CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Dance History Research Papers - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "by_tag", 'action': "show_one", 'controller_action': 'by_tag#show_one', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="HEf6VHWHyJfCRWQhYwwJsTl/nsdskno/+viia6uHDaecmR9VEtSxB9Rhg3QiSKtYjBQAufb+3cXMr8R6i+g9Lg==" /> <link href="/Documents/in/Dance_History?after=50%2C34923788" rel="next" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-10fa40af19d25203774df2d4a03b9b5771b45109c2304968038e88a81d1215c5.css" /> <meta name="description" content="View Dance History Research Papers on Academia.edu for free." /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'by_tag'; var $action_name = "show_one"; var $rails_env = 'production'; var $app_rev = '49879c2402910372f4abc62630a427bbe033d190'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":15276,"monthly_visitors":"112 million","monthly_visitor_count":112794806,"monthly_visitor_count_in_millions":112,"user_count":277186293,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1732457266000); window.Aedu.timeDifference = new Date().getTime() - 1732457266000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" rel="stylesheet"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-296162c7af6fd81dcdd76f1a94f1fad04fb5f647401337d136fe8b68742170b1.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-8d53a22151f33ab413d88fa1c02f979c3f8706d470fc1bced09852c72a9f3454.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-f8fe82512740391f81c9e8cc48220144024b425b359b08194e316f4de070b9e8.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://www.academia.edu/Documents/in/Dance_History" /> </head>   <body class='c-by_tag a-show_one logged_out u-bgColorWhite'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav no-sm no-md"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://medium.com/@academia">Blog</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <div class="DesignSystem" style="margin-top:-40px"><div class="PageHeader"><div class="container"><div class="row"><style type="text/css">.sor-abstract { display: -webkit-box; overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Dance History</h1><div class="u-tcGrayDark">18,896 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Dance History</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Dance_History">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Dance_History/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Dance_History/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Dance_History/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Dance_History">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10699803" data-work_id="10699803" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10699803/Danza_e_scrittura_nel_Rinascimento_l_enigma_dei_trattati_italiani_di_ballo">Danza e scrittura nel Rinascimento: l’enigma dei trattati italiani di ballo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">[dalla Premessa dei curatori:] I primi transiti, nel mondo occidentale, passano dall'esaltazione della danza nel mondo greco-latino ai trattati che, in quell'atmosfera aurorale in cui prende forma lo specifico coreutico tra Francia e... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10699803" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">[dalla Premessa dei curatori:] I primi transiti, nel mondo occidentale, passano dall'esaltazione della danza nel mondo greco-latino ai trattati che, in quell'atmosfera aurorale in cui prende forma lo specifico coreutico tra Francia e Italia nel tardo Medioevo e nella prima età moderna, testimoniano di una prescrizione a livello morale quanto tecnico, caricando di significato simbolico passi e disegni nel partimento dello spazio. Fra teorizzazione, ricognizione e didattica, è il "sapere corporeo" delle classi privilegiate che viene educato e che porterà più tardi alla codificazione della danza professionale.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10699803" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d1208b0e5e3c5d37fe3150feee26d724" rel="nofollow" data-download="{"attachment_id":36596081,"asset_id":10699803,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36596081/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1355351" href="https://univr.academia.edu/AlessandroArcangeli">Alessandro Arcangeli</a><script data-card-contents-for-user="1355351" type="text/json">{"id":1355351,"first_name":"Alessandro","last_name":"Arcangeli","domain_name":"univr","page_name":"AlessandroArcangeli","display_name":"Alessandro Arcangeli","profile_url":"https://univr.academia.edu/AlessandroArcangeli?f_ri=16234","photo":"https://0.academia-photos.com/1355351/495856/1147908/s65_alessandro.arcangeli.jpg"}</script></span></span></li><li class="js-paper-rank-work_10699803 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10699803"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10699803, container: ".js-paper-rank-work_10699803", }); });</script></li><li class="js-percentile-work_10699803 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10699803; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_10699803"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_10699803 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="10699803"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10699803; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10699803]").text(description); $(".js-view-count-work_10699803").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10699803").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10699803"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2811" href="https://www.academia.edu/Documents/in/History_of_the_Book">History of the Book</a>, <script data-card-contents-for-ri="2811" type="text/json">{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10699803]'), work: {"id":10699803,"title":"Danza e scrittura nel Rinascimento: l’enigma dei trattati italiani di ballo","created_at":"2015-02-11T03:04:24.974-08:00","url":"https://www.academia.edu/10699803/Danza_e_scrittura_nel_Rinascimento_l_enigma_dei_trattati_italiani_di_ballo?f_ri=16234","dom_id":"work_10699803","summary":"[dalla Premessa dei curatori:] I primi transiti, nel mondo occidentale, passano dall'esaltazione della danza nel mondo greco-latino ai trattati che, in quell'atmosfera aurorale in cui prende forma lo specifico coreutico tra Francia e Italia nel tardo Medioevo e nella prima età moderna, testimoniano di una prescrizione a livello morale quanto tecnico, caricando di significato simbolico passi e disegni nel partimento dello spazio. Fra teorizzazione, ricognizione e didattica, è il \"sapere corporeo\" delle classi privilegiate che viene educato e che porterà più tardi alla codificazione della danza professionale.","downloadable_attachments":[{"id":36596081,"asset_id":10699803,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1355351,"first_name":"Alessandro","last_name":"Arcangeli","domain_name":"univr","page_name":"AlessandroArcangeli","display_name":"Alessandro Arcangeli","profile_url":"https://univr.academia.edu/AlessandroArcangeli?f_ri=16234","photo":"https://0.academia-photos.com/1355351/495856/1147908/s65_alessandro.arcangeli.jpg"}],"research_interests":[{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3046761" data-work_id="3046761" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3046761/_Letters_of_Bondage_The_Merengue_Polemic_and_Textual_Blackface_in_El_Ponce%C3%B1o_1852_1854_">“ Letters of Bondage: The Merengue Polemic and Textual Blackface in El Ponceño, 1852-1854”</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3046761" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d6e6b58f47fedbbb66cdb47bdb59297a" rel="nofollow" data-download="{"attachment_id":30978854,"asset_id":3046761,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30978854/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1231722" href="https://independent.academia.edu/KChaarP%C3%A9rez">Khalila Chaar-Pérez</a><script data-card-contents-for-user="1231722" type="text/json">{"id":1231722,"first_name":"Khalila","last_name":"Chaar-Pérez","domain_name":"independent","page_name":"KChaarPérez","display_name":"Khalila Chaar-Pérez","profile_url":"https://independent.academia.edu/KChaarP%C3%A9rez?f_ri=16234","photo":"https://0.academia-photos.com/1231722/447132/40266341/s65_kahlila.chaar-p_rez.jpg"}</script></span></span></li><li class="js-paper-rank-work_3046761 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3046761"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3046761, container: ".js-paper-rank-work_3046761", }); });</script></li><li class="js-percentile-work_3046761 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3046761; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3046761"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3046761 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3046761"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3046761; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3046761]").text(description); $(".js-view-count-work_3046761").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3046761").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3046761"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5453" href="https://www.academia.edu/Documents/in/Race_and_Ethnicity">Race and Ethnicity</a>, <script data-card-contents-for-ri="5453" type="text/json">{"id":5453,"name":"Race and Ethnicity","url":"https://www.academia.edu/Documents/in/Race_and_Ethnicity?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6556" href="https://www.academia.edu/Documents/in/Colonialism">Colonialism</a>, <script data-card-contents-for-ri="6556" type="text/json">{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15346" href="https://www.academia.edu/Documents/in/Puerto_Rico">Puerto Rico</a>, <script data-card-contents-for-ri="15346" type="text/json">{"id":15346,"name":"Puerto Rico","url":"https://www.academia.edu/Documents/in/Puerto_Rico?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3046761]'), work: {"id":3046761,"title":"“ Letters of Bondage: The Merengue Polemic and Textual Blackface in El Ponceño, 1852-1854”","created_at":"2013-03-18T02:01:00.053-07:00","url":"https://www.academia.edu/3046761/_Letters_of_Bondage_The_Merengue_Polemic_and_Textual_Blackface_in_El_Ponce%C3%B1o_1852_1854_?f_ri=16234","dom_id":"work_3046761","summary":null,"downloadable_attachments":[{"id":30978854,"asset_id":3046761,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1231722,"first_name":"Khalila","last_name":"Chaar-Pérez","domain_name":"independent","page_name":"KChaarPérez","display_name":"Khalila Chaar-Pérez","profile_url":"https://independent.academia.edu/KChaarP%C3%A9rez?f_ri=16234","photo":"https://0.academia-photos.com/1231722/447132/40266341/s65_kahlila.chaar-p_rez.jpg"}],"research_interests":[{"id":5453,"name":"Race and Ethnicity","url":"https://www.academia.edu/Documents/in/Race_and_Ethnicity?f_ri=16234","nofollow":false},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism?f_ri=16234","nofollow":false},{"id":15346,"name":"Puerto Rico","url":"https://www.academia.edu/Documents/in/Puerto_Rico?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42039263" data-work_id="42039263" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42039263/RINGLEADERS_OF_REDEMPTION_HOW_MEDIEVAL_DANCE_BECAME_SACRED">RINGLEADERS OF REDEMPTION: HOW MEDIEVAL DANCE BECAME SACRED</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42039263" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="83913629d1bfa526181c5cb01096f1b6" rel="nofollow" data-download="{"attachment_id":64880088,"asset_id":42039263,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64880088/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70211329" href="https://simmons.academia.edu/KathrynDickason">Kathryn Dickason</a><script data-card-contents-for-user="70211329" type="text/json">{"id":70211329,"first_name":"Kathryn","last_name":"Dickason","domain_name":"simmons","page_name":"KathrynDickason","display_name":"Kathryn Dickason","profile_url":"https://simmons.academia.edu/KathrynDickason?f_ri=16234","photo":"https://0.academia-photos.com/70211329/18072350/100321596/s65_kathryn.dickason.jpg"}</script></span></span></li><li class="js-paper-rank-work_42039263 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42039263"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42039263, container: ".js-paper-rank-work_42039263", }); });</script></li><li class="js-percentile-work_42039263 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42039263; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_42039263"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_42039263 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="42039263"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42039263; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42039263]").text(description); $(".js-view-count-work_42039263").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42039263").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42039263"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a>, <script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48550" href="https://www.academia.edu/Documents/in/Religious_Studies">Religious Studies</a><script data-card-contents-for-ri="48550" type="text/json">{"id":48550,"name":"Religious Studies","url":"https://www.academia.edu/Documents/in/Religious_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42039263]'), work: {"id":42039263,"title":"RINGLEADERS OF REDEMPTION: HOW MEDIEVAL DANCE BECAME SACRED","created_at":"2020-02-21T18:31:27.623-08:00","url":"https://www.academia.edu/42039263/RINGLEADERS_OF_REDEMPTION_HOW_MEDIEVAL_DANCE_BECAME_SACRED?f_ri=16234","dom_id":"work_42039263","summary":null,"downloadable_attachments":[{"id":64880088,"asset_id":42039263,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":70211329,"first_name":"Kathryn","last_name":"Dickason","domain_name":"simmons","page_name":"KathrynDickason","display_name":"Kathryn Dickason","profile_url":"https://simmons.academia.edu/KathrynDickason?f_ri=16234","photo":"https://0.academia-photos.com/70211329/18072350/100321596/s65_kathryn.dickason.jpg"}],"research_interests":[{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=16234","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":48550,"name":"Religious Studies","url":"https://www.academia.edu/Documents/in/Religious_Studies?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39302632" data-work_id="39302632" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39302632/Middle_Eastern_Dance_and_What_We_Call_It">Middle Eastern Dance and What We Call It</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article traces the historical background of the term 'belly dance', the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39302632" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article traces the historical background of the term 'belly dance', the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre -- literally, "dance of the belly" -- was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation "belly dance" was introduced into English in 1889 in international media coverage of the Rue du Caire exhibit at the Parisian Exposition Universelle. A close examination of the historical sources demonstrates that the evolution of this terminology was influenced by contemporary art, commercial considerations, and popular stereotypes about Eastern societies. The paper concludes with an examination of dancers' attitudes to the various English-language names for the dance in the present day.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39302632" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be34fadf9d7c92c4ad132d5ccaef224b" rel="nofollow" data-download="{"attachment_id":59440253,"asset_id":39302632,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59440253/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="903668" href="https://yale.academia.edu/AinsleyHawthorn">Ainsley Hawthorn</a><script data-card-contents-for-user="903668" type="text/json">{"id":903668,"first_name":"Ainsley","last_name":"Hawthorn","domain_name":"yale","page_name":"AinsleyHawthorn","display_name":"Ainsley Hawthorn","profile_url":"https://yale.academia.edu/AinsleyHawthorn?f_ri=16234","photo":"https://0.academia-photos.com/903668/1759245/104108274/s65_ainsley.hawthorn.jpg"}</script></span></span></li><li class="js-paper-rank-work_39302632 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39302632"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39302632, container: ".js-paper-rank-work_39302632", }); });</script></li><li class="js-percentile-work_39302632 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39302632; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39302632"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39302632 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39302632"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39302632; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39302632]").text(description); $(".js-view-count-work_39302632").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39302632").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39302632"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="930" href="https://www.academia.edu/Documents/in/Intercultural_Communication">Intercultural Communication</a>, <script data-card-contents-for-ri="930" type="text/json">{"id":930,"name":"Intercultural Communication","url":"https://www.academia.edu/Documents/in/Intercultural_Communication?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1200" href="https://www.academia.edu/Documents/in/Languages_and_Linguistics">Languages and Linguistics</a>, <script data-card-contents-for-ri="1200" type="text/json">{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1206" href="https://www.academia.edu/Documents/in/Lexicology">Lexicology</a>, <script data-card-contents-for-ri="1206" type="text/json">{"id":1206,"name":"Lexicology","url":"https://www.academia.edu/Documents/in/Lexicology?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a><script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39302632]'), work: {"id":39302632,"title":"Middle Eastern Dance and What We Call It","created_at":"2019-05-29T08:32:53.078-07:00","url":"https://www.academia.edu/39302632/Middle_Eastern_Dance_and_What_We_Call_It?f_ri=16234","dom_id":"work_39302632","summary":"This article traces the historical background of the term 'belly dance', the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre -- literally, \"dance of the belly\" -- was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation \"belly dance\" was introduced into English in 1889 in international media coverage of the Rue du Caire exhibit at the Parisian Exposition Universelle. A close examination of the historical sources demonstrates that the evolution of this terminology was influenced by contemporary art, commercial considerations, and popular stereotypes about Eastern societies. The paper concludes with an examination of dancers' attitudes to the various English-language names for the dance in the present day.","downloadable_attachments":[{"id":59440253,"asset_id":39302632,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":903668,"first_name":"Ainsley","last_name":"Hawthorn","domain_name":"yale","page_name":"AinsleyHawthorn","display_name":"Ainsley Hawthorn","profile_url":"https://yale.academia.edu/AinsleyHawthorn?f_ri=16234","photo":"https://0.academia-photos.com/903668/1759245/104108274/s65_ainsley.hawthorn.jpg"}],"research_interests":[{"id":930,"name":"Intercultural Communication","url":"https://www.academia.edu/Documents/in/Intercultural_Communication?f_ri=16234","nofollow":false},{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics?f_ri=16234","nofollow":false},{"id":1206,"name":"Lexicology","url":"https://www.academia.edu/Documents/in/Lexicology?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":2016,"name":"Middle East \u0026 North Africa","url":"https://www.academia.edu/Documents/in/Middle_East_and_North_Africa?f_ri=16234"},{"id":2524,"name":"Sociolinguistics","url":"https://www.academia.edu/Documents/in/Sociolinguistics?f_ri=16234"},{"id":2718,"name":"Linguistic Anthropology","url":"https://www.academia.edu/Documents/in/Linguistic_Anthropology?f_ri=16234"},{"id":12537,"name":"Egypt","url":"https://www.academia.edu/Documents/in/Egypt?f_ri=16234"},{"id":15242,"name":"French art","url":"https://www.academia.edu/Documents/in/French_art?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":31221,"name":"InterCultural Studies","url":"https://www.academia.edu/Documents/in/InterCultural_Studies?f_ri=16234"},{"id":32566,"name":"Historical sociolinguistics","url":"https://www.academia.edu/Documents/in/Historical_sociolinguistics?f_ri=16234"},{"id":128635,"name":"Belly dance in a social-cultural context","url":"https://www.academia.edu/Documents/in/Belly_dance_in_a_social-cultural_context?f_ri=16234"},{"id":148083,"name":"World's Fairs","url":"https://www.academia.edu/Documents/in/Worlds_Fairs?f_ri=16234"},{"id":253606,"name":"Middle Eastern Dances","url":"https://www.academia.edu/Documents/in/Middle_Eastern_Dances?f_ri=16234"},{"id":585119,"name":"Nineteenth Century Social Dance","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Social_Dance?f_ri=16234"},{"id":992467,"name":"Oriental Dancers","url":"https://www.academia.edu/Documents/in/Oriental_Dancers?f_ri=16234"},{"id":1376388,"name":"Bellydance","url":"https://www.academia.edu/Documents/in/Bellydance?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1427923" data-work_id="1427923" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1427923/Music_dance_and_the_total_art_work_choreomusicology_in_theory_and_practice">Music, dance and the total art work: choreomusicology in theory and practice</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Euro-American performance arts are exceptional among the world’s cultures in that music and dance are separable and constitute independent disciplines. In the late-nineteenth and early-twentieth centuries, a distinct consciousness emerged... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1427923" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Euro-American performance arts are exceptional among the world’s cultures in that music and dance are separable and constitute independent disciplines. In the late-nineteenth and early-twentieth centuries, a distinct consciousness emerged that demonstrated an awareness of the varying and protean relationships that music and dance can share. While some artists were keen to develop their particular medium to its fullest potential, others were keen to group expressive mediums together into new wholes. These explorations were accompanied by a rapid but uneven expansion in audio, visual and audio-visual technology. As artistic practices evolved and technology developed, a range of possibilities were explored and the discipline of choreomusicology finally emerged. Choreomusicology is the study of the relationship between sound and movement within any performance genre. As a pedagogical tool, this article discusses key developments in the history of choreomusical theory and practice with a sympathetic selection of material using the words of artists and theoreticians. The evolving relationship between music and dance in any performance tradition is a socially situated process shaped by a range of historically constituted practices. The current discussion situates the artistic legacy inherited by contemporary Euro-American artists within a historical and cultural context.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1427923" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d1f51ffe909a8dfc97addafc71642f3" rel="nofollow" data-download="{"attachment_id":47256626,"asset_id":1427923,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47256626/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="249320" href="https://mq.academia.edu/PaulMason">Paul Mason</a><script data-card-contents-for-user="249320" type="text/json">{"id":249320,"first_name":"Paul","last_name":"Mason","domain_name":"mq","page_name":"PaulMason","display_name":"Paul Mason","profile_url":"https://mq.academia.edu/PaulMason?f_ri=16234","photo":"https://0.academia-photos.com/249320/53731/30036580/s65_paul.mason.jpg"}</script></span></span></li><li class="js-paper-rank-work_1427923 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1427923"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1427923, container: ".js-paper-rank-work_1427923", }); });</script></li><li class="js-percentile-work_1427923 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1427923; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1427923"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1427923 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1427923"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1427923; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1427923]").text(description); $(".js-view-count-work_1427923").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1427923").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1427923"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="945" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1596" href="https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance">Creative processes in contemporary dance</a><script data-card-contents-for-ri="1596" type="text/json">{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1427923]'), work: {"id":1427923,"title":"Music, dance and the total art work: choreomusicology in theory and practice","created_at":"2012-02-22T21:57:00.705-08:00","url":"https://www.academia.edu/1427923/Music_dance_and_the_total_art_work_choreomusicology_in_theory_and_practice?f_ri=16234","dom_id":"work_1427923","summary":"Euro-American performance arts are exceptional among the world’s cultures in that music and dance are separable and constitute independent disciplines. In the late-nineteenth and early-twentieth centuries, a distinct consciousness emerged that demonstrated an awareness of the varying and protean relationships that music and dance can share. While some artists were keen to develop their particular medium to its fullest potential, others were keen to group expressive mediums together into new wholes. These explorations were accompanied by a rapid but uneven expansion in audio, visual and audio-visual technology. As artistic practices evolved and technology developed, a range of possibilities were explored and the discipline of choreomusicology finally emerged. Choreomusicology is the study of the relationship between sound and movement within any performance genre. As a pedagogical tool, this article discusses key developments in the history of choreomusical theory and practice with a sympathetic selection of material using the words of artists and theoreticians. The evolving relationship between music and dance in any performance tradition is a socially situated process shaped by a range of historically constituted practices. The current discussion situates the artistic legacy inherited by contemporary Euro-American artists within a historical and cultural context.","downloadable_attachments":[{"id":47256626,"asset_id":1427923,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":249320,"first_name":"Paul","last_name":"Mason","domain_name":"mq","page_name":"PaulMason","display_name":"Paul Mason","profile_url":"https://mq.academia.edu/PaulMason?f_ri=16234","photo":"https://0.academia-photos.com/249320/53731/30036580/s65_paul.mason.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=16234","nofollow":false},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=16234","nofollow":false},{"id":4096,"name":"Dance Anthropology","url":"https://www.academia.edu/Documents/in/Dance_Anthropology?f_ri=16234"},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234"},{"id":5676,"name":"Choreography","url":"https://www.academia.edu/Documents/in/Choreography?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":41184,"name":"Choreomusicology","url":"https://www.academia.edu/Documents/in/Choreomusicology?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8783869" data-work_id="8783869" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8783869/NBA_Ballet_Company_Les_Millions_dArlequin">NBA Ballet Company, Les Millions d'Arlequin </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">review of reconstruction, the original "Les Millions d'Arlequin"</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8783869" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e514b249876d437414969bb56d806914" rel="nofollow" data-download="{"attachment_id":35134632,"asset_id":8783869,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35134632/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18643903" href="https://keio.academia.edu/YukihikoYoshida">Yukihiko Yoshida</a><script data-card-contents-for-user="18643903" type="text/json">{"id":18643903,"first_name":"Yukihiko","last_name":"Yoshida","domain_name":"keio","page_name":"YukihikoYoshida","display_name":"Yukihiko Yoshida","profile_url":"https://keio.academia.edu/YukihikoYoshida?f_ri=16234","photo":"https://0.academia-photos.com/18643903/5176907/6025587/s65_yukihiko.yoshida.jpg"}</script></span></span></li><li class="js-paper-rank-work_8783869 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8783869"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8783869, container: ".js-paper-rank-work_8783869", }); });</script></li><li class="js-percentile-work_8783869 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8783869; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_8783869"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_8783869 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="8783869"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8783869; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8783869]").text(description); $(".js-view-count-work_8783869").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8783869").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8783869"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="945" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19709" href="https://www.academia.edu/Documents/in/Dance_Criticism">Dance Criticism</a><script data-card-contents-for-ri="19709" type="text/json">{"id":19709,"name":"Dance Criticism","url":"https://www.academia.edu/Documents/in/Dance_Criticism?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8783869]'), work: {"id":8783869,"title":"NBA Ballet Company, Les Millions d'Arlequin ","created_at":"2014-10-14T19:42:36.748-07:00","url":"https://www.academia.edu/8783869/NBA_Ballet_Company_Les_Millions_dArlequin?f_ri=16234","dom_id":"work_8783869","summary":"review of reconstruction, the original \"Les Millions d'Arlequin\" ","downloadable_attachments":[{"id":35134632,"asset_id":8783869,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18643903,"first_name":"Yukihiko","last_name":"Yoshida","domain_name":"keio","page_name":"YukihikoYoshida","display_name":"Yukihiko Yoshida","profile_url":"https://keio.academia.edu/YukihikoYoshida?f_ri=16234","photo":"https://0.academia-photos.com/18643903/5176907/6025587/s65_yukihiko.yoshida.jpg"}],"research_interests":[{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":19709,"name":"Dance Criticism","url":"https://www.academia.edu/Documents/in/Dance_Criticism?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":53788,"name":"Classical Ballet","url":"https://www.academia.edu/Documents/in/Classical_Ballet?f_ri=16234"},{"id":58216,"name":"Ballet","url":"https://www.academia.edu/Documents/in/Ballet?f_ri=16234"},{"id":89104,"name":"Ballet History and Criticism","url":"https://www.academia.edu/Documents/in/Ballet_History_and_Criticism?f_ri=16234"},{"id":94836,"name":"Dance Criticism, Contemporary Dance History","url":"https://www.academia.edu/Documents/in/Dance_Criticism_Contemporary_Dance_History?f_ri=16234"},{"id":220340,"name":"Russian and Soviet ballet","url":"https://www.academia.edu/Documents/in/Russian_and_Soviet_ballet?f_ri=16234"},{"id":1447538,"name":"Ballet Russes","url":"https://www.academia.edu/Documents/in/Ballet_Russes?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6822443" data-work_id="6822443" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6822443/Ballet_Why_and_How"> Ballet, Why & How</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6822443" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="da9fab7853b7851d3bb27a897a557cf6" rel="nofollow" data-download="{"attachment_id":33619100,"asset_id":6822443,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33619100/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="116475" href="https://unibe-ch.academia.edu/DerrickDBrown">Derrick D. Brown</a><script data-card-contents-for-user="116475" type="text/json">{"id":116475,"first_name":"Derrick D.","last_name":"Brown","domain_name":"unibe-ch","page_name":"DerrickDBrown","display_name":"Derrick D. Brown","profile_url":"https://unibe-ch.academia.edu/DerrickDBrown?f_ri=16234","photo":"https://0.academia-photos.com/116475/31302/28775/s65_derrick_d..brown.jpg"}</script></span></span></li><li class="js-paper-rank-work_6822443 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6822443"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6822443, container: ".js-paper-rank-work_6822443", }); });</script></li><li class="js-percentile-work_6822443 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6822443; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6822443"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6822443 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6822443"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6822443; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6822443]").text(description); $(".js-view-count-work_6822443").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6822443").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6822443"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4738" href="https://www.academia.edu/Documents/in/Academic_Writing">Academic Writing</a>, <script data-card-contents-for-ri="4738" type="text/json">{"id":4738,"name":"Academic Writing","url":"https://www.academia.edu/Documents/in/Academic_Writing?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1269963" href="https://www.academia.edu/Documents/in/Dance_Photography">Dance Photography</a><script data-card-contents-for-ri="1269963" type="text/json">{"id":1269963,"name":"Dance Photography","url":"https://www.academia.edu/Documents/in/Dance_Photography?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6822443]'), work: {"id":6822443,"title":" Ballet, Why \u0026 How","created_at":"2014-04-21T09:07:11.045-07:00","url":"https://www.academia.edu/6822443/Ballet_Why_and_How?f_ri=16234","dom_id":"work_6822443","summary":" ","downloadable_attachments":[{"id":33619100,"asset_id":6822443,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":116475,"first_name":"Derrick D.","last_name":"Brown","domain_name":"unibe-ch","page_name":"DerrickDBrown","display_name":"Derrick D. Brown","profile_url":"https://unibe-ch.academia.edu/DerrickDBrown?f_ri=16234","photo":"https://0.academia-photos.com/116475/31302/28775/s65_derrick_d..brown.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":4738,"name":"Academic Writing","url":"https://www.academia.edu/Documents/in/Academic_Writing?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":1269963,"name":"Dance Photography","url":"https://www.academia.edu/Documents/in/Dance_Photography?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15823850" data-work_id="15823850" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15823850/La_T%C3%A9cnica_de_las_pasiones_del_Ballet_Pantomima_Construcci%C3%B3n_de_saberes_sobre_la_danza_durante_los_siglos_XVII_y_XVIII">La Técnica de las pasiones del Ballet-Pantomima: Construcción de saberes sobre la danza durante los siglos XVII y XVIII</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMEN: El siguiente trabajo estudia los fundamentos de la técnica de danza característica del ballet-pantomima del siglo XVIII. En particular, explora los saberes desarrollados con respecto a la representación de pasiones y el gesto... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15823850" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMEN: El siguiente trabajo estudia los fundamentos de la técnica de danza característica del ballet-pantomima del siglo XVIII. En particular, explora los saberes desarrollados con respecto a la representación de pasiones y el gesto expresivo. Nuestra hipótesis propone la existencia de una correlación entre la reglamenta- ción de la práctica teatral de la danza, en el siglo XVII, durante el reinado de Luis XIV y los discursos sobre el cuerpo-danza que han acompañado el apogeo del proyecto del ballet-pantomima entre 1760 y 1776. De este modo, demostraremos que el pasaje del ballet barroco al ballet pantomima representa un avance en la codificación del cuerpo, así como un desarrollo del marco estético que contiene la expresión teatral del bailarín.<br />ABSTRACT: The following paper examines the fundamentals of pantomime- ballet dance technique, which was characteristic of the eighteenth century. In par- ticular, it explores the knowledge developed with regard to the representation of passions and the expressive gesture. Our hypothesis proposes the existence of a correlation between the regulation of the theatrical practice of dance in the sevente- enth century, during the reign of Louis XIV, and the discourses on the dancing-body that accompanied the zenith of the pantomime-ballet project between 1760 and 1776. In this way, we show that the passage from baroque ballet to pantomime- ballet represents a breakthrough in body encoding as well as a development of the aesthetic framework containing dancer theatrical expression.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15823850" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b601109788e9f8838f8ea6d2f4013c32" rel="nofollow" data-download="{"attachment_id":38804097,"asset_id":15823850,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38804097/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31569813" href="https://conicet.academia.edu/JuanIgnacioVallejos">Juan Ignacio Vallejos</a><script data-card-contents-for-user="31569813" type="text/json">{"id":31569813,"first_name":"Juan Ignacio","last_name":"Vallejos","domain_name":"conicet","page_name":"JuanIgnacioVallejos","display_name":"Juan Ignacio Vallejos","profile_url":"https://conicet.academia.edu/JuanIgnacioVallejos?f_ri=16234","photo":"https://0.academia-photos.com/31569813/14202843/98585350/s65_juan_ignacio.vallejos.jpeg"}</script></span></span></li><li class="js-paper-rank-work_15823850 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15823850"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15823850, container: ".js-paper-rank-work_15823850", }); });</script></li><li class="js-percentile-work_15823850 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15823850; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15823850"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15823850 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15823850"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15823850; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15823850]").text(description); $(".js-view-count-work_15823850").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15823850").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15823850"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15823850]'), work: {"id":15823850,"title":"La Técnica de las pasiones del Ballet-Pantomima: Construcción de saberes sobre la danza durante los siglos XVII y XVIII","created_at":"2015-09-17T14:22:41.586-07:00","url":"https://www.academia.edu/15823850/La_T%C3%A9cnica_de_las_pasiones_del_Ballet_Pantomima_Construcci%C3%B3n_de_saberes_sobre_la_danza_durante_los_siglos_XVII_y_XVIII?f_ri=16234","dom_id":"work_15823850","summary":"RESUMEN: El siguiente trabajo estudia los fundamentos de la técnica de danza característica del ballet-pantomima del siglo XVIII. En particular, explora los saberes desarrollados con respecto a la representación de pasiones y el gesto expresivo. Nuestra hipótesis propone la existencia de una correlación entre la reglamenta- ción de la práctica teatral de la danza, en el siglo XVII, durante el reinado de Luis XIV y los discursos sobre el cuerpo-danza que han acompañado el apogeo del proyecto del ballet-pantomima entre 1760 y 1776. De este modo, demostraremos que el pasaje del ballet barroco al ballet pantomima representa un avance en la codificación del cuerpo, así como un desarrollo del marco estético que contiene la expresión teatral del bailarín.\nABSTRACT: The following paper examines the fundamentals of pantomime- ballet dance technique, which was characteristic of the eighteenth century. In par- ticular, it explores the knowledge developed with regard to the representation of passions and the expressive gesture. Our hypothesis proposes the existence of a correlation between the regulation of the theatrical practice of dance in the sevente- enth century, during the reign of Louis XIV, and the discourses on the dancing-body that accompanied the zenith of the pantomime-ballet project between 1760 and 1776. In this way, we show that the passage from baroque ballet to pantomime- ballet represents a breakthrough in body encoding as well as a development of the aesthetic framework containing dancer theatrical expression.","downloadable_attachments":[{"id":38804097,"asset_id":15823850,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31569813,"first_name":"Juan Ignacio","last_name":"Vallejos","domain_name":"conicet","page_name":"JuanIgnacioVallejos","display_name":"Juan Ignacio Vallejos","profile_url":"https://conicet.academia.edu/JuanIgnacioVallejos?f_ri=16234","photo":"https://0.academia-photos.com/31569813/14202843/98585350/s65_juan_ignacio.vallejos.jpeg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1160483" data-work_id="1160483" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1160483/Architecture_dance_choreographing_and_inhabiting_spaces_with_Anna_and_Lawrence_Halprin">Architecture/dance: choreographing and inhabiting spaces with Anna and Lawrence Halprin</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1160483" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2e7f70175e6c62c9cd75dfff77e288a8" rel="nofollow" data-download="{"attachment_id":30859008,"asset_id":1160483,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30859008/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1050462" href="https://aber.academia.edu/PeteMerriman">Peter Merriman</a><script data-card-contents-for-user="1050462" type="text/json">{"id":1050462,"first_name":"Peter","last_name":"Merriman","domain_name":"aber","page_name":"PeteMerriman","display_name":"Peter Merriman","profile_url":"https://aber.academia.edu/PeteMerriman?f_ri=16234","photo":"https://0.academia-photos.com/1050462/361964/439195/s65_pete.merriman.jpg"}</script></span></span></li><li class="js-paper-rank-work_1160483 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1160483"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1160483, container: ".js-paper-rank-work_1160483", }); });</script></li><li class="js-percentile-work_1160483 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1160483; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1160483"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1160483 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1160483"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1160483; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1160483]").text(description); $(".js-view-count-work_1160483").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1160483").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1160483"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="262" href="https://www.academia.edu/Documents/in/Human_Geography">Human Geography</a>, <script data-card-contents-for-ri="262" type="text/json">{"id":262,"name":"Human Geography","url":"https://www.academia.edu/Documents/in/Human_Geography?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="263" href="https://www.academia.edu/Documents/in/Cultural_Geography">Cultural Geography</a>, <script data-card-contents-for-ri="263" type="text/json">{"id":263,"name":"Cultural Geography","url":"https://www.academia.edu/Documents/in/Cultural_Geography?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3183" href="https://www.academia.edu/Documents/in/Landscape_Architecture">Landscape Architecture</a><script data-card-contents-for-ri="3183" type="text/json">{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1160483]'), work: {"id":1160483,"title":"Architecture/dance: choreographing and inhabiting spaces with Anna and Lawrence Halprin","created_at":"2011-12-15T20:37:37.695-08:00","url":"https://www.academia.edu/1160483/Architecture_dance_choreographing_and_inhabiting_spaces_with_Anna_and_Lawrence_Halprin?f_ri=16234","dom_id":"work_1160483","summary":null,"downloadable_attachments":[{"id":30859008,"asset_id":1160483,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1050462,"first_name":"Peter","last_name":"Merriman","domain_name":"aber","page_name":"PeteMerriman","display_name":"Peter Merriman","profile_url":"https://aber.academia.edu/PeteMerriman?f_ri=16234","photo":"https://0.academia-photos.com/1050462/361964/439195/s65_pete.merriman.jpg"}],"research_interests":[{"id":262,"name":"Human Geography","url":"https://www.academia.edu/Documents/in/Human_Geography?f_ri=16234","nofollow":false},{"id":263,"name":"Cultural Geography","url":"https://www.academia.edu/Documents/in/Cultural_Geography?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=16234","nofollow":false},{"id":5676,"name":"Choreography","url":"https://www.academia.edu/Documents/in/Choreography?f_ri=16234"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":180082,"name":"Lawrence Halprin","url":"https://www.academia.edu/Documents/in/Lawrence_Halprin?f_ri=16234"},{"id":180086,"name":"Anna Halprin","url":"https://www.academia.edu/Documents/in/Anna_Halprin?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11801372" data-work_id="11801372" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11801372/Partener_Contempor%C3%A1neo_acerca_de_la_necesidad_de_otros_para_construir">Partener Contemporáneo: acerca de la necesidad de otros para construir </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Artículo sobre la técnica "Partener contemporáneo" de Juan Onofri y Agnese Vanaga.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11801372" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5b3a98febd5f4602f7152a0e46bd0c05" rel="nofollow" data-download="{"attachment_id":37215128,"asset_id":11801372,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37215128/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1299698" href="https://conicet-ar.academia.edu/EugeniaCadus">Eugenia Cadús</a><script data-card-contents-for-user="1299698" type="text/json">{"id":1299698,"first_name":"Eugenia","last_name":"Cadús","domain_name":"conicet-ar","page_name":"EugeniaCadus","display_name":"Eugenia Cadús","profile_url":"https://conicet-ar.academia.edu/EugeniaCadus?f_ri=16234","photo":"https://0.academia-photos.com/1299698/479325/88929303/s65_eugenia.cad_s.jpg"}</script></span></span></li><li class="js-paper-rank-work_11801372 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11801372"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11801372, container: ".js-paper-rank-work_11801372", }); });</script></li><li class="js-percentile-work_11801372 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11801372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_11801372"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_11801372 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="11801372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11801372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11801372]").text(description); $(".js-view-count-work_11801372").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_11801372").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="11801372"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1596" href="https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance">Creative processes in contemporary dance</a>, <script data-card-contents-for-ri="1596" type="text/json">{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11801372]'), work: {"id":11801372,"title":"Partener Contemporáneo: acerca de la necesidad de otros para construir ","created_at":"2015-04-05T09:42:57.116-07:00","url":"https://www.academia.edu/11801372/Partener_Contempor%C3%A1neo_acerca_de_la_necesidad_de_otros_para_construir?f_ri=16234","dom_id":"work_11801372","summary":"Artículo sobre la técnica \"Partener contemporáneo\" de Juan Onofri y Agnese Vanaga.","downloadable_attachments":[{"id":37215128,"asset_id":11801372,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1299698,"first_name":"Eugenia","last_name":"Cadús","domain_name":"conicet-ar","page_name":"EugeniaCadus","display_name":"Eugenia Cadús","profile_url":"https://conicet-ar.academia.edu/EugeniaCadus?f_ri=16234","photo":"https://0.academia-photos.com/1299698/479325/88929303/s65_eugenia.cad_s.jpg"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":24462,"name":"Contemporary Dance","url":"https://www.academia.edu/Documents/in/Contemporary_Dance?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36964001" data-work_id="36964001" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36964001/Nehemia_Polen_Miriam_s_Dance_Radical_Egalitarianism_in_Hasidic_Thought_Modern_Judaism_12_1_February_1992_1_21">Nehemia Polen, “Miriam’s Dance: Radical Egalitarianism in Hasidic Thought,” Modern Judaism 12:1 (February 1992): 1-21</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36964001" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aa780a4e63b09069c336310cc7da496e" rel="nofollow" data-download="{"attachment_id":56914034,"asset_id":36964001,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56914034/download_file?st=MTczMjQ1NzI2NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5107595" href="https://hebrewcollege.academia.edu/NehemiaPolen">Nehemia Polen</a><script data-card-contents-for-user="5107595" type="text/json">{"id":5107595,"first_name":"Nehemia","last_name":"Polen","domain_name":"hebrewcollege","page_name":"NehemiaPolen","display_name":"Nehemia Polen","profile_url":"https://hebrewcollege.academia.edu/NehemiaPolen?f_ri=16234","photo":"https://0.academia-photos.com/5107595/20013898/19794889/s65_nehemia.polen.jpg"}</script></span></span></li><li class="js-paper-rank-work_36964001 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36964001"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36964001, container: ".js-paper-rank-work_36964001", }); });</script></li><li class="js-percentile-work_36964001 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36964001; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36964001"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36964001 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36964001"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36964001; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36964001]").text(description); $(".js-view-count-work_36964001").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36964001").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36964001"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="983" href="https://www.academia.edu/Documents/in/Jewish_Studies">Jewish Studies</a>, <script data-card-contents-for-ri="983" type="text/json">{"id":983,"name":"Jewish Studies","url":"https://www.academia.edu/Documents/in/Jewish_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1192" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4124" href="https://www.academia.edu/Documents/in/Feminist_Philosophy">Feminist Philosophy</a><script data-card-contents-for-ri="4124" type="text/json">{"id":4124,"name":"Feminist Philosophy","url":"https://www.academia.edu/Documents/in/Feminist_Philosophy?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36964001]'), work: {"id":36964001,"title":"Nehemia Polen, “Miriam’s Dance: Radical Egalitarianism in Hasidic Thought,” Modern Judaism 12:1 (February 1992): 1-21","created_at":"2018-07-02T22:01:34.352-07:00","url":"https://www.academia.edu/36964001/Nehemia_Polen_Miriam_s_Dance_Radical_Egalitarianism_in_Hasidic_Thought_Modern_Judaism_12_1_February_1992_1_21?f_ri=16234","dom_id":"work_36964001","summary":null,"downloadable_attachments":[{"id":56914034,"asset_id":36964001,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5107595,"first_name":"Nehemia","last_name":"Polen","domain_name":"hebrewcollege","page_name":"NehemiaPolen","display_name":"Nehemia Polen","profile_url":"https://hebrewcollege.academia.edu/NehemiaPolen?f_ri=16234","photo":"https://0.academia-photos.com/5107595/20013898/19794889/s65_nehemia.polen.jpg"}],"research_interests":[{"id":983,"name":"Jewish Studies","url":"https://www.academia.edu/Documents/in/Jewish_Studies?f_ri=16234","nofollow":false},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":4124,"name":"Feminist Philosophy","url":"https://www.academia.edu/Documents/in/Feminist_Philosophy?f_ri=16234","nofollow":false},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234"},{"id":4264,"name":"Jewish Mysticism","url":"https://www.academia.edu/Documents/in/Jewish_Mysticism?f_ri=16234"},{"id":6528,"name":"Biblical Studies","url":"https://www.academia.edu/Documents/in/Biblical_Studies?f_ri=16234"},{"id":7322,"name":"Mysticism","url":"https://www.academia.edu/Documents/in/Mysticism?f_ri=16234"},{"id":7694,"name":"Egalitarianism","url":"https://www.academia.edu/Documents/in/Egalitarianism?f_ri=16234"},{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism?f_ri=16234"},{"id":12349,"name":"Spirituality \u0026 Mysticism","url":"https://www.academia.edu/Documents/in/Spirituality_and_Mysticism?f_ri=16234"},{"id":13477,"name":"Rabbinics","url":"https://www.academia.edu/Documents/in/Rabbinics?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":18158,"name":"Rabbinic Literature","url":"https://www.academia.edu/Documents/in/Rabbinic_Literature?f_ri=16234"},{"id":19430,"name":"Jewish Philosophy","url":"https://www.academia.edu/Documents/in/Jewish_Philosophy?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":29366,"name":"Feminism(s)","url":"https://www.academia.edu/Documents/in/Feminism_s_-1?f_ri=16234"},{"id":39673,"name":"Feminism and Social Justice","url":"https://www.academia.edu/Documents/in/Feminism_and_Social_Justice?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"},{"id":1010535,"name":"Talmud and Rabbinics","url":"https://www.academia.edu/Documents/in/Talmud_and_Rabbinics?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25706081" data-work_id="25706081" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25706081/Dance_history_enshrined_and_decoded_Bharatanrityam_and_Bharatanatyam">Dance history enshrined and decoded- Bharatanrityam and Bharatanatyam</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In any living tradition, a continuous study and analysis of movement practice is required. Bharata’s Natya Sastra, the extant work on dramaturgy engages in theorizing the practice of art production. When performers examine and reconstruct... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25706081" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In any living tradition, a continuous study and analysis of movement practice is required. Bharata’s Natya Sastra, the extant work on dramaturgy engages in theorizing the practice of art production. When performers examine and reconstruct written critical pedagogies, it manifests into movement practice.<br /><br />The scope of this paper is to analyse the critical theory, movement practice and context of Bharatanrityam, a product of the 20th century. History is an interpretation of past events. In that sense, we have never witnessed the creation or evolution of any tradition or pedagogy of dance at all. But the advantage with Bharatanrityam is that it is contemporaneous to our times. It’s a system that has evolved in our midst in real time. Therefore we have the luxury of analysing its origins, methods and critical theories.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25706081" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="27693a062a7dbbd8103c55ba949ed1bd" rel="nofollow" data-download="{"attachment_id":46050955,"asset_id":25706081,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46050955/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="43907500" href="https://independent.academia.edu/SwarnamalyaGanesh">Swarnamalya Ganesh</a><script data-card-contents-for-user="43907500" type="text/json">{"id":43907500,"first_name":"Swarnamalya","last_name":"Ganesh","domain_name":"independent","page_name":"SwarnamalyaGanesh","display_name":"Swarnamalya Ganesh","profile_url":"https://independent.academia.edu/SwarnamalyaGanesh?f_ri=16234","photo":"https://0.academia-photos.com/43907500/12991342/14347823/s65_swarnamalya.ganesh.jpg"}</script></span></span></li><li class="js-paper-rank-work_25706081 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25706081"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25706081, container: ".js-paper-rank-work_25706081", }); });</script></li><li class="js-percentile-work_25706081 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25706081; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_25706081"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_25706081 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="25706081"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25706081; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25706081]").text(description); $(".js-view-count-work_25706081").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25706081").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25706081"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="945" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a><script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25706081]'), work: {"id":25706081,"title":"Dance history enshrined and decoded- Bharatanrityam and Bharatanatyam","created_at":"2016-05-29T14:39:00.574-07:00","url":"https://www.academia.edu/25706081/Dance_history_enshrined_and_decoded_Bharatanrityam_and_Bharatanatyam?f_ri=16234","dom_id":"work_25706081","summary":"In any living tradition, a continuous study and analysis of movement practice is required. Bharata’s Natya Sastra, the extant work on dramaturgy engages in theorizing the practice of art production. When performers examine and reconstruct written critical pedagogies, it manifests into movement practice.\n\nThe scope of this paper is to analyse the critical theory, movement practice and context of Bharatanrityam, a product of the 20th century. History is an interpretation of past events. In that sense, we have never witnessed the creation or evolution of any tradition or pedagogy of dance at all. But the advantage with Bharatanrityam is that it is contemporaneous to our times. It’s a system that has evolved in our midst in real time. Therefore we have the luxury of analysing its origins, methods and critical theories.","downloadable_attachments":[{"id":46050955,"asset_id":25706081,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":43907500,"first_name":"Swarnamalya","last_name":"Ganesh","domain_name":"independent","page_name":"SwarnamalyaGanesh","display_name":"Swarnamalya Ganesh","profile_url":"https://independent.academia.edu/SwarnamalyaGanesh?f_ri=16234","photo":"https://0.academia-photos.com/43907500/12991342/14347823/s65_swarnamalya.ganesh.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=16234","nofollow":false},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=16234","nofollow":false},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":19712,"name":"Dance and Aesthetics","url":"https://www.academia.edu/Documents/in/Dance_and_Aesthetics?f_ri=16234"},{"id":303463,"name":"Bharata Natyashastra","url":"https://www.academia.edu/Documents/in/Bharata_Natyashastra?f_ri=16234"},{"id":869539,"name":"Bharatanatyam and Religion","url":"https://www.academia.edu/Documents/in/Bharatanatyam_and_Religion?f_ri=16234"},{"id":869541,"name":"Secularism of Bharatanatyam","url":"https://www.academia.edu/Documents/in/Secularism_of_Bharatanatyam?f_ri=16234"},{"id":2470996,"name":"Dancehistory","url":"https://www.academia.edu/Documents/in/Dancehistory?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45091518" data-work_id="45091518" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45091518/Heiliger_Zaun_Heiliger_Garten_Traditioneller_Tanz_und_die_Kraft_der_Gemeinschaft">Heiliger Zaun, Heiliger Garten: Traditioneller Tanz und die Kraft der Gemeinschaft</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die traditionellen Frauentänze des Balkans und des Nahen Ostens werden auch heute noch zu Hochzeiten und Dorffesten getanzt, doch ihre Wurzeln gehen auf die uralte Kultur des Neolithikums zurück. Damals wie heute ist eine ihrer... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45091518" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die traditionellen Frauentänze des Balkans und des Nahen Ostens werden auch heute noch zu Hochzeiten und Dorffesten getanzt, doch ihre Wurzeln gehen auf die uralte Kultur des Neolithikums zurück. Damals wie heute ist eine ihrer wertvollsten Gaben, dass sie die Werte der Gemeinschaft lehren, halten und stärken.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45091518" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="387de14aaad92829cdfa4f854551f5a2" rel="nofollow" data-download="{"attachment_id":65652995,"asset_id":45091518,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65652995/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38130873" href="https://uniog.academia.edu/LauraShannon">Laura Shannon</a><script data-card-contents-for-user="38130873" type="text/json">{"id":38130873,"first_name":"Laura","last_name":"Shannon","domain_name":"uniog","page_name":"LauraShannon","display_name":"Laura Shannon","profile_url":"https://uniog.academia.edu/LauraShannon?f_ri=16234","photo":"https://gravatar.com/avatar/e16ca87a3224f7c2b382e6e076966166?s=65"}</script></span></span></li><li class="js-paper-rank-work_45091518 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45091518"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45091518, container: ".js-paper-rank-work_45091518", }); });</script></li><li class="js-percentile-work_45091518 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45091518; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45091518"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45091518 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45091518"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45091518; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45091518]").text(description); $(".js-view-count-work_45091518").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45091518").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45091518"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2310" href="https://www.academia.edu/Documents/in/Dance_Movement_Therapy">Dance/Movement Therapy</a>, <script data-card-contents-for-ri="2310" type="text/json">{"id":2310,"name":"Dance/Movement Therapy","url":"https://www.academia.edu/Documents/in/Dance_Movement_Therapy?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a>, <script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13998" href="https://www.academia.edu/Documents/in/Goddess_Spirituality">Goddess Spirituality</a><script data-card-contents-for-ri="13998" type="text/json">{"id":13998,"name":"Goddess Spirituality","url":"https://www.academia.edu/Documents/in/Goddess_Spirituality?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45091518]'), work: {"id":45091518,"title":"Heiliger Zaun, Heiliger Garten: Traditioneller Tanz und die Kraft der Gemeinschaft","created_at":"2021-02-10T02:51:11.277-08:00","url":"https://www.academia.edu/45091518/Heiliger_Zaun_Heiliger_Garten_Traditioneller_Tanz_und_die_Kraft_der_Gemeinschaft?f_ri=16234","dom_id":"work_45091518","summary":"Die traditionellen Frauentänze des Balkans und des Nahen Ostens werden auch heute noch zu Hochzeiten und Dorffesten getanzt, doch ihre Wurzeln gehen auf die uralte Kultur des Neolithikums zurück. Damals wie heute ist eine ihrer wertvollsten Gaben, dass sie die Werte der Gemeinschaft lehren, halten und stärken. ","downloadable_attachments":[{"id":65652995,"asset_id":45091518,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38130873,"first_name":"Laura","last_name":"Shannon","domain_name":"uniog","page_name":"LauraShannon","display_name":"Laura Shannon","profile_url":"https://uniog.academia.edu/LauraShannon?f_ri=16234","photo":"https://gravatar.com/avatar/e16ca87a3224f7c2b382e6e076966166?s=65"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":2310,"name":"Dance/Movement Therapy","url":"https://www.academia.edu/Documents/in/Dance_Movement_Therapy?f_ri=16234","nofollow":false},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false},{"id":13998,"name":"Goddess Spirituality","url":"https://www.academia.edu/Documents/in/Goddess_Spirituality?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":103430,"name":"Dance Movement Therapy","url":"https://www.academia.edu/Documents/in/Dance_Movement_Therapy-1?f_ri=16234"},{"id":266686,"name":"Old Europe","url":"https://www.academia.edu/Documents/in/Old_Europe?f_ri=16234"},{"id":438601,"name":"Marija Gimbutas","url":"https://www.academia.edu/Documents/in/Marija_Gimbutas?f_ri=16234"},{"id":479882,"name":"Sacred Dance","url":"https://www.academia.edu/Documents/in/Sacred_Dance?f_ri=16234"},{"id":554817,"name":"Greek dance","url":"https://www.academia.edu/Documents/in/Greek_dance?f_ri=16234"},{"id":1301884,"name":"Greek Folk Dancing","url":"https://www.academia.edu/Documents/in/Greek_Folk_Dancing?f_ri=16234"},{"id":3372504,"name":"Women's Ritual Dances","url":"https://www.academia.edu/Documents/in/Womens_Ritual_Dances?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64565264" data-work_id="64565264" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64565264/The_Popularization_of_Belly_Dance_in_Toronto_Canada_1950_1990_Hybridization_and_Uneven_Exchange">The Popularization of Belly Dance in Toronto, Canada (1950-1990): Hybridization and Uneven Exchange</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Popularization of Belly Dance in Toronto, Canada (1950-1990): Hybridization and Uneven Exchange Anne Vermeyden Advisors: University of Guelph, 2016 Dr. Femi Kolapo and Dr. Renée Worringer Belly dance was first performed publicly in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_64565264" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Popularization of Belly Dance in Toronto, Canada (1950-1990): Hybridization and Uneven Exchange Anne Vermeyden Advisors: University of Guelph, 2016 Dr. Femi Kolapo and Dr. Renée Worringer Belly dance was first performed publicly in Toronto during the late nineteenth century. While immigrants to Canada from the Middle East faced discrimination, white audiences could not get enough of stereotypical portrayals of danse du ventre. Hollywood further popularized the Orientalist image of the belly dancer, and beginning in the 1950s, star Middle Eastern dancers like Samia Gamal and Nejla Ateş were making appearances on Toronto stages. By the 1960s, American, Middle Eastern, and Canadian dancers were performing belly dance in Toronto’s hotel nightclubs and restaurants. During belly dance’s peak popularity in the 1970s and 1980s, multiple venues were running two belly dance shows a night, six days a week, and belly dance classes were so popular they were often waitlisted. Why and how did ...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64565264" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e783364684241e43904974598e7fe9c8" rel="nofollow" data-download="{"attachment_id":76543460,"asset_id":64565264,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76543460/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="50981488" href="https://independent.academia.edu/AnneVermeyden">Anne Vermeyden</a><script data-card-contents-for-user="50981488" type="text/json">{"id":50981488,"first_name":"Anne","last_name":"Vermeyden","domain_name":"independent","page_name":"AnneVermeyden","display_name":"Anne Vermeyden","profile_url":"https://independent.academia.edu/AnneVermeyden?f_ri=16234","photo":"https://0.academia-photos.com/50981488/13502411/14689071/s65_anne.vermeyden.jpg"}</script></span></span></li><li class="js-paper-rank-work_64565264 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64565264"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64565264, container: ".js-paper-rank-work_64565264", }); });</script></li><li class="js-percentile-work_64565264 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64565264; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_64565264"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_64565264 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="64565264"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64565264; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64565264]").text(description); $(".js-view-count-work_64565264").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64565264").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="64565264"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2412" href="https://www.academia.edu/Documents/in/Canadian_History">Canadian History</a>, <script data-card-contents-for-ri="2412" type="text/json">{"id":2412,"name":"Canadian History","url":"https://www.academia.edu/Documents/in/Canadian_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2793" href="https://www.academia.edu/Documents/in/Transnationalism">Transnationalism</a>, <script data-card-contents-for-ri="2793" type="text/json">{"id":2793,"name":"Transnationalism","url":"https://www.academia.edu/Documents/in/Transnationalism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4138" href="https://www.academia.edu/Documents/in/Hybridity">Hybridity</a><script data-card-contents-for-ri="4138" type="text/json">{"id":4138,"name":"Hybridity","url":"https://www.academia.edu/Documents/in/Hybridity?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=64565264]'), work: {"id":64565264,"title":"The Popularization of Belly Dance in Toronto, Canada (1950-1990): Hybridization and Uneven Exchange","created_at":"2021-12-16T08:14:32.156-08:00","url":"https://www.academia.edu/64565264/The_Popularization_of_Belly_Dance_in_Toronto_Canada_1950_1990_Hybridization_and_Uneven_Exchange?f_ri=16234","dom_id":"work_64565264","summary":"The Popularization of Belly Dance in Toronto, Canada (1950-1990): Hybridization and Uneven Exchange Anne Vermeyden Advisors: University of Guelph, 2016 Dr. Femi Kolapo and Dr. Renée Worringer Belly dance was first performed publicly in Toronto during the late nineteenth century. While immigrants to Canada from the Middle East faced discrimination, white audiences could not get enough of stereotypical portrayals of danse du ventre. Hollywood further popularized the Orientalist image of the belly dancer, and beginning in the 1950s, star Middle Eastern dancers like Samia Gamal and Nejla Ateş were making appearances on Toronto stages. By the 1960s, American, Middle Eastern, and Canadian dancers were performing belly dance in Toronto’s hotel nightclubs and restaurants. During belly dance’s peak popularity in the 1970s and 1980s, multiple venues were running two belly dance shows a night, six days a week, and belly dance classes were so popular they were often waitlisted. Why and how did ...","downloadable_attachments":[{"id":76543460,"asset_id":64565264,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":50981488,"first_name":"Anne","last_name":"Vermeyden","domain_name":"independent","page_name":"AnneVermeyden","display_name":"Anne Vermeyden","profile_url":"https://independent.academia.edu/AnneVermeyden?f_ri=16234","photo":"https://0.academia-photos.com/50981488/13502411/14689071/s65_anne.vermeyden.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":2412,"name":"Canadian History","url":"https://www.academia.edu/Documents/in/Canadian_History?f_ri=16234","nofollow":false},{"id":2793,"name":"Transnationalism","url":"https://www.academia.edu/Documents/in/Transnationalism?f_ri=16234","nofollow":false},{"id":4138,"name":"Hybridity","url":"https://www.academia.edu/Documents/in/Hybridity?f_ri=16234","nofollow":false},{"id":13006,"name":"Immigration History","url":"https://www.academia.edu/Documents/in/Immigration_History?