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<!DOCTYPE html><html lang="en-US"><head><title>The Radio Station That Latino Voters Trust | The New Yorker</title><meta charSet="utf-8"/><meta content="IE=edge" http-equiv="X-UA-Compatible"/><meta name="msapplication-tap-highlight" content="no"/><meta name="viewport" content="width=device-width, initial-scale=1"/><meta name="author" content="Stephania Taladrid"/><meta name="copyright" content="Copyright (c) Condé Nast 2025"/><meta name="description" content="Stephania Taladrid writes about Radio Campesina, and how, with Arizona in the balance, a critical political conversation is taking place on the air."/><meta name="id" content="6717bac43809c0bd9ef5009e"/><meta name="keywords" content="2024 presidential election,latinos,hispanics (latinos),arizona,election 2024,radio,broadcasting,audio"/><meta name="news_keywords" content="2024 presidential election,latinos,hispanics (latinos),arizona,election 2024,radio,broadcasting,audio"/><meta name="robots" content="index, follow, noarchive, 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{"channel":"news","content":{"copyCount":3161,"imageCount":0,"embedCount":4,"ratio":790.25,"midContentCadence":900},"contentType":"article","experiments":{},"keywords":{"copilotid":["6717bac43809c0bd9ef5009e"],"platform":["verso"],"tags":["2024-presidential-election","latinos","hispanics-latinos","arizona","election-2024","radio","broadcasting","news","the-political-scene"]},"server":"production","slug":"the-radio-station-that-latino-voters-trust","subChannel":"the-political-scene","subSubChannel":"","templateType":"mt_article_two_column"};</script><link rel="preconnect" href="https://ads-static.conde.digital"/><script id="ads-v6" src="https://ads-static.conde.digital/production/cns/builds/the-new-yorker/v6.js" async=""></script><script type="application/ld+json">{"@context":"http://schema.org","@type":"NewsArticle","articleBody":"Arias and Armenta’s show is called “Los Chavorrucos,” a play on the words “young geezers.” Armenta is a tall, heavyset man in his forties with a resonant baritone voice; Arias—three years younger, shorter, and thinner—sounds comically chirpy by comparison. From 6 A.M. to 10 A.M., the two supply banter, musical hits, and news to an audience of more than a hundred thousand Latino workers. The show sounds like a conversation among friends, but the audience is considerable enough to have caught President Joe Biden’s attention. Last year, during his reëlection campaign, he called in from the Oval Office and took questions about immigration, the economy, and disinformation.\nDuring the appearance, Biden made a characteristic effort at personal connection. “I’m looking at a statue of Cesar Chavez, who almost cost me an election in 1972,” he told the hosts. La Campesina, which broadcasts out of a red brick building in the Phoenix neighborhood of Eastlake Park, was founded by Cesar Chavez, in 1983. Arias and Armenta sit across from each other at a wooden desk built by one of Chavez’s younger brothers. The morning of my visit, Armenta was working the console, its needles bouncing to the sound of norteños, as Arias surveyed the responses coming in. “If we don’t air their audios,” Arias said, his eyes widening as he scrolled, “we get scolded.”\nBoth men started in radio early. Armenta, who is from the Mexican border town of Nogales, hosted his first show, “De Corazón a Corazón,” at the age of seventeen. He later moved to Arizona, where he worked in construction and bounced around radio jobs until he heard of an opening at La Campesina. Arias started his own show in Phoenix and developed a following in the city’s immigrant community. On and off the air, he became an advocate for families who were being terrorized by the former sheriff of Maricopa County, Joe Arpaio, an anti-immigration zealot.\nToday, their reach extends to Arizona, California, Nevada, and beyond. In Las Vegas, an army of service workers—bellhops, cooks, servers, and room attendants—tune in each morning. Farmworkers who follow crops from state to state, as part of what is known as “la corrida,” take their radios wherever they go. In the border town of Yuma, the station’s signal streams south into Mexico, where it is known as “la estación gringa.”\nOf the seven battleground states, Arizona has the largest percentage of eligible Latino voters, representing a quarter of the electorate. But Trump and Harris have been late in reaching them: in August, a poll showed that half of Latino voters hadn’t heard from either campaign. Leading advocacy groups recently sent a letter to Republican and Democratic leaders condemning both parties’ “abysmal outreach.” For Spanish-speaking residents of Arizona, the crucial political conversation is happening not at campaign events and town halls but on trusted outlets like La Campesina.\nIn 2020, Biden won Arizona by more than ten thousand votes, but Harris, after a promising start, has lagged there. The Chavorrucos weren’t too concerned with fluctuations in polls; they wanted to hear from listeners and share their mikes. “It’s our way of saying, ‘Your opinion is worthy—go on, dive in,’ ” Armenta said. He flashed a hand signal to Arias: twenty seconds. The first song of the hour was drawing to an end, and Arias was still trimming people’s audios.\nJust as time was running out, Arias turned to the mike and opened the segment. “Ay dios, how hard it is to go from ‘I love you’ to ‘I loved you,’ ” he said. “But it is harder even to go by a taquería and be cash-strapped.” The two hosts burst into laughter, then turned to people’s opinions.\nOne listener was fixated on Trump’s false claim that immigrants in Ohio ate dogs and cats. Armenta responded, “All we can say is that it’s a mitote”—an unfounded rumor. “It’s very easy to talk with no base whatsoever, no proof to back what you’re saying. And that’s one of Donald Trump’s qualities.”\nBefore calling for a music break, the hosts had a question for their listeners: Who, in their view, would make their lives better?\nThe studio’s phone rang: “Campesino, good morning,” Armenta said. “Who do I have the pleasure of speaking with?” He covered the phone and turned to Arias, saying, “His name is Sigifrido.”\nArias picked up the call: “All right, we’ve got Sigifrido on the line with us. Tell us your thoughts.”\n“I think people who are calling in and sharing their views about Kamala Harris have no idea of what they’re saying. It’s the same old cantaleta”—the same old refrain. “I think, if she wins, nothing’s going to change,” he said. “We’re going to have better opportunities with Donald Trump.” The man went on, “Many things will benefit us: closing the border, lowering taxes, more jobs.”\n“When you say closing the border, what do you mean?” Armenta asked.\n“These days, things are a little tough here in the country. And the more people come, the worse it gets.”\nSigifrido was the minority opinion that morning. The callers, mostly women, were overwhelmingly siding with Harris. But Trump holds a narrow lead in the Grand Canyon State. “I think people have got to understand that the direction this country will take is in their hands,” Armenta said in closing. A sizable portion of the Latino electorate remained undecided, but if Arizona had become a swing state in 2020, after more than two decades of Republican hegemony, it was in part thanks to them. “The best thing we can do is stay informed,” Arias went on. “And, above all, go out and vote.”\nEarly on, Chavez understood that organizing seasonal farm workers would require effective mass communications. When he moved to California’s Central Valley, in 1962, he set up a mimeograph machine on his back porch to print out leaflets. “This was before anybody knew anything about Cesar Chavez,” his middle son, Paul, told me. He filled his old Mercury station wagon with boxes of leaflets, and enlisted his eight children to disseminate them. “He’d leave a couple of us on one corner, a couple more on the other corner, and our job was to hand out leaflets,” Paul said. “He really leafleted the whole Central Valley.”\nAs the message spread and the union took shape, Chavez set up a print shop and began publishing a newspaper called El Malcriado (“The Rebellious One”). His intent was to communicate directly with workers and to counter growers’ efforts against the union. “People had tried for over a hundred years to organize farm workers,” Paul said. “All of the attempts were brutally crushed.” Union members were regularly beaten up, arrested, stripped naked, and chained. They were threatened with loaded guns, and at least five were killed on the picket line or while organizing workers. Chavez saw that music was a way to reach people surreptitiously. Farmworkers often carried transistor radios with them to ease the monotony of their work. Paul recalled that his father would often say, “If we had a radio station, instead of talking to hundreds, or a few thousand people a day, we could talk to fifty thousand.”\nIn 1983, Chavez acquired his first radio license, in Woodlake, California. During a meeting with the station’s staff, he stood by an easel pad, taking suggestions for a name. When a top contender emerged—“El Aguila Vuela,” or “The Eagle Soars”—one attendee, an organizer in her thirties named Cynthia Bell, rolled her eyes and whispered to her neighbor, “Always macho names.” Some of the attendees grumbled, but Chavez wanted to know what else Bell had in mind. “What about Campesina?” she said. He scribbled down the name as he took other suggestions. Then he said, “Radio Campesina—I like it.”\nBell was put in charge of the station, running a team of six. Until they secured a building in Woodlake, they operated from a cavernous space in the union headquarters, which had previously housed a tuberculosis sanatorium. Chavez had enlisted a radio host from Washington State to teach the basics of interviewing, editing, and recording music. They were on air for twenty hours a day, beginning at four in the morning, when farm workers typically headed for the fields. A map of the San Joaquin Valley was hung on the wall, with a circle over the broadcast area.\nAn engine of the farmworkers movement, music came to dominate La Campesina’s programming: norteña, ranchera, romántica, and corrido, but also jazz. “They would send us a lot of free records, in English and Spanish,” Bell recalled. “Benny Goodman was Cesar’s favorite.” Between songs, La Campesina provided a forum for farmworkers to air grievances. Bell remembered taking calls from workers who had been poisoned by pesticides or who wanted to expose an outbreak of hepatitis at work. If a child had gone missing or a labor petition was going around, La Campesina would break the news. In places like Bakersfield, the station commanded fifty per cent of the market. “We were kicking Rush Limbaugh’s ass,” Paul said.\nOne of the most popular shows was “Despierta Ya Campesino” (“Wake Up, Farmworker”). Its host, Pepe Escamilla, had a boisterous manner and a gift for getting people to open up. One day, farmworkers called to accuse their foreman of sexually abusing women. Escamilla asked for a description—his name, if he had a wife or any children, where he went to Mass—and then denounced him on air. “He touched a nerve,” Paul said. The foreman called in, threatening “to kill everybody and burn the station.” Then, Paul said, “he called again and said, ‘O.K., I won’t do it anymore.’ ” At that point, “we saw the power of using the radio to call out people for the things they were doing under the cover of darkness.”\nAfter Chavez’s death, Paul drove out to Woodlake to address the station’s workers. He told them they would need time to chart out a plan for how to lead La Campesina forward. A farmworker who was present pulled out a piece of cardboard, with a sketch that Chavez had drawn of a stereo radiating signals across the Southwest. “This was your father’s vision,” she said. “You don’t have to plan anything—just go get to work.”\nBefore Chavez’s death, he had acquired a radio license in Phoenix. Back then, Arizona was a Republican stronghold, but Latinos were gaining political strength. To build influence, Paul realized that La Campesina needed to know who the station’s listeners were: their gender and their age, where they had come from, and how long they had been living in the United States. Volunteers stood outside churches and stores, doling out free CDs to whoever would answer a short questionnaire. The answers revealed that a majority of listeners were between the ages of twenty-five and forty-four—a new generation that had come to the U.S. after Chavez’s death. Most of them were men who worked in the fields, and spent their days listening to norteña music. La Campesina now had a road map. With Paul’s brother Anthony leading the expansion in Phoenix, the station worked to secure its presence in the region. “We figured if we can focus on Arizona and Nevada,” Paul said, “we can have an impact on the national political scene.”\nBarquín’s criteria for the songs on La Campesina are strict: the music has to be rousing but never elicit violence; the feeling must stay true to regional Mexicano. She keeps a boom box playing in her office, so she can experience what her listeners do. “We just heard a more traditional song, but give this a listen,” she said, turning up the volume. The next tune was “Ella Baila Sola,” a collaboration between the group Eslabon Armado and the singer Peso Pluma, with voices weaving above brass harmonies and requinto guitars. This wasn’t strict regional Mexicano but, rather, a new interpretation, combining swagger and romanticism. Last year, it surpassed a billion streams on Spotify and reached the Top Five on the Billboard Hot 100. But for the station, Barquin said, the music was merely a hook: “It’s a tactic. Once we have their attention, we infuse music with information. It’s all about civic engagement.” La Campesina is often the first place that listeners call when they need an immigration lawyer, or want tips on how their children can qualify for scholarships.\nDown the hall, the Chavorrucos were getting ready to hand the mike over to Osvaldo Franko, the host of “Punto de Vista,” a talk show that has aired for decades. Franko, a wiry man of forty-four with a sharp, deliberate voice, sat reviewing his points for the morning: Arizona’s Proposition 314, a measure designed to allow state officials to round up and deport undocumented border crossers, topped the list.