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*/ top: 0px !important; /*left: 2%;*/ } /*put this back in css */ .contentwrapper{ _width:94%; _margin:0px 5% 0 5% ; margin: 12px 7% 0 7%; padding:0px ; z-index:1; /*display:flex; justify-content:space-between; */ } #wrap{background:transparent; margin:0 auto; padding:0; width:100%; color:#414141; padding:0} .l_sidebar{width:15%} .r_sidebar{ width:22%; _min-width:150px; min-width:160px; max-width:345px; float:left; background-color: white; /*background-color:#bdbec2; */ /*:transparent; */ font-size:1.3rem; _margin-top:0px; margin: 0px 0px 0px 2px; padding:0 0 0 10px; overflow:visible ; } .da-third-column{overflow:visible !important ;} .middle_sidebar{font-size: 1.4rem; _width:14%; width:17%; min-width:90px; max-width:180px; float:left; background:transparent; margin:.5% .5%; padding:0px .5% 0 1%; _border-right:1px dotted #d1ccbc; min-width:128px; } div.middle_sidebar{ border-left-style: dotted; border-left-width: 1px; border-left-color: #d1ccbc ;} .contentmiddle{ width:54% ; min-width:185px; float:left; margin-top:.4rem; font-size:16px; font-size:1.6rem; /* line-height:15px; line-height:150%; */ _margin-right:5px; _padding-right: 20px; _max-width: 700px; padding-right: 3%; } .contentmiddle h1, .contentmiddle h1 a { text-decoration: none; font-size: 2.4rem; font-weight: normal; color: #373731; /* near black */ line-height: 140%; } #headerW {height:100%; width: 100% !important; margin-left: auto; margin-right: auto; display:block;} .l_sidebar a:link,.l_sidebar a:visited, .middle_sidebar a:link, .middle_sidebar a:visited, .r_sidebar a:visited, .r_sidebar a:link{ /*color:#0183B2; old blue*/ color: #394244; font-size: 1.4rem; border-top: 1px solid lightgrey; /*word-spacing: -.3rem; */ } .new_subscription_block { font-family:"Muli", sans-serif ; background: #daf4fc; border-radius: 0rem; margin:4% 5% 4% 5%; padding: 5% 7% 5% 7%; line-height:150%; } .new_subscription_block p{ Font-Family:Lora; font-style:italic;} .new_subscription_block h3, h4 {font-family:"Muli", sans-serif; } .r_sub_con a:visited, .r_sub_con a:link, .new_subscription_block a:visited, .new_subscription_block a:link{ border-top: 0px ;} /* turn off links */ #clearfixheader { clear: both; width: 100%; height: 100%; margin-top: 0px; padding-top:0px; } .social_li ul li a:link, .social_li ul li a, .social_li a:link, .social_li li a, .social_li a { padding: .2rem .8rem !important /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color:#1e3a4a } .social_li li{display:inline; margin-left:10px ;margin-left:1rem; margin-right:10px; margin-right:1rem;} .centerwrap ul {margin: 0px -1% 0px 0%} #navbar{ font-size: 1.6rem; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif !important; font-weight: 400; _text-transform: uppercase; font-weight:bold; z-index:99; /*margin-top, margin-bottom: 0px !important; */ text-alignment:center; height:auto !important; text-align:justify; -ms-text-justify:distribute-all-lines; text-justify:distribute-all-lines; _letter-spacing:-.5px; color:#39AACF; margin-top: 0px; margin-left:0%; _margin-right:7% ; border-radius:0px; _background-color:rgba(118,154,172,.9); background-color:rgba(57, 170, 207, .85); min-width:245px; _width: 86%; width: 100%; } #navbar a{ _font-weight:bold; text-decoration:none; font-weight:bold; padding:0 12px; padding:0 1rem; padding-top: 2px; text-decoration:none; letter-spacing: .1px; color: white; _font-family: Helvetica; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif font-weight: 600; font-size: 1.55rem; line-height: 2.2rem; padding-top: 3px; } .nav ul, .socmedia ul {text-align:center} /*#nav{list-style-type:none;} */ /* #nav li{display:inline;float:left;list-style-type:none} #nav .stretch { display: inline-block; width: 100%; *display: inline; zoom: 1 } */ /*icons by https://www.entypo.com/*/ .social_li ul li a:link, .social_li ul li a,.social a:link, .social_li li a, .social_li a { padding: 0 .8rem !important; /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color: white; /*#1e3a4a */ } /* might work to space out items more nav li:before { margin-left: 3px} */ #search-old2{ display: inline-block!important; margin-right: 0px; margin-bottom: 8px; float: none!important; width: 115px!important; font-family: font-family:Georgia,"Times New Roman",Times,serif !important; background-color: #1497c2; text-align: left !important; font-weight: normal!important; } #search-old2 form{background:none!important; width:110px; height:100%; margin-top:2px !important; padding:0px} /* this indents widget */ .contentwrapper ul li li{ text-indent: -1.1rem; } .contentwrapper a, a:visited, a:hover{font-size: inherit; } /* 1.6rem; shouldnt this just inherit */ .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul, .r_sidebar ul li { background:none; list-style-type:none; } /*shading boxes around ads + contact info*/ .r_sidebar .r_adbx_top, .r_sub_con,.r_about_ad{background: #f2f2f2; border-radius: 0rem; } /*#bdbec2 */ .r_adbx_top, .r_sub_con,.r_about_ad{text-align:left; padding: 10px 18px 10px 18px; margin:12px -4px 0px -4px;} .box { border: .2rem solid black; font-size: 4rem; border-radius:2px;} .lightbox {border: .1rem solid grey ;} _colorcontrast {background-color: rgb(224, 224, 224); margin: 0px; border-right: 9px solid rgb(224, 224, 224); border-left: 9px solid rgb(224, 224, 224); border-radius: 8px;} .tagline { text-align:left ; font-size:13px; font-size:1.3hw; line-height:100%; margin:0; margin-top: 6px; /* color:white !important; */ margin-left:6px; padding:2px; color:#4a7d96; font-family:Arial, Helvetica, sans-serif; } #tagline_container{ max-width:335px; width:100%; margin-top: 50px; margin-left: 21px; } _ad_logo_wrapper{margin-left:3.5%; margin-right:4.3%;} #ad_logo_wrapper{margin-left:7%; margin-right:4%; margin-top:3px;} #logocontainer{width:auto; float:left; margin-left:0px; margin-top: 0px; max-width:40%; } #big_logo { /* margin-left: 25%; max-width: 7%; transform: scale(8); float: left; width:100%; max-height: 10%; */ } #big_logo{ transform: scale(8); max-height:10%; max-width:325px; float: left !important; text-align: left; width: 100%; } #logo_container { width: 100%; float: left; z-index: -40; /* overflow: visible; */ max-width: 600px; max-height: 200px; min-width: 140px; margin-left: 20px; height: auto; min-height: 40px; margin-top: 0px; _background-image: url(/wp-content/themes/openculture_v3a/images/openculture_banner.png); background-size: contain; background-repeat: no-repeat; max-width:80vw;; /*css3 viewport setting */ } .left { /* border: 2px dashed #f0f; */ text-align:left; _min-height:40px; height:auto; _margin-top: 45px; margin-left: 0px; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo-with-stacked-tagline.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo-with-tagline.svg") no-repeat; background-size: contain; max-width:600px; min-width:90px; overflow:hidden; _background-position-y:0px; _background-position-x:0px; background-position-x: center !important; background-position-y: center !important; z-index:200; } .right { float: right; _width: 740px; /*min-height: 25px;*/ margin-left: 2.5%; padding-left: 0px; margin-right: 20px ; padding-right:0px; /* border: 2px dashed #00f; */ position:relative; z-index:200; } .top{} .bottom{ background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background-size: contain; background-size: revert-layer; min-height:80px; /* border: 2px dashed green; */ clear:both; padding-top:8px; _margin: 4px 10px 0 10px; _background-position-y: 0px; /* min-height: 65px; */ clear: both; background-position-x: center; background-position-y:center; padding-top: 0px; margin: 2px 1rem 0px 1rem; /* height: 90px; */ _min-height: 110px; } #footerW{ right: 0; left: 0; position: relative; padding: 0; overflow:hidden;} .clear {clear:both;} .logo_clickable { position:absolute; width:100%; height:100%; top:0; left: 0; z-index: 50; _position:absolute; /* fixes overlap error in IE7/8, make sure you have an empty gif */ _background-image: url('empty.gif'); } .socialblock li {top: 2px;} .social-mail a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail.svg) no-repeat;} .social-twitter a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter.svg) no-repeat;} .social-facebook a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook.svg) no-repeat;} .social-rss a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss.svg) no-repeat;} .social-search a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .sb-icon-search {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .social-mail-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-black.svg) no-repeat;} .social-twitter-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-black.svg) no-repeat} .social-facebook-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-black.svg) no-repeat} .social-rss-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-black.svg) no-repeat} .social-mail a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-hover.svg) no-repeat;} .social-twitter a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-hover.svg) no-repeat;} .social-facebook a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-hover.svg) no-repeat;} .social-rss a:hover { background: url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-hover.svg) no-repeat;} .social-search a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass-hover.svg) no-repeat;} .sb-icon-search :hover {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} /* override images that we dont want to go to margin */ .contentmiddle img.noexpand, .contentmiddle p img.noexpand, .contentmiddle img[src$="feed-icon16x16139.png"],img[title|="noexpand"], .contentmiddle div.noexpand img, .contentmiddle div.noexpand p img , .begbox img, .ct_comment_info img, ct_this_is_spam img, ct_comment_info div{ width:initial !important; display: block !important; line-height: 100%; } .noexpand img {width:initial !important;} /*this seems to work more reliably than above */ .contentmiddle img.oneXone {width: 1px !important; height: 1px !important;} .contentmiddle img.noexpand.center{display:block !important; } #footer { color: white; width: 100%; /*margin:0 auto; */ margin-bottom:100px; padding:28px 0 0 0px; font-family:"Muli", sans-serif; font-weight:400; clear:both; display:inline-block; } .framearound_ad_in_post{margin: .6rem 0px 2.4rem 0px; height:auto;max-height:120px; width:100%;padding:0px; border: 2px solid #D3D3D3; border-radius:8px;min-height:3rem; } .advertisement_notice{text-align:center; font-family:Arial, Helvetica, sans-serif; font-variant:small caps; color: #0183b2;} .begbox{color:white;width:100%;display:inline-block; background: #36b0d8; margin-left: -4px; padding: 0; font-family: Lora, "Lora", Times, serif;font-style:normal} .begbox img { width:250px ; margin: 8px auto} .begbox p, .begbox div {margin: 1em 0px 0 12px} .da_bottom {line-height:10%} .no-framearound_ad_in_post {padding-bottom: 25px; padding-top:15px; width: 100%} img.no-framearound_ad_in_post {width:100%} .responsive_belowheadline_ad{ height: 100%; display:inline-block; width:98%; min-height:70px; max-height:200px; margin-right:4px; padding-bottom: 10px; } /*comment box */ div.cbInner {background: #eaebe8; border-radius:8px ;} div.cbInner h5 {color: #000;} .comments {color:#000:;} /*bullets*/ /*set chevrons on all widgets don't turn it on for ul li in sidebars*/ /*.contentwrapper ul li li, */ .r_sidebar a:link,.r_sidebar a:visited,.r_sidebar a:hover,.middle_sidebar a:link,.middle_sidebar a:visited,.middle_sidebar a:hover{ font-size: 1.4rem; line-height: inherit; } .contentmiddle a:link, .contentwrapper a {text-decoration:none; } .l_sidebar ul li a:hover, .middle_sidebar ul li a:hover, .r_sidebar ul li a:hover, .contentmiddle a:hover { text-decoration:underline} #footer ul li {line-height:130%; list-style:none;} #footer ul li a:link {color:white; font-size:1.6rem; text-decoration:none;} #footer ul li a:hover {text-decoration:underline;} .l_sidebar li a, .r_sidebar li a, .middle_sidebar li a{ /*display:block; */ /*OC-typography.png */ text-decoration:none; padding-left: 1em; /*font-style:italic;*/ font-family:"Muli", sans-serif; _font-style:bold; font-weight:400; color:#394244; } .widgettitle{ _border-top-width: 1px; _border-top-style: dotted; _border-top-color: gray; font-family:"Lora", sans-serif !important; font-weight: 600; _font-size: 1.6rem; line-height: 19px; font-weight: bold; padding: 3px ; margin: 8px 2px 2px 1px !important; /*color: #898477; */ letter-spacing: -.5px; } .widgetbox ul,.widget_categories ul, .widget_archive ul { border-bottom: 1px dotted #d1ccbc ; padding-bottom: 30px !important; display:block;} .widgetbox li a, .widget_categories li a, .widget_archive li a {display:block;} .recent_post{ border-bottom: 1px dotted #d1ccbc; padding: 0 0 30px 0px; margin-bottom: 30px; line-height:150%; overflow:hidden; } .noborder, .middle_sidebar.noborder:link, div.noborder a {border-top: 0px white !important;} .contentmiddle ul li a{} /*set chevrons on all widgets don't turn it on for ul li in sidebars* .contentwrapper ul li li,*/ .contentmiddle li, .r_sidebar li, .l_sidebar li, .middle_sidebar li { /* background:url(data:image/gif;base64,R0lGODlhBQAFALMJANTPvq2ok8rGs8C8qMXBrrKtmLeynufj0+Pezvby4wAAAAAAAAAAAAAAAAAAAAAAACH5BAEAAAkALAAAAAAFAAUAQAQQcByCkqQpCQPCKYiBfCESAQA7) no-repeat 0 10px; */ list-style-type:none; zoom:1; margin-left: .8em; zoom: 1; padding-left: .2em; margin-bottom: .3em; line-height:1.9rem; } .contentmiddle ul li li :before , .r_sidebar ul li li :before, .middle_sidebar ul li li :before, .l_sidebar ul li li :before { /*content: "\25B8"; */ float:left; padding-right:1rem; font-style:normal;} .contentmiddle ul li li li :before {content:none;} .contentmiddle ul li {list-style-type: none; padding-right:.8rem; padding-bottom: .4rem; font-style:normal;} /*set general padding for Ul lists */ .contentwrapper ul { margin: 0; padding: 0 0 10px 0; background:none; } .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul { background:none; list-style-type:none; } /*titles in widgets*/ .widgettitle, ul.l_sidebar li h2, ul.r_sidebar li h2, ul.middle_sidebar li h2, .middle_sidebar li h2 { font-weight:normal; padding:3px; margin:2px 2px 2px 1px; _font-family:Arial,Helvetica,sans-serif; font-family:Lora; color:#fc621f letter-spacing:-.5px; list-style-type:none; background: none !important; font-size: 1.9rem; } .r_sidebar ul {margin-left:-.6rem;} .middle_sidebar ul{ margin-top:1.2rem; margin-left:-1.1rem;} .middle_sidebar ul li {background:none } .contentmiddle li {background: none no-repeat 0 10px; list-style-type:none; zoom:1; /*margin-left: .8rem; */ zoom: 1; padding-left: .2rem; margin-bottom: 0rem; } /* turn off bullets on headers */ .contentwrapper ul {background:none;} /*lists inside lists */ .contentmiddle ul li li {margin-bottom:0rem; margin-left:5rem; list-style-type: none; } .contentwrapper ul {content:"";} .contentmiddle ul li li:before, .contentmiddle ul li:before, .middle_sidebar ul li li :before, /*put right triangle before bullets */ .middle_sidebar ul li li, .r_sidebar ul li li, .l_sidebar ul li li {line-height:inherit;} // Variables @colorBase: #394244; .transition (@prop: all, @time: 1s, @ease: linear) { -webkit-transition: @prop @time @ease; -moz-transition: @prop @time @ease; -o-transition: @prop @time @ease; -ms-transition: @prop @time @ease; transition: @prop @time @ease; } .universal-inline-block { display: inline-block; zoom: 1; *display: inline; } /* horizontal buttons */ div .social-icons2 { text-align: center; font-family: "Open Sans"; font-weight: 300; font-size: 1.5em; color: @colorBase; _margin: -2% -8% -2% -14%; } .social-icons2 ul { margin: 0; _padding: 0; list-style-type: none; text-align: center; } .social-icons2 ul li { _padding: 0px 8px 0px 6px; display:inline-block; text-indent:0; margin: 0px -4px 0px -4px;} .social-icons2 ul li a { text-decoration: none; _padding: .1rem .8rem; color: #fff; } .social-icons2-altmargin ul li {padding: 0 20px;} .social-icons2 ul li a:hover{ color: #1497c2; } .margin_left_10 {margin-left:-10px;} .white_background {background-color:white;} .oc-center, .oc-center img { width:100% ; max-width:100% !important; margin:0 auto; display:block; text-align:center;} .oc-center-da, .oc-center-da img, .oc-center-da object, .oc-center-da img { max-width: 100% !important; width: 100% !important; margin:0 auto; display: block; text-align:center;} /*fix expanding captcha refresh */ #fscf_captcha_refresh1 {width: 24px;height: 24px;} .oc-video-container { position: