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src="https://0.academia-photos.com/4364194/15718058/20686755/s200_marco.tanzi.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Marco Tanzi</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://unisalento.academia.edu/">University of Salento</a>, <a class="u-tcGrayDarker" href="https://unisalento.academia.edu/Departments/Dipartimento_di_Storia_Societ%C3%A0_e_Studi_sull_Uomo1/Documents">Dipartimento di Storia, Società e Studi sull’Uomo</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Marco" data-follow-user-id="4364194" data-follow-user-source="profile_button" data-has-google="false"><span 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id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>37</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>97</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a 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style="border: none;"><span>1</span> Talks</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Marco Tanzi</h3></div><div class="js-work-strip profile--work_container" data-work-id="118899925"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118899925/La_Nuda_dormiente_Problemi_di_anticlassicismo_padano_GALLERIA_Collana_di_Studi_della_Galleria_Borghese_Roma_2024"><img alt="Research paper thumbnail of La Nuda dormiente. 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Lattanzio Gambara pittore manierista, catalogo della mostra (Brescia, Museo di Santa Giulia, 2021 – 2022), a cura di M. Tanzi, Milano 2021, pp. 13-89" class="work-thumbnail" src="https://attachments.academia-assets.com/85906533/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/62050639/Un_ritorno_prezioso_la_pala_no_troppo_grande_di_mano_di_Latanzio_Gambara_gi%C3%A0_in_San_Bartolomeo_a_Brescia_in_Il_senso_del_nuovo_Lattanzio_Gambara_pittore_manierista_catalogo_della_mostra_Brescia_Museo_di_Santa_Giulia_2021_2022_a_cura_di_M_Tanzi_Milano_2021_pp_13_89">Un ritorno prezioso: “la pala no troppo grande di mano di Latanzio Gambara” già in San Bartolomeo a Brescia, in Il senso del nuovo. Lattanzio Gambara pittore manierista, catalogo della mostra (Brescia, Museo di Santa Giulia, 2021 – 2022), a cura di M. Tanzi, Milano 2021, pp. 13-89</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e33b1abfd16e08f83ad280e55e39b5be" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":85906533,"asset_id":62050639,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/85906533/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="62050639"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="62050639"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 62050639; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=62050639]").text(description); $(".js-view-count[data-work-id=62050639]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 62050639; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='62050639']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 62050639, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e33b1abfd16e08f83ad280e55e39b5be" } } $('.js-work-strip[data-work-id=62050639]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":62050639,"title":"Un ritorno prezioso: “la pala no troppo grande di mano di Latanzio Gambara” già in San Bartolomeo a Brescia, in Il senso del nuovo. 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O vero degli effetti del Covid-19 sulle alterazioni psichiche di uno storico dell’arte in quarantena forzata. Cose argute, facete & belle, Persico Dosimo (CR) 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/64713509/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44278053/In_laude_del_famosissimo_Cabalao_O_vero_degli_effetti_del_Covid_19_sulle_alterazioni_psichiche_di_uno_storico_dell_arte_in_quarantena_forzata_Cose_argute_facete_and_belle_Persico_Dosimo_CR_2020">In laude del famosissimo Cabalao. O vero degli effetti del Covid-19 sulle alterazioni psichiche di uno storico dell’arte in quarantena forzata. Cose argute, facete & belle, Persico Dosimo (CR) 2020</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, come una sorta di ex voto per la fine della prima ondata del mal contagioso di questo tribolato 2020. Vorrebbe anche avere un valore apotropaico in proiezione futura, se non che il registro dei tempi non sembra lasciare soverchie illusioni alla fiducia. Ma sempre allegri bisogna stare, cantavano tanti anni fa Dario Fo ed Enzo Jannacci; così, proprio per celia, ho voluto che anche questa impresa si dotasse del suo bel codice ISBN, che, come un microchip sottopelle, serve a far sì che non se ne possano perdere del tutto le tracce. O che magari possa anche essere vagliato dal Grande Fratello della Scientificità, la VQR, che presiede e valuta la serietà degli studi dei membri dell'accademia. Questo, però, non può e non vuole presentarsi come un "prodotto della ricerca": è solo un gioco, una burla, anche se contiene più scienza, cuore e memoria («Che cazzo, maledetta memoria» ha scritto nel suo ultimo libro John Niven) di gran parte della mia produzione scientifica. Con in più, davvero, molto divertito impegno. Da diversi lustri, ormai, ho finito con i concorsi, ma se, per assurdo, dovessi farmi ancora giudicare da una commissione di "colleghi", non esiterei a esibire il Cabalao. Ci sarebbe senz'altro da ridere.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b8332029a91ea05d2fd101534bb2485d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64713509,"asset_id":44278053,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64713509/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44278053"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44278053"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44278053; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44278053]").text(description); $(".js-view-count[data-work-id=44278053]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44278053; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44278053']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44278053, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b8332029a91ea05d2fd101534bb2485d" } } $('.js-work-strip[data-work-id=44278053]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44278053,"title":"In laude del famosissimo Cabalao. O vero degli effetti del Covid-19 sulle alterazioni psichiche di uno storico dell’arte in quarantena forzata. Cose argute, facete \u0026 belle, Persico Dosimo (CR) 