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":51334,"name":"Orientalism","url":"https://www.academia.edu/Documents/in/Orientalism?f_ri=16234"},{"id":128635,"name":"Belly dance in a social-cultural context","url":"https://www.academia.edu/Documents/in/Belly_dance_in_a_social-cultural_context?f_ri=16234"},{"id":253606,"name":"Middle Eastern Dances","url":"https://www.academia.edu/Documents/in/Middle_Eastern_Dances?f_ri=16234"},{"id":992467,"name":"Oriental Dancers","url":"https://www.academia.edu/Documents/in/Oriental_Dancers?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25639982" data-work_id="25639982" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25639982/THE_DANCE_AT_LA_BOTIGA_DE_LA_BALDA_Performances_registration_based_on_data_collected_in_Libros_de_cuentas_del_teatro_1761_1832_">THE DANCE AT LA BOTIGA DE LA BALDA Performances registration based on data collected in Libros de cuentas del teatro (1761-1832).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Resumen El presente artículo parte del trabajo de investigación "Estudio sobre la presencia del baile en la programación teatral de la ciudad de Valencia entre los años 1761 y 1808 partiendo de los datos recopilados de la Hemeroteca... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25639982" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Resumen<br /><br />El presente artículo parte del trabajo de investigación "Estudio sobre la presencia del baile en la programación teatral de la ciudad de Valencia entre los años 1761 y 1808 partiendo de los datos recopilados de la Hemeroteca Municipal y del Archivo de la Diputación de Valencia, fondos del Hospital General". Dicho trabajo se completa con la investigación desarrollada dentro del Programa de Doctorado en Industrias de la comunicación y culturales, quedando ampliado a con un nuevo período que abarca desde 1808 a 1832 y se centra en los Fondos del Hospital hasta el momento en que cesan las representaciones en La Botiga de la Balda.<br />El objetivo es realizar una reconstrucción del papel del baile en la vida cultural de Valencia a través de su programación en los espacios de representación. En este sentido, detecta una falta de estudios específicos en el campo de la danza frente al campo del teatro, donde la información es más abundante.<br /><br />Palabras clave: baile; teatro; Valencia; representaciones; <br /><br /><br />Abstract<br /><br />This article comes from the investigation work "Study of the presence of dance in the theater program of the city of Valencia between 1761 and 1808 based on data collected from the Municipal Newspaper Archives and the Archive of the Provincial Council of Valencia,  General Hospital". It has been complete with the research developed within the Doctoral Program in communication industries and cultural, spanning from 1808 to 1832 and focuses on Hospital until the moment that La Botiga de la Balda was definitively closed.<br />The objective is a reconstruction of the role of dance in the cultural life of Valencia through its programming in the places of representation. In this sense, it detects a lack of specific studies in the field of dance, which is more abundant  in theater.<br /><br />Keywords: dance; theater; Valencia; performances;</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25639982" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a6a9b0966a8bf82c25cd392b489fe6b5" rel="nofollow" data-download="{"attachment_id":45976011,"asset_id":25639982,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45976011/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22220114" href="https://independent.academia.edu/Ver%C3%B3nicaGarc%C3%ADaMoscard%C3%B3">Verónica García Moscardó</a><script data-card-contents-for-user="22220114" type="text/json">{"id":22220114,"first_name":"Verónica","last_name":"García Moscardó","domain_name":"independent","page_name":"VerónicaGarcíaMoscardó","display_name":"Verónica García Moscardó","profile_url":"https://independent.academia.edu/Ver%C3%B3nicaGarc%C3%ADaMoscard%C3%B3?f_ri=16234","photo":"https://0.academia-photos.com/22220114/6080458/6895161/s65_ver_nica.garc_a_moscard_.jpg"}</script></span></span></li><li class="js-paper-rank-work_25639982 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25639982"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25639982, container: ".js-paper-rank-work_25639982", }); });</script></li><li class="js-percentile-work_25639982 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25639982; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_25639982"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_25639982 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="25639982"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25639982; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25639982]").text(description); $(".js-view-count-work_25639982").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25639982").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25639982"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a>, <script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29167" href="https://www.academia.edu/Documents/in/Dance">Dance</a><script data-card-contents-for-ri="29167" type="text/json">{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25639982]'), work: {"id":25639982,"title":"THE DANCE AT LA BOTIGA DE LA BALDA Performances registration based on data collected in Libros de cuentas del teatro (1761-1832).","created_at":"2016-05-26T14:50:20.469-07:00","url":"https://www.academia.edu/25639982/THE_DANCE_AT_LA_BOTIGA_DE_LA_BALDA_Performances_registration_based_on_data_collected_in_Libros_de_cuentas_del_teatro_1761_1832_?f_ri=16234","dom_id":"work_25639982","summary":"Resumen\n\nEl presente artículo parte del trabajo de investigación \"Estudio sobre la presencia del baile en la programación teatral de la ciudad de Valencia entre los años 1761 y 1808 partiendo de los datos recopilados de la Hemeroteca Municipal y del Archivo de la Diputación de Valencia, fondos del Hospital General\". Dicho trabajo se completa con la investigación desarrollada dentro del Programa de Doctorado en Industrias de la comunicación y culturales, quedando ampliado a con un nuevo período que abarca desde 1808 a 1832 y se centra en los Fondos del Hospital hasta el momento en que cesan las representaciones en La Botiga de la Balda.\nEl objetivo es realizar una reconstrucción del papel del baile en la vida cultural de Valencia a través de su programación en los espacios de representación. En este sentido, detecta una falta de estudios específicos en el campo de la danza frente al campo del teatro, donde la información es más abundante.\n\nPalabras clave: baile; teatro; Valencia; representaciones; \n\n\nAbstract\n\nThis article comes from the investigation work \"Study of the presence of dance in the theater program of the city of Valencia between 1761 and 1808 based on data collected from the Municipal Newspaper Archives and the Archive of the Provincial Council of Valencia, General Hospital\". It has been complete with the research developed within the Doctoral Program in communication industries and cultural, spanning from 1808 to 1832 and focuses on Hospital until the moment that La Botiga de la Balda was definitively closed.\nThe objective is a reconstruction of the role of dance in the cultural life of Valencia through its programming in the places of representation. In this sense, it detects a lack of specific studies in the field of dance, which is more abundant in theater.\n\nKeywords: dance; theater; Valencia; performances;\n","downloadable_attachments":[{"id":45976011,"asset_id":25639982,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22220114,"first_name":"Verónica","last_name":"García Moscardó","domain_name":"independent","page_name":"VerónicaGarcíaMoscardó","display_name":"Verónica García Moscardó","profile_url":"https://independent.academia.edu/Ver%C3%B3nicaGarc%C3%ADaMoscard%C3%B3?f_ri=16234","photo":"https://0.academia-photos.com/22220114/6080458/6895161/s65_ver_nica.garc_a_moscard_.jpg"}],"research_interests":[{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19685098" data-work_id="19685098" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19685098/Daris_Gabriella_Author_Rebel_Bodies_Exhibition_Extends_at_Quebec_Museum_of_Civilization">Daris, Gabriella (Author), “Rebel Bodies” Exhibition Extends at Quebec Museum of Civilization</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19685098" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2fe5f1bd60c90676d3a2128fe307f872" rel="nofollow" data-download="{"attachment_id":40782358,"asset_id":19685098,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40782358/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="82292" href="https://kingston.academia.edu/GABRIELLADARIS">GABRIELLA DARIS</a><script data-card-contents-for-user="82292" type="text/json">{"id":82292,"first_name":"GABRIELLA","last_name":"DARIS","domain_name":"kingston","page_name":"GABRIELLADARIS","display_name":"GABRIELLA DARIS","profile_url":"https://kingston.academia.edu/GABRIELLADARIS?f_ri=16234","photo":"https://0.academia-photos.com/82292/22881/18814205/s65_gabriella.daris.jpg"}</script></span></span></li><li class="js-paper-rank-work_19685098 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19685098"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19685098, container: ".js-paper-rank-work_19685098", }); });</script></li><li class="js-percentile-work_19685098 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19685098; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19685098"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19685098 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19685098"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19685098; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19685098]").text(description); $(".js-view-count-work_19685098").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19685098").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19685098"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13606" href="https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design">Museums and Exhibition Design</a>, <script data-card-contents-for-ri="13606" type="text/json">{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19685098]'), work: {"id":19685098,"title":"Daris, Gabriella (Author), “Rebel Bodies” Exhibition Extends at Quebec Museum of Civilization","created_at":"2015-12-16T03:20:04.504-08:00","url":"https://www.academia.edu/19685098/Daris_Gabriella_Author_Rebel_Bodies_Exhibition_Extends_at_Quebec_Museum_of_Civilization?f_ri=16234","dom_id":"work_19685098","summary":null,"downloadable_attachments":[{"id":40782358,"asset_id":19685098,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":82292,"first_name":"GABRIELLA","last_name":"DARIS","domain_name":"kingston","page_name":"GABRIELLADARIS","display_name":"GABRIELLA DARIS","profile_url":"https://kingston.academia.edu/GABRIELLADARIS?f_ri=16234","photo":"https://0.academia-photos.com/82292/22881/18814205/s65_gabriella.daris.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_14979788" data-work_id="14979788" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/14979788/A_visual_genealogy_of_german_modern_dance">A visual genealogy of german modern dance</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Tableau retraçant la généalogie de la danse moderne allemande, des précurseurs aux chorégraphes contemporains.<br /><br />A visual genealogy of german modern dance history from the beginners to the contemporary choreographers.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14979788" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a85fd659acd76602f84d9ae5236a46d5" rel="nofollow" data-download="{"attachment_id":38494959,"asset_id":14979788,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38494959/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="32059807" href="https://univ-lorraine.academia.edu/DanielSouli%C3%A9">Daniel Soulié</a><script data-card-contents-for-user="32059807" type="text/json">{"id":32059807,"first_name":"Daniel","last_name":"Soulié","domain_name":"univ-lorraine","page_name":"DanielSoulié","display_name":"Daniel Soulié","profile_url":"https://univ-lorraine.academia.edu/DanielSouli%C3%A9?f_ri=16234","photo":"https://0.academia-photos.com/32059807/9564539/10654365/s65_daniel.souli_.jpg_oh_1009423d75bb3175074ea276a24fadb6_oe_5602a7d0___gda___1442890310_95fb5e66a3bdf1434b3b6180a3fe96c5"}</script></span></span></li><li class="js-paper-rank-work_14979788 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14979788"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14979788, container: ".js-paper-rank-work_14979788", }); });</script></li><li class="js-percentile-work_14979788 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 14979788; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_14979788"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_14979788 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="14979788"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 14979788; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=14979788]").text(description); $(".js-view-count-work_14979788").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_14979788").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="14979788"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="328185" href="https://www.academia.edu/Documents/in/Ausdruckstanz">Ausdruckstanz</a>, <script data-card-contents-for-ri="328185" type="text/json">{"id":328185,"name":"Ausdruckstanz","url":"https://www.academia.edu/Documents/in/Ausdruckstanz?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="446685" href="https://www.academia.edu/Documents/in/Tanztheater">Tanztheater</a><script data-card-contents-for-ri="446685" type="text/json">{"id":446685,"name":"Tanztheater","url":"https://www.academia.edu/Documents/in/Tanztheater?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=14979788]'), work: {"id":14979788,"title":"A visual genealogy of german modern dance","created_at":"2015-08-17T04:49:30.269-07:00","url":"https://www.academia.edu/14979788/A_visual_genealogy_of_german_modern_dance?f_ri=16234","dom_id":"work_14979788","summary":"Tableau retraçant la généalogie de la danse moderne allemande, des précurseurs aux chorégraphes contemporains.\n\nA visual genealogy of german modern dance history from the beginners to the contemporary choreographers.","downloadable_attachments":[{"id":38494959,"asset_id":14979788,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":32059807,"first_name":"Daniel","last_name":"Soulié","domain_name":"univ-lorraine","page_name":"DanielSoulié","display_name":"Daniel Soulié","profile_url":"https://univ-lorraine.academia.edu/DanielSouli%C3%A9?f_ri=16234","photo":"https://0.academia-photos.com/32059807/9564539/10654365/s65_daniel.souli_.jpg_oh_1009423d75bb3175074ea276a24fadb6_oe_5602a7d0___gda___1442890310_95fb5e66a3bdf1434b3b6180a3fe96c5"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":328185,"name":"Ausdruckstanz","url":"https://www.academia.edu/Documents/in/Ausdruckstanz?f_ri=16234","nofollow":false},{"id":446685,"name":"Tanztheater","url":"https://www.academia.edu/Documents/in/Tanztheater?f_ri=16234","nofollow":false},{"id":1335689,"name":"German Expressionist Dance","url":"https://www.academia.edu/Documents/in/German_Expressionist_Dance?f_ri=16234"},{"id":1658194,"name":"Histoire De La Danse","url":"https://www.academia.edu/Documents/in/Histoire_De_La_Danse?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39931732" data-work_id="39931732" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39931732/How_is_Indian_classical_dance_viewed_abroad_Some_answers_from_a_diplomat_dancer_and_a_scholar">How is Indian classical dance viewed abroad? Some answers from a diplomat, dancer and a scholar</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">How is Indian classical dance viewed abroad? The place and impact of India’s dance traditions throughout the world is obviously a vast subject covering space and time. It has perhaps almost as many perspectives as there are artists and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39931732" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">How is Indian classical dance viewed abroad?<br /><br />The place and impact of India’s dance traditions throughout the world is obviously a vast subject covering space and time. It has perhaps almost as many perspectives as there are artists and audiences. Recently I invited a dance scholar, a mid-career international performing artist and a former Indian ambassador to offer their thoughts and experiences as part of a seminar.<br /><br />Ambassador Amarendra Khatua is an all-too-rare civil servant who brought significant knowledge and familiarity with arts and artists to his international postings as well director of ICCR. He shared that there are approximately 7,600 classical art schools outside India and 367,000 recognized classical Indian arts performers. Surprisingly, these are not just in the Indian Diaspora countries but all over the globe. <br /><br />A question he raised is whether these arts, which are recognized and appreciated abroad, have entered the local lexicon of the arts internationally. Khatua also shared his personal view, after 38 years as a Foreign Service bureaucrat, that government should not function as a patron of the arts running institutions but should simply offer financial support. He also raised the question of the motivation and impact for India of taking our performing arts abroad. There are 32 million non-resident Indians persons of Indian origin abroad. We tell them they are ambassadors of India but are they ambassadors of our performing arts? Or are they opportunistic promoters of our performing arts during their conferences and festival events?<br /><br />Bharatanatyam exponent Rama Vaidyanathan articulated the responsibility of representing Indian Sanskriti and connecting to both the Indian Diaspora and local nationals worldwide. I was happy to hear that she shared my experience that “it is the emotive power of Indian dance that really stirs the soul of the audience that connects to them and is different from their familiar dance forms rather than the general assumption that fast-paced rhythmic nritta”.<br /><br />Dance scholar Arshiya  Sethi shared her research into the creative interactions, based on fact and imagination, of Western artists connecting to the Indian dance genres available to them in the early and mid-20th century. These included Ruth St Denis, Anna Pavlova, La Meri who promoted Ram Gopal, Jazz and film choreographer Jack Cole who trained under La Meri, and many more, creating a considerable tapestry of artistic and cultural influences and interactions as well as the downside of devadasis exhibited in fairs.  <br /><br />She gave an historical panorama of the tapestry of these connections. “The transference of Indian dance overseas is a process that has been going on in phases for 140 years. A Nautch group that went in the 1880s to perform in exhibitions and fairs provided glimpses of spiritual elements draped in saris, though tinged with racist and sexist stereotypes.<br /><br />Basically these were people who were fascinated by India. There are questions of representation, authenticity even today when we have reclaimed and researched so much that was not available earlier in the 20th century. <br /><br />The 1960’s STEM visas for the USA brought highly skilled immigrants with wives trained in classical dance who found a few interested American students to teach. In the 1980’s USA visa policy changed which led to many Indians coming, trained dancers among them, and the rise of Indian dance schools everywhere with more Indian origin students as the number of American students reduced.”<br /><br />Arshiya’s historical overview led to the conclusion that the visibility of Indian dance has improved considerably in the USA with an Indian dancer, Ranee Ramaswamy, in the National Endowment for the Arts which determines national funding and other dancers getting national, state and local funding. <br /><br />Of course, this is a subject I have enjoyed observing over the decades since I was first exposed to India and Indian classical dance during the 1950’s as a child in multi-culturally vibrant Detroit, Michigan. The transmission of tradition here and abroad, along with its understanding and appreciation, is an evergreen subject I plunge into regularly. This was a few drops from this ocean.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39931732" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="57fee835b67175764de46ee703d9902e" rel="nofollow" data-download="{"attachment_id":60119245,"asset_id":39931732,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60119245/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38915407" href="https://independent.academia.edu/SharonLowen">Sharon Lowen</a><script data-card-contents-for-user="38915407" type="text/json">{"id":38915407,"first_name":"Sharon","last_name":"Lowen","domain_name":"independent","page_name":"SharonLowen","display_name":"Sharon Lowen","profile_url":"https://independent.academia.edu/SharonLowen?f_ri=16234","photo":"https://0.academia-photos.com/38915407/27761855/26054401/s65_sharon.lowen.jpg"}</script></span></span></li><li class="js-paper-rank-work_39931732 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39931732"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39931732, container: ".js-paper-rank-work_39931732", }); });</script></li><li class="js-percentile-work_39931732 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39931732; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39931732"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39931732 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39931732"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39931732; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39931732]").text(description); $(".js-view-count-work_39931732").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39931732").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39931732"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a>, <script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13144" href="https://www.academia.edu/Documents/in/Indian_Diaspora_Migration_and_Ethnicity_">Indian Diaspora (Migration and Ethnicity)</a>, <script data-card-contents-for-ri="13144" type="text/json">{"id":13144,"name":"Indian Diaspora (Migration and Ethnicity)","url":"https://www.academia.edu/Documents/in/Indian_Diaspora_Migration_and_Ethnicity_?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39931732]'), work: {"id":39931732,"title":"How is Indian classical dance viewed abroad? Some answers from a diplomat, dancer and a scholar","created_at":"2019-07-25T23:08:53.157-07:00","url":"https://www.academia.edu/39931732/How_is_Indian_classical_dance_viewed_abroad_Some_answers_from_a_diplomat_dancer_and_a_scholar?f_ri=16234","dom_id":"work_39931732","summary":"How is Indian classical dance viewed abroad?\n\nThe place and impact of India’s dance traditions throughout the world is obviously a vast subject covering space and time. It has perhaps almost as many perspectives as there are artists and audiences. Recently I invited a dance scholar, a mid-career international performing artist and a former Indian ambassador to offer their thoughts and experiences as part of a seminar.\n\nAmbassador Amarendra Khatua is an all-too-rare civil servant who brought significant knowledge and familiarity with arts and artists to his international postings as well director of ICCR. He shared that there are approximately 7,600 classical art schools outside India and 367,000 recognized classical Indian arts performers. Surprisingly, these are not just in the Indian Diaspora countries but all over the globe. \n\nA question he raised is whether these arts, which are recognized and appreciated abroad, have entered the local lexicon of the arts internationally. Khatua also shared his personal view, after 38 years as a Foreign Service bureaucrat, that government should not function as a patron of the arts running institutions but should simply offer financial support. He also raised the question of the motivation and impact for India of taking our performing arts abroad. There are 32 million non-resident Indians persons of Indian origin abroad. We tell them they are ambassadors of India but are they ambassadors of our performing arts? Or are they opportunistic promoters of our performing arts during their conferences and festival events?\n\nBharatanatyam exponent Rama Vaidyanathan articulated the responsibility of representing Indian Sanskriti and connecting to both the Indian Diaspora and local nationals worldwide. I was happy to hear that she shared my experience that “it is the emotive power of Indian dance that really stirs the soul of the audience that connects to them and is different from their familiar dance forms rather than the general assumption that fast-paced rhythmic nritta”.\n\nDance scholar Arshiya Sethi shared her research into the creative interactions, based on fact and imagination, of Western artists connecting to the Indian dance genres available to them in the early and mid-20th century. These included Ruth St Denis, Anna Pavlova, La Meri who promoted Ram Gopal, Jazz and film choreographer Jack Cole who trained under La Meri, and many more, creating a considerable tapestry of artistic and cultural influences and interactions as well as the downside of devadasis exhibited in fairs. \n\nShe gave an historical panorama of the tapestry of these connections. “The transference of Indian dance overseas is a process that has been going on in phases for 140 years. A Nautch group that went in the 1880s to perform in exhibitions and fairs provided glimpses of spiritual elements draped in saris, though tinged with racist and sexist stereotypes.\n\nBasically these were people who were fascinated by India. There are questions of representation, authenticity even today when we have reclaimed and researched so much that was not available earlier in the 20th century. \n\nThe 1960’s STEM visas for the USA brought highly skilled immigrants with wives trained in classical dance who found a few interested American students to teach. In the 1980’s USA visa policy changed which led to many Indians coming, trained dancers among them, and the rise of Indian dance schools everywhere with more Indian origin students as the number of American students reduced.”\n\nArshiya’s historical overview led to the conclusion that the visibility of Indian dance has improved considerably in the USA with an Indian dancer, Ranee Ramaswamy, in the National Endowment for the Arts which determines national funding and other dancers getting national, state and local funding. \n\nOf course, this is a subject I have enjoyed observing over the decades since I was first exposed to India and Indian classical dance during the 1950’s as a child in multi-culturally vibrant Detroit, Michigan. The transmission of tradition here and abroad, along with its understanding and appreciation, is an evergreen subject I plunge into regularly. This was a few drops from this ocean.\n\n\n\n\n\n\n","downloadable_attachments":[{"id":60119245,"asset_id":39931732,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38915407,"first_name":"Sharon","last_name":"Lowen","domain_name":"independent","page_name":"SharonLowen","display_name":"Sharon Lowen","profile_url":"https://independent.academia.edu/SharonLowen?f_ri=16234","photo":"https://0.academia-photos.com/38915407/27761855/26054401/s65_sharon.lowen.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false},{"id":13144,"name":"Indian Diaspora (Migration and Ethnicity)","url":"https://www.academia.edu/Documents/in/Indian_Diaspora_Migration_and_Ethnicity_?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":43838,"name":"India","url":"https://www.academia.edu/Documents/in/India?f_ri=16234"},{"id":425552,"name":"Indian Classical Dance","url":"https://www.academia.edu/Documents/in/Indian_Classical_Dance?f_ri=16234"},{"id":915830,"name":"Indian Aesthetics Visual Culture","url":"https://www.academia.edu/Documents/in/Indian_Aesthetics_Visual_Culture?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1972031" data-work_id="1972031" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1972031/_That_Unspeakable_Somewhat_Bill_T_Jones_Abraham_Lincoln_and_the_Question_of_Iconicity">“That Unspeakable Somewhat”: Bill T. Jones, Abraham Lincoln, and the Question of Iconicity</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1972031" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="99f177ae91134a758b03a3955dfef0f9" rel="nofollow" data-download="{"attachment_id":28516461,"asset_id":1972031,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/28516461/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="269794" href="https://calarts.academia.edu/ArielOsterweis">Ariel Osterweis</a><script data-card-contents-for-user="269794" type="text/json">{"id":269794,"first_name":"Ariel","last_name":"Osterweis","domain_name":"calarts","page_name":"ArielOsterweis","display_name":"Ariel Osterweis","profile_url":"https://calarts.academia.edu/ArielOsterweis?f_ri=16234","photo":"https://0.academia-photos.com/269794/56188/37417187/s65_ariel.osterweis.jpeg"}</script></span></span></li><li class="js-paper-rank-work_1972031 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1972031"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1972031, container: ".js-paper-rank-work_1972031", }); });</script></li><li class="js-percentile-work_1972031 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1972031; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1972031"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1972031 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1972031"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1972031; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1972031]").text(description); $(".js-view-count-work_1972031").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1972031").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1972031"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="945" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2337" href="https://www.academia.edu/Documents/in/Performance_Studies">Performance Studies</a>, <script data-card-contents-for-ri="2337" type="text/json">{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a><script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1972031]'), work: {"id":1972031,"title":"“That Unspeakable Somewhat”: Bill T. Jones, Abraham Lincoln, and the Question of Iconicity","created_at":"2012-09-26T13:12:20.170-07:00","url":"https://www.academia.edu/1972031/_That_Unspeakable_Somewhat_Bill_T_Jones_Abraham_Lincoln_and_the_Question_of_Iconicity?f_ri=16234","dom_id":"work_1972031","summary":null,"downloadable_attachments":[{"id":28516461,"asset_id":1972031,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":269794,"first_name":"Ariel","last_name":"Osterweis","domain_name":"calarts","page_name":"ArielOsterweis","display_name":"Ariel Osterweis","profile_url":"https://calarts.academia.edu/ArielOsterweis?f_ri=16234","photo":"https://0.academia-photos.com/269794/56188/37417187/s65_ariel.osterweis.jpeg"}],"research_interests":[{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234","nofollow":false},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false},{"id":5247,"name":"Critical Race Theory","url":"https://www.academia.edu/Documents/in/Critical_Race_Theory?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38986006" data-work_id="38986006" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38986006/The_Ballets_of_Maurice_B%C3%A9jart_as_Evidence_of_Shift_from_the_Meta_Narrative">The Ballets of Maurice Béjart as Evidence of Shift from the Meta-Narrative</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This short discussion considers 3 of Béjart’s ballets created under the influence of cultural currents in France and then Belgium, as a reflection of the labyrinthine of historical perspective in the France 1950 through 1970.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38986006" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3dce5fd43894933dfc25c73a12a6389d" rel="nofollow" data-download="{"attachment_id":59092126,"asset_id":38986006,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59092126/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="101449084" href="https://ju.academia.edu/AliaMontijo">Alia Montijo</a><script data-card-contents-for-user="101449084" type="text/json">{"id":101449084,"first_name":"Alia","last_name":"Montijo","domain_name":"ju","page_name":"AliaMontijo","display_name":"Alia Montijo","profile_url":"https://ju.academia.edu/AliaMontijo?f_ri=16234","photo":"https://0.academia-photos.com/101449084/26267904/30498967/s65_alia.montijo.jpg"}</script></span></span></li><li class="js-paper-rank-work_38986006 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38986006"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38986006, container: ".js-paper-rank-work_38986006", }); });</script></li><li class="js-percentile-work_38986006 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38986006; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38986006"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38986006 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38986006"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38986006; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38986006]").text(description); $(".js-view-count-work_38986006").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38986006").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38986006"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29167" href="https://www.academia.edu/Documents/in/Dance">Dance</a><script data-card-contents-for-ri="29167" type="text/json">{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38986006]'), work: {"id":38986006,"title":"The Ballets of Maurice Béjart as Evidence of Shift from the Meta-Narrative","created_at":"2019-04-30T10:50:44.477-07:00","url":"https://www.academia.edu/38986006/The_Ballets_of_Maurice_B%C3%A9jart_as_Evidence_of_Shift_from_the_Meta_Narrative?f_ri=16234","dom_id":"work_38986006","summary":"This short discussion considers 3 of Béjart’s ballets created under the influence of cultural currents in France and then Belgium, as a reflection of the labyrinthine of historical perspective in the France 1950 through 1970. ","downloadable_attachments":[{"id":59092126,"asset_id":38986006,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":101449084,"first_name":"Alia","last_name":"Montijo","domain_name":"ju","page_name":"AliaMontijo","display_name":"Alia Montijo","profile_url":"https://ju.academia.edu/AliaMontijo?f_ri=16234","photo":"https://0.academia-photos.com/101449084/26267904/30498967/s65_alia.montijo.jpg"}],"research_interests":[{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38295435" data-work_id="38295435" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38295435/arlecchino_tra_lambranzi_e_le_rousseau_pdf">arlecchino tra lambranzi e le rousseau.pdf</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38295435" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="826fc6e3ba3a443c820496409b29ce49" rel="nofollow" data-download="{"attachment_id":58342643,"asset_id":38295435,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58342643/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22395219" href="https://uniroma1.academia.edu/ornelladitondo">ornella di tondo</a><script data-card-contents-for-user="22395219" type="text/json">{"id":22395219,"first_name":"ornella","last_name":"di tondo","domain_name":"uniroma1","page_name":"ornelladitondo","display_name":"ornella di tondo","profile_url":"https://uniroma1.academia.edu/ornelladitondo?f_ri=16234","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38295435 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38295435"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38295435, container: ".js-paper-rank-work_38295435", }); });</script></li><li class="js-percentile-work_38295435 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38295435; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38295435"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38295435 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38295435"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38295435; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38295435]").text(description); $(".js-view-count-work_38295435").