relative; _padding-bottom: 63.25%; padding-bottom:54%; padding-top: 10px; height: 0; } a.mashicon-reddit{background-color: darkred;} /* allow for override of img resizer */ .contentmiddle div.oc-no-resize-center img{ width: inherit !important; margin 0 auto; float:left} /*#footer img{width:inherit!important ;} */ /*footer stuff */ #flexcanvas{ width: 100%; max-width:100%; _height: 600px !important; margin-left: 3px; } .rowParent, .columnParent{ display: -webkit-box; display: -ms-flexbox; display: -webkit-flex; display: flex; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-flex-direction: row; -ms-flex-direction: row; flex-direction: row; -webkit-flex-wrap: nowrap; -ms-flex-wrap: nowrap; flex-wrap: nowrap; -webkit-box-pack: start; -webkit-justify-content: flex-start; -ms-flex-pack: start; justify-content: flex-start; -webkit-align-content: stretch; -ms-flex-line-pack: stretch; align-content: stretch; -webkit-box-align: stretch; -webkit-align-items: stretch; -ms-flex-align: stretch; align-items: stretch; } .columnParent{ -webkit-box-orient: vertical; -webkit-flex-direction: column; -ms-flex-direction: column; flex-direction: column; } .flexChild{ -webkit-box-flex: 1; -webkit-flex: 1; -ms-flex: 1; flex: 1; -webkit-align-self: auto; -ms-flex-item-align: auto; align-self: auto; margin:1px; font-size:1.3rem; /*border: 1px dotted #d1ccbc */ } .flexChild ul, .flexChild ul li {margin-left:-1.2rem;} .rowChild85696 {padding:1.8rem; margin-bottom:1.4rem} .rowChild9255 {margin:0px;} .minustopbottommargin20{margin-top:-20px !important; margin-bottom:-20px !important;} .minustopbottommargin40{margin-top:-40px !important; margin-bottom:-40px !important;} .minustopmargin20{margin-top:-20px !important;} .minustopmargin40{margin-top:-40px !important;} .curatedcategory ul li { text-decoration: none; list-style-type: none; padding: 0px; margin-left:1.0rem; line-height: 140%;} .curatedcategory ul {margin-left: 1.2rem;} .curatedcategory h2 {margin-left:1.0rem;} .curatedcategory h2 a {font-variant:small-caps;} .contentmiddle ol {list-style-type:decimal; font-size:inherit;} .contentmiddle ol li {list-style-type:decimal; font-size:inherit;line-spacing:120%;margin-bottom:.8rem;} input[type=search] { -moz-appearance:none; -webkit-appearance:none; } .sb-search { position: relative; color:#fff; border:none; width: 20px; width: 0%; min-width: 24px; min-height: 2.4rem; float: right; height:100%; overflow: hidden; -webkit-transition: width 0.3s; -moz-transition: width 0.3s; transition: width 0.6s; -webkit-backface-visibility: hidden; } .sb-search-input, input[type="search"] { position: absolute; top: -6px; right: 0px; border: none; outline: none; margin-right:24px; width: 100%; height: 88%; min-height:2.5rem; _margin: 8px 2px 8px 2px; z-index: 25; _padding: 4px 65px 4px 20px; font-family: inherit; font-size: 1.8rem; 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</script></div> </div> <div class="recent_post"> <h1 id="post-1111514" ><a href="https://www.openculture.com/2023/12/a-new-database-captures-the-smells-of-european-history.html" rel="bookmark" title="Permanent Link to A New Database Captures the Smells of European History, from 16th-Century to the Early 20th-Century"> A New Database Captures the Smells of European History, from 16th-Century to the Early 20th-Century </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/food_drink" rel="category tag">Food &amp; Drink</a> </em> | December 29th, 2023 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1111514" class="post-1111514 post type-post status-publish format-standard has-post-thumbnail hentry category-chemistry category-food_drink"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/m6iMmeFLvhg?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p class="p1" style="padding-left: 40px;"><em><span class="s1">But when from a long-dis­tant past noth­ing sub­sists, after the peo­ple are dead, after the things are bro­ken and scat­tered, still, alone, more frag­ile, but with more vital­i­ty, more unsub­stan­tial, more per­sis­tent, more faith­ful, the smell and taste of things remain poised a long time, like souls, ready to remind us, wait­ing and hop­ing for their moment, amid the ruins of all the rest; and bear unfal­ter­ing, in the tiny and almost impal­pa­ble drop of their essence, the vast struc­ture of rec­ol­lec­tion. — Mar­cel Proust, <a href="https://www.amazon.com/Swanns-Way-Search-Penguin-Classics/dp/0142437964"><span class="s2">Swann’s Way</span></a></span></em></p> <p>His­to­ry favors the eyes.</p> <p>Visu­al art can tell us what indi­vid­u­als who died long before the advent of pho­tog­ra­phy looked like, as well as the sort of fash­ions, food and decor one might encounter in house­holds both opu­lent and hum­ble.</p> <p>Our ears are also priv­i­leged in this regard, whether we’re lis­ten­ing to a <a href="https://www.youtube.com/watch?v=b9iUGquoNgY&amp;ab_channel=RichardMcVeigh%7CBEAUTYINSOUND">Gre­go­ri­an chant per­formed in a cathe­dral</a> or an ace sound designer’s <a href="https://youtu.be/4UqJrfmDlJ0?si=wXl4fHK3iN7e9_D7&amp;t=371">cin­e­mat­ic recre­ation of the D‑Day land­ings</a>.</p> <p>With a few judi­cious ingre­di­ent sub­sti­tu­tions, we can even get a sense of what <a href="https://www.openculture.com/2013/11/cook-real-recipes-from-ancient-rome.html">an Ancient Roman sal­ad</a>, a <a href="https://www.openculture.com/2018/06/a-4000-year-old-babylonian-recipe-for-stew-found-on-a-cuneiform-tablet-gets-cooked.html">4000-year-old Baby­lon­ian stew</a>, and a <a href="https://www.openculture.com/2017/02/5000-year-old-chinese-beer-recipe-gets-recreated-by-stanford-students.html">5000-year-old Chi­nese beer</a> tast­ed like.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Pity the poor neglect­ed nose. Scents are ephemer­al! How often have we won­dered what <a href="https://www.history.com/news/royal-palace-life-hygiene-henry-viii">Ver­sailles real­ly smelled</a> back in the 17th cen­tu­ry, when unbathed aris­to­crats in unlaun­dered fin­ery packed into high soci­ety’s unven­ti­lat­ed salons?</p> <p>On the oth­er hand, giv­en the oppor­tu­ni­ty, do we real­ly want to know?</p> <p><a href="https://odeuropa.eu/">Odeu­ropa</a>, the Euro­pean olfac­to­ry her­itage project, answers with a resound­ing yes.</p> <p><img fetchpriority="high" decoding="async" class="alignnone size-full wp-image-1111756 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1288" height="893" loading="lazy" data-src="https://cdn8.openculture.com/2023/12/28182744/odeuropa-S.png" data-srcset="https://cdn8.openculture.com/2023/12/28182744/odeuropa-S.png 1288w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-360x250.png 360w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-1024x710.png 1024w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-240x166.png 240w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-768x532.png 768w" data-sizes="(max-width: 1288px) 100vw, 1288px"><noscript><img loading="lazy" fetchpriority="high" decoding="async" class="alignnone size-full wp-image-1111756" src="https://cdn8.openculture.com/2023/12/28182744/odeuropa-S.png" alt width="1288" height="893" srcset="https://cdn8.openculture.com/2023/12/28182744/odeuropa-S.png 1288w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-360x250.png 360w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-1024x710.png 1024w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-240x166.png 240w, https://cdn8.openculture.com/2023/12/28182744/odeuropa-S-768x532.png 768w" sizes="(max-width: 1288px) 100vw, 1288px"></noscript></p> <p>Among its ini­tia­tives is an inter­ac­tive <a href="https://explorer.odeuropa.eu/">Smell Explor­er&nbsp;</a>that invites vis­i­tors to dive deep into smells as&nbsp; cul­tur­al phe­nom­e­na.</p> <p>Devel­oped by an inter­na­tion­al team of com­put­er sci­en­tists, AI experts and human­i­ties schol­ars, the <a href="https://explorer.odeuropa.eu/">Smell Explor­er</a> is a vast com­pendi­um of smells as rep­re­sent­ed in 23,000 images and 62,000 pub­lic domain texts, includ­ing nov­els, the­atri­cal scripts, trav­el­ogues, botan­i­cal text­books, court records, san­i­tary reports, ser­mons, and med­ical hand­books.</p> <p>This resource offers a fresh lens for con­sid­er­ing the past through our noses, an unflinch­ing look at var­i­ous olfac­to­ry real­i­ties of life in Europe from the 15th through ear­ly 20th cen­turies.</p> <p>Sur­vivors of ear­li­er plagues and pan­demics might have asso­ci­at­ed their tri­als with the puri­fy­ing aro­mas of burn­ing rose­mary and hot tar, just as the scents of sour­dough and the way a hand­sewn cot­ton face mask’s inte­ri­or smelled after sev­er­al hours of wear con­jure the ear­ly days of the Covid-19 pan­dem­ic for many of us.</p> <p>There are a num­ber of inter­est­ing ways to explore this scent-rich <a href="https://explorer.odeuropa.eu/smells?page=1">data­base</a> — by geo­graph­ic loca­tion, time peri­od, asso­ci­at­ed emo­tion, or aro­mat­ic qual­i­ty.</p> <p>Of course, you could go straight to a smell source.</p> <p>“<a href="https://explorer.odeuropa.eu/smells?q=chamber+pot&amp;in=content&amp;sort=">Cham­ber pot</a>” returns 18,152 results, “<a href="https://explorer.odeuropa.eu/smells?q=cadaver&amp;in=content&amp;sort=">cadav­er</a>“266…</p> <p><img decoding="async" class="alignnone size-full wp-image-1111755 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1289" height="856" loading="lazy" data-src="https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC.png" data-srcset="https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC.png 1289w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-360x239.png 360w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-1024x680.png 1024w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-240x159.png 240w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-768x510.png 768w" data-sizes="(max-width: 1289px) 100vw, 1289px"><noscript><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1111755" src="https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC.png" alt width="1289" height="856" srcset="https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC.png 1289w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-360x239.png 360w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-1024x680.png 1024w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-240x159.png 240w, https://cdn8.openculture.com/2023/12/28182741/Odeuropa-BC-768x510.png 768w" sizes="(max-width: 1289px) 100vw, 1289px"></noscript></p> <p>The squea­mish are advised to steer clear of <a href="https://explorer.odeuropa.eu/smell-sources/166">vom­it</a> (421 results) in favor of the Smell Explorer’s&nbsp; plea­sur­able and abun­dant <a href="https://explorer.odeuropa.eu/smell-sources/405">food-</a>relat­ed entries — <a href="https://explorer.odeuropa.eu/smell-sources/21">bread</a>, <a href="https://explorer.odeuropa.eu/smell-sources/36">choco­late</a>, <a href="https://explorer.odeuropa.eu/smell-sources/50">cof­fee</a>, <a href="https://explorer.odeuropa.eu/smell-sources/498">pome­gran­ate</a>, <a href="https://explorer.odeuropa.eu/smell-sources/112">pas­try</a>, and <a href="https://explorer.odeuropa.eu/smell-sources/169">wine</a>, to name but a few.</p> <p>Each scent is built as a col­lec­tion of cards or “nose wit­ness reports” with infor­ma­tion as to the title of the work cit­ed, its author or artist, year of cre­ation and char­ac­ter­i­za­tion (“good”, “rank”, “pecu­liar­ly unpleas­ant and per­ma­nent”…)</p> <p>Even more ambi­tious­ly, Odeu­ropa aims to give 21st-cen­tu­ry noses an actu­al whiff of Europe’s olfac­to­ry her­itage by enlist­ing per­fumers and scent design­ers to <a href="http://www.smellofheritage.org/preserving.html">recre­ate</a> over a hun­dred his­toric odors and aro­mas.</p> <p>Odeu­ropa has also cre­at­ed a down­load­able <a href="https://odeuropa.eu/the-olfactory-storytelling-toolkit/">Olfac­to­ry Sto­ry­telling Toolk­it</a> to give muse­um cura­tors ideas for inte­grat­ing cul­tur­al­ly sig­nif­i­cant odors into exhibits, a <a href="https://blooloop.com/museum/in-depth/museum-scents/">trend that is gain­ing trac­tion</a> world­wide.</p> <p>While every­one stands to ben­e­fit from the added olfac­to­ry dimen­sion of such exhibits, this ini­tia­tive is of par­tic­u­lar ser­vice to blind and visu­al­ly-impaired vis­i­tors. Exper­tise is no doubt required to get it right.</p> <p>We’re remind­ed of satirist <a href="https://www.theguardian.com/global/2010/oct/30/pj-orourke-john-harris-interview">PJ O’Rourke</a> early-80’s vis­it to the Exxon-spon­sored <a href="https://waltdatedworld.com/id182.htm">Uni­verse of Ener­gy</a> Pavil­ion in Walt Dis­ney World’s EPCOT cen­ter, where ani­ma­tron­ic dinosaurs were “depict­ed with­out accu­ra­cy and much too close to your face:”</p> <p class="p1" style="padding-left: 40px;"><span class="s1"><i>One of the few real nov­el­ties at Epcot is the use of smell to aggra­vate illu­sions. Of course, no one knows what dinosaurs smelled like, but Exxon has decid­ed they smelled bad.</i></span></p> <p class="p1"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1111754 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1301" height="873" data-src="https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H.png" data-srcset="https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H.png 1301w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-360x242.png 360w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-1024x687.png 1024w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-240x161.png 240w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-768x515.png 768w" data-sizes="auto, (max-width: 1301px) 100vw, 1301px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1111754" src="https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H.png" alt width="1301" height="873" srcset="https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H.png 1301w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-360x242.png 360w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-1024x687.png 1024w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-240x161.png 240w, https://cdn8.openculture.com/2023/12/28182737/Odeuropa-H-768x515.png 768w" sizes="auto, (max-width: 1301px) 100vw, 1301px"></noscript></p> <p>Enter the Odeu­ropa Smell Explor­er <a href="https://explorer.odeuropa.eu/">here</a>.</p> <p><a href="https://www.smithsonianmag.com/innovation/a-new-encyclopedia-explores-europes-smelly-history-180983417/" rel="nofollow">via Smith­son­ian</a></p> <p><strong>Relat­ed Con­tent</strong></p> <p><a href="https://www.openculture.com/2014/10/the-chemistry-behind-the-smell-of-old-books-explained-with-a-free-infographic.html">The Chem­istry Behind the Smell of Old Books: Explained with a Free Info­graph­ic</a></p> <p><a title="Permanent Link to The Disgusting Food Museum Curates 80 of the World’s Most Repulsive Dishes: Maggot-Infested Cheese, Putrid Shark &amp; More" href="https://www.openculture.com/2018/11/disgusting-food-museum-curates-80-worlds-repulsive-dishes-maggot-infested-cheese-putrid-shark.html" rel="bookmark">The Dis­gust­ing Food Muse­um Curates 80 of the World’s Most Repul­sive Dish­es: Mag­got-Infest­ed Cheese, Putrid Shark &amp; More</a></p> <p><a title="Permanent Link to Does Playing Music for Cheese During the Aging Process Change Its Flavor? Researchers Find That Hip Hop Makes It Smellier, and Zeppelin’s “Stairway to Heaven” Makes It Milder" href="https://www.openculture.com/2019/03/does-playing-music-for-cheese-during-the-aging-process-change-its-flavor.html" rel="bookmark">Does Play­ing Music for Cheese Dur­ing the Aging Process Change Its Fla­vor? Researchers Find That Hip Hop Makes It Smelli­er, and Zeppelin’s “Stair­way to Heav­en” Makes It Milder</a></p> <p class="p6"><span class="s7"><i>–&nbsp;</i><a href="http://ayunhalliday.com/"><span class="s8"><i>Ayun Hal­l­i­day</i></span></a><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s8"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s8"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i>&nbsp;and&nbsp;</i><a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s8"><i>Cre­ative, Not Famous Activ­i­ty Book</i></span></a><i>. Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s8"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2023/12/a-new-database-captures-the-smells-of-european-history.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2023/12/a-new-database-captures-the-smells-of-european-history.