\n“From coast to coast and border to border, we’re going to start with the news,” Franko said. “Joining me today are members of the group Aliento, two young men—very young indeed—with whom we’ll discuss how young voters see this election.”\nHis guests were Angel Palazuelos and Saúl Rascón, a pair of activists. Rascón, who is twenty-three and a DACA recipient, said that people were alarmingly disengaged. “I’ve noticed that a lot of paisanos, particularly in Arizona and California, don’t know the power and influence they have,” he said. His job at Aliento, a local nonprofit, was to educate voters to make an informed decision on November 5th. “People who are out on the construction fields or working in agriculture—or, my dad, who’s out in the heat under a car all day fixing cars—they’re not going to take the time to compare the New York Times versus Fox, versus ‘Oh, is this poll really biased?’ ”\nPalazuelos, who is twenty-two, chimed in: “Saúl and I, we’re both Dreamers and we don’t have the power to vote, but what we can do is ask people to cast their ballot with our community in mind.” Like Rascón, Palazuelos discovered in high school what being undocumented meant; when friends started getting driver’s licenses, he found that he didn’t have a Social Security number. Undeterred, Palazuelos applied to Arizona State and earned a degree in biomedical engineering. But he feared that Prop 314 might make a job in the field unattainable or, worse, get him and his family deported. Democrats, he said, were “trying to appeal to independents, more moderate voters when it comes to the border—meanwhile, you have people our age wondering if they should even vote.”\nThe young activists felt that the plight of Dreamers had become an afterthought. It was as if they had forgotten about DACA, Rascón said. Both had grown up seeing the fear that S.B. 1070, a controversial anti-immigration law, engendered in their communities. The law required state police officers to inquire about the immigration status of anyone they stopped or arrested, if there was a “reasonable suspicion” that the person was in the country illegally. Rascón, who attended a Catholic high school in Phoenix, said that he helped set up a replica of Trump’s border wall on the school’s grounds. To get to class, students had to cross the wall and show their I.D.s. to teachers and classmates who were acting as border agents. “It was up to them if they’d let you in,” Rascón said.\nWith less than two weeks left before the election, the Democratic Party’s support among Latinos stands at historic lows. Harris leads Trump nationwide in the demographic by about twelve points—a fraction of Barack Obama’s forty-four-point lead in exit polls from the 2012 election and Biden’s thirty-three-point lead in 2020. Young men like Rascón and Palazuelos are Harris’s greatest weak point: the most recent Times/Siena survey of Latino voters showed that Trump leads 55–38 among men aged forty-five or younger. Just this month, the Vice-President launched an initiative to court these voters, called Hombres con Harris, but it remains to be seen whether it can deliver results in time for the election.\nMany of Rascón’s friends had become Trump supporters. “They sort of drank the Kool-Aid,” he said. They were convinced that the Democrats catered only to the needs of newly arrived immigrants—something that Palazuelos also heard constantly. Before he walked into the studio, a close relative had texted him a post on X, which falsely claimed that migrants in New York were being offered seven months of free rent and health-care benefits.\nThe only way to counter those myths, both men said, was to keep knocking on people’s doors and informing them about real policies. Prop 314 was a more radical version of S.B. 1070, the men argued—it would terrorize Arizona’s immigrant communities. “You who’s listening, I know you’re very tired at times and you’re working, but if you don’t get involved today, as a Latino, as a Hispanic, you might not even be able to freely go to the store tomorrow,” Franko said. “If they see that you’re swarthy, just like me—good-looking, that is—they might ask for your papers and you won’t be allowed to go back to your family.”\nAs the segment drew to an end, Franko called on his listeners to open the door if volunteers like Rascón and Palazuelos came knocking. “They’re not going to sell you anything, ma’am, nor are they going to read you an excerpt from the Bible,” he said. “You, who maybe don’t yet have your papers, who are out in the country right now, cleaning houses, working in construction under the sun, wherever you are in the United States, remember: no politician should be applauded or defended. El pueblo always questions,” he went on. “When people begin to fanatically defend some type of candidate or color, that’s when we begin to lose ground.” Gradually, the beats of norteñas faded in. ♦","isBasedOn":"","articleSection":"the political scene","author":[{"@type":"Person","name":"Stephania Taladrid","sameAs":"https://www.newyorker.com/contributors/stephania-taladrid"}],"dateModified":"2024-10-26T06:00:00.000-04:00","datePublished":"2024-10-26T06:00:00.000-04:00","headline":"The Radio Station That Latino Voters Trust","image":["https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/16:9/w_2800,h_1575,c_limit/RadioCampesina_final.jpg","https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/4:3/w_2132,h_1599,c_limit/RadioCampesina_final.jpg","https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/1:1/w_1600,h_1600,c_limit/RadioCampesina_final.jpg"],"keywords":["the political scene","2024 presidential election","latinos","hispanics (latinos)","arizona","election 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https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/master/w_2240,c_limit/RadioCampesina_final.jpg 2240w" sizes="100vw"/><img alt="Illustration of a radio tower in a field" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/671aa40ac0dbb2f6d86d0613/master/w_2560%2Cc_limit/RadioCampesina_final.jpg"/></picture></span></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ContentGrid-fnmWms jwXFyC"><div class="GridItem-buujkM kHPPIF grid--item"><div class="Content-Nhnsg kCTxSg"><div data-testid="ContentHeaderRubric" class="ContentAlign-kJqeKN bfOHld"><div class="RubricWrapper-dKmCNX cXTooZ rubric"><a class="RubricLink-gRWSOU dESCDS rubric__link" href="/news/the-political-scene"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></a></div></div><div class="ContentAlign-kJqeKN bfOHld"></div><h1 data-testid="ContentHeaderHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ Hed-lbGlfF jZrgsf bgnnlt eyDuMH">The Radio Station That Latino Voters Trust</h1><p data-testid="ContentHeaderDek" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ Dek-jdWiki hVbrAl fjCBsv hGuYng">With Arizona in the balance, a critical political conversation is taking place on the air.</p><div class="Accreditation-eykaJL bxUMmS"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk jYjxgY bylines"><span class="BylineWrapper-jWHrLH iBybbt byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn eJwCwq byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ uhfVi byline__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM BylineLink-gEnFiw iUEiRd dTCiYp bVAERN brYZgj byline__name-link button" href="/contributors/stephania-taladrid">Stephania Taladrid</a></span></span></span></div><time data-testid="ContentHeaderPublishDate" dateTime="2024-10-26T06:00:00-04:00" class="PublishDate-gnIRnQ hdfIai">October 26, 2024</time></div></div></div></div></div><div class="DekAndCaption-dsxChW bdvsoR"><figure class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ Figure-cfqkSj jZrgsf avamK bnrXEX"><div class="CaptionWrapper-jSZdqE eLJlik caption" data-testid="caption-wrapper"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionCredit-ejegDm iUEiRd bibEBd kboznU caption__credit">Illustration by Celia Jacobs</span></div></figure></div></header></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN bIesAh article-body__content"><div class="ActionBarWrapperContent-lasBkU jrRtuw"><div class="ActionBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monitor="" class="ActionBarWrapper-dhxmQh hDHofQ viewport-monitor-anchor"><button id="bookmark" aria-label="Save this story" class="ActionBarButton-dyFOZU 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class="body__inner-container"><figure class="CneAudioEmbedFigure-bRoyFa cjLQOE"><div><div id="js-audioembed-hzyr8r"></div></div></figure><p class="has-dropcap has-dropcap__lead-standard-heading paywall">One recent morning, Tony Arias and Idelfonso Armenta, the hosts of a popular show on the Arizona radio station La Campesina, invited their listeners to talk about the election. “<em>Mi raza</em>,” Arias said, leaning into the microphone. “Donald Trump or Kamala Harris? We want to hear from you.”</p><p class="paywall">Arias and Armenta’s show is called “Los Chavorrucos,” a play on the words “young geezers.” Armenta is a tall, heavyset man in his forties with a resonant baritone voice; Arias—three years younger, shorter, and thinner—sounds comically chirpy by comparison. From 6 <em class="small">A.M.</em> to 10 <em class="small">A.M.</em>, the two supply banter, musical hits, and news to an audience of more than a hundred thousand Latino workers. The show sounds like a conversation among friends, but the audience is considerable enough to have caught President Joe Biden’s attention. Last year, during his reëlection campaign, he called in from the Oval Office and took questions about immigration, the economy, and disinformation.</p><p class="paywall">During the appearance, Biden made a characteristic effort at personal connection. “I’m looking at a statue of Cesar Chavez, who almost cost me an election in 1972,” he told the hosts. La Campesina, which broadcasts out of a red brick building in the Phoenix neighborhood of Eastlake Park, was founded by Cesar Chavez, in 1983. Arias and Armenta sit across from each other at a wooden desk built by one of Chavez’s younger brothers. The morning of my visit, Armenta was working the console, its needles bouncing to the sound of norteños, as Arias surveyed the responses coming in. “If we don’t air their audios,” Arias said, his eyes widening as he scrolled, “we get <em>scolded</em>.”</p><div></div><div></div><p class="paywall">Both men started in radio early. Armenta, who is from the Mexican border town of Nogales, hosted his first show, “De Corazón a Corazón,” at the age of seventeen. He later moved to Arizona, where he worked in construction and bounced around radio jobs until he heard of an opening at La Campesina. Arias started his own show in Phoenix and developed a following in the city’s immigrant community. On and off the air, he became an advocate for families who were being terrorized by the former sheriff of Maricopa County, Joe Arpaio, an anti-immigration zealot.</p><div><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--article-mid-content" role="presentation" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--article-mid-content consumer-marketing-unit__slot--in-content"></div><div class="journey-unit"></div></div></div><p class="paywall">Today, their reach extends to Arizona, California, Nevada, and beyond. In Las Vegas, an army of service workers—bellhops, cooks, servers, and room attendants—tune in each morning. Farmworkers who follow crops from state to state, as part of what is known as “<em>la corrida</em>,” take their radios wherever they go. In the border town of Yuma, the station’s signal streams south into Mexico, where it is known as “<em>la estación gringa</em>.”</p><p class="paywall">Of the seven battleground states, Arizona has the largest percentage of eligible Latino voters, representing a quarter of the electorate. But Trump and Harris have been late in reaching them: in August, a poll showed that half of Latino voters hadn’t heard from either campaign. Leading advocacy groups recently sent a letter to Republican and Democratic leaders condemning both parties’ “abysmal outreach.” For Spanish-speaking residents of Arizona, the crucial political conversation is happening not at campaign events and town halls but on trusted outlets like La Campesina.</p><p class="paywall">In 2020, Biden won Arizona by more than ten thousand votes, but Harris, after a promising start, has lagged there. The Chavorrucos weren’t too concerned with fluctuations in polls; they wanted to hear from listeners and share their mikes. “It’s our way of saying, ‘Your opinion is worthy—go on, dive in,’ ” Armenta said. He flashed a hand signal to Arias: twenty seconds. The first song of the hour was drawing to an end, and Arias was still trimming people’s audios.</p><p class="paywall">Just as time was running out, Arias turned to the mike and opened the segment. “<em>Ay dios</em>, how hard it is to go from ‘I love you’ to ‘I loved you,’ ” he said. “But it is harder even to go by a taquería and be cash-strapped.” The two hosts burst into laughter, then turned to people’s opinions.</p><p class="paywall">One listener was fixated on Trump’s false claim that immigrants in Ohio ate dogs and cats. Armenta responded, “All we can say is that it’s a <em>mitote</em>”—an unfounded rumor. “It’s very easy to talk with no base whatsoever, no proof to back what you’re saying. And that’s one of Donald Trump’s qualities.”</p><p class="paywall">Before calling for a music break, the hosts had a question for their listeners: Who, in their view, would make their lives better?</p><div class="Container-hnJNtl gxMaIG"></div><p class="paywall">The studio’s phone rang: “<em>Campesino</em>, good morning,” Armenta said. “Who do I have the pleasure of speaking with?” He covered the phone and turned to Arias, saying, “His name is Sigifrido.”</p><p class="paywall">Arias picked up the call: “All right, we’ve got Sigifrido on the line with us. Tell us your thoughts.”</p><p class="paywall">“I think people who are calling in and sharing their views about Kamala Harris have no idea of what they’re saying. It’s the same old <em>cantaleta</em>”—the same old refrain. “I think, if she wins, nothing’s going to change,” he said. “We’re going to have better opportunities with Donald Trump.” The man went on, “Many things will benefit us: closing the border, lowering taxes, more jobs.”