly red-pilled.” Privately, he still had some reservations about Trump—as late as 2020, as messages published by the Washington ",["em","Post"]," this September showed, he told an acquaintance that the President had “thoroughly failed to deliver on his economic populism.” But in public Vance was an increasingly reliable Trump partisan, who dismissed concerns about the former President’s efforts to overturn the election. The following year, he joined the conservative anti-vaccine-mandate chorus. A friend asked him why he was on Twitter telling people not to get vaccinated when he himself was—people might die. In response, Vance raised some safety concerns, and then added that it didn’t help that Biden had insinuated that people like his father—who hadn’t gotten vaccinated—were “sewer rats.”"],["p",{"class":"paywall"},"That summer, after the Ohio senator Rob Portman, a stalwart of the pre-Trump G.O.P., announced that he would retire, Vance decided to run. Someone who is close with both Vance and Donald Trump, Jr., called the former President’s son to get his opinion on Vance, who, he noted, “talked a lot of shit about your dad in 2016.” As the friend recalled, Don, Jr., said, “Honestly, dude, I fucking loved ‘Hillbilly Elegy’ back in 2016, and I fucking never understood why he wasn’t on our side.”"],["p",{"class":"paywall"},"The 2022 Republican Senate primary attracted six well-funded contenders, all of whom promptly set about establishing their America First bona fides, in both substance and style. Candidates flew to Trump’s golf club in West Palm Beach to audition for an endorsement. Josh Mandel, Ohio’s former state treasurer, travelled to Arizona to observe an audit of contested ballots and proclaimed 2020 a “stolen” election. A wealthy investment banker named Mike Gibbons, during an exchange with Mandel on the debate stage, appeared to call him a “pussy.” Politico described it as “the dumbest Senate primary ever.”"],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"Vance had laid the groundwork for his run by appearing on conservative podcasts and television shows, offering often extreme accounts of cultural conflict. “American history is a constant war between Northern Yankees and Southern Bourbons, where whichever side the hillbillies are on wins,” Vance told a YouTuber in the spring of 2021. The Northern Yankees, he went on, “are now the hyper-woke, sort of coastal élites,” the Bourbons are the “same old-school Southern folks,” and the hillbillies “have really started to migrate towards the Southern Bourbons.”"],["p",{"class":"paywall"},"That July, a few weeks after he formally announced his candidacy, he appeared on Tucker Carlson’s Fox News show to discuss an idea he had been developing: that élites in the U.S. “have played their entire lives to win a status game,” and that more power should accrue to people who had children, and thus a “direct stake” in the future. “We are effectively run in this country, via the Democrats, via our corporate oligarchs, by a bunch of childless cat ladies who are miserable at their own lives and the choices that they’ve made,” Vance said. “And so they want to make the rest of the country miserable, too.”"],["p",{"class":"paywall"},"Such arguments did little to help his cause. By the following spring, with the primary nearing its conclusion, Vance’s public image was still largely defined by the attack ads his rivals were running, highlighting his past anti-Trump comments. He was stuck at around ten per cent in the polls. It wasn’t until a Republican-primary debate in March that he found a way to stand out. The moderator asked the candidates whether they would support a no-fly zone in Ukraine. Only Vance was strongly opposed to the idea. Polls showed that a majority of Republicans supported aid to Ukraine. But Vance, like Trump, did not. Don, Jr., called the friend he shares with Vance: “He’s, like, ‘Dude, I saw this fucking clip on Ukraine. Fuck this shit. J.D. is the guy.’ ” The next day, Don, Jr., tweeted, “JD is 100% America First.”"],["inline-embed",{"props":{"name":"feature-large","attrs":{},"childTypes":["callout:group-2"]},"ref":"","type":"callout:feature-large"},["inline-embed",{"props":{"name":"group-2","attrs":{},"childTypes":["image","image"]},"ref":"","type":"callout:group-2"},["inline-embed",{"props":{"dangerousCaption":"Vance often enlists the press in the theatrics of his rallies, spending the last portion taking questions from reporters.","dangerousCredit":"","image":{"id":"6717e194494feb62bae719a3","altText":"Image may contain Lighting Adult Person Architecture Building Factory Manufacturing Electronics Speaker and 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https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6717e194e7a17cdbda687d9c\u002Fmaster\u002Fw_1600,c_limit\u002Fr45184.jpg 1600w","height":1067}}}},"level":"block","ref":"6717e194e7a17cdbda687d9c","type":"image"}]],["p",{"class":"paywall"},"At that point, a Vance adviser told me, the campaign figured it had “one bullet” left. Vance was convinced that what had particularly infuriated ordinary conservatives since the Obama Administration was the suggestion that any opposition to immigration was rooted in racism. In a campaign ad that appeared in early April, Vance spoke directly to the camera. “Are you a racist?” he asked. “Do you hate Mexicans?” The media thought so, he went on, simply because Ohio conservatives wanted to build Trump’s border wall. “This issue is personal,” he said. “I nearly lost my mother to the poison coming across our border.” The following week, Trump—egged on by his son—endorsed Vance, which effectively guaranteed him the nomination. “The whole team worked on that ad,” the adviser said. “But the first line was all J.D.”"],["p",{"class":"paywall"},"When I called the former Democratic congressman Tim Ryan, whom Vance went on to beat in the general election, to ask his opinion of Vance as a campaigner, he sounded distinctly unimpressed. “He was never on the trail,” Ryan said. Ryan would drive his son’s dog, Zoie, around the state during the campaign, a gimmick that eventually he started using as a talking point: “Zoie has been in Lima twice, and J. D. Vance never has.” But the most important question in the race was who could claim the ",["em",{"class":"small"},"MAGA"]," mantle. Who brought a dog to Lima—that was campaigning for the twentieth century."],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"This past July, a week or so before the Republican National Convention, Vance delivered a speech before a V.I.P. audience at the National Conservatism Conference. It had been five years since he’d first appeared there, as a clean-shaven young man with a pointy-headed presentation on moving right-wing politics beyond libertarianism. Now he spoke with the exaggerated disdain of New Right activists—“I remember getting in some argument with some loser on Twitter a year or so ago,” he said—and he delivered a status update on the movement. As a basic matter, Vance said, the old conservatism of expansive overseas involvements and élites who “flooded the zone with non-stop cheap labor” no longer had a political foothold. Trump was not a threat to democracy, he told the crowd: “The real threat to democracy is that American voters keep on voting for less immigration, and our politicians keep rewarding us with more.”"]],["p",{"class":"paywall"},"More than a year earlier, before Trump had even announced his candidacy, Vance had sent a note to Susie Wiles, one of the former President’s senior advisers, saying that he was prepared to endorse Trump anytime. But, according to Vance’s advisers, the prospect that Trump might pick him for the ticket emerged only around the time of the New Hampshire primary, in January, when word began leaking from operatives close to Mar-a-Lago. Relatively quickly, Vance decided that he wanted the job—with Biden faltering, the Republicans stood a good chance of winning. Vance’s circle also felt that some of the alternatives Trump was said to be considering, such as the South Carolina senator Tim Scott and the North Dakota governor Doug Burgum, might take the Party back toward what Vance, at the National Conservatism Conference, called the ",["em","Wall Street Journal"]," consensus."],["p",{"class":"paywall"},"The plan was for Vance to appear relentlessly on TV, often in adversarial contexts, where he hoped to capture Trump’s attention by outwitting liberal pundits. Several key conservative figures lobbied Trump not to pick Vance, including the billionaire donor Ken Griffin, Rupert Murdoch, and Lindsey Graham, who made an appeal to the former President on Trump Force One on the way to the Republican National Convention, in Milwaukee. Elon Musk, Tucker Carlson, Don, Jr., and the tech investor David Sacks, a vociferous opponent of the war in Ukraine, pressed Trump on Vance’s behalf. The contrast between the two groups