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Book - Chinese Film Classics

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Chinese Film Classics, 1922-1949 introduces fourteen of the best films made in China before the founding of the People&#039;s Republic." /> <meta name="twitter:image" content="https://chinesefilmclassics.org/files/2020/10/9780231188135-e1618006166294.jpg" /> <meta name="twitter:label1" content="Est. reading time" /> <meta name="twitter:data1" content="4 minutes" /> <script type="application/ld+json" class="yoast-schema-graph">{"@context":"https://schema.org","@graph":[{"@type":"WebPage","@id":"https://chinesefilmclassics.org/book/","url":"https://chinesefilmclassics.org/book/","name":"Book - Chinese Film Classics","isPartOf":{"@id":"https://chinesefilmclassics.org/#website"},"primaryImageOfPage":{"@id":"https://chinesefilmclassics.org/book/#primaryimage"},"image":{"@id":"https://chinesefilmclassics.org/book/#primaryimage"},"thumbnailUrl":"https://chinesefilmclassics.sites.olt.ubc.ca/files/2020/10/9780231188135-200x300.jpg","datePublished":"2020-10-15T17:24:36+00:00","dateModified":"2023-09-02T21:21:01+00:00","description":"Chinese Film Classics, 1922-1949 (Columbia, 2021) by Christopher Rea introduces fourteen masterworks of early Chinese cinema.","breadcrumb":{"@id":"https://chinesefilmclassics.org/book/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https://chinesefilmclassics.org/book/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https://chinesefilmclassics.org/book/#primaryimage","url":"https://chinesefilmclassics.sites.olt.ubc.ca/files/2020/10/9780231188135-200x300.jpg","contentUrl":"https://chinesefilmclassics.sites.olt.ubc.ca/files/2020/10/9780231188135-200x300.jpg"},{"@type":"BreadcrumbList","@id":"https://chinesefilmclassics.org/book/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https://chinesefilmclassics.org/"},{"@type":"ListItem","position":2,"name":"Book"}]},{"@type":"WebSite","@id":"https://chinesefilmclassics.org/#website","url":"https://chinesefilmclassics.org/","name":"Chinese Film Classics","description":"Just another CMS @ UBC site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https://chinesefilmclassics.org/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"}]}</script> <!-- / Yoast SEO plugin. --> <meta name="description" content="These films represent for me not just the dawn of Chinese cinema, but also the visualization of my own cultural roots&#8230;. Rea’s sensitive reading of these films is a fascinating and insightful look into this unique cultural touchstone. &#8211; Ang Lee, Academy Award-winning director of Crouching Tiger, Hidden Dragon and Brokeback Mountain &nbsp; &nbsp; Chinese Film Classics, 1922–1949 [&hellip;]" /> <link rel='dns-prefetch' href='//cdn.ubc.ca' /> <script type="text/javascript"> /* <![CDATA[ */ window._wpemojiSettings = {"baseUrl":"https:\/\/s.w.org\/images\/core\/emoji\/15.0.3\/72x72\/","ext":".png","svgUrl":"https:\/\/s.w.org\/images\/core\/emoji\/15.0.3\/svg\/","svgExt":".svg","source":{"concatemoji":"https:\/\/chinesefilmclassics.org\/wp-includes\/js\/wp-emoji-release.min.js?ver=6.6.2"}}; /*! 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(1947)</a></li> <li id="menu-item-4021" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4021"><a href="https://chinesefilmclassics.org/course/module-9-spring-river-flows-east-1947/">Module 9: Spring River Flows East (1947)</a></li> <li id="menu-item-4026" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4026"><a href="https://chinesefilmclassics.org/course/module-10-spring-in-a-small-town-1948/">Module 10: Spring in a Small Town (1948)</a></li> <li id="menu-item-4025" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4025"><a href="https://chinesefilmclassics.org/course/module-11-crows-and-sparrows-1949/">Module 11: Crows and Sparrows (1949)</a></li> <li id="menu-item-4059" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4059"><a href="https://chinesefilmclassics.org/course/module-12-course-wrap-up/">Module 12: Course Wrap-Up</a></li> </ul></div> </li> <li id="menu-item-3958" class="menu-item menu-item-type-post_type menu-item-object-page current-menu-item page_item page-item-3892 current_page_item menu-item-3958 active"><a href="https://chinesefilmclassics.org/book/">Book</a></li> <li id="menu-item-3957" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-3957"><a href="https://chinesefilmclassics.org/learn-more/">Resources on Early Chinese Cinema</a></li> </ul></div> </div> </div><!