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38295435").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38295435"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19556" href="https://www.academia.edu/Documents/in/Commedia_dellarte">Commedia dell'arte</a>, <script data-card-contents-for-ri="19556" type="text/json">{"id":19556,"name":"Commedia dell'arte","url":"https://www.academia.edu/Documents/in/Commedia_dellarte?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1771115" href="https://www.academia.edu/Documents/in/Baroque_Dance">Baroque Dance</a><script data-card-contents-for-ri="1771115" type="text/json">{"id":1771115,"name":"Baroque Dance","url":"https://www.academia.edu/Documents/in/Baroque_Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38295435]'), work: {"id":38295435,"title":"arlecchino tra lambranzi e le rousseau.pdf","created_at":"2019-02-06T01:26:16.931-08:00","url":"https://www.academia.edu/38295435/arlecchino_tra_lambranzi_e_le_rousseau_pdf?f_ri=16234","dom_id":"work_38295435","summary":null,"downloadable_attachments":[{"id":58342643,"asset_id":38295435,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22395219,"first_name":"ornella","last_name":"di tondo","domain_name":"uniroma1","page_name":"ornelladitondo","display_name":"ornella di tondo","profile_url":"https://uniroma1.academia.edu/ornelladitondo?f_ri=16234","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":19556,"name":"Commedia dell'arte","url":"https://www.academia.edu/Documents/in/Commedia_dellarte?f_ri=16234","nofollow":false},{"id":1771115,"name":"Baroque Dance","url":"https://www.academia.edu/Documents/in/Baroque_Dance?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1446080" data-work_id="1446080" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1446080/La_Scena_Digitale_Il_digitale_nellinsegnamento_della_danza">La Scena Digitale. Il digitale nell'insegnamento della danza</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1446080" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="32e0e5be1549c837f606c14c456916ec" rel="nofollow" data-download="{"attachment_id":11194913,"asset_id":1446080,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/11194913/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="589114" href="https://independent.academia.edu/ArmandoMenicacci">Armando Menicacci</a><script data-card-contents-for-user="589114" type="text/json">{"id":589114,"first_name":"Armando","last_name":"Menicacci","domain_name":"independent","page_name":"ArmandoMenicacci","display_name":"Armando Menicacci","profile_url":"https://independent.academia.edu/ArmandoMenicacci?f_ri=16234","photo":"https://0.academia-photos.com/589114/208232/3043259/s65_armando.menicacci.jpg"}</script></span></span></li><li class="js-paper-rank-work_1446080 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1446080"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1446080, container: ".js-paper-rank-work_1446080", }); });</script></li><li class="js-percentile-work_1446080 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1446080; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1446080"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1446080 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1446080"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1446080; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1446080]").text(description); $(".js-view-count-work_1446080").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1446080").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1446080"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">41</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="933" href="https://www.academia.edu/Documents/in/New_Media">New Media</a>, <script data-card-contents-for-ri="933" type="text/json">{"id":933,"name":"New Media","url":"https://www.academia.edu/Documents/in/New_Media?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1003" href="https://www.academia.edu/Documents/in/Educational_Technology">Educational Technology</a>, <script data-card-contents-for-ri="1003" type="text/json">{"id":1003,"name":"Educational Technology","url":"https://www.academia.edu/Documents/in/Educational_Technology?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a><script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1446080]'), work: {"id":1446080,"title":"La Scena Digitale. Il digitale nell'insegnamento della danza","created_at":"2012-02-29T08:11:19.578-08:00","url":"https://www.academia.edu/1446080/La_Scena_Digitale_Il_digitale_nellinsegnamento_della_danza?f_ri=16234","dom_id":"work_1446080","summary":null,"downloadable_attachments":[{"id":11194913,"asset_id":1446080,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":589114,"first_name":"Armando","last_name":"Menicacci","domain_name":"independent","page_name":"ArmandoMenicacci","display_name":"Armando Menicacci","profile_url":"https://independent.academia.edu/ArmandoMenicacci?f_ri=16234","photo":"https://0.academia-photos.com/589114/208232/3043259/s65_armando.menicacci.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=16234","nofollow":false},{"id":933,"name":"New Media","url":"https://www.academia.edu/Documents/in/New_Media?f_ri=16234","nofollow":false},{"id":1003,"name":"Educational Technology","url":"https://www.academia.edu/Documents/in/Educational_Technology?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=16234"},{"id":1598,"name":"Software for dance","url":"https://www.academia.edu/Documents/in/Software_for_dance?f_ri=16234"},{"id":2310,"name":"Dance/Movement Therapy","url":"https://www.academia.edu/Documents/in/Dance_Movement_Therapy?f_ri=16234"},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media?f_ri=16234"},{"id":3103,"name":"Dance Medicine and Science","url":"https://www.academia.edu/Documents/in/Dance_Medicine_and_Science?f_ri=16234"},{"id":3104,"name":"Dance Science","url":"https://www.academia.edu/Documents/in/Dance_Science?f_ri=16234"},{"id":3147,"name":"Gesture","url":"https://www.academia.edu/Documents/in/Gesture?f_ri=16234"},{"id":3398,"name":"Educational Psychology","url":"https://www.academia.edu/Documents/in/Educational_Psychology?f_ri=16234"},{"id":3419,"name":"Multimedia","url":"https://www.academia.edu/Documents/in/Multimedia?f_ri=16234"},{"id":3429,"name":"Educational Research","url":"https://www.academia.edu/Documents/in/Educational_Research?f_ri=16234"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=16234"},{"id":4052,"name":"Arts Education","url":"https://www.academia.edu/Documents/in/Arts_Education?f_ri=16234"},{"id":4099,"name":"Dance Knowledge","url":"https://www.academia.edu/Documents/in/Dance_Knowledge?f_ri=16234"},{"id":5044,"name":"Embodiment","url":"https://www.academia.edu/Documents/in/Embodiment?f_ri=16234"},{"id":5712,"name":"Narrative and Design","url":"https://www.academia.edu/Documents/in/Narrative_and_Design?f_ri=16234"},{"id":6871,"name":"Bakhtin","url":"https://www.academia.edu/Documents/in/Bakhtin?f_ri=16234"},{"id":8088,"name":"Sound","url":"https://www.academia.edu/Documents/in/Sound?f_ri=16234"},{"id":8256,"name":"Machinima","url":"https://www.academia.edu/Documents/in/Machinima?f_ri=16234"},{"id":9043,"name":"Performance","url":"https://www.academia.edu/Documents/in/Performance?f_ri=16234"},{"id":9471,"name":"Reading","url":"https://www.academia.edu/Documents/in/Reading?f_ri=16234"},{"id":15187,"name":"Dancer Training and Working Practices","url":"https://www.academia.edu/Documents/in/Dancer_Training_and_Working_Practices?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":17422,"name":"Dance and the brain","url":"https://www.academia.edu/Documents/in/Dance_and_the_brain?f_ri=16234"},{"id":19712,"name":"Dance and Aesthetics","url":"https://www.academia.edu/Documents/in/Dance_and_Aesthetics?f_ri=16234"},{"id":19800,"name":"Cognitive Dance Studies","url":"https://www.academia.edu/Documents/in/Cognitive_Dance_Studies?f_ri=16234"},{"id":20516,"name":"Dialogism","url":"https://www.academia.edu/Documents/in/Dialogism?f_ri=16234"},{"id":21265,"name":"Art and technology","url":"https://www.academia.edu/Documents/in/Art_and_technology?f_ri=16234"},{"id":21842,"name":"Virtual Worlds","url":"https://www.academia.edu/Documents/in/Virtual_Worlds?f_ri=16234"},{"id":24477,"name":"Dance Education","url":"https://www.academia.edu/Documents/in/Dance_Education?f_ri=16234"},{"id":25642,"name":"Modern and Contemporary Dance","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance?f_ri=16234"},{"id":25806,"name":"Physical Education","url":"https://www.academia.edu/Documents/in/Physical_Education?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":49905,"name":"Sport","url":"https://www.academia.edu/Documents/in/Sport?f_ri=16234"},{"id":63097,"name":"Exercise Science","url":"https://www.academia.edu/Documents/in/Exercise_Science?f_ri=16234"},{"id":168614,"name":"Cyborgs","url":"https://www.academia.edu/Documents/in/Cyborgs?f_ri=16234"},{"id":228910,"name":"Game Spaces","url":"https://www.academia.edu/Documents/in/Game_Spaces?f_ri=16234"},{"id":542065,"name":"Spatial Story Telling","url":"https://www.academia.edu/Documents/in/Spatial_Story_Telling?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10073602" data-work_id="10073602" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10073602/Enzo_Cosimi_Gruppo_Occh%C3%A8sc_Compagnia_di_danza_Enzo_Cosimi_Arezzo_Zona_2002">Enzo Cosimi. Gruppo Occhèsc. Compagnia di danza Enzo Cosimi, Arezzo: Zona, 2002</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Da Calore a Sciame fino ai più recenti Bacon e Hallo Kitty! la danza e il teatro di Enzo Cosimi, protagonista della scena coreografica d'autore di oggi, interpreta da sempre un compattimento invisibile: quello tra la lingua del desiderio... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10073602" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Da Calore a Sciame fino ai più recenti Bacon e Hallo Kitty! la danza e il teatro di Enzo Cosimi, protagonista della scena coreografica d'autore di oggi, interpreta da sempre un compattimento invisibile: quello tra la lingua del desiderio e l'affermazione dell'animalità dell'umano.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10073602" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5eef55f19a48b47c9283daac17a7c39c" rel="nofollow" data-download="{"attachment_id":36199758,"asset_id":10073602,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36199758/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24529022" href="https://iuav1.academia.edu/StefanoTomassini">Stefano Tomassini</a><script data-card-contents-for-user="24529022" type="text/json">{"id":24529022,"first_name":"Stefano","last_name":"Tomassini","domain_name":"iuav1","page_name":"StefanoTomassini","display_name":"Stefano Tomassini","profile_url":"https://iuav1.academia.edu/StefanoTomassini?f_ri=16234","photo":"https://0.academia-photos.com/24529022/6625503/20504678/s65_stefano.tomassini.jpg"}</script></span></span></li><li class="js-paper-rank-work_10073602 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10073602"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10073602, container: ".js-paper-rank-work_10073602", }); });</script></li><li class="js-percentile-work_10073602 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10073602; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_10073602"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_10073602 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="10073602"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10073602; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10073602]").text(description); $(".js-view-count-work_10073602").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10073602").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10073602"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2337" href="https://www.academia.edu/Documents/in/Performance_Studies">Performance Studies</a>, <script data-card-contents-for-ri="2337" type="text/json">{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24462" href="https://www.academia.edu/Documents/in/Contemporary_Dance">Contemporary Dance</a><script data-card-contents-for-ri="24462" type="text/json">{"id":24462,"name":"Contemporary Dance","url":"https://www.academia.edu/Documents/in/Contemporary_Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10073602]'), work: {"id":10073602,"title":"Enzo Cosimi. Gruppo Occhèsc. Compagnia di danza Enzo Cosimi, Arezzo: Zona, 2002","created_at":"2015-01-08T09:29:20.646-08:00","url":"https://www.academia.edu/10073602/Enzo_Cosimi_Gruppo_Occh%C3%A8sc_Compagnia_di_danza_Enzo_Cosimi_Arezzo_Zona_2002?f_ri=16234","dom_id":"work_10073602","summary":"Da Calore a Sciame fino ai più recenti Bacon e Hallo Kitty! la danza e il teatro di Enzo Cosimi, protagonista della scena coreografica d'autore di oggi, interpreta da sempre un compattimento invisibile: quello tra la lingua del desiderio e l'affermazione dell'animalità dell'umano.","downloadable_attachments":[{"id":36199758,"asset_id":10073602,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24529022,"first_name":"Stefano","last_name":"Tomassini","domain_name":"iuav1","page_name":"StefanoTomassini","display_name":"Stefano Tomassini","profile_url":"https://iuav1.academia.edu/StefanoTomassini?f_ri=16234","photo":"https://0.academia-photos.com/24529022/6625503/20504678/s65_stefano.tomassini.jpg"}],"research_interests":[{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":24462,"name":"Contemporary Dance","url":"https://www.academia.edu/Documents/in/Contemporary_Dance?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3598780" data-work_id="3598780" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3598780/Daghdha_2007_Booklet">Daghdha 2007 Booklet</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3598780" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a87adc29c5b0614e0e1b5545a326a8d3" rel="nofollow" data-download="{"attachment_id":31296770,"asset_id":3598780,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31296770/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="958092" href="https://duke.academia.edu/MichaelKlien">Michael Klien</a><script data-card-contents-for-user="958092" type="text/json">{"id":958092,"first_name":"Michael","last_name":"Klien","domain_name":"duke","page_name":"MichaelKlien","display_name":"Michael Klien","profile_url":"https://duke.academia.edu/MichaelKlien?f_ri=16234","photo":"https://0.academia-photos.com/958092/1585631/25311306/s65_michael.klien.jpg"}</script></span></span></li><li class="js-paper-rank-work_3598780 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3598780"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3598780, container: ".js-paper-rank-work_3598780", }); });</script></li><li class="js-percentile-work_3598780 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3598780; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3598780"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3598780 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3598780"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3598780; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3598780]").text(description); $(".js-view-count-work_3598780").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3598780").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3598780"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="386" href="https://www.academia.edu/Documents/in/Irish_Studies">Irish Studies</a>, <script data-card-contents-for-ri="386" type="text/json">{"id":386,"name":"Irish Studies","url":"https://www.academia.edu/Documents/in/Irish_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5676" href="https://www.academia.edu/Documents/in/Choreography">Choreography</a>, <script data-card-contents-for-ri="5676" type="text/json">{"id":5676,"name":"Choreography","url":"https://www.academia.edu/Documents/in/Choreography?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3598780]'), work: {"id":3598780,"title":"Daghdha 2007 Booklet","created_at":"2013-05-24T07:04:43.292-07:00","url":"https://www.academia.edu/3598780/Daghdha_2007_Booklet?f_ri=16234","dom_id":"work_3598780","summary":null,"downloadable_attachments":[{"id":31296770,"asset_id":3598780,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":958092,"first_name":"Michael","last_name":"Klien","domain_name":"duke","page_name":"MichaelKlien","display_name":"Michael Klien","profile_url":"https://duke.academia.edu/MichaelKlien?f_ri=16234","photo":"https://0.academia-photos.com/958092/1585631/25311306/s65_michael.klien.jpg"}],"research_interests":[{"id":386,"name":"Irish Studies","url":"https://www.academia.edu/Documents/in/Irish_Studies?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":5676,"name":"Choreography","url":"https://www.academia.edu/Documents/in/Choreography?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_61862537" data-work_id="61862537" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/61862537/Le_inedite_stagioni_della_danza_al_Teatro_Club_di_Anne_d_Arbeloff_e_Gerardo_Guerrieri">Le inedite stagioni della danza al Teatro Club di Anne d’Arbeloff e Gerardo Guerrieri</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">L’autrice ha selezionato e analizzato con una prospettiva storica l’ampio materiale documentario presente nell’Archivio del Teatro Club, situato nella Biblioteca “Antonio Baldini” di Roma, con il fine di portare alla luce la ricca e... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_61862537" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">L’autrice ha selezionato e analizzato con una prospettiva storica l’ampio materiale documentario presente nell’Archivio del Teatro Club, situato nella Biblioteca “Antonio Baldini” di Roma, con il fine di portare alla luce la ricca e innovativa produzione degli eventi di danza organizzati dall’Associazione nei suoi primi anni, dal 1957 al 1966. Il saggio si concentra inoltre su alcuni spettacoli significativi per l’originalità delle scelte artistiche della programmazione e rispetto a ciò che offriva il panorama teatrale italiano in quel preciso momento storico, proponendo diversi spunti di riflessione su un argomento ancora inesplorato dagli studi di storia della danza e di cui si dà una prima puntuale ricognizione.<br /><br />The Innovative Dance Seasons at Teatro Club of Anne d’Arbeloff and Gerardo Guerrieri<br /><br />The author has selected and analyzed, from a historical perspective, the large material preserved in the Teatro Club Archive at the “Antonio Baldini” Library in Rome, with the aim to reveal the various and innovative production of dance events organized by the Association in its first years, from 1957 to 1966. The essay focuses also on some significant performances for the originality of the artistic selection concerning the season programs in the Italian theatre of the Fifties and Seventies, proposing several reasons for a reflection on an argument not yet investigated by the history of dance and of which the author offers a first accurate inquiry.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/61862537" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c7857f00dfebf70fd433b8b7c991c5ca" rel="nofollow" data-download="{"attachment_id":74789792,"asset_id":61862537,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74789792/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9609655" href="https://uniroma1.academia.edu/AnnamariaCorea">Annamaria Corea</a><script data-card-contents-for-user="9609655" type="text/json">{"id":9609655,"first_name":"Annamaria","last_name":"Corea","domain_name":"uniroma1","page_name":"AnnamariaCorea","display_name":"Annamaria Corea","profile_url":"https://uniroma1.academia.edu/AnnamariaCorea?f_ri=16234","photo":"https://0.academia-photos.com/9609655/11450676/12771899/s65_annamaria.corea.jpg"}</script></span></span></li><li class="js-paper-rank-work_61862537 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="61862537"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 61862537, container: ".js-paper-rank-work_61862537", }); });</script></li><li class="js-percentile-work_61862537 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 61862537; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_61862537"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_61862537 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="61862537"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61862537; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=61862537]").text(description); $(".js-view-count-work_61862537").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_61862537").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="61862537"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15185" href="https://www.academia.edu/Documents/in/Dance_studies_Theatre_Studies_">Dance studies (Theatre Studies)</a>, <script data-card-contents-for-ri="15185" type="text/json">{"id":15185,"name":"Dance studies (Theatre Studies)","url":"https://www.academia.edu/Documents/in/Dance_studies_Theatre_Studies_?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="45213" href="https://www.academia.edu/Documents/in/Italy">Italy</a>, <script data-card-contents-for-ri="45213" type="text/json">{"id":45213,"name":"Italy","url":"https://www.academia.edu/Documents/in/Italy?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48437" href="https://www.academia.edu/Documents/in/Rome">Rome</a><script data-card-contents-for-ri="48437" type="text/json">{"id":48437,"name":"Rome","url":"https://www.academia.edu/Documents/in/Rome?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=61862537]'), work: {"id":61862537,"title":"Le inedite stagioni della danza al Teatro Club di Anne d’Arbeloff e Gerardo Guerrieri","created_at":"2021-11-17T06:59:12.477-08:00","url":"https://www.academia.edu/61862537/Le_inedite_stagioni_della_danza_al_Teatro_Club_di_Anne_d_Arbeloff_e_Gerardo_Guerrieri?f_ri=16234","dom_id":"work_61862537","summary":"L’autrice ha selezionato e analizzato con una prospettiva storica l’ampio materiale documentario presente nell’Archivio del Teatro Club, situato nella Biblioteca “Antonio Baldini” di Roma, con il fine di portare alla luce la ricca e innovativa produzione degli eventi di danza organizzati dall’Associazione nei suoi primi anni, dal 1957 al 1966. Il saggio si concentra inoltre su alcuni spettacoli significativi per l’originalità delle scelte artistiche della programmazione e rispetto a ciò che offriva il panorama teatrale italiano in quel preciso momento storico, proponendo diversi spunti di riflessione su un argomento ancora inesplorato dagli studi di storia della danza e di cui si dà una prima puntuale ricognizione.\n\nThe Innovative Dance Seasons at Teatro Club of Anne d’Arbeloff and Gerardo Guerrieri\n\nThe author has selected and analyzed, from a historical perspective, the large material preserved in the Teatro Club Archive at the “Antonio Baldini” Library in Rome, with the aim to reveal the various and innovative production of dance events organized by the Association in its first years, from 1957 to 1966. The essay focuses also on some significant performances for the originality of the artistic selection concerning the season programs in the Italian theatre of the Fifties and Seventies, proposing several reasons for a reflection on an argument not yet investigated by the history of dance and of which the author offers a first accurate inquiry.","downloadable_attachments":[{"id":74789792,"asset_id":61862537,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9609655,"first_name":"Annamaria","last_name":"Corea","domain_name":"uniroma1","page_name":"AnnamariaCorea","display_name":"Annamaria Corea","profile_url":"https://uniroma1.academia.edu/AnnamariaCorea?f_ri=16234","photo":"https://0.academia-photos.com/9609655/11450676/12771899/s65_annamaria.corea.jpg"}],"research_interests":[{"id":15185,"name":"Dance studies (Theatre Studies)","url":"https://www.academia.edu/Documents/in/Dance_studies_Theatre_Studies_?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":45213,"name":"Italy","url":"https://www.academia.edu/Documents/in/Italy?f_ri=16234","nofollow":false},{"id":48437,"name":"Rome","url":"https://www.academia.edu/Documents/in/Rome?f_ri=16234","nofollow":false},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_48948515" data-work_id="48948515" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/48948515/El_fandango_como_performance_de_Antiguo_R%C3%A9gimen_Jujuy_siglos_XVIII_XIX_">El fandango como performance de Antiguo Régimen (Jujuy, siglos XVIII-XIX)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En este artículo se analiza el fandango como una práctica característica del Antiguo Régimen desarrollada de manera especial en el siglo XVIII y principios del XIX. En la que actores, público y escenario social se combinaron de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48948515" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En este artículo se analiza el fandango como una práctica característica del Antiguo Régimen desarrollada de manera especial en el siglo XVIII y principios del XIX. En la que actores, público y escenario social se combinaron de manera estatal, particular y pública, mestiza, con bailes y música, en reuniones, de manera política y en relaciones de género. Para precisar los rasgos de esta performance americana, se realiza el estudio de caso con documentación histórica inédita de una ciudad ubicada al sur de Charcas y norte del Río de la Plata y se compara con descripciones hechas por los estudios americanistas a lo largo y ancho del Orbe Indiano.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48948515" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="47e25fae8eba64d86f281114e269cf4d" rel="nofollow" data-download="{"attachment_id":67346239,"asset_id":48948515,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67346239/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3997447" href="https://universidadnacionaldejujuyconicet.academia.edu/GritKirstinKoeltzsch">Grit Kirstin Koeltzsch</a><script data-card-contents-for-user="3997447" type="text/json">{"id":3997447,"first_name":"Grit Kirstin","last_name":"Koeltzsch","domain_name":"universidadnacionaldejujuyconicet","page_name":"GritKirstinKoeltzsch","display_name":"Grit Kirstin Koeltzsch","profile_url":"https://universidadnacionaldejujuyconicet.academia.edu/GritKirstinKoeltzsch?f_ri=16234","photo":"https://0.academia-photos.com/3997447/1512525/55073737/s65_grit_kirstin.koeltzsch.jpg"}</script></span></span></li><li class="js-paper-rank-work_48948515 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="48948515"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 48948515, container: ".js-paper-rank-work_48948515", }); });</script></li><li class="js-percentile-work_48948515 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 48948515; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_48948515"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_48948515 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="48948515"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48948515; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=48948515]").text(description); $(".js-view-count-work_48948515").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_48948515").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="48948515"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3021" href="https://www.academia.edu/Documents/in/Colonial_America">Colonial America</a>, <script data-card-contents-for-ri="3021" type="text/json">{"id":3021,"name":"Colonial America","url":"https://www.academia.edu/Documents/in/Colonial_America?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="47240" href="https://www.academia.edu/Documents/in/Estudios_de_G%C3%A9nero">Estudios de Género</a><script data-card-contents-for-ri="47240" type="text/json">{"id":47240,"name":"Estudios de Género","url":"https://www.academia.edu/Documents/in/Estudios_de_G%C3%A9nero?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=48948515]'), work: {"id":48948515,"title":"El fandango como performance de Antiguo Régimen (Jujuy, siglos XVIII-XIX)","created_at":"2021-05-17T05:49:16.985-07:00","url":"https://www.academia.edu/48948515/El_fandango_como_performance_de_Antiguo_R%C3%A9gimen_Jujuy_siglos_XVIII_XIX_?f_ri=16234","dom_id":"work_48948515","summary":"En este artículo se analiza el fandango como una práctica característica del Antiguo Régimen desarrollada de manera especial en el siglo XVIII y principios del XIX. En la que actores, público y escenario social se combinaron de manera estatal, particular y pública, mestiza, con bailes y música, en reuniones, de manera política y en relaciones de género. Para precisar los rasgos de esta performance americana, se realiza el estudio de caso con documentación histórica inédita de una ciudad ubicada al sur de Charcas y norte del Río de la Plata y se compara con descripciones hechas por los estudios americanistas a lo largo y ancho del Orbe Indiano.","downloadable_attachments":[{"id":67346239,"asset_id":48948515,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3997447,"first_name":"Grit Kirstin","last_name":"Koeltzsch","domain_name":"universidadnacionaldejujuyconicet","page_name":"GritKirstinKoeltzsch","display_name":"Grit Kirstin Koeltzsch","profile_url":"https://universidadnacionaldejujuyconicet.academia.edu/GritKirstinKoeltzsch?f_ri=16234","photo":"https://0.academia-photos.com/3997447/1512525/55073737/s65_grit_kirstin.koeltzsch.jpg"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16234","nofollow":false},{"id":3021,"name":"Colonial America","url":"https://www.academia.edu/Documents/in/Colonial_America?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":47240,"name":"Estudios de Género","url":"https://www.academia.edu/Documents/in/Estudios_de_G%C3%A9nero?f_ri=16234","nofollow":false},{"id":124175,"name":"Colonial History","url":"https://www.academia.edu/Documents/in/Colonial_History?f_ri=16234"},{"id":957008,"name":"Antiguo Régimen","url":"https://www.academia.edu/Documents/in/Antiguo_Regimen?f_ri=16234"},{"id":957010,"name":"Historia Colonial De América Latina","url":"https://www.academia.edu/Documents/in/Historia_Colonial_De_America_Latina?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36111101" data-work_id="36111101" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36111101/Rudolf_Laban_e_l_Ausdruckstanz_Storie_e_storiografia_postmoderna_in_Le_arti_performative_e_le_nuove_generazioni_di_studiosi_prospettive_e_campi_di_ricerca_Biblioteca_Teatrale_numero_monografico_a_cura_di_Luciano_Mariti_Donatella_Orecchia_Valentina_Valentini_2013_nn_105_106_pp_45_56">Rudolf Laban e l’Ausdruckstanz. Storie e storiografia postmoderna, in Le arti performative e le nuove generazioni di studiosi: prospettive e campi di ricerca, Biblioteca Teatrale, numero monografico a cura di Luciano Mariti, Donatella Orecchia, Valentina Valentini, 2013, nn. 105-106, pp. 45-56.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36111101" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="35c70aad1330119e7cf53898537dfc11" rel="nofollow" data-download="{"attachment_id":56002804,"asset_id":36111101,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56002804/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="26065500" href="https://unive.academia.edu/SusanneFranco">Susanne Franco</a><script data-card-contents-for-user="26065500" type="text/json">{"id":26065500,"first_name":"Susanne","last_name":"Franco","domain_name":"unive","page_name":"SusanneFranco","display_name":"Susanne Franco","profile_url":"https://unive.academia.edu/SusanneFranco?f_ri=16234","photo":"https://0.academia-photos.com/26065500/9557864/19168359/s65_susanne.franco.jpg"}</script></span></span></li><li class="js-paper-rank-work_36111101 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36111101"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36111101, container: ".js-paper-rank-work_36111101", }); });</script></li><li class="js-percentile-work_36111101 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36111101; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36111101"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36111101 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36111101"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36111101; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36111101]").text(description); $(".js-view-count-work_36111101").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36111101").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36111101"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="108177" href="https://www.academia.edu/Documents/in/German_Modernism">German Modernism</a>, <script data-card-contents-for-ri="108177" type="text/json">{"id":108177,"name":"German Modernism","url":"https://www.academia.edu/Documents/in/German_Modernism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="967306" href="https://www.academia.edu/Documents/in/Modern_Dance_History">Modern Dance History</a><script data-card-contents-for-ri="967306" type="text/json">{"id":967306,"name":"Modern Dance History","url":"https://www.academia.edu/Documents/in/Modern_Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36111101]'), work: {"id":36111101,"title":"Rudolf Laban e l’Ausdruckstanz. Storie e storiografia postmoderna, in Le arti performative e le nuove generazioni di studiosi: prospettive e campi di ricerca, Biblioteca Teatrale, numero monografico a cura di Luciano Mariti, Donatella Orecchia, Valentina Valentini, 2013, nn. 105-106, pp. 45-56.","created_at":"2018-03-08T09:24:21.363-08:00","url":"https://www.academia.edu/36111101/Rudolf_Laban_e_l_Ausdruckstanz_Storie_e_storiografia_postmoderna_in_Le_arti_performative_e_le_nuove_generazioni_di_studiosi_prospettive_e_campi_di_ricerca_Biblioteca_Teatrale_numero_monografico_a_cura_di_Luciano_Mariti_Donatella_Orecchia_Valentina_Valentini_2013_nn_105_106_pp_45_56?f_ri=16234","dom_id":"work_36111101","summary":null,"downloadable_attachments":[{"id":56002804,"asset_id":36111101,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26065500,"first_name":"Susanne","last_name":"Franco","domain_name":"unive","page_name":"SusanneFranco","display_name":"Susanne Franco","profile_url":"https://unive.academia.edu/SusanneFranco?f_ri=16234","photo":"https://0.academia-photos.com/26065500/9557864/19168359/s65_susanne.franco.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":108177,"name":"German Modernism","url":"https://www.academia.edu/Documents/in/German_Modernism?f_ri=16234","nofollow":false},{"id":967306,"name":"Modern Dance History","url":"https://www.academia.edu/Documents/in/Modern_Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40662128" data-work_id="40662128" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40662128/%D0%9F%D0%B5%D1%80%D0%B2%D1%8B%D0%B5_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%B8%D0%B5_%D1%82%D0%B0%D0%BD%D1%86%D0%B5%D0%B2%D0%B0%D0%BB%D1%8C%D0%BD%D1%8B%D0%B5_%D1%83%D1%87%D0%B5%D0%B1%D0%BD%D0%B8%D0%BA%D0%B8">Первые русские танцевальные учебники</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Статья посвящена малоизвестным русским учебникам</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40662128" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1e3d67d6b27d6cba88385daebbc951ce" rel="nofollow" data-download="{"attachment_id":60946381,"asset_id":40662128,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60946381/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="23374672" href="https://vaganovaacademy.academia.edu/EugeniaSolenikova">Eugenia Solenikova</a><script data-card-contents-for-user="23374672" type="text/json">{"id":23374672,"first_name":"Eugenia","last_name":"Solenikova","domain_name":"vaganovaacademy","page_name":"EugeniaSolenikova","display_name":"Eugenia Solenikova","profile_url":"https://vaganovaacademy.academia.edu/EugeniaSolenikova?f_ri=16234","photo":"https://0.academia-photos.com/23374672/6345076/21020184/s65_eugenia.solenikova.jpg"}</script></span></span></li><li class="js-paper-rank-work_40662128 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40662128"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40662128, container: ".js-paper-rank-work_40662128", }); });</script></li><li class="js-percentile-work_40662128 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40662128; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_40662128"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_40662128 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="40662128"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40662128; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40662128]").text(description); $(".js-view-count-work_40662128").