might have clarified the choice for the former President: Was he with the establishment Republicans or with the rising nationalists he’d brought into being?"],["p",{"class":"paywall"},"On the morning of Saturday, July 13th, Vance met secretly with Trump at Mar-a-Lago; Trump did not offer him a spot on the ticket, but he intimated that he might. Early that evening, Trump was shot in the ear at a rally in Butler, Pennsylvania. Vance was among the first elected officials to politicize the event. Within hours, he tweeted, “The central premise of the Biden campaign is that President Donald Trump is an authoritarian fascist who must be stopped at all costs. That rhetoric led directly to President Trump’s attempted assassination.” (The motives of the shooter, a registered Republican who had donated to a Democratic turnout effort, remain unclear.) Vance did not speak with Trump again until the following Monday, at the start of the Convention, when the former President called to ask if he’d join the ticket. Half an hour later, Trump posted the news on Truth Social."],["p",{"class":"paywall"},"Two days later, Vance’s prime-time speech at the Convention elevated the experiences of the left-behind. In his telling, their endurance, rather than the fight of outside groups for rights and prosperity, was the central feature of the national story. If there was a discordant note, it was in how generically he described the working-class Republicans whose interests he was supposedly championing in a newly populist G.O.P.: “the factory worker in Wisconsin who makes things with their hands and is proud of American craftsmanship”; “the auto worker in Michigan wondering why out-of-touch politicians are destroying their jobs.” But Vance’s own story remained powerful. He invoked the family cemetery in eastern Kentucky where five generations of his forebears were buried. “People will not fight for abstractions, but they will fight for their home,” Vance said. “Our leaders have to remember that America is a nation, and its citizens deserve leaders who put its interests first.”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"A press seat on the plane of a modern Presidential campaign costs about as much as a spot on a chartered jet. Embeds from the major networks, along with Michael Bender, of the ",["em","Times"],", are constant presences on Trump Force Two. For most of the rest of us, the trip from D.C. to Grand Rapids and Eau Claire represented something closer to a onetime splurge. Vance often enlists the press in the theatrics of his rallies, spending the last portion taking questions from reporters. Even so, there was an observable irony in how small that day’s press pool was and how central the media has become in the conservative political imagination."]],["p",{"class":"paywall"},"Of course, Vance, in many ways, is a product of the media. That weekend, he had appeared on three separate Sunday shows. On X, he sometimes seems to be operating as a universal reply guy. “Hi Hannah,” Vance recently wrote, at the beginning of a multi-paragraph response to an author of Bible-study and self-help books, who had taken issue with his positions on child care. While on Trump Force Two, I idly looked at my phone and noticed that Vance was on X at that very moment, somewhat angrily tweeting at David Frum, who is now a staff writer at ",["em","The Atlantic."]," Frum had tweeted that the difference between the Democratic and the Republican tickets was that “the upsetting things said by Trump and Vance are not true.” Vance, surrounded by his wife, his dog, and his advisers, had fired back, “I’d say the most important difference is that people on your team tried to kill Donald Trump twice.”"],["inline-embed",{"props":{"name":"feature-medium","attrs":{},"childTypes":["image"]},"ref":"","type":"callout:feature-medium"},["inline-embed",{"props":{"dangerousCaption":"An attendee at the Vance rally in Leesport.","dangerousCredit":"","image":{"id":"67192b61050ad12b5e3e273d","altText":"Image may contain Body Part Finger Hand Person Adult Photography Baseball Cap Cap Clothing and 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Yuval Levin explained that, since 2000, he had been part of three waves of attempted conservative reforms, each of which had tried to turn the Party away from libertarianism and toward social conservatism, but that each had fizzled because “if you wake up any given Republican congressman in the middle of