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Sixteenth Century Poetry Research Papers - Academia.edu

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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Sixteenth Century Poetry</h1><div class="u-tcGrayDark">83&nbsp;Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in&nbsp;<b>Sixteenth Century Poetry</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Sixteenth_Century_Poetry">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25019442" data-work_id="25019442" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25019442/Lamentation_et_pol%C3%A9mique_au_temps_des_guerres_de_religion_en_France">Lamentation et polémique au temps des guerres de religion en France</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ce livre étudie la lamentation dans la littérature polémique au temps des guerres de Religion en France. La polémique de la deuxième moitié du XVIe siècle est bien plus qu&#39;une sous-littérature violente et trompeuse. Elle se nourrit d&#39;une... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25019442" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ce livre étudie la lamentation dans la littérature polémique au temps des guerres de Religion en France. La polémique de la deuxième moitié du XVIe siècle est bien plus qu&#39;une sous-littérature violente et trompeuse. Elle se nourrit d&#39;une longue tradition poétique et rhétorique du discours véridique. Le pathos de la polémique est beaucoup plus riche qu&#39;un appel à la haine et à l&#39;indignation. L&#39;ouvrage adopte une approche pluridisciplinaire à la croisée des recherches sur la rhétorique, la poétique, l&#39;histoire des émotions et l&#39;analyse du discours afin de saisir la spécificité de la lamentation comme pratique polémique qui vise à neutraliser le conflit par la pitié. <br /> <br />Compte-rendu par ANNE-GAËLLE LETERRIER-GAGLIANO : <br /><a href="http://cornucopia16.com/wp-content/uploads/2019/07/Leterrier-CR-Lamentation-et-pol%C3%A9mique.pdf" rel="nofollow">http://cornucopia16.com/wp-content/uploads/2019/07/Leterrier-CR-Lamentation-et-pol%C3%A9mique.pdf</a> <br /> <br /> &gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt; &lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt; <br />(ENG) <br /> <br />This book studies lamentation in polemical literature at the time of the Wars of Religion in France. The book adopts a multidisciplinary approach in order to grasp the specificity of lamentation as a polemical practice aimed at neutralizing conflict by pity. <br /> <br />Review by ANDREA FRISCH: <br /><a href="https://h-france.net/vol19reviews/vol19no191frisch.pdf" rel="nofollow">https://h-france.net/vol19reviews/vol19no191frisch.pdf</a> <br /> <br />Review by CORINNE NOIROT <br /><a href="https://www.cambridge.org/core/services/aop-cambridge-core/content/view/4467CC1E2780ECD04056B58401EF0EB5/S0034433820001992a.pdf/lamentation_et_polemique_au_temps_des_guerres_de_religion_natalia_wawrzyniak_bibliotheque_dhistoire_de_la_renaissance_12_paris_classiques_garnier_2017_280_pp_32.pdf" rel="nofollow">https://www.cambridge.org/core/services/aop-cambridge-core/content/view/4467CC1E2780ECD04056B58401EF0EB5/S0034433820001992a.pdf/lamentation_et_polemique_au_temps_des_guerres_de_religion_natalia_wawrzyniak_bibliotheque_dhistoire_de_la_renaissance_12_paris_classiques_garnier_2017_280_pp_32.pdf</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25019442" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0f9f0a452795b7f2a6af5a5193f14423" rel="nofollow" data-download="{&quot;attachment_id&quot;:55512555,&quot;asset_id&quot;:25019442,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55512555/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="284533" href="https://unil.academia.edu/NataliaWawrzyniak">Natalia Wawrzyniak</a><script data-card-contents-for-user="284533" type="text/json">{"id":284533,"first_name":"Natalia","last_name":"Wawrzyniak","domain_name":"unil","page_name":"NataliaWawrzyniak","display_name":"Natalia Wawrzyniak","profile_url":"https://unil.academia.edu/NataliaWawrzyniak?f_ri=23583","photo":"https://0.academia-photos.com/284533/745040/140309768/s65_natalia.wawrzyniak_obukowicz_.png"}</script></span></span></li><li class="js-paper-rank-work_25019442 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25019442"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25019442, container: ".js-paper-rank-work_25019442", }); 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La polémique de la deuxième moitié du XVIe siècle est bien plus qu'une sous-littérature violente et trompeuse. Elle se nourrit d'une longue tradition poétique et rhétorique du discours véridique. Le pathos de la polémique est beaucoup plus riche qu'un appel à la haine et à l'indignation. 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The book adopts a multidisciplinary approach in order to grasp the specificity of lamentation as a polemical practice aimed at neutralizing conflict by pity.\r\n\r\nReview by ANDREA FRISCH:\r\nhttps://h-france.net/vol19reviews/vol19no191frisch.pdf\r\n\r\nReview by CORINNE NOIROT \r\nhttps://www.cambridge.org/core/services/aop-cambridge-core/content/view/4467CC1E2780ECD04056B58401EF0EB5/S0034433820001992a.pdf/lamentation_et_polemique_au_temps_des_guerres_de_religion_natalia_wawrzyniak_bibliotheque_dhistoire_de_la_renaissance_12_paris_classiques_garnier_2017_280_pp_32.pdf\r\n\r\n\r\n\r\n","downloadable_attachments":[{"id":55512555,"asset_id":25019442,"asset_type":"Work","always_allow_download":false},{"id":55337922,"asset_id":25019442,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":284533,"first_name":"Natalia","last_name":"Wawrzyniak","domain_name":"unil","page_name":"NataliaWawrzyniak","display_name":"Natalia Wawrzyniak","profile_url":"https://unil.academia.edu/NataliaWawrzyniak?f_ri=23583","photo":"https://0.academia-photos.com/284533/745040/140309768/s65_natalia.wawrzyniak_obukowicz_.png"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=23583","nofollow":false},{"id":5524,"name":"History Of Emotions","url":"https://www.academia.edu/Documents/in/History_Of_Emotions?f_ri=23583","nofollow":false},{"id":16139,"name":"French Politics","url":"https://www.academia.edu/Documents/in/French_Politics?f_ri=23583","nofollow":false},{"id":20102,"name":"French Wars of Religion","url":"https://www.academia.edu/Documents/in/French_Wars_of_Religion?f_ri=23583","nofollow":false},{"id":21546,"name":"French Renaissance Literature","url":"https://www.academia.edu/Documents/in/French_Renaissance_Literature?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":35126,"name":"Early Modern Polemics","url":"https://www.academia.edu/Documents/in/Early_Modern_Polemics?f_ri=23583"},{"id":98532,"name":"Laments","url":"https://www.academia.edu/Documents/in/Laments?f_ri=23583"},{"id":196195,"name":"Complaints","url":"https://www.academia.edu/Documents/in/Complaints?f_ri=23583"},{"id":231377,"name":"Polemical Literature","url":"https://www.academia.edu/Documents/in/Polemical_Literature?f_ri=23583"},{"id":244340,"name":"Politics of Pity","url":"https://www.academia.edu/Documents/in/Politics_of_Pity?f_ri=23583"},{"id":624255,"name":"Lamentation","url":"https://www.academia.edu/Documents/in/Lamentation?f_ri=23583"},{"id":815223,"name":"Sorrow and the Pity","url":"https://www.academia.edu/Documents/in/Sorrow_and_the_Pity?f_ri=23583"},{"id":953022,"name":"Catherine De' Medici","url":"https://www.academia.edu/Documents/in/Catherine_De_Medici-1?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20143828" data-work_id="20143828" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20143828/Jan_Kochanowski_Fraszki">Jan Kochanowski - Fraszki</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Translation of&nbsp; the Fraszki in Kochanowski. Kto mi dał skrzydła. Who hath bewinged me (2000), pp. 69-102</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20143828" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2c7f19be1a69f5aec52ce673439c8998" rel="nofollow" data-download="{&quot;attachment_id&quot;:41032634,&quot;asset_id&quot;:20143828,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41032634/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1519797" href="https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa">Teresa Bałuk-Ulewiczowa</a><script data-card-contents-for-user="1519797" type="text/json">{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}</script></span></span></li><li class="js-paper-rank-work_20143828 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20143828"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20143828, container: ".js-paper-rank-work_20143828", }); 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$(".js-view-count[data-work-id=20143828]").text(description); $(".js-view-count-work_20143828").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20143828").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20143828"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">17</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>,&nbsp;<script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>,&nbsp;<script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9792" href="https://www.academia.edu/Documents/in/Translation_of_Poetry">Translation of Poetry</a>,&nbsp;<script data-card-contents-for-ri="9792" type="text/json">{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12872" href="https://www.academia.edu/Documents/in/Polish_Literature">Polish Literature</a><script data-card-contents-for-ri="12872" type="text/json">{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20143828]'), work: {"id":20143828,"title":"Jan Kochanowski - Fraszki","created_at":"2016-01-10T12:30:17.353-08:00","url":"https://www.academia.edu/20143828/Jan_Kochanowski_Fraszki?f_ri=23583","dom_id":"work_20143828","summary":"Translation of the Fraszki in Kochanowski. Kto mi dał skrzydła. Who hath bewinged me (2000), pp. 69-102","downloadable_attachments":[{"id":41032634,"asset_id":20143828,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false},{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583","nofollow":false},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies?f_ri=23583"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":27363,"name":"Poland","url":"https://www.academia.edu/Documents/in/Poland?f_ri=23583"},{"id":50804,"name":"Literary translation","url":"https://www.academia.edu/Documents/in/Literary_translation?f_ri=23583"},{"id":52107,"name":"Old Polish literature","url":"https://www.academia.edu/Documents/in/Old_Polish_literature?f_ri=23583"},{"id":125686,"name":"Polish language, literature and culture","url":"https://www.academia.edu/Documents/in/Polish_language_literature_and_culture?f_ri=23583"},{"id":190756,"name":"Polish Language","url":"https://www.academia.edu/Documents/in/Polish_Language?f_ri=23583"},{"id":231232,"name":"Epigram","url":"https://www.academia.edu/Documents/in/Epigram?f_ri=23583"},{"id":277914,"name":"Renaissance Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Poetry?f_ri=23583"},{"id":789681,"name":"Jan Kochanowski","url":"https://www.academia.edu/Documents/in/Jan_Kochanowski?f_ri=23583"},{"id":1268864,"name":"Humorous Poetry","url":"https://www.academia.edu/Documents/in/Humorous_Poetry?f_ri=23583"},{"id":1410566,"name":"Polonistyka","url":"https://www.academia.edu/Documents/in/Polonistyka?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44107710" data-work_id="44107710" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44107710/William_Shakespeare_s_Sonnet_130_A_Reconsideration">William Shakespeare’s “Sonnet 130”: A Reconsideration</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">How to know a person is in love with someone body? It is usually through expressing one’s love towards the loved one. It will be considered a strong love towards a beloved but if not expressing it or exaggerating it. Shakespeare’s... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44107710" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">How to know a person is in love with someone body? It is usually through expressing one’s love towards the loved one. It will be considered a strong love towards a beloved but if not expressing it or exaggerating it. Shakespeare’s sonnet, in the beginning, is misleading its readers due to the beginning 12 lines but the end is opposite to its start. As it is a true love between the lovers but not announced everywhere and yet not exaggerated. This paper aims to analyze one of Shakespeare’s great sonnets “Sonnet 130”, which is a satire of Petrarchan sonnets. The paper also looks at the form, and content of the “Sonnet 130” and analyses it to gain a broader insight into the sonnet. Finally, the study focuses on the literary devices used within the sonnet to comprehend Shakespeare’s portrayal of the women image in the sonnet, using the analytical approach.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44107710" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3429dc0f24134fea964d5801fd26d7b6" rel="nofollow" data-download="{&quot;attachment_id&quot;:64455437,&quot;asset_id&quot;:44107710,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64455437/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2687015" href="https://independent.academia.edu/MariwanBarzinji">Mariwan Barzinji</a><script data-card-contents-for-user="2687015" type="text/json">{"id":2687015,"first_name":"Mariwan","last_name":"Barzinji","domain_name":"independent","page_name":"MariwanBarzinji","display_name":"Mariwan Barzinji","profile_url":"https://independent.academia.edu/MariwanBarzinji?f_ri=23583","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44107710 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44107710"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44107710, container: ".js-paper-rank-work_44107710", }); 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$(".js-view-count[data-work-id=44107710]").text(description); $(".js-view-count-work_44107710").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44107710").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44107710"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">6</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3146" href="https://www.academia.edu/Documents/in/Shakespeare">Shakespeare</a>,&nbsp;<script data-card-contents-for-ri="3146" type="text/json">{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8887" href="https://www.academia.edu/Documents/in/Sonnets">Sonnets</a>,&nbsp;<script data-card-contents-for-ri="8887" type="text/json">{"id":8887,"name":"Sonnets","url":"https://www.academia.edu/Documents/in/Sonnets?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18452" href="https://www.academia.edu/Documents/in/Shakespearean_Drama">Shakespearean Drama</a>,&nbsp;<script data-card-contents-for-ri="18452" type="text/json">{"id":18452,"name":"Shakespearean Drama","url":"https://www.academia.edu/Documents/in/Shakespearean_Drama?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a><script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44107710]'), work: {"id":44107710,"title":"William Shakespeare’s “Sonnet 130”: A Reconsideration","created_at":"2020-09-17T06:27:58.579-07:00","url":"https://www.academia.edu/44107710/William_Shakespeare_s_Sonnet_130_A_Reconsideration?f_ri=23583","dom_id":"work_44107710","summary":"\tHow to know a person is in love with someone body? It is usually through expressing one’s love towards the loved one. It will be considered a strong love towards a beloved but if not expressing it or exaggerating it. Shakespeare’s sonnet, in the beginning, is misleading its readers due to the beginning 12 lines but the end is opposite to its start. As it is a true love between the lovers but not announced everywhere and yet not exaggerated. This paper aims to analyze one of Shakespeare’s great sonnets “Sonnet 130”, which is a satire of Petrarchan sonnets. The paper also looks at the form, and content of the “Sonnet 130” and analyses it to gain a broader insight into the sonnet. Finally, the study focuses on the literary devices used within the sonnet to comprehend Shakespeare’s portrayal of the women image in the sonnet, using the analytical approach. ","downloadable_attachments":[{"id":64455437,"asset_id":44107710,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2687015,"first_name":"Mariwan","last_name":"Barzinji","domain_name":"independent","page_name":"MariwanBarzinji","display_name":"Mariwan Barzinji","profile_url":"https://independent.academia.edu/MariwanBarzinji?f_ri=23583","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=23583","nofollow":false},{"id":8887,"name":"Sonnets","url":"https://www.academia.edu/Documents/in/Sonnets?f_ri=23583","nofollow":false},{"id":18452,"name":"Shakespearean Drama","url":"https://www.academia.edu/Documents/in/Shakespearean_Drama?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":199644,"name":"Shakespeare's Sonnets","url":"https://www.academia.edu/Documents/in/Shakespeares_Sonnets?f_ri=23583"},{"id":1305122,"name":"Elizabethan Sonnets","url":"https://www.academia.edu/Documents/in/Elizabethan_Sonnets?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20144605" data-work_id="20144605" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20144605/Kochanowski_Psalm_91">Kochanowski - Psalm 91</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Translation of Jan Kochanowski&#39;s Polish versi0on of Psalm 91. Published in Kochanowski. Kto mi dał skrzydła/Who hath bewinged me (Kraków: Collegium Columbinum, 2000), pp.60-61</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20144605" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5c377f412a182252bc36ecf98239cf9d" rel="nofollow" data-download="{&quot;attachment_id&quot;:41032990,&quot;asset_id&quot;:20144605,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41032990/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1519797" href="https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa">Teresa Bałuk-Ulewiczowa</a><script data-card-contents-for-user="1519797" type="text/json">{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}</script></span></span></li><li class="js-paper-rank-work_20144605 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20144605"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20144605, container: ".js-paper-rank-work_20144605", }); 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$(".js-view-count[data-work-id=20144605]").text(description); $(".js-view-count-work_20144605").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20144605").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20144605"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">18</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>,&nbsp;<script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>,&nbsp;<script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6586" href="https://www.academia.edu/Documents/in/Bible_Translation">Bible Translation</a>,&nbsp;<script data-card-contents-for-ri="6586" type="text/json">{"id":6586,"name":"Bible Translation","url":"https://www.academia.edu/Documents/in/Bible_Translation?