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He works on aesthetics and the theory of the novel.<br /><b>Address: </b>Teoría de la Literatura <br />Facultad de Filosofía y Letras <br />Universidad de Zaragoza <br />50009 Zaragoza, España<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unizar.academia.edu/Mar%C3%ADaJes%C3%BAsCol%C3%B3n"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" 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href="https://www.academia.edu/video/kVeEel"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/kVeEel/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAB32VTWEX%2F20250308%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250308T104610Z&X-Amz-Expires=7754&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEA8aCXVzLWVhc3QtMSJIMEYCIQChrUuhSwWD47HNRwUmsHKSQofwrp%2B5FpKUZOFBK4of%2FgIhANC0OFa8F48szrKsgGmHo1j9lLl5UE0DAs2M3GpCMN2yKo0ECFgQABoMMjUwMzE4ODExMjAwIgy4oBK4MB5V%2FUTxoxoq6gMGiyNnmhDuqhVRkpCpxiCg3Tp87a2f2ofC8g36cCTtG1SZpIjr68GWA6I4fmloa%2Brvthcydqfr1Ae85p74UkQ1vakzcm43i8ant7p9ClB4wRTm%2B7NIaoN7eiG0akwfuyTrwWQsH5h%2By8RYqG7GiSKrzcJn6zOs6nUaX0V4TcjdRyIvB4uONwdD0uNkYgsn%2FIk4JsKE%2BlmL%2B6N5XsFTXXyIpT1KzmEC%2BvBfp%2F1LQgv41OgNiIWYX%2FRpa0uZIoTQkLyf4d8UcxT7j4SzWtCP7OKGrc6mBvJ8JN33wdC0ZxClTVP9AtuqE2Vwkcf2UuRGVTF%2BWUFkfijy3ZFyq3aomRDZNN8344lcXslMBCmyZZovq8x7S6wUAAIA2p%2BOIFW4do0LmT6QrG55jYll3zUKOOGFK3bRTZhgRIOFd6fzEfoXBqrl5nVBZB99irdEeO7RkmjRHJm6gKbdIe00OVoGgGcYxYu5wjD6DBR9OfRuY6M83iAO1nZJc1ONXr4ZSSy32mPIM8B8kugwuGRtBL28LEORA6AkKkQkDc%2BqPt4a%2FNTuol0f3%2B6MkXhQHHAgwHE6gla3eTnSZ2fvN%2B7BmZqyhK%2BR1%2FIieJFNVNZ2vQ1mgbtnG%2B7iZ4k%2BgdiFal8oCRUD5OFSGoVZX9Z706LrMNzTr74GOqQBxJriyHq4DlYlFGt7upxhrNIbS5B8rOFo2XTgSfbJljL05OPa%2Bnn7sCXcd5kZ%2FyCAx%2FUWsvA65HPMYs3WXz7RFcpT%2Bo%2BX%2BiyQReC0ZykD59fZggFGduuY0WaVxp8kfeqe8YaBq17ZqvCVSWnvtWLnQPOOWft4%2BC8YE64RB9AJni2xRwaAFgJn7dR0QJnliWK56bYZNtgcnmjy7FISVx9N3sqkVHs%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=bbcce7b464fe9c6aecbb3580fe0f20b81a20cc97f4042a570418ac0d3494de6b" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">06:01</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/kVeEel">Bajtín. La novela</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Presentación de la publicación de la teoría completa de la novela de Mijaíl Bajtín en español. Do...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Presentación de la publicación de la teoría completa de la novela de Mijaíl Bajtín en español. Doble edición en las PUZ (España) y EUNA (Costa Rica)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="kVeEel"><a class="js-profile-work-strip-edit-button" href="https://unizar.academia.edu/video/edit/kVeEel" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="kVeEel">38 views</span></span></span></div></div></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration { position: absolute; bottom: 2px; right: 2px; color: #ffffff; background-color: #000000; font-size: 12px; font-weight: 500; line-height: 12px; padding: 2px; }</style><div class="js-work-strip profile--work_container" data-video-id="574"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" href="https://www.academia.edu/video/Y1wAwk"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/Y1wAwk/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAB32VTWEX%2F20250308%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250308T104610Z&X-Amz-Expires=7754&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEA8aCXVzLWVhc3QtMSJIMEYCIQChrUuhSwWD47HNRwUmsHKSQofwrp%2B5FpKUZOFBK4of%2FgIhANC0OFa8F48szrKsgGmHo1j9lLl5UE0DAs2M3GpCMN2yKo0ECFgQABoMMjUwMzE4ODExMjAwIgy4oBK4MB5V%2FUTxoxoq6gMGiyNnmhDuqhVRkpCpxiCg3Tp87a2f2ofC8g36cCTtG1SZpIjr68GWA6I4fmloa%2Brvthcydqfr1Ae85p74UkQ1vakzcm43i8ant7p9ClB4wRTm%2B7NIaoN7eiG0akwfuyTrwWQsH5h%2By8RYqG7GiSKrzcJn6zOs6nUaX0V4TcjdRyIvB4uONwdD0uNkYgsn%2FIk4JsKE%2BlmL%2B6N5XsFTXXyIpT1KzmEC%2BvBfp%2F1LQgv41OgNiIWYX%2FRpa0uZIoTQkLyf4d8UcxT7j4SzWtCP7OKGrc6mBvJ8JN33wdC0ZxClTVP9AtuqE2Vwkcf2UuRGVTF%2BWUFkfijy3ZFyq3aomRDZNN8344lcXslMBCmyZZovq8x7S6wUAAIA2p%2BOIFW4do0LmT6QrG55jYll3zUKOOGFK3bRTZhgRIOFd6fzEfoXBqrl5nVBZB99irdEeO7RkmjRHJm6gKbdIe00OVoGgGcYxYu5wjD6DBR9OfRuY6M83iAO1nZJc1ONXr4ZSSy32mPIM8B8kugwuGRtBL28LEORA6AkKkQkDc%2BqPt4a%2FNTuol0f3%2B6MkXhQHHAgwHE6gla3eTnSZ2fvN%2B7BmZqyhK%2BR1%2FIieJFNVNZ2vQ1mgbtnG%2B7iZ4k%2BgdiFal8oCRUD5OFSGoVZX9Z706LrMNzTr74GOqQBxJriyHq4DlYlFGt7upxhrNIbS5B8rOFo2XTgSfbJljL05OPa%2Bnn7sCXcd5kZ%2FyCAx%2FUWsvA65HPMYs3WXz7RFcpT%2Bo%2BX%2BiyQReC0ZykD59fZggFGduuY0WaVxp8kfeqe8YaBq17ZqvCVSWnvtWLnQPOOWft4%2BC8YE64RB9AJni2xRwaAFgJn7dR0QJnliWK56bYZNtgcnmjy7FISVx9N3sqkVHs%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=24fd830c18e452585e678beeb1311e917ff19ce2c4b90a294ac7cb961a944fd6" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">08:18</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/Y1wAwk">Después de Bajtín: los retos de la teoría de la novela</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La teoría de la novela ha pasado por tres etapas: la crítica periodística, la crítica académica -...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La teoría de la novela ha pasado por tres etapas: la crítica periodística, la crítica académica -formalista o ideológica- y la filosofía de la novela. La filosofía de la novela, aunque tiene antecedentes en el círculo de Jena, aparece con Lukács y Bajtín la reorienta y plantea su más sólida base. El futuro de la teoría de la novela consiste en desarrollar esos fundamentos. <br />Este vídeo es una ponencia del congreso "Teoría de la novela, hoy", organizado por la Universidad de Cantabria del 9 al 11 de septiembre de 2020. Se pueden ver las demás ponencias en YouTube.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="Y1wAwk"><a class="js-profile-work-strip-edit-button" href="https://unizar.academia.edu/video/edit/Y1wAwk" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="Y1wAwk">41 views</span></span></span></div></div></div><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Luis Beltrán Almería</h3></div><div class="js-work-strip profile--work_container" data-work-id="127628339"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127628339/El_juego_y_la_est%C3%A9tica_del_%C3%A1lbum_ilustrado_The_Play_and_the_Aesthetics_of_the_Picturebook"><img alt="Research paper thumbnail of El juego y la estética del álbum ilustrado The Play and the Aesthetics of the Picturebook" class="work-thumbnail" src="https://attachments.academia-assets.com/121334655/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127628339/El_juego_y_la_est%C3%A9tica_del_%C3%A1lbum_ilustrado_The_Play_and_the_Aesthetics_of_the_Picturebook">El juego y la estética del álbum ilustrado The Play and the Aesthetics of the Picturebook</a></div><div class="wp-workCard_item"><span>Revista de Literatura</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El fundamento estético del álbum ilustrado es el juego, esto es, la pretensión del autor de jugar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El fundamento estético del álbum ilustrado es el juego, esto es, la pretensión del autor de jugar con sus lectores a través de su obra. Se entiende el juego, a partir de las aportaciones de Platón, Schiller o Huizinga, como una contienda alegre. En su etapa infantil el juego es esencialmente alegre. A partir de tales supuestos, se revisan los postulados teóricos de algunos autores de referencia en el ámbito del álbum ilustrado (Leo Lionni, Suzy Lee, Anthony Browne), que aluden expresamente a la idea de 'juego' entre sus principios creadores. Se analiza una serie de álbumes en los que la intención lúdica del autor nace, por lo general, de los conflictos expresivos entre texto e ilustración, manifestados de distintas maneras. Se revisan además otros casos en los que el juego se apoya en la confusión de planos referenciales, en el ocultamiento de elementos narrativos, en el uso del lenguaje, etc.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a0ec47ad20c7730b292d28769a0ccc09" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121334655,"asset_id":127628339,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121334655/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127628339"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127628339"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127628339; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127397959"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127397959/El_reto_de_las_humanidades_Letras_Libres"><img alt="Research paper thumbnail of El reto de las humanidades Letras Libres" class="work-thumbnail" src="https://attachments.academia-assets.com/121134942/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127397959/El_reto_de_las_humanidades_Letras_Libres">El reto de las humanidades Letras Libres</a></div><div class="wp-workCard_item"><span>Letras Libres 280, edición española</span><span>, 2025</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La crisis que atraviesan las humanidades suele tener como réplica el discurso apologético de sus ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La crisis que atraviesan las humanidades suele tener como réplica el discurso apologético de sus actores. Defender el carácter insustituible de las humanidades tiene un innegable sentido, pero también es innegable la limitación de todo discurso apologético. La apología va paralela a la decadencia de su objeto. Se reivindica lo que decae. Y, lo que es peor, con esa reivindicación solo es posible atraer a los que forman parte de su ámbito. Solo los ya convencidos aplauden el discurso apologético. Los críticos señalarán las limitaciones económicas, sociales y culturales de ese discurso y, sobre todo, de su objeto. Y es que, en efecto, no solo las disciplinas humanísticas atraen menos público y dinero, menos inversiones, y producen menos, sino que son incapaces de seguir el ímpetu innovador de la gran ciencia. 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Hoy está olvidado. Este artíc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nicolás Ramiro Rico fue uno de los grandes pensadores del siglo XX. Hoy está olvidado. 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Historia y estética</a></div><div class="wp-workCard_item"><span>DETLI</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Entrada "Cuento" del Diccionario Español de Términos Literarios Internacionales, DETLI, CSIC</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c015a1cec9fe0ce699014e2c9388cd73" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112527054,"asset_id":116381078,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112527054/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116381078"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116381078"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116381078; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116381078]").text(description); $(".js-view-count[data-work-id=116381078]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116381078; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116381078']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c015a1cec9fe0ce699014e2c9388cd73" } } $('.js-work-strip[data-work-id=116381078]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116381078,"title":"Cuento. 