</p><p class="paywall">“When you say closing the border, what do you mean?” Armenta asked.</p><p class="paywall">“These days, things are a little tough here in the country. And the more people come, the worse it gets.”</p><p class="paywall">Sigifrido was the minority opinion that morning. The callers, mostly women, were overwhelmingly siding with Harris. But Trump holds a narrow lead in the Grand Canyon State. “I think people have got to understand that the direction this country will take is in their hands,” Armenta said in closing. A sizable portion of the Latino electorate remained undecided, but if Arizona had become a swing state in 2020, after more than two decades of Republican hegemony, it was in part thanks to them. “The best thing we can do is stay informed,” Arias went on. “And, above all, go out and <em>vote</em>.”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">Few of La Campesina’s current staffers got to meet Chavez, who died in 1993, but he is resonant in their imagination. Outside the studio, the walls are festooned with memorabilia bearing his image: paintings, photographs, vinyl records, cereal boxes.</p><p class="paywall">Early on, Chavez understood that organizing seasonal farm workers would require effective mass communications. When he moved to California’s Central Valley, in 1962, he set up a mimeograph machine on his back porch to print out leaflets. “This was before anybody knew anything about Cesar Chavez,” his middle son, Paul, told me. He filled his old Mercury station wagon with boxes of leaflets, and enlisted his eight children to disseminate them. “He’d leave a couple of us on one corner, a couple more on the other corner, and our job was to hand out leaflets,” Paul said. “He really leafleted the whole Central Valley.”</p><p class="paywall">As the message spread and the union took shape, Chavez set up a print shop and began publishing a newspaper called <em>El Malcriado</em> (“The Rebellious One”). His intent was to communicate directly with workers and to counter growers’ efforts against the union. “People had tried for over a hundred years to organize farm workers,” Paul said. “All of the attempts were brutally crushed.” Union members were regularly beaten up, arrested, stripped naked, and chained. They were threatened with loaded guns, and at least five were killed on the picket line or while organizing workers. Chavez saw that music was a way to reach people surreptitiously. Farmworkers often carried transistor radios with them to ease the monotony of their work. Paul recalled that his father would often say, “If we had a radio station, instead of talking to hundreds, or a few thousand people a day, we could talk to fifty thousand.”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrsta ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="w0vkec"></div></div></div></div><div class="GridWrapper-cAzTTK sjrqk grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau eSqXkM grid-layout--adrail narrow wide-adrail"><div class="GridItem-buujkM stRKV grid--item grid-layout__content"><div class="BodyWrapper-kufPGa isZwGb body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">In 1983, Chavez acquired his first radio license, in Woodlake, California. During a meeting with the station’s staff, he stood by an easel pad, taking suggestions for a name. When a top contender emerged—“<em>El Aguila Vuela</em>,” or “The Eagle Soars”—one attendee, an organizer in her thirties named Cynthia Bell, rolled her eyes and whispered to her neighbor, “Always macho names.” Some of the attendees grumbled, but Chavez wanted to know what else Bell had in mind. “What about <em>Campesina</em>?” she said. He scribbled down the name as he took other suggestions. Then he said, “Radio <em>Campesina</em>—I like it.”</p><p class="paywall">Bell was put in charge of the station, running a team of six. Until they secured a building in Woodlake, they operated from a cavernous space in the union headquarters, which had previously housed a tuberculosis sanatorium. Chavez had enlisted a radio host from Washington State to teach the basics of interviewing, editing, and recording music. They were on air for twenty hours a day, beginning at four in the morning, when farm workers typically headed for the fields. A map of the San Joaquin Valley was hung on the wall, with a circle over the broadcast area.</p><p class="paywall">An engine of the farmworkers movement, music came to dominate La Campesina’s programming: norteña, ranchera, romántica, and corrido, but also jazz. “They would send us a <em>lot</em> of free records, in English and Spanish,” Bell recalled. “Benny Goodman was Cesar’s favorite.” Between songs, La Campesina provided a forum for farmworkers to air grievances. Bell remembered taking calls from workers who had been poisoned by pesticides or who wanted to expose an outbreak of hepatitis at work. If a child had gone missing or a labor petition was going around, La Campesina would break the news. In places like Bakersfield, the station commanded fifty per cent of the market. “We were kicking Rush Limbaugh’s ass,” Paul said.</p><p class="paywall">One of the most popular shows was “Despierta Ya Campesino” (“Wake Up, Farmworker”). Its host, Pepe Escamilla, had a boisterous manner and a gift for getting people to open up. One day, farmworkers called to accuse their foreman of sexually abusing women. Escamilla asked for a description—his name, if he had a wife or any children, where he went to Mass—and then denounced him on air. “He touched a nerve,” Paul said. The foreman called in, threatening “to kill everybody and burn the station.” Then, Paul said, “he called again and said, ‘O.K., I won’t do it anymore.’ ” At that point, “we saw the power of using the radio to call out people for the things they were doing under the cover of darkness.”</p><p class="paywall">After Chavez’s death, Paul drove out to Woodlake to address the station’s workers. He told them they would need time to chart out a plan for how to lead La Campesina forward. A farmworker who was present pulled out a piece of cardboard, with a sketch that Chavez had drawn of a stereo radiating signals across the Southwest. “<em>This</em> was your father’s vision,” she said. “You don’t have to plan anything—just go get to work.”</p><p class="paywall">Before Chavez’s death, he had acquired a radio license in Phoenix. Back then, Arizona was a Republican stronghold, but Latinos were gaining political strength. To build influence, Paul realized that La Campesina needed to know who the station’s listeners were: their gender and their age, where they had come from, and how long they had been living in the United States. Volunteers stood outside churches and stores, doling out free CDs to whoever would answer a short questionnaire. The answers revealed that a majority of listeners were between the ages of twenty-five and forty-four—a new generation that had come to the U.S. after Chavez’s death. Most of them were men who worked in the fields, and spent their days listening to norteña music. La Campesina now had a road map. With Paul’s brother Anthony leading the expansion in Phoenix, the station worked to secure its presence in the region. “We figured if we can focus on Arizona and Nevada,” Paul said, “we can have an impact on the national political scene.”</p><p class="has-dropcap has-dropcap__lead-standard-heading paywall">Today, the station is in the hands of María Barquín, an amiable woman of forty-six, with long black hair and soft features. When I visited, she was at her desk, going through the weekly selection of music. On a wall of her office, a painting depicted Chavez looking contemplative, with a desert road behind him. “It’s Arizona,” Barquín remarked. “When I see him, it helps me stay focussed.”</p><p class="paywall">Barquín’s criteria for the songs on La Campesina are strict: the music has to be rousing but never elicit violence; the feeling must stay true to <em>regional Mexicano</em>. She keeps a boom box playing in her office, so she can experience what her listeners do. “We just heard a more traditional song, but give this a listen,” she said, turning up the volume. The next tune was “Ella Baila Sola,” a collaboration between the group Eslabon Armado and the singer Peso Pluma, with voices weaving above brass harmonies and <em>requinto</em> guitars. This wasn’t strict <em>regional Mexicano</em> but, rather, a new interpretation, combining swagger and romanticism. Last year, it surpassed a billion streams on Spotify and reached the Top Five on the <em>Billboard</em> Hot 100. But for the station, Barquin said, the music was merely a hook: “It’s a tactic. Once we have their attention, we infuse music with information. It’s all about civic engagement.” La Campesina is often the first place that listeners call when they need an immigration lawyer, or want tips on how their children can qualify for scholarships.</p><p class="paywall">Down the hall, the Chavorrucos were getting ready to hand the mike over to Osvaldo Franko, the host of “Punto de Vista,” a talk show that has aired for decades. Franko, a wiry man of forty-four with a sharp, deliberate voice, sat reviewing his points for the morning: Arizona’s Proposition 314, a measure designed to allow state officials to round up and deport undocumented border crossers, topped the list.</p><p class="paywall">“From coast to coast and border to border, we’re going to start with the news,” Franko said. “Joining me today are members of the group Aliento, two young men—very young indeed—with whom we’ll discuss how young voters see this election.”</p><p class="paywall">His guests were Angel Palazuelos and Saúl Rascón, a pair of activists. Rascón, who is twenty-three and a <em class="small">DACA</em> recipient, said that people were alarmingly disengaged. “I’ve noticed that a lot of <em>paisanos</em>, particularly in Arizona and California, don’t know the power and influence they have,” he said. His job at Aliento, a local nonprofit, was to educate voters to make an informed decision on November 5th. “People who are out on the construction fields or working in agriculture—or, my dad, who’s out in the heat under a car all day fixing cars—they’re not going to take the time to compare the New York <em>Times</em> versus Fox, versus ‘Oh, is this poll really biased?’ ”</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrsta ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="kkvaow"></div></div></div></div><div class="GridWrapper-cAzTTK sjrqk grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau eSqXkM grid-layout--adrail narrow wide-adrail"><div class="GridItem-buujkM stRKV grid--item grid-layout__content"><div class="BodyWrapper-kufPGa isZwGb body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p class="paywall">Palazuelos, who is twenty-two, chimed in: “Saúl and I, we’re both Dreamers and we don’t have the power to vote, but what we can do is ask people to cast their ballot with our community in mind.” Like Rascón, Palazuelos discovered in high school what being undocumented meant; when friends started getting driver’s licenses, he found that he didn’t have a Social Security number. Undeterred, Palazuelos applied to Arizona State and earned a degree in biomedical engineering. But he feared that Prop 314 might make a job in the field unattainable or, worse, get him and his family deported. Democrats, he said, were “trying to appeal to independents, more moderate voters when it comes to the border—meanwhile, you have people our age wondering if they should even vote.”</p><p class="paywall">The young activists felt that the plight of Dreamers had become an afterthought. It was as if they had forgotten about <em class="small">DACA</em>, Rascón said. Both had grown up seeing the fear that S.B. 1070, a controversial anti-immigration law, engendered in their communities. The law required state police officers to inquire about the immigration status of anyone they stopped or arrested, if there was a “reasonable suspicion” that the person was in the country illegally. Rascón, who attended a Catholic high school in Phoenix, said that he helped set up a replica of Trump’s border wall on the school’s grounds. To get to class, students had to cross the wall and show their I.D.s. to teachers and classmates who were acting as border agents. “It was up to them if they’d let you in,” Rascón said.</p><p class="paywall">With less than two weeks left before the election, the Democratic Party’s support among Latinos stands at historic lows. Harris leads Trump nationwide in the demographic by about twelve points—a fraction of Barack Obama’s forty-four-point lead in exit polls from the 2012 election and Biden’s thirty-three-point lead in 2020. Young men like Rascón and Palazuelos are Harris’s greatest weak point: the most recent <em>Times</em>/Siena survey of Latino voters showed that Trump leads 55–38 among men aged forty-five or younger. Just this month, the Vice-President launched an initiative to court these voters, called Hombres con Harris, but it remains to be seen whether it can deliver results in time for the election.</p><p class="paywall">Many of Rascón’s friends had become Trump supporters. “They sort of drank the Kool-Aid,” he said. They were convinced that the Democrats catered only to the needs of newly arrived immigrants—something that Palazuelos also heard constantly. Before he walked into the studio, a close relative had texted him a post on X, which falsely claimed that migrants in New York were being offered seven months of free rent and health-care benefits.</p><p class="paywall">The only way to counter those myths, both men said, was to keep knocking on people’s doors and informing them about real policies. Prop 314 was a more radical version of S.B. 1070, the men argued—it would terrorize Arizona’s immigrant communities. “You who’s listening, I know you’re very tired at times and you’re working, but if you don’t get involved today, as a Latino, as a Hispanic, you might not even be able to freely go to the store tomorrow,” Franko said. “If they see that you’re swarthy, just like me—good-looking, that is—they might ask for your papers and you won’t be allowed to go back to your family.”