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9792" href="https://www.academia.edu/Documents/in/Translation_of_Poetry">Translation of Poetry</a><script data-card-contents-for-ri="9792" type="text/json">{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20144605]'), work: {"id":20144605,"title":"Kochanowski - Psalm 91","created_at":"2016-01-10T13:16:32.473-08:00","url":"https://www.academia.edu/20144605/Kochanowski_Psalm_91?f_ri=23583","dom_id":"work_20144605","summary":"Translation of Jan Kochanowski's Polish versi0on of Psalm 91. Published in Kochanowski. Kto mi dał skrzydła/Who hath bewinged me (Kraków: Collegium Columbinum, 2000), pp.60-61","downloadable_attachments":[{"id":41032990,"asset_id":20144605,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":6586,"name":"Bible Translation","url":"https://www.academia.edu/Documents/in/Bible_Translation?f_ri=23583","nofollow":false},{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false},{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583"},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies?f_ri=23583"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583"},{"id":20898,"name":"Book of Psalms","url":"https://www.academia.edu/Documents/in/Book_of_Psalms?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":27363,"name":"Poland","url":"https://www.academia.edu/Documents/in/Poland?f_ri=23583"},{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=23583"},{"id":50804,"name":"Literary translation","url":"https://www.academia.edu/Documents/in/Literary_translation?f_ri=23583"},{"id":52107,"name":"Old Polish literature","url":"https://www.academia.edu/Documents/in/Old_Polish_literature?f_ri=23583"},{"id":182404,"name":"Psalms","url":"https://www.academia.edu/Documents/in/Psalms?f_ri=23583"},{"id":190756,"name":"Polish Language","url":"https://www.academia.edu/Documents/in/Polish_Language?f_ri=23583"},{"id":277914,"name":"Renaissance Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Poetry?f_ri=23583"},{"id":789681,"name":"Jan Kochanowski","url":"https://www.academia.edu/Documents/in/Jan_Kochanowski?f_ri=23583"},{"id":814178,"name":"Early Modern Psalm translations","url":"https://www.academia.edu/Documents/in/Early_Modern_Psalm_translations?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39894051" data-work_id="39894051" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39894051/His_travel_her_travail_the_Italian_sonnet_by_Louise_Lab%C3%A9_SIS_Biennial_Conference_Edinburgh_28_06_2019_">His travel, her travail: the Italian sonnet by Louise Labé, SIS Biennial Conference (Edinburgh, 28/06/2019)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">My paper intends to explore the role of Louise Labé (c. 1516-1566) as renovator and new interpreter of Italian lyric tradition. I will focus in particular on the first sonnet of her Evvrez, centred on the myth of Ulysses. As most of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39894051" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">My paper intends to explore the role of Louise Labé (c. 1516-1566) as renovator and new interpreter of <br />Italian lyric tradition. I will focus in particular on the first sonnet of her Evvrez, centred on the myth of <br />Ulysses. <br />As most of male-authored lyric poetry, Labé’s work deals with the absence of the lover. <br />Nonetheless, her poetry is far from being a repetition of male tradition. By deciding to write the first <br />sonnet of her collection in Italian, she is choosing the language of a specific man: Petrarch. According <br />to Brugnolo, her choice of Italian is “strutturale”: it is intended to show that the sonnet is the first of a <br />canzoniere. But her touch on the shape is evident: the sonnet has an Italian rhyme scheme, but not one <br />featured in Petrarch, her syntax is ‘spigolosa’ (Brugnolo), her canzoniere is made of twenty-four <br />sonnets. The Petrarchan example is accepted and violated at the same time: Italian language is a way to <br />make the debt explicit, but this does not stop Labé from reinterpreting it. Labé is not Penelope waiting <br />for her man, but rather the cunning Ulysses, a parallel rare in the poetry of the time, and particularly <br />unexpected for a woman. My claim is that the Italian sonnet is not merely an empty homage to Petrarch <br />(as many French critics have said), but the key to a coherent reading of the entire cycle based on the <br />concept of μῆτις (as described by Detienne and Vernant). <br />Finally, I will discuss the style and thematic patterns of the first sonnet in relation to the Evvrez, <br />in order to examine the female ‘difference’ (Jones, Lesko Baker, Sieburth) of Labé’s poetry, as a <br />counterargument to Huchon’s thesis, according to which Labé is but a nom de plume for a circle of <br />male authors.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39894051" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7782c9312bfe04088f161283733c5c95" rel="nofollow" data-download="{&quot;attachment_id&quot;:60079679,&quot;asset_id&quot;:39894051,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60079679/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="54072328" href="https://oxford.academia.edu/AnnaSaroldi">Anna Saroldi</a><script data-card-contents-for-user="54072328" type="text/json">{"id":54072328,"first_name":"Anna","last_name":"Saroldi","domain_name":"oxford","page_name":"AnnaSaroldi","display_name":"Anna Saroldi","profile_url":"https://oxford.academia.edu/AnnaSaroldi?f_ri=23583","photo":"https://0.academia-photos.com/54072328/14263942/112841817/s65_anna.saroldi.jpg"}</script></span></span></li><li class="js-paper-rank-work_39894051 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39894051"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39894051, container: ".js-paper-rank-work_39894051", }); 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$(".js-view-count[data-work-id=39894051]").text(description); $(".js-view-count-work_39894051").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39894051").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39894051"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">6</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women&#39;s Studies</a>,&nbsp;<script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>,&nbsp;<script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17917" href="https://www.academia.edu/Documents/in/Lyric_poetry">Lyric poetry</a>,&nbsp;<script data-card-contents-for-ri="17917" type="text/json">{"id":17917,"name":"Lyric poetry","url":"https://www.academia.edu/Documents/in/Lyric_poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a><script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39894051]'), work: {"id":39894051,"title":"His travel, her travail: the Italian sonnet by Louise Labé, SIS Biennial Conference (Edinburgh, 28/06/2019)","created_at":"2019-07-22T05:17:30.759-07:00","url":"https://www.academia.edu/39894051/His_travel_her_travail_the_Italian_sonnet_by_Louise_Lab%C3%A9_SIS_Biennial_Conference_Edinburgh_28_06_2019_?f_ri=23583","dom_id":"work_39894051","summary":"My paper intends to explore the role of Louise Labé (c. 1516-1566) as renovator and new interpreter of\r\nItalian lyric tradition. I will focus in particular on the first sonnet of her Evvrez, centred on the myth of\r\nUlysses.\r\nAs most of male-authored lyric poetry, Labé’s work deals with the absence of the lover.\r\nNonetheless, her poetry is far from being a repetition of male tradition. By deciding to write the first\r\nsonnet of her collection in Italian, she is choosing the language of a specific man: Petrarch. According\r\nto Brugnolo, her choice of Italian is “strutturale”: it is intended to show that the sonnet is the first of a\r\ncanzoniere. But her touch on the shape is evident: the sonnet has an Italian rhyme scheme, but not one\r\nfeatured in Petrarch, her syntax is ‘spigolosa’ (Brugnolo), her canzoniere is made of twenty-four\r\nsonnets. The Petrarchan example is accepted and violated at the same time: Italian language is a way to\r\nmake the debt explicit, but this does not stop Labé from reinterpreting it. Labé is not Penelope waiting\r\nfor her man, but rather the cunning Ulysses, a parallel rare in the poetry of the time, and particularly\r\nunexpected for a woman. My claim is that the Italian sonnet is not merely an empty homage to Petrarch\r\n(as many French critics have said), but the key to a coherent reading of the entire cycle based on the\r\nconcept of μῆτις (as described by Detienne and Vernant).\r\nFinally, I will discuss the style and thematic patterns of the first sonnet in relation to the Evvrez,\r\nin order to examine the female ‘difference’ (Jones, Lesko Baker, Sieburth) of Labé’s poetry, as a\r\ncounterargument to Huchon’s thesis, according to which Labé is but a nom de plume for a circle of\r\nmale authors.","downloadable_attachments":[{"id":60079679,"asset_id":39894051,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":54072328,"first_name":"Anna","last_name":"Saroldi","domain_name":"oxford","page_name":"AnnaSaroldi","display_name":"Anna Saroldi","profile_url":"https://oxford.academia.edu/AnnaSaroldi?f_ri=23583","photo":"https://0.academia-photos.com/54072328/14263942/112841817/s65_anna.saroldi.jpg"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":17917,"name":"Lyric poetry","url":"https://www.academia.edu/Documents/in/Lyric_poetry?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":76701,"name":"Louise Labé","url":"https://www.academia.edu/Documents/in/Louise_Labe?f_ri=23583"},{"id":149753,"name":"Heteroglossia","url":"https://www.academia.edu/Documents/in/Heteroglossia?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33348228" data-work_id="33348228" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33348228/Courting_Disaster_Hunting_and_Wooing_in_Shakespeares_Venus_and_Adonis">Courting Disaster Hunting and Wooing in Shakespeare&#39;s Venus and Adonis</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33348228" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3b865132c8ac68cfc5e8f3637ed1a6a8" rel="nofollow" data-download="{&quot;attachment_id&quot;:53406994,&quot;asset_id&quot;:33348228,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53406994/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="894642" href="https://latech.academia.edu/ErnestRufleth">Ernest Rufleth</a><script data-card-contents-for-user="894642" type="text/json">{"id":894642,"first_name":"Ernest","last_name":"Rufleth","domain_name":"latech","page_name":"ErnestRufleth","display_name":"Ernest Rufleth","profile_url":"https://latech.academia.edu/ErnestRufleth?f_ri=23583","photo":"https://0.academia-photos.com/894642/389374/473037/s65_ernest.rufleth.jpg"}</script></span></span></li><li class="js-paper-rank-work_33348228 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33348228"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33348228, container: ".js-paper-rank-work_33348228", }); 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$(".js-view-count[data-work-id=33348228]").text(description); $(".js-view-count-work_33348228").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33348228").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33348228"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">5</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21714" href="https://www.academia.edu/Documents/in/Early_Modern_Rhetoric">Early Modern Rhetoric</a>,&nbsp;<script data-card-contents-for-ri="21714" type="text/json">{"id":21714,"name":"Early Modern Rhetoric","url":"https://www.academia.edu/Documents/in/Early_Modern_Rhetoric?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="57113" href="https://www.academia.edu/Documents/in/Sir_Gawain_and_the_Green_Knight">Sir Gawain and the Green Knight</a>,&nbsp;<script data-card-contents-for-ri="57113" type="text/json">{"id":57113,"name":"Sir Gawain and the Green Knight","url":"https://www.academia.edu/Documents/in/Sir_Gawain_and_the_Green_Knight?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="99418" href="https://www.academia.edu/Documents/in/William_Shakespeare">William Shakespeare</a><script data-card-contents-for-ri="99418" type="text/json">{"id":99418,"name":"William Shakespeare","url":"https://www.academia.edu/Documents/in/William_Shakespeare?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33348228]'), work: {"id":33348228,"title":"Courting Disaster Hunting and Wooing in Shakespeare's Venus and Adonis","created_at":"2017-06-06T06:35:02.366-07:00","url":"https://www.academia.edu/33348228/Courting_Disaster_Hunting_and_Wooing_in_Shakespeares_Venus_and_Adonis?f_ri=23583","dom_id":"work_33348228","summary":null,"downloadable_attachments":[{"id":53406994,"asset_id":33348228,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":894642,"first_name":"Ernest","last_name":"Rufleth","domain_name":"latech","page_name":"ErnestRufleth","display_name":"Ernest Rufleth","profile_url":"https://latech.academia.edu/ErnestRufleth?f_ri=23583","photo":"https://0.academia-photos.com/894642/389374/473037/s65_ernest.rufleth.jpg"}],"research_interests":[{"id":21714,"name":"Early Modern Rhetoric","url":"https://www.academia.edu/Documents/in/Early_Modern_Rhetoric?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":57113,"name":"Sir Gawain and the Green Knight","url":"https://www.academia.edu/Documents/in/Sir_Gawain_and_the_Green_Knight?f_ri=23583","nofollow":false},{"id":99418,"name":"William Shakespeare","url":"https://www.academia.edu/Documents/in/William_Shakespeare?f_ri=23583","nofollow":false},{"id":828327,"name":"Eroticism In Literature","url":"https://www.academia.edu/Documents/in/Eroticism_In_Literature?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20146195" data-work_id="20146195" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20146195/Kochanowski_Odprawa_pos%C5%82%C3%B3w_greckich_The_Dismissal_of_the_Grecian_Envoys">Kochanowski - Odprawa posłów greckich. The Dismissal of the Grecian Envoys</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Translation of part of Jan Kochanowski&#39;s play Odprawa posłów greckich. Published in Kochanowski. Kto mi dał skrzydła / Who hath bewinged me (Kraków: Collegium Columbinum: 2000, pp.5-13)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20146195" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1fb7bf904f2a2e6e0e958c0b85b3b281" rel="nofollow" data-download="{&quot;attachment_id&quot;:41033876,&quot;asset_id&quot;:20146195,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41033876/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1519797" href="https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa">Teresa Bałuk-Ulewiczowa</a><script data-card-contents-for-user="1519797" type="text/json">{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}</script></span></span></li><li class="js-paper-rank-work_20146195 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20146195"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20146195, container: ".js-paper-rank-work_20146195", }); 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$(".js-view-count[data-work-id=20146195]").text(description); $(".js-view-count-work_20146195").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20146195").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20146195"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">18</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>,&nbsp;<script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>,&nbsp;<script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9792" href="https://www.academia.edu/Documents/in/Translation_of_Poetry">Translation of Poetry</a>,&nbsp;<script data-card-contents-for-ri="9792" type="text/json">{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12172" href="https://www.academia.edu/Documents/in/Renaissance_drama">Renaissance drama</a><script data-card-contents-for-ri="12172" type="text/json">{"id":12172,"name":"Renaissance drama","url":"https://www.academia.edu/Documents/in/Renaissance_drama?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20146195]'), work: {"id":20146195,"title":"Kochanowski - Odprawa posłów greckich. The Dismissal of the Grecian Envoys","created_at":"2016-01-10T15:19:01.343-08:00","url":"https://www.academia.edu/20146195/Kochanowski_Odprawa_pos%C5%82%C3%B3w_greckich_The_Dismissal_of_the_Grecian_Envoys?f_ri=23583","dom_id":"work_20146195","summary":"Translation of part of Jan Kochanowski's play Odprawa posłów greckich. Published in Kochanowski. Kto mi dał skrzydła / Who hath bewinged me (Kraków: Collegium Columbinum: 2000, pp.5-13)","downloadable_attachments":[{"id":41033876,"asset_id":20146195,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false},{"id":12172,"name":"Renaissance drama","url":"https://www.academia.edu/Documents/in/Renaissance_drama?f_ri=23583","nofollow":false},{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583"},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies?f_ri=23583"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583"},{"id":18832,"name":"Renaissance Drama (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Drama_Renaissance_Studies_?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":26041,"name":"Drama Translation","url":"https://www.academia.edu/Documents/in/Drama_Translation?f_ri=23583"},{"id":27363,"name":"Poland","url":"https://www.academia.edu/Documents/in/Poland?f_ri=23583"},{"id":33182,"name":"Renaissance Drama (Theatre Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Drama_Theatre_Studies_?f_ri=23583"},{"id":50804,"name":"Literary translation","url":"https://www.academia.edu/Documents/in/Literary_translation?f_ri=23583"},{"id":52107,"name":"Old Polish literature","url":"https://www.academia.edu/Documents/in/Old_Polish_literature?f_ri=23583"},{"id":125686,"name":"Polish language, literature and culture","url":"https://www.academia.edu/Documents/in/Polish_language_literature_and_culture?f_ri=23583"},{"id":190756,"name":"Polish Language","url":"https://www.academia.edu/Documents/in/Polish_Language?f_ri=23583"},{"id":789681,"name":"Jan Kochanowski","url":"https://www.academia.edu/Documents/in/Jan_Kochanowski?f_ri=23583"},{"id":1410566,"name":"Polonistyka","url":"https://www.academia.edu/Documents/in/Polonistyka?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_22685050" data-work_id="22685050" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/22685050/_Appunti_sulla_tradizione_delle_Rime_di_Aretino_le_antologie_a_stampa_e_una_rara_miscellanea_di_strambotti_in_Dentro_il_Cinquecento_Per_Danilo_Romei_Manziana_Vecchiarelli_2016_pp_97_142">‘Appunti sulla tradizione delle Rime di Aretino: le antologie a stampa (e una rara miscellanea di strambotti)’, in Dentro il Cinquecento. Per Danilo Romei (Manziana: Vecchiarelli, 2016), pp. 97-142.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/22685050" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="48f015609af458402e0e7aec891a62be" rel="nofollow" data-download="{&quot;attachment_id&quot;:43264733,&quot;asset_id&quot;:22685050,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43264733/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="517263" href="https://sunybuffalo.academia.edu/MarcoFaini">Marco Faini</a><script data-card-contents-for-user="517263" type="text/json">{"id":517263,"first_name":"Marco","last_name":"Faini","domain_name":"sunybuffalo","page_name":"MarcoFaini","display_name":"Marco Faini","profile_url":"https://sunybuffalo.academia.edu/MarcoFaini?f_ri=23583","photo":"https://0.academia-photos.com/517263/852370/7876176/s65_marco.faini.png"}</script></span></span></li><li class="js-paper-rank-work_22685050 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="22685050"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 22685050, container: ".js-paper-rank-work_22685050", }); 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Philippe de Monte’s First Book of Spiritual Madrigals (1581)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article examines Philippe de Monte’s first book of spiritual madrigals, underlining the pioneering character of this collection in the history of the genre and its relationships with the Jesuits. Two new text attributions, to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1107923" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article examines Philippe de Monte’s first book of spiritual madrigals, underlining the pioneering character of this collection in the history of the genre and its relationships with the Jesuits. Two new text attributions, to Vittoria Colonna and Laura Battiferri, are discussed within an overall description of the book, its themes, and its structure. Three madrigals dealing with spiritual themes in terms of musical metaphors and imagery are analyzed in the context of sixteenth-century ideas on music and Christian spirituality, and as an open reflection by Monte on the real value of music beyond the ephemeral appreciation of human judgement.