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2023/12/a-new-database-captures-the-smells-of-european-history.html#comments">1</a> ) | </p> <!-- Comments (1) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1110384" ><a href="https://www.openculture.com/2023/09/art-conservator-restores-a-painting-of-the-doomed-party-girl-isabella-de-medici.html" rel="bookmark" title="Permanent Link to A Determined Art Conservator Restores a Painting of the Doomed Party Girl Isabella de’ Medici: See the Before and After"> A Determined Art Conservator Restores a Painting of the Doomed Party Girl Isabella de’ Medici: See the Before and After </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a> </em> | September 28th, 2023 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1110384" class="post-1110384 post type-post status-publish format-standard has-post-thumbnail hentry category-art category-chemistry category-history"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/TFhKZv-fgXs?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Some peo­ple talk to plants.</p> <p>The <a href="http://cmoa.org"><span class="s2">Carnegie Muse­um of Art</span></a>’s chief con­ser­va­tor <a href="https://carnegiemuseums.org/expert/ellen-baxter/" rel="nofollow"><span class="s2">Ellen Bax­ter</span></a> talks to the paint­ings she’s restor­ing.</p> <p>“You have to …tell her she’s going to look love­ly,” she says, above, spread­ing var­nish over a 16th-cen­tu­ry por­trait of <a href="https://en.wikipedia.org/wiki/Isabella_de'_Medici"><span class="s2">Isabel­la de’ Medici</span></a> pri­or to start­ing the labo­ri­ous process of restor­ing years of wear and tear by <a href="https://en.wikipedia.org/wiki/Inpainting"><span class="s2">inpaint­ing</span></a> with tiny brush­es, aid­ed with pipettes of var­nish and sol­vent.</p> <p>Isabel­la had been wait­ing a long time for such ten­der atten­tion, con­cealed beneath a 19<span class="s3"><sup>th</sup></span><span class="s1">-cen­tu­ry over­paint­ing depict­ing a dain­tier fea­tured woman reput­ed to be <a href="https://en.wikipedia.org/wiki/Eleanor_of_Toledo"><span class="s2">Eleanor of Tole­do</span></a>, wife of Cosi­mo I de’ Medici, <a href="https://en.wikipedia.org/wiki/Cosimo_I_de'_Medici,_Grand_Duke_of_Tuscany"><span class="s2">the sec­ond Duke of Flo­rence</span></a>.</span></p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p><a href="https://carnegiemuseums.org/carnegie-magazine/summer-2018/the-fine-art-of-louise-lippincott/"><span class="s2">Louise Lip­pin­cott</span></a>, the CMA’s for­mer cura­tor of fine arts, ran across the work in the museum’s base­ment stor­age. Record named the artist as Bronzi­no, court painter to Cosi­mo I, but Lip­pin­cott, who thought the paint­ing “awful”, brought it to Ellen Bax­ter for a sec­ond opin­ion.</p> <p>As <a href="https://www.cristinarouvalis.com/about-me"><span class="s2">Cristi­na Rou­valis</span></a> writes in<em><a href="https://carnegiemuseums.org/magazine-archive/2014/spring/feature-428.html"><span class="s2"> Carnegie Mag­a­zine</span></a></em>, Bax­ter is a “rare mix of left- and right-brained tal­ent”, a painter with a bachelor’s degree in art his­to­ry, minors in chem­istry and physics, and a master’s degree in art con­ser­va­tion:</p> <p style="padding-left: 40px;"><i><br> (She) looks at paint­ings dif­fer­ent­ly than oth­er peo­ple, too—not as flat, sta­t­ic objects, but as three-dimen­sion­al com­po­si­tions lay­ered like lasagna.</i></p> <p class="p1" style="padding-left: 40px;"><span class="s1"><i>The minute she saw the oil paint­ing pur­port­ed to be of Eleanor of Tole­do… Bax­ter knew some­thing wasn’t quite right. The face was too bland­ly pret­ty, “like a Vic­to­ri­an cook­ie tin box lid,” she says. Upon exam­in­ing the back of the paint­ing, she identified—thanks to a trusty Google search—the stamp of </i><a href="https://www.wikitree.com/wiki/Leedham-213"><span class="s2"><i>Fran­cis Leed­ham</i></span></a><i>, who worked at the </i><a href="https://www.npg.org.uk/" rel="nofollow"><span class="s2"><i>Nation­al Por­trait Gallery</i></span></a><i> in Lon­don in the mid-1800s as a “relin­er,” trans­fer­ring paint­ings from a wood pan­el to can­vas mount. The painstak­ing process involves scrap­ing and sand­ing away the pan­el from back to front and then glu­ing the paint­ed sur­face lay­er to a new can­vas.</i></span></p> <p>An X‑Ray con­firmed her hunch, reveal­ing extra lay­ers of paint in this “lasagna”.</p> <p>Care­ful strip­ping of dirty var­nish and Vic­to­ri­an paint in the areas of the por­trait’s face and hands began to reveal the much stronger fea­tures of the woman who posed for the artist. (The Carnegie is bank­ing on Bronzino’s stu­dent, <a href="https://www.virtualuffizi.com/alessandro-allori.html"><span class="s2">Alessan­dro Allori</span></a>, or some­one in his cir­cle.)</p> <p class="p1"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1110389 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1280" height="720" data-src="https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici-.jpeg" data-srcset="https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici-.jpeg 1280w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--360x203.jpeg 360w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--1024x576.jpeg 1024w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--240x135.jpeg 240w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--768x432.jpeg 768w" data-sizes="auto, (max-width: 1280px) 100vw, 1280px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1110389" src="https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici-.jpeg" alt width="1280" height="720" srcset="https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici-.jpeg 1280w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--360x203.jpeg 360w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--1024x576.jpeg 1024w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--240x135.jpeg 240w, https://cdn8.openculture.com/2023/09/27210813/Behind-the-Scenes-The-Restoration-of-Isabella-de-Medici--768x432.jpeg 768w" sizes="auto, (max-width: 1280px) 100vw, 1280px"></noscript></p> <p class="p1"><span class="s1">Lip­pin­cott was also busi­ly sleuthing, find­ing a Medici-com­mis­sioned copy of the paint­ing in Vien­na that matched the dress and hair exact­ly. Thus­ly did she learn that the sub­ject was Eleanor of Toledo’s daugh­ter, <a href="https://en.wikipedia.org/wiki/Isabella_de%27_Medici">Isabel­la de’ Medici</a>, the apple of her father’s eye and a noto­ri­ous, ulti­mate­ly ill-fat­ed par­ty girl.<span class="Apple-converted-space">&nbsp;</span></span></p> <p class="p1"><span class="s2"><a href="http://www.thehistoryblog.com/archives/31197">The His­to­ry Blog</a></span><span class="s1"> paints an irre­sistible por­trait of this mav­er­ick princess:</span></p> <p class="p1" style="padding-left: 40px;"><span class="s1"><i>Cosi­mo gave her an excep­tion­al amount of free­dom for a noble­woman of her time. She ran her own house­hold, and after Eleanor’s death in 1562, Isabel­la ran her father’s too. She threw famous­ly rau­cous par­ties and spent lav­ish­ly. Her father always cov­ered her debts and pro­tect­ed her from scruti­ny even as rumors of her lovers and excess­es that would have doomed oth­er soci­ety women spread far and wide. Her favorite lover was said to be Troi­lo Orsi­ni, her hus­band Paolo’s cousin.</i></span></p> <p class="p1" style="padding-left: 40px;"><span class="s1"><i>Things went down­hill fast for Isabel­la after her father’s death in 1574. Her broth­er Francesco was now the Grand Duke, and he had no inter­est in indulging his sister’s pec­ca­dil­loes. We don’t know what hap­pened exact­ly, but in 1576 Isabel­la died at the Medici Vil­la of Cer­re­to Gui­di near Empoli. The offi­cial sto­ry released by Francesco was that his 34-year-old sis­ter dropped dead sud­den­ly while wash­ing her hair. The unof­fi­cial sto­ry is that she was stran­gled by her hus­band out of revenge for her adul­tery and/or to clear the way for him to mar­ry his own mis­tress Vit­to­ria Acco­ram­boni.</i></span></p> <p>Bax­ter not­ed that the urn Isabel­la holds was not part of the paint­ing to begin with, though nei­ther was it one of Leedham’s revi­sions. Its resem­blance to the urn that Mary Mag­da­lene is often depict­ed using as she annoints Jesus’ feet led her and Lip­pin­cott to spec­u­late that it was added at Isabella’s request, in an attempt to redeem her image.</p> <p>“This is lit­er­al­ly the bad girl see­ing the light,” Lip­pin­cott told Rou­valis.</p> <p><span class="s1">Despite her fond­ness for the sub­ject of the lib­er­at­ed paint­ing, and her con­sid­er­able skill as an artist, Bax­ter resist­ed the temp­ta­tion to embell­ish beyond what she found:</span></p> <p style="padding-left: 40px;"><i>I’m not the artist. I’m the con­ser­va­tor. It’s my job to repair dam­ages and loss­es, to not put myself in the paint­ing.</i></p> <p><strong>Relat­ed Con­tent&nbsp;</strong></p> <p><a title="Permanent Link to The Art of Restoring a 400-Year-Old Painting: A Five-Minute Primer" href="https://www.openculture.com/2015/07/the-art-of-restoring-a-400-year-old-painting-a-five-minute-primer.html" rel="bookmark">The Art of Restor­ing a 400-Year-Old Paint­ing: A Five-Minute Primer</a></p> <p><a title="Permanent Link to Watch a 17th-Century Portrait Magically Get Restored to Its Brilliant Original Colors" href="https://www.openculture.com/2017/11/watch-a-17th-century-portrait-magically-get-restored-to-its-brilliant-original-colors.html" rel="bookmark">Watch a 17th-Cen­tu­ry Por­trait Mag­i­cal­ly Get Restored to Its Bril­liant Orig­i­nal Col­ors</a></p> <p><a title="Permanent Link to A Restored Vermeer Painting Reveals a Portrait of a Cupid Hidden for Over 350 Years" href="https://www.openculture.com/2021/09/a-restored-vermeer-painting-reveals-a-portrait-of-a-cupid-hidden-for-over-350-years.html" rel="bookmark">A Restored Ver­meer Paint­ing Reveals a Por­trait of a Cupid Hid­den for Over 350 Years</a></p> <p><a title="Permanent Link to How an Art Conservator Completely Restores a Damaged Painting: A Short, Meditative Documentary" href="https://www.openculture.com/2018/08/how-an-art-conservator-completely-restores-a-damaged-painting.html" rel="bookmark">How an Art Con­ser­va­tor Com­plete­ly Restores a Dam­aged Paint­ing: A Short, Med­i­ta­tive Doc­u­men­tary</a></p> <p><a title="Permanent Link to Watch the Renaissance Painting, <i>The Battle of San Romano</i>, Get Brought Beautifully to Life in a Hand-Painted Animation" href="https://www.openculture.com/2022/01/watch-the-renaissance-painting-the-battle-of-san-romano-get-brought-beautifully-to-life-in-a-hand-painted-animation.html" rel="bookmark">Watch the Renais­sance Paint­ing,&nbsp;The Bat­tle of San Romano, Get Brought Beau­ti­ful­ly to Life in a Hand-Paint­ed Ani­ma­tion</a></p> <p><a title="Permanent Link to Free Course: An Introduction to the Art of the Italian Renaissance" href="https://www.openculture.com/2015/10/free-course-an-introduction-to-the-art-of-the-italian-renaissance.html" rel="bookmark">Free Course: An Intro­duc­tion to the Art of the Ital­ian Renais­sance</a></p> <p class="p5"><span class="s4"><i>–&nbsp;</i><a href="http://ayunhalliday.com/"><span class="s5"><i>Ayun Hal­l­i­day</i></span></a><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s5"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s5"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i>&nbsp;and&nbsp;</i><a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s5"><i>Cre­ative, Not Famous Activ­i­ty Book</i></span></a><i>. Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s5"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2023/09/art-conservator-restores-a-painting-of-the-doomed-party-girl-isabella-de-medici.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2023/09/art-conservator-restores-a-painting-of-the-doomed-party-girl-isabella-de-medici.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2023/09/art-conservator-restores-a-painting-of-the-doomed-party-girl-isabella-de-medici.html#comments">162</a> ) | </p> <!-- Comments (162) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1097833" ><a href="https://www.openculture.com/2022/01/a-new-album-of-goth-folk-songs-inspired-by-the-life-of-marie-curie.html" rel="bookmark" title="Permanent Link to A New Album of Goth-Folk Songs Inspired by the Life of Marie Curie"> A New Album of Goth-Folk Songs Inspired by the Life of Marie Curie </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/animation-2" rel="category tag">Animation</a>, <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/life" rel="category tag">Life</a>, <a href="https://www.openculture.com/category/music" rel="category tag">Music</a>, <a href="https://www.openculture.com/category/science" rel="category tag">Science</a> </em> | January 21st, 2022 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1097833" class="post-1097833 post type-post status-publish format-standard hentry category-animation-2 category-chemistry category-history category-life category-music category-science"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/e160i17sWuk?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>After sev­er­al years of writ­ing and per­form­ing songs influ­enced by such sources as authors&nbsp;<a href="https://edwardgoreyhouse.org/pages/edward-gorey-biography">Edward Gorey</a>&nbsp;and&nbsp;<a href="https://www.britannica.com/biography/Raymond-Chandler">Ray­mond Chan­dler</a>, film­mak­er&nbsp;<a href="https://www.openculture.com/2011/10/tim_burton_a_look_inside_his_visual_imagination.html">Tim Bur­ton</a>, and mur­der bal­lads in the Amer­i­can folk tra­di­tion, Ellia Bisker and Jef­frey Mor­ris, known col­lec­tive­ly as&nbsp;<a href="https://www.charmingdisaster.com/#bio-section">Charm­ing Dis­as­ter</a>,&nbsp;began cast­ing around for a sin­gle, exist­ing nar­ra­tive that could sus­tain an album’s worth of orig­i­nal tunes.</p> <p>An encounter with Lau­ren Red­nis­s’s graph­ic nov­el&nbsp;<a href="https://amzn.to/33UGS0S"><em>Radioac­tive: Marie &amp; Pierre Curie: A Tale of Love and Fall­out</em></a> spurred them to look more deeply at the&nbsp;<a href="https://www.nobelprize.org/womenwhochangedscience/stories/marie-curie">Nobel Prize-win­ning sci­en­tist</a>&nbsp;and her pio­neer­ing dis­cov­er­ies.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1097847 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="2100" height="2100" data-src="https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER.jpeg" data-srcset="https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER.jpeg 2100w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-360x360.jpeg 360w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-1024x1024.jpeg 1024w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-240x240.jpeg 240w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-768x768.jpeg 768w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-1536x1536.jpeg 1536w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-2048x2048.jpeg 2048w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-150x150.jpeg 150w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-300x300.jpeg 300w" data-sizes="auto, (max-width: 2100px) 100vw, 2100px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1097847" src="https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER.jpeg" alt width="2100" height="2100" srcset="https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER.jpeg 2100w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-360x360.jpeg 360w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-1024x1024.jpeg 1024w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-240x240.jpeg 240w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-768x768.jpeg 768w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-1536x1536.jpeg 1536w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-2048x2048.jpeg 2048w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-150x150.jpeg 150w, https://cdn8.openculture.com/2022/01/20204232/Our_Lady_of_Radium_FRONT_COVER-300x300.jpeg 300w" sizes="auto, (max-width: 2100px) 100vw, 2100px"></noscript></p> <p>The result is&nbsp;<em><a href="https://www.charmingdisaster.com/ourladyofradium">Our Lady of Radi­um</a></em>, a nine song explo­ration of Curie’s life and work.