the night and ask him what he wants to do, he’s still going to say cut the marginal tax rate.” David French, the conservative Never Trump columnist at the ",["em","Times"],", told me he thought the Republicans were making the same error that the Democrats had made a few years earlier: “They’re following their own Twitter activists off a cliff.” Conservatives often liked to say that every Republican activist under forty belonged to the New Right, French went on, but he had been watching students at the Christian colleges where he spoke and taught and doubted that this was the case. At present, French said, he had exactly one student who identified as New Right. “Nice guy,” French said, and you could sense the grin. “But, I mean, he wears an ascot.”"],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"It’s perhaps unsurprising that, when Vance needed to connect with conservative voters, he returned to the subject of immigration. In July, Vance tried to draw the press’s attention to a situation unfolding in Springfield, Ohio: a city whose population had previously been less than sixty thousand was struggling to handle an influx of as many as twenty thousand legal Haitian immigrants, many of whom had been drawn from other parts of the United States by the promise of factory jobs. Early in September, Vance shared a story being passed around by conservative users on social media that “people have had their pets abducted and eaten by people who shouldn’t be in this country.” The next day, Trump repeated the claim during his Presidential debate with Kamala Harris, in a memorably ham-handed way. (“In Springfield, they are eating the dogs. The people that came in, they are eating the cats.”) There was no evidence that this was true—the ",["em","Wall Street Journal"],", chasing down the rumor of an abducted feline, found her safe in her owner’s basement."],["p",{"class":"paywall"},"In the following days, a series of bomb threats closed schools in Springfield and spooked the local population. The city’s Republican mayor and the state’s Republican governor pleaded with Vance to stop repeating the claim, but he refused to do so. On September 15th, Vance told CNN’s Dana Bash, “The American media totally ignored this stuff until Donald Trump and I started talking about cat memes. If I have to create stories so that the American media actually pays attention to the suffering of the American people, then that’s what I’m going to do.”"],["p",{"class":"paywall"},"Clips from the campaign trail have emphasized Vance’s awkwardness—there was the encounter at a doughnut shop in Valdosta, Georgia, where Vance, tall and slightly hunched, brightly greeted a clerk, who quickly said that she did not want to appear on camera. “She doesn’t want to be on film, guys,” Vance said loudly, “so just cut her out of anything.” He turned back to the shop worker, introduced himself, and said that he was running for Vice-President. “O.K.,” she said. The silence was faintly excruciating. Which doughnuts did he want, anyway? Vance indicated the glazed, the cinnamon rolls. “Some sprinkle stuff,” he said. “Whatever makes sense.”"],["p",{"class":"paywall"},"He was better in more structured settings. Vance is an excellent debater, against both political opponents and the press, and even in hostile environments he maintains emotional control—when he’s angry, it’s because he wants to be. At the rally in Grand Rapids, held in a refurbished barn north of the city, he brought up the attempts on Trump’s life: “I think that it’s time to say to the Democrats, to the media, to everybody that has been attacking this man and trying to censor this man for going on ten years, cut it out or you’re going to get somebody killed.”"],["inline-embed",{"props":{"name":"feature-large","attrs":{},"childTypes":["image"]},"ref":"","type":"callout:feature-large"},["inline-embed",{"props":{"dangerousCaption":"At the Vance rally in Leesport, an attendee’s jacket depicts the scene of the first assassination attempt against Donald Trump. “I think that it’s time to say to the Democrats, to the media, to everybody that has been attacking this man and trying to censor this man for going on ten years,” Vance has said, “cut it out or you’re going to get somebody killed.”","dangerousCredit":"","image":{"id":"6717e1932f755fee809fa2f9","altText":"Image may contain Clothing Hat Adult Person Helmet Sun 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Bender, from the ",["em","Times"],", asked him whether denouncing Democrats for inflammatory rhetoric while falsely accusing Haitian migrants of eating cats and dogs wasn’t a very narrow needle to thread. “I don’t think it’s a needle that we’re trying to thread,” Vance replied. “There’s a massive highway down which we can draw two very important distinctions, the first of which is Donald Trump has had two assassination attempts in the last couple of months. So, if you look at this, and you try to both‑sides it, the problem is only one candidate has actually suffered very serious attempts on his life, including him being literally shot in the head.”"],["p",{"class":"paywall"},"The Senator kept his voice polite, but he was arguing a fundamental piece of his current politics—that the rupture in American life, which for a decade had been blamed on Trump, was, in fact, the fault of the Democrats and the media. Vance sounded a little exasperated; up close, I noticed for the first time the gray hairs in his beard. The second big difference, he said, was that conservatives did not call for censorship. “What is the point of the critics?” Vance added. “When you’re criticizing somebody’s rhetoric, when you’re criticizing what somebody said, are you trying to tone down the violence or are you trying to silence him?”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"The following Thursday evening, I paid a visit to Springfield, where the conservative firebrand Vivek Ramaswamy, whose hard-line populism in the Republican primaries drew Trump’s praise, had organized a town hall. Earlier that day, he had met with representatives of the Haitian community, but none had come to the town hall, and neither had the mayor or any members of the city council. Outside, conservative influencers conducted video interviews with locals on their iPhones. ",["em",{"class":"small"},"MAGA"]," gear abounded."]],["p",{"class":"paywall"},"The conservative activist Christopher Rufo had offered a five-thousand-dollar reward to anyone who could find proof of people in Springfield eating cats. I expected to hear more stories of migrant misdeeds at the town hall. A woman said that her daughter had been chased by an “immigrant” wielding a machete. But that was the exception. Several people said that they had good personal relations with their Haitian neighbors. Some worried about the poisoned environment: one mixed-race man who had lived in Springfield his whole life said that he had been called the “N-word” twice in the past week, and that a friend had been heckled at a grocery store while holding a six-month-old baby and told to leave the country. There were murmurs of sympathy."],["p",{"class":"paywall"},"But the attendees mostly focussed on the stresses that the new arrivals had put on the city. A fifty-nine-year-old resident with a disability said that he was struggling to get appointments at the local hospital; he’d heard a since-debunked rumor that this was because so many Haitian migrants needed to be treated for H.I.V. A woman mentioned that an influx of foreign-born students had overwhelmed the schools, leaving native-born children disengaged “for eight hours.” A Navy veteran who was planning to vote for Trump for a third time noted that most of the Haitians were legal immigrants and asked why Republicans were focussing on deportation rather than on the drugs and homelessness that had been problems before they arrived. Listening to these complaints, I thought that the politicization of ordinary people in Springfield had at least been built on actual suffering. But their concerns weren’t about any strange cultural practices of the Haitian community. They were about policy."],["p",{"class":"paywall"},"Vance’s claims had started with something like that, too. In his Convention speech, he had insisted that the spike in housing prices nationally was due to an influx of undocumented immigrants. But, when the pressures on the housing market and institutions in a mid-sized Ohio city failed to make a dent in the national news, he tried to create a different narrative, about how foreign and culturally threatening the Haitian migrants were. Populist panics often bubble up from the grassroots, only to be refined by politicians. In this case, Vance had amplified the crudest version, ostensibly on behalf of Springfield’s residents."],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"Ramaswamy had offered to give me a ride back to Columbus, where I was