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1107923" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a3e9a5dfa9a75c6786fff525f480aef0" rel="nofollow" data-download="{&quot;attachment_id&quot;:30587039,&quot;asset_id&quot;:1107923,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30587039/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="241473" href="https://unito.academia.edu/DanieleVFilippi">Daniele V. 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_73551481" data-work_id="73551481" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/73551481/First_edition_and_translation_of_an_unpublished_poem_1566_from_Johanna_Otho_to_Camille_de_Morel">First edition and translation of an unpublished poem (1566) from Johanna Otho to Camille de Morel</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper presents the first full edition and translation of an unpublished (1566) poem written by Johanna Otho and sent to Camille de Morel. Both young women, linked by their mutual acquaintance Karel Utenhove, were internationally... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_73551481" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper presents the first full edition and translation of an unpublished (1566) poem written by Johanna Otho and sent to Camille de Morel. Both young women, linked by their mutual acquaintance Karel Utenhove, were internationally recognized for their learning. Otho&#39;s poem is a significant contribution to the corpus of women&#39;s Latin poetry. This paper also offers a brief introduction to the poem&#39;s historical context and suggests contemporary political resonances for Otho&#39;s poem. Her poem contains allusions to the conflict between courtly life and religion, which reference the ongoing conflict between Protestants and Catholics in Europe and specifically France.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/73551481" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fa605457b93f8b6c0543bbc9e2805dec" rel="nofollow" data-download="{&quot;attachment_id&quot;:82029528,&quot;asset_id&quot;:73551481,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/82029528/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="180838976" href="https://umich.academia.edu/KaitlinKarmen">Kaitlin Karmen</a><script data-card-contents-for-user="180838976" type="text/json">{"id":180838976,"first_name":"Kaitlin","last_name":"Karmen","domain_name":"umich","page_name":"KaitlinKarmen","display_name":"Kaitlin Karmen","profile_url":"https://umich.academia.edu/KaitlinKarmen?f_ri=23583","photo":"https://0.academia-photos.com/180838976/75597966/64110797/s65_kaitlin.karmen.jpeg"}</script></span></span></li><li class="js-paper-rank-work_73551481 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="73551481"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 73551481, container: ".js-paper-rank-work_73551481", }); 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class="InlineList-item-text" data-has-card-for-ri="17916" href="https://www.academia.edu/Documents/in/Renaissance_literature">Renaissance literature</a>,&nbsp;<script data-card-contents-for-ri="17916" type="text/json">{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a><script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9541761]'), work: {"id":9541761,"title":"Torquato Tasso, Rime eteree, a cura di Rossano Pestarino, [Milano-]Parma, Fondazione Pietro Bembo – Ugo 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Poetry","url":"https://www.academia.edu/Documents/in/Early_Modern_Poetry?f_ri=23583"},{"id":286123,"name":"Littérature italienne","url":"https://www.academia.edu/Documents/in/Litterature_italienne?f_ri=23583"},{"id":766526,"name":"Cinquecento","url":"https://www.academia.edu/Documents/in/Cinquecento?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28120305" data-work_id="28120305" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28120305/Jehan_de_Maletty_the_in_complete_works">Jehan de Maletty - the (in)complete works</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Jehan de Maletty was one of a group of humanist gentleman-composers meeting in Lyon around 1580. He is one of the few who published collections of settings of Ronsard&#39;s &quot;Amours&quot;; but also featured the newer &#39;star&#39; of Desportes. Later he... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28120305" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Jehan de Maletty was one of a group of humanist gentleman-composers meeting in Lyon around 1580. He is one of the few who published collections of settings of Ronsard&#39;s &quot;Amours&quot;; but also featured the newer &#39;star&#39; of Desportes. Later he turned to religious music and a few of his Psalms survive complete. 40 other songs survive only in a fragmentary condition, and more have disappeared altogether. At least one of his tunes survived in a few Swiss MSS where it is re-used as the chorale theme in a Passion setting! This is (so far as I know) the only edition of the remaining material, collected together from the remaining partbooks in France, the UK and Germany.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28120305" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5991c8929c002a3ce12faca71af84a5c" rel="nofollow" data-download="{&quot;attachment_id&quot;:48435889,&quot;asset_id&quot;:28120305,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48435889/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11519505" href="https://oxford.academia.edu/DavidWyatt">David Wyatt</a><script data-card-contents-for-user="11519505" type="text/json">{"id":11519505,"first_name":"David","last_name":"Wyatt","domain_name":"oxford","page_name":"DavidWyatt","display_name":"David Wyatt","profile_url":"https://oxford.academia.edu/DavidWyatt?f_ri=23583","photo":"https://gravatar.com/avatar/0ab3d8004c5866c9fab8841f9ca46dab?s=65"}</script></span></span></li><li class="js-paper-rank-work_28120305 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28120305"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28120305, container: ".js-paper-rank-work_28120305", }); 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$(".js-view-count[data-work-id=28120305]").text(description); $(".js-view-count-work_28120305").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28120305").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28120305"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">12</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27308" href="https://www.academia.edu/Documents/in/French_song">French song</a>,&nbsp;<script data-card-contents-for-ri="27308" type="text/json">{"id":27308,"name":"French song","url":"https://www.academia.edu/Documents/in/French_song?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58775" href="https://www.academia.edu/Documents/in/French_Music">French Music</a>,&nbsp;<script data-card-contents-for-ri="58775" type="text/json">{"id":58775,"name":"French Music","url":"https://www.academia.edu/Documents/in/French_Music?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="96861" href="https://www.academia.edu/Documents/in/Sixteenth_Century_French_Poetry">Sixteenth Century French Poetry</a><script data-card-contents-for-ri="96861" type="text/json">{"id":96861,"name":"Sixteenth Century French Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_French_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28120305]'), work: {"id":28120305,"title":"Jehan de Maletty - the (in)complete works","created_at":"2016-08-30T04:56:53.221-07:00","url":"https://www.academia.edu/28120305/Jehan_de_Maletty_the_in_complete_works?f_ri=23583","dom_id":"work_28120305","summary":"Jehan de Maletty was one of a group of humanist gentleman-composers meeting in Lyon around 1580. He is one of the few who published collections of settings of Ronsard's \"Amours\"; but also featured the newer 'star' of Desportes. Later he turned to religious music and a few of his Psalms survive complete. 40 other songs survive only in a fragmentary condition, and more have disappeared altogether. At least one of his tunes survived in a few Swiss MSS where it is re-used as the chorale theme in a Passion setting! This is (so far as I know) the only edition of the remaining material, collected together from the remaining partbooks in France, the UK and Germany. 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Tasso, Rime eteree, ed. by R. Pestarino (Milan and Parma: Guanda, 2013).</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15678133" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c0df08a77b1c58abc5ac31b0928370b2" rel="nofollow" data-download="{&quot;attachment_id&quot;:38762384,&quot;asset_id&quot;:15678133,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38762384/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4405714" href="https://uio.academia.edu/FrancescoVenturi">Francesco Venturi</a><script data-card-contents-for-user="4405714" type="text/json">{"id":4405714,"first_name":"Francesco","last_name":"Venturi","domain_name":"uio","page_name":"FrancescoVenturi","display_name":"Francesco Venturi","profile_url":"https://uio.academia.edu/FrancescoVenturi?f_ri=23583","photo":"https://0.academia-photos.com/4405714/2665352/29429109/s65_francesco.venturi.jpg"}</script></span></span></li><li class="js-paper-rank-work_15678133 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15678133"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15678133, container: ".js-paper-rank-work_15678133", }); 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$(".js-view-count[data-work-id=15678133]").text(description); $(".js-view-count-work_15678133").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15678133").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15678133"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">8</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>,&nbsp;<script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17916" href="https://www.academia.edu/Documents/in/Renaissance_literature">Renaissance literature</a>,&nbsp;<script data-card-contents-for-ri="17916" type="text/json">{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="32545" href="https://www.academia.edu/Documents/in/Tasso">Tasso</a><script data-card-contents-for-ri="32545" type="text/json">{"id":32545,"name":"Tasso","url":"https://www.academia.edu/Documents/in/Tasso?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15678133]'), work: {"id":15678133,"title":"T. Tasso, Rime eteree, ed. by R. Pestarino (Milan and Parma: Guanda, 2013).","created_at":"2015-09-14T03:37:47.329-07:00","url":"https://www.academia.edu/15678133/T_Tasso_Rime_eteree_ed_by_R_Pestarino_Milan_and_Parma_Guanda_2013_?f_ri=23583","dom_id":"work_15678133","summary":null,"downloadable_attachments":[{"id":38762384,"asset_id":15678133,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4405714,"first_name":"Francesco","last_name":"Venturi","domain_name":"uio","page_name":"FrancescoVenturi","display_name":"Francesco Venturi","profile_url":"https://uio.academia.edu/FrancescoVenturi?f_ri=23583","photo":"https://0.academia-photos.com/4405714/2665352/29429109/s65_francesco.venturi.jpg"}],"research_interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=23583","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":32545,"name":"Tasso","url":"https://www.academia.edu/Documents/in/Tasso?f_ri=23583","nofollow":false},{"id":35946,"name":"Renaissance Lyric Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Lyric_Poetry?f_ri=23583"},{"id":45863,"name":"Petrarchism","url":"https://www.academia.edu/Documents/in/Petrarchism?f_ri=23583"},{"id":51993,"name":"Torquato Tasso","url":"https://www.academia.edu/Documents/in/Torquato_Tasso?f_ri=23583"},{"id":145710,"name":"Early Modern Poetry","url":"https://www.academia.edu/Documents/in/Early_Modern_Poetry?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16247634" data-work_id="16247634" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16247634/Review_of_Miriam_Jacobson_Barbarous_Antiquity_Reorienting_the_Past_in_the_Poetry_of_Early_Modern_England_in_Shakespeare_Studies_43_2015_294_99">Review of Miriam Jacobson, Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England, in Shakespeare Studies 43 (2015): 294-99.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Uncorrected proof</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16247634" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="09a4ddf8b78d06a363f2f492875c9f42" rel="nofollow" data-download="{&quot;attachment_id&quot;:38910271,&quot;asset_id&quot;:16247634,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38910271/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="151641" href="https://bu.academia.edu/AaronShapiro">Aaron Shapiro</a><script data-card-contents-for-user="151641" type="text/json">{"id":151641,"first_name":"Aaron","last_name":"Shapiro","domain_name":"bu","page_name":"AaronShapiro","display_name":"Aaron Shapiro","profile_url":"https://bu.academia.edu/AaronShapiro?f_ri=23583","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_16247634 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16247634"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16247634, container: ".js-paper-rank-work_16247634", }); 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$(".js-view-count[data-work-id=16247634]").text(description); $(".js-view-count-work_16247634").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_16247634").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="16247634"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">2</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3146" href="https://www.academia.edu/Documents/in/Shakespeare">Shakespeare</a>,&nbsp;<script data-card-contents-for-ri="3146" type="text/json">{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a><script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=16247634]'), work: {"id":16247634,"title":"Review of Miriam Jacobson, Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England, in Shakespeare Studies 43 (2015): 294-99.","created_at":"2015-09-27T17:35:29.320-07:00","url":"https://www.academia.edu/16247634/Review_of_Miriam_Jacobson_Barbarous_Antiquity_Reorienting_the_Past_in_the_Poetry_of_Early_Modern_England_in_Shakespeare_Studies_43_2015_294_99?f_ri=23583","dom_id":"work_16247634","summary":"Uncorrected proof","downloadable_attachments":[{"id":38910271,"asset_id":16247634,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":151641,"first_name":"Aaron","last_name":"Shapiro","domain_name":"bu","page_name":"AaronShapiro","display_name":"Aaron Shapiro","profile_url":"https://bu.academia.edu/AaronShapiro?f_ri=23583","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19763203" data-work_id="19763203" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19763203/_LAffaire_Marot_Sagon_du_conflit_personnel_%C3%A0_la_controverse_collective_">&quot;L&#39;Affaire Marot-Sagon: du conflit personnel à la controverse collective&quot;</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Publié dans: revue RELIEF 9 (2), 2015 – ISSN: 1873-5045, p. 7-21. Cette contribution se propose d’examiner la controverse opposant Marot et Sagon dans les années 1530. L’établissement d’une typologie des invectives échangées nous... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_19763203" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Publié dans: revue RELIEF 9 (2), 2015 – ISSN: 1873-5045, p. 7-21. <br /> <br />Cette contribution se propose d’examiner la controverse opposant Marot et Sagon dans les années 1530. L’établissement d’une typologie des invectives échangées nous permettra de révéler l’enjeu principal de l’affrontement, qui consiste à se (re)placer dans le champ littéraire. Il s’agira par ailleurs d’aborder la composante clanique de la controverse, le conflit Marot-Sagon incarnant manifestement une dimension communautaire : les auteurs se constituent des ligues de partisans (réels ou fictifs) regroupés dans plusieurs recueils collectifs contemporains. Il conviendra ainsi d’élucider les différentes tentatives d’annexion – ou d’exclusion – à un clan, et les stratégies rhétoriques que cela suppose.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19763203" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0e6714683cc2de49b5e322a3177cfb46" rel="nofollow" data-download="{&quot;attachment_id&quot;:40830622,&quot;asset_id&quot;:19763203,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40830622/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25487855" href="https://unine.academia.edu/NinaMueggler">Nina Mueggler</a><script data-card-contents-for-user="25487855" type="text/json">{"id":25487855,"first_name":"Nina","last_name":"Mueggler","domain_name":"unine","page_name":"NinaMueggler","display_name":"Nina Mueggler","profile_url":"https://unine.academia.edu/NinaMueggler?f_ri=23583","photo":"https://0.academia-photos.com/25487855/6960135/7849256/s65_nina.mueggler.jpg"}</script></span></span></li><li class="js-paper-rank-work_19763203 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19763203"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19763203, container: ".js-paper-rank-work_19763203", }); });</script></li><li class="js-percentile-work_19763203 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19763203; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19763203"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19763203 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19763203"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19763203; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19763203]").text(description); $(".js-view-count-work_19763203").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19763203").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19763203"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">5</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5125" href="https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_">Renaissance Literature (Renaissance Studies)</a>,&nbsp;<script data-card-contents-for-ri="5125" type="text/json">{"id":5125,"name":"Renaissance Literature (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="60395" href="https://www.academia.edu/Documents/in/Collaborative_Writing">Collaborative Writing</a>,&nbsp;<script data-card-contents-for-ri="60395" type="text/json">{"id":60395,"name":"Collaborative Writing","url":"https://www.academia.edu/Documents/in/Collaborative_Writing?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="129741" href="https://www.academia.edu/Documents/in/Controversy">Controversy</a><script data-card-contents-for-ri="129741" type="text/json">{"id":129741,"name":"Controversy","url":"https://www.academia.edu/Documents/in/Controversy?