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data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44232081/Michael_Winterbottom_Style_and_Scholarship_Latin_Prose_from_Gildas_to_Raffaele_Regio_Selected_Papers"><img alt="Research paper thumbnail of Michael Winterbottom, Style and Scholarship: Latin Prose from Gildas to Raffaele Regio. Selected Papers" class="work-thumbnail" src="https://attachments.academia-assets.com/64601621/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44232081/Michael_Winterbottom_Style_and_Scholarship_Latin_Prose_from_Gildas_to_Raffaele_Regio_Selected_Papers">Michael Winterbottom, Style and Scholarship: Latin Prose from Gildas to Raffaele Regio. Selected Papers</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edited by Roberto Gamberini. Foreword by Michael Lapidge 🔗 https://bit.ly/33xi8ti Ampia selezi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edited by Roberto Gamberini. Foreword by Michael Lapidge  🔗  <a href="https://bit.ly/33xi8ti" rel="nofollow">https://bit.ly/33xi8ti</a> <br />Ampia selezione degli scritti sulla latinità medievale di Michael Winterbottom, che riguarda oltre un millennio di letteratura a partire dalla Britannia e dall’Irlanda altomedievali, fino all’Inghilterra anglonormanna e all’Europa del rinascimento. Comprende venticinque articoli (tra i quali un inedito), e nove recensioni, pubblicati tra il 1967 e il 2017, oltre a un’appendice con due addenda. il volume offre anche una bibliografia completa degli scritti dell’autore, comprensiva di tutte le recensioni.<br /><br />Wide selection of Michael Winterbottom’s writings about medieval latinity, covering over a millennium of literature, ranging from early Medieval Britain and ireland to anglo-norman england and Renaissance Europe. It comprises twenty-five papers (including an unpublished article), and nine reviews, published between 1967 and 2017, as well as an appendix with two addenda. the volume also offers a complete bibliography of the author’s writings, including all reviews.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="51e45b11cb9477bd5d5633484d317e74" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64601621,"asset_id":44232081,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64601621/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44232081"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44232081"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44232081; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44232081]").text(description); $(".js-view-count[data-work-id=44232081]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44232081; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44232081']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44232081, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "51e45b11cb9477bd5d5633484d317e74" } } $('.js-work-strip[data-work-id=44232081]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44232081,"title":"Michael Winterbottom, Style and Scholarship: Latin Prose from Gildas to Raffaele Regio. 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Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal Secolo VI al 1520. 5. Italia. Campania" class="work-thumbnail" src="https://attachments.academia-assets.com/57910079/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37900347/RICABIM_Repertorio_di_Inventari_e_Cataloghi_di_Biblioteche_Medievali_dal_Secolo_VI_al_1520_5_Italia_Campania">RICABIM. Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal Secolo VI al 1520. 5. Italia. Campania</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Roberto Gamberini. Con la collaborazione di Irene Tinacci. «RICABIM Repertorio di Inve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Roberto Gamberini. Con la collaborazione di Irene Tinacci. <br />«RICABIM Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal secolo VI al 1520» raccoglie i risultati del censimento delle testimonianze originali, di natura inventariale, facenti capo ad antiche raccolte librarie. Esso intende coprire non solo tutta la nostra Penisola, come indicato nel Piano dell’Opera, ma anche gran parte dell’Occidente latino medievale. Le schede di cui si compone ogni volume, riunite per Regioni moderne, consentono di reperire edizioni e bibliografia pertinenti ed inoltre dati storici, genetici e peculiarità utili ad una migliore conoscenza della fonte documentaria. Il censimento ha prodotto, per l’Italia, oltre 10.000 attestazioni: 634 di esse, riconducibili alla Campania, sono presentate in questo volume. Per la prima volta è stata presa in esame, oltre ai grandi cataloghi istituzionali, la documentazione archivistica (testamenti, registri di prestito, transazioni ecc.). Si è sempre tenuto conto dei fattori dinamici che hanno portato all’incameramento o alla dispersione dei fondi librari, e quindi degli eventuali destinatari/beneficiari interagenti nel processo di fruizione del libro. In tale ottica il documento censito acquista inusitato spessore, riscattandosi dalla condizione di muto e statico reperto sino a divenire preziosa chiave di accesso alla storia delle biblioteche e alla veicolazione del sapere stesso. Ogni volume è dotato di Indici che garantiscono una consultazione agevole, data l’eterogeneità delle fonti, delle tipologie documentarie studiate e dell’imponente numero di possessori coinvolti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3100784dffd4ae9b4f3fd361681f4ced" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57910079,"asset_id":37900347,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57910079/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37900347"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37900347"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37900347; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37900347]").text(description); $(".js-view-count[data-work-id=37900347]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37900347; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37900347']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37900347, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3100784dffd4ae9b4f3fd361681f4ced" } } $('.js-work-strip[data-work-id=37900347]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37900347,"title":"RICABIM. 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Repertorio di inventari e cataloghi di biblioteche medievali dal secolo VI al 1520. Repertory of Inventories and Catalogues of Medieval Libraries from the VIth Century to 1520, 5. Italia. Campania, con la collaborazione di Irene Tinacci (Biblioteche e Archivi, 33. RICABIM, 5)" class="work-thumbnail" src="https://attachments.academia-assets.com/57837603/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37835515/RICABIM_Repertorio_di_inventari_e_cataloghi_di_biblioteche_medievali_dal_secolo_VI_al_1520_Repertory_of_Inventories_and_Catalogues_of_Medieval_Libraries_from_the_VIth_Century_to_1520_5_Italia_Campania_con_la_collaborazione_di_Irene_Tinacci_Biblioteche_e_Archivi_33_RICABIM_5_">RICABIM. Repertorio di inventari e cataloghi di biblioteche medievali dal secolo VI al 1520. Repertory of Inventories and Catalogues of Medieval Libraries from the VIth Century to 1520, 5. Italia. Campania, con la collaborazione di Irene Tinacci (Biblioteche e Archivi, 33. RICABIM, 5)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This catalogue presents 634 entries relating to 681 documentary sources which are datable from th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This catalogue presents 634 entries relating to 681 documentary sources which are datable from the 6th century to 1520 and testify to the existence and transfers of ancient book collections in the area of the current Campania. The surveyed material consists not only of catalogues, but also – and above all – of archival documents, for which editions and studies, as well as a series of historical and descriptive data, are indicated.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e3c531e63e07a04816317222f8cbc9e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57837603,"asset_id":37835515,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57837603/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37835515"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37835515"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37835515; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37835515]").text(description); $(".js-view-count[data-work-id=37835515]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37835515; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37835515']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37835515, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e3c531e63e07a04816317222f8cbc9e5" } } $('.js-work-strip[data-work-id=37835515]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37835515,"title":"RICABIM. Repertorio di inventari e cataloghi di biblioteche medievali dal secolo VI al 1520. Repertory of Inventories and Catalogues of Medieval Libraries from the VIth Century to 1520, 5. Italia. Campania, con la collaborazione di Irene Tinacci (Biblioteche e Archivi, 33. RICABIM, 5)","translated_title":"","metadata":{"abstract":"This catalogue presents 634 entries relating to 681 documentary sources which are datable from the 6th century to 1520 and testify to the existence and transfers of ancient book collections in the area of the current Campania. 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Libri XVIII-XX. Lamentationes" class="work-thumbnail" src="https://attachments.academia-assets.com/56099126/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36197799/Rabano_Mauro_Expositio_Hieremiae_prophetae_Libri_XVIII_XX_Lamentationes">Rabano Mauro, Expositio Hieremiae prophetae. Libri XVIII-XX. Lamentationes</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica a cura di Roberto Gamberini. I libri XVIII-XX dell’«Expositio Hieremiae prophet...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica a cura di Roberto Gamberini. <br />I libri XVIII-XX dell’«Expositio Hieremiae prophetae» di Rabano Mauro, dedicati alle «Lamentazioni», sono il primo commentario sistematico mai scritto nella tradizione cristiana su questo testo della Bibbia. Desiderando colmare una lacuna importante, Rabano si trovò a comporre la sua opera esegetica più originale, per la quale abbandonò progressivamente il suo consueto metodo compilatorio e intervenne in prima persona con interpretazioni totalmente nuove. Egli concepì un’opera che può essere letta in una triplice prospettiva: quella teologica, che al suo centro ha il formidabile problema del popolo eletto che viene abbandonato dal suo Dio; quella politica, alla ricerca della retta via che riconducesse alla pace e all’unità l’impero, allora dilaniato dalle lotte fratricide seguite alla morte di Ludovico il Pio; quella personale, potente consolazione per chiunque si trovi in difficoltà e vigoroso impulso alla piena riconciliazione con Dio e con il mondo. Di quest’opera restano otto testimoni manoscritti e una serie di rielaborazioni, la più diffusa delle quali è un’epitome trasmessa da ventitré codici che circola sotto il nome di Girolamo con il titolo «Expositio in Lamentationibus Hieremiae prophetae». Il testo di Rabano Mauro è stato pubblicato per la prima volta nel 1534 sulla base di un solo codice di non particolare pregio; tutte le edizioni successive sono semplici ristampe rivedute dell’«editio princeps». Il volume fornisce quindi la prima edizione critica del commento alle «Lamentazioni» di Rabano Mauro condotta sulla base di tutti i testimoni disponibili e utilizzando la principale tradizione indiretta rappresentata dall'epitome. Di quest’ultima, che riveste una particolare importanza nella diffusione del testo di Rabano, si offre in appendice la prima edizione realizzata con criteri scientifici.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="76eeb0f314ad858708b7a4a32d64c724" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56099126,"asset_id":36197799,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56099126/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36197799"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36197799"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36197799; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36197799]").text(description); $(".js-view-count[data-work-id=36197799]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36197799; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36197799']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36197799, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "76eeb0f314ad858708b7a4a32d64c724" } } $('.js-work-strip[data-work-id=36197799]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36197799,"title":"Rabano Mauro, Expositio Hieremiae prophetae. Libri XVIII-XX. Lamentationes","translated_title":"","metadata":{"abstract":"Edizione critica a cura di Roberto Gamberini. \nI libri XVIII-XX dell’«Expositio Hieremiae prophetae» di Rabano Mauro, dedicati alle «Lamentazioni», sono il primo commentario sistematico mai scritto nella tradizione cristiana su questo testo della Bibbia. Desiderando colmare una lacuna importante, Rabano si trovò a comporre la sua opera esegetica più originale, per la quale abbandonò progressivamente il suo consueto metodo compilatorio e intervenne in prima persona con interpretazioni totalmente nuove. Egli concepì un’opera che può essere letta in una triplice prospettiva: quella teologica, che al suo centro ha il formidabile problema del popolo eletto che viene abbandonato dal suo Dio; quella politica, alla ricerca della retta via che riconducesse alla pace e all’unità l’impero, allora dilaniato dalle lotte fratricide seguite alla morte di Ludovico il Pio; quella personale, potente consolazione per chiunque si trovi in difficoltà e vigoroso impulso alla piena riconciliazione con Dio e con il mondo. Di quest’opera restano otto testimoni manoscritti e una serie di rielaborazioni, la più diffusa delle quali è un’epitome trasmessa da ventitré codici che circola sotto il nome di Girolamo con il titolo «Expositio in Lamentationibus Hieremiae prophetae». Il testo di Rabano Mauro è stato pubblicato per la prima volta nel 1534 sulla base di un solo codice di non particolare pregio; tutte le edizioni successive sono semplici ristampe rivedute dell’«editio princeps». Il volume fornisce quindi la prima edizione critica del commento alle «Lamentazioni» di Rabano Mauro condotta sulla base di tutti i testimoni disponibili e utilizzando la principale tradizione indiretta rappresentata dall'epitome. Di quest’ultima, che riveste una particolare importanza nella diffusione del testo di Rabano, si offre in appendice la prima edizione realizzata con criteri scientifici."},"translated_abstract":"Edizione critica a cura di Roberto Gamberini. \nI libri XVIII-XX dell’«Expositio Hieremiae prophetae» di Rabano Mauro, dedicati alle «Lamentazioni», sono il primo commentario sistematico mai scritto nella tradizione cristiana su questo testo della Bibbia. Desiderando colmare una lacuna importante, Rabano si trovò a comporre la sua opera esegetica più originale, per la quale abbandonò progressivamente il suo consueto metodo compilatorio e intervenne in prima persona con interpretazioni totalmente nuove. Egli concepì un’opera che può essere letta in una triplice prospettiva: quella teologica, che al suo centro ha il formidabile problema del popolo eletto che viene abbandonato dal suo Dio; quella politica, alla ricerca della retta via che riconducesse alla pace e all’unità l’impero, allora dilaniato dalle lotte fratricide seguite alla morte di Ludovico il Pio; quella personale, potente consolazione per chiunque si trovi in difficoltà e vigoroso impulso alla piena riconciliazione con Dio e con il mondo. Di quest’opera restano otto testimoni manoscritti e una serie di rielaborazioni, la più diffusa delle quali è un’epitome trasmessa da ventitré codici che circola sotto il nome di Girolamo con il titolo «Expositio in Lamentationibus Hieremiae prophetae». Il testo di Rabano Mauro è stato pubblicato per la prima volta nel 1534 sulla base di un solo codice di non particolare pregio; tutte le edizioni successive sono semplici ristampe rivedute dell’«editio princeps». Il volume fornisce quindi la prima edizione critica del commento alle «Lamentazioni» di Rabano Mauro condotta sulla base di tutti i testimoni disponibili e utilizzando la principale tradizione indiretta rappresentata dall'epitome. Di quest’ultima, che riveste una particolare importanza nella diffusione del testo di Rabano, si offre in appendice la prima edizione realizzata con criteri scientifici.","internal_url":"https://www.academia.edu/36197799/Rabano_Mauro_Expositio_Hieremiae_prophetae_Libri_XVIII_XX_Lamentationes","translated_internal_url":"","created_at":"2018-03-19T04:37:23.219-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9008486,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":31209138,"work_id":36197799,"tagging_user_id":9008486,"tagged_user_id":23913767,"co_author_invite_id":null,"email":"r***b@hotmail.com","affiliation":"University of Cassino and Southern Latium","display_order":1,"name":"Roberto Gamberini","title":"Rabano Mauro, Expositio Hieremiae prophetae. Libri XVIII-XX. 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Istituzioni, letterature e cultura del tempo carolingio" class="work-thumbnail" src="https://attachments.academia-assets.com/51015322/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30573960/Il_secolo_di_Carlo_Magno_Istituzioni_letterature_e_cultura_del_tempo_carolingio">Il secolo di Carlo Magno. Istituzioni, letterature e cultura del tempo carolingio</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unil.academia.edu/AgostinoParaviciniBagliani">Agostino Paravicini Bagliani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://salerno.academia.edu/StefanoGrazzini">Stefano Grazzini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unile.academia.edu/CorinnaBottiglieri">Corinna Bottiglieri</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Ileana Pagani e Francesco Santi. Intorno alla realtà e al mito di Carlo Magno un'epoca ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Ileana Pagani e Francesco Santi.<br />Intorno alla realtà e al mito di Carlo Magno un'epoca si costruisce, ricca di contraddizioni e di ambiguità, per la raffinatezza delle esperienze intellettuali e per la violenza della lotta politica; per l'assetto nuovo della società e per il tentativo di rappresentarlo in forme che richiamano la tradizione classica. Nell'insieme di queste tensioni il medioevo carolingio riesce ad esprimere una sua cifra, che resterà di riferimento dentro e oltre il millennio medievale, nella nostalgia di un ordine mitico e nella consapevolezza di una nuova forza che sta crescendo e che può dare forma ad un mondo radicalmente diverso da quello dell'antichità. La ricerca, che nell'ultimo secolo si è dedicata al fenomeno carolingio, consente oggi di chiarirne molti aspetti e di indicarne il profilo, ma ha anche messo a punto gli strumenti per un cantiere di lavoro che promette ancora molte novità. Con questo volume si intende offrire uno status quaestionis, insieme alle direzioni del lavoro futuro. Around the reality and myth of Charlemagne, an era has been built. This era is full of contradictions and ambiguities, for the refinement of intellectual experiences and the violence of the political struggle; for the new social structure and the attempt to represent it in forms recalling the classical tradition. With these tensions the Carolingian Middle Ages is able to express its figure, which will remain a reference within and beyond the Medieval Millennium, in the nostalgia of a mythical order and in the awareness of a new force that is growing and that can give form to a radically different world from that of the Antiquity. 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Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050532/Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre">Visio Anselli. Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell'introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d'Auxerre († 1052); 2) l'autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l'ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un'analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell'introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l'edizione critica dei testi. L'epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050532"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050532"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050532; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050532]").text(description); $(".js-view-count[data-work-id=10050532]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050532; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050532']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050532, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050532]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050532,"title":"Visio Anselli. Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre","translated_title":"","metadata":{"abstract":"Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell'introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d'Auxerre († 1052); 2) l'autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l'ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un'analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell'introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l'edizione critica dei testi. L'epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6). ","location":"Firenze","more_info":"ISBN: 978-88-8450-201-8","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2008,"errors":{}}},"translated_abstract":"Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell'introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d'Auxerre († 1052); 2) l'autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l'ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un'analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell'introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l'edizione critica dei testi. L'epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6). ","internal_url":"https://www.academia.edu/10050532/Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre","translated_internal_url":"","created_at":"2015-01-07T04:31:03.011-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":16925,"name":"Visions And Dreams","url":"https://www.academia.edu/Documents/in/Visions_And_Dreams"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10050635"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10050635/Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese"><img alt="Research paper thumbnail of Ruodlieb. Con gli epigrammi del Codex Latinus Monacensis 19486. La formazione e le avventure del primo eroe cortese" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050635/Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese">Ruodlieb. Con gli epigrammi del Codex Latinus Monacensis 19486. La formazione e le avventure del primo eroe cortese</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. F...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell'autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell'introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l'opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull'autore, l'esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050635"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050635"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050635; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050635]").text(description); $(".js-view-count[data-work-id=10050635]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050635; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050635']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050635, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050635]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050635,"title":"Ruodlieb. Con gli epigrammi del Codex Latinus Monacensis 19486. La formazione e le avventure del primo eroe cortese","translated_title":"","metadata":{"abstract":"Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell'autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell'introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l'opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull'autore, l'esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.","location":"Firenze","more_info":"ISBN: 88-8450-076-1","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2003,"errors":{}}},"translated_abstract":"Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell'autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell'introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l'opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull'autore, l'esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.","internal_url":"https://www.academia.edu/10050635/Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese","translated_internal_url":"","created_at":"2015-01-07T04:35:44.682-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":28691,"name":"Chivalry (Medieval Studies)","url":"https://www.academia.edu/Documents/in/Chivalry_Medieval_Studies_"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"},{"id":196070,"name":"Medieval Epics","url":"https://www.academia.edu/Documents/in/Medieval_Epics"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10050714"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10050714/Leone_di_Vercelli_Metrum_Leonis_Poesia_e_potere_all_inizio_del_secolo_XI"><img alt="Research paper thumbnail of Leone di Vercelli, Metrum Leonis. Poesia e potere all’inizio del secolo XI" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050714/Leone_di_Vercelli_Metrum_Leonis_Poesia_e_potere_all_inizio_del_secolo_XI">Leone di Vercelli, Metrum Leonis. Poesia e potere all’inizio del secolo XI</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica della favola autobiografica in adonii metrici del vescovo Leone di Vercelli tras...