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40662128").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40662128"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15455" href="https://www.academia.edu/Documents/in/Russian_History">Russian History</a>, <script data-card-contents-for-ri="15455" type="text/json">{"id":15455,"name":"Russian History","url":"https://www.academia.edu/Documents/in/Russian_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29167" href="https://www.academia.edu/Documents/in/Dance">Dance</a>, <script data-card-contents-for-ri="29167" type="text/json">{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="855780" href="https://www.academia.edu/Documents/in/XIXth_Century_History">XIXth Century History</a><script data-card-contents-for-ri="855780" type="text/json">{"id":855780,"name":"XIXth Century History","url":"https://www.academia.edu/Documents/in/XIXth_Century_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40662128]'), work: {"id":40662128,"title":"Первые русские танцевальные учебники","created_at":"2019-10-18T12:22:34.918-07:00","url":"https://www.academia.edu/40662128/%D0%9F%D0%B5%D1%80%D0%B2%D1%8B%D0%B5_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%B8%D0%B5_%D1%82%D0%B0%D0%BD%D1%86%D0%B5%D0%B2%D0%B0%D0%BB%D1%8C%D0%BD%D1%8B%D0%B5_%D1%83%D1%87%D0%B5%D0%B1%D0%BD%D0%B8%D0%BA%D0%B8?f_ri=16234","dom_id":"work_40662128","summary":"Статья посвящена малоизвестным русским учебникам","downloadable_attachments":[{"id":60946381,"asset_id":40662128,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":23374672,"first_name":"Eugenia","last_name":"Solenikova","domain_name":"vaganovaacademy","page_name":"EugeniaSolenikova","display_name":"Eugenia Solenikova","profile_url":"https://vaganovaacademy.academia.edu/EugeniaSolenikova?f_ri=16234","photo":"https://0.academia-photos.com/23374672/6345076/21020184/s65_eugenia.solenikova.jpg"}],"research_interests":[{"id":15455,"name":"Russian History","url":"https://www.academia.edu/Documents/in/Russian_History?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false},{"id":855780,"name":"XIXth Century History","url":"https://www.academia.edu/Documents/in/XIXth_Century_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37612246" data-work_id="37612246" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37612246/Understanding_of_Isadora_Duncans_art_in_the_20_21_centuries">Understanding of Isadora Duncan's art in the 20-21 centuries</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">The article deals with the understanding of Isadora Duncan's dance legacy nowadays.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37612246" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fdec6532a4adaecca84e2c8caf812bff" rel="nofollow" data-download="{"attachment_id":57595057,"asset_id":37612246,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57595057/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24874266" href="https://independent.academia.edu/ElenaYushkova">Elena Yushkova</a><script data-card-contents-for-user="24874266" type="text/json">{"id":24874266,"first_name":"Elena","last_name":"Yushkova","domain_name":"independent","page_name":"ElenaYushkova","display_name":"Elena Yushkova","profile_url":"https://independent.academia.edu/ElenaYushkova?f_ri=16234","photo":"https://0.academia-photos.com/24874266/20878868/20409732/s65_elena.yushkova.jpg"}</script></span></span></li><li class="js-paper-rank-work_37612246 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37612246"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37612246, container: ".js-paper-rank-work_37612246", }); });</script></li><li class="js-percentile-work_37612246 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37612246; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37612246"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37612246 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37612246"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37612246; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37612246]").text(description); $(".js-view-count-work_37612246").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37612246").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37612246"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="534468" href="https://www.academia.edu/Documents/in/Isadora_Duncan">Isadora Duncan</a><script data-card-contents-for-ri="534468" type="text/json">{"id":534468,"name":"Isadora Duncan","url":"https://www.academia.edu/Documents/in/Isadora_Duncan?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37612246]'), work: {"id":37612246,"title":"Understanding of Isadora Duncan's art in the 20-21 centuries","created_at":"2018-10-19T08:11:53.762-07:00","url":"https://www.academia.edu/37612246/Understanding_of_Isadora_Duncans_art_in_the_20_21_centuries?f_ri=16234","dom_id":"work_37612246","summary":"The article deals with the understanding of Isadora Duncan's dance legacy nowadays. ","downloadable_attachments":[{"id":57595057,"asset_id":37612246,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24874266,"first_name":"Elena","last_name":"Yushkova","domain_name":"independent","page_name":"ElenaYushkova","display_name":"Elena Yushkova","profile_url":"https://independent.academia.edu/ElenaYushkova?f_ri=16234","photo":"https://0.academia-photos.com/24874266/20878868/20409732/s65_elena.yushkova.jpg"}],"research_interests":[{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":534468,"name":"Isadora Duncan","url":"https://www.academia.edu/Documents/in/Isadora_Duncan?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38985636" data-work_id="38985636" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38985636/Body_Politics_Louis_XIV_and_the_Imperial_Russian_Ballet">Body Politics: Louis XIV and the Imperial Russian Ballet</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Through etiquette and technique performed by the French Court Ballet (Ballet de Cour) and the strategic placement of performances at Versailles, the Louis XIV's ballet was utilized as a political tool in favor of the King’s absolute... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38985636" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Through etiquette and technique performed by the French Court Ballet (Ballet de Cour) and the strategic placement of performances at Versailles, the Louis XIV's ballet was utilized as a political tool in favor of the King’s absolute authority. Similarly, Tsar and self-proclaimed emperor Peter the Great of Russian adopted the courtly etiquette established by the Ballet de Cour in St. Petersburg, that complemented his focus on Westernization; in fact the Peterhof Palace and its gardens were built to replicate Versailles.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38985636" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2ae3e7232d1b77fd4c6040bc6b0888e5" rel="nofollow" data-download="{"attachment_id":59091908,"asset_id":38985636,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59091908/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="101449084" href="https://ju.academia.edu/AliaMontijo">Alia Montijo</a><script data-card-contents-for-user="101449084" type="text/json">{"id":101449084,"first_name":"Alia","last_name":"Montijo","domain_name":"ju","page_name":"AliaMontijo","display_name":"Alia Montijo","profile_url":"https://ju.academia.edu/AliaMontijo?f_ri=16234","photo":"https://0.academia-photos.com/101449084/26267904/30498967/s65_alia.montijo.jpg"}</script></span></span></li><li class="js-paper-rank-work_38985636 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38985636"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38985636, container: ".js-paper-rank-work_38985636", }); });</script></li><li class="js-percentile-work_38985636 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38985636; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38985636"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38985636 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38985636"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38985636; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38985636]").text(description); $(".js-view-count-work_38985636").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38985636").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38985636"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29167" href="https://www.academia.edu/Documents/in/Dance">Dance</a>, <script data-card-contents-for-ri="29167" type="text/json">{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38503" href="https://www.academia.edu/Documents/in/Politics_of_the_Body">Politics of the Body</a><script data-card-contents-for-ri="38503" type="text/json">{"id":38503,"name":"Politics of the Body","url":"https://www.academia.edu/Documents/in/Politics_of_the_Body?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38985636]'), work: {"id":38985636,"title":"Body Politics: Louis XIV and the Imperial Russian Ballet","created_at":"2019-04-30T10:35:12.508-07:00","url":"https://www.academia.edu/38985636/Body_Politics_Louis_XIV_and_the_Imperial_Russian_Ballet?f_ri=16234","dom_id":"work_38985636","summary":"Through etiquette and technique performed by the French Court Ballet (Ballet de Cour) and the strategic placement of performances at Versailles, the Louis XIV's ballet was utilized as a political tool in favor of the King’s absolute authority. Similarly, Tsar and self-proclaimed emperor Peter the Great of Russian adopted the courtly etiquette established by the Ballet de Cour in St. Petersburg, that complemented his focus on Westernization; in fact the Peterhof Palace and its gardens were built to replicate Versailles. ","downloadable_attachments":[{"id":59091908,"asset_id":38985636,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":101449084,"first_name":"Alia","last_name":"Montijo","domain_name":"ju","page_name":"AliaMontijo","display_name":"Alia Montijo","profile_url":"https://ju.academia.edu/AliaMontijo?f_ri=16234","photo":"https://0.academia-photos.com/101449084/26267904/30498967/s65_alia.montijo.jpg"}],"research_interests":[{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234","nofollow":false},{"id":38503,"name":"Politics of the Body","url":"https://www.academia.edu/Documents/in/Politics_of_the_Body?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37656945" data-work_id="37656945" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37656945/World_Congress_on_Dance_Research_Mumbai_India_12_16_December_2018">World Congress on Dance Research Mumbai, India, 12-16 December 2018</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">We take pleasure in inviting you to the World Congress on Dance Research to be held in Mumbai, India. The congress is open to all forms of dance:</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37656945" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fcbd1bb34c7114207b1cdb055e73bb43" rel="nofollow" data-download="{"attachment_id":57644323,"asset_id":37656945,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57644323/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31657203" href="https://cid-portal.academia.edu/ARaftis">Alkis Raftis</a><script data-card-contents-for-user="31657203" type="text/json">{"id":31657203,"first_name":"Alkis","last_name":"Raftis","domain_name":"cid-portal","page_name":"ARaftis","display_name":"Alkis Raftis","profile_url":"https://cid-portal.academia.edu/ARaftis?f_ri=16234","photo":"https://0.academia-photos.com/31657203/9379535/10453471/s65_alkis.raftis.jpg"}</script></span></span></li><li class="js-paper-rank-work_37656945 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37656945"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37656945, container: ".js-paper-rank-work_37656945", }); });</script></li><li class="js-percentile-work_37656945 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37656945; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37656945"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37656945 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37656945"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37656945; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37656945]").text(description); $(".js-view-count-work_37656945").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37656945").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37656945"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2310" href="https://www.academia.edu/Documents/in/Dance_Movement_Therapy">Dance/Movement Therapy</a>, <script data-card-contents-for-ri="2310" type="text/json">{"id":2310,"name":"Dance/Movement Therapy","url":"https://www.academia.edu/Documents/in/Dance_Movement_Therapy?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3104" href="https://www.academia.edu/Documents/in/Dance_Science">Dance Science</a>, <script data-card-contents-for-ri="3104" type="text/json">{"id":3104,"name":"Dance Science","url":"https://www.academia.edu/Documents/in/Dance_Science?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4096" href="https://www.academia.edu/Documents/in/Dance_Anthropology">Dance Anthropology</a><script data-card-contents-for-ri="4096" type="text/json">{"id":4096,"name":"Dance Anthropology","url":"https://www.academia.edu/Documents/in/Dance_Anthropology?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37656945]'), work: {"id":37656945,"title":"World Congress on Dance Research Mumbai, India, 12-16 December 2018","created_at":"2018-10-26T23:32:17.942-07:00","url":"https://www.academia.edu/37656945/World_Congress_on_Dance_Research_Mumbai_India_12_16_December_2018?f_ri=16234","dom_id":"work_37656945","summary":"We take pleasure in inviting you to the World Congress on Dance Research to be held in Mumbai, India. The congress is open to all forms of dance:","downloadable_attachments":[{"id":57644323,"asset_id":37656945,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31657203,"first_name":"Alkis","last_name":"Raftis","domain_name":"cid-portal","page_name":"ARaftis","display_name":"Alkis Raftis","profile_url":"https://cid-portal.academia.edu/ARaftis?f_ri=16234","photo":"https://0.academia-photos.com/31657203/9379535/10453471/s65_alkis.raftis.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":2310,"name":"Dance/Movement Therapy","url":"https://www.academia.edu/Documents/in/Dance_Movement_Therapy?f_ri=16234","nofollow":false},{"id":3104,"name":"Dance Science","url":"https://www.academia.edu/Documents/in/Dance_Science?f_ri=16234","nofollow":false},{"id":4096,"name":"Dance Anthropology","url":"https://www.academia.edu/Documents/in/Dance_Anthropology?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":25642,"name":"Modern and Contemporary Dance","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_48868638" data-work_id="48868638" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/48868638/Drajewski_Remiks">Drajewski, Remiks</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Based on the example of Iwona Pasinska’s The Last Sunday Remix ofy Conrad Drzewiecki Remix captured contemporary culture. The field of art which was reached by it the latest and still presents the most research problems is dance. In my... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48868638" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Based on the example of Iwona Pasinska’s The Last Sunday Remix ofy Conrad Drzewiecki <br />Remix captured contemporary culture. The field of art which was reached by it the latest and still presents the most research problems is dance. In my lecture I would like to point out dance remix features, being aware of the heterogeneous nature of the choreographic work. Joanna Szymajda in the article Remix, recycling, and repetition in contemporary choreography wonders what choreographic work is. „Is it already a movement composition, or is it only its performance (with or without music) in a specific set design (or in a natural setting) and with a costume?”. Szymajda’s questions complicate other remix definitions. <br />At the beginning of the second decade of the 21st century remix made a brilliant career in Poland. In Warsaw Commune independent artists mixed various works of various artists. They dealt with works of such outstanding artists as Conrad Drzewiecki, Henryk Tomaszewski, Merc Cunningham, Trisha Brown, Pina Bausch … I have chosen a spectacle of Iwona Pasińska Last Sunday as the subject of my analysis. RE / MIX of Conrad Drzewiecki expressively reflects the character of the prefix re- , which makes remix so attractive to its creators. The author opposes the choreographic and aesthetic attitude presented by Conrad Drzewiecki. It accurately indicates the existence and extent of its references through the title, description of the performance, quotes and allusions and in the structure of the performance, it reveals references in form and content. <br />I have chosen The Last Sunday. RE // MIX of Conrad Drzewiecki also due to the fact that the reception of this performance shows how important both the sender and the recipient are. The meaning and identity of the remix depends on the cultural competence of the recipient. The remix assumes a community of code, knowledge of a mixed work in order to be able to see for example its discursiveness. We approach a remix concept promoted by Lawrence Lessig, which is copyright and the educational role of remix in mass culture.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48868638" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="28f9c5cf95744a6432f3989b773eef09" rel="nofollow" data-download="{"attachment_id":67283385,"asset_id":48868638,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67283385/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="68455233" href="https://amuz.academia.edu/StefanDrajewski">Stefan Drajewski</a><script data-card-contents-for-user="68455233" type="text/json">{"id":68455233,"first_name":"Stefan","last_name":"Drajewski","domain_name":"amuz","page_name":"StefanDrajewski","display_name":"Stefan Drajewski","profile_url":"https://amuz.academia.edu/StefanDrajewski?f_ri=16234","photo":"https://0.academia-photos.com/68455233/22098211/21336587/s65_stefan.drajewski.jpg"}</script></span></span></li><li class="js-paper-rank-work_48868638 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="48868638"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 48868638, container: ".js-paper-rank-work_48868638", }); });</script></li><li class="js-percentile-work_48868638 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 48868638; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_48868638"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_48868638 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="48868638"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48868638; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=48868638]").text(description); $(".js-view-count-work_48868638").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_48868638").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="48868638"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3104" href="https://www.academia.edu/Documents/in/Dance_Science">Dance Science</a>, <script data-card-contents-for-ri="3104" type="text/json">{"id":3104,"name":"Dance Science","url":"https://www.academia.edu/Documents/in/Dance_Science?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49234" href="https://www.academia.edu/Documents/in/Contemporary_Theatre">Contemporary Theatre</a><script data-card-contents-for-ri="49234" type="text/json">{"id":49234,"name":"Contemporary Theatre","url":"https://www.academia.edu/Documents/in/Contemporary_Theatre?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=48868638]'), work: {"id":48868638,"title":"Drajewski, Remiks","created_at":"2021-05-10T06:55:14.043-07:00","url":"https://www.academia.edu/48868638/Drajewski_Remiks?f_ri=16234","dom_id":"work_48868638","summary":"Based on the example of Iwona Pasinska’s The Last Sunday Remix ofy Conrad Drzewiecki \r\nRemix captured contemporary culture. The field of art which was reached by it the latest and still presents the most research problems is dance. In my lecture I would like to point out dance remix features, being aware of the heterogeneous nature of the choreographic work. Joanna Szymajda in the article Remix, recycling, and repetition in contemporary choreography wonders what choreographic work is. „Is it already a movement composition, or is it only its performance (with or without music) in a specific set design (or in a natural setting) and with a costume?”. Szymajda’s questions complicate other remix definitions.\r\nAt the beginning of the second decade of the 21st century remix made a brilliant career in Poland. In Warsaw Commune independent artists mixed various works of various artists. They dealt with works of such outstanding artists as Conrad Drzewiecki, Henryk Tomaszewski, Merc Cunningham, Trisha Brown, Pina Bausch … I have chosen a spectacle of Iwona Pasińska Last Sunday as the subject of my analysis. RE / MIX of Conrad Drzewiecki expressively reflects the character of the prefix re- , which makes remix so attractive to its creators. The author opposes the choreographic and aesthetic attitude presented by Conrad Drzewiecki. It accurately indicates the existence and extent of its references through the title, description of the performance, quotes and allusions and in the structure of the performance, it reveals references in form and content.\r\nI have chosen The Last Sunday. RE // MIX of Conrad Drzewiecki also due to the fact that the reception of this performance shows how important both the sender and the recipient are. The meaning and identity of the remix depends on the cultural competence of the recipient. The remix assumes a community of code, knowledge of a mixed work in order to be able to see for example its discursiveness. We approach a remix concept promoted by Lawrence Lessig, which is copyright and the educational role of remix in mass culture.\r\n","downloadable_attachments":[{"id":67283385,"asset_id":48868638,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":68455233,"first_name":"Stefan","last_name":"Drajewski","domain_name":"amuz","page_name":"StefanDrajewski","display_name":"Stefan Drajewski","profile_url":"https://amuz.academia.edu/StefanDrajewski?f_ri=16234","photo":"https://0.academia-photos.com/68455233/22098211/21336587/s65_stefan.drajewski.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":3104,"name":"Dance Science","url":"https://www.academia.edu/Documents/in/Dance_Science?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":49234,"name":"Contemporary Theatre","url":"https://www.academia.edu/Documents/in/Contemporary_Theatre?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38926317" data-work_id="38926317" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38926317/Dan%C3%A7a_dinheiro_e_mercado_a_economia_da_dan%C3%A7a_pelo_vi%C3%A9s_historiogr%C3%A1fico">Dança, dinheiro e mercado: a economia da dança pelo viés historiográfico</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Texto teórico dedicado a estabelecer definições para os termos de "economia da dança" e "mercado de dança", buscando contribuir para o entendimento de suas dinâmicas relacionadas à dança na condição de arte.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38926317" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17ea3af6a0ec681f9fb1a9c89ebf76c6" rel="nofollow" data-download="{"attachment_id":59026907,"asset_id":38926317,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59026907/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="32743943" href="https://ufg.academia.edu/RGuarato">Rafael Guarato</a><script data-card-contents-for-user="32743943" type="text/json">{"id":32743943,"first_name":"Rafael","last_name":"Guarato","domain_name":"ufg","page_name":"RGuarato","display_name":"Rafael Guarato","profile_url":"https://ufg.academia.edu/RGuarato?f_ri=16234","photo":"https://0.academia-photos.com/32743943/10063959/21651835/s65_rafael.guarato.jpg"}</script></span></span></li><li class="js-paper-rank-work_38926317 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38926317"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38926317, container: ".js-paper-rank-work_38926317", }); });</script></li><li class="js-percentile-work_38926317 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38926317; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38926317"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38926317 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38926317"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38926317; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38926317]").text(description); $(".js-view-count-work_38926317").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38926317").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38926317"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="124119" href="https://www.academia.edu/Documents/in/Teoria_Da_Danca">Teoria Da Dança</a>, <script data-card-contents-for-ri="124119" type="text/json">{"id":124119,"name":"Teoria Da Dança","url":"https://www.academia.edu/Documents/in/Teoria_Da_Danca?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="191927" href="https://www.academia.edu/Documents/in/Dance_Theory">Dance Theory</a>, <script data-card-contents-for-ri="191927" type="text/json">{"id":191927,"name":"Dance Theory","url":"https://www.academia.edu/Documents/in/Dance_Theory?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="211835" href="https://www.academia.edu/Documents/in/Dan%C3%A7a">Dança</a><script data-card-contents-for-ri="211835" type="text/json">{"id":211835,"name":"Dança","url":"https://www.academia.edu/Documents/in/Dan%C3%A7a?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38926317]'), work: {"id":38926317,"title":"Dança, dinheiro e mercado: a economia da dança pelo viés historiográfico","created_at":"2019-04-25T05:01:06.272-07:00","url":"https://www.academia.edu/38926317/Dan%C3%A7a_dinheiro_e_mercado_a_economia_da_dan%C3%A7a_pelo_vi%C3%A9s_historiogr%C3%A1fico?f_ri=16234","dom_id":"work_38926317","summary":"Texto teórico dedicado a estabelecer definições para os termos de \"economia da dança\" e \"mercado de dança\", buscando contribuir para o entendimento de suas dinâmicas relacionadas à dança na condição de arte.","downloadable_attachments":[{"id":59026907,"asset_id":38926317,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":32743943,"first_name":"Rafael","last_name":"Guarato","domain_name":"ufg","page_name":"RGuarato","display_name":"Rafael Guarato","profile_url":"https://ufg.academia.edu/RGuarato?f_ri=16234","photo":"https://0.academia-photos.com/32743943/10063959/21651835/s65_rafael.guarato.jpg"}],"research_interests":[{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":124119,"name":"Teoria Da Dança","url":"https://www.academia.edu/Documents/in/Teoria_Da_Danca?f_ri=16234","nofollow":false},{"id":191927,"name":"Dance Theory","url":"https://www.academia.edu/Documents/in/Dance_Theory?f_ri=16234","nofollow":false},{"id":211835,"name":"Dança","url":"https://www.academia.edu/Documents/in/Dan%C3%A7a?f_ri=16234","nofollow":false},{"id":211836,"name":"História da Dança","url":"https://www.academia.edu/Documents/in/Historia_da_Danca?f_ri=16234"},{"id":1829007,"name":"Historia de la danza","url":"https://www.academia.edu/Documents/in/Historia_de_la_danza?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37502527" data-work_id="37502527" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37502527/Un_serio_spettacolo_non_serio_Danza_e_stampa_nellItalia_fascista_Milano_Mimesis_2017">Un serio spettacolo non serio. Danza e stampa nell'Italia fascista, Milano, Mimesis, 2017.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Qual è stato l'atteggiamento della stampa del tempo fascista nei riguardi della danza teatrale? Quali i discorsi, le istanze e l'immaginario che, sull'argomento, emergono dalle colonne di quotidiani e periodici? Il volume affronta simili... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37502527" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Qual è stato l'atteggiamento della stampa del tempo fascista nei riguardi della danza teatrale? Quali i discorsi, le istanze e l'immaginario che, sull'argomento, emergono dalle colonne di quotidiani e periodici? Il volume affronta simili questioni mediante l'analisi di un'imponente mole di documenti quasi totalmente inediti e capaci di aprire prospettive inusuali sulla danza italiana del primo Novecento. Dal riconoscimento della danza come autentica forma d'arte alla contrapposizione (spesso violenta) fra "tradizione" italiana e "modernità" straniera, dalla difesa della tecnica accademica all'apprezzamento per forme di danza "libera", infatti, la stampa intercetta, filtra e rielabora processi culturali di ampia portata, la cui complessità è qui presa interamente in carico e restituita mediante una costante lettura critica delle fonti. Ne risulta un lavoro intimamente "corale", in cui le voci di anonimi cronisti si intrecciano con quelle di uomini di teatro e di artisti di spicco e che, proprio in virtù del suo carattere polimorfo, riesce forse ad aprire uno squarcio sulla contraddittorietà di un'intera epoca storica, il tutto mantenendo sempre fermo il punto di vista, volutamente e proficuamente "minore", sul corpo che danza.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37502527" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="759aa9cb661efc1c2d41aa6c9984ddb1" rel="nofollow" data-download="{"attachment_id":57473666,"asset_id":37502527,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57473666/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="94098905" href="https://unige-it1.academia.edu/GiuliaTaddeo">Giulia Taddeo</a><script data-card-contents-for-user="94098905" type="text/json">{"id":94098905,"first_name":"Giulia","last_name":"Taddeo","domain_name":"unige-it1","page_name":"GiuliaTaddeo","display_name":"Giulia Taddeo","profile_url":"https://unige-it1.academia.edu/GiuliaTaddeo?f_ri=16234","photo":"https://0.academia-photos.com/94098905/20617694/20222500/s65_giulia.taddeo.jpg"}</script></span></span></li><li class="js-paper-rank-work_37502527 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37502527"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37502527, container: ".js-paper-rank-work_37502527", }); });</script></li><li class="js-percentile-work_37502527 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37502527; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37502527"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37502527 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37502527"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37502527; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37502527]").text(description); $(".js-view-count-work_37502527").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37502527").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37502527"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8102" href="https://www.academia.edu/Documents/in/Futurism">Futurism</a>, <script data-card-contents-for-ri="8102" type="text/json">{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9617" href="https://www.academia.edu/Documents/in/Cultural_Nationalism">Cultural Nationalism</a>, <script data-card-contents-for-ri="9617" type="text/json">{"id":9617,"name":"Cultural Nationalism","url":"https://www.academia.edu/Documents/in/Cultural_Nationalism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37502527]'), work: {"id":37502527,"title":"Un serio spettacolo non serio. Danza e stampa nell'Italia fascista, Milano, Mimesis, 2017.","created_at":"2018-09-30T05:15:26.829-07:00","url":"https://www.academia.edu/37502527/Un_serio_spettacolo_non_serio_Danza_e_stampa_nellItalia_fascista_Milano_Mimesis_2017?f_ri=16234","dom_id":"work_37502527","summary":"Qual è stato l'atteggiamento della stampa del tempo fascista nei riguardi della danza teatrale? Quali i discorsi, le istanze e l'immaginario che, sull'argomento, emergono dalle colonne di quotidiani e periodici? Il volume affronta simili questioni mediante l'analisi di un'imponente mole di documenti quasi totalmente inediti e capaci di aprire prospettive inusuali sulla danza italiana del primo Novecento. Dal riconoscimento della danza come autentica forma d'arte alla contrapposizione (spesso violenta) fra \"tradizione\" italiana e \"modernità\" straniera, dalla difesa della tecnica accademica all'apprezzamento per forme di danza \"libera\", infatti, la stampa intercetta, filtra e rielabora processi culturali di ampia portata, la cui complessità è qui presa interamente in carico e restituita mediante una costante lettura critica delle fonti. Ne risulta un lavoro intimamente \"corale\", in cui le voci di anonimi cronisti si intrecciano con quelle di uomini di teatro e di artisti di spicco e che, proprio in virtù del suo carattere polimorfo, riesce forse ad aprire uno squarcio sulla contraddittorietà di un'intera epoca storica, il tutto mantenendo sempre fermo il punto di vista, volutamente e proficuamente \"minore\", sul corpo che danza.","downloadable_attachments":[{"id":57473666,"asset_id":37502527,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":94098905,"first_name":"Giulia","last_name":"Taddeo","domain_name":"unige-it1","page_name":"GiuliaTaddeo","display_name":"Giulia Taddeo","profile_url":"https://unige-it1.academia.edu/GiuliaTaddeo?f_ri=16234","photo":"https://0.academia-photos.com/94098905/20617694/20222500/s65_giulia.taddeo.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism?f_ri=16234","nofollow":false},{"id":9617,"name":"Cultural Nationalism","url":"https://www.academia.edu/Documents/in/Cultural_Nationalism?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=16234"},{"id":19709,"name":"Dance Criticism","url":"https://www.academia.edu/Documents/in/Dance_Criticism?f_ri=16234"},{"id":42171,"name":"Ballets Russes","url":"https://www.academia.edu/Documents/in/Ballets_Russes?f_ri=16234"},{"id":66677,"name":"Italian fascism","url":"https://www.academia.edu/Documents/in/Italian_fascism?f_ri=16234"},{"id":89070,"name":"Ballet History","url":"https://www.academia.edu/Documents/in/Ballet_History?f_ri=16234"},{"id":89104,"name":"Ballet History and Criticism","url":"https://www.academia.edu/Documents/in/Ballet_History_and_Criticism?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"},{"id":220986,"name":"Teatro alla Scala","url":"https://www.academia.edu/Documents/in/Teatro_alla_Scala?f_ri=16234"},{"id":328802,"name":"Alberto Savinio","url":"https://www.academia.edu/Documents/in/Alberto_Savinio?f_ri=16234"},{"id":547475,"name":"Anton Giulio Bragaglia","url":"https://www.academia.edu/Documents/in/Anton_Giulio_Bragaglia?f_ri=16234"},{"id":958844,"name":"Enrico Cecchetti","url":"https://www.academia.edu/Documents/in/Enrico_Cecchetti?f_ri=16234"},{"id":958851,"name":"Italian Ballet","url":"https://www.academia.edu/Documents/in/Italian_Ballet?f_ri=16234"},{"id":967306,"name":"Modern Dance History","url":"https://www.academia.edu/Documents/in/Modern_Dance_History?f_ri=16234"},{"id":1033648,"name":"History of Italian Fascism and Fascisms","url":"https://www.academia.edu/Documents/in/History_of_Italian_Fascism_and_Fascisms?f_ri=16234"},{"id":1196318,"name":"Aurel Milloss","url":"https://www.academia.edu/Documents/in/Aurel_Milloss?f_ri=16234"},{"id":2328997,"name":"Jia Ruskaja","url":"https://www.academia.edu/Documents/in/Jia_Ruskaja?