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19763203]'), work: {"id":19763203,"title":"\"L'Affaire Marot-Sagon: du conflit personnel à la controverse collective\"","created_at":"2015-12-21T00:58:17.021-08:00","url":"https://www.academia.edu/19763203/_LAffaire_Marot_Sagon_du_conflit_personnel_%C3%A0_la_controverse_collective_?f_ri=23583","dom_id":"work_19763203","summary":"Publié dans: revue RELIEF 9 (2), 2015 – ISSN: 1873-5045, p. 7-21.\r\n\r\nCette contribution se propose d’examiner la controverse opposant Marot et Sagon dans les années 1530. L’établissement d’une typologie des invectives échangées nous permettra de révéler l’enjeu principal de l’affrontement, qui consiste à se (re)placer dans le champ littéraire. Il s’agira par ailleurs d’aborder la composante clanique de la controverse, le conflit Marot-Sagon incarnant manifestement une dimension communautaire : les auteurs se constituent des ligues de partisans (réels ou fictifs) regroupés dans plusieurs recueils collectifs contemporains. Il conviendra ainsi d’élucider les différentes tentatives d’annexion – ou d’exclusion – à un clan, et les stratégies rhétoriques que cela suppose.","downloadable_attachments":[{"id":40830622,"asset_id":19763203,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25487855,"first_name":"Nina","last_name":"Mueggler","domain_name":"unine","page_name":"NinaMueggler","display_name":"Nina Mueggler","profile_url":"https://unine.academia.edu/NinaMueggler?f_ri=23583","photo":"https://0.academia-photos.com/25487855/6960135/7849256/s65_nina.mueggler.jpg"}],"research_interests":[{"id":5125,"name":"Renaissance Literature (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":60395,"name":"Collaborative Writing","url":"https://www.academia.edu/Documents/in/Collaborative_Writing?f_ri=23583","nofollow":false},{"id":129741,"name":"Controversy","url":"https://www.academia.edu/Documents/in/Controversy?f_ri=23583","nofollow":false},{"id":178981,"name":"Clément Marot","url":"https://www.academia.edu/Documents/in/Cl%C3%A9ment_Marot?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_76324936" data-work_id="76324936" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/76324936/First_edition_and_translation_of_an_unpublished_poem_1566_from_Johanna_Otho_to_Camille_de_Morel">First edition and translation of an unpublished poem (1566) from Johanna Otho to Camille de Morel</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper presents the first full edition and translation of an unpublished (1566) poem written by Johanna Otho and sent to Camille de Morel. Both young women, linked by their mutual acquaintance Karel Utenhove, were internationally... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_76324936" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper presents the first full edition and translation of an unpublished (1566) poem written by Johanna Otho and sent to Camille de Morel. Both young women, linked by their mutual acquaintance Karel Utenhove, were internationally recognized for their learning. Otho’s poem is a significant contribution to the corpus of women’s Latin poetry. This paper also offers a brief introduction to the poem’s historical context and suggests contem- porary political resonances for Otho’s poem. Her poem contains allusions to the conflict between courtly life and religion, which reference the ongoing conflict between Protestants and Catholics in Europe and specifically France.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/76324936" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="917f04e010376bcbf8856ed59ed51962" rel="nofollow" data-download="{&quot;attachment_id&quot;:84067426,&quot;asset_id&quot;:76324936,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/84067426/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="180838976" href="https://umich.academia.edu/KaitlinKarmen">Kaitlin Karmen</a><script data-card-contents-for-user="180838976" type="text/json">{"id":180838976,"first_name":"Kaitlin","last_name":"Karmen","domain_name":"umich","page_name":"KaitlinKarmen","display_name":"Kaitlin Karmen","profile_url":"https://umich.academia.edu/KaitlinKarmen?f_ri=23583","photo":"https://0.academia-photos.com/180838976/75597966/64110797/s65_kaitlin.karmen.jpeg"}</script></span></span></li><li class="js-paper-rank-work_76324936 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="76324936"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 76324936, container: ".js-paper-rank-work_76324936", }); 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Carrai (Milan and Udine: Mimesis: 2014).</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25018410" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c1ac3a177e3bf364372a61fbed19a274" rel="nofollow" data-download="{&quot;attachment_id&quot;:45343128,&quot;asset_id&quot;:25018410,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45343128/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4405714" href="https://uio.academia.edu/FrancescoVenturi">Francesco Venturi</a><script data-card-contents-for-user="4405714" type="text/json">{"id":4405714,"first_name":"Francesco","last_name":"Venturi","domain_name":"uio","page_name":"FrancescoVenturi","display_name":"Francesco Venturi","profile_url":"https://uio.academia.edu/FrancescoVenturi?f_ri=23583","photo":"https://0.academia-photos.com/4405714/2665352/29429109/s65_francesco.venturi.jpg"}</script></span></span></li><li class="js-paper-rank-work_25018410 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25018410"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25018410, container: ".js-paper-rank-work_25018410", }); 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London: Modern Humanities Research Association, 2012. [340 pp.] </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the early Elizabethan period, nine of the ten tragedies attributed to the ancient Roman statesman, philosopher, and playwright Seneca (c. 1 BCE–65 CE) were translated for the first time into English, and these translations shaped... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2054667" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the early Elizabethan period, nine of the ten tragedies attributed to the ancient Roman statesman, philosopher, and playwright Seneca (c. 1 BCE–65 CE) were translated for the first time into English, and these translations shaped Seneca’s dramatic legacy as it would be known to later authors and playwrights. This edition enables readers to appreciate the distinct style and aims of three milestone translations: Jasper Heywood’s Troas (1559) and Thyestes (1560), and John Studley’s Agamemnon (1566). The plays are presented in modern spelling and accompanied by critical notes clarifying the translators’ approaches to rendering Seneca in English. The introduction provides important context, including a survey of the transmission and reception of Seneca from the first through the sixteenth century and an analysis and comparison of the style of the three translations. <br /> <br />James Ker is Associate Professor of Classical Studies at University of Pennsylvania. Jessica Winston is Professor of English at Idaho State University. <br /> <br />Available in hardback and paperback (amazon.com/amazon.co.uk) as well as e-book or PDF download (play.google.com)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2054667" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1299403b0c0298731cf291f6c94d152c" rel="nofollow" data-download="{&quot;attachment_id&quot;:29653777,&quot;asset_id&quot;:2054667,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/29653777/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="380900" href="https://idahostate.academia.edu/JessicaWinston">Jessica Winston</a><script data-card-contents-for-user="380900" type="text/json">{"id":380900,"first_name":"Jessica","last_name":"Winston","domain_name":"idahostate","page_name":"JessicaWinston","display_name":"Jessica Winston","profile_url":"https://idahostate.academia.edu/JessicaWinston?f_ri=23583","photo":"https://0.academia-photos.com/380900/596207/60668800/s65_jessica.winston.jpg"}</script></span></span></li><li class="js-paper-rank-work_2054667 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2054667"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2054667, container: ".js-paper-rank-work_2054667", }); 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London: Modern Humanities Research Association, 2012. [340 pp.] ","created_at":"2012-10-24T09:09:02.347-07:00","url":"https://www.academia.edu/2054667/Elizabethan_Seneca_Three_Tragedies_ed_by_James_Ker_and_Jessica_Winston_MHRA_Tudor_and_Stuart_Translations_Series_vol_8_London_Modern_Humanities_Research_Association_2012_340_pp_?f_ri=23583","dom_id":"work_2054667","summary":"In the early Elizabethan period, nine of the ten tragedies attributed to the ancient Roman statesman, philosopher, and playwright Seneca (c. 1 BCE–65 CE) were translated for the first time into English, and these translations shaped Seneca’s dramatic legacy as it would be known to later authors and playwrights. This edition enables readers to appreciate the distinct style and aims of three milestone translations: Jasper Heywood’s Troas (1559) and Thyestes (1560), and John Studley’s Agamemnon (1566). The plays are presented in modern spelling and accompanied by critical notes clarifying the translators’ approaches to rendering Seneca in English. The introduction provides important context, including a survey of the transmission and reception of Seneca from the first through the sixteenth century and an analysis and comparison of the style of the three translations.\r\n\r\nJames Ker is Associate Professor of Classical Studies at University of Pennsylvania. Jessica Winston is Professor of English at Idaho State University.\r\n\r\nAvailable in hardback and paperback (amazon.com/amazon.co.uk) as well as e-book or PDF download (play.google.com)","downloadable_attachments":[{"id":29653777,"asset_id":2054667,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":380900,"first_name":"Jessica","last_name":"Winston","domain_name":"idahostate","page_name":"JessicaWinston","display_name":"Jessica Winston","profile_url":"https://idahostate.academia.edu/JessicaWinston?f_ri=23583","photo":"https://0.academia-photos.com/380900/596207/60668800/s65_jessica.winston.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":8165,"name":"Seneca","url":"https://www.academia.edu/Documents/in/Seneca?f_ri=23583","nofollow":false},{"id":18872,"name":"Latin Literature (in Classics) - Seneca","url":"https://www.academia.edu/Documents/in/Latin_Literature_in_Classics_-_Seneca?f_ri=23583","nofollow":false},{"id":22584,"name":"Revenge Tragedy","url":"https://www.academia.edu/Documents/in/Revenge_Tragedy?f_ri=23583","nofollow":false},{"id":22585,"name":"English Renaissance Literature","url":"https://www.academia.edu/Documents/in/English_Renaissance_Literature?f_ri=23583"},{"id":22591,"name":"Elizabethan Literature","url":"https://www.academia.edu/Documents/in/Elizabethan_Literature?f_ri=23583"},{"id":22599,"name":"Classical Reception Studies","url":"https://www.academia.edu/Documents/in/Classical_Reception_Studies?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":25723,"name":"Roman Tragedy","url":"https://www.academia.edu/Documents/in/Roman_Tragedy?f_ri=23583"},{"id":63419,"name":"Seneca's Tragedies","url":"https://www.academia.edu/Documents/in/Senecas_Tragedies?f_ri=23583"},{"id":219392,"name":"Renaissance tragedy","url":"https://www.academia.edu/Documents/in/Renaissance_tragedy?f_ri=23583"},{"id":249454,"name":"Elizabethan drama","url":"https://www.academia.edu/Documents/in/Elizabethan_drama?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39826472" data-work_id="39826472" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39826472/What_kind_of_woman_Lyric_convention_vs_autobiography_in_Ariostos_Rime_SIS_Biennial_Conference_Edinburgh_28_06_2019_">What kind of woman? Lyric convention vs. autobiography in Ariosto&#39;s Rime, SIS Biennial Conference (Edinburgh, 28/06/2019)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39826472" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7ab3e0dc2464125b3a1cced71f278f02" rel="nofollow" data-download="{&quot;attachment_id&quot;:60014204,&quot;asset_id&quot;:39826472,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60014204/download_file?st=MTczMjg0NTIwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1397994" href="https://unimi.academia.edu/GiadaGuassardo">Giada Guassardo</a><script data-card-contents-for-user="1397994" type="text/json">{"id":1397994,"first_name":"Giada","last_name":"Guassardo","domain_name":"unimi","page_name":"GiadaGuassardo","display_name":"Giada Guassardo","profile_url":"https://unimi.academia.edu/GiadaGuassardo?f_ri=23583","photo":"https://0.academia-photos.com/1397994/506349/18664942/s65_giada.guassardo.jpg"}</script></span></span></li><li class="js-paper-rank-work_39826472 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39826472"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39826472, container: ".js-paper-rank-work_39826472", }); 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Lyric convention vs. autobiography in Ariosto's Rime, SIS Biennial Conference (Edinburgh, 28/06/2019)","created_at":"2019-07-15T10:08:39.268-07:00","url":"https://www.academia.edu/39826472/What_kind_of_woman_Lyric_convention_vs_autobiography_in_Ariostos_Rime_SIS_Biennial_Conference_Edinburgh_28_06_2019_?f_ri=23583","dom_id":"work_39826472","summary":null,"downloadable_attachments":[{"id":60014204,"asset_id":39826472,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1397994,"first_name":"Giada","last_name":"Guassardo","domain_name":"unimi","page_name":"GiadaGuassardo","display_name":"Giada Guassardo","profile_url":"https://unimi.academia.edu/GiadaGuassardo?f_ri=23583","photo":"https://0.academia-photos.com/1397994/506349/18664942/s65_giada.guassardo.jpg"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":17917,"name":"Lyric poetry","url":"https://www.academia.edu/Documents/in/Lyric_poetry?f_ri=23583","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":35946,"name":"Renaissance Lyric Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Lyric_Poetry?f_ri=23583"},{"id":51992,"name":"Ludovico Ariosto","url":"https://www.academia.edu/Documents/in/Ludovico_Ariosto?f_ri=23583"},{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento?f_ri=23583"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento?f_ri=23583"},{"id":766526,"name":"Cinquecento","url":"https://www.academia.edu/Documents/in/Cinquecento?f_ri=23583"},{"id":906854,"name":"Theory of the Lyric","url":"https://www.academia.edu/Documents/in/Theory_of_the_Lyric?f_ri=23583"},{"id":1566676,"name":"Poesia italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Poesia_italiana_del_Rinascimento?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_18067032" data-work_id="18067032" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/18067032/Language_Games_The_Multilingual_Emblem_Book_and_the_Language_Question_in_the_Low_Countries">Language Games. The Multilingual Emblem Book and the Language Question in the Low Countries</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Het zestiende- en zeventiende-eeuwse embleemboek was een zeer populair genre in de Nederlanden dat zich via een complexe keten van vertalingen en hertalingen heeft gevestigd en vervolgens een belangrijke meertalige component kreeg. De... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_18067032" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Het zestiende- en zeventiende-eeuwse embleemboek was een zeer populair genre in de Nederlanden dat zich via een complexe keten van vertalingen en hertalingen heeft gevestigd en vervolgens een belangrijke meertalige component kreeg. De behandeling van deze meertalige embleemboeken in de bestaande onderzoekstraditie doet tekort aan de complexiteit van het polyglotte geheel. In dit artikel wordt betoogd dat dit teksttype beter begrepen kan worden als het beschouwd wordt in relatie tot de zogenaamde taalkwestie. Parallel aan de groeiende populariteit van het embleemboek in de zestiende eeuw namen de discussies over taal in de Nederlanden in hevigheid toe. Men zocht naar een geschikte taalvorm voor communicatie tussen de inwoners van de Nederlanden. Hoewel sommigen een bepaalde (dialectale) vorm van de Nederlandse vernaculaire taal naar voren schoven als perfecte kandidaat, nam de aandacht voor andere talen niet af. Via het meertalige embleemboek kon men gezamenlijk of alleen reflecteren op de centrale problematiek van de taalkwestie en zo visies op taal en taalverschillen vormen en uitwisselen.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/18067032" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d6947d39d344ec0fb02215486b9805e5" rel="nofollow" data-download="{&quot;attachment_id&quot;:39857902,&quot;asset_id&quot;:18067032,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39857902/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14711967" href="https://leidenuni.academia.edu/AlisaVandeHaar">Alisa Van de Haar</a><script data-card-contents-for-user="14711967" type="text/json">{"id":14711967,"first_name":"Alisa","last_name":"Van de Haar","domain_name":"leidenuni","page_name":"AlisaVandeHaar","display_name":"Alisa Van de Haar","profile_url":"https://leidenuni.academia.edu/AlisaVandeHaar?f_ri=23583","photo":"https://0.academia-photos.com/14711967/4006051/13678754/s65_alisa.van_de_haar.jpg"}</script></span></span></li><li class="js-paper-rank-work_18067032 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="18067032"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 18067032, container: ".js-paper-rank-work_18067032", }); });</script></li><li class="js-percentile-work_18067032 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 18067032; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_18067032"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_18067032 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="18067032"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 18067032; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=18067032]").text(description); $(".js-view-count-work_18067032").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_18067032").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="18067032"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">6</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="9228" href="https://www.academia.edu/Documents/in/Emblem_studies">Emblem studies</a>,&nbsp;<script data-card-contents-for-ri="9228" type="text/json">{"id":9228,"name":"Emblem studies","url":"https://www.academia.edu/Documents/in/Emblem_studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22384" href="https://www.academia.edu/Documents/in/Emblems_Renaissance_">Emblems (Renaissance)</a>,&nbsp;<script data-card-contents-for-ri="22384" type="text/json">{"id":22384,"name":"Emblems (Renaissance)","url":"https://www.academia.edu/Documents/in/Emblems_Renaissance_?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25988" href="https://www.academia.edu/Documents/in/Dutch_Literature">Dutch Literature</a><script data-card-contents-for-ri="25988" type="text/json">{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=18067032]'), work: {"id":18067032,"title":"Language Games. 