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica della favola autobiografica in adonii metrici del vescovo Leone di Vercelli trasmessa dal ms. Vercelli, Archivio capitolare, LXXXII. Nello studio introduttivo, completato da una bibliografia ragionata, l'ed., dopo aver delineato il profilo storico e letterario del vescovo, analizza il testo, che si presenta come una colta allegoria politica in stile oraziano, e ne espone le possibili linee interpretative. Particolare attenzione è dedicata alla tradizione manoscritta, vista la possibile autografia dell'unico testimone. Il testo latino è accompagnato da una traduzione italiana e da un apparato di note di commento. Tre gli strumenti di consultazione: un indice delle fonti; un indice dei manoscritti e un indice dei nomi, dei luoghi e delle opere anonime citate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050714"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050714"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050714; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050714]").text(description); $(".js-view-count[data-work-id=10050714]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050714; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050714']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050714, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050714]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050714,"title":"Leone di Vercelli, Metrum Leonis. 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Tre gli strumenti di consultazione: un indice delle fonti; un indice dei manoscritti e un indice dei nomi, dei luoghi e delle opere anonime citate.","location":"Firenze","more_info":"ISBN: 88-87027-87-0","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2002,"errors":{}}},"translated_abstract":"Edizione critica della favola autobiografica in adonii metrici del vescovo Leone di Vercelli trasmessa dal ms. Vercelli, Archivio capitolare, LXXXII. Nello studio introduttivo, completato da una bibliografia ragionata, l'ed., dopo aver delineato il profilo storico e letterario del vescovo, analizza il testo, che si presenta come una colta allegoria politica in stile oraziano, e ne espone le possibili linee interpretative. Particolare attenzione è dedicata alla tradizione manoscritta, vista la possibile autografia dell'unico testimone. Il testo latino è accompagnato da una traduzione italiana e da un apparato di note di commento. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. New Acquisitions. 1" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/11306418/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_II_Onomastic_and_Literary_Census_of_Medieval_Latin_Authors_Identification_Classification_by_Literary_Genre_and_General_Bibliography_New_Acquisitions_1">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. New Acquisitions. 1</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The volume contains 686 entries on as many authors. Of these, 592 are new, while the remaining 94...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The volume contains 686 entries on as many authors. Of these, 592 are new, while the remaining 94 have been updated on the basis of recent scholarship, which has brought important new evidence to their bio-bibliographic profiles. <br />It is part of the «BISLAM» series and represents a natural progression from the second volume. In fact, it is the result of a continuing project, which has proceeded alongside the growth of the «Archivio Integrato del Medioevo Latino» («Integrated Archive of the Latin Middle Ages»), i.e. the digital infrastructure that connects the most important specialised databases created at SISMEL. This third «BISLAM» inventory adds to, updates, and complements the preceding one while preserving the formal organisation and general compilation criteria. <br />The primary objective of this volume is to offer an additional tool for the study of Medieval and Renaissance Latin authors. Specifically, we have concentrated on those authors whom scholars have identified recently, according to new efforts in cataloguing manuscripts and the latest studies conducted on unedited or under-examined sources.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11306418"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11306418"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11306418; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11306418]").text(description); $(".js-view-count[data-work-id=11306418]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11306418; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11306418']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 11306418, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=11306418]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11306418,"title":"BISLAM. 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This third «BISLAM» inventory adds to, updates, and complements the preceding one while preserving the formal organisation and general compilation criteria.\r\nThe primary objective of this volume is to offer an additional tool for the study of Medieval and Renaissance Latin authors. Specifically, we have concentrated on those authors whom scholars have identified recently, according to new efforts in cataloguing manuscripts and the latest studies conducted on unedited or under-examined sources.","location":"Firenze","more_info":"ISBN: 978-88-8450-595-2","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2015,"errors":{}}},"translated_abstract":"The volume contains 686 entries on as many authors. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/36064719/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9909132/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_II_Onomastic_and_Literary_Census_of_Medieval_Latin_Authors_Identification_Classification_by_Literary_Genre_and_General_Bibliography_Introduction">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. Introduction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. II Censimento onomastico e le...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. II Censimento onomastico e letterario degli autori latini del medioevo. Identificazione, classificazione per genere letterario e bibliografia fondamentale è un repertorio onomastico, biografico, bibliografico e storico-letterario della letteratura mediolatina. Il volume offre agli studiosi e ai catalogatori un ausilio alla risoluzione dei problemi di identificazione degli autori attivi tra la fine del V e l’inizio del XVI secolo, fornendo sintetiche notizie biografiche, un elenco delle varianti dei loro nomi in latino e nelle lingue moderne, nonché un primo orientamento bibliografico, con l'indicazione dei principali generi letterari delle loro opere. Gli strumenti di ricerca dei quali è dotato il cd-rom che correda l’opera permettono un rapido reperimento delle informazioni contenute nel volume, consentendo anche di incrociare numerosi parametri onomastici, biografici, cronologici e storico-letterari. Con questa nuova edizione della Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi, la Società Internazionale per lo Studio del Medioevo Latino porta a compimento la pubblicazione dei risultati di dodici anni di ricerca che hanno prodotto il catalogo bio-bibliografico, onomastico e letterario degli autori latini del medioevo. Essa comprende 13.174 voci su altrettanti autori e 83.124 varianti dei loro nomi. Mentre la prima edizione, pubblicata nel 2003, censiva circa 5.300 autori e 12.500 varianti nominali, questa edizione, che comprende la prima al suo interno, va ampiamente oltre, non soltanto per il numero di autori trattati, ma per la quantità di informazioni offerte su ciascuno di essi. Infatti, oltre alle diverse forme dei nomi, fornisce anche le date nelle quali essi furono attivi, l'indicazione dei momenti più importanti della loro carriera, dei generi letterari che hanno praticato e brevi note che spiegano i principali problemi di identificazione e di attribuzione delle loro opere. Ciascuna notizia è corredata dei riferimenti alle fonti consultate. Le informazioni presenti sono il risultato dello spoglio integrale di 47 repertori specialistici, scelti per affidabilità e completezza. I dati estratti sono stati valutati criticamente e corretti conformemente agli studi recenti più autorevoli, integrandoli con un numero quanto mai ampio di edizioni, saggi specialistici, enciclopedie, bibliografie e cataloghi. Corredata da un cd-rom, l’opera si configura attualmente come il più esauriente repertorio onomastico e bio-bibliografico sugli autori della letteratura latina medievale.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c757d5ef11c197f775fb0de123373b87" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36064719,"asset_id":9909132,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36064719/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9909132"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9909132"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9909132; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9909132]").text(description); $(".js-view-count[data-work-id=9909132]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9909132; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9909132']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 9909132, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c757d5ef11c197f775fb0de123373b87" } } $('.js-work-strip[data-work-id=9909132]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9909132,"title":"BISLAM. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. I. Gli Autori in “Medioevo Latino”. The Authors in “Medioevo Latino”. Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/36180461/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9861138/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_The_Authors_in_Medioevo_Latino_Introduction">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. I. Gli Autori in “Medioevo Latino”. The Authors in “Medioevo Latino”. Introduction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">BISLAM è una nuova collana di strumenti utili all'identificazione e alla lemmatizzazione degli au...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">BISLAM è una nuova collana di strumenti utili all'identificazione e alla lemmatizzazione degli autori latini del Medioevo. Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in "Medioevo latino", è costituito dall'elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico "Medioevo latino". Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. Di ogni autore medievale viene quindi fornita una forma del nome, prescelta in base a criteri storici, bibliografici e filologici, e tutte le sue principali varianti. Oltre alle forme nominali, ciascuna voce contiene un riferimento alle schede di "Medioevo latino" che segnalano studi sull'autore o edizioni delle sue opere, svolgendo in questo modo anche la funzione di indice complessivo per autore di questo bollettino bibliografico. BISLAM I fa parte integralmente dell'opera BISLAM2 edita nel 2010.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dd81d0d7c51040da604874a65e9af5e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36180461,"asset_id":9861138,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36180461/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9861138"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9861138"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9861138; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9861138]").text(description); $(".js-view-count[data-work-id=9861138]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9861138; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9861138']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 9861138, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dd81d0d7c51040da604874a65e9af5e7" } } $('.js-work-strip[data-work-id=9861138]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9861138,"title":"BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. I. Gli Autori in “Medioevo Latino”. The Authors in “Medioevo Latino”. Introduction","translated_title":"","metadata":{"abstract":"BISLAM è una nuova collana di strumenti utili all'identificazione e alla lemmatizzazione degli autori latini del Medioevo. Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in \"Medioevo latino\", è costituito dall'elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico \"Medioevo latino\". Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. 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Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in \"Medioevo latino\", è costituito dall'elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico \"Medioevo latino\". Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. Di ogni autore medievale viene quindi fornita una forma del nome, prescelta in base a criteri storici, bibliografici e filologici, e tutte le sue principali varianti. Oltre alle forme nominali, ciascuna voce contiene un riferimento alle schede di \"Medioevo latino\" che segnalano studi sull'autore o edizioni delle sue opere, svolgendo in questo modo anche la funzione di indice complessivo per autore di questo bollettino bibliografico. BISLAM I fa parte integralmente dell'opera BISLAM2 edita nel 2010.","internal_url":"https://www.academia.edu/9861138/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_The_Authors_in_Medioevo_Latino_Introduction","translated_internal_url":"","created_at":"2014-12-22T03:06:24.875-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":36180461,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36180461/thumbnails/1.jpg","file_name":"BISLAM_1_Intro.pdf","download_url":"https://www.academia.edu/attachments/36180461/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"BISLAM_Bibliotheca_Scriptorum_Latinorum.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36180461/BISLAM_1_Intro-libre.pdf?1420666037=\u0026response-content-disposition=attachment%3B+filename%3DBISLAM_Bibliotheca_Scriptorum_Latinorum.pdf\u0026Expires=1732733875\u0026Signature=YoSixyG4c0sSyjqOppPMloKWoB29XkLKU-vYbgiYyxj82F-CyouV9VYKXcYDoLqgxIx6ol7NIDSyjBSXqCRPkGuQXI2Hs~xbe7s8Yc6~B8dTmAWVNhrzJrxUl9CzmrP7lC-ESL3IwBl~eFCnmZm9QegLw~FxNPbdmKtB-wL7kZhZJU2TwZemrTYsSUl68g8AlbSY7IPsa5BM2taB5gH2qHjYyesiQxnxpcid1j1SD6N8NGkAdqD2etNhTAZWzyA7gyxqxhRo0pkrmfbba6cYQS6vk3IAS0kUc52tSnZTLPjmd~GvwmIWkc6DgtkFUieIJTLKoKro2s6yT8tJxOKqdQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_The_Authors_in_Medioevo_Latino_Introduction","translated_slug":"","page_count":50,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[{"id":36180461,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36180461/thumbnails/1.jpg","file_name":"BISLAM_1_Intro.pdf","download_url":"https://www.academia.edu/attachments/36180461/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"BISLAM_Bibliotheca_Scriptorum_Latinorum.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36180461/BISLAM_1_Intro-libre.pdf?1420666037=\u0026response-content-disposition=attachment%3B+filename%3DBISLAM_Bibliotheca_Scriptorum_Latinorum.pdf\u0026Expires=1732733875\u0026Signature=YoSixyG4c0sSyjqOppPMloKWoB29XkLKU-vYbgiYyxj82F-CyouV9VYKXcYDoLqgxIx6ol7NIDSyjBSXqCRPkGuQXI2Hs~xbe7s8Yc6~B8dTmAWVNhrzJrxUl9CzmrP7lC-ESL3IwBl~eFCnmZm9QegLw~FxNPbdmKtB-wL7kZhZJU2TwZemrTYsSUl68g8AlbSY7IPsa5BM2taB5gH2qHjYyesiQxnxpcid1j1SD6N8NGkAdqD2etNhTAZWzyA7gyxqxhRo0pkrmfbba6cYQS6vk3IAS0kUc52tSnZTLPjmd~GvwmIWkc6DgtkFUieIJTLKoKro2s6yT8tJxOKqdQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":825,"name":"Medieval Philosophy","url":"https://www.academia.edu/Documents/in/Medieval_Philosophy"},{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":3403,"name":"Bibliography","url":"https://www.academia.edu/Documents/in/Bibliography"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":7629,"name":"Early Medieval History","url":"https://www.academia.edu/Documents/in/Early_Medieval_History"},{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe"},{"id":186072,"name":"Biblioteconomia","url":"https://www.academia.edu/Documents/in/Biblioteconomia"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Roberto Gamberini</h3></div><div class="js-work-strip profile--work_container" data-work-id="110423523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423523/Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata"><img alt="Research paper thumbnail of Il commento a Geremia e alle Lamentazioni di Rabano Mauro. Composizione, diffusione e fortuna immediata" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423523/Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata">Il commento a Geremia e alle Lamentazioni di Rabano Mauro. Composizione, diffusione e fortuna immediata</a></div><div class="wp-workCard_item"><span>Studi Medievali</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical w...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical works concerning structure and compositional technique. Due to the unavailability of Latin sources on the subject, for the first twelve books (coming to Lam 32:44) it is composed as an exegetical chain and continues in books XIII-XX as an original commentary extending itself to the Lamentations, which had never been the subject of exegesis. The article shows the compositional technique of this work, highlighting the role played by the authorial interventions, which take on a steadily increasing weight in the textual development. It also considers the manuscript tradition of the commentary: the 32 identified manuscript witnesses are divided into six classes that document a splitting-up of the textual unity, determined by the substantive and structural differences of the various sections of the work. In particular, the article focuses on the influence exerted over the dynamics of the textual tradition by codices ST. GALLEN, Stiftsbibliothek 282 and ROMA, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Sess. 44. Finally, it studies the reception of the commentary in the first decades of its dissemination, by analyzing the glosses in the codex MÜNCHEN, Bayerische Staatsbibliothek, Clm 6223, the commentary on Lamentations of Pascasius Radbertus and the manuscript WOLFENBÜTTEL, Herzog-August-Bibliothek, Weiss. 32, an autograph of Otfried von Weißenburg, a pupil of Hrabanus, who revived the work of his master adapting it in the form of glosses.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423523]").text(description); $(".js-view-count[data-work-id=110423523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423523, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423523,"title":"Il commento a Geremia e alle Lamentazioni di Rabano Mauro. Composizione, diffusione e fortuna immediata","translated_title":"","metadata":{"abstract":"Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical works concerning structure and compositional technique. Due to the unavailability of Latin sources on the subject, for the first twelve books (coming to Lam 32:44) it is composed as an exegetical chain and continues in books XIII-XX as an original commentary extending itself to the Lamentations, which had never been the subject of exegesis. The article shows the compositional technique of this work, highlighting the role played by the authorial interventions, which take on a steadily increasing weight in the textual development. It also considers the manuscript tradition of the commentary: the 32 identified manuscript witnesses are divided into six classes that document a splitting-up of the textual unity, determined by the substantive and structural differences of the various sections of the work. In particular, the article focuses on the influence exerted over the dynamics of the textual tradition by codices ST. GALLEN, Stiftsbibliothek 282 and ROMA, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Sess. 44. Finally, it studies the reception of the commentary in the first decades of its dissemination, by analyzing the glosses in the codex MÜNCHEN, Bayerische Staatsbibliothek, Clm 6223, the commentary on Lamentations of Pascasius Radbertus and the manuscript WOLFENBÜTTEL, Herzog-August-Bibliothek, Weiss. 32, an autograph of Otfried von Weißenburg, a pupil of Hrabanus, who revived the work of his master adapting it in the form of glosses.","publication_date":{"day":null,"month":null,"year":2011,"errors":{}},"publication_name":"Studi Medievali"},"translated_abstract":"Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical works concerning structure and compositional technique. Due to the unavailability of Latin sources on the subject, for the first twelve books (coming to Lam 32:44) it is composed as an exegetical chain and continues in books XIII-XX as an original commentary extending itself to the Lamentations, which had never been the subject of exegesis. The article shows the compositional technique of this work, highlighting the role played by the authorial interventions, which take on a steadily increasing weight in the textual development. It also considers the manuscript tradition of the commentary: the 32 identified manuscript witnesses are divided into six classes that document a splitting-up of the textual unity, determined by the substantive and structural differences of the various sections of the work. In particular, the article focuses on the influence exerted over the dynamics of the textual tradition by codices ST. GALLEN, Stiftsbibliothek 282 and ROMA, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Sess. 44. Finally, it studies the reception of the commentary in the first decades of its dissemination, by analyzing the glosses in the codex MÜNCHEN, Bayerische Staatsbibliothek, Clm 6223, the commentary on Lamentations of Pascasius Radbertus and the manuscript WOLFENBÜTTEL, Herzog-August-Bibliothek, Weiss. 32, an autograph of Otfried von Weißenburg, a pupil of Hrabanus, who revived the work of his master adapting it in the form of glosses.","internal_url":"https://www.academia.edu/110423523/Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata","translated_internal_url":"","created_at":"2023-12-03T01:14:37.669-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":21130,"name":"Medieval philology","url":"https://www.academia.edu/Documents/in/Medieval_philology"},{"id":32351,"name":"Biblical Medieval Exegesis","url":"https://www.academia.edu/Documents/in/Biblical_Medieval_Exegesis"},{"id":822732,"name":"Hrabanus Maurus","url":"https://www.academia.edu/Documents/in/Hrabanus_Maurus"},{"id":1112034,"name":"Fortuna","url":"https://www.academia.edu/Documents/in/Fortuna"},{"id":1816184,"name":"Studi medievali","url":"https://www.academia.edu/Documents/in/Studi_medievali"}],"urls":[{"id":36332890,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=3743942"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110423522/Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico"><img alt="Research paper thumbnail of Divertirsi con la grammatica. Riflessioni sulla storia del testo delle Epitomae e delle Epistolae di Virgilio Marone Grammatico" class="work-thumbnail" src="https://attachments.academia-assets.com/117572978/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110423522/Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico">Divertirsi con la grammatica. Riflessioni sulla storia del testo delle Epitomae e delle Epistolae di Virgilio Marone Grammatico</a></div><div class="wp-workCard_item"><span>Filologia mediolatina: rivista della Fondazione Ezio Franceschini</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatical teachings, austere admonishments of wisdom and apparently comic or parodic passages. This has led scholars to conflicting literary interpretations which do not solve many of the obscure points of this unusual grammar. The manuscript tradition is equally muddled, despite being mainly represented by only three codices, all compiled in the first half of the ninth century. In the present study, the text transmitted by these manuscripts (on which the critical editions are based) is examined on the basis of the wide indirect tradition, attested especially in the British Isles as early as the seventh century. The research shows that the comic or parodic passages do not appear to have been incorporated in the works that drew on Virgilius Maro Grammaticus, even in those of strongly compilatory character, being not very careful in selecting the content. This fact, together with the detection of few fragments absent from the direct tradition, suggests that Virgilius Maro Grammaticus’ text circulating prior to the ninth century was significantly different from that transmitted by the three major codices. Consequently, it is hypothesized that these three manuscripts are the result of a Carolingian rehash of the lost original work of Virgil, namely a parodic rewriting that can be explained by a specific historical context: the overcoming of the old Irish grammars by the works of the new generation of teachers of the Carolingian court and the simultaneous conflict between continental and Irish grammarians that also manifested itself through the derision of the Irish scholarship, which by that time was considered antiquated and unsatisfactory. This new attitude also explains the fact that in the same period the indirect tradition of Virgilius Maro Grammaticus comes to a permanent end.