</p><p class="paywall">As the segment drew to an end, Franko called on his listeners to open the door if volunteers like Rascón and Palazuelos came knocking. “They’re not going to sell you anything, ma’am, nor are they going to read you an excerpt from the Bible,” he said. “You, who maybe don’t yet have your papers, who are out in the country right now, cleaning houses, working in construction under the sun, wherever you are in the United States, remember: no politician should be applauded or defended. <em>El pueblo</em> always questions,” he went on. “When people begin to fanatically defend some type of candidate or color, <em>that’s</em> when we begin to lose ground.” Gradually, the beats of norteñas faded in. ♦</p></div></div></div></div></div><div class="GridWrapper-cAzTTK sjrqk grid grid-margins grid-items-2 PaywallInlineBarrierWithWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wide-adrail"><div class="GridItem-buujkM stRKV grid--item grid-layout__content"><div class="body body__inline-barrier article__body"><div class="container container--body"><div class="container--body-inner"><aside class="PaywallInlineBarrierWrapper-iBnuqk lfXXa-D" data-testid="PaywallInlineBarrierWrapper"><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--paywall-inline-barrier" role="presentation" aria-live="polite" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--paywall-inline-barrier"></div><div class="journey-unit"></div></div></aside></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK sjrqk grid grid-margins grid-items-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wide-adrail"><div class="GridItem-buujkM stRKV grid--item grid-layout__content"><div class="body body__container"><div class="container container--body"><div class="container--body-inner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="GridWrapper-cAzTTK sjrqk grid grid-margins grid-items-2 grid-layout--adrail narrow wide-adrail"><div class="GridItem-buujkM stRKV grid--item grid-layout__content"><div class="LinkStackWrapper-NFLYw kgtXXB linkstack" data-testid="LinkStack"><div class="SectionTitleRoot-dBGvdq dObkxA LinkStackHeader-lKjbE eOIsXc link-stack--heading" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">New Yorker Favorites</h2></div><div class="LinkStackContent-jyKicS gAUAiC"><ul class="LinkStackList-gGcjdZ dnMwpz"><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>Searching for the cause of a <a href="/magazine/1996/08/05/usair-flight-427-crash-detectives-investigation" class="InternalLinkEmbedWrapper-fhjgJW cQLtaa">catastrophic plane crash</a>.</p></div></li><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>The man who spent forty-two years <a href="/magazine/1993/02/22/beverly-hills-hotel-paradise-lost" class="InternalLinkEmbedWrapper-fhjgJW cQLtaa">at the Beverly Hills Hotel pool</a>.</p></div></li><li class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>Gloria Steinem’s life on <a 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class="LinkStackBullet-kQRqul iQHwiG link-stack--link-item" data-testid="LinkStackBullet"><div><p>Fiction by Patricia Highsmith: <a href="/magazine/2002/05/27/the-trouble-with-mrs-blynn-the-trouble-with-the-world" class="InternalLinkEmbedWrapper-fhjgJW cQLtaa">“The Trouble with Mrs. Blynn, the Trouble with the World”</a></p></div></li></ul><div class="LinkStackFooter-KfRyO ebnmps link-stack--footer"><div><p><a href="https://www.newyorker.com/newsletter/daily">Sign up</a> for our daily newsletter to receive the best stories from <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="GridWrapper-cAzTTK sjrqk grid grid-margins grid-items-2 grid-layout--adrail narrow wide-adrail"><div class="GridItem-buujkM stRKV grid--item grid-layout__content"><div class="ContributorsWrapper-eNpWFu gcgHaa contributors" data-testid="Contributors"><div data-testid="contributor-bio-wrapper" 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She was named a Pulitzer Prize finalist in 2023 for her reporting on the fall of Roe v. 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data-component-type="recirc-river" data-recirc-id="item-image-1" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Mystery of Tulsi Gabbard" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-1" data-component-type="recirc-river" data-recirc-id="item-hed-1" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/the-mystery-of-tulsi-gabbard#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">The Mystery of Tulsi Gabbard</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-mystery-of-tulsi-gabbard#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-1" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Mystery of Tulsi Gabbard" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679bf544bef93d803e4244b2/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Though the former Democrat has aligned herself with Trump, her true loyalties remain elusive as ever.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Kelefa Sanneh</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Donald Trump Throws the Doors to the Patriot Wing Open","index":1,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/the-doors-to-the-patriot-wing-are-thrown-open#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-doors-to-the-patriot-wing-are-thrown-open#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-2" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump Throws the Doors to the Patriot Wing Open" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-2" data-component-type="recirc-river" data-recirc-id="item-hed-2" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/the-doors-to-the-patriot-wing-are-thrown-open#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Donald Trump Throws the Doors to the Patriot Wing Open</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-doors-to-the-patriot-wing-are-thrown-open#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-2" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump Throws the Doors to the Patriot Wing Open" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6793f338b3e15f768548607e/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">More than fifteen hundred of the January 6th rioters were pardoned by the President. What will they do next?</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Antonia Hitchens</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Kash Patel’s Political-Persecution Fantasies","index":2,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/kash-patels-political-persecution-fantasies#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/kash-patels-political-persecution-fantasies#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Kash Patel’s Political-Persecution Fantasies" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-3" data-component-type="recirc-river" data-recirc-id="item-hed-3" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/kash-patels-political-persecution-fantasies#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Kash Patel’s Political-Persecution Fantasies</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/kash-patels-political-persecution-fantasies#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Kash Patel’s Political-Persecution Fantasies" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679a5a5c706481cd2e564c48/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">How Donald Trump’s presumptive F.B.I. head whitewashed the J6ers’ political violence.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Tess Owen</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Britain’s Foreign Secretary Braces for the Second Trump Age","index":3,"contentType":"venue","hotelLink":"https://www.newyorker.com/magazine/2025/01/27/britains-foreign-secretary-braces-for-the-second-trump-age#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2025/01/27/britains-foreign-secretary-braces-for-the-second-trump-age#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Britain’s Foreign Secretary Braces for the Second Trump Age" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">A Reporter at Large</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-4" data-component-type="recirc-river" data-recirc-id="item-hed-4" data-recirc-pattern="summary-item" href="https://www.newyorker.com/magazine/2025/01/27/britains-foreign-secretary-braces-for-the-second-trump-age#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Britain’s Foreign Secretary Braces for the Second Trump Age</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2025/01/27/britains-foreign-secretary-braces-for-the-second-trump-age#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Britain’s Foreign Secretary Braces for the Second Trump Age" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6787d88fbf80385733246d91/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">David Lammy used to be an arch-critic of Donald Trump. Can he deal with the new Administration and reset the U.K.’s relationship with the E.U. at the same time?</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Sam Knight</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrsta SummaryCollectionGridSummaryItem-WColm drmLpp ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="h0ostg"></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"The Not-Quite-Anti-Woke Caucus","index":4,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/the-not-quite-anti-woke-caucus#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-not-quite-anti-woke-caucus#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Not-Quite-Anti-Woke Caucus" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-5" data-component-type="recirc-river" data-recirc-id="item-hed-5" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/the-not-quite-anti-woke-caucus#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">The Not-Quite-Anti-Woke Caucus</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-not-quite-anti-woke-caucus#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Not-Quite-Anti-Woke Caucus" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67a1483f9b7d985271496648/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Democratic members of Congress are fed up with their party’s discourse on identity, but they can’t get on board with Donald Trump’s campaign to destroy D.E.I.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Emma Green</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Donald Trump’s Inaugural Day of Vindication","index":5,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/letter-from-trumps-washington/donald-trumps-inaugural-day-of-vindication#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trumps-inaugural-day-of-vindication#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Inaugural Day of Vindication" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Letter from Trump’s Washington</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-6" data-component-type="recirc-river" data-recirc-id="item-hed-6" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trumps-inaugural-day-of-vindication#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Donald Trump’s Inaugural Day of Vindication</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trumps-inaugural-day-of-vindication#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Inaugural Day of Vindication" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/678ec326fa70857e6eba336f/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The reëlected President reprised his “American Carnage” address, with repeated jabs at America’s “decline” under Joe Biden, but his central theme, as always, was himself.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Susan B. Glasser</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"The Motley Vermont Town Trying to Tell Its Own Story","index":6,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/dispatch/hardwick-the-motley-vermont-town-trying-to-tell-its-own-story#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/dispatch/hardwick-the-motley-vermont-town-trying-to-tell-its-own-story#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Motley Vermont Town Trying to Tell Its Own Story" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Dispatch</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-7" data-component-type="recirc-river" data-recirc-id="item-hed-7" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/dispatch/hardwick-the-motley-vermont-town-trying-to-tell-its-own-story#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">The Motley Vermont Town Trying to Tell Its Own Story</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/dispatch/hardwick-the-motley-vermont-town-trying-to-tell-its-own-story#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Motley Vermont Town Trying to Tell Its Own Story" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6798f4cef0bcce95a82bc18a/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">At the Civic Standard, in Hardwick, community building is a kind of performance art, where the usual tales of a fractured America are quickly upstaged.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Chelsea Edgar</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"The Junk Science of Robert F. Kennedy, Jr.","index":7,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/the-junk-science-of-robert-f-kennedy-jr#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-junk-science-of-robert-f-kennedy-jr#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Junk Science of Robert F. Kennedy, Jr." class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-8" data-component-type="recirc-river" data-recirc-id="item-hed-8" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/the-junk-science-of-robert-f-kennedy-jr#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">The Junk Science of Robert F. Kennedy, Jr.</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/the-junk-science-of-robert-f-kennedy-jr#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="The Junk Science of Robert F. Kennedy, Jr." class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67992134320cb15fa147d7e7/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">For the first time in modern American history, a skeptic of medical research could be responsible for safeguarding public health.