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Men zocht naar een geschikte taalvorm voor communicatie tussen de inwoners van de Nederlanden. Hoewel sommigen een bepaalde (dialectale) vorm van de Nederlandse vernaculaire taal naar voren schoven als perfecte kandidaat, nam de aandacht voor andere talen niet af. Via het meertalige embleemboek kon men gezamenlijk of alleen reflecteren op de centrale problematiek van de taalkwestie en zo visies op taal en taalverschillen vormen en uitwisselen.","downloadable_attachments":[{"id":39857902,"asset_id":18067032,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14711967,"first_name":"Alisa","last_name":"Van de Haar","domain_name":"leidenuni","page_name":"AlisaVandeHaar","display_name":"Alisa Van de Haar","profile_url":"https://leidenuni.academia.edu/AlisaVandeHaar?f_ri=23583","photo":"https://0.academia-photos.com/14711967/4006051/13678754/s65_alisa.van_de_haar.jpg"}],"research_interests":[{"id":9228,"name":"Emblem studies","url":"https://www.academia.edu/Documents/in/Emblem_studies?f_ri=23583","nofollow":false},{"id":22384,"name":"Emblems (Renaissance)","url":"https://www.academia.edu/Documents/in/Emblems_Renaissance_?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature?f_ri=23583","nofollow":false},{"id":138346,"name":"Literary Multilingualism","url":"https://www.academia.edu/Documents/in/Literary_Multilingualism?f_ri=23583"},{"id":965065,"name":"Multilingual Writing)","url":"https://www.academia.edu/Documents/in/Multilingual_Writing_?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_54731603" data-work_id="54731603" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/54731603/Index_of_Titles_and_First_Lines">Index of Titles and First Lines</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/54731603" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="29705f0a7aa20998982ea9cb66a118eb" rel="nofollow" data-download="{&quot;attachment_id&quot;:70956101,&quot;asset_id&quot;:54731603,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/70956101/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="618158" href="https://jadavpur.academia.edu/SukantaChaudhuri">Sukanta Chaudhuri</a><script data-card-contents-for-user="618158" type="text/json">{"id":618158,"first_name":"Sukanta","last_name":"Chaudhuri","domain_name":"jadavpur","page_name":"SukantaChaudhuri","display_name":"Sukanta Chaudhuri","profile_url":"https://jadavpur.academia.edu/SukantaChaudhuri?f_ri=23583","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_54731603 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="54731603"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 54731603, container: ".js-paper-rank-work_54731603", }); 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});</script></li><li class="js-percentile-work_4914293 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4914293; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4914293"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4914293 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4914293"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4914293; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4914293]").text(description); $(".js-view-count-work_4914293").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4914293").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4914293"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">2</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="338478" href="https://www.academia.edu/Documents/in/Pomponio_Torelli">Pomponio Torelli</a><script data-card-contents-for-ri="338478" type="text/json">{"id":338478,"name":"Pomponio Torelli","url":"https://www.academia.edu/Documents/in/Pomponio_Torelli?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4914293]'), work: {"id":4914293,"title":"Pomponio Torelli, Poesie con il Trattato della poesia lirica","created_at":"2013-10-28T06:10:29.923-07:00","url":"https://www.academia.edu/4914293/Pomponio_Torelli_Poesie_con_il_Trattato_della_poesia_lirica?f_ri=23583","dom_id":"work_4914293","summary":null,"downloadable_attachments":[{"id":38035522,"asset_id":4914293,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2780944,"first_name":"Corrado","last_name":"Confalonieri","domain_name":"chapman","page_name":"CorradoConfalonieri","display_name":"Corrado Confalonieri","profile_url":"https://chapman.academia.edu/CorradoConfalonieri?f_ri=23583","photo":"https://0.academia-photos.com/2780944/913525/153223266/s65_corrado.confalonieri.jpeg"}],"research_interests":[{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":338478,"name":"Pomponio Torelli","url":"https://www.academia.edu/Documents/in/Pomponio_Torelli?f_ri=23583","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34346627" data-work_id="34346627" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34346627/Quand_amours_rime_avec_discours_des_fonctions_et_pouvoirs_de_la_parole_dans_lhistoire_sentimentale_en_vers_r%C3%A9sum%C3%A9_">Quand &quot;amours&quot; rime avec &quot;discours&quot; : des fonctions et pouvoirs de la parole dans l&#39;histoire sentimentale en vers (résumé)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Communication lors du 16e colloque Jeunes Chercheurs CIERL-CIREM « De la parole à l’écrit : formes, fonctions et représentations de l’oralité sous l’Ancien Régime », Rimouski (Québec), 16-17 juin 2016 À paraître en 2018. Quand «... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34346627" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Communication lors du 16e colloque Jeunes Chercheurs CIERL-CIREM « De la parole à l’écrit : formes, fonctions et représentations de l’oralité sous l’Ancien Régime », Rimouski (Québec), 16-17 juin 2016 <br /> <br />À paraître en 2018. <br /> <br /> <br />Quand « amours » rime avec « discours » : des fonctions et pouvoirs de la parole dans l&#39;histoire sentimentale en vers. <br /> <br />Le début du XVII e siècle voit une explosion des fictions narratives, majoritairement à thématique amoureuse. Les personnages sont des parleurs intarissables, le discours direct, dans la tradition rhétorique de la prosopopée, étant considéré comme l&#39;accès le plus direct à l&#39;intériorité du personnage. Les histoires sentimentales en vers de Bertaut 1 et La Roque 2 ainsi que « Les Infortunees Amours de Meandre &amp; d&#39;Alize » 3 , dans la lignée des récits médiévaux, sont innervées par le discours oral. Les effets d&#39;oralité (apostrophe des personnages, adresse au lecteur) abondent, le champ sémantique de la parole est omniprésent. Suite à cette insistance formelle et lexicale, il s&#39;agira d&#39;engager une réflexion sur la valeur du mot prononcé, « discours » rimant avec « amours », « bouche » avec « touche », mais « pensée » avec « offensée ». Dès lors, ce questionnement nous permettra d&#39;interroger également la position de l&#39;auteur, dans la mesure où l&#39;histoire peut être considérée comme prise de parole de ce dernier. Alors que l&#39;histoire sentimentale en prose multiplie l&#39;insertion de formes oralement marquées (lettres, vers, dialogues), mises en évidence par la mise en page, le récit versifié occulte ces prises de parole. Le brouillage énonciatif entre l&#39;auteur et les personnages devient possible. De plus, la distribution de la parole reflète le système manichéen des personnages. Si seuls les bons ont droit au discours direct et les paroles de l&#39;auteur et du personnage se confondent dans la forme versifiée, quel est donc l&#39;ethos de l&#39;auteur qui se construit ?</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34346627" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7b0b521d4e9d05a7f5636eac75177763" rel="nofollow" data-download="{&quot;attachment_id&quot;:54239696,&quot;asset_id&quot;:34346627,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54239696/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="54896674" href="https://georouen.academia.edu/MiriamSpeyer">Miriam Speyer</a><script data-card-contents-for-user="54896674" type="text/json">{"id":54896674,"first_name":"Miriam","last_name":"Speyer","domain_name":"georouen","page_name":"MiriamSpeyer","display_name":"Miriam Speyer","profile_url":"https://georouen.academia.edu/MiriamSpeyer?f_ri=23583","photo":"https://0.academia-photos.com/54896674/15246012/41377866/s65_miriam.speyer.jpg"}</script></span></span></li><li class="js-paper-rank-work_34346627 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34346627"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34346627, container: ".js-paper-rank-work_34346627", }); 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$(".js-view-count[data-work-id=34346627]").text(description); $(".js-view-count-work_34346627").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34346627").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34346627"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">6</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>,&nbsp;<script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a>,&nbsp;<script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5431" href="https://www.academia.edu/Documents/in/Seventeenth_Century">Seventeenth Century</a>,&nbsp;<script data-card-contents-for-ri="5431" type="text/json">{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7540" href="https://www.academia.edu/Documents/in/Oral_Traditions">Oral Traditions</a><script data-card-contents-for-ri="7540" type="text/json">{"id":7540,"name":"Oral Traditions","url":"https://www.academia.edu/Documents/in/Oral_Traditions?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34346627]'), work: {"id":34346627,"title":"Quand \"amours\" rime avec \"discours\" : des fonctions et pouvoirs de la parole dans l'histoire sentimentale en vers (résumé)","created_at":"2017-08-24T20:37:51.462-07:00","url":"https://www.academia.edu/34346627/Quand_amours_rime_avec_discours_des_fonctions_et_pouvoirs_de_la_parole_dans_lhistoire_sentimentale_en_vers_r%C3%A9sum%C3%A9_?f_ri=23583","dom_id":"work_34346627","summary":"Communication lors du 16e colloque Jeunes Chercheurs CIERL-CIREM « De la parole à l’écrit : formes, fonctions et représentations de l’oralité sous l’Ancien Régime », Rimouski (Québec), 16-17 juin 2016\r\n\r\nÀ paraître en 2018.\r\n\r\n\r\nQuand « amours » rime avec « discours » : des fonctions et pouvoirs de la parole dans l'histoire sentimentale en vers. \r\n\r\nLe début du XVII e siècle voit une explosion des fictions narratives, majoritairement à thématique amoureuse. Les personnages sont des parleurs intarissables, le discours direct, dans la tradition rhétorique de la prosopopée, étant considéré comme l'accès le plus direct à l'intériorité du personnage. Les histoires sentimentales en vers de Bertaut 1 et La Roque 2 ainsi que « Les Infortunees Amours de Meandre \u0026 d'Alize » 3 , dans la lignée des récits médiévaux, sont innervées par le discours oral. Les effets d'oralité (apostrophe des personnages, adresse au lecteur) abondent, le champ sémantique de la parole est omniprésent. Suite à cette insistance formelle et lexicale, il s'agira d'engager une réflexion sur la valeur du mot prononcé, « discours » rimant avec « amours », « bouche » avec « touche », mais « pensée » avec « offensée ». Dès lors, ce questionnement nous permettra d'interroger également la position de l'auteur, dans la mesure où l'histoire peut être considérée comme prise de parole de ce dernier. Alors que l'histoire sentimentale en prose multiplie l'insertion de formes oralement marquées (lettres, vers, dialogues), mises en évidence par la mise en page, le récit versifié occulte ces prises de parole. Le brouillage énonciatif entre l'auteur et les personnages devient possible. De plus, la distribution de la parole reflète le système manichéen des personnages. Si seuls les bons ont droit au discours direct et les paroles de l'auteur et du personnage se confondent dans la forme versifiée, quel est donc l'ethos de l'auteur qui se construit ?","downloadable_attachments":[{"id":54239696,"asset_id":34346627,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":54896674,"first_name":"Miriam","last_name":"Speyer","domain_name":"georouen","page_name":"MiriamSpeyer","display_name":"Miriam Speyer","profile_url":"https://georouen.academia.edu/MiriamSpeyer?f_ri=23583","photo":"https://0.academia-photos.com/54896674/15246012/41377866/s65_miriam.speyer.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=23583","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=23583","nofollow":false},{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=23583","nofollow":false},{"id":7540,"name":"Oral Traditions","url":"https://www.academia.edu/Documents/in/Oral_Traditions?f_ri=23583","nofollow":false},{"id":23310,"name":"Novel","url":"https://www.academia.edu/Documents/in/Novel?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2238399" data-work_id="2238399" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2238399/Burned_in_a_sea_of_ice_La_tensi%C3%B3n_de_los_extremos_y_la_tradici%C3%B3n_del_amor_hereos">&#39;Burned in a sea of ice&#39;: La tensión de los extremos y la tradición del amor hereos</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the 16th and 17th centuries, health was conceived as the balance (eucrasia) between the four humors –blood, phlegm, yellow bile and black bile–, whereas sickness was the result of the excess or the lack (discrasia) of any of those... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2238399" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the 16th and 17th centuries, health was conceived as the balance (eucrasia) between the four humors –blood, phlegm, yellow bile and black bile–, whereas sickness was the result of the excess or the lack (discrasia) of any of those substances. One of the diseases –of the ‘imbalances’– that drew much attention and reflection over the long period between Antiquity and the 17th century is melancholy, the malady that results from the excess of black bile. This text studies some of the physical symptoms related to melancholy –especially so called “love-melancholy”– and compares them to symptoms of amor hereos (‘lovesickness’) that appear in love poetry. The comparison between poetical and medical texts –two separate genres between which, nonetheless, influences can be traced– reveals a series of ambivalences, tensions, contrasts and paradoxes that operate at the center of the ideas of sickness and of love.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2238399" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="acf924b76057a654103f0de196a9fe89" rel="nofollow" data-download="{&quot;attachment_id&quot;:30290956,&quot;asset_id&quot;:2238399,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30290956/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2373462" href="https://independent.academia.edu/LorenaUribeBracho">Lorena Uribe Bracho</a><script data-card-contents-for-user="2373462" type="text/json">{"id":2373462,"first_name":"Lorena","last_name":"Uribe Bracho","domain_name":"independent","page_name":"LorenaUribeBracho","display_name":"Lorena Uribe Bracho","profile_url":"https://independent.academia.edu/LorenaUribeBracho?f_ri=23583","photo":"https://0.academia-photos.com/2373462/747183/18062285/s65_lorena.uribe_bracho.jpg"}</script></span></span></li><li class="js-paper-rank-work_2238399 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2238399"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2238399, container: ".js-paper-rank-work_2238399", }); 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$(".js-view-count[data-work-id=2238399]").text(description); $(".js-view-count-work_2238399").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2238399").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2238399"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">4</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8850" href="https://www.academia.edu/Documents/in/Melancholy">Melancholy</a>,&nbsp;<script data-card-contents-for-ri="8850" type="text/json">{"id":8850,"name":"Melancholy","url":"https://www.academia.edu/Documents/in/Melancholy?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="201980" href="https://www.academia.edu/Documents/in/Lovesickness">Lovesickness</a>,&nbsp;<script data-card-contents-for-ri="201980" type="text/json">{"id":201980,"name":"Lovesickness","url":"https://www.academia.edu/Documents/in/Lovesickness?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="653447" href="https://www.academia.edu/Documents/in/Amor_Hereos">Amor Hereos</a><script data-card-contents-for-ri="653447" type="text/json">{"id":653447,"name":"Amor Hereos","url":"https://www.academia.edu/Documents/in/Amor_Hereos?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2238399]'), work: {"id":2238399,"title":"'Burned in a sea of ice': La tensión de los extremos y la tradición del amor hereos","created_at":"2012-12-04T09:56:37.837-08:00","url":"https://www.academia.edu/2238399/Burned_in_a_sea_of_ice_La_tensi%C3%B3n_de_los_extremos_y_la_tradici%C3%B3n_del_amor_hereos?f_ri=23583","dom_id":"work_2238399","summary":"In the 16th and 17th centuries, health was conceived as the balance (eucrasia) between the four humors –blood, phlegm, yellow bile and black bile–, whereas sickness was the result of the excess or the lack (discrasia) of any of those substances. One of the diseases –of the ‘imbalances’– that drew much attention and reflection over the long period between Antiquity and the 17th century is melancholy, the malady that results from the excess of black bile. This text studies some of the physical symptoms related to melancholy –especially so called “love-melancholy”– and compares them to symptoms of amor hereos (‘lovesickness’) that appear in love poetry. The comparison between poetical and medical texts –two separate genres between which, nonetheless, influences can be traced– reveals a series of ambivalences, tensions, contrasts and paradoxes that operate at the center of the ideas of sickness and of love.","downloadable_attachments":[{"id":30290956,"asset_id":2238399,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2373462,"first_name":"Lorena","last_name":"Uribe Bracho","domain_name":"independent","page_name":"LorenaUribeBracho","display_name":"Lorena Uribe Bracho","profile_url":"https://independent.academia.edu/LorenaUribeBracho?f_ri=23583","photo":"https://0.academia-photos.com/2373462/747183/18062285/s65_lorena.uribe_bracho.jpg"}],"research_interests":[{"id":8850,"name":"Melancholy","url":"https://www.academia.edu/Documents/in/Melancholy?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":201980,"name":"Lovesickness","url":"https://www.academia.edu/Documents/in/Lovesickness?f_ri=23583","nofollow":false},{"id":653447,"name":"Amor Hereos","url":"https://www.academia.edu/Documents/in/Amor_Hereos?f_ri=23583","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_71666254" data-work_id="71666254" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/71666254/Treny_treni_lamenti">Treny - treni - lamenti</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Con i Treny di Jan Kochanowski (1530-1584) il Rinascimento polacco e tutta la poesia slava premoderna conseguono il loro capolavoro. In un breve ciclo di 19 componimenti elegiaci di vario metro e misura è racchiuso un universo di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_71666254" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Con i Treny di Jan Kochanowski (1530-1584) il Rinascimento polacco e tutta la poesia slava premoderna conseguono il loro capolavoro. In un breve ciclo di 19 componimenti elegiaci di vario metro e misura è racchiuso un universo di pensiero, tutta la crisi dell’uomo rinascimentale che – posto di fronte al male e al dolore assoluti per la morte di una bambina men che treenne, tenta una ricostruzione della perduta armonia del mondo, e della propria stessa identità, dignità e integrità umana e paterna. E nel &quot;sogno&quot;, cioè nella poesia, ci riesce&quot; (Dall&#39;Introduzione di L. Marinelli). In questa edizione, oltre al testo originale in polacco, si può leggere la traduzione finora dei Treny rimasta fin qui inedita, a opera di Umberto Norsa, della quale viene pubblicata in appendice anche la scansione del manoscritto, e viene riproposta insieme la versione di Enrico Damiani, già pubblicata nel 1926 e, &quot;in una nuova versione ampliata e riveduta&quot;, da I.p.E.O. nel 1930. Completa il volume un ricco apparato di note utile, assieme alla doppia introduzione di Luigi Marinelli, per la migliore collocazione del capolavoro kochanowskiano nel contesto del Rinascimento europeo e della traduzione di poesia polacca in Italia.