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3e503c7d07d4c7949159245787693c50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117572978,"asset_id":110423522,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117572978/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423522]").text(description); $(".js-view-count[data-work-id=110423522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423522, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3e503c7d07d4c7949159245787693c50" } } $('.js-work-strip[data-work-id=110423522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423522,"title":"Divertirsi con la grammatica. Riflessioni sulla storia del testo delle Epitomae e delle Epistolae di Virgilio Marone Grammatico","translated_title":"","metadata":{"abstract":"Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatical teachings, austere admonishments of wisdom and apparently comic or parodic passages. This has led scholars to conflicting literary interpretations which do not solve many of the obscure points of this unusual grammar. The manuscript tradition is equally muddled, despite being mainly represented by only three codices, all compiled in the first half of the ninth century. In the present study, the text transmitted by these manuscripts (on which the critical editions are based) is examined on the basis of the wide indirect tradition, attested especially in the British Isles as early as the seventh century. The research shows that the comic or parodic passages do not appear to have been incorporated in the works that drew on Virgilius Maro Grammaticus, even in those of strongly compilatory character, being not very careful in selecting the content. This fact, together with the detection of few fragments absent from the direct tradition, suggests that Virgilius Maro Grammaticus’ text circulating prior to the ninth century was significantly different from that transmitted by the three major codices. Consequently, it is hypothesized that these three manuscripts are the result of a Carolingian rehash of the lost original work of Virgil, namely a parodic rewriting that can be explained by a specific historical context: the overcoming of the old Irish grammars by the works of the new generation of teachers of the Carolingian court and the simultaneous conflict between continental and Irish grammarians that also manifested itself through the derision of the Irish scholarship, which by that time was considered antiquated and unsatisfactory. This new attitude also explains the fact that in the same period the indirect tradition of Virgilius Maro Grammaticus comes to a permanent end.","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"Filologia mediolatina: rivista della Fondazione Ezio Franceschini"},"translated_abstract":"Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatical teachings, austere admonishments of wisdom and apparently comic or parodic passages. This has led scholars to conflicting literary interpretations which do not solve many of the obscure points of this unusual grammar. The manuscript tradition is equally muddled, despite being mainly represented by only three codices, all compiled in the first half of the ninth century. In the present study, the text transmitted by these manuscripts (on which the critical editions are based) is examined on the basis of the wide indirect tradition, attested especially in the British Isles as early as the seventh century. The research shows that the comic or parodic passages do not appear to have been incorporated in the works that drew on Virgilius Maro Grammaticus, even in those of strongly compilatory character, being not very careful in selecting the content. This fact, together with the detection of few fragments absent from the direct tradition, suggests that Virgilius Maro Grammaticus’ text circulating prior to the ninth century was significantly different from that transmitted by the three major codices. Consequently, it is hypothesized that these three manuscripts are the result of a Carolingian rehash of the lost original work of Virgil, namely a parodic rewriting that can be explained by a specific historical context: the overcoming of the old Irish grammars by the works of the new generation of teachers of the Carolingian court and the simultaneous conflict between continental and Irish grammarians that also manifested itself through the derision of the Irish scholarship, which by that time was considered antiquated and unsatisfactory. This new attitude also explains the fact that in the same period the indirect tradition of Virgilius Maro Grammaticus comes to a permanent end.","internal_url":"https://www.academia.edu/110423522/Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico","translated_internal_url":"","created_at":"2023-12-03T01:14:37.474-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117572978,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117572978/thumbnails/1.jpg","file_name":"Divertirsi.pdf","download_url":"https://www.academia.edu/attachments/117572978/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Divertirsi_con_la_grammatica_Riflessioni.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117572978/Divertirsi-libre.pdf?1724142344=\u0026response-content-disposition=attachment%3B+filename%3DDivertirsi_con_la_grammatica_Riflessioni.pdf\u0026Expires=1732733875\u0026Signature=LbaBlZwySihOnDt1415VsnUlZPGGekZu0dUg2KlpKtkGo6iLGa2AM8YE7b0fG9w9Rp9~O93~Am1M5k0UDpPfttoyFq7AdX~7nU04wbx98wTRyDHW8ueUcUZpIIqcbpM8ovvP7EDasmW2uhUxYFDX8VxKiPR2JMrHKcIyYqTIfxw2-yC6plTj0t51R~piC-DQuYoFkRttf1VPLWqHeTr2fNbetBuAvaSnExBfziooz8b~s9nbs-M0VfDr6HX-8yj9v7synAYcukILCTIaASxaWJ6QQeowdDiAql0z8QthPAQWc1yJrAi7WDIst0-zRviHGpfCj3ilaAKzll7dq4rAxA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico","translated_slug":"","page_count":36,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[{"id":117572978,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117572978/thumbnails/1.jpg","file_name":"Divertirsi.pdf","download_url":"https://www.academia.edu/attachments/117572978/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Divertirsi_con_la_grammatica_Riflessioni.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117572978/Divertirsi-libre.pdf?1724142344=\u0026response-content-disposition=attachment%3B+filename%3DDivertirsi_con_la_grammatica_Riflessioni.pdf\u0026Expires=1732733875\u0026Signature=LbaBlZwySihOnDt1415VsnUlZPGGekZu0dUg2KlpKtkGo6iLGa2AM8YE7b0fG9w9Rp9~O93~Am1M5k0UDpPfttoyFq7AdX~7nU04wbx98wTRyDHW8ueUcUZpIIqcbpM8ovvP7EDasmW2uhUxYFDX8VxKiPR2JMrHKcIyYqTIfxw2-yC6plTj0t51R~piC-DQuYoFkRttf1VPLWqHeTr2fNbetBuAvaSnExBfziooz8b~s9nbs-M0VfDr6HX-8yj9v7synAYcukILCTIaASxaWJ6QQeowdDiAql0z8QthPAQWc1yJrAi7WDIst0-zRviHGpfCj3ilaAKzll7dq4rAxA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":21130,"name":"Medieval philology","url":"https://www.academia.edu/Documents/in/Medieval_philology"},{"id":423621,"name":"Latin Grammar","url":"https://www.academia.edu/Documents/in/Latin_Grammar"}],"urls":[{"id":36332889,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=6230991"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423521"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423521/Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio"><img alt="Research paper thumbnail of Strategie editoriali per testi frammentari. Una rassegna critica con il caso di Apringio" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423521/Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio">Strategie editoriali per testi frammentari. Una rassegna critica con il caso di Apringio</a></div><div class="wp-workCard_item"><span>Filologia mediolatina: rivista della Fondazione Ezio Franceschini</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate soltanto a guasti nel corso della trasmissione - l&#39;A. fornisce indicazioni metodologiche su come procedere all&#39;edizione di frammenti; esempi sono tratti dai casi del commento al Cantico di Gregorio Magno, dei Versus de Ottone et Heinrico di Leone di Vercelli, del poema biblico di Severo di Malaga, del Carmen Campidoctoris, delle Expositiones Berengarii (attribuite da Bischoff a Berengario di Tours, in realta in parte di Guitmondo di Aversa), della poesia De trinitate et de Christo Deo homine di Alcuino, del Ruodlieb, del «frammento dell&#39;Aia» (Den Haag, KB, 921), dei Gesta Apollonii in versi, della Iohannis di Corippo, del commento all&#39;Apocalisse di Ticonio. Presenta infine il caso dell&#39;altro commento all&#39;Apocalisse di Apringio di Beja, lo stato disordinato del quale e stato spiegato in modi diversi, fra i quali l&#39;ipotesi prevalente e quella della sua frammentarieta; su questa base esso e stato ricostruito ed edito da R. Gryson (Turnhout 2003; cfr. MEL XXVIII 4285) grazie all&#39;analisi della tradizione indiretta, costituita dal commento all&#39;Apocalisse del Beato di Liebana. Contro l&#39;opinione di Gryson, secondo il quale l&#39;opera di Apringio comprendeva ampi stralci di un piu antico commento di Vittorino di Petovio, l&#39;A. dimostra pero che i brani di tale autore che figurano all&#39;interno del testo di Apringio nell&#39;unico codice diretto che lo riporta (Kobenhavn, Det Arnamagnaeanske Institut, AM 4° 795) sono in realta aggiunte successive all&#39;autore.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423521"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423521"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423521; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423521]").text(description); $(".js-view-count[data-work-id=110423521]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423521; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423521']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423521, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423521]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423521,"title":"Strategie editoriali per testi frammentari. Una rassegna critica con il caso di Apringio","translated_title":"","metadata":{"abstract":"Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate soltanto a guasti nel corso della trasmissione - l\u0026#39;A. fornisce indicazioni metodologiche su come procedere all\u0026#39;edizione di frammenti; esempi sono tratti dai casi del commento al Cantico di Gregorio Magno, dei Versus de Ottone et Heinrico di Leone di Vercelli, del poema biblico di Severo di Malaga, del Carmen Campidoctoris, delle Expositiones Berengarii (attribuite da Bischoff a Berengario di Tours, in realta in parte di Guitmondo di Aversa), della poesia De trinitate et de Christo Deo homine di Alcuino, del Ruodlieb, del «frammento dell\u0026#39;Aia» (Den Haag, KB, 921), dei Gesta Apollonii in versi, della Iohannis di Corippo, del commento all\u0026#39;Apocalisse di Ticonio. Presenta infine il caso dell\u0026#39;altro commento all\u0026#39;Apocalisse di Apringio di Beja, lo stato disordinato del quale e stato spiegato in modi diversi, fra i quali l\u0026#39;ipotesi prevalente e quella della sua frammentarieta; su questa base esso e stato ricostruito ed edito da R. Gryson (Turnhout 2003; cfr. MEL XXVIII 4285) grazie all\u0026#39;analisi della tradizione indiretta, costituita dal commento all\u0026#39;Apocalisse del Beato di Liebana. Contro l\u0026#39;opinione di Gryson, secondo il quale l\u0026#39;opera di Apringio comprendeva ampi stralci di un piu antico commento di Vittorino di Petovio, l\u0026#39;A. dimostra pero che i brani di tale autore che figurano all\u0026#39;interno del testo di Apringio nell\u0026#39;unico codice diretto che lo riporta (Kobenhavn, Det Arnamagnaeanske Institut, AM 4° 795) sono in realta aggiunte successive all\u0026#39;autore.","publication_date":{"day":null,"month":null,"year":2007,"errors":{}},"publication_name":"Filologia mediolatina: rivista della Fondazione Ezio Franceschini"},"translated_abstract":"Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate soltanto a guasti nel corso della trasmissione - l\u0026#39;A. fornisce indicazioni metodologiche su come procedere all\u0026#39;edizione di frammenti; esempi sono tratti dai casi del commento al Cantico di Gregorio Magno, dei Versus de Ottone et Heinrico di Leone di Vercelli, del poema biblico di Severo di Malaga, del Carmen Campidoctoris, delle Expositiones Berengarii (attribuite da Bischoff a Berengario di Tours, in realta in parte di Guitmondo di Aversa), della poesia De trinitate et de Christo Deo homine di Alcuino, del Ruodlieb, del «frammento dell\u0026#39;Aia» (Den Haag, KB, 921), dei Gesta Apollonii in versi, della Iohannis di Corippo, del commento all\u0026#39;Apocalisse di Ticonio. Presenta infine il caso dell\u0026#39;altro commento all\u0026#39;Apocalisse di Apringio di Beja, lo stato disordinato del quale e stato spiegato in modi diversi, fra i quali l\u0026#39;ipotesi prevalente e quella della sua frammentarieta; su questa base esso e stato ricostruito ed edito da R. Gryson (Turnhout 2003; cfr. MEL XXVIII 4285) grazie all\u0026#39;analisi della tradizione indiretta, costituita dal commento all\u0026#39;Apocalisse del Beato di Liebana. Contro l\u0026#39;opinione di Gryson, secondo il quale l\u0026#39;opera di Apringio comprendeva ampi stralci di un piu antico commento di Vittorino di Petovio, l\u0026#39;A. dimostra pero che i brani di tale autore che figurano all\u0026#39;interno del testo di Apringio nell\u0026#39;unico codice diretto che lo riporta (Kobenhavn, Det Arnamagnaeanske Institut, AM 4° 795) sono in realta aggiunte successive all\u0026#39;autore.","internal_url":"https://www.academia.edu/110423521/Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio","translated_internal_url":"","created_at":"2023-12-03T01:14:37.287-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":97,"name":"Philology","url":"https://www.academia.edu/Documents/in/Philology"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":40238,"name":"Medieval Latin","url":"https://www.academia.edu/Documents/in/Medieval_Latin"}],"urls":[{"id":36332888,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=6245694"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423520"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423520/Frammenti_oxoniensi_di_poesia_mediolatina"><img alt="Research paper thumbnail of Frammenti oxoniensi di poesia mediolatina" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423520/Frammenti_oxoniensi_di_poesia_mediolatina">Frammenti oxoniensi di poesia mediolatina</a></div><div class="wp-workCard_item"><span>Maia-rivista Di Letterature Classiche</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of the University and Colleges of Oxford: four unpublished anonymous grammatical works, the Graecismus by Eberhardus Bethuniensis, the De urinis by Aegidius Corboliensis, the De vetula by Ps. Ovidius, the De templo Salomonis by Gaufridus de Templo, the Epigrammata by Ps. Damasus, the Aurora by Petrus Riga, the Lombardus Metricus by Helvicus Magdeburgensis. The causes of their fragmentation are linked to the historical period in which it occurred, namely the educational renewal due to the introduction and consolidation of the Protestant Reformation in England, and the pressures of the English Crown on the teaching at the University and at the Colleges during the sixteenth century. In the appendix, a catalogue with a description of the investigated fragments.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423520"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423520"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423520; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423520]").text(description); $(".js-view-count[data-work-id=110423520]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423520; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423520']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423520, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423520]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423520,"title":"Frammenti oxoniensi di poesia mediolatina","translated_title":"","metadata":{"abstract":"A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of the University and Colleges of Oxford: four unpublished anonymous grammatical works, the Graecismus by Eberhardus Bethuniensis, the De urinis by Aegidius Corboliensis, the De vetula by Ps. Ovidius, the De templo Salomonis by Gaufridus de Templo, the Epigrammata by Ps. Damasus, the Aurora by Petrus Riga, the Lombardus Metricus by Helvicus Magdeburgensis. The causes of their fragmentation are linked to the historical period in which it occurred, namely the educational renewal due to the introduction and consolidation of the Protestant Reformation in England, and the pressures of the English Crown on the teaching at the University and at the Colleges during the sixteenth century. In the appendix, a catalogue with a description of the investigated fragments.","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"Maia-rivista Di Letterature Classiche"},"translated_abstract":"A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of the University and Colleges of Oxford: four unpublished anonymous grammatical works, the Graecismus by Eberhardus Bethuniensis, the De urinis by Aegidius Corboliensis, the De vetula by Ps. Ovidius, the De templo Salomonis by Gaufridus de Templo, the Epigrammata by Ps. Damasus, the Aurora by Petrus Riga, the Lombardus Metricus by Helvicus Magdeburgensis. The causes of their fragmentation are linked to the historical period in which it occurred, namely the educational renewal due to the introduction and consolidation of the Protestant Reformation in England, and the pressures of the English Crown on the teaching at the University and at the Colleges during the sixteenth century. In the appendix, a catalogue with a description of the investigated fragments.","internal_url":"https://www.academia.edu/110423520/Frammenti_oxoniensi_di_poesia_mediolatina","translated_internal_url":"","created_at":"2023-12-03T01:14:37.096-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Frammenti_oxoniensi_di_poesia_mediolatina","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies"},{"id":9386,"name":"History Of Rare Book Libraries","url":"https://www.academia.edu/Documents/in/History_Of_Rare_Book_Libraries"}],"urls":[{"id":36332887,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=5581223"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423519"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423519/Ideologia_pol%C3%ADtica_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto"><img alt="Research paper thumbnail of Ideologia política e teoria dei poteri in un probabile autografo di Leone di Vercelli: I "Versus de Gregorio Papa et Ottone Augusto" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423519/Ideologia_pol%C3%ADtica_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto">Ideologia política e teoria dei poteri in un probabile autografo di Leone di Vercelli: I "Versus de Gregorio Papa et Ottone Augusto</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dietro l&#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dietro l&#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone di Gregorio V e Ottone III - dopo la sconfitta della fazione dell&#39;antipapa Giovanni XVI ad opera delle truppe imperiali e il reinsediamento di Gregorio sul soglio petrino - i Versus de Gregorio papa et Ottone Augusto (conservati nel f. 13v del ms. Bamberg, SB, Can. 1 (P.III.20) e pubblicati da K. Strecker in MGH, Poetae V-2 pp. 477-8 e da H. Bloch attribuiti «con buoni argomenti» [p. 583] a Leone da Vercelli) manifestano una solida visione idelogica dei rapporti tra i poteri universalistici, derivante anche dal ruolo di Leone all&#39;interno dell&#39;amministrazione imperiale e dalla sua familiarità con la politica e con il problema della politica: «usa la poesia per riflettere sui principi della propria azione e indicarne la direzione» (p. 589). Circa la questione, sollevata dal Bloch, sull&#39;autografia del carme di Leone, la presenza nel medesimo codice di Bamberga di poesie di Eugenio Vulgario e il recupero lessicale e metrico, non meno che tematico di tali componimenti all&#39;interno del Metrum dello stesso Leone conducono l&#39;A. a ritenere che se non si può considerare certificata l&#39;autografia, è possibile affermare che la stesura del carme nel codice di Bamberga sia avvenuta sotto il controllo di Leone. In conclusione viene riprodotta l&#39;edizione dei Versus ad opera di Strecker, con occasionali modifiche della punteggiatura e ampliamento dell&#39;apparato delle fonti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423519"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423519"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423519; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423519]").text(description); $(".js-view-count[data-work-id=110423519]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423519; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423519']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423519, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423519]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423519,"title":"Ideologia política e teoria dei poteri in un probabile autografo di Leone di Vercelli: I \"Versus de Gregorio Papa et Ottone Augusto","translated_title":"","metadata":{"abstract":"Dietro l\u0026#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone di Gregorio V e Ottone III - dopo la sconfitta della fazione dell\u0026#39;antipapa Giovanni XVI ad opera delle truppe imperiali e il reinsediamento di Gregorio sul soglio petrino - i Versus de Gregorio papa et Ottone Augusto (conservati nel f. 13v del ms. Bamberg, SB, Can. 1 (P.III.20) e pubblicati da K. Strecker in MGH, Poetae V-2 pp. 477-8 e da H. Bloch attribuiti «con buoni argomenti» [p. 583] a Leone da Vercelli) manifestano una solida visione idelogica dei rapporti tra i poteri universalistici, derivante anche dal ruolo di Leone all\u0026#39;interno dell\u0026#39;amministrazione imperiale e dalla sua familiarità con la politica e con il problema della politica: «usa la poesia per riflettere sui principi della propria azione e indicarne la direzione» (p. 589). Circa la questione, sollevata dal Bloch, sull\u0026#39;autografia del carme di Leone, la presenza nel medesimo codice di Bamberga di poesie di Eugenio Vulgario e il recupero lessicale e metrico, non meno che tematico di tali componimenti all\u0026#39;interno del Metrum dello stesso Leone conducono l\u0026#39;A. a ritenere che se non si può considerare certificata l\u0026#39;autografia, è possibile affermare che la stesura del carme nel codice di Bamberga sia avvenuta sotto il controllo di Leone. In conclusione viene riprodotta l\u0026#39;edizione dei Versus ad opera di Strecker, con occasionali modifiche della punteggiatura e ampliamento dell\u0026#39;apparato delle fonti.","publication_date":{"day":null,"month":null,"year":2005,"errors":{}}},"translated_abstract":"Dietro l\u0026#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone di Gregorio V e Ottone III - dopo la sconfitta della fazione dell\u0026#39;antipapa Giovanni XVI ad opera delle truppe imperiali e il reinsediamento di Gregorio sul soglio petrino - i Versus de Gregorio papa et Ottone Augusto (conservati nel f. 13v del ms. Bamberg, SB, Can. 1 (P.III.20) e pubblicati da K. Strecker in MGH, Poetae V-2 pp. 477-8 e da H. Bloch attribuiti «con buoni argomenti» [p. 583] a Leone da Vercelli) manifestano una solida visione idelogica dei rapporti tra i poteri universalistici, derivante anche dal ruolo di Leone all\u0026#39;interno dell\u0026#39;amministrazione imperiale e dalla sua familiarità con la politica e con il problema della politica: «usa la poesia per riflettere sui principi della propria azione e indicarne la direzione» (p. 589). Circa la questione, sollevata dal Bloch, sull\u0026#39;autografia del carme di Leone, la presenza nel medesimo codice di Bamberga di poesie di Eugenio Vulgario e il recupero lessicale e metrico, non meno che tematico di tali componimenti all\u0026#39;interno del Metrum dello stesso Leone conducono l\u0026#39;A. a ritenere che se non si può considerare certificata l\u0026#39;autografia, è possibile affermare che la stesura del carme nel codice di Bamberga sia avvenuta sotto il controllo di Leone. In conclusione viene riprodotta l\u0026#39;edizione dei Versus ad opera di Strecker, con occasionali modifiche della punteggiatura e ampliamento dell\u0026#39;apparato delle fonti.","internal_url":"https://www.academia.edu/110423519/Ideologia_pol%C3%ADtica_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto","translated_internal_url":"","created_at":"2023-12-03T01:14:36.889-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Ideologia_política_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":40238,"name":"Medieval Latin","url":"https://www.academia.edu/Documents/in/Medieval_Latin"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"}],"urls":[{"id":36332886,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=5133294"}]}, dispatcherData: dispatcherData }); 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Censimento onomastico e letterario degli autori latini del medioevo. Identificazione, classificazione per genere letterario e bibliografia fondamentale. Onomastic and Lite..." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/90113732/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_II_Censimento_onomastico_e_letterario_degli_autori_latini_del_medioevo_Identificazione_classificazione_per_genere_letterario_e_bibliografia_fondamentale_Onomastic_and_Lite_">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Censimento onomastico e letterario degli autori latini del medioevo. Identificazione, classificazione per genere letterario e bibliografia fondamentale. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi / Repertory of Medieval and Renaissance Latin Authors. I. Gli Autori in «Medioevo Latino» / Authors in «Medioevo Latino»" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/77354114/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Medieval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_Authors_in_Medioevo_Latino_">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi / Repertory of Medieval and Renaissance Latin Authors. I. Gli Autori in «Medioevo Latino» / Authors in «Medioevo Latino»</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">BISLAM è una nuova collana di strumenti utili all&#39;identificazione e alla lemmatizzazione degl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">BISLAM è una nuova collana di strumenti utili all&#39;identificazione e alla lemmatizzazione degli autori latini del Medioevo. Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in &quot;Medioevo latino&quot;, è costituito dall&#39;elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico &quot;Medioevo latino&quot;. Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. Di ogni autore medievale viene quindi fornita una forma del nome, prescelta in base a criteri storici, bibliografici e filologici, e tutte le sue principali varianti. Oltre alle forme nominali, ciascuna voce contiene un riferimento alle schede di &quot;Medioevo latino&quot; che segnalano studi sull&#39;autore o edizioni delle sue opere, svolgendo in questo modo anche la funzione di indice complessivo per autore di questo bollettino bibliografico. 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Selected Papers" class="work-thumbnail" src="https://attachments.academia-assets.com/64601621/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44232081/Michael_Winterbottom_Style_and_Scholarship_Latin_Prose_from_Gildas_to_Raffaele_Regio_Selected_Papers">Michael Winterbottom, Style and Scholarship: Latin Prose from Gildas to Raffaele Regio. Selected Papers</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edited by Roberto Gamberini. Foreword by Michael Lapidge 🔗 https://bit.ly/33xi8ti Ampia selezi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edited by Roberto Gamberini. Foreword by Michael Lapidge  🔗  <a href="https://bit.ly/33xi8ti" rel="nofollow">https://bit.ly/33xi8ti</a> <br />Ampia selezione degli scritti sulla latinità medievale di Michael Winterbottom, che riguarda oltre un millennio di letteratura a partire dalla Britannia e dall’Irlanda altomedievali, fino all’Inghilterra anglonormanna e all’Europa del rinascimento. Comprende venticinque articoli (tra i quali un inedito), e nove recensioni, pubblicati tra il 1967 e il 2017, oltre a un’appendice con due addenda. il volume offre anche una bibliografia completa degli scritti dell’autore, comprensiva di tutte le recensioni.<br /><br />Wide selection of Michael Winterbottom’s writings about medieval latinity, covering over a millennium of literature, ranging from early Medieval Britain and ireland to anglo-norman england and Renaissance Europe. It comprises twenty-five papers (including an unpublished article), and nine reviews, published between 1967 and 2017, as well as an appendix with two addenda. the volume also offers a complete bibliography of the author’s writings, including all reviews.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="51e45b11cb9477bd5d5633484d317e74" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64601621,"asset_id":44232081,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64601621/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44232081"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44232081"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44232081; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44232081]").text(description); $(".js-view-count[data-work-id=44232081]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44232081; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44232081']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44232081, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "51e45b11cb9477bd5d5633484d317e74" } } $('.js-work-strip[data-work-id=44232081]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44232081,"title":"Michael Winterbottom, Style and Scholarship: Latin Prose from Gildas to Raffaele Regio. 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Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal Secolo VI al 1520. 5. Italia. Campania" class="work-thumbnail" src="https://attachments.academia-assets.com/57910079/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37900347/RICABIM_Repertorio_di_Inventari_e_Cataloghi_di_Biblioteche_Medievali_dal_Secolo_VI_al_1520_5_Italia_Campania">RICABIM. Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal Secolo VI al 1520. 5. Italia. Campania</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Roberto Gamberini. Con la collaborazione di Irene Tinacci. «RICABIM Repertorio di Inve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Roberto Gamberini. Con la collaborazione di Irene Tinacci. <br />«RICABIM Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal secolo VI al 1520» raccoglie i risultati del censimento delle testimonianze originali, di natura inventariale, facenti capo ad antiche raccolte librarie. Esso intende coprire non solo tutta la nostra Penisola, come indicato nel Piano dell’Opera, ma anche gran parte dell’Occidente latino medievale. Le schede di cui si compone ogni volume, riunite per Regioni moderne, consentono di reperire edizioni e bibliografia pertinenti ed inoltre dati storici, genetici e peculiarità utili ad una migliore conoscenza della fonte documentaria. Il censimento ha prodotto, per l’Italia, oltre 10.000 attestazioni: 634 di esse, riconducibili alla Campania, sono presentate in questo volume. Per la prima volta è stata presa in esame, oltre ai grandi cataloghi istituzionali, la documentazione archivistica (testamenti, registri di prestito, transazioni ecc.). Si è sempre tenuto conto dei fattori dinamici che hanno portato all’incameramento o alla dispersione dei fondi librari, e quindi degli eventuali destinatari/beneficiari interagenti nel processo di fruizione del libro. In tale ottica il documento censito acquista inusitato spessore, riscattandosi dalla condizione di muto e statico reperto sino a divenire preziosa chiave di accesso alla storia delle biblioteche e alla veicolazione del sapere stesso. Ogni volume è dotato di Indici che garantiscono una consultazione agevole, data l’eterogeneità delle fonti, delle tipologie documentarie studiate e dell’imponente numero di possessori coinvolti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3100784dffd4ae9b4f3fd361681f4ced" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57910079,"asset_id":37900347,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57910079/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37900347"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37900347"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37900347; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37900347]").text(description); $(".js-view-count[data-work-id=37900347]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37900347; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37900347']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37900347, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3100784dffd4ae9b4f3fd361681f4ced" } } $('.js-work-strip[data-work-id=37900347]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37900347,"title":"RICABIM. Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal Secolo VI al 1520. 5. Italia. Campania","translated_title":"","metadata":{"abstract":"A cura di Roberto Gamberini. Con la collaborazione di Irene Tinacci. \n«RICABIM Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal secolo VI al 1520» raccoglie i risultati del censimento delle testimonianze originali, di natura inventariale, facenti capo ad antiche raccolte librarie. Esso intende coprire non solo tutta la nostra Penisola, come indicato nel Piano dell’Opera, ma anche gran parte dell’Occidente latino medievale. Le schede di cui si compone ogni volume, riunite per Regioni moderne, consentono di reperire edizioni e bibliografia pertinenti ed inoltre dati storici, genetici e peculiarità utili ad una migliore conoscenza della fonte documentaria. Il censimento ha prodotto, per l’Italia, oltre 10.000 attestazioni: 634 di esse, riconducibili alla Campania, sono presentate in questo volume. Per la prima volta è stata presa in esame, oltre ai grandi cataloghi istituzionali, la documentazione archivistica (testamenti, registri di prestito, transazioni ecc.). Si è sempre tenuto conto dei fattori dinamici che hanno portato all’incameramento o alla dispersione dei fondi librari, e quindi degli eventuali destinatari/beneficiari interagenti nel processo di fruizione del libro. In tale ottica il documento censito acquista inusitato spessore, riscattandosi dalla condizione di muto e statico reperto sino a divenire preziosa chiave di accesso alla storia delle biblioteche e alla veicolazione del sapere stesso. Ogni volume è dotato di Indici che garantiscono una consultazione agevole, data l’eterogeneità delle fonti, delle tipologie documentarie studiate e dell’imponente numero di possessori coinvolti.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}}},"translated_abstract":"A cura di Roberto Gamberini. Con la collaborazione di Irene Tinacci. \n«RICABIM Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal secolo VI al 1520» raccoglie i risultati del censimento delle testimonianze originali, di natura inventariale, facenti capo ad antiche raccolte librarie. Esso intende coprire non solo tutta la nostra Penisola, come indicato nel Piano dell’Opera, ma anche gran parte dell’Occidente latino medievale. Le schede di cui si compone ogni volume, riunite per Regioni moderne, consentono di reperire edizioni e bibliografia pertinenti ed inoltre dati storici, genetici e peculiarità utili ad una migliore conoscenza della fonte documentaria. Il censimento ha prodotto, per l’Italia, oltre 10.000 attestazioni: 634 di esse, riconducibili alla Campania, sono presentate in questo volume. Per la prima volta è stata presa in esame, oltre ai grandi cataloghi istituzionali, la documentazione archivistica (testamenti, registri di prestito, transazioni ecc.). Si è sempre tenuto conto dei fattori dinamici che hanno portato all’incameramento o alla dispersione dei fondi librari, e quindi degli eventuali destinatari/beneficiari interagenti nel processo di fruizione del libro. In tale ottica il documento censito acquista inusitato spessore, riscattandosi dalla condizione di muto e statico reperto sino a divenire preziosa chiave di accesso alla storia delle biblioteche e alla veicolazione del sapere stesso. Ogni volume è dotato di Indici che garantiscono una consultazione agevole, data l’eterogeneità delle fonti, delle tipologie documentarie studiate e dell’imponente numero di possessori coinvolti.","internal_url":"https://www.academia.edu/37900347/RICABIM_Repertorio_di_Inventari_e_Cataloghi_di_Biblioteche_Medievali_dal_Secolo_VI_al_1520_5_Italia_Campania","translated_internal_url":"","created_at":"2018-12-03T01:22:47.980-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9008486,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":32100044,"work_id":37900347,"tagging_user_id":9008486,"tagged_user_id":23913767,"co_author_invite_id":null,"email":"r***b@hotmail.com","affiliation":"University of Cassino and Southern Latium","display_order":1,"name":"Roberto Gamberini","title":"RICABIM. Repertorio di Inventari e Cataloghi di Biblioteche Medievali dal Secolo VI al 1520. 5. Italia. 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Codicologia; Storia Delle Biblioteche","url":"https://www.academia.edu/Documents/in/Manoscritti_Codicologia_Storia_Delle_Biblioteche"},{"id":1052782,"name":"Documenti Medievali","url":"https://www.academia.edu/Documents/in/Documenti_Medievali"},{"id":1197716,"name":"Library","url":"https://www.academia.edu/Documents/in/Library"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37835515"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37835515/RICABIM_Repertorio_di_inventari_e_cataloghi_di_biblioteche_medievali_dal_secolo_VI_al_1520_Repertory_of_Inventories_and_Catalogues_of_Medieval_Libraries_from_the_VIth_Century_to_1520_5_Italia_Campania_con_la_collaborazione_di_Irene_Tinacci_Biblioteche_e_Archivi_33_RICABIM_5_"><img alt="Research paper thumbnail of RICABIM. Repertorio di inventari e cataloghi di biblioteche medievali dal secolo VI al 1520. Repertory of Inventories and Catalogues of Medieval Libraries from the VIth Century to 1520, 5. Italia. Campania, con la collaborazione di Irene Tinacci (Biblioteche e Archivi, 33. RICABIM, 5)" class="work-thumbnail" src="https://attachments.academia-assets.com/57837603/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37835515/RICABIM_Repertorio_di_inventari_e_cataloghi_di_biblioteche_medievali_dal_secolo_VI_al_1520_Repertory_of_Inventories_and_Catalogues_of_Medieval_Libraries_from_the_VIth_Century_to_1520_5_Italia_Campania_con_la_collaborazione_di_Irene_Tinacci_Biblioteche_e_Archivi_33_RICABIM_5_">RICABIM. Repertorio di inventari e cataloghi di biblioteche medievali dal secolo VI al 1520. Repertory of Inventories and Catalogues of Medieval Libraries from the VIth Century to 1520, 5. Italia. Campania, con la collaborazione di Irene Tinacci (Biblioteche e Archivi, 33. RICABIM, 5)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This catalogue presents 634 entries relating to 681 documentary sources which are datable from th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This catalogue presents 634 entries relating to 681 documentary sources which are datable from the 6th century to 1520 and testify to the existence and transfers of ancient book collections in the area of the current Campania. The surveyed material consists not only of catalogues, but also – and above all – of archival documents, for which editions and studies, as well as a series of historical and descriptive data, are indicated.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e3c531e63e07a04816317222f8cbc9e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57837603,"asset_id":37835515,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57837603/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37835515"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37835515"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37835515; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37835515]").text(description); $(".js-view-count[data-work-id=37835515]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37835515; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37835515']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37835515, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e3c531e63e07a04816317222f8cbc9e5" } } $('.js-work-strip[data-work-id=37835515]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37835515,"title":"RICABIM. Repertorio di inventari e cataloghi di biblioteche medievali dal secolo VI al 1520. Repertory of Inventories and Catalogues of Medieval Libraries from the VIth Century to 1520, 5. Italia. Campania, con la collaborazione di Irene Tinacci (Biblioteche e Archivi, 33. RICABIM, 5)","translated_title":"","metadata":{"abstract":"This catalogue presents 634 entries relating to 681 documentary sources which are datable from the 6th century to 1520 and testify to the existence and transfers of ancient book collections in the area of the current Campania. 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Libri XVIII-XX. Lamentationes" class="work-thumbnail" src="https://attachments.academia-assets.com/56099126/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36197799/Rabano_Mauro_Expositio_Hieremiae_prophetae_Libri_XVIII_XX_Lamentationes">Rabano Mauro, Expositio Hieremiae prophetae. Libri XVIII-XX. Lamentationes</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica a cura di Roberto Gamberini. I libri XVIII-XX dell’«Expositio Hieremiae prophet...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica a cura di Roberto Gamberini. <br />I libri XVIII-XX dell’«Expositio Hieremiae prophetae» di Rabano Mauro, dedicati alle «Lamentazioni», sono il primo commentario sistematico mai scritto nella tradizione cristiana su questo testo della Bibbia. Desiderando colmare una lacuna importante, Rabano si trovò a comporre la sua opera esegetica più originale, per la quale abbandonò progressivamente il suo consueto metodo compilatorio e intervenne in prima persona con interpretazioni totalmente nuove. Egli concepì un’opera che può essere letta in una triplice prospettiva: quella teologica, che al suo centro ha il formidabile problema del popolo eletto che viene abbandonato dal suo Dio; quella politica, alla ricerca della retta via che riconducesse alla pace e all’unità l’impero, allora dilaniato dalle lotte fratricide seguite alla morte di Ludovico il Pio; quella personale, potente consolazione per chiunque si trovi in difficoltà e vigoroso impulso alla piena riconciliazione con Dio e con il mondo. Di quest’opera restano otto testimoni manoscritti e una serie di rielaborazioni, la più diffusa delle quali è un’epitome trasmessa da ventitré codici che circola sotto il nome di Girolamo con il titolo «Expositio in Lamentationibus Hieremiae prophetae». Il testo di Rabano Mauro è stato pubblicato per la prima volta nel 1534 sulla base di un solo codice di non particolare pregio; tutte le edizioni successive sono semplici ristampe rivedute dell’«editio princeps». Il volume fornisce quindi la prima edizione critica del commento alle «Lamentazioni» di Rabano Mauro condotta sulla base di tutti i testimoni disponibili e utilizzando la principale tradizione indiretta rappresentata dall'epitome. Di quest’ultima, che riveste una particolare importanza nella diffusione del testo di Rabano, si offre in appendice la prima edizione realizzata con criteri scientifici.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="76eeb0f314ad858708b7a4a32d64c724" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56099126,"asset_id":36197799,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56099126/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36197799"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36197799"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36197799; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36197799]").text(description); $(".js-view-count[data-work-id=36197799]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36197799; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36197799']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36197799, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "76eeb0f314ad858708b7a4a32d64c724" } } $('.js-work-strip[data-work-id=36197799]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36197799,"title":"Rabano Mauro, Expositio Hieremiae prophetae. Libri XVIII-XX. Lamentationes","translated_title":"","metadata":{"abstract":"Edizione critica a cura di Roberto Gamberini. \nI libri XVIII-XX dell’«Expositio Hieremiae prophetae» di Rabano Mauro, dedicati alle «Lamentazioni», sono il primo commentario sistematico mai scritto nella tradizione cristiana su questo testo della Bibbia. Desiderando colmare una lacuna importante, Rabano si trovò a comporre la sua opera esegetica più originale, per la quale abbandonò progressivamente il suo consueto metodo compilatorio e intervenne in prima persona con interpretazioni totalmente nuove. Egli concepì un’opera che può essere letta in una triplice prospettiva: quella teologica, che al suo centro ha il formidabile problema del popolo eletto che viene abbandonato dal suo Dio; quella politica, alla ricerca della retta via che riconducesse alla pace e all’unità l’impero, allora dilaniato dalle lotte fratricide seguite alla morte di Ludovico il Pio; quella personale, potente consolazione per chiunque si trovi in difficoltà e vigoroso impulso alla piena riconciliazione con Dio e con il mondo. Di quest’opera restano otto testimoni manoscritti e una serie di rielaborazioni, la più diffusa delle quali è un’epitome trasmessa da ventitré codici che circola sotto il nome di Girolamo con il titolo «Expositio in Lamentationibus Hieremiae prophetae». Il testo di Rabano Mauro è stato pubblicato per la prima volta nel 1534 sulla base di un solo codice di non particolare pregio; tutte le edizioni successive sono semplici ristampe rivedute dell’«editio princeps». Il volume fornisce quindi la prima edizione critica del commento alle «Lamentazioni» di Rabano Mauro condotta sulla base di tutti i testimoni disponibili e utilizzando la principale tradizione indiretta rappresentata dall'epitome. Di quest’ultima, che riveste una particolare importanza nella diffusione del testo di Rabano, si offre in appendice la prima edizione realizzata con criteri scientifici."},"translated_abstract":"Edizione critica a cura di Roberto Gamberini. \nI libri XVIII-XX dell’«Expositio Hieremiae prophetae» di Rabano Mauro, dedicati alle «Lamentazioni», sono il primo commentario sistematico mai scritto nella tradizione cristiana su questo testo della Bibbia. Desiderando colmare una lacuna importante, Rabano si trovò a comporre la sua opera esegetica più originale, per la quale abbandonò progressivamente il suo consueto metodo compilatorio e intervenne in prima persona con interpretazioni totalmente nuove. Egli concepì un’opera che può essere letta in una triplice prospettiva: quella teologica, che al suo centro ha il formidabile problema del popolo eletto che viene abbandonato dal suo Dio; quella politica, alla ricerca della retta via che riconducesse alla pace e all’unità l’impero, allora dilaniato dalle lotte fratricide seguite alla morte di Ludovico il Pio; quella personale, potente consolazione per chiunque si trovi in difficoltà e vigoroso impulso alla piena riconciliazione con Dio e con il mondo. Di quest’opera restano otto testimoni manoscritti e una serie di rielaborazioni, la più diffusa delle quali è un’epitome trasmessa da ventitré codici che circola sotto il nome di Girolamo con il titolo «Expositio in Lamentationibus Hieremiae prophetae». Il testo di Rabano Mauro è stato pubblicato per la prima volta nel 1534 sulla base di un solo codice di non particolare pregio; tutte le edizioni successive sono semplici ristampe rivedute dell’«editio princeps». Il volume fornisce quindi la prima edizione critica del commento alle «Lamentazioni» di Rabano Mauro condotta sulla base di tutti i testimoni disponibili e utilizzando la principale tradizione indiretta rappresentata dall'epitome. Di quest’ultima, che riveste una particolare importanza nella diffusione del testo di Rabano, si offre in appendice la prima edizione realizzata con criteri scientifici.","internal_url":"https://www.academia.edu/36197799/Rabano_Mauro_Expositio_Hieremiae_prophetae_Libri_XVIII_XX_Lamentationes","translated_internal_url":"","created_at":"2018-03-19T04:37:23.219-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9008486,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":31209138,"work_id":36197799,"tagging_user_id":9008486,"tagged_user_id":23913767,"co_author_invite_id":null,"email":"r***b@hotmail.com","affiliation":"University of Cassino and Southern Latium","display_order":1,"name":"Roberto Gamberini","title":"Rabano Mauro, Expositio Hieremiae prophetae. Libri XVIII-XX. 