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Tal primacía se debe a motivos escolares. Ha sido, durante bastantes años, lectura obliga...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Baroja. Tal primacía se debe a motivos escolares. Ha sido, durante bastantes años, lectura obligada en la enseñanza secundaria española. Y es el mayor exponente del pensamiento del todavía joven Baroja. Para José-Carlos Mainer es "quizá la mejor novela del escritor" (p. 182). Sin embargo, no ha tenido excesiva suerte con la crítica. La abundante crítica que ha recibido se ha limitado a aspectos parciales, cuando no superficiales, estilísticos o culturales. La reiteración de postulados ha dado lugar a una serie de tópicos que no facilitan la interpretación de la obra, algo que ocurre con demasiada frecuencia en la crítica moderna, no solo hispánica. El árbol de la ciencia es un drama biográfico familiar sometido al imperio de la búsqueda de una cosmovisión, lo que suele denominarse novela de educación o Bildungsroman. Esta fórmula no es precisamente original. La novela biográfico familiar es una de las líneas más frecuentes en la novela de excelencia moderna e incluye, de fábrica, la dimensión educativa. Hoy todavía está en pleno apogeo, aunque suele recurrir a variantes más autobiográficas, en la estela de lo que viene llamándose autoficción-que no pocas veces cae en lo irrelevante y narcisista-. Ha invadido otros medios-el cine y las series televisivas-. La novela biográfico familiar Pero qué es una novela biográfico familiar y por qué invade la autobiografía, el cine o las series televisivas. Conviene notar, en primer lugar, que se trata de un género moderno. 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De Ortega a Baquero" class="work-thumbnail" src="https://attachments.academia-assets.com/102110610/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101619588/El_alcionismo_jovial_de_Mariano_Baquero_De_Ortega_a_Baquero">El alcionismo jovial de Mariano Baquero. De Ortega a Baquero</a></div><div class="wp-workCard_item"><span>Monteagudo 28</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Goyanes fundó su esfuerzo por superar el convencionalismo de los estudios literarios en la filoso...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Goyanes fundó su esfuerzo por superar el convencionalismo de los estudios literarios en la filosofía de José Ortega. Su propósito fue avanzar hacia una estética literaria, dejando atrás la retórica. Tomó de Ortega su actitud liberal, ajena al radicalismo. También, su prioridad de la novela. Tuvo que luchar con las deficiencias del pensamiento de Ortega. 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Dolores Thion y Alicia Silvestre, eds.</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Daniel Gascón es uno de los más talentosos autores de la generación del milenio-los que acceden a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Daniel Gascón es uno de los más talentosos autores de la generación del milenio-los que acceden al mundo literario en las primeras décadas del nuevo milenio-� Su obra destaca por su humorismo� Ese humorismo tiene una doble dimensión� En un primer momento es un humorismo autoficcional� En un segundo momento es un humorismo cultural-al estilo del humor inglés, shandiano-� Este estudio analiza los estratos que componen ese humorismo: las figuras, los motivos, el ensimismamiento y el género que los conforma (el sketch) para llegar a la conclusión de que Gascón ofrece una imagen sintética y actualizada de las grandes etapas de la imaginación humorística�</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="934a6edf2c305d4627edd938209ac04d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":101338056,"asset_id":100543866,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/101338056/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="100543866"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa 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literario en las primeras décadas del nuevo milenio-� Su obra destaca por su humorismo� Ese humorismo tiene una doble dimensión� En un primer momento es un humorismo autoficcional� En un segundo momento es un humorismo cultural-al estilo del humor inglés, shandiano-� Este estudio analiza los estratos que componen ese humorismo: las figuras, los motivos, el ensimismamiento y el género que los conforma (el sketch) para llegar a la conclusión de que Gascón ofrece una imagen sintética y actualizada de las grandes etapas de la imaginación humorística�","internal_url":"https://www.academia.edu/100543866/El_humorismo_de_Daniel_Gasc%C3%B3n","translated_internal_url":"","created_at":"2023-04-21T08:23:06.483-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4151958,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":101338056,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/101338056/thumbnails/1.jpg","file_name":"humor_Gascon.pdf","download_url":"https://www.academia.edu/attachments/101338056/download_file","bulk_download_file_name":"El_humorismo_de_Daniel_Gascon.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/101338056/humor_Gascon-libre.pdf?1682091360=\u0026response-content-disposition=attachment%3B+filename%3DEl_humorismo_de_Daniel_Gascon.pdf\u0026Expires=1738749565\u0026Signature=gBE7K521VeUikLQhJ-F7L4jdgD74oww9681OUOq1yX4oL~nq10JacFkLrmf7zct6G2NrfGg7Nn9uxKfGku-hLElLG33dJuPJwAKZpdaza7nFEI~sgj2MUU15O2~lWLygxbPAPfaf825-cbm2TRSvjbfn7BuufpJP6BpBvmQdGjdkBZmuc5sfsiEFD68qDnp8VSV86jjBR5OdsrMHwCsUTfc6viZIAg66z2f0HXpwhXmpt3tvFLUHh3hyrZa7wYFRQUAFdYk9xFILtYSqvWnT3v548GagRTDjShCUBkoyUv-jp3DC3Q0R5dubf-y9r~QE5nMNCODUAMnFt2Q150ixZg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"El_humorismo_de_Daniel_Gascón","translated_slug":"","page_count":14,"language":"es","content_type":"Work","summary":"Daniel Gascón es uno de los más talentosos autores de la generación del milenio-los que acceden al mundo literario en las primeras décadas del nuevo milenio-� Su obra destaca por su humorismo� Ese humorismo tiene una doble dimensión� En un primer momento es un humorismo autoficcional� En un segundo momento es un humorismo cultural-al estilo del humor inglés, shandiano-� Este estudio analiza los estratos que componen ese humorismo: las figuras, los motivos, el ensimismamiento y el género que los conforma (el sketch) para llegar a la conclusión de que Gascón ofrece una imagen sintética y actualizada de las grandes etapas de la imaginación humorística�","owner":{"id":4151958,"first_name":"Luis","middle_initials":null,"last_name":"Beltrán Almería","page_name":"LuisBeltranAlmeria","domain_name":"unizar","created_at":"2013-05-12T17:59:20.815-07:00","display_name":"Luis Beltrán 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class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/89284245/El_malestar_de_las_humanidades">El malestar de las humanidades</a></div><div class="wp-workCard_item"><span>Letras Libres</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El desafío actual de las humanidades es corregir el retraso en la integración de sus logros con r...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El desafío actual de las humanidades es corregir el retraso en la integración de sus logros con respecto a las disciplinas científicas. 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E. Zúñiga" class="work-thumbnail" src="https://attachments.academia-assets.com/90826643/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86358999/Un_relato_olvidado_de_J_E_Z%C3%BA%C3%B1iga">Un relato olvidado de J. E. Zúñiga</a></div><div class="wp-workCard_item"><span>Literatura. Patrimonio para todos</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zúñiga publicó en 1970 el relato "El magnate, el bufón y la carroña". No lo incluyó en ninguna de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zúñiga publicó en 1970 el relato "El magnate, el bufón y la carroña". 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Sin embargo, otro concepto de la imaginación es posible y necesario. La imaginación es el gran medio de la humanidad sapiens para relacionarse con la naturaleza e, incluso, con el Universo. Se rige por leyes, que son las leyes de la gran evolución humana. Y su estructura no es ajena a las leyes que rigen la naturaleza y el Universo. Esta concepción de la imaginación emana de un marco teórico y metodológico. Ese marco es la Gran Historia o Big History. Esta superdisciplina cuenta solo con tres décadas. 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La novela</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Presentación de la publicación de la teoría completa de la novela de Mijaíl Bajtín en español. Do...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Presentación de la publicación de la teoría completa de la novela de Mijaíl Bajtín en español. Doble edición en las PUZ (España) y EUNA (Costa Rica)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="kVeEel"><a class="js-profile-work-strip-edit-button" href="https://unizar.academia.edu/video/edit/kVeEel" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="kVeEel">38 views</span></span></span></div></div></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration { position: absolute; bottom: 2px; right: 2px; color: #ffffff; background-color: #000000; font-size: 12px; font-weight: 500; line-height: 12px; padding: 2px; }</style><div class="js-work-strip profile--work_container" data-video-id="574"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" href="https://www.academia.edu/video/Y1wAwk"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/Y1wAwk/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAB32VTWEX%2F20250308%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250308T104610Z&X-Amz-Expires=7754&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEA8aCXVzLWVhc3QtMSJIMEYCIQChrUuhSwWD47HNRwUmsHKSQofwrp%2B5FpKUZOFBK4of%2FgIhANC0OFa8F48szrKsgGmHo1j9lLl5UE0DAs2M3GpCMN2yKo0ECFgQABoMMjUwMzE4ODExMjAwIgy4oBK4MB5V%2FUTxoxoq6gMGiyNnmhDuqhVRkpCpxiCg3Tp87a2f2ofC8g36cCTtG1SZpIjr68GWA6I4fmloa%2Brvthcydqfr1Ae85p74UkQ1vakzcm43i8ant7p9ClB4wRTm%2B7NIaoN7eiG0akwfuyTrwWQsH5h%2By8RYqG7GiSKrzcJn6zOs6nUaX0V4TcjdRyIvB4uONwdD0uNkYgsn%2FIk4JsKE%2BlmL%2B6N5XsFTXXyIpT1KzmEC%2BvBfp%2F1LQgv41OgNiIWYX%2FRpa0uZIoTQkLyf4d8UcxT7j4SzWtCP7OKGrc6mBvJ8JN33wdC0ZxClTVP9AtuqE2Vwkcf2UuRGVTF%2BWUFkfijy3ZFyq3aomRDZNN8344lcXslMBCmyZZovq8x7S6wUAAIA2p%2BOIFW4do0LmT6QrG55jYll3zUKOOGFK3bRTZhgRIOFd6fzEfoXBqrl5nVBZB99irdEeO7RkmjRHJm6gKbdIe00OVoGgGcYxYu5wjD6DBR9OfRuY6M83iAO1nZJc1ONXr4ZSSy32mPIM8B8kugwuGRtBL28LEORA6AkKkQkDc%2BqPt4a%2FNTuol0f3%2B6MkXhQHHAgwHE6gla3eTnSZ2fvN%2B7BmZqyhK%2BR1%2FIieJFNVNZ2vQ1mgbtnG%2B7iZ4k%2BgdiFal8oCRUD5OFSGoVZX9Z706LrMNzTr74GOqQBxJriyHq4DlYlFGt7upxhrNIbS5B8rOFo2XTgSfbJljL05OPa%2Bnn7sCXcd5kZ%2FyCAx%2FUWsvA65HPMYs3WXz7RFcpT%2Bo%2BX%2BiyQReC0ZykD59fZggFGduuY0WaVxp8kfeqe8YaBq17ZqvCVSWnvtWLnQPOOWft4%2BC8YE64RB9AJni2xRwaAFgJn7dR0QJnliWK56bYZNtgcnmjy7FISVx9N3sqkVHs%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=24fd830c18e452585e678beeb1311e917ff19ce2c4b90a294ac7cb961a944fd6" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">08:18</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/Y1wAwk">Después de Bajtín: los retos de la teoría de la novela</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La teoría de la novela ha pasado por tres etapas: la crítica periodística, la crítica académica -...