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/71666254" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0bbdfad21e7c16eda0ccd97d8e91e0d5" rel="nofollow" data-download="{&quot;attachment_id&quot;:80913899,&quot;asset_id&quot;:71666254,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/80913899/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="81740112" href="https://uniroma1.academia.edu/GiuliaOlgaFasoli">Giulia Olga Fasoli</a><script data-card-contents-for-user="81740112" type="text/json">{"id":81740112,"first_name":"Giulia Olga","last_name":"Fasoli","domain_name":"uniroma1","page_name":"GiuliaOlgaFasoli","display_name":"Giulia Olga Fasoli","profile_url":"https://uniroma1.academia.edu/GiuliaOlgaFasoli?f_ri=23583","photo":"https://0.academia-photos.com/81740112/73540389/62023349/s65_giulia_olga.fasoli.jpg"}</script></span></span></li><li class="js-paper-rank-work_71666254 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="71666254"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 71666254, container: ".js-paper-rank-work_71666254", }); 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$(".js-view-count[data-work-id=71666254]").text(description); $(".js-view-count-work_71666254").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_71666254").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="71666254"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">4</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12872" href="https://www.academia.edu/Documents/in/Polish_Literature">Polish Literature</a>,&nbsp;<script data-card-contents-for-ri="12872" type="text/json">{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="30347" href="https://www.academia.edu/Documents/in/Translation">Translation</a>,&nbsp;<script data-card-contents-for-ri="30347" type="text/json">{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="789681" href="https://www.academia.edu/Documents/in/Jan_Kochanowski">Jan Kochanowski</a><script data-card-contents-for-ri="789681" type="text/json">{"id":789681,"name":"Jan Kochanowski","url":"https://www.academia.edu/Documents/in/Jan_Kochanowski?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=71666254]'), work: {"id":71666254,"title":"Treny - treni - lamenti","created_at":"2022-02-16T00:30:20.609-08:00","url":"https://www.academia.edu/71666254/Treny_treni_lamenti?f_ri=23583","dom_id":"work_71666254","summary":"Con i Treny di Jan Kochanowski (1530-1584) il Rinascimento polacco e tutta la poesia slava premoderna conseguono il loro capolavoro. In un breve ciclo di 19 componimenti elegiaci di vario metro e misura è racchiuso un universo di pensiero, tutta la crisi dell’uomo rinascimentale che – posto di fronte al male e al dolore assoluti per la morte di una bambina men che treenne, tenta una ricostruzione della perduta armonia del mondo, e della propria stessa identità, dignità e integrità umana e paterna. E nel \"sogno\", cioè nella poesia, ci riesce\" (Dall'Introduzione di L. Marinelli). In questa edizione, oltre al testo originale in polacco, si può leggere la traduzione finora dei Treny rimasta fin qui inedita, a opera di Umberto Norsa, della quale viene pubblicata in appendice anche la scansione del manoscritto, e viene riproposta insieme la versione di Enrico Damiani, già pubblicata nel 1926 e, \"in una nuova versione ampliata e riveduta\", da I.p.E.O. nel 1930. Completa il volume un ricco apparato di note utile, assieme alla doppia introduzione di Luigi Marinelli, per la migliore collocazione del capolavoro kochanowskiano nel contesto del Rinascimento europeo e della traduzione di poesia polacca in Italia.","downloadable_attachments":[{"id":80913899,"asset_id":71666254,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":81740112,"first_name":"Giulia Olga","last_name":"Fasoli","domain_name":"uniroma1","page_name":"GiuliaOlgaFasoli","display_name":"Giulia Olga Fasoli","profile_url":"https://uniroma1.academia.edu/GiuliaOlgaFasoli?f_ri=23583","photo":"https://0.academia-photos.com/81740112/73540389/62023349/s65_giulia_olga.fasoli.jpg"}],"research_interests":[{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=23583","nofollow":false},{"id":789681,"name":"Jan Kochanowski","url":"https://www.academia.edu/Documents/in/Jan_Kochanowski?f_ri=23583","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42853562" data-work_id="42853562" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42853562/Hugues_Salel_%C5%92uvres_po%C3%A9tiques_compl%C3%A8tes_%C3%89dition_critique_avec_introduction_notes_et_glossaire_par_Howard_H_Kalwies_1987_">Hugues Salel, Œuvres poétiques complètes. Édition critique avec introduction, notes et glossaire par Howard H. Kalwies(1987)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Review in French Studies XLII-4 (1988), pp. 463-464</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42853562" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="73289c0224eb30f7776e6e8a2d35d623" rel="nofollow" data-download="{&quot;attachment_id&quot;:63090704,&quot;asset_id&quot;:42853562,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63090704/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14812387" href="https://oxford.academia.edu/valerieworth">valerie worth</a><script data-card-contents-for-user="14812387" type="text/json">{"id":14812387,"first_name":"valerie","last_name":"worth","domain_name":"oxford","page_name":"valerieworth","display_name":"valerie worth","profile_url":"https://oxford.academia.edu/valerieworth?f_ri=23583","photo":"https://0.academia-photos.com/14812387/5554716/9804071/s65_valerie.worth.jpg"}</script></span></span></li><li class="js-paper-rank-work_42853562 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42853562"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42853562, container: ".js-paper-rank-work_42853562", }); 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Published in Kochanowski. Kto mi dal skrzydła/Who hath bewinged me (Kraków: Collegium Columbinum: 2000,pp.52-59)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20144011" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="22ae4cd75fe82585c5cf1a50b070b641" rel="nofollow" data-download="{&quot;attachment_id&quot;:41032710,&quot;asset_id&quot;:20144011,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41032710/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1519797" href="https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa">Teresa Bałuk-Ulewiczowa</a><script data-card-contents-for-user="1519797" type="text/json">{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}</script></span></span></li><li class="js-paper-rank-work_20144011 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20144011"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20144011, container: ".js-paper-rank-work_20144011", }); 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Dominique Brancher, Gaëlle Burg et Giovanni Berjola, 11-13 octobre 2018, Bâle. Open access : <a href="https://emono.unibas.ch/catalog/book/61" rel="nofollow">https://emono.unibas.ch/catalog/book/61</a> A partir de la notion de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44597400" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Publié dans : L’éditeur à l’œuvre : reconsidérer l’auctorialité ?, éd. Dominique Brancher, Gaëlle Burg et Giovanni Berjola, 11-13 octobre 2018, Bâle.<br /> Open access : <a href="https://emono.unibas.ch/catalog/book/61" rel="nofollow">https://emono.unibas.ch/catalog/book/61</a><br /><br />A partir de la notion de &quot;labeur&quot;, cette contribution interroge le geste éditorial de Gilles Corrozet, à la fois auteur, éditeur et libraire.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44597400" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9b48b5419502a299a79bb47439be0d1f" rel="nofollow" data-download="{&quot;attachment_id&quot;:79549952,&quot;asset_id&quot;:44597400,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/79549952/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25487855" href="https://unine.academia.edu/NinaMueggler">Nina Mueggler</a><script data-card-contents-for-user="25487855" type="text/json">{"id":25487855,"first_name":"Nina","last_name":"Mueggler","domain_name":"unine","page_name":"NinaMueggler","display_name":"Nina Mueggler","profile_url":"https://unine.academia.edu/NinaMueggler?f_ri=23583","photo":"https://0.academia-photos.com/25487855/6960135/7849256/s65_nina.mueggler.jpg"}</script></span></span></li><li class="js-paper-rank-work_44597400 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44597400"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44597400, container: ".js-paper-rank-work_44597400", }); 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Dominique Brancher, Gaëlle Burg et Giovanni Berjola, 11-13 octobre 2018, Bâle.\n Open access : https://emono.unibas.ch/catalog/book/61\n\nA partir de la notion de \"labeur\", cette contribution interroge le geste éditorial de Gilles Corrozet, à la fois auteur, éditeur et libraire.","downloadable_attachments":[{"id":79549952,"asset_id":44597400,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25487855,"first_name":"Nina","last_name":"Mueggler","domain_name":"unine","page_name":"NinaMueggler","display_name":"Nina Mueggler","profile_url":"https://unine.academia.edu/NinaMueggler?f_ri=23583","photo":"https://0.academia-photos.com/25487855/6960135/7849256/s65_nina.mueggler.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":345925,"name":"Sixteenth Century History","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_History?f_ri=23583","nofollow":false},{"id":987583,"name":"Compilations","url":"https://www.academia.edu/Documents/in/Compilations?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38681470" data-work_id="38681470" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38681470/Un_dramma_satiresco_in_latino_Il_Ciclope_nell_Italia_del_Cinquecento">Un dramma satiresco in latino. Il &#39;Ciclope&#39; nell’Italia del Cinquecento</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article is concerned with an artistic Latin translation of Euripides’ Cyclops, which was published in 1556 by the Calabrian humanist Coriolano Martirano (1503-1557). It illustrates the way in which Euripides’ text is reworked in the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38681470" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article is concerned with an artistic Latin translation of Euripides’ Cyclops, which was published in 1556 by the Calabrian humanist Coriolano Martirano (1503-1557). It illustrates the way in which Euripides’ text is reworked in the broader context of the reception of the satirical drama in sixteenth-century Italy. An analysis of the work shows that Martirano intervenes on the text, modifying and integrating it, not only under the influence of other ancient sources dedicated to the figure of the cyclops, ranging from Homer to Ovid and from Theocritus to Virgil, but also in a dialogue with the Neo-Latin and vernacular production that other exponents of Calabrian humanism, such as Antonio Telesio and Coriolano’s brother Bernardino, dedicated to the cyclops in the 1520s and 1530s.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38681470" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="15aec5b78f2892224040790b7031c74a" rel="nofollow" data-download="{&quot;attachment_id&quot;:76950749,&quot;asset_id&quot;:38681470,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76950749/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="68290117" href="https://unicatt.academia.edu/FabioGatti">Fabio Gatti</a><script data-card-contents-for-user="68290117" type="text/json">{"id":68290117,"first_name":"Fabio","last_name":"Gatti","domain_name":"unicatt","page_name":"FabioGatti","display_name":"Fabio Gatti","profile_url":"https://unicatt.academia.edu/FabioGatti?f_ri=23583","photo":"https://0.academia-photos.com/68290117/20630628/103167513/s65_fabio.gatti.jpg"}</script></span></span></li><li class="js-paper-rank-work_38681470 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38681470"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38681470, container: ".js-paper-rank-work_38681470", }); 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$(".js-view-count[data-work-id=38681470]").text(description); $(".js-view-count-work_38681470").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38681470").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38681470"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">5</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21866" href="https://www.academia.edu/Documents/in/Latin_translation">Latin translation</a>,&nbsp;<script data-card-contents-for-ri="21866" type="text/json">{"id":21866,"name":"Latin translation","url":"https://www.academia.edu/Documents/in/Latin_translation?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a>,&nbsp;<script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="101864" href="https://www.academia.edu/Documents/in/Neolatin_Literature">Neolatin Literature</a>,&nbsp;<script data-card-contents-for-ri="101864" type="text/json">{"id":101864,"name":"Neolatin Literature","url":"https://www.academia.edu/Documents/in/Neolatin_Literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="139712" href="https://www.academia.edu/Documents/in/Ancient_Greek_Drama">Ancient Greek Drama</a><script data-card-contents-for-ri="139712" type="text/json">{"id":139712,"name":"Ancient Greek Drama","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Drama?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38681470]'), work: {"id":38681470,"title":"Un dramma satiresco in latino. Il 'Ciclope' nell’Italia del Cinquecento","created_at":"2019-04-01T03:10:28.134-07:00","url":"https://www.academia.edu/38681470/Un_dramma_satiresco_in_latino_Il_Ciclope_nell_Italia_del_Cinquecento?f_ri=23583","dom_id":"work_38681470","summary":"This article is concerned with an artistic Latin translation of Euripides’ Cyclops, which was published in 1556 by the Calabrian humanist Coriolano Martirano (1503-1557). It illustrates the way in which Euripides’ text is reworked in the broader context of the reception of the satirical drama in sixteenth-century Italy. An analysis of the work shows that Martirano intervenes on the text, modifying and integrating it, not only under the influence of other ancient sources dedicated to the figure of the cyclops, ranging from Homer to Ovid and from Theocritus to Virgil, but also in a dialogue with the Neo-Latin and vernacular production that other exponents of Calabrian humanism, such as Antonio Telesio and Coriolano’s brother Bernardino, dedicated to the cyclops in the 1520s and 1530s.","downloadable_attachments":[{"id":76950749,"asset_id":38681470,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":68290117,"first_name":"Fabio","last_name":"Gatti","domain_name":"unicatt","page_name":"FabioGatti","display_name":"Fabio Gatti","profile_url":"https://unicatt.academia.edu/FabioGatti?f_ri=23583","photo":"https://0.academia-photos.com/68290117/20630628/103167513/s65_fabio.gatti.jpg"}],"research_interests":[{"id":21866,"name":"Latin translation","url":"https://www.academia.edu/Documents/in/Latin_translation?f_ri=23583","nofollow":false},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false},{"id":101864,"name":"Neolatin Literature","url":"https://www.academia.edu/Documents/in/Neolatin_Literature?f_ri=23583","nofollow":false},{"id":139712,"name":"Ancient Greek Drama","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Drama?f_ri=23583","nofollow":false},{"id":1213431,"name":"Euripides 'Cyclops'","url":"https://www.academia.edu/Documents/in/Euripides_Cyclops?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42924511" data-work_id="42924511" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42924511/Ronsard_en_son_quatri%C3%A8me_centenaire_Actes_du_colloque_1985_1988_1989_">Ronsard en son quatrième centenaire. Actes du colloque 1985 (1988-1989)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Review in Bibliothèque d&#39;Humanisme et Renaissance 52 (1990), pp. 749-754</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42924511" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="243d3290b7f26d7c6435a19088d60456" rel="nofollow" data-download="{&quot;attachment_id&quot;:63176190,&quot;asset_id&quot;:42924511,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63176190/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14812387" href="https://oxford.academia.edu/valerieworth">valerie worth</a><script data-card-contents-for-user="14812387" type="text/json">{"id":14812387,"first_name":"valerie","last_name":"worth","domain_name":"oxford","page_name":"valerieworth","display_name":"valerie worth","profile_url":"https://oxford.academia.edu/valerieworth?f_ri=23583","photo":"https://0.academia-photos.com/14812387/5554716/9804071/s65_valerie.worth.jpg"}</script></span></span></li><li class="js-paper-rank-work_42924511 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42924511"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42924511, container: ".js-paper-rank-work_42924511", }); 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ricerca ancora dottrina non piccola&quot;: Benedetto Varchi e la poesia pastorale</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/22709879" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4023fb0edd248dca1e85d7d308e82412" rel="nofollow" data-download="{&quot;attachment_id&quot;:43282500,&quot;asset_id&quot;:22709879,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43282500/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3479377" href="https://unipd.academia.edu/GiovanniFerroni">Giovanni Ferroni</a><script data-card-contents-for-user="3479377" type="text/json">{"id":3479377,"first_name":"Giovanni","last_name":"Ferroni","domain_name":"unipd","page_name":"GiovanniFerroni","display_name":"Giovanni 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style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="22709879"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">14</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>,&nbsp;<script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13187" href="https://www.academia.edu/Documents/in/Bucolic_Poetry">Bucolic Poetry</a>,&nbsp;<script data-card-contents-for-ri="13187" type="text/json">{"id":13187,"name":"Bucolic Poetry","url":"https://www.academia.edu/Documents/in/Bucolic_Poetry?f_ri=23583","nofollow":false}</script><a 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culture","url":"https://www.academia.edu/Documents/in/Fifteenth_and_Sixteenth_century_culture?f_ri=23583"},{"id":242741,"name":"Bucolic Tradition","url":"https://www.academia.edu/Documents/in/Bucolic_Tradition?f_ri=23583"},{"id":318425,"name":"Benedetto Varchi","url":"https://www.academia.edu/Documents/in/Benedetto_Varchi?f_ri=23583"},{"id":449370,"name":"Italianistica","url":"https://www.academia.edu/Documents/in/Italianistica?f_ri=23583"},{"id":752300,"name":"Poesia bucolica","url":"https://www.academia.edu/Documents/in/Poesia_bucolica?f_ri=23583"},{"id":1131175,"name":"Italianistik","url":"https://www.academia.edu/Documents/in/Italianistik?