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Istituzioni, letterature e cultura del tempo carolingio" class="work-thumbnail" src="https://attachments.academia-assets.com/51015322/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30573960/Il_secolo_di_Carlo_Magno_Istituzioni_letterature_e_cultura_del_tempo_carolingio">Il secolo di Carlo Magno. Istituzioni, letterature e cultura del tempo carolingio</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unil.academia.edu/AgostinoParaviciniBagliani">Agostino Paravicini Bagliani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://salerno.academia.edu/StefanoGrazzini">Stefano Grazzini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unile.academia.edu/CorinnaBottiglieri">Corinna Bottiglieri</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Ileana Pagani e Francesco Santi. Intorno alla realtà e al mito di Carlo Magno un'epoca ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Ileana Pagani e Francesco Santi.<br />Intorno alla realtà e al mito di Carlo Magno un'epoca si costruisce, ricca di contraddizioni e di ambiguità, per la raffinatezza delle esperienze intellettuali e per la violenza della lotta politica; per l'assetto nuovo della società e per il tentativo di rappresentarlo in forme che richiamano la tradizione classica. Nell'insieme di queste tensioni il medioevo carolingio riesce ad esprimere una sua cifra, che resterà di riferimento dentro e oltre il millennio medievale, nella nostalgia di un ordine mitico e nella consapevolezza di una nuova forza che sta crescendo e che può dare forma ad un mondo radicalmente diverso da quello dell'antichità. La ricerca, che nell'ultimo secolo si è dedicata al fenomeno carolingio, consente oggi di chiarirne molti aspetti e di indicarne il profilo, ma ha anche messo a punto gli strumenti per un cantiere di lavoro che promette ancora molte novità. Con questo volume si intende offrire uno status quaestionis, insieme alle direzioni del lavoro futuro. Around the reality and myth of Charlemagne, an era has been built. This era is full of contradictions and ambiguities, for the refinement of intellectual experiences and the violence of the political struggle; for the new social structure and the attempt to represent it in forms recalling the classical tradition. With these tensions the Carolingian Middle Ages is able to express its figure, which will remain a reference within and beyond the Medieval Millennium, in the nostalgia of a mythical order and in the awareness of a new force that is growing and that can give form to a radically different world from that of the Antiquity. 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Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050532/Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre">Visio Anselli. Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell'introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d'Auxerre († 1052); 2) l'autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l'ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un'analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell'introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l'edizione critica dei testi. L'epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050532"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050532"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050532; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050532]").text(description); $(".js-view-count[data-work-id=10050532]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050532; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050532']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050532, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050532]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050532,"title":"Visio Anselli. Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre","translated_title":"","metadata":{"abstract":"Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell'introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d'Auxerre († 1052); 2) l'autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l'ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un'analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell'introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l'edizione critica dei testi. L'epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6). ","location":"Firenze","more_info":"ISBN: 978-88-8450-201-8","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2008,"errors":{}}},"translated_abstract":"Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell'introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d'Auxerre († 1052); 2) l'autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l'ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un'analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell'introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l'edizione critica dei testi. L'epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6). ","internal_url":"https://www.academia.edu/10050532/Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre","translated_internal_url":"","created_at":"2015-01-07T04:31:03.011-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":16925,"name":"Visions And Dreams","url":"https://www.academia.edu/Documents/in/Visions_And_Dreams"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10050635"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10050635/Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese"><img alt="Research paper thumbnail of Ruodlieb. Con gli epigrammi del Codex Latinus Monacensis 19486. La formazione e le avventure del primo eroe cortese" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050635/Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese">Ruodlieb. Con gli epigrammi del Codex Latinus Monacensis 19486. La formazione e le avventure del primo eroe cortese</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. F...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell'autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell'introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l'opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull'autore, l'esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050635"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050635"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050635; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050635]").text(description); $(".js-view-count[data-work-id=10050635]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050635; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050635']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050635, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050635]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050635,"title":"Ruodlieb. Con gli epigrammi del Codex Latinus Monacensis 19486. La formazione e le avventure del primo eroe cortese","translated_title":"","metadata":{"abstract":"Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell'autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell'introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l'opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull'autore, l'esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.","location":"Firenze","more_info":"ISBN: 88-8450-076-1","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2003,"errors":{}}},"translated_abstract":"Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell'autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell'introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l'opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull'autore, l'esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.","internal_url":"https://www.academia.edu/10050635/Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese","translated_internal_url":"","created_at":"2015-01-07T04:35:44.682-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"Ruodlieb_Con_gli_epigrammi_del_Codex_Latinus_Monacensis_19486_La_formazione_e_le_avventure_del_primo_eroe_cortese","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":28691,"name":"Chivalry (Medieval Studies)","url":"https://www.academia.edu/Documents/in/Chivalry_Medieval_Studies_"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"},{"id":196070,"name":"Medieval Epics","url":"https://www.academia.edu/Documents/in/Medieval_Epics"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10050714"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10050714/Leone_di_Vercelli_Metrum_Leonis_Poesia_e_potere_all_inizio_del_secolo_XI"><img alt="Research paper thumbnail of Leone di Vercelli, Metrum Leonis. Poesia e potere all’inizio del secolo XI" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050714/Leone_di_Vercelli_Metrum_Leonis_Poesia_e_potere_all_inizio_del_secolo_XI">Leone di Vercelli, Metrum Leonis. Poesia e potere all’inizio del secolo XI</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica della favola autobiografica in adonii metrici del vescovo Leone di Vercelli tras...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica della favola autobiografica in adonii metrici del vescovo Leone di Vercelli trasmessa dal ms. Vercelli, Archivio capitolare, LXXXII. Nello studio introduttivo, completato da una bibliografia ragionata, l'ed., dopo aver delineato il profilo storico e letterario del vescovo, analizza il testo, che si presenta come una colta allegoria politica in stile oraziano, e ne espone le possibili linee interpretative. Particolare attenzione è dedicata alla tradizione manoscritta, vista la possibile autografia dell'unico testimone. Il testo latino è accompagnato da una traduzione italiana e da un apparato di note di commento. Tre gli strumenti di consultazione: un indice delle fonti; un indice dei manoscritti e un indice dei nomi, dei luoghi e delle opere anonime citate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050714"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050714"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050714; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050714]").text(description); $(".js-view-count[data-work-id=10050714]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050714; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050714']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050714, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050714]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050714,"title":"Leone di Vercelli, Metrum Leonis. 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Tre gli strumenti di consultazione: un indice delle fonti; un indice dei manoscritti e un indice dei nomi, dei luoghi e delle opere anonime citate.","location":"Firenze","more_info":"ISBN: 88-87027-87-0","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2002,"errors":{}}},"translated_abstract":"Edizione critica della favola autobiografica in adonii metrici del vescovo Leone di Vercelli trasmessa dal ms. Vercelli, Archivio capitolare, LXXXII. Nello studio introduttivo, completato da una bibliografia ragionata, l'ed., dopo aver delineato il profilo storico e letterario del vescovo, analizza il testo, che si presenta come una colta allegoria politica in stile oraziano, e ne espone le possibili linee interpretative. Particolare attenzione è dedicata alla tradizione manoscritta, vista la possibile autografia dell'unico testimone. Il testo latino è accompagnato da una traduzione italiana e da un apparato di note di commento. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. New Acquisitions. 1" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/11306418/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_II_Onomastic_and_Literary_Census_of_Medieval_Latin_Authors_Identification_Classification_by_Literary_Genre_and_General_Bibliography_New_Acquisitions_1">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. New Acquisitions. 1</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The volume contains 686 entries on as many authors. Of these, 592 are new, while the remaining 94...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The volume contains 686 entries on as many authors. Of these, 592 are new, while the remaining 94 have been updated on the basis of recent scholarship, which has brought important new evidence to their bio-bibliographic profiles. <br />It is part of the «BISLAM» series and represents a natural progression from the second volume. In fact, it is the result of a continuing project, which has proceeded alongside the growth of the «Archivio Integrato del Medioevo Latino» («Integrated Archive of the Latin Middle Ages»), i.e. the digital infrastructure that connects the most important specialised databases created at SISMEL. This third «BISLAM» inventory adds to, updates, and complements the preceding one while preserving the formal organisation and general compilation criteria. <br />The primary objective of this volume is to offer an additional tool for the study of Medieval and Renaissance Latin authors. Specifically, we have concentrated on those authors whom scholars have identified recently, according to new efforts in cataloguing manuscripts and the latest studies conducted on unedited or under-examined sources.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11306418"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11306418"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11306418; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11306418]").text(description); $(".js-view-count[data-work-id=11306418]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11306418; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11306418']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 11306418, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=11306418]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11306418,"title":"BISLAM. 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This third «BISLAM» inventory adds to, updates, and complements the preceding one while preserving the formal organisation and general compilation criteria.\r\nThe primary objective of this volume is to offer an additional tool for the study of Medieval and Renaissance Latin authors. Specifically, we have concentrated on those authors whom scholars have identified recently, according to new efforts in cataloguing manuscripts and the latest studies conducted on unedited or under-examined sources.","location":"Firenze","more_info":"ISBN: 978-88-8450-595-2","publisher":"SISMEL - Edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2015,"errors":{}}},"translated_abstract":"The volume contains 686 entries on as many authors. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/36064719/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9909132/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_II_Onomastic_and_Literary_Census_of_Medieval_Latin_Authors_Identification_Classification_by_Literary_Genre_and_General_Bibliography_Introduction">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Onomastic and Literary Census of Medieval Latin Authors. Identification, Classification by Literary Genre, and General Bibliography. Introduction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. II Censimento onomastico e le...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. II Censimento onomastico e letterario degli autori latini del medioevo. Identificazione, classificazione per genere letterario e bibliografia fondamentale è un repertorio onomastico, biografico, bibliografico e storico-letterario della letteratura mediolatina. Il volume offre agli studiosi e ai catalogatori un ausilio alla risoluzione dei problemi di identificazione degli autori attivi tra la fine del V e l’inizio del XVI secolo, fornendo sintetiche notizie biografiche, un elenco delle varianti dei loro nomi in latino e nelle lingue moderne, nonché un primo orientamento bibliografico, con l'indicazione dei principali generi letterari delle loro opere. Gli strumenti di ricerca dei quali è dotato il cd-rom che correda l’opera permettono un rapido reperimento delle informazioni contenute nel volume, consentendo anche di incrociare numerosi parametri onomastici, biografici, cronologici e storico-letterari. Con questa nuova edizione della Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi, la Società Internazionale per lo Studio del Medioevo Latino porta a compimento la pubblicazione dei risultati di dodici anni di ricerca che hanno prodotto il catalogo bio-bibliografico, onomastico e letterario degli autori latini del medioevo. Essa comprende 13.174 voci su altrettanti autori e 83.124 varianti dei loro nomi. Mentre la prima edizione, pubblicata nel 2003, censiva circa 5.300 autori e 12.500 varianti nominali, questa edizione, che comprende la prima al suo interno, va ampiamente oltre, non soltanto per il numero di autori trattati, ma per la quantità di informazioni offerte su ciascuno di essi. Infatti, oltre alle diverse forme dei nomi, fornisce anche le date nelle quali essi furono attivi, l'indicazione dei momenti più importanti della loro carriera, dei generi letterari che hanno praticato e brevi note che spiegano i principali problemi di identificazione e di attribuzione delle loro opere. Ciascuna notizia è corredata dei riferimenti alle fonti consultate. Le informazioni presenti sono il risultato dello spoglio integrale di 47 repertori specialistici, scelti per affidabilità e completezza. I dati estratti sono stati valutati criticamente e corretti conformemente agli studi recenti più autorevoli, integrandoli con un numero quanto mai ampio di edizioni, saggi specialistici, enciclopedie, bibliografie e cataloghi. Corredata da un cd-rom, l’opera si configura attualmente come il più esauriente repertorio onomastico e bio-bibliografico sugli autori della letteratura latina medievale.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c757d5ef11c197f775fb0de123373b87" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36064719,"asset_id":9909132,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36064719/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9909132"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9909132"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9909132; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9909132]").text(description); $(".js-view-count[data-work-id=9909132]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9909132; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9909132']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 9909132, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c757d5ef11c197f775fb0de123373b87" } } $('.js-work-strip[data-work-id=9909132]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9909132,"title":"BISLAM. 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. I. Gli Autori in “Medioevo Latino”. The Authors in “Medioevo Latino”. Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/36180461/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9861138/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_The_Authors_in_Medioevo_Latino_Introduction">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. I. Gli Autori in “Medioevo Latino”. The Authors in “Medioevo Latino”. Introduction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">BISLAM è una nuova collana di strumenti utili all'identificazione e alla lemmatizzazione degli au...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">BISLAM è una nuova collana di strumenti utili all'identificazione e alla lemmatizzazione degli autori latini del Medioevo. Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in "Medioevo latino", è costituito dall'elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico "Medioevo latino". Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. Di ogni autore medievale viene quindi fornita una forma del nome, prescelta in base a criteri storici, bibliografici e filologici, e tutte le sue principali varianti. Oltre alle forme nominali, ciascuna voce contiene un riferimento alle schede di "Medioevo latino" che segnalano studi sull'autore o edizioni delle sue opere, svolgendo in questo modo anche la funzione di indice complessivo per autore di questo bollettino bibliografico. BISLAM I fa parte integralmente dell'opera BISLAM2 edita nel 2010.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dd81d0d7c51040da604874a65e9af5e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36180461,"asset_id":9861138,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36180461/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9861138"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9861138"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9861138; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9861138]").text(description); $(".js-view-count[data-work-id=9861138]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9861138; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9861138']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 9861138, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dd81d0d7c51040da604874a65e9af5e7" } } $('.js-work-strip[data-work-id=9861138]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9861138,"title":"BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. I. Gli Autori in “Medioevo Latino”. The Authors in “Medioevo Latino”. Introduction","translated_title":"","metadata":{"abstract":"BISLAM è una nuova collana di strumenti utili all'identificazione e alla lemmatizzazione degli autori latini del Medioevo. Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in \"Medioevo latino\", è costituito dall'elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico \"Medioevo latino\". Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. 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Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in \"Medioevo latino\", è costituito dall'elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico \"Medioevo latino\". Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. Di ogni autore medievale viene quindi fornita una forma del nome, prescelta in base a criteri storici, bibliografici e filologici, e tutte le sue principali varianti. Oltre alle forme nominali, ciascuna voce contiene un riferimento alle schede di \"Medioevo latino\" che segnalano studi sull'autore o edizioni delle sue opere, svolgendo in questo modo anche la funzione di indice complessivo per autore di questo bollettino bibliografico. BISLAM I fa parte integralmente dell'opera BISLAM2 edita nel 2010.","internal_url":"https://www.academia.edu/9861138/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_The_Authors_in_Medioevo_Latino_Introduction","translated_internal_url":"","created_at":"2014-12-22T03:06:24.875-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":36180461,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36180461/thumbnails/1.jpg","file_name":"BISLAM_1_Intro.pdf","download_url":"https://www.academia.edu/attachments/36180461/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"BISLAM_Bibliotheca_Scriptorum_Latinorum.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36180461/BISLAM_1_Intro-libre.pdf?1420666037=\u0026response-content-disposition=attachment%3B+filename%3DBISLAM_Bibliotheca_Scriptorum_Latinorum.pdf\u0026Expires=1732733875\u0026Signature=YoSixyG4c0sSyjqOppPMloKWoB29XkLKU-vYbgiYyxj82F-CyouV9VYKXcYDoLqgxIx6ol7NIDSyjBSXqCRPkGuQXI2Hs~xbe7s8Yc6~B8dTmAWVNhrzJrxUl9CzmrP7lC-ESL3IwBl~eFCnmZm9QegLw~FxNPbdmKtB-wL7kZhZJU2TwZemrTYsSUl68g8AlbSY7IPsa5BM2taB5gH2qHjYyesiQxnxpcid1j1SD6N8NGkAdqD2etNhTAZWzyA7gyxqxhRo0pkrmfbba6cYQS6vk3IAS0kUc52tSnZTLPjmd~GvwmIWkc6DgtkFUieIJTLKoKro2s6yT8tJxOKqdQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_The_Authors_in_Medioevo_Latino_Introduction","translated_slug":"","page_count":50,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[{"id":36180461,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36180461/thumbnails/1.jpg","file_name":"BISLAM_1_Intro.pdf","download_url":"https://www.academia.edu/attachments/36180461/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"BISLAM_Bibliotheca_Scriptorum_Latinorum.