2020","translated_title":"","metadata":{"abstract":"Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, come una sorta di ex voto per la fine della prima ondata del mal contagioso di questo tribolato 2020. Vorrebbe anche avere un valore apotropaico in proiezione futura, se non che il registro dei tempi non sembra lasciare soverchie illusioni alla fiducia. Ma sempre allegri bisogna stare, cantavano tanti anni fa Dario Fo ed Enzo Jannacci; così, proprio per celia, ho voluto che anche questa impresa si dotasse del suo bel codice ISBN, che, come un microchip sottopelle, serve a far sì che non se ne possano perdere del tutto le tracce. O che magari possa anche essere vagliato dal Grande Fratello della Scientificità, la VQR, che presiede e valuta la serietà degli studi dei membri dell'accademia. Questo, però, non può e non vuole presentarsi come un \"prodotto della ricerca\": è solo un gioco, una burla, anche se contiene più scienza, cuore e memoria («Che cazzo, maledetta memoria» ha scritto nel suo ultimo libro John Niven) di gran parte della mia produzione scientifica. Con in più, davvero, molto divertito impegno. Da diversi lustri, ormai, ho finito con i concorsi, ma se, per assurdo, dovessi farmi ancora giudicare da una commissione di \"colleghi\", non esiterei a esibire il Cabalao. Ci sarebbe senz'altro da ridere."},"translated_abstract":"Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, come una sorta di ex voto per la fine della prima ondata del mal contagioso di questo tribolato 2020. Vorrebbe anche avere un valore apotropaico in proiezione futura, se non che il registro dei tempi non sembra lasciare soverchie illusioni alla fiducia. Ma sempre allegri bisogna stare, cantavano tanti anni fa Dario Fo ed Enzo Jannacci; così, proprio per celia, ho voluto che anche questa impresa si dotasse del suo bel codice ISBN, che, come un microchip sottopelle, serve a far sì che non se ne possano perdere del tutto le tracce. O che magari possa anche essere vagliato dal Grande Fratello della Scientificità, la VQR, che presiede e valuta la serietà degli studi dei membri dell'accademia. Questo, però, non può e non vuole presentarsi come un \"prodotto della ricerca\": è solo un gioco, una burla, anche se contiene più scienza, cuore e memoria («Che cazzo, maledetta memoria» ha scritto nel suo ultimo libro John Niven) di gran parte della mia produzione scientifica. Con in più, davvero, molto divertito impegno. 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Opere scelte della Pinacoteca di Varallo, catalogo della mostra (Varallo Sesia, Pinacoteca, 24 marzo – 16 settembre 2018), a cura di M. Tanzi, Edizioni Delmiglio, Persico Dosimo (CR) 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/97944461/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36847260/Sculture_in_Valsesia_Opere_scelte_della_Pinacoteca_di_Varallo_catalogo_della_mostra_Varallo_Sesia_Pinacoteca_24_marzo_16_settembre_2018_a_cura_di_M_Tanzi_Edizioni_Delmiglio_Persico_Dosimo_CR_2018">Sculture in Valsesia. Opere scelte della Pinacoteca di Varallo, catalogo della mostra (Varallo Sesia, Pinacoteca, 24 marzo – 16 settembre 2018), a cura di M. Tanzi, Edizioni Delmiglio, Persico Dosimo (CR) 2018</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0c587408d2dc565d975c61052afbb075" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97944461,"asset_id":36847260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97944461/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36847260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36847260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36847260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36847260]").text(description); $(".js-view-count[data-work-id=36847260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36847260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36847260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36847260, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0c587408d2dc565d975c61052afbb075" } } $('.js-work-strip[data-work-id=36847260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36847260,"title":"Sculture in Valsesia. Opere scelte della Pinacoteca di Varallo, catalogo della mostra (Varallo Sesia, Pinacoteca, 24 marzo – 16 settembre 2018), a cura di M. Tanzi, Edizioni Delmiglio, Persico Dosimo (CR) 2018","translated_title":"","metadata":{"grobid_abstract":"che ho l'onore di presiedere, sta vivendo un momento particolarmente felice nelle sue due componenti statutarie. Già il museo naturalistico Calderini ha inaugurato il suo spazioso salone espositivo nel 2017. Ora, mentre scrivo queste note, la Pinacoteca presenta il tanto atteso e lodato allestimento della grande mostra di Gaudenzio Ferrari, a distanza da quella tenuta in Vercelli nel 1956. Si conclude l'attività di studio e di catalogazione programmata fra le opere statuarie donate in anni recenti all'Ente e fra quelle che vengono conservate nei depositi della Pinacoteca: le une e le altre ancor mai presentate al pubblico. Si sentiva dunque la necessità anzitutto di un'osservazione ragionata di ognuna, accompagnata da un'indispensabile manutenzione, in vista di un restauro conclusivo. Parliamo di una statuaria religiosa prevalentemente lignea, di origine non solo valsesiana ma di respiro più ampio nell'arco alpino occidentale. Fra le tante occasioni espositive, non si era ancor mai affrontata l'ipotesi di una mostra per sole opere scultoree, spazianti cronologicamente dal XVI al XVIII secolo. Né questo era più giustificabile in una città che ha ospitato per secoli la fabbrica del Sacro Monte e poi nel XIX secolo avrebbe goduto della scuola d'intaglio e scultura fondata e donata da quegli splendidi e generosissimi Marchesi di Barolo. Da questa istituzione sarebbero nati artisti e artigiani validissimi. Le sculture proposte nell'attuale mostra, hanno usufruito di uno studioso colto in Marco Tanzi, docente all'Università del Salento, accompagnato da Carla Falcone direttrice della Pinacoteca varallese e dalle equipes di competenti collaboratori. A loro tutti, generosamente disponibili e appassionati, va il ringraziamento dell'Ente e della città tutta, che vede valorizzate le opere che la rendono più attraente e più frequentata.","grobid_abstract_attachment_id":97944461},"translated_abstract":null,"internal_url":"https://www.academia.edu/36847260/Sculture_in_Valsesia_Opere_scelte_della_Pinacoteca_di_Varallo_catalogo_della_mostra_Varallo_Sesia_Pinacoteca_24_marzo_16_settembre_2018_a_cura_di_M_Tanzi_Edizioni_Delmiglio_Persico_Dosimo_CR_2018","translated_internal_url":"","created_at":"2018-06-15T00:46:45.210-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4364194,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":97944461,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97944461/thumbnails/1.jpg","file_name":"sculture_varallo_2018.compressed.pdf","download_url":"https://www.academia.edu/attachments/97944461/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sculture_in_Valsesia_Opere_scelte_della.