</p> <p>The&nbsp;<a href="https://www.kickstarter.com/projects/charmingdisaster/charming-disaster-our-lady-of-radium" rel="nofollow">crowd­fund­ed album</a>, record­ed dur­ing the pan­dem­ic, is so exhaus­tive­ly researched that the accom­pa­ny­ing illus­trat­ed book­let includes a bib­li­og­ra­phy with titles rang­ing from David I. Harvie’s tech­ni­cal­ly dense&nbsp;<a href="https://amzn.to/3fKbnth"><em>Dead­ly Sun­shine: The His­to­ry and Fatal Lega­cy of Radi­um</em></a>&nbsp;to Deb­o­rah Blum’s&nbsp;<a href="https://amzn.to/3tNvPBI"><em>The Poi­son­er’s Hand­book,</em></a>&nbsp;described by&nbsp;<em>The New York Observ­er as&nbsp;</em>“a vicious, page-turn­ing sto­ry that reads more like Ray­mond Chan­dler than Madame Curie.”</p> <p>A chap­ter in the&nbsp;<a href="https://amzn.to/3tNvPBI"><em>The Poi­son­er’s Hand­book</em></a>&nbsp;intro­duced Bisker and Mor­ris to the&nbsp;<a href="https://www.britannica.com/story/radium-girls-the-women-who-fought-for-their-lives-in-a-killer-workplace">Radi­um Girls</a>, young work­ers whose pro­longed expo­sure to radi­um-based paint in ear­ly 20th-cen­tu­ry clock fac­to­ries had hor­rif­ic con­se­quences.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1097848 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="821" height="650" data-src="https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped.jpg" data-srcset="https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped.jpg 821w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-360x285.jpg 360w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-240x190.jpg 240w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-768x608.jpg 768w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-300x238.jpg 300w" data-sizes="auto, (max-width: 821px) 100vw, 821px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1097848" src="https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped.jpg" alt width="821" height="650" srcset="https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped.jpg 821w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-360x285.jpg 360w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-240x190.jpg 240w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-768x608.jpg 768w, https://cdn8.openculture.com/2022/01/20204429/All_women_or_girls_using_radium_paint_with_no_protection_or_warnings_in_1922_from-_USRadiumGirls-Argonne1ca1922-23-150dpi_cropped-300x238.jpg 300w" sizes="auto, (max-width: 821px) 100vw, 821px"></noscript></p> <p>In&nbsp;<a href="https://law.justia.com/cases/federal/district-courts/FSupp/13/263/2096834/">La Porte v. Unit­ed States Radi­um Cor­po­ra­tion</a>&nbsp;(1935) pros­e­cu­tors detailed the con­di­tions under which the lumi­nous dials of inex­pen­sive watch faces were pro­duced:</p> <blockquote><p><em>Each girl pro­cured a tray con­tain­ing twen­ty-four watch dials and the mate­r­i­al to be used to paint the numer­als upon them so that they would appear lumi­nous. The mate­r­i­al was a pow­der, of about the con­sis­ten­cy of cos­met­ic pow­der, and con­sist­ed of phos­pho­res­cent zinc sul­phide mixed with radi­um sulphate…The pow­der was poured from the vial into a small porce­lain cru­cible, about the size of a thim­ble. A quan­ti­ty of gum ara­bic, as an adhe­sive, and a thin­ner of water were then added, and this was stirred with a small glass rod until a paint­like sub­stance result­ed. In the course of a work­ing week each girl paint­ed the dials con­tained on twen­ty-two to forty-four such trays, depend­ing upon the speed with which she worked, and used a vial of pow­der for each tray. When the paint-like sub­stance was pro­duced a girl would employ it in paint­ing the fig­ures on a watch dial. There were four­teen numer­als, the fig­ure six being omit­ted. In the paint­ing each girl used a very fine brush of camel’s hair con­tain­ing about thir­ty hairs. In order to obtain the fine lines which the work required, a girl would place the bris­tles in her mouth, and by the action of her tongue and lips bring the bris­tles to a fine point. The brush was then dipped into the paint, the fig­ures paint­ed upon the dial until more paint was required or until the paint on the brush dried and hard­ened, when the brush was dipped into a small cru­cible of water. This water remained in the cru­cible with­out change for a day or per­haps two days. The brush would then be repoint­ed in the mouth and dipped into the paint or even repoint­ed in such man­ner after being dipped into the paint itself, in a con­tin­u­ous process.</em></p></blockquote> <p>The band found them­selves haunt­ed by the Radi­um Girls’ sto­ry:</p> <blockquote><p><em>Part­ly it’s that it seemed like a real­ly good job — it was clean work, it was less phys­i­cal­ly tax­ing and paid bet­ter than fac­to­ry or mill jobs, the work­ing envi­ron­ment was nice — and the work­ers were all young women. They were excit­ed about this sweet gig, and then it betrayed them, poi­son­ing them and cut­ting their lives short in a hor­ri­ble way.&nbsp;</em></p> <p><em>There were all these details we learned that we could­n’t stop think­ing about. Like the fact that radi­um gets tak­en up by bone, which then starts to dis­in­te­grate because radi­um isn’t as hard as cal­ci­um. The Radi­um Girls’&nbsp;</em><a href="https://www.cultofweird.com/medical/radium-girls/"><em>jaw bones</em></a> <em>were crum­bling away, because they (were instruct­ed) to use their lips to point the brush­es when paint­ing watch faces with radi­um-based paint.&nbsp;</em></p> <p><em>The radi­um they absorbed was irra­di­at­ing them from inside, from with­in their own bones.&nbsp;</em></p> <p><em>Radi­um decays into radon, and it was even­tu­al­ly dis­cov­ered that the radi­um girls were exhal­ing radon gas. They could expose a pho­to­graph­ic plate by breath­ing on it. Those images—the bones and the breath—stuck with us in par­tic­u­lar.</em></p></blockquote> <p>Fel­low musi­cian,&nbsp;<a href="https://omergal.com/">Omer Gal</a>, of the “the­atri­cal freak folk musi­cal menagerie”&nbsp;<a href="https://omergal.com/Cookie-Tongue">Cook­ie Tongue</a>, height­ens the sense of dread in his chill­ing stop-motion ani­ma­tion for Our Lady of Radi­um’s first music video, above. There’s no ques­tion that a trag­ic fate awaits the crum­bling, uncom­pre­hend­ing lit­tle work­er.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1097850 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="2048" height="1153" data-src="https://cdn8.openculture.com/2022/01/20204518/omer-gal.png" data-srcset="https://cdn8.openculture.com/2022/01/20204518/omer-gal.png 2048w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-360x203.png 360w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-1024x577.png 1024w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-240x135.png 240w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-768x432.png 768w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-1536x865.png 1536w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-300x169.png 300w" data-sizes="auto, (max-width: 2048px) 100vw, 2048px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1097850" src="https://cdn8.openculture.com/2022/01/20204518/omer-gal.png" alt width="2048" height="1153" srcset="https://cdn8.openculture.com/2022/01/20204518/omer-gal.png 2048w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-360x203.png 360w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-1024x577.png 1024w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-240x135.png 240w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-768x432.png 768w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-1536x865.png 1536w, https://cdn8.openculture.com/2022/01/20204518/omer-gal-300x169.png 300w" sizes="auto, (max-width: 2048px) 100vw, 2048px"></noscript></p> <p>Before their phys­i­cal symp­toms start­ed to man­i­fest, the Radi­um Girls believed what they had been told — that the radi­um-based paint they used on the time­pieces’ faces and hands posed no threat to their well being.</p> <p>Com­pound­ing the prob­lem, the paint’s glow-in-the-dark prop­er­ties proved irre­sistible to high-spir­it­ed teens, as the niece of Mar­garet “Peg” Looney — 17 when she start­ed work at the&nbsp;<a href="https://www.theatlantic.com/notes/2017/03/radium-superfund-legacy/519408/">Illi­nois Radi­um Dial Com­pa­ny</a>&nbsp;(now a&nbsp;<a href="https://cumulis.epa.gov/supercpad/SiteProfiles/index.cfm?fuseaction=second.Cleanup&amp;id=0500634#bkground">Super­fund Site</a>) —&nbsp;<a href="https://www.nprillinois.org/equity-justice/2018-01-25/the-radium-girls-an-illinois-tragedy">recount­ed to NPR</a>:</p> <blockquote><p><em>I can remem­ber my fam­i­ly talk­ing about my aunt bring­ing home the lit­tle vials (of radi­um paint.) They would go into their bed­room with the lights off and paint their fin­ger­nails, their eye­lids, their lips and then they’d laugh at each oth­er because they glowed in the dark.</em></p></blockquote> <p>Looney died at 24, hav­ing suf­fered from ane­mia, debil­i­tat­ing hip pain, and the loss of teeth and bits of her jaw. Although her fam­i­ly har­bored sus­pi­cions as to the cause of her bewil­der­ing decline, no attor­ney would take their case. They lat­er learned that the Illi­nois Radi­um Dial Com­pa­ny had arranged for med­ical tests to be per­formed on work­ers, with­out truth­ful­ly advis­ing them of the results.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1097852 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="517" height="648" data-src="https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1.jpg" data-srcset="https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1.jpg 517w, https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1-287x360.jpg 287w, https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1-191x240.jpg 191w, https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1-300x376.jpg 300w" data-sizes="auto, (max-width: 517px) 100vw, 517px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1097852" src="https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1.jpg" alt width="517" height="648" srcset="https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1.jpg 517w, https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1-287x360.jpg 287w, https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1-191x240.jpg 191w, https://cdn8.openculture.com/2022/01/20204623/The-World-NY-May-10-1928-p-14-1-300x376.jpg 300w" sizes="auto, (max-width: 517px) 100vw, 517px"></noscript></p> <p>Even­tu­al­ly, the mount­ing death toll made the con­nec­tion between work­ers’ health and the work­place impos­si­ble to ignore. Law­suits such as La Porte v. Unit­ed States Radi­um Cor­po­ra­tion led to improved indus­tri­al safe­ty reg­u­la­tions and oth­er labor reforms.</p> <p>Too late, Charm­ing Dis­as­ter notes, for the&nbsp;Radi­um Girls them­selves:</p> <blockquote><p><em>(Our song) Radi­um Girls is ded­i­cat­ed to the young women who were unwit­ting­ly poi­soned by their work and who were ignored and maligned in seek­ing jus­tice. Their plight led to laws and safe­guards that even­tu­al­ly became the occu­pa­tion­al safe­ty pro­tec­tions we have today. Of course that is still a bat­tle that’s being fought, but it start­ed with them. We want­ed to pay trib­ute to these young women, hon­or their mem­o­ry, and give them a voice.&nbsp;&nbsp;</em></p></blockquote> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1097853 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="626" height="785" data-src="https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster.png" data-srcset="https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster.png 626w, https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster-287x360.png 287w, https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster-191x240.png 191w, https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster-300x376.png 300w" data-sizes="auto, (max-width: 626px) 100vw, 626px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1097853" src="https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster.png" alt width="626" height="785" srcset="https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster.png 626w, https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster-287x360.png 287w, https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster-191x240.png 191w, https://cdn8.openculture.com/2022/01/20204654/LYRICS-Radium-Girls-Charming-disaster-300x376.png 300w" sizes="auto, (max-width: 626px) 100vw, 626px"></noscript></p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1097854 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="624" height="731" data-src="https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster.png" data-srcset="https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster.png 624w, https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster-307x360.png 307w, https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster-205x240.png 205w, https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster-300x351.png 300w" data-sizes="auto, (max-width: 624px) 100vw, 624px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1097854" src="https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster.png" alt width="624" height="731" srcset="https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster.png 624w, https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster-307x360.png 307w, https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster-205x240.png 205w, https://cdn8.openculture.com/2022/01/20204716/bibliography-charming-disaster-300x351.png 300w" sizes="auto, (max-width: 624px) 100vw, 624px"></noscript></p> <p>Pre­order Charm­ing Disaster’s <em>Our Lady of Radi­um</em>&nbsp;<a href="https://charmingdisaster.bandcamp.com/album/our-lady-of-radium">here</a>.</p> <p><strong>Relat­ed Con­tent:&nbsp;</strong></p> <p><a href="https://www.openculture.com/2015/07/marie-curies-research-papers-are-still-radioactive-100-years-later.html">Marie Curie’s Research Papers Are Still Radioac­tive 100+ Years Lat­er</a></p> <p><a href="https://www.openculture.com/2017/07/an-animated-introduction-to-the-life-work-of-marie-curie.html">An Ani­mat­ed Intro­duc­tion to the Life &amp; Work of Marie Curie, the First Female Nobel Lau­re­ate</a></p> <p><a href="https://www.openculture.com/2019/06/marie-curie-became-the-first-woman-to-win-a-nobel-prize.html">Marie Curie Became the First Woman to Win a Nobel Prize, the First Per­son to Win Twice, and the Only Per­son in His­to­ry to Win in Two Dif­fer­ent Sci­ences</a></p> <p><a href="http://ayunhalliday.com/"><em>Ayun Hal­l­i­day</em></a><em>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</em><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><em>the East Vil­lage Inky</em></a><em>&nbsp;zine and author, most recent­ly, of&nbsp;</em><a href="https://www.kickstarter.com/projects/microcosmpublishing/creative-not-famous-the-small-potato-manifesto" rel="nofollow"><em>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</em></a><em>.&nbsp;&nbsp;Fol­low her&nbsp;</em><a href="https://www.instagram.com/ayun_halliday/"><em>@AyunHalliday</em></a><em>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2022/01/a-new-album-of-goth-folk-songs-inspired-by-the-life-of-marie-curie.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2022/01/a-new-album-of-goth-folk-songs-inspired-by-the-life-of-marie-curie.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2022/01/a-new-album-of-goth-folk-songs-inspired-by-the-life-of-marie-curie.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1093644" ><a href="https://www.openculture.com/2021/08/take-a-trip-to-the-lsd-museum-the-largest-collection-of-blotter-art-in-the-world.html" rel="bookmark" title="Permanent Link to Take a Trip to the LSD Museum, the Largest Collection of “Blotter Art” in the World"> Take a Trip to the LSD Museum, the Largest Collection of “Blotter Art” in the World </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/museums" rel="category tag">Museums</a>, <a href="https://www.openculture.com/category/random" rel="category tag">Random</a> </em> | August 16th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1093644" class="post-1093644 post type-post status-publish format-standard hentry category-art category-chemistry category-history category-museums category-random"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/m1mr1k7eztg?