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36180461/BISLAM_1_Intro-libre.pdf?1420666037=\u0026response-content-disposition=attachment%3B+filename%3DBISLAM_Bibliotheca_Scriptorum_Latinorum.pdf\u0026Expires=1732733875\u0026Signature=YoSixyG4c0sSyjqOppPMloKWoB29XkLKU-vYbgiYyxj82F-CyouV9VYKXcYDoLqgxIx6ol7NIDSyjBSXqCRPkGuQXI2Hs~xbe7s8Yc6~B8dTmAWVNhrzJrxUl9CzmrP7lC-ESL3IwBl~eFCnmZm9QegLw~FxNPbdmKtB-wL7kZhZJU2TwZemrTYsSUl68g8AlbSY7IPsa5BM2taB5gH2qHjYyesiQxnxpcid1j1SD6N8NGkAdqD2etNhTAZWzyA7gyxqxhRo0pkrmfbba6cYQS6vk3IAS0kUc52tSnZTLPjmd~GvwmIWkc6DgtkFUieIJTLKoKro2s6yT8tJxOKqdQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":825,"name":"Medieval Philosophy","url":"https://www.academia.edu/Documents/in/Medieval_Philosophy"},{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":3403,"name":"Bibliography","url":"https://www.academia.edu/Documents/in/Bibliography"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":7629,"name":"Early Medieval History","url":"https://www.academia.edu/Documents/in/Early_Medieval_History"},{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe"},{"id":186072,"name":"Biblioteconomia","url":"https://www.academia.edu/Documents/in/Biblioteconomia"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2324954" id="papers"><div class="js-work-strip profile--work_container" data-work-id="110423523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423523/Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata"><img alt="Research paper thumbnail of Il commento a Geremia e alle Lamentazioni di Rabano Mauro. Composizione, diffusione e fortuna immediata" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423523/Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata">Il commento a Geremia e alle Lamentazioni di Rabano Mauro. Composizione, diffusione e fortuna immediata</a></div><div class="wp-workCard_item"><span>Studi Medievali</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical w...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical works concerning structure and compositional technique. Due to the unavailability of Latin sources on the subject, for the first twelve books (coming to Lam 32:44) it is composed as an exegetical chain and continues in books XIII-XX as an original commentary extending itself to the Lamentations, which had never been the subject of exegesis. The article shows the compositional technique of this work, highlighting the role played by the authorial interventions, which take on a steadily increasing weight in the textual development. It also considers the manuscript tradition of the commentary: the 32 identified manuscript witnesses are divided into six classes that document a splitting-up of the textual unity, determined by the substantive and structural differences of the various sections of the work. In particular, the article focuses on the influence exerted over the dynamics of the textual tradition by codices ST. GALLEN, Stiftsbibliothek 282 and ROMA, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Sess. 44. Finally, it studies the reception of the commentary in the first decades of its dissemination, by analyzing the glosses in the codex MÜNCHEN, Bayerische Staatsbibliothek, Clm 6223, the commentary on Lamentations of Pascasius Radbertus and the manuscript WOLFENBÜTTEL, Herzog-August-Bibliothek, Weiss. 32, an autograph of Otfried von Weißenburg, a pupil of Hrabanus, who revived the work of his master adapting it in the form of glosses.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423523]").text(description); $(".js-view-count[data-work-id=110423523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423523, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423523,"title":"Il commento a Geremia e alle Lamentazioni di Rabano Mauro. Composizione, diffusione e fortuna immediata","translated_title":"","metadata":{"abstract":"Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical works concerning structure and compositional technique. Due to the unavailability of Latin sources on the subject, for the first twelve books (coming to Lam 32:44) it is composed as an exegetical chain and continues in books XIII-XX as an original commentary extending itself to the Lamentations, which had never been the subject of exegesis. The article shows the compositional technique of this work, highlighting the role played by the authorial interventions, which take on a steadily increasing weight in the textual development. It also considers the manuscript tradition of the commentary: the 32 identified manuscript witnesses are divided into six classes that document a splitting-up of the textual unity, determined by the substantive and structural differences of the various sections of the work. In particular, the article focuses on the influence exerted over the dynamics of the textual tradition by codices ST. GALLEN, Stiftsbibliothek 282 and ROMA, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Sess. 44. Finally, it studies the reception of the commentary in the first decades of its dissemination, by analyzing the glosses in the codex MÜNCHEN, Bayerische Staatsbibliothek, Clm 6223, the commentary on Lamentations of Pascasius Radbertus and the manuscript WOLFENBÜTTEL, Herzog-August-Bibliothek, Weiss. 32, an autograph of Otfried von Weißenburg, a pupil of Hrabanus, who revived the work of his master adapting it in the form of glosses.","publication_date":{"day":null,"month":null,"year":2011,"errors":{}},"publication_name":"Studi Medievali"},"translated_abstract":"Hrabanus Maurus’ commentary on Jeremiah and Lamentations is different from his other exegetical works concerning structure and compositional technique. Due to the unavailability of Latin sources on the subject, for the first twelve books (coming to Lam 32:44) it is composed as an exegetical chain and continues in books XIII-XX as an original commentary extending itself to the Lamentations, which had never been the subject of exegesis. The article shows the compositional technique of this work, highlighting the role played by the authorial interventions, which take on a steadily increasing weight in the textual development. It also considers the manuscript tradition of the commentary: the 32 identified manuscript witnesses are divided into six classes that document a splitting-up of the textual unity, determined by the substantive and structural differences of the various sections of the work. In particular, the article focuses on the influence exerted over the dynamics of the textual tradition by codices ST. GALLEN, Stiftsbibliothek 282 and ROMA, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Sess. 44. Finally, it studies the reception of the commentary in the first decades of its dissemination, by analyzing the glosses in the codex MÜNCHEN, Bayerische Staatsbibliothek, Clm 6223, the commentary on Lamentations of Pascasius Radbertus and the manuscript WOLFENBÜTTEL, Herzog-August-Bibliothek, Weiss. 32, an autograph of Otfried von Weißenburg, a pupil of Hrabanus, who revived the work of his master adapting it in the form of glosses.","internal_url":"https://www.academia.edu/110423523/Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata","translated_internal_url":"","created_at":"2023-12-03T01:14:37.669-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Il_commento_a_Geremia_e_alle_Lamentazioni_di_Rabano_Mauro_Composizione_diffusione_e_fortuna_immediata","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":21130,"name":"Medieval philology","url":"https://www.academia.edu/Documents/in/Medieval_philology"},{"id":32351,"name":"Biblical Medieval Exegesis","url":"https://www.academia.edu/Documents/in/Biblical_Medieval_Exegesis"},{"id":822732,"name":"Hrabanus Maurus","url":"https://www.academia.edu/Documents/in/Hrabanus_Maurus"},{"id":1112034,"name":"Fortuna","url":"https://www.academia.edu/Documents/in/Fortuna"},{"id":1816184,"name":"Studi medievali","url":"https://www.academia.edu/Documents/in/Studi_medievali"}],"urls":[{"id":36332890,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=3743942"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110423522/Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico"><img alt="Research paper thumbnail of Divertirsi con la grammatica. Riflessioni sulla storia del testo delle Epitomae e delle Epistolae di Virgilio Marone Grammatico" class="work-thumbnail" src="https://attachments.academia-assets.com/117572978/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110423522/Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico">Divertirsi con la grammatica. Riflessioni sulla storia del testo delle Epitomae e delle Epistolae di Virgilio Marone Grammatico</a></div><div class="wp-workCard_item"><span>Filologia mediolatina: rivista della Fondazione Ezio Franceschini</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatical teachings, austere admonishments of wisdom and apparently comic or parodic passages. This has led scholars to conflicting literary interpretations which do not solve many of the obscure points of this unusual grammar. The manuscript tradition is equally muddled, despite being mainly represented by only three codices, all compiled in the first half of the ninth century. In the present study, the text transmitted by these manuscripts (on which the critical editions are based) is examined on the basis of the wide indirect tradition, attested especially in the British Isles as early as the seventh century. The research shows that the comic or parodic passages do not appear to have been incorporated in the works that drew on Virgilius Maro Grammaticus, even in those of strongly compilatory character, being not very careful in selecting the content. This fact, together with the detection of few fragments absent from the direct tradition, suggests that Virgilius Maro Grammaticus’ text circulating prior to the ninth century was significantly different from that transmitted by the three major codices. Consequently, it is hypothesized that these three manuscripts are the result of a Carolingian rehash of the lost original work of Virgil, namely a parodic rewriting that can be explained by a specific historical context: the overcoming of the old Irish grammars by the works of the new generation of teachers of the Carolingian court and the simultaneous conflict between continental and Irish grammarians that also manifested itself through the derision of the Irish scholarship, which by that time was considered antiquated and unsatisfactory. This new attitude also explains the fact that in the same period the indirect tradition of Virgilius Maro Grammaticus comes to a permanent end.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3e503c7d07d4c7949159245787693c50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117572978,"asset_id":110423522,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117572978/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423522]").text(description); $(".js-view-count[data-work-id=110423522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423522, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3e503c7d07d4c7949159245787693c50" } } $('.js-work-strip[data-work-id=110423522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423522,"title":"Divertirsi con la grammatica. Riflessioni sulla storia del testo delle Epitomae e delle Epistolae di Virgilio Marone Grammatico","translated_title":"","metadata":{"abstract":"Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatical teachings, austere admonishments of wisdom and apparently comic or parodic passages. This has led scholars to conflicting literary interpretations which do not solve many of the obscure points of this unusual grammar. The manuscript tradition is equally muddled, despite being mainly represented by only three codices, all compiled in the first half of the ninth century. In the present study, the text transmitted by these manuscripts (on which the critical editions are based) is examined on the basis of the wide indirect tradition, attested especially in the British Isles as early as the seventh century. The research shows that the comic or parodic passages do not appear to have been incorporated in the works that drew on Virgilius Maro Grammaticus, even in those of strongly compilatory character, being not very careful in selecting the content. This fact, together with the detection of few fragments absent from the direct tradition, suggests that Virgilius Maro Grammaticus’ text circulating prior to the ninth century was significantly different from that transmitted by the three major codices. Consequently, it is hypothesized that these three manuscripts are the result of a Carolingian rehash of the lost original work of Virgil, namely a parodic rewriting that can be explained by a specific historical context: the overcoming of the old Irish grammars by the works of the new generation of teachers of the Carolingian court and the simultaneous conflict between continental and Irish grammarians that also manifested itself through the derision of the Irish scholarship, which by that time was considered antiquated and unsatisfactory. This new attitude also explains the fact that in the same period the indirect tradition of Virgilius Maro Grammaticus comes to a permanent end.","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"Filologia mediolatina: rivista della Fondazione Ezio Franceschini"},"translated_abstract":"Virgilius Maro Grammaticus’ work presents itself as an inhomogeneous mixture of proper grammatical teachings, austere admonishments of wisdom and apparently comic or parodic passages. This has led scholars to conflicting literary interpretations which do not solve many of the obscure points of this unusual grammar. The manuscript tradition is equally muddled, despite being mainly represented by only three codices, all compiled in the first half of the ninth century. In the present study, the text transmitted by these manuscripts (on which the critical editions are based) is examined on the basis of the wide indirect tradition, attested especially in the British Isles as early as the seventh century. The research shows that the comic or parodic passages do not appear to have been incorporated in the works that drew on Virgilius Maro Grammaticus, even in those of strongly compilatory character, being not very careful in selecting the content. This fact, together with the detection of few fragments absent from the direct tradition, suggests that Virgilius Maro Grammaticus’ text circulating prior to the ninth century was significantly different from that transmitted by the three major codices. Consequently, it is hypothesized that these three manuscripts are the result of a Carolingian rehash of the lost original work of Virgil, namely a parodic rewriting that can be explained by a specific historical context: the overcoming of the old Irish grammars by the works of the new generation of teachers of the Carolingian court and the simultaneous conflict between continental and Irish grammarians that also manifested itself through the derision of the Irish scholarship, which by that time was considered antiquated and unsatisfactory. This new attitude also explains the fact that in the same period the indirect tradition of Virgilius Maro Grammaticus comes to a permanent end.","internal_url":"https://www.academia.edu/110423522/Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico","translated_internal_url":"","created_at":"2023-12-03T01:14:37.474-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117572978,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117572978/thumbnails/1.jpg","file_name":"Divertirsi.pdf","download_url":"https://www.academia.edu/attachments/117572978/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Divertirsi_con_la_grammatica_Riflessioni.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117572978/Divertirsi-libre.pdf?1724142344=\u0026response-content-disposition=attachment%3B+filename%3DDivertirsi_con_la_grammatica_Riflessioni.pdf\u0026Expires=1732733875\u0026Signature=LbaBlZwySihOnDt1415VsnUlZPGGekZu0dUg2KlpKtkGo6iLGa2AM8YE7b0fG9w9Rp9~O93~Am1M5k0UDpPfttoyFq7AdX~7nU04wbx98wTRyDHW8ueUcUZpIIqcbpM8ovvP7EDasmW2uhUxYFDX8VxKiPR2JMrHKcIyYqTIfxw2-yC6plTj0t51R~piC-DQuYoFkRttf1VPLWqHeTr2fNbetBuAvaSnExBfziooz8b~s9nbs-M0VfDr6HX-8yj9v7synAYcukILCTIaASxaWJ6QQeowdDiAql0z8QthPAQWc1yJrAi7WDIst0-zRviHGpfCj3ilaAKzll7dq4rAxA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Divertirsi_con_la_grammatica_Riflessioni_sulla_storia_del_testo_delle_Epitomae_e_delle_Epistolae_di_Virgilio_Marone_Grammatico","translated_slug":"","page_count":36,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[{"id":117572978,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117572978/thumbnails/1.jpg","file_name":"Divertirsi.pdf","download_url":"https://www.academia.edu/attachments/117572978/download_file?st=MTczMjc2NTMxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Divertirsi_con_la_grammatica_Riflessioni.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117572978/Divertirsi-libre.pdf?1724142344=\u0026response-content-disposition=attachment%3B+filename%3DDivertirsi_con_la_grammatica_Riflessioni.pdf\u0026Expires=1732733875\u0026Signature=LbaBlZwySihOnDt1415VsnUlZPGGekZu0dUg2KlpKtkGo6iLGa2AM8YE7b0fG9w9Rp9~O93~Am1M5k0UDpPfttoyFq7AdX~7nU04wbx98wTRyDHW8ueUcUZpIIqcbpM8ovvP7EDasmW2uhUxYFDX8VxKiPR2JMrHKcIyYqTIfxw2-yC6plTj0t51R~piC-DQuYoFkRttf1VPLWqHeTr2fNbetBuAvaSnExBfziooz8b~s9nbs-M0VfDr6HX-8yj9v7synAYcukILCTIaASxaWJ6QQeowdDiAql0z8QthPAQWc1yJrAi7WDIst0-zRviHGpfCj3ilaAKzll7dq4rAxA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":21130,"name":"Medieval philology","url":"https://www.academia.edu/Documents/in/Medieval_philology"},{"id":423621,"name":"Latin Grammar","url":"https://www.academia.edu/Documents/in/Latin_Grammar"}],"urls":[{"id":36332889,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=6230991"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423521"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423521/Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio"><img alt="Research paper thumbnail of Strategie editoriali per testi frammentari. Una rassegna critica con il caso di Apringio" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423521/Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio">Strategie editoriali per testi frammentari. Una rassegna critica con il caso di Apringio</a></div><div class="wp-workCard_item"><span>Filologia mediolatina: rivista della Fondazione Ezio Franceschini</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate soltanto a guasti nel corso della trasmissione - l&#39;A. fornisce indicazioni metodologiche su come procedere all&#39;edizione di frammenti; esempi sono tratti dai casi del commento al Cantico di Gregorio Magno, dei Versus de Ottone et Heinrico di Leone di Vercelli, del poema biblico di Severo di Malaga, del Carmen Campidoctoris, delle Expositiones Berengarii (attribuite da Bischoff a Berengario di Tours, in realta in parte di Guitmondo di Aversa), della poesia De trinitate et de Christo Deo homine di Alcuino, del Ruodlieb, del «frammento dell&#39;Aia» (Den Haag, KB, 921), dei Gesta Apollonii in versi, della Iohannis di Corippo, del commento all&#39;Apocalisse di Ticonio. Presenta infine il caso dell&#39;altro commento all&#39;Apocalisse di Apringio di Beja, lo stato disordinato del quale e stato spiegato in modi diversi, fra i quali l&#39;ipotesi prevalente e quella della sua frammentarieta; su questa base esso e stato ricostruito ed edito da R. Gryson (Turnhout 2003; cfr. MEL XXVIII 4285) grazie all&#39;analisi della tradizione indiretta, costituita dal commento all&#39;Apocalisse del Beato di Liebana. Contro l&#39;opinione di Gryson, secondo il quale l&#39;opera di Apringio comprendeva ampi stralci di un piu antico commento di Vittorino di Petovio, l&#39;A. dimostra pero che i brani di tale autore che figurano all&#39;interno del testo di Apringio nell&#39;unico codice diretto che lo riporta (Kobenhavn, Det Arnamagnaeanske Institut, AM 4° 795) sono in realta aggiunte successive all&#39;autore.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423521"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423521"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423521; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423521]").text(description); $(".js-view-count[data-work-id=110423521]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423521; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423521']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423521, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423521]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423521,"title":"Strategie editoriali per testi frammentari. Una rassegna critica con il caso di Apringio","translated_title":"","metadata":{"abstract":"Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate soltanto a guasti nel corso della trasmissione - l\u0026#39;A. fornisce indicazioni metodologiche su come procedere all\u0026#39;edizione di frammenti; esempi sono tratti dai casi del commento al Cantico di Gregorio Magno, dei Versus de Ottone et Heinrico di Leone di Vercelli, del poema biblico di Severo di Malaga, del Carmen Campidoctoris, delle Expositiones Berengarii (attribuite da Bischoff a Berengario di Tours, in realta in parte di Guitmondo di Aversa), della poesia De trinitate et de Christo Deo homine di Alcuino, del Ruodlieb, del «frammento dell\u0026#39;Aia» (Den Haag, KB, 921), dei Gesta Apollonii in versi, della Iohannis di Corippo, del commento all\u0026#39;Apocalisse di Ticonio. Presenta infine il caso dell\u0026#39;altro commento all\u0026#39;Apocalisse di Apringio di Beja, lo stato disordinato del quale e stato spiegato in modi diversi, fra i quali l\u0026#39;ipotesi prevalente e quella della sua frammentarieta; su questa base esso e stato ricostruito ed edito da R. Gryson (Turnhout 2003; cfr. MEL XXVIII 4285) grazie all\u0026#39;analisi della tradizione indiretta, costituita dal commento all\u0026#39;Apocalisse del Beato di Liebana. Contro l\u0026#39;opinione di Gryson, secondo il quale l\u0026#39;opera di Apringio comprendeva ampi stralci di un piu antico commento di Vittorino di Petovio, l\u0026#39;A. dimostra pero che i brani di tale autore che figurano all\u0026#39;interno del testo di Apringio nell\u0026#39;unico codice diretto che lo riporta (Kobenhavn, Det Arnamagnaeanske Institut, AM 4° 795) sono in realta aggiunte successive all\u0026#39;autore.","publication_date":{"day":null,"month":null,"year":2007,"errors":{}},"publication_name":"Filologia mediolatina: rivista della Fondazione Ezio Franceschini"},"translated_abstract":"Esaminate le ragioni per le quali un testo puo essere frammentario - non necessariamente legate soltanto a guasti nel corso della trasmissione - l\u0026#39;A. fornisce indicazioni metodologiche su come procedere all\u0026#39;edizione di frammenti; esempi sono tratti dai casi del commento al Cantico di Gregorio Magno, dei Versus de Ottone et Heinrico di Leone di Vercelli, del poema biblico di Severo di Malaga, del Carmen Campidoctoris, delle Expositiones Berengarii (attribuite da Bischoff a Berengario di Tours, in realta in parte di Guitmondo di Aversa), della poesia De trinitate et de Christo Deo homine di Alcuino, del Ruodlieb, del «frammento dell\u0026#39;Aia» (Den Haag, KB, 921), dei Gesta Apollonii in versi, della Iohannis di Corippo, del commento all\u0026#39;Apocalisse di Ticonio. Presenta infine il caso dell\u0026#39;altro commento all\u0026#39;Apocalisse di Apringio di Beja, lo stato disordinato del quale e stato spiegato in modi diversi, fra i quali l\u0026#39;ipotesi prevalente e quella della sua frammentarieta; su questa base esso e stato ricostruito ed edito da R. Gryson (Turnhout 2003; cfr. MEL XXVIII 4285) grazie all\u0026#39;analisi della tradizione indiretta, costituita dal commento all\u0026#39;Apocalisse del Beato di Liebana. Contro l\u0026#39;opinione di Gryson, secondo il quale l\u0026#39;opera di Apringio comprendeva ampi stralci di un piu antico commento di Vittorino di Petovio, l\u0026#39;A. dimostra pero che i brani di tale autore che figurano all\u0026#39;interno del testo di Apringio nell\u0026#39;unico codice diretto che lo riporta (Kobenhavn, Det Arnamagnaeanske Institut, AM 4° 795) sono in realta aggiunte successive all\u0026#39;autore.","internal_url":"https://www.academia.edu/110423521/Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio","translated_internal_url":"","created_at":"2023-12-03T01:14:37.287-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Strategie_editoriali_per_testi_frammentari_Una_rassegna_critica_con_il_caso_di_Apringio","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":97,"name":"Philology","url":"https://www.academia.edu/Documents/in/Philology"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":40238,"name":"Medieval Latin","url":"https://www.academia.edu/Documents/in/Medieval_Latin"}],"urls":[{"id":36332888,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=6245694"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423520"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423520/Frammenti_oxoniensi_di_poesia_mediolatina"><img alt="Research paper thumbnail of Frammenti oxoniensi di poesia mediolatina" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423520/Frammenti_oxoniensi_di_poesia_mediolatina">Frammenti oxoniensi di poesia mediolatina</a></div><div class="wp-workCard_item"><span>Maia-rivista Di Letterature Classiche</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of the University and Colleges of Oxford: four unpublished anonymous grammatical works, the Graecismus by Eberhardus Bethuniensis, the De urinis by Aegidius Corboliensis, the De vetula by Ps. Ovidius, the De templo Salomonis by Gaufridus de Templo, the Epigrammata by Ps. Damasus, the Aurora by Petrus Riga, the Lombardus Metricus by Helvicus Magdeburgensis. The causes of their fragmentation are linked to the historical period in which it occurred, namely the educational renewal due to the introduction and consolidation of the Protestant Reformation in England, and the pressures of the English Crown on the teaching at the University and at the Colleges during the sixteenth century. In the appendix, a catalogue with a description of the investigated fragments.