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97944461/sculture_varallo_2018.compressed-libre.pdf?1674986167=\u0026response-content-disposition=attachment%3B+filename%3DSculture_in_Valsesia_Opere_scelte_della.pdf\u0026Expires=1732428350\u0026Signature=HLRyvP1aZ~6gjM9gioW4poSD-KjqbDWpdjPIxyy8tbHuuRT~l3-DGWT9xaczi7n9slJgMWrzdi~JoAUy-2PauD52DxCtnkun3m7Oqd5OHvwDv4KkgrVcV9PAP5KrgAq6rUthIkaWtVxCAGATg~Q4viQehr3Exzc2vWAlUuJ2E3ibeIiqegxF7xsgwbVQz5o3DI8ck1BsaOWtep6u5h2I6eoWDjJAMCNNPMQkmMqcoJsbJaccya~shx07A4nrkjd-pWEels8cbxjg8g9tfM-7V1qVLjj60g0Wnfw9SwvGh6ukTW5J9UDzoMZsTN~XHF16S5rYlm94mA0jS2MmAoe70Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Sculture_in_Valsesia_Opere_scelte_della_Pinacoteca_di_Varallo_catalogo_della_mostra_Varallo_Sesia_Pinacoteca_24_marzo_16_settembre_2018_a_cura_di_M_Tanzi_Edizioni_Delmiglio_Persico_Dosimo_CR_2018","translated_slug":"","page_count":72,"language":"it","content_type":"Work","owner":{"id":4364194,"first_name":"Marco","middle_initials":null,"last_name":"Tanzi","page_name":"MarcoTanzi","domain_name":"unisalento","created_at":"2013-05-29T06:29:33.108-07:00","display_name":"Marco Tanzi","url":"https://unisalento.academia.edu/MarcoTanzi"},"attachments":[{"id":97944461,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97944461/thumbnails/1.jpg","file_name":"sculture_varallo_2018.compressed.pdf","download_url":"https://www.academia.edu/attachments/97944461/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sculture_in_Valsesia_Opere_scelte_della.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97944461/sculture_varallo_2018.compressed-libre.pdf?1674986167=\u0026response-content-disposition=attachment%3B+filename%3DSculture_in_Valsesia_Opere_scelte_della.pdf\u0026Expires=1732428350\u0026Signature=HLRyvP1aZ~6gjM9gioW4poSD-KjqbDWpdjPIxyy8tbHuuRT~l3-DGWT9xaczi7n9slJgMWrzdi~JoAUy-2PauD52DxCtnkun3m7Oqd5OHvwDv4KkgrVcV9PAP5KrgAq6rUthIkaWtVxCAGATg~Q4viQehr3Exzc2vWAlUuJ2E3ibeIiqegxF7xsgwbVQz5o3DI8ck1BsaOWtep6u5h2I6eoWDjJAMCNNPMQkmMqcoJsbJaccya~shx07A4nrkjd-pWEels8cbxjg8g9tfM-7V1qVLjj60g0Wnfw9SwvGh6ukTW5J9UDzoMZsTN~XHF16S5rYlm94mA0jS2MmAoe70Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36698025"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36698025/Gli_amori_milanesi_di_Camillo_Boccaccino_in_Attorno_agli_amori_Camillo_Boccaccino_sacro_e_profano_Brera_a_occhi_aperti_Sesto_Dialogo_catalogo_della_mostra_Milano_Pinacoteca_di_Brera_29_marzo_1_luglio_2018_a_cura_di_E_Daffra_M_Tanzi_Skira_Editore_Milano_2018_pp_31_81"><img alt="Research paper thumbnail of Gli amori milanesi di Camillo Boccaccino, in Attorno agli amori. Camillo Boccaccino sacro e profano, Brera a occhi aperti, Sesto Dialogo, catalogo della mostra (Milano, Pinacoteca di Brera, 29 marzo – 1 luglio 2018), a cura di E. Daffra, M. Tanzi, Skira Editore, Milano 2018, pp. 31-81" class="work-thumbnail" src="https://attachments.academia-assets.com/56637202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36698025/Gli_amori_milanesi_di_Camillo_Boccaccino_in_Attorno_agli_amori_Camillo_Boccaccino_sacro_e_profano_Brera_a_occhi_aperti_Sesto_Dialogo_catalogo_della_mostra_Milano_Pinacoteca_di_Brera_29_marzo_1_luglio_2018_a_cura_di_E_Daffra_M_Tanzi_Skira_Editore_Milano_2018_pp_31_81">Gli amori milanesi di Camillo Boccaccino, in Attorno agli amori. Camillo Boccaccino sacro e profano, Brera a occhi aperti, Sesto Dialogo, catalogo della mostra (Milano, Pinacoteca di Brera, 29 marzo – 1 luglio 2018), a cura di E. Daffra, M. 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Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/97944495/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36061631/Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018">Genovesino e Piacenza, catalogo della mostra (Piacenza, Palazzo Galli, 4 marzo - 10 giugno 2018), a cura di F. Frangi, V. Guazzoni, M. 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Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2018","translated_title":"","metadata":{"grobid_abstract":"La mostra allestita nel Salone dei depositanti e nella Sala Raineri di Palazzo Galli e perfettamente compendiata nelle pagine di questo catalogo, ci riporta idealmente alla Piacenza del duca Odoardo Farnese e della duchessa Margherita de' Medici. La presenza all'ombra del Gotico di Luigi Miradori-protagonista di rilievo nel panorama figurativo del barocco nell'Italia settentrionale, meglio noto e conosciuto come Genovesino-è infatti attestata in un arco temporale che va dal 1632 al 1636. Un periodo, come confermato anche da alcuni studi dell'indimenticato storico dell'arte Ferdinando Arisi, non troppo felice per il Genovesino che a Piacenza ebbe tragici lutti familiari. Nella città del Torrazzo, il Genovesino continuò il suo percorso di successo. La sua pittura vivace e colorata, le sue spiccate doti di ritrattista e la sua notevole cifra stilistica furono infatti notate ed apprezzate dal governatore spagnolo della città, don Álvaro de Quiñones, e gli permisero di diventare, in breve tempo, il pittore di riferimento dell'aristocrazia locale, sempre conservando anche una committenza piacentina. La mostra «Genovesino e Piacenza» non si limita soltanto ai difficili anni piacentini, ma abbraccia parte del successivo periodo cremonese fatto anche di produzioni artistiche commissionate da alcune famiglie nobili del nostro territorio. Una mostra voluta e organizzata dalla Banca di Piacenza-e magistralmente curata da Francesco Frangi, Valerio Guazzoni e Marco Tanzi-per riaccendere i riflettori su un pittore non ancora completamente celebrato, ma anche per arricchire di ulteriori contenuti artistici la «Salita al Pordenone», il principale evento culturale donato alla comunità e al territorio piacentino in questo 2018 dal nostro Istituto. Compiendo il breve e affascinante percorso che si snoda tra la basilica di Santa Maria di Campagna e Palazzo Galli, nel cuore del centro storico piacentino tra chiese e antichi palazzi gentilizi, sarà quindi possibile ammirare da vicino sia gli affreschi del Pordenone sia le tele del Genovesino.","grobid_abstract_attachment_id":97944495},"translated_abstract":null,"internal_url":"https://www.academia.edu/36061631/Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018","translated_internal_url":"","created_at":"2018-03-02T09:56:14.091-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4364194,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":97944495,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97944495/thumbnails/1.jpg","file_name":"genovesino_piacenza_LIBRO.pdf","download_url":"https://www.academia.edu/attachments/97944495/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Genovesino_e_Piacenza_catalogo_della_mos.