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Clare Malone</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Donald Trump’s Anti-Woke Wrecking Ball","index":8,"contentType":"venue","hotelLink":"https://www.newyorker.com/magazine/2025/02/10/donald-trumps-anti-woke-wrecking-ball#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2025/02/10/donald-trumps-anti-woke-wrecking-ball#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Anti-Woke Wrecking Ball" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Comment</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-9" data-component-type="recirc-river" data-recirc-id="item-hed-9" data-recirc-pattern="summary-item" href="https://www.newyorker.com/magazine/2025/02/10/donald-trumps-anti-woke-wrecking-ball#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Donald Trump’s Anti-Woke Wrecking Ball</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/magazine/2025/02/10/donald-trumps-anti-woke-wrecking-ball#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump’s Anti-Woke Wrecking Ball" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679cfe02fc4c3fc3d8794feb/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Was Trump just “weaving” when he ranted about diversity initiatives after a horrific plane crash, or getting back on message after a week of executive overreach?</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Benjamin Wallace-Wells</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Why Is the Mastermind of Trump’s Tariff Plan Still Sitting at Home in Florida?","index":9,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-political-scene/why-is-the-mastermind-of-trumps-tariff-plan-still-sitting-at-home-in-florida#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/why-is-the-mastermind-of-trumps-tariff-plan-still-sitting-at-home-in-florida#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Why Is the Mastermind of Trump’s Tariff Plan Still Sitting at Home in Florida?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-10" data-component-type="recirc-river" data-recirc-id="item-hed-10" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-political-scene/why-is-the-mastermind-of-trumps-tariff-plan-still-sitting-at-home-in-florida#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Why Is the Mastermind of Trump’s Tariff Plan Still Sitting at Home in Florida?</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/why-is-the-mastermind-of-trumps-tariff-plan-still-sitting-at-home-in-florida#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Why Is the Mastermind of Trump’s Tariff Plan Still Sitting at Home in Florida?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/679126f4f0a3874eeb6c7031/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Robert Lighthizer, the former U.S. Trade Representative, lost his bid to rejoin the White House, but he still believes the President’s protectionist instincts can jump-start American manufacturing.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Benjamin Wallace-Wells</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"How Donald Trump Seizes the Primal Power of Naming","index":10,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-lede/how-donald-trump-seizes-the-primal-power-of-naming#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/how-donald-trump-seizes-the-primal-power-of-naming#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-11" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How Donald Trump Seizes the Primal Power of Naming" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Lede</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-11" data-component-type="recirc-river" data-recirc-id="item-hed-11" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-lede/how-donald-trump-seizes-the-primal-power-of-naming#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">How Donald Trump Seizes the Primal Power of Naming</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-lede/how-donald-trump-seizes-the-primal-power-of-naming#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-11" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="How Donald Trump Seizes the Primal Power of Naming" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6797bfa751c7e999119f8618/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">For the President, a name can become an instrument by which to exert his will upon our shared reality.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Jessica Winter</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff UgVUX summary-item summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm dVISaF" data-item="{"dangerousHed":"Donald Trump Returns to Washington","index":11,"contentType":"venue","hotelLink":"https://www.newyorker.com/news/the-political-scene/donald-trump-returns-to-washington#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/donald-trump-returns-to-washington#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump Returns to Washington" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl dJKpb summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Political Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-12" data-component-type="recirc-river" data-recirc-id="item-hed-12" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/the-political-scene/donald-trump-returns-to-washington#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" target="_self"><div class="SummaryItemHedBase-hiFYpQ bUJdcy summary-item__hed" data-testid="SummaryItemHed">Donald Trump Returns to Washington</div></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="https://www.newyorker.com/news/the-political-scene/donald-trump-returns-to-washington#intcid=_the-new-yorker-article-bottom-recirc_0ced371c-498b-42bb-b482-ded7f9c8a58f_roberta-similarity1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_320,c_limit/undefined 320w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_640,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_120,c_limit/undefined 120w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_240,c_limit/undefined 240w, https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_320,c_limit/undefined 320w" sizes="100vw"/><img alt="Donald Trump Returns to Washington" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/678da78b40917ac10adec26c/4:3/w_480%2Cc_limit/undefined"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The weekend’s pre-inaugural balls and parties reflected the exuberance of an ascendant MAGA movement—and the factional dissent already emerging.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" 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From 6 A.M. to 10 A.M., the two supply banter, musical hits, and news to an audience of more than a hundred thousand Latino workers. The show sounds like a conversation among friends, but the audience is considerable enough to have caught President Joe Biden’s attention. Last year, during his reëlection campaign, he called in from the Oval Office and took questions about immigration, the economy, and disinformation.\nDuring the appearance, Biden made a characteristic effort at personal connection. “I’m looking at a statue of Cesar Chavez, who almost cost me an election in 1972,” he told the hosts. La Campesina, which broadcasts out of a red brick building in the Phoenix neighborhood of Eastlake Park, was founded by Cesar Chavez, in 1983. Arias and Armenta sit across from each other at a wooden desk built by one of Chavez’s younger brothers. The morning of my visit, Armenta was working the console, its needles bouncing to the sound of norteños, as Arias surveyed the responses coming in. “If we don’t air their audios,” Arias said, his eyes widening as he scrolled, “we get scolded.”\nBoth men started in radio early. Armenta, who is from the Mexican border town of Nogales, hosted his first show, “De Corazón a Corazón,” at the age of seventeen. He later moved to Arizona, where he worked in construction and bounced around radio jobs until he heard of an opening at La Campesina. Arias started his own show in Phoenix and developed a following in the city’s immigrant community. On and off the air, he became an advocate for families who were being terrorized by the former sheriff of Maricopa County, Joe Arpaio, an anti-immigration zealot.\nToday, their reach extends to Arizona, California, Nevada, and beyond. In Las Vegas, an army of service workers—bellhops, cooks, servers, and room attendants—tune in each morning. Farmworkers who follow crops from state to state, as part of what is known as “la corrida,” take their radios wherever they go. In the border town of Yuma, the station’s signal streams south into Mexico, where it is known as “la estación gringa.”\nOf the seven battleground states, Arizona has the largest percentage of eligible Latino voters, representing a quarter of the electorate. But Trump and Harris have been late in reaching them: in August, a poll showed that half of Latino voters hadn’t heard from either campaign. Leading advocacy groups recently sent a letter to Republican and Democratic leaders condemning both parties’ “abysmal outreach.” For Spanish-speaking residents of Arizona, the crucial political conversation is happening not at campaign events and town halls but on trusted outlets like La Campesina.\nIn 2020, Biden won Arizona by more than ten thousand votes, but Harris, after a promising start, has lagged there. The Chavorrucos weren’t too concerned with fluctuations in polls; they wanted to hear from listeners and share their mikes. “It’s our way of saying, ‘Your opinion is worthy—go on, dive in,’ ” Armenta said. He flashed a hand signal to Arias: twenty seconds. The first song of the hour was drawing to an end, and Arias was still trimming people’s audios.\nJust as time was running out, Arias turned to the mike and opened the segment. “Ay dios, how hard it is to go from ‘I love you’ to ‘I loved you,’ ” he said. “But it is harder even to go by a taquería and be cash-strapped.” The two hosts burst into laughter, then turned to people’s opinions.\nOne listener was fixated on Trump’s false claim that immigrants in Ohio ate dogs and cats. Armenta responded, “All we can say is that it’s a mitote”—an unfounded rumor. “It’s very easy to talk with no base whatsoever, no proof to back what you’re saying. And that’s one of Donald Trump’s qualities.”\nBefore calling for a music break, the hosts had a question for their listeners: Who, in their view, would make their lives better?\nThe studio’s phone rang: “Campesino, good morning,” Armenta said. “Who do I have the pleasure of speaking with?” He covered the phone and turned to Arias, saying, “His name is Sigifrido.”\nArias picked up the call: “All right, we’ve got Sigifrido on the line with us. Tell us your thoughts.”\n“I think people who are calling in and sharing their views about Kamala Harris have no idea of what they’re saying. It’s the same old cantaleta”—the same old refrain. “I think, if she wins, nothing’s going to change,” he said. “We’re going to have better opportunities with Donald Trump.” The man went on, “Many things will benefit us: closing the border, lowering taxes, more jobs.”\n“When you say closing the border, what do you mean?” Armenta asked.\n“These days, things are a little tough here in the country. And the more people come, the worse it gets.”\nSigifrido was the minority opinion that morning. The callers, mostly women, were overwhelmingly siding with Harris. But Trump holds a narrow lead in the Grand Canyon State. “I think people have got to understand that the direction this country will take is in their hands,” Armenta said in closing. A sizable portion of the Latino electorate remained undecided, but if Arizona had become a swing state in 2020, after more than two decades of Republican hegemony, it was in part thanks to them. “The best thing we can do is stay informed,” Arias went on. “And, above all, go out and vote.”\nEarly on, Chavez understood that organizing seasonal farm workers would require effective mass communications. When he moved to California’s Central Valley, in 1962, he set up a mimeograph machine on his back porch to print out leaflets. “This was before anybody knew anything about Cesar Chavez,” his middle son, Paul, told me. He filled his old Mercury station wagon with boxes of leaflets, and enlisted his eight children to disseminate them. “He’d leave a couple of us on one corner, a couple more on the other corner, and our job was to hand out leaflets,” Paul said. “He really leafleted the whole Central Valley.”\nAs the message spread and the union took shape, Chavez set up a print shop and began publishing a newspaper called El Malcriado (“The Rebellious One”). His intent was to communicate directly with workers and to counter growers’ efforts against the union. “People had tried for over a hundred years to organize farm workers,” Paul said. “All of the attempts were brutally crushed.” Union members were regularly beaten up, arrested, stripped naked, and chained. They were threatened with loaded guns, and at least five were killed on the picket line or while organizing workers. Chavez saw that music was a way to reach people surreptitiously. Farmworkers often carried transistor radios with them to ease the monotony of their work. Paul recalled that his father would often say, “If we had a radio station, instead of talking to hundreds, or a few thousand people a day, we could talk to fifty thousand.”\nIn 1983, Chavez acquired his first radio license, in Woodlake, California. During a meeting with the station’s staff, he stood by an easel pad, taking suggestions for a name. When a top contender emerged—“El Aguila Vuela,” or “The Eagle Soars”—one attendee, an organizer in her thirties named Cynthia Bell, rolled her eyes and whispered to her neighbor, “Always macho names.” Some of the attendees grumbled, but Chavez wanted to know what else Bell had in mind. “What about Campesina?” she said. He scribbled down the name as he took other suggestions. Then he said, “Radio Campesina—I like it.”\nBell was put in charge of the station, running a team of six. Until they secured a building in Woodlake, they operated from a cavernous space in the union headquarters, which had previously housed a tuberculosis sanatorium. Chavez had enlisted a radio host from Washington State to teach the basics of interviewing, editing, and recording music. They were on air for twenty hours a day, beginning at four in the morning, when farm workers typically headed for the fields. A map of the San Joaquin Valley was hung on the wall, with a circle over the broadcast area.