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423520"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423520"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423520; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423520]").text(description); $(".js-view-count[data-work-id=110423520]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423520; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423520']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423520, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423520]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423520,"title":"Frammenti oxoniensi di poesia mediolatina","translated_title":"","metadata":{"abstract":"A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of the University and Colleges of Oxford: four unpublished anonymous grammatical works, the Graecismus by Eberhardus Bethuniensis, the De urinis by Aegidius Corboliensis, the De vetula by Ps. Ovidius, the De templo Salomonis by Gaufridus de Templo, the Epigrammata by Ps. Damasus, the Aurora by Petrus Riga, the Lombardus Metricus by Helvicus Magdeburgensis. The causes of their fragmentation are linked to the historical period in which it occurred, namely the educational renewal due to the introduction and consolidation of the Protestant Reformation in England, and the pressures of the English Crown on the teaching at the University and at the Colleges during the sixteenth century. In the appendix, a catalogue with a description of the investigated fragments.","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"Maia-rivista Di Letterature Classiche"},"translated_abstract":"A survey of a series of fragments of medieval Latin works in verse preserved in the Libraries of the University and Colleges of Oxford: four unpublished anonymous grammatical works, the Graecismus by Eberhardus Bethuniensis, the De urinis by Aegidius Corboliensis, the De vetula by Ps. Ovidius, the De templo Salomonis by Gaufridus de Templo, the Epigrammata by Ps. Damasus, the Aurora by Petrus Riga, the Lombardus Metricus by Helvicus Magdeburgensis. The causes of their fragmentation are linked to the historical period in which it occurred, namely the educational renewal due to the introduction and consolidation of the Protestant Reformation in England, and the pressures of the English Crown on the teaching at the University and at the Colleges during the sixteenth century. In the appendix, a catalogue with a description of the investigated fragments.","internal_url":"https://www.academia.edu/110423520/Frammenti_oxoniensi_di_poesia_mediolatina","translated_internal_url":"","created_at":"2023-12-03T01:14:37.096-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Frammenti_oxoniensi_di_poesia_mediolatina","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies"},{"id":9386,"name":"History Of Rare Book Libraries","url":"https://www.academia.edu/Documents/in/History_Of_Rare_Book_Libraries"}],"urls":[{"id":36332887,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=5581223"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110423519"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/110423519/Ideologia_pol%C3%ADtica_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto"><img alt="Research paper thumbnail of Ideologia política e teoria dei poteri in un probabile autografo di Leone di Vercelli: I "Versus de Gregorio Papa et Ottone Augusto" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/110423519/Ideologia_pol%C3%ADtica_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto">Ideologia política e teoria dei poteri in un probabile autografo di Leone di Vercelli: I "Versus de Gregorio Papa et Ottone Augusto</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dietro l&#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dietro l&#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone di Gregorio V e Ottone III - dopo la sconfitta della fazione dell&#39;antipapa Giovanni XVI ad opera delle truppe imperiali e il reinsediamento di Gregorio sul soglio petrino - i Versus de Gregorio papa et Ottone Augusto (conservati nel f. 13v del ms. Bamberg, SB, Can. 1 (P.III.20) e pubblicati da K. Strecker in MGH, Poetae V-2 pp. 477-8 e da H. Bloch attribuiti «con buoni argomenti» [p. 583] a Leone da Vercelli) manifestano una solida visione idelogica dei rapporti tra i poteri universalistici, derivante anche dal ruolo di Leone all&#39;interno dell&#39;amministrazione imperiale e dalla sua familiarità con la politica e con il problema della politica: «usa la poesia per riflettere sui principi della propria azione e indicarne la direzione» (p. 589). Circa la questione, sollevata dal Bloch, sull&#39;autografia del carme di Leone, la presenza nel medesimo codice di Bamberga di poesie di Eugenio Vulgario e il recupero lessicale e metrico, non meno che tematico di tali componimenti all&#39;interno del Metrum dello stesso Leone conducono l&#39;A. a ritenere che se non si può considerare certificata l&#39;autografia, è possibile affermare che la stesura del carme nel codice di Bamberga sia avvenuta sotto il controllo di Leone. In conclusione viene riprodotta l&#39;edizione dei Versus ad opera di Strecker, con occasionali modifiche della punteggiatura e ampliamento dell&#39;apparato delle fonti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110423519"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110423519"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110423519; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110423519]").text(description); $(".js-view-count[data-work-id=110423519]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110423519; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110423519']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110423519, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=110423519]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110423519,"title":"Ideologia política e teoria dei poteri in un probabile autografo di Leone di Vercelli: I \"Versus de Gregorio Papa et Ottone Augusto","translated_title":"","metadata":{"abstract":"Dietro l\u0026#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone di Gregorio V e Ottone III - dopo la sconfitta della fazione dell\u0026#39;antipapa Giovanni XVI ad opera delle truppe imperiali e il reinsediamento di Gregorio sul soglio petrino - i Versus de Gregorio papa et Ottone Augusto (conservati nel f. 13v del ms. Bamberg, SB, Can. 1 (P.III.20) e pubblicati da K. Strecker in MGH, Poetae V-2 pp. 477-8 e da H. Bloch attribuiti «con buoni argomenti» [p. 583] a Leone da Vercelli) manifestano una solida visione idelogica dei rapporti tra i poteri universalistici, derivante anche dal ruolo di Leone all\u0026#39;interno dell\u0026#39;amministrazione imperiale e dalla sua familiarità con la politica e con il problema della politica: «usa la poesia per riflettere sui principi della propria azione e indicarne la direzione» (p. 589). Circa la questione, sollevata dal Bloch, sull\u0026#39;autografia del carme di Leone, la presenza nel medesimo codice di Bamberga di poesie di Eugenio Vulgario e il recupero lessicale e metrico, non meno che tematico di tali componimenti all\u0026#39;interno del Metrum dello stesso Leone conducono l\u0026#39;A. a ritenere che se non si può considerare certificata l\u0026#39;autografia, è possibile affermare che la stesura del carme nel codice di Bamberga sia avvenuta sotto il controllo di Leone. In conclusione viene riprodotta l\u0026#39;edizione dei Versus ad opera di Strecker, con occasionali modifiche della punteggiatura e ampliamento dell\u0026#39;apparato delle fonti.","publication_date":{"day":null,"month":null,"year":2005,"errors":{}}},"translated_abstract":"Dietro l\u0026#39;apparente neutrale celebrazione della concordia tra papato ed impero nelle persone di Gregorio V e Ottone III - dopo la sconfitta della fazione dell\u0026#39;antipapa Giovanni XVI ad opera delle truppe imperiali e il reinsediamento di Gregorio sul soglio petrino - i Versus de Gregorio papa et Ottone Augusto (conservati nel f. 13v del ms. Bamberg, SB, Can. 1 (P.III.20) e pubblicati da K. Strecker in MGH, Poetae V-2 pp. 477-8 e da H. Bloch attribuiti «con buoni argomenti» [p. 583] a Leone da Vercelli) manifestano una solida visione idelogica dei rapporti tra i poteri universalistici, derivante anche dal ruolo di Leone all\u0026#39;interno dell\u0026#39;amministrazione imperiale e dalla sua familiarità con la politica e con il problema della politica: «usa la poesia per riflettere sui principi della propria azione e indicarne la direzione» (p. 589). Circa la questione, sollevata dal Bloch, sull\u0026#39;autografia del carme di Leone, la presenza nel medesimo codice di Bamberga di poesie di Eugenio Vulgario e il recupero lessicale e metrico, non meno che tematico di tali componimenti all\u0026#39;interno del Metrum dello stesso Leone conducono l\u0026#39;A. a ritenere che se non si può considerare certificata l\u0026#39;autografia, è possibile affermare che la stesura del carme nel codice di Bamberga sia avvenuta sotto il controllo di Leone. In conclusione viene riprodotta l\u0026#39;edizione dei Versus ad opera di Strecker, con occasionali modifiche della punteggiatura e ampliamento dell\u0026#39;apparato delle fonti.","internal_url":"https://www.academia.edu/110423519/Ideologia_pol%C3%ADtica_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto","translated_internal_url":"","created_at":"2023-12-03T01:14:36.889-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Ideologia_política_e_teoria_dei_poteri_in_un_probabile_autografo_di_Leone_di_Vercelli_I_Versus_de_Gregorio_Papa_et_Ottone_Augusto","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":40238,"name":"Medieval Latin","url":"https://www.academia.edu/Documents/in/Medieval_Latin"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"}],"urls":[{"id":36332886,"url":"https://dialnet.unirioja.es/servlet/articulo?codigo=5133294"}]}, dispatcherData: dispatcherData }); 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Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Censimento onomastico e letterario degli autori latini del medioevo. Identificazione, classificazione per genere letterario e bibliografia fondamentale. Onomastic and Lite..." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/90113732/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Mediaeval_and_Renaissance_Latin_Authors_II_Censimento_onomastico_e_letterario_degli_autori_latini_del_medioevo_Identificazione_classificazione_per_genere_letterario_e_bibliografia_fondamentale_Onomastic_and_Lite_">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi. Repertory of Mediaeval and Renaissance Latin Authors. II. Censimento onomastico e letterario degli autori latini del medioevo. Identificazione, classificazione per genere letterario e bibliografia fondamentale. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="77354114"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/77354114/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Medieval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_Authors_in_Medioevo_Latino_"><img alt="Research paper thumbnail of BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi / Repertory of Medieval and Renaissance Latin Authors. I. Gli Autori in «Medioevo Latino» / Authors in «Medioevo Latino»" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/77354114/BISLAM_Bibliotheca_Scriptorum_Latinorum_Medii_Recentiorisque_Aevi_Repertory_of_Medieval_and_Renaissance_Latin_Authors_I_Gli_Autori_in_Medioevo_Latino_Authors_in_Medioevo_Latino_">BISLAM. Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi / Repertory of Medieval and Renaissance Latin Authors. I. Gli Autori in «Medioevo Latino» / Authors in «Medioevo Latino»</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">BISLAM è una nuova collana di strumenti utili all&#39;identificazione e alla lemmatizzazione degl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">BISLAM è una nuova collana di strumenti utili all&#39;identificazione e alla lemmatizzazione degli autori latini del Medioevo. Disponibile in CD-ROM + volume a stampa, questo primo repertorio della serie, Gli Autori in &quot;Medioevo latino&quot;, è costituito dall&#39;elenco delle diverse forme nominali con le quali gli autori erano e sono conosciuti, oltre che da una serie di elementi identificativi e bibliografici. Comprende quasi 5.300 voci che corrispondono agli autori lemmatizzati nei primi ventuno volumi pubblicati del repertorio bibliografico &quot;Medioevo latino&quot;. Esso si propone come authority list, vale a dire come un elenco di voci di autorità, controllate sulla base della bibliografia più recente e affidabile e costituite secondo norme uniformi. Di ogni autore medievale viene quindi fornita una forma del nome, prescelta in base a criteri storici, bibliografici e filologici, e tutte le sue principali varianti. Oltre alle forme nominali, ciascuna voce contiene un riferimento alle schede di &quot;Medioevo latino&quot; che segnalano studi sull&#39;autore o edizioni delle sue opere, svolgendo in questo modo anche la funzione di indice complessivo per autore di questo bollettino bibliografico. 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Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/77354112/Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre">Visio Anselli. Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell&#39;introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d&#39;Auxerre († 1052); 2) l&#39;autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l&#39;ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un&#39;analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell&#39;introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l&#39;edizione critica dei testi. L&#39;epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="77354112"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="77354112"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 77354112; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=77354112]").text(description); $(".js-view-count[data-work-id=77354112]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 77354112; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='77354112']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 77354112, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=77354112]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":77354112,"title":"Visio Anselli. Il racconto di Ansello Scolastico e dell’Anonimo sulla visione infernale di Oddone di Auxerre","translated_title":"","metadata":{"abstract":"Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell\u0026#39;introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d\u0026#39;Auxerre († 1052); 2) l\u0026#39;autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l\u0026#39;ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un\u0026#39;analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell\u0026#39;introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l\u0026#39;edizione critica dei testi. L\u0026#39;epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6).","publication_date":{"day":null,"month":null,"year":2008,"errors":{}}},"translated_abstract":"Edizione critica con traduzione italiana e commento della cosiddetta Visio Anselli, narrazione della visione infernale di un monaco trasmessa in due redazioni (in versi ritmici e in prosa), entrambe precedute dalla medesima lettera dedicatoria. Nell\u0026#39;introduzione viene dimostrato che: 1) il visionario è da identificarsi con Oddone abate di St.-Germain d\u0026#39;Auxerre († 1052); 2) l\u0026#39;autore è Ansello, contemporaneo di Oddone e scolastico probabilmente nel suo stesso monastero; 3) la redazione in versi, contrariamente a quanto si credeva in passato, è anteriore a quella in prosa, che va considerata come una rielaborazione anonima. Il poema viene quindi datato tra il 1043 e il 1048, mentre mancano elementi precisi per datare la prosa, tradita in un solo manoscritto del sec. XV. Viene quindi definito il contesto storico e l\u0026#39;ambito monastico cluniacense nel quale il testo originario è stato scritto e nel quale esso è stato immediatamente diffuso. Un capitolo è dedicato al racconto che Rodolfo il Glabro fa della stessa visione nelle sue Historiae (testimonianza che viene riprodotta in appendice alle pp. 43-7). Si procede quindi a un\u0026#39;analisi linguistica, stilistica e metrica delle due redazioni della Visio Anselli. La terza parte dell\u0026#39;introduzione contiene la descrizione dei testimoni manoscritti delle due opere (pp. LIII-LXXIII), la discussione sui loro rapporti e la valutazione delle edizioni precedenti. Una bibliografia ragionata (pp. XCI-CVIII) precede l\u0026#39;edizione critica dei testi. L\u0026#39;epistola dedicatoria è pubblicata sulla base di sei manoscritti: Paris, BNF, lat. 5572 (sec. XI) = D; Verdun, BM, 57 (saec. XI) = V; Orléans, BM, 182 (159) (sec. XI) = F; Montpellier, Bibl. Interuniversitaire, Sect. Méd., 68 (sec. XI) = M; Vat. Reg. lat. 73 (sec. XII) = R; Subiaco, Bibl. del Monumento Nazionale di Santa Scolastica, CCI (sec. XV) = S. Per il poema ritmico, oltre ai codici D, V, F ed M si usa anche il codice Paris, BNF, lat. 4887 (sec. XII) = C. I due codici che per questo testo sono ritenuti eliminandi (Paris, BNF, lat. 5138 [sec. XVII] = P; Auxerre, BM, 91 (85) [sec. XII-XIII] = A) vengono comunque descritti alle pp. LVII-LXI e LXIX-LXXI. La redazione in prosa è pubblicata sulla base del suo unico testimone noto: il codice S. Due gli indici: delle fonti (pp. 69-70) e dei nomi, dei luoghi e delle opere anonime (pp. 71-6).","internal_url":"https://www.academia.edu/77354112/Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre","translated_internal_url":"","created_at":"2022-04-23T05:41:12.861-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Visio_Anselli_Il_racconto_di_Ansello_Scolastico_e_dell_Anonimo_sulla_visione_infernale_di_Oddone_di_Auxerre","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":16925,"name":"Visions And Dreams","url":"https://www.academia.edu/Documents/in/Visions_And_Dreams"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="77354110"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/77354110/Ruodlieb_con_gli_epigrammi_del_Codex_latinus_monacensis_19486"><img alt="Research paper thumbnail of Ruodlieb: con gli epigrammi del Codex latinus monacensis 19486" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/77354110/Ruodlieb_con_gli_epigrammi_del_Codex_latinus_monacensis_19486">Ruodlieb: con gli epigrammi del Codex latinus monacensis 19486</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. F...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell&#39;autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell&#39;introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l&#39;opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull&#39;autore, l&#39;esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="77354110"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="77354110"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 77354110; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=77354110]").text(description); $(".js-view-count[data-work-id=77354110]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 77354110; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='77354110']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 77354110, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=77354110]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":77354110,"title":"Ruodlieb: con gli epigrammi del Codex latinus monacensis 19486","translated_title":"","metadata":{"abstract":"Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell\u0026#39;autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell\u0026#39;introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l\u0026#39;opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull\u0026#39;autore, l\u0026#39;esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.","publisher":"SISMEL edizioni del Galluzzo","publication_date":{"day":null,"month":null,"year":2003,"errors":{}}},"translated_abstract":"Edizione e traduzione italiana commentata del Ruodlieb (dai mss. München, BSB, lat. 19486 e St. Florian, Stiftsbibliothek, Port. 22) e degli epigrammi conservati nello stesso monacense latino 19486. In seguito a un riesame dei manoscritti, vengono introdotte nel testo alcune nuove lezioni, congetture e integrazioni. La questione dell\u0026#39;autografia del codice principale, sostenuta dai precedenti editori, viene messa in discussione, giungendo a conclusioni più caute; le glosse interlineari non vengono dunque più accolte nel testo, come era stato fatto in passato. Nell\u0026#39;introduzione si affrontano i principali problemi filologici e interpretativi che riguardano l\u0026#39;opera: la tradizione manoscritta, le ipotesi sulla data di composizione e sull\u0026#39;autore, l\u0026#39;esegesi storica della narrazione, la classificazione storico-letteraria, la lingua, lo stile, la struttura narrativa, le fonti dotte e orali. Completano il volume una bibliografia (pp. LXV-LXXVII), un indice delle fonti e dei loci similes, un indice dei nomi e delle opere anonime citate.","internal_url":"https://www.academia.edu/77354110/Ruodlieb_con_gli_epigrammi_del_Codex_latinus_monacensis_19486","translated_internal_url":"","created_at":"2022-04-23T05:41:12.732-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Ruodlieb_con_gli_epigrammi_del_Codex_latinus_monacensis_19486","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"},{"id":196070,"name":"Medieval Epics","url":"https://www.academia.edu/Documents/in/Medieval_Epics"},{"id":1765675,"name":"Chivalry Medieval Studies","url":"https://www.academia.edu/Documents/in/Chivalry_Medieval_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="77354107"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/77354107/The_Compilation_of_an_Authority_List_of_Medieval_Latin_Authors_Objectives_Methodological_Issues_and_Results"><img alt="Research paper thumbnail of The Compilation of an Authority List of Medieval Latin Authors: Objectives, Methodological Issues, and Results" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/77354107/The_Compilation_of_an_Authority_List_of_Medieval_Latin_Authors_Objectives_Methodological_Issues_and_Results">The Compilation of an Authority List of Medieval Latin Authors: Objectives, Methodological Issues, and Results</a></div><div class="wp-workCard_item"><span>Cataloging & Classification Quarterly</span><span>, 2004</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... 597-606; and: Authority Control in Organizing and Accessing Information: Defi-nition and Inte...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... 597-606; and: Authority Control in Organizing and Accessing Information: Defi-nition and International Experience (ed: Arlene G. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="76303721"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/76303721/Tra_secolo_XI_e_XII_transizioni_poetiche_Tre_codici_di_Tegernsee_Froumund_e_il_rinnovamento_della_poesia"><img alt="Research paper thumbnail of Tra secolo XI e XII: transizioni poetiche. Tre codici di Tegernsee, Froumund e il rinnovamento della poesia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/76303721/Tra_secolo_XI_e_XII_transizioni_poetiche_Tre_codici_di_Tegernsee_Froumund_e_il_rinnovamento_della_poesia">Tra secolo XI e XII: transizioni poetiche. Tre codici di Tegernsee, Froumund e il rinnovamento della poesia</a></div><div class="wp-workCard_item"><span>Medioevo latino e cultura europea. In ricordo di Claudio Leonardi</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The manuscripts Clm 19411, 19412 and 19413 of the Bayerische Staatsbibliothek at Munich, coming f...