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97944495/genovesino_piacenza_LIBRO-libre.pdf?1674986140=\u0026response-content-disposition=attachment%3B+filename%3DGenovesino_e_Piacenza_catalogo_della_mos.pdf\u0026Expires=1732411552\u0026Signature=RVr~BHr33gbmpzlqyiBNb4sL~~oRdfSbgBVY8uKN8OgLPwUKikaYRAWtrGWTO0x-EghaMvjZ7e59IQYVEVyuGzDSW1jFflAx8qua~nCkMR8JhhNbysKmwK2SWtuva~BPd9yaWSqIhnMb9kgSV9v9msrjCVhpg8Zd9B7WVnDlqCYuktPMTwo9lFAPrY3LDxRgB-kWnddeusHd-tOeGrDaxRczTgEAoankz80V-P4f1r3BB3ou~qfkV-ovJjmp9lo-Jn1ueIjUdyyjCsQGkAryVbnSNJR4-PWAPJ8jzK2CESU6Kz445-I-jYpPMBWwtrf834HLvIfIaKr~nhZvmY5rJg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018","translated_slug":"","page_count":62,"language":"it","content_type":"Work","owner":{"id":4364194,"first_name":"Marco","middle_initials":null,"last_name":"Tanzi","page_name":"MarcoTanzi","domain_name":"unisalento","created_at":"2013-05-29T06:29:33.108-07:00","display_name":"Marco Tanzi","url":"https://unisalento.academia.edu/MarcoTanzi"},"attachments":[{"id":97944495,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97944495/thumbnails/1.jpg","file_name":"genovesino_piacenza_LIBRO.pdf","download_url":"https://www.academia.edu/attachments/97944495/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Genovesino_e_Piacenza_catalogo_della_mos.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97944495/genovesino_piacenza_LIBRO-libre.pdf?1674986140=\u0026response-content-disposition=attachment%3B+filename%3DGenovesino_e_Piacenza_catalogo_della_mos.pdf\u0026Expires=1732411552\u0026Signature=RVr~BHr33gbmpzlqyiBNb4sL~~oRdfSbgBVY8uKN8OgLPwUKikaYRAWtrGWTO0x-EghaMvjZ7e59IQYVEVyuGzDSW1jFflAx8qua~nCkMR8JhhNbysKmwK2SWtuva~BPd9yaWSqIhnMb9kgSV9v9msrjCVhpg8Zd9B7WVnDlqCYuktPMTwo9lFAPrY3LDxRgB-kWnddeusHd-tOeGrDaxRczTgEAoankz80V-P4f1r3BB3ou~qfkV-ovJjmp9lo-Jn1ueIjUdyyjCsQGkAryVbnSNJR4-PWAPJ8jzK2CESU6Kz445-I-jYpPMBWwtrf834HLvIfIaKr~nhZvmY5rJg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35497239"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35497239/Genovesino_Natura_e_invenzione_nella_pittura_del_Seicento_a_Cremona_catalogo_della_mostra_Cremona_Museo_Civico_Ala_Ponzone_6_ottobre_2017_4_febbraio_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2017"><img alt="Research paper thumbnail of Genovesino. Natura e invenzione nella pittura del Seicento a Cremona, catalogo della mostra (Cremona, Museo Civico "Ala Ponzone", 6 ottobre 2017 - 4 febbraio 2018), a cura di F. Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/55360535/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35497239/Genovesino_Natura_e_invenzione_nella_pittura_del_Seicento_a_Cremona_catalogo_della_mostra_Cremona_Museo_Civico_Ala_Ponzone_6_ottobre_2017_4_febbraio_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2017">Genovesino. Natura e invenzione nella pittura del Seicento a Cremona, catalogo della mostra (Cremona, Museo Civico "Ala Ponzone", 6 ottobre 2017 - 4 febbraio 2018), a cura di F. Frangi, V. Guazzoni, M. 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O vero degli effetti del Covid-19 sulle alterazioni psichiche di uno storico dell’arte in quarantena forzata. Cose argute, facete & belle, Persico Dosimo (CR) 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/64713509/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44278053/In_laude_del_famosissimo_Cabalao_O_vero_degli_effetti_del_Covid_19_sulle_alterazioni_psichiche_di_uno_storico_dell_arte_in_quarantena_forzata_Cose_argute_facete_and_belle_Persico_Dosimo_CR_2020">In laude del famosissimo Cabalao. O vero degli effetti del Covid-19 sulle alterazioni psichiche di uno storico dell’arte in quarantena forzata. Cose argute, facete & belle, Persico Dosimo (CR) 2020</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, come una sorta di ex voto per la fine della prima ondata del mal contagioso di questo tribolato 2020. Vorrebbe anche avere un valore apotropaico in proiezione futura, se non che il registro dei tempi non sembra lasciare soverchie illusioni alla fiducia. Ma sempre allegri bisogna stare, cantavano tanti anni fa Dario Fo ed Enzo Jannacci; così, proprio per celia, ho voluto che anche questa impresa si dotasse del suo bel codice ISBN, che, come un microchip sottopelle, serve a far sì che non se ne possano perdere del tutto le tracce. O che magari possa anche essere vagliato dal Grande Fratello della Scientificità, la VQR, che presiede e valuta la serietà degli studi dei membri dell'accademia. Questo, però, non può e non vuole presentarsi come un "prodotto della ricerca": è solo un gioco, una burla, anche se contiene più scienza, cuore e memoria («Che cazzo, maledetta memoria» ha scritto nel suo ultimo libro John Niven) di gran parte della mia produzione scientifica. Con in più, davvero, molto divertito impegno. Da diversi lustri, ormai, ho finito con i concorsi, ma se, per assurdo, dovessi farmi ancora giudicare da una commissione di "colleghi", non esiterei a esibire il Cabalao. Ci sarebbe senz'altro da ridere.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b8332029a91ea05d2fd101534bb2485d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64713509,"asset_id":44278053,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64713509/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44278053"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44278053"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44278053; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44278053]").text(description); $(".js-view-count[data-work-id=44278053]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44278053; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44278053']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44278053, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b8332029a91ea05d2fd101534bb2485d" } } $('.js-work-strip[data-work-id=44278053]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44278053,"title":"In laude del famosissimo Cabalao. 