-- /navbar-inner --> </div><!-- /navbar --> <!-- End of UBC Unit Navigation --> <div class="row-fluid content expand"> <div class="utility span12"> <div id="section-37" class="widget section-widget widget-section-widget"><div class="widget-wrap widget-inside"><!-- Google tag (gtag.js) --> <script async src="https://www.googletagmanager.com/gtag/js?id=UA-180658070-1"></script> <script>   window.dataLayer = window.dataLayer || [];   function gtag(){dataLayer.push(arguments);}   gtag('js', new Date());   gtag('config', 'UA-180658070-1'); </script></div></div> </div><!-- #header-widget .utility --> </div> <div id="container" class="expand" > <div class="expand row-fluid" role="main"> <div id="primary" class="sidebar aside span3"> </div><!-- #primary .aside --> <div id="content" class="hfeed content span6"> <div id="post-3892" class="hentry page publish post-1 odd author-leannalc"> <div class="entry-content"> <p><a href="https://amzn.to/3hioHJQ" target="_blank" rel="noopener noreferrer"><img fetchpriority="high" decoding="async" class="size-medium wp-image-3893 alignleft" src="https://chinesefilmclassics.sites.olt.ubc.ca/files/2020/10/9780231188135-200x300.jpg" alt="" width="200" height="300" /></a></p> <h4><em>These films represent for me not just the dawn of Chinese cinema, but also the visualization of my own cultural roots&#8230;. Rea’s sensitive reading of these films is a fascinating and insightful look into this unique cultural touchstone.</em></h4> <h4>&#8211; <a href="https://en.wikipedia.org/wiki/Ang_Lee" target="_blank" rel="noopener noreferrer">Ang Lee</a>, Academy Award-winning director of <em>Crouching Tiger, Hidden Dragon </em>and <em>Brokeback Mountain</em></h4> <p>&nbsp;</p> <p>&nbsp;</p> <h2><a href="https://amzn.to/3VNxe6A" target="_blank" rel="noopener noreferrer"><strong><em>Chinese Film Classics, 1922–1949</em></strong></a></h2> <p>By <a href="https://asia.ubc.ca/profile/christopher-rea/" target="_blank" rel="noopener">Christopher Rea</a><br /> Columbia University Press, 2021<br /> ISBN: 9780231188135 (paperback), 9780231188128 (hardcover), 9780231547673 (ebook)<br /> <a href="https://www.amazon.com/Chinese-Film-Classics-1922-1949-Christopher/dp/0231188129/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=&amp;sr=">Hardcover</a>, <a href="https://amzn.to/3VNxe6A">Paperback</a>, Kindle, <a href="https://www.barnesandnoble.com/w/chinese-film-classics-1922-1949-christopher-g-rea/1136942233;jsessionid=60F81A36AFCCB5FFC2D5CB090B725142.prodny_store02-atgap07?ean=9780231547673">NOOK</a>, <a href="https://books.apple.com/us/book/chinese-film-classics-1922-1949/id1512496606">Apple Books</a><br /> <a href="https://cup.columbia.edu/book/chinese-film-classics-19221949/9780231188135" target="_blank" rel="noopener noreferrer">Publisher</a>     <a href="https://amzn.to/3VNxe6A" target="_blank" rel="noopener noreferrer">Amazon</a>      <a href="https://www.barnesandnoble.com/w/chinese-film-classics-1922-1949-christopher-g-rea/1136942233;jsessionid=60F81A36AFCCB5FFC2D5CB090B725142.prodny_store02-atgap07?ean=9780231547673">Barnes &amp; Noble</a></p> <h2>About the Book</h2> <p><a href="https://amzn.to/3VNxe6A" target="_blank" rel="noopener noreferrer"><em>Chinese Film Classics, 1922–1949</em></a> is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries.</p> <p>Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of <a href="https://chinesefilmclassics.sites.olt.ubc.ca/course/module-1-laborers-love-1922/"><em>Laborer’s Love</em> (1922)</a>, Ruan Lingyu’s star turn in <a href="https://chinesefilmclassics.sites.olt.ubc.ca/course/module-3-goddess-1934/"><em>Goddess</em> (1934)</a>, Zhou Xuan’s mesmerizing performance in <a href="https://chinesefilmclassics.sites.olt.ubc.ca/course/module-7-street-angels-1937/"><em>Street Angels</em> (1937)</a>, Eileen Chang’s urbane comedy of manners <a href="https://chinesefilmclassics.sites.olt.ubc.ca/course/module-8-long-live-the-missus-1947/"><em>Long Live the Missus!