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15162427" data-work_id="15162427" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15162427/CFP_Self_Commentary_in_Early_Modern_European_Literature_Durham_University_26_27_February_2016">CFP: &#39;Self-Commentary in Early Modern European Literature&#39;, Durham University, 26-27 February 2016</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Writers the world over have often accompanied their texts with a variety of annotations, marginal glosses, rubrications, and explicatory or narrative prose in an effort to direct and control the reception of their own works. Such... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15162427" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Writers the world over have often accompanied their texts with a variety of annotations, marginal glosses, rubrications, and explicatory or narrative prose in an effort to direct and control the reception of their own works. Such self-exegetical devices do not merely serve as an external apparatus but effectively interact with the primary text by introducing a distinctive meta-literary dimension which, in turn, reveals complex dynamics affecting the very notions of authorship and readership. In the Renaissance, self-commentaries enjoyed unprecedented diffusion and found expression in a multiplicity of forms, which appear to be closely linked to momentous processes such as the legitimation of vernacular languages across Europe, the construction of a literary canon, the making of the modern author as we know it, and the self-representation of modern individual identities. <br /> <br />The Institute of Medieval and Early Modern Studies at Durham University (<a href="https://www.dur.ac.uk/imems/" rel="nofollow">https://www.dur.ac.uk/imems/</a>) invites proposals for 20-minute papers on any aspect of self-commentary and self-exegesis in Early Modern European literature, broadly defined as ca. 1400 – ca. 1700. The conference will be aimed specifically at bringing together both established scholars and early career researchers working on diverse Renaissance literary traditions (including Neo-Latin and Slavonic languages), and promoting cross-cultural dialogue. <br /> <br />A number of fundamental questions will be addressed, including: <br />- How do authorial commentaries mimic standard commentaries? <br />- If commentaries ordinarily aim to facilitate textual comprehension and bridge the gap between a text and its readership, in what ways can this be true of self-commentaries as well? What further motivations and strategies are at work? <br />- How do writers of the Renaissance position themselves in respect of the classical tradition? <br />- How do they progressively depart from the medieval scholastic practice of glossing texts? <br />- How do self-commentaries interact with the primary text and contribute to its reception? <br /> <br />For consideration, please send a title and abstract of ~300 words as well as a one-page CV to <a href="mailto:francesco.venturi@durham.ac.uk" rel="nofollow">francesco.venturi@durham.ac.uk</a> no later than 15 October 2015. <br /> <br />Thanks to the sponsorship of the Society for Renaissance Studies (SRS), a limited number of bursaries (contribution towards travel/accommodation) will be available for postgraduate and early career researchers. <br /> <br />Confirmed speakers: Carlo Caruso (Durham), Hannah Crawforth (King’s College – London), Martin McLaughlin (Oxford), John O’Brien (Durham), and Federica Pich (Leeds).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15162427" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="266ee4e4b4ff3632ce592fbb11fc7a11" rel="nofollow" data-download="{&quot;attachment_id&quot;:38563593,&quot;asset_id&quot;:15162427,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38563593/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4405714" href="https://uio.academia.edu/FrancescoVenturi">Francesco Venturi</a><script data-card-contents-for-user="4405714" type="text/json">{"id":4405714,"first_name":"Francesco","last_name":"Venturi","domain_name":"uio","page_name":"FrancescoVenturi","display_name":"Francesco Venturi","profile_url":"https://uio.academia.edu/FrancescoVenturi?f_ri=23583","photo":"https://0.academia-photos.com/4405714/2665352/29429109/s65_francesco.venturi.jpg"}</script></span></span></li><li class="js-paper-rank-work_15162427 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15162427"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15162427, container: ".js-paper-rank-work_15162427", }); 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$(".js-view-count[data-work-id=15162427]").text(description); $(".js-view-count-work_15162427").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15162427").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15162427"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">36</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="668" href="https://www.academia.edu/Documents/in/Spanish_Literature">Spanish Literature</a>,&nbsp;<script data-card-contents-for-ri="668" type="text/json">{"id":668,"name":"Spanish Literature","url":"https://www.academia.edu/Documents/in/Spanish_Literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="953" href="https://www.academia.edu/Documents/in/Rhetoric">Rhetoric</a>,&nbsp;<script data-card-contents-for-ri="953" type="text/json">{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="997" href="https://www.academia.edu/Documents/in/Reception_Studies">Reception Studies</a>,&nbsp;<script data-card-contents-for-ri="997" type="text/json">{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15162427]'), work: {"id":15162427,"title":"CFP: 'Self-Commentary in Early Modern European Literature', Durham University, 26-27 February 2016","created_at":"2015-08-25T01:28:44.440-07:00","url":"https://www.academia.edu/15162427/CFP_Self_Commentary_in_Early_Modern_European_Literature_Durham_University_26_27_February_2016?f_ri=23583","dom_id":"work_15162427","summary":"Writers the world over have often accompanied their texts with a variety of annotations, marginal glosses, rubrications, and explicatory or narrative prose in an effort to direct and control the reception of their own works. Such self-exegetical devices do not merely serve as an external apparatus but effectively interact with the primary text by introducing a distinctive meta-literary dimension which, in turn, reveals complex dynamics affecting the very notions of authorship and readership. In the Renaissance, self-commentaries enjoyed unprecedented diffusion and found expression in a multiplicity of forms, which appear to be closely linked to momentous processes such as the legitimation of vernacular languages across Europe, the construction of a literary canon, the making of the modern author as we know it, and the self-representation of modern individual identities.\r\n\r\nThe Institute of Medieval and Early Modern Studies at Durham University (https://www.dur.ac.uk/imems/) invites proposals for 20-minute papers on any aspect of self-commentary and self-exegesis in Early Modern European literature, broadly defined as ca. 1400 – ca. 1700. The conference will be aimed specifically at bringing together both established scholars and early career researchers working on diverse Renaissance literary traditions (including Neo-Latin and Slavonic languages), and promoting cross-cultural dialogue.\r\n\r\nA number of fundamental questions will be addressed, including:\r\n- How do authorial commentaries mimic standard commentaries?\r\n- If commentaries ordinarily aim to facilitate textual comprehension and bridge the gap between a text and its readership, in what ways can this be true of self-commentaries as well? What further motivations and strategies are at work?\r\n- How do writers of the Renaissance position themselves in respect of the classical tradition?\r\n- How do they progressively depart from the medieval scholastic practice of glossing texts?\r\n- How do self-commentaries interact with the primary text and contribute to its reception?\r\n\r\nFor consideration, please send a title and abstract of ~300 words as well as a one-page CV to francesco.venturi@durham.ac.uk no later than 15 October 2015.\r\n\r\nThanks to the sponsorship of the Society for Renaissance Studies (SRS), a limited number of bursaries (contribution towards travel/accommodation) will be available for postgraduate and early career researchers.\r\n\r\nConfirmed speakers: Carlo Caruso (Durham), Hannah Crawforth (King’s College – London), Martin McLaughlin (Oxford), John O’Brien (Durham), and Federica Pich (Leeds).","downloadable_attachments":[{"id":38563593,"asset_id":15162427,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4405714,"first_name":"Francesco","last_name":"Venturi","domain_name":"uio","page_name":"FrancescoVenturi","display_name":"Francesco Venturi","profile_url":"https://uio.academia.edu/FrancescoVenturi?f_ri=23583","photo":"https://0.academia-photos.com/4405714/2665352/29429109/s65_francesco.venturi.jpg"}],"research_interests":[{"id":668,"name":"Spanish Literature","url":"https://www.academia.edu/Documents/in/Spanish_Literature?f_ri=23583","nofollow":false},{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric?f_ri=23583","nofollow":false},{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=23583"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=23583"},{"id":4154,"name":"Iberian Studies","url":"https://www.academia.edu/Documents/in/Iberian_Studies?f_ri=23583"},{"id":11791,"name":"Early Modern Literature","url":"https://www.academia.edu/Documents/in/Early_Modern_Literature?f_ri=23583"},{"id":15812,"name":"Early Modern Intellectual History","url":"https://www.academia.edu/Documents/in/Early_Modern_Intellectual_History?f_ri=23583"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism?f_ri=23583"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583"},{"id":19457,"name":"Portuguese 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href="https://www.academia.edu/40565902/La_po%C3%A9sie_scientifique_au_tournant_des_XVIe_et_XVIIe_si%C3%A8cles_%C3%A9dition_et_%C3%A9tude_critiques_de_l%C5%93uvre_de_Christofle_de_Gamon_1574_1622_">La poésie scientifique au tournant des XVIe et XVIIe siècles : édition et étude critiques de l&#39;œuvre de Christofle de Gamon (1574-1622)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Sous la direction de Madame Nathalie Dauvois. <br />Université Sorbonne Nouvelle - Paris III, ED 120, EA 174 (FIRL).</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40565902" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39543030" href="https://univ-paris3.academia.edu/ChiaraCacciola">Chiara Cacciola</a><script data-card-contents-for-user="39543030" type="text/json">{"id":39543030,"first_name":"Chiara","last_name":"Cacciola","domain_name":"univ-paris3","page_name":"ChiaraCacciola","display_name":"Chiara Cacciola","profile_url":"https://univ-paris3.academia.edu/ChiaraCacciola?f_ri=23583","photo":"https://0.academia-photos.com/39543030/10921016/29389981/s65_chiara.cacciola.jpg"}</script></span></span></li><li class="js-paper-rank-work_40565902 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden 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InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="40565902"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40565902; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40565902]").text(description); $(".js-view-count-work_40565902").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40565902").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40565902"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">7</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>,&nbsp;<script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11791" href="https://www.academia.edu/Documents/in/Early_Modern_Literature">Early Modern Literature</a>,&nbsp;<script data-card-contents-for-ri="11791" type="text/json">{"id":11791,"name":"Early Modern Literature","url":"https://www.academia.edu/Documents/in/Early_Modern_Literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14868" href="https://www.academia.edu/Documents/in/Literature_And_Science">Literature And Science</a>,&nbsp;<script data-card-contents-for-ri="14868" type="text/json">{"id":14868,"name":"Literature And Science","url":"https://www.academia.edu/Documents/in/Literature_And_Science?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23583" href="https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry">Sixteenth Century Poetry</a><script data-card-contents-for-ri="23583" type="text/json">{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40565902]'), work: {"id":40565902,"title":"La poésie scientifique au tournant des XVIe et XVIIe siècles : édition et étude critiques de l'œuvre de Christofle de Gamon (1574-1622)","created_at":"2019-10-09T01:52:20.870-07:00","url":"https://www.academia.edu/40565902/La_po%C3%A9sie_scientifique_au_tournant_des_XVIe_et_XVIIe_si%C3%A8cles_%C3%A9dition_et_%C3%A9tude_critiques_de_l%C5%93uvre_de_Christofle_de_Gamon_1574_1622_?f_ri=23583","dom_id":"work_40565902","summary":"Sous la direction de Madame Nathalie Dauvois. \nUniversité Sorbonne Nouvelle - Paris III, ED 120, EA 174 (FIRL).","downloadable_attachments":[],"ordered_authors":[{"id":39543030,"first_name":"Chiara","last_name":"Cacciola","domain_name":"univ-paris3","page_name":"ChiaraCacciola","display_name":"Chiara Cacciola","profile_url":"https://univ-paris3.academia.edu/ChiaraCacciola?f_ri=23583","photo":"https://0.academia-photos.com/39543030/10921016/29389981/s65_chiara.cacciola.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=23583","nofollow":false},{"id":11791,"name":"Early Modern 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20143855/Jan_Kochanowski_Laments">Jan Kochanowski - Laments</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Translation of Kochanowski&#39;s Tren IV and Tren VIII. Published in Kochanowski. Kto mi dał skrzydła / Who hath bewinged me. Kraków: Collegium Columbinum, 2000, pp. 16-19</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20143855" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="61f9d14e2f65aa9e39213918d6e8da54" rel="nofollow" data-download="{&quot;attachment_id&quot;:41032676,&quot;asset_id&quot;:20143855,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41032676/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1519797" href="https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa">Teresa Bałuk-Ulewiczowa</a><script data-card-contents-for-user="1519797" type="text/json">{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}</script></span></span></li><li class="js-paper-rank-work_20143855 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20143855"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20143855, container: ".js-paper-rank-work_20143855", }); });</script></li><li class="js-percentile-work_20143855 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20143855; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_20143855"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_20143855 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="20143855"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20143855; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20143855]").text(description); $(".js-view-count-work_20143855").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20143855").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20143855"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">16</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>,&nbsp;<script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>,&nbsp;<script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5125" href="https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_">Renaissance Literature (Renaissance Studies)</a>,&nbsp;<script data-card-contents-for-ri="5125" type="text/json">{"id":5125,"name":"Renaissance Literature (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9792" href="https://www.academia.edu/Documents/in/Translation_of_Poetry">Translation of Poetry</a><script data-card-contents-for-ri="9792" type="text/json">{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20143855]'), work: {"id":20143855,"title":"Jan Kochanowski - Laments","created_at":"2016-01-10T12:34:59.805-08:00","url":"https://www.academia.edu/20143855/Jan_Kochanowski_Laments?f_ri=23583","dom_id":"work_20143855","summary":"Translation of Kochanowski's Tren IV and Tren VIII. 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Published in Kochanowski. Kto mi dał skrzydła/ Who hath bewinged me (Kraków: Collegium Columbinum, 2000, pp.21-61</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20146118" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c35175bce1852729b21aed7d66593a55" rel="nofollow" data-download="{&quot;attachment_id&quot;:41033799,&quot;asset_id&quot;:20146118,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41033799/download_file?st=MTczMjg0NTIwOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1519797" href="https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa">Teresa Bałuk-Ulewiczowa</a><script data-card-contents-for-user="1519797" type="text/json">{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}</script></span></span></li><li class="js-paper-rank-work_20146118 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20146118"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20146118, container: ".js-paper-rank-work_20146118", }); 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$(".js-view-count[data-work-id=20146118]").text(description); $(".js-view-count-work_20146118").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20146118").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20146118"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">17</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>,&nbsp;<script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>,&nbsp;<script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3612" href="https://www.academia.edu/Documents/in/Renaissance">Renaissance</a>,&nbsp;<script data-card-contents-for-ri="3612" type="text/json">{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5125" href="https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_">Renaissance Literature (Renaissance Studies)</a><script data-card-contents-for-ri="5125" type="text/json">{"id":5125,"name":"Renaissance Literature (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20146118]'), work: {"id":20146118,"title":"Kochanowski - Polish Carmina","created_at":"2016-01-10T15:14:12.724-08:00","url":"https://www.academia.edu/20146118/Kochanowski_Polish_Carmina?f_ri=23583","dom_id":"work_20146118","summary":"Translations of Kochanowski's Pieśni. Published in Kochanowski. Kto mi dał skrzydła/ Who hath bewinged me (Kraków: Collegium Columbinum, 2000, pp.21-61","downloadable_attachments":[{"id":41033799,"asset_id":20146118,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1519797,"first_name":"Teresa","last_name":"Bałuk-Ulewiczowa","domain_name":"jagiellonian","page_name":"TeresaBałukUlewiczowa","display_name":"Teresa Bałuk-Ulewiczowa","profile_url":"https://jagiellonian.academia.edu/TeresaBa%C5%82ukUlewiczowa?f_ri=23583","photo":"https://0.academia-photos.com/1519797/538452/8220752/s65_teresa.ba_uk-ulewiczowa.