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O che magari possa anche essere vagliato dal Grande Fratello della Scientificità, la VQR, che presiede e valuta la serietà degli studi dei membri dell'accademia. Questo, però, non può e non vuole presentarsi come un \"prodotto della ricerca\": è solo un gioco, una burla, anche se contiene più scienza, cuore e memoria («Che cazzo, maledetta memoria» ha scritto nel suo ultimo libro John Niven) di gran parte della mia produzione scientifica. Con in più, davvero, molto divertito impegno. Da diversi lustri, ormai, ho finito con i concorsi, ma se, per assurdo, dovessi farmi ancora giudicare da una commissione di \"colleghi\", non esiterei a esibire il Cabalao. Ci sarebbe senz'altro da ridere."},"translated_abstract":"Questo libro non è in vendita: è stato scritto per essere donato agli amici e alle biblioteche, come una sorta di ex voto per la fine della prima ondata del mal contagioso di questo tribolato 2020. 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Opere scelte della Pinacoteca di Varallo, catalogo della mostra (Varallo Sesia, Pinacoteca, 24 marzo – 16 settembre 2018), a cura di M. Tanzi, Edizioni Delmiglio, Persico Dosimo (CR) 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/97944461/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36847260/Sculture_in_Valsesia_Opere_scelte_della_Pinacoteca_di_Varallo_catalogo_della_mostra_Varallo_Sesia_Pinacoteca_24_marzo_16_settembre_2018_a_cura_di_M_Tanzi_Edizioni_Delmiglio_Persico_Dosimo_CR_2018">Sculture in Valsesia. Opere scelte della Pinacoteca di Varallo, catalogo della mostra (Varallo Sesia, Pinacoteca, 24 marzo – 16 settembre 2018), a cura di M. Tanzi, Edizioni Delmiglio, Persico Dosimo (CR) 2018</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0c587408d2dc565d975c61052afbb075" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97944461,"asset_id":36847260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97944461/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36847260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36847260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36847260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36847260]").text(description); $(".js-view-count[data-work-id=36847260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36847260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36847260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36847260, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0c587408d2dc565d975c61052afbb075" } } $('.js-work-strip[data-work-id=36847260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36847260,"title":"Sculture in Valsesia. Opere scelte della Pinacoteca di Varallo, catalogo della mostra (Varallo Sesia, Pinacoteca, 24 marzo – 16 settembre 2018), a cura di M. Tanzi, Edizioni Delmiglio, Persico Dosimo (CR) 2018","translated_title":"","metadata":{"grobid_abstract":"che ho l'onore di presiedere, sta vivendo un momento particolarmente felice nelle sue due componenti statutarie. Già il museo naturalistico Calderini ha inaugurato il suo spazioso salone espositivo nel 2017. Ora, mentre scrivo queste note, la Pinacoteca presenta il tanto atteso e lodato allestimento della grande mostra di Gaudenzio Ferrari, a distanza da quella tenuta in Vercelli nel 1956. Si conclude l'attività di studio e di catalogazione programmata fra le opere statuarie donate in anni recenti all'Ente e fra quelle che vengono conservate nei depositi della Pinacoteca: le une e le altre ancor mai presentate al pubblico. Si sentiva dunque la necessità anzitutto di un'osservazione ragionata di ognuna, accompagnata da un'indispensabile manutenzione, in vista di un restauro conclusivo. Parliamo di una statuaria religiosa prevalentemente lignea, di origine non solo valsesiana ma di respiro più ampio nell'arco alpino occidentale. Fra le tante occasioni espositive, non si era ancor mai affrontata l'ipotesi di una mostra per sole opere scultoree, spazianti cronologicamente dal XVI al XVIII secolo. Né questo era più giustificabile in una città che ha ospitato per secoli la fabbrica del Sacro Monte e poi nel XIX secolo avrebbe goduto della scuola d'intaglio e scultura fondata e donata da quegli splendidi e generosissimi Marchesi di Barolo. Da questa istituzione sarebbero nati artisti e artigiani validissimi. Le sculture proposte nell'attuale mostra, hanno usufruito di uno studioso colto in Marco Tanzi, docente all'Università del Salento, accompagnato da Carla Falcone direttrice della Pinacoteca varallese e dalle equipes di competenti collaboratori. 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Camillo Boccaccino sacro e profano, Brera a occhi aperti, Sesto Dialogo, catalogo della mostra (Milano, Pinacoteca di Brera, 29 marzo – 1 luglio 2018), a cura di E. Daffra, M. Tanzi, Skira Editore, Milano 2018, pp. 31-81" class="work-thumbnail" src="https://attachments.academia-assets.com/56637202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36698025/Gli_amori_milanesi_di_Camillo_Boccaccino_in_Attorno_agli_amori_Camillo_Boccaccino_sacro_e_profano_Brera_a_occhi_aperti_Sesto_Dialogo_catalogo_della_mostra_Milano_Pinacoteca_di_Brera_29_marzo_1_luglio_2018_a_cura_di_E_Daffra_M_Tanzi_Skira_Editore_Milano_2018_pp_31_81">Gli amori milanesi di Camillo Boccaccino, in Attorno agli amori. Camillo Boccaccino sacro e profano, Brera a occhi aperti, Sesto Dialogo, catalogo della mostra (Milano, Pinacoteca di Brera, 29 marzo – 1 luglio 2018), a cura di E. Daffra, M. Tanzi, Skira Editore, Milano 2018, pp. 31-81</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="61adb9e0037c9f860710056f3353b2cd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56637202,"asset_id":36698025,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56637202/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36698025"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36698025"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36698025; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36698025]").text(description); $(".js-view-count[data-work-id=36698025]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36698025; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36698025']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36698025, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "61adb9e0037c9f860710056f3353b2cd" } } $('.js-work-strip[data-work-id=36698025]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36698025,"title":"Gli amori milanesi di Camillo Boccaccino, in Attorno agli amori. 