</em> (1947)</a>, the wartime epic <a href="https://chinesefilmclassics.sites.olt.ubc.ca/course/module-9-spring-…-flows-east-1947/"><em>Spring River Flows East</em> (1947)</a>, and Fei Mu’s acclaimed work of cinematic lyricism, <a href="https://chinesefilmclassics.sites.olt.ubc.ca/course/module-10-spring…-small-town-1948/"><em>Spring in a Small Town</em> (1948)</a>. Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, <a href="https://amzn.to/3VNxe6A"><em>Chinese Film Classics, 1922–1949</em></a> offers an accessible tour of China’s early contributions to the cinematic arts. A Chinese edition is forthcoming.</p> <h2>Contents</h2> <p>List of Figures<br /> Introduction<br /> Acknowledgments</p> <p>PART 1: SILENT FILMS</p> <ol> <li><em>Laborer’s Love</em> (<em>Laogong zhi aiqing </em>勞工之愛情) (Zhang Shichuan, director, 1922)</li> <li><em>Playthings</em> (<em>Xiao wanyi</em> 小玩意) (Sun Yu, director, 1933)</li> <li><em>Sports Queen</em> (<em>Tiyu huanghou</em> 體育皇后) (Sun Yu, director, 1934)</li> <li><em>Goddess</em> (<em>Shennü</em> 神女) (Wu Yonggang, director, 1934)</li> <li><em>The Great Road</em> (<em>Dalu</em> 大路) (Sun Yu, director, 1934)</li> <li><em>New Women</em> (<em>Xin nüxing</em> 新女性) (Cai Chusheng, director, 1935)</li> </ol> <p>PART 2: SOUND FILMS</p> <ol start="7"> <li><em>Song at Midnight</em> (<em>Yeban gesheng</em> 夜半歌聲) (Ma-Xu Weibang, director, 1937)</li> <li><em>Street Angels</em> (<em>Malu tianshi</em> 馬路天使) (Yuan Muzhi, director, 1937)</li> <li><em>Hua Mu Lan</em> (<em>Mulan congjun</em> 木蘭從軍) (Richard Poh, director, 1939)</li> <li><em>Long Live the Missus!</em> (<em>Taitai wansui</em> 太太萬歲) (Sang Hu, director, 1947)</li> <li><em>Spring River Flows East</em> (<em>Yi jiang chunshui xiang dong liu</em> 一江春水向東流) (Cai Chusheng and Zheng Junli, directors, 1947)</li> <li><em>Spring in a Small Town</em> (<em>Xiaocheng zhi chun</em> 小城之春) (Fei Mu, director, 1948)</li> <li><em>Wanderings of Three-Hairs the Orphan</em> (<em>Sanmao liulang ji</em> 三毛流浪記) (Zhao Ming and Yan Gong, directors, 1949)</li> <li><em>Crows and Sparrows</em> (<em>Wuya yu maque</em> 烏鴉與麻雀) (Zheng Junli, director, 1949)</li> </ol> <p>Abbreviations<br /> Appendix 1. Other Significant Extant Chinese Films, 1927–1949<br /> Appendix 2. Selective Name List of Film Personnel<br /> Filmography<br /> Bibliography<br /> Index</p> <h2>Book trailers</h2> <p><iframe title="YouTube video player" src="https://www.youtube.com/embed/paKvSWB5T_Q" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <p><iframe title="YouTube video player" src="https://www.youtube.com/embed/mMwK7_h052s" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <h2>How to watch the films</h2> <p>All of the films discussed in the book are available with English subtitles on the <a href="https://chinesefilmclassics.sites.olt.ubc.ca/films/" target="_blank" rel="noopener noreferrer">Films page</a> of chinesefilmclassics.org.</p> <h2>About the author</h2> <p><a href="https://asia.ubc.ca/profile/christopher-rea/"><img loading="lazy" decoding="async" class="alignnone wp-image-4636 " src="https://chinesefilmclassics.sites.olt.ubc.ca/files/2021/04/Christopher-Rea-600x800-1-225x300.jpg" alt="Christopher Rea photo" width="135" height="180" srcset="https://chinesefilmclassics.org/files/2021/04/Christopher-Rea-600x800-1-225x300.jpg 225w, https://chinesefilmclassics.org/files/2021/04/Christopher-Rea-600x800-1-270x360.jpg 270w, https://chinesefilmclassics.org/files/2021/04/Christopher-Rea-600x800-1-rotated.jpg 600w" sizes="(max-width: 135px) 100vw, 135px" /></a></p> <p><a href="https://asia.ubc.ca/profile/christopher-rea/" target="_blank" rel="noopener noreferrer">Christopher Rea</a> is Professor of Chinese in the <a href="http://asia.ubc.ca" target="_blank" rel="noopener noreferrer">Department of Asian Studies</a> at the University of British Columbia, in Vancouver, Canada, as well as former Associate Head of Department and former Director of the <a href="http://ccr.ubc.ca" target="_blank" rel="noopener