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_72212478" data-work_id="72212478" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/72212478/Entre_cr%C3%A9ation_et_transmission_la_r%C3%A9ception_du_Papillon_de_Marie_Taglioni_en_1860_r%C3%A9sum%C3%A9_">Entre création et transmission, la réception du Papillon de Marie Taglioni en 1860 [résumé]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Vannina Olivesi, « Entre création et transmission, la réception du Papillon de Marie Taglioni en 1860 », in Jacques Guilhaumou, Karine Lambert, Anne Montenac (dir.), Genre, révolution, transgression. Études offertes à Martine Lapied,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_72212478" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Vannina Olivesi, « Entre création et transmission, la réception du Papillon de Marie Taglioni en 1860 », in Jacques Guilhaumou, Karine Lambert, Anne Montenac (dir.), Genre, révolution, transgression. Études offertes à Martine Lapied, Aix-en-Provence, Presses universitaires de Provence, 2015, coll. « Penser le genre », pp. 195-203.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/72212478" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3cee36f747a701b708d516794b6b502a" rel="nofollow" data-download="{"attachment_id":81230224,"asset_id":72212478,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/81230224/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="213624818" href="https://ehess.academia.edu/VanninaOlivesi">Vannina Olivesi</a><script data-card-contents-for-user="213624818" type="text/json">{"id":213624818,"first_name":"Vannina","last_name":"Olivesi","domain_name":"ehess","page_name":"VanninaOlivesi","display_name":"Vannina Olivesi","profile_url":"https://ehess.academia.edu/VanninaOlivesi?f_ri=16234","photo":"https://0.academia-photos.com/213624818/73968451/62458055/s65_vannina.olivesi.jpg"}</script></span></span></li><li class="js-paper-rank-work_72212478 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="72212478"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 72212478, container: ".js-paper-rank-work_72212478", }); });</script></li><li class="js-percentile-work_72212478 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72212478; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_72212478"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_72212478 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="72212478"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72212478; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72212478]").text(description); $(".js-view-count-work_72212478").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_72212478").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="72212478"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="997" href="https://www.academia.edu/Documents/in/Reception_Studies">Reception Studies</a>, <script data-card-contents-for-ri="997" type="text/json">{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5583" href="https://www.academia.edu/Documents/in/Audience_and_Reception_Studies">Audience and Reception Studies</a>, <script data-card-contents-for-ri="5583" type="text/json">{"id":5583,"name":"Audience and Reception Studies","url":"https://www.academia.edu/Documents/in/Audience_and_Reception_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10109" href="https://www.academia.edu/Documents/in/19th_century_France">19th century France</a><script data-card-contents-for-ri="10109" type="text/json">{"id":10109,"name":"19th century France","url":"https://www.academia.edu/Documents/in/19th_century_France?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=72212478]'), work: {"id":72212478,"title":"Entre création et transmission, la réception du Papillon de Marie Taglioni en 1860 [résumé]","created_at":"2022-02-22T04:02:26.643-08:00","url":"https://www.academia.edu/72212478/Entre_cr%C3%A9ation_et_transmission_la_r%C3%A9ception_du_Papillon_de_Marie_Taglioni_en_1860_r%C3%A9sum%C3%A9_?f_ri=16234","dom_id":"work_72212478","summary":"Vannina Olivesi, « Entre création et transmission, la réception du Papillon de Marie Taglioni en 1860 », in Jacques Guilhaumou, Karine Lambert, Anne Montenac (dir.), Genre, révolution, transgression. Études offertes à Martine Lapied, Aix-en-Provence, Presses universitaires de Provence, 2015, coll. « Penser le genre », pp. 195-203.\n","downloadable_attachments":[{"id":81230224,"asset_id":72212478,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":213624818,"first_name":"Vannina","last_name":"Olivesi","domain_name":"ehess","page_name":"VanninaOlivesi","display_name":"Vannina Olivesi","profile_url":"https://ehess.academia.edu/VanninaOlivesi?f_ri=16234","photo":"https://0.academia-photos.com/213624818/73968451/62458055/s65_vannina.olivesi.jpg"}],"research_interests":[{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":5583,"name":"Audience and Reception Studies","url":"https://www.academia.edu/Documents/in/Audience_and_Reception_Studies?f_ri=16234","nofollow":false},{"id":10109,"name":"19th century France","url":"https://www.academia.edu/Documents/in/19th_century_France?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":26961,"name":"French Second Empire","url":"https://www.academia.edu/Documents/in/French_Second_Empire?f_ri=16234"},{"id":97290,"name":"Women's Work","url":"https://www.academia.edu/Documents/in/Womens_Work?f_ri=16234"},{"id":286739,"name":"Marie Taglioni","url":"https://www.academia.edu/Documents/in/Marie_Taglioni?f_ri=16234"},{"id":1852099,"name":"Women Choreographers","url":"https://www.academia.edu/Documents/in/Women_Choreographers?f_ri=16234"},{"id":3240323,"name":"Opéra national de Paris","url":"https://www.academia.edu/Documents/in/Op%C3%A9ra_national_de_Paris?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_76098504" data-work_id="76098504" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/76098504/_Great_Horizons_Flooded_with_the_Alien_Light_of_the_Sun_Le_Sacre_du_Printemps_in_the_Russian_Context">‘Great Horizons Flooded with the Alien Light of the Sun’: Le Sacre du Printemps in the Russian Context</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Even a century after the premiere of Le Sacre du Printemps, Russian contemporary sources offer a wealth of material on the Ballets Russes and particularly on Nijinsky&#39;s 1913 choreography that are rarely even read let alone discussed... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_76098504" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Even a century after the premiere of Le Sacre du Printemps, Russian contemporary sources offer a wealth of material on the Ballets Russes and particularly on Nijinsky&#39;s 1913 choreography that are rarely even read let alone discussed in detail. Consequently, the interpretations ignore outright the importance of the historical context of Imperial Russia to this work and, specifically, the contemporary Russian dance discourse has been overshadowed by the authoritative voices of Western critics and rather selective reminiscences emphasising the scandalous premiere. This paper will give an overview of some of these little-known Russian sources and their generally positive reception of Nijinsky&#39;s work in order to argue that these informed Russian spectators perceived Sacre in a manner that contests how this work has been represented in dance history</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/76098504" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="00ec5f7980105f48c2b3cdee847fd578" rel="nofollow" data-download="{"attachment_id":83775330,"asset_id":76098504,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/83775330/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="58678162" href="https://independent.academia.edu/J%C3%A4rvinenH">Hanna Järvinen</a><script data-card-contents-for-user="58678162" type="text/json">{"id":58678162,"first_name":"Hanna","last_name":"Järvinen","domain_name":"independent","page_name":"JärvinenH","display_name":"Hanna Järvinen","profile_url":"https://independent.academia.edu/J%C3%A4rvinenH?f_ri=16234","photo":"https://0.academia-photos.com/58678162/17899866/17916590/s65_hanna.j_rvinen.jpg"}</script></span></span></li><li class="js-paper-rank-work_76098504 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="76098504"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 76098504, container: ".js-paper-rank-work_76098504", }); });</script></li><li class="js-percentile-work_76098504 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76098504; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_76098504"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_76098504 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="76098504"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76098504; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76098504]").text(description); $(".js-view-count-work_76098504").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_76098504").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="76098504"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1236" href="https://www.academia.edu/Documents/in/Art">Art</a>, <script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5778" href="https://www.academia.edu/Documents/in/Russian_Nationalism">Russian Nationalism</a>, <script data-card-contents-for-ri="5778" type="text/json">{"id":5778,"name":"Russian Nationalism","url":"https://www.academia.edu/Documents/in/Russian_Nationalism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9912" href="https://www.academia.edu/Documents/in/Russian_Music">Russian Music</a><script data-card-contents-for-ri="9912" type="text/json">{"id":9912,"name":"Russian Music","url":"https://www.academia.edu/Documents/in/Russian_Music?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=76098504]'), work: {"id":76098504,"title":"‘Great Horizons Flooded with the Alien Light of the Sun’: Le Sacre du Printemps in the Russian Context","created_at":"2022-04-11T03:45:13.523-07:00","url":"https://www.academia.edu/76098504/_Great_Horizons_Flooded_with_the_Alien_Light_of_the_Sun_Le_Sacre_du_Printemps_in_the_Russian_Context?f_ri=16234","dom_id":"work_76098504","summary":"Even a century after the premiere of Le Sacre du Printemps, Russian contemporary sources offer a wealth of material on the Ballets Russes and particularly on Nijinsky\u0026#39;s 1913 choreography that are rarely even read let alone discussed in detail. Consequently, the interpretations ignore outright the importance of the historical context of Imperial Russia to this work and, specifically, the contemporary Russian dance discourse has been overshadowed by the authoritative voices of Western critics and rather selective reminiscences emphasising the scandalous premiere. This paper will give an overview of some of these little-known Russian sources and their generally positive reception of Nijinsky\u0026#39;s work in order to argue that these informed Russian spectators perceived Sacre in a manner that contests how this work has been represented in dance history","downloadable_attachments":[{"id":83775330,"asset_id":76098504,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":58678162,"first_name":"Hanna","last_name":"Järvinen","domain_name":"independent","page_name":"JärvinenH","display_name":"Hanna Järvinen","profile_url":"https://independent.academia.edu/J%C3%A4rvinenH?f_ri=16234","photo":"https://0.academia-photos.com/58678162/17899866/17916590/s65_hanna.j_rvinen.jpg"}],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":5778,"name":"Russian Nationalism","url":"https://www.academia.edu/Documents/in/Russian_Nationalism?f_ri=16234","nofollow":false},{"id":9912,"name":"Russian Music","url":"https://www.academia.edu/Documents/in/Russian_Music?f_ri=16234","nofollow":false},{"id":15455,"name":"Russian History","url":"https://www.academia.edu/Documents/in/Russian_History?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":23903,"name":"Russian avant-garde art","url":"https://www.academia.edu/Documents/in/Russian_avant-garde_art?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":42171,"name":"Ballets Russes","url":"https://www.academia.edu/Documents/in/Ballets_Russes?f_ri=16234"},{"id":58216,"name":"Ballet","url":"https://www.academia.edu/Documents/in/Ballet?f_ri=16234"},{"id":191917,"name":"Anatolii Lunacharskii","url":"https://www.academia.edu/Documents/in/Anatolii_Lunacharskii?f_ri=16234"},{"id":220385,"name":"Vaslav Nijinsky","url":"https://www.academia.edu/Documents/in/Vaslav_Nijinsky?f_ri=16234"},{"id":234196,"name":"Igor Stravinsky","url":"https://www.academia.edu/Documents/in/Igor_Stravinsky?f_ri=16234"},{"id":450631,"name":"The Rite of Spring","url":"https://www.academia.edu/Documents/in/The_Rite_of_Spring?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37502411" data-work_id="37502411" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37502411/La_critica_di_danza_come_oggetto_di_studio_note_preliminari_attorno_al_caso_dellItalia_fascista_in_Recherches_en_danse_n_5_2016_danse_revues_org_1342">La critica di danza come oggetto di studio: note preliminari attorno al caso dell'Italia fascista, in «Recherches en danse», n. 5, 2016, danse.revues.org/1342.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37502411" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5bfce9e50f8e7498c2e711a358934b4b" rel="nofollow" data-download="{"attachment_id":57473549,"asset_id":37502411,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57473549/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="94098905" href="https://unige-it1.academia.edu/GiuliaTaddeo">Giulia Taddeo</a><script data-card-contents-for-user="94098905" type="text/json">{"id":94098905,"first_name":"Giulia","last_name":"Taddeo","domain_name":"unige-it1","page_name":"GiuliaTaddeo","display_name":"Giulia Taddeo","profile_url":"https://unige-it1.academia.edu/GiuliaTaddeo?f_ri=16234","photo":"https://0.academia-photos.com/94098905/20617694/20222500/s65_giulia.taddeo.jpg"}</script></span></span></li><li class="js-paper-rank-work_37502411 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37502411"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37502411, container: ".js-paper-rank-work_37502411", }); });</script></li><li class="js-percentile-work_37502411 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37502411; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37502411"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37502411 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37502411"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37502411; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37502411]").text(description); $(".js-view-count-work_37502411").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37502411").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37502411"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5781" href="https://www.academia.edu/Documents/in/Fascism">Fascism</a>, <script data-card-contents-for-ri="5781" type="text/json">{"id":5781,"name":"Fascism","url":"https://www.academia.edu/Documents/in/Fascism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15651" href="https://www.academia.edu/Documents/in/Fascism_and_Modernism">Fascism and Modernism</a>, <script data-card-contents-for-ri="15651" type="text/json">{"id":15651,"name":"Fascism and Modernism","url":"https://www.academia.edu/Documents/in/Fascism_and_Modernism?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37502411]'), work: {"id":37502411,"title":"La critica di danza come oggetto di studio: note preliminari attorno al caso dell'Italia fascista, in «Recherches en danse», n. 5, 2016, danse.revues.org/1342.","created_at":"2018-09-30T04:46:23.889-07:00","url":"https://www.academia.edu/37502411/La_critica_di_danza_come_oggetto_di_studio_note_preliminari_attorno_al_caso_dellItalia_fascista_in_Recherches_en_danse_n_5_2016_danse_revues_org_1342?f_ri=16234","dom_id":"work_37502411","summary":null,"downloadable_attachments":[{"id":57473549,"asset_id":37502411,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":94098905,"first_name":"Giulia","last_name":"Taddeo","domain_name":"unige-it1","page_name":"GiuliaTaddeo","display_name":"Giulia Taddeo","profile_url":"https://unige-it1.academia.edu/GiuliaTaddeo?f_ri=16234","photo":"https://0.academia-photos.com/94098905/20617694/20222500/s65_giulia.taddeo.jpg"}],"research_interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=16234","nofollow":false},{"id":5781,"name":"Fascism","url":"https://www.academia.edu/Documents/in/Fascism?f_ri=16234","nofollow":false},{"id":15651,"name":"Fascism and Modernism","url":"https://www.academia.edu/Documents/in/Fascism_and_Modernism?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":19709,"name":"Dance Criticism","url":"https://www.academia.edu/Documents/in/Dance_Criticism?f_ri=16234"},{"id":66677,"name":"Italian fascism","url":"https://www.academia.edu/Documents/in/Italian_fascism?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8636700" data-work_id="8636700" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8636700/Dance_Spectatorship_Syllabus">Dance Spectatorship Syllabus</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Course Description Dance is a reflection, distillation, propagator, and criticism of culture. In this course you will deepen your relationship with dance both on the stage and in the performances of everyday life—from bars to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8636700" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Course Description <br />Dance is a reflection, distillation, propagator, and criticism of culture.<br /><br />In this course you will deepen your relationship with dance both on the stage and in the performances of everyday life—from bars to bookstores. You will hone skills in perception and express your individual experience with the performances through essays, poetry, visual arts, and group projects. Drawing from perceptual psychology, ethnographic studies, neuroscience, and critical theory, and Dance Studies we will consider how societal influences and your own bodily history inflect what you see. <br />Features: Digital Dance Curation; Cakewalk assignment; Pedestrian choreographies assignment; notes for best practices from readings.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8636700" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1b1b55d931dc732310d90285c57d1dde" rel="nofollow" data-download="{"attachment_id":34997791,"asset_id":8636700,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34997791/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="477070" href="https://independent.academia.edu/BrandonShaw30">Brandon Shaw</a><script data-card-contents-for-user="477070" type="text/json">{"id":477070,"first_name":"Brandon","last_name":"Shaw","domain_name":"independent","page_name":"BrandonShaw30","display_name":"Brandon Shaw","profile_url":"https://independent.academia.edu/BrandonShaw30?f_ri=16234","photo":"https://0.academia-photos.com/477070/5008345/5749381/s65_brandon.shaw.jpg"}</script></span></span></li><li class="js-paper-rank-work_8636700 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8636700"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8636700, container: ".js-paper-rank-work_8636700", }); });</script></li><li class="js-percentile-work_8636700 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8636700; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_8636700"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_8636700 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="8636700"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8636700; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8636700]").text(description); $(".js-view-count-work_8636700").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8636700").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8636700"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15565" href="https://www.academia.edu/Documents/in/Spectatorship">Spectatorship</a>, <script data-card-contents-for-ri="15565" type="text/json">{"id":15565,"name":"Spectatorship","url":"https://www.academia.edu/Documents/in/Spectatorship?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25642" href="https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance">Modern and Contemporary Dance</a><script data-card-contents-for-ri="25642" type="text/json">{"id":25642,"name":"Modern and Contemporary Dance","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8636700]'), work: {"id":8636700,"title":"Dance Spectatorship Syllabus","created_at":"2014-10-04T18:48:33.955-07:00","url":"https://www.academia.edu/8636700/Dance_Spectatorship_Syllabus?f_ri=16234","dom_id":"work_8636700","summary":"Course Description \nDance is a reflection, distillation, propagator, and criticism of culture.\n\nIn this course you will deepen your relationship with dance both on the stage and in the performances of everyday life—from bars to bookstores. You will hone skills in perception and express your individual experience with the performances through essays, poetry, visual arts, and group projects. Drawing from perceptual psychology, ethnographic studies, neuroscience, and critical theory, and Dance Studies we will consider how societal influences and your own bodily history inflect what you see. \nFeatures: Digital Dance Curation; Cakewalk assignment; Pedestrian choreographies assignment; notes for best practices from readings.","downloadable_attachments":[{"id":34997791,"asset_id":8636700,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":477070,"first_name":"Brandon","last_name":"Shaw","domain_name":"independent","page_name":"BrandonShaw30","display_name":"Brandon Shaw","profile_url":"https://independent.academia.edu/BrandonShaw30?f_ri=16234","photo":"https://0.academia-photos.com/477070/5008345/5749381/s65_brandon.shaw.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":15565,"name":"Spectatorship","url":"https://www.academia.edu/Documents/in/Spectatorship?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":25642,"name":"Modern and Contemporary Dance","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34688953" data-work_id="34688953" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34688953/From_the_Kingdom_of_Kongo_to_Congo_Square_Kongo_Dances_and_the_Origins_of_the_Mardi_Gras_Indians">From the Kingdom of Kongo to Congo Square: Kongo Dances and the Origins of the Mardi Gras Indians</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This book presents a provocatively new interpretation of one of New Orleans' most enigmatic traditions, the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the " black Indians " back to the ancient... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34688953" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This book presents a provocatively new interpretation of one of New Orleans' most enigmatic traditions, the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the " black Indians " back to the ancient Kingdom of Kongo and its war dance known as sangamento. He shows that good warriors in the Kongo kingdom were per definition also good dancers, masters of a technique of dodging, spinning and leaping that was crucial in local warfare. Enslaved Kongolese brought the rhythm, dancing moves and feathered headwear of sangamentos to the Americas in performances that came to be known as " Kongo dances. " By comparing Kongo dances on the African island of São Tomé with those in Latin America, the Caribbean and Louisiana, Dewulf demonstrates that the dances on New Orleans' Congo Square were part of a much broader Kongolese performance tradition. He links that to Afro-Catholic mutual-aid societies that honored their elected community leaders or " kings " with Kongo dances. While the public rituals of these brotherhoods originally thrived in the context of Catholic procession culture around Epiphany and Corpus Christi, they transitioned to carnival as a result of growing orthodoxy within the Church. Dewulf's groundbreaking research suggests a much greater impact of Kongolese traditions and of popular Catholicism on the development of African-American cultural heritage and identity. His conclusions force us to radically rethink the traditional narrative on the Mardi Gras Indians, the kings of Zulu and the origins of black participation in Mardi Gras celebrations.<br /><br /><a href="http://www.ulpress.org/item_224/From-the-Kingdom-of-Kongo-to-Congo-Square.php" rel="nofollow">http://www.ulpress.org/item_224/From-the-Kingdom-of-Kongo-to-Congo-Square.php</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34688953" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="83ff2218ccfa4743fcfb15b74cf6e237" rel="nofollow" data-download="{"attachment_id":54558425,"asset_id":34688953,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54558425/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13340045" href="https://berkeley.academia.edu/JeroenDewulf">Jeroen Dewulf</a><script data-card-contents-for-user="13340045" type="text/json">{"id":13340045,"first_name":"Jeroen","last_name":"Dewulf","domain_name":"berkeley","page_name":"JeroenDewulf","display_name":"Jeroen Dewulf","profile_url":"https://berkeley.academia.edu/JeroenDewulf?f_ri=16234","photo":"https://0.academia-photos.com/13340045/3740861/4382082/s65_jeroen.dewulf.jpg"}</script></span></span></li><li class="js-paper-rank-work_34688953 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34688953"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34688953, container: ".js-paper-rank-work_34688953", }); });</script></li><li class="js-percentile-work_34688953 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34688953; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34688953"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34688953 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34688953"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34688953; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34688953]").text(description); $(".js-view-count-work_34688953").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34688953").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34688953"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">94</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="296" href="https://www.academia.edu/Documents/in/Black_Studies_Or_African_American_Studies">Black Studies Or African American Studies</a>, <script data-card-contents-for-ri="296" type="text/json">{"id":296,"name":"Black Studies Or African American Studies","url":"https://www.academia.edu/Documents/in/Black_Studies_Or_African_American_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="379" href="https://www.academia.edu/Documents/in/African_Studies">African Studies</a>, <script data-card-contents-for-ri="379" type="text/json">{"id":379,"name":"African Studies","url":"https://www.academia.edu/Documents/in/African_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34688953]'), work: {"id":34688953,"title":"From the Kingdom of Kongo to Congo Square: Kongo Dances and the Origins of the Mardi Gras Indians","created_at":"2017-09-26T22:09:53.406-07:00","url":"https://www.academia.edu/34688953/From_the_Kingdom_of_Kongo_to_Congo_Square_Kongo_Dances_and_the_Origins_of_the_Mardi_Gras_Indians?f_ri=16234","dom_id":"work_34688953","summary":"This book presents a provocatively new interpretation of one of New Orleans' most enigmatic traditions, the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the \" black Indians \" back to the ancient Kingdom of Kongo and its war dance known as sangamento. He shows that good warriors in the Kongo kingdom were per definition also good dancers, masters of a technique of dodging, spinning and leaping that was crucial in local warfare. Enslaved Kongolese brought the rhythm, dancing moves and feathered headwear of sangamentos to the Americas in performances that came to be known as \" Kongo dances. \" By comparing Kongo dances on the African island of São Tomé with those in Latin America, the Caribbean and Louisiana, Dewulf demonstrates that the dances on New Orleans' Congo Square were part of a much broader Kongolese performance tradition. He links that to Afro-Catholic mutual-aid societies that honored their elected community leaders or \" kings \" with Kongo dances. While the public rituals of these brotherhoods originally thrived in the context of Catholic procession culture around Epiphany and Corpus Christi, they transitioned to carnival as a result of growing orthodoxy within the Church. Dewulf's groundbreaking research suggests a much greater impact of Kongolese traditions and of popular Catholicism on the development of African-American cultural heritage and identity. His conclusions force us to radically rethink the traditional narrative on the Mardi Gras Indians, the kings of Zulu and the origins of black participation in Mardi Gras celebrations.\n\nhttp://www.ulpress.org/item_224/From-the-Kingdom-of-Kongo-to-Congo-Square.php","downloadable_attachments":[{"id":54558425,"asset_id":34688953,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13340045,"first_name":"Jeroen","last_name":"Dewulf","domain_name":"berkeley","page_name":"JeroenDewulf","display_name":"Jeroen Dewulf","profile_url":"https://berkeley.academia.edu/JeroenDewulf?f_ri=16234","photo":"https://0.academia-photos.com/13340045/3740861/4382082/s65_jeroen.dewulf.jpg"}],"research_interests":[{"id":296,"name":"Black Studies Or African American Studies","url":"https://www.academia.edu/Documents/in/Black_Studies_Or_African_American_Studies?f_ri=16234","nofollow":false},{"id":379,"name":"African Studies","url":"https://www.academia.edu/Documents/in/African_Studies?f_ri=16234","nofollow":false},{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=16234","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=16234","nofollow":false},{"id":787,"name":"Folklore","url":"https://www.academia.edu/Documents/in/Folklore?f_ri=16234"},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music?f_ri=16234"},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234"},{"id":2938,"name":"Black/African Diaspora","url":"https://www.academia.edu/Documents/in/Black_African_Diaspora?f_ri=16234"},{"id":3394,"name":"Southern Studies (U.S. South)","url":"https://www.academia.edu/Documents/in/Southern_Studies_U.S._South_?f_ri=16234"},{"id":3870,"name":"African Diaspora Studies","url":"https://www.academia.edu/Documents/in/African_Diaspora_Studies?f_ri=16234"},{"id":3945,"name":"African-American Dance","url":"https://www.academia.edu/Documents/in/African-American_Dance?f_ri=16234"},{"id":4121,"name":"Atlantic World","url":"https://www.academia.edu/Documents/in/Atlantic_World?f_ri=16234"},{"id":4154,"name":"Iberian Studies","url":"https://www.academia.edu/Documents/in/Iberian_Studies?f_ri=16234"},{"id":5432,"name":"Slavery","url":"https://www.academia.edu/Documents/in/Slavery?f_ri=16234"},{"id":6283,"name":"History of Slavery","url":"https://www.academia.edu/Documents/in/History_of_Slavery?f_ri=16234"},{"id":6778,"name":"African Music","url":"https://www.academia.edu/Documents/in/African_Music?f_ri=16234"},{"id":7945,"name":"Caribbean Studies","url":"https://www.academia.edu/Documents/in/Caribbean_Studies?f_ri=16234"},{"id":9081,"name":"African American Religions","url":"https://www.academia.edu/Documents/in/African_American_Religions?f_ri=16234"},{"id":10073,"name":"Sociology of Music","url":"https://www.academia.edu/Documents/in/Sociology_of_Music?f_ri=16234"},{"id":11751,"name":"African American Culture","url":"https://www.academia.edu/Documents/in/African_American_Culture?f_ri=16234"},{"id":12645,"name":"Popular/Folk Catholicism","url":"https://www.academia.edu/Documents/in/Popular_Folk_Catholicism?f_ri=16234"},{"id":13050,"name":"African Diaspora","url":"https://www.academia.edu/Documents/in/African_Diaspora?f_ri=16234"},{"id":13497,"name":"African American History","url":"https://www.academia.edu/Documents/in/African_American_History?f_ri=16234"},{"id":14912,"name":"African American Studies","url":"https://www.academia.edu/Documents/in/African_American_Studies?f_ri=16234"},{"id":14995,"name":"Black Popular Culture","url":"https://www.academia.edu/Documents/in/Black_Popular_Culture?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":17223,"name":"Jazz Studies","url":"https://www.academia.edu/Documents/in/Jazz_Studies?f_ri=16234"},{"id":19040,"name":"Caribbean Slavery","url":"https://www.academia.edu/Documents/in/Caribbean_Slavery?f_ri=16234"},{"id":19042,"name":"Afro-Caribbean Music","url":"https://www.academia.edu/Documents/in/Afro-Caribbean_Music?f_ri=16234"},{"id":21373,"name":"Central Africa","url":"https://www.academia.edu/Documents/in/Central_Africa?f_ri=16234"},{"id":22805,"name":"Jazz History","url":"https://www.academia.edu/Documents/in/Jazz_History?f_ri=16234"},{"id":26155,"name":"African-American Music","url":"https://www.academia.edu/Documents/in/African-American_Music?f_ri=16234"},{"id":27508,"name":"Black Intellectual History","url":"https://www.academia.edu/Documents/in/Black_Intellectual_History?f_ri=16234"},{"id":27510,"name":"Black Atlantic","url":"https://www.academia.edu/Documents/in/Black_Atlantic?f_ri=16234"},{"id":27533,"name":"Atlantic history","url":"https://www.academia.edu/Documents/in/Atlantic_history?f_ri=16234"},{"id":27657,"name":"Jazz Theory","url":"https://www.academia.edu/Documents/in/Jazz_Theory?f_ri=16234"},{"id":28103,"name":"Congo and Congolese Diaspora (Anthropology)","url":"https://www.academia.edu/Documents/in/Congo_and_Congolese_Diaspora_Anthropology_?f_ri=16234"},{"id":28914,"name":"Francophone Louisiana","url":"https://www.academia.edu/Documents/in/Francophone_Louisiana?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":29924,"name":"New Orleans","url":"https://www.academia.edu/Documents/in/New_Orleans?f_ri=16234"},{"id":35017,"name":"New Orleans Jazz","url":"https://www.academia.edu/Documents/in/New_Orleans_Jazz?f_ri=16234"},{"id":35592,"name":"Jazz","url":"https://www.academia.edu/Documents/in/Jazz?f_ri=16234"},{"id":35791,"name":"Cajun/South Louisiana","url":"https://www.academia.edu/Documents/in/Cajun_South_Louisiana?f_ri=16234"},{"id":40285,"name":"Africana Studies","url":"https://www.academia.edu/Documents/in/Africana_Studies?f_ri=16234"},{"id":45266,"name":"Louisiana history","url":"https://www.academia.edu/Documents/in/Louisiana_history?f_ri=16234"},{"id":47541,"name":"Congo","url":"https://www.academia.edu/Documents/in/Congo?f_ri=16234"},{"id":51574,"name":"New Orleans funk and 2nd line music","url":"https://www.academia.edu/Documents/in/New_Orleans_funk_and_2nd_line_music?f_ri=16234"},{"id":53019,"name":"Atlantic Slave Trade","url":"https://www.academia.edu/Documents/in/Atlantic_Slave_Trade?f_ri=16234"},{"id":60110,"name":"Spanish American colonial studies","url":"https://www.academia.edu/Documents/in/Spanish_American_colonial_studies?f_ri=16234"},{"id":68342,"name":"African American","url":"https://www.academia.edu/Documents/in/African_American?f_ri=16234"},{"id":82513,"name":"Parades, Processions and Carnavals in Contemporary Art","url":"https://www.academia.edu/Documents/in/Parades_Processions_and_Carnavals_in_Contemporary_Art?f_ri=16234"},{"id":85318,"name":"New Orleans Voodoo","url":"https://www.academia.edu/Documents/in/New_Orleans_Voodoo?f_ri=16234"},{"id":88650,"name":"Mardi Gras","url":"https://www.academia.edu/Documents/in/Mardi_Gras?