staying. After he finished an appearance on Fox News, we set off contemplatively, in his chauffeured black S.U.V. Ramaswamy is an extreme figure himself—he built his Presidential stump speech around the argument that Trump’s revolution was equivalent in scope to the events of 1776. But he also seemed to think that Trump and Vance’s fabrications about the Haitians in Springfield were undermining what might have otherwise been a winning issue. “I had the feeling—just my intuition—that, if I had wanted to take the crowd in a hard anti-immigrant direction, I could have,” Ramaswamy said. “It wasn’t where they were going to go on their own. But that’s the point: leadership. People need to be led.”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"At the campaign event in Eau Claire, the crowd was bigger, a little rowdier. Derrick Van Orden, a white-bearded Republican House member, gave a warmup speech that dwelled on a violent crime allegedly committed by a Venezuelan migrant in his home town of Prairie du Chien. Only Trump, he said, could make Wisconsinites feel “comfortable walking the streets.” The response of the crowd seemed to energize Vance. Onstage, he inveighed against the Democrats. “If you’re willing to throw a person in jail because you disagree with what they say,” he said, “then you’re going to be willing to put a bullet in their head, too.” Something a little dangerous was happening—Vance was accusing his opponents of wanting to kill Trump, in the guise of telling them to chill out. He addressed the Democrats directly: “Stop trying to silence people you disagree with.”"]],["p",{"class":"paywall"},"As Vance has risen in prominence, some have speculated that much of his life, following a largely fatherless childhood, has been a search for a mentor who might fill a parental role: Mamaw, the Marines, Amy Chua, Peter Thiel, Donald Trump. One of Vance’s former professors said, “I think there might be something to that.”"],["inline-embed",{"props":{"image":{"id":"6717d615494feb62bae71997","altText":"King Kong trying to catch a plane with a cup and a piece of paper as if he were a human capturing a bug.","contentType":"cartoon","sources":{"sm":{"width":640,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d615494feb62bae71997\u002Fmaster\u002Fw_640,c_limit\u002Fa27946.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d615494feb62bae71997\u002Fmaster\u002Fw_120,c_limit\u002Fa27946.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d615494feb62bae71997\u002Fmaster\u002Fw_240,c_limit\u002Fa27946.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fcartoons\u002F6717d615494feb62bae71997\u002Fmaster\u002Fw_320,c_limit\u002Fa27946.jpg 320w, 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Along the way, Vance’s liberal friends seemed to think, he’d made elisions to his persona, pruning off the inconvenient biographical details so that what remained was as unnatural as a bonsai. This summer, shortly after Vance’s nomination for the Vice-Presidency, Charles Johnson, a far-right conspiracy theorist, gave the Washington ",["em","Post"]," a trove of text messages between himself and Vance, including an exchange in which Johnson had highlighted Vance’s relationship with Chua. Vance had replied dismissively. “Chua doesn’t tell me anything,” he wrote. “I am pretty sure I don’t even know another Chinese american.” It was this last beat that caught the attention of some of Vance’s former law-school friends, because a number of them are Chinese American."],["p",{"class":"paywall"},"In Eau Claire, when Vance turned his attention to the back of the room to take questions from the press, James Kelly, a reporter from a Wisconsin public-radio network, asked about the recent closure of two rural hospitals and several clinics in the Chippewa Valley. “I’m glad you mentioned providing actual concrete answers to questions,” he said. “What concrete plans would your Administration have to protect rural health-care access?”"],["p",{"class":"paywall"},"Vance was quiet for a moment. At an earlier point in his public life, this would have been a perfect question for him. As a senator, he had said that he was open to the politics of the “Bernie bros,” had praised the Biden Administration’s aggressive antitrust regulator Lina Khan, and had walked a U.A.W. picket line in Ohio, where a veteran pro-labor Democratic House member had asked him, “First time here?” When it comes to rural health care, themes of fairness