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>When Ken Kesey and his Mer­ry Pranksters kicked off Haight-Ash­bury’s coun­ter­cul­ture in the 1960s, LSD was the key ingre­di­ent in their potent mix of drugs, the Hell’s Angels, the Beat poets, and their local band The War­locks (soon to become The Grate­ful Dead). Kesey <a href="https://www.openculture.com/2013/01/ken_kesey_talks_about_the_meaning_of_the_acid_tests_in_a_classic_interview.html">admin­is­tered the drug in “Acid Tests”</a> to find out who could han­dle it (and who couldn’t) after he stole the sub­stance from Army doc­tors, who them­selves admin­is­tered it as part of the CIA’s MKUl­tra exper­i­ments. Not long after­ward, Grate­ful Dead sound­man Owsley “Bear” Stan­ley syn­the­sized “the purest form of LSD ever to hit the street,” <a href="https://www.rollingstone.com/feature/owsley-stanley-the-king-of-lsd-82181/">writes <em>Rolling Stone</em></a>, and became the country’s biggest sup­pli­er, the “king of acid.”</p> <p>What­ev­er uses it might have had in psy­chi­atric set­tings — and there were many known at the time — LSD was made ille­gal in 1968 by the U.S. gov­ern­ment, repress­ing what the gov­ern­ment had itself helped bring into being. But it has since returned with new­found respectabil­i­ty. “Once dis­missed as the dan­ger­ous dal­liances of the coun­ter­cul­ture,” writes&nbsp;<a href="https://www.nature.com/articles/d41586-021-00187-9"><em>Nature</em></a>, psy­che­del­ic drugs are “gain­ing main­stream accep­tance” in clin­i­cal treat­ment. Psilo­cy­bin, MDMA, and LSD “have been steadi­ly mak­ing their way back into the lab,” notes <a href="https://www.scientificamerican.com/article/johns-hopkins-scientists-give-psychedelics-the-serious-treatment/"><em>Sci­en­tif­ic Amer­i­can</em></a>. “Sci­en­tists are redis­cov­er­ing what many see as the sub­stances’ aston­ish­ing ther­a­peu­tic poten­tial.”</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1093645 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="800" height="946" data-src="https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm.jpg" data-srcset="https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-304x360.jpg 304w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-203x240.jpg 203w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-768x908.jpg 768w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-300x355.jpg 300w" data-sizes="auto, (max-width: 800px) 100vw, 800px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1093645" src="https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm.jpg" alt width="800" height="946" srcset="https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-304x360.jpg 304w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-203x240.jpg 203w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-768x908.jpg 768w, https://cdn8.openculture.com/2021/08/13112821/hofmannblock_sm-300x355.jpg 300w" sizes="auto, (max-width: 800px) 100vw, 800px"></noscript></p> <p>None of this comes as news to San Fran­cis­co fix­ture Mark McCloud. “In the same moral­is­tic man­ner many San Fran­cis­cans pon­tif­i­cate on the health ben­e­fits of mar­i­jua­na,” writes Gre­go­ry Thomas at <a href="https://missionlocal.org/2010/11/lsd-museum-or-institute-of-illegal-images/">Mis­sion Local</a>, “McCloud and his friends tout the mer­its of acid.” Next to cur­ing “anx­i­ety, depres­sion and ‘mar­i­tal prob­lems,’” it is also an impor­tant source &nbsp;of folk art, says McCloud, the own­er and sole pro­pri­etor of the infor­mal­ly-named “LSD Muse­um” housed in his three-sto­ry Vic­to­ri­an home in San Fran­cis­co.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/cpSOqf_8Guw?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>His mis­sion in cre­at­ing and main­tain­ing the muse­um for­mal­ly called <a href="https://www.atlasobscura.com/places/institute-illegal-images">the Insti­tute of Ille­gal Images</a>, he says, is to “pre­serve a ‘skele­tal’ rem­nant of San Francisco’s drug-induced 1960s lega­cy, ‘so maybe our chil­dren can bet­ter under­stand us.’”</p> <p>Specif­i­cal­ly, as <a href="https://theculturetrip.com/north-america/usa/california/articles/get-to-know-san-franciscos-unofficial-lsd-museum/">Cul­ture Trip explains</a>, McCloud pre­serves the art on sheets of blot­ter acid.&nbsp;As is clear from the many pop cul­tur­al ref­er­ences on blot­ter art — like Beav­is and Butthead and tech­no artist Plas­tik­man (who <a href="https://www.musicradar.com/news/tech/classic-album-richie-hawtin-on-plastikmans-sheet-one-633433">named his debut album <em>Sheet One</em></a>)&nbsp;— the 60s blot­ter acid lega­cy extend­ed far beyond its founders’ vision in under­ground scenes through­out the 70s, 80s, 90s, and oughts.</p> <blockquote><p><em>Also known as the Blot­ter Barn or the Insti­tute of Ille­gal Images, McCloud’s house is locat­ed on 20th Street between Mis­sion and Capp. The house pre­serves over 33,000 sheets of LSD blot­ter, treat­ing them like tiny lit­tle works of art. Most of the sheets are framed and hang­ing on McCloud’s walls, dec­o­rat­ing the home with vibrant col­ors and pat­terns, and the rest are kept safe in binders. The house also fea­tures a per­fo­ra­tion board, allow­ing McCloud to turn any work of art sized 7.5 by 7.5 inch­es into 900 pieces, as is typ­i­cal for LSD blot­ter sheets.</em></p></blockquote> <p>McCloud has faced intense scruti­ny from the FBI, and on a cou­ple of occa­sions — in 1992 and again in 2001 — arrest and tri­al by “not very sym­pa­thet­ic” juries, who nonethe­less acquit­ted him both times. Despite the fact that he has a larg­er col­lec­tion of blot­ter acid sheets than the DEA, he and his muse­um have with­stood pros­e­cu­tion and attempts to shut them down, since all the sheets in his pos­ses­sion have either nev­er been dipped in LSD or have become chem­i­cal­ly inac­tive over time. (The museum’s <a href="https://blotterbarn.com">web­site</a> explains the ori­gins of “blot­ter” paper as a means of prepar­ing LSD dos­es after the drug was crim­i­nal­ized in Cal­i­for­nia in 1966.)</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1093646 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="800" height="828" data-src="https://cdn8.openculture.com/2021/08/13112843/gorby_sm.jpg" data-srcset="https://cdn8.openculture.com/2021/08/13112843/gorby_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-348x360.jpg 348w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-232x240.jpg 232w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-768x795.jpg 768w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-300x311.jpg 300w" data-sizes="auto, (max-width: 800px) 100vw, 800px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1093646" src="https://cdn8.openculture.com/2021/08/13112843/gorby_sm.jpg" alt width="800" height="828" srcset="https://cdn8.openculture.com/2021/08/13112843/gorby_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-348x360.jpg 348w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-232x240.jpg 232w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-768x795.jpg 768w, https://cdn8.openculture.com/2021/08/13112843/gorby_sm-300x311.jpg 300w" sizes="auto, (max-width: 800px) 100vw, 800px"></noscript></p> <p>“What fas­ci­nates me about blot­ter is what fas­ci­nates me about all art. It changes your <em>mind</em>,” says McCloud in the <em>Wired</em> video at the top of the post. None of his muse­um’s art­work will change your mind in quite the way it was intend­ed, but the mere asso­ci­a­tion with hal­lu­cino­genic expe­ri­ences is enough to inspire the artists “to build the myr­i­ad of sub­ject mat­ter appear­ing on the blot­ters,” <a href="https://www.atlasobscura.com/places/institute-illegal-images">Atlas Obscu­ra writes</a>, “rang­ing from the spir­i­tu­al (Hin­du gods, lotus flow­ers) to whim­si­cal (car­toon char­ac­ters), as well as cul­tur­al com­men­tary (Gor­bachev) and the just plain dement­ed (Ozzy Osbourne).”</p> <p><iframe loading="lazy" frameborder="0" height="180px" src="https://omny.fm/shows/the-atlas-obscura-podcast/the-institute-of-illegal-images/embed" width="100%"></iframe></p> <p>The muse­um does not keep reg­u­lar hours and was only open by appoint­ment before COVID-19. These days, it’s prob­a­bly best to make a vir­tu­al vis­it at <a href="https://blotterbarn.com">blotterbarn.com</a>, where you’ll find dozens of images of acid blot­ter paper like those above and learn much more about the his­to­ry and cul­ture of LSD dur­ing long years of pro­hi­bi­tion — a con­di­tion that seems poised to final­ly end as gov­ern­ments give up the&nbsp;<a href="https://drugpolicy.org/issues/brief-history-drug-war">waste­ful, pun­ish­ing War on Drugs</a> and allow sci­en­tists and psy­cho­nauts to study and explore altered states of con­scious­ness again.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1093647 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="800" height="806" data-src="https://cdn8.openculture.com/2021/08/13112913/japansealswhite_sm.jpg" data-srcset="https://cdn8.openculture.com/2021/08/13112913/japansealswhite_sm.jpg 800w, 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data-src="https://cdn8.openculture.com/2021/08/13112929/ozzy_sm.jpg" data-srcset="https://cdn8.openculture.com/2021/08/13112929/ozzy_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-177x360.jpg 177w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-502x1024.jpg 502w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-118x240.jpg 118w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-768x1566.jpg 768w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-753x1536.jpg 753w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-300x612.jpg 300w" data-sizes="auto, (max-width: 800px) 100vw, 800px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1093655" src="https://cdn8.openculture.com/2021/08/13112929/ozzy_sm.jpg" alt width="800" height="1631" srcset="https://cdn8.openculture.com/2021/08/13112929/ozzy_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-177x360.jpg 177w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-502x1024.jpg 502w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-118x240.jpg 118w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-768x1566.jpg 768w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-753x1536.jpg 753w, https://cdn8.openculture.com/2021/08/13112929/ozzy_sm-300x612.jpg 300w" sizes="auto, (max-width: 800px) 100vw, 800px"></noscript> <img loading="lazy" decoding="async" class="alignnone size-full wp-image-1093656 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="800" height="785" data-src="https://cdn8.openculture.com/2021/08/13112931/onebolt_sm.jpg" data-srcset="https://cdn8.openculture.com/2021/08/13112931/onebolt_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-360x353.jpg 360w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-240x236.jpg 240w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-768x754.jpg 768w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-300x294.jpg 300w" data-sizes="auto, (max-width: 800px) 100vw, 800px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1093656" src="https://cdn8.openculture.com/2021/08/13112931/onebolt_sm.jpg" alt width="800" height="785" srcset="https://cdn8.openculture.com/2021/08/13112931/onebolt_sm.jpg 800w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-360x353.jpg 360w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-240x236.jpg 240w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-768x754.jpg 768w, https://cdn8.openculture.com/2021/08/13112931/onebolt_sm-300x294.jpg 300w" sizes="auto, (max-width: 800px) 100vw, 800px"></noscript></p> <p><strong>Relat­ed Con­tent:&nbsp;</strong></p> <p><a href="https://www.openculture.com/2017/08/artist-draws-a-series-portraits-on-lsd-inside-the-1950s-experiments-to-turn-lsd-into-a-creativity-pill.html">Artist Draws 9 Por­traits While on LSD: Inside the 1950s Exper­i­ments to Turn LSD into a “Cre­ativ­i­ty Pill”</a></p> <p><a href="https://www.openculture.com/2017/09/when-michel-foucault-tripped-on-acid-in-death-valley-and-called-it-the-greatest-experience-of-my-life-1975.html">When Michel Fou­cault Tripped on Acid in Death Val­ley and Called It “The Great­est Expe­ri­ence of My Life” (1975)</a></p> <p><a href="https://www.openculture.com/2016/04/new-lsd-research-provides-the-first-images-of-the-brain-on-acid.html">New LSD Research Pro­vides the First Images of the Brain on Acid, and Hints at Its Poten­tial to Pro­mote Cre­ativ­i­ty</a></p> <p><em><a href="http://about.me/jonesjoshua">Josh Jones</a>&nbsp;is a writer and musi­cian based in Durham, NC. Fol­low him at&nbsp;<a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2021/08/take-a-trip-to-the-lsd-museum-the-largest-collection-of-blotter-art-in-the-world.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/08/take-a-trip-to-the-lsd-museum-the-largest-collection-of-blotter-art-in-the-world.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/08/take-a-trip-to-the-lsd-museum-the-largest-collection-of-blotter-art-in-the-world.html#comments">5</a> ) | </p> <!-- Comments (5) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1086781" ><a href="https://www.openculture.com/2021/02/discover-scheeles-green-the-arsenic-laden-color-that-may-have-contributed-to-napoleons-death.html" rel="bookmark" title="Permanent Link to The Color That May Have Killed Napoleon: Scheele’s Green"> The Color That May Have Killed Napoleon: Scheele’s Green </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/fashion" rel="category tag">Fashion</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/science" rel="category tag">Science</a>, <a href="https://www.openculture.com/category/ted_talks" rel="category tag">TED Talks</a> </em> | February 15th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1086781" class="post-1086781 post type-post status-publish format-standard hentry category-chemistry category-fashion category-history category-science category-ted_talks"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/gKfjHTk8KrY?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <blockquote><p><em>“Either the wall­pa­per goes, or I do.” —Oscar Wilde</em></p></blockquote> <p>Look­ing to repel bed bugs and rats?</p> <p>Dec­o­rate your bed­room à la&nbsp;<a href="https://www.historic-uk.com/HistoryUK/HistoryofBritain/Napoleons-Exile-on-St-Helena/#:~:text=Napoleon%20arrived%20in%20St%20Helena,first%20arrived%20on%20the%20island.">Napoleon’s final home</a>&nbsp;on the damp island of&nbsp;<a href="http://sthelena.se/">Saint Hele­na</a>.</p> <p><a href="https://www.orkin.com/other/bed-bugs/colors-attracted-to#:~:text=Yellow%20&amp;%20Green:%20Yellow%20and%20green,than%20darker%20reds%20and%20blacks.">Those in a posi­tion to know</a>&nbsp;sug­gest that ver­min shy away from yel­low­ish-greens such as that favored by the Emper­or because they “resem­ble areas of intense light­ing.”</p> <p>We’d like to offer an alter­nate the­o­ry.</p> <p>Could it be that the crit­ters’ ances­tors passed down a cel­lu­lar mem­o­ry of the per­ils of arsenic?</p> <p>Napoleon, like thou­sands of oth­ers, was smit­ten with a hue known as&nbsp;<a href="https://www.theparisreview.org/blog/2018/05/02/scheeles-green-the-color-of-fake-foliage-and-death/">Scheele’s Green</a>, named for&nbsp;<a href="https://www.beautifulchemistry.net/scheele">Carl Wil­helm Scheele</a>, the Ger­man-Swedish phar­ma­ceu­ti­cal chemist who dis­cov­ered oxy­gen, chlo­rine, and unfor­tu­nate­ly, a gor­geous, tox­ic green pig­ment that’s also a cupric hydro­gen arsen­ite.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Scheele’s Green,&nbsp;<em>aka</em>&nbsp;Schloss Green, was cheap and easy to pro­duce, and quick­ly replaced the less vivid&nbsp;cop­per car­bon­ate based green dyes that had been in use pri­or to the mid 1770s.</p> <p>The col­or was&nbsp;an imme­di­ate hit when it made its appear­ance, show­ing up in&nbsp;<a href="https://theattic.jezebel.com/the-arsenic-dress-how-poisonous-green-pigments-terrori-1738374597" rel="nofollow">arti­fi­cial flow­ers,</a>&nbsp;can­dles, toys, fash­ion­able ladies’ cloth­ing, soap, beau­ty prod­ucts, con­fec­tions, and wall­pa­per.