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"},{"id":95821,"name":"New Orleans brass band tradition","url":"https://www.academia.edu/Documents/in/New_Orleans_brass_band_tradition?f_ri=16234"},{"id":105651,"name":"Parades and Processions","url":"https://www.academia.edu/Documents/in/Parades_and_Processions?f_ri=16234"},{"id":109599,"name":"Colonial Louisiana","url":"https://www.academia.edu/Documents/in/Colonial_Louisiana?f_ri=16234"},{"id":111356,"name":"Carnival","url":"https://www.academia.edu/Documents/in/Carnival?f_ri=16234"},{"id":124437,"name":"New Orleans History","url":"https://www.academia.edu/Documents/in/New_Orleans_History?f_ri=16234"},{"id":157858,"name":"African-American Studies","url":"https://www.academia.edu/Documents/in/African-American_Studies?f_ri=16234"},{"id":160767,"name":"Louisiana","url":"https://www.academia.edu/Documents/in/Louisiana?f_ri=16234"},{"id":164151,"name":"African American Cultures","url":"https://www.academia.edu/Documents/in/African_American_Cultures?f_ri=16234"},{"id":179196,"name":"Louisiana Creole Culture","url":"https://www.academia.edu/Documents/in/Louisiana_Creole_Culture?f_ri=16234"},{"id":210289,"name":"African Catholicism","url":"https://www.academia.edu/Documents/in/African_Catholicism?f_ri=16234"},{"id":212444,"name":"CARNAVAL","url":"https://www.academia.edu/Documents/in/CARNAVAL?f_ri=16234"},{"id":233800,"name":"African Americans","url":"https://www.academia.edu/Documents/in/African_Americans?f_ri=16234"},{"id":251450,"name":"Historical Archaeology, New Orleans, Mardi Gras Indians","url":"https://www.academia.edu/Documents/in/Historical_Archaeology_New_Orleans_Mardi_Gras_Indians?f_ri=16234"},{"id":255242,"name":"African and African American Studies","url":"https://www.academia.edu/Documents/in/African_and_African_American_Studies?f_ri=16234"},{"id":283233,"name":"18th Century French Louisiana","url":"https://www.academia.edu/Documents/in/18th_Century_French_Louisiana?f_ri=16234"},{"id":287647,"name":"Trinidad Carnival","url":"https://www.academia.edu/Documents/in/Trinidad_Carnival?f_ri=16234"},{"id":390576,"name":"Kongo Kingdom","url":"https://www.academia.edu/Documents/in/Kongo_Kingdom?f_ri=16234"},{"id":399336,"name":"Black Music","url":"https://www.academia.edu/Documents/in/Black_Music?f_ri=16234"},{"id":405878,"name":"Afro-Catholicism","url":"https://www.academia.edu/Documents/in/Afro-Catholicism?f_ri=16234"},{"id":441583,"name":"Confraternities studies","url":"https://www.academia.edu/Documents/in/Confraternities_studies?f_ri=16234"},{"id":447352,"name":"Carnival and Culture","url":"https://www.academia.edu/Documents/in/Carnival_and_Culture?f_ri=16234"},{"id":448742,"name":"Louisiana Creole music","url":"https://www.academia.edu/Documents/in/Louisiana_Creole_music?f_ri=16234"},{"id":505288,"name":"Colonial Culture, New Orleans \u0026 Louisiana","url":"https://www.academia.edu/Documents/in/Colonial_Culture_New_Orleans_and_Louisiana?f_ri=16234"},{"id":587128,"name":"Congado","url":"https://www.academia.edu/Documents/in/Congado?f_ri=16234"},{"id":627382,"name":"Louisiana Creole","url":"https://www.academia.edu/Documents/in/Louisiana_Creole?f_ri=16234"},{"id":662124,"name":"Confraternity Studies","url":"https://www.academia.edu/Documents/in/Confraternity_Studies?f_ri=16234"},{"id":700173,"name":"Folclore e Cultura Popular","url":"https://www.academia.edu/Documents/in/Folclore_e_Cultura_Popular?f_ri=16234"},{"id":742575,"name":"São Tomé and Príncipe","url":"https://www.academia.edu/Documents/in/S%C3%A3o_Tom%C3%A9_and_Pr%C3%ADncipe-1?f_ri=16234"},{"id":951418,"name":"New Orleans Culture","url":"https://www.academia.edu/Documents/in/New_Orleans_Culture?f_ri=16234"},{"id":1036918,"name":"Kingdom of Kongo","url":"https://www.academia.edu/Documents/in/Kingdom_of_Kongo?f_ri=16234"},{"id":1118694,"name":"History of Central Africa","url":"https://www.academia.edu/Documents/in/History_of_Central_Africa?f_ri=16234"},{"id":1260010,"name":"Congo Square","url":"https://www.academia.edu/Documents/in/Congo_Square?f_ri=16234"},{"id":1275728,"name":"Second Line Parades","url":"https://www.academia.edu/Documents/in/Second_Line_Parades?f_ri=16234"},{"id":1363069,"name":"History of New Orleans","url":"https://www.academia.edu/Documents/in/History_of_New_Orleans?f_ri=16234"},{"id":1494720,"name":"Congada","url":"https://www.academia.edu/Documents/in/Congada?f_ri=16234"},{"id":1575344,"name":"Tradições Carnavalescas Portuguesas","url":"https://www.academia.edu/Documents/in/Tradicoes_Carnavalescas_Portuguesas?f_ri=16234"},{"id":1991150,"name":"Congadas","url":"https://www.academia.edu/Documents/in/Congadas?f_ri=16234"},{"id":1995457,"name":"Kongo History","url":"https://www.academia.edu/Documents/in/Kongo_History?f_ri=16234"},{"id":2463211,"name":"Reino do Kongo","url":"https://www.academia.edu/Documents/in/Reino_do_Kongo?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_69848985" data-work_id="69848985" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/69848985/Beyond_the_Moulin_Rouge_The_Life_and_Legacy_of_La_Goulue">Beyond the Moulin Rouge: The Life & Legacy of La Goulue</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_69848985" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an iconic figure of modern art. Her life, however, has consistently been misrepresented and reduced to a footnote in the stories of men such as Henri de Toulouse-Lautrec. Where most accounts dismiss her rise and fall as brief and rapid, the truth is that her career as a performer spanned five decades, during which La Goulue constantly reinvented herself-as a dancer, animal tamer, sideshow performer, and muse of photographers, painters, sculptors, and filmmakers.<br /><br />With Beyond the Moulin Rouge, the first substantive English-language study of La Goulue's career and posthumous influence, Will Visconti corrects persistent myths. Despite a tumultuous personal life, La Goulue overcame loss, abusive relationships, and poverty to become the very embodiment of nineteenth-century Paris, feted by royalty and followed as closely as any politician or monarch.<br /><br />Visconti draws on previously overlooked materials, including medical records, media reports across Europe and the United States, and surviving pages from Louise Weber's diary, to trace the life and impact of a woman whose cultural significance has been ignored in favor of the men around her, and who spent her life upending assumptions about gender, morality, and domesticity in France during the fin de siècle and early twentieth century.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/69848985" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="77749" href="https://sydney.academia.edu/WillVisconti">Will Visconti</a><script data-card-contents-for-user="77749" type="text/json">{"id":77749,"first_name":"Will","last_name":"Visconti","domain_name":"sydney","page_name":"WillVisconti","display_name":"Will Visconti","profile_url":"https://sydney.academia.edu/WillVisconti?f_ri=16234","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_69848985 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="69848985"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 69848985, container: ".js-paper-rank-work_69848985", }); });</script></li><li class="js-percentile-work_69848985 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69848985; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_69848985"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_69848985 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="69848985"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69848985; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69848985]").text(description); $(".js-view-count-work_69848985").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_69848985").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="69848985"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a><script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=69848985]'), work: {"id":69848985,"title":"Beyond the Moulin Rouge: The Life \u0026 Legacy of La Goulue","created_at":"2022-01-28T20:43:37.922-08:00","url":"https://www.academia.edu/69848985/Beyond_the_Moulin_Rouge_The_Life_and_Legacy_of_La_Goulue?f_ri=16234","dom_id":"work_69848985","summary":"Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an iconic figure of modern art. Her life, however, has consistently been misrepresented and reduced to a footnote in the stories of men such as Henri de Toulouse-Lautrec. Where most accounts dismiss her rise and fall as brief and rapid, the truth is that her career as a performer spanned five decades, during which La Goulue constantly reinvented herself-as a dancer, animal tamer, sideshow performer, and muse of photographers, painters, sculptors, and filmmakers.\n\nWith Beyond the Moulin Rouge, the first substantive English-language study of La Goulue's career and posthumous influence, Will Visconti corrects persistent myths. Despite a tumultuous personal life, La Goulue overcame loss, abusive relationships, and poverty to become the very embodiment of nineteenth-century Paris, feted by royalty and followed as closely as any politician or monarch.\n\nVisconti draws on previously overlooked materials, including medical records, media reports across Europe and the United States, and surviving pages from Louise Weber's diary, to trace the life and impact of a woman whose cultural significance has been ignored in favor of the men around her, and who spent her life upending assumptions about gender, morality, and domesticity in France during the fin de siècle and early twentieth century.","downloadable_attachments":[],"ordered_authors":[{"id":77749,"first_name":"Will","last_name":"Visconti","domain_name":"sydney","page_name":"WillVisconti","display_name":"Will Visconti","profile_url":"https://sydney.academia.edu/WillVisconti?f_ri=16234","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=16234","nofollow":false},{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16234","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16234","nofollow":false},{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=16234","nofollow":false},{"id":1181,"name":"French History","url":"https://www.academia.edu/Documents/in/French_History?f_ri=16234"},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=16234"},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234"},{"id":4714,"name":"Sexuality","url":"https://www.academia.edu/Documents/in/Sexuality?f_ri=16234"},{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=16234"},{"id":9645,"name":"Nineteenth-century Art","url":"https://www.academia.edu/Documents/in/Nineteenth-century_Art?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":32969,"name":"French Impressionism","url":"https://www.academia.edu/Documents/in/French_Impressionism?f_ri=16234"},{"id":38244,"name":"French","url":"https://www.academia.edu/Documents/in/French?f_ri=16234"},{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=16234"},{"id":72177,"name":"Belle Epoque","url":"https://www.academia.edu/Documents/in/Belle_Epoque?f_ri=16234"},{"id":91839,"name":"Paris","url":"https://www.academia.edu/Documents/in/Paris?f_ri=16234"},{"id":240187,"name":"Popular entertainments: circus, fair midways, amusement parks, variety acts, wild west shows, freaks and animals, etc -- 19th-century printing, advertising, and marketing; consumer goods -- Museum history and the exhibition of marvels and curiosities.","url":"https://www.academia.edu/Documents/in/Popular_entertainments_circus_fair_midways_amusement_parks_variety_acts_wild_west_shows_freaks?f_ri=16234"},{"id":324960,"name":"Circus","url":"https://www.academia.edu/Documents/in/Circus?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_50039905" data-work_id="50039905" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/50039905/Researching_British_underground_Jazz_Dancing">Researching British (underground) Jazz Dancing</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The jazz dancing that is the focus of this chapter emerged in the United Kingdom in the late 1970s and early 1980s. What has become collectively known as UK, or sometimes old school, jazz incorporated a range of styles that developed... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_50039905" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The jazz dancing that is the focus of this chapter emerged in the United Kingdom in the late 1970s and early 1980s. What has become collectively known as UK, or sometimes old school, jazz incorporated a range of styles that developed around a network of ‘underground’ clubs. In contrast to much previous jazz dancing that was performed by, or emulated, African Americans, these styles, even whilst recognising American influences, are also self-consciously British and, by virtue of the important part played by the children of immigrants to Britain from the Caribbean, have a sense of connection to African diasporic traditions that are not solely reliant on those transmitted via America. My approach to this research of UK jazz dancing is interdisciplinary, drawing on concepts and methods from history, dance analysis, sociology and cultural studies. Rather than providing a comprehensive introduction to this field, my aim is for this research to be understood as laying a foundation for future investigations of this part of recent British dance history.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/50039905" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fc3483551ac0962a40578da67d2dd460" rel="nofollow" data-download="{"attachment_id":68172623,"asset_id":50039905,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68172623/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="834344" href="https://beds.academia.edu/JaneCarr">Jane Carr</a><script data-card-contents-for-user="834344" type="text/json">{"id":834344,"first_name":"Jane","last_name":"Carr","domain_name":"beds","page_name":"JaneCarr","display_name":"Jane Carr","profile_url":"https://beds.academia.edu/JaneCarr?f_ri=16234","photo":"https://0.academia-photos.com/834344/292544/346084/s65_jane.carr.jpg"}</script></span></span></li><li class="js-paper-rank-work_50039905 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="50039905"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 50039905, container: ".js-paper-rank-work_50039905", }); });</script></li><li class="js-percentile-work_50039905 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50039905; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_50039905"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_50039905 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="50039905"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50039905; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50039905]").text(description); $(".js-view-count-work_50039905").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_50039905").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="50039905"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2938" href="https://www.academia.edu/Documents/in/Black_African_Diaspora">Black/African Diaspora</a>, <script data-card-contents-for-ri="2938" type="text/json">{"id":2938,"name":"Black/African Diaspora","url":"https://www.academia.edu/Documents/in/Black_African_Diaspora?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35592" href="https://www.academia.edu/Documents/in/Jazz">Jazz</a>, <script data-card-contents-for-ri="35592" type="text/json">{"id":35592,"name":"Jazz","url":"https://www.academia.edu/Documents/in/Jazz?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1294477" href="https://www.academia.edu/Documents/in/Habitus_and_Embodiment">Habitus and Embodiment</a><script data-card-contents-for-ri="1294477" type="text/json">{"id":1294477,"name":"Habitus and Embodiment","url":"https://www.academia.edu/Documents/in/Habitus_and_Embodiment?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=50039905]'), work: {"id":50039905,"title":"Researching British (underground) Jazz Dancing","created_at":"2021-07-18T01:05:04.390-07:00","url":"https://www.academia.edu/50039905/Researching_British_underground_Jazz_Dancing?f_ri=16234","dom_id":"work_50039905","summary":"The jazz dancing that is the focus of this chapter emerged in the United Kingdom in the late 1970s and early 1980s. What has become collectively known as UK, or sometimes old school, jazz incorporated a range of styles that developed around a network of ‘underground’ clubs. In contrast to much previous jazz dancing that was performed by, or emulated, African Americans, these styles, even whilst recognising American influences, are also self-consciously British and, by virtue of the important part played by the children of immigrants to Britain from the Caribbean, have a sense of connection to African diasporic traditions that are not solely reliant on those transmitted via America. My approach to this research of UK jazz dancing is interdisciplinary, drawing on concepts and methods from history, dance analysis, sociology and cultural studies. Rather than providing a comprehensive introduction to this field, my aim is for this research to be understood as laying a foundation for future investigations of this part of recent British dance history.\r\n\r\n","downloadable_attachments":[{"id":68172623,"asset_id":50039905,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":834344,"first_name":"Jane","last_name":"Carr","domain_name":"beds","page_name":"JaneCarr","display_name":"Jane Carr","profile_url":"https://beds.academia.edu/JaneCarr?f_ri=16234","photo":"https://0.academia-photos.com/834344/292544/346084/s65_jane.carr.jpg"}],"research_interests":[{"id":2938,"name":"Black/African Diaspora","url":"https://www.academia.edu/Documents/in/Black_African_Diaspora?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":35592,"name":"Jazz","url":"https://www.academia.edu/Documents/in/Jazz?f_ri=16234","nofollow":false},{"id":1294477,"name":"Habitus and Embodiment","url":"https://www.academia.edu/Documents/in/Habitus_and_Embodiment?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30995794" data-work_id="30995794" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30995794/Tanzende_Blumen_Florale_Ephemeralit%C3%A4t_und_choreographische_Transaktualit%C3%A4t">Tanzende Blumen. Florale Ephemeralität und choreographische Transaktualität</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Der Beitrag gibt einen historischen Überblick über die unterschiedlichen Möglichkeiten, die Flüchtigkeit von Tanzbewegung mit der Transitorik von Blumen zu verschränken. So wird im Bühnentanz das Auf- und Verblühen von Blumen verkörpert,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30995794" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Der Beitrag gibt einen historischen Überblick über die unterschiedlichen Möglichkeiten, die Flüchtigkeit von Tanzbewegung mit der Transitorik von Blumen zu verschränken. So wird im Bühnentanz das Auf- und Verblühen von Blumen verkörpert, etwa im Romantischen Ballett (»Théa, ou La Fée aux Fleurs«, 1847) oder in diversen Blumenchoreographien des Ausdruckstanzes. Umgekehrt erfahren Blumen trotz ihrer Sessilität eine kulturelle Zuschreibung von Tanzbewegungen, etwa bei William Wordsworth (»I wandered lonely as a cloud«, 1807) oder Hans Christian Andersen (»Die Blumen der kleinen Ida«, 1835), und fast immer wird auch hier die besondere Vergänglichkeit von Blumen mithilfe der Metapher des flüchtigen Tanzes reflektiert.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30995794" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ae310f9e0efba2f48da0b400f6e5d192" rel="nofollow" data-download="{"attachment_id":51428609,"asset_id":30995794,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51428609/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4106277" href="https://fu-berlin.academia.edu/AlexanderSchwan">Alexander H Schwan</a><script data-card-contents-for-user="4106277" type="text/json">{"id":4106277,"first_name":"Alexander","last_name":"Schwan","domain_name":"fu-berlin","page_name":"AlexanderSchwan","display_name":"Alexander H Schwan","profile_url":"https://fu-berlin.academia.edu/AlexanderSchwan?f_ri=16234","photo":"https://0.academia-photos.com/4106277/1586184/15898696/s65_alexander.schwan.jpg"}</script></span></span></li><li class="js-paper-rank-work_30995794 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30995794"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30995794, container: ".js-paper-rank-work_30995794", }); });</script></li><li class="js-percentile-work_30995794 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30995794; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30995794"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30995794 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30995794"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30995794; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30995794]").text(description); $(".js-view-count-work_30995794").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30995794").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30995794"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">32</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="945" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="947" href="https://www.academia.edu/Documents/in/Theatre_Studies">Theatre Studies</a>, <script data-card-contents-for-ri="947" type="text/json">{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a><script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30995794]'), work: {"id":30995794,"title":"Tanzende Blumen. Florale Ephemeralität und choreographische Transaktualität","created_at":"2017-01-19T09:42:04.589-08:00","url":"https://www.academia.edu/30995794/Tanzende_Blumen_Florale_Ephemeralit%C3%A4t_und_choreographische_Transaktualit%C3%A4t?f_ri=16234","dom_id":"work_30995794","summary":"Der Beitrag gibt einen historischen Überblick über die unterschiedlichen Möglichkeiten, die Flüchtigkeit von Tanzbewegung mit der Transitorik von Blumen zu verschränken. So wird im Bühnentanz das Auf- und Verblühen von Blumen verkörpert, etwa im Romantischen Ballett (»Théa, ou La Fée aux Fleurs«, 1847) oder in diversen Blumenchoreographien des Ausdruckstanzes. Umgekehrt erfahren Blumen trotz ihrer Sessilität eine kulturelle Zuschreibung von Tanzbewegungen, etwa bei William Wordsworth (»I wandered lonely as a cloud«, 1807) oder Hans Christian Andersen (»Die Blumen der kleinen Ida«, 1835), und fast immer wird auch hier die besondere Vergänglichkeit von Blumen mithilfe der Metapher des flüchtigen Tanzes reflektiert.","downloadable_attachments":[{"id":51428609,"asset_id":30995794,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4106277,"first_name":"Alexander","last_name":"Schwan","domain_name":"fu-berlin","page_name":"AlexanderSchwan","display_name":"Alexander H Schwan","profile_url":"https://fu-berlin.academia.edu/AlexanderSchwan?f_ri=16234","photo":"https://0.academia-photos.com/4106277/1586184/15898696/s65_alexander.schwan.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16234","nofollow":false},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=16234"},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234"},{"id":5463,"name":"Performance Art","url":"https://www.academia.edu/Documents/in/Performance_Art?f_ri=16234"},{"id":5676,"name":"Choreography","url":"https://www.academia.edu/Documents/in/Choreography?f_ri=16234"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture?f_ri=16234"},{"id":9043,"name":"Performance","url":"https://www.academia.edu/Documents/in/Performance?f_ri=16234"},{"id":11077,"name":"William Wordsworth","url":"https://www.academia.edu/Documents/in/William_Wordsworth?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":19712,"name":"Dance and Aesthetics","url":"https://www.academia.edu/Documents/in/Dance_and_Aesthetics?f_ri=16234"},{"id":19713,"name":"The choreography of William Forsythe","url":"https://www.academia.edu/Documents/in/The_choreography_of_William_Forsythe?f_ri=16234"},{"id":24462,"name":"Contemporary Dance","url":"https://www.academia.edu/Documents/in/Contemporary_Dance?f_ri=16234"},{"id":25642,"name":"Modern and Contemporary Dance","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":57669,"name":"Ephemeral art","url":"https://www.academia.edu/Documents/in/Ephemeral_art?f_ri=16234"},{"id":57820,"name":"Hans Christian Andersen","url":"https://www.academia.edu/Documents/in/Hans_Christian_Andersen?f_ri=16234"},{"id":58216,"name":"Ballet","url":"https://www.academia.edu/Documents/in/Ballet?f_ri=16234"},{"id":60259,"name":"Ephemerality","url":"https://www.academia.edu/Documents/in/Ephemerality?f_ri=16234"},{"id":64221,"name":"Floriculture","url":"https://www.academia.edu/Documents/in/Floriculture?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"},{"id":99358,"name":"Botanica","url":"https://www.academia.edu/Documents/in/Botanica?f_ri=16234"},{"id":125241,"name":"Ephemeral Objects","url":"https://www.academia.edu/Documents/in/Ephemeral_Objects?f_ri=16234"},{"id":130822,"name":"Flowers","url":"https://www.academia.edu/Documents/in/Flowers?f_ri=16234"},{"id":554888,"name":"Trisha Brown","url":"https://www.academia.edu/Documents/in/Trisha_Brown?f_ri=16234"},{"id":680899,"name":"Critical Plant Studies","url":"https://www.academia.edu/Documents/in/Critical_Plant_Studies?f_ri=16234"},{"id":889409,"name":"Floriography","url":"https://www.academia.edu/Documents/in/Floriography?f_ri=16234"},{"id":1112448,"name":"Botanca","url":"https://www.academia.edu/Documents/in/Botanca?f_ri=16234"},{"id":1120616,"name":"William Forsythe's Choreographic Objects","url":"https://www.academia.edu/Documents/in/William_Forsythes_Choreographic_Objects?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36110667" data-work_id="36110667" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36110667/Imaginaires_dans%C3%A9s_%C3%A0_partir_de_Jean_Cocteau_Le_Jeune_homme_et_la_Mort_entre_histoire_m%C3%A9moire_et_loi_in_Pas_de_Mots_De_la_litt%C3%A9rature_%C3%A0_la_danse_Paris_Hermann_sous_la_direction_de_Laura_Colombo_et_Stefano_Genetti_Paris_Hermann_2010_pp_217_237">Imaginaires dansés à partir de Jean Cocteau. “Le Jeune homme et la Mort” entre histoire, mémoire et loi, in Pas de Mots. De la littérature à la danse, Paris, Hermann, sous la direction de Laura Colombo et Stefano Genetti, Paris, Hermann, 2010, pp. 217-237.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36110667" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="75587c24226ec846836e2ec264fb1cb3" rel="nofollow" data-download="{"attachment_id":56002304,"asset_id":36110667,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56002304/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="26065500" href="https://unive.academia.edu/SusanneFranco">Susanne Franco</a><script data-card-contents-for-user="26065500" type="text/json">{"id":26065500,"first_name":"Susanne","last_name":"Franco","domain_name":"unive","page_name":"SusanneFranco","display_name":"Susanne Franco","profile_url":"https://unive.academia.edu/SusanneFranco?f_ri=16234","photo":"https://0.academia-photos.com/26065500/9557864/19168359/s65_susanne.franco.jpg"}</script></span></span></li><li class="js-paper-rank-work_36110667 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36110667"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36110667, container: ".js-paper-rank-work_36110667", }); });</script></li><li class="js-percentile-work_36110667 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36110667; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36110667"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36110667 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36110667"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36110667; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36110667]").text(description); $(".js-view-count-work_36110667").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36110667").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36110667"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="44047" href="https://www.academia.edu/Documents/in/Copyright_and_intellectual_property">Copyright and intellectual property</a>, <script data-card-contents-for-ri="44047" type="text/json">{"id":44047,"name":"Copyright and intellectual property","url":"https://www.academia.edu/Documents/in/Copyright_and_intellectual_property?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="94836" href="https://www.academia.edu/Documents/in/Dance_Criticism_Contemporary_Dance_History">Dance Criticism, Contemporary Dance History</a>, <script data-card-contents-for-ri="94836" type="text/json">{"id":94836,"name":"Dance Criticism, Contemporary Dance History","url":"https://www.academia.edu/Documents/in/Dance_Criticism_Contemporary_Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="967306" href="https://www.academia.edu/Documents/in/Modern_Dance_History">Modern Dance History</a><script data-card-contents-for-ri="967306" type="text/json">{"id":967306,"name":"Modern Dance History","url":"https://www.academia.edu/Documents/in/Modern_Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36110667]'), work: {"id":36110667,"title":"Imaginaires dansés à partir de Jean Cocteau. “Le Jeune homme et la Mort” entre histoire, mémoire et loi, in Pas de Mots. De la littérature à la danse, Paris, Hermann, sous la direction de Laura Colombo et Stefano Genetti, Paris, Hermann, 2010, pp. 217-237.","created_at":"2018-03-08T08:21:27.479-08:00","url":"https://www.academia.edu/36110667/Imaginaires_dans%C3%A9s_%C3%A0_partir_de_Jean_Cocteau_Le_Jeune_homme_et_la_Mort_entre_histoire_m%C3%A9moire_et_loi_in_Pas_de_Mots_De_la_litt%C3%A9rature_%C3%A0_la_danse_Paris_Hermann_sous_la_direction_de_Laura_Colombo_et_Stefano_Genetti_Paris_Hermann_2010_pp_217_237?f_ri=16234","dom_id":"work_36110667","summary":null,"downloadable_attachments":[{"id":56002304,"asset_id":36110667,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26065500,"first_name":"Susanne","last_name":"Franco","domain_name":"unive","page_name":"SusanneFranco","display_name":"Susanne Franco","profile_url":"https://unive.academia.edu/SusanneFranco?f_ri=16234","photo":"https://0.academia-photos.com/26065500/9557864/19168359/s65_susanne.franco.jpg"}],"research_interests":[{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":44047,"name":"Copyright and intellectual property","url":"https://www.academia.edu/Documents/in/Copyright_and_intellectual_property?f_ri=16234","nofollow":false},{"id":94836,"name":"Dance Criticism, Contemporary Dance History","url":"https://www.academia.edu/Documents/in/Dance_Criticism_Contemporary_Dance_History?f_ri=16234","nofollow":false},{"id":967306,"name":"Modern Dance History","url":"https://www.academia.edu/Documents/in/Modern_Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29794642" data-work_id="29794642" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29794642/Identification_of_dance_styles_of_Anuradhapura_and_Polonnaruwa_periods_An_archaeological_study_on_dancing_figures_of_Sri_Lanka_PPT_Presentation_">Identification of dance styles of Anuradhapura and Polonnaruwa periods An archaeological study on dancing figures of Sri Lanka (PPT Presentation)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29794642" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="52389aaddb2a1a345a2594793fe37f08" rel="nofollow" data-download="{"attachment_id":50251368,"asset_id":29794642,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50251368/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1076651" href="https://ruhuna.academia.edu/KoshaleeKakulandala">Koshalee Kakulandala</a><script data-card-contents-for-user="1076651" type="text/json">{"id":1076651,"first_name":"Koshalee","last_name":"Kakulandala","domain_name":"ruhuna","page_name":"KoshaleeKakulandala","display_name":"Koshalee Kakulandala","profile_url":"https://ruhuna.academia.edu/KoshaleeKakulandala?f_ri=16234","photo":"https://0.academia-photos.com/1076651/14757146/15568068/s65_koshalee.kakulandala.jpg"}</script></span></span></li><li class="js-paper-rank-work_29794642 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29794642"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29794642, container: ".js-paper-rank-work_29794642", }); });</script></li><li class="js-percentile-work_29794642 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29794642; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_29794642"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_29794642 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="29794642"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29794642; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29794642]").text(description); $(".js-view-count-work_29794642").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_29794642").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="29794642"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29794642]'), work: {"id":29794642,"title":"Identification of dance styles of Anuradhapura and Polonnaruwa periods An archaeological study on dancing figures of Sri Lanka (PPT Presentation)","created_at":"2016-11-11T06:01:04.994-08:00","url":"https://www.academia.edu/29794642/Identification_of_dance_styles_of_Anuradhapura_and_Polonnaruwa_periods_An_archaeological_study_on_dancing_figures_of_Sri_Lanka_PPT_Presentation_?f_ri=16234","dom_id":"work_29794642","summary":null,"downloadable_attachments":[{"id":50251368,"asset_id":29794642,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1076651,"first_name":"Koshalee","last_name":"Kakulandala","domain_name":"ruhuna","page_name":"KoshaleeKakulandala","display_name":"Koshalee Kakulandala","profile_url":"https://ruhuna.academia.edu/KoshaleeKakulandala?f_ri=16234","photo":"https://0.academia-photos.com/1076651/14757146/15568068/s65_koshalee.kakulandala.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=16234","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16234","nofollow":false},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36954262" data-work_id="36954262" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36954262/%D0%9D%D0%B8%D0%BA%D0%B8%D1%84%D0%BE%D1%80%D0%BE%D0%B2%D0%B0_%D0%9B_%D0%92_%D0%92%D0%B0%D1%81%D0%B8%D0%BB%D1%8C%D0%B5%D0%B2%D0%B0_%D0%90_%D0%9B_%D0%98%D0%BA%D0%BE%D0%BD%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%8F_%D0%B4%D0%BE%D1%81%D1%82%D0%BE%D0%B8%D0%BD%D1%81%D1%82%D0%B2%D0%B0_%D0%B8_%D1%85%D0%BE%D1%80%D0%B5%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BF%D0%BE%D0%B7%D1%8B_%D0%B2_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%BC_%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82%D0%B5_XVIII_%D0%B2%D0%B5%D0%BA%D0%B0_%D0%9D%D0%BE%D0%B2%D0%BE%D0%B5_%D0%BB%D0%B8%D1%82%D0%B5%D1%80%D0%B0%D1%82%D1%83%D1%80%D0%BD%D0%BE%D0%B5_%D0%BE%D0%B1%D0%BE%D0%B7%D1%80%D0%B5%D0%BD%D0%B8%D0%B5_2018_3_151_">Никифорова Л. В., Васильева А.Л. Иконография достоинства и хореографические позы в русском портрете XVIII века // Новое литературное обозрение. 2018, № 3 (151).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article is devoted to the corporeal embodiment of dignity, which is revealed to mean for the 18th century a correspondence between behavioral practices and social status. By analyzing a series of poses and gestures in 18th century... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36954262" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article is devoted to the corporeal embodiment of dignity, which is revealed to mean for the 18th century a correspondence between behavioral practices and social status. By analyzing a series of poses and gestures in 18th century Russian portraits, it is shown that certain manners of posing are literally the choreographed positions that were codified in the late 17th century French school of ballet and became visual signs of a noble posture in general. It is also shown that the visual representation of dignity took shape at the intersection of signs referring to noble dances, fencing, and the art of oratory, which also served, in fact, as practices for forming a specific aristocratic corporality.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36954262" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c45a4f3611971549570a7f3e3962bc22" rel="nofollow" data-download="{"attachment_id":56904625,"asset_id":36954262,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56904625/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="44129608" href="https://vaganovaacademy.academia.edu/%D0%9B%D0%B0%D1%80%D0%B8%D1%81%D0%B0%D0%9D%D0%B8%D0%BA%D0%B8%D1%84%D0%BE%D1%80%D0%BE%D0%B2%D0%B0">Лариса Никифорова</a><script data-card-contents-for-user="44129608" type="text/json">{"id":44129608,"first_name":"Лариса","last_name":"Никифорова","domain_name":"vaganovaacademy","page_name":"ЛарисаНикифорова","display_name":"Лариса Никифорова","profile_url":"https://vaganovaacademy.academia.edu/%D0%9B%D0%B0%D1%80%D0%B8%D1%81%D0%B0%D0%9D%D0%B8%D0%BA%D0%B8%D1%84%D0%BE%D1%80%D0%BE%D0%B2%D0%B0?f_ri=16234","photo":"https://0.academia-photos.com/44129608/11912637/13274786/s65__._.jpg"}</script></span></span></li><li class="js-paper-rank-work_36954262 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36954262"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36954262, container: ".js-paper-rank-work_36954262", }); });</script></li><li class="js-percentile-work_36954262 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36954262; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36954262"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36954262 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36954262"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36954262; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36954262]").text(description); $(".js-view-count-work_36954262").