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La teoría de la novela ha pasado por tres etapas: la crítica periodística, la crítica académica -formalista o ideológica- y la filosofía de la novela. La filosofía de la novela, aunque tiene antecedentes en el círculo de Jena, aparece con Lukács y Bajtín la reorienta y plantea su más sólida base. El futuro de la teoría de la novela consiste en desarrollar esos fundamentos. <br />Este vídeo es una ponencia del congreso "Teoría de la novela, hoy", organizado por la Universidad de Cantabria del 9 al 11 de septiembre de 2020. Se pueden ver las demás ponencias en YouTube.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="Y1wAwk"><a class="js-profile-work-strip-edit-button" href="https://unizar.academia.edu/video/edit/Y1wAwk" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="Y1wAwk">41 views</span></span></span></div></div></div></div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="521338" id="papers"><div class="js-work-strip profile--work_container" data-work-id="127628339"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127628339/El_juego_y_la_est%C3%A9tica_del_%C3%A1lbum_ilustrado_The_Play_and_the_Aesthetics_of_the_Picturebook"><img alt="Research paper thumbnail of El juego y la estética del álbum ilustrado The Play and the Aesthetics of the Picturebook" class="work-thumbnail" src="https://attachments.academia-assets.com/121334655/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127628339/El_juego_y_la_est%C3%A9tica_del_%C3%A1lbum_ilustrado_The_Play_and_the_Aesthetics_of_the_Picturebook">El juego y la estética del álbum ilustrado The Play and the Aesthetics of the Picturebook</a></div><div class="wp-workCard_item"><span>Revista de Literatura</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El fundamento estético del álbum ilustrado es el juego, esto es, la pretensión del autor de jugar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El fundamento estético del álbum ilustrado es el juego, esto es, la pretensión del autor de jugar con sus lectores a través de su obra. Se entiende el juego, a partir de las aportaciones de Platón, Schiller o Huizinga, como una contienda alegre. En su etapa infantil el juego es esencialmente alegre. A partir de tales supuestos, se revisan los postulados teóricos de algunos autores de referencia en el ámbito del álbum ilustrado (Leo Lionni, Suzy Lee, Anthony Browne), que aluden expresamente a la idea de 'juego' entre sus principios creadores. Se analiza una serie de álbumes en los que la intención lúdica del autor nace, por lo general, de los conflictos expresivos entre texto e ilustración, manifestados de distintas maneras. Se revisan además otros casos en los que el juego se apoya en la confusión de planos referenciales, en el ocultamiento de elementos narrativos, en el uso del lenguaje, etc.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a0ec47ad20c7730b292d28769a0ccc09" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121334655,"asset_id":127628339,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121334655/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127628339"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127628339"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127628339; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="127397959"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127397959/El_reto_de_las_humanidades_Letras_Libres"><img alt="Research paper thumbnail of El reto de las humanidades Letras Libres" class="work-thumbnail" src="https://attachments.academia-assets.com/121134942/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127397959/El_reto_de_las_humanidades_Letras_Libres">El reto de las humanidades Letras Libres</a></div><div class="wp-workCard_item"><span>Letras Libres 280, edición española</span><span>, 2025</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La crisis que atraviesan las humanidades suele tener como réplica el discurso apologético de sus ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La crisis que atraviesan las humanidades suele tener como réplica el discurso apologético de sus actores. Defender el carácter insustituible de las humanidades tiene un innegable sentido, pero también es innegable la limitación de todo discurso apologético. La apología va paralela a la decadencia de su objeto. Se reivindica lo que decae. Y, lo que es peor, con esa reivindicación solo es posible atraer a los que forman parte de su ámbito. Solo los ya convencidos aplauden el discurso apologético. Los críticos señalarán las limitaciones económicas, sociales y culturales de ese discurso y, sobre todo, de su objeto. Y es que, en efecto, no solo las disciplinas humanísticas atraen menos público y dinero, menos inversiones, y producen menos, sino que son incapaces de seguir el ímpetu innovador de la gran ciencia. 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Hoy está olvidado. Este artíc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nicolás Ramiro Rico fue uno de los grandes pensadores del siglo XX. Hoy está olvidado. 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Historia y estética</a></div><div class="wp-workCard_item"><span>DETLI</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Entrada "Cuento" del Diccionario Español de Términos Literarios Internacionales, DETLI, CSIC</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c015a1cec9fe0ce699014e2c9388cd73" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112527054,"asset_id":116381078,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112527054/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116381078"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116381078"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116381078; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116381078]").text(description); $(".js-view-count[data-work-id=116381078]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116381078; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116381078']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c015a1cec9fe0ce699014e2c9388cd73" } } $('.js-work-strip[data-work-id=116381078]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116381078,"title":"Cuento. 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Tal primacía se debe a motivos escolares. Ha sido, durante bastantes años, lectura obliga...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Baroja. Tal primacía se debe a motivos escolares. Ha sido, durante bastantes años, lectura obligada en la enseñanza secundaria española. Y es el mayor exponente del pensamiento del todavía joven Baroja. Para José-Carlos Mainer es "quizá la mejor novela del escritor" (p. 182). Sin embargo, no ha tenido excesiva suerte con la crítica. La abundante crítica que ha recibido se ha limitado a aspectos parciales, cuando no superficiales, estilísticos o culturales. La reiteración de postulados ha dado lugar a una serie de tópicos que no facilitan la interpretación de la obra, algo que ocurre con demasiada frecuencia en la crítica moderna, no solo hispánica. El árbol de la ciencia es un drama biográfico familiar sometido al imperio de la búsqueda de una cosmovisión, lo que suele denominarse novela de educación o Bildungsroman. Esta fórmula no es precisamente original. La novela biográfico familiar es una de las líneas más frecuentes en la novela de excelencia moderna e incluye, de fábrica, la dimensión educativa. Hoy todavía está en pleno apogeo, aunque suele recurrir a variantes más autobiográficas, en la estela de lo que viene llamándose autoficción-que no pocas veces cae en lo irrelevante y narcisista-. Ha invadido otros medios-el cine y las series televisivas-. La novela biográfico familiar Pero qué es una novela biográfico familiar y por qué invade la autobiografía, el cine o las series televisivas. Conviene notar, en primer lugar, que se trata de un género moderno. 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De Ortega a Baquero" class="work-thumbnail" src="https://attachments.academia-assets.com/102110610/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101619588/El_alcionismo_jovial_de_Mariano_Baquero_De_Ortega_a_Baquero">El alcionismo jovial de Mariano Baquero. De Ortega a Baquero</a></div><div class="wp-workCard_item"><span>Monteagudo 28</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Goyanes fundó su esfuerzo por superar el convencionalismo de los estudios literarios en la filoso...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Goyanes fundó su esfuerzo por superar el convencionalismo de los estudios literarios en la filosofía de José Ortega. Su propósito fue avanzar hacia una estética literaria, dejando atrás la retórica. Tomó de Ortega su actitud liberal, ajena al radicalismo. También, su prioridad de la novela. Tuvo que luchar con las deficiencias del pensamiento de Ortega. 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Dolores Thion y Alicia Silvestre, eds.</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Daniel Gascón es uno de los más talentosos autores de la generación del milenio-los que acceden a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Daniel Gascón es uno de los más talentosos autores de la generación del milenio-los que acceden al mundo literario en las primeras décadas del nuevo milenio-� Su obra destaca por su humorismo� Ese humorismo tiene una doble dimensión� En un primer momento es un humorismo autoficcional� En un segundo momento es un humorismo cultural-al estilo del humor inglés, shandiano-� Este estudio analiza los estratos que componen ese humorismo: las figuras, los motivos, el ensimismamiento y el género que los conforma (el sketch) para llegar a la conclusión de que Gascón ofrece una imagen sintética y actualizada de las grandes etapas de la imaginación humorística�</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="934a6edf2c305d4627edd938209ac04d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":101338056,"asset_id":100543866,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/101338056/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="100543866"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa 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literario en las primeras décadas del nuevo milenio-� Su obra destaca por su humorismo� Ese humorismo tiene una doble dimensión� En un primer momento es un humorismo autoficcional� En un segundo momento es un humorismo cultural-al estilo del humor inglés, shandiano-� Este estudio analiza los estratos que componen ese humorismo: las figuras, los motivos, el ensimismamiento y el género que los conforma (el sketch) para llegar a la conclusión de que Gascón ofrece una imagen sintética y actualizada de las grandes etapas de la imaginación humorística�","internal_url":"https://www.academia.edu/100543866/El_humorismo_de_Daniel_Gasc%C3%B3n","translated_internal_url":"","created_at":"2023-04-21T08:23:06.483-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4151958,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":101338056,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/101338056/thumbnails/1.jpg","file_name":"humor_Gascon.pdf","download_url":"https://www.academia.edu/attachments/101338056/download_file","bulk_download_file_name":"El_humorismo_de_Daniel_Gascon.