</p> <p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-1086807 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1600" height="1026" data-src="https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green.jpg" data-srcset="https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green.jpg 1600w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-360x231.jpg 360w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-1024x657.jpg 1024w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-240x154.jpg 240w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-768x492.jpg 768w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-1536x985.jpg 1536w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-300x192.jpg 300w" data-sizes="auto, (max-width: 1600px) 100vw, 1600px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignleft size-full wp-image-1086807" src="https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green.jpg" alt width="1600" height="1026" srcset="https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green.jpg 1600w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-360x231.jpg 360w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-1024x657.jpg 1024w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-240x154.jpg 240w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-768x492.jpg 768w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-1536x985.jpg 1536w, https://cdn8.openculture.com/2021/02/14224111/pg_178-79_green-300x192.jpg 300w" sizes="auto, (max-width: 1600px) 100vw, 1600px"></noscript></p> <p>A month before Napoleon died, he includ­ed the fol­low­ing phrase in his will:&nbsp;<em>My death is pre­ma­ture. I have been assas­si­nat­ed by the Eng­lish oli­gop­oly and their hired mur­der­er…”</em></p> <p>His exit at 51 was indeed untime­ly, but per­haps the wall­pa­per, and not the Eng­lish oli­gop­oly, is the greater cul­prit, espe­cial­ly if it was hung with arsenic-laced paste, to fur­ther deter rats.</p> <p>When Scheele’s Green wall­pa­per, like the striped pat­tern in Napoleon’s bath­room, became damp or moldy, the pig­ment in it metab­o­lized, releas­ing poi­so­nous arsenic-laden vapors.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/MvxnXOoFl20?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Napoleon’s First Valet&nbsp;<a href="https://shannonselin.com/2014/01/louis-joseph-marchand-napoleons-valet-friend/">Louis-Joseph Marc­hand</a>&nbsp;recalled the “child­ish joy” with which the emper­or jumped into the tub where he rel­ished soak­ing for long spells:</p> <blockquote><p><em>The bath­tub was a tremen­dous oak chest lined with lead. It required an excep­tion­al quan­ti­ty of water, and one had to go a half mile away and trans­port it in a bar­rel.</em></p></blockquote> <p>Baths also fig­ured in Sec­ond Valet&nbsp;<a href="https://shannonselin.com/2013/12/louis-etienne-saint-denis-napoleons-french-mameluke/">Louis Éti­enne Saint-Denis</a>’ rec­ol­lec­tions of his master’s ill­ness:</p> <blockquote><p><em>His reme­dies con­sist­ed only of warm nap­kins applied to his side, to baths, which he took fre­quent­ly, and to a diet which he observed from time to time.</em></p></blockquote> <p>Saint-Denis’s recall seems to have had some lacu­nae. Accord­ing to a post in con­junc­tion with the&nbsp;<a href="https://www.amnh.org/explore/news-blogs/on-exhibit-posts/was-napoleon-poisoned" rel="nofollow">Amer­i­can Muse­um of Nat­ur­al History’s Pow­er of Poi­son</a>&nbsp;exhib­it:</p> <blockquote><p><em>In Napoleon’s case, arsenic was like­ly just one of many com­pounds tax­ing an already trou­bled&nbsp;sys­tem. In the course of treat­ments for a vari­ety of symptoms—swollen legs, abdom­i­nal pain,&nbsp;jaun­dice, vom­it­ing, weakness—Napoleon was sub­ject­ed to a smor­gas­bord of oth­er tox­ic sub­stances.&nbsp;He was said to con­sume large amounts of a sweet apri­cot-based drink con­tain­ing hydro­cyan­ic acid.&nbsp;He had been giv­en tarter emet­ic, an anti­mon­al com­pound, by a Cor­si­can doc­tor. (Like arsenic,&nbsp;anti­mo­ny would also help explain the pre­served state of his body at exhuma­tion.) Two days before his death, his British doc­tors gave him a dose of calomel, or mer­curous chlo­ride, after which he&nbsp;col­lapsed into a stu­por and nev­er recov­ered.&nbsp;</em></p></blockquote> <p>As Napoleon was vom­it­ing a black­ish liq­uid and expir­ing, fac­to­ry and gar­ment work­ers who han­dled Scheele’s Green dye and its close cousin,&nbsp;<a href="https://www.sciencedirect.com/topics/agricultural-and-biological-sciences/paris-green">Paris Green</a>, were suf­fer­ing untold&nbsp;mor­ti­fi­ca­tions of the flesh, from hideous&nbsp;<a href="https://laafa.edu/wp-content/uploads/2018/07/4.-accidents_caused_by_the_use_of_green_arsenic_1859_wellcome_l0075299.jpg">lesions, ulcers</a>&nbsp;and extreme gas­tric dis­tress to heart dis­ease and can­cer.</p> <p>Fash­ion-first women who spent the day corset­ed in volu­mi­nous green dress­es were keel­ing over from skin-to-arsenic con­tact. Their seam­stress­es’ green fin­gers were in&nbsp;<a href="https://talesfromthebraziersgrotto.files.wordpress.com/2020/04/accidents-in-hands.jpg">wretched con­di­tion</a>.</p> <p>In 2008, an Ital­ian team test­ed strands of Napoleon’s hair from four points in his life—childhood, exile, his death, and the day there­after. They deter­mined that all the sam­ples con­tained rough­ly 100 times the arsenic lev­els of con­tem­po­rary peo­ple in a con­trol group.</p> <p>Napoleon’s son and wife, Empress Josephine, also had notice­ably ele­vat­ed arsenic lev­els.</p> <p>Had we been alive and liv­ing in Europe back then, ours like­ly would have been too.</p> <p>All that green!</p> <p>But what about the wall­pa­per?</p> <p><a href="https://www.chemistryworld.com/opinion/the-last-retort/3005618.article#/">A scrap pur­port­ed­ly from the din­ing room</a>, where Napoleon was relo­cat­ed short­ly before death, was found by a woman in Nor­folk, Eng­land, past­ed into a fam­i­ly scrap­book above the hand­writ­ten cap­tion,&nbsp;<em>This small piece of paper was tak­en off the wall of the&nbsp;</em>room&nbsp;<em>in which the spir­it of Napoleon returned to God who gave it.</em></p> <p>In 1980, she con­tact­ed chemist&nbsp;<a href="https://www.theguardian.com/science/2017/aug/18/david-jones-obituary">David Jones</a>, whom she had recent­ly heard on BBC Radio dis­cussing vaporous bio­chem­istry and Vic­to­ri­an wall­pa­per. She agreed to let him test the scrap using non-destruc­tive x‑ray flu­o­res­cence spec­troscopy. The result?</p> <p>.12 grams of arsenic per square meter. (Wall­pa­pers con­tain­ing 0.6 to 0.015 grams per square meter were deter­mined to be haz­ardous.)</p> <p>Dr. Jones described watch­ing the arsenic lev­els peak­ing on the lab’s print out as “a crazy, won­der­ful moment.” He reit­er­at­ed that the house in which Napoleon was impris­oned was “noto­ri­ous­ly damp,” mak­ing it easy for a 19th cen­tu­ry fan to peel off a sou­venir in “an inspired act of van­dal­ism.”</p> <p>Death by wall­pa­per and oth­er envi­ron­men­tal fac­tors is def­i­nite­ly less cloak and dag­ger than assas­si­na­tion by the Eng­lish oli­gop­oly, hired mur­der­er, and oth­er con­spir­a­cy the­o­ries that had thrived on the pres­ence of arsenic in sam­ples of Napoleon’s hair.</p> <p>As Dr. Jones recalled:</p> <blockquote><p><em>…sev­er­al his­to­ri­ans were upset by my claim that it was all an acci­dent of decor…Napoleon him­self feared he was dying of stom­ach can­cer, the dis­ease which had killed his father; and indeed his autop­sy revealed that his stom­ach was very dam­aged. It had at least one big ulcer…My feel­ing is that Napoleon would have died in any case. His arseni­cal wall­pa­per might mere­ly have has­tened the event by a day or so. Mur­der con­spir­a­cy the­o­rists will have to find new evi­dence!&nbsp;</em></p></blockquote> <p>We can’t resist men­tion­ing that when the emper­or was exhumed&nbsp;and shipped back to France, 19 years after his death, his corpse showed lit­tle or no decom­po­si­tion.</p> <p>Green con­tin­ues to be a nox­ious col­or when humans attempt to repro­duce it in the phys­i­cal realm. As Alice Rawthorn observed&nbsp;<em><a href="https://www.nytimes.com/2010/04/05/arts/05iht-design5.html">The New York Times</a></em>:</p> <blockquote><p><em>The cru­el truth is that most forms of the col­or green, the most pow­er­ful sym­bol of sus­tain­able design, aren’t eco­log­i­cal­ly respon­si­ble, and can be dam­ag­ing to the envi­ron­ment.</em></p></blockquote> <p><img loading="lazy" decoding="async" class="size-full wp-image-1086791 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="640" height="507" data-src="https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12.jpg" data-srcset="https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12.jpg 640w, https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12-360x285.jpg 360w, https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12-240x190.jpg 240w, https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12-300x238.jpg 300w" data-sizes="auto, (max-width: 640px) 100vw, 640px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="size-full wp-image-1086791" src="https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12.jpg" alt width="640" height="507" srcset="https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12.jpg 640w, https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12-360x285.jpg 360w, https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12-240x190.jpg 240w, https://cdn8.openculture.com/2021/02/14211527/6.-fashionvictims12-300x238.jpg 300w" sizes="auto, (max-width: 640px) 100vw, 640px"></noscript></p> <p>Take a deep­er dive into Napoleon’s wall­pa­per with an&nbsp;<a href="https://studylib.net/doc/9658623/napoleon-s-wallpaper---high-school-chemistry-teacher-support">edu­ca­tion­al pack­et for edu­ca­tors</a>&nbsp;pre­pared by chemist David Jones and&nbsp;<a href="https://www.grand-illusions.com/PBFAQ.asp?Question=Who+are+Grand+Illusions?&amp;ItmID=337209" rel="nofollow">Hen­drik Ball.</a></p> <p><a href="https://www.messynessychic.com/2021/02/08/13-things-i-found-on-the-internet-today-vol-dxli/">via Messy Nessy</a></p> <p><strong>Relat­ed Con­tent:&nbsp;</strong></p> <p><a href="https://www.openculture.com/2020/12/why-we-imagine-napoleon-with-a-hand-in-his-waistcoat.html">Why Is Napoleon’s Hand Always in His Waist­coat?: The Ori­gins of This Dis­tinc­tive Pose Explained</a></p> <p><a href="https://www.openculture.com/2018/12/napoleons-english-lessons.html">Napoleon’s Eng­lish Lessons: How the Mil­i­tary Leader Stud­ied Eng­lish to Escape the Bore­dom of Life in Exile</a></p> <p><a href="https://www.openculture.com/2019/07/napoleons-disastrous-invasion-of-russia-explained-in-an-1869-data-visualization.html">Napoleon’s Dis­as­trous Inva­sion of Rus­sia Detailed in an 1869 Data Visu­al­iza­tion: It’s Been Called “the Best Sta­tis­ti­cal Graph­ic Ever Drawn”</a></p> <p><em><a href="http://ayunhalliday.com/">Ayun Hal­l­i­day&nbsp;</a>is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of&nbsp;<a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow">the East Vil­lage Inky</a>&nbsp;zine. She most recent­ly appeared as a French Cana­di­an bear who trav­els to New York City in search of food and mean­ing in Greg Kotis’ short film,&nbsp;<a href="https://youtu.be/sG1ujtJX_ao">L’Ourse</a>.&nbsp;&nbsp;Fol­low her&nbsp;<a href="https://www.instagram.com/ayun_halliday/">@AyunHalliday</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2021/02/discover-scheeles-green-the-arsenic-laden-color-that-may-have-contributed-to-napoleons-death.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/02/discover-scheeles-green-the-arsenic-laden-color-that-may-have-contributed-to-napoleons-death.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/02/discover-scheeles-green-the-arsenic-laden-color-that-may-have-contributed-to-napoleons-death.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1086274" ><a href="https://www.openculture.com/2021/01/yinmn-blue-the-first-shade-of-blue-discovered-in-200-years-now-available-for-artists.html" rel="bookmark" title="Permanent Link to YInMn Blue, the First Shade of Blue Discovered in 200 Years, Is Now Available for Artists"> YInMn Blue, the First Shade of Blue Discovered in 200 Years, Is Now Available for Artists </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/science" rel="category tag">Science</a> </em> | January 29th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1086274" class="post-1086274 post type-post status-publish format-standard hentry category-art category-chemistry category-science"> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1086275 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1149" height="960" data-src="https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped.jpg" data-srcset="https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped.jpg 1149w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-360x301.jpg 360w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-1024x856.jpg 1024w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-240x201.jpg 240w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-768x642.jpg 768w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-300x251.jpg 300w" data-sizes="auto, (max-width: 1149px) 100vw, 1149px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1086275" src="https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped.jpg" alt width="1149" height="960" srcset="https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped.jpg 1149w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-360x301.jpg 360w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-1024x856.jpg 1024w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-240x201.jpg 240w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-768x642.jpg 768w, https://cdn8.openculture.com/2021/01/28082336/YInMn_Blue_-_cropped-300x251.jpg 300w" sizes="auto, (max-width: 1149px) 100vw, 1149px"></noscript></p> <p align="right"><small><em>Pho­to via Ore­gon State Uni­ver­si­ty</em></small></p> <p>“Col­or is part of a spec­trum, so you can’t dis­cov­er a col­or,” says <a href="https://chemistry.oregonstate.edu/content/mas-subramanian">Pro­fes­sor Mas Sub­ra­man­ian</a>, a sol­id-state chemist at Ore­gon State Uni­ver­si­ty. “You can only dis­cov­er a mate­r­i­al that is a par­tic­u­lar color”—or, more pre­cise­ly, a mate­r­i­al that reflects light in such a way that we per­ceive it as a col­or. Sci­en­tif­ic mod­esty aside, Sub­ra­man­ian actu­al­ly has been cred­it­ed with dis­cov­er­ing a color—the first inor­gan­ic shade of blue in 200 years.</p> <p>Named “YIn­Mn blue” —and affec­tion­ate­ly called “Mas­Blue” at Ore­gon State—the pig­men­t’s&nbsp;unwieldy name derives from its chem­i­cal make­up of yttri­um, indi­um, and man­ganese oxides, which togeth­er “absorbed red and green wave­lengths and reflect­ed blue wave­lengths in such a way that it came off look­ing a very bright blue,” <a href="https://www.npr.org/2016/07/16/485696248/a-chemist-accidentally-creates-a-new-blue-then-what">Gabriel Rosen­berg notes at NPR</a>. It is a blue, in fact, nev­er before seen, since it is not a nat­u­ral­ly occur­ring pig­ment, but one lit­er­al­ly cooked in a lab­o­ra­to­ry, and by acci­dent at that.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>The dis­cov­ery, if we can use the word, should just­ly be cred­it­ed to Subramanian’s grad stu­dent Andrew E. Smith who, dur­ing a 2009 attempt to “man­u­fac­ture new mate­ri­als that could be used in elec­tron­ics,” heat­ed the par­tic­u­lar mix of chem­i­cals to over 2000 degrees Fahren­heit. Smith noticed “it had turned a sur­pris­ing, bright blue col­or [and] Sub­ra­man­ian knew imme­di­ate­ly it was a big deal.” Why? Because the col­or blue is a big deal.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/EdNXytuJpxA?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>In an impor­tant sense, col­or is some­thing humans dis­cov­ered over long peri­ods of time in which we learned to see the world in shades and hues our ances­tors could not per­ceive. “Some sci­en­tists believe that the ear­li­est humans were actu­al­ly col­or­blind,” <a href="https://mymodernmet.com/shades-of-blue-color-history/">Emma Tag­gart writes at My Mod­ern Met</a>, “and could only rec­og­nize black, white, red, and only lat­er yel­low and green.” Blue, that is to say, didn’t exist for ear­ly humans. “With no con­cept of the col­or blue,” Tag­gart writes, “they sim­ply had no words to describe it. This is even reflect­ed in ancient lit­er­a­ture, such as Homer’s <em>Odyssey</em>,” with its “wine-dark sea.”