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36954262").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36954262"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10796" href="https://www.academia.edu/Documents/in/Portraiture">Portraiture</a>, <script data-card-contents-for-ri="10796" type="text/json">{"id":10796,"name":"Portraiture","url":"https://www.academia.edu/Documents/in/Portraiture?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23436" href="https://www.academia.edu/Documents/in/18th_Century_Art">18th Century Art</a><script data-card-contents-for-ri="23436" type="text/json">{"id":23436,"name":"18th Century Art","url":"https://www.academia.edu/Documents/in/18th_Century_Art?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36954262]'), work: {"id":36954262,"title":"Никифорова Л. В., Васильева А.Л. Иконография достоинства и хореографические позы в русском портрете XVIII века // Новое литературное обозрение. 2018, № 3 (151).","created_at":"2018-07-01T14:25:16.720-07:00","url":"https://www.academia.edu/36954262/%D0%9D%D0%B8%D0%BA%D0%B8%D1%84%D0%BE%D1%80%D0%BE%D0%B2%D0%B0_%D0%9B_%D0%92_%D0%92%D0%B0%D1%81%D0%B8%D0%BB%D1%8C%D0%B5%D0%B2%D0%B0_%D0%90_%D0%9B_%D0%98%D0%BA%D0%BE%D0%BD%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%8F_%D0%B4%D0%BE%D1%81%D1%82%D0%BE%D0%B8%D0%BD%D1%81%D1%82%D0%B2%D0%B0_%D0%B8_%D1%85%D0%BE%D1%80%D0%B5%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BF%D0%BE%D0%B7%D1%8B_%D0%B2_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%BC_%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82%D0%B5_XVIII_%D0%B2%D0%B5%D0%BA%D0%B0_%D0%9D%D0%BE%D0%B2%D0%BE%D0%B5_%D0%BB%D0%B8%D1%82%D0%B5%D1%80%D0%B0%D1%82%D1%83%D1%80%D0%BD%D0%BE%D0%B5_%D0%BE%D0%B1%D0%BE%D0%B7%D1%80%D0%B5%D0%BD%D0%B8%D0%B5_2018_3_151_?f_ri=16234","dom_id":"work_36954262","summary":"This article is devoted to the corporeal embodiment of dignity, which is revealed to mean for the 18th century a correspondence between behavioral practices and social status. By analyzing a series of poses and gestures in 18th century Russian portraits, it is shown that certain manners of posing are literally the choreographed positions that were codified in the late 17th century French school of ballet and became visual signs of a noble posture in general. It is also shown that the visual representation of dignity took shape at the intersection of signs referring to noble dances, fencing, and the art of oratory, which also served, in fact, as practices for forming a specific aristocratic corporality. ","downloadable_attachments":[{"id":56904625,"asset_id":36954262,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44129608,"first_name":"Лариса","last_name":"Никифорова","domain_name":"vaganovaacademy","page_name":"ЛарисаНикифорова","display_name":"Лариса Никифорова","profile_url":"https://vaganovaacademy.academia.edu/%D0%9B%D0%B0%D1%80%D0%B8%D1%81%D0%B0%D0%9D%D0%B8%D0%BA%D0%B8%D1%84%D0%BE%D1%80%D0%BE%D0%B2%D0%B0?f_ri=16234","photo":"https://0.academia-photos.com/44129608/11912637/13274786/s65__._.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":10796,"name":"Portraiture","url":"https://www.academia.edu/Documents/in/Portraiture?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":23436,"name":"18th Century Art","url":"https://www.academia.edu/Documents/in/18th_Century_Art?f_ri=16234","nofollow":false},{"id":27368,"name":"18th Century Russia","url":"https://www.academia.edu/Documents/in/18th_Century_Russia?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19747113" data-work_id="19747113" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19747113/Rewriting_Skolt_S%C3%A1mi_Dance_History">Rewriting Skolt Sámi Dance History</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The paper examines the role of traditional couple and group dances of the Skolt Sámi in negotiating their history and identity. The research is based on archival and literal material from Finnish folklore archives as well as ethnographic... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_19747113" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The paper examines the role of traditional couple and group dances of the Skolt Sámi in negotiating their history and identity. The research is based on archival and literal material from Finnish folklore archives as well as ethnographic fieldwork among the Skolts in 2014. It is addressed that the Skolts, despite their dramatic history, have been able to revive and preserve their dance traditions in many ways, and today they are reflecting their dance history from new perspectives, rewriting it and integrating it to their contemporary hybrid identities. Having lived between many different cultures for centuries, their identities are characterized by many points in their social and personal histories, and dancing is a part of the routes they have traveled within these experiences. Today, dancing provides them a strategy to negotiate both with their history and identity in contemporary society.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19747113" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="39f5da112ecf0fd3389338f7a8a2a6cc" rel="nofollow" data-download="{"attachment_id":40820397,"asset_id":19747113,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40820397/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="132185" href="https://oamk.academia.edu/PetriHoppu">Petri J Hoppu</a><script data-card-contents-for-user="132185" type="text/json">{"id":132185,"first_name":"Petri","last_name":"Hoppu","domain_name":"oamk","page_name":"PetriHoppu","display_name":"Petri J Hoppu","profile_url":"https://oamk.academia.edu/PetriHoppu?f_ri=16234","photo":"https://0.academia-photos.com/132185/35203/4583137/s65_petri.hoppu.jpg"}</script></span></span></li><li class="js-paper-rank-work_19747113 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19747113"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19747113, container: ".js-paper-rank-work_19747113", }); });</script></li><li class="js-percentile-work_19747113 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19747113; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19747113"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19747113 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19747113"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19747113; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19747113]").text(description); $(".js-view-count-work_19747113").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19747113").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19747113"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5272" href="https://www.academia.edu/Documents/in/Identity_Culture_">Identity (Culture)</a>, <script data-card-contents-for-ri="5272" type="text/json">{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="33744" href="https://www.academia.edu/Documents/in/Folk_dance">Folk dance</a><script data-card-contents-for-ri="33744" type="text/json">{"id":33744,"name":"Folk dance","url":"https://www.academia.edu/Documents/in/Folk_dance?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19747113]'), work: {"id":19747113,"title":"Rewriting Skolt Sámi Dance History","created_at":"2015-12-19T15:23:09.512-08:00","url":"https://www.academia.edu/19747113/Rewriting_Skolt_S%C3%A1mi_Dance_History?f_ri=16234","dom_id":"work_19747113","summary":"The paper examines the role of traditional couple and group dances of the Skolt Sámi in negotiating their history and identity. The research is based on archival and literal material from Finnish folklore archives as well as ethnographic fieldwork among the Skolts in 2014. It is addressed that the Skolts, despite their dramatic history, have been able to revive and preserve their dance traditions in many ways, and today they are reflecting their dance history from new perspectives, rewriting it and integrating it to their contemporary hybrid identities. Having lived between many different cultures for centuries, their identities are characterized by many points in their social and personal histories, and dancing is a part of the routes they have traveled within these experiences. Today, dancing provides them a strategy to negotiate both with their history and identity in contemporary society.","downloadable_attachments":[{"id":40820397,"asset_id":19747113,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":132185,"first_name":"Petri","last_name":"Hoppu","domain_name":"oamk","page_name":"PetriHoppu","display_name":"Petri J Hoppu","profile_url":"https://oamk.academia.edu/PetriHoppu?f_ri=16234","photo":"https://0.academia-photos.com/132185/35203/4583137/s65_petri.hoppu.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":33744,"name":"Folk dance","url":"https://www.academia.edu/Documents/in/Folk_dance?f_ri=16234","nofollow":false},{"id":37718,"name":"Dance ethnography","url":"https://www.academia.edu/Documents/in/Dance_ethnography?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19587967" data-work_id="19587967" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19587967/%D7%9E%D7%97%D7%95%D7%9C_%D7%9B%D7%9B%D7%AA%D7%91_%D7%92%D7%95%D7%A3_Dance_as_an_%C3%A9criture_corporelle">מחול ככתב גוף: Dance as an écriture corporelle</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19587967" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="34991b8d0170450c6e6ab30c6eba98bb" rel="nofollow" data-download="{"attachment_id":59891019,"asset_id":19587967,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59891019/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4106277" href="https://fu-berlin.academia.edu/AlexanderSchwan">Alexander H Schwan</a><script data-card-contents-for-user="4106277" type="text/json">{"id":4106277,"first_name":"Alexander","last_name":"Schwan","domain_name":"fu-berlin","page_name":"AlexanderSchwan","display_name":"Alexander H Schwan","profile_url":"https://fu-berlin.academia.edu/AlexanderSchwan?f_ri=16234","photo":"https://0.academia-photos.com/4106277/1586184/15898696/s65_alexander.schwan.jpg"}</script></span></span></li><li class="js-paper-rank-work_19587967 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19587967"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19587967, container: ".js-paper-rank-work_19587967", }); });</script></li><li class="js-percentile-work_19587967 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19587967; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19587967"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19587967 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19587967"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19587967; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19587967]").text(description); $(".js-view-count-work_19587967").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19587967").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19587967"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">49</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="945" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="947" href="https://www.academia.edu/Documents/in/Theatre_Studies">Theatre Studies</a><script data-card-contents-for-ri="947" type="text/json">{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19587967]'), work: {"id":19587967,"title":"מחול ככתב גוף: Dance as an écriture corporelle","created_at":"2015-12-09T15:04:00.914-08:00","url":"https://www.academia.edu/19587967/%D7%9E%D7%97%D7%95%D7%9C_%D7%9B%D7%9B%D7%AA%D7%91_%D7%92%D7%95%D7%A3_Dance_as_an_%C3%A9criture_corporelle?f_ri=16234","dom_id":"work_19587967","summary":null,"downloadable_attachments":[{"id":59891019,"asset_id":19587967,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4106277,"first_name":"Alexander","last_name":"Schwan","domain_name":"fu-berlin","page_name":"AlexanderSchwan","display_name":"Alexander H Schwan","profile_url":"https://fu-berlin.academia.edu/AlexanderSchwan?f_ri=16234","photo":"https://0.academia-photos.com/4106277/1586184/15898696/s65_alexander.schwan.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16234","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16234","nofollow":false},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=16234","nofollow":false},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=16234","nofollow":false},{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=16234"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=16234"},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=16234"},{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234"},{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=16234"},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=16234"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory?f_ri=16234"},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234"},{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=16234"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art?f_ri=16234"},{"id":5463,"name":"Performance Art","url":"https://www.academia.edu/Documents/in/Performance_Art?f_ri=16234"},{"id":7455,"name":"Gentrification","url":"https://www.academia.edu/Documents/in/Gentrification?f_ri=16234"},{"id":9043,"name":"Performance","url":"https://www.academia.edu/Documents/in/Performance?f_ri=16234"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism?f_ri=16234"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida?f_ri=16234"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=16234"},{"id":14617,"name":"Phenomenology of the body","url":"https://www.academia.edu/Documents/in/Phenomenology_of_the_body?f_ri=16234"},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234"},{"id":16559,"name":"Stéphane Mallarmé","url":"https://www.academia.edu/Documents/in/St%C3%A9phane_Mallarm%C3%A9?f_ri=16234"},{"id":19712,"name":"Dance and Aesthetics","url":"https://www.academia.edu/Documents/in/Dance_and_Aesthetics?f_ri=16234"},{"id":21988,"name":"Architecture and Phenomenology","url":"https://www.academia.edu/Documents/in/Architecture_and_Phenomenology?f_ri=16234"},{"id":24466,"name":"Theatre Theory","url":"https://www.academia.edu/Documents/in/Theatre_Theory?f_ri=16234"},{"id":25618,"name":"Phenomenology of Space and Place","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Space_and_Place?f_ri=16234"},{"id":25642,"name":"Modern and Contemporary Dance","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Dance?f_ri=16234"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts?f_ri=16234"},{"id":29102,"name":"Theatre","url":"https://www.academia.edu/Documents/in/Theatre?f_ri=16234"},{"id":29109,"name":"Postmodern Literary Theory and Popular Culture","url":"https://www.academia.edu/Documents/in/Postmodern_Literary_Theory_and_Popular_Culture?f_ri=16234"},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":30536,"name":"Telegraph (History of Technology)","url":"https://www.academia.edu/Documents/in/Telegraph_History_of_Technology_?f_ri=16234"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"},{"id":107221,"name":"Anthropology of Music and Dance","url":"https://www.academia.edu/Documents/in/Anthropology_of_Music_and_Dance?f_ri=16234"},{"id":119198,"name":"Art and Gentrification","url":"https://www.academia.edu/Documents/in/Art_and_Gentrification?f_ri=16234"},{"id":182165,"name":"Cultural and Political Activism of the 1960s and 1970s","url":"https://www.academia.edu/Documents/in/Cultural_and_Political_Activism_of_the_1960s_and_1970s?f_ri=16234"},{"id":236315,"name":"Écriture","url":"https://www.academia.edu/Documents/in/%C3%89criture?f_ri=16234"},{"id":248366,"name":"New York","url":"https://www.academia.edu/Documents/in/New_York?f_ri=16234"},{"id":331036,"name":"Postmodern dance","url":"https://www.academia.edu/Documents/in/Postmodern_dance?f_ri=16234"},{"id":355529,"name":"Optical telecommunication","url":"https://www.academia.edu/Documents/in/Optical_telecommunication?f_ri=16234"},{"id":369030,"name":"Visual telegraphy","url":"https://www.academia.edu/Documents/in/Visual_telegraphy?f_ri=16234"},{"id":507685,"name":"Art and Art History","url":"https://www.academia.edu/Documents/in/Art_and_Art_History?f_ri=16234"},{"id":554888,"name":"Trisha Brown","url":"https://www.academia.edu/Documents/in/Trisha_Brown?f_ri=16234"},{"id":582499,"name":"Art of Copying, Simulacrum and Transference","url":"https://www.academia.edu/Documents/in/Art_of_Copying_Simulacrum_and_Transference?f_ri=16234"},{"id":667993,"name":"Soho","url":"https://www.academia.edu/Documents/in/Soho?f_ri=16234"},{"id":923372,"name":"High Line","url":"https://www.academia.edu/Documents/in/High_Line?f_ri=16234"},{"id":1371729,"name":"History of Telegraphy","url":"https://www.academia.edu/Documents/in/History_of_Telegraphy?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45596353" data-work_id="45596353" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45596353/_Why_Christianity_Put_Away_Its_Dancing_Shoes_Only_to_Find_Them_Again_Centuries_Later_">"Why Christianity Put Away Its Dancing Shoes - Only to Find Them Again Centuries Later"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Online/open-access version: <a href="https://theconversation.com/why-christianity-put-away-its-dancing-shoes-only-to-find-them-again-centuries-later-156369" rel="nofollow">https://theconversation.com/why-christianity-put-away-its-dancing-shoes-only-to-find-them-again-centuries-later-156369</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45596353" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9d50e8f490793bf63f215a6dfe9d4dbb" rel="nofollow" data-download="{"attachment_id":66078665,"asset_id":45596353,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66078665/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70211329" href="https://simmons.academia.edu/KathrynDickason">Kathryn Dickason</a><script data-card-contents-for-user="70211329" type="text/json">{"id":70211329,"first_name":"Kathryn","last_name":"Dickason","domain_name":"simmons","page_name":"KathrynDickason","display_name":"Kathryn Dickason","profile_url":"https://simmons.academia.edu/KathrynDickason?f_ri=16234","photo":"https://0.academia-photos.com/70211329/18072350/100321596/s65_kathryn.dickason.jpg"}</script></span></span></li><li class="js-paper-rank-work_45596353 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45596353"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45596353, container: ".js-paper-rank-work_45596353", }); });</script></li><li class="js-percentile-work_45596353 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45596353; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45596353"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45596353 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45596353"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45596353; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45596353]").text(description); $(".js-view-count-work_45596353").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45596353").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45596353"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a>, <script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a>, <script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48550" href="https://www.academia.edu/Documents/in/Religious_Studies">Religious Studies</a><script data-card-contents-for-ri="48550" type="text/json">{"id":48550,"name":"Religious Studies","url":"https://www.academia.edu/Documents/in/Religious_Studies?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45596353]'), work: {"id":45596353,"title":"\"Why Christianity Put Away Its Dancing Shoes - Only to Find Them Again Centuries Later\"","created_at":"2021-03-22T12:16:10.421-07:00","url":"https://www.academia.edu/45596353/_Why_Christianity_Put_Away_Its_Dancing_Shoes_Only_to_Find_Them_Again_Centuries_Later_?f_ri=16234","dom_id":"work_45596353","summary":"Online/open-access version: https://theconversation.com/why-christianity-put-away-its-dancing-shoes-only-to-find-them-again-centuries-later-156369","downloadable_attachments":[{"id":66078665,"asset_id":45596353,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":70211329,"first_name":"Kathryn","last_name":"Dickason","domain_name":"simmons","page_name":"KathrynDickason","display_name":"Kathryn Dickason","profile_url":"https://simmons.academia.edu/KathrynDickason?f_ri=16234","photo":"https://0.academia-photos.com/70211329/18072350/100321596/s65_kathryn.dickason.jpg"}],"research_interests":[{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":48550,"name":"Religious Studies","url":"https://www.academia.edu/Documents/in/Religious_Studies?f_ri=16234","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34923788 coauthored" data-work_id="34923788" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34923788/Tracing_Dance_Fields">Tracing Dance Fields</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The article suggests that a dance field emerged i the early 20th century with 3 subfields, folk dance, theatre dance and ball room dance. These fields are compared to the total dance activity in the country, and a pioneer representing... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34923788" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The article suggests that a dance field emerged i the early 20th century with 3 subfields, folk dance, theatre dance and ball room dance. These fields are compared to the total dance activity in the country, and a pioneer representing each of the fields is portrayed in term of social class and ideological standing. They are Hulda Garborg, Gyda Christensen and Hjalmar Svaae. Examples from other Nordic countries are also brought in. Egil Bakka followed up this pilot study with another article;  "Class dimensions of dance spaces: situating central agents across countries and categories" <br />Nordic Dance Spaces. Practicing and Imagining a Region <br />Edited by Karen Vedel and Petri Hoppu Routledge 2016T</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34923788" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="05afdac2d75a7951b26a8aec089be284" rel="nofollow" data-download="{"attachment_id":54785261,"asset_id":34923788,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54785261/download_file?st=MTczMjQ1NzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="132166" href="https://ntnu-no.academia.edu/EgilBakka">Egil Bakka</a><script data-card-contents-for-user="132166" type="text/json">{"id":132166,"first_name":"Egil","last_name":"Bakka","domain_name":"ntnu-no","page_name":"EgilBakka","display_name":"Egil Bakka","profile_url":"https://ntnu-no.academia.edu/EgilBakka?f_ri=16234","photo":"https://0.academia-photos.com/132166/35197/56353/s65_egil.bakka.132166"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-34923788">+1</span><div class="hidden js-additional-users-34923788"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ntnu-no.academia.edu/AnneMargretheFiskvik">Anne Margrethe Fiskvik</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-34923788'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-34923788').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_34923788 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34923788"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34923788, container: ".js-paper-rank-work_34923788", }); });</script></li><li class="js-percentile-work_34923788 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34923788; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34923788"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34923788 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34923788"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34923788; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34923788]").text(description); $(".js-view-count-work_34923788").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34923788").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34923788"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a>, <script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6673" href="https://www.academia.edu/Documents/in/Ethnochoreology">Ethnochoreology</a>, <script data-card-contents-for-ri="6673" type="text/json">{"id":6673,"name":"Ethnochoreology","url":"https://www.academia.edu/Documents/in/Ethnochoreology?f_ri=16234","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16234" href="https://www.academia.edu/Documents/in/Dance_History">Dance History</a><script data-card-contents-for-ri="16234" type="text/json">{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34923788]'), work: {"id":34923788,"title":"Tracing Dance Fields","created_at":"2017-10-22T08:17:46.286-07:00","url":"https://www.academia.edu/34923788/Tracing_Dance_Fields?f_ri=16234","dom_id":"work_34923788","summary":"The article suggests that a dance field emerged i the early 20th century with 3 subfields, folk dance, theatre dance and ball room dance. These fields are compared to the total dance activity in the country, and a pioneer representing each of the fields is portrayed in term of social class and ideological standing. They are Hulda Garborg, Gyda Christensen and Hjalmar Svaae. Examples from other Nordic countries are also brought in. Egil Bakka followed up this pilot study with another article; \"Class dimensions of dance spaces: situating central agents across countries and categories\" \r\nNordic Dance Spaces. Practicing and Imagining a Region\r\nEdited by Karen Vedel and Petri Hoppu Routledge 2016T","downloadable_attachments":[{"id":54785261,"asset_id":34923788,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":132166,"first_name":"Egil","last_name":"Bakka","domain_name":"ntnu-no","page_name":"EgilBakka","display_name":"Egil Bakka","profile_url":"https://ntnu-no.academia.edu/EgilBakka?f_ri=16234","photo":"https://0.academia-photos.com/132166/35197/56353/s65_egil.bakka.132166"},{"id":132169,"first_name":"Anne","last_name":"Margrethe Fiskvik","domain_name":"ntnu-no","page_name":"AnneMargretheFiskvik","display_name":"Anne Margrethe Fiskvik","profile_url":"https://ntnu-no.academia.edu/AnneMargretheFiskvik?f_ri=16234","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16234","nofollow":false},{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=16234","nofollow":false},{"id":6673,"name":"Ethnochoreology","url":"https://www.academia.edu/Documents/in/Ethnochoreology?f_ri=16234","nofollow":false},{"id":16234,"name":"Dance History","url":"https://www.academia.edu/Documents/in/Dance_History?f_ri=16234","nofollow":false},{"id":29167,"name":"Dance","url":"https://www.academia.edu/Documents/in/Dance?f_ri=16234"},{"id":37408,"name":"Social Classes","url":"https://www.academia.edu/Documents/in/Social_Classes?f_ri=16234"},{"id":90300,"name":"Dance Research","url":"https://www.academia.edu/Documents/in/Dance_Research?f_ri=16234"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Dance_History?after=50%2C34923788" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Dance_History?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="1556">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="1556">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance">Dance</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="29167">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="29167">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="4260">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="4260">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance_and_Aesthetics">Dance and Aesthetics</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="19712">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="19712">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance_Research">Dance Research</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="90300">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="90300">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance">Creative processes in contemporary dance</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="1596">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="1596">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance_Education">Dance Education</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="24477">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="24477">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance_Anthropology">Dance Anthropology</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="4096">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="4096">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Performance_Studies">Performance Studies</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="2337">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="2337">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Dance_and_Politics">Dance and Politics</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="4097">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="4097">Following</a></div></li></ul></div></div></div></div></div></div><script>// MIT License // Copyright © 2011 Sebastian Tschan, https://blueimp.net // Permission is hereby granted, free of charge, to any person obtaining a copy of // this software and associated documentation files (the "Software"), to deal in // the Software without restriction, including without limitation the rights to // use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of // the Software, and to permit persons to whom the Software is furnished to do so, // subject to the following conditions: // The above copyright notice and this permission notice shall be included in all // copies or substantial portions of the Software. // THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR // IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS // FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR // COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER // IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN // CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. !function(n){"use strict";function d(n,t){var r=(65535&n)+(65535&t);return(n>>16)+(t>>16)+(r>>16)<<16|65535&r}function f(n,t,r,e,o,u){return d((c=d(d(t,n),d(e,u)))<<(f=o)|c>>>32-f,r);var c,f}function l(n,t,r,e,o,u,c){return f(t&r|~t&e,n,t,o,u,c)}function v(n,t,r,e,o,u,c){return f(t&e|r&~e,n,t,o,u,c)}function g(n,t,r,e,o,u,c){return f(t^r^e,n,t,o,u,c)}function m(n,t,r,e,o,u,c){return f(r^(t|~e),n,t,o,u,c)}function i(n,t){var r,e,o,u;n[t>>5]|=128<<t%32,n[14+(t+64>>>9<<4)]=t;for(var c=1732584193,f=-271733879,i=-1732584194,a=271733878,h=0;h<n.length;h+=16)c=l(r=c,e=f,o=i,u=a,n[h],7,-680876936),a=l(a,c,f,i,n[h+1],12,-389564586),i=l(i,a,c,f,n[h+2],17,606105819),f=l(f,i,a,c,n[h+3],22,-1044525330),c=l(c,f,i,a,n[h+4],7,-176418897),a=l(a,c,f,i,n[h+5],12,1200080426),i=l(i,a,c,f,n[h+6],17,-1473231341),f=l(f,i,a,c,n[h+7],22,-45705983),c=l(c,f,i,a,n[h+8],7,1770035416),a=l(a,c,f,i,n[h+9],12,-1958414417),i=l(i,a,c,f,n[h+10],17,-42063),f=l(f,i,a,c,n[h+11],22,-1990404162),c=l(c,f,i,a,n[h+12],7,1804603682),a=l(a,c,f,i,n[h+13],12,-40341101),i=l(i,a,c,f,n[h+14],17,-1502002290),c=v(c,f=l(f,i,a,c,n[h+15],22,1236535329),i,a,n[h+1],5,-165796510),a=v(a,c,f,i,n[h+6],9,-1069501632),i=v(i,a,c,f,n[h+11],14,643717713),f=v(f,i,a,c,n[h],20,-373897302),c=v(c,f,i,a,n[h+5],5,-701558691),a=v(a,c,f,i,n[h+10],9,38016083),i=v(i,a,c,f,n[h+15],14,-660478335),f=v(f,i,a,c,n[h+4],20,-405537848),c=v(c,f,i,a,n[h+9],5,568446438),a=v(a,c,f,i,n[h+14],9,-1019803690),i=v(i,a,c,f,n[h+3],14,-187363961),f=v(f,i,a,c,n[h+8],20,1163531501),c=v(c,f,i,a,n[h+13],5,-1444681467),a=v(a,c,f,i,n[h+2],9,-51403784),i=v(i,a,c,f,n[h+7],14,1735328473),c=g(c,f=v(f,i,a,c,n[h+12],20,-1926607734),i,a,n[h+5],4,-378558),a=g(a,c,f,i,n[h+8],11,-2022574463),i=g(i,a,c,f,n[h+11],16,1839030562),f=g(f,i,a,c,n[h+14],23,-35309556),c=g(c,f,i,a,n[h+1],4,-1530992060),a=g(a,c,f,i,n[h+4],11,1272893353),i=g(i,a,c,f,n[h+7],16,-155497632),f=g(f,i,a,c,n[h+10],23,-1094730640),c=g(c,f,i,a,n[h+13],4,681279174),a=g(a,c,f,i,n[h],11,-358537222),i=g(i,a,c,f,n[h+3],16,-722521979),f=g(f,i,a,c,n[h+6],23,76029189),c=g(c,f,i,a,n[h+9],4,-640364487),a=g(a,c,f,i,n[h+12],11,-421815835),i=g(i,a,c,f,n[h+15],16,530742520),c=m(c,f=g(f,i,a,c,n[h+2],23,-995338651),i,a,n[h],6,-198630844),a=m(a,c,f,i,n[h+7],10,1126891415),i=m(i,a,c,f,n[h+14],15,-1416354905),f=m(f,i,a,c,n[h+5],21,-57434055),c=m(c,f,i,a,n[h+12],6,1700485571),a=m(a,c,f,i,n[h+3],10,-1894986606),i=m(i,a,c,f,n[h+10],15,-1051523),f=m(f,i,a,c,n[h+1],21,-2054922799),c=m(c,f,i,a,n[h+8],6,1873313359),a=m(a,c,f,i,n[h+15],10,-30611744),i=m(i,a,c,f,n[h+6],15,-1560198380),f=m(f,i,a,c,n[h+13],21,1309151649),c=m(c,f,i,a,n[h+4],6,-145523070),a=m(a,c,f,i,n[h+11],10,-1120210379),i=m(i,a,c,f,n[h+2],15,718787259),f=m(f,i,a,c,n[h+9],21,-343485551),c=d(c,r),f=d(f,e),i=d(i,o),a=d(a,u);return[c,f,i,a]}function a(n){for(var t="",r=32*n.length,e=0;e<r;e+=8)t+=String.fromCharCode(n[e>>5]>>>e%32&255);return t}function h(n){var t=[];for(t[(n.length>>2)-1]=void 0,e=0;e<t.length;e+=1)t[e]=0;for(var r=8*n.length,e=0;e<r;e+=8)t[e>>5]|=(255&n.charCodeAt(e/8))<<e%32;return t}function e(n){for(var t,r="0123456789abcdef",e="",o=0;o<n.length;o+=1)t=n.charCodeAt(o),e+=r.charAt(t>>>4&15)+r.charAt(15&t);return e}function r(n){return unescape(encodeURIComponent(n))}function o(n){return a(i(h(t=r(n)),8*t.length));var t}function u(n,t){return function(n,t){var r,e,o=h(n),u=[],c=[];for(u[15]=c[15]=void 0,16<o.length&&(o=i(o,8*n.length)),r=0;r<16;r+=1)u[r]=909522486^o[r],c[r]=1549556828^o[r];return e=i(u.concat(h(t)),512+8*t.length),a(i(c.concat(e),640))}(r(n),r(t))}function t(n,t,r){return t?r?u(t,n):e(u(t,n)):r?o(n):e(o(n))}"function"==typeof define&&define.amd?define(function(){return t}):"object"==typeof module&&module.exports?module.exports=t:n.md5=t}(this);</script><script>window.AbTest = (function() { return { 'ab_test': (uniqueId, test_name, buckets) => { let override = new URLSearchParams(window.location.search).get(`ab_test[${test_name}]`); if ( override ) { return override; } const bucketNames = buckets.map((bucket) => { return typeof bucket === 'string' ? bucket : Object.keys(bucket)[0]; }); const weights = buckets.map((bucket) => { return typeof bucket === 'string' ? 1 : Object.values(bucket)[0]; }); const total = weights.reduce((sum, weight) => sum + weight); const hash = md5(`${uniqueId}${test_name}`); const hashNum = parseInt(hash.slice(-12), 16); let bucketPoint = total * (hashNum % 100000) / 100000; const bucket = bucketNames.find((_, i) => { if (weights[i] > bucketPoint) { return true; } bucketPoint -= weights[i]; return false; }); return bucket; } }; })();</script><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-landing_url="https://www.academia.edu/Documents/in/Dance_History" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><script>function onGoogleOneTapEvent(event) { var momentType = event.getMomentType(); var momentReason = null; if (event.isNotDisplayed()) { momentReason = event.getNotDisplayedReason(); } else if (event.isSkippedMoment()) { momentReason = event.getSkippedReason(); } else if (event.isDismissedMoment()) { momentReason = event.getDismissedReason(); } Aedu.arbitraryEvents.write('GoogleOneTapEvent', { moment_type: momentType, moment_reason: momentReason, }); }</script><script>(function() { var auvid = unescape( document.cookie .split(/; ?/) .find((s) => s.startsWith('auvid')) .substring(6)); var bucket = AbTest.ab_test(auvid, 'lo_ri_one_tap_google_sign_on', ['control', 'one_tap_google_sign_on']); if (bucket === 'control') return; var oneTapTag = document.createElement('script') oneTapTag.async = true oneTapTag.defer = true oneTapTag.src = 'https://accounts.google.com/gsi/client' document.body.appendChild(oneTapTag) })();</script></div></div></div> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "c6197117de257c1f8fa54ab7160ebe5d44fc9c607a1bd5c2efb10101474882e3", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="KIqgymHmArC/lVJpchUATIHYkJssZOTvIC4H2WqBDZaoVEXLBrV7IKmxtTwzUaKlNLMO5bYIQxUWeWHISu49Hw==" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://www.academia.edu/Documents/in/Dance_History" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="mUqq8R4RyhAlgs/+P6vbjV/wcHci1WTKMYUKTJxfeYoZlE/weUKzgDOmKKt+73lk6pvuCbi5wzAH0mxdvDBJAw==" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a rel="nofollow" href="https://medium.com/academia">Blog</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2024</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>