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The manuscripts Clm 19411, 19412 and 19413 of the Bayerische Staatsbibliothek at Munich, coming from the Benedictine Abbey of Tegernsee, are a significant example of how, in the 11th and 12th centuries, monastic culture was enriched by opening itself to vernacular themes and forms of expression as well as to the kind of secular sensitivity that prefigures the great season of courtly literature. These three codices contain formularies for letter-writing together with poems and other literary works composed either in the context of monastic schools or of royal and aristocratic courts.<br />This paper shows how their texts relate to one another, reconstructs the historical contexts of their creation and describes their literary outcomes.<br />The codex Clm 19411, which among other writings includes the «Love Letters of Tegernsee» and the Ludus de Antichristo, is a witness to the flourishing of the love lyric in the 12th century and to the spread of female writing. At the same time, it gives evidence on the emergence of a new kind of eschatological representation that combines metaphysical premises with concrete historical and political interpretations. The Clm 19411 is derived from the Clm 19412, which is known as Codex epistolaris Tegernseensis. This manuscript is especially worthy of notice because it transmits Froumund’s poems: a vigorous expression of poetic freedom that, although it starts from a solid erudition in classical literature, voluntarily and completely detaches itself from it in order to create something new. Model of Froumund’s formulary is, in turn, the Clm 19413, transcribed in the Alamannic area and containing the Formulae of Solomon of Constance, composed by Notker the Stammerer, as well as a poetic anthology with compositions by Notker himself and anonymous authors. Exactly as he does with the classics, Froumund draws on these literary patterns with the aim of subverting them. This attitude towards the literature of the past carves a new path that will be followed in an equally original way by the author of Ruodlieb and that will lead to the poetic renewal of the 12th century.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76303721"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76303721"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76303721; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76303721]").text(description); $(".js-view-count[data-work-id=76303721]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76303721; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76303721']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 76303721, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=76303721]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76303721,"title":"Tra secolo XI e XII: transizioni poetiche. 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These three codices contain formularies for letter-writing together with poems and other literary works composed either in the context of monastic schools or of royal and aristocratic courts.\nThis paper shows how their texts relate to one another, reconstructs the historical contexts of their creation and describes their literary outcomes.\nThe codex Clm 19411, which among other writings includes the «Love Letters of Tegernsee» and the Ludus de Antichristo, is a witness to the flourishing of the love lyric in the 12th century and to the spread of female writing. At the same time, it gives evidence on the emergence of a new kind of eschatological representation that combines metaphysical premises with concrete historical and political interpretations. The Clm 19411 is derived from the Clm 19412, which is known as Codex epistolaris Tegernseensis. This manuscript is especially worthy of notice because it transmits Froumund’s poems: a vigorous expression of poetic freedom that, although it starts from a solid erudition in classical literature, voluntarily and completely detaches itself from it in order to create something new. Model of Froumund’s formulary is, in turn, the Clm 19413, transcribed in the Alamannic area and containing the Formulae of Solomon of Constance, composed by Notker the Stammerer, as well as a poetic anthology with compositions by Notker himself and anonymous authors. Exactly as he does with the classics, Froumund draws on these literary patterns with the aim of subverting them. This attitude towards the literature of the past carves a new path that will be followed in an equally original way by the author of Ruodlieb and that will lead to the poetic renewal of the 12th century.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Medioevo latino e cultura europea. In ricordo di Claudio Leonardi"},"translated_abstract":"The manuscripts Clm 19411, 19412 and 19413 of the Bayerische Staatsbibliothek at Munich, coming from the Benedictine Abbey of Tegernsee, are a significant example of how, in the 11th and 12th centuries, monastic culture was enriched by opening itself to vernacular themes and forms of expression as well as to the kind of secular sensitivity that prefigures the great season of courtly literature. These three codices contain formularies for letter-writing together with poems and other literary works composed either in the context of monastic schools or of royal and aristocratic courts.\nThis paper shows how their texts relate to one another, reconstructs the historical contexts of their creation and describes their literary outcomes.\nThe codex Clm 19411, which among other writings includes the «Love Letters of Tegernsee» and the Ludus de Antichristo, is a witness to the flourishing of the love lyric in the 12th century and to the spread of female writing. At the same time, it gives evidence on the emergence of a new kind of eschatological representation that combines metaphysical premises with concrete historical and political interpretations. The Clm 19411 is derived from the Clm 19412, which is known as Codex epistolaris Tegernseensis. This manuscript is especially worthy of notice because it transmits Froumund’s poems: a vigorous expression of poetic freedom that, although it starts from a solid erudition in classical literature, voluntarily and completely detaches itself from it in order to create something new. Model of Froumund’s formulary is, in turn, the Clm 19413, transcribed in the Alamannic area and containing the Formulae of Solomon of Constance, composed by Notker the Stammerer, as well as a poetic anthology with compositions by Notker himself and anonymous authors. Exactly as he does with the classics, Froumund draws on these literary patterns with the aim of subverting them. This attitude towards the literature of the past carves a new path that will be followed in an equally original way by the author of Ruodlieb and that will lead to the poetic renewal of the 12th century.","internal_url":"https://www.academia.edu/76303721/Tra_secolo_XI_e_XII_transizioni_poetiche_Tre_codici_di_Tegernsee_Froumund_e_il_rinnovamento_della_poesia","translated_internal_url":"","created_at":"2022-04-13T01:48:33.233-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Tra_secolo_XI_e_XII_transizioni_poetiche_Tre_codici_di_Tegernsee_Froumund_e_il_rinnovamento_della_poesia","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":5027,"name":"Medieval Latin Literature","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Literature"},{"id":40238,"name":"Medieval Latin","url":"https://www.academia.edu/Documents/in/Medieval_Latin"},{"id":85111,"name":"Medieval Latin Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Latin_Poetry"},{"id":175426,"name":"Medieval Women Writers","url":"https://www.academia.edu/Documents/in/Medieval_Women_Writers"}],"urls":[{"id":19430290,"url":"http://hdl.handle.net/11580/89923"}]}, dispatcherData: dispatcherData }); 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Guida all'installazione e alla consultazione del CD-ROM","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2003,"errors":{}}},"translated_abstract":null,"internal_url":"https://www.academia.edu/66586098/Introduzione_Guida_allinstallazione_e_alla_consultazione_del_CD_ROM","translated_internal_url":"","created_at":"2021-12-30T08:40:13.872-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":23913767,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Introduzione_Guida_allinstallazione_e_alla_consultazione_del_CD_ROM","translated_slug":"","page_count":null,"language":"it","content_type":"Work","owner":{"id":23913767,"first_name":"Roberto","middle_initials":null,"last_name":"Gamberini","page_name":"RobertoGamberini","domain_name":"unicas","created_at":"2014-12-22T02:56:12.557-08:00","display_name":"Roberto Gamberini","url":"https://unicas.academia.edu/RobertoGamberini"},"attachments":[],"research_interests":[{"id":498,"name":"Physics","url":"https://www.academia.edu/Documents/in/Physics"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="66586096"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/66586096/Il_tempo_e_la_storia_in_Mariano_Scoto"><img alt="Research paper thumbnail of Il tempo e la storia in Mariano Scoto" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/66586096/Il_tempo_e_la_storia_in_Mariano_Scoto">Il tempo e la storia in Mariano Scoto</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Marianus Scotus (d. 1082), born and educated in Ireland, 1056 left his monastery in order to unde...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Marianus Scotus (d. 1082), born and educated in Ireland, 1056 left his monastery in order to undertake a pilgrimage on the continent, where he lived as a recluse for 25 years, first in Fulda, then in Mainz. During this period he wrote an universal chronicle that reflects irish and continental culture at the same time. Marianus relies upon a large number of sources, both written and oral, also of legendary origin, and sorts them with the mastery of the computistic science that he has learnt in Ireland. He comes to realize a new calculation of the dating of the Christian Era that contrasts with the traditional one by Dionysius Exiguus. Therefore, his work assumes a central role among the universal chronicles and circulates on continental Europe and the British Isles, influencing many later authors. The article investigates the relationship between the historical narration and the idea of time that rules all Marianus’ work. His cronicle is marked by cyclic structures that correspond to the liturgical partitions of the year and of the week. Liturgy, that regulates every monk’s and every christian’s life, represents, in fact, the continuous commemoration of Christ’s life as it is narrated by the gospels, and, for Marianus, its perpetual repetition in human events. Using chronology, Marianus Scotus seeks a confirmation to the truth in the history by detecting the connections of time and sense with the truth in the gospels. At the same time, he applies the same method to his own life by writing an autobiography that is inserted in the flow of events and shaped on the lives of the saints. Thus history assumes for Marianus Scotus a dual function: to illustrate the route of salvation that God has planned for the mankind and to lead every single human being to holiness and to his final destination in God.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="66586096"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="66586096"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 66586096; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=66586096]").text(description); $(".js-view-count[data-work-id=66586096]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 66586096; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='66586096']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 66586096, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=66586096]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":66586096,"title":"Il tempo e la storia in Mariano Scoto","translated_title":"","metadata":{"abstract":"Marianus Scotus (d. 1082), born and educated in Ireland, 1056 left his monastery in order to undertake a pilgrimage on the continent, where he lived as a recluse for 25 years, first in Fulda, then in Mainz. 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Liturgy, that regulates every monk’s and every christian’s life, represents, in fact, the continuous commemoration of Christ’s life as it is narrated by the gospels, and, for Marianus, its perpetual repetition in human events. Using chronology, Marianus Scotus seeks a confirmation to the truth in the history by detecting the connections of time and sense with the truth in the gospels. At the same time, he applies the same method to his own life by writing an autobiography that is inserted in the flow of events and shaped on the lives of the saints. 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Therefore, his work assumes a central role among the universal chronicles and circulates on continental Europe and the British Isles, influencing many later authors. The article investigates the relationship between the historical narration and the idea of time that rules all Marianus’ work. His cronicle is marked by cyclic structures that correspond to the liturgical partitions of the year and of the week. Liturgy, that regulates every monk’s and every christian’s life, represents, in fact, the continuous commemoration of Christ’s life as it is narrated by the gospels, and, for Marianus, its perpetual repetition in human events. Using chronology, Marianus Scotus seeks a confirmation to the truth in the history by detecting the connections of time and sense with the truth in the gospels. At the same time, he applies the same method to his own life by writing an autobiography that is inserted in the flow of events and shaped on the lives of the saints. 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Obiettivi, questioni di metodo e risultati" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/66586094/La_compilazione_di_un_authority_list_degli_autori_mediolatini_Obiettivi_questioni_di_metodo_e_risultati">La compilazione di un’authority list degli autori mediolatini. Obiettivi, questioni di metodo e risultati</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L&#39;A. espone i problemi metodologici relativi alla compilazione di un&#39;«autority list» degl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L&#39;A. espone i problemi metodologici relativi alla compilazione di un&#39;«autority list» degli autori latini del medioevo, vale a dire: la specificità del materiale onomastico trattato, la peculiarità della scienza filologica mediolatina, la carenza di strumenti specialistici nonché la necessità di considerare la tradizione storico-letteraria e bibliografica. Si descrivono quindi le soluzioni adottate per il progetto BISLAM («Bibliotheca Scriptorum Latinorum Medii Recentiorisque Aevi»), che presso la Società Internazionale per lo Studio del Medioevo Latino di Firenze si occupa dell&#39;onomastica degli autori latini medievali e ha prodotto un primo strumento (BISLAM. Bibliotheca scriptorum Latinorum medii recentiorisque aevi. Repertory of Medieval and Renaissance Latin Authors I Gli autori in «Medioevo latino». Authors in «Medioevo latino» Firenze 2003), in volume a stampa e in CD-ROM, costituito da un&#39;«authority list» di circa 5.300 voci per circa 12.500 forme nominali complessive.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="66586094"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="66586094"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 66586094; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=66586094]").text(description); $(".js-view-count[data-work-id=66586094]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 66586094; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='66586094']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 66586094, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=66586094]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":66586094,"title":"La compilazione di un’authority list degli autori mediolatini. 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Libro III. La politica e il governo dell’Impero" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10050855/L_Epistolario_di_Pier_della_Vigna_Libro_III_La_politica_e_il_governo_dell_Impero">L’Epistolario di Pier della Vigna. Libro III. La politica e il governo dell’Impero</a></div><div class="wp-workCard_item"><span>in L’Epistolario di Pier della Vigna, ed. A. Boccia – E. D’Angelo – T. De Angelis – F. Delle Donne – R. Gamberini (Fonti e Studi n. s. 1)</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edizione critica, traduzione e commento del sesto libro della raccolta epistolare di Pier della V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edizione critica, traduzione e commento del sesto libro della raccolta epistolare di Pier della Vigna nella cosiddetta "redazione piccola in sei libri".</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10050855"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10050855"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10050855; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10050855]").text(description); $(".js-view-count[data-work-id=10050855]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10050855; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10050855']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10050855, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10050855]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10050855,"title":"L’Epistolario di Pier della Vigna. 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Nuove ricerche sui “Versus de Ottone et Heinrico” di Leone di Vercelli. Con una revisione critica del testo" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/11307628/_Allearsi_cantando_Nuove_ricerche_sui_Versus_de_Ottone_et_Heinrico_di_Leone_di_Vercelli_Con_una_revisione_critica_del_testo">“Allearsi cantando”. Nuove ricerche sui “Versus de Ottone et Heinrico” di Leone di Vercelli. Con una revisione critica del testo</a></div><div class="wp-workCard_item"><span>in: Tenuis scientiae guttula. Studi in onore di Ferruccio Bertini in occasione del suo 65° compleanno (Futurantico 6), ed. M. Giovini - C. Mordeglia</span><span>, 2006</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'A. offre una nuova edizione critica e una traduzione italiana dei Versus de Ottone et Heinrico,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'A. offre una nuova edizione critica e una traduzione italiana dei Versus de Ottone et Heinrico, carme ritmico sulla morte di Ottone III e sull'elevazione al trono di Enrico II trasmesso dai codici: Wien, ÖNB, 1322; München, BSB, lat. 14516; Bruxelles, BR, 5540; Halle (Saale), Universitäts- und Landesbibliothek Sachsen-Anhalt, Yd 2° 39. Dopo l'esame della tradizione manoscritta con la definizione dei rapporti tra i testimoni e l'esame della struttura del testo, che si presenta differente in ciascuno dei codici, l'A. analizza la metrica e lo stile dell'opera, le sue fonti letterarie e la sua ricezione in epoca successiva, nonché il problema dell'attribuzione al vescovo Leone di Vercelli. Un capitolo dell'introduzione è dedicato alle motivazioni e all'occasione di composizione del carme, che viene datato tra il primo ottobre e il 24 novembre del 1002. 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/61388769/Gli_autori_latini_del_medioevo_authority_list_e_authority_file_Medieval_Latin_authors_authority_list_and_authority_file_Italian_and_English_version_"><img alt="Research paper thumbnail of Gli autori latini del medioevo: authority list e authority file = Medieval Latin authors: authority list and authority file [Italian and English version]." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/61388769/Gli_autori_latini_del_medioevo_authority_list_e_authority_file_Medieval_Latin_authors_authority_list_and_authority_file_Italian_and_English_version_">Gli autori latini del medioevo: authority list e authority file = Medieval Latin authors: authority list and authority file [Italian and English version].</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Paper presented at the International Conference Authority Control: Definition and International E...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Paper presented at the International Conference Authority Control: Definition and International Experiences, Florence, February 10-12 2003. <br />The paper has been published with some changes as: <br />1) Roberto Gamberini, La compilazione di un’authority list degli autori mediolatini. Obiettivi, questioni di metodo e risultati, in: Authority Control. Definizioni ed esperienze internazionali. Atti del Convegno internazionale, Firenze, 10-12 Febbraio 2003, cur. M. Guerrini - B.B. Tillett - L. Sardo, Firenze-Roma, Firenze University Press-Associazione Italiana Biblioteche, 2003, pp. 495-501, ISBN: 88-8453-111-X  [Italian version] <br />2) Roberto Gamberini, The Compilation of an Authority List of Medieval Latin Authors: Objectives, Methodological Issues and Results, in: Authority Control in Organizing and Accessing Information: Definition and International Experience. Part II, cur. A.G. Taylor - B.B. Tillett - M. Guerrini - M. Baca, «Cataloging & Classification Quarterly» 39 (2004), pp. 597-606, ISSN: 0163-9374 [English version].</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="61388769"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="61388769"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61388769; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=61388769]").text(description); $(".js-view-count[data-work-id=61388769]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 61388769; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='61388769']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 61388769, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=61388769]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":61388769,"title":"Gli autori latini del medioevo: authority list e authority file = Medieval Latin authors: authority list and authority file [Italian and English version].","translated_title":"","metadata":{"abstract":"Paper presented at the International Conference Authority Control: Definition and International Experiences, Florence, February 10-12 2003.\r\nThe paper has been published with some changes as:\r\n1) Roberto Gamberini, La compilazione di un’authority list degli autori mediolatini. 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Saperi e mercanzie, meraviglie e orrori nel viaggio di Odorico, da Venezia a Pechino». Il 18 febbraio 2017, alle ore 10:00, presso la Fortezza da Basso, Padiglione Spadolini, Sala gialla" class="work-thumbnail" src="https://attachments.academia-assets.com/51792841/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31429928/SISMEL_Edizioni_del_Galluzzo_per_FirenzeLibroAperto_Alla_ricerca_del_mondo_nel_Medioevo_Saperi_e_mercanzie_meraviglie_e_orrori_nel_viaggio_di_Odorico_da_Venezia_a_Pechino_Il_18_febbraio_2017_alle_ore_10_00_presso_la_Fortezza_da_Basso_Padiglione_Spadolini_Sala_gialla">SISMEL - Edizioni del Galluzzo per «FirenzeLibroAperto»: «Alla ricerca del mondo nel Medioevo. Saperi e mercanzie, meraviglie e orrori nel viaggio di Odorico, da Venezia a Pechino». Il 18 febbraio 2017, alle ore 10:00, presso la Fortezza da Basso, Padiglione Spadolini, Sala gialla</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independentresearcher.academia.edu/AnnaliaMarchisio">Annalia Marchisio</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Intervengono: Raffaella Pelosini, Francesco Santi, Roberto Gamberini, Annalia Marchisio. Marco Ba...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Intervengono: Raffaella Pelosini, Francesco Santi, Roberto Gamberini, Annalia Marchisio. 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paper thumbnail of Alla ricerca del mondo nel medioevo. Saperi e mercanzie, meraviglie e orrori nel viaggio di Odorico, da Venezia a Pechino" class="work-thumbnail" src="https://attachments.academia-assets.com/51732905/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31351066/Alla_ricerca_del_mondo_nel_medioevo_Saperi_e_mercanzie_meraviglie_e_orrori_nel_viaggio_di_Odorico_da_Venezia_a_Pechino">Alla ricerca del mondo nel medioevo. Saperi e mercanzie, meraviglie e orrori nel viaggio di Odorico, da Venezia a Pechino</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/RobertoGamberini">Roberto Gamberini</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independentresearcher.academia.edu/AnnaliaMarchisio">Annalia Marchisio</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Presentation of the book: Odorico da Pordenone, Relatio de mirabilibus orientalium Tatarorum, ed....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Presentation of the book:<br />Odorico da Pordenone, Relatio de mirabilibus orientalium Tatarorum, ed. Annalia Marchisio, Firenze, SISMEL-Edizioni del Galluzzo, 2016 (Edizione Nazionale dei Testi Mediolatini d'Italia 41. 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