</p> <p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-1086306 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1568" height="708" data-src="https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o.jpg" data-srcset="https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o.jpg 1568w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-360x163.jpg 360w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-1024x462.jpg 1024w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-240x108.jpg 240w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-768x347.jpg 768w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-1536x694.jpg 1536w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-300x135.jpg 300w" data-sizes="auto, (max-width: 1568px) 100vw, 1568px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignleft size-full wp-image-1086306" src="https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o.jpg" alt width="1568" height="708" srcset="https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o.jpg 1568w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-360x163.jpg 360w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-1024x462.jpg 1024w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-240x108.jpg 240w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-768x347.jpg 768w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-1536x694.jpg 1536w, https://cdn8.openculture.com/2021/01/28205825/36809225724_ce071f45b7_o-300x135.jpg 300w" sizes="auto, (max-width: 1568px) 100vw, 1568px"></noscript></p> <p align="right"><small><em>Pho­to via Ore­gon State Uni­ver­si­ty</em></small></p> <p>Sea and sky only begin to assume their cur­rent col­ors some 6,000 years ago when ancient Egyp­tians began to pro­duce blue pig­ment. The first known col­or to be syn­thet­i­cal­ly pro­duced is thus called&nbsp;<em>Egypt­ian blue</em>, cre­at­ed using “ground lime­stone mixed with sand and a cop­per-con­tain­ing min­er­al, such as azu­rite or mala­chite.” Blue holds a spe­cial place in our col­or lex­i­cog­ra­phy. It is the <a href="https://apps.npr.org/lookatthis/posts/colors/">last col­or word that devel­ops across cul­tures</a> and one of the most dif­fi­cult col­ors to man­u­fac­ture. “Peo­ple have been look­ing for a good, durable blue col­or for a cou­ple of cen­turies,” Sub­ra­man­ian told NPR.</p> <p>And so, YIn­Mn blue has become a sen­sa­tion among indus­tri­al man­u­fac­tur­ers and artists. Patent­ed in 2012 by OSU, it received approval for indus­tri­al use in 2017. That same year, <a href="https://science.oregonstate.edu/IMPACT/2017/10/yinmn-blue-now-available-artists">Aus­tralian paint sup­pli­er Derivan released it as an acrylic paint called “Ore­gon Blue.”</a> It has tak­en a few more years for the U.S. Envi­ron­men­tal Pro­tec­tion Agency to come around, but they’ve final­ly approved Yln­Mn blue for com­mer­cial use, “mak­ing it avail­able to all,” <a href="https://www.smithsonianmag.com/smart-news/first-blue-pigment-discovered-200-years-finally-sale-180976769/" rel="nofollow">Isis Davis-Marks writes at Smith­son­ian</a>. “Now the authen­ti­cat­ed pig­ment is <a href="https://science.oregonstate.edu/IMPACT/2017/10/yinmn-blue-now-available-artists">avail­able for sale</a> in paint retail­ers like Gold­en in the US.”</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1086276 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="750" height="669" data-src="https://cdn8.openculture.com/2021/01/28082407/new-colors.jpg" data-srcset="https://cdn8.openculture.com/2021/01/28082407/new-colors.jpg 750w, https://cdn8.openculture.com/2021/01/28082407/new-colors-360x321.jpg 360w, https://cdn8.openculture.com/2021/01/28082407/new-colors-240x214.jpg 240w, https://cdn8.openculture.com/2021/01/28082407/new-colors-300x268.jpg 300w" data-sizes="auto, (max-width: 750px) 100vw, 750px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1086276" src="https://cdn8.openculture.com/2021/01/28082407/new-colors.jpg" alt width="750" height="669" srcset="https://cdn8.openculture.com/2021/01/28082407/new-colors.jpg 750w, https://cdn8.openculture.com/2021/01/28082407/new-colors-360x321.jpg 360w, https://cdn8.openculture.com/2021/01/28082407/new-colors-240x214.jpg 240w, https://cdn8.openculture.com/2021/01/28082407/new-colors-300x268.jpg 300w" sizes="auto, (max-width: 750px) 100vw, 750px"></noscript></p> <p align="right"><small><em>Pho­to via Ore­gon State Uni­ver­si­ty</em></small></p> <p>The new blue solves a num­ber of prob­lems with oth­er blue pig­ments. It is non­tox­ic and not prone to fad­ing, since it “reflects heat and absorbs UV radi­a­tion.” YIn­Mn blue is “extreme­ly sta­ble, a prop­er­ty long sought in a blue pig­ment,” says Sub­ra­man­ian. It also fills “a gap in the range of col­ors,” says art sup­ply man­u­fac­tur­er Georg Kre­mer, adding, “The pure­ness of YIn­Blue is real­ly per­fect.”</p> <p>Since their first, acci­den­tal col­or dis­cov­ery, “Sub­ra­man­ian and his team have expand­ed their research and have made a range of new pig­ments to include almost every col­or, from bright oranges to shades of pur­ple, turquoise and green,” <a href="https://chemistry.oregonstate.edu/content/story-yinmn-blue">notes the Ore­gon State Uni­ver­si­ty Depart­ment of Chem­istry</a>. None have yet had the impact of the new blue. Learn much more about the unique chem­i­cal prop­er­ties of YIn­Mn blue <a href="https://chemistry.oregonstate.edu/content/story-yinmn-blue">here</a> and see Pro­fes­sor Sub­ra­man­ian dis­cuss its dis­cov­ery in his TED talk fur­ther up.</p> <p><a href="https://hyperallergic.com/615971/meet-yinmn-the-first-new-shade-of-blue-in-two-centuries/">via Hyper­al­ler­gic</a></p> <p><strong>Relat­ed Con­tent:&nbsp;</strong></p> <p><a href="https://www.openculture.com/2020/11/one-of-the-earliest-known-color-charts.html">Behold One of the Ear­li­est Known Col­or Charts: The Table of Phys­i­o­log­i­cal Col­ors (1686)</a></p> <p><a href="https://www.openculture.com/2019/10/a-900-page-pre-pantone-guide-to-color-from-1692-a-complete-digital-scan.html">A 900-Page Pre-Pan­tone Guide to Col­or from 1692: A Com­plete Dig­i­tal Scan</a></p> <p><a href="https://www.openculture.com/2018/02/werners-nomenclature-of-colour-the-19th-century-color-dictionary-used-by-charles-darwin-1814.html">Werner’s Nomen­cla­ture of Colour, the 19th-Cen­tu­ry “Col­or Dic­tio­nary” Used by Charles Dar­win (1814)</a></p> <p><a href="http://about.me/jonesjoshua">Josh Jones</a> is a writer and musi­cian based in Durham, NC. Fol­low him at <a href="https://twitter.com/jdmagness">@jdmagness</a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2021/01/yinmn-blue-the-first-shade-of-blue-discovered-in-200-years-now-available-for-artists.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/01/yinmn-blue-the-first-shade-of-blue-discovered-in-200-years-now-available-for-artists.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/01/yinmn-blue-the-first-shade-of-blue-discovered-in-200-years-now-available-for-artists.html#comments">3</a> ) | </p> <!-- Comments (3) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1086243" ><a href="https://www.openculture.com/2021/01/watch-the-pilot-of-breaking-bad-with-a-chemistry-professor.html" rel="bookmark" title="Permanent Link to Watch the Pilot of <i>Breaking Bad</i> with a Chemistry Professor: How Sound Was the Science?"> Watch the Pilot of <i>Breaking Bad</i> with a Chemistry Professor: How Sound Was the Science? </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/television" rel="category tag">Television</a> </em> | January 28th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1086243" class="post-1086243 post type-post status-publish format-standard hentry category-chemistry category-television"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/89PCYdMRtjQ?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Even the grit­ti­est, hard­est-hit­ting TV dra­mas require will­ing sus­pen­sion of dis­be­lief to enjoy. This is espe­cial­ly true if you, the view­er, hap­pen to be an expert on such sub­jects as emer­gency med­i­cine, police pro­ce­dures, crim­i­nal law, FBI pro­fil­ing, crime scene inves­ti­ga­tion, etcetera. Those of us who don’t know any­thing about these fields may have an eas­i­er time of it, pro­vid­ed the writ­ers do their dili­gence and make the actors sound con­vinc­ing. I nev­er much ques­tioned the sci­ence of <em>Break­ing Bad</em>, for exam­ple. Sure­ly, the hit show accu­rate­ly depict­ed how a des­per­ate high school chem­istry teacher would build a meth lab in the desert? How should I know oth­er­wise?</p> <p>I might watch the show with a chemist, for one thing, like <a href="https://www.openculture.com/2013/09/the-science-of-breaking-bad.html">Pro­fes­sor Don­na Nel­son</a> or the Uni­ver­si­ty of Nottingham’s <a href="https://en.wikipedia.org/wiki/Martyn_Poliakoff">Sir Mar­tyn Poli­akoff</a>, who had him­self refused to watch <em>Break­ing Bad</em> until “one day when I’m old.” That day has come at last: he final­ly sat down with the pilot and dis­cussed his impres­sions on <a href="https://www.youtube.com/channel/UCtESv1e7ntJaLJYKIO1FoYw">YouTube chan­nel Peri­od­ic Videos</a>. Poli­akoff approached the exper­i­ment with almost no pre­con­cep­tions. He knew the show was about a chem­istry teacher who made “some sort of drug, I didn’t know which one,” and that “there were a lot of episodes.”</p> <div class="oc-center-da"> <!-- AdsenseMiddleNew <script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-1184791463292965" crossorigin="anonymous"></script> <ins class="adsbygoogle" style="display:inline-block;width:336px;height:280px" data-ad-client="ca-pub-1184791463292965" data-ad-slot="9361927867"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script>. --> <div data-fuse="22871471544"></div> </div> <p>He also knew that “at some point, HF, hydro­gen flu­o­ride, played a part.” But before the chem­istry cri­tique begins, Poli­akoff notices that Wal­ter White’s pants float­ing through the desert air in the <a href="https://www.openculture.com/2018/09/breaking-bad-crafted-perfect-tv-pilot-video-essay.html">pilot’s icon­ic open­ing</a> are a phys­i­cal impos­si­bil­i­ty giv­en their orig­i­na­tion. Bum­mer. He loved the open­ing sequence spelling out the show’s title with ele­ments from the peri­od­ic table, and even imag­ined how his own name (includ­ing “Sir”) might be spelled the same way.</p> <p>As you might expect, Poli­akoff has some nits to pick with the les­son White gives his stu­dents in the first few min­utes. For one, White—who shows him­self to be very safe­ty-con­scious, if not risk-averse, lat­er in the episode—wears no safe­ty gear while spray­ing chem­i­cals into an open flame. The direc­tor can be for­giv­en for not want­i­ng to obscure Bryan Cranston’s expres­sive face in this cru­cial scene of char­ac­ter devel­op­ment. But what of the les­son itself? Over­all, he says, it’s “quite good.” He likes White’s def­i­n­i­tion of chem­istry as “the study of change,” but thinks it should more ful­ly be “the way that mat­ter changes.”</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/d49TzVF1gmY?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>The dis­cus­sion prompts Poli­akoff to reflect that no one’s ever asked him to define chem­istry before. (When asked to define “inor­gan­ic chem­istry” in high school, his son answered, “it’s what my dad does.”) We quick­ly begin to see the ben­e­fits of watch­ing a well-craft­ed show like <em>Break­ing Bad</em> with an expert. The dra­ma of the show, and its unusu­al approach to what we nor­mal­ly con­sid­er a dry sub­ject, draws out our chemist’s enthu­si­asm and helps us make con­nec­tions we might not oth­er­wise make, such as Wal­ter White’s resem­blance to <a href="https://www.robertwinston.org.uk/">well-known British sci­en­tist and sci­ence com­mu­ni­ca­tor Robert Win­ston</a>.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/Slt3_5upuSs?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Hear­ing Poli­akoff dis­cuss the <em>Break­ing Bad</em> pilot turns out to be so enter­tain­ing that TV exec­u­tives should take note—this could become a new, easy-to-pro­duce genre when we <a href="https://www.theringer.com/tv/2020/7/7/21315197/pandemic-tv-coronavirus-effects-2020">final­ly run out of shows</a>, pro­vid­ed there are enough emi­nent pro­fes­sors will­ing to offer com­men­tary on hit series of the past. But as we can sur­mise from Pro­fes­sor Poliakoff’s gen­er­al lack of inter­est in TV, and from his thriv­ing career as a chem­istry pro­fes­sor, he’s prob­a­bly busy. He’s already done more than enough to make chem­istry inter­est­ing to us lay­folk by con­tribut­ing to <a href="http://www.periodicvideos.com/">Peri­od­ic Videos</a> for over a decade now.</p> <p>Fur­ther up, see a fun demon­stra­tion of explod­ing hydro­gen bub­bles (“the title pret­ty much says it”). Just above and below, see Pro­fes­sor Poli­akoff enlight­en us on the prop­er­ties of ele­ments 35 and 56, Bromine and Bar­i­um, and watch Peri­od­ic Videos full series on the peri­od­ic table <a href="https://www.youtube.com/playlist?list=PL7A1F4CF36C085DE1">here</a>.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/9srJdQU3NOo?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p><strong>Relat­ed Con­tent:&nbsp;</strong></p> <p><a href="https://www.openculture.com/2013/09/the-science-of-breaking-bad.html">The Sci­ence of Break­ing Bad: Pro­fes­sor Don­na Nel­son Explains How the Show Gets it Right</a></p> <p><a href="https://www.openculture.com/2013/08/the-breaking-bad-theme-played-with-meth-lab-equipment.html">The Break­ing Bad Theme Played with Meth Lab Equip­ment</a></p> <p><a href="https://www.openculture.com/2018/09/breaking-bad-crafted-perfect-tv-pilot-video-essay.html">How Break­ing Bad Craft­ed the Per­fect TV Pilot: A Video Essay</a></p> <p><a href="http://about.me/jonesjoshua">Josh Jones</a> is a writer and musi­cian based in Durham, NC. Fol­low him at <a href="https://twitter.com/jdmagness">@jdmagness</a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2021/01/watch-the-pilot-of-breaking-bad-with-a-chemistry-professor.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/01/watch-the-pilot-of-breaking-bad-with-a-chemistry-professor.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/01/watch-the-pilot-of-breaking-bad-with-a-chemistry-professor.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1071507" ><a href="https://www.openculture.com/2019/12/interactive-periodic-table-of-elements.html" rel="bookmark" title="Permanent Link to Interactive Periodic Table of Elements Shows How the Elements Get Used in Making Everyday Things"> Interactive Periodic Table of Elements Shows How the Elements Get Used in Making Everyday Things </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/chemistry" rel="category tag">Chemistry</a>, <a href="https://www.openculture.com/category/k-12" rel="category tag">K-12</a> </em> | December 4th, 2019 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1071507" class="post-1071507 post type-post status-publish format-standard hentry category-chemistry category-k-12"> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1071508 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="876" height="626" data-src="https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures.png" data-srcset="https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures.png 876w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-360x257.png 360w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-240x172.png 240w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-768x549.png 768w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-300x214.png 300w" data-sizes="auto, (max-width: 876px) 100vw, 876px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1071508" src="https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures.png" alt width="876" height="626" srcset="https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures.png 876w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-360x257.png 360w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-240x172.png 240w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-768x549.png 768w, https://cdn8.openculture.com/2019/12/03224431/Periodic_Table_In_Pictures-300x214.png 300w" sizes="auto, (max-width: 876px) 100vw, 876px"></noscript></p> <p>“The dis­cov­ery of the peri­od­ic sys­tem for clas­si­fy­ing the ele­ments rep­re­sents the cul­mi­na­tion of a num­ber of sci­en­tif­ic devel­op­ments, rather than a sud­den brain­storm on the part of one indi­vid­ual,” writes <a href="https://www.scientificamerican.com/article/the-evolution-of-the-periodic-system/">Eric Scer­ri at <em>Sci­en­tif­ic Amer­i­can</em></a>. And yet, while sev­er­al sci­en­tists over the course of the nine­teenth cen­tu­ry invent­ed sys­tems for clas­si­fy­ing the ele­ments, “ask most chemists who dis­cov­ered the peri­od­ic table and you will almost cer­tain­ly get the answer Dmitri Mendeleev,” notes the <a href="https://www.rsc.org/periodic-table/history/about">Roy­al Soci­ety of Chem­istry</a>. &nbsp;That’s for good rea­son, since the basis of the table we know today came from the design Mendeleev cre­at­ed in 1869.