\nAn engine of the farmworkers movement, music came to dominate La Campesina’s programming: norteña, ranchera, romántica, and corrido, but also jazz. “They would send us a lot of free records, in English and Spanish,” Bell recalled. “Benny Goodman was Cesar’s favorite.” Between songs, La Campesina provided a forum for farmworkers to air grievances. Bell remembered taking calls from workers who had been poisoned by pesticides or who wanted to expose an outbreak of hepatitis at work. If a child had gone missing or a labor petition was going around, La Campesina would break the news. In places like Bakersfield, the station commanded fifty per cent of the market. “We were kicking Rush Limbaugh’s ass,” Paul said.\nOne of the most popular shows was “Despierta Ya Campesino” (“Wake Up, Farmworker”). Its host, Pepe Escamilla, had a boisterous manner and a gift for getting people to open up. One day, farmworkers called to accuse their foreman of sexually abusing women. Escamilla asked for a description—his name, if he had a wife or any children, where he went to Mass—and then denounced him on air. “He touched a nerve,” Paul said. The foreman called in, threatening “to kill everybody and burn the station.” Then, Paul said, “he called again and said, ‘O.K., I won’t do it anymore.’ ” At that point, “we saw the power of using the radio to call out people for the things they were doing under the cover of darkness.”\nAfter Chavez’s death, Paul drove out to Woodlake to address the station’s workers. He told them they would need time to chart out a plan for how to lead La Campesina forward. A farmworker who was present pulled out a piece of cardboard, with a sketch that Chavez had drawn of a stereo radiating signals across the Southwest. “This was your father’s vision,” she said. “You don’t have to plan anything—just go get to work.”\nBefore Chavez’s death, he had acquired a radio license in Phoenix. Back then, Arizona was a Republican stronghold, but Latinos were gaining political strength. To build influence, Paul realized that La Campesina needed to know who the station’s listeners were: their gender and their age, where they had come from, and how long they had been living in the United States. Volunteers stood outside churches and stores, doling out free CDs to whoever would answer a short questionnaire. The answers revealed that a majority of listeners were between the ages of twenty-five and forty-four—a new generation that had come to the U.S. after Chavez’s death. Most of them were men who worked in the fields, and spent their days listening to norteña music. La Campesina now had a road map. With Paul’s brother Anthony leading the expansion in Phoenix, the station worked to secure its presence in the region. “We figured if we can focus on Arizona and Nevada,” Paul said, “we can have an impact on the national political scene.”\nBarquín’s criteria for the songs on La Campesina are strict: the music has to be rousing but never elicit violence; the feeling must stay true to regional Mexicano. She keeps a boom box playing in her office, so she can experience what her listeners do. “We just heard a more traditional song, but give this a listen,” she said, turning up the volume. The next tune was “Ella Baila Sola,” a collaboration between the group Eslabon Armado and the singer Peso Pluma, with voices weaving above brass harmonies and requinto guitars. This wasn’t strict regional Mexicano but, rather, a new interpretation, combining swagger and romanticism. Last year, it surpassed a billion streams on Spotify and reached the Top Five on the Billboard Hot 100. But for the station, Barquin said, the music was merely a hook: “It’s a tactic. Once we have their attention, we infuse music with information. It’s all about civic engagement.” La Campesina is often the first place that listeners call when they need an immigration lawyer, or want tips on how their children can qualify for scholarships.\nDown the hall, the Chavorrucos were getting ready to hand the mike over to Osvaldo Franko, the host of “Punto de Vista,” a talk show that has aired for decades. Franko, a wiry man of forty-four with a sharp, deliberate voice, sat reviewing his points for the morning: Arizona’s Proposition 314, a measure designed to allow state officials to round up and deport undocumented border crossers, topped the list.\n“From coast to coast and border to border, we’re going to start with the news,” Franko said. “Joining me today are members of the group Aliento, two young men—very young indeed—with whom we’ll discuss how young voters see this election.”\nHis guests were Angel Palazuelos and Saúl Rascón, a pair of activists. Rascón, who is twenty-three and a DACA recipient, said that people were alarmingly disengaged. “I’ve noticed that a lot of paisanos, particularly in Arizona and California, don’t know the power and influence they have,” he said. His job at Aliento, a local nonprofit, was to educate voters to make an informed decision on November 5th. “People who are out on the construction fields or working in agriculture—or, my dad, who’s out in the heat under a car all day fixing cars—they’re not going to take the time to compare the New York Times versus Fox, versus ‘Oh, is this poll really biased?’ ”\nPalazuelos, who is twenty-two, chimed in: “Saúl and I, we’re both Dreamers and we don’t have the power to vote, but what we can do is ask people to cast their ballot with our community in mind.” Like Rascón, Palazuelos discovered in high school what being undocumented meant; when friends started getting driver’s licenses, he found that he didn’t have a Social Security number. Undeterred, Palazuelos applied to Arizona State and earned a degree in biomedical engineering. But he feared that Prop 314 might make a job in the field unattainable or, worse, get him and his family deported. Democrats, he said, were “trying to appeal to independents, more moderate voters when it comes to the border—meanwhile, you have people our age wondering if they should even vote.”\nThe young activists felt that the plight of Dreamers had become an afterthought. It was as if they had forgotten about DACA, Rascón said. Both had grown up seeing the fear that S.B. 1070, a controversial anti-immigration law, engendered in their communities. The law required state police officers to inquire about the immigration status of anyone they stopped or arrested, if there was a “reasonable suspicion” that the person was in the country illegally. Rascón, who attended a Catholic high school in Phoenix, said that he helped set up a replica of Trump’s border wall on the school’s grounds. To get to class, students had to cross the wall and show their I.D.s. to teachers and classmates who were acting as border agents. “It was up to them if they’d let you in,” Rascón said.\nWith less than two weeks left before the election, the Democratic Party’s support among Latinos stands at historic lows. Harris leads Trump nationwide in the demographic by about twelve points—a fraction of Barack Obama’s forty-four-point lead in exit polls from the 2012 election and Biden’s thirty-three-point lead in 2020. Young men like Rascón and Palazuelos are Harris’s greatest weak point: the most recent Times\u002FSiena survey of Latino voters showed that Trump leads 55–38 among men aged forty-five or younger. Just this month, the Vice-President launched an initiative to court these voters, called Hombres con Harris, but it remains to be seen whether it can deliver results in time for the election.\nMany of Rascón’s friends had become Trump supporters. “They sort of drank the Kool-Aid,” he said. They were convinced that the Democrats catered only to the needs of newly arrived immigrants—something that Palazuelos also heard constantly. Before he walked into the studio, a close relative had texted him a post on X, which falsely claimed that migrants in New York were being offered seven months of free rent and health-care benefits.\nThe only way to counter those myths, both men said, was to keep knocking on people’s doors and informing them about real policies. Prop 314 was a more radical version of S.B. 1070, the men argued—it would terrorize Arizona’s immigrant communities. “You who’s listening, I know you’re very tired at times and you’re working, but if you don’t get involved today, as a Latino, as a Hispanic, you might not even be able to freely go to the store tomorrow,” Franko said. “If they see that you’re swarthy, just like me—good-looking, that is—they might ask for your papers and you won’t be allowed to go back to your family.”\nAs the segment drew to an end, Franko called on his listeners to open the door if volunteers like Rascón and Palazuelos came knocking. “They’re not going to sell you anything, ma’am, nor are they going to read you an excerpt from the Bible,” he said. “You, who maybe don’t yet have your papers, who are out in the country right now, cleaning houses, working in construction under the sun, wherever you are in the United States, remember: no politician should be applauded or defended. El pueblo always questions,” he went on. “When people begin to fanatically defend some type of candidate or color, that’s when we begin to lose ground.” Gradually, the beats of norteñas faded in. ♦","isBasedOn":"","articleSection":"the political scene","author":[{"@type":"Person","name":"Stephania Taladrid","sameAs":"https:\u002F\u002Fwww.newyorker.com\u002Fcontributors\u002Fstephania-taladrid"}],"dateModified":"2024-10-26T06:00:00.000-04:00","datePublished":"2024-10-26T06:00:00.000-04:00","headline":"The Radio Station That Latino Voters Trust","image":["https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F671aa40ac0dbb2f6d86d0613\u002F16:9\u002Fw_2800,h_1575,c_limit\u002FRadioCampesina_final.jpg","https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F671aa40ac0dbb2f6d86d0613\u002F4:3\u002Fw_2132,h_1599,c_limit\u002FRadioCampesina_final.jpg","https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F671aa40ac0dbb2f6d86d0613\u002F1:1\u002Fw_1600,h_1600,c_limit\u002FRadioCampesina_final.jpg"],"keywords":["the political scene","2024 presidential election","latinos","hispanics (latinos)","arizona","election 2024","radio","broadcasting","audio","textoverlaycenterfullbleedgradient","web"],"thumbnailUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F671aa40ac0dbb2f6d86d0613\u002F3:2\u002Fw_2400,h_1600,c_limit\u002FRadioCampesina_final.jpg","url":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fthe-political-scene\u002Fthe-radio-station-that-latino-voters-trust","isPartOf":{"@type":"CreativeWork","name":"The New Yorker"},"isAccessibleForFree":true,"alternativeHeadline":"Stephania Taladrid writes about Radio Campesina, and how, with Arizona in the balance, a critical political conversation is taking place on the air.","description":"Stephania Taladrid writes about Radio Campesina, and how, with Arizona in the balance, a critical political conversation is taking place on the air.","mainEntityOfPage":{"@type":"WebPage","@id":"https:\u002F\u002Fwww.newyorker.com\u002Fnews\u002Fthe-political-scene\u002Fthe-radio-station-that-latino-voters-trust"},"publisher":{"@context":"https:\u002F\u002Fschema.org","@type":"Organization","name":"The New Yorker","logo":{"@type":"ImageObject","url":"https:\u002F\u002Fwww.newyorker.com\u002Fverso\u002Fstatic\u002Fthenewyorker-us\u002Fassets\u002Fthe-new-yorker-seo-logo.jpg","width":"1200px","height":"630px"},"url":"https:\u002F\u002Fwww.newyorker.com"}},{"@context":"https:\u002F\u002Fschema.org\u002F","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"name":"News","item":"https:\u002F\u002Fwww.newyorker.com\u002Fnews"},{"@type":"ListItem","position":2,"name":"2024 Presidential Election","item":"https:\u002F\u002Fwww.newyorker.com\u002Ftag\u002F2024-presidential-election"},{"@type":"ListItem","position":3,"name":"The Radio Station That Latino Voters Trust"}]}],"head.contentID":"6717bac43809c0bd9ef5009e","head.pageType":"article","head.photos":{"image-16-9":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F671aa40ac0dbb2f6d86d0613\u002F16:9\u002Fw_1000,c_limit\u002FRadioCampesina_final.jpg","image-1-1":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F671aa40ac0dbb2f6d86d0613\u002F1:1\u002Fw_1000,c_limit\u002FRadioCampesina_final.jpg"},"head.firstPublishDate":"2024-10-26T10:00:00.000Z","head.primaryTagsRoot":"tags","head.hasSponsoredContent":false,"head.modifiedDate":"2024-10-26T10:00:00.000Z","head.noIndex":false,"linkBannerData":{"bannerType":"marquee","dek":"","hed":"","image":{},"links":[],"tracking":{"trackingIdentifier":"","attributes":{}}},"linkBannerId":[],"navigation":{"aboutText":"The writers you love. 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His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man storytelling show, “The Gates,” played at the Public Theatre in New York.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"letter-from-beverly-hills","name":"Letter from Beverly Hills"},"channels":[{"name":"Letter from Beverly Hills"},{"name":"New Yorker Favorites"}],"hed":"The Man Who Spent Forty-two Years at the Beverly Hills Hotel Pool","dek":"Nearly every day for decades, Irving V. Link tanned by the luxury pool. 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Her first long pieces for *The New Yorker* became the books “[Allen Ginsberg in America](https:\u002F\u002Fwww.amazon.com\u002FAllen-Ginsberg-America-Jane-Kramer\u002Fdp\u002FB0006BZ2RY)” (1969) and “[Honor to the Bride](https:\u002F\u002Fwww.amazon.com\u002FHonor-Bride-Pigeon-Guards-Grain\u002Fdp\u002F0374172579\u002F)” (1970), which was based on her experiences in Morocco in the late nineteen-sixties. \n\nSince 1970, most of Kramer’s work for the magazine has covered aspects of European culture, politics, and social history. Many of these articles have been collected in three books: “[Unsettling Europe](https:\u002F\u002Fwww.amazon.com\u002FUnsettling-Europe-Jane-Kramer\u002Fdp\u002F039450433X)” (1980); “[Europeans](https:\u002F\u002Fwww.amazon.com\u002FEuropeans-Jane-Kramer\u002Fdp\u002F0140128085)” (1988), which won the Prix Européen de l’Essai “Charles Veillon” and was nominated for the National Book Critics Circle Award for nonfiction; and “[The Politics of Memory: Looking for Germany in the New Germany](https:\u002F\u002Fwww.amazon.com\u002FPolitics-Memory-Looking-Germany-New\u002Fdp\u002F0679448721)” (1996). \n\nA notable exception to Kramer’s European reporting was her Profile, from 1977, of the pseudonymous Texan Henry Blanton. It was later published as a book, “[The Last Cowboy](https:\u002F\u002Fwww.amazon.com\u002FLast-Cowboy-Jane-Kramer\u002Fdp\u002F1845951638)” (1977), which won the American Book Award for nonfiction. Parts of her book “[Lone Patriot](https:\u002F\u002Fwww.amazon.com\u002FLone-Patriot-Career-American-Militiaman\u002Fdp\u002F1400032326)” (2002), on the right-wing American militia leader John Pitner, also first appeared in the magazine. Her article on multiculturalism and political correctness, “[Whose Art Is It?](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F1992\u002F12\u002F21\u002Fwhose-art-is-it),” won the 1993 National Magazine Award for feature writing and was published as a [book](https:\u002F\u002Fwww.amazon.com\u002FWhose-Art-Jane-Kramer\u002Fdp\u002F0822315491), in 1994. \n\nHer most recent book, “[The Reporter’s Kitchen](https:\u002F\u002Fwww.amazon.com\u002FReporters-Kitchen-Essays-Jane-Kramer\u002Fdp\u002F1250074371),” (2017) is a collection of her food writing for *The New Yorker*. 