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/101338056/humor_Gascon-libre.pdf?1682091360=\u0026response-content-disposition=attachment%3B+filename%3DEl_humorismo_de_Daniel_Gascon.pdf\u0026Expires=1738749565\u0026Signature=gBE7K521VeUikLQhJ-F7L4jdgD74oww9681OUOq1yX4oL~nq10JacFkLrmf7zct6G2NrfGg7Nn9uxKfGku-hLElLG33dJuPJwAKZpdaza7nFEI~sgj2MUU15O2~lWLygxbPAPfaf825-cbm2TRSvjbfn7BuufpJP6BpBvmQdGjdkBZmuc5sfsiEFD68qDnp8VSV86jjBR5OdsrMHwCsUTfc6viZIAg66z2f0HXpwhXmpt3tvFLUHh3hyrZa7wYFRQUAFdYk9xFILtYSqvWnT3v548GagRTDjShCUBkoyUv-jp3DC3Q0R5dubf-y9r~QE5nMNCODUAMnFt2Q150ixZg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"El_humorismo_de_Daniel_Gascón","translated_slug":"","page_count":14,"language":"es","content_type":"Work","summary":"Daniel Gascón es uno de los más talentosos autores de la generación del milenio-los que acceden al mundo literario en las primeras décadas del nuevo milenio-� Su obra destaca por su humorismo� Ese humorismo tiene una doble dimensión� En un primer momento es un humorismo autoficcional� En un segundo momento es un humorismo cultural-al estilo del humor inglés, shandiano-� Este estudio analiza los estratos que componen ese humorismo: las figuras, los motivos, el ensimismamiento y el género que los conforma (el sketch) para llegar a la conclusión de que Gascón ofrece una imagen sintética y actualizada de las grandes etapas de la imaginación humorística�","owner":{"id":4151958,"first_name":"Luis","middle_initials":null,"last_name":"Beltrán Almería","page_name":"LuisBeltranAlmeria","domain_name":"unizar","created_at":"2013-05-12T17:59:20.815-07:00","display_name":"Luis Beltrán 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class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/89284245/El_malestar_de_las_humanidades">El malestar de las humanidades</a></div><div class="wp-workCard_item"><span>Letras Libres</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El desafío actual de las humanidades es corregir el retraso en la integración de sus logros con r...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El desafío actual de las humanidades es corregir el retraso en la integración de sus logros con respecto a las disciplinas científicas. 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E. Zúñiga" class="work-thumbnail" src="https://attachments.academia-assets.com/90826643/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86358999/Un_relato_olvidado_de_J_E_Z%C3%BA%C3%B1iga">Un relato olvidado de J. E. Zúñiga</a></div><div class="wp-workCard_item"><span>Literatura. Patrimonio para todos</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zúñiga publicó en 1970 el relato "El magnate, el bufón y la carroña". No lo incluyó en ninguna de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zúñiga publicó en 1970 el relato "El magnate, el bufón y la carroña". 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Sin embargo, otro concepto de la imaginación es posible y necesario. La imaginación es el gran medio de la humanidad sapiens para relacionarse con la naturaleza e, incluso, con el Universo. Se rige por leyes, que son las leyes de la gran evolución humana. Y su estructura no es ajena a las leyes que rigen la naturaleza y el Universo. Esta concepción de la imaginación emana de un marco teórico y metodológico. Ese marco es la Gran Historia o Big History. Esta superdisciplina cuenta solo con tres décadas. 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Pero nuestro tiempo cree ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cubrir el Arco del Triunfo de París de plástico no es una obra de arte. Pero nuestro tiempo cree que sí. En el pasado no se hubiera aceptado como obra de arte. Quizá en el futuro, tampoco. 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Ese reto viene en paralelo con otra gran tarea: rescatar el pasado, no solo el pasado cultural, histórico, sino también el pasado evolutivo, la historia natural. No es suficiente con estar vivo para comprender las claves de nuestro tiempo. Basta echar una ojeada al enorme debate en torno a los conceptos de Modernidad y Postmodernidad para entender la gran confusión que nuestra época suscita. Este libro pretende dar continuidad a una concepción de la Estética como filosofía de la literatura y de las artes que ha emergido en la Modernidad, y por tanto se sumerge en sus raíces, retomando antiguos argumentos a la luz de los recientes con el objeto de iluminar la complejidad de los fenómenos literarios y artísticos contemporáneos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ca86fc2738a7c31e3c479b452a158685" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121209429,"asset_id":127483548,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121209429/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127483548"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127483548"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127483548; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="126891992"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/126891992/El_animal_ladino_Nicol%C3%A1s_Ramiro_Rico"><img alt="Research paper thumbnail of El animal ladino, Nicolás Ramiro Rico" class="work-thumbnail" src="https://attachments.academia-assets.com/120703889/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126891992/El_animal_ladino_Nicol%C3%A1s_Ramiro_Rico">El animal ladino, Nicolás Ramiro Rico</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nicolás Ramiro Rico es el autor de este libro extraordinario. Se publicó póstumo por sus colegas ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nicolás Ramiro Rico es el autor de este libro extraordinario. Se publicó póstumo por sus colegas y amigos Francisco Murillo y Luis Díez del Corral. Contiene anexos la biografía de Ramiro Rico, por Ricardo Chueca, y un análisis del pensamiento de Ramiro Rico, por Luis Beltrán Almería.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="744997a205cb72ac51c2c14b4197344e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120703889,"asset_id":126891992,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120703889/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126891992"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126891992"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126891992; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126891992]").text(description); $(".js-view-count[data-work-id=126891992]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126891992; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126891992']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "744997a205cb72ac51c2c14b4197344e" } } $('.js-work-strip[data-work-id=126891992]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126891992,"title":"El animal ladino, Nicolás Ramiro Rico","internal_url":"https://www.academia.edu/126891992/El_animal_ladino_Nicol%C3%A1s_Ramiro_Rico","owner_id":4151958,"coauthors_can_edit":true,"owner":{"id":4151958,"first_name":"Luis","middle_initials":null,"last_name":"Beltrán Almería","page_name":"LuisBeltranAlmeria","domain_name":"unizar","created_at":"2013-05-12T17:59:20.815-07:00","display_name":"Luis Beltrán Almería","url":"https://unizar.academia.edu/LuisBeltranAlmeria"},"attachments":[{"id":120703889,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/120703889/thumbnails/1.jpg","file_name":"El_animal_ladino_pro_copia.pdf","download_url":"https://www.academia.edu/attachments/120703889/download_file","bulk_download_file_name":"El_animal_ladino_Nicolas_Ramiro_Rico.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/120703889/El_animal_ladino_pro_copia-libre.pdf?1736341312=\u0026response-content-disposition=attachment%3B+filename%3DEl_animal_ladino_Nicolas_Ramiro_Rico.pdf\u0026Expires=1741408908\u0026Signature=T-ScX49b4oPwwEnHDCx8XZor44B4XFxI5ExxK40Rr7Ndr~MUUPYipfH8BC9jkPAU8o7fSXXw3nfFk12YJ1qz8LSuYdYlMvfzm9tSMlIVx-RFYRmaPgWZkIIdwqWa6uCHueX5HgIOTVLpK~PpfO5~xvzQiQqsjOanzLtNzqUrBY-B6BWGa-6xQ0xNhPkXpaSaa4Yd-UwpQVaw0S9eCdY~kNC4xlDMbQ4G-sKMOuCUZU3lcz5tEYr2DlL~SKDp1n0CwxwDBCd~tEQVfWKNQ28WW-6i9a4UxGJ7o5fBjN18QUEm7DybAMA0GtUN3f55DiAhL~grKHIWZ3hTKHMl3IRc8w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="3610131"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/3610131/Culturas_m%C3%A1gicas_Magia_y_simbolismo_en_la_literatura_y_la_cultura_hisp%C3%A1nicas"><img alt="Research paper thumbnail of Culturas mágicas. Magia y simbolismo en la literatura y la cultura hispánicas" class="work-thumbnail" src="https://attachments.academia-assets.com/31303461/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/3610131/Culturas_m%C3%A1gicas_Magia_y_simbolismo_en_la_literatura_y_la_cultura_hisp%C3%A1nicas">Culturas mágicas. Magia y simbolismo en la literatura y la cultura hispánicas</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://earth.academia.edu/SergioCallau">Sergio Callau</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/LuisBeltranAlmeria">Luis Beltrán Almería</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="397c044581ad51ab9646a936dafc638e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31303461,"asset_id":3610131,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31303461/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3610131"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3610131"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3610131; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3610131]").text(description); $(".js-view-count[data-work-id=3610131]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3610131; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='3610131']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "397c044581ad51ab9646a936dafc638e" } } $('.js-work-strip[data-work-id=3610131]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":3610131,"title":"Culturas mágicas. 