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Tanzi, Skira Editore, Milano 2018, pp. 31-81","translated_title":"","metadata":{"grobid_abstract":"È un Dialogo molto particolare quello che -in occasione del riallestimento dei saloni napoleonici, il cuore storico di Brera -vede protagonista Camillo Boccaccino, perché mette a confronto due modulazioni diverse di un'unica voce, quella del pittore cremonese appunto, declinata sui due temi della pittura sacra e di quella profana.","grobid_abstract_attachment_id":56637202},"translated_abstract":null,"internal_url":"https://www.academia.edu/36698025/Gli_amori_milanesi_di_Camillo_Boccaccino_in_Attorno_agli_amori_Camillo_Boccaccino_sacro_e_profano_Brera_a_occhi_aperti_Sesto_Dialogo_catalogo_della_mostra_Milano_Pinacoteca_di_Brera_29_marzo_1_luglio_2018_a_cura_di_E_Daffra_M_Tanzi_Skira_Editore_Milano_2018_pp_31_81","translated_internal_url":"","created_at":"2018-05-23T06:09:08.480-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4364194,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":56637202,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56637202/thumbnails/1.jpg","file_name":"camillo_saggio_tanzi_solo.pdf","download_url":"https://www.academia.edu/attachments/56637202/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Gli_amori_milanesi_di_Camillo_Boccaccino.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56637202/camillo_saggio_tanzi_solo-libre.pdf?1527081318=\u0026response-content-disposition=attachment%3B+filename%3DGli_amori_milanesi_di_Camillo_Boccaccino.pdf\u0026Expires=1732347199\u0026Signature=Ie~JKn~cKgfFxS3OnlZmFY1~T2nc4pK-pXQRGG2jkVMgkhlZ4fnSH-VMmuB8ZEaP5DBcRRGKhYLuJx3bpIwNg1~v-ob5InZS1OX4WcFpW-hfudJn9FExUH4Vbq-zFMYYUSg8NgJDg3XmdnxX74HLnEhFpvgLY7Vh1zZAC4uaiBz5fhpHpaAVAJnCtqzWU4cvGcSgwit9r~SP6tVh-deBTlLl95TysFxF1v-cUNCkMeJprS8~fzq-NcX0y9EhVbxWs6qrrZLtPENR0LqIqYCCCV91KHd32uizi-UeJz~NT8mA9BQYSi8mw88DAMvwPoSEgW~us3bBOhQVxDcUpWamXg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Gli_amori_milanesi_di_Camillo_Boccaccino_in_Attorno_agli_amori_Camillo_Boccaccino_sacro_e_profano_Brera_a_occhi_aperti_Sesto_Dialogo_catalogo_della_mostra_Milano_Pinacoteca_di_Brera_29_marzo_1_luglio_2018_a_cura_di_E_Daffra_M_Tanzi_Skira_Editore_Milano_2018_pp_31_81","translated_slug":"","page_count":40,"language":"it","content_type":"Work","owner":{"id":4364194,"first_name":"Marco","middle_initials":null,"last_name":"Tanzi","page_name":"MarcoTanzi","domain_name":"unisalento","created_at":"2013-05-29T06:29:33.108-07:00","display_name":"Marco Tanzi","url":"https://unisalento.academia.edu/MarcoTanzi"},"attachments":[{"id":56637202,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56637202/thumbnails/1.jpg","file_name":"camillo_saggio_tanzi_solo.pdf","download_url":"https://www.academia.edu/attachments/56637202/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Gli_amori_milanesi_di_Camillo_Boccaccino.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56637202/camillo_saggio_tanzi_solo-libre.pdf?1527081318=\u0026response-content-disposition=attachment%3B+filename%3DGli_amori_milanesi_di_Camillo_Boccaccino.pdf\u0026Expires=1732347199\u0026Signature=Ie~JKn~cKgfFxS3OnlZmFY1~T2nc4pK-pXQRGG2jkVMgkhlZ4fnSH-VMmuB8ZEaP5DBcRRGKhYLuJx3bpIwNg1~v-ob5InZS1OX4WcFpW-hfudJn9FExUH4Vbq-zFMYYUSg8NgJDg3XmdnxX74HLnEhFpvgLY7Vh1zZAC4uaiBz5fhpHpaAVAJnCtqzWU4cvGcSgwit9r~SP6tVh-deBTlLl95TysFxF1v-cUNCkMeJprS8~fzq-NcX0y9EhVbxWs6qrrZLtPENR0LqIqYCCCV91KHd32uizi-UeJz~NT8mA9BQYSi8mw88DAMvwPoSEgW~us3bBOhQVxDcUpWamXg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36061631"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36061631/Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018"><img alt="Research paper thumbnail of Genovesino e Piacenza, catalogo della mostra (Piacenza, Palazzo Galli, 4 marzo - 10 giugno 2018), a cura di F. Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/97944495/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36061631/Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018">Genovesino e Piacenza, catalogo della mostra (Piacenza, Palazzo Galli, 4 marzo - 10 giugno 2018), a cura di F. Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2018</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="14cd2a5f04fd1fe460c112e975292cd4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97944495,"asset_id":36061631,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97944495/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36061631"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36061631"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36061631; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36061631]").text(description); $(".js-view-count[data-work-id=36061631]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36061631; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36061631']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36061631, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "14cd2a5f04fd1fe460c112e975292cd4" } } $('.js-work-strip[data-work-id=36061631]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36061631,"title":"Genovesino e Piacenza, catalogo della mostra (Piacenza, Palazzo Galli, 4 marzo - 10 giugno 2018), a cura di F. Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2018","translated_title":"","metadata":{"grobid_abstract":"La mostra allestita nel Salone dei depositanti e nella Sala Raineri di Palazzo Galli e perfettamente compendiata nelle pagine di questo catalogo, ci riporta idealmente alla Piacenza del duca Odoardo Farnese e della duchessa Margherita de' Medici. La presenza all'ombra del Gotico di Luigi Miradori-protagonista di rilievo nel panorama figurativo del barocco nell'Italia settentrionale, meglio noto e conosciuto come Genovesino-è infatti attestata in un arco temporale che va dal 1632 al 1636. Un periodo, come confermato anche da alcuni studi dell'indimenticato storico dell'arte Ferdinando Arisi, non troppo felice per il Genovesino che a Piacenza ebbe tragici lutti familiari. Nella città del Torrazzo, il Genovesino continuò il suo percorso di successo. La sua pittura vivace e colorata, le sue spiccate doti di ritrattista e la sua notevole cifra stilistica furono infatti notate ed apprezzate dal governatore spagnolo della città, don Álvaro de