and economic populism naturally lie close to the surface. Instead, Vance said, “This goes back to the immigration issue.” He argued that the hospitals were under pressure because they were being forced to take care of migrants, adding, “Kick these illegal aliens out, focus on American citizens, and we will do a lot to make the business of rural health care much more affordable.”"],["p",{"class":"paywall"},"The elisions were happening in real time now. At such moments, I had the sense of a mismatch between Vance’s talents and the timing of his trajectory. His sudden rise to power would not have been possible without the scorched-earth Trump wars that took out a whole generation of conservatives ahead of him. Vance and his allies in the New Right had spent years working out a theory of Trumpism—economic populism, an ideological makeover of the administrative state, a hard line on social-conservative issues like abortion—and then, when it was time to campaign, Trump had simply moved on."],["p",{"class":"paywall"},"An adviser to Vance told me that the transformations that had defined the conservative project since the 2016 election remained under way. “We’re in the third or fourth inning,” he said. The suggestion was that ambitious young right-wingers were still shaping the ",["em",{"class":"small"},"MAGA"]," movement. But Vance, in coming so completely into alignment with Trump in this election, has helped usher in a similar change across his party. The conservative élites, like the rest of the G.O.P., are more fully Trumpist now. Vance may be playing in a much later inning."],["p",{"class":"paywall"},"Vance said he had time for one more question, and he awarded it to Bender, the ",["em","Times"]," reporter. The crowd bridled a bit, but Bender—acting politically for a second, too—quieted them by thanking the Senator for “inviting the tough questions.” What he wanted to know of Vance, Bender said, pivoting back to Springfield, was where his red line was: “What’s something you’re willing not to say in order to make a point that’s important to you?”"],["p",{"class":"paywall"},"Vance cut him off. “The media always does this,” he grumbled. When he told CNN that he had been trying to “create a story” about what happened in Springfield, he’d meant only that he was trying to create a narrative, a “media story,” because people there were telling him that no one was taking their concerns seriously. The crowd was with him; he grew more self-assured. “I’m not making anything up,” Vance said. “I’m just telling you what my constituents are telling me.” ♦"]],"pageStructure":[["inline-embed",0,"cneaudio"],["inline-embed",356,"callout"],["p",143],["inline-embed",0,"cartoon"],["p",214],["p",145],["p",160],["p",142],["cm-unit",0],["p",185],["inline-embed",158,"callout"],["p",116],["inline-embed",0,"cartoon"],["p",213],["inline-embed",0,"cneinterlude"],["p",171],["ad",0],["p",169],["p",186],["p",183],["p",119],["p",155],["inline-embed",240,"callout"],["inline-embed",0,"callout"],["p",165],["p",70],["p",161],["ad",0],["p",163],["p",206],["inline-embed",0,"callout"],["p",139],["p",160],["inline-embed",232,"callout"],["p",140],["p",65],["p",132],["p",86],["p",94],["ad",0],["p",86],["p",110],["p",141],["inline-embed",0,"callout"],["inline-embed",0,"callout"],["p",134],["p",105],["inline-embed",298,"callout"],["p",142],["p",123],["p",150],["p",153],["inline-embed",226,"callout"],["p",161],["inline-embed",0,"callout"],["p",213],["ad",0],["p",177],["p",94],["p",105],["p",101],["inline-embed",0,"callout"],["p",132],["p",110],["inline-embed",158,"callout"],["p",125],["p",158],["p",101],["ad",0],["p",129],["inline-embed",284,"callout"],["p",55],["inline-embed",0,"cartoon"],["p",147],["p",69],["p",146],["p",98],["p",92],["p",78],["p",83]],"hasAffiliateLinks":false,"affiliateLinksCount":0,"isCommerceContent":false,"contributorSpotLightProps":{"header":{"name":"Benjamin Wallace-Wells","title":"Benjamin Wallace-Wells began contributing to The New Yorker in 2006 and joined the magazine as a staff writer in 2015. 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D. Vance","dangerousDek":"“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the \u003Cem class=\"small\"\u003EMAGA\u003C\u002Fem\u003E movement.","hasContentHeaderLogo":false,"hidePublishDate":false,"issueDate":"November 4, 2024","issueLink":"\u002Fmagazine\u002F2024\u002F11\u002F04","lede":{"altText":"J. D. 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