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His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man storytelling show, “The Gates,” played at the Public Theatre in New York.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"letter-from-beverly-hills","name":"Letter from Beverly Hills"},"channels":[{"name":"Letter from Beverly Hills"},{"name":"New Yorker Favorites"}],"hed":"The Man Who Spent Forty-two Years at the Beverly Hills Hotel Pool","dek":"Nearly every day for decades, Irving V. Link tanned by the luxury pool. 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Many of these articles have been collected in three books: “[Unsettling Europe](https:\u002F\u002Fwww.amazon.com\u002FUnsettling-Europe-Jane-Kramer\u002Fdp\u002F039450433X)” (1980); “[Europeans](https:\u002F\u002Fwww.amazon.com\u002FEuropeans-Jane-Kramer\u002Fdp\u002F0140128085)” (1988), which won the Prix Européen de l’Essai “Charles Veillon” and was nominated for the National Book Critics Circle Award for nonfiction; and “[The Politics of Memory: Looking for Germany in the New Germany](https:\u002F\u002Fwww.amazon.com\u002FPolitics-Memory-Looking-Germany-New\u002Fdp\u002F0679448721)” (1996). \n\nA notable exception to Kramer’s European reporting was her Profile, from 1977, of the pseudonymous Texan Henry Blanton. It was later published as a book, “[The Last Cowboy](https:\u002F\u002Fwww.amazon.com\u002FLast-Cowboy-Jane-Kramer\u002Fdp\u002F1845951638)” (1977), which won the American Book Award for nonfiction. Parts of her book “[Lone Patriot](https:\u002F\u002Fwww.amazon.com\u002FLone-Patriot-Career-American-Militiaman\u002Fdp\u002F1400032326)” (2002), on the right-wing American militia leader John Pitner, also first appeared in the magazine. Her article on multiculturalism and political correctness, “[Whose Art Is It?](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F1992\u002F12\u002F21\u002Fwhose-art-is-it),” won the 1993 National Magazine Award for feature writing and was published as a [book](https:\u002F\u002Fwww.amazon.com\u002FWhose-Art-Jane-Kramer\u002Fdp\u002F0822315491), in 1994. \n\nHer most recent book, “[The Reporter’s Kitchen](https:\u002F\u002Fwww.amazon.com\u002FReporters-Kitchen-Essays-Jane-Kramer\u002Fdp\u002F1250074371),” (2017) is a collection of her food writing for *The New Yorker*. 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His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. 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His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man storytelling show, “The Gates,” played at the Public Theatre in New York.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"letter-from-beverly-hills","name":"Letter from Beverly Hills"},"channels":[{"name":"Letter from Beverly Hills"},{"name":"New Yorker Favorites"}],"hed":"The Man Who Spent Forty-two Years at the Beverly Hills Hotel Pool","dek":"Nearly every day for decades, Irving V. Link tanned by the luxury pool. 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Many of these articles have been collected in three books: “[Unsettling Europe](https:\u002F\u002Fwww.amazon.com\u002FUnsettling-Europe-Jane-Kramer\u002Fdp\u002F039450433X)” (1980); “[Europeans](https:\u002F\u002Fwww.amazon.com\u002FEuropeans-Jane-Kramer\u002Fdp\u002F0140128085)” (1988), which won the Prix Européen de l’Essai “Charles Veillon” and was nominated for the National Book Critics Circle Award for nonfiction; and “[The Politics of Memory: Looking for Germany in the New Germany](https:\u002F\u002Fwww.amazon.com\u002FPolitics-Memory-Looking-Germany-New\u002Fdp\u002F0679448721)” (1996). \n\nA notable exception to Kramer’s European reporting was her Profile, from 1977, of the pseudonymous Texan Henry Blanton. It was later published as a book, “[The Last Cowboy](https:\u002F\u002Fwww.amazon.com\u002FLast-Cowboy-Jane-Kramer\u002Fdp\u002F1845951638)” (1977), which won the American Book Award for nonfiction. Parts of her book “[Lone Patriot](https:\u002F\u002Fwww.amazon.com\u002FLone-Patriot-Career-American-Militiaman\u002Fdp\u002F1400032326)” (2002), on the right-wing American militia leader John Pitner, also first appeared in the magazine. Her article on multiculturalism and political correctness, “[Whose Art Is It?](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F1992\u002F12\u002F21\u002Fwhose-art-is-it),” won the 1993 National Magazine Award for feature writing and was published as a [book](https:\u002F\u002Fwww.amazon.com\u002FWhose-Art-Jane-Kramer\u002Fdp\u002F0822315491), in 1994. \n\nHer most recent book, “[The Reporter’s Kitchen](https:\u002F\u002Fwww.amazon.com\u002FReporters-Kitchen-Essays-Jane-Kramer\u002Fdp\u002F1250074371),” (2017) is a collection of her food writing for *The New Yorker*. 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His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. 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Her first long pieces for *The New Yorker* became the books “[Allen Ginsberg in America](https:\u002F\u002Fwww.amazon.com\u002FAllen-Ginsberg-America-Jane-Kramer\u002Fdp\u002FB0006BZ2RY)” (1969) and “[Honor to the Bride](https:\u002F\u002Fwww.amazon.com\u002FHonor-Bride-Pigeon-Guards-Grain\u002Fdp\u002F0374172579\u002F)” (1970), which was based on her experiences in Morocco in the late nineteen-sixties. \n\nSince 1970, most of Kramer’s work for the magazine has covered aspects of European culture, politics, and social history. Many of these articles have been collected in three books: “[Unsettling Europe](https:\u002F\u002Fwww.amazon.com\u002FUnsettling-Europe-Jane-Kramer\u002Fdp\u002F039450433X)” (1980); “[Europeans](https:\u002F\u002Fwww.amazon.com\u002FEuropeans-Jane-Kramer\u002Fdp\u002F0140128085)” (1988), which won the Prix Européen de l’Essai “Charles Veillon” and was nominated for the National Book Critics Circle Award for nonfiction; and “[The Politics of Memory: Looking for Germany in the New Germany](https:\u002F\u002Fwww.amazon.com\u002FPolitics-Memory-Looking-Germany-New\u002Fdp\u002F0679448721)” (1996). \n\nA notable exception to Kramer’s European reporting was her Profile, from 1977, of the pseudonymous Texan Henry Blanton. It was later published as a book, “[The Last Cowboy](https:\u002F\u002Fwww.amazon.com\u002FLast-Cowboy-Jane-Kramer\u002Fdp\u002F1845951638)” (1977), which won the American Book Award for nonfiction. 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We want to hear from you.”"]],["p",{"class":"paywall"},"Arias and Armenta’s show is called “Los Chavorrucos,” a play on the words “young geezers.” Armenta is a tall, heavyset man in his forties with a resonant baritone voice; Arias—three years younger, shorter, and thinner—sounds comically chirpy by comparison. From 6 ",["em",{"class":"small"},"A.M."]," to 10 ",["em",{"class":"small"},"A.M."],", the two supply banter, musical hits, and news to an audience of more than a hundred thousand Latino workers. The show sounds like a conversation among friends, but the audience is considerable enough to have caught President Joe Biden’s attention. Last year, during his reëlection campaign, he called in from the Oval Office and took questions about immigration, the economy, and disinformation."],["p",{"class":"paywall"},"During the appearance, Biden made a characteristic effort at personal connection. “I’m looking at a statue of Cesar Chavez, who almost cost me an election in 1972,” he told the hosts. La Campesina, which broadcasts out of a red brick building in the Phoenix neighborhood of Eastlake Park, was founded by Cesar Chavez, in 1983. Arias and Armenta sit across from each other at a wooden desk built by one of Chavez’s younger brothers. The morning of my visit, Armenta was working the console, its needles bouncing to the sound of norteños, as Arias surveyed the responses coming in. “If we don’t air their audios,” Arias said, his eyes widening as he scrolled, “we get ",["em","scolded"],".”"],["journey-inline-newsletter",{"newsletterType":"slim-newsletter","newsletters":[]}],["inline-newsletter",{"newsletterType":"slim-newsletter","newsletters":[]}],["p",{"class":"paywall"},"Both men started in radio early. Armenta, who is from the Mexican border town of Nogales, hosted his first show, “De Corazón a Corazón,” at the age of seventeen. He later moved to Arizona, where he worked in construction and bounced around radio jobs until he heard of an opening at La Campesina. Arias started his own show in Phoenix and developed a following in the city’s immigrant community. On and off the air, he became an advocate for families who were being terrorized by the former sheriff of Maricopa County, Joe Arpaio, an anti-immigration zealot."],["cm-unit"],["p",{"class":"paywall"},"Today, their reach extends to Arizona, California, Nevada, and beyond. In Las Vegas, an army of service workers—bellhops, cooks, servers, and room attendants—tune in each morning. Farmworkers who follow crops from state to state, as part of what is known as “",["em","la corrida"],",” take their radios wherever they go. In the border town of Yuma, the station’s signal streams south into Mexico, where it is known as “",["em","la estación gringa"],".”"],["p",{"class":"paywall"},"Of the seven battleground states, Arizona has the largest percentage of eligible Latino voters, representing a quarter of the electorate. But Trump and Harris have been late in reaching them: in August, a poll showed that half of Latino voters hadn’t heard from either campaign. Leading advocacy groups recently sent a letter to Republican and Democratic leaders condemning both parties’ “abysmal outreach.” For Spanish-speaking residents of Arizona, the crucial political conversation is happening not at campaign events and town halls but on trusted outlets like La Campesina."],["p",{"class":"paywall"},"In 2020, Biden won Arizona by more than ten thousand votes, but Harris, after a promising start, has lagged there. The Chavorrucos weren’t too concerned with fluctuations in polls; they wanted to hear from listeners and share their mikes. “It’s our way of saying, ‘Your opinion is worthy—go on, dive in,’ ” Armenta said. He flashed a hand signal to Arias: twenty seconds. The first song of the hour was drawing to an end, and Arias was still trimming people’s audios."],["p",{"class":"paywall"},"Just as time was running out, Arias turned to the mike and opened the segment. “",["em","Ay dios"],", how hard it is to go from ‘I love you’ to ‘I loved you,’ ” he said. “But it is harder even to go by a taquería and be cash-strapped.” The two hosts burst into laughter, then turned to people’s opinions."],["p",{"class":"paywall"},"One listener was fixated on Trump’s false claim that immigrants in Ohio ate dogs and cats. Armenta responded, “All we can say is that it’s a ",["em","mitote"],"”—an unfounded rumor. “It’s very easy to talk with no base whatsoever, no proof to back what you’re saying. And that’s one of Donald Trump’s qualities.”"],["p",{"class":"paywall"},"Before calling for a music break, the hosts had a question for their listeners: Who, in their view, would make their lives better?"],["inline-embed",{"type":"cneinterlude","props":{"brand":"newyorker","embeddedVideos":[],"hasExcludedEmbed":false,"playerBase":"https:\u002F\u002Fplayer.cnevids.com","isRightRail":false,"relatedVideo":{"showRelatedVideo":false,"brand":"newyorker","related":null,"pageSize":12}}}],["p",{"class":"paywall"},"The studio’s phone rang: “",["em","Campesino"],", good morning,” Armenta said. “Who do I have the pleasure of speaking with?” He covered the phone and turned to Arias, saying, “His name is Sigifrido.”"],["p",{"class":"paywall"},"Arias picked up the call: “All right, we’ve got Sigifrido on the line with us. Tell us your thoughts.”"],["p",{"class":"paywall"},"“I think people who are calling in and sharing their views about Kamala Harris have no idea of what they’re saying. It’s the same old ",["em","cantaleta"],"”—the same old refrain. “I think, if she wins, nothing’s going to change,” he said. “We’re going to have better opportunities with Donald Trump.” The man went on, “Many things will benefit us: closing the border, lowering taxes, more jobs.”"],["p",{"class":"paywall"},"“When you say closing the border, what do you mean?” Armenta asked."],["p",{"class":"paywall"},"“These days, things are a little tough here in the country. And the more people come, the worse it gets.”"],["p",{"class":"paywall"},"Sigifrido was the minority opinion that morning. The callers, mostly women, were overwhelmingly siding with Harris. But Trump holds a narrow lead in the Grand Canyon State. “I think people have got to understand that the direction this country will take is in their hands,” Armenta said in closing. A sizable portion of the Latino electorate remained undecided, but if Arizona had become a swing state in 2020, after more than two decades of Republican hegemony, it was in part thanks to them. “The best thing we can do is stay informed,” Arias went on. “And, above all, go out and ",["em","vote"],".”