Quiñones, e gli permisero di diventare, in breve tempo, il pittore di riferimento dell'aristocrazia locale, sempre conservando anche una committenza piacentina. La mostra «Genovesino e Piacenza» non si limita soltanto ai difficili anni piacentini, ma abbraccia parte del successivo periodo cremonese fatto anche di produzioni artistiche commissionate da alcune famiglie nobili del nostro territorio. Una mostra voluta e organizzata dalla Banca di Piacenza-e magistralmente curata da Francesco Frangi, Valerio Guazzoni e Marco Tanzi-per riaccendere i riflettori su un pittore non ancora completamente celebrato, ma anche per arricchire di ulteriori contenuti artistici la «Salita al Pordenone», il principale evento culturale donato alla comunità e al territorio piacentino in questo 2018 dal nostro Istituto. Compiendo il breve e affascinante percorso che si snoda tra la basilica di Santa Maria di Campagna e Palazzo Galli, nel cuore del centro storico piacentino tra chiese e antichi palazzi gentilizi, sarà quindi possibile ammirare da vicino sia gli affreschi del Pordenone sia le tele del Genovesino.","grobid_abstract_attachment_id":97944495},"translated_abstract":null,"internal_url":"https://www.academia.edu/36061631/Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018","translated_internal_url":"","created_at":"2018-03-02T09:56:14.091-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4364194,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":97944495,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97944495/thumbnails/1.jpg","file_name":"genovesino_piacenza_LIBRO.pdf","download_url":"https://www.academia.edu/attachments/97944495/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Genovesino_e_Piacenza_catalogo_della_mos.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97944495/genovesino_piacenza_LIBRO-libre.pdf?1674986140=\u0026response-content-disposition=attachment%3B+filename%3DGenovesino_e_Piacenza_catalogo_della_mos.pdf\u0026Expires=1732411552\u0026Signature=RVr~BHr33gbmpzlqyiBNb4sL~~oRdfSbgBVY8uKN8OgLPwUKikaYRAWtrGWTO0x-EghaMvjZ7e59IQYVEVyuGzDSW1jFflAx8qua~nCkMR8JhhNbysKmwK2SWtuva~BPd9yaWSqIhnMb9kgSV9v9msrjCVhpg8Zd9B7WVnDlqCYuktPMTwo9lFAPrY3LDxRgB-kWnddeusHd-tOeGrDaxRczTgEAoankz80V-P4f1r3BB3ou~qfkV-ovJjmp9lo-Jn1ueIjUdyyjCsQGkAryVbnSNJR4-PWAPJ8jzK2CESU6Kz445-I-jYpPMBWwtrf834HLvIfIaKr~nhZvmY5rJg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Genovesino_e_Piacenza_catalogo_della_mostra_Piacenza_Palazzo_Galli_4_marzo_10_giugno_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2018","translated_slug":"","page_count":62,"language":"it","content_type":"Work","owner":{"id":4364194,"first_name":"Marco","middle_initials":null,"last_name":"Tanzi","page_name":"MarcoTanzi","domain_name":"unisalento","created_at":"2013-05-29T06:29:33.108-07:00","display_name":"Marco Tanzi","url":"https://unisalento.academia.edu/MarcoTanzi"},"attachments":[{"id":97944495,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97944495/thumbnails/1.jpg","file_name":"genovesino_piacenza_LIBRO.pdf","download_url":"https://www.academia.edu/attachments/97944495/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Genovesino_e_Piacenza_catalogo_della_mos.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97944495/genovesino_piacenza_LIBRO-libre.pdf?1674986140=\u0026response-content-disposition=attachment%3B+filename%3DGenovesino_e_Piacenza_catalogo_della_mos.pdf\u0026Expires=1732411552\u0026Signature=RVr~BHr33gbmpzlqyiBNb4sL~~oRdfSbgBVY8uKN8OgLPwUKikaYRAWtrGWTO0x-EghaMvjZ7e59IQYVEVyuGzDSW1jFflAx8qua~nCkMR8JhhNbysKmwK2SWtuva~BPd9yaWSqIhnMb9kgSV9v9msrjCVhpg8Zd9B7WVnDlqCYuktPMTwo9lFAPrY3LDxRgB-kWnddeusHd-tOeGrDaxRczTgEAoankz80V-P4f1r3BB3ou~qfkV-ovJjmp9lo-Jn1ueIjUdyyjCsQGkAryVbnSNJR4-PWAPJ8jzK2CESU6Kz445-I-jYpPMBWwtrf834HLvIfIaKr~nhZvmY5rJg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35497239"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35497239/Genovesino_Natura_e_invenzione_nella_pittura_del_Seicento_a_Cremona_catalogo_della_mostra_Cremona_Museo_Civico_Ala_Ponzone_6_ottobre_2017_4_febbraio_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2017"><img alt="Research paper thumbnail of Genovesino. Natura e invenzione nella pittura del Seicento a Cremona, catalogo della mostra (Cremona, Museo Civico "Ala Ponzone", 6 ottobre 2017 - 4 febbraio 2018), a cura di F. Frangi, V. Guazzoni, M. Tanzi, Officina Libraria, Milano 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/55360535/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35497239/Genovesino_Natura_e_invenzione_nella_pittura_del_Seicento_a_Cremona_catalogo_della_mostra_Cremona_Museo_Civico_Ala_Ponzone_6_ottobre_2017_4_febbraio_2018_a_cura_di_F_Frangi_V_Guazzoni_M_Tanzi_Officina_Libraria_Milano_2017">Genovesino. Natura e invenzione nella pittura del Seicento a Cremona, catalogo della mostra (Cremona, Museo Civico "Ala Ponzone", 6 ottobre 2017 - 4 febbraio 2018), a cura di F. Frangi, V. Guazzoni, M. 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Castellana, Johannes Hispanus, Persico Dosimo (Cr) 2017.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisalento.academia.edu/MarcoTanzi">Marco Tanzi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unile.academia.edu/StefaniaCastellana">Stefania Castellana</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d59f42f3344f88d17ad25cee3f743f31" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55360588,"asset_id":35497260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55360588/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35497260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35497260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35497260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35497260]").text(description); $(".js-view-count[data-work-id=35497260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35497260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35497260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35497260, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d59f42f3344f88d17ad25cee3f743f31" } } $('.js-work-strip[data-work-id=35497260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35497260,"title":"L'Hispanus di Stefania, in S. 