</p> <p>This past March saw the <a href="https://www.sciencenews.org/article/periodic-table-history-chemical-elements-150-anniversary">150th anniver­sary of his achieve­ment</a>, which has hard­ly remained a his­tor­i­cal arti­fact. Every gen­er­a­tion has its table. Mendeleev’s rudi­men­ta­ry begin­nings have tak­en on new shape and have been sup­ple­ment­ed with anno­ta­tions and illus­tra­tions in eye-catch­ing col­or in text­books and on class­room walls around the world. It’s only fit­ting, then, that the 21st cen­tu­ry has its dig­i­tal ver­sions of the table, like <a href="https://elements.wlonk.com/index.htm">the inter­ac­tive design</a> by Boe­ing soft­ware engi­neer Kei­th Enevold­sen.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>The <a href="https://elements.wlonk.com/index.htm">Inter­ac­tive Peri­od­ic Table of the Ele­ments, in Pic­tures and Words</a>, adapts itself to dif­fer­ent learn­ing styles while pro­vid­ing stu­dents of chem­istry, of all ages and lev­els, instant facts about each of the ele­ments it illus­trates. Click on Pal­la­di­um, for exam­ple, and you’ll learn about its role in pol­lu­tion con­trol. The non-cor­rod­ing hard met­al absorbs hydro­gen and is used in lab­ware, elec­tric con­tacts, and den­tistry. Rhe­ni­um, we learn, is a dense met­al used in rock­et engines, heater coils, and elec­tric con­tacts, among oth­er things.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1071510 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="660" height="507" data-src="https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507.jpg" data-srcset="https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507.jpg 660w, https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507-360x277.jpg 360w, https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507-240x184.jpg 240w, https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507-300x230.jpg 300w" data-sizes="auto, (max-width: 660px) 100vw, 660px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1071510" src="https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507.jpg" alt width="660" height="507" srcset="https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507.jpg 660w, https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507-360x277.jpg 360w, https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507-240x184.jpg 240w, https://cdn8.openculture.com/2019/12/03224545/Interactive-Periodic-Table-of-Elements-660x507-300x230.jpg 300w" sizes="auto, (max-width: 660px) 100vw, 660px"></noscript></p> <p>Oth­er “seem­ing­ly obscure” ele­ments we may nev­er have heard of, like Gal­li­um and Tan­ta­lum, influ­ence our dai­ly lives “quite a bit, it turns out,” as <a href="https://inhabitat.com/new-interactive-periodic-table-shows-how-each-element-influences-daily-life/" rel="nofollow">Lacy Cooke writes at Inhab­it</a>, serv­ing as com­po­nents in LEDs and mobile phones. We gath­er such facts at a glance, as well as the oth­er end­less­ly use­ful func­tions of the table. Enevold­sen fur­ther adapts his designs for home or class­room use with print­able PDFs, includ­ing a ver­sion with only words and a sim­pli­fied table with only pic­tures. Begin­ning stu­dents may be thrilled to find print-your-own ele­ments cards, as well as oth­er peri­od­ic-table-relat­ed visu­al aids like Atom­ic Orbitals, a col­or-cod­ed chart that “shows what atoms look like.”</p> <p>The group­ings on the peri­od­ic chart so famil­iar to us today came about when Mendeleev “real­ized that, by putting [the ele­ments] in order of increas­ing atom­ic weight, cer­tain types of ele­ment reg­u­lar­ly occurred,” the Roy­al Soci­ety points out. But his “real genius… was to leave gaps for undis­cov­ered ele­ments. He even pre­dict­ed the prop­er­ties of five of these ele­ments and their com­pounds.” Enevoldsen’s inter­ac­tive table makes for an easy for­mat to update. When new ele­ments are named, he adds them to his charts imme­di­ate­ly.</p> <p>Peri­od­ic tables like Enevoldsen’s may only bare­ly resem­ble Mendeleev’s <a href="https://en.wikipedia.org/wiki/Periodic_table#/media/File:D._Mendeleev's_Periodic_table_from_his_book.JPG">spare orig­i­nal</a>, but the Russ­ian chemist’s clas­si­fi­ca­tion sys­tem still pro­vides the orga­niz­ing prin­ci­ples by which we under­stand the fun­da­men­tal ele­ments that make up the mate­r­i­al world. <a href="https://elements.wlonk.com/index.htm">View and down­load PDF copies of all of these high­ly infor­ma­tive, and up-to-date peri­od­ic tables here</a>. Or <a href="https://elements.wlonk.com/ElementsBuy.htm">pur­chase posters/prints here</a>.</p> <p>via <a href="https://inhabitat.com/new-interactive-periodic-table-shows-how-each-element-influences-daily-life/" rel="nofollow"> Inhab­it</a></p> <p><strong>Relat­ed Con­tent: </strong></p> <p><a href="http://www.openculture.com/2017/05/the-map-of-chemistry-new-animation-summarizes-the-entire-field-of-chemistry-in-12-minutes.html">The Map of Chem­istry: New Ani­ma­tion Sum­ma­rizes the Entire Field of Chem­istry in 12 Min­utes</a></p> <p><a href="http://www.openculture.com/2018/03/a-periodic-table-visualizing-the-year-country-in-which-each-element-was-discovered.html">A Peri­od­ic Table Visu­al­iz­ing the Year &amp; Coun­try in Which Each Ele­ment Was Dis­cov­ered</a></p> <p><a href="http://www.openculture.com/2017/08/the-periodic-table-of-elements-presented-as-interactive-haikus.html">The Peri­od­ic Table of Ele­ments Pre­sent­ed as Inter­ac­tive Haikus</a></p> <p><a href="http://www.openculture.com/2017/12/the-periodic-table-of-endangered-elements.html">The Peri­od­ic Table of Endan­gered Ele­ments: Visu­al­iz­ing the Chem­i­cal Ele­ments That Could Van­ish Before You Know It</a></p> <p><a href="http://about.me/jonesjoshua"><em>Josh Jones</em></a><em>&nbsp;is a writer and musi­cian based in Durham, NC. Fol­low him at&nbsp;<a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2019/12/interactive-periodic-table-of-elements.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2019/12/interactive-periodic-table-of-elements.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2019/12/interactive-periodic-table-of-elements.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="cleared"></div> <a href="https://www.openculture.com/category/chemistry/page/2" >More in this category... &raquo;</a> </div> <!--contenttitle --> <div class="middle_sidebar"> <ul id="middle_sidebarwidgeted"> <li id="execphp-431254483" class="widget widget_execphp"><h2 class="widgettitle">Essentials</h2> <div class="execphpwidget"><div class="widgetbox"> <ul> <li><a href="https://www.openculture.com/freeonlinecourses">1,700 Free Online Courses</a></li> <li><a href="https://www.openculture.com/online-certificate-programs">200 Online Certificate Programs</a></li> <li><a href="https://www.openculture.com/online-degrees">100+ Online Degree & Mini-Degree Programs</a></li> <li><a href="https://www.openculture.com/freemoviesonline">1,150 Free Movies</a></li> <li><a href="https://www.openculture.com/freeaudiobooks">1,000 Free Audio Books</a></li> <li><a href="https://www.openculture.com/great-podcasts">150+ Best Podcasts</a></li> <li><a href="https://www.openculture.com/free_ebooks">800 Free eBooks</a></li> <li><a href="https://www.openculture.com/free_textbooks">200 Free Textbooks</a></li> <li><a href="https://www.openculture.com/freelanguagelessons">300 Free Language Lessons</a></li> <li><a href="https://www.openculture.com/business_free_courses">150 Free Business Courses</a></li> <li><a href="https://www.openculture.com/free_k-12_educational_resources">Free K-12 Education</a></li> <li><a href="https://www.openculture.com/dailyemail">Get Our Daily Email</a></li> </ul> </div></div> </li><li id="execphp-431254506" class="widget widget_execphp"><h2 class="widgettitle">Support Us</h2> <div class="execphpwidget"><div class="widgetbox noborder"> <br> We're hoping to rely on loyal readers, rather than erratic ads. 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Eliot Reads Waste Land</a></li> <li><a href="https://www.openculture.com/2013/05/hear_sylvia_plath_read_fifteen_poems_from_her_final_collection_ariel_in_1962_recording.html">Sylvia Plath - Ariel</a></li> <li><a href="https://www.openculture.com/2013/06/on_bloomsday_hear_james_joyce_read_from_his_epic_iulyssesi_1924.html">Joyce Reads Ulysses</a></li> <li><a href="https://www.openculture.com/2012/02/james_joyce_reads_anna_livia_plurabelle_from_ifinnegans_wakei.html">Joyce - Finnegans Wake</a></li> <li><a href="https://www.openculture.com/2013/01/watch_patti_smith_read_from_virginia_woolf_and_hear_the_only_surviving_recording_of_woolfs_voice.html">Patti Smith Reads Virginia Woolf</a></li> <li><a href="https://www.openculture.com/2013/03/listen_as_albert_einstein_reads_the_common_language_of_science_1941.html">Albert Einstein</a></li> <li><a href="https://www.openculture.com/2013/08/charles-bukowski-poem-read-by-bukowski-tom-waits-and-bono.html">Charles Bukowski</a></li> <li><a href="https://www.openculture.com/2013/07/bill-murray-reads-poetry-by-billy-collins-cole-porter-and-sarah-manguso.html">Bill Murray</a></li> <li><a href="https://www.openculture.com/2010/04/ernest_hemingway_reads_in_harrys_bar_in_venice.html">Hemingway</a></li> <li><a href="https://www.openculture.com/2012/09/f_scott_fitzgerald_reads_from_shakespeares_iothelloi_and_john_masefields_on_growing_old_c1940.html">Fitzgerald Reads Shakespeare</a></li> <li><a href="https://www.openculture.com/2010/04/william_faulkner_reads_from_as_i_lay_dying.html">William Faulkner</a></li> <li><a href="https://www.openculture.com/2012/05/rare_1959_audio_flannery_oconnor_reads_a_good_man_is_hard_to_find.html">Flannery O'Connor</a></li> <li><a href="https://www.openculture.com/2013/07/j-r-r-tolkien-reads-from-the-two-towers-the-second-book-of-the-lord-of-the-rings-trilogy.html">Tolkien - The Hobbit</a></li> <li><a href="https://www.openculture.com/2012/06/allen_ginsberg_reads_his_beat_classic_poem_howl.html">Allen Ginsberg - Howl</a></li> <li><a href="https://www.openculture.com/2012/06/rare_1930s_audio_wb_yeats_reads_four_of_his_poems.html">W.B Yeats</a></li> <li><a href="https://www.openculture.com/2012/10/ezra_pounds_fiery_1939_reading_of_his_early_poem_isestina_altafortei.html">Ezra Pound</a></li> <li><a href="https://www.openculture.com/2012/08/dylan_thomas_recites_do_not_go_gentle_into_that_good_night_and_other_poems.html">Dylan Thomas</a></li> <li><a href="https://www.openculture.com/2013/02/anne_sexton_confessional_poet_reads_wanting_to_die_in_ominous_1966_video.html">Anne Sexton</a></li> <li><a href="https://www.openculture.com/2014/06/john-cheever-reads-the-swimmer.html">John Cheever</a></li> <li><a href="https://www.openculture.com/2014/09/hear-david-foster-wallace-read-his-own-essays-and-short-fiction.html">David Foster Wallace</a></li> </ul> </div></div> </li><li id="execphp-431254484" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Book Lists By</h2> <ul> <li><a href="https://www.openculture.com/2011/12/neil_degrasse_tyson_8_books_every_intelligent_person_should_read.html">Neil deGrasse Tyson</a></li> <li><a href="https://www.openculture.com/2013/05/ernest_hemingways_reading_list_for_a_young_writer_1934.html">Ernest Hemingway</a></li> <li><a href="https://www.openculture.com/2013/08/f-scott-fitzgerald-creates-a-list-of-22-essential-books-1936.html">F. Scott Fitzgerald</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2015/04/patti-smiths-list-of-favorite-books.html">Patti Smith</a></li> <li><a href="https://www.openculture.com/2015/08/brian-eno-book-lists.html">Brian Eno</a></li> <li><a href="https://www.openculture.com/2015/04/henry-miller-makes-a-list-of-the-100-books-that-influenced-me-most.html">Henry Miller</a></li> <li><a href="https://www.openculture.com/2012/09/christopher_hitchens_creates_a_reading_list_for_eight-year-old_girl.html">Christopher Hitchens</a></li> <li><a href="https://www.openculture.com/2013/11/joseph-brodskys-reading-list-for-having-an-intelligent-conversation.html">Joseph Brodsky</a></li> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">W.H. Auden</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2012/07/carl_sagans_undergrad_reading_list_from_plato_and_shakespeare_to_huxley_and_gide.html">Carl Sagan</a></li> <li><a href="https://www.openculture.com/2013/10/david-bowies-list-of-top-100-books.html">David Bowie</a></li> <li><a href="https://www.openculture.com/2015/03/the-books-samuel-beckett-really-liked.html">Samuel Beckett</a></li> <li><a href="https://www.openculture.com/2014/09/art-garfunkel-lists-1195-books.html">Art Garfunkel</a></li> <li><a href="https://www.openculture.com/2014/10/the-430-books-in-marilyn-monroes-library.html">Marilyn Monroe</a></li> <li><a href="https://www.openculture.com/2015/03/jorge-luis-borges-personal-library.html">Jorge Luis Borges</a></li> <li><a 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Ginsberg</a></li> <li><a href="https://www.openculture.com/2013/08/zadie-smith-and-gary-shteyngarts-syllabi-from-columbia-university.html">Zadie Smith & Gary Shteyngart</a></li> <li><a href="https://www.openculture.com/2013/07/spike-lee-shares-his-nyu-teaching-list-of-87-essential-films-every-aspiring-director-should-see.html">Spike Lee</a></li> <li><a href="https://www.openculture.com/2014/11/lynda-barrys-wonderfully-illustrated-syllabus-homework-assignments-from-her-uw-madison-class-the-unthinkable-mind.html">Lynda Barry</a></li> <li><a href="https://www.openculture.com/2015/02/junot-diazs-syllabi-for-his-mit-writing-classes.html">Junot Diaz</a></li> </ul> </div></div> </li><li id="execphp-431254491" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Favorite Movies</h2> <ul> <li><a href="https://www.openculture.com/2013/07/stanley-kubricks-list-of-top-ten-films.html">Kubrick</a></li> <li><a href="https://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html">Kurosawa's 100</a></li> <li><a href="https://www.openculture.com/2013/08/quentin-tarantino-lists-the-12-greatest-films-of-all-time.html">Tarantino</a></li> <li><a href="https://www.openculture.com/2013/07/martin-scorsese-reveals-his-10-favorite-movies.html">Scorsese</a></li> <li><a href="https://www.openculture.com/2014/08/andrei-tarkovsky-creates-a-list-of-his-10-favorite-films-1972.html">Tarkovsky</a></li> <li><a href="https://www.openculture.com/2013/09/david-lynch-on-his-favorite-directors-including-fellini-wilder-tati-and-hitchcock.html">David Lynch</a></li> <li><a href="https://www.openculture.com/2014/05/werner-herzog-picks-his-5-favorite-films.html">Werner Herzog</a></li> <li><a href="https://www.openculture.com/2013/08/woody-allen-lists-the-greatest-films-of-all-time.html">Woody Allen</a></li> <li><a href="https://www.openculture.com/2014/03/wes-andersons-favorite-films.html">Wes Anderson</a></li> <li><a href="https://www.openculture.com/2015/05/the-10-favorite-films-of-avant-garde-surrealist-filmmaker-luis-bunuel-including-his-own-collaboration-with-salvador-dali.html">Luis Buñuel</a></li> <li><a href="https://www.openculture.com/2014/07/roger-eberts-final-list-of-his-top-10-favorite-films-2012.html">Roger Ebert</a></li> <li><a href="https://www.openculture.com/2013/12/susan-sontags-50-favorite-films.html">Susan Sontag</a></li> <li><a href="https://www.openculture.com/2014/10/scorseses-list-of-39-essential-foreign-films.html">Scorsese Foreign Films</a></li> <li><a href="https://www.openculture.com/2014/10/44-essential-movies-for-the-student-of-philosophy.html">Philosophy Films</a></li> </ul> </div></div> </li><li id="archives-3" class="widget widget_archive"><h2 class="widgettitle">Archives</h2> <ul> <li><a href='https://www.openculture.com/2025/03'>March 2025</a></li> <li><a href='https://www.openculture.com/2025/02'>February 2025</a></li> <li><a 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