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=23583","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=23583","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=23583","nofollow":false},{"id":5125,"name":"Renaissance Literature (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_?f_ri=23583","nofollow":false},{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=23583"},{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=23583"},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies?f_ri=23583"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":27363,"name":"Poland","url":"https://www.academia.edu/Documents/in/Poland?f_ri=23583"},{"id":35946,"name":"Renaissance Lyric Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Lyric_Poetry?f_ri=23583"},{"id":50804,"name":"Literary translation","url":"https://www.academia.edu/Documents/in/Literary_translation?f_ri=23583"},{"id":52107,"name":"Old Polish literature","url":"https://www.academia.edu/Documents/in/Old_Polish_literature?f_ri=23583"},{"id":190756,"name":"Polish Language","url":"https://www.academia.edu/Documents/in/Polish_Language?f_ri=23583"},{"id":277914,"name":"Renaissance Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Poetry?f_ri=23583"},{"id":789681,"name":"Jan Kochanowski","url":"https://www.academia.edu/Documents/in/Jan_Kochanowski?f_ri=23583"},{"id":1410566,"name":"Polonistyka","url":"https://www.academia.edu/Documents/in/Polonistyka?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25401862" data-work_id="25401862" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25401862/Acuity_of_Wit_Wonder_Paradox_and_Cooperation_in_Early_Modern_Spanish_and_Italian_Poetic_Theory_1548_1648_">Acuity of Wit: Wonder, Paradox and Cooperation in Early Modern Spanish and Italian Poetic Theory (1548-1648)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Acuity of Wit aims at illuminating the role that the notion of “wonder” played in early modern poetic theory, starting with the reception of Aristotle’s Poetics in the mid-sixteenth century. By delving into debates and controversies... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25401862" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Acuity of Wit aims at illuminating the role that the notion of “wonder” played in early modern poetic theory, starting with the reception of Aristotle’s Poetics in the mid-sixteenth century. By delving into debates and controversies taking place between the Italian and the Iberian peninsulas, it demonstrates that scholars from Lodovico Castelvetro to Francesco Patrizi to Alonso López Pinciano developed a theoretical framework able to account for the transition from a feeling of wonder aroused by the unexpectedness of plot twists, paradoxical statements and far-fetched metaphors to a feeling of marvel towards the “subtlety” or “acuity” of the wit responsible for any of these. In doing so, I propose a series of often-neglected continuities between sixteenth-century Aristotelianism and the interest in ingenuity generally associated with seventeenth-century Jesuit theorists of “acutezza” or “agudeza”, such as Matteo Peregrini and Baltasar Gracián. For the latter, the ability to market wonders became the main criterion by which to judge the value of a poet and the path to conceive aesthetic values in a poem or a speech. I further show that the taste for wonder and acuity of wit eventually colonized spaces as apparently alien to it as history. Historians influenced by the renewed popularity of Tacitus saw themselves as making use of “acuity of wit” to decipher intentions that the agents had cunningly dissimulated. By doing so, they entered a space halfway between reciprocity and challenge, in which writing was experienced as a contest to outwit princes and courtiers in a game of unveiling inner thoughts and secrets. Finally, I explore how early modern writers and theorists conceived of acuity of wit as a virtue that can be noticed only through the active cooperation of the reader in the process of decoding and unfolding arguments. In a series of highly controversial debates touching on contemporary literary fashions such as the so-called “laconic style” or Luis de Góngora’s “new poetry”, scholars such as Virgilio Malvezzi or Francisco Fernández de Córdoba reversed principles inherited from ancient rhetoric to relocate aesthetic pleasure in the interdependence and competition between author and reader.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25401862" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3757998" href="https://ucla.academia.edu/JavierPatinoLoira">Javier Patiño Loira</a><script data-card-contents-for-user="3757998" type="text/json">{"id":3757998,"first_name":"Javier","last_name":"Patiño Loira","domain_name":"ucla","page_name":"JavierPatinoLoira","display_name":"Javier Patiño Loira","profile_url":"https://ucla.academia.edu/JavierPatinoLoira?f_ri=23583","photo":"https://0.academia-photos.com/3757998/1355791/114321376/s65_javier.pati_o_loira.jpg"}</script></span></span></li><li class="js-paper-rank-work_25401862 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25401862"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25401862, container: ".js-paper-rank-work_25401862", }); });</script></li><li class="js-percentile-work_25401862 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25401862; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_25401862"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_25401862 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="25401862"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25401862; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25401862]").text(description); $(".js-view-count-work_25401862").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25401862").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25401862"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">29</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="953" href="https://www.academia.edu/Documents/in/Rhetoric">Rhetoric</a>,&nbsp;<script data-card-contents-for-ri="953" type="text/json">{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3524" href="https://www.academia.edu/Documents/in/Historiography">Historiography</a>,&nbsp;<script data-card-contents-for-ri="3524" type="text/json">{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6922" href="https://www.academia.edu/Documents/in/Poetics">Poetics</a>,&nbsp;<script data-card-contents-for-ri="6922" type="text/json">{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7887" href="https://www.academia.edu/Documents/in/Italian_Literature">Italian Literature</a><script data-card-contents-for-ri="7887" type="text/json">{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25401862]'), work: {"id":25401862,"title":"Acuity of Wit: Wonder, Paradox and Cooperation in Early Modern Spanish and Italian Poetic Theory (1548-1648)","created_at":"2016-05-17T09:52:38.459-07:00","url":"https://www.academia.edu/25401862/Acuity_of_Wit_Wonder_Paradox_and_Cooperation_in_Early_Modern_Spanish_and_Italian_Poetic_Theory_1548_1648_?f_ri=23583","dom_id":"work_25401862","summary":"Acuity of Wit aims at illuminating the role that the notion of “wonder” played in early modern poetic theory, starting with the reception of Aristotle’s Poetics in the mid-sixteenth century. By delving into debates and controversies taking place between the Italian and the Iberian peninsulas, it demonstrates that scholars from Lodovico Castelvetro to Francesco Patrizi to Alonso López Pinciano developed a theoretical framework able to account for the transition from a feeling of wonder aroused by the unexpectedness of plot twists, paradoxical statements and far-fetched metaphors to a feeling of marvel towards the “subtlety” or “acuity” of the wit responsible for any of these. In doing so, I propose a series of often-neglected continuities between sixteenth-century Aristotelianism and the interest in ingenuity generally associated with seventeenth-century Jesuit theorists of “acutezza” or “agudeza”, such as Matteo Peregrini and Baltasar Gracián. For the latter, the ability to market wonders became the main criterion by which to judge the value of a poet and the path to conceive aesthetic values in a poem or a speech. I further show that the taste for wonder and acuity of wit eventually colonized spaces as apparently alien to it as history. Historians influenced by the renewed popularity of Tacitus saw themselves as making use of “acuity of wit” to decipher intentions that the agents had cunningly dissimulated. By doing so, they entered a space halfway between reciprocity and challenge, in which writing was experienced as a contest to outwit princes and courtiers in a game of unveiling inner thoughts and secrets. Finally, I explore how early modern writers and theorists conceived of acuity of wit as a virtue that can be noticed only through the active cooperation of the reader in the process of decoding and unfolding arguments. In a series of highly controversial debates touching on contemporary literary fashions such as the so-called “laconic style” or Luis de Góngora’s “new poetry”, scholars such as Virgilio Malvezzi or Francisco Fernández de Córdoba reversed principles inherited from ancient rhetoric to relocate aesthetic pleasure in the interdependence and competition between author and reader. ","downloadable_attachments":[],"ordered_authors":[{"id":3757998,"first_name":"Javier","last_name":"Patiño Loira","domain_name":"ucla","page_name":"JavierPatinoLoira","display_name":"Javier Patiño Loira","profile_url":"https://ucla.academia.edu/JavierPatinoLoira?f_ri=23583","photo":"https://0.academia-photos.com/3757998/1355791/114321376/s65_javier.pati_o_loira.jpg"}],"research_interests":[{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric?f_ri=23583","nofollow":false},{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=23583","nofollow":false},{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=23583","nofollow":false},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=23583","nofollow":false},{"id":11791,"name":"Early Modern Literature","url":"https://www.academia.edu/Documents/in/Early_Modern_Literature?f_ri=23583"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=23583"},{"id":21714,"name":"Early Modern Rhetoric","url":"https://www.academia.edu/Documents/in/Early_Modern_Rhetoric?f_ri=23583"},{"id":23583,"name":"Sixteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Sixteenth_Century_Poetry?f_ri=23583"},{"id":25725,"name":"Quintilian","url":"https://www.academia.edu/Documents/in/Quintilian?f_ri=23583"},{"id":31660,"name":"Aristotle's Rhetoric and Poetics","url":"https://www.academia.edu/Documents/in/Aristotles_Rhetoric_and_Poetics?f_ri=23583"},{"id":38631,"name":"Poetry and Poetics","url":"https://www.academia.edu/Documents/in/Poetry_and_Poetics?f_ri=23583"},{"id":42987,"name":"Cognitive Poetics","url":"https://www.academia.edu/Documents/in/Cognitive_Poetics?f_ri=23583"},{"id":47993,"name":"Sarbiewski","url":"https://www.academia.edu/Documents/in/Sarbiewski?f_ri=23583"},{"id":47995,"name":"Maciej Kazimierz Sarbiewski","url":"https://www.academia.edu/Documents/in/Maciej_Kazimierz_Sarbiewski?f_ri=23583"},{"id":48883,"name":"Interiority","url":"https://www.academia.edu/Documents/in/Interiority?f_ri=23583"},{"id":83365,"name":"Paradox","url":"https://www.academia.edu/Documents/in/Paradox?f_ri=23583"},{"id":88737,"name":"Gracián","url":"https://www.academia.edu/Documents/in/Gracian?f_ri=23583"},{"id":89969,"name":"Fifteenth and Sixteenth century culture","url":"https://www.academia.edu/Documents/in/Fifteenth_and_Sixteenth_century_culture?f_ri=23583"},{"id":290771,"name":"Baltasar Gracián","url":"https://www.academia.edu/Documents/in/Baltasar_Gracian?f_ri=23583"},{"id":362249,"name":"Wonder","url":"https://www.academia.edu/Documents/in/Wonder?f_ri=23583"},{"id":402789,"name":"Agudeza","url":"https://www.academia.edu/Documents/in/Agudeza?f_ri=23583"},{"id":519113,"name":"Francesco Robortello","url":"https://www.academia.edu/Documents/in/Francesco_Robortello?f_ri=23583"},{"id":634162,"name":"Virgilio Malvezzi","url":"https://www.academia.edu/Documents/in/Virgilio_Malvezzi?f_ri=23583"},{"id":873285,"name":"Lodovico Castelvetro","url":"https://www.academia.edu/Documents/in/Lodovico_Castelvetro?f_ri=23583"},{"id":954798,"name":"Francesco Patrizi Da Cherso)","url":"https://www.academia.edu/Documents/in/Francesco_Patrizi_Da_Cherso_?f_ri=23583"},{"id":959355,"name":"Ingenium","url":"https://www.academia.edu/Documents/in/Ingenium?f_ri=23583"},{"id":977367,"name":"Seventeenth Century British Poetry","url":"https://www.academia.edu/Documents/in/Seventeenth_Century_British_Poetry?f_ri=23583"},{"id":1306291,"name":"Jacopo Mazzoni","url":"https://www.academia.edu/Documents/in/Jacopo_Mazzoni?f_ri=23583"},{"id":1728059,"name":"Giulio Camillo Delminio","url":"https://www.academia.edu/Documents/in/Giulio_Camillo_Delminio?f_ri=23583"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6785328" data-work_id="6785328" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6785328/Un_po%C3%A8me_in%C3%A9dit_du_Prieur%C3%A9_royal_Saint_Louis_de_Poissy_ms_fr_5009_">Un poème inédit du Prieuré royal Saint-Louis de Poissy (ms. fr. 5009)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Les rares documents qui survécurent à la destruction du monastère royal Saint-Louis de Poissy revêtent aux yeux des historiens une valeur d&#39;autant plus grande que la plupart de ses archives disparurent avec les édifices de cette... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_6785328" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Les rares documents qui survécurent à la destruction du monastère royal Saint-Louis de Poissy revêtent aux yeux des historiens une valeur d&#39;autant plus grande que la plupart de ses archives disparurent avec les édifices de cette institution médiévale, détruite au lendemain de la Révolution française. Le manuscrit Fr. 5009 en constitue un exemple remarquable. Intitulé les Memoires concernant le Prieuré de Poissy, Recueillis sur les archives de la maison par Madame Susanne de Henequin Religieuse de ce monastere qui me les envoya, et qui releguée par rapport aux brailleries qui etoient dans cette maison ombre madame de Mailey Prieure Perpetuelle, mourue de la petite verole à Châlon sur Saone, en 1719. dans un monastere de son ordre, cet assemblage de textes renferme plusieurs informations sur le couvent, depuis sa fondation en 1304 jusqu&#39;à l&#39;aube du dix-septième siècle. Mises à part les listes des jeunes femmes et filles qui y entrèrent et prirent le voile, sa compilatrice, Susanne de Hennequin, y insert les résumés de quelques cérémonies qui eurent lieu au couvent pendant la seconde moitié du seizième siècle. Le document contient notamment, à la feuille 2r, une brève description des rites funèbres célébrés en l&#39;honneur de la prieure Marguerite du Puy, décédée en 1583. La relation de ces rites est accompagnée d&#39;une épitaphe anonyme plus loin dans les Memoires, pièce qui en constitue le seul texte poétique du recueil. L&#39;auteure n&#39;est pas identifiée, mais certains aspects du poème évoquent les vers d&#39;un célèbre membre du couvent, Anne de Marquets (1533?–1588).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6785328" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="55815" href="https://smu-ca.academia.edu/AnnickMacAskill">Annick MacAskill</a><script data-card-contents-for-user="55815" type="text/json">{"id":55815,"first_name":"Annick","last_name":"MacAskill","domain_name":"smu-ca","page_name":"AnnickMacAskill","display_name":"Annick MacAskill","profile_url":"https://smu-ca.academia.edu/AnnickMacAskill?f_ri=23583","photo":"https://0.academia-photos.com/55815/202883/76395143/s65_annick.macaskill.jpg"}</script></span></span></li><li class="js-paper-rank-work_6785328 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6785328"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6785328, container: ".js-paper-rank-work_6785328", }); });</script></li><li class="js-percentile-work_6785328 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6785328; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6785328"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6785328 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6785328"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6785328; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6785328]").text(description); $(".js-view-count-work_6785328").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6785328").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6785328"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">7</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10820" href="https://www.academia.edu/Documents/in/French_Renaissance">French Renaissance</a>,&nbsp;<script data-card-contents-for-ri="10820" type="text/json">{"id":10820,"name":"French Renaissance","url":"https://www.academia.edu/Documents/in/French_Renaissance?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17916" href="https://www.academia.edu/Documents/in/Renaissance_literature">Renaissance literature</a>,&nbsp;<script data-card-contents-for-ri="17916" type="text/json">{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20102" href="https://www.academia.edu/Documents/in/French_Wars_of_Religion">French Wars of Religion</a>,&nbsp;<script data-card-contents-for-ri="20102" type="text/json">{"id":20102,"name":"French Wars of Religion","url":"https://www.academia.edu/Documents/in/French_Wars_of_Religion?f_ri=23583","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20255" href="https://www.academia.edu/Documents/in/Early_Modern_Women_Writers">Early Modern Women Writers</a><script data-card-contents-for-ri="20255" type="text/json">{"id":20255,"name":"Early Modern Women Writers","url":"https://www.academia.edu/Documents/in/Early_Modern_Women_Writers?f_ri=23583","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6785328]'), work: {"id":6785328,"title":"Un poème inédit du Prieuré royal Saint-Louis de Poissy (ms. fr. 5009)","created_at":"2014-04-17T00:41:47.678-07:00","url":"https://www.academia.edu/6785328/Un_po%C3%A8me_in%C3%A9dit_du_Prieur%C3%A9_royal_Saint_Louis_de_Poissy_ms_fr_5009_?f_ri=23583","dom_id":"work_6785328","summary":"Les rares documents qui survécurent à la destruction du monastère royal Saint-Louis de Poissy revêtent aux yeux des historiens une valeur d'autant plus grande que la plupart de ses archives disparurent avec les édifices de cette institution médiévale, détruite au lendemain de la Révolution française. Le manuscrit Fr. 5009 en constitue un exemple remarquable. Intitulé les Memoires concernant le Prieuré de Poissy, Recueillis sur les archives de la maison par Madame Susanne de Henequin Religieuse de ce monastere qui me les envoya, et qui releguée par rapport aux brailleries qui etoient dans cette maison ombre madame de Mailey Prieure Perpetuelle, mourue de la petite verole à Châlon sur Saone, en 1719. dans un monastere de son ordre, cet assemblage de textes renferme plusieurs informations sur le couvent, depuis sa fondation en 1304 jusqu'à l'aube du dix-septième siècle. Mises à part les listes des jeunes femmes et filles qui y entrèrent et prirent le voile, sa compilatrice, Susanne de Hennequin, y insert les résumés de quelques cérémonies qui eurent lieu au couvent pendant la seconde moitié du seizième siècle. Le document contient notamment, à la feuille 2r, une brève description des rites funèbres célébrés en l'honneur de la prieure Marguerite du Puy, décédée en 1583. La relation de ces rites est accompagnée d'une épitaphe anonyme plus loin dans les Memoires, pièce qui en constitue le seul texte poétique du recueil. L'auteure n'est pas identifiée, mais certains aspects du poème évoquent les vers d'un célèbre membre du couvent, Anne de Marquets (1533?–1588). 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