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TEORÍA E HISTORIA</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/LuisBeltranAlmeria">Luis Beltrán Almería</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://earth.academia.edu/SergioCallau">Sergio Callau</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/AntonioVinuales">Antonio Viñuales Sánchez</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2335b55564b6666ec5f51db6e545360d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66003499,"asset_id":45514078,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66003499/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45514078"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45514078"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45514078; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45514078]").text(description); $(".js-view-count[data-work-id=45514078]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45514078; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45514078']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2335b55564b6666ec5f51db6e545360d" } } $('.js-work-strip[data-work-id=45514078]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45514078,"title":"NOVELA CORTA. 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Muestra las diversas series estética...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Historia del género novela desde un punto de vista estético. Muestra las diversas series estéticas por las que la novela ha transitado desde sus orígenes en la transición del mundo de las tradiciones al mundo histórico hasta la Modernidad.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b354135b6de99475f15d84b73146251" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65704375,"asset_id":45133462,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65704375/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45133462"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45133462"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45133462; 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Fue preparada para la Enciclopedia literaria soviética en los años ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Teoría marxista de la novela. Fue preparada para la Enciclopedia literaria soviética en los años 30 por Lukács. 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Historia, novela, memoria Biblioteca Filológica Hispana (Visor)" class="work-thumbnail" src="https://attachments.academia-assets.com/63566888/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43290260/MAR%C3%8DA_%C3%81NGELES_NAVAL_y_JOS%C3%89_LUIS_CALVO_CARILLA_eds_Narrativas_disidentes_1968_2018_Historia_novela_memoria_Biblioteca_Filol%C3%B3gica_Hispana_Visor_">MARÍA ÁNGELES NAVAL , y JOSÉ LUIS CALVO CARILLA (eds.), Narrativas disidentes (1968-2018). Historia, novela, memoria Biblioteca Filológica Hispana (Visor)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/Mar%C3%ADa%C3%81ngelesNaval">María Ángeles Naval</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/JuanCarlosAraTorralba">Juan Carlos Ara Torralba</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/CarmenAgust%C3%ADnLacruz">Carmen Agustín Lacruz</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uv.academia.edu/VioletaRosFerrer">Violeta Ros Ferrer</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/LuisBeltranAlmeria">Luis Beltrán Almería</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CarmenValc%C3%A1rcel">Carmen Valcárcel</a></span></div><div class="wp-workCard_item"><span>Narrativas disidentes (1968-2018). Historia, novela, memoria</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Está en librerías el volumen Narrativas disidentes (1968-2018). Historia, novela, memoria (Visor)...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Está en librerías el volumen Narrativas disidentes (1968-2018). Historia, novela, memoria (Visor). Contiene un repaso de narrativas del disenso: con el bestseller culto, con el canon del prestigio literario del XX, con el relato de la Transición, Con el PSOE posterior a 1986, con la precariedad laboral en las democracias liberales, con el nacionalismo catalán, con la dominación masculina. El libro se abre también a las narrativas disidentes con los procesos transicionales en el contexto europeo: Alemania, Grecia, República Checa. Además explora los márgenes, las incubadoras de nuevas disidencias: las migraciones, la extraterritorialidad de las lenguas, la resistencia a la censura.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="43d959a7f3210c057206ccdc8cf0664c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63566888,"asset_id":43290260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63566888/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43290260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43290260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43290260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43290260]").text(description); $(".js-view-count[data-work-id=43290260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43290260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43290260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "43d959a7f3210c057206ccdc8cf0664c" } } $('.js-work-strip[data-work-id=43290260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43290260,"title":"MARÍA ÁNGELES NAVAL , y JOSÉ LUIS CALVO CARILLA (eds.), Narrativas disidentes (1968-2018). 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M. B. Sobranie sochineniĭ. Vol. III. Teoría romana. Moscú: Yazyki slavyanskikh kultur, 2012 PPD Problemas de la poética de Dostoyevski SVR La palabra en la novela VL Preguntas de literatura (revista) VLE Cuestiones sobre literatura y estética (ed. esp. Teoría y estética de la novela)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1c9fc5894aee6e48946e28d4f1871f05" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61217938,"asset_id":40928927,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61217938/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40928927"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40928927"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40928927; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40928927]").text(description); $(".js-view-count[data-work-id=40928927]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40928927; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40928927']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1c9fc5894aee6e48946e28d4f1871f05" } } $('.js-work-strip[data-work-id=40928927]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40928927,"title":"La novela como género literario (traducción de Bajtín)","internal_url":"https://www.academia.edu/40928927/La_novela_como_g%C3%A9nero_literario_traducci%C3%B3n_de_Bajt%C3%ADn_","owner_id":10057514,"coauthors_can_edit":true,"owner":{"id":10057514,"first_name":"Guillermo","middle_initials":null,"last_name":"Molina Morales","page_name":"GuillermoMolinaMorales","domain_name":"caroycuervo","created_at":"2014-03-13T10:44:28.487-07:00","display_name":"Guillermo Molina Morales","url":"https://caroycuervo.academia.edu/GuillermoMolinaMorales"},"attachments":[{"id":61217938,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61217938/thumbnails/1.jpg","file_name":"La_novela_como_genero_literario20191114-113067-162a86g.pdf","download_url":"https://www.academia.edu/attachments/61217938/download_file","bulk_download_file_name":"La_novela_como_genero_literario_traducci.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61217938/La_novela_como_genero_literario20191114-113067-162a86g-libre.pdf?1573758283=\u0026response-content-disposition=attachment%3B+filename%3DLa_novela_como_genero_literario_traducci.pdf\u0026Expires=1741403603\u0026Signature=RVk4wrsY~ezKP4tlqkkVAD~LSEGivTJ-36NSc8V37RHHqH~GeiYNgXij3QT6wrJrEk-VoPaDMIJ~53AXNS6cXASYScMxqjdtVZJoA3MVRUUe5lAfN0rWEtDaGUZfUdLi0ywhULjCthB8TH3ws4p~X4n6Z9sIyaS5s6wNL78VuNgvtjZZwMQKHpMN2hQso4IYOEV6o6zBP4N62Bt3dhsFvHt12BdV36KlC0EFZmqUsR2XjlU79uapw0pySAkVA5Z2JNhfxdcHooNraZzHSqBOHEnfmee~272Y25T52AsWhNAQavv3tZOIPiqdp7oZMmcN13x~F6h8TQ~oqyYg6~0ZkA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37573852"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37573852/La_ciudad_del_sol_Antonio_Ferres_la_ciudad_y_el_realismo_social"><img alt="Research paper thumbnail of La ciudad del sol. 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Está presente en todos los ám...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La risa como expresión estética tiene una larga y sinuosa historia. Está presente en todos los ámbitos de la cultura y, sin embargo, ha resultado difícil aprehender sus distintas manifestaciones, valorar sus sentidos y matices. El libro Estética de la risanos ofrece un sintético pero profundo ensayo sobre las tres formas fundamentales en las que ha vivido la risa en la literatura: la comedia, la tragicomedia y el idilio; explora también las figuras de la risa en su dimensión histórica, como el loco, el bufón, el niño, el trisckster, entre otros, figuras simbólicas que han funcionado como puente de comunicación entre la fiesta y la literatura. El autor revisa de manera crítica algunas de las vertientes teóricas que se han desarrollado en Occidente para analizar el fenómeno de la risa y, al final, incluye un valioso repaso de la bibliografía más importante que existe sobre el tema.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8b6938c19d019b81f452f27207af9d26" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55947838,"asset_id":36061990,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55947838/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36061990"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36061990"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36061990; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36061990]").text(description); $(".js-view-count[data-work-id=36061990]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36061990; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36061990']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8b6938c19d019b81f452f27207af9d26" } } $('.js-work-strip[data-work-id=36061990]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36061990,"title":"Estética de la risa","translated_title":"","metadata":{"abstract":"La risa como expresión estética tiene una larga y sinuosa historia. 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Panorama crítico es un libro publicado en 1990. Presenta un panorama de los ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El discurso ajeno.  Panorama crítico es un libro publicado en 1990. Presenta un panorama de los diversos métodos de estudio de la presencia e influencia del discurso ajeno en el discurso, desde los estudios lingüísticos a las teorizaciones semióticas y narratológicas. Se ofrece íntegro.