noreferrer">UBC Centre for Chinese Research</a>. He is the author of <a href="https://www.ucpress.edu/book/9780520283848/the-age-of-irreverence"><em>The Age of Irreverence: A New History of Laughter in China</em> (2015)</a>, which the <a href="http://asianstudies.org" target="_blank" rel="noopener noreferrer">Association for Asian Studies</a> awarded the 2017<a href="https://www.asianstudies.org/grants-awards/book-prizes/levenson-prize/" target="_blank" rel="noopener noreferrer"> Joseph Levenson Book Prize (post-1900 China)</a>  <a href="https://www.books.com.tw/products/0010785853?sloc=main" target="_blank" rel="noopener noreferrer">(Chinese edition</a><a href="https://www.books.com.tw/products/0010785853?sloc=main" target="_blank" rel="noopener noreferrer">)</a>. His other books include <a href="https://www.cornellpress.cornell.edu/book/9781939161048/chinas-chaplin/#bookTabs=1" target="_blank" rel="noopener noreferrer"><em>China’s Chaplin: Comic Stories and Farces by Xu Zhuodai  </em></a>(Cornell, 2018), (with <a href="https://asia.ubc.ca/profile/bruce-rusk/" target="_blank" rel="noopener noreferrer">Bruce Rusk</a>) <a href="http://cup.columbia.edu/book/the-book-of-swindles/9780231178631" target="_blank" rel="noopener noreferrer"><em>The Book of Swindles: Selections from a Late Ming Collection</em></a> (Columbia, 2017), (with <a href="https://complit.la.psu.edu/people/nmv10" target="_blank" rel="noopener noreferrer">Nicolai Volland</a>) <a href="https://www.ubcpress.ca/the-business-of-culture" target="_blank" rel="noopener noreferrer"><em>The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65</em></a> (UBC Press, 2015), <a href="https://brill.com/view/title/27207" target="_blank" rel="noopener noreferrer"><em>China&#8217;s Literary Cosmopolitans: Qian Zhongshu, Yang Jiang, and the World of Letters </em></a>(Brill, 2015), and <a href="https://cup.columbia.edu/book/humans-beasts-and-ghosts/9780231152754" target="_blank" rel="noopener noreferrer"><em>Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu </em></a>(Columbia, 2010).</p> <p>His most recent book, co-authored with Thomas S. Mullaney, is <a href="https://amzn.to/3hioHJQ" target="_blank" rel="noopener"><em>Where Research Begins: Choosing a Research Project That Matters to You (and the World)</em> (Chicago, 2022)</a>. Editions are available or forthcoming in Chinese, <a href="https://www.amazon.co.jp/-/en/%E3%83%88%E3%83%BC%E3%83%9E%E3%82%B9%E3%83%BB%EF%BC%B3%E3%83%BB%E3%83%9E%E3%83%A9%E3%83%8B%E3%83%BC/dp/4480837256/ref=zg_bs_g_554230_sccl_13/355-7522689-2830942?psc=1" target="_blank" rel="noopener">Japanese</a>, <a href="http://m.yes24.com/Goods/Detail/115551445">Korean</a>, <a href="https://bonito.pl/produkt/rozpoczynanie-badan-jak-wybrac-ciekawy-temat-badawczy" target="_blank" rel="noopener">Polish</a>, and Thai. Project <a href="https://whereresearchbegins.com/" target="_blank" rel="noopener">website</a>.</p> <p>His translations of over thirty Chinese films can be found on the <a href="https://www.youtube.com/channel/UC-Xdirs4_JYpeyWi46h8kdA" target="_blank" rel="noopener noreferrer">Modern Chinese Cultural Studies YouTube channel</a>.</p> </div><!-- .entry-content --> </div><!-- .hentry --> <div id="utility-after-content" class="sidebar utility "> </div><!-- #utility-after-content .utility --> </div><!-- .content .hfeed --> </div> </div><!-- #container --> <div class="row-fluid expand content"> <div id="subsidiary" class="sidebar aside span-12"> <div id="section-31" class="widget section-widget widget-section-widget"><div class="widget-wrap widget-inside"><div id="body-container" class="container"> <div class="expand websitefooter"> <div class="contact-column"> <a href="https://www.youtube.com/channel/UC-Xdirs4_JYpeyWi46h8kdA"><img class="footer-icon" src="https://chinesefilmclassics.sites.olt.ubc.ca/files/2021/03/white-youtube-logo-transparent-7-e1616172644322.png" alt="Youtube icon"></a><br> <a href="https://www.youtube.com/channel/UC-Xdirs4_JYpeyWi46h8kdA">Subscribe to the Modern Chinese YouTube Channel</a> </div> <div class="contact-column contact-info"> &copy; 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