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"Few of La Campesina’s current staffers got to meet Chavez, who died in 1993, but he is resonant in their imagination. Outside the studio, the walls are festooned with memorabilia bearing his image: paintings, photographs, vinyl records, cereal boxes."]],["p",{"class":"paywall"},"Early on, Chavez understood that organizing seasonal farm workers would require effective mass communications. When he moved to California’s Central Valley, in 1962, he set up a mimeograph machine on his back porch to print out leaflets. “This was before anybody knew anything about Cesar Chavez,” his middle son, Paul, told me. He filled his old Mercury station wagon with boxes of leaflets, and enlisted his eight children to disseminate them. “He’d leave a couple of us on one corner, a couple more on the other corner, and our job was to hand out leaflets,” Paul said. “He really leafleted the whole Central Valley.”"],["p",{"class":"paywall"},"As the message spread and the union took shape, Chavez set up a print shop and began publishing a newspaper called ",["em","El Malcriado"]," (“The Rebellious One”). His intent was to communicate directly with workers and to counter growers’ efforts against the union. “People had tried for over a hundred years to organize farm workers,” Paul said. “All of the attempts were brutally crushed.” Union members were regularly beaten up, arrested, stripped naked, and chained. They were threatened with loaded guns, and at least five were killed on the picket line or while organizing workers. Chavez saw that music was a way to reach people surreptitiously. Farmworkers often carried transistor radios with them to ease the monotony of their work. Paul recalled that his father would often say, “If we had a radio station, instead of talking to hundreds, or a few thousand people a day, we could talk to fifty thousand.”"],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"In 1983, Chavez acquired his first radio license, in Woodlake, California. During a meeting with the station’s staff, he stood by an easel pad, taking suggestions for a name. When a top contender emerged—“",["em","El Aguila Vuela"],",” or “The Eagle Soars”—one attendee, an organizer in her thirties named Cynthia Bell, rolled her eyes and whispered to her neighbor, “Always macho names.” Some of the attendees grumbled, but Chavez wanted to know what else Bell had in mind. “What about ",["em","Campesina"],"?” she said. He scribbled down the name as he took other suggestions. Then he said, “Radio ",["em","Campesina"],"—I like it.”"],["p",{"class":"paywall"},"Bell was put in charge of the station, running a team of six. Until they secured a building in Woodlake, they operated from a cavernous space in the union headquarters, which had previously housed a tuberculosis sanatorium. Chavez had enlisted a radio host from Washington State to teach the basics of interviewing, editing, and recording music. They were on air for twenty hours a day, beginning at four in the morning, when farm workers typically headed for the fields. A map of the San Joaquin Valley was hung on the wall, with a circle over the broadcast area."],["p",{"class":"paywall"},"An engine of the farmworkers movement, music came to dominate La Campesina’s programming: norteña, ranchera, romántica, and corrido, but also jazz. “They would send us a ",["em","lot"]," of free records, in English and Spanish,” Bell recalled. “Benny Goodman was Cesar’s favorite.” Between songs, La Campesina provided a forum for farmworkers to air grievances. Bell remembered taking calls from workers who had been poisoned by pesticides or who wanted to expose an outbreak of hepatitis at work. If a child had gone missing or a labor petition was going around, La Campesina would break the news. In places like Bakersfield, the station commanded fifty per cent of the market. “We were kicking Rush Limbaugh’s ass,” Paul said."],["p",{"class":"paywall"},"One of the most popular shows was “Despierta Ya Campesino” (“Wake Up, Farmworker”). Its host, Pepe Escamilla, had a boisterous manner and a gift for getting people to open up. One day, farmworkers called to accuse their foreman of sexually abusing women. Escamilla asked for a description—his name, if he had a wife or any children, where he went to Mass—and then denounced him on air. “He touched a nerve,” Paul said. The foreman called in, threatening “to kill everybody and burn the station.” Then, Paul said, “he called again and said, ‘O.K., I won’t do it anymore.’ ” At that point, “we saw the power of using the radio to call out people for the things they were doing under the cover of darkness.”"],["p",{"class":"paywall"},"After Chavez’s death, Paul drove out to Woodlake to address the station’s workers. He told them they would need time to chart out a plan for how to lead La Campesina forward. A farmworker who was present pulled out a piece of cardboard, with a sketch that Chavez had drawn of a stereo radiating signals across the Southwest. “",["em","This"]," was your father’s vision,” she said. “You don’t have to plan anything—just go get to work.”"],["p",{"class":"paywall"},"Before Chavez’s death, he had acquired a radio license in Phoenix. Back then, Arizona was a Republican stronghold, but Latinos were gaining political strength. To build influence, Paul realized that La Campesina needed to know who the station’s listeners were: their gender and their age, where they had come from, and how long they had been living in the United States. Volunteers stood outside churches and stores, doling out free CDs to whoever would answer a short questionnaire. The answers revealed that a majority of listeners were between the ages of twenty-five and forty-four—a new generation that had come to the U.S. after Chavez’s death. Most of them were men who worked in the fields, and spent their days listening to norteña music. La Campesina now had a road map. With Paul’s brother Anthony leading the expansion in Phoenix, the station worked to secure its presence in the region. “We figured if we can focus on Arizona and Nevada,” Paul said, “we can have an impact on the national political scene.”"],["inline-embed",{"props":{"name":"dropcap","attrs":{},"childTypes":[]},"ref":"","type":"callout:dropcap"},["p",{"class":"has-dropcap has-dropcap__lead-standard-heading paywall"},"Today, the station is in the hands of María Barquín, an amiable woman of forty-six, with long black hair and soft features. When I visited, she was at her desk, going through the weekly selection of music. On a wall of her office, a painting depicted Chavez looking contemplative, with a desert road behind him. “It’s Arizona,” Barquín remarked. “When I see him, it helps me stay focussed.”"]],["p",{"class":"paywall"},"Barquín’s criteria for the songs on La Campesina are strict: the music has to be rousing but never elicit violence; the feeling must stay true to ",["em","regional Mexicano"],". She keeps a boom box playing in her office, so she can experience what her listeners do. “We just heard a more traditional song, but give this a listen,” she said, turning up the volume. The next tune was “Ella Baila Sola,” a collaboration between the group Eslabon Armado and the singer Peso Pluma, with voices weaving above brass harmonies and ",["em","requinto"]," guitars. This wasn’t strict ",["em","regional Mexicano"]," but, rather, a new interpretation, combining swagger and romanticism. Last year, it surpassed a billion streams on Spotify and reached the Top Five on the ",["em","Billboard"]," Hot 100. But for the station, Barquin said, the music was merely a hook: “It’s a tactic. Once we have their attention, we infuse music with information. It’s all about civic engagement.” La Campesina is often the first place that listeners call when they need an immigration lawyer, or want tips on how their children can qualify for scholarships."],["p",{"class":"paywall"},"Down the hall, the Chavorrucos were getting ready to hand the mike over to Osvaldo Franko, the host of “Punto de Vista,” a talk show that has aired for decades. Franko, a wiry man of forty-four with a sharp, deliberate voice, sat reviewing his points for the morning: Arizona’s Proposition 314, a measure designed to allow state officials to round up and deport undocumented border crossers, topped the list."],["p",{"class":"paywall"},"“From coast to coast and border to border, we’re going to start with the news,” Franko said. “Joining me today are members of the group Aliento, two young men—very young indeed—with whom we’ll discuss how young voters see this election.”"],["p",{"class":"paywall"},"His guests were Angel Palazuelos and Saúl Rascón, a pair of activists. Rascón, who is twenty-three and a ",["em",{"class":"small"},"DACA"]," recipient, said that people were alarmingly disengaged. “I’ve noticed that a lot of ",["em","paisanos"],", particularly in Arizona and California, don’t know the power and influence they have,” he said. His job at Aliento, a local nonprofit, was to educate voters to make an informed decision on November 5th. “People who are out on the construction fields or working in agriculture—or, my dad, who’s out in the heat under a car all day fixing cars—they’re not going to take the time to compare the New York ",["em","Times"]," versus Fox, versus ‘Oh, is this poll really biased?’ ”"],["ad",{"position":"mid-content"}],["p",{"class":"paywall"},"Palazuelos, who is twenty-two, chimed in: “Saúl and I, we’re both Dreamers and we don’t have the power to vote, but what we can do is ask people to cast their ballot with our community in mind.” Like Rascón, Palazuelos discovered in high school what being undocumented meant; when friends started getting driver’s licenses, he found that he didn’t have a Social Security number. Undeterred, Palazuelos applied to Arizona State and earned a degree in biomedical engineering. But he feared that Prop 314 might make a job in the field unattainable or, worse, get him and his family deported. Democrats, he said, were “trying to appeal to independents, more moderate voters when it comes to the border—meanwhile, you have people our age wondering if they should even vote.”"],["p",{"class":"paywall"},"The young activists felt that the plight of Dreamers had become an afterthought. It was as if they had forgotten about ",["em",{"class":"small"},"DACA"],", Rascón said. Both had grown up seeing the fear that S.B. 1070, a controversial anti-immigration law, engendered in their communities. The law required state police officers to inquire about the immigration status of anyone they stopped or arrested, if there was a “reasonable suspicion” that the person was in the country illegally. Rascón, who attended a Catholic high school in Phoenix, said that he helped set up a replica of Trump’s border wall on the school’s grounds. To get to class, students had to cross the wall and show their I.D.s. to teachers and classmates who were acting as border agents. “It was up to them if they’d let you in,” Rascón said."],["p",{"class":"paywall"},"With less than two weeks left before the election, the Democratic Party’s support among Latinos stands at historic lows. Harris leads Trump nationwide in the demographic by about twelve points—a fraction of Barack Obama’s forty-four-point lead in exit polls from the 2012 election and Biden’s thirty-three-point lead in 2020. Young men like Rascón and Palazuelos are Harris’s greatest weak point: the most recent ",["em","Times"],"\u002FSiena survey of Latino voters showed that Trump leads 55–38 among men aged forty-five or younger. Just this month, the Vice-President launched an initiative to court these voters, called Hombres con Harris, but it remains to be seen whether it can deliver results in time for the election."],["p",{"class":"paywall"},"Many of Rascón’s friends had become Trump supporters. “They sort of drank the Kool-Aid,” he said. They were convinced that the Democrats catered only to the needs of newly arrived immigrants—something that Palazuelos also heard constantly. Before he walked into the studio, a close relative had texted him a post on X, which falsely claimed that migrants in New York were being offered seven months of free rent and health-care benefits."],["p",{"class":"paywall"},"The only way to counter those myths, both men said, was to keep knocking on people’s doors and informing them about real policies. Prop 314 was a more radical version of S.B. 1070, the men argued—it would terrorize Arizona’s immigrant communities. “You who’s listening, I know you’re very tired at times and you’re working, but if you don’t get involved today, as a Latino, as a Hispanic, you might not even be able to freely go to the store tomorrow,” Franko said. “If they see that you’re swarthy, just like me—good-looking, that is—they might ask for your papers and you won’t be allowed to go back to your family.”"],["p",{"class":"paywall"},"As the segment drew to an end, Franko called on his listeners to open the door if volunteers like Rascón and Palazuelos came knocking. “They’re not going to sell you anything, ma’am, nor are they going to read you an excerpt from the Bible,” he said. “You, who maybe don’t yet have your papers, who are out in the country right now, cleaning houses, working in construction under the sun, wherever you are in the United States, remember: no politician should be applauded or defended. ",["em","El pueblo"]," always questions,” he went on. “When people begin to fanatically defend some type of candidate or color, ",["em","that’s"]," when we begin to lose ground.” Gradually, the beats of norteñas faded in. ♦"]],"pageStructure":[["inline-embed",0,"cneaudio"],["inline-embed",100,"callout"],["p",111],["p",118],["p",96],["cm-unit",0],["p",74],["p",87],["p",80],["p",59],["p",54],["p",23],["inline-embed",0,"cneinterlude"],["p",33],["p",19],["p",67],["p",12],["p",20],["p",104],["inline-embed",78,"callout"],["p",104],["p",153],["ad",0],["p",104],["p",98],["p",118],["p",124],["p",77],["p",171],["inline-embed",136,"callout"],["p",189],["p",69],["p",40],["p",120],["ad",0],["p",128],["p",137],["p",113],["p",71],["p",109],["p",122]],"hasAffiliateLinks":false,"affiliateLinksCount":0,"isCommerceContent":false,"contributorSpotLightProps":{"header":{"name":"Stephania Taladrid","title":"Stephania Taladrid is a contributing writer. She was named a Pulitzer Prize finalist in 2023 for her reporting on the fall of Roe v. Wade. 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She has written on topics ranging from \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F15\u002Fabortion-high-risk-pregnancy-yeni-glick\"\u003Ematernal mortality\u003C\u002Fa\u003E to the \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F06\u002F10\u002Fwill-mexico-decide-the-us-election\"\u003E2024 Presidential election\u003C\u002Fa\u003E. For her reporting on \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F10\u002F17\u002Fthe-post-roe-abortion-underground\"\u003Ethe fall of Roe v. 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