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="65c6bc9d5d6bbcd988336beec7398560" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55937779,"asset_id":36052075,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55937779/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36052075"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36052075"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36052075; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35115413"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35115413/2017_Relatos_de_Cria%C3%A7%C3%A3o_de_funda%C3%A7%C3%A3o_e_de_instala%C3%A7%C3%A3o_hist%C3%B3ria_mitos_e_po%C3%A9ticas"><img alt="Research paper thumbnail of 2017 Relatos de Criação, de fundação e de instalação: história, mitos e poéticas" class="work-thumbnail" src="https://attachments.academia-assets.com/54976399/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35115413/2017_Relatos_de_Cria%C3%A7%C3%A3o_de_funda%C3%A7%C3%A3o_e_de_instala%C3%A7%C3%A3o_hist%C3%B3ria_mitos_e_po%C3%A9ticas">2017 Relatos de Criação, de fundação e de instalação: história, mitos e poéticas</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://usal.academia.edu/ArsenioDacosta">Arsenio Dacosta</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uab-pt.academia.edu/IsabelBarrosDias">Isabel Barros Dias</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/LuisBeltranAlmeria">Luis Beltrán Almería</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CarinaZubillaga">Carina Zubillaga</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/LuisMiguelG%C3%B3mezGarrido">Luis Miguel Gómez Garrido</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unl-pt.academia.edu/MargaridaSantosAlpalh%C3%A3o">Margarida Santos Alpalhão</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O livro que agora propomos aos nossos leitores é mais um anel de uma cadeia, entre os milhares qu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O livro que agora propomos aos nossos leitores é mais um anel de<br />uma cadeia, entre os milhares que nos precederam e os muitos mais<br />que se encontram em gestação, ou que o futuro nos trará, sobre a<br />preocupação que os cientistas (se é que se pode aplicar o termo a<br />filólogos e historiadores) do presente sentem pelo mito. Trata-se de<br />um livro variado, poliédrico, com tantos núcleos e arestas como<br />interesses diferentes e mesmo divergentes têm os seus autores. Mas<br />trata-se igualmente de um livro coerente, compacto, unido por<br />inquietações que reconhecem também, no ponto focal do mítico, o<br />que têm em comum.<br />El libro que hoy proponemos a los lectores es un eslabón más, entre<br />miles y miles que nos han precedido y muchísimos más que se<br />estarán gestando, o que nos deparará el futuro, de la preocupación<br />que los científicos (si es que se nos puede llamar así a filólogos e<br />historiadores) del presente sentimos por el mito. Un libro misceláneo,<br />poliédrico, con tantos núcleos y aristas como intereses diferentes y<br />hasta divergentes tienen sus autores. Pero también un libro coherente,<br />compacto, unido por inquietudes que reconocen también, en el<br />punto focal de lo mítico, lo que les es común.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="046f61eb1c8316e991ba4634975bec03" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54976399,"asset_id":35115413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54976399/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35115413"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35115413"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35115413; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="34604668"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/34604668/GENVS_Genealog%C3%ADa_de_la_imaginaci%C3%B3n_literaria_De_la_tradici%C3%B3n_a_la_Modernidad"><img alt="Research paper thumbnail of GENVS Genealogía de la imaginación literaria De la tradición a la Modernidad" class="work-thumbnail" src="https://attachments.academia-assets.com/54470644/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/34604668/GENVS_Genealog%C3%ADa_de_la_imaginaci%C3%B3n_literaria_De_la_tradici%C3%B3n_a_la_Modernidad">GENVS Genealogía de la imaginación literaria De la tradición a la Modernidad</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La imaginación tiene su historia, su genealogía. Lejos de ser un fenómeno aleatorio, la imaginaci...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La imaginación tiene su historia, su genealogía. Lejos de ser un fenómeno aleatorio, la imaginación sigue una trayectoria evolutiva marcada por leyes culturales que se rigen por una autonomía relativa. Ocurre con la imaginación lo mismo que con los fenómenos físicos fundamentales y es que, observados a gran escala, muestran una dinámica propia, en este caso de carácter estético. Este libro cuenta un capítulo de la genealogía de la imaginación, el de la imaginación literaria, cuya trayectoria ha ido paralela a la de la historia cultural y a las grandes revoluciones sociales, las revoluciones de la desigualdad y de la igualdad.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3afe5f6abe542907bc3d981154a4cd43" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54470644,"asset_id":34604668,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54470644/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34604668"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34604668"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34604668; 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Beltrán ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este libro emprende una labor urgente: intentar comprender el sentido de nuestro tiempo. 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DEREChOS DE INSCRIPCIÓN: 10  (dará derecho a un diploma de asistencia). Los derechos de inscripción no serán reembolsados en ningún caso.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c63ae1cd8e41629ca5f1e1e19d1d863c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52001300,"asset_id":31681669,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52001300/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31681669"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31681669"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31681669; 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Kozhinov en 2012. 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Zúñiga</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edición de las dos primeras novelas de Zúñiga: Inútiles totales (1951) y El coral y las aguas (19...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edición de las dos primeras novelas de Zúñiga: Inútiles totales (1951) y El coral y las aguas (1962), a cargo de Ángeles Encinar y Luis Beltrán Almería.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38003673"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38003673"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38003673; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38003673]").text(description); $(".js-view-count[data-work-id=38003673]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38003673; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38003673']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=38003673]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38003673,"title":"El coral y las aguas. 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Culturas entre la tradición y la modernidad," class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/20215774/Beltr%C3%A1n_Almer%C3%ADa_Luis_Sotelo_V%C3%A1zquez_Marisa_y_Thion_Soriano_Moll%C3%A1_Dolores_coords_C%C3%A1liz_Montes_Jessica_y_Ripoll_Sintes_Blanca_eds_Desde_ambas_laderas_Culturas_entre_la_tradici%C3%B3n_y_la_modernidad_">Beltrán Almería, Luis; Sotelo Vázquez, Marisa y Thion Soriano-Mollá, Dolores (coords.); Cáliz Montes, Jessica y Ripoll Sintes Blanca (eds.), Desde ambas laderas. Culturas entre la tradición y la modernidad,</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://universitasbalikpapan.academia.edu/JessicaC%C3%A1liz">Jessica Cáliz</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/BlancaRipollSintes">Blanca Ripoll Sintes</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/LuisBeltranAlmeria">Luis Beltrán Almería</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este libro ofrece una mirada plural a una miscelánea de temas en torno a los que, a lo largo de l...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este libro ofrece una mirada plural a una miscelánea de temas en torno a los que, a lo largo de los siglos XIX y XX , se van tejiendo las relaciones entre la altra cultura y la cultura popular en Francia y España, proceso que dará origen a un fenómeno característico de la modernidad: la cultura de masas. Los campos de estudio abarcan desde géneros literarios como el relato breve, la novela, la poesía y las obras dramáticas que alcanzaron un gran éxito de público, hasta los periódicos y las revistas, importantes plataformas de difusión de la cultura y eco de las primeras referencias al cine y de sus vínculos con otras manifestaciones artísticas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="20215774"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="20215774"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20215774; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20215774]").text(description); $(".js-view-count[data-work-id=20215774]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20215774; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='20215774']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=20215774]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":20215774,"title":"Beltrán Almería, Luis; Sotelo Vázquez, Marisa y Thion Soriano-Mollá, Dolores (coords.); Cáliz Montes, Jessica y Ripoll Sintes Blanca (eds.), Desde ambas laderas. 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ESTAMPAS ARAGONESAS CURSO</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Presencia de la persona inscrita en, al menos, el 85% de todas las actividades que se programen, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Presencia de la persona inscrita en, al menos, el 85% de todas las actividades que se programen, lo que dará derecho a un Diploma de Asistencia expedido por la Institución Fernando el Católico.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b8ff13b35f0a64f9f667d721469cc08" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100535939,"asset_id":99449445,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100535939/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99449445"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99449445"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99449445; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=99449445]").text(description); $(".js-view-count[data-work-id=99449445]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 99449445; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='99449445']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b8ff13b35f0a64f9f667d721469cc08" } } $('.js-work-strip[data-work-id=99449445]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":99449445,"title":"HUMORISMO: ENTRE LA ORALIDAD Y LA ESCRITURA. 