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Dai riflettori puntati sin dall'Ottocento sul suo dipinto più famoso, la Deposizione Saibene, sino agli ultimi studi, la critica gli ha riconosciuto uno stile mutevole e affascinante che ne fa un Leonard Zelig della pittura del Rinascimento.","grobid_abstract_attachment_id":55360588},"translated_abstract":null,"internal_url":"https://www.academia.edu/35497260/LHispanus_di_Stefania_in_S_Castellana_Johannes_Hispanus_Persico_Dosimo_Cr_2017","translated_internal_url":"","created_at":"2017-12-23T01:03:49.576-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4364194,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":30826516,"work_id":35497260,"tagging_user_id":4364194,"tagged_user_id":2838336,"co_author_invite_id":null,"email":"s***a@gmail.com","affiliation":"Università Del Salento","display_order":1,"name":"Stefania Castellana","title":"L'Hispanus di Stefania, in S. 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Intriga l'ampio respiro del progetto, la genesi e la struttura del libro (con i due volumi che, nonostante la ferma rivendicazione dell'individualità e dell'autonomia di ciascuno da parte dell'autrice, non si possono, a mio avviso, in alcun modo considerare separatamente), la salda prospettiva storiografica e metodologica alla base della ricerca, la variegata natura delle pedine e degli interessi messi in campo, con porte che si aprono e stanze che si analizzano, come in una scena del crimine, con determinazione e tenacia, dal soffitto al pavimento, non lasciando indietro nemmeno un granello di polvere. Ogni traccia è sottoposta a un fuoco di fila di accuratissime indagini incrociate, con una profondità di sguardo, negli affondi, che non lascia spazio all'improvvisazione: ogni quesito, ogni dubbio, in ogni minima sfaccettatura, sono sottoposti al vaglio della filologia più strenua e accanita. La lucida introduzione al primo volume dà conto in maniera programmatica degli intendimenti di metodo: Floriana Conte afferma, in modo piano e quasi con nonchalance, che «in questo volume si pongono molte domande, si procede a una bonifica preventiva di quanto detto in passato su alcuni argomenti, se ne affrontano di nuovi; si offrono soluzioni quando l'esercizio visivo si incastra","grobid_abstract_attachment_id":52028916},"translated_abstract":null,"internal_url":"https://www.academia.edu/31715770/Qualche_riflessione_sui_titoli_di_coda_in_F_Conte_Tra_Napoli_e_Milano_Viaggi_di_artisti_nell_Italia_del_Seicento_II_Salvator_Rosa_II_Firenze_2014_pp_675_679","translated_internal_url":"","created_at":"2017-03-05T00:38:22.409-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4364194,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":52028916,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52028916/thumbnails/1.jpg","file_name":"Postfazione_libro_FC.pdf","download_url":"https://www.academia.edu/attachments/52028916/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Qualche_riflessione_sui_titoli_di_coda_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52028916/Postfazione_libro_FC-libre.pdf?1488703909=\u0026response-content-disposition=attachment%3B+filename%3DQualche_riflessione_sui_titoli_di_coda_i.pdf\u0026Expires=1732347200\u0026Signature=dL3O3VbYbcC-tYQ6V04IyxXrNgLbm67ZsqNjWsJNkHK~nMr4iP5bsCjzW1oMwpi-i17MFx6g7VSb7GybIBkBvb~VXIwC2nCIbcKpZ~4gDmM0N1jP5zDtzjOm~ARfATRvBFBJV9V3~MlIdzY6vS~gTwesbotpz6p~XKpVnNGdHKYTsz~wMcIBCVWIkxfRk4rWZfIz754dGXnf64CYc~isx6H73Tq0Z20bFxUex~HFE4vtbX3Pnn4m6fnOEMsKCxSa1s8deh6RJLUOv1UTX16fKuKL24AQ2l1XOLGet8~5fUJ17FdFszqOzrWjsExAlDgI9QVdaTQ0Ey9ojBsqdi22Xg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Qualche_riflessione_sui_titoli_di_coda_in_F_Conte_Tra_Napoli_e_Milano_Viaggi_di_artisti_nell_Italia_del_Seicento_II_Salvator_Rosa_II_Firenze_2014_pp_675_679","translated_slug":"","page_count":5,"language":"it","content_type":"Work","owner":{"id":4364194,"first_name":"Marco","middle_initials":null,"last_name":"Tanzi","page_name":"MarcoTanzi","domain_name":"unisalento","created_at":"2013-05-29T06:29:33.108-07:00","display_name":"Marco Tanzi","url":"https://unisalento.academia.edu/MarcoTanzi"},"attachments":[{"id":52028916,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52028916/thumbnails/1.jpg","file_name":"Postfazione_libro_FC.pdf","download_url":"https://www.academia.edu/attachments/52028916/download_file?st=MTczMjQ1MDU0NCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Qualche_riflessione_sui_titoli_di_coda_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52028916/Postfazione_libro_FC-libre.pdf?1488703909=\u0026response-content-disposition=attachment%3B+filename%3DQualche_riflessione_sui_titoli_di_coda_i.pdf\u0026Expires=1732347200\u0026Signature=dL3O3VbYbcC-tYQ6V04IyxXrNgLbm67ZsqNjWsJNkHK~nMr4iP5bsCjzW1oMwpi-i17MFx6g7VSb7GybIBkBvb~VXIwC2nCIbcKpZ~4gDmM0N1jP5zDtzjOm~ARfATRvBFBJV9V3~MlIdzY6vS~gTwesbotpz6p~XKpVnNGdHKYTsz~wMcIBCVWIkxfRk4rWZfIz754dGXnf64CYc~isx6H73Tq0Z20bFxUex~HFE4vtbX3Pnn4m6fnOEMsKCxSa1s8deh6RJLUOv1UTX16fKuKL24AQ2l1XOLGet8~5fUJ17FdFszqOzrWjsExAlDgI9QVdaTQ0Ey9ojBsqdi22Xg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6624550" id="catalogueentries"><div class="js-work-strip profile--work_container" data-work-id="122199635"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122199635/Giovanni_Francesco_Caroto_Pittore_romaniniano_Francesco_Torbido_detto_il_Moro_in_Rinascimento_sul_lago_catalogo_della_mostra_Riva_del_Garda_Museo_Alto_Garda_13_luglio_20_ottobre_2024_a_cura_di_L_Gabrielli_G_Sava_L_Siracusano_M_Tanzi_Firenze_2024_PREVIEW_"><img alt="Research paper thumbnail of Giovanni Francesco Caroto, Pittore romaniniano, Francesco Torbido detto il Moro], in Rinascimento sul lago, catalogo della mostra (Riva del Garda, Museo Alto Garda, 13 luglio – 20 ottobre 2024), a cura di L. 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Sabbioneta e Charleville città ideali dei Gonzaga, catalogo della mostra (Mantova, Palazzo Ducale, Castello di San Giorgio, 21 ottobre 2017 – 2 aprile 2018), a cura di P. Bertelli, Mantova 2017, pp. 283-284, n. 8." class="work-thumbnail" src="https://attachments.academia-assets.com/56910693/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36960737/Bernardino_Campi_Ritratto_di_Vespasiano_Gonzaga_in_Costruire_abitare_pensare_Sabbioneta_e_Charleville_citt%C3%A0_ideali_dei_Gonzaga_catalogo_della_mostra_Mantova_Palazzo_Ducale_Castello_di_San_Giorgio_21_ottobre_2017_2_aprile_2018_a_cura_di_P_Bertelli_Mantova_2017_pp_283_284_n_8">Bernardino Campi, Ritratto di Vespasiano Gonzaga, in Costruire, abitare, pensare. Sabbioneta e Charleville città ideali dei Gonzaga, catalogo della mostra (Mantova, Palazzo Ducale, Castello di San Giorgio, 21 ottobre 2017 – 2 aprile 2018), a cura di P. 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