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Organiza Ángeles Encinar con el patrocinio de Saint Louis Universit...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Homenaje en su 80 cumpleaños. Organiza Ángeles Encinar con el patrocinio de Saint Louis University y la Comunidad de Madrid</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="229d7a131da39d4cfb52c352d170c3d4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88659694,"asset_id":83250786,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88659694/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83250786"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83250786"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83250786; 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El humorismo, lo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">EL grupo de investigación GENUS organiza este curso sobre los géneros del humor. El humorismo, lo risible, es un motivo esquivo de los estudios humanísticos. Se resiste a ser comprendido y caracterizado, pese a su trascendental papel en la historia de la cultura y, en especial, en el mundo actual. 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Los temas son: Categorías estéticas de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Simposio de la red Tendencias culturales transpirenaicas. Los temas son:<br />Categorías estéticas de la novela actual<br />Las relaciones Aquitania-Aragón y sus relatos<br />Imaginarios y circulación de textos Francia-España</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="03791111a092b4033c96078cdda5c4ae" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61740711,"asset_id":41584006,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61740711/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41584006"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41584006"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41584006; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41584006]").text(description); $(".js-view-count[data-work-id=41584006]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41584006; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41584006']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "03791111a092b4033c96078cdda5c4ae" } } $('.js-work-strip[data-work-id=41584006]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41584006,"title":"ARAGÓN-AQUITANIA, RELATOS SIN FRONTERAS","internal_url":"https://www.academia.edu/41584006/ARAG%C3%93N_AQUITANIA_RELATOS_SIN_FRONTERAS","owner_id":4151958,"coauthors_can_edit":true,"owner":{"id":4151958,"first_name":"Luis","middle_initials":null,"last_name":"Beltrán Almería","page_name":"LuisBeltranAlmeria","domain_name":"unizar","created_at":"2013-05-12T17:59:20.815-07:00","display_name":"Luis Beltrán Almería","url":"https://unizar.academia.edu/LuisBeltranAlmeria"},"attachments":[{"id":61740711,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61740711/thumbnails/1.jpg","file_name":"Diptico_Aragon-Aquitania20200110-50861-1lqpt78.pdf","download_url":"https://www.academia.edu/attachments/61740711/download_file","bulk_download_file_name":"ARAGON_AQUITANIA_RELATOS_SIN_FRONTERAS.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61740711/Diptico_Aragon-Aquitania20200110-50861-1lqpt78-libre.pdf?1578672379=\u0026response-content-disposition=attachment%3B+filename%3DARAGON_AQUITANIA_RELATOS_SIN_FRONTERAS.pdf\u0026Expires=1741408908\u0026Signature=OSckgZkpUyhmSO6C-WX-8TP9-QVOiaLSKH-a81ni7cymq0FSBehiwsth-b6Qijf9wlBhSKj21KMrR0Q4E~2oJLnXom5fWUVhafYUaH-xXAAB179l5oS3F8KPheAXwR~NbxxPlRl-WG6ERdLLegqsZ6IFiP0CQZPccp~MdjG6hR01yU-DdCwHzRrhZ0g-nRXy4pbHZpo-Pat5xrzFW1v5znD5I1XhUvT1x6mUgYWb6nM6gKOrS4h8uexSw9vXD-LiJ~TbF77d1l1UCbXm3xPjV9-qnHl7F9DU34nV0ZIGoiu7g1fxRuJzMlr-XV9SvZbIWkpc3wrveIRfq1aNQHZcEw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41370347"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41370347/Congreso_Internacional_La_teor%C3%ADa_de_la_novela_hoy_Primera_circular"><img alt="Research paper thumbnail of Congreso Internacional: La teoría de la novela, hoy. 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Primera circular</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Del 9 al 11 de septiembre de 2020 se celebrará el congreso internacional "La teoría de la novela,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Del 9 al 11 de septiembre de 2020 se celebrará el congreso internacional "La teoría de la novela, hoy" en Santander (España)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e0c57f90048fa793746026822f23ed01" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61567952,"asset_id":41370347,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61567952/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41370347"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41370347"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41370347; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41370347]").text(description); $(".js-view-count[data-work-id=41370347]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41370347; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41370347']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e0c57f90048fa793746026822f23ed01" } } $('.js-work-strip[data-work-id=41370347]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41370347,"title":"Congreso Internacional: La teoría de la novela, hoy. 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Simposio internacional</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Los asistentes conocerán el desarrollo intelectual y literario del poeta y catedrático retirado d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Los asistentes conocerán el desarrollo intelectual y literario del poeta y catedrático retirado de la Universidad de Nueva York, Dionisio Cañas en sus distintas facetas como Los asistentes conocerán el desarrollo intelectual y literario del poeta y catedrático retirado de la Universidad de Nueva York, Dionisio Cañas en sus distintas facetas como escritor, poeta, ensayista y artista. Y conocerán habilidades y competencias de índole creativo y de gestión de proyectos audiovisuales. En el Simposio participarán escritor, poeta, ensayista y artista. Y conocerán habilidades y competencias de índole creativo y de gestión de proyectos audiovisuales. En el Simposio participarán expertos en la obra del autor referido de España, Francia, Egipto y Estados Unidos que abordarán todas las perspectivas. expertos en la obra del autor referido de España, Francia, Egipto y Estados Unidos que abordarán todas las perspectivas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9d9bcddb7af2dddeec1f91da4c32cec4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56489178,"asset_id":36563528,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56489178/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36563528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36563528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36563528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36563528]").text(description); $(".js-view-count[data-work-id=36563528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36563528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36563528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9d9bcddb7af2dddeec1f91da4c32cec4" } } $('.js-work-strip[data-work-id=36563528]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36563528,"title":"Dionisio Cañas. 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DERECHOS DE INSCRIPCIÓN: 10  Los derechos de inscripción no serán reembolsados en ningún caso. También está permitida la entrada libre hasta completar el aforo (en este caso no se tendrá derecho a diploma).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2c1ff0847556593804324ec86e91c0ed" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56476705,"asset_id":36551761,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56476705/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36551761"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36551761"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36551761; 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Sobre la juventud antifranquista</a></div><div class="wp-workCard_item"><span>Letras Libres</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reseña del libro de Eugenio del Río Jóvenes antifranquistas (1965-1975)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="beeaf857dcf7bcc539f2e76c53ed5c67" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106258499,"asset_id":107649759,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106258499/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107649759"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107649759"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107649759; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107649759]").text(description); $(".js-view-count[data-work-id=107649759]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107649759; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107649759']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "beeaf857dcf7bcc539f2e76c53ed5c67" } } $('.js-work-strip[data-work-id=107649759]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107649759,"title":"Testigo implicado. 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Orígenes de la teoría de la novela en Japón" class="work-thumbnail" src="https://attachments.academia-assets.com/103684913/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/103768727/Shoyo_Or%C3%ADgenes_de_la_teor%C3%ADa_de_la_novela_en_Jap%C3%B3n">Shoyo. Orígenes de la teoría de la novela en Japón</a></div><div class="wp-workCard_item"><span>RILCE 39.2</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reseña de la obra de Takagi Takanashi, Kayoko, y José Pazó Espinosa, trads. y eds. Tsubouchi Shøy...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reseña de la obra de Takagi Takanashi, Kayoko, y José Pazó<br />Espinosa, trads. y eds.<br />Tsubouchi Shøyø. 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Es una apreciación muy acertada, pero quizá sea también algo más que eso. Tras una construcción hermética y simbólica-siete secciones de siete capítulos cada una-, Escarcha es una novela que contiene una carga autobiográfica. 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Zúñiga: Recuerdos de vida" class="work-thumbnail" src="https://attachments.academia-assets.com/59489188/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39348019/La_forja_del_escritor_rebelde_Z%C3%BA%C3%B1iga_Recuerdos_de_vida">La forja del escritor rebelde. Zúñiga: Recuerdos de vida</a></div><div class="wp-workCard_item"><span>Zenda libros</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Recuerdos de vida es el último libro de J. E. Zúñiga. Es una obra memorial escrita en clave de no...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recuerdos de vida es el último libro de J. E. Zúñiga. 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C. y distribuida por Netflix. Son obras muy diferentes y, al mismo tiempo, comparten una base común que no se limita a la temática.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78583573eb8c483862b5c9478dd6e529" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58598431,"asset_id":38528897,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58598431/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38528897"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38528897"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38528897; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38528897]").text(description); $(".js-view-count[data-work-id=38528897]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38528897; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38528897']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78583573eb8c483862b5c9478dd6e529" } } $('.js-work-strip[data-work-id=38528897]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38528897,"title":"Trotski y Stalin en la pantalla de la historia","internal_url":"https://www.academia.edu/38528897/Trotski_y_Stalin_en_la_pantalla_de_la_historia","owner_id":4151958,"coauthors_can_edit":true,"owner":{"id":4151958,"first_name":"Luis","middle_initials":null,"last_name":"Beltrán Almería","page_name":"LuisBeltranAlmeria","domain_name":"unizar","created_at":"2013-05-12T17:59:20.815-07:00","display_name":"Luis Beltrán Almería","url":"https://unizar.academia.edu/LuisBeltranAlmeria"},"attachments":[{"id":58598431,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58598431/thumbnails/1.jpg","file_name":"Noticias_-_Trotski_y_Stalin_en_la_pantalla_de_la_historia___Revista_Cultural_Turia.pdf","download_url":"https://www.academia.edu/attachments/58598431/download_file","bulk_download_file_name":"Trotski_y_Stalin_en_la_pantalla_de_la_hi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58598431/Noticias_-_Trotski_y_Stalin_en_la_pantalla_de_la_historia___Revista_Cultural_Turia-libre.pdf?1552309524=\u0026response-content-disposition=attachment%3B+filename%3DTrotski_y_Stalin_en_la_pantalla_de_la_hi.pdf\u0026Expires=1741408908\u0026Signature=T1qAYAfOtToncbIiFWUc2vI1y~gE6R3UNxhsCm6PyG1~-XhTj9LhRnr6SkyMnoCS85mPQmVhYFyy13GGdQAjMVeCNJ-oTJJZlZmP8o-orceYnqimlsDMD~Tv1dA~dBzT8S2oEOEKahzbo1C81fn2285bnZPzlDoqYu7P24ktwMZFeWjELIoJDKYpOYEff6vBqANtKns-VPCHa8Qy~uuxhjXLSbr-wf-k6o3bNS6jCOB3zZbfwgAdZMMAL7JDPbqiMAIDb6sfB3UCQ2SE-8I7rBxIFEI9qIGFWA-gyGdG2d0zXsMqNgxVfOiBj5TVtusKz1b4qU0JWfSolPNDujn7bg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37594883"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37594883/Anatom%C3%ADa_del_desencanto_Rese%C3%B1a"><img alt="Research paper thumbnail of Anatomía del desencanto. Reseña" class="work-thumbnail" src="https://attachments.academia-assets.com/57575918/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37594883/Anatom%C3%ADa_del_desencanto_Rese%C3%B1a">Anatomía del desencanto. Reseña</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Santiago Morales Rivera. Anatomía del desencanto, Humor, ficción y melancolía en España (1975-199...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Santiago Morales Rivera. Anatomía del desencanto, Humor, ficción y melancolía en España (1975-1998). Purdue UP, 2017.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1d28c5eef0fd4d084f32c1317bd76c45" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57575918,"asset_id":37594883,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57575918/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37594883"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37594883"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37594883; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37594883]").text(description); $(".js-view-count[data-work-id=37594883]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37594883; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37594883']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1d28c5eef0fd4d084f32c1317bd76c45" } } $('.js-work-strip[data-work-id=37594883]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37594883,"title":"Anatomía del desencanto. 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Menéndez Pelayo</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reseña aparecida en Revista de Filología Española</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="09f4aef57419df7f6064991a866818bd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57411115,"asset_id":37444176,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57411115/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37444176"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37444176"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37444176; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37444176]").text(description); $(".js-view-count[data-work-id=37444176]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37444176; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37444176']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "09f4aef57419df7f6064991a866818bd" } } $('.js-work-strip[data-work-id=37444176]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37444176,"title":"Nota sobre la nueva edición de Orígenes de la novela de M. 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Teoría de la novela" class="work-thumbnail" src="https://attachments.academia-assets.com/58774814/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38692563/Genus_Novel_Teor%C3%ADa_de_la_novela">Genus Novel. Teoría de la novela</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/LuisBeltranAlmeria">Luis Beltrán Almería</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uhu.academia.edu/Miguel%C3%81ngelM%C3%A1rquez">Miguel Ángel Márquez</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/RaquelGuti%C3%A9rrezSebanti%C3%A1n">Raquel Gutiérrez Sebantián</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uv-mx.academia.edu/ClaudiaGidi">Claudia Gidi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://diaarroba.academia.edu/SilviaAliciaManzanilla">Silvia Alicia Manzanilla</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/KarlaMarrufoHuchim">Karla Marrufo Huchim</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://overblog.academia.edu/JudithBuenfil">Judith Buenfil</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://earth.academia.edu/SergioCallau">Sergio Callau</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://caroycuervo.academia.edu/GuillermoMolinaMorales">Guillermo Molina Morales</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">RESUMEN La teoría de la novela fue uno de los temas estrella de la investigación literaria durant...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">RESUMEN La teoría de la novela fue uno de los temas estrella de la investigación literaria durante el siglo XX. Nombres como los de Ortega, Lukács y Bajtín son imprescindibles en cualquier investigación sobre la novela como género. En el siglo XXI esta investigación parece estancada. No hay novedades. La última referencia bibliográfica de nivel internacional, el libro de Guido Mazzoni Theory of the Novel (Harvard UP, 2017) es una síntesis de lo que se ha hecho hasta la fecha, una buena síntesis, pero no aporta nuevas perspectivas. Esto es algo que ocurre con la teoría de los géneros literarios, en general y desde hace algunas décadas. Para avanzar en este dominio-el de la teoría general de los géneros literarios-pusimos en marcha el proyecto de investigación GENUS FFI2013-40833-P, que ahora concluye (integrado por L. Beltrán [IP], J. L. Rodríguez García, A. Garrido Domínguez y F. Romo). La idea nuclear de este proyecto era contemplar el problema de la teoría de los géneros literarios a otra luz que no fuera ni el formalismo ni el historicismo convencionales. Esa luz es la filosofía de la historia. Visto desde esa perspectiva hemos tratado de ofrecer un sucinto panorama de la evolución de los géneros del discurso sapiens-desde los primeros géneros primitivos-a los géneros del discurso cultural, especialmente los literarios. Este trabajo se enmarca en la corriente que viene llamándose desde hace tres décadas "gran historia", que trata de proponer el relato de la gran evolución de la Humanidad (Y. N. Harari, Fred Spier, W. H. McNeill son las referencias en esta corriente, que está teniendo una proyección universal). Los resultados de nuestro proyecto pueden verse en las publicaciones, libros y artículos, que se detallan en la memoria adjunta. El reto que nos planteamos ahora es trasladar esta reflexión con sus conclusiones al dominio de la novela, un dominio problemático donde los haya y necesitado de una evidente puesta al día. No pensamos esta propuesta como una tabula rasa. Creemos que nuestra idea de los géneros del discurso y de los géneros literarios debe fundir las conclusiones de Convocatorias 2017 Proyectos EXCELENCIA y Proyectos RETOS AGENCIA ESTATAL DE INVESTIGACIÓN</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8ec7b3f6cfc639153d05328bf349eb70" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58774814,"asset_id":38692563,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58774814/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38692563"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38692563"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38692563; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38692563]").text(description); $(".js-view-count[data-work-id=38692563]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38692563; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38692563']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8ec7b3f6cfc639153d05328bf349eb70" } } $('.js-work-strip[data-work-id=38692563]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38692563,"title":"Genus Novel. 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VIII, nº 2 Verano</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dossier coordinado por Ángeles Encinar y Luis Beltrán Almería</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="01f0c33e3c0126616db4285798008f1e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64736473,"asset_id":44344284,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64736473/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44344284"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44344284"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44344284; 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Es, pues, el momento de someter a escrutinio el estado actual de los estudios literarios y buscar nuevos caminos. Habrán de volver sobre sí mismos para ver qué han hecho, a qué han respondido y cómo pueden convertirse en discursos con sentido y razón de